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Speaker 1: To Teas in a Pod with Teddy Mellencamp and came

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Speaker 1: Ridge Edge.

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Speaker 2: Okay, guys, welcome to another episode to Teas in a Pod.

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Speaker 2: I'm gonna apologize in advance, which I don't think you should,

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Speaker 2: but I mean, I'm in that stage of my anxiety

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Speaker 2: where I lose my train of thought a little bit. Oh,

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Speaker 2: we're here for to cheese and a pod myself in Erica.

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Speaker 3: Well listen, that's okay. You're totally allowed to be in

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Speaker 3: that place and I will help you out if you

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Speaker 3: need it.

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Speaker 2: Oh, thank you. Yeah, it started. It's normally, like I

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Speaker 2: just you know, I live with constant anxiety.

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Speaker 3: Yeah, like just how long has that been since you

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Speaker 3: were little?

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Speaker 2: Since I was little? So it's never it's been one

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Speaker 2: of those things. But then there will be like like

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Speaker 2: spurts of time where it'll just get really intense and

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Speaker 2: almost of the time be after a panic attack.

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Speaker 3: Yes.

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Speaker 2: So this past week I drove to the horse show.

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Speaker 2: Normally I always, you know, will get a ride or

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Speaker 2: do whatever, and I drove with Slate and it was

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Speaker 2: when no cars were on the road and it was fine.

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Speaker 2: But then driving home, Slaate went home with Edwin because

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Speaker 2: she had to get to her birthday and I hadn't

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Speaker 2: competed yet, so then I had to drive myself. And

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Speaker 2: so when I was on my horse about to show,

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Speaker 2: I started thinking about having to drive home and traffic

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Speaker 2: and the blah blah blah, and like I went completely black,

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Speaker 2: like had to yell out to the people outside the ring,

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Speaker 2: where am I going? Like forgot my course? No, And

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Speaker 2: I mean this is like nine in the morning, Like

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Speaker 2: there's no wow. And then I came out and I

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Speaker 2: had like threw up and no way, yes, gosh teddy.

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Speaker 2: And then it's now, you know what. We're a couple

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Speaker 2: of days later and I'm still in it. But it's

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Speaker 2: like it'll it'll disappear for a little waves. I know,

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Speaker 2: I know.

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Speaker 3: But it's when you feel like you're living outside of

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Speaker 3: your box. Yes, it's like you I yes, I've had

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Speaker 3: that feeling. It's terrible. And that's why I'm on into deepressants.

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Speaker 2: Yeah, I mean, I'm on I'm on a zoloft. So

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Speaker 2: like normally it's pretty much kept at Bay So I

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Speaker 2: don't know if it's just where I have so much

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Speaker 2: travel for work and.

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Speaker 3: Well, you've got a lot going on too. I think

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Speaker 3: you know, people know you from the pod, they know

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Speaker 3: you from the show, but I know you differently, and

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Speaker 3: you've got a lot going on, you know. So it's

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Speaker 3: a lot and you never know. And that's the thing too,

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Speaker 3: is that people see others and they think, well, their

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Speaker 3: life must be great, and yes it is, but there's

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Speaker 3: also a lot of stuff you don't see, and it

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Speaker 3: wears on you and we're all just human at the

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Speaker 3: end of the day. Everybody, Yeah, it sucks.

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Speaker 2: How are you doing.

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Speaker 3: I'm okay. I mean, I had a great therapy session yesterday,

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Speaker 3: which I think is important for me just to continue

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Speaker 3: to stay stable and steady and just not to have

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Speaker 3: my emotions take control of myself.

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Speaker 2: I'm okay.

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Speaker 3: I'm sorry to hear you feel that way though, but

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Speaker 3: I'm here. So we're gonna have a good time.

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Speaker 2: Everybody's gonna we're gonna have a good time talking about

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Speaker 2: other people's problems. You know what, Let's escape our own

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Speaker 2: shit and talk about David Badore, because that's.

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Speaker 3: Really this is really gonna take you right out of

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Speaker 3: your spot.

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Speaker 2: Even though I was so saddened to see the reports

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Speaker 2: that watching True crime doesn't actually help people with anxiety disorder.

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Speaker 3: Okay, there is a problem with that. I asked my therapist. Okay,

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Speaker 3: because I'm always asking my therapist. Is shit, I fall

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Speaker 3: asleep to true crime?

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Speaker 2: Me too. It's relaxing to me.

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Speaker 3: Me too. Do you know that is a mostly in women.

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Speaker 3: I think it's more son like any man that I'm like, oh,

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Speaker 3: can we watch what are you doing? Yeah? I'm like,

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Speaker 3: what are you talking about? I relaxed to this? So

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Speaker 3: I took it up with my son, whos police officer.

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Speaker 3: He's like, yeah, no, that's a problem. He's like, you know,

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Speaker 3: I try everything I can to get away from this shit,

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Speaker 3: and here you are just blasting and lasting it.

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Speaker 2: As you're falling awape, like it can't be good.

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Speaker 3: No, it's not. It's like a trauma response. More investigation.

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Speaker 3: Whomever is out there that watches their listens, please let

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Speaker 3: us know what we're going.

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Speaker 2: Yeah why? And also if you need a good show,

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Speaker 2: Into the Fire on Netflix amazing. Oh, I'm going to

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Speaker 2: start that. I watched it last night. I mean it

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Speaker 2: it's good. Okay, I'll watch it all right. So this

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Speaker 2: first Orange County headline is David Badore's wife Leslie, seeks

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Speaker 2: domestic violence restraining order. He accuses her of extortion.

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Speaker 3: But isn't that what he's doing? Oh no, okay, yeah,

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Speaker 3: totally confused for a hot second, all right.

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Speaker 2: Essentially, Shannon's picker has always been off.

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Speaker 3: It seems this way. So far, we're over too, at

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Speaker 3: least as far as I know her.

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Speaker 2: Yes, So according to page six, Leslie Badour, there's a

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Speaker 2: docket for the Superior Court of California, Orange County. It

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Speaker 2: shows that she filed the request last Tuesday. She claims

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Speaker 2: her husband has been verbally abusive and harassed her in

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Speaker 2: front of all of her kids. I recorded the whole

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Speaker 2: incident and will provide videos to the court. All my

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Speaker 2: children are terrified by David's behavior. David truly needs help.

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Speaker 2: He gets an obsessed of mania state. I never know

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Speaker 2: when David's next mount down will be or how long

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Speaker 2: they will last. She leads, he once was cruel enough

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Speaker 2: to call her late father a pathetic loser that had

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Speaker 2: nothing and say that he deserved to die rough hard words,

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Speaker 2: hard words, And I'm not discrediting that. Most likely this

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Speaker 2: probably does happen. But we have to also turn back

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Speaker 2: time and remember Leslie's Walmart rage video.

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Speaker 3: Anything about Leslie, do you guys, Walmart rage, what are you?

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Speaker 3: Are you trying to tell me that Leslie is not

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Speaker 3: without sin?

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Speaker 2: I'm trying to tell you that I think both parties

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Speaker 2: may have a little up rage. Yeah, well, because you

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Speaker 2: could go back in time and watch that. And she

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Speaker 2: posted the video herself. It was her having rage out Walmart,

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Speaker 2: and she posted the video like she was so in

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Speaker 2: her rage that she thought she was validated in it.

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Speaker 3: Yeah, let's just quit with the videos. Yeah, let's just

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Speaker 3: not video anything.

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Speaker 2: But have you ever been in an argument with someone,

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Speaker 2: and not on Housewives but in general, Yeah, and picked

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Speaker 2: up your camera and started.

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Speaker 3: Absolutely not me neither. Well, I wouldn't even think to

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Speaker 3: do that. That's not when I'm angry. That's the last

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Speaker 3: thing I number one, you should never do that, Okay,

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Speaker 3: never do It's just not something that I would naturally

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Speaker 3: gravitate towards.

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Speaker 2: Yeah, like my let me video you.

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Speaker 3: Yeah, I'm really invested in the words that are coming

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Speaker 3: out of your mouth and how I'm going to destroy them,

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Speaker 3: not where my camera is, you know, how I'm going

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Speaker 3: to destroy what you're saying, not you know, oh my god,

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Speaker 3: let me get this on camera. Yeah I know.

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Speaker 2: Huh.

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Speaker 3: Well, that's uh yeah.

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Speaker 2: But I feel like this has also happened a couple

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Speaker 2: of times, so I hope that both of them end

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Speaker 2: up in a better place.

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Speaker 3: This happened more than once.

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Speaker 2: Yes, I think they filed for divorce a couple of times,

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Speaker 2: and they both go back and forth, and and I think,

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Speaker 2: I don't know if this is in all states, but

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Speaker 2: every time you file something in the court than it's

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Speaker 2: public record. So I don't know how much is being

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Speaker 2: leaked to the press or how much is actually just.

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Speaker 3: But do we care? I mean, these people aren't on

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Speaker 3: the show, right.

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Speaker 2: I mean, we don't care. But it is the number

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Speaker 2: one headline that was listed by doubtload, so.

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Speaker 3: We care for today. Okay, great, we care enough to

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Speaker 3: talk about it with. You have to talk about it with, y'all.

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Speaker 2: I can tell you I probably care more about that

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Speaker 2: than I care about Katie insisting that Heather Dubrow called

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Speaker 2: paparazzi on herself.

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Speaker 3: We don't care, and Katie, I already told you what

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Speaker 3: to do last week, which is just say I'm sorry

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Speaker 3: and let it go. There's a really cool bird out here.

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Speaker 3: What the fuck is going on?

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Speaker 2: Oh my god, it's probably Eric's like Anyways, there's a bird,

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Speaker 2: there's a wild bird out here. Basically, you know, but

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Speaker 2: she said there is more evidence. She's doubling down on

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Speaker 2: her claim that Heather Dubrow called the paparazzi. My husband

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Speaker 2: and I have been in the media for twenty years.

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Speaker 2: We've known this person, and he is in charge of

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Speaker 2: a big company that controls the paparazzi, She says, though

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Speaker 2: she is willing to unveil more details of their conversation

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Speaker 2: on the matter.

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Speaker 3: I'm not going to share our personal texts because I

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Speaker 3: respect his job and I respect his position, and I

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Speaker 3: wouldn't do that to him. I guess it's going to

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Speaker 3: look like that's not a good enough receipt, but I'm

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Speaker 3: going to be respectful to a friend, a dear friend.

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Speaker 3: Just let it go, babe, let it go.

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Speaker 2: But also, there's like three big paparazzi sites, So what

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Speaker 2: is their X seventeen?

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Speaker 3: You tell me shit. All I know is that I

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Speaker 3: always end up on the fucking daily Minil. That's all

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Speaker 3: I know.

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Speaker 2: And you order a lot of Postmates.

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Speaker 3: Do you know why? Because I'm number one, I never

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Speaker 3: learned how to cook Number two. I don't like to

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Speaker 3: cook a number three. I'm terrorized to go anywhere. I

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Speaker 3: love a postmate.

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Speaker 2: Every time the paparazzi gets like during COVID they got

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Speaker 2: me leaving the Chick fil A with Remember when we

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Speaker 2: were and I had a mask on, gloves within you a.

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Speaker 3: Couple of times, girl, ooh my girl.

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Speaker 2: They never give me looking hot.

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Speaker 3: They never get anybody looking hot.

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Speaker 2: Well, the people that call them on themselves, they get

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Speaker 2: looking hot.

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Speaker 3: Here's the thing, what you know, I think you know

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Speaker 3: there are taxes in life. You know how you have

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Speaker 3: to pay, like federal and state taxes. There's a tax

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Speaker 3: to being in the public, and that is one of them.

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Speaker 3: There's a tax. It's like taxes.

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Speaker 2: You know.

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Speaker 3: You just have to accept the fact that you're going

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Speaker 3: to end up on some site looking like shit. And

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Speaker 3: that's just kind of the way it is. A friend

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Speaker 3: of mine, friends of mine asked me to go to

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Speaker 3: Larchmont Village on Saturday, and I was like no, because

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Speaker 3: I was having anxiety and I knew the paparazzi to

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Speaker 3: be there, and I didn't want to look ugly again,

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Speaker 3: and I wasn't going to put in the work to

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Speaker 3: put on, you know, a face or a little bit

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Speaker 3: of hair. Yeah, you're like I said, do you know what,

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Speaker 3: I don't have it in me. I just don't want

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Speaker 3: to look at it today. And you know what, this person,

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Speaker 3: these this couple, they're the same things. So they were like,

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Speaker 3: you know what, we get it.

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Speaker 2: Yeah.

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Speaker 3: I was like, thanks for the invite, but.

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Speaker 2: But I can't do it if you want to hang

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Speaker 2: out with in our pajamas at one of our homes.

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Speaker 3: I'm in mostly their home, yeah, because it's real good.

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Speaker 3: But you know, I hated having to say that to them,

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Speaker 3: which was my anxiety, which is honestly what you were

223
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Speaker 3: talking about is like so bad. I just don't want

224
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Speaker 3: to look at another ugly picture of myself to And I.

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Speaker 2: Think, you know, we'll get kind of into that as

226
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Speaker 2: we talk about like self image and what's going on.

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Speaker 2: Next one is well Alexis Bollino and John Jansen sign

228
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Speaker 2: a prenup.

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Speaker 3: Before he said no I saw that.

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Speaker 2: Did you see his small little scarf? Did you like it?

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Speaker 3: I didn't. You know, you always notice when people I

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Speaker 3: don't notice what these people are wearing.

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Speaker 2: I'm looking so so interesting to me because you always

234
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Speaker 2: I'm such an expression in your own.

235
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Speaker 3: Yeah, but I'm so self involved. But you know what

236
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Speaker 3: I do pay attention to is people are First off,

237
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Speaker 3: if you ask me, it's gonna sound kind of weird.

238
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Speaker 3: What someone looks like, I nine times out of ten

239
00:10:49,160 --> 00:10:51,960
Speaker 3: can tell you what they feel like to me more

240
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Speaker 3: so than what they exactly look like. So I'm never

241
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Speaker 3: really looking at someone's clothes. I'm really looking at their

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Speaker 3: face or how they feel to me. And I noticed

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Speaker 3: when he said no, he was like no. I thought, okay, cool, yeah, cool.

244
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Speaker 2: When when Erica goes cool like it's all bad, it's

245
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Speaker 2: all about yeah cool, it's good, cool, cool, okay, but

246
00:11:13,559 --> 00:11:17,240
Speaker 2: he says no, and then she says, we talked about it.

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Speaker 2: And then they asked if she'll take his last name,

248
00:11:21,080 --> 00:11:24,560
Speaker 2: and she said yes, right, one hundred percent, she answered,

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Speaker 2: immediately before sharing her new initials.

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Speaker 3: A J all the way, Oh that would be her name.

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Speaker 2: Uh yeah, I mean, look, what are your thoughts on

252
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Speaker 2: prenups if you were to get married again?

253
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Speaker 3: Well, I didn't have one with Tom, and I probably

254
00:11:37,360 --> 00:11:41,200
Speaker 3: should have. I don't know if anything would have saved

255
00:11:41,240 --> 00:11:44,160
Speaker 3: me because that going through, but maybe it would have helped.

256
00:11:45,120 --> 00:11:48,040
Speaker 3: I did end up with anything anyway, So I don't know.

257
00:11:48,120 --> 00:11:49,959
Speaker 3: You know what everybody needs to do their own thing.

258
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Speaker 3: I would advise, yes, get a prenup, because nine times

259
00:11:53,520 --> 00:11:56,320
Speaker 3: out of ten you just needed an extra layer protection.

260
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Speaker 3: And no, it's not romantic, and yes it puts a

261
00:11:58,600 --> 00:12:02,000
Speaker 3: damper on the whole love thing, but it's also a

262
00:12:02,040 --> 00:12:07,600
Speaker 3: reality of when and if God forbid things turn ugly,

263
00:12:08,240 --> 00:12:11,040
Speaker 3: you're protected at least in some way. And nobody ever

264
00:12:11,080 --> 00:12:12,040
Speaker 3: wants to think of that.

265
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Speaker 2: But would you have been offended when you first met Oh,

266
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Speaker 2: not at all.

267
00:12:15,760 --> 00:12:17,360
Speaker 3: He was very wealthy. I had nothing.

268
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Speaker 2: But would you be offended if he were to say

269
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Speaker 2: I need you to sign a prenup in order for

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Speaker 2: us to get married.

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Speaker 3: No, because he had everything and I had nothing, So

272
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Speaker 3: I would understand why he would want to protect himself.

273
00:12:28,880 --> 00:12:30,640
Speaker 3: But I don't think he ever had a prenup. I

274
00:12:30,679 --> 00:12:32,560
Speaker 3: was wife number three. I don't think he ever had

275
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Speaker 3: a prenup. That's interesting.

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Speaker 2: I mean I have a prenup. It's not great. Yeah,

277
00:12:38,480 --> 00:12:41,840
Speaker 2: it's a real shitty one. I sometimes just think.

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Speaker 3: Who cares?

279
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Speaker 2: Yeah, I mean.

280
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Speaker 3: It was a place you were in at that time.

281
00:12:47,840 --> 00:12:51,520
Speaker 2: Yeah, I mean my belongings when I met Edwin where

282
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Speaker 2: it was an English bulldog one Cardier bracelet and Mercedes

283
00:13:00,640 --> 00:13:03,360
Speaker 2: like something like but it was like years year like

284
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Speaker 2: super super old.

285
00:13:04,480 --> 00:13:07,600
Speaker 3: I had a red Toyota convertible silica and my clothes

286
00:13:07,600 --> 00:13:11,880
Speaker 3: were in trash bags. That was all I had nothing,

287
00:13:12,440 --> 00:13:13,920
Speaker 3: So anything was up from there.

288
00:13:13,960 --> 00:13:15,480
Speaker 2: But I also want to know, like where I got

289
00:13:15,480 --> 00:13:18,160
Speaker 2: that Cardia bracelet? Yeah, who gave it? Probably your dad?

290
00:13:18,679 --> 00:13:19,240
Speaker 3: I don't know.

291
00:13:19,320 --> 00:13:21,120
Speaker 2: It doesn't seem like a gift to you. Maybe it

292
00:13:21,200 --> 00:13:23,480
Speaker 2: was from Edwin, like maybe he gave it to me

293
00:13:23,760 --> 00:13:26,360
Speaker 2: when you moved in No, like when he was my boyfriend.

294
00:13:26,559 --> 00:13:29,080
Speaker 3: Oh well, the fact that you don't remember it makes

295
00:13:29,120 --> 00:13:31,480
Speaker 3: me a little nervous. And where where is this bracelet today?

296
00:13:32,080 --> 00:13:33,400
Speaker 2: It's no idea.

297
00:13:33,440 --> 00:13:39,840
Speaker 3: Don't do separate property bit because this ain't it? Yeah,

298
00:13:39,880 --> 00:13:43,600
Speaker 3: this is half? Okay, ef, you got half?

299
00:13:43,800 --> 00:13:45,960
Speaker 2: The bulldog's been dead for eight years.

300
00:13:46,040 --> 00:13:47,800
Speaker 3: Where are your dogs? You have to you know, I

301
00:13:47,840 --> 00:13:49,520
Speaker 3: just want to say, I'm sorry to Bogart, but like

302
00:13:50,640 --> 00:13:53,720
Speaker 3: my dog, my beloved Thiago, has been uh he's been

303
00:13:53,760 --> 00:13:56,840
Speaker 3: gone for exactly a year. Oh my gosh. But wait

304
00:13:56,840 --> 00:13:59,040
Speaker 3: a second, I'm putting out the feelers because it's time

305
00:13:59,040 --> 00:14:00,800
Speaker 3: for me to get a new dog. It's time for

306
00:14:00,840 --> 00:14:02,480
Speaker 3: me to have a companion, and it's time for me

307
00:14:02,520 --> 00:14:05,000
Speaker 3: to get a new dog. So I'm reaching out to

308
00:14:05,080 --> 00:14:06,160
Speaker 3: anyone that.

309
00:14:06,280 --> 00:14:08,880
Speaker 2: Do you want the same kind of dog I do?

310
00:14:10,280 --> 00:14:12,360
Speaker 3: But it's a lot of work. But I don't think

311
00:14:12,360 --> 00:14:15,000
Speaker 3: that I'm a small dog girl. Someone changed my mind.

312
00:14:15,000 --> 00:14:17,079
Speaker 3: I don't know where are your dogs?

313
00:14:17,120 --> 00:14:19,760
Speaker 2: Well, so I had just to take you guys down

314
00:14:19,760 --> 00:14:22,960
Speaker 2: my quick dog timeline before we get into this. But

315
00:14:23,480 --> 00:14:25,680
Speaker 2: I had, you know, the bulldog when I met Edwin

316
00:14:25,880 --> 00:14:29,000
Speaker 2: who passed away of old age. And then we had

317
00:14:29,120 --> 00:14:31,160
Speaker 2: Khalisi who you met when you were on the show,

318
00:14:32,120 --> 00:14:34,600
Speaker 2: which was she was special. Yeah, she was the best

319
00:14:34,680 --> 00:14:39,480
Speaker 2: pom ever. And she took her to a doggy daycare

320
00:14:39,520 --> 00:14:42,000
Speaker 2: when we went out of town and she passed away there.

321
00:14:42,040 --> 00:14:45,200
Speaker 2: It was traumatic. And then we got these two little frenchies, right,

322
00:14:45,400 --> 00:14:49,520
Speaker 2: Havanna Havana and pork Chop Yea, and they were I mean,

323
00:14:49,560 --> 00:14:51,840
Speaker 2: I'm just being honest. I might get heat for this.

324
00:14:51,880 --> 00:14:56,840
Speaker 2: They weren't like the English bulldogs, like they were hell

325
00:14:56,920 --> 00:14:59,360
Speaker 2: on wheels and they chewed up our life and like

326
00:14:59,760 --> 00:15:02,760
Speaker 2: I I was going to keep them forever. And then

327
00:15:02,800 --> 00:15:06,240
Speaker 2: my brother came into town and you said, and he

328
00:15:06,320 --> 00:15:09,440
Speaker 2: lives on like a farm and he's he started playing

329
00:15:09,440 --> 00:15:11,560
Speaker 2: with them and he's an artist. He works from home,

330
00:15:12,000 --> 00:15:15,720
Speaker 2: and he's like, Teddy, I've always wanted French bulldogs. And

331
00:15:15,760 --> 00:15:17,240
Speaker 2: I was like, today is your dad?

332
00:15:17,360 --> 00:15:21,040
Speaker 3: I was like, you know what, spec I have a.

333
00:15:21,040 --> 00:15:22,640
Speaker 2: Gift for you. And then his girlfriend's looking at me

334
00:15:22,680 --> 00:15:25,200
Speaker 2: and she's like, oh wow. And so then I looked

335
00:15:25,240 --> 00:15:27,400
Speaker 2: at her and I go, what will it take? And

336
00:15:27,400 --> 00:15:30,600
Speaker 2: she's like a Gucci purse. I go go go up

337
00:15:30,600 --> 00:15:32,640
Speaker 2: to line. No, I go up to my closet. Pick

338
00:15:32,680 --> 00:15:33,440
Speaker 2: anyone you want. Oh.

339
00:15:33,440 --> 00:15:35,200
Speaker 3: I thought you were going to take a shop. No oh,

340
00:15:35,240 --> 00:15:36,400
Speaker 3: And you let her take a bag.

341
00:15:36,600 --> 00:15:38,360
Speaker 2: I let her take a bag and a pair of

342
00:15:38,440 --> 00:15:41,840
Speaker 2: air Mays slides and then anything and then the two dogs,

343
00:15:41,920 --> 00:15:44,880
Speaker 2: the bag, the air May slides. My brother and his

344
00:15:45,040 --> 00:15:47,840
Speaker 2: girlfriend went on their merry way and they live a

345
00:15:47,840 --> 00:15:49,760
Speaker 2: happily life ever after.

346
00:15:49,760 --> 00:15:50,280
Speaker 3: The country.

347
00:15:50,440 --> 00:15:52,880
Speaker 2: Yeah, and now we just foster. We foster dogs so

348
00:15:52,920 --> 00:15:55,640
Speaker 2: that like you do, Yeah, we'll foster them and so

349
00:15:55,680 --> 00:15:57,520
Speaker 2: that the kids get that experience and that we can

350
00:15:57,560 --> 00:16:01,160
Speaker 2: also help the dogs. And while there trying to get adopted,

351
00:16:01,200 --> 00:16:03,360
Speaker 2: but like, we travel too much, and I realized it's

352
00:16:03,360 --> 00:16:04,320
Speaker 2: not fair to them.

353
00:16:04,600 --> 00:16:06,680
Speaker 3: It's not And that was one of the real things

354
00:16:06,680 --> 00:16:09,160
Speaker 3: that I've been struggling with was, you know, Okay, Erica,

355
00:16:09,320 --> 00:16:14,240
Speaker 3: you're by yourself. Don't rob me. You're by which is

356
00:16:14,240 --> 00:16:17,320
Speaker 3: why I'm getting the dog again. You're by yourself. You

357
00:16:17,360 --> 00:16:21,320
Speaker 3: live you know, you live alone. I've always had working dogs,

358
00:16:21,400 --> 00:16:27,080
Speaker 3: which is Emily's dog, I know, Toko. Yeah, he's beautiful, Emily,

359
00:16:28,720 --> 00:16:32,680
Speaker 3: And I thought, you know what, I travel. But at

360
00:16:32,680 --> 00:16:35,360
Speaker 3: the same time, like you know, I always have people

361
00:16:35,400 --> 00:16:35,880
Speaker 3: stay at the house.

362
00:16:35,880 --> 00:16:37,960
Speaker 2: I was going to say, you always have I always have.

363
00:16:38,200 --> 00:16:40,080
Speaker 3: Yeah, I always have people stay at the house. And

364
00:16:40,520 --> 00:16:42,800
Speaker 3: I've been looking at these Italian mastiffs.

365
00:16:44,040 --> 00:16:45,400
Speaker 2: That's a big ass dog.

366
00:16:45,520 --> 00:16:47,000
Speaker 3: Yeah, but that's my type.

367
00:16:47,760 --> 00:16:48,040
Speaker 2: You know.

368
00:16:48,200 --> 00:16:51,760
Speaker 3: I like big dogs. I'm a big she loves big dogs.

369
00:16:53,720 --> 00:16:56,760
Speaker 2: Because dogs, what is it that you do what we do.

370
00:16:56,800 --> 00:16:58,800
Speaker 2: At the beginning of Housewives.

371
00:16:58,200 --> 00:17:05,439
Speaker 3: Here my tagline Erica loves big dogs. Erica loves big dogs.

372
00:17:06,000 --> 00:17:09,959
Speaker 2: So in Beverly Hills, we love big dogs.

373
00:17:10,359 --> 00:17:13,720
Speaker 3: Well, big dogs need a long leash. I'm a big dog.

374
00:17:13,760 --> 00:17:16,560
Speaker 3: I need a long leash, you know. So there you go.

375
00:17:16,640 --> 00:17:18,760
Speaker 3: I'll never forget Ida. When I was young, I dated

376
00:17:18,800 --> 00:17:21,160
Speaker 3: this man and he was a man and he told

377
00:17:21,160 --> 00:17:22,639
Speaker 3: me that when we were talking about, you know, like,

378
00:17:22,640 --> 00:17:24,600
Speaker 3: are we dat He's like, Erica, I'm a big dog.

379
00:17:24,640 --> 00:17:26,520
Speaker 3: I need a long leash stuck with me for forever.

380
00:17:26,520 --> 00:17:27,880
Speaker 3: And you know what, I'm a big dog. I need

381
00:17:27,880 --> 00:17:30,560
Speaker 3: a fucking long leash too. I was on a short

382
00:17:30,640 --> 00:17:31,439
Speaker 3: leash for many year.

383
00:17:31,480 --> 00:17:33,119
Speaker 2: Yeah, you're like, now I need you need one of

384
00:17:33,119 --> 00:17:37,440
Speaker 2: those retractable yes, but anyway, unleash.

385
00:17:37,560 --> 00:17:40,320
Speaker 3: But anyway, I'm looking for dogs and I would welcome some.

386
00:17:41,600 --> 00:17:43,240
Speaker 2: So people should slide into your dms.

387
00:17:43,320 --> 00:17:45,639
Speaker 3: Yeah, you know if someone has a re your DMS,

388
00:17:45,720 --> 00:17:50,080
Speaker 3: like of course, yeah, I have some interesting things in there. Yeah,

389
00:17:50,160 --> 00:17:54,800
Speaker 3: it's never anybody wanting to like hook up, but they

390
00:17:55,080 --> 00:17:57,160
Speaker 3: there are interesting people that I've connected with, like different

391
00:17:57,240 --> 00:18:00,639
Speaker 3: artists and stuff. So if you have any suggestions or

392
00:18:00,680 --> 00:18:03,680
Speaker 3: if you know somebody that's got good, solid dogs, let

393
00:18:03,680 --> 00:18:05,280
Speaker 3: me know. Temperament is everything for me.

394
00:18:06,440 --> 00:18:09,720
Speaker 2: Yeah, temperament is everything. Because we don't want to see

395
00:18:09,760 --> 00:18:12,560
Speaker 2: any of this next thing, which is Alexis Billino bringing

396
00:18:12,600 --> 00:18:16,800
Speaker 2: receipts to Real Housewives Orange County Season eighteen reunion but

397
00:18:17,000 --> 00:18:18,240
Speaker 2: not video footage.

398
00:18:18,320 --> 00:18:18,920
Speaker 3: What does that mean?

399
00:18:19,400 --> 00:18:21,680
Speaker 2: I know. When Alexis was a guest on Page six

400
00:18:21,840 --> 00:18:25,320
Speaker 2: Virtual reality podcast, she explained how she was going to

401
00:18:25,440 --> 00:18:29,119
Speaker 2: expose the truth at the reunion. She said, I know

402
00:18:29,200 --> 00:18:31,000
Speaker 2: people make fun of it, but I'm telling you now,

403
00:18:31,000 --> 00:18:33,399
Speaker 2: if you're going up against lying and the truth, you

404
00:18:33,480 --> 00:18:35,760
Speaker 2: better have the receipts. My future husband is the one

405
00:18:35,760 --> 00:18:38,439
Speaker 2: that's being massacred and it's not true. So I am

406
00:18:38,480 --> 00:18:40,520
Speaker 2: not going to drop it. I'm going to show the

407
00:18:40,600 --> 00:18:42,800
Speaker 2: truth and tell the truth. But if you don't, if

408
00:18:42,800 --> 00:18:45,000
Speaker 2: you're not showing the videos, what are you showing?

409
00:18:45,200 --> 00:18:48,240
Speaker 3: Well that's the big gotcha, gotcha? What do you have Alexis?

410
00:18:48,280 --> 00:18:50,640
Speaker 3: And why are you fighting his fight? Yeah?

411
00:18:50,760 --> 00:18:51,479
Speaker 2: Let him do it.

412
00:18:51,600 --> 00:18:54,200
Speaker 3: Yeah, let the man do his own work, let him.

413
00:18:53,960 --> 00:18:57,320
Speaker 2: Do his shit. Like it actually concerns me. She's been

414
00:18:57,400 --> 00:19:01,160
Speaker 2: so right or die for you know her ex Jim

415
00:19:01,240 --> 00:19:04,720
Speaker 2: Bollino as well. She's so ride or die for them

416
00:19:04,840 --> 00:19:08,359
Speaker 2: all the time. Like if I think there's a moment

417
00:19:08,359 --> 00:19:11,320
Speaker 2: where you pull yourself back from doing that. But maybe

418
00:19:11,359 --> 00:19:15,199
Speaker 2: I'm wrong, I pus, I just don't speak of the person.

419
00:19:15,400 --> 00:19:21,359
Speaker 3: Well, I think that. Look, Shannon versus Alexis has been

420
00:19:21,480 --> 00:19:29,240
Speaker 3: very entertaining, and you know, John and the threesome has

421
00:19:29,280 --> 00:19:33,160
Speaker 3: been very entertaining. But I don't know what Alexis gets

422
00:19:33,160 --> 00:19:35,359
Speaker 3: in the long I'm always looking at the like I

423
00:19:35,400 --> 00:19:37,280
Speaker 3: always play the long game, which is where does this

424
00:19:37,320 --> 00:19:39,159
Speaker 3: get me at the end of the day. And I

425
00:19:39,160 --> 00:19:40,920
Speaker 3: don't know if this gets her anything.

426
00:19:41,080 --> 00:19:42,720
Speaker 2: Well, what I have started to think of it.

427
00:19:42,800 --> 00:19:44,719
Speaker 3: Does that make sense? Yes? You know what I mean? Like,

428
00:19:44,720 --> 00:19:46,240
Speaker 3: what is this really buy you?

429
00:19:46,440 --> 00:19:49,199
Speaker 2: Here? And correct me if I'm wrong. I actually started

430
00:19:49,240 --> 00:19:54,080
Speaker 2: thinking the fact that Alexis came onto the show and

431
00:19:54,119 --> 00:19:57,479
Speaker 2: Shannon's been able to talk about the John Janssen stuff

432
00:19:57,720 --> 00:20:00,960
Speaker 2: has really lightened the conversation and regards to the Duy

433
00:20:01,320 --> 00:20:04,120
Speaker 2: on like it's actually a savior.

434
00:20:04,240 --> 00:20:07,800
Speaker 3: It's actually shifted the focus from the Duy to this

435
00:20:08,600 --> 00:20:13,560
Speaker 3: as he's being portrayed bad man and this girl friend Alexis,

436
00:20:13,600 --> 00:20:18,160
Speaker 3: that's you know, protecting him and in some ways bullying Shannon.

437
00:20:18,560 --> 00:20:20,320
Speaker 3: I mean, if you really want to, if you really

438
00:20:20,320 --> 00:20:22,200
Speaker 3: want it down to what's happening.

439
00:20:21,880 --> 00:20:25,120
Speaker 2: Here, because then it's like you kind of forget. I mean,

440
00:20:25,359 --> 00:20:28,359
Speaker 2: as much as there's empathy for Shannon, I'm like, you

441
00:20:28,400 --> 00:20:32,000
Speaker 2: should be so happy that this happened, because if this didn't.

442
00:20:32,040 --> 00:20:33,639
Speaker 3: Well you would have heard as d Y d U

443
00:20:33,760 --> 00:20:36,080
Speaker 3: I and how you were a hypocrite against Gina and

444
00:20:36,119 --> 00:20:37,679
Speaker 3: all the other ships. Yeah, like it would have been

445
00:20:37,680 --> 00:20:39,119
Speaker 3: because we know how these things go.

446
00:20:39,280 --> 00:20:53,480
Speaker 2: Yeah, Okay, so it starts out with Katie, Emily, and

447
00:20:53,600 --> 00:20:56,920
Speaker 2: Jen meet for lunch. Emily says her dress was a

448
00:20:57,000 --> 00:20:59,440
Speaker 2: size twelve at the fashion show, and Alexis was a

449
00:20:59,480 --> 00:21:01,480
Speaker 2: size two. Emily says she was the only one who

450
00:21:01,480 --> 00:21:04,200
Speaker 2: had to bring her own genes. Emily thinks Heather's views

451
00:21:04,520 --> 00:21:07,439
Speaker 2: views her as a big girl. I love when Emily

452
00:21:07,520 --> 00:21:10,520
Speaker 2: asks if she's valid in her feelings and Katie is like,

453
00:21:10,560 --> 00:21:13,439
Speaker 2: oh yeah, girl, because I want anybody but me to

454
00:21:13,520 --> 00:21:14,960
Speaker 2: have to go after Heather at this point.

455
00:21:15,160 --> 00:21:20,600
Speaker 3: Well, yeah, but I think that Emily truly feels some

456
00:21:20,760 --> 00:21:21,439
Speaker 3: way about this.

457
00:21:21,640 --> 00:21:24,720
Speaker 2: Yeah, I don't think. I think that being on a

458
00:21:24,760 --> 00:21:26,040
Speaker 2: show like this.

459
00:21:26,119 --> 00:21:31,200
Speaker 3: Only enhances it. And I'm telling you, any flaw, any insecurity,

460
00:21:31,440 --> 00:21:35,600
Speaker 3: any crack, only becomes more exposed or what is the

461
00:21:35,640 --> 00:21:38,080
Speaker 3: word bigger for lack of a better word, on a

462
00:21:38,119 --> 00:21:38,560
Speaker 3: show like.

463
00:21:38,520 --> 00:21:40,679
Speaker 2: This, Yeah, I mean, I think you can be like

464
00:21:40,880 --> 00:21:45,920
Speaker 2: a size double zero and still feel it's however you're

465
00:21:45,960 --> 00:21:49,359
Speaker 2: feeling like emotionally, however you're feeling with the group. I mean,

466
00:21:49,400 --> 00:21:52,800
Speaker 2: I remember even walking in and somebody making a comment

467
00:21:52,960 --> 00:21:55,000
Speaker 2: about like I think I wore like a different colored

468
00:21:55,040 --> 00:21:58,920
Speaker 2: lipstick one day and somebody's like, well, that's not a

469
00:21:59,000 --> 00:22:00,919
Speaker 2: character for you. Why are you wearing that coat? And

470
00:22:01,240 --> 00:22:05,240
Speaker 2: I remember like feeling like having that moment of like shit,

471
00:22:05,920 --> 00:22:07,600
Speaker 2: like do I look like I'm trying to like all

472
00:22:07,600 --> 00:22:11,639
Speaker 2: these weird insecurities. Sure that happened because it wasn't necessarily

473
00:22:11,680 --> 00:22:14,840
Speaker 2: a compliment, but it wasn't necessarily a put down.

474
00:22:15,080 --> 00:22:19,320
Speaker 3: No, I see this is and you ride this place

475
00:22:19,400 --> 00:22:23,720
Speaker 3: where if I acknowledge something, oh hey, that's different. Now

476
00:22:24,160 --> 00:22:26,480
Speaker 3: it's on you to you know, now you're in your

477
00:22:26,520 --> 00:22:29,520
Speaker 3: head about are they making fun of me? Or you know,

478
00:22:30,240 --> 00:22:32,359
Speaker 3: what does that mean? And then it becomes this whole

479
00:22:32,359 --> 00:22:34,679
Speaker 3: big thing in your head because you're also different.

480
00:22:34,840 --> 00:22:39,040
Speaker 2: You're accepting. You know that at some point somebody is

481
00:22:39,080 --> 00:22:40,679
Speaker 2: going to be out to get you on these shows,

482
00:22:41,320 --> 00:22:43,040
Speaker 2: so your defenses are up.

483
00:22:43,480 --> 00:22:46,439
Speaker 3: Well, if they aren't, they will be after your first season.

484
00:22:47,960 --> 00:22:50,480
Speaker 2: But because I know in real life, you walk into

485
00:22:50,560 --> 00:22:52,280
Speaker 2: your friend group and they're like, hey girl, what are

486
00:22:52,280 --> 00:22:54,240
Speaker 2: you doing with the red lipstick? And I'm like, try

487
00:22:54,359 --> 00:22:54,760
Speaker 2: something new.

488
00:22:54,840 --> 00:22:57,800
Speaker 3: You know, like, well you'll be embraced, And here you

489
00:22:57,880 --> 00:22:59,560
Speaker 3: run the risk of not being embraced as a matter

490
00:22:59,600 --> 00:23:01,680
Speaker 3: of fact, and then you turn inward.

491
00:23:01,880 --> 00:23:05,240
Speaker 2: Yeah, but I mean, we'll get more into this conversation

492
00:23:05,359 --> 00:23:07,920
Speaker 2: later as the show goes on, because I think that's

493
00:23:07,960 --> 00:23:08,879
Speaker 2: where it really.

494
00:23:08,800 --> 00:23:10,000
Speaker 3: But she blossoms for her.

495
00:23:10,080 --> 00:23:14,199
Speaker 2: Yeah, she starts expressing how she's feeling, and I understand,

496
00:23:15,280 --> 00:23:18,359
Speaker 2: regardless of if it has to do with weight or

497
00:23:18,520 --> 00:23:21,240
Speaker 2: whatever it may be, we all go through that, yep,

498
00:23:21,400 --> 00:23:26,119
Speaker 2: in some capacity. Then Shannon says John's lawyer wants the

499
00:23:26,200 --> 00:23:29,360
Speaker 2: videos for blackmail purposes and they're going to file against her.

500
00:23:29,800 --> 00:23:32,280
Speaker 2: The reason they wouldn't accept her offer is because they

501
00:23:32,320 --> 00:23:37,600
Speaker 2: want to still keep those videos of her allegedly on

502
00:23:37,640 --> 00:23:39,879
Speaker 2: the ring camera. Whatever it is that we don't know.

503
00:23:40,119 --> 00:23:42,520
Speaker 3: That's just like a threat though. That's like having something

504
00:23:42,600 --> 00:23:45,760
Speaker 3: hanging over your head, you know, that's just kind of weird.

505
00:23:45,600 --> 00:23:49,280
Speaker 2: Which is actually terrible. There's nothing Also, she doesn't know

506
00:23:49,680 --> 00:23:52,760
Speaker 2: what's on there. To me, there's nothing worse than the unknown.

507
00:23:52,800 --> 00:23:55,359
Speaker 3: Of course, because if she doesn't remember, then you know,

508
00:23:55,400 --> 00:23:58,040
Speaker 3: you're filling in the blanks with the worst case scenarios,

509
00:23:58,080 --> 00:24:01,080
Speaker 3: and it's like this thing dangling out there. Well, you know,

510
00:24:01,200 --> 00:24:02,040
Speaker 3: we still have this.

511
00:24:02,280 --> 00:24:03,440
Speaker 2: It's emotional warfare.

512
00:24:03,800 --> 00:24:04,600
Speaker 3: Well, it's just mean.

513
00:24:04,880 --> 00:24:07,520
Speaker 2: But also like, if you're so happy in your new

514
00:24:07,520 --> 00:24:09,800
Speaker 2: life and somebody's willing to pay you, Like I'm here

515
00:24:09,840 --> 00:24:11,879
Speaker 2: to tell you. If if I was suing you tomorrow

516
00:24:11,920 --> 00:24:14,240
Speaker 2: for seventy five thousand and you came back and offered

517
00:24:14,240 --> 00:24:16,800
Speaker 2: me fifty thousand and never talk about it again, I'd

518
00:24:16,800 --> 00:24:20,200
Speaker 2: be like, great, great, that's the end of that fifty

519
00:24:20,240 --> 00:24:22,200
Speaker 2: thousand dollars richer, and I'm done right.

520
00:24:22,040 --> 00:24:24,760
Speaker 3: And let's have a non disclosure agreement and you know,

521
00:24:24,800 --> 00:24:27,679
Speaker 3: I mean a confidentiality agreement. Excuse me and move on

522
00:24:27,800 --> 00:24:29,399
Speaker 3: with our lives. You never talk about it. I never

523
00:24:29,440 --> 00:24:30,040
Speaker 3: talk about it.

524
00:24:30,280 --> 00:24:32,480
Speaker 2: The end, and now I have my money that I wanted.

525
00:24:32,560 --> 00:24:35,000
Speaker 2: But this doesn't seem to be about money, No, it isn't.

526
00:24:35,240 --> 00:24:40,960
Speaker 2: It's about shame. Yeah, it's about shame. Yeah, she is terrible, which.

527
00:24:40,840 --> 00:24:42,320
Speaker 3: Is it's just terrible.

528
00:24:42,359 --> 00:24:44,960
Speaker 2: And I'm sure she already feels a shit ton of shame.

529
00:24:45,080 --> 00:24:47,320
Speaker 3: Yeah, you don't need to add to that. And Alexis

530
00:24:47,359 --> 00:24:49,400
Speaker 3: doesn't need to add to that. And John, look, they

531
00:24:51,400 --> 00:24:52,200
Speaker 3: they know what they're doing.

532
00:24:52,720 --> 00:24:57,280
Speaker 2: Yeah, it's not okay. Then Heather was asked to present

533
00:24:57,400 --> 00:25:01,360
Speaker 2: at the Glad Awards. Heather and Meredith present the award.

534
00:25:01,720 --> 00:25:04,800
Speaker 2: Alexis also at the event to support her children. This

535
00:25:04,880 --> 00:25:07,320
Speaker 2: is a nice moment, of course, it is. We love Glad,

536
00:25:07,760 --> 00:25:11,400
Speaker 2: We love Glad. I think it's it's good that both

537
00:25:11,400 --> 00:25:13,600
Speaker 2: of them have been open about sharing as long as

538
00:25:13,640 --> 00:25:16,280
Speaker 2: their kids are comfortable with whatever they're sharing.

539
00:25:16,000 --> 00:25:17,760
Speaker 3: As long as their kids are comfortable, which they seem

540
00:25:17,800 --> 00:25:17,960
Speaker 3: to be.

541
00:25:18,080 --> 00:25:19,879
Speaker 2: Yeah, which they seem to be, and they seem to

542
00:25:19,920 --> 00:25:23,760
Speaker 2: be very well loved, and so we love that. Yeah,

543
00:25:23,840 --> 00:25:28,000
Speaker 2: there's not not much more to comment. Nothing really happens

544
00:25:28,000 --> 00:25:31,240
Speaker 2: at this event of drama's sake, which is nice. Well,

545
00:25:31,359 --> 00:25:33,600
Speaker 2: you guys, we do it there. We love to ruin

546
00:25:33,640 --> 00:25:34,400
Speaker 2: a charity event.

547
00:25:34,480 --> 00:25:39,560
Speaker 3: Yeah, but not please, there's enough. We can wait, you know,

548
00:25:39,600 --> 00:25:40,560
Speaker 3: there's enough to go on.

549
00:25:40,840 --> 00:25:43,560
Speaker 2: There's nothing more than a housewife loves than to ruin

550
00:25:43,560 --> 00:25:47,640
Speaker 2: a charity event. Then Katie Tamra and their daughters go

551
00:25:47,960 --> 00:25:49,080
Speaker 2: candle making.

552
00:25:48,920 --> 00:25:49,919
Speaker 3: Which I thought was sweet.

553
00:25:50,119 --> 00:25:54,159
Speaker 2: That was nice Tamra, I audibly laughed when she's like,

554
00:25:54,320 --> 00:25:57,480
Speaker 2: mine smells like medicine because it's just so well.

555
00:25:57,960 --> 00:26:01,960
Speaker 3: Yes, she did not pick up, you know, florals. She

556
00:26:02,080 --> 00:26:02,960
Speaker 3: picked a stringent.

557
00:26:03,359 --> 00:26:05,400
Speaker 2: Yeah, I mean that's probably what I would pick because

558
00:26:05,400 --> 00:26:07,840
Speaker 2: I have no idea how to do anything arts and crafty.

559
00:26:08,000 --> 00:26:09,720
Speaker 3: But you know what you like to smell like? Right?

560
00:26:10,080 --> 00:26:10,919
Speaker 2: Yeah, but I don't know.

561
00:26:11,000 --> 00:26:12,200
Speaker 3: Are you Do you wear perfume?

562
00:26:12,600 --> 00:26:15,199
Speaker 2: I wear Kai, which well I wore it for years

563
00:26:15,240 --> 00:26:18,159
Speaker 2: and then there was somebody else on our show that

564
00:26:18,200 --> 00:26:20,960
Speaker 2: came in wearing it and I had to stop. They

565
00:26:21,040 --> 00:26:24,600
Speaker 2: told you to No, I just smelled them, smelling like

566
00:26:24,680 --> 00:26:25,400
Speaker 2: you mean, but.

567
00:26:25,359 --> 00:26:27,160
Speaker 3: What about you getting a signature sent now?

568
00:26:27,840 --> 00:26:28,240
Speaker 2: Oh?

569
00:26:28,480 --> 00:26:29,119
Speaker 3: Well, I don't know.

570
00:26:29,600 --> 00:26:31,119
Speaker 2: I mean, is that something you can help me with?

571
00:26:31,320 --> 00:26:35,240
Speaker 3: I you know, I recently started collecting perfume, and because

572
00:26:35,280 --> 00:26:37,119
Speaker 3: I didn't wear it for so long and now I

573
00:26:37,160 --> 00:26:41,119
Speaker 3: do and I really enjoy it. Yeah, I've got some

574
00:26:41,280 --> 00:26:43,360
Speaker 3: I got I've I've bought some bottles.

575
00:26:43,400 --> 00:26:46,719
Speaker 2: Well, I like the I prefer the oil, yeah, the spray.

576
00:26:46,920 --> 00:26:51,120
Speaker 3: Sure, but well, someone sent her something that she can

577
00:26:51,160 --> 00:26:51,640
Speaker 3: try out.

578
00:26:51,920 --> 00:26:54,920
Speaker 2: Yeah, guys, because you know, I'm having conflicting smell.

579
00:26:55,040 --> 00:26:56,879
Speaker 3: Do you like Santa La? Do you like Flora? What

580
00:26:56,880 --> 00:26:59,400
Speaker 3: do you like? I have Kai smell like, I don't even.

581
00:26:59,200 --> 00:27:04,359
Speaker 2: Know kais I have no, don't. I don't have it on.

582
00:27:04,480 --> 00:27:06,399
Speaker 2: I sometimes I put it on, sometimes I don't. I

583
00:27:06,440 --> 00:27:08,040
Speaker 2: stopped wearing it when I was on the show, because

584
00:27:08,040 --> 00:27:09,720
Speaker 2: then I'd be like, oh, we smell the same.

585
00:27:10,280 --> 00:27:11,400
Speaker 3: Well, you need your own signature.

586
00:27:11,480 --> 00:27:16,600
Speaker 2: Smell wow, smell scent scent miud smell smeile MoU shmoo

587
00:27:16,800 --> 00:27:20,440
Speaker 2: sm But Tama tells them to be careful who they

588
00:27:20,480 --> 00:27:21,159
Speaker 2: procreate with.

589
00:27:21,320 --> 00:27:21,560
Speaker 3: Amen.

590
00:27:22,400 --> 00:27:25,960
Speaker 2: Amen. Sophia says she doesn't want to get married to

591
00:27:26,040 --> 00:27:27,359
Speaker 2: have or have kids.

592
00:27:27,400 --> 00:27:28,359
Speaker 3: Good for Sophia.

593
00:27:28,480 --> 00:27:31,400
Speaker 2: I love that, Sophia, And I mean, I can say this,

594
00:27:31,920 --> 00:27:34,919
Speaker 2: I thought the same thing. I wanted to get married

595
00:27:35,000 --> 00:27:36,760
Speaker 2: when I was younger, but I didn't want to have kids.

596
00:27:37,320 --> 00:27:40,240
Speaker 3: Look, it can change how she feels right now. That's fine,

597
00:27:40,280 --> 00:27:42,480
Speaker 3: and so it's great that Sophia feels that way now.

598
00:27:42,520 --> 00:27:45,040
Speaker 3: She may not feel that way later. It's all good

599
00:27:45,119 --> 00:27:47,240
Speaker 3: even if she does feel that way later. Everybody's allowed

600
00:27:47,280 --> 00:27:49,320
Speaker 3: to live their life. Nobody nobody's hurting anybody.

601
00:27:49,480 --> 00:27:51,720
Speaker 2: And also she's allowed to express how she's feeling in

602
00:27:51,760 --> 00:27:55,280
Speaker 2: the moment. I love that Sophia is kind of just

603
00:27:55,320 --> 00:27:57,840
Speaker 2: who she is no matter what. Yes, because she's never

604
00:27:57,880 --> 00:27:59,879
Speaker 2: been on the show, we have to remember she's a

605
00:28:00,080 --> 00:28:02,560
Speaker 2: essentially been. Her mom has been a part of the

606
00:28:02,560 --> 00:28:05,240
Speaker 2: show since Sofia was what is it three years old.

607
00:28:05,400 --> 00:28:07,560
Speaker 3: It's kind of like Portia who doesn't know it I was.

608
00:28:07,680 --> 00:28:11,040
Speaker 2: Now, but she was never on any season of Orange

609
00:28:11,080 --> 00:28:11,920
Speaker 2: County until this one.

610
00:28:12,200 --> 00:28:14,679
Speaker 3: Good for her, I mean, for whatever reason. But she

611
00:28:14,720 --> 00:28:19,840
Speaker 3: seems totally comfortable, Yeah, and just herself, which is wonderful.

612
00:28:20,000 --> 00:28:22,720
Speaker 2: Yeah for you. And then Tamra says Simon was not

613
00:28:22,800 --> 00:28:25,720
Speaker 2: a great husband or dad. She says it's hard because

614
00:28:25,800 --> 00:28:28,720
Speaker 2: he gave her children, but a part of her hates him.

615
00:28:30,040 --> 00:28:35,719
Speaker 3: Well, okay, maybe we keep that part inside. Yeah, I

616
00:28:35,720 --> 00:28:38,160
Speaker 3: mean because my mother used to say that about my father,

617
00:28:38,480 --> 00:28:41,320
Speaker 3: who you know, I met when I was twenty five.

618
00:28:41,480 --> 00:28:44,520
Speaker 3: It didn't go great, but she would say things like

619
00:28:44,560 --> 00:28:46,400
Speaker 3: you look like your dad or da da da da,

620
00:28:46,440 --> 00:28:48,200
Speaker 3: And I was like eh, And she didn't say it

621
00:28:48,240 --> 00:28:50,200
Speaker 3: in a loving way, so that maybe I would have

622
00:28:50,280 --> 00:28:52,880
Speaker 3: kept to myself. That's and you know what I mean.

623
00:28:52,960 --> 00:28:56,600
Speaker 2: And my biggest thing that I've always said to both

624
00:28:56,680 --> 00:28:59,080
Speaker 2: my parents, because their favorite thing to do is when

625
00:28:59,120 --> 00:29:03,480
Speaker 2: I pissed them off, to call me the other one's name. Yeah,

626
00:29:03,520 --> 00:29:04,000
Speaker 2: Like they'll be like.

627
00:29:04,000 --> 00:29:06,600
Speaker 3: Oh, look at look at John. Okay John, you know

628
00:29:06,640 --> 00:29:08,160
Speaker 3: what my mother's to do the same thing.

629
00:29:08,920 --> 00:29:11,840
Speaker 2: What are you a little Vicky? And I'm like, whoa,

630
00:29:12,240 --> 00:29:13,360
Speaker 2: And I hate it.

631
00:29:13,400 --> 00:29:15,239
Speaker 3: And I hated it too, And I didn't even know

632
00:29:15,360 --> 00:29:15,920
Speaker 3: my dad.

633
00:29:16,160 --> 00:29:19,560
Speaker 2: Yeah, like I don't know him, mom, And it just

634
00:29:19,760 --> 00:29:23,280
Speaker 2: gives still to this day, they will both it'll still

635
00:29:23,320 --> 00:29:25,520
Speaker 2: start to come out and I'll be like, please don't

636
00:29:25,560 --> 00:29:28,520
Speaker 2: say it. It's actually bothersome to me because I love.

637
00:29:28,640 --> 00:29:31,160
Speaker 2: I have love for both of you, absolutely, and for

638
00:29:31,280 --> 00:29:34,720
Speaker 2: you to put it out there as if it's a negative.

639
00:29:34,560 --> 00:29:35,520
Speaker 3: Makes me feel weird.

640
00:29:35,600 --> 00:29:37,160
Speaker 2: And also, you two chose each other.

641
00:29:37,240 --> 00:29:39,360
Speaker 3: I didn't choose you, No, you did not.

642
00:29:39,440 --> 00:29:42,000
Speaker 2: For the record, like I wasn't like out there just

643
00:29:42,040 --> 00:29:45,280
Speaker 2: like a random looking for Vickian you know, John, I

644
00:29:45,320 --> 00:29:47,000
Speaker 2: wasn't looking for Jack and Diane.

645
00:29:47,160 --> 00:29:50,880
Speaker 3: I was just you know, I wasn't So I don't

646
00:29:50,880 --> 00:29:53,840
Speaker 3: want to hear it, and I agree it makes me.

647
00:29:53,960 --> 00:29:56,000
Speaker 3: It made me feel weird too when I was a kid, Oh,

648
00:29:56,080 --> 00:29:58,840
Speaker 3: look at your Latin daddy. You look like you're Latin daddy.

649
00:29:58,920 --> 00:30:01,360
Speaker 3: Oh yeah, you guys, I still know this, but you know,

650
00:30:01,400 --> 00:30:03,200
Speaker 3: and I was like, I don't even know what he

651
00:30:03,240 --> 00:30:04,120
Speaker 3: looks like. Mom.

652
00:30:04,600 --> 00:30:06,200
Speaker 2: Does she never show you a picture? Yeah?

653
00:30:06,200 --> 00:30:08,360
Speaker 3: I met him later. I would show me a picture,

654
00:30:08,400 --> 00:30:12,640
Speaker 3: but I didn't think I looked like, but how like, how.

655
00:30:12,360 --> 00:30:15,080
Speaker 2: Did she kind of and even introduce that to you? Like,

656
00:30:15,240 --> 00:30:17,680
Speaker 2: was there like a photo book or was there anything.

657
00:30:18,440 --> 00:30:20,680
Speaker 3: My mother and my grandmother would talk about my father,

658
00:30:21,600 --> 00:30:27,320
Speaker 3: and I met my uncle when I was like four

659
00:30:27,400 --> 00:30:31,640
Speaker 3: or five, so I sort of knew of them, but

660
00:30:32,520 --> 00:30:35,440
Speaker 3: I did not and I heard stories about my father.

661
00:30:35,800 --> 00:30:37,280
Speaker 2: Did you guys all live in the same town.

662
00:30:38,120 --> 00:30:42,480
Speaker 3: No, he left, okay, so he actually lives on the

663
00:30:42,480 --> 00:30:45,040
Speaker 3: West Coast and I lived in Atlanta. I was born

664
00:30:45,040 --> 00:30:47,640
Speaker 3: and raised in Atlanta, So no, we did not live

665
00:30:47,680 --> 00:30:50,200
Speaker 3: in the same town, so he was nowhere near. And

666
00:30:50,400 --> 00:30:52,640
Speaker 3: so like when my mother would get angry, Oh there's

667
00:30:52,640 --> 00:30:53,240
Speaker 3: your dad.

668
00:30:53,160 --> 00:30:53,320
Speaker 2: You know.

669
00:30:53,400 --> 00:30:55,360
Speaker 3: Yeah, I'm not gonna say his name because he didn't

670
00:30:55,360 --> 00:30:58,080
Speaker 3: need all that and I don't either, but yeah, yeah

671
00:30:58,120 --> 00:30:59,560
Speaker 3: I would. My mother would do the same thing, and

672
00:30:59,560 --> 00:31:01,440
Speaker 3: my grandmother a little bit, and I would just be like,

673
00:31:01,440 --> 00:31:03,280
Speaker 3: you know, I don't even know this, dude, Why are

674
00:31:03,280 --> 00:31:04,000
Speaker 3: you saying that?

675
00:31:04,120 --> 00:31:07,440
Speaker 2: Yeah, it's it doesn't and it doesn't feel complimentary.

676
00:31:07,640 --> 00:31:11,200
Speaker 3: Yeah, so maybe Tama would have just kept it short.

677
00:31:11,320 --> 00:31:13,640
Speaker 2: But either way, I think that we are seeing that

678
00:31:13,760 --> 00:31:19,120
Speaker 2: both Tamra's daughter and Katie's daughter have have a hard

679
00:31:19,160 --> 00:31:20,440
Speaker 2: relationship with their dad.

680
00:31:20,280 --> 00:31:22,840
Speaker 3: And Katie said that in her confessional, yeah, that they

681
00:31:23,040 --> 00:31:24,120
Speaker 3: relate on this level.

682
00:31:25,720 --> 00:31:30,320
Speaker 2: And then uh, Shannon and VICKI fly to Saint Louis.

683
00:31:30,160 --> 00:31:32,400
Speaker 3: For the Trace to make up. But I guess it's dose.

684
00:31:32,840 --> 00:31:34,880
Speaker 2: It's dose. So I had to do some research on

685
00:31:34,920 --> 00:31:37,360
Speaker 2: this because the way they present this is as if

686
00:31:37,520 --> 00:31:40,640
Speaker 2: it's a well oiled machine that's been going on for years.

687
00:31:41,120 --> 00:31:43,680
Speaker 2: You mean the show, the show, the Trace make a show, yeah,

688
00:31:43,720 --> 00:31:48,560
Speaker 2: like when you like machine. Oh, sorry to bring myself

689
00:31:48,560 --> 00:31:50,720
Speaker 2: into you're like, hold on anyways, the next pretty nice

690
00:31:50,720 --> 00:31:54,880
Speaker 2: to let yeah actually actually yeah, yeah, you can buy

691
00:31:54,960 --> 00:31:59,440
Speaker 2: tickets now. But they make it seem like there was

692
00:31:59,480 --> 00:32:01,760
Speaker 2: a Lee East. I don't know, like you would think

693
00:32:01,760 --> 00:32:03,760
Speaker 2: it had been going on for years. How many shows

694
00:32:03,800 --> 00:32:09,440
Speaker 2: were there? Three three? Three three shows Trace?

695
00:32:09,600 --> 00:32:12,800
Speaker 3: There was three shows, and now there's squattro shows with

696
00:32:12,960 --> 00:32:13,960
Speaker 3: dos amgas.

697
00:32:14,040 --> 00:32:14,280
Speaker 1: Yeah.

698
00:32:14,480 --> 00:32:16,520
Speaker 2: So when they're anybody who's.

699
00:32:16,320 --> 00:32:17,480
Speaker 3: Being standards, I'm so sorry.

700
00:32:17,600 --> 00:32:21,720
Speaker 2: Yeah, I'm so sorry. I have to say, when you

701
00:32:21,800 --> 00:32:24,960
Speaker 2: think of something that's a well oiled machine, it's not

702
00:32:25,040 --> 00:32:26,040
Speaker 2: three fucking shows. No.

703
00:32:26,160 --> 00:32:30,600
Speaker 3: Three shows are basically rehearsal, yeah, and show dress rehearsal.

704
00:32:30,880 --> 00:32:33,280
Speaker 2: Three. I mean they could use three more shows to

705
00:32:33,360 --> 00:32:34,560
Speaker 2: work on their current show.

706
00:32:34,960 --> 00:32:38,920
Speaker 3: Yeah, for sure, for sure you need three more maybe

707
00:32:38,960 --> 00:32:42,200
Speaker 3: private rehearsals before we put it back on the road. Yeah,

708
00:32:42,200 --> 00:32:44,840
Speaker 3: but I gotta you know, the time to reformulate the

709
00:32:44,840 --> 00:32:46,520
Speaker 3: show is not in front of the audience.

710
00:32:46,720 --> 00:32:46,760
Speaker 1: No.

711
00:32:47,040 --> 00:32:49,480
Speaker 3: The tapping. Did you ever tap as a child? Because

712
00:32:49,480 --> 00:32:49,720
Speaker 3: I did?

713
00:32:49,760 --> 00:32:51,680
Speaker 2: Yes, I did with my mini mouse here of course,

714
00:32:52,360 --> 00:32:52,680
Speaker 2: like you.

715
00:32:52,640 --> 00:32:55,760
Speaker 3: Know, everybody's shuffle ball change and shuffle step and you know,

716
00:32:56,520 --> 00:33:01,360
Speaker 3: heel toe tap, heel toe tap. Yeah, I don't know

717
00:33:01,760 --> 00:33:06,280
Speaker 3: that they were giving me their best well and.

718
00:33:06,160 --> 00:33:09,800
Speaker 2: Why they're so frustrated after for tam or leaving when

719
00:33:09,800 --> 00:33:12,480
Speaker 2: they knew. But then the next thing, I'm like, why

720
00:33:12,520 --> 00:33:16,360
Speaker 2: are they acting like they're Taylor and Beyonce? But then

721
00:33:16,520 --> 00:33:18,480
Speaker 2: Vicky kept comparing herself to Adele.

722
00:33:19,280 --> 00:33:24,120
Speaker 3: The Adele thing was a reach, you know, like the Adele. Yeah,

723
00:33:24,280 --> 00:33:25,040
Speaker 3: we're like Adele.

724
00:33:25,480 --> 00:33:26,840
Speaker 2: I was like, are you to Lulu?

725
00:33:27,000 --> 00:33:29,760
Speaker 3: Like I'm I'm listen. I think that we all admire

726
00:33:29,840 --> 00:33:30,640
Speaker 3: certain people.

727
00:33:31,160 --> 00:33:33,440
Speaker 2: You know, I could compare my Like, if I was

728
00:33:33,480 --> 00:33:35,560
Speaker 2: going to compare myself to someone, I'm trying to think

729
00:33:35,560 --> 00:33:36,280
Speaker 2: of who would.

730
00:33:36,040 --> 00:33:38,200
Speaker 3: Be like Harymon is the Thief of Joy, Teddy don't

731
00:33:38,200 --> 00:33:39,760
Speaker 3: do it right.

732
00:33:40,080 --> 00:33:42,480
Speaker 2: But I mean, if I were, it would probably be

733
00:33:42,600 --> 00:33:44,760
Speaker 2: somebody who's, you know, a pain in the act. Like

734
00:33:44,840 --> 00:33:49,080
Speaker 2: it wouldn't be Adele. It wouldn't be a mega superstar

735
00:33:49,240 --> 00:33:50,040
Speaker 2: selling out.

736
00:33:50,800 --> 00:33:54,120
Speaker 3: Yeah. Well, look with the world's best voice.

737
00:33:54,120 --> 00:33:56,840
Speaker 2: When I can't even figure out my T shirt slingshot.

738
00:33:57,360 --> 00:34:00,360
Speaker 3: That was interesting too. Adele does T shirt slingshot. I

739
00:34:00,400 --> 00:34:03,840
Speaker 3: did not know that. But she's done at MLB games.

740
00:34:03,840 --> 00:34:05,880
Speaker 3: I've seen them done at baseball games, like the Angels

741
00:34:05,920 --> 00:34:06,400
Speaker 3: us to love.

742
00:34:06,360 --> 00:34:07,920
Speaker 2: It, but they have like a gun that kind of

743
00:34:08,080 --> 00:34:08,839
Speaker 2: tests them out.

744
00:34:09,000 --> 00:34:11,279
Speaker 3: Maybe not like with a slingshot in a club in

745
00:34:11,360 --> 00:34:13,920
Speaker 3: Saint louis Is said Saint Louis. I think I actually

746
00:34:13,920 --> 00:34:15,319
Speaker 3: loved Saint Louis. I had a good time there.

747
00:34:15,480 --> 00:34:19,520
Speaker 2: I did too. Then Jen asked her son Dawson to

748
00:34:19,560 --> 00:34:22,280
Speaker 2: be honest with her about not coming home before curfew.

749
00:34:22,600 --> 00:34:24,800
Speaker 2: Dawson says he doesn't want to come to the house.

750
00:34:25,160 --> 00:34:27,520
Speaker 2: Dawson says he doesn't have personal space. It would be

751
00:34:27,520 --> 00:34:29,399
Speaker 2: better to go to his dad's place. And then Jen

752
00:34:29,440 --> 00:34:32,399
Speaker 2: gets emotional and says she'd be better about giving him

753
00:34:32,719 --> 00:34:34,560
Speaker 2: his space, but she'll never stop being his mom.

754
00:34:34,600 --> 00:34:37,160
Speaker 3: Okay, So Hey, I have a thirty two year old son.

755
00:34:37,360 --> 00:34:39,600
Speaker 3: This is par for the course. They want to be

756
00:34:39,640 --> 00:34:42,520
Speaker 3: with their dad. They don't like to be near their mother.

757
00:34:42,840 --> 00:34:45,279
Speaker 3: Don't take it personally, Jen, I promise you he'll come

758
00:34:45,320 --> 00:34:47,399
Speaker 3: back around. It's going to take a little while. But

759
00:34:47,480 --> 00:34:51,160
Speaker 3: he's also in my opinion, like you know, you want

760
00:34:51,200 --> 00:34:55,040
Speaker 3: boys to want to be independent. You don't want them

761
00:34:55,040 --> 00:34:57,839
Speaker 3: to be stuck at home. I'm not saying that is this,

762
00:34:58,320 --> 00:34:59,160
Speaker 3: but can.

763
00:34:59,600 --> 00:35:01,799
Speaker 2: We do it? Check on how old Dawson is.

764
00:35:02,320 --> 00:35:06,160
Speaker 3: He's in high school. I thought, right, But it's okay

765
00:35:06,239 --> 00:35:07,759
Speaker 3: to want to live with your dad. I think it's

766
00:35:07,760 --> 00:35:09,320
Speaker 3: totally okay to okay with that.

767
00:35:09,520 --> 00:35:12,040
Speaker 2: I'm not worried about him wanting to live with his dad.

768
00:35:12,120 --> 00:35:13,640
Speaker 3: You do have to come home. You can't break her.

769
00:35:13,480 --> 00:35:17,799
Speaker 2: But the structure is what I think is problematic.

770
00:35:18,640 --> 00:35:20,279
Speaker 3: He's seventeen. He should be home.

771
00:35:20,560 --> 00:35:22,160
Speaker 2: And when she said, I don't want you to get

772
00:35:22,200 --> 00:35:23,719
Speaker 2: mad at me when I tell you have to wake

773
00:35:23,800 --> 00:35:26,440
Speaker 2: up and go to school, I think, what ends up happening?

774
00:35:26,480 --> 00:35:29,120
Speaker 2: I know I did this when I would switch between

775
00:35:29,480 --> 00:35:31,080
Speaker 2: both my parents' houses.

776
00:35:30,880 --> 00:35:34,160
Speaker 3: Which one was John or Vicky? Which one was more lax?

777
00:35:34,560 --> 00:35:35,000
Speaker 3: My mom?

778
00:35:35,320 --> 00:35:41,120
Speaker 2: Oh, but I was very manipulative, like I would use

779
00:35:41,320 --> 00:35:46,600
Speaker 2: the other parent to get out of certain situations. Daddie, Yes,

780
00:35:46,800 --> 00:35:50,400
Speaker 2: because as as I knew that they couldn't work together,

781
00:35:50,760 --> 00:35:53,520
Speaker 2: Oh you just played them. Yeah. Then I was like, well, great,

782
00:35:53,680 --> 00:35:56,600
Speaker 2: well I have the upper hand in every siture. You're

783
00:35:56,640 --> 00:35:57,600
Speaker 2: not talking to each other.

784
00:35:57,719 --> 00:35:58,400
Speaker 3: I got my.

785
00:35:58,440 --> 00:36:01,600
Speaker 2: Own way, which is I'm not saying Dawson.

786
00:36:01,320 --> 00:36:03,960
Speaker 3: Is doing this, but I'm saying Dawson, if you're listening.

787
00:36:04,040 --> 00:36:06,760
Speaker 2: But Dawson, if you're not going to school on time,

788
00:36:07,200 --> 00:36:08,360
Speaker 2: you're breaking curfew.

789
00:36:10,040 --> 00:36:12,680
Speaker 3: It's not acceptable in either home you got. You're seventeen

790
00:36:12,719 --> 00:36:15,280
Speaker 3: years old. You have to come. You cannot break curfew.

791
00:36:15,400 --> 00:36:17,680
Speaker 3: You need to go to school. Nothing good happens if

792
00:36:17,719 --> 00:36:19,440
Speaker 3: you do. If you know, don't go to school and

793
00:36:19,480 --> 00:36:20,600
Speaker 3: break curfew. I can promise you that.

794
00:36:20,719 --> 00:36:23,240
Speaker 2: But Jen's ex husband did used to work for Jen's

795
00:36:23,320 --> 00:36:24,560
Speaker 2: dad and now he doesn't.

796
00:36:25,840 --> 00:36:29,680
Speaker 3: Oh so, but her parents look nice. We met her.

797
00:36:30,160 --> 00:36:32,480
Speaker 3: I remember seeing her parents on this season.

798
00:36:32,360 --> 00:36:36,799
Speaker 2: The next sweet But I did appreciate the conversation where

799
00:36:36,840 --> 00:36:43,080
Speaker 2: Jen says that she wants more for Dawson than what

800
00:36:43,280 --> 00:36:46,600
Speaker 2: she created for herself. She's like, she's a very honest moment,

801
00:36:46,640 --> 00:36:49,520
Speaker 2: and we all want more. I think every parent wants more.

802
00:36:50,120 --> 00:36:55,000
Speaker 2: And I kind of appreciate her vulnerability where she will

803
00:36:55,040 --> 00:36:57,120
Speaker 2: open up about that kind of stuff because not a

804
00:36:57,120 --> 00:36:59,960
Speaker 2: lot of women, not a lot of housewives are going

805
00:36:59,920 --> 00:37:00,440
Speaker 2: to do that.

806
00:37:00,600 --> 00:37:02,600
Speaker 3: No, and they're not really. She's been criticized for a

807
00:37:02,640 --> 00:37:04,880
Speaker 3: lot of things like not having a job, not paying

808
00:37:04,880 --> 00:37:08,239
Speaker 3: her bills. We see this scene with her son, So

809
00:37:08,280 --> 00:37:09,799
Speaker 3: you do have to give it to her there. You're

810
00:37:09,880 --> 00:37:11,480
Speaker 3: right about that. There are a lot of people that

811
00:37:11,480 --> 00:37:15,800
Speaker 3: would definitely shield the audience the opposite way, of course,

812
00:37:16,040 --> 00:37:18,759
Speaker 3: and you know, try to make that not happen at all.

813
00:37:19,719 --> 00:37:23,360
Speaker 2: But then Shannon and Vicky start their show. Vicky wants

814
00:37:23,400 --> 00:37:25,320
Speaker 2: to start it with a shot of tequila. I can't

815
00:37:25,360 --> 00:37:28,480
Speaker 2: help because I am somebody that thinks ahead thinking that is.

816
00:37:28,600 --> 00:37:33,040
Speaker 3: I thought it was a fucking sate Ted Ted thinks

817
00:37:33,080 --> 00:37:35,479
Speaker 3: See I didn't. I just thought, well, Vicky's being Vicky.

818
00:37:35,520 --> 00:37:37,640
Speaker 3: She's trying to rile up the crowd. This one is

819
00:37:37,680 --> 00:37:39,320
Speaker 3: already down with the sabotage.

820
00:37:39,440 --> 00:37:42,160
Speaker 2: I fucking thought she did this on purpose, because then

821
00:37:42,200 --> 00:37:44,120
Speaker 2: you saw Shannon shrink down.

822
00:37:43,880 --> 00:37:45,600
Speaker 3: And say, well, I'm gonna have a sick I'll have a.

823
00:37:45,600 --> 00:37:48,960
Speaker 2: Sip because she she also is probably nervous in the

824
00:37:49,000 --> 00:37:53,319
Speaker 2: same situation and doesn't feel comfortable, and she knows, she

825
00:37:53,440 --> 00:37:55,600
Speaker 2: knows that they could have just brought any cup out there,

826
00:37:55,640 --> 00:37:57,960
Speaker 2: could have had a mocktail. I could have apple cider.

827
00:37:58,080 --> 00:38:00,839
Speaker 2: She could have had a mocktail. But that didn't even

828
00:38:00,920 --> 00:38:02,880
Speaker 2: have to be a discussion. I felt like it was

829
00:38:02,920 --> 00:38:07,080
Speaker 2: a discussion because Vicky wanted to make a point of

830
00:38:07,080 --> 00:38:10,319
Speaker 2: it that Shannon's still drinking. I can't help it.

831
00:38:10,400 --> 00:38:13,000
Speaker 3: I always see that in people, you know, which is

832
00:38:13,040 --> 00:38:15,799
Speaker 3: great about you, because I looked the other way, which

833
00:38:15,840 --> 00:38:18,280
Speaker 3: is Vicky's trying to, you know, rile up the crowd.

834
00:38:18,320 --> 00:38:22,160
Speaker 3: This is what they do. And maybe she just wasn't

835
00:38:22,280 --> 00:38:25,279
Speaker 3: thinking about Shannon or something like that. Vicky's in her

836
00:38:25,320 --> 00:38:26,879
Speaker 3: own you know, Hey, we got to sell the show,

837
00:38:26,880 --> 00:38:29,040
Speaker 3: we got to crowd into it. Whereas you're like, hey,

838
00:38:29,040 --> 00:38:31,880
Speaker 3: this is a pure sabotage. Interesting, but I always I

839
00:38:32,040 --> 00:38:34,680
Speaker 3: have that natural no. But it's actually, Look, it's not

840
00:38:34,840 --> 00:38:37,880
Speaker 3: a bad thing. It's just I didn't see it that way.

841
00:38:38,040 --> 00:38:40,479
Speaker 3: And now that you proposed that, But do you think

842
00:38:40,520 --> 00:38:42,799
Speaker 3: that Vicky would do that to Shannon? I mean, they

843
00:38:42,840 --> 00:38:46,040
Speaker 3: are friends. She was there to support her at the

844
00:38:46,080 --> 00:38:46,920
Speaker 3: Traders party.

845
00:38:48,520 --> 00:38:50,640
Speaker 2: But I mean she got paid to be there.

846
00:38:50,520 --> 00:38:54,880
Speaker 3: So what everything's not about money? Ted? Okay, maybe I'm

847
00:38:54,920 --> 00:38:58,839
Speaker 3: wrong here, Erica, Well not everything. I mean, you know,

848
00:38:59,000 --> 00:39:00,560
Speaker 3: I've done some things for free.

849
00:39:00,920 --> 00:39:03,560
Speaker 2: I was there when she was there, and the whole

850
00:39:03,600 --> 00:39:06,319
Speaker 2: time she's like not paying attention. She's ready to go

851
00:39:07,000 --> 00:39:11,320
Speaker 2: either way. I think I think it was for show purposes.

852
00:39:11,400 --> 00:39:13,719
Speaker 2: Was it to sell out Shannon? Maybe not? But was

853
00:39:13,719 --> 00:39:16,360
Speaker 2: it for to try to create good television? Yes?

854
00:39:16,480 --> 00:39:19,360
Speaker 3: Okay, but that's why would they bring her in? Is

855
00:39:19,360 --> 00:39:22,040
Speaker 3: because people do like to see Vicky on TV and

856
00:39:22,120 --> 00:39:23,879
Speaker 3: I think she is good TV. She is good TV

857
00:39:24,920 --> 00:39:27,280
Speaker 3: watching her, and she's why she's lasted.

858
00:39:27,600 --> 00:39:31,000
Speaker 2: Yeah. Then Heather tells Alexis she should have brought John

859
00:39:31,040 --> 00:39:35,200
Speaker 2: to the awards, and Alexis gets emotional. Alexis says, the

860
00:39:35,239 --> 00:39:39,480
Speaker 2: legal battle is affecting her. Could could you explain to

861
00:39:39,520 --> 00:39:43,800
Speaker 2: me how John suing Shannon over facelift money is emotionally

862
00:39:43,840 --> 00:39:45,200
Speaker 2: affecting Alexis?

863
00:39:45,239 --> 00:39:48,720
Speaker 3: I cannot, because unless you've personally ensued, which is quite

864
00:39:48,840 --> 00:39:53,200
Speaker 3: an experience multiple times, who cares? You know? It's not

865
00:39:53,320 --> 00:39:59,560
Speaker 3: your fight and no, it's you know you're you're emotional

866
00:39:59,560 --> 00:40:01,480
Speaker 3: because you but then.

867
00:40:01,360 --> 00:40:04,040
Speaker 2: I noticed these are but this is the other ship

868
00:40:04,080 --> 00:40:06,640
Speaker 2: that I noticed, like clothes, like I noticed, like you

869
00:40:06,640 --> 00:40:09,440
Speaker 2: know how some people are really good criers. Yeah?

870
00:40:09,840 --> 00:40:11,840
Speaker 3: Were there no tears coming out of her face? I

871
00:40:11,880 --> 00:40:12,920
Speaker 3: mean out of her eyeballs?

872
00:40:13,040 --> 00:40:13,239
Speaker 1: Well?

873
00:40:13,280 --> 00:40:15,840
Speaker 2: No, her entire nose just turned bright red.

874
00:40:16,040 --> 00:40:17,680
Speaker 3: But my nose does that, it does?

875
00:40:17,719 --> 00:40:24,200
Speaker 2: Oh god, No, your eyes get like sparkling blue and big.

876
00:40:24,680 --> 00:40:26,960
Speaker 3: What have you been analyzing the way I cried?

877
00:40:27,160 --> 00:40:31,960
Speaker 2: Yes, I analyze how everyone cries. I have not the

878
00:40:32,040 --> 00:40:36,640
Speaker 2: good thing about my crying is my lips get really big, teddy.

879
00:40:36,680 --> 00:40:38,920
Speaker 3: I don't even know what it is. I didn't even

880
00:40:40,800 --> 00:40:43,480
Speaker 3: you don't think I could have never been short for words,

881
00:40:43,520 --> 00:40:44,399
Speaker 3: But damn it.

882
00:40:44,640 --> 00:40:47,960
Speaker 2: I can analyze every person's cries, except I can't tell

883
00:40:47,960 --> 00:40:50,200
Speaker 2: you about Juris because I've never seen her cry. Then

884
00:40:50,239 --> 00:40:54,239
Speaker 2: the women write questions on Djenga tiles. I saw that

885
00:40:55,120 --> 00:40:58,640
Speaker 2: Alexis pulls. Who do you hate? Alexis says, she hates

886
00:40:58,680 --> 00:41:02,920
Speaker 2: the devil? I I have to tell you, Yeah, Alex's

887
00:41:04,200 --> 00:41:06,480
Speaker 2: really drove me nuts this entire episode.

888
00:41:06,600 --> 00:41:08,680
Speaker 3: I can tell she really got on your nurse.

889
00:41:08,800 --> 00:41:11,399
Speaker 2: Why does she bug me so much? In real life?

890
00:41:11,440 --> 00:41:12,600
Speaker 2: She didn't bug me that much.

891
00:41:12,760 --> 00:41:17,040
Speaker 3: Well, I think you're affected by the show. Well, I

892
00:41:17,080 --> 00:41:19,279
Speaker 3: can see why she would wear you down. I mean,

893
00:41:19,400 --> 00:41:21,640
Speaker 3: I think you're not the look you know what, you're

894
00:41:21,680 --> 00:41:25,360
Speaker 3: not the No, the whole audience is worn down by

895
00:41:25,440 --> 00:41:28,400
Speaker 3: this woman. And I say that with love and kindness.

896
00:41:28,440 --> 00:41:32,359
Speaker 3: But you know there's something the whole audiences but.

897
00:41:32,280 --> 00:41:34,359
Speaker 2: They are they are.

898
00:41:35,440 --> 00:41:39,560
Speaker 3: You can see it if you're feeling it. We're feeling,

899
00:41:39,560 --> 00:41:44,080
Speaker 3: and imagine what everybody else is feeling. Like, my god, God,

900
00:41:44,160 --> 00:41:47,280
Speaker 3: bless her. I don't know her, but she's really worked hard.

901
00:41:48,040 --> 00:41:50,439
Speaker 3: She's worked hard for that, has worked hard for that. Wait,

902
00:41:50,960 --> 00:41:54,640
Speaker 3: calls her a friend. Soon you're just a friend.

903
00:41:55,120 --> 00:41:57,200
Speaker 2: Well that's where I was like, Emily, did you have

904
00:41:57,239 --> 00:42:00,400
Speaker 2: one too many espresso?

905
00:42:00,480 --> 00:42:02,920
Speaker 3: More teams. Emily's over there calling out the show, and

906
00:42:02,960 --> 00:42:03,640
Speaker 3: they let it in.

907
00:42:03,920 --> 00:42:07,520
Speaker 2: I can't when they when they love it, it's like

908
00:42:07,560 --> 00:42:10,719
Speaker 2: a Bravo, Bravo, fucking Bravo moment. I love people let

909
00:42:10,800 --> 00:42:15,320
Speaker 2: it in. But then Gina pulls how big is this penis?

910
00:42:15,360 --> 00:42:18,480
Speaker 2: Because there's in past seasons they talked about her boyfriend

911
00:42:18,560 --> 00:42:19,600
Speaker 2: having a small penis.

912
00:42:19,880 --> 00:42:22,360
Speaker 3: Wait, who Travis has a small piece allegedly?

913
00:42:22,560 --> 00:42:28,920
Speaker 2: Wow? Okay, then then Katie pulls, they show me your Yeah,

914
00:42:28,920 --> 00:42:43,919
Speaker 2: I don't like that. Then they continue on where Tamra says,

915
00:42:43,960 --> 00:42:46,360
Speaker 2: take your pants off, pee in the yard, and then.

916
00:42:46,400 --> 00:42:49,839
Speaker 3: Yeah, did she peed on the by the pool? I

917
00:42:49,880 --> 00:42:54,480
Speaker 3: was hoping that, Actually, Tamra, you are good TV. You

918
00:42:54,480 --> 00:42:57,040
Speaker 3: know how Vicky's good TV. Tamra may be better TV

919
00:42:57,200 --> 00:43:00,799
Speaker 3: because this she delivers. She don't give a fuck, she

920
00:43:00,840 --> 00:43:03,640
Speaker 3: really doesn't. And I love it until after the fact, right,

921
00:43:03,719 --> 00:43:08,719
Speaker 3: I love it about her, and then I go, oh, no.

922
00:43:07,480 --> 00:43:09,719
Speaker 2: No, the aftermath is going to be beat.

923
00:43:09,840 --> 00:43:11,959
Speaker 3: She's a sweet woman, she really is, and she gets

924
00:43:11,960 --> 00:43:14,160
Speaker 3: a lot of shit, but she shows up and she

925
00:43:14,239 --> 00:43:16,799
Speaker 3: does you know, she works hard. And I know you

926
00:43:16,800 --> 00:43:20,480
Speaker 3: guys like criticize her and shit like that, but she's.

927
00:43:20,120 --> 00:43:22,880
Speaker 2: She's a good person. Like she knew about my anxiety.

928
00:43:22,920 --> 00:43:26,040
Speaker 2: She's the first person that called me. Like she she

929
00:43:26,160 --> 00:43:30,080
Speaker 2: legitimately cares about her friendship and her relationships.

930
00:43:29,880 --> 00:43:32,640
Speaker 3: And she goes to extra mouth to entertain you all. Yeah,

931
00:43:32,640 --> 00:43:33,319
Speaker 3: she really does.

932
00:43:33,480 --> 00:43:36,000
Speaker 2: It's a TV show at the end of the day,

933
00:43:36,160 --> 00:43:36,560
Speaker 2: it is.

934
00:43:36,600 --> 00:43:40,120
Speaker 3: It's It's tough though, because it's your life on steroids,

935
00:43:40,200 --> 00:43:43,839
Speaker 3: being picked apart by not only the other women, but

936
00:43:44,080 --> 00:43:46,440
Speaker 3: you know, the public. But Tam shows up.

937
00:43:46,520 --> 00:43:48,760
Speaker 2: Tam shows up, then Emily, this.

938
00:43:48,600 --> 00:43:49,040
Speaker 3: Is the meat.

939
00:43:49,160 --> 00:43:49,919
Speaker 2: This is the meat.

940
00:43:50,000 --> 00:43:52,120
Speaker 3: Now we're getting the episode.

941
00:43:52,120 --> 00:43:54,600
Speaker 2: It's taken us a minute to get here, and it's like,

942
00:43:54,680 --> 00:44:07,560
Speaker 2: bad shit, are you hitting on me? Oh god? Then

943
00:44:07,600 --> 00:44:12,279
Speaker 2: this could be the highest rated episode. It's explicit this

944
00:44:12,440 --> 00:44:14,319
Speaker 2: episode because Erica is.

945
00:44:14,280 --> 00:44:18,520
Speaker 3: An SFW not safe for work. Does anybody even work anymore?

946
00:44:19,200 --> 00:44:23,240
Speaker 3: We don't even have that's amazing.

947
00:44:23,320 --> 00:44:26,320
Speaker 2: See we work out of my second like the half

948
00:44:26,360 --> 00:44:27,160
Speaker 2: of my bedroom.

949
00:44:27,280 --> 00:44:31,320
Speaker 3: This is a cool studio. This is great on this place.

950
00:44:32,320 --> 00:44:33,160
Speaker 3: This is legit.

951
00:44:34,160 --> 00:44:37,080
Speaker 2: Okay. I mean if only I wasn't filled with glass

952
00:44:37,280 --> 00:44:37,920
Speaker 2: and we saw.

953
00:44:37,800 --> 00:44:40,120
Speaker 3: Well you're talking about that blows out all the imperfections stuff.

954
00:44:40,120 --> 00:44:42,480
Speaker 3: For that side lighting that makes me look a million.

955
00:44:43,840 --> 00:44:46,200
Speaker 2: I've asked them a million times when before you post

956
00:44:46,239 --> 00:44:48,759
Speaker 2: our fucking videos you put it there, put it fill

957
00:44:48,880 --> 00:44:52,200
Speaker 2: down because I had a mustache. I was like, it's

958
00:44:52,320 --> 00:44:55,120
Speaker 2: this side light, just put this down.

959
00:44:55,600 --> 00:45:00,400
Speaker 3: But I like the front. Okay, let's just anyways.

960
00:44:59,880 --> 00:45:02,279
Speaker 2: To when you guys see us with a mustache.

961
00:45:02,040 --> 00:45:05,880
Speaker 3: You see me with like like extreme increases. I swear

962
00:45:05,880 --> 00:45:07,359
Speaker 3: to god, if you met me in real life, I

963
00:45:07,520 --> 00:45:08,759
Speaker 3: don't look like that.

964
00:45:08,880 --> 00:45:11,120
Speaker 2: It's a real fright. What we're going through here?

965
00:45:11,120 --> 00:45:13,080
Speaker 3: Oh for this side lighting.

966
00:45:12,880 --> 00:45:15,200
Speaker 2: Oh my gosh, you know this is what happened when

967
00:45:15,200 --> 00:45:18,080
Speaker 2: you pod from your bedroom. Then Emily, we're not even.

968
00:45:17,920 --> 00:45:20,520
Speaker 3: In your bedroom ring like a big room. I wish

969
00:45:20,560 --> 00:45:21,640
Speaker 3: my bedroom was this big.

970
00:45:22,320 --> 00:45:25,200
Speaker 2: Then Emily asked Heather why she asked her to bring

971
00:45:25,280 --> 00:45:28,120
Speaker 2: genes to the event and not everyone else. Heather says

972
00:45:28,200 --> 00:45:32,080
Speaker 2: everyone had their own specific outfits. Emily tells Heather she

973
00:45:32,120 --> 00:45:34,399
Speaker 2: got emotional at the event and felt singled out. Heather

974
00:45:34,480 --> 00:45:38,040
Speaker 2: apologizes and says she didn't mean it that way. Heather

975
00:45:38,120 --> 00:45:39,920
Speaker 2: says some of the women had two changes, and she

976
00:45:40,000 --> 00:45:42,600
Speaker 2: wanted to make Emily feel like a star, so she

977
00:45:42,640 --> 00:45:47,719
Speaker 2: had three. That that was one of those backhandeds. That

978
00:45:47,880 --> 00:45:51,520
Speaker 2: was like the red lipstick comment. It was one of

979
00:45:51,520 --> 00:45:56,080
Speaker 2: those like, but I gat I realized that you would

980
00:45:56,120 --> 00:45:59,360
Speaker 2: probably come in feeling insecure, so I did the most

981
00:46:00,040 --> 00:46:03,440
Speaker 2: to make you feel comfortable, and that is the worst

982
00:46:03,480 --> 00:46:08,920
Speaker 2: way you can feel when you're feeling uncomfortable. You know what, though,

983
00:46:10,400 --> 00:46:13,440
Speaker 2: do I think anything Heather did was malicious? Absolutely not

984
00:46:14,000 --> 00:46:17,960
Speaker 2: until she got to her confessional and said everyone sent

985
00:46:18,000 --> 00:46:22,960
Speaker 2: their measurements and hers came back and it was a twelve,

986
00:46:23,239 --> 00:46:25,600
Speaker 2: and you know what, it was tight on her. That's

987
00:46:25,640 --> 00:46:28,200
Speaker 2: where I was like, hold on, are we into shaming

988
00:46:28,280 --> 00:46:32,320
Speaker 2: now at this point? Well, and if you've never actually struggled,

989
00:46:33,000 --> 00:46:37,520
Speaker 2: and I love Heather this season, that line probably because

990
00:46:37,520 --> 00:46:39,239
Speaker 2: of my.

991
00:46:39,239 --> 00:46:41,239
Speaker 3: I get it. It cuts deep, It cuts deep, and

992
00:46:41,239 --> 00:46:46,359
Speaker 3: it you know, look, we're all a little snarky, and

993
00:46:46,400 --> 00:46:49,920
Speaker 3: we're all a little and this probably just went a

994
00:46:49,960 --> 00:46:52,160
Speaker 3: little too far because that's not.

995
00:46:53,800 --> 00:46:58,319
Speaker 2: You know, because I didn't necessarily mind tamor I mean,

996
00:46:58,360 --> 00:47:01,360
Speaker 2: this isn't me being biased, but tamra Hers felt a

997
00:47:01,360 --> 00:47:03,600
Speaker 2: little bit more light in the shade, Like she's like,

998
00:47:04,040 --> 00:47:06,120
Speaker 2: I can't believe Heather would say something like that or

999
00:47:06,160 --> 00:47:07,920
Speaker 2: do something like that. That's something I would do.

1000
00:47:08,120 --> 00:47:09,759
Speaker 3: Well, that was the best part about it is when

1001
00:47:09,760 --> 00:47:11,400
Speaker 3: you're self aware and you can make fun of your Like,

1002
00:47:11,400 --> 00:47:13,279
Speaker 3: I can't believe she said that, That's something I would say.

1003
00:47:13,520 --> 00:47:16,799
Speaker 2: Like that, that felt light. It didn't feel but like

1004
00:47:17,560 --> 00:47:20,280
Speaker 2: when Heather said that, I was like, all of a sudden,

1005
00:47:20,560 --> 00:47:23,280
Speaker 2: you're making it personal when it wasn't personal before.

1006
00:47:23,400 --> 00:47:25,000
Speaker 3: How about this? It was just a little bit too

1007
00:47:25,080 --> 00:47:28,080
Speaker 3: much information. Yeah, just say, well, I you.

1008
00:47:28,040 --> 00:47:31,800
Speaker 2: Know, so you did know, so you knew exactly, because

1009
00:47:31,840 --> 00:47:35,360
Speaker 2: before we're believing that you didn't really know. You're sending

1010
00:47:35,360 --> 00:47:38,640
Speaker 2: the measurements out, people are coming back. But now you're like, well,

1011
00:47:38,960 --> 00:47:40,040
Speaker 2: actually it was this.

1012
00:47:41,040 --> 00:47:43,520
Speaker 3: But then, in an attempt to defend your choice, yeah,

1013
00:47:43,560 --> 00:47:44,600
Speaker 3: I get it, but.

1014
00:47:45,239 --> 00:47:51,440
Speaker 2: I mean boo boo. But then Emily says, which I

1015
00:47:51,440 --> 00:47:54,560
Speaker 2: don't know how Alexis could have gotten this part confused.

1016
00:47:55,000 --> 00:47:56,880
Speaker 3: I love the way this whole fight broke out. And

1017
00:47:56,920 --> 00:47:59,720
Speaker 3: then Emily's calling Alexis a whack a doodle and a friend.

1018
00:48:00,040 --> 00:48:00,960
Speaker 3: I really got exciting.

1019
00:48:01,040 --> 00:48:05,240
Speaker 2: Well, because how did Alexis make this about her? How?

1020
00:48:05,600 --> 00:48:09,160
Speaker 2: How I cannot understand because all she said was standing

1021
00:48:09,160 --> 00:48:11,959
Speaker 2: next to Alexis, I didn't feel good in the dress.

1022
00:48:11,960 --> 00:48:13,719
Speaker 2: And then Alexis like, what do I have to do

1023
00:48:13,760 --> 00:48:16,040
Speaker 2: with that? I'm going through a lot.

1024
00:48:16,239 --> 00:48:18,480
Speaker 3: Yeah, let's just be quiet at that moment and just

1025
00:48:18,560 --> 00:48:22,120
Speaker 3: let Emily finish what she was saying and let Emily

1026
00:48:22,160 --> 00:48:24,359
Speaker 3: have the moment. You don't have to jump on her moment.

1027
00:48:24,440 --> 00:48:27,160
Speaker 2: And she also wasn't coming at you, because how you

1028
00:48:27,200 --> 00:48:29,080
Speaker 2: aesthetically look, she was saying how she.

1029
00:48:28,960 --> 00:48:32,640
Speaker 3: Felt standing next to you, actually paying you a compliment, Alexis.

1030
00:48:32,880 --> 00:48:34,000
Speaker 2: But then she didn't stop.

1031
00:48:34,040 --> 00:48:36,080
Speaker 3: She kept going yeah, and that's when it got a

1032
00:48:36,080 --> 00:48:37,000
Speaker 3: little nuts.

1033
00:48:37,200 --> 00:48:40,799
Speaker 2: But then Emily starts to really come on hid. She

1034
00:48:40,880 --> 00:48:44,600
Speaker 2: tells Alexis to shut up. Yeah, she got upset, but

1035
00:48:45,320 --> 00:48:49,680
Speaker 2: then Emily asked Heather to chat separately. Heather questions why

1036
00:48:49,719 --> 00:48:52,279
Speaker 2: she brought it up in front of everyone. Emily says

1037
00:48:52,320 --> 00:48:55,239
Speaker 2: Heather is being rude and condescending. Heather asked Emily to

1038
00:48:55,280 --> 00:48:57,120
Speaker 2: be quiet for a second, and Emily tells her to

1039
00:48:57,160 --> 00:48:57,640
Speaker 2: fuck off.

1040
00:48:57,719 --> 00:49:00,440
Speaker 3: Yeah, so we're not going anywhere with this were you know?

1041
00:49:00,800 --> 00:49:02,800
Speaker 2: How do you feel about a one on one after

1042
00:49:02,920 --> 00:49:04,800
Speaker 2: being things being brought up in a group?

1043
00:49:05,440 --> 00:49:07,040
Speaker 3: I think a one on one for me is always

1044
00:49:07,080 --> 00:49:09,400
Speaker 3: more effective because I think when the group starts yelling,

1045
00:49:09,440 --> 00:49:12,040
Speaker 3: like case in point, when Alexa starts making it about herself,

1046
00:49:12,040 --> 00:49:14,640
Speaker 3: you get off track and everybody starts yelling and it

1047
00:49:14,640 --> 00:49:17,880
Speaker 3: becomes loud. I prefer one on one after something like

1048
00:49:17,920 --> 00:49:20,240
Speaker 3: that because you get off topic.

1049
00:49:21,080 --> 00:49:21,279
Speaker 2: Yeah.

1050
00:49:21,280 --> 00:49:23,160
Speaker 3: I really wanted to say, hey, Teddy, you know what,

1051
00:49:23,200 --> 00:49:25,120
Speaker 3: can I please talk to you because I have something

1052
00:49:25,160 --> 00:49:27,560
Speaker 3: I'd like to say to you, not in front of

1053
00:49:27,560 --> 00:49:29,319
Speaker 3: everybody else for everybody else's.

1054
00:49:29,000 --> 00:49:32,360
Speaker 2: Opinion, right, But if you already have started the conversation

1055
00:49:32,560 --> 00:49:34,880
Speaker 2: at a table with the group. Then you're it's already

1056
00:49:34,880 --> 00:49:35,239
Speaker 2: out there.

1057
00:49:35,280 --> 00:49:38,399
Speaker 3: But it got hijacked. Yeah, it got hijacked. We got

1058
00:49:38,440 --> 00:49:41,280
Speaker 3: off topic. It became about everybody else's feelings and about

1059
00:49:41,560 --> 00:49:45,480
Speaker 3: you know, Alexis and everybody else. When Emily was really

1060
00:49:45,480 --> 00:49:48,080
Speaker 3: trying to talk to Heather about what made her feel uncomfortable.

1061
00:49:48,760 --> 00:49:51,000
Speaker 2: Now, who didn't really see much this episode?

1062
00:49:51,239 --> 00:49:53,600
Speaker 3: Gina, Yeah, isn't that what you wanted?

1063
00:49:54,000 --> 00:49:55,239
Speaker 2: Yeah?

1064
00:49:54,400 --> 00:49:59,680
Speaker 3: So of producing this show, Well, you're always producing everything, Teddy,

1065
00:49:59,719 --> 00:50:02,560
Speaker 3: I don't. Probably one of the best producers. She's like,

1066
00:50:02,920 --> 00:50:06,640
Speaker 3: look at her, she knows anyway, you yeah, you're a producer.

1067
00:50:06,880 --> 00:50:10,160
Speaker 2: I think that this episode was good, but I'm gonna

1068
00:50:10,160 --> 00:50:14,279
Speaker 2: have to tell all of our listeners what Salt Lake

1069
00:50:14,320 --> 00:50:18,520
Speaker 2: City is going to be better. I just watched it.

1070
00:50:17,880 --> 00:50:21,359
Speaker 3: Really, I've never watched that show. Is it good?

1071
00:50:21,920 --> 00:50:27,040
Speaker 2: It is so good. I'm loving Orange County what they're doing.

1072
00:50:27,080 --> 00:50:30,239
Speaker 2: But then you see a full blown shit show, and

1073
00:50:30,280 --> 00:50:31,880
Speaker 2: then it makes me I have to be honest with

1074
00:50:31,920 --> 00:50:34,440
Speaker 2: the Erica makes me worry a little bit about Beverly Hills.

1075
00:50:34,680 --> 00:50:38,560
Speaker 3: Well, you know, look, I can only blow up once

1076
00:50:38,600 --> 00:50:41,520
Speaker 3: every ten years. I can't, you know, burn down my

1077
00:50:41,640 --> 00:50:44,680
Speaker 3: life more than once. I mean, there's enough there. There

1078
00:50:44,719 --> 00:50:46,920
Speaker 3: are multiple people on a show for a reason, Teddy.

1079
00:50:47,680 --> 00:50:48,960
Speaker 3: Maybe they can get to work.

1080
00:50:49,239 --> 00:50:51,279
Speaker 2: Oh is that going to be one of Is that

1081
00:50:51,320 --> 00:50:52,319
Speaker 2: what we're working with here.

1082
00:50:52,440 --> 00:50:54,880
Speaker 3: It's an ensemble show for a reason. Everybody you know,

1083
00:50:55,239 --> 00:50:58,160
Speaker 3: has to bring their life forward. There's nothing more I

1084
00:50:58,160 --> 00:50:58,759
Speaker 3: can give here.

1085
00:50:59,120 --> 00:51:02,160
Speaker 2: Yeah. Well, thank you guys for tuning in to another

1086
00:51:02,239 --> 00:51:05,040
Speaker 2: episode of to Teas and a Pod with myself and Erica.

1087
00:51:05,680 --> 00:51:07,640
Speaker 3: Thanks for having me, guys, Thank you for having me

1088
00:51:07,680 --> 00:51:08,640
Speaker 3: Teddy of course,