WEBVTT - Round Two!

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<v Speaker 1>Hi Christy, Hey there Will, How are you today? I'm good.

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<v Speaker 1>You sound so much better this week. I'm so glad

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<v Speaker 1>that you you are not as miserable as you were

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<v Speaker 1>last week. Guys, Oh gosh, I was shivering the entire time.

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<v Speaker 1>I'm hearing that. It was horrible if poor eg was

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<v Speaker 1>even very uncomfortable with my zoom video footage. But talk

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<v Speaker 1>about the consummate professional. I'm sorry shivering. You had like

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<v Speaker 1>one hundred and three fever and I'm sorry, I'm gonna

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<v Speaker 1>say it. You still killed it the whole episode, so

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<v Speaker 1>thank you. Yeah, it was well, it was hard not

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<v Speaker 1>to because we had such great folks, you know, we

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<v Speaker 1>had Dylan and we had Julia, and Julia was you know,

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<v Speaker 1>obviously she was talented, but it was great. We just

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<v Speaker 1>we just had to eliminate somebody. So today again we

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<v Speaker 1>had our first winner. But yeah, Dylan, Dylan from Dylan

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<v Speaker 1>from Louisiana, our first moving on to the Round of

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<v Speaker 1>Elite eight. But I was so again We've been talking

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<v Speaker 1>about this contest for a long time now, yea, And

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<v Speaker 1>I was so happy with how Round one went. I'm

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<v Speaker 1>was so invested and engage, and the talent was so good.

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<v Speaker 1>And it was just Eg was there. And now we

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<v Speaker 1>have another celebrity guest coming and helping us this week

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<v Speaker 1>with two new contestants. This is like the coolest thing

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<v Speaker 1>that's going on right now. For me, it is so awesome.

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<v Speaker 1>I think that it's going so well that I'm like,

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<v Speaker 1>wait a minute, but why is it going so nice?

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<v Speaker 1>Spoken like a true glass is half empty kind of person, like,

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<v Speaker 1>wait a minute, I know, but like but really though,

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<v Speaker 1>I think, I think when when you care about something

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<v Speaker 1>and you put the work in um and and again,

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<v Speaker 1>it does come down to community. We have such a

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<v Speaker 1>great community. And speaking of community, I just wanted to

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<v Speaker 1>shout out to Troy for Vicky, who has been hitting

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<v Speaker 1>you know, the Last of Us publicity trail. I've been

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<v Speaker 1>seeing him pop up everywhere and it's been so wonderful

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<v Speaker 1>to see him, um take to the live action portion

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<v Speaker 1>of Last of Us because I'm a fan of the

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<v Speaker 1>actual show and he's like really just parts of him

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<v Speaker 1>and his interviews have mentioned about how when he was

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<v Speaker 1>in the studio growing up in Texas, he said something like,

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<v Speaker 1>oh well I just say baby girl, and then that

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<v Speaker 1>literally made it to the live action show. You know,

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<v Speaker 1>that's cool. He's not on the live action show, right,

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<v Speaker 1>I'm sorry. I don't watch it and I don't haven't played. Okay,

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<v Speaker 1>he is he is. Oh that's awesome. Yeah, he mentioned

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<v Speaker 1>that in our interview too, and I I was so

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<v Speaker 1>excited to see him finally pop up and he had

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<v Speaker 1>this little arc or whatever, and it was that's great,

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<v Speaker 1>really though. It was really cool to be like, I

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<v Speaker 1>know him and he law. I'm not going to give

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<v Speaker 1>any spoilers away, yeah, don't no spoilers, no spoilers, because

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<v Speaker 1>I will watch it, especially now that Okay, he's a

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<v Speaker 1>really good actor. Man. Oh, he's a great actor. He's

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<v Speaker 1>super talented, super talented. And that reminded me of the fact.

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<v Speaker 1>And also there's a lady who's Bokaton right um, and

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<v Speaker 1>she apparently was um. Bokaton, I guess is a character

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<v Speaker 1>in the Star Wars universe, right, okay, and the Mandalorian

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<v Speaker 1>and she she's a she's okay, well, she's a Mandalor

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<v Speaker 1>and she's kind of a rogue royal Mandalor. Well, Mandalor's

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<v Speaker 1>a place, Mandalorian is the people, Mandalora's the planet. Yeah, perfect,

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<v Speaker 1>thank you. I'm nerd enough to know that. And she

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<v Speaker 1>I guess I just realized this too, that she was

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<v Speaker 1>also a voice actress who made it to live action.

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<v Speaker 1>And you know, John Favreau is super excited to have her,

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<v Speaker 1>and it's so cool to see our community sort of

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<v Speaker 1>because of the level of talent and acting that and

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<v Speaker 1>also just a professionalism, right like she wouldn't want to

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<v Speaker 1>they wouldn't want to work with Troy and and and

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<v Speaker 1>her if like it was like they weren't a difficult thing. Yeah, no, no,

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<v Speaker 1>I agree. I think it's great. Um, and we're gonna

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<v Speaker 1>find the next one, and we're looking for the next

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<v Speaker 1>one to join our community, which I'm so excited about,

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<v Speaker 1>I really am. I first want to once again very

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<v Speaker 1>briefly tell you that we are going into round two

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<v Speaker 1>of the super awesome contest to become the next big

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<v Speaker 1>voice actor. We have two more contestants coming out, and

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<v Speaker 1>again a shout out to our friends at Critical Role,

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<v Speaker 1>our friends at Prime Video over there for helping us

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<v Speaker 1>out there. Also, two of our prizes are, of course,

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<v Speaker 1>the winner gets a coaching session with either or both

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<v Speaker 1>Sam regal and and or Mary McGlynn from over there

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<v Speaker 1>at the legend of voxmach in a Season two is

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<v Speaker 1>available for stream right now on Prime Video. Go check

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<v Speaker 1>it out. I'm not just saying that again because I

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<v Speaker 1>am on it. It is a phenomenal show, partially because

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<v Speaker 1>I'm on it. I'm joking, of course, but now only partially.

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<v Speaker 1>We now are going to jump right into round two.

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<v Speaker 1>But first of all, we have to meet our celebrity

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<v Speaker 1>judge for the day. He is one of the best

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<v Speaker 1>in the business ever, not exaggerating that in any way,

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<v Speaker 1>shape or for him. He is also a friend of

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<v Speaker 1>the podcast. He is so graciously agreed to come back

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<v Speaker 1>and help us decide who's moving on to the next round.

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<v Speaker 1>Who's joined us today? Christy, oh my, like the Goat,

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<v Speaker 1>Robert Paulson. Rob Paulson's here, Let's get into it. Wow,

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<v Speaker 1>wait a minute, the Goat, the Goat, the greatest. Wait

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<v Speaker 1>a minute, the greatest of all time. Okay, good, Hi kids,

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<v Speaker 1>nice to see you. Well, Hi Christie, nice to see you.

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<v Speaker 1>Thank you firstly for having me back and secondly for

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<v Speaker 1>giving me this opportunity to help and something that is

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<v Speaker 1>so exciting. This is so cool. We are so just

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<v Speaker 1>over the moon that you're here to help us for

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<v Speaker 1>round two. So just a little bit so you know

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<v Speaker 1>what's going on. We bring we bring in the two contestants.

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<v Speaker 1>We bring them in one of the time, okay, and

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<v Speaker 1>we play a little game. In our first game for

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<v Speaker 1>everybody out there who joined us last week, it is

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<v Speaker 1>the same game but with different lines. So the game

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<v Speaker 1>we play is called by the Numbers, and what we

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<v Speaker 1>are going to do with your help, Rob is you

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<v Speaker 1>are going to pick numbers from several categories. We have

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<v Speaker 1>a size category, what are you category, an age category,

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<v Speaker 1>and a wacky attribute category. By picking random numbers, we're

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<v Speaker 1>going to take those four numbers that you picked and

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<v Speaker 1>that will create the characters that then our contestants have

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<v Speaker 1>to voice. Two of their three lines were given to

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<v Speaker 1>them ahead of time, so they have the lines, but

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<v Speaker 1>they don't yet have the characters they're going to be doing,

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<v Speaker 1>which will be creating on the spot. Then as a

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<v Speaker 1>fun third round, they are thrown a line they have

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<v Speaker 1>not seen and we'll have to do a cold reading

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<v Speaker 1>with a new character that we create. And then we

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<v Speaker 1>would love for you, just because of your amazing expertise

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<v Speaker 1>in the industry, We would love for you after each

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<v Speaker 1>round if you want to give them some notes, maybe

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<v Speaker 1>tell them a few things they need to do to

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<v Speaker 1>focus or slow down or what you know, whatever you

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<v Speaker 1>think it's going to be, and then we'll give them

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<v Speaker 1>a chance to read the line again and we will

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<v Speaker 1>then deliberate and see who moves on. Last week we

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<v Speaker 1>had Dylan from We had two amazing contestants last week,

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<v Speaker 1>and Dylan from Louisiana absolutely just killed it with everything

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<v Speaker 1>we threw at them. So we have two contestants coming

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<v Speaker 1>in today, So here we go. We are going to

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<v Speaker 1>bring in contestant number one. This is Hayden from Washington.

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<v Speaker 1>He Hayden. Hello, Hey, Hayden, how are you doing good?

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<v Speaker 1>How you guys doing good? Thank you? You already got

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<v Speaker 1>a set up pipes, so let's hear that. Boy. Oh

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<v Speaker 1>thank you you do radio at all or anything local radio? Hayden,

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<v Speaker 1>I do not actually congratulations on being here. We had thousands,

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<v Speaker 1>literally thousands of entries, yes, Rob over forty two hundred

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<v Speaker 1>entries shut the front door. Are you kidding me? Forty

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<v Speaker 1>two hundred entries? And it took us forever. We whittled

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<v Speaker 1>it down to the top sixteen, Hayden, So congratulations on

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<v Speaker 1>making the top sixteen. Wow, thank you guys so much.

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<v Speaker 1>It's a huge honor. First of all, this is Rob Paulson,

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<v Speaker 1>the legendary Rob Paulson will be our guest judge today

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<v Speaker 1>and we'll be giving you some notes. But Rob, I'm

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<v Speaker 1>also not sure you're aware. It's a perfect time to

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<v Speaker 1>remind our audience of what the winner of the super

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<v Speaker 1>awesome contest to become the next Voice Actor actually wins.

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<v Speaker 1>You win a thousand dollars. You are flown out to

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<v Speaker 1>Los Angeles where you have lunch with Christy and I,

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<v Speaker 1>you get a coaching session with the wonderful Emmy Award

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<v Speaker 1>winning director Sam Regal and or Mary McGlynn from Critical Role,

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<v Speaker 1>and of course you sign your one year contract with

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<v Speaker 1>CEESD as their brand new client. Good for you, guys.

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<v Speaker 1>And by the way, Hayden, if you want to drive out,

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<v Speaker 1>I will detail your car as one. I appreciate it.

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<v Speaker 1>Thank you. I'll stop buying. We're gonna have to check

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<v Speaker 1>with legal. I'm that Robin. I'm not just one trick pony.

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<v Speaker 1>I'm a good detailer. I look forward to Hayden. We

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<v Speaker 1>cannot wait to jump into it with you. Do you

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<v Speaker 1>have your lines? You're ready to go? I think so? Yeah? Okay, perfect.

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<v Speaker 1>So we're gonna put you in the waiting room real

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<v Speaker 1>quick while we meet your fellow contestant, and we'll be

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<v Speaker 1>back to you to start the contest. Awesome. I appreciate it.

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<v Speaker 1>Thank you so much. Hello, Danielle, how are you? Hello? Well,

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<v Speaker 1>I'm good, Welcome to the show. Congratulations. Hello, you are

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<v Speaker 1>here with the amazing Rob Paulson, who is our guest

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<v Speaker 1>judge for the day. Rob and I actually know each

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<v Speaker 1>other from TikTok. Funny enough. I was just gonna say this,

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<v Speaker 1>young lady, talented, young lady has lowered her standards to

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<v Speaker 1>allow me to be wonderful friends, not unlike Christian Will Danielle,

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<v Speaker 1>it's a pleasure to meet you officially. You are a

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<v Speaker 1>remarkably gifted young woman. Thank you so much. That's amazing.

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<v Speaker 1>I'm not on TikTok, so I'm not on TikTok. So

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<v Speaker 1>I did not I just heard I would just hear

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<v Speaker 1>auditions and we would be picked from there. So I

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<v Speaker 1>did not know that you're on TikTok at all. I'm

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<v Speaker 1>on TikTok And this truly was a blind We did

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<v Speaker 1>a blind casting here. Yeah. Exciting. Oh well, this is

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<v Speaker 1>so exciting. I feel I feel a little more at

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<v Speaker 1>ease because, funny enough, I've known Rob a little bit longer,

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<v Speaker 1>so I'm like, oh my gosh, there's somebody here I know.

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<v Speaker 1>I agree. All right, So here we are. We are.

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<v Speaker 1>We are going to be jumping into the contest. You

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<v Speaker 1>are going to be up against somebody else. So we're

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<v Speaker 1>going to very quickly put you in the waiting room

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<v Speaker 1>as we get you have your lines? Are you ready

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<v Speaker 1>to go? Yes? I have them read here? Okay, perfect,

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<v Speaker 1>So we will be back with you in a moment.

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<v Speaker 1>We were going to get back to contestant number one.

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<v Speaker 1>Let's jump right into it and get back with Hayden

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<v Speaker 1>from Washington. All right, Hayden, so you have your first

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<v Speaker 1>line there? I do. Yes, all right. So we're going

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<v Speaker 1>to be jumping in to round number one of by

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<v Speaker 1>the Numbers. So here we go, everybody, Rob, if you

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<v Speaker 1>would do me a favor, could you pick a number

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<v Speaker 1>for me between one and six, three three? Could you

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<v Speaker 1>now pick a number between one and twelve eleven? Could

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<v Speaker 1>you now pick a number between one and seven two,

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<v Speaker 1>and last, but not least a number between one and

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<v Speaker 1>eleven six six. Okay, So with these four numbers, Hayden,

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<v Speaker 1>mister Rob Paulson, the amazing mister Rob Paulson, the redoubtable

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<v Speaker 1>mister Rob Paulson. I've not heard that today yet has

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<v Speaker 1>created a character for you. So here is the character

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<v Speaker 1>you are going to be putting on the first line

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<v Speaker 1>of dialogue that we you. Okay, So you are a

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<v Speaker 1>medium sized Mirr person. So you live underwater. Okay, you

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<v Speaker 1>are five years old and your wacky attribute is the

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<v Speaker 1>love of your life just left you. Oh okay, So again,

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<v Speaker 1>do with this character whatever you want, whatever you can.

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<v Speaker 1>We'll hear what you can do, and then Rob's going

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<v Speaker 1>to give you some notes and we're going to go

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<v Speaker 1>from there. So all right, do you do? You do?

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<v Speaker 1>You want to hear what the character is? Again? Are

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<v Speaker 1>you good? One more time? One more time? You got it?

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<v Speaker 1>You are a medium sized Mirr person okay, five years

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<v Speaker 1>of age and the love of your life has just

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<v Speaker 1>left you. Okay, okay, And again let's see what you

0:11:47.120 --> 0:11:49.640
<v Speaker 1>can do with the character. Take it anyway you want

0:11:49.640 --> 0:11:51.560
<v Speaker 1>to take it, and we will go from there. So Hayden,

0:11:52.240 --> 0:11:56.360
<v Speaker 1>at your pleasure. Well, what's the deal with airlines these days?

0:11:56.480 --> 0:12:01.360
<v Speaker 1>Am I? Right? Sorry? Uh uh uh? Now we have

0:12:01.400 --> 0:12:04.520
<v Speaker 1>to pay for blankets. Come on, what's next? Looking for

0:12:04.559 --> 0:12:10.880
<v Speaker 1>the seat outside? Uh? Uh is this thing on? Well? Uh?

0:12:12.559 --> 0:12:18.240
<v Speaker 1>Thanks thanks for having me and to be witchest We

0:12:18.480 --> 0:12:22.120
<v Speaker 1>thank you very much. Rob Any notes on Hayden's route

0:12:22.160 --> 0:12:24.800
<v Speaker 1>first take. I just have Hayden if you wouldn't mind

0:12:24.800 --> 0:12:26.400
<v Speaker 1>doing it again, buddy, take a breath and do it

0:12:26.400 --> 0:12:29.120
<v Speaker 1>again them This is a little bit of you know, pressure,

0:12:29.400 --> 0:12:32.400
<v Speaker 1>because you're it's it's something that's not sort of usually

0:12:32.440 --> 0:12:34.280
<v Speaker 1>in your wheelhouse. I think we owe it to you

0:12:34.520 --> 0:12:36.800
<v Speaker 1>to take a breath and get just get another crack

0:12:36.840 --> 0:12:39.720
<v Speaker 1>at it. Not that that wasn't good, Christian and will

0:12:39.880 --> 0:12:43.920
<v Speaker 1>will know this. I've not yet metacasting person or director

0:12:43.960 --> 0:12:46.160
<v Speaker 1>who's had a problem if I start working and I

0:12:46.240 --> 0:12:48.440
<v Speaker 1>was stumbling all over myself or my mind's going and

0:12:48.440 --> 0:12:50.720
<v Speaker 1>getting ahead of my voice, and I say, I'm sorry,

0:12:50.760 --> 0:12:53.440
<v Speaker 1>do you mind if I start over? Not ever have

0:12:53.559 --> 0:12:57.160
<v Speaker 1>I had anybody hold that against me. So uh, frankly,

0:12:57.600 --> 0:13:01.640
<v Speaker 1>you owe it to us and yourself to be as

0:13:02.040 --> 0:13:04.600
<v Speaker 1>on point as possible, and if that means taking a breath,

0:13:04.720 --> 0:13:06.280
<v Speaker 1>do that. So I just would love to have you

0:13:06.320 --> 0:13:08.240
<v Speaker 1>get another shot at it. Okay, Christy, do you have

0:13:08.280 --> 0:13:10.880
<v Speaker 1>any notes with there your emotional state. I think you

0:13:10.960 --> 0:13:13.800
<v Speaker 1>definitely nailed your emotional state. And then I think I

0:13:13.880 --> 0:13:16.240
<v Speaker 1>think sometimes too when we when we choose to do

0:13:16.320 --> 0:13:19.920
<v Speaker 1>bold choices as these characters, like a five year old

0:13:20.280 --> 0:13:22.840
<v Speaker 1>could creatively not sound like a five year old, you know,

0:13:22.920 --> 0:13:24.560
<v Speaker 1>like we could do a five year old mere person,

0:13:24.640 --> 0:13:27.520
<v Speaker 1>but it sounds like a you know, forty year old veteran,

0:13:27.640 --> 0:13:30.760
<v Speaker 1>like you know, smoking a cigarette. But you know, make

0:13:30.840 --> 0:13:34.400
<v Speaker 1>that choice. We love bold choices. Okay, okay, I agree.

0:13:34.440 --> 0:13:37.120
<v Speaker 1>I would say, you know, I'm gonna go with both

0:13:37.120 --> 0:13:39.000
<v Speaker 1>the notes that both Rob and Christy just gave you,

0:13:39.040 --> 0:13:40.400
<v Speaker 1>and I think you do. Just need to take a

0:13:40.400 --> 0:13:43.960
<v Speaker 1>breath and give it one more shot and remember to

0:13:44.080 --> 0:13:46.120
<v Speaker 1>hit your beats and I think that's after that, I

0:13:46.120 --> 0:13:47.840
<v Speaker 1>think you're going to be good. So let's give it

0:13:47.880 --> 0:13:50.640
<v Speaker 1>one more shot, all right, Hayden? You ready, I think,

0:13:50.679 --> 0:13:53.880
<v Speaker 1>So take a breath and at your pleasure. So what's

0:13:53.880 --> 0:13:56.000
<v Speaker 1>the deal with airlines? These stays? Am? I right? People?

0:13:56.640 --> 0:14:01.360
<v Speaker 1>Now that when you pay for for blankets, come on,

0:14:01.559 --> 0:14:09.559
<v Speaker 1>what's nixt hang for the seat? Uh? Is this thing on? Well?

0:14:11.360 --> 0:14:19.400
<v Speaker 1>Thanks thanks for having me and Dip your waitress. Great

0:14:19.560 --> 0:14:22.000
<v Speaker 1>second take Cayden, Thank you so much, and we will

0:14:22.040 --> 0:14:24.520
<v Speaker 1>be right back to you. Here we go. We are

0:14:24.600 --> 0:14:28.400
<v Speaker 1>now back for round one. Danielle. All right, Rob, if

0:14:28.400 --> 0:14:32.120
<v Speaker 1>you would please sir a number between one and six five,

0:14:32.520 --> 0:14:35.960
<v Speaker 1>and now a number between one and twelve one, and

0:14:36.040 --> 0:14:39.800
<v Speaker 1>now a number between one and seven oh two, and

0:14:39.920 --> 0:14:44.800
<v Speaker 1>now a number between one and eleven seven. Okay. So

0:14:45.120 --> 0:14:49.400
<v Speaker 1>the character that Rob has created for you is you

0:14:49.440 --> 0:14:55.000
<v Speaker 1>are a tiny dog. You are five years old, well

0:14:55.000 --> 0:14:58.280
<v Speaker 1>in dog years. Okay, again, she can plan however she likes.

0:14:58.440 --> 0:15:02.040
<v Speaker 1>She's five years old. However, you however you want, and

0:15:02.360 --> 0:15:10.560
<v Speaker 1>your wacky attribute is you are currently hypothermic, hypothermic tiny dog.

0:15:11.520 --> 0:15:13.800
<v Speaker 1>So you yep, you are a tiny five year old

0:15:13.880 --> 0:15:16.880
<v Speaker 1>hypothermic dog. Well you don't know that, you know. What's

0:15:16.920 --> 0:15:19.680
<v Speaker 1>however she wants to do it, Danielle, it is up

0:15:19.720 --> 0:15:26.800
<v Speaker 1>to you. Your first line, please and at your pleasure. Okay. Oh,

0:15:28.360 --> 0:15:34.640
<v Speaker 1>let's video air line now we need today for going on.

0:15:34.800 --> 0:15:38.720
<v Speaker 1>What's next saying Oh, unfortunately we're losing you. Unfortunately we're

0:15:38.720 --> 0:15:42.440
<v Speaker 1>losing your your audio. Oh yeah, I don't know if

0:15:42.440 --> 0:15:44.640
<v Speaker 1>it's a it's a function of it seem to be

0:15:44.680 --> 0:15:46.720
<v Speaker 1>when she was raising her voice or being more Yes,

0:15:46.880 --> 0:15:49.520
<v Speaker 1>we we had this same problem last time. Some of

0:15:49.600 --> 0:15:52.480
<v Speaker 1>the mics are not picking up the higher registers the

0:15:52.480 --> 0:15:56.720
<v Speaker 1>way that we did it. Hush and maybe maybe just

0:15:56.840 --> 0:16:00.840
<v Speaker 1>play it a little bit off Mike and a little

0:16:00.880 --> 0:16:05.200
<v Speaker 1>farther back, and we'll see if we can get because

0:16:05.280 --> 0:16:06.720
<v Speaker 1>I don't think we have any notes at this point,

0:16:06.720 --> 0:16:08.160
<v Speaker 1>because we want to make sure that we hear the

0:16:08.160 --> 0:16:10.680
<v Speaker 1>performance that you want to give us. So once more,

0:16:10.760 --> 0:16:14.640
<v Speaker 1>for the audience, we are You are a dog, you

0:16:14.760 --> 0:16:20.280
<v Speaker 1>are five years old, you have you are tiny excuse me,

0:16:20.320 --> 0:16:21.680
<v Speaker 1>a tiny dog that's five years old, and you are

0:16:21.680 --> 0:16:24.640
<v Speaker 1>currently hypothermic. So one more time for us, if you

0:16:24.640 --> 0:16:28.440
<v Speaker 1>would please Danielle and at your pleasure. What what's the

0:16:28.520 --> 0:16:32.240
<v Speaker 1>deal with airlines? These aithe am? I right? People? Now

0:16:32.240 --> 0:16:36.120
<v Speaker 1>we need to pay for a blanket? Come on, what's next?

0:16:36.520 --> 0:16:39.600
<v Speaker 1>Paying for the seat? Just sing thanks for having me?

0:16:40.080 --> 0:16:43.280
<v Speaker 1>Oh I really, I really have no notes. Honestly, I

0:16:43.320 --> 0:16:47.040
<v Speaker 1>think she got everything everything. I don't disagree. I think

0:16:47.080 --> 0:16:48.960
<v Speaker 1>it was I think you've I felt the age, I

0:16:49.000 --> 0:16:51.800
<v Speaker 1>felt the hypothermia. You could easily animate a dog to

0:16:51.840 --> 0:16:55.120
<v Speaker 1>that voice. Rob Any notes no same thing, and you

0:16:55.200 --> 0:16:58.600
<v Speaker 1>when you're dealing with technical issues like that, especially under

0:16:58.600 --> 0:17:03.280
<v Speaker 1>this circumstances. Very Danielle, it's you did a really excellent job.

0:17:03.520 --> 0:17:05.439
<v Speaker 1>It also helps that when you're a nurse, I've actually

0:17:05.440 --> 0:17:11.160
<v Speaker 1>treated Patience with hypothermia. So here you go. Perfect. All right, Well,

0:17:11.160 --> 0:17:13.000
<v Speaker 1>thank you so much. We will be right back to you.

0:17:23.000 --> 0:17:26.040
<v Speaker 1>We're gonna go once more to our good friend Hayden

0:17:26.119 --> 0:17:29.560
<v Speaker 1>from Washington. Okay, hey, Hayden, are you doing Are you

0:17:29.600 --> 0:17:31.840
<v Speaker 1>guys doing good? I'm sorry. I know it's a lot

0:17:31.840 --> 0:17:33.920
<v Speaker 1>of sit and wait and sit and wait, but welcome

0:17:34.000 --> 0:17:38.680
<v Speaker 1>to the entertainment industry. That's exactly what it's like. Um. So, yeah,

0:17:38.680 --> 0:17:40.760
<v Speaker 1>we're going to be moving on to your second line.

0:17:40.760 --> 0:17:45.040
<v Speaker 1>You got it? There, yes, there, and once more, if

0:17:45.080 --> 0:17:50.800
<v Speaker 1>the venerable Paul once again, sir, a number between one

0:17:50.840 --> 0:17:55.000
<v Speaker 1>and six four, a number between one and twelve two,

0:17:55.280 --> 0:17:59.520
<v Speaker 1>a number between one and seven three, and finally a

0:17:59.600 --> 0:18:04.720
<v Speaker 1>number between one and eleven nine. Okay, So Hayden, your

0:18:04.840 --> 0:18:10.880
<v Speaker 1>second character, you are small cat. You are ten years old,

0:18:12.000 --> 0:18:15.600
<v Speaker 1>and you're shocked suck. Okay, just for my own edification,

0:18:15.840 --> 0:18:18.480
<v Speaker 1>is that is that literally like he's been the cat

0:18:18.520 --> 0:18:20.679
<v Speaker 1>has been shocked or shocked in terms of like oh

0:18:20.760 --> 0:18:23.240
<v Speaker 1>oh my god. That's sort of I guess it's however,

0:18:23.280 --> 0:18:26.119
<v Speaker 1>he wants to play it cool. Totally up to you

0:18:26.200 --> 0:18:30.200
<v Speaker 1>dealer's choice. So okay, Hayden the second line, please at

0:18:30.240 --> 0:18:34.840
<v Speaker 1>your pleasure. So well, sorry. So there was sitting on

0:18:34.880 --> 0:18:38.359
<v Speaker 1>my own park bench, feeding the birds, mining my own business,

0:18:38.359 --> 0:18:41.520
<v Speaker 1>when what do I see some guy in a suit

0:18:42.000 --> 0:18:45.080
<v Speaker 1>going to the phone booth across the street. Well, take

0:18:45.119 --> 0:18:48.080
<v Speaker 1>off the suit, walk out in his pajamas and then

0:18:48.480 --> 0:18:53.200
<v Speaker 1>fly into the air. What is going on in this city?

0:18:54.280 --> 0:18:56.560
<v Speaker 1>I love? You're actually playing it like you're getting shocked,

0:18:59.320 --> 0:19:03.240
<v Speaker 1>mister Paulson. Any notes. As Will has suggested earlier, there

0:19:03.240 --> 0:19:06.520
<v Speaker 1>are no parameters. This is all literally up to you,

0:19:07.200 --> 0:19:09.280
<v Speaker 1>and we've not even given you a context in which

0:19:09.320 --> 0:19:12.439
<v Speaker 1>this character performs. So I would like to hear you

0:19:12.520 --> 0:19:14.719
<v Speaker 1>do one that's as big as you can do it.

0:19:14.840 --> 0:19:17.560
<v Speaker 1>I say that because it's I had the good fortune

0:19:17.560 --> 0:19:20.359
<v Speaker 1>of directing a couple of series as well, and often

0:19:20.720 --> 0:19:25.359
<v Speaker 1>people aren't personally aware of how big big it is

0:19:25.480 --> 0:19:28.560
<v Speaker 1>for them. So just for the exercise, and I'd love

0:19:28.600 --> 0:19:32.199
<v Speaker 1>to hear you do that and make everything still be

0:19:32.320 --> 0:19:36.160
<v Speaker 1>clear understood. Have your choices been clear and bold, as

0:19:36.400 --> 0:19:39.239
<v Speaker 1>Christian Will have suggested, But I would like to have

0:19:39.280 --> 0:19:41.720
<v Speaker 1>you do one just really big. Okay, I love that.

0:19:42.320 --> 0:19:44.359
<v Speaker 1>Let's go with that and see what happens next. So

0:19:45.119 --> 0:19:48.280
<v Speaker 1>completely Hayden at your pleasure. Great, all right, all right,

0:19:48.640 --> 0:19:51.640
<v Speaker 1>So do I was sitting on my favorite park bench,

0:19:52.680 --> 0:19:55.399
<v Speaker 1>eating the birds, mining my own business. When when do

0:19:55.440 --> 0:19:58.320
<v Speaker 1>I see some kind of suit go into the flowe

0:19:58.359 --> 0:20:01.840
<v Speaker 1>booth across the street, take off the suit, walk out

0:20:01.880 --> 0:20:06.120
<v Speaker 1>in eating his pajamas, and then slide straight up into

0:20:06.160 --> 0:20:12.720
<v Speaker 1>the air. What is going on in the city? Great?

0:20:12.840 --> 0:20:16.200
<v Speaker 1>Second take perfect, Thank you so much, and we will

0:20:16.240 --> 0:20:19.159
<v Speaker 1>be right back to you. All right back to uh

0:20:20.000 --> 0:20:23.280
<v Speaker 1>our our second wonderful contestant here. They're doing great, they're

0:20:23.280 --> 0:20:27.959
<v Speaker 1>doing so well. It's round two, your second line, and

0:20:28.000 --> 0:20:29.680
<v Speaker 1>we are going to do this one more time for you,

0:20:29.760 --> 0:20:32.920
<v Speaker 1>mister Paulson. A number between one and six five and

0:20:33.160 --> 0:20:34.880
<v Speaker 1>actually no, I'm gonna have you redo that. You picked

0:20:34.880 --> 0:20:36.840
<v Speaker 1>one up? I picked five one r already? How about

0:20:37.720 --> 0:20:40.840
<v Speaker 1>have I done three yet? Yes? Okay? Four? Did that

0:20:40.880 --> 0:20:47.320
<v Speaker 1>one too? Two? Two works? All right, so too? How

0:20:47.320 --> 0:20:52.159
<v Speaker 1>about between one and twelve nine? Okay, yep, that works.

0:20:52.240 --> 0:20:55.560
<v Speaker 1>And now between one and seven three we did that one?

0:20:55.600 --> 0:20:58.280
<v Speaker 1>But did it? Actually? I think it'll work so we'll

0:20:58.359 --> 0:21:01.199
<v Speaker 1>keep we'll keep your three and then between one and

0:21:01.359 --> 0:21:08.080
<v Speaker 1>eleven eight? Alright, alright, so can I say it? You please? Do? Okay,

0:21:08.160 --> 0:21:12.280
<v Speaker 1>Danielle is going to be a big alien who is

0:21:12.359 --> 0:21:15.560
<v Speaker 1>ten years old that has been stuck in traffic for

0:21:15.640 --> 0:21:20.120
<v Speaker 1>six hours. Wow, interesting ten year old law like big

0:21:20.160 --> 0:21:24.920
<v Speaker 1>alien who's been stuck in traffic for six hours. Well

0:21:24.920 --> 0:21:26.960
<v Speaker 1>it's a totally different character if you're only there for five.

0:21:27.280 --> 0:21:33.440
<v Speaker 1>AT's right, So it's cooler, all right, Danielle, at your pleasure?

0:21:33.640 --> 0:21:37.920
<v Speaker 1>All right? So there I am sitting on my favorite

0:21:38.000 --> 0:21:41.320
<v Speaker 1>parkment to the birds mine in my own business. Why

0:21:41.359 --> 0:21:46.160
<v Speaker 1>what do I say? Some guy in a soup across

0:21:46.200 --> 0:21:49.200
<v Speaker 1>the street take off is soup, walk out in this

0:21:49.480 --> 0:21:53.200
<v Speaker 1>pajamas and then fly into the air. What is going

0:21:53.280 --> 0:21:57.160
<v Speaker 1>on in their tenny? Pretty good? That was great? Uh?

0:21:57.240 --> 0:21:59.680
<v Speaker 1>Rob any notes? Could you give us a few more

0:22:00.160 --> 0:22:04.600
<v Speaker 1>and lows where your everything isn't so projected? You're you're

0:22:04.640 --> 0:22:07.760
<v Speaker 1>a little bit you know what I mean that. Let's see.

0:22:08.440 --> 0:22:13.640
<v Speaker 1>So there I am sitting my favorite part bench feed

0:22:13.720 --> 0:22:17.160
<v Speaker 1>the birds mine in my own business. What do I see?

0:22:17.800 --> 0:22:21.560
<v Speaker 1>Some guy in a soup goes into the phone booth

0:22:21.600 --> 0:22:25.720
<v Speaker 1>across the street, picks off the soup, walks up in

0:22:25.800 --> 0:22:28.720
<v Speaker 1>his pajamas and then flying them in the air. What

0:22:28.840 --> 0:22:33.920
<v Speaker 1>is going this siting? That's great? That was great. Yeah,

0:22:33.960 --> 0:22:36.840
<v Speaker 1>she's very good. Thank you so much. We will be

0:22:36.920 --> 0:22:38.959
<v Speaker 1>right back to you because we do have a special

0:22:38.960 --> 0:22:41.520
<v Speaker 1>secret third round. Uh, here we go. We are going

0:22:41.560 --> 0:22:44.800
<v Speaker 1>back to Hayden. Hey, Hayden, how are you. I'm doing

0:22:44.920 --> 0:22:47.400
<v Speaker 1>just fine? All right, So we have we're gonna throw

0:22:47.400 --> 0:22:48.960
<v Speaker 1>a little wrinkle at you, my friend. We are going

0:22:49.000 --> 0:22:53.120
<v Speaker 1>to have a special super secret round three where you

0:22:53.160 --> 0:22:55.600
<v Speaker 1>have not yet read the line, so because cold reading

0:22:55.640 --> 0:22:58.640
<v Speaker 1>sometime is very important in the industry, and they might

0:22:58.640 --> 0:23:01.280
<v Speaker 1>throw something at you last minute. So I don't know

0:23:01.320 --> 0:23:05.600
<v Speaker 1>if you can see your chat on the zoom. Yes,

0:23:06.119 --> 0:23:08.159
<v Speaker 1>all right, So as you're reading that, we're gonna have

0:23:08.280 --> 0:23:13.040
<v Speaker 1>mister Paulson one more time, sir. Number between one and six, one,

0:23:13.400 --> 0:23:18.640
<v Speaker 1>number between one and twelve, one, number between one and seven, three,

0:23:19.119 --> 0:23:24.399
<v Speaker 1>and number between one and eleven four. Okay, So, uh,

0:23:25.600 --> 0:23:29.080
<v Speaker 1>your character this time with this new new line of dialogue.

0:23:29.119 --> 0:23:34.520
<v Speaker 1>You are a giant dog. You are ten years old,

0:23:35.920 --> 0:23:43.360
<v Speaker 1>and you're in the middle of an allergic reaction. Oh dear, interesting. Okay,

0:23:43.480 --> 0:23:46.800
<v Speaker 1>So there you go once again, giant dog ten years old,

0:23:47.480 --> 0:23:50.760
<v Speaker 1>middle of an allergic reaction, Hayden at your pleasure. So

0:23:50.760 --> 0:23:53.040
<v Speaker 1>so this guy, this guy walks into into the bar

0:23:53.600 --> 0:23:58.920
<v Speaker 1>the bartenders. Barttenders says, no, wait, that's not it. So

0:23:59.359 --> 0:24:01.080
<v Speaker 1>this horse walks into the bar with the with the

0:24:01.160 --> 0:24:06.560
<v Speaker 1>duck under duck under its arm. That's that's that's stunted. Either,

0:24:07.080 --> 0:24:09.560
<v Speaker 1>Let's try this again. This horse walks into a bar

0:24:10.119 --> 0:24:17.679
<v Speaker 1>to get to the other side. Nail. That was good.

0:24:17.920 --> 0:24:21.200
<v Speaker 1>I definitely felt like he was choking on something. Yeah,

0:24:21.240 --> 0:24:24.880
<v Speaker 1>and in mid anaphylactic shock was certainly is certainly interesting.

0:24:25.480 --> 0:24:28.480
<v Speaker 1>Rob Any notes, Actually, my new stage name is Anaphylaxis.

0:24:28.920 --> 0:24:33.240
<v Speaker 1>I like that. I like that name on the Give

0:24:33.280 --> 0:24:37.680
<v Speaker 1>It a Shot tour. Thank you. Yeah, that well as

0:24:37.720 --> 0:24:40.320
<v Speaker 1>always really nice. My friend, could you do one where

0:24:40.359 --> 0:24:43.879
<v Speaker 1>you you're let's do one where your nose uh is

0:24:44.160 --> 0:24:46.920
<v Speaker 1>kind of stuffed up because you are you really are

0:24:47.320 --> 0:24:50.120
<v Speaker 1>dealing with the allergy thing and your eyes are watering,

0:24:50.119 --> 0:24:55.720
<v Speaker 1>and however that would affect your speaking. Okay, you know, however,

0:24:55.760 --> 0:24:58.760
<v Speaker 1>you can come up with something to be an authentic

0:24:59.520 --> 0:25:01.760
<v Speaker 1>nose lug up if you have hay fever. You know,

0:25:01.800 --> 0:25:04.119
<v Speaker 1>people who do it can be miserable and that can

0:25:04.160 --> 0:25:06.719
<v Speaker 1>be reflected in the sound of the character. Okay, I

0:25:06.720 --> 0:25:09.400
<v Speaker 1>would also add, just very quickly, I would also add,

0:25:09.440 --> 0:25:11.280
<v Speaker 1>and we didn't I didn't push you on this last time,

0:25:11.280 --> 0:25:12.560
<v Speaker 1>but I'd like to see a little more of the

0:25:12.640 --> 0:25:15.040
<v Speaker 1>range of the care of the age. Okay, so let's

0:25:15.080 --> 0:25:17.159
<v Speaker 1>see if we can see a little bit of the

0:25:17.200 --> 0:25:18.639
<v Speaker 1>ten you here, a little bit more of the ten

0:25:18.720 --> 0:25:22.600
<v Speaker 1>year old this time in this take. How about you Christian?

0:25:22.760 --> 0:25:25.280
<v Speaker 1>And then Hayden, like your your you have a really

0:25:25.320 --> 0:25:28.320
<v Speaker 1>great microphone that you're using today. Could you please just

0:25:28.359 --> 0:25:31.040
<v Speaker 1>like talk into the microphone and don't worry about looking

0:25:31.080 --> 0:25:33.880
<v Speaker 1>at us for first round? Okay, sure, yeah, just really

0:25:33.960 --> 0:25:36.200
<v Speaker 1>use that microphone so we could really hear your tone

0:25:36.200 --> 0:25:38.760
<v Speaker 1>and don't worry about looking at us or seeing us.

0:25:38.840 --> 0:25:41.240
<v Speaker 1>Just kind of get lost in like what we've heard

0:25:41.280 --> 0:25:45.400
<v Speaker 1>in your audition. That's a great that's a very point.

0:25:45.480 --> 0:25:49.280
<v Speaker 1>And often especially with with on camera folks who come

0:25:49.280 --> 0:25:55.240
<v Speaker 1>into do cartoons, um for obvious reasons, they're used to

0:25:55.440 --> 0:25:58.959
<v Speaker 1>engaging characters to the left or to the right, and

0:25:59.119 --> 0:26:04.440
<v Speaker 1>sometimes something as simple as the director or the engineers saying, um, hey, Rob,

0:26:05.000 --> 0:26:07.760
<v Speaker 1>you know what we'll take care of that. Um, if

0:26:07.760 --> 0:26:11.520
<v Speaker 1>you wouldn't mind, just please keep your head forward. You

0:26:11.560 --> 0:26:15.000
<v Speaker 1>can move around and gesticulate all you want, but we'll

0:26:15.040 --> 0:26:18.199
<v Speaker 1>handle it. So you really, everybody wants you to be

0:26:18.320 --> 0:26:21.920
<v Speaker 1>dealing with what is best for Hayden. Okay, great, great point,

0:26:22.000 --> 0:26:25.640
<v Speaker 1>CHRISTI sure, thank you allre you ready, Hayden, And take

0:26:25.680 --> 0:26:28.200
<v Speaker 1>a bar before you go. Yeah, don't rush into it,

0:26:28.800 --> 0:26:32.400
<v Speaker 1>all right, perfect, at your pleasure. So this guy wasts

0:26:32.400 --> 0:26:37.000
<v Speaker 1>into a bar bartendersis No, wait, that's not it. So

0:26:37.040 --> 0:26:39.320
<v Speaker 1>this this this horse he walks into the bar with

0:26:39.359 --> 0:26:43.360
<v Speaker 1>the duck unders arm. No, that's not it either. Let's

0:26:43.400 --> 0:26:47.720
<v Speaker 1>try this again. Sorry, this this horse walks into a

0:26:47.760 --> 0:26:49.720
<v Speaker 1>bar to get to the other side. There we go.

0:26:53.160 --> 0:26:55.840
<v Speaker 1>That was great. You took all the direction very well,

0:26:55.880 --> 0:26:58.440
<v Speaker 1>I thought, there, Hayden, thank you, thank you. All right,

0:26:58.480 --> 0:27:00.800
<v Speaker 1>we'll be right back with you. That was great, Christy,

0:27:00.840 --> 0:27:02.680
<v Speaker 1>because he did he played, he played into the microphone

0:27:02.680 --> 0:27:04.240
<v Speaker 1>more and we were able to hear it more and

0:27:04.359 --> 0:27:05.679
<v Speaker 1>hear his tone a little better. And that was a

0:27:05.680 --> 0:27:08.360
<v Speaker 1>great note. Yeah, I think so much of this has

0:27:08.400 --> 0:27:12.160
<v Speaker 1>to do with being able to understand booth at a kid,

0:27:12.280 --> 0:27:15.359
<v Speaker 1>and yeah, sure you know. And yeah, I think I

0:27:15.359 --> 0:27:18.440
<v Speaker 1>couldn't agree with you more, and we are back. Hello, Danielle.

0:27:19.320 --> 0:27:22.760
<v Speaker 1>So we're throwing a little wrinkle here. If you look

0:27:22.800 --> 0:27:25.760
<v Speaker 1>at you your chat, you have a new line there

0:27:25.800 --> 0:27:27.359
<v Speaker 1>that we're gonna that you have not had a chance

0:27:27.359 --> 0:27:29.159
<v Speaker 1>to rehearse yet. We were gonna throw one at your

0:27:29.240 --> 0:27:32.040
<v Speaker 1>cold Okay, We're gonna do one last round with you,

0:27:32.880 --> 0:27:36.479
<v Speaker 1>mister Paulson, one last time, sir. A number between one

0:27:36.480 --> 0:27:39.240
<v Speaker 1>and six? Did I do five yet? And now let's

0:27:39.240 --> 0:27:42.360
<v Speaker 1>do five? Five sounds good? Okay? How about between one

0:27:42.359 --> 0:27:46.359
<v Speaker 1>and twelve? Okay? Three? You got all right? A number

0:27:46.400 --> 0:27:49.159
<v Speaker 1>between one and seven four? Four works? And then a

0:27:49.280 --> 0:27:53.080
<v Speaker 1>number between one and eleven ten? Nice Christy. You want

0:27:53.080 --> 0:27:54.520
<v Speaker 1>to take it? You want me to read it? I

0:27:55.680 --> 0:27:59.280
<v Speaker 1>what was the first? One? Five? Five would make you

0:27:59.480 --> 0:28:07.480
<v Speaker 1>any mouse? That is? What was the age? Fifteen? Fifteen?

0:28:08.200 --> 0:28:10.880
<v Speaker 1>And you are afraid of your own shadow? We'll see

0:28:10.920 --> 0:28:19.400
<v Speaker 1>that's definitely not Danielle, take it away. Okay. So this

0:28:19.440 --> 0:28:24.200
<v Speaker 1>guy walks into a bar and the bartender says, no, no, no, no, weight,

0:28:24.480 --> 0:28:26.840
<v Speaker 1>that's not it. Oh. So this horse walks into a

0:28:26.880 --> 0:28:30.720
<v Speaker 1>bar with a duck under its dark. No, Oh, that's

0:28:30.720 --> 0:28:35.520
<v Speaker 1>not it either. Let me try again. This horse walk

0:28:36.160 --> 0:28:39.840
<v Speaker 1>into a bar to get to the other bag. Dail.

0:28:41.280 --> 0:28:44.640
<v Speaker 1>That was That was great, Danielle, really really good. One

0:28:44.680 --> 0:28:48.240
<v Speaker 1>thing I would like to to hear um just I

0:28:48.280 --> 0:28:50.880
<v Speaker 1>would add some I remember, you're afraid of your own shadow.

0:28:51.120 --> 0:28:54.440
<v Speaker 1>Let's add a little bit of fear um into the reading.

0:28:54.480 --> 0:28:56.680
<v Speaker 1>But other than that, I got nothing else. Rob yeah,

0:28:56.720 --> 0:29:00.600
<v Speaker 1>I uh, Sam as well, just pig because we can.

0:29:00.680 --> 0:29:04.880
<v Speaker 1>Would you throw your choice your choice some sort of

0:29:05.640 --> 0:29:09.480
<v Speaker 1>not necessarily a dialect, but something that might be specific

0:29:09.520 --> 0:29:12.280
<v Speaker 1>to a certain area of the country or another country

0:29:12.360 --> 0:29:15.840
<v Speaker 1>or whatever. The only reason I say that is because

0:29:16.560 --> 0:29:19.080
<v Speaker 1>I've had more than a number of characters in which

0:29:19.120 --> 0:29:23.920
<v Speaker 1>I've been able to work and get jobs simply because

0:29:24.240 --> 0:29:25.880
<v Speaker 1>and I know this has happened to Christie and Will.

0:29:26.120 --> 0:29:29.520
<v Speaker 1>We're not limited by what we think the people on

0:29:29.560 --> 0:29:32.600
<v Speaker 1>the other side of the glass want. And I say

0:29:32.640 --> 0:29:38.080
<v Speaker 1>that specifically with respect to Pinky, and Pinky was one

0:29:38.080 --> 0:29:42.760
<v Speaker 1>of those that I had all kinds of stuff to try.

0:29:43.880 --> 0:29:45.560
<v Speaker 1>I was a big fan of the pythons. They were

0:29:45.720 --> 0:29:49.480
<v Speaker 1>very instrumental in developing my sense of human my desire

0:29:50.000 --> 0:29:53.240
<v Speaker 1>to work on dialects and weird things and placements and

0:29:53.280 --> 0:29:57.040
<v Speaker 1>all that. And it turned out to be a nice gig.

0:29:57.640 --> 0:30:02.479
<v Speaker 1>So those are that may be something you come up

0:30:02.480 --> 0:30:04.920
<v Speaker 1>without the bat. But this is a good opportunity when

0:30:05.000 --> 0:30:08.440
<v Speaker 1>when a producer says, man, Danielle, you're giving us everything

0:30:08.480 --> 0:30:10.760
<v Speaker 1>we like we want. We're diving it like Weill said,

0:30:10.800 --> 0:30:13.480
<v Speaker 1>you did everything we asked for. Have you got anything?

0:30:13.800 --> 0:30:17.200
<v Speaker 1>So whatever it is that this is an opportunity, you say, yeah,

0:30:17.360 --> 0:30:19.480
<v Speaker 1>I'm gonna try this, and you never know if that's

0:30:19.520 --> 0:30:22.280
<v Speaker 1>going to separate you from the pack a bit. I

0:30:22.320 --> 0:30:25.760
<v Speaker 1>got you, all right. So this guy walks into a

0:30:25.840 --> 0:30:29.440
<v Speaker 1>box and the box and just said, no, no, wait,

0:30:29.560 --> 0:30:33.920
<v Speaker 1>god's not Oh. So this horse walked into a bar

0:30:34.080 --> 0:30:39.480
<v Speaker 1>with a duck under its honor. No, no, oh, let

0:30:39.480 --> 0:30:43.600
<v Speaker 1>me try agenda. This horse walked into a bar to

0:30:43.800 --> 0:30:47.840
<v Speaker 1>get to the other. That's great. Yeah, I mean yeah,

0:30:48.160 --> 0:30:51.240
<v Speaker 1>that's great. Great, And and it sounds all of a sudden,

0:30:51.240 --> 0:30:56.680
<v Speaker 1>we got a mouse from Boston. Yeah, exactly, it sounded

0:30:56.720 --> 0:31:02.840
<v Speaker 1>like is its Archie Bunker's wife just gonna say it

0:31:02.960 --> 0:31:07.200
<v Speaker 1>sounded exactly like. Yeah, it sounded just like you. That

0:31:07.440 --> 0:31:10.280
<v Speaker 1>is a voice. That's a voice I developed when I

0:31:10.280 --> 0:31:14.560
<v Speaker 1>played Audrey a little. That's exactly so because there's a

0:31:14.600 --> 0:31:18.640
<v Speaker 1>different there's a difference between Bath and ba you know

0:31:18.680 --> 0:31:21.520
<v Speaker 1>what I mean. Archie would say, well where's the bar Edith,

0:31:22.200 --> 0:31:25.040
<v Speaker 1>but Billy or somebody from Boston will say, where's the

0:31:25.040 --> 0:31:28.240
<v Speaker 1>back back? Yeah? Thank you, daniel I appreciate it. We'll

0:31:28.280 --> 0:31:40.760
<v Speaker 1>be right back with you. All right, Okay, there we go.

0:31:41.320 --> 0:31:45.480
<v Speaker 1>It is time to deliberate. We're open and honest with

0:31:45.480 --> 0:31:48.080
<v Speaker 1>with what we hear and what we've talked about, and

0:31:48.080 --> 0:31:51.480
<v Speaker 1>we with the contestants that are coming it is it's

0:31:51.520 --> 0:31:53.560
<v Speaker 1>so awesome that they've made it to the top sixteen.

0:31:53.640 --> 0:31:56.400
<v Speaker 1>They're all uber talented. We said at the beginning, all

0:31:56.440 --> 0:31:59.000
<v Speaker 1>sixteen of the people that we picked could be signed tomorrow.

0:31:59.560 --> 0:32:02.880
<v Speaker 1>Forty two hundred people. Yeah, it was crazy. It was

0:32:02.880 --> 0:32:06.480
<v Speaker 1>absolutely crazy. Ok. You got that alone. Is a herculean

0:32:06.560 --> 0:32:09.520
<v Speaker 1>task that you guys took on. It was a lot

0:32:09.600 --> 0:32:15.000
<v Speaker 1>and we listened to every single entry, so both it

0:32:15.040 --> 0:32:18.440
<v Speaker 1>was a lot. It did, but it was worth it.

0:32:18.520 --> 0:32:20.960
<v Speaker 1>And I'm going to be totally honest because we've said

0:32:21.000 --> 0:32:25.880
<v Speaker 1>from the beginning that doing voices is wonderful, but first

0:32:25.920 --> 0:32:30.720
<v Speaker 1>and foremost, you're a voice actor, and I have to

0:32:30.760 --> 0:32:35.440
<v Speaker 1>say that overall, Danielle just is a better actor. Yes,

0:32:35.760 --> 0:32:38.640
<v Speaker 1>That is not to say that Hayden is not could

0:32:38.680 --> 0:32:41.160
<v Speaker 1>not learn, because you know, I think he if he

0:32:41.200 --> 0:32:44.040
<v Speaker 1>takes some classes and kind of works a little bit

0:32:44.080 --> 0:32:46.280
<v Speaker 1>more on his acting, he might have something because especially

0:32:46.320 --> 0:32:50.520
<v Speaker 1>his natural speaking voice is great. And I've I've often

0:32:50.560 --> 0:32:53.120
<v Speaker 1>said I don't do fifty voices. I am not that guy.

0:32:53.160 --> 0:32:54.760
<v Speaker 1>I can't do fifty voices, And a lot of the

0:32:54.840 --> 0:32:56.800
<v Speaker 1>voices I do are very similar to my own voice.

0:32:56.840 --> 0:33:01.000
<v Speaker 1>So you can have a very good career soundunding like yourself.

0:33:01.280 --> 0:33:07.800
<v Speaker 1>But those opportunities to know how to step outside yourself

0:33:07.800 --> 0:33:11.360
<v Speaker 1>and fully invest yourself into a character are things that

0:33:11.440 --> 0:33:14.720
<v Speaker 1>traditionally have happened as a result of live performance. She

0:33:14.880 --> 0:33:19.360
<v Speaker 1>I think was clearly the better contestant today. Yea, And

0:33:19.560 --> 0:33:29.920
<v Speaker 1>the winner of this round is Danielle from Tennessee. Who Okay, So,

0:33:29.920 --> 0:33:31.560
<v Speaker 1>why don't we why don't we bring in Well, let's

0:33:31.560 --> 0:33:33.400
<v Speaker 1>bring in Hayden first. Why don't we Why don't we

0:33:33.440 --> 0:33:35.680
<v Speaker 1>do that? Hey, Hayden, how are you good? How you

0:33:35.680 --> 0:33:39.280
<v Speaker 1>guys doing not too bad? You asked that question. How

0:33:39.320 --> 0:33:41.800
<v Speaker 1>are you from the last seven minutes we've not seen? Yeah,

0:33:43.880 --> 0:33:46.520
<v Speaker 1>just a little bit better. Yeah, but that's the idea.

0:33:46.600 --> 0:33:49.080
<v Speaker 1>Just get better and better. Hey, did we want to

0:33:49.120 --> 0:33:52.120
<v Speaker 1>congratulate you so much on making it this far. You

0:33:52.200 --> 0:33:55.480
<v Speaker 1>did a great, great job today. But unfortunately this is

0:33:55.480 --> 0:33:56.960
<v Speaker 1>going to be the end of the line in the

0:33:57.560 --> 0:34:00.880
<v Speaker 1>contest for you or the person and you were up against.

0:34:01.240 --> 0:34:06.080
<v Speaker 1>She was just really wonderful today. Um. But please please

0:34:06.200 --> 0:34:10.160
<v Speaker 1>do not stop. Yeah, because you're you're very good at

0:34:10.200 --> 0:34:13.440
<v Speaker 1>what you do. Your natural voice, your natural register, that

0:34:13.400 --> 0:34:15.799
<v Speaker 1>the pipes that you were gifted with are phenomenal. Um.

0:34:16.080 --> 0:34:19.080
<v Speaker 1>Do you have any background performance wise, I mean apart

0:34:19.120 --> 0:34:21.880
<v Speaker 1>from a desire to do voice work, and you're clearly

0:34:21.880 --> 0:34:24.160
<v Speaker 1>a bright young man with it, as as Will said,

0:34:24.160 --> 0:34:28.680
<v Speaker 1>a gifted instrument. Um, I don't, actually, it's just honestly

0:34:28.719 --> 0:34:31.359
<v Speaker 1>just doing voices for friends. Over the years. Um, I've

0:34:31.400 --> 0:34:33.920
<v Speaker 1>had a few jobs where I've like announced things to people,

0:34:34.440 --> 0:34:37.920
<v Speaker 1>like racetracks. I was calling races out and stuff like that.

0:34:38.800 --> 0:34:43.560
<v Speaker 1>Your voice is so clear and your enunciation your articulate

0:34:44.840 --> 0:34:49.480
<v Speaker 1>to the extent you would like to pursue this, and honestly,

0:34:49.560 --> 0:34:52.520
<v Speaker 1>this is the right now. The best reason to do

0:34:52.560 --> 0:34:54.640
<v Speaker 1>it is because it makes you so happy. That is

0:34:54.640 --> 0:34:58.760
<v Speaker 1>the most the noblest of reasons to pursue it. However,

0:34:59.320 --> 0:35:01.640
<v Speaker 1>should you just I had to pursue this, I would

0:35:01.640 --> 0:35:07.320
<v Speaker 1>definitely avail yourself if you're interested of maybe doing either

0:35:07.440 --> 0:35:10.600
<v Speaker 1>finding or putting together an improv group where you learn

0:35:10.640 --> 0:35:13.080
<v Speaker 1>to think on your feet and create characters on the

0:35:13.080 --> 0:35:20.080
<v Speaker 1>spur of the moment. That experience will never not serve

0:35:20.160 --> 0:35:24.280
<v Speaker 1>you well. When you're able to think and speak extemporaneously,

0:35:24.800 --> 0:35:27.879
<v Speaker 1>your ability as an actor, thinking on your feet will

0:35:28.080 --> 0:35:30.759
<v Speaker 1>make you at ease, and it will also make you

0:35:30.880 --> 0:35:33.600
<v Speaker 1>a better actor. But man, I'll tell you what for

0:35:33.680 --> 0:35:36.400
<v Speaker 1>somebody who just says, hey, this sounds like fun. Yeah,

0:35:36.440 --> 0:35:40.040
<v Speaker 1>really great, pal, Yeah, I really appreciate that. Guys, thank you.

0:35:40.080 --> 0:35:42.200
<v Speaker 1>Now we said, we said from the beginning Hayden that

0:35:42.239 --> 0:35:45.000
<v Speaker 1>the sixteen people that we picked and again from over

0:35:45.200 --> 0:35:48.839
<v Speaker 1>thousands to sixteen all could be signed. You really, this

0:35:48.920 --> 0:35:51.440
<v Speaker 1>is not something. If this is something you want to pursue,

0:35:52.440 --> 0:35:55.640
<v Speaker 1>Rob is right, you should, and I would look into

0:35:55.719 --> 0:35:58.000
<v Speaker 1>an acting class. I would look into an improv class

0:35:58.000 --> 0:36:00.799
<v Speaker 1>because you've got the natural. You've got something that can't

0:36:00.800 --> 0:36:03.920
<v Speaker 1>be taught, which is the natural pipes. Um So, I

0:36:03.960 --> 0:36:06.200
<v Speaker 1>think if you work a bit on on the acting

0:36:06.280 --> 0:36:09.040
<v Speaker 1>and the improv, I think you know, sky's the limit.

0:36:09.120 --> 0:36:12.080
<v Speaker 1>Really I agree. My final thought too, is it's just

0:36:12.239 --> 0:36:15.239
<v Speaker 1>making those bold choices and and and really having fun

0:36:15.280 --> 0:36:18.600
<v Speaker 1>with it going forward. And yeah, just this, this doesn't

0:36:18.640 --> 0:36:20.480
<v Speaker 1>have to be the end of the line for you.

0:36:21.080 --> 0:36:24.520
<v Speaker 1>It's just a matter of your next step. Thank you, Hayden. Yeah,

0:36:24.560 --> 0:36:27.480
<v Speaker 1>thank you guys. It's great opportunity. I will definitely take

0:36:27.600 --> 0:36:30.160
<v Speaker 1>all the notes in critiques and I will continue my

0:36:30.160 --> 0:36:32.520
<v Speaker 1>craft that way, I can work alongside you guys. One

0:36:32.560 --> 0:36:35.239
<v Speaker 1>day you should. I'm sure it'll happen. I'm sure it'll

0:36:35.239 --> 0:36:41.880
<v Speaker 1>happen here. Thank you, great guy, great great. His natural

0:36:41.920 --> 0:36:47.200
<v Speaker 1>pipes are amazing. Yeah. Oh Danielle, Oh, Danielle, we liked

0:36:47.239 --> 0:36:52.080
<v Speaker 1>you kind of um, but what a kind of maybe,

0:36:52.120 --> 0:36:55.319
<v Speaker 1>I don't know. No, you are congratulations. You are going

0:36:55.360 --> 0:36:57.839
<v Speaker 1>onto the next round of the contest. Yes, you're going

0:36:57.880 --> 0:37:01.719
<v Speaker 1>to not yet, not yet, so congratulations going to the

0:37:01.760 --> 0:37:04.520
<v Speaker 1>top eight for the next round, which will get harder.

0:37:04.960 --> 0:37:08.120
<v Speaker 1>Our suggestion for you would be, can you can you

0:37:08.160 --> 0:37:12.719
<v Speaker 1>find a mic or snowball or something to use. We

0:37:12.719 --> 0:37:14.120
<v Speaker 1>just want to make sure that we give all of

0:37:14.120 --> 0:37:17.560
<v Speaker 1>our contestants the best opportunity to make the most of

0:37:17.560 --> 0:37:21.280
<v Speaker 1>the opportunity that they have. So congratulations. It was gonna

0:37:21.320 --> 0:37:26.600
<v Speaker 1>start getting more difficult, but I'm our past round one

0:37:26.680 --> 0:37:29.040
<v Speaker 1>and Rob, do you have any overall notes you would

0:37:29.080 --> 0:37:31.160
<v Speaker 1>like to give Danielle as she moves forward in the contest.

0:37:31.320 --> 0:37:35.640
<v Speaker 1>You're obviously very talented and you are you jump in

0:37:35.680 --> 0:37:41.400
<v Speaker 1>with both feet your background in theater. That really was

0:37:41.719 --> 0:37:44.520
<v Speaker 1>a really wonderful thing for people who are listening to

0:37:44.600 --> 0:37:47.719
<v Speaker 1>the podcast to see two people who are talented, but

0:37:47.760 --> 0:37:50.920
<v Speaker 1>the one who has the experience that allows you to

0:37:51.120 --> 0:37:56.280
<v Speaker 1>become yes and become unself conscious. That is to say,

0:37:56.600 --> 0:38:00.680
<v Speaker 1>Danielle has nothing to do with the character that I'm

0:38:00.719 --> 0:38:05.880
<v Speaker 1>There's no I hope this is. There's no. You're not reticent.

0:38:05.960 --> 0:38:09.560
<v Speaker 1>You go for it, and that's because you have you

0:38:09.560 --> 0:38:11.960
<v Speaker 1>have training, you have acting jobs, you have experience, and

0:38:12.040 --> 0:38:15.120
<v Speaker 1>that will serve you really well. Great job, Thank you,

0:38:15.239 --> 0:38:18.080
<v Speaker 1>And if I'm wrong, I can be totally confident in

0:38:18.120 --> 0:38:22.879
<v Speaker 1>my wrongness. It's fine, forgive me. But I gotta say

0:38:22.920 --> 0:38:24.680
<v Speaker 1>this because when these guys are nice enough to I've

0:38:24.680 --> 0:38:27.279
<v Speaker 1>been I'm an old Hollywood dog and the number of

0:38:27.280 --> 0:38:30.680
<v Speaker 1>times I've gotten a job where at the end of

0:38:30.680 --> 0:38:33.799
<v Speaker 1>the audition the producers got anything else. As I said,

0:38:33.840 --> 0:38:37.720
<v Speaker 1>I sure do Boom boom boom, boom boom. Great, thanks Rob,

0:38:37.840 --> 0:38:39.960
<v Speaker 1>and then I'll get a call Rob, you didn't get

0:38:39.960 --> 0:38:43.279
<v Speaker 1>the job because what you did was really not right

0:38:43.400 --> 0:38:49.920
<v Speaker 1>for this. However, your choices were so clear, and we're

0:38:49.960 --> 0:38:53.239
<v Speaker 1>going to stash this away. And this has happened three

0:38:53.280 --> 0:38:55.480
<v Speaker 1>times I can think of over my career where literally

0:38:55.480 --> 0:38:59.080
<v Speaker 1>a year, sometimes too later, will the producer call my

0:38:59.120 --> 0:39:01.560
<v Speaker 1>agents say, hey, wanted Rob come and read this. I'm

0:39:01.600 --> 0:39:03.560
<v Speaker 1>not working. I was at Disney when I met him before.

0:39:03.800 --> 0:39:05.880
<v Speaker 1>Now I'm at Warner Brothers. I think I got something

0:39:05.880 --> 0:39:09.520
<v Speaker 1>for him. Hey Rob, remember but no, I don't here.

0:39:09.560 --> 0:39:12.279
<v Speaker 1>This is what you did that was wrong? Can you

0:39:12.320 --> 0:39:15.640
<v Speaker 1>do that again? Sure? And I get the job. Yeah.

0:39:15.680 --> 0:39:19.319
<v Speaker 1>So those opportunities are are You're not, as they say,

0:39:19.440 --> 0:39:24.320
<v Speaker 1>you're not auditioning just for that particular job. Yeah, oh exactly.

0:39:24.640 --> 0:39:29.360
<v Speaker 1>So you know, thank you, thank you, congratulations on making

0:39:29.400 --> 0:39:34.719
<v Speaker 1>it to the next round contest to become the next

0:39:34.719 --> 0:39:37.280
<v Speaker 1>big voice actor. So that's uh, it's great. We can't

0:39:37.840 --> 0:39:39.879
<v Speaker 1>we can't wait to see where it goes from here.

0:39:39.960 --> 0:39:41.719
<v Speaker 1>Thank you so much for joining us, and we will

0:39:41.719 --> 0:39:48.040
<v Speaker 1>see you next round the job kiddo, than you welcome, Daniel.

0:39:48.840 --> 0:39:53.719
<v Speaker 1>I think that there are no mistakes there, there's no accidents,

0:39:53.840 --> 0:39:56.600
<v Speaker 1>right like, so the fact that you guys just happened

0:39:56.600 --> 0:40:01.200
<v Speaker 1>and totally independently chat there today, it is a really

0:40:01.480 --> 0:40:05.200
<v Speaker 1>it's why we wanted folks like you to, you know,

0:40:05.280 --> 0:40:06.719
<v Speaker 1>try to see if we could, if you could fit

0:40:06.800 --> 0:40:10.160
<v Speaker 1>us in for this mentorship, because you truly are a mentor.

0:40:10.400 --> 0:40:13.040
<v Speaker 1>So thank you for what you're doing. And I'm sure

0:40:13.040 --> 0:40:15.319
<v Speaker 1>that people who are listening to our podcast, you know,

0:40:15.480 --> 0:40:17.319
<v Speaker 1>love to know that they can, you know, find you

0:40:17.360 --> 0:40:21.400
<v Speaker 1>on TikTok. You're so big. I thank you. I the

0:40:21.440 --> 0:40:23.400
<v Speaker 1>only thing big about me is my ego. My talent

0:40:23.520 --> 0:40:27.000
<v Speaker 1>is prodigious as well as but thank you very sure,

0:40:27.080 --> 0:40:30.360
<v Speaker 1>well deserved. I've been listening to I've always been a

0:40:30.360 --> 0:40:32.839
<v Speaker 1>big fan of yourself always. Thanks of course, for those

0:40:32.840 --> 0:40:34.920
<v Speaker 1>of you who are interested, please check out Rob Paulson

0:40:35.280 --> 0:40:38.359
<v Speaker 1>Voice dot com. There's a lot of cool stuff there,

0:40:38.400 --> 0:40:41.359
<v Speaker 1>a lot of cool information. Uh. And I'm you know,

0:40:41.480 --> 0:40:44.760
<v Speaker 1>just doing all kinds of fun stuff and travel around

0:40:44.760 --> 0:40:48.040
<v Speaker 1>the country and meeting people and doing Animaniac and concert

0:40:48.080 --> 0:40:53.239
<v Speaker 1>which is of love and so much and I think

0:40:53.239 --> 0:40:55.040
<v Speaker 1>it will there are probably more and more opportunities for

0:40:55.080 --> 0:40:58.320
<v Speaker 1>people to make a decent living um doing voice work,

0:40:58.600 --> 0:41:01.440
<v Speaker 1>hopefully in a saga through away. There may come a

0:41:01.440 --> 0:41:04.320
<v Speaker 1>point at which you don't have to necessarily be in

0:41:04.480 --> 0:41:10.799
<v Speaker 1>LA anymore to work Universal, Warner Brothers, Nickelodeon, etc. Etc. Etc. Yeah,

0:41:11.120 --> 0:41:14.040
<v Speaker 1>which is why we're we're working to find the next

0:41:14.040 --> 0:41:16.400
<v Speaker 1>person who's going to join us all in the booth.

0:41:16.920 --> 0:41:19.640
<v Speaker 1>Right and Rob, we cannot thank you enough for taking

0:41:19.680 --> 0:41:23.120
<v Speaker 1>the time to mentor and everything. It is just so cool,

0:41:23.280 --> 0:41:25.600
<v Speaker 1>Christy and will I I'm very flattered that you would

0:41:25.719 --> 0:41:32.160
<v Speaker 1>have me back, And congratulations to everybody and folks listening.

0:41:32.520 --> 0:41:34.160
<v Speaker 1>You pick the right people to listen to. They know

0:41:34.200 --> 0:41:39.600
<v Speaker 1>exactly what they're talking about. They are they are the

0:41:39.760 --> 0:41:46.080
<v Speaker 1>real deal. They are kind, down to earth, utterly devoid

0:41:46.120 --> 0:41:50.479
<v Speaker 1>of pretense, and they just as evidenced by what they've

0:41:50.520 --> 0:41:59.839
<v Speaker 1>done visa be this this particular event, they really are

0:42:00.080 --> 0:42:03.319
<v Speaker 1>people who care about you guys, because they get it.

0:42:03.440 --> 0:42:08.640
<v Speaker 1>They know, they know, they know how much you want it.

0:42:08.640 --> 0:42:13.080
<v Speaker 1>It is a total jones. It never goes away. It

0:42:13.160 --> 0:42:16.600
<v Speaker 1>doesn't to give you an opportunity to be given an

0:42:16.640 --> 0:42:20.000
<v Speaker 1>opportunity by two folks who really know what they're talking

0:42:20.040 --> 0:42:23.439
<v Speaker 1>about and more importantly, know what you're about is a

0:42:23.480 --> 0:42:26.200
<v Speaker 1>is a gift, so take advantage of it. Thank you

0:42:26.239 --> 0:42:28.440
<v Speaker 1>so much, Rob. We cannot thank you enough. And we'll

0:42:28.480 --> 0:42:30.400
<v Speaker 1>have you back. We're gonna need We're gonna have you

0:42:30.400 --> 0:42:31.719
<v Speaker 1>back down the line. You're gonna be there to help

0:42:31.800 --> 0:42:35.480
<v Speaker 1>us pick the winner. I promise, Hey, next time. That's awesome.

0:42:35.560 --> 0:42:39.239
<v Speaker 1>Thank you so much, Rob as Bye bye bye, Rob,

0:42:41.120 --> 0:42:45.840
<v Speaker 1>the amazing Rob Paulson. That is a living legend for

0:42:46.160 --> 0:42:50.799
<v Speaker 1>so many reasons. So officially, the winner of this round

0:42:51.440 --> 0:42:55.360
<v Speaker 1>is Danielle from Tennessee. Congratulations. She will of course be

0:42:55.560 --> 0:42:59.239
<v Speaker 1>joining our first round winner Dylan from Louisiana. We got

0:42:59.320 --> 0:43:02.360
<v Speaker 1>some some the South representing so far. I guess we do,

0:43:02.680 --> 0:43:04.759
<v Speaker 1>but I mean, you couldn't tell. I didn't even know.

0:43:04.920 --> 0:43:07.560
<v Speaker 1>They didn't even have accents or anything. So no, but man,

0:43:07.600 --> 0:43:10.160
<v Speaker 1>they're both good and we are moving forward. It's going

0:43:10.200 --> 0:43:11.719
<v Speaker 1>to get more and more competitive, so we'll make sure

0:43:12.440 --> 0:43:15.319
<v Speaker 1>absolutely is. So please don't forget to join us next

0:43:15.360 --> 0:43:19.000
<v Speaker 1>week for round three. Two more contestants, another incredible guest

0:43:19.080 --> 0:43:21.239
<v Speaker 1>judge who are going to come and help us find

0:43:21.520 --> 0:43:24.759
<v Speaker 1>the next big voice actor. So much fun that we

0:43:24.800 --> 0:43:26.560
<v Speaker 1>can actually do this every week, and once again a

0:43:26.680 --> 0:43:29.879
<v Speaker 1>shout out to our friends at Prime Video, over there

0:43:29.920 --> 0:43:32.440
<v Speaker 1>at Amazon, our friends a critical role who helped out

0:43:32.480 --> 0:43:35.640
<v Speaker 1>with everything, our friends at CESD who helped out with everything,

0:43:35.680 --> 0:43:38.120
<v Speaker 1>and of course our favorite people in the world over

0:43:38.200 --> 0:43:41.000
<v Speaker 1>at iHeart that helped make all of this happen. We

0:43:41.080 --> 0:43:44.360
<v Speaker 1>could not have done it without iHeart and our incredible

0:43:44.400 --> 0:43:48.879
<v Speaker 1>producers and our engineers and everybody that has helped make

0:43:49.000 --> 0:43:52.839
<v Speaker 1>this dream happen. So so cool. Join us again next week.

0:43:53.560 --> 0:43:56.799
<v Speaker 1>It's getting real, people, it is getting real. So join

0:43:56.960 --> 0:43:58.840
<v Speaker 1>us and don't forget. If you think you have what

0:43:58.920 --> 0:44:01.320
<v Speaker 1>it takes to be one of us, step up to

0:44:01.360 --> 0:44:03.640
<v Speaker 1>the microphone and put your voices where your mouth is.

0:44:03.840 --> 0:44:06.840
<v Speaker 1>Thanks everybody, Bye guys. I Hear Voices is hosted by

0:44:06.880 --> 0:44:10.600
<v Speaker 1>Wilfordell and Christy Carlson Romano. Executive produced by Wilfredell, Brendan Rooney,

0:44:10.640 --> 0:44:13.440
<v Speaker 1>Amy Sugarman. Our executive in charge of production is Danielle Romo,

0:44:13.600 --> 0:44:16.480
<v Speaker 1>Our producer is Lorraine Verawez, and our editor slash engineer

0:44:16.640 --> 0:44:20.279
<v Speaker 1>is Brian Burton. And that was my announcer voice. Some

0:44:20.440 --> 0:44:22.480
<v Speaker 1>side effects of listening to I Hear Voices are sore

0:44:22.520 --> 0:44:25.239
<v Speaker 1>abs from hilarity falling down the Coco Melon, rabbit Hole,

0:44:25.360 --> 0:44:28.239
<v Speaker 1>sneezing due to mass nostalgia and hugs. Follow I Hear

0:44:28.320 --> 0:44:30.200
<v Speaker 1>Voices wherever you listen to podcasts so you don't miss

0:44:30.239 --> 0:44:32.480
<v Speaker 1>any of the amazing voices. Be sure to follow us

0:44:32.520 --> 0:44:35.200
<v Speaker 1>on Instagram and TikTok at I Hear Voices podcast. You

0:44:35.239 --> 0:44:38.239
<v Speaker 1>can also check us out on my Space, Omigel Vine LimeWire.

0:44:38.320 --> 0:44:40.600
<v Speaker 1>Hey I'm a napster. Okay, well, let's teach you about

0:44:40.600 --> 0:44:41.399
<v Speaker 1>the Internet, the who