1 00:00:00,160 --> 00:00:03,680 Speaker 1: Hi Christy, Hey there Will, How are you today? I'm good. 2 00:00:03,720 --> 00:00:06,080 Speaker 1: You sound so much better this week. I'm so glad 3 00:00:06,120 --> 00:00:08,280 Speaker 1: that you you are not as miserable as you were 4 00:00:08,360 --> 00:00:12,800 Speaker 1: last week. Guys, Oh gosh, I was shivering the entire time. 5 00:00:12,800 --> 00:00:15,560 Speaker 1: I'm hearing that. It was horrible if poor eg was 6 00:00:15,600 --> 00:00:20,560 Speaker 1: even very uncomfortable with my zoom video footage. But talk 7 00:00:20,600 --> 00:00:23,720 Speaker 1: about the consummate professional. I'm sorry shivering. You had like 8 00:00:23,760 --> 00:00:25,919 Speaker 1: one hundred and three fever and I'm sorry, I'm gonna 9 00:00:25,920 --> 00:00:27,920 Speaker 1: say it. You still killed it the whole episode, so 10 00:00:28,400 --> 00:00:31,000 Speaker 1: thank you. Yeah, it was well, it was hard not 11 00:00:31,040 --> 00:00:36,040 Speaker 1: to because we had such great folks, you know, we 12 00:00:36,120 --> 00:00:40,040 Speaker 1: had Dylan and we had Julia, and Julia was you know, 13 00:00:40,080 --> 00:00:43,560 Speaker 1: obviously she was talented, but it was great. We just 14 00:00:43,800 --> 00:00:46,920 Speaker 1: we just had to eliminate somebody. So today again we 15 00:00:47,000 --> 00:00:50,040 Speaker 1: had our first winner. But yeah, Dylan, Dylan from Dylan 16 00:00:50,080 --> 00:00:53,400 Speaker 1: from Louisiana, our first moving on to the Round of 17 00:00:53,400 --> 00:00:56,720 Speaker 1: Elite eight. But I was so again We've been talking 18 00:00:56,720 --> 00:00:59,120 Speaker 1: about this contest for a long time now, yea, And 19 00:00:59,560 --> 00:01:01,600 Speaker 1: I was so happy with how Round one went. I'm 20 00:01:01,920 --> 00:01:05,480 Speaker 1: was so invested and engage, and the talent was so good. 21 00:01:05,520 --> 00:01:07,920 Speaker 1: And it was just Eg was there. And now we 22 00:01:07,959 --> 00:01:10,400 Speaker 1: have another celebrity guest coming and helping us this week 23 00:01:10,400 --> 00:01:12,800 Speaker 1: with two new contestants. This is like the coolest thing 24 00:01:13,000 --> 00:01:15,080 Speaker 1: that's going on right now. For me, it is so awesome. 25 00:01:15,560 --> 00:01:18,720 Speaker 1: I think that it's going so well that I'm like, 26 00:01:18,959 --> 00:01:23,199 Speaker 1: wait a minute, but why is it going so nice? 27 00:01:23,319 --> 00:01:26,120 Speaker 1: Spoken like a true glass is half empty kind of person, like, 28 00:01:26,480 --> 00:01:30,880 Speaker 1: wait a minute, I know, but like but really though, 29 00:01:30,920 --> 00:01:33,319 Speaker 1: I think, I think when when you care about something 30 00:01:33,319 --> 00:01:35,560 Speaker 1: and you put the work in um and and again, 31 00:01:35,640 --> 00:01:37,720 Speaker 1: it does come down to community. We have such a 32 00:01:37,720 --> 00:01:39,800 Speaker 1: great community. And speaking of community, I just wanted to 33 00:01:40,120 --> 00:01:45,440 Speaker 1: shout out to Troy for Vicky, who has been hitting 34 00:01:45,560 --> 00:01:50,400 Speaker 1: you know, the Last of Us publicity trail. I've been 35 00:01:50,400 --> 00:01:52,920 Speaker 1: seeing him pop up everywhere and it's been so wonderful 36 00:01:53,000 --> 00:01:56,400 Speaker 1: to see him, um take to the live action portion 37 00:01:56,480 --> 00:01:59,040 Speaker 1: of Last of Us because I'm a fan of the 38 00:01:59,080 --> 00:02:03,880 Speaker 1: actual show and he's like really just parts of him 39 00:02:03,920 --> 00:02:06,240 Speaker 1: and his interviews have mentioned about how when he was 40 00:02:06,280 --> 00:02:09,040 Speaker 1: in the studio growing up in Texas, he said something like, 41 00:02:09,440 --> 00:02:11,760 Speaker 1: oh well I just say baby girl, and then that 42 00:02:11,919 --> 00:02:15,000 Speaker 1: literally made it to the live action show. You know, 43 00:02:15,040 --> 00:02:16,960 Speaker 1: that's cool. He's not on the live action show, right, 44 00:02:17,000 --> 00:02:19,320 Speaker 1: I'm sorry. I don't watch it and I don't haven't played. Okay, 45 00:02:19,480 --> 00:02:23,280 Speaker 1: he is he is. Oh that's awesome. Yeah, he mentioned 46 00:02:23,320 --> 00:02:26,120 Speaker 1: that in our interview too, and I I was so 47 00:02:26,160 --> 00:02:29,079 Speaker 1: excited to see him finally pop up and he had 48 00:02:29,160 --> 00:02:32,200 Speaker 1: this little arc or whatever, and it was that's great, 49 00:02:32,520 --> 00:02:35,120 Speaker 1: really though. It was really cool to be like, I 50 00:02:35,200 --> 00:02:36,760 Speaker 1: know him and he law. I'm not going to give 51 00:02:36,800 --> 00:02:39,280 Speaker 1: any spoilers away, yeah, don't no spoilers, no spoilers, because 52 00:02:39,320 --> 00:02:42,200 Speaker 1: I will watch it, especially now that Okay, he's a 53 00:02:42,240 --> 00:02:44,080 Speaker 1: really good actor. Man. Oh, he's a great actor. He's 54 00:02:44,080 --> 00:02:47,080 Speaker 1: super talented, super talented. And that reminded me of the fact. 55 00:02:47,120 --> 00:02:51,359 Speaker 1: And also there's a lady who's Bokaton right um, and 56 00:02:51,560 --> 00:02:55,280 Speaker 1: she apparently was um. Bokaton, I guess is a character 57 00:02:55,320 --> 00:02:58,600 Speaker 1: in the Star Wars universe, right, okay, and the Mandalorian 58 00:02:59,040 --> 00:03:02,880 Speaker 1: and she she's a she's okay, well, she's a Mandalor 59 00:03:03,400 --> 00:03:06,680 Speaker 1: and she's kind of a rogue royal Mandalor. Well, Mandalor's 60 00:03:06,720 --> 00:03:10,240 Speaker 1: a place, Mandalorian is the people, Mandalora's the planet. Yeah, perfect, 61 00:03:10,280 --> 00:03:14,200 Speaker 1: thank you. I'm nerd enough to know that. And she 62 00:03:14,600 --> 00:03:17,480 Speaker 1: I guess I just realized this too, that she was 63 00:03:17,560 --> 00:03:20,360 Speaker 1: also a voice actress who made it to live action. 64 00:03:21,600 --> 00:03:24,720 Speaker 1: And you know, John Favreau is super excited to have her, 65 00:03:24,760 --> 00:03:27,480 Speaker 1: and it's so cool to see our community sort of 66 00:03:28,280 --> 00:03:32,280 Speaker 1: because of the level of talent and acting that and 67 00:03:32,560 --> 00:03:35,000 Speaker 1: also just a professionalism, right like she wouldn't want to 68 00:03:35,160 --> 00:03:37,800 Speaker 1: they wouldn't want to work with Troy and and and 69 00:03:38,320 --> 00:03:42,120 Speaker 1: her if like it was like they weren't a difficult thing. Yeah, no, no, 70 00:03:42,200 --> 00:03:45,320 Speaker 1: I agree. I think it's great. Um, and we're gonna 71 00:03:45,320 --> 00:03:47,400 Speaker 1: find the next one, and we're looking for the next 72 00:03:47,440 --> 00:03:49,800 Speaker 1: one to join our community, which I'm so excited about, 73 00:03:49,840 --> 00:03:52,400 Speaker 1: I really am. I first want to once again very 74 00:03:52,440 --> 00:03:55,000 Speaker 1: briefly tell you that we are going into round two 75 00:03:55,040 --> 00:03:56,960 Speaker 1: of the super awesome contest to become the next big 76 00:03:57,080 --> 00:04:00,360 Speaker 1: voice actor. We have two more contestants coming out, and 77 00:04:00,800 --> 00:04:03,480 Speaker 1: again a shout out to our friends at Critical Role, 78 00:04:03,640 --> 00:04:07,160 Speaker 1: our friends at Prime Video over there for helping us 79 00:04:07,160 --> 00:04:09,480 Speaker 1: out there. Also, two of our prizes are, of course, 80 00:04:09,800 --> 00:04:15,240 Speaker 1: the winner gets a coaching session with either or both 81 00:04:15,760 --> 00:04:19,360 Speaker 1: Sam regal and and or Mary McGlynn from over there 82 00:04:19,360 --> 00:04:22,000 Speaker 1: at the legend of voxmach in a Season two is 83 00:04:22,200 --> 00:04:25,040 Speaker 1: available for stream right now on Prime Video. Go check 84 00:04:25,080 --> 00:04:26,760 Speaker 1: it out. I'm not just saying that again because I 85 00:04:26,800 --> 00:04:30,839 Speaker 1: am on it. It is a phenomenal show, partially because 86 00:04:30,960 --> 00:04:35,520 Speaker 1: I'm on it. I'm joking, of course, but now only partially. 87 00:04:36,000 --> 00:04:39,080 Speaker 1: We now are going to jump right into round two. 88 00:04:39,200 --> 00:04:41,000 Speaker 1: But first of all, we have to meet our celebrity 89 00:04:41,080 --> 00:04:43,279 Speaker 1: judge for the day. He is one of the best 90 00:04:43,480 --> 00:04:47,720 Speaker 1: in the business ever, not exaggerating that in any way, 91 00:04:47,720 --> 00:04:49,440 Speaker 1: shape or for him. He is also a friend of 92 00:04:49,480 --> 00:04:53,040 Speaker 1: the podcast. He is so graciously agreed to come back 93 00:04:53,279 --> 00:04:56,479 Speaker 1: and help us decide who's moving on to the next round. 94 00:04:56,760 --> 00:05:00,760 Speaker 1: Who's joined us today? Christy, oh my, like the Goat, 95 00:05:00,880 --> 00:05:05,119 Speaker 1: Robert Paulson. Rob Paulson's here, Let's get into it. Wow, 96 00:05:05,320 --> 00:05:10,960 Speaker 1: wait a minute, the Goat, the Goat, the greatest. Wait 97 00:05:10,960 --> 00:05:18,279 Speaker 1: a minute, the greatest of all time. Okay, good, Hi kids, 98 00:05:18,400 --> 00:05:20,800 Speaker 1: nice to see you. Well, Hi Christie, nice to see you. 99 00:05:21,600 --> 00:05:25,480 Speaker 1: Thank you firstly for having me back and secondly for 100 00:05:25,720 --> 00:05:28,240 Speaker 1: giving me this opportunity to help and something that is 101 00:05:28,279 --> 00:05:32,000 Speaker 1: so exciting. This is so cool. We are so just 102 00:05:32,200 --> 00:05:34,719 Speaker 1: over the moon that you're here to help us for 103 00:05:34,920 --> 00:05:38,200 Speaker 1: round two. So just a little bit so you know 104 00:05:38,240 --> 00:05:40,839 Speaker 1: what's going on. We bring we bring in the two contestants. 105 00:05:40,880 --> 00:05:43,000 Speaker 1: We bring them in one of the time, okay, and 106 00:05:43,160 --> 00:05:44,880 Speaker 1: we play a little game. In our first game for 107 00:05:44,920 --> 00:05:47,000 Speaker 1: everybody out there who joined us last week, it is 108 00:05:47,040 --> 00:05:49,040 Speaker 1: the same game but with different lines. So the game 109 00:05:49,080 --> 00:05:51,680 Speaker 1: we play is called by the Numbers, and what we 110 00:05:51,720 --> 00:05:53,359 Speaker 1: are going to do with your help, Rob is you 111 00:05:53,360 --> 00:05:55,800 Speaker 1: are going to pick numbers from several categories. We have 112 00:05:55,880 --> 00:06:00,279 Speaker 1: a size category, what are you category, an age category, 113 00:06:00,320 --> 00:06:04,400 Speaker 1: and a wacky attribute category. By picking random numbers, we're 114 00:06:04,400 --> 00:06:07,000 Speaker 1: going to take those four numbers that you picked and 115 00:06:07,040 --> 00:06:11,719 Speaker 1: that will create the characters that then our contestants have 116 00:06:11,920 --> 00:06:15,120 Speaker 1: to voice. Two of their three lines were given to 117 00:06:15,160 --> 00:06:17,680 Speaker 1: them ahead of time, so they have the lines, but 118 00:06:17,760 --> 00:06:20,080 Speaker 1: they don't yet have the characters they're going to be doing, 119 00:06:20,120 --> 00:06:23,039 Speaker 1: which will be creating on the spot. Then as a 120 00:06:23,160 --> 00:06:25,880 Speaker 1: fun third round, they are thrown a line they have 121 00:06:26,040 --> 00:06:28,960 Speaker 1: not seen and we'll have to do a cold reading 122 00:06:29,040 --> 00:06:31,599 Speaker 1: with a new character that we create. And then we 123 00:06:31,600 --> 00:06:34,560 Speaker 1: would love for you, just because of your amazing expertise 124 00:06:34,600 --> 00:06:37,120 Speaker 1: in the industry, We would love for you after each 125 00:06:37,200 --> 00:06:39,159 Speaker 1: round if you want to give them some notes, maybe 126 00:06:39,160 --> 00:06:41,760 Speaker 1: tell them a few things they need to do to 127 00:06:41,839 --> 00:06:43,960 Speaker 1: focus or slow down or what you know, whatever you 128 00:06:44,000 --> 00:06:45,360 Speaker 1: think it's going to be, and then we'll give them 129 00:06:45,360 --> 00:06:47,360 Speaker 1: a chance to read the line again and we will 130 00:06:47,400 --> 00:06:50,120 Speaker 1: then deliberate and see who moves on. Last week we 131 00:06:50,160 --> 00:06:52,840 Speaker 1: had Dylan from We had two amazing contestants last week, 132 00:06:53,120 --> 00:06:57,320 Speaker 1: and Dylan from Louisiana absolutely just killed it with everything 133 00:06:57,320 --> 00:07:01,480 Speaker 1: we threw at them. So we have two contestants coming 134 00:07:01,480 --> 00:07:03,960 Speaker 1: in today, So here we go. We are going to 135 00:07:04,000 --> 00:07:08,560 Speaker 1: bring in contestant number one. This is Hayden from Washington. 136 00:07:08,839 --> 00:07:13,360 Speaker 1: He Hayden. Hello, Hey, Hayden, how are you doing good? 137 00:07:13,360 --> 00:07:15,960 Speaker 1: How you guys doing good? Thank you? You already got 138 00:07:16,000 --> 00:07:19,160 Speaker 1: a set up pipes, so let's hear that. Boy. Oh 139 00:07:19,160 --> 00:07:23,160 Speaker 1: thank you you do radio at all or anything local radio? Hayden, 140 00:07:23,640 --> 00:07:28,680 Speaker 1: I do not actually congratulations on being here. We had thousands, 141 00:07:29,080 --> 00:07:34,040 Speaker 1: literally thousands of entries, yes, Rob over forty two hundred 142 00:07:34,160 --> 00:07:38,320 Speaker 1: entries shut the front door. Are you kidding me? Forty 143 00:07:38,480 --> 00:07:41,840 Speaker 1: two hundred entries? And it took us forever. We whittled 144 00:07:41,840 --> 00:07:44,800 Speaker 1: it down to the top sixteen, Hayden, So congratulations on 145 00:07:44,920 --> 00:07:47,400 Speaker 1: making the top sixteen. Wow, thank you guys so much. 146 00:07:47,400 --> 00:07:49,920 Speaker 1: It's a huge honor. First of all, this is Rob Paulson, 147 00:07:49,960 --> 00:07:52,600 Speaker 1: the legendary Rob Paulson will be our guest judge today 148 00:07:52,640 --> 00:07:54,239 Speaker 1: and we'll be giving you some notes. But Rob, I'm 149 00:07:54,280 --> 00:07:55,920 Speaker 1: also not sure you're aware. It's a perfect time to 150 00:07:55,920 --> 00:07:58,840 Speaker 1: remind our audience of what the winner of the super 151 00:07:58,880 --> 00:08:01,360 Speaker 1: awesome contest to become the next Voice Actor actually wins. 152 00:08:01,840 --> 00:08:04,160 Speaker 1: You win a thousand dollars. You are flown out to 153 00:08:04,200 --> 00:08:06,160 Speaker 1: Los Angeles where you have lunch with Christy and I, 154 00:08:06,720 --> 00:08:11,920 Speaker 1: you get a coaching session with the wonderful Emmy Award 155 00:08:11,920 --> 00:08:16,160 Speaker 1: winning director Sam Regal and or Mary McGlynn from Critical Role, 156 00:08:16,520 --> 00:08:18,880 Speaker 1: and of course you sign your one year contract with 157 00:08:18,960 --> 00:08:22,040 Speaker 1: CEESD as their brand new client. Good for you, guys. 158 00:08:22,040 --> 00:08:23,640 Speaker 1: And by the way, Hayden, if you want to drive out, 159 00:08:23,640 --> 00:08:26,400 Speaker 1: I will detail your car as one. I appreciate it. 160 00:08:26,640 --> 00:08:28,600 Speaker 1: Thank you. I'll stop buying. We're gonna have to check 161 00:08:28,640 --> 00:08:31,360 Speaker 1: with legal. I'm that Robin. I'm not just one trick pony. 162 00:08:31,400 --> 00:08:34,920 Speaker 1: I'm a good detailer. I look forward to Hayden. We 163 00:08:34,960 --> 00:08:36,439 Speaker 1: cannot wait to jump into it with you. Do you 164 00:08:36,520 --> 00:08:39,959 Speaker 1: have your lines? You're ready to go? I think so? Yeah? Okay, perfect. 165 00:08:40,000 --> 00:08:41,439 Speaker 1: So we're gonna put you in the waiting room real 166 00:08:41,480 --> 00:08:43,280 Speaker 1: quick while we meet your fellow contestant, and we'll be 167 00:08:43,320 --> 00:08:45,960 Speaker 1: back to you to start the contest. Awesome. I appreciate it. 168 00:08:45,960 --> 00:08:50,080 Speaker 1: Thank you so much. Hello, Danielle, how are you? Hello? Well, 169 00:08:50,120 --> 00:08:55,080 Speaker 1: I'm good, Welcome to the show. Congratulations. Hello, you are 170 00:08:55,160 --> 00:08:59,880 Speaker 1: here with the amazing Rob Paulson, who is our guest 171 00:09:00,080 --> 00:09:02,839 Speaker 1: judge for the day. Rob and I actually know each 172 00:09:02,880 --> 00:09:06,520 Speaker 1: other from TikTok. Funny enough. I was just gonna say this, 173 00:09:06,640 --> 00:09:10,920 Speaker 1: young lady, talented, young lady has lowered her standards to 174 00:09:10,960 --> 00:09:16,360 Speaker 1: allow me to be wonderful friends, not unlike Christian Will Danielle, 175 00:09:16,360 --> 00:09:18,160 Speaker 1: it's a pleasure to meet you officially. You are a 176 00:09:18,240 --> 00:09:21,880 Speaker 1: remarkably gifted young woman. Thank you so much. That's amazing. 177 00:09:21,960 --> 00:09:25,400 Speaker 1: I'm not on TikTok, so I'm not on TikTok. So 178 00:09:25,480 --> 00:09:27,600 Speaker 1: I did not I just heard I would just hear 179 00:09:27,640 --> 00:09:29,280 Speaker 1: auditions and we would be picked from there. So I 180 00:09:29,320 --> 00:09:31,440 Speaker 1: did not know that you're on TikTok at all. I'm 181 00:09:31,480 --> 00:09:34,240 Speaker 1: on TikTok And this truly was a blind We did 182 00:09:34,240 --> 00:09:38,360 Speaker 1: a blind casting here. Yeah. Exciting. Oh well, this is 183 00:09:38,360 --> 00:09:40,400 Speaker 1: so exciting. I feel I feel a little more at 184 00:09:40,400 --> 00:09:43,160 Speaker 1: ease because, funny enough, I've known Rob a little bit longer, 185 00:09:43,200 --> 00:09:44,839 Speaker 1: so I'm like, oh my gosh, there's somebody here I know. 186 00:09:45,679 --> 00:09:48,880 Speaker 1: I agree. All right, So here we are. We are. 187 00:09:48,920 --> 00:09:50,720 Speaker 1: We are going to be jumping into the contest. You 188 00:09:50,720 --> 00:09:52,439 Speaker 1: are going to be up against somebody else. So we're 189 00:09:52,440 --> 00:09:54,240 Speaker 1: going to very quickly put you in the waiting room 190 00:09:54,280 --> 00:09:55,800 Speaker 1: as we get you have your lines? Are you ready 191 00:09:55,840 --> 00:09:58,400 Speaker 1: to go? Yes? I have them read here? Okay, perfect, 192 00:09:58,400 --> 00:09:59,880 Speaker 1: So we will be back with you in a moment. 193 00:10:00,120 --> 00:10:02,040 Speaker 1: We were going to get back to contestant number one. 194 00:10:02,320 --> 00:10:05,000 Speaker 1: Let's jump right into it and get back with Hayden 195 00:10:05,360 --> 00:10:08,240 Speaker 1: from Washington. All right, Hayden, so you have your first 196 00:10:08,240 --> 00:10:11,080 Speaker 1: line there? I do. Yes, all right. So we're going 197 00:10:11,160 --> 00:10:15,560 Speaker 1: to be jumping in to round number one of by 198 00:10:15,559 --> 00:10:17,560 Speaker 1: the Numbers. So here we go, everybody, Rob, if you 199 00:10:17,559 --> 00:10:19,360 Speaker 1: would do me a favor, could you pick a number 200 00:10:19,400 --> 00:10:24,240 Speaker 1: for me between one and six, three three? Could you 201 00:10:24,280 --> 00:10:27,480 Speaker 1: now pick a number between one and twelve eleven? Could 202 00:10:27,520 --> 00:10:30,920 Speaker 1: you now pick a number between one and seven two, 203 00:10:31,080 --> 00:10:34,240 Speaker 1: and last, but not least a number between one and 204 00:10:34,400 --> 00:10:43,200 Speaker 1: eleven six six. Okay, So with these four numbers, Hayden, 205 00:10:44,600 --> 00:10:47,760 Speaker 1: mister Rob Paulson, the amazing mister Rob Paulson, the redoubtable 206 00:10:47,960 --> 00:10:52,960 Speaker 1: mister Rob Paulson. I've not heard that today yet has 207 00:10:53,000 --> 00:10:55,960 Speaker 1: created a character for you. So here is the character 208 00:10:56,200 --> 00:10:59,040 Speaker 1: you are going to be putting on the first line 209 00:10:59,080 --> 00:11:03,480 Speaker 1: of dialogue that we you. Okay, So you are a 210 00:11:03,640 --> 00:11:09,640 Speaker 1: medium sized Mirr person. So you live underwater. Okay, you 211 00:11:09,760 --> 00:11:15,640 Speaker 1: are five years old and your wacky attribute is the 212 00:11:15,760 --> 00:11:21,160 Speaker 1: love of your life just left you. Oh okay, So again, 213 00:11:22,080 --> 00:11:25,240 Speaker 1: do with this character whatever you want, whatever you can. 214 00:11:25,320 --> 00:11:26,800 Speaker 1: We'll hear what you can do, and then Rob's going 215 00:11:26,880 --> 00:11:28,240 Speaker 1: to give you some notes and we're going to go 216 00:11:28,360 --> 00:11:31,800 Speaker 1: from there. So all right, do you do? You do? 217 00:11:31,800 --> 00:11:33,200 Speaker 1: You want to hear what the character is? Again? Are 218 00:11:33,240 --> 00:11:36,360 Speaker 1: you good? One more time? One more time? You got it? 219 00:11:36,440 --> 00:11:40,640 Speaker 1: You are a medium sized Mirr person okay, five years 220 00:11:40,679 --> 00:11:43,040 Speaker 1: of age and the love of your life has just 221 00:11:43,160 --> 00:11:47,080 Speaker 1: left you. Okay, okay, And again let's see what you 222 00:11:47,120 --> 00:11:49,640 Speaker 1: can do with the character. Take it anyway you want 223 00:11:49,640 --> 00:11:51,560 Speaker 1: to take it, and we will go from there. So Hayden, 224 00:11:52,240 --> 00:11:56,360 Speaker 1: at your pleasure. Well, what's the deal with airlines these days? 225 00:11:56,480 --> 00:12:01,360 Speaker 1: Am I? Right? Sorry? Uh uh uh? Now we have 226 00:12:01,400 --> 00:12:04,520 Speaker 1: to pay for blankets. Come on, what's next? Looking for 227 00:12:04,559 --> 00:12:10,880 Speaker 1: the seat outside? Uh? Uh is this thing on? Well? Uh? 228 00:12:12,559 --> 00:12:18,240 Speaker 1: Thanks thanks for having me and to be witchest We 229 00:12:18,480 --> 00:12:22,120 Speaker 1: thank you very much. Rob Any notes on Hayden's route 230 00:12:22,160 --> 00:12:24,800 Speaker 1: first take. I just have Hayden if you wouldn't mind 231 00:12:24,800 --> 00:12:26,400 Speaker 1: doing it again, buddy, take a breath and do it 232 00:12:26,400 --> 00:12:29,120 Speaker 1: again them This is a little bit of you know, pressure, 233 00:12:29,400 --> 00:12:32,400 Speaker 1: because you're it's it's something that's not sort of usually 234 00:12:32,440 --> 00:12:34,280 Speaker 1: in your wheelhouse. I think we owe it to you 235 00:12:34,520 --> 00:12:36,800 Speaker 1: to take a breath and get just get another crack 236 00:12:36,840 --> 00:12:39,720 Speaker 1: at it. Not that that wasn't good, Christian and will 237 00:12:39,880 --> 00:12:43,920 Speaker 1: will know this. I've not yet metacasting person or director 238 00:12:43,960 --> 00:12:46,160 Speaker 1: who's had a problem if I start working and I 239 00:12:46,240 --> 00:12:48,440 Speaker 1: was stumbling all over myself or my mind's going and 240 00:12:48,440 --> 00:12:50,720 Speaker 1: getting ahead of my voice, and I say, I'm sorry, 241 00:12:50,760 --> 00:12:53,440 Speaker 1: do you mind if I start over? Not ever have 242 00:12:53,559 --> 00:12:57,160 Speaker 1: I had anybody hold that against me. So uh, frankly, 243 00:12:57,600 --> 00:13:01,640 Speaker 1: you owe it to us and yourself to be as 244 00:13:02,040 --> 00:13:04,600 Speaker 1: on point as possible, and if that means taking a breath, 245 00:13:04,720 --> 00:13:06,280 Speaker 1: do that. So I just would love to have you 246 00:13:06,320 --> 00:13:08,240 Speaker 1: get another shot at it. Okay, Christy, do you have 247 00:13:08,280 --> 00:13:10,880 Speaker 1: any notes with there your emotional state. I think you 248 00:13:10,960 --> 00:13:13,800 Speaker 1: definitely nailed your emotional state. And then I think I 249 00:13:13,880 --> 00:13:16,240 Speaker 1: think sometimes too when we when we choose to do 250 00:13:16,320 --> 00:13:19,920 Speaker 1: bold choices as these characters, like a five year old 251 00:13:20,280 --> 00:13:22,840 Speaker 1: could creatively not sound like a five year old, you know, 252 00:13:22,920 --> 00:13:24,560 Speaker 1: like we could do a five year old mere person, 253 00:13:24,640 --> 00:13:27,520 Speaker 1: but it sounds like a you know, forty year old veteran, 254 00:13:27,640 --> 00:13:30,760 Speaker 1: like you know, smoking a cigarette. But you know, make 255 00:13:30,840 --> 00:13:34,400 Speaker 1: that choice. We love bold choices. Okay, okay, I agree. 256 00:13:34,440 --> 00:13:37,120 Speaker 1: I would say, you know, I'm gonna go with both 257 00:13:37,120 --> 00:13:39,000 Speaker 1: the notes that both Rob and Christy just gave you, 258 00:13:39,040 --> 00:13:40,400 Speaker 1: and I think you do. Just need to take a 259 00:13:40,400 --> 00:13:43,960 Speaker 1: breath and give it one more shot and remember to 260 00:13:44,080 --> 00:13:46,120 Speaker 1: hit your beats and I think that's after that, I 261 00:13:46,120 --> 00:13:47,840 Speaker 1: think you're going to be good. So let's give it 262 00:13:47,880 --> 00:13:50,640 Speaker 1: one more shot, all right, Hayden? You ready, I think, 263 00:13:50,679 --> 00:13:53,880 Speaker 1: So take a breath and at your pleasure. So what's 264 00:13:53,880 --> 00:13:56,000 Speaker 1: the deal with airlines? These stays? Am? I right? People? 265 00:13:56,640 --> 00:14:01,360 Speaker 1: Now that when you pay for for blankets, come on, 266 00:14:01,559 --> 00:14:09,559 Speaker 1: what's nixt hang for the seat? Uh? Is this thing on? Well? 267 00:14:11,360 --> 00:14:19,400 Speaker 1: Thanks thanks for having me and Dip your waitress. Great 268 00:14:19,560 --> 00:14:22,000 Speaker 1: second take Cayden, Thank you so much, and we will 269 00:14:22,040 --> 00:14:24,520 Speaker 1: be right back to you. Here we go. We are 270 00:14:24,600 --> 00:14:28,400 Speaker 1: now back for round one. Danielle. All right, Rob, if 271 00:14:28,400 --> 00:14:32,120 Speaker 1: you would please sir a number between one and six five, 272 00:14:32,520 --> 00:14:35,960 Speaker 1: and now a number between one and twelve one, and 273 00:14:36,040 --> 00:14:39,800 Speaker 1: now a number between one and seven oh two, and 274 00:14:39,920 --> 00:14:44,800 Speaker 1: now a number between one and eleven seven. Okay. So 275 00:14:45,120 --> 00:14:49,400 Speaker 1: the character that Rob has created for you is you 276 00:14:49,440 --> 00:14:55,000 Speaker 1: are a tiny dog. You are five years old, well 277 00:14:55,000 --> 00:14:58,280 Speaker 1: in dog years. Okay, again, she can plan however she likes. 278 00:14:58,440 --> 00:15:02,040 Speaker 1: She's five years old. However, you however you want, and 279 00:15:02,360 --> 00:15:10,560 Speaker 1: your wacky attribute is you are currently hypothermic, hypothermic tiny dog. 280 00:15:11,520 --> 00:15:13,800 Speaker 1: So you yep, you are a tiny five year old 281 00:15:13,880 --> 00:15:16,880 Speaker 1: hypothermic dog. Well you don't know that, you know. What's 282 00:15:16,920 --> 00:15:19,680 Speaker 1: however she wants to do it, Danielle, it is up 283 00:15:19,720 --> 00:15:26,800 Speaker 1: to you. Your first line, please and at your pleasure. Okay. Oh, 284 00:15:28,360 --> 00:15:34,640 Speaker 1: let's video air line now we need today for going on. 285 00:15:34,800 --> 00:15:38,720 Speaker 1: What's next saying Oh, unfortunately we're losing you. Unfortunately we're 286 00:15:38,720 --> 00:15:42,440 Speaker 1: losing your your audio. Oh yeah, I don't know if 287 00:15:42,440 --> 00:15:44,640 Speaker 1: it's a it's a function of it seem to be 288 00:15:44,680 --> 00:15:46,720 Speaker 1: when she was raising her voice or being more Yes, 289 00:15:46,880 --> 00:15:49,520 Speaker 1: we we had this same problem last time. Some of 290 00:15:49,600 --> 00:15:52,480 Speaker 1: the mics are not picking up the higher registers the 291 00:15:52,480 --> 00:15:56,720 Speaker 1: way that we did it. Hush and maybe maybe just 292 00:15:56,840 --> 00:16:00,840 Speaker 1: play it a little bit off Mike and a little 293 00:16:00,880 --> 00:16:05,200 Speaker 1: farther back, and we'll see if we can get because 294 00:16:05,280 --> 00:16:06,720 Speaker 1: I don't think we have any notes at this point, 295 00:16:06,720 --> 00:16:08,160 Speaker 1: because we want to make sure that we hear the 296 00:16:08,160 --> 00:16:10,680 Speaker 1: performance that you want to give us. So once more, 297 00:16:10,760 --> 00:16:14,640 Speaker 1: for the audience, we are You are a dog, you 298 00:16:14,760 --> 00:16:20,280 Speaker 1: are five years old, you have you are tiny excuse me, 299 00:16:20,320 --> 00:16:21,680 Speaker 1: a tiny dog that's five years old, and you are 300 00:16:21,680 --> 00:16:24,640 Speaker 1: currently hypothermic. So one more time for us, if you 301 00:16:24,640 --> 00:16:28,440 Speaker 1: would please Danielle and at your pleasure. What what's the 302 00:16:28,520 --> 00:16:32,240 Speaker 1: deal with airlines? These aithe am? I right? People? Now 303 00:16:32,240 --> 00:16:36,120 Speaker 1: we need to pay for a blanket? Come on, what's next? 304 00:16:36,520 --> 00:16:39,600 Speaker 1: Paying for the seat? Just sing thanks for having me? 305 00:16:40,080 --> 00:16:43,280 Speaker 1: Oh I really, I really have no notes. Honestly, I 306 00:16:43,320 --> 00:16:47,040 Speaker 1: think she got everything everything. I don't disagree. I think 307 00:16:47,080 --> 00:16:48,960 Speaker 1: it was I think you've I felt the age, I 308 00:16:49,000 --> 00:16:51,800 Speaker 1: felt the hypothermia. You could easily animate a dog to 309 00:16:51,840 --> 00:16:55,120 Speaker 1: that voice. Rob Any notes no same thing, and you 310 00:16:55,200 --> 00:16:58,600 Speaker 1: when you're dealing with technical issues like that, especially under 311 00:16:58,600 --> 00:17:03,280 Speaker 1: this circumstances. Very Danielle, it's you did a really excellent job. 312 00:17:03,520 --> 00:17:05,439 Speaker 1: It also helps that when you're a nurse, I've actually 313 00:17:05,440 --> 00:17:11,160 Speaker 1: treated Patience with hypothermia. So here you go. Perfect. All right, Well, 314 00:17:11,160 --> 00:17:13,000 Speaker 1: thank you so much. We will be right back to you. 315 00:17:23,000 --> 00:17:26,040 Speaker 1: We're gonna go once more to our good friend Hayden 316 00:17:26,119 --> 00:17:29,560 Speaker 1: from Washington. Okay, hey, Hayden, are you doing Are you 317 00:17:29,600 --> 00:17:31,840 Speaker 1: guys doing good? I'm sorry. I know it's a lot 318 00:17:31,840 --> 00:17:33,920 Speaker 1: of sit and wait and sit and wait, but welcome 319 00:17:34,000 --> 00:17:38,680 Speaker 1: to the entertainment industry. That's exactly what it's like. Um. So, yeah, 320 00:17:38,680 --> 00:17:40,760 Speaker 1: we're going to be moving on to your second line. 321 00:17:40,760 --> 00:17:45,040 Speaker 1: You got it? There, yes, there, and once more, if 322 00:17:45,080 --> 00:17:50,800 Speaker 1: the venerable Paul once again, sir, a number between one 323 00:17:50,840 --> 00:17:55,000 Speaker 1: and six four, a number between one and twelve two, 324 00:17:55,280 --> 00:17:59,520 Speaker 1: a number between one and seven three, and finally a 325 00:17:59,600 --> 00:18:04,720 Speaker 1: number between one and eleven nine. Okay, So Hayden, your 326 00:18:04,840 --> 00:18:10,880 Speaker 1: second character, you are small cat. You are ten years old, 327 00:18:12,000 --> 00:18:15,600 Speaker 1: and you're shocked suck. Okay, just for my own edification, 328 00:18:15,840 --> 00:18:18,480 Speaker 1: is that is that literally like he's been the cat 329 00:18:18,520 --> 00:18:20,679 Speaker 1: has been shocked or shocked in terms of like oh 330 00:18:20,760 --> 00:18:23,240 Speaker 1: oh my god. That's sort of I guess it's however, 331 00:18:23,280 --> 00:18:26,119 Speaker 1: he wants to play it cool. Totally up to you 332 00:18:26,200 --> 00:18:30,200 Speaker 1: dealer's choice. So okay, Hayden the second line, please at 333 00:18:30,240 --> 00:18:34,840 Speaker 1: your pleasure. So well, sorry. So there was sitting on 334 00:18:34,880 --> 00:18:38,359 Speaker 1: my own park bench, feeding the birds, mining my own business, 335 00:18:38,359 --> 00:18:41,520 Speaker 1: when what do I see some guy in a suit 336 00:18:42,000 --> 00:18:45,080 Speaker 1: going to the phone booth across the street. Well, take 337 00:18:45,119 --> 00:18:48,080 Speaker 1: off the suit, walk out in his pajamas and then 338 00:18:48,480 --> 00:18:53,200 Speaker 1: fly into the air. What is going on in this city? 339 00:18:54,280 --> 00:18:56,560 Speaker 1: I love? You're actually playing it like you're getting shocked, 340 00:18:59,320 --> 00:19:03,240 Speaker 1: mister Paulson. Any notes. As Will has suggested earlier, there 341 00:19:03,240 --> 00:19:06,520 Speaker 1: are no parameters. This is all literally up to you, 342 00:19:07,200 --> 00:19:09,280 Speaker 1: and we've not even given you a context in which 343 00:19:09,320 --> 00:19:12,439 Speaker 1: this character performs. So I would like to hear you 344 00:19:12,520 --> 00:19:14,719 Speaker 1: do one that's as big as you can do it. 345 00:19:14,840 --> 00:19:17,560 Speaker 1: I say that because it's I had the good fortune 346 00:19:17,560 --> 00:19:20,359 Speaker 1: of directing a couple of series as well, and often 347 00:19:20,720 --> 00:19:25,359 Speaker 1: people aren't personally aware of how big big it is 348 00:19:25,480 --> 00:19:28,560 Speaker 1: for them. So just for the exercise, and I'd love 349 00:19:28,600 --> 00:19:32,199 Speaker 1: to hear you do that and make everything still be 350 00:19:32,320 --> 00:19:36,160 Speaker 1: clear understood. Have your choices been clear and bold, as 351 00:19:36,400 --> 00:19:39,239 Speaker 1: Christian Will have suggested, But I would like to have 352 00:19:39,280 --> 00:19:41,720 Speaker 1: you do one just really big. Okay, I love that. 353 00:19:42,320 --> 00:19:44,359 Speaker 1: Let's go with that and see what happens next. So 354 00:19:45,119 --> 00:19:48,280 Speaker 1: completely Hayden at your pleasure. Great, all right, all right, 355 00:19:48,640 --> 00:19:51,640 Speaker 1: So do I was sitting on my favorite park bench, 356 00:19:52,680 --> 00:19:55,399 Speaker 1: eating the birds, mining my own business. When when do 357 00:19:55,440 --> 00:19:58,320 Speaker 1: I see some kind of suit go into the flowe 358 00:19:58,359 --> 00:20:01,840 Speaker 1: booth across the street, take off the suit, walk out 359 00:20:01,880 --> 00:20:06,120 Speaker 1: in eating his pajamas, and then slide straight up into 360 00:20:06,160 --> 00:20:12,720 Speaker 1: the air. What is going on in the city? Great? 361 00:20:12,840 --> 00:20:16,200 Speaker 1: Second take perfect, Thank you so much, and we will 362 00:20:16,240 --> 00:20:19,159 Speaker 1: be right back to you. All right back to uh 363 00:20:20,000 --> 00:20:23,280 Speaker 1: our our second wonderful contestant here. They're doing great, they're 364 00:20:23,280 --> 00:20:27,959 Speaker 1: doing so well. It's round two, your second line, and 365 00:20:28,000 --> 00:20:29,680 Speaker 1: we are going to do this one more time for you, 366 00:20:29,760 --> 00:20:32,920 Speaker 1: mister Paulson. A number between one and six five and 367 00:20:33,160 --> 00:20:34,880 Speaker 1: actually no, I'm gonna have you redo that. You picked 368 00:20:34,880 --> 00:20:36,840 Speaker 1: one up? I picked five one r already? How about 369 00:20:37,720 --> 00:20:40,840 Speaker 1: have I done three yet? Yes? Okay? Four? Did that 370 00:20:40,880 --> 00:20:47,320 Speaker 1: one too? Two? Two works? All right, so too? How 371 00:20:47,320 --> 00:20:52,159 Speaker 1: about between one and twelve nine? Okay, yep, that works. 372 00:20:52,240 --> 00:20:55,560 Speaker 1: And now between one and seven three we did that one? 373 00:20:55,600 --> 00:20:58,280 Speaker 1: But did it? Actually? I think it'll work so we'll 374 00:20:58,359 --> 00:21:01,199 Speaker 1: keep we'll keep your three and then between one and 375 00:21:01,359 --> 00:21:08,080 Speaker 1: eleven eight? Alright, alright, so can I say it? You please? Do? Okay, 376 00:21:08,160 --> 00:21:12,280 Speaker 1: Danielle is going to be a big alien who is 377 00:21:12,359 --> 00:21:15,560 Speaker 1: ten years old that has been stuck in traffic for 378 00:21:15,640 --> 00:21:20,120 Speaker 1: six hours. Wow, interesting ten year old law like big 379 00:21:20,160 --> 00:21:24,920 Speaker 1: alien who's been stuck in traffic for six hours. Well 380 00:21:24,920 --> 00:21:26,960 Speaker 1: it's a totally different character if you're only there for five. 381 00:21:27,280 --> 00:21:33,440 Speaker 1: AT's right, So it's cooler, all right, Danielle, at your pleasure? 382 00:21:33,640 --> 00:21:37,920 Speaker 1: All right? So there I am sitting on my favorite 383 00:21:38,000 --> 00:21:41,320 Speaker 1: parkment to the birds mine in my own business. Why 384 00:21:41,359 --> 00:21:46,160 Speaker 1: what do I say? Some guy in a soup across 385 00:21:46,200 --> 00:21:49,200 Speaker 1: the street take off is soup, walk out in this 386 00:21:49,480 --> 00:21:53,200 Speaker 1: pajamas and then fly into the air. What is going 387 00:21:53,280 --> 00:21:57,160 Speaker 1: on in their tenny? Pretty good? That was great? Uh? 388 00:21:57,240 --> 00:21:59,680 Speaker 1: Rob any notes? Could you give us a few more 389 00:22:00,160 --> 00:22:04,600 Speaker 1: and lows where your everything isn't so projected? You're you're 390 00:22:04,640 --> 00:22:07,760 Speaker 1: a little bit you know what I mean that. Let's see. 391 00:22:08,440 --> 00:22:13,640 Speaker 1: So there I am sitting my favorite part bench feed 392 00:22:13,720 --> 00:22:17,160 Speaker 1: the birds mine in my own business. What do I see? 393 00:22:17,800 --> 00:22:21,560 Speaker 1: Some guy in a soup goes into the phone booth 394 00:22:21,600 --> 00:22:25,720 Speaker 1: across the street, picks off the soup, walks up in 395 00:22:25,800 --> 00:22:28,720 Speaker 1: his pajamas and then flying them in the air. What 396 00:22:28,840 --> 00:22:33,920 Speaker 1: is going this siting? That's great? That was great. Yeah, 397 00:22:33,960 --> 00:22:36,840 Speaker 1: she's very good. Thank you so much. We will be 398 00:22:36,920 --> 00:22:38,959 Speaker 1: right back to you because we do have a special 399 00:22:38,960 --> 00:22:41,520 Speaker 1: secret third round. Uh, here we go. We are going 400 00:22:41,560 --> 00:22:44,800 Speaker 1: back to Hayden. Hey, Hayden, how are you. I'm doing 401 00:22:44,920 --> 00:22:47,400 Speaker 1: just fine? All right, So we have we're gonna throw 402 00:22:47,400 --> 00:22:48,960 Speaker 1: a little wrinkle at you, my friend. We are going 403 00:22:49,000 --> 00:22:53,120 Speaker 1: to have a special super secret round three where you 404 00:22:53,160 --> 00:22:55,600 Speaker 1: have not yet read the line, so because cold reading 405 00:22:55,640 --> 00:22:58,640 Speaker 1: sometime is very important in the industry, and they might 406 00:22:58,640 --> 00:23:01,280 Speaker 1: throw something at you last minute. So I don't know 407 00:23:01,320 --> 00:23:05,600 Speaker 1: if you can see your chat on the zoom. Yes, 408 00:23:06,119 --> 00:23:08,159 Speaker 1: all right, So as you're reading that, we're gonna have 409 00:23:08,280 --> 00:23:13,040 Speaker 1: mister Paulson one more time, sir. Number between one and six, one, 410 00:23:13,400 --> 00:23:18,640 Speaker 1: number between one and twelve, one, number between one and seven, three, 411 00:23:19,119 --> 00:23:24,399 Speaker 1: and number between one and eleven four. Okay, So, uh, 412 00:23:25,600 --> 00:23:29,080 Speaker 1: your character this time with this new new line of dialogue. 413 00:23:29,119 --> 00:23:34,520 Speaker 1: You are a giant dog. You are ten years old, 414 00:23:35,920 --> 00:23:43,360 Speaker 1: and you're in the middle of an allergic reaction. Oh dear, interesting. Okay, 415 00:23:43,480 --> 00:23:46,800 Speaker 1: So there you go once again, giant dog ten years old, 416 00:23:47,480 --> 00:23:50,760 Speaker 1: middle of an allergic reaction, Hayden at your pleasure. So 417 00:23:50,760 --> 00:23:53,040 Speaker 1: so this guy, this guy walks into into the bar 418 00:23:53,600 --> 00:23:58,920 Speaker 1: the bartenders. Barttenders says, no, wait, that's not it. So 419 00:23:59,359 --> 00:24:01,080 Speaker 1: this horse walks into the bar with the with the 420 00:24:01,160 --> 00:24:06,560 Speaker 1: duck under duck under its arm. That's that's that's stunted. Either, 421 00:24:07,080 --> 00:24:09,560 Speaker 1: Let's try this again. This horse walks into a bar 422 00:24:10,119 --> 00:24:17,679 Speaker 1: to get to the other side. Nail. That was good. 423 00:24:17,920 --> 00:24:21,200 Speaker 1: I definitely felt like he was choking on something. Yeah, 424 00:24:21,240 --> 00:24:24,880 Speaker 1: and in mid anaphylactic shock was certainly is certainly interesting. 425 00:24:25,480 --> 00:24:28,480 Speaker 1: Rob Any notes, Actually, my new stage name is Anaphylaxis. 426 00:24:28,920 --> 00:24:33,240 Speaker 1: I like that. I like that name on the Give 427 00:24:33,280 --> 00:24:37,680 Speaker 1: It a Shot tour. Thank you. Yeah, that well as 428 00:24:37,720 --> 00:24:40,320 Speaker 1: always really nice. My friend, could you do one where 429 00:24:40,359 --> 00:24:43,879 Speaker 1: you you're let's do one where your nose uh is 430 00:24:44,160 --> 00:24:46,920 Speaker 1: kind of stuffed up because you are you really are 431 00:24:47,320 --> 00:24:50,120 Speaker 1: dealing with the allergy thing and your eyes are watering, 432 00:24:50,119 --> 00:24:55,720 Speaker 1: and however that would affect your speaking. Okay, you know, however, 433 00:24:55,760 --> 00:24:58,760 Speaker 1: you can come up with something to be an authentic 434 00:24:59,520 --> 00:25:01,760 Speaker 1: nose lug up if you have hay fever. You know, 435 00:25:01,800 --> 00:25:04,119 Speaker 1: people who do it can be miserable and that can 436 00:25:04,160 --> 00:25:06,719 Speaker 1: be reflected in the sound of the character. Okay, I 437 00:25:06,720 --> 00:25:09,400 Speaker 1: would also add, just very quickly, I would also add, 438 00:25:09,440 --> 00:25:11,280 Speaker 1: and we didn't I didn't push you on this last time, 439 00:25:11,280 --> 00:25:12,560 Speaker 1: but I'd like to see a little more of the 440 00:25:12,640 --> 00:25:15,040 Speaker 1: range of the care of the age. Okay, so let's 441 00:25:15,080 --> 00:25:17,159 Speaker 1: see if we can see a little bit of the 442 00:25:17,200 --> 00:25:18,639 Speaker 1: ten you here, a little bit more of the ten 443 00:25:18,720 --> 00:25:22,600 Speaker 1: year old this time in this take. How about you Christian? 444 00:25:22,760 --> 00:25:25,280 Speaker 1: And then Hayden, like your your you have a really 445 00:25:25,320 --> 00:25:28,320 Speaker 1: great microphone that you're using today. Could you please just 446 00:25:28,359 --> 00:25:31,040 Speaker 1: like talk into the microphone and don't worry about looking 447 00:25:31,080 --> 00:25:33,880 Speaker 1: at us for first round? Okay, sure, yeah, just really 448 00:25:33,960 --> 00:25:36,200 Speaker 1: use that microphone so we could really hear your tone 449 00:25:36,200 --> 00:25:38,760 Speaker 1: and don't worry about looking at us or seeing us. 450 00:25:38,840 --> 00:25:41,240 Speaker 1: Just kind of get lost in like what we've heard 451 00:25:41,280 --> 00:25:45,400 Speaker 1: in your audition. That's a great that's a very point. 452 00:25:45,480 --> 00:25:49,280 Speaker 1: And often especially with with on camera folks who come 453 00:25:49,280 --> 00:25:55,240 Speaker 1: into do cartoons, um for obvious reasons, they're used to 454 00:25:55,440 --> 00:25:58,959 Speaker 1: engaging characters to the left or to the right, and 455 00:25:59,119 --> 00:26:04,440 Speaker 1: sometimes something as simple as the director or the engineers saying, um, hey, Rob, 456 00:26:05,000 --> 00:26:07,760 Speaker 1: you know what we'll take care of that. Um, if 457 00:26:07,760 --> 00:26:11,520 Speaker 1: you wouldn't mind, just please keep your head forward. You 458 00:26:11,560 --> 00:26:15,000 Speaker 1: can move around and gesticulate all you want, but we'll 459 00:26:15,040 --> 00:26:18,199 Speaker 1: handle it. So you really, everybody wants you to be 460 00:26:18,320 --> 00:26:21,920 Speaker 1: dealing with what is best for Hayden. Okay, great, great point, 461 00:26:22,000 --> 00:26:25,640 Speaker 1: CHRISTI sure, thank you allre you ready, Hayden, And take 462 00:26:25,680 --> 00:26:28,200 Speaker 1: a bar before you go. Yeah, don't rush into it, 463 00:26:28,800 --> 00:26:32,400 Speaker 1: all right, perfect, at your pleasure. So this guy wasts 464 00:26:32,400 --> 00:26:37,000 Speaker 1: into a bar bartendersis No, wait, that's not it. So 465 00:26:37,040 --> 00:26:39,320 Speaker 1: this this this horse he walks into the bar with 466 00:26:39,359 --> 00:26:43,360 Speaker 1: the duck unders arm. No, that's not it either. Let's 467 00:26:43,400 --> 00:26:47,720 Speaker 1: try this again. Sorry, this this horse walks into a 468 00:26:47,760 --> 00:26:49,720 Speaker 1: bar to get to the other side. There we go. 469 00:26:53,160 --> 00:26:55,840 Speaker 1: That was great. You took all the direction very well, 470 00:26:55,880 --> 00:26:58,440 Speaker 1: I thought, there, Hayden, thank you, thank you. All right, 471 00:26:58,480 --> 00:27:00,800 Speaker 1: we'll be right back with you. That was great, Christy, 472 00:27:00,840 --> 00:27:02,680 Speaker 1: because he did he played, he played into the microphone 473 00:27:02,680 --> 00:27:04,240 Speaker 1: more and we were able to hear it more and 474 00:27:04,359 --> 00:27:05,679 Speaker 1: hear his tone a little better. And that was a 475 00:27:05,680 --> 00:27:08,360 Speaker 1: great note. Yeah, I think so much of this has 476 00:27:08,400 --> 00:27:12,160 Speaker 1: to do with being able to understand booth at a kid, 477 00:27:12,280 --> 00:27:15,359 Speaker 1: and yeah, sure you know. And yeah, I think I 478 00:27:15,359 --> 00:27:18,440 Speaker 1: couldn't agree with you more, and we are back. Hello, Danielle. 479 00:27:19,320 --> 00:27:22,760 Speaker 1: So we're throwing a little wrinkle here. If you look 480 00:27:22,800 --> 00:27:25,760 Speaker 1: at you your chat, you have a new line there 481 00:27:25,800 --> 00:27:27,359 Speaker 1: that we're gonna that you have not had a chance 482 00:27:27,359 --> 00:27:29,159 Speaker 1: to rehearse yet. We were gonna throw one at your 483 00:27:29,240 --> 00:27:32,040 Speaker 1: cold Okay, We're gonna do one last round with you, 484 00:27:32,880 --> 00:27:36,479 Speaker 1: mister Paulson, one last time, sir. A number between one 485 00:27:36,480 --> 00:27:39,240 Speaker 1: and six? Did I do five yet? And now let's 486 00:27:39,240 --> 00:27:42,360 Speaker 1: do five? Five sounds good? Okay? How about between one 487 00:27:42,359 --> 00:27:46,359 Speaker 1: and twelve? Okay? Three? You got all right? A number 488 00:27:46,400 --> 00:27:49,159 Speaker 1: between one and seven four? Four works? And then a 489 00:27:49,280 --> 00:27:53,080 Speaker 1: number between one and eleven ten? Nice Christy. You want 490 00:27:53,080 --> 00:27:54,520 Speaker 1: to take it? You want me to read it? I 491 00:27:55,680 --> 00:27:59,280 Speaker 1: what was the first? One? Five? Five would make you 492 00:27:59,480 --> 00:28:07,480 Speaker 1: any mouse? That is? What was the age? Fifteen? Fifteen? 493 00:28:08,200 --> 00:28:10,880 Speaker 1: And you are afraid of your own shadow? We'll see 494 00:28:10,920 --> 00:28:19,400 Speaker 1: that's definitely not Danielle, take it away. Okay. So this 495 00:28:19,440 --> 00:28:24,200 Speaker 1: guy walks into a bar and the bartender says, no, no, no, no, weight, 496 00:28:24,480 --> 00:28:26,840 Speaker 1: that's not it. Oh. So this horse walks into a 497 00:28:26,880 --> 00:28:30,720 Speaker 1: bar with a duck under its dark. No, Oh, that's 498 00:28:30,720 --> 00:28:35,520 Speaker 1: not it either. Let me try again. This horse walk 499 00:28:36,160 --> 00:28:39,840 Speaker 1: into a bar to get to the other bag. Dail. 500 00:28:41,280 --> 00:28:44,640 Speaker 1: That was That was great, Danielle, really really good. One 501 00:28:44,680 --> 00:28:48,240 Speaker 1: thing I would like to to hear um just I 502 00:28:48,280 --> 00:28:50,880 Speaker 1: would add some I remember, you're afraid of your own shadow. 503 00:28:51,120 --> 00:28:54,440 Speaker 1: Let's add a little bit of fear um into the reading. 504 00:28:54,480 --> 00:28:56,680 Speaker 1: But other than that, I got nothing else. Rob yeah, 505 00:28:56,720 --> 00:29:00,600 Speaker 1: I uh, Sam as well, just pig because we can. 506 00:29:00,680 --> 00:29:04,880 Speaker 1: Would you throw your choice your choice some sort of 507 00:29:05,640 --> 00:29:09,480 Speaker 1: not necessarily a dialect, but something that might be specific 508 00:29:09,520 --> 00:29:12,280 Speaker 1: to a certain area of the country or another country 509 00:29:12,360 --> 00:29:15,840 Speaker 1: or whatever. The only reason I say that is because 510 00:29:16,560 --> 00:29:19,080 Speaker 1: I've had more than a number of characters in which 511 00:29:19,120 --> 00:29:23,920 Speaker 1: I've been able to work and get jobs simply because 512 00:29:24,240 --> 00:29:25,880 Speaker 1: and I know this has happened to Christie and Will. 513 00:29:26,120 --> 00:29:29,520 Speaker 1: We're not limited by what we think the people on 514 00:29:29,560 --> 00:29:32,600 Speaker 1: the other side of the glass want. And I say 515 00:29:32,640 --> 00:29:38,080 Speaker 1: that specifically with respect to Pinky, and Pinky was one 516 00:29:38,080 --> 00:29:42,760 Speaker 1: of those that I had all kinds of stuff to try. 517 00:29:43,880 --> 00:29:45,560 Speaker 1: I was a big fan of the pythons. They were 518 00:29:45,720 --> 00:29:49,480 Speaker 1: very instrumental in developing my sense of human my desire 519 00:29:50,000 --> 00:29:53,240 Speaker 1: to work on dialects and weird things and placements and 520 00:29:53,280 --> 00:29:57,040 Speaker 1: all that. And it turned out to be a nice gig. 521 00:29:57,640 --> 00:30:02,479 Speaker 1: So those are that may be something you come up 522 00:30:02,480 --> 00:30:04,920 Speaker 1: without the bat. But this is a good opportunity when 523 00:30:05,000 --> 00:30:08,440 Speaker 1: when a producer says, man, Danielle, you're giving us everything 524 00:30:08,480 --> 00:30:10,760 Speaker 1: we like we want. We're diving it like Weill said, 525 00:30:10,800 --> 00:30:13,480 Speaker 1: you did everything we asked for. Have you got anything? 526 00:30:13,800 --> 00:30:17,200 Speaker 1: So whatever it is that this is an opportunity, you say, yeah, 527 00:30:17,360 --> 00:30:19,480 Speaker 1: I'm gonna try this, and you never know if that's 528 00:30:19,520 --> 00:30:22,280 Speaker 1: going to separate you from the pack a bit. I 529 00:30:22,320 --> 00:30:25,760 Speaker 1: got you, all right. So this guy walks into a 530 00:30:25,840 --> 00:30:29,440 Speaker 1: box and the box and just said, no, no, wait, 531 00:30:29,560 --> 00:30:33,920 Speaker 1: god's not Oh. So this horse walked into a bar 532 00:30:34,080 --> 00:30:39,480 Speaker 1: with a duck under its honor. No, no, oh, let 533 00:30:39,480 --> 00:30:43,600 Speaker 1: me try agenda. This horse walked into a bar to 534 00:30:43,800 --> 00:30:47,840 Speaker 1: get to the other. That's great. Yeah, I mean yeah, 535 00:30:48,160 --> 00:30:51,240 Speaker 1: that's great. Great, And and it sounds all of a sudden, 536 00:30:51,240 --> 00:30:56,680 Speaker 1: we got a mouse from Boston. Yeah, exactly, it sounded 537 00:30:56,720 --> 00:31:02,840 Speaker 1: like is its Archie Bunker's wife just gonna say it 538 00:31:02,960 --> 00:31:07,200 Speaker 1: sounded exactly like. Yeah, it sounded just like you. That 539 00:31:07,440 --> 00:31:10,280 Speaker 1: is a voice. That's a voice I developed when I 540 00:31:10,280 --> 00:31:14,560 Speaker 1: played Audrey a little. That's exactly so because there's a 541 00:31:14,600 --> 00:31:18,640 Speaker 1: different there's a difference between Bath and ba you know 542 00:31:18,680 --> 00:31:21,520 Speaker 1: what I mean. Archie would say, well where's the bar Edith, 543 00:31:22,200 --> 00:31:25,040 Speaker 1: but Billy or somebody from Boston will say, where's the 544 00:31:25,040 --> 00:31:28,240 Speaker 1: back back? Yeah? Thank you, daniel I appreciate it. We'll 545 00:31:28,280 --> 00:31:40,760 Speaker 1: be right back with you. All right, Okay, there we go. 546 00:31:41,320 --> 00:31:45,480 Speaker 1: It is time to deliberate. We're open and honest with 547 00:31:45,480 --> 00:31:48,080 Speaker 1: with what we hear and what we've talked about, and 548 00:31:48,080 --> 00:31:51,480 Speaker 1: we with the contestants that are coming it is it's 549 00:31:51,520 --> 00:31:53,560 Speaker 1: so awesome that they've made it to the top sixteen. 550 00:31:53,640 --> 00:31:56,400 Speaker 1: They're all uber talented. We said at the beginning, all 551 00:31:56,440 --> 00:31:59,000 Speaker 1: sixteen of the people that we picked could be signed tomorrow. 552 00:31:59,560 --> 00:32:02,880 Speaker 1: Forty two hundred people. Yeah, it was crazy. It was 553 00:32:02,880 --> 00:32:06,480 Speaker 1: absolutely crazy. Ok. You got that alone. Is a herculean 554 00:32:06,560 --> 00:32:09,520 Speaker 1: task that you guys took on. It was a lot 555 00:32:09,600 --> 00:32:15,000 Speaker 1: and we listened to every single entry, so both it 556 00:32:15,040 --> 00:32:18,440 Speaker 1: was a lot. It did, but it was worth it. 557 00:32:18,520 --> 00:32:20,960 Speaker 1: And I'm going to be totally honest because we've said 558 00:32:21,000 --> 00:32:25,880 Speaker 1: from the beginning that doing voices is wonderful, but first 559 00:32:25,920 --> 00:32:30,720 Speaker 1: and foremost, you're a voice actor, and I have to 560 00:32:30,760 --> 00:32:35,440 Speaker 1: say that overall, Danielle just is a better actor. Yes, 561 00:32:35,760 --> 00:32:38,640 Speaker 1: That is not to say that Hayden is not could 562 00:32:38,680 --> 00:32:41,160 Speaker 1: not learn, because you know, I think he if he 563 00:32:41,200 --> 00:32:44,040 Speaker 1: takes some classes and kind of works a little bit 564 00:32:44,080 --> 00:32:46,280 Speaker 1: more on his acting, he might have something because especially 565 00:32:46,320 --> 00:32:50,520 Speaker 1: his natural speaking voice is great. And I've I've often 566 00:32:50,560 --> 00:32:53,120 Speaker 1: said I don't do fifty voices. I am not that guy. 567 00:32:53,160 --> 00:32:54,760 Speaker 1: I can't do fifty voices, And a lot of the 568 00:32:54,840 --> 00:32:56,800 Speaker 1: voices I do are very similar to my own voice. 569 00:32:56,840 --> 00:33:01,000 Speaker 1: So you can have a very good career soundunding like yourself. 570 00:33:01,280 --> 00:33:07,800 Speaker 1: But those opportunities to know how to step outside yourself 571 00:33:07,800 --> 00:33:11,360 Speaker 1: and fully invest yourself into a character are things that 572 00:33:11,440 --> 00:33:14,720 Speaker 1: traditionally have happened as a result of live performance. She 573 00:33:14,880 --> 00:33:19,360 Speaker 1: I think was clearly the better contestant today. Yea, And 574 00:33:19,560 --> 00:33:29,920 Speaker 1: the winner of this round is Danielle from Tennessee. Who Okay, So, 575 00:33:29,920 --> 00:33:31,560 Speaker 1: why don't we why don't we bring in Well, let's 576 00:33:31,560 --> 00:33:33,400 Speaker 1: bring in Hayden first. Why don't we Why don't we 577 00:33:33,440 --> 00:33:35,680 Speaker 1: do that? Hey, Hayden, how are you good? How you 578 00:33:35,680 --> 00:33:39,280 Speaker 1: guys doing not too bad? You asked that question. How 579 00:33:39,320 --> 00:33:41,800 Speaker 1: are you from the last seven minutes we've not seen? Yeah, 580 00:33:43,880 --> 00:33:46,520 Speaker 1: just a little bit better. Yeah, but that's the idea. 581 00:33:46,600 --> 00:33:49,080 Speaker 1: Just get better and better. Hey, did we want to 582 00:33:49,120 --> 00:33:52,120 Speaker 1: congratulate you so much on making it this far. You 583 00:33:52,200 --> 00:33:55,480 Speaker 1: did a great, great job today. But unfortunately this is 584 00:33:55,480 --> 00:33:56,960 Speaker 1: going to be the end of the line in the 585 00:33:57,560 --> 00:34:00,880 Speaker 1: contest for you or the person and you were up against. 586 00:34:01,240 --> 00:34:06,080 Speaker 1: She was just really wonderful today. Um. But please please 587 00:34:06,200 --> 00:34:10,160 Speaker 1: do not stop. Yeah, because you're you're very good at 588 00:34:10,200 --> 00:34:13,440 Speaker 1: what you do. Your natural voice, your natural register, that 589 00:34:13,400 --> 00:34:15,799 Speaker 1: the pipes that you were gifted with are phenomenal. Um. 590 00:34:16,080 --> 00:34:19,080 Speaker 1: Do you have any background performance wise, I mean apart 591 00:34:19,120 --> 00:34:21,880 Speaker 1: from a desire to do voice work, and you're clearly 592 00:34:21,880 --> 00:34:24,160 Speaker 1: a bright young man with it, as as Will said, 593 00:34:24,160 --> 00:34:28,680 Speaker 1: a gifted instrument. Um, I don't, actually, it's just honestly 594 00:34:28,719 --> 00:34:31,359 Speaker 1: just doing voices for friends. Over the years. Um, I've 595 00:34:31,400 --> 00:34:33,920 Speaker 1: had a few jobs where I've like announced things to people, 596 00:34:34,440 --> 00:34:37,920 Speaker 1: like racetracks. I was calling races out and stuff like that. 597 00:34:38,800 --> 00:34:43,560 Speaker 1: Your voice is so clear and your enunciation your articulate 598 00:34:44,840 --> 00:34:49,480 Speaker 1: to the extent you would like to pursue this, and honestly, 599 00:34:49,560 --> 00:34:52,520 Speaker 1: this is the right now. The best reason to do 600 00:34:52,560 --> 00:34:54,640 Speaker 1: it is because it makes you so happy. That is 601 00:34:54,640 --> 00:34:58,760 Speaker 1: the most the noblest of reasons to pursue it. However, 602 00:34:59,320 --> 00:35:01,640 Speaker 1: should you just I had to pursue this, I would 603 00:35:01,640 --> 00:35:07,320 Speaker 1: definitely avail yourself if you're interested of maybe doing either 604 00:35:07,440 --> 00:35:10,600 Speaker 1: finding or putting together an improv group where you learn 605 00:35:10,640 --> 00:35:13,080 Speaker 1: to think on your feet and create characters on the 606 00:35:13,080 --> 00:35:20,080 Speaker 1: spur of the moment. That experience will never not serve 607 00:35:20,160 --> 00:35:24,280 Speaker 1: you well. When you're able to think and speak extemporaneously, 608 00:35:24,800 --> 00:35:27,879 Speaker 1: your ability as an actor, thinking on your feet will 609 00:35:28,080 --> 00:35:30,759 Speaker 1: make you at ease, and it will also make you 610 00:35:30,880 --> 00:35:33,600 Speaker 1: a better actor. But man, I'll tell you what for 611 00:35:33,680 --> 00:35:36,400 Speaker 1: somebody who just says, hey, this sounds like fun. Yeah, 612 00:35:36,440 --> 00:35:40,040 Speaker 1: really great, pal, Yeah, I really appreciate that. Guys, thank you. 613 00:35:40,080 --> 00:35:42,200 Speaker 1: Now we said, we said from the beginning Hayden that 614 00:35:42,239 --> 00:35:45,000 Speaker 1: the sixteen people that we picked and again from over 615 00:35:45,200 --> 00:35:48,839 Speaker 1: thousands to sixteen all could be signed. You really, this 616 00:35:48,920 --> 00:35:51,440 Speaker 1: is not something. If this is something you want to pursue, 617 00:35:52,440 --> 00:35:55,640 Speaker 1: Rob is right, you should, and I would look into 618 00:35:55,719 --> 00:35:58,000 Speaker 1: an acting class. I would look into an improv class 619 00:35:58,000 --> 00:36:00,799 Speaker 1: because you've got the natural. You've got something that can't 620 00:36:00,800 --> 00:36:03,920 Speaker 1: be taught, which is the natural pipes. Um So, I 621 00:36:03,960 --> 00:36:06,200 Speaker 1: think if you work a bit on on the acting 622 00:36:06,280 --> 00:36:09,040 Speaker 1: and the improv, I think you know, sky's the limit. 623 00:36:09,120 --> 00:36:12,080 Speaker 1: Really I agree. My final thought too, is it's just 624 00:36:12,239 --> 00:36:15,239 Speaker 1: making those bold choices and and and really having fun 625 00:36:15,280 --> 00:36:18,600 Speaker 1: with it going forward. And yeah, just this, this doesn't 626 00:36:18,640 --> 00:36:20,480 Speaker 1: have to be the end of the line for you. 627 00:36:21,080 --> 00:36:24,520 Speaker 1: It's just a matter of your next step. Thank you, Hayden. Yeah, 628 00:36:24,560 --> 00:36:27,480 Speaker 1: thank you guys. It's great opportunity. I will definitely take 629 00:36:27,600 --> 00:36:30,160 Speaker 1: all the notes in critiques and I will continue my 630 00:36:30,160 --> 00:36:32,520 Speaker 1: craft that way, I can work alongside you guys. One 631 00:36:32,560 --> 00:36:35,239 Speaker 1: day you should. I'm sure it'll happen. I'm sure it'll 632 00:36:35,239 --> 00:36:41,880 Speaker 1: happen here. Thank you, great guy, great great. His natural 633 00:36:41,920 --> 00:36:47,200 Speaker 1: pipes are amazing. Yeah. Oh Danielle, Oh, Danielle, we liked 634 00:36:47,239 --> 00:36:52,080 Speaker 1: you kind of um, but what a kind of maybe, 635 00:36:52,120 --> 00:36:55,319 Speaker 1: I don't know. No, you are congratulations. You are going 636 00:36:55,360 --> 00:36:57,839 Speaker 1: onto the next round of the contest. Yes, you're going 637 00:36:57,880 --> 00:37:01,719 Speaker 1: to not yet, not yet, so congratulations going to the 638 00:37:01,760 --> 00:37:04,520 Speaker 1: top eight for the next round, which will get harder. 639 00:37:04,960 --> 00:37:08,120 Speaker 1: Our suggestion for you would be, can you can you 640 00:37:08,160 --> 00:37:12,719 Speaker 1: find a mic or snowball or something to use. We 641 00:37:12,719 --> 00:37:14,120 Speaker 1: just want to make sure that we give all of 642 00:37:14,120 --> 00:37:17,560 Speaker 1: our contestants the best opportunity to make the most of 643 00:37:17,560 --> 00:37:21,280 Speaker 1: the opportunity that they have. So congratulations. It was gonna 644 00:37:21,320 --> 00:37:26,600 Speaker 1: start getting more difficult, but I'm our past round one 645 00:37:26,680 --> 00:37:29,040 Speaker 1: and Rob, do you have any overall notes you would 646 00:37:29,080 --> 00:37:31,160 Speaker 1: like to give Danielle as she moves forward in the contest. 647 00:37:31,320 --> 00:37:35,640 Speaker 1: You're obviously very talented and you are you jump in 648 00:37:35,680 --> 00:37:41,400 Speaker 1: with both feet your background in theater. That really was 649 00:37:41,719 --> 00:37:44,520 Speaker 1: a really wonderful thing for people who are listening to 650 00:37:44,600 --> 00:37:47,719 Speaker 1: the podcast to see two people who are talented, but 651 00:37:47,760 --> 00:37:50,920 Speaker 1: the one who has the experience that allows you to 652 00:37:51,120 --> 00:37:56,280 Speaker 1: become yes and become unself conscious. That is to say, 653 00:37:56,600 --> 00:38:00,680 Speaker 1: Danielle has nothing to do with the character that I'm 654 00:38:00,719 --> 00:38:05,880 Speaker 1: There's no I hope this is. There's no. You're not reticent. 655 00:38:05,960 --> 00:38:09,560 Speaker 1: You go for it, and that's because you have you 656 00:38:09,560 --> 00:38:11,960 Speaker 1: have training, you have acting jobs, you have experience, and 657 00:38:12,040 --> 00:38:15,120 Speaker 1: that will serve you really well. Great job, Thank you, 658 00:38:15,239 --> 00:38:18,080 Speaker 1: And if I'm wrong, I can be totally confident in 659 00:38:18,120 --> 00:38:22,879 Speaker 1: my wrongness. It's fine, forgive me. But I gotta say 660 00:38:22,920 --> 00:38:24,680 Speaker 1: this because when these guys are nice enough to I've 661 00:38:24,680 --> 00:38:27,279 Speaker 1: been I'm an old Hollywood dog and the number of 662 00:38:27,280 --> 00:38:30,680 Speaker 1: times I've gotten a job where at the end of 663 00:38:30,680 --> 00:38:33,799 Speaker 1: the audition the producers got anything else. As I said, 664 00:38:33,840 --> 00:38:37,720 Speaker 1: I sure do Boom boom boom, boom boom. Great, thanks Rob, 665 00:38:37,840 --> 00:38:39,960 Speaker 1: and then I'll get a call Rob, you didn't get 666 00:38:39,960 --> 00:38:43,279 Speaker 1: the job because what you did was really not right 667 00:38:43,400 --> 00:38:49,920 Speaker 1: for this. However, your choices were so clear, and we're 668 00:38:49,960 --> 00:38:53,239 Speaker 1: going to stash this away. And this has happened three 669 00:38:53,280 --> 00:38:55,480 Speaker 1: times I can think of over my career where literally 670 00:38:55,480 --> 00:38:59,080 Speaker 1: a year, sometimes too later, will the producer call my 671 00:38:59,120 --> 00:39:01,560 Speaker 1: agents say, hey, wanted Rob come and read this. I'm 672 00:39:01,600 --> 00:39:03,560 Speaker 1: not working. I was at Disney when I met him before. 673 00:39:03,800 --> 00:39:05,880 Speaker 1: Now I'm at Warner Brothers. I think I got something 674 00:39:05,880 --> 00:39:09,520 Speaker 1: for him. Hey Rob, remember but no, I don't here. 675 00:39:09,560 --> 00:39:12,279 Speaker 1: This is what you did that was wrong? Can you 676 00:39:12,320 --> 00:39:15,640 Speaker 1: do that again? Sure? And I get the job. Yeah. 677 00:39:15,680 --> 00:39:19,319 Speaker 1: So those opportunities are are You're not, as they say, 678 00:39:19,440 --> 00:39:24,320 Speaker 1: you're not auditioning just for that particular job. Yeah, oh exactly. 679 00:39:24,640 --> 00:39:29,360 Speaker 1: So you know, thank you, thank you, congratulations on making 680 00:39:29,400 --> 00:39:34,719 Speaker 1: it to the next round contest to become the next 681 00:39:34,719 --> 00:39:37,280 Speaker 1: big voice actor. So that's uh, it's great. We can't 682 00:39:37,840 --> 00:39:39,879 Speaker 1: we can't wait to see where it goes from here. 683 00:39:39,960 --> 00:39:41,719 Speaker 1: Thank you so much for joining us, and we will 684 00:39:41,719 --> 00:39:48,040 Speaker 1: see you next round the job kiddo, than you welcome, Daniel. 685 00:39:48,840 --> 00:39:53,719 Speaker 1: I think that there are no mistakes there, there's no accidents, 686 00:39:53,840 --> 00:39:56,600 Speaker 1: right like, so the fact that you guys just happened 687 00:39:56,600 --> 00:40:01,200 Speaker 1: and totally independently chat there today, it is a really 688 00:40:01,480 --> 00:40:05,200 Speaker 1: it's why we wanted folks like you to, you know, 689 00:40:05,280 --> 00:40:06,719 Speaker 1: try to see if we could, if you could fit 690 00:40:06,800 --> 00:40:10,160 Speaker 1: us in for this mentorship, because you truly are a mentor. 691 00:40:10,400 --> 00:40:13,040 Speaker 1: So thank you for what you're doing. And I'm sure 692 00:40:13,040 --> 00:40:15,319 Speaker 1: that people who are listening to our podcast, you know, 693 00:40:15,480 --> 00:40:17,319 Speaker 1: love to know that they can, you know, find you 694 00:40:17,360 --> 00:40:21,400 Speaker 1: on TikTok. You're so big. I thank you. I the 695 00:40:21,440 --> 00:40:23,400 Speaker 1: only thing big about me is my ego. My talent 696 00:40:23,520 --> 00:40:27,000 Speaker 1: is prodigious as well as but thank you very sure, 697 00:40:27,080 --> 00:40:30,360 Speaker 1: well deserved. I've been listening to I've always been a 698 00:40:30,360 --> 00:40:32,839 Speaker 1: big fan of yourself always. Thanks of course, for those 699 00:40:32,840 --> 00:40:34,920 Speaker 1: of you who are interested, please check out Rob Paulson 700 00:40:35,280 --> 00:40:38,359 Speaker 1: Voice dot com. There's a lot of cool stuff there, 701 00:40:38,400 --> 00:40:41,359 Speaker 1: a lot of cool information. Uh. And I'm you know, 702 00:40:41,480 --> 00:40:44,760 Speaker 1: just doing all kinds of fun stuff and travel around 703 00:40:44,760 --> 00:40:48,040 Speaker 1: the country and meeting people and doing Animaniac and concert 704 00:40:48,080 --> 00:40:53,239 Speaker 1: which is of love and so much and I think 705 00:40:53,239 --> 00:40:55,040 Speaker 1: it will there are probably more and more opportunities for 706 00:40:55,080 --> 00:40:58,320 Speaker 1: people to make a decent living um doing voice work, 707 00:40:58,600 --> 00:41:01,440 Speaker 1: hopefully in a saga through away. There may come a 708 00:41:01,440 --> 00:41:04,320 Speaker 1: point at which you don't have to necessarily be in 709 00:41:04,480 --> 00:41:10,799 Speaker 1: LA anymore to work Universal, Warner Brothers, Nickelodeon, etc. Etc. Etc. Yeah, 710 00:41:11,120 --> 00:41:14,040 Speaker 1: which is why we're we're working to find the next 711 00:41:14,040 --> 00:41:16,400 Speaker 1: person who's going to join us all in the booth. 712 00:41:16,920 --> 00:41:19,640 Speaker 1: Right and Rob, we cannot thank you enough for taking 713 00:41:19,680 --> 00:41:23,120 Speaker 1: the time to mentor and everything. It is just so cool, 714 00:41:23,280 --> 00:41:25,600 Speaker 1: Christy and will I I'm very flattered that you would 715 00:41:25,719 --> 00:41:32,160 Speaker 1: have me back, And congratulations to everybody and folks listening. 716 00:41:32,520 --> 00:41:34,160 Speaker 1: You pick the right people to listen to. They know 717 00:41:34,200 --> 00:41:39,600 Speaker 1: exactly what they're talking about. They are they are the 718 00:41:39,760 --> 00:41:46,080 Speaker 1: real deal. They are kind, down to earth, utterly devoid 719 00:41:46,120 --> 00:41:50,479 Speaker 1: of pretense, and they just as evidenced by what they've 720 00:41:50,520 --> 00:41:59,839 Speaker 1: done visa be this this particular event, they really are 721 00:42:00,080 --> 00:42:03,319 Speaker 1: people who care about you guys, because they get it. 722 00:42:03,440 --> 00:42:08,640 Speaker 1: They know, they know, they know how much you want it. 723 00:42:08,640 --> 00:42:13,080 Speaker 1: It is a total jones. It never goes away. It 724 00:42:13,160 --> 00:42:16,600 Speaker 1: doesn't to give you an opportunity to be given an 725 00:42:16,640 --> 00:42:20,000 Speaker 1: opportunity by two folks who really know what they're talking 726 00:42:20,040 --> 00:42:23,439 Speaker 1: about and more importantly, know what you're about is a 727 00:42:23,480 --> 00:42:26,200 Speaker 1: is a gift, so take advantage of it. Thank you 728 00:42:26,239 --> 00:42:28,440 Speaker 1: so much, Rob. We cannot thank you enough. And we'll 729 00:42:28,480 --> 00:42:30,400 Speaker 1: have you back. We're gonna need We're gonna have you 730 00:42:30,400 --> 00:42:31,719 Speaker 1: back down the line. You're gonna be there to help 731 00:42:31,800 --> 00:42:35,480 Speaker 1: us pick the winner. I promise, Hey, next time. That's awesome. 732 00:42:35,560 --> 00:42:39,239 Speaker 1: Thank you so much, Rob as Bye bye bye, Rob, 733 00:42:41,120 --> 00:42:45,840 Speaker 1: the amazing Rob Paulson. That is a living legend for 734 00:42:46,160 --> 00:42:50,799 Speaker 1: so many reasons. So officially, the winner of this round 735 00:42:51,440 --> 00:42:55,360 Speaker 1: is Danielle from Tennessee. Congratulations. She will of course be 736 00:42:55,560 --> 00:42:59,239 Speaker 1: joining our first round winner Dylan from Louisiana. We got 737 00:42:59,320 --> 00:43:02,360 Speaker 1: some some the South representing so far. I guess we do, 738 00:43:02,680 --> 00:43:04,759 Speaker 1: but I mean, you couldn't tell. I didn't even know. 739 00:43:04,920 --> 00:43:07,560 Speaker 1: They didn't even have accents or anything. So no, but man, 740 00:43:07,600 --> 00:43:10,160 Speaker 1: they're both good and we are moving forward. It's going 741 00:43:10,200 --> 00:43:11,719 Speaker 1: to get more and more competitive, so we'll make sure 742 00:43:12,440 --> 00:43:15,319 Speaker 1: absolutely is. So please don't forget to join us next 743 00:43:15,360 --> 00:43:19,000 Speaker 1: week for round three. Two more contestants, another incredible guest 744 00:43:19,080 --> 00:43:21,239 Speaker 1: judge who are going to come and help us find 745 00:43:21,520 --> 00:43:24,759 Speaker 1: the next big voice actor. So much fun that we 746 00:43:24,800 --> 00:43:26,560 Speaker 1: can actually do this every week, and once again a 747 00:43:26,680 --> 00:43:29,879 Speaker 1: shout out to our friends at Prime Video, over there 748 00:43:29,920 --> 00:43:32,440 Speaker 1: at Amazon, our friends a critical role who helped out 749 00:43:32,480 --> 00:43:35,640 Speaker 1: with everything, our friends at CESD who helped out with everything, 750 00:43:35,680 --> 00:43:38,120 Speaker 1: and of course our favorite people in the world over 751 00:43:38,200 --> 00:43:41,000 Speaker 1: at iHeart that helped make all of this happen. We 752 00:43:41,080 --> 00:43:44,360 Speaker 1: could not have done it without iHeart and our incredible 753 00:43:44,400 --> 00:43:48,879 Speaker 1: producers and our engineers and everybody that has helped make 754 00:43:49,000 --> 00:43:52,839 Speaker 1: this dream happen. So so cool. Join us again next week. 755 00:43:53,560 --> 00:43:56,799 Speaker 1: It's getting real, people, it is getting real. So join 756 00:43:56,960 --> 00:43:58,840 Speaker 1: us and don't forget. If you think you have what 757 00:43:58,920 --> 00:44:01,320 Speaker 1: it takes to be one of us, step up to 758 00:44:01,360 --> 00:44:03,640 Speaker 1: the microphone and put your voices where your mouth is. 759 00:44:03,840 --> 00:44:06,840 Speaker 1: Thanks everybody, Bye guys. I Hear Voices is hosted by 760 00:44:06,880 --> 00:44:10,600 Speaker 1: Wilfordell and Christy Carlson Romano. Executive produced by Wilfredell, Brendan Rooney, 761 00:44:10,640 --> 00:44:13,440 Speaker 1: Amy Sugarman. Our executive in charge of production is Danielle Romo, 762 00:44:13,600 --> 00:44:16,480 Speaker 1: Our producer is Lorraine Verawez, and our editor slash engineer 763 00:44:16,640 --> 00:44:20,279 Speaker 1: is Brian Burton. And that was my announcer voice. Some 764 00:44:20,440 --> 00:44:22,480 Speaker 1: side effects of listening to I Hear Voices are sore 765 00:44:22,520 --> 00:44:25,239 Speaker 1: abs from hilarity falling down the Coco Melon, rabbit Hole, 766 00:44:25,360 --> 00:44:28,239 Speaker 1: sneezing due to mass nostalgia and hugs. Follow I Hear 767 00:44:28,320 --> 00:44:30,200 Speaker 1: Voices wherever you listen to podcasts so you don't miss 768 00:44:30,239 --> 00:44:32,480 Speaker 1: any of the amazing voices. Be sure to follow us 769 00:44:32,520 --> 00:44:35,200 Speaker 1: on Instagram and TikTok at I Hear Voices podcast. You 770 00:44:35,239 --> 00:44:38,239 Speaker 1: can also check us out on my Space, Omigel Vine LimeWire. 771 00:44:38,320 --> 00:44:40,600 Speaker 1: Hey I'm a napster. Okay, well, let's teach you about 772 00:44:40,600 --> 00:44:41,399 Speaker 1: the Internet, the who