1 00:00:01,000 --> 00:00:04,840 Speaker 1: Call It what It Is with Jessica Capshaw and Camille Luddington, 2 00:00:05,280 --> 00:00:07,200 Speaker 1: an iHeartRadio podcast. 3 00:00:14,760 --> 00:00:18,360 Speaker 2: Hey call It Crew, and welcome to another episode of 4 00:00:19,040 --> 00:00:20,439 Speaker 2: Call It Short and Sweet. 5 00:00:21,040 --> 00:00:22,200 Speaker 3: Jessica, what do we have today? 6 00:00:22,640 --> 00:00:26,960 Speaker 1: Well, today on this shortened suite, we have some fan questions. 7 00:00:26,960 --> 00:00:28,200 Speaker 1: A little Q and A. 8 00:00:28,760 --> 00:00:29,600 Speaker 3: Love a Q and A. 9 00:00:29,800 --> 00:00:31,320 Speaker 1: They have a little que, we have a little A. 10 00:00:31,680 --> 00:00:32,560 Speaker 3: Let's get into it. 11 00:00:32,680 --> 00:00:35,040 Speaker 1: So number one Rita has written in and she said, 12 00:00:35,080 --> 00:00:39,400 Speaker 1: regarding grace, when you portray characters for such a long time, 13 00:00:39,520 --> 00:00:42,320 Speaker 1: do you get any input when it comes to storylines 14 00:00:42,400 --> 00:00:48,120 Speaker 1: for example, romances, pregnancies, career changes. Also, is the water 15 00:00:48,159 --> 00:00:51,839 Speaker 1: hot or cold? That's really fun, I'm guessing in the 16 00:00:51,880 --> 00:00:53,640 Speaker 1: showers that we take. Yes. 17 00:00:54,360 --> 00:00:57,040 Speaker 2: Yes, Well, first of all, we'll just answer the shower 18 00:00:57,160 --> 00:00:59,440 Speaker 2: question because it would be so many if it was cold. 19 00:00:59,480 --> 00:01:00,640 Speaker 3: It's definitely warm water. 20 00:01:01,040 --> 00:01:04,479 Speaker 1: Thank god, it's not exactly, but you answer correctly. It's warm, 21 00:01:04,520 --> 00:01:06,480 Speaker 1: it's not hot. It's not like, oh, I'm gonna get 22 00:01:06,480 --> 00:01:09,880 Speaker 1: into a hot shower now I'm gonna get into this cozy, 23 00:01:09,920 --> 00:01:14,360 Speaker 1: cozy shower. Also, there's people around you and the doors open, 24 00:01:14,640 --> 00:01:17,959 Speaker 1: and you've got like some sort of intimacy something on you. 25 00:01:17,959 --> 00:01:21,080 Speaker 1: You're covering your bits and bobs. So it's either you 26 00:01:21,120 --> 00:01:22,840 Speaker 1: know your top, your top or your bottom. 27 00:01:23,840 --> 00:01:26,039 Speaker 2: Yeah, I covered my bits and bobs for a shower 28 00:01:26,080 --> 00:01:27,840 Speaker 2: scene that you had to stand by. Do you remember, 29 00:01:28,240 --> 00:01:30,280 Speaker 2: Joe like, Yes, I had a shower and she was like, 30 00:01:30,800 --> 00:01:33,240 Speaker 2: and so I forget what I was even talking about, 31 00:01:33,360 --> 00:01:35,959 Speaker 2: But I tell a little bit. Some Bobsy is around you, 32 00:01:36,560 --> 00:01:39,200 Speaker 2: miss Arizona Robins because we're living together. 33 00:01:39,560 --> 00:01:41,080 Speaker 3: Why why were we living together? 34 00:01:42,920 --> 00:01:44,880 Speaker 1: Well, you really want to ask me that? 35 00:01:47,440 --> 00:01:49,559 Speaker 3: Definitely not, definitely not okay. 36 00:01:49,600 --> 00:01:51,600 Speaker 2: So when you portrayed characters for such a long time 37 00:01:51,640 --> 00:01:54,600 Speaker 2: to get input on the storylines, yeah, we could to 38 00:01:54,640 --> 00:01:57,920 Speaker 2: suggest stuff, We could to suggest you are you. 39 00:01:58,080 --> 00:02:01,520 Speaker 1: She just ast? You just answered let's we are on call? 40 00:02:01,560 --> 00:02:05,920 Speaker 1: At what it is. You are the best at constantly 41 00:02:06,000 --> 00:02:08,560 Speaker 1: thinking about storylines for yourself, for others. 42 00:02:09,560 --> 00:02:12,280 Speaker 3: You think about the game I do. 43 00:02:12,960 --> 00:02:15,120 Speaker 1: In my situation, the romances were hard. 44 00:02:15,480 --> 00:02:18,240 Speaker 3: No, you don't. You're not pitching your own romance on 45 00:02:18,320 --> 00:02:18,680 Speaker 3: the show. 46 00:02:19,160 --> 00:02:22,760 Speaker 1: No, you're definitely not. And I mean in my case, 47 00:02:22,760 --> 00:02:26,160 Speaker 1: I was on the show for ten years, and you 48 00:02:26,200 --> 00:02:27,960 Speaker 1: know it's it's the push pull. I mean, I remember 49 00:02:28,000 --> 00:02:31,360 Speaker 1: as a viewer, you're watching and I completely championed Meridairr 50 00:02:31,360 --> 00:02:35,440 Speaker 1: And I was like, Meredith and Derek together forever, Like absolutely, 51 00:02:35,600 --> 00:02:38,240 Speaker 1: you cannot pull them apart. And at the same time, 52 00:02:39,800 --> 00:02:42,440 Speaker 1: you can't just watch people be happy like you can't. 53 00:02:42,440 --> 00:02:45,000 Speaker 1: That's boring. You can't just watch them be happy and 54 00:02:45,000 --> 00:02:47,720 Speaker 1: happy and happy. And so even though as a viewer 55 00:02:47,760 --> 00:02:50,959 Speaker 1: I was tortured by the things that came in between them, 56 00:02:51,000 --> 00:02:55,880 Speaker 1: they were completely necessary. So I always knew that, and 57 00:02:55,960 --> 00:03:00,920 Speaker 1: I felt in my on screen ship, which was Alazona, 58 00:03:01,040 --> 00:03:04,600 Speaker 1: it was like, Okay, great, they're happy and that's wonderful, 59 00:03:04,600 --> 00:03:06,959 Speaker 1: and we want them to be together, and yes, that's right, 60 00:03:07,440 --> 00:03:11,520 Speaker 1: and you champion that romance. And we need a little friction, 61 00:03:11,800 --> 00:03:13,840 Speaker 1: we need a little obstacle, We need to. 62 00:03:13,760 --> 00:03:16,400 Speaker 3: Throw in a little like well, they threw in a meteor. 63 00:03:16,680 --> 00:03:19,440 Speaker 1: I mean so many though, God, I. 64 00:03:19,400 --> 00:03:21,560 Speaker 3: Mean they threw in a wowser browser. 65 00:03:23,040 --> 00:03:26,400 Speaker 1: But so many of those, so so many we had infidelity, 66 00:03:26,520 --> 00:03:29,200 Speaker 1: we had oh, I mean who I remember. 67 00:03:29,360 --> 00:03:31,519 Speaker 2: You know what's really funny is I remember Jessica getting 68 00:03:31,560 --> 00:03:35,720 Speaker 2: the infidelity script, which is one of my favorite season 69 00:03:35,720 --> 00:03:38,440 Speaker 2: finales because of that moment, which is just incredible. You 70 00:03:38,440 --> 00:03:40,760 Speaker 2: guys all know what I'm talking about the rings on 71 00:03:40,880 --> 00:03:45,560 Speaker 2: the pin to the scrubs, and I remember someone saying 72 00:03:45,600 --> 00:03:48,800 Speaker 2: that Capshaw, You're gonna have to get off social. 73 00:03:48,520 --> 00:03:49,480 Speaker 3: Media for a little bit. 74 00:03:49,640 --> 00:03:53,960 Speaker 2: And she was like, yep, we knew that that meteor 75 00:03:54,160 --> 00:04:00,360 Speaker 2: was gonna rock the fandom. Huge Gray's Anatomy fan is 76 00:04:00,480 --> 00:04:04,840 Speaker 2: Jessica Capshaw's. Oh, I know, people ask this all the time. 77 00:04:05,320 --> 00:04:08,480 Speaker 2: I know it is Jessica's daughter's name Josephine, because of 78 00:04:08,560 --> 00:04:11,800 Speaker 2: Camilla's character Joe Wilson on the show. I'm so curious, 79 00:04:11,880 --> 00:04:15,400 Speaker 2: And yes, it is right, Jessica, of. 80 00:04:15,320 --> 00:04:16,040 Speaker 1: Course it is. 81 00:04:16,760 --> 00:04:20,320 Speaker 3: I named her after you, not even me, just the character, 82 00:04:20,320 --> 00:04:20,760 Speaker 3: because you. 83 00:04:20,720 --> 00:04:23,800 Speaker 1: Love your alternate on television. No, we already know with 84 00:04:23,920 --> 00:04:26,600 Speaker 1: my memory, I probably forgot that your name was Josephine. 85 00:04:27,120 --> 00:04:29,640 Speaker 3: Yeah, she didn't even know it was Josephine. You guys, 86 00:04:30,320 --> 00:04:33,320 Speaker 3: she hadn't she. She's learning that right now. You're learning 87 00:04:33,320 --> 00:04:35,440 Speaker 3: it right now in this Yeah, I thought. 88 00:04:35,240 --> 00:04:38,600 Speaker 1: It was just Joe. I love the name Josephine. And 89 00:04:38,640 --> 00:04:40,240 Speaker 1: you know what, we have three girls, so this was 90 00:04:40,279 --> 00:04:43,200 Speaker 1: our third time at naming a baby girl. And I 91 00:04:43,200 --> 00:04:45,560 Speaker 1: gotta tell you that's challenging because you really only usually 92 00:04:45,560 --> 00:04:47,560 Speaker 1: have like you know, top one or two, and then 93 00:04:47,600 --> 00:04:50,640 Speaker 1: we already had two. So we got to the long names, 94 00:04:50,880 --> 00:04:53,960 Speaker 1: the list of beautiful long names, and she certainly can 95 00:04:53,960 --> 00:04:57,919 Speaker 1: handle it. I love her name so much. Okay, next, 96 00:04:57,920 --> 00:04:59,640 Speaker 1: now it's just a bonus by the way that it's 97 00:04:59,680 --> 00:05:04,000 Speaker 1: your other names. I know. Okay. Marie wrote in and 98 00:05:04,040 --> 00:05:06,280 Speaker 1: she said, how did both of your lives change or 99 00:05:06,320 --> 00:05:11,000 Speaker 1: develop when you started becoming more famous? This isn't famous 100 00:05:11,040 --> 00:05:12,720 Speaker 1: a funny word, because I don't even I'm like. 101 00:05:13,120 --> 00:05:17,400 Speaker 3: Famous, I know, I don't. Yeah, I just feel like me. 102 00:05:19,360 --> 00:05:20,279 Speaker 1: I think that. 103 00:05:20,880 --> 00:05:21,000 Speaker 2: Uh. 104 00:05:22,800 --> 00:05:26,880 Speaker 1: It just honestly, I try very I don't think of 105 00:05:26,920 --> 00:05:29,560 Speaker 1: myself as such, and so when I'm out in the world, 106 00:05:29,600 --> 00:05:31,479 Speaker 1: and you never know when you're gonna be around people 107 00:05:31,480 --> 00:05:33,360 Speaker 1: who do or do not know you from whatever it 108 00:05:33,400 --> 00:05:37,800 Speaker 1: is that you've done. So I just conduct my life 109 00:05:38,000 --> 00:05:40,600 Speaker 1: and do my things the way that I would. Uh. 110 00:05:40,800 --> 00:05:44,560 Speaker 1: And then if someone does come up and say something, 111 00:05:44,760 --> 00:05:46,840 Speaker 1: I think that I try very hard to always just 112 00:05:46,880 --> 00:05:51,560 Speaker 1: be really responsive to whatever someone's feeling or thinking or 113 00:05:51,560 --> 00:05:53,840 Speaker 1: saying in that moment. And then i'm and then i'm 114 00:05:53,839 --> 00:05:56,320 Speaker 1: I think I'm a little bit more aware of myself 115 00:05:56,480 --> 00:06:00,520 Speaker 1: because I'm also usually with other people or my children, 116 00:06:01,839 --> 00:06:04,880 Speaker 1: and I feel very lucky that, you know, most of 117 00:06:04,960 --> 00:06:08,440 Speaker 1: the time, every you know, people are very respectful. I 118 00:06:08,480 --> 00:06:10,800 Speaker 1: do always feel like when I'm with the kids, my kids, 119 00:06:10,800 --> 00:06:13,719 Speaker 1: I feel a little like, yeah, tug, because I'm sort 120 00:06:13,720 --> 00:06:16,360 Speaker 1: of like, well, my job is to be watching you 121 00:06:16,839 --> 00:06:20,440 Speaker 1: and someone's you know, talking to me, and my attentions there. 122 00:06:20,480 --> 00:06:22,360 Speaker 1: So it's just a little bit of a push pull there. 123 00:06:22,400 --> 00:06:26,479 Speaker 1: But I don't think that. I don't feel like I 124 00:06:26,520 --> 00:06:27,880 Speaker 1: had a moment where I was like, oh, my life 125 00:06:27,920 --> 00:06:30,719 Speaker 1: is different, because it's funny. 126 00:06:30,720 --> 00:06:33,800 Speaker 2: I was just talking about this with Matt because I 127 00:06:33,839 --> 00:06:38,000 Speaker 2: feel more antisocial actually since the show. 128 00:06:38,279 --> 00:06:40,800 Speaker 3: It's just such a big show. When I meet new people, 129 00:06:41,160 --> 00:06:41,880 Speaker 3: it takes me. 130 00:06:42,200 --> 00:06:46,560 Speaker 2: Way longer to let them in too, like in a circle, 131 00:06:46,720 --> 00:06:49,640 Speaker 2: or me feel vulnerable enough to be able to tell 132 00:06:49,680 --> 00:06:53,960 Speaker 2: them things. So that's the way it's changed. Which kind 133 00:06:53,960 --> 00:06:55,840 Speaker 2: of does I'm gonna say it kind of does suck. 134 00:06:55,920 --> 00:06:59,680 Speaker 2: But maybe maybe it's a good thing too, I would say, 135 00:06:59,680 --> 00:07:03,760 Speaker 2: and I'm a little more antisocial. Question before, what's your 136 00:07:03,839 --> 00:07:09,160 Speaker 2: all time favorite moment from Grey's Anatomy as a viewer, 137 00:07:09,560 --> 00:07:12,160 Speaker 2: as a fan or working on the show. 138 00:07:13,920 --> 00:07:16,000 Speaker 1: Okay, as a fan early days because this is when 139 00:07:16,000 --> 00:07:18,840 Speaker 1: I watched it again, like the minute that it started 140 00:07:18,840 --> 00:07:24,520 Speaker 1: on in real life, Yeah, there was no I say 141 00:07:24,560 --> 00:07:29,520 Speaker 1: it all the time, there's no more genius storytelling, perfectly 142 00:07:29,560 --> 00:07:37,880 Speaker 1: executed acted environment. Everything was perfect in that moment in 143 00:07:37,880 --> 00:07:38,440 Speaker 1: the pilot. 144 00:07:39,280 --> 00:07:41,480 Speaker 3: Oh no, never mind, but yeah in the pilot. 145 00:07:41,480 --> 00:07:48,720 Speaker 1: In the pilot when she goes to work and who 146 00:07:48,760 --> 00:07:54,040 Speaker 1: is there but the boy that she kicked out from 147 00:07:54,040 --> 00:07:56,480 Speaker 1: the morning before or the morning that morning. So that 148 00:07:56,560 --> 00:08:00,240 Speaker 1: moment where she goes to work and she's just that's 149 00:08:00,280 --> 00:08:02,240 Speaker 1: the boy that she's you know, had a nice little 150 00:08:02,320 --> 00:08:05,120 Speaker 1: romp with from the bar and she walks into work 151 00:08:05,200 --> 00:08:09,360 Speaker 1: and there he is, and you're like, oh yeah, it 152 00:08:09,480 --> 00:08:12,920 Speaker 1: just sets everything up so perfectly. And then I think 153 00:08:12,920 --> 00:08:15,680 Speaker 1: the other like, oh, oh moment would have been I 154 00:08:15,680 --> 00:08:17,800 Speaker 1: don't even know what episode it was, but when Addison 155 00:08:17,840 --> 00:08:21,560 Speaker 1: comes back, that's why she's sleeping with my husband or whatever, say. 156 00:08:21,520 --> 00:08:24,800 Speaker 2: Oh yeah, she says, oh, you're the woman that's Susan 157 00:08:24,880 --> 00:08:27,840 Speaker 2: sleeping with my husband or something, and you're like, we've 158 00:08:27,840 --> 00:08:33,560 Speaker 2: butchered that line. It's something completely different. But that that 159 00:08:33,800 --> 00:08:36,160 Speaker 2: was the moment for me because you thought that they 160 00:08:36,160 --> 00:08:37,440 Speaker 2: were happy, and I. 161 00:08:37,360 --> 00:08:44,679 Speaker 3: Was like, oh, the show is crazy. Anything could happened that. Yes, yep, we'll. 162 00:08:44,520 --> 00:08:48,520 Speaker 1: Say that this is an anonymous right in. What was 163 00:08:48,559 --> 00:08:50,839 Speaker 1: it like for Camilla when it was announced that Jess 164 00:08:50,840 --> 00:08:53,400 Speaker 1: was leaving Gray's Anatomy And how did it affect both 165 00:08:53,440 --> 00:08:53,640 Speaker 1: of you? 166 00:08:54,640 --> 00:08:59,920 Speaker 2: It was very shocked and I there are pictures of 167 00:09:00,080 --> 00:09:03,800 Speaker 2: me in the table read actually that gets circulated all 168 00:09:03,840 --> 00:09:05,720 Speaker 2: the time, and I'm just sobbing. 169 00:09:06,240 --> 00:09:09,720 Speaker 3: I was really sad. It was really hard. It was 170 00:09:09,760 --> 00:09:10,680 Speaker 3: all about me, right. 171 00:09:10,640 --> 00:09:14,640 Speaker 2: Jess, right, totally, No, it was really no, it was 172 00:09:14,800 --> 00:09:16,200 Speaker 2: There's no way to sugarcoat it. 173 00:09:16,200 --> 00:09:17,920 Speaker 3: It was really hard. I was. 174 00:09:18,000 --> 00:09:18,280 Speaker 1: I was. 175 00:09:18,440 --> 00:09:20,960 Speaker 2: I knew that my very very closest friend on the 176 00:09:20,960 --> 00:09:23,199 Speaker 2: show is leaving. And if you have a work friend 177 00:09:23,240 --> 00:09:25,360 Speaker 2: like that, you know what that's like. Your buddy's gone, 178 00:09:25,960 --> 00:09:27,600 Speaker 2: and I didn't want to lose my buddy? 179 00:09:28,120 --> 00:09:28,680 Speaker 3: Is the truth? 180 00:09:43,000 --> 00:09:45,640 Speaker 2: Carolina Rhodes and she asks the question I've never been 181 00:09:45,679 --> 00:09:48,800 Speaker 2: asked before. What bands do you think would be Arizona 182 00:09:48,920 --> 00:09:51,559 Speaker 2: Robins and Joe Wilson's favorites. 183 00:09:53,040 --> 00:09:59,000 Speaker 1: I think that Arizona Robbins was probably like a big 184 00:09:59,640 --> 00:10:04,000 Speaker 1: ho Princess listeners Yes songs. I feel like I was 185 00:10:04,000 --> 00:10:06,800 Speaker 1: listening to yes or Arizona was listening to a lot 186 00:10:06,800 --> 00:10:09,640 Speaker 1: of like pop music. Like, you know, I think she 187 00:10:09,760 --> 00:10:16,800 Speaker 1: probably was like in sync, yes, totally like I think 188 00:10:16,840 --> 00:10:20,000 Speaker 1: she was definitely roller skating around that kind of shit. 189 00:10:21,840 --> 00:10:24,880 Speaker 2: I think Joe was like a little more teen Angst, 190 00:10:24,920 --> 00:10:30,120 Speaker 2: a little Navana perhaps, oh, a little for sure Nirvana. 191 00:10:30,320 --> 00:10:33,200 Speaker 2: And I think eventually, you know, I think there's some 192 00:10:33,280 --> 00:10:35,360 Speaker 2: Alanis Moore set. I know she's not a band, but 193 00:10:35,400 --> 00:10:37,840 Speaker 2: I think we've got to throw Alanis out there. Maybe 194 00:10:37,880 --> 00:10:40,560 Speaker 2: Ashley Simpson's debut album on Discovery. 195 00:10:40,640 --> 00:10:41,400 Speaker 3: I love that album. 196 00:10:41,480 --> 00:10:42,840 Speaker 1: Oh, yes, great album. 197 00:10:43,360 --> 00:10:46,079 Speaker 2: It's a great album. Actually, we need more music. Joe 198 00:10:46,160 --> 00:10:48,200 Speaker 2: Wilson needs more music. I know it not a band, 199 00:10:48,240 --> 00:10:50,079 Speaker 2: although she was part of it. It was kind of 200 00:10:50,080 --> 00:10:52,599 Speaker 2: a band. Yeah, I'm gonna go with those. 201 00:10:53,320 --> 00:10:57,360 Speaker 1: Great Okay, So Summer has written in and she said 202 00:10:57,400 --> 00:10:59,400 Speaker 1: how long is a normal day on set? And how 203 00:10:59,520 --> 00:11:02,560 Speaker 1: much work is involved in making just one episode of 204 00:11:02,600 --> 00:11:03,440 Speaker 1: Gray's Anatomy? 205 00:11:03,760 --> 00:11:05,120 Speaker 3: A lot of work is involved. 206 00:11:05,640 --> 00:11:07,600 Speaker 2: Well, the first part of the question is is how 207 00:11:07,640 --> 00:11:10,200 Speaker 2: long is a normal down set? Now after COVID, we 208 00:11:10,280 --> 00:11:13,160 Speaker 2: try not to go more than twelve hours, but we 209 00:11:13,200 --> 00:11:16,720 Speaker 2: have pushed to seventeen or we've pulled some seventeens in 210 00:11:16,760 --> 00:11:17,200 Speaker 2: our time. 211 00:11:17,679 --> 00:11:19,360 Speaker 1: Uh huh, seventeen is hard. 212 00:11:19,960 --> 00:11:21,240 Speaker 3: Seventeen is hard. It's rare. 213 00:11:21,280 --> 00:11:23,360 Speaker 2: I would say the days that we do surgery tend 214 00:11:23,400 --> 00:11:27,240 Speaker 2: to be longer days because surgery it's just harder to film, 215 00:11:28,200 --> 00:11:30,160 Speaker 2: and we get a little giddy, we get. 216 00:11:30,000 --> 00:11:33,360 Speaker 1: A little Yeah, there's more shots, there's more people, it's 217 00:11:33,360 --> 00:11:38,120 Speaker 1: more technical. You can't approximate. You need to get it right, yeah, 218 00:11:38,120 --> 00:11:41,040 Speaker 1: at the different angles. So yeah, the surgery scenes are 219 00:11:41,080 --> 00:11:44,240 Speaker 1: a lot, but there's kind of I mean in a 220 00:11:44,240 --> 00:11:48,480 Speaker 1: weird way. There's no normal on that. I mean, you 221 00:11:49,360 --> 00:11:51,680 Speaker 1: sort of know what to expect. But I remember one 222 00:11:51,679 --> 00:11:55,520 Speaker 1: of the biggest challenges was I never made if I 223 00:11:55,559 --> 00:11:57,160 Speaker 1: was working that day, whether they said I was in 224 00:11:57,200 --> 00:12:00,640 Speaker 1: one scene or five. I didn't make any other plans 225 00:12:00,720 --> 00:12:04,560 Speaker 1: that couldn't be changed quickly because sometimes the set's not ready, 226 00:12:04,880 --> 00:12:09,000 Speaker 1: or sometimes someone called in sick, or sometimes there's you know, 227 00:12:09,200 --> 00:12:11,679 Speaker 1: something going on or I don't know. So you have 228 00:12:11,760 --> 00:12:14,839 Speaker 1: to easily be able to shift your uptation what the 229 00:12:14,960 --> 00:12:17,240 Speaker 1: day is, which is a little bit like being on 230 00:12:17,400 --> 00:12:18,959 Speaker 1: call like a real doctor. 231 00:12:19,720 --> 00:12:20,400 Speaker 3: It is true. 232 00:12:20,600 --> 00:12:22,320 Speaker 1: And then I think that. 233 00:12:22,840 --> 00:12:24,600 Speaker 3: The work is involved. 234 00:12:24,960 --> 00:12:27,920 Speaker 2: You guys, I mean, you see us from our perspective, 235 00:12:27,920 --> 00:12:31,719 Speaker 2: we're just doing shooting days. But from everyone else's perspective, 236 00:12:31,720 --> 00:12:35,400 Speaker 2: we have writers working on episodes months before. In fact, 237 00:12:35,400 --> 00:12:39,120 Speaker 2: they're in the writer's room right now writing for next season. 238 00:12:39,679 --> 00:12:40,960 Speaker 3: Then we have pre production. 239 00:12:41,120 --> 00:12:44,160 Speaker 2: They have meetings for hair and make up, set design, 240 00:12:44,360 --> 00:12:47,760 Speaker 2: all the things they have to the direct talks to 241 00:12:47,840 --> 00:12:53,480 Speaker 2: an episode casting. So I would say weeks, weeks and 242 00:12:53,520 --> 00:12:58,920 Speaker 2: weeks of of work is involved, if not sometimes months, 243 00:12:58,960 --> 00:13:01,400 Speaker 2: you know, work is involved. 244 00:13:01,800 --> 00:13:04,000 Speaker 1: Yeah, And then and then what ends up happening is 245 00:13:04,040 --> 00:13:07,640 Speaker 1: that for the actual episode, they will have a start 246 00:13:07,720 --> 00:13:13,160 Speaker 1: day and and work finished day. So typically those run 247 00:13:13,240 --> 00:13:17,720 Speaker 1: anywhere from eight to ten days, usually ten, and they'll 248 00:13:17,760 --> 00:13:22,960 Speaker 1: start the episode and then finish on let's say the 249 00:13:23,000 --> 00:13:24,880 Speaker 1: tenth day. But then they'll also do this thing where 250 00:13:24,920 --> 00:13:28,319 Speaker 1: they might be a little too darknical, but they'll double up, well, 251 00:13:28,360 --> 00:13:32,080 Speaker 1: their start another episode before that episode's done, and so 252 00:13:32,120 --> 00:13:36,079 Speaker 1: they'll have two crews working on two different episodes at 253 00:13:36,080 --> 00:13:39,439 Speaker 1: the at the beginning and or end of an episode. 254 00:13:39,640 --> 00:13:41,280 Speaker 1: But which is kind of a lot. A lot of 255 00:13:41,320 --> 00:13:42,680 Speaker 1: work is involved, a lot. 256 00:13:42,559 --> 00:13:44,360 Speaker 2: Of work, But I think that fans might find it 257 00:13:44,400 --> 00:13:46,720 Speaker 2: fun to know that, like we do have these double 258 00:13:46,800 --> 00:13:47,280 Speaker 2: up episodes. 259 00:13:47,320 --> 00:13:48,360 Speaker 3: Sometimes there's even two. 260 00:13:48,440 --> 00:13:50,760 Speaker 2: At the end of the of a two as the 261 00:13:50,800 --> 00:13:54,079 Speaker 2: episode begins, it overlaps by two days. And so what 262 00:13:54,120 --> 00:13:59,040 Speaker 2: that means is is sometimes you're say in a relationship, 263 00:13:59,120 --> 00:14:02,720 Speaker 2: and you're playing like being broken up and then back together, 264 00:14:02,960 --> 00:14:06,920 Speaker 2: for example, on the same days you're going from because 265 00:14:07,440 --> 00:14:11,360 Speaker 2: once you switch over episodes and start filming another episode 266 00:14:11,360 --> 00:14:14,400 Speaker 2: on that day, you might have to flip back. So 267 00:14:14,440 --> 00:14:16,600 Speaker 2: you're going back and forth between story and you've got 268 00:14:16,640 --> 00:14:18,679 Speaker 2: to kind of hold all the emotions on your head. 269 00:14:19,080 --> 00:14:21,320 Speaker 2: And it's a challenge, but it's it can be and 270 00:14:21,360 --> 00:14:23,800 Speaker 2: it's a lot of work for everybody involved, but it 271 00:14:23,800 --> 00:14:37,280 Speaker 2: can be really fun. 272 00:14:39,280 --> 00:14:42,800 Speaker 1: Safia wrote in and she said, can you talk about 273 00:14:42,840 --> 00:14:45,480 Speaker 1: both of your first episodes of Grey's Anatomy and about 274 00:14:45,560 --> 00:14:47,600 Speaker 1: meeting the cast members for the first time. 275 00:14:50,480 --> 00:14:53,680 Speaker 3: I was so nervous to meet Schandra Wilson. 276 00:14:54,040 --> 00:14:56,680 Speaker 1: Of anybody, was she the first person you worked with? 277 00:14:56,960 --> 00:15:00,360 Speaker 2: No, Ellen was the first person I worked with. And 278 00:15:00,400 --> 00:15:03,760 Speaker 2: that was terrifying because I had been given a monologue, 279 00:15:03,800 --> 00:15:06,320 Speaker 2: a medical monologue the night before at eight pm. They 280 00:15:06,360 --> 00:15:08,320 Speaker 2: would not give me the script until all my ideal 281 00:15:08,440 --> 00:15:12,960 Speaker 2: was done, and it was just me spewing all this 282 00:15:13,080 --> 00:15:15,800 Speaker 2: medical spiel to Ellen while she had to listen as Meredith, 283 00:15:15,840 --> 00:15:17,920 Speaker 2: and she was Medusa in this episode, so she was. 284 00:15:17,960 --> 00:15:18,640 Speaker 3: Kind of being mean. 285 00:15:19,600 --> 00:15:25,120 Speaker 2: And I just remember being absolutely terrified, saying um a lot. 286 00:15:25,200 --> 00:15:28,800 Speaker 2: My feedback was like, you're saying um a lot because 287 00:15:28,880 --> 00:15:32,160 Speaker 2: I it was just a mouthful and I was so 288 00:15:32,360 --> 00:15:36,400 Speaker 2: overwhelmed and I was very intimidated and uh, but I was. 289 00:15:36,440 --> 00:15:38,440 Speaker 2: I was most scared to me Shandra, because I felt like, 290 00:15:38,680 --> 00:15:41,600 Speaker 2: this is Bailey, and Chandra, if you meet her, is 291 00:15:41,640 --> 00:15:47,760 Speaker 2: the complete opposite of Bailey. Yep, wonder kind is nicest, Yeah, wonderful, 292 00:15:48,480 --> 00:15:49,000 Speaker 2: thank god. 293 00:15:49,480 --> 00:15:51,880 Speaker 1: When you first came in, were you a guest or 294 00:15:51,960 --> 00:15:52,240 Speaker 1: did you? 295 00:15:53,560 --> 00:15:56,440 Speaker 2: I came in knowing I was. I was technically a 296 00:15:56,520 --> 00:15:59,520 Speaker 2: guest star. I came in knowing that I was recurring 297 00:15:59,560 --> 00:16:01,480 Speaker 2: through this and there was an option to. 298 00:16:01,440 --> 00:16:04,320 Speaker 3: Make me a series regular at the end, right right. 299 00:16:05,280 --> 00:16:07,400 Speaker 1: A little dating before marriage. 300 00:16:07,160 --> 00:16:10,640 Speaker 3: A little dating dating the job before we got married. 301 00:16:10,920 --> 00:16:13,840 Speaker 1: Yes, were you just yours? 302 00:16:13,880 --> 00:16:14,280 Speaker 3: Was different? 303 00:16:14,320 --> 00:16:17,680 Speaker 1: Though I came in as a guest star. I came 304 00:16:17,680 --> 00:16:22,080 Speaker 1: in as a guest star, although after having auditioned for 305 00:16:22,120 --> 00:16:28,920 Speaker 1: the show twice, which before that, Yeah, and I came 306 00:16:28,960 --> 00:16:33,800 Speaker 1: in first as possibly Nurse Rose. I auditioned for the 307 00:16:33,800 --> 00:16:37,600 Speaker 1: part of Nurse Rose who was with Derek, which like 308 00:16:37,760 --> 00:16:40,600 Speaker 1: dodged double aut there because while she was fantastic and 309 00:16:40,640 --> 00:16:44,480 Speaker 1: that part was lovely, who wants to come in between 310 00:16:44,520 --> 00:16:50,600 Speaker 1: Meredith and Derek never not a good idea? Terrifying sounds 311 00:16:50,640 --> 00:16:55,960 Speaker 1: like a very, very not winning proposition. So as much 312 00:16:55,960 --> 00:16:58,080 Speaker 1: as I wanted just to be a part of anything 313 00:16:58,080 --> 00:17:01,360 Speaker 1: that had to do with Graze anatomy Hugh and then 314 00:17:01,400 --> 00:17:04,240 Speaker 1: I came in maybe a year later because they were casting, 315 00:17:05,040 --> 00:17:06,920 Speaker 1: I think they gave me like dummy sides. It wasn't 316 00:17:06,920 --> 00:17:10,679 Speaker 1: even written for the character. Yeah, for a part that 317 00:17:10,720 --> 00:17:15,520 Speaker 1: Melissa George got playing one of Meredith's best friends from 318 00:17:15,520 --> 00:17:17,320 Speaker 1: like medical school who came in was kind of like 319 00:17:17,359 --> 00:17:19,840 Speaker 1: a wild child, and she actually was a series regular. 320 00:17:20,840 --> 00:17:24,399 Speaker 1: I believe she was there for that season. And then 321 00:17:24,440 --> 00:17:26,320 Speaker 1: I don't know, and I don't remember what ended up 322 00:17:26,320 --> 00:17:31,479 Speaker 1: happening to her character. But then the third time that 323 00:17:31,560 --> 00:17:34,760 Speaker 1: there was an opportunity, I actually didn't go in an audition. 324 00:17:35,040 --> 00:17:39,000 Speaker 1: They just had had my two auditions and known who 325 00:17:39,000 --> 00:17:40,960 Speaker 1: I was and knew very much that I wanted to 326 00:17:40,960 --> 00:17:42,560 Speaker 1: be a part of the show, and so they called 327 00:17:42,600 --> 00:17:44,960 Speaker 1: and they just offered me a guest star part for 328 00:17:45,040 --> 00:17:49,399 Speaker 1: three episodes that was connected to a medical show. And 329 00:17:49,440 --> 00:17:54,240 Speaker 1: I remember just, I mean truly being unbelievably. I couldn't 330 00:17:54,560 --> 00:17:56,480 Speaker 1: believe my luck. And it also would come at a 331 00:17:56,480 --> 00:17:58,119 Speaker 1: time in my life where I really hadn't worked in 332 00:17:58,160 --> 00:18:02,640 Speaker 1: a while, and I think I was a little scared financially, emotionally, 333 00:18:02,720 --> 00:18:03,159 Speaker 1: all of it. 334 00:18:03,400 --> 00:18:04,840 Speaker 3: Yeah, we'll talk about this. 335 00:18:04,880 --> 00:18:06,960 Speaker 2: If you haven't listened to our many more episode, go 336 00:18:07,080 --> 00:18:09,480 Speaker 2: listen to it too after this, because Jessica talks in 337 00:18:09,560 --> 00:18:11,639 Speaker 2: detail about that feeling before. 338 00:18:11,720 --> 00:18:14,840 Speaker 1: She's really really scared and I had a little baby 339 00:18:14,880 --> 00:18:18,800 Speaker 1: and all that. So I got my I got offered, 340 00:18:18,800 --> 00:18:21,320 Speaker 1: and I said yes, of course. And then I remember 341 00:18:21,960 --> 00:18:24,680 Speaker 1: who was going to visit my sister who was in college, 342 00:18:24,920 --> 00:18:27,800 Speaker 1: and I was going for the week, and I got 343 00:18:27,840 --> 00:18:30,520 Speaker 1: sent email the script and I remember just like looking 344 00:18:30,560 --> 00:18:34,200 Speaker 1: at it immediately like what's my name? And I saw 345 00:18:34,280 --> 00:18:38,840 Speaker 1: Arizona Robbins, which of course I don't know any Still 346 00:18:39,000 --> 00:18:41,120 Speaker 1: to this day, I don't know anyone named or Arizona. 347 00:18:41,520 --> 00:18:44,000 Speaker 1: I wonder if there are any baby Arizona's out there. 348 00:18:43,880 --> 00:18:46,200 Speaker 3: Now, oh, one hundred percent. 349 00:18:46,600 --> 00:18:46,800 Speaker 2: Yeah. 350 00:18:47,440 --> 00:18:48,760 Speaker 1: Now I want to know if you have a baby 351 00:18:48,800 --> 00:18:51,760 Speaker 1: named Arizona. I want to know about it. So I 352 00:18:51,760 --> 00:18:54,240 Speaker 1: saw her name and I thought that's pretty cool. I mean, 353 00:18:54,240 --> 00:18:58,800 Speaker 1: it seemed very unique and original. And then you get 354 00:18:58,800 --> 00:19:00,639 Speaker 1: the script the night before the tape read and I 355 00:19:00,680 --> 00:19:05,040 Speaker 1: remember coming to Prospect Studios being so nervous, like so 356 00:19:05,480 --> 00:19:09,880 Speaker 1: much like my somatic response to nerves is instant armpit sweat, 357 00:19:10,640 --> 00:19:13,879 Speaker 1: so sweaty, like just like I mean, not smelly, but 358 00:19:13,960 --> 00:19:16,840 Speaker 1: just like absolute like what, it's crazy? 359 00:19:16,880 --> 00:19:18,000 Speaker 3: What yah? 360 00:19:18,359 --> 00:19:21,840 Speaker 1: And I get there and I walked in on the 361 00:19:21,920 --> 00:19:25,439 Speaker 1: side that Ellen was sitting on and there was an 362 00:19:25,480 --> 00:19:27,240 Speaker 1: open chair and so I just sat there. I'd like 363 00:19:27,320 --> 00:19:29,960 Speaker 1: met her at parties and passing, and she was like 364 00:19:30,080 --> 00:19:32,320 Speaker 1: hi and welcome, and I was like, oh, it's just 365 00:19:32,320 --> 00:19:34,560 Speaker 1: so nice to meet you. And I had read through 366 00:19:34,560 --> 00:19:37,760 Speaker 1: the script of course before the read through, and I 367 00:19:37,800 --> 00:19:40,520 Speaker 1: had noticed that there were all these typos, and I 368 00:19:40,560 --> 00:19:43,280 Speaker 1: was like, do I say something like I'm brand new, 369 00:19:43,920 --> 00:19:45,840 Speaker 1: I don't really feel like I should be pointing out 370 00:19:45,840 --> 00:19:48,639 Speaker 1: that there's typos, but at the same time, like there 371 00:19:48,640 --> 00:19:50,439 Speaker 1: were a lot of them in my speeches, So I 372 00:19:50,440 --> 00:19:53,000 Speaker 1: didn't know what to do. And so I thought, oh, 373 00:19:53,080 --> 00:19:55,159 Speaker 1: you know, she said hi, like she's o or for 374 00:19:55,359 --> 00:19:57,280 Speaker 1: talking to me. So I was like, oh my, can 375 00:19:57,320 --> 00:19:59,560 Speaker 1: I just ask you a really quick question? She said, yeah, 376 00:19:59,600 --> 00:20:04,560 Speaker 1: of course, What do I do about these typos? And 377 00:20:04,600 --> 00:20:06,920 Speaker 1: she goes, oh, show me, and so I show her. 378 00:20:07,320 --> 00:20:11,960 Speaker 1: And as you know on our show that they haven't 379 00:20:11,960 --> 00:20:15,720 Speaker 1: always completely researched every single aspect, and sometimes they leave 380 00:20:15,800 --> 00:20:18,320 Speaker 1: out like technical terms for things because they're going to 381 00:20:18,400 --> 00:20:21,440 Speaker 1: insert them later. And when they haven't yet figured it out, 382 00:20:21,480 --> 00:20:23,960 Speaker 1: they just write the word medical medical. So in the 383 00:20:23,960 --> 00:20:26,879 Speaker 1: middle of your speech, it'll say, like, uh, you know, 384 00:20:27,160 --> 00:20:32,199 Speaker 1: I have API medical medical, medical, medical, And I was like, 385 00:20:32,200 --> 00:20:34,760 Speaker 1: it just says medical a lot. And she looked at 386 00:20:34,760 --> 00:20:39,320 Speaker 1: me and was like, it's okay, just say medical. And 387 00:20:40,000 --> 00:20:43,000 Speaker 1: I nodded and like like I understood what that meant. 388 00:20:43,040 --> 00:20:44,720 Speaker 1: And I was like, I have no idea what she 389 00:20:44,880 --> 00:20:47,560 Speaker 1: means by that, and I didn't come to learn ituntil 390 00:20:47,600 --> 00:20:50,159 Speaker 1: much later. But I then sat down, I did my 391 00:20:50,240 --> 00:20:53,879 Speaker 1: table read, I went to my costume fitting. That was 392 00:20:53,920 --> 00:20:57,160 Speaker 1: when all the shoes were lined up, and the costume 393 00:20:57,200 --> 00:20:59,240 Speaker 1: designer looked at me and said, you know, what do 394 00:20:59,280 --> 00:21:01,439 Speaker 1: you think? And my character worked in Peedes and so 395 00:21:01,480 --> 00:21:03,960 Speaker 1: she pulled out all these different things that she had 396 00:21:04,080 --> 00:21:07,639 Speaker 1: that might, you know, seem a little bit childlike, and 397 00:21:07,720 --> 00:21:09,919 Speaker 1: I took them all. I was like, my badge had 398 00:21:09,960 --> 00:21:12,720 Speaker 1: a lanyard on it that was like candy crush colored, 399 00:21:13,359 --> 00:21:16,760 Speaker 1: and they were all these patches and I was like, 400 00:21:16,800 --> 00:21:20,360 Speaker 1: I think put the monkey above my name a lab. 401 00:21:20,200 --> 00:21:24,040 Speaker 2: So iconic now too, even I like when I think 402 00:21:24,080 --> 00:21:25,960 Speaker 2: of your lab code, I think of that, I know, 403 00:21:26,040 --> 00:21:26,720 Speaker 2: the little. 404 00:21:26,520 --> 00:21:30,280 Speaker 1: Monkey and then uh. And then the shoes were laid 405 00:21:30,280 --> 00:21:32,119 Speaker 1: out and I and I was like, which ones are 406 00:21:32,160 --> 00:21:34,120 Speaker 1: what are those? And she said those are the ones 407 00:21:34,160 --> 00:21:36,040 Speaker 1: with the wheels on them. And I was like, well, 408 00:21:36,040 --> 00:21:38,520 Speaker 1: I have to wear those. Those are absolutely what I 409 00:21:38,560 --> 00:21:42,440 Speaker 1: have to wear. And so I took them home because 410 00:21:42,560 --> 00:21:43,840 Speaker 1: she said do you know how to use them? And 411 00:21:43,880 --> 00:21:48,640 Speaker 1: I said, of course I do. However, I'll probably need 412 00:21:48,680 --> 00:21:50,760 Speaker 1: to practice a little bit. And I didn't think I 413 00:21:50,800 --> 00:21:52,199 Speaker 1: was going to work for a couple of days, and 414 00:21:52,240 --> 00:21:54,280 Speaker 1: they called me that night and said you work tomorrow. 415 00:21:54,359 --> 00:21:57,960 Speaker 1: And I looked at Christopher and was like, okay, I'm 416 00:21:57,960 --> 00:21:59,840 Speaker 1: gonna learn how. I'm gonna need to learn how to you. 417 00:22:00,520 --> 00:22:04,240 Speaker 1: So he held my hands. I like, God, I've pulled 418 00:22:04,280 --> 00:22:07,200 Speaker 1: me along, because when you don't have it, your balance 419 00:22:07,280 --> 00:22:09,240 Speaker 1: is so off. And then I remember practicing around. I 420 00:22:09,240 --> 00:22:11,399 Speaker 1: had a kitchen island and I would just hold the 421 00:22:11,480 --> 00:22:13,760 Speaker 1: side and like inch a long to learn how to 422 00:22:13,760 --> 00:22:17,960 Speaker 1: do it. And that was and then and then the 423 00:22:18,119 --> 00:22:20,200 Speaker 1: so you kind of meet everyone at the table read 424 00:22:20,480 --> 00:22:22,800 Speaker 1: but not really. And then I went to work the 425 00:22:22,840 --> 00:22:28,200 Speaker 1: next day and I worked with Chandra and Justin and 426 00:22:28,400 --> 00:22:31,760 Speaker 1: everybody was so nice. They couldn't have been nicer. And 427 00:22:31,840 --> 00:22:33,240 Speaker 1: I could not stop talking. 428 00:22:33,520 --> 00:22:36,840 Speaker 2: Okay in that scene? Did you have to wheel into 429 00:22:36,920 --> 00:22:38,720 Speaker 2: this scene? Did you wheel in the scene? 430 00:22:39,440 --> 00:22:41,840 Speaker 1: Okay? So I have this whole thing where I'm talking 431 00:22:41,840 --> 00:22:43,960 Speaker 1: to Bailey and I'm giving her the what's what because 432 00:22:44,000 --> 00:22:47,080 Speaker 1: I know things even though I'm like this young doctor 433 00:22:47,119 --> 00:22:49,440 Speaker 1: who's not she's not used to I'm like telling her 434 00:22:49,480 --> 00:22:52,119 Speaker 1: what's you know, what's what with this case? And then 435 00:22:52,640 --> 00:22:56,040 Speaker 1: it was my idea to wheel out like and take that. 436 00:22:56,359 --> 00:22:59,440 Speaker 1: I'm gonna go off of my my roller skates. And 437 00:22:59,600 --> 00:23:01,720 Speaker 1: I knew how to do that, but I didn't know 438 00:23:01,760 --> 00:23:04,600 Speaker 1: how to stop. So I could start and I could 439 00:23:04,800 --> 00:23:09,760 Speaker 1: I could roll, but I couldn't stop. So Jeff, who's 440 00:23:09,760 --> 00:23:12,919 Speaker 1: in props, definitely not the department that catches actresses when 441 00:23:12,920 --> 00:23:15,680 Speaker 1: they're on Runaway Wheels, looks at me and he's like, 442 00:23:15,720 --> 00:23:16,240 Speaker 1: do you need to help? 443 00:23:16,240 --> 00:23:17,000 Speaker 3: And I was like, yeah, I do. 444 00:23:17,240 --> 00:23:18,600 Speaker 1: And he's like, well, what do you need? And I 445 00:23:18,640 --> 00:23:22,639 Speaker 1: was like, I need you to catch me. But I 446 00:23:22,680 --> 00:23:25,399 Speaker 1: was like, I'm gonna wheel and then. 447 00:23:25,800 --> 00:23:27,240 Speaker 3: I just to catch me. 448 00:23:27,280 --> 00:23:28,800 Speaker 1: I don't need to just stop me. I don't need 449 00:23:28,800 --> 00:23:30,480 Speaker 1: a net or an umbrella or a hook or I 450 00:23:30,520 --> 00:23:32,119 Speaker 1: don't know what, but you gotta stop me. And he 451 00:23:32,240 --> 00:23:37,320 Speaker 1: was like okay, and so he caught me, and and yeah, 452 00:23:37,359 --> 00:23:39,280 Speaker 1: that was That was like my first episode and it 453 00:23:39,320 --> 00:23:42,840 Speaker 1: was just I remember it being pure fucking magic. It 454 00:23:42,960 --> 00:23:45,959 Speaker 1: was so much fun. And all I wanted was more 455 00:23:45,960 --> 00:23:47,720 Speaker 1: and more and more, Give me more lines, give me 456 00:23:47,840 --> 00:23:50,600 Speaker 1: more storyline. I was done. Is this called Gray's Anatomy 457 00:23:50,640 --> 00:23:53,320 Speaker 1: or Robin's Anatomy? Let's go wait? 458 00:23:53,400 --> 00:23:56,159 Speaker 3: Hang on, I have I have my own fan question. 459 00:23:56,920 --> 00:24:02,199 Speaker 2: When did you know that Arizona was gonna be with I? 460 00:24:02,359 --> 00:24:05,920 Speaker 1: So I didn't know. I mean, obviously, the key to 461 00:24:06,000 --> 00:24:09,400 Speaker 1: staying on Grey's Anatomy is having a love interest, and 462 00:24:10,200 --> 00:24:12,440 Speaker 1: I was on a three episode arc that was all medical, 463 00:24:12,640 --> 00:24:15,600 Speaker 1: like I didn't besides having this sort of like contentious 464 00:24:15,640 --> 00:24:19,480 Speaker 1: relationship that you know, resolved itself with Bailey I had. 465 00:24:19,520 --> 00:24:22,080 Speaker 1: I worked with Justin and he was always like, very 466 00:24:22,119 --> 00:24:27,240 Speaker 1: friendly and kind and and Katie Heigel was definitely making 467 00:24:27,280 --> 00:24:30,040 Speaker 1: her exit. On some level, I think I knew that 468 00:24:30,280 --> 00:24:32,520 Speaker 1: a little bit in the back of my head. But again, 469 00:24:32,680 --> 00:24:34,840 Speaker 1: three episodes, like, you're not there for that long? I didn't, 470 00:24:34,960 --> 00:24:37,560 Speaker 1: I didn't know, and I was like, I mean, I 471 00:24:37,600 --> 00:24:39,560 Speaker 1: hope I stay longer. I hope they keep me here 472 00:24:39,560 --> 00:24:42,920 Speaker 1: for longer. Yeah, but my episodes are about art. They're 473 00:24:42,960 --> 00:24:49,840 Speaker 1: running out, and I remember there being a table read 474 00:24:49,960 --> 00:24:52,920 Speaker 1: where it was like, oh, something BIG's gonna happen, and 475 00:24:52,960 --> 00:24:56,280 Speaker 1: that This is where my memory gets foggy. I can't 476 00:24:56,320 --> 00:25:00,719 Speaker 1: remember if I if it was a I wonder if 477 00:25:00,720 --> 00:25:03,160 Speaker 1: we can check this. I don't know if we kiss 478 00:25:03,160 --> 00:25:05,600 Speaker 1: in the third episode that I was on, or if 479 00:25:05,640 --> 00:25:08,760 Speaker 1: they kept me on to then have the kiss in 480 00:25:08,800 --> 00:25:12,400 Speaker 1: the fourth episode. But basically, i'd been there for three episodes. 481 00:25:12,800 --> 00:25:14,440 Speaker 1: I knew that if I wanted to stay, I needed 482 00:25:14,440 --> 00:25:16,719 Speaker 1: to for sure have some sort of romantic something happened 483 00:25:16,720 --> 00:25:18,679 Speaker 1: with someone I was down to party. 484 00:25:18,920 --> 00:25:22,400 Speaker 2: Did you know going in that Arizona and Cali would 485 00:25:22,480 --> 00:25:25,720 Speaker 2: have a thing, even in like your three episode arc. 486 00:25:26,880 --> 00:25:29,960 Speaker 1: No, no, because we didn't even work together. I mean, 487 00:25:30,119 --> 00:25:32,200 Speaker 1: I don't I remember her from the table read the 488 00:25:32,240 --> 00:25:34,280 Speaker 1: way that I mean, I met everybody, but there was 489 00:25:34,359 --> 00:25:35,560 Speaker 1: no you know. 490 00:25:35,480 --> 00:25:37,560 Speaker 3: There were no scenes together, none. 491 00:25:37,720 --> 00:25:41,280 Speaker 1: No, no, no. I was only yes and I was only 492 00:25:41,400 --> 00:25:45,760 Speaker 1: my character was only with Chandra and Justin and then 493 00:25:45,840 --> 00:25:50,200 Speaker 1: the guest stars, and I was having so much fun. 494 00:25:50,240 --> 00:25:53,159 Speaker 1: I mean, it was just like I couldn't have been happier, 495 00:25:53,280 --> 00:25:55,760 Speaker 1: so so so happy. And I do remember thinking this 496 00:25:55,880 --> 00:25:59,600 Speaker 1: is working well, but I'm gonna go because I've got 497 00:25:59,600 --> 00:26:01,840 Speaker 1: this medical and then my medical case will be over 498 00:26:01,880 --> 00:26:04,520 Speaker 1: and then I'll be out. But I do remember there 499 00:26:04,600 --> 00:26:08,040 Speaker 1: was something I don't know. It definitely was indescribable, and 500 00:26:08,080 --> 00:26:13,080 Speaker 1: it was definitely it defied like explanation, but there was 501 00:26:13,960 --> 00:26:15,959 Speaker 1: about my being there that felt like I was going 502 00:26:16,000 --> 00:26:17,719 Speaker 1: to be there for more, but you didn't know how 503 00:26:17,880 --> 00:26:23,000 Speaker 1: or why. And then they asked me to stay for 504 00:26:23,040 --> 00:26:27,800 Speaker 1: a fourth episode, and then I and again, you know, 505 00:26:27,840 --> 00:26:30,439 Speaker 1: you don't stay on the show unless you're romantically involved 506 00:26:30,440 --> 00:26:33,840 Speaker 1: with someone. This is I didn't expect it to come 507 00:26:34,160 --> 00:26:37,600 Speaker 1: so soon. And then we get there for a table 508 00:26:37,640 --> 00:26:42,320 Speaker 1: read for this fourth episode. I'm in and reading, reading, 509 00:26:42,359 --> 00:26:46,879 Speaker 1: reading and we get to the scene where Callie's character 510 00:26:46,960 --> 00:26:48,679 Speaker 1: is like going through all this stuff and she's at 511 00:26:48,760 --> 00:26:52,439 Speaker 1: Joe's bar, and she goes into the bathroom and Arizona, 512 00:26:52,560 --> 00:26:55,000 Speaker 1: who you've seen in the past three episodes, is standing 513 00:26:55,040 --> 00:27:02,320 Speaker 1: there and she has the seemingly out of nowhere connection 514 00:27:02,480 --> 00:27:06,119 Speaker 1: with her where she says, you know, Chris Kelly's crying 515 00:27:06,119 --> 00:27:09,359 Speaker 1: in the bathroom, and she says, you know, something to 516 00:27:09,400 --> 00:27:11,679 Speaker 1: the to the effect of like, I know that you 517 00:27:11,720 --> 00:27:14,399 Speaker 1: know a lot of people are talking about you, but 518 00:27:14,480 --> 00:27:16,080 Speaker 1: you should know that the talk is. 519 00:27:16,040 --> 00:27:18,960 Speaker 3: Good, and then she kisses her. 520 00:27:20,800 --> 00:27:24,240 Speaker 2: I mean, I know this scene, this scenems very iconic, 521 00:27:25,440 --> 00:27:28,160 Speaker 2: and I can't I know, because you're kind of talking 522 00:27:28,200 --> 00:27:29,960 Speaker 2: about like, you know, you wouldn't have known where you 523 00:27:30,000 --> 00:27:33,640 Speaker 2: were gonna go necessarily with the romance on the show, 524 00:27:33,920 --> 00:27:37,680 Speaker 2: those two characters together, I can't. It's hard to picture, 525 00:27:38,000 --> 00:27:41,879 Speaker 2: especially in those days, you guys being with other people, 526 00:27:42,040 --> 00:27:44,919 Speaker 2: and I know that there there I know, being other people, 527 00:27:45,080 --> 00:27:49,080 Speaker 2: but at that stage it was like a done deal. 528 00:27:49,320 --> 00:27:54,720 Speaker 2: I feel like that kiss just was like and you're saying, yeah, yeah, 529 00:27:54,760 --> 00:27:56,960 Speaker 2: I mean, it's so crazy and you can't predict those things. 530 00:27:57,000 --> 00:27:58,480 Speaker 3: You can't predict that kind of chemistry. 531 00:27:59,520 --> 00:28:03,440 Speaker 1: No, No, you cannot, you cannot, you cannot, you cannot. Yeah, 532 00:28:03,480 --> 00:28:07,080 Speaker 1: and it just sort of it just it just worked. 533 00:28:07,400 --> 00:28:09,840 Speaker 1: I mean again, you can't. You can't explain it there. 534 00:28:09,880 --> 00:28:12,919 Speaker 1: I mean that's why people say it's like there is 535 00:28:13,000 --> 00:28:16,600 Speaker 1: a certain magic to this business where you put you know, 536 00:28:16,680 --> 00:28:20,240 Speaker 1: different actors together or different characters or different circumstances and 537 00:28:20,280 --> 00:28:26,359 Speaker 1: you're like, oh, okay. And I was really confused about 538 00:28:26,359 --> 00:28:29,120 Speaker 1: Calzonic because the whole like shipping of names was started 539 00:28:29,200 --> 00:28:31,720 Speaker 1: with starting and I was like, isn't the cal Zone 540 00:28:31,760 --> 00:28:34,720 Speaker 1: like I folded up pizza. I'm so confused, Like that's 541 00:28:34,720 --> 00:28:35,679 Speaker 1: going to be our ship. 542 00:28:36,080 --> 00:28:38,160 Speaker 2: I didn't know what shipping was, by the way, until 543 00:28:38,160 --> 00:28:41,080 Speaker 2: the Gray's Anatomy, until I was didn't. 544 00:28:40,840 --> 00:28:41,400 Speaker 3: Start with that? 545 00:28:43,280 --> 00:28:44,800 Speaker 1: Did Grays start the shipping? 546 00:28:45,080 --> 00:28:47,000 Speaker 2: That's you know what, We're going to throw that back 547 00:28:47,040 --> 00:28:48,160 Speaker 2: out to them. 548 00:28:48,280 --> 00:28:49,960 Speaker 3: They will know where that started. 549 00:28:50,640 --> 00:28:53,360 Speaker 1: Oh my gosh, that was fun. I love the Q 550 00:28:53,520 --> 00:28:56,000 Speaker 1: and A's. They make you remember things that you don't 551 00:28:56,040 --> 00:29:01,440 Speaker 1: think about very often because it's all common to me. Oh, 552 00:29:01,520 --> 00:29:04,640 Speaker 1: come in. My other gift is I don't remember lyrics. 553 00:29:05,560 --> 00:29:07,400 Speaker 1: I can remember lamber anything. 554 00:29:07,680 --> 00:29:13,160 Speaker 2: Okay, anyway, let's call it I'm like, do you are 555 00:29:13,360 --> 00:29:14,000 Speaker 2: like Dory? 556 00:29:15,400 --> 00:29:16,440 Speaker 3: You are like Dory. 557 00:29:17,160 --> 00:29:19,760 Speaker 1: Okay, this has been a pleasure. Thank you to all. 558 00:29:20,160 --> 00:29:23,040 Speaker 1: You all are allowing us to do what we love 559 00:29:23,280 --> 00:29:26,480 Speaker 1: the most. Keep those questions coming and we will keep 560 00:29:26,520 --> 00:29:29,400 Speaker 1: the answers coming. Thank you, thank you. 561 00:29:30,320 --> 00:29:31,880 Speaker 3: Call it short and sweet.