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Speaker 1: So partying with Dennis Leary celebrating the new show.

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Speaker 2: Just Getting Nuts.

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Speaker 1: I kissed a member of the genitorial staff, and as

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Speaker 1: I'm walking away, I say, by the way, drop the and.

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Speaker 2: Just sex, drugs and rock and roll. Mmmm.

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Speaker 1: And he said, no, that's okay. I am gonna keep

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Speaker 1: it sex and drugs and rock and roll. And I said, oh, okay,

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Speaker 1: it is your show. But what the phrase is sex drugs?

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Speaker 1: And that is what people did?

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Speaker 3: He tell you, this isn't the phrase. This is a

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Speaker 3: show that well, that was the correction that he made.

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Speaker 3: He said, the phrase is something else. The phrase isn't

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Speaker 3: the show.

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Speaker 1: The phrase is sex, drugs and rock and roll. The

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Speaker 1: show is sex and drugs and rock and roll. And

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Speaker 1: there were it was actually initially sex and drugs and

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Speaker 1: rock and roll.

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Speaker 3: And and I told I told him, And I don't

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Speaker 3: know how I didn't see you at this party because

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Speaker 3: I was partying with him.

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Speaker 2: I didn't see you.

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Speaker 3: I was I was justsed as a janitor. But anyway,

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Speaker 3: I said, you know, your character's named Johnny Rock and

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Speaker 3: it's sex and drugs and rock and roll. That's great,

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Speaker 3: but you should have a character named Johnny sex a

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Speaker 3: character named Johnny Drugs and Johnny Roll. You know that's

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Speaker 3: your crew. But he said, I'm the star. And when

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Speaker 3: you're right, you're right.

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Speaker 1: Hey, welcome to Hollywood Handbook and guy kicking button dropping

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Speaker 1: names on the right carpet lineback always of this industry

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Speaker 1: we call showbiz up. You know, when you go outside

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Speaker 1: and you feel the sunny day, that it's summertime. And

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Speaker 1: we've got it in Hollywood, just like you have it

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Speaker 1: in Wisconsin.

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Speaker 3: And the days are getting longer and the nights are

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Speaker 3: getting hotter.

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Speaker 1: And while you, I think in certain parts of the country,

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Speaker 1: this is the season where you clean up the.

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Speaker 3: Animal mess in some of the in some of the

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Speaker 3: states shaped like rectangles, this is a season where like

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Speaker 3: the animals have made a terrific mess well over the

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Speaker 3: course over the course of the year, and when the

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Speaker 3: snow melts, the snow melts, it reveals exactly what a

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Speaker 3: mess all these monstrous creatures bade. And you've only got

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Speaker 3: three months to sort of get that mess out of

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Speaker 3: there in time for the fall.

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Speaker 1: Because if you get a double mess, because they don't care,

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Speaker 1: they'll make another mess on top of the original.

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Speaker 3: Oh yes, they don't stop making the mess. During the summer,

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Speaker 3: and that is a big part of what's so difficult

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Speaker 3: when you're trying to eliminate what has been a long

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Speaker 3: time coming mess clean wise.

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Speaker 1: Yes, and the bottom layer hardens. Oh yeah, it's like

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Speaker 1: a whole other It becomes fossil, yes, and then becomes

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Speaker 1: oil and your car run on it. But while you're

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Speaker 1: doing that, yeah, it's time for us to have summer vacation.

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Speaker 3: Summer vacation, and of course we do summer vacation in

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Speaker 3: solidarity with teachers who are heroes and are underpaid, and

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Speaker 3: because they are not paid enough in this country and

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Speaker 3: not allowed to work during summer, we refuse to work

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Speaker 3: during summer as well.

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Speaker 1: Yes, and we are being compensated over that time. But

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Speaker 1: that's what we think is so messed up, and so

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Speaker 1: we want to shine a light on that by not

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Speaker 1: working on the summer and being paid.

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Speaker 2: Of course, we're being compensated.

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Speaker 3: Yes, many of the resorts, club destinations that we mentioned

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Speaker 3: are going to pay us to appear there because it

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Speaker 3: will attract people like teachers who want to rub elbows

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Speaker 3: with people like us. But I think that what we're

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Speaker 3: doing by accepting that compensation is demonstrating the hypocrisy in

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Speaker 3: this country where what a lot of other jobs do

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Speaker 3: is almost as important as what we do.

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Speaker 1: And this is this episode is sponsored just because we

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Speaker 1: love it by New Vacation Movie. And I have converted

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Speaker 1: my Way's voice to Ed Helms's character's voice, as I'm

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Speaker 1: sure all of you.

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Speaker 2: Have Wally World, What could go wrong?

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Speaker 3: Next?

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Speaker 1: Stop Wally World? Just kidding where we're going to where

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Speaker 1: you said you wanted to go, don't worry.

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Speaker 2: What could go wrong?

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Speaker 3: And quite a bit, I imagine, just from knowing how those

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Speaker 3: movies have played out in the past.

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Speaker 1: And so we want to talk about the funnest spots

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Speaker 1: to go in free vacation times.

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Speaker 2: Oh, very quickly, very quickly, we.

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Speaker 3: Do donate part of our earnings from those club appearances

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Speaker 3: to school, to the school and the school and specifically

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Speaker 3: to the music program, which is the first thing to go.

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Speaker 2: Yes, these kids don't even know the circle fifth. It's

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Speaker 2: the most important, It's the most important, ones important thing. School.

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Speaker 1: Yes, because I don't understand how people can do school

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Speaker 1: without a knowledge of fifths.

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Speaker 3: Yes, well, can you imagine trying to watch sex and

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Speaker 3: drugs and rock and roll and not knowing the fifth?

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Speaker 2: Well, I mean just yeah, just thinking about there's third, fifths, seventh.

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Speaker 1: I'm not sure how the thirteen would go. Would you

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Speaker 1: be able to see the show? What would you see

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Speaker 1: if you were trying to watch sex and drugs and

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Speaker 1: rock and roll and you didn't understand Circle of fifth

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Speaker 1: shapes get music, you would just see and it would

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Speaker 1: just be I guess flat.

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Speaker 3: Yeah, flat shapes. I mean you probably get a bloody nose.

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Speaker 2: If you just wake up.

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Speaker 1: If you're lucky, you wake up, and it would be

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Speaker 1: the next week.

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Speaker 2: And now this show is starting to air again.

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Speaker 3: Yeah, and it's curtains for you unless you can get

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Speaker 3: to that remote time.

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Speaker 1: You're caught at a cycle of watching sacks of drugs

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Speaker 1: and rock and roll, getting a bloody nose, going tonight

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Speaker 1: black a week, Yes, waking up again? Shows on again, and.

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Speaker 3: Good luck getting out of that cycle because that show

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Speaker 3: ain't going anywhere. So vacation spots, well, what's one place

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Speaker 3: that you go when you want it to feel so

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Speaker 3: hot you can't stand it?

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Speaker 4: Oh?

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Speaker 2: You, I know you're talking about Palm Springs? Baby. Oh?

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Speaker 1: Yes, I like to get in my car and drive

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Speaker 1: two and a half hours with everyone else who's going

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Speaker 1: to the same place in the middle of nowhere. It's

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Speaker 1: one hundred and nine degrees outside. But what they have

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Speaker 1: in Palm Springs that they don't have anywhere else is

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Speaker 1: you can sit down near a pool.

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Speaker 3: Oh yes, And not only that, when you're at the pool,

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Speaker 3: there's a slightly obstructed view of the mountains and just

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Speaker 3: feeling in.

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Speaker 2: Touch with how big that is.

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Speaker 1: And the feeling is so nice of every time you

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Speaker 1: drink a glass of water knowing that something that was

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Speaker 1: alive had.

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Speaker 2: To die for you to drink that water.

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Speaker 1: It's like, you know the box, the story of like

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Speaker 1: the box where like if you push the button or whatever,

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Speaker 1: you get a million dollars, but somebody will die. It's

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Speaker 1: like that when you drink any water and Palm Springs,

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Speaker 1: except you don't get a million dollars.

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Speaker 3: No, but you get your thirst quench temporarily. And I

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Speaker 3: think you kind of undersold. Not only can you sit

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Speaker 3: near a pool, but something they have there that they

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Speaker 3: don't have anywhere else is you can get in a

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Speaker 3: pool that is maybe one degree cooler than the air itself.

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Speaker 2: It's been cooked by the environment all day.

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Speaker 3: Yes, And so that for me is a true getaway adventure.

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Speaker 3: Relaxing place, and the food's not great.

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Speaker 2: It's eggs. So that's one spot. And you can also

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Speaker 2: read posters about the rat pack while you're there.

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Speaker 3: Oh okay, I haven't seen that one. And then you covers, Oh,

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Speaker 3: there's antiques somewhere, so that's a little piece of history.

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Speaker 3: But what if I want to have a different kind

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Speaker 3: of adventure? Hayes and I think you know what I mean.

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Speaker 2: Well, let me see. You're talking about mud Mountain.

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Speaker 3: Mud mountain that's right on a lunch tray, not really

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Speaker 3: a mountain, but it is certainly mud.

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Speaker 2: Mm hmm. Yeah. What I say, I slide down and

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Speaker 2: I mean I kind of lie in.

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Speaker 1: It because it's I guess it's a mountain upside down

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Speaker 1: in that it's like a pool, like it doesn't come

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Speaker 1: up out.

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Speaker 2: Of the ground at all. It goes down a little.

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Speaker 2: It's a pit. M But I guess a pit is

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Speaker 2: a kind of mountain that's inside the earth.

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Speaker 3: Yes, well, if you're next to a pit, then you're

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Speaker 3: on a mountain. Oh that's to anyone at the bottom

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Speaker 3: of the.

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Speaker 2: Pit, that that's what it is. You're right, Yes.

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Speaker 3: Mud Mountain was named from someone whose perspective was at

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Speaker 3: the bottom of the pit.

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Speaker 2: The food there is also eggs. Oh, yes, uh, and

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Speaker 2: they they're naturally occur you find.

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Speaker 3: Them now, I should say traditionally I like.

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Speaker 1: Eggs, Yes, but under these circumstances you don't like them

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Speaker 1: as much.

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Speaker 2: Or you do like them though.

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Speaker 4: No.

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Speaker 3: Yeah, one more place I wanted to talk talk about that.

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Speaker 3: Everyone has to go on vacation. And please, it's summertime.

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Speaker 3: It's summer vacation. We've got to cool off. Can we

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Speaker 3: get ourselves in some salt?

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Speaker 1: Yes, to go to the Sultan Sea. You gotta go

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Speaker 1: to the Sultan Sea. Now, it is algae, which means

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Speaker 1: it's alive. And the algae does a thing where if

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Speaker 1: you look at it and then look away and then

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Speaker 1: look back again, it's closer.

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Speaker 3: And if you look away for long enough, it grabs

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Speaker 3: you and you become algae two.

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Speaker 2: And so you can hear what you're looking away. You

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Speaker 2: hear a piano going like boom, and then when you

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Speaker 2: look back you don't hear anything. It stops.

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Speaker 1: It stops. Yeah, but then what do you turned away?

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Speaker 1: It's a higher pitch piano.

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Speaker 3: And the other thing that I like is the sort

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Speaker 3: of whispers of Latin phrases that let me know I'm home. Yes,

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Speaker 3: it's it's one of it's you know, it's the source

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Speaker 3: of the romance. And who's that little girl. I've never

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Speaker 3: actually seen her, but there's a girl. To make out

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Speaker 3: her face. She's playing ring around the rosie. She's whispering.

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Speaker 3: Yet I've seen her in the distance and doesn't matter

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Speaker 3: where I walk, she never becomes any closer. But I'll

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Speaker 3: tell you that is a spot where I can cut loose,

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Speaker 3: relax onnor teachers, and think about the music program. Now,

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Speaker 3: one thing I wanted to bring up as long as

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Speaker 3: we have Engineer Cody here in the studio, it's tweet stuff.

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Speaker 1: We Uh, there's a segment we like to do where

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Speaker 1: we read Cody's Twitter feed. He only has seventy six

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Speaker 1: tweets ever, and I guess that I think that includes retweets, yes,

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Speaker 1: which is a big portion of his feed, and a

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Speaker 1: lot of it is instagrams of electrical equipment.

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Speaker 2: Uh what.

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Speaker 3: You can look at his tweets and I'll look at

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Speaker 3: who he is following. Okay, great, so we have a

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Speaker 3: couple tweets here and Instagram new shady yeha. Let me

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Speaker 3: just see what that photo is I think it's gonna

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Speaker 3: be a microphone. No, it's a microphone. Okay, so that's

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Speaker 3: something he was excited about. Also, he's got some retweets. Oh,

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Speaker 3: and he's promoting some podcasts. Here's one new at the

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Speaker 3: Blacklist tr hashtag ear movie is part two of at

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Speaker 3: Stacy Maulton's the other side. What an informative tweet. I

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Speaker 3: know what all those things mean. Anyway, that's what he's promoting.

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Speaker 1: Let's go back to some of the earliest people he followed.

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Speaker 1: It's a couple, so I guess he was trying to

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Speaker 1: stick it to at the time. Then it's Rob Delaney,

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Speaker 1: like all of us, Lil Wayne.

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Speaker 3: This is taking me back. White girl problems? Is I

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Speaker 3: think number ten? Cody, you want to give us some

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Speaker 3: of those? What's a sample white girl problem that cracked

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Speaker 3: your shit up? I don't know, like burning chicken or something. Okay,

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Speaker 3: I just want to mention. I now have stumbled on

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Speaker 3: a cash of retweets promoting podcasts. It looks like three

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Speaker 3: that are just promoting one episode of the Lauren Lapkis podcast.

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Speaker 3: And then I'm just checking for us Oh trends with benefits?

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Speaker 2: Yo?

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Speaker 3: Is this racist on Today's podcast. So yeah, Cody got

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Speaker 3: tagged in that as the engineer. Oh he gave a

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Speaker 3: live question on this one, so he's getting himself out there. Well,

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Speaker 3: understand why you wouldn't have, uh ever retweeted anything to

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Speaker 3: do with us. After all, we don't talk to you

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Speaker 3: on air like that live question from you. Jesus fucking Christ.

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Speaker 1: There was a moment where he followed in a short

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Speaker 1: amount of time Sean Parker, Bill Gates.

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Speaker 2: And GQ magazine.

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Speaker 3: Oh wow, that was a real life change you were

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Speaker 3: planning on making that you never quite took hold, buddy,

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Speaker 3: Like he woke up.

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Speaker 2: One morning and said, enough is enough.

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Speaker 3: The new life starts today, and it starts with my

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Speaker 3: Twitter follows this is who.

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Speaker 2: I am now?

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Speaker 3: And Barack Obama isn't there too. Here's a tweet from

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Speaker 3: Cody Calm your tits, kitty. That's the whole tweet. That's

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Speaker 3: a joke. Possibly maybe it's a line of dialogue for

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Speaker 3: a script. He accidentally wrote it on the wrong screen

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Speaker 3: or something.

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Speaker 1: Who else do we have Ben stillar Edward Norton. He

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Speaker 1: wants to know what they have to say, baby blues barbecue.

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Speaker 2: Hmmm.

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Speaker 3: Here's one tweet truth hashtag Carlin, hashtag LAPD. It's a

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Speaker 3: picture of maybe a bumper sticker, and I haven't read

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Speaker 3: it yet. This is all coming new to me too.

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Speaker 3: In the words of the late George Carlin, the police

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Speaker 3: should have two new requirements to be on the force.

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Speaker 3: Intelligence and decency certainly hasn't been tried yet. It just

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Speaker 3: might work. Okay, well, hold on, Cody, that take that

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Speaker 3: out of your feet if we're gonna be reading it

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Speaker 3: on the show. We don't take sides on this stuff.

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Speaker 3: Intelligence and decency and.

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Speaker 2: This and this one is from earlier today.

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Speaker 1: He retweeted an Ellen Page tweet from over a year ago.

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Speaker 2: Is anybody see seed? On that tweet? It's Rob Delane.

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Speaker 3: Oh that's good. Why were you going through a year's

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Speaker 3: worth of ellam Page's tweets?

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Speaker 2: What brought you back that far into her feed? Used

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Speaker 2: a Rollerscape movie? She was in Juno. I don't know.

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Speaker 2: She wasn't Juno.

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Speaker 3: That does that?

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Speaker 1: Does check out? Did you ever? You didn't actually read

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Speaker 1: any of GQ?

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Speaker 2: Did you?

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Speaker 3: I think I got relinked there from Bloomberg News or something.

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Speaker 2: Okay, you got relinked. Yeah, that happens to.

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Speaker 3: Me sometimes I have something that thematically will tie back

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Speaker 3: in and really cinch up this great segment with a

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Speaker 3: nice button, which is a tweet from Cody Scully on

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Speaker 3: September eighteenth, twenty eleven or September eleventh, twenty eighteen. But

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Speaker 3: it says back in La, it's healthy to leave this

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Speaker 3: city at least once every six weeks. So he went

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Speaker 3: on vacation. Now, Cody, where did you go a week

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Speaker 3: before September eighteenth, twenty eleven. That would be I wouldn't

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Speaker 3: be able to remember that. I can't, well, you leave

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Speaker 3: every six weeks. Just pick somewhere that.

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Speaker 1: Was shortly after, if I could just point out, I

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Speaker 1: believe that was not at all long after.

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Speaker 2: Thank Ghazi? Does that ring a bell?

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Speaker 3: Yeah? Cody, that seemed familiar.

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Speaker 2: Is that a country?

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Speaker 3: Or got that in your lab bible?

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Speaker 2: More sweat wiping? Is that a country or you know

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Speaker 2: it's a country? Cody?

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Speaker 3: Yeah, it is right, Yes, I think it was for

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Speaker 3: my birthday I left town.

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Speaker 2: Oh he celebrated his birthday by doing bean Ghazi.

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Speaker 3: Oh wow, Hillary's gonna be mad if she hears that. Now,

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Speaker 3: thanks for letting us see the tweeters and I don't go.

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Speaker 3: Oh yeah, what were you going to say, what were

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Speaker 3: you going to say? What were you going to say?

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Speaker 3: What'd you almost say? You stopped yourself.

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Speaker 2: Don't give a.

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Speaker 3: Fuck engineer, Cody, boy, you do love to test.

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Speaker 2: That's on tape. That's on tape, Cody. So that's it.

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Speaker 1: Haley is here, my daughter, and she is going to

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Speaker 1: talk about she has a lot of career issues she

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Speaker 1: wants taken care of for her, and we are gonna

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Speaker 1: do our best.

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Speaker 2: Coming right up on Hollywood Handbook.

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Speaker 3: And kiss your doggies and kiddies Hollywood Handbook.

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Speaker 1: So I'm with Michael Chang mm hmm, and I'm like,

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Speaker 1: it's weird to like bring like a catcher's mitt while

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Speaker 1: you're like watching this, you know, like it's like.

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Speaker 2: It's it's it's it's not cool.

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Speaker 1: He's like, well, you know, like what what if Like

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Speaker 1: I am in a position to like catch something, and

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Speaker 1: I was like, well, this is this is court, right,

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Speaker 1: you're in court. There's now nobody's throwing anything. Well, how's

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Speaker 1: it affecting you?

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Speaker 3: I mean, Top flies off the gavel, you know ben

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Speaker 3: gavel too hard. Top was flying off and he catches it.

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Speaker 3: You'll be happy he saves you.

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Speaker 1: It's him as a as a character witness for me to.

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Speaker 2: How it's affecting me.

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Speaker 3: And you were suing Carl Chang, or you were being

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Speaker 3: sued by his brother Michael and Carl were a doubles team.

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Speaker 2: Yes, I was suing his brother. Carl taller, Michael's faster.

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Speaker 1: To have Michael on my side, I thought would be

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Speaker 1: a significant advantage for it.

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Speaker 3: I would assume that they would take that into account

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Speaker 3: than almost anyone.

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Speaker 1: And his brother has chosen to represent me as a

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Speaker 1: character witness and say that Carl's bad a liar.

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Speaker 2: But to have Michael up there wearing a big.

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Speaker 3: Catcher's mit, oh, like a novelty one, yes, an inflatable one,

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Speaker 3: the kind you can sit in that keeps it is slowly,

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Speaker 3: slowly deflating loudly. Yes, as he's giving his testimony, and

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Speaker 3: you didn't like it?

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Speaker 2: No, no, no, Well, I hate.

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Speaker 3: To side with Michael, but I have been in court

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Speaker 3: when the top fly off the gavel. I have been

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Speaker 3: in court when stenographer types so hard that the tea

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Speaker 3: key come flying off.

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Speaker 2: Yeah, hit a lady in the head.

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Speaker 3: So in those situations, I think, well, I'd love to

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Speaker 3: have Michael Chang with a catcher's mint there. So do

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Speaker 3: you see my side of it, Hayes, or do you

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Speaker 3: just feel like I'm saying. No, I don't think the

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Speaker 3: tea key even if it does well, you can speak

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Speaker 3: to this.

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Speaker 2: Did it hurt somebody? Lucky?

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Speaker 3: She had beehive hairdoo. This just so happens, so that

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Speaker 3: supports your point. No, she didn't get hurt.

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Speaker 2: But if she had a normal hairdoo like one like

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Speaker 2: Demi when she got that.

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Speaker 1: Short one, now I know I'm familiar, that's the most

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Speaker 1: dangerous haircut in terms of being hurt.

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Speaker 3: Yeah, I could see that really scratching something, Jane. Yes, Hey,

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Speaker 3: welcome to.

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Speaker 2: Call show Biz? Yes, what up? What up?

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Speaker 1: A lot of the time you listen to the show

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Speaker 1: expecting to hear famous celebrity piece.

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Speaker 2: Some people like that, yes, uh.

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Speaker 1: Some people also prefer to listen and hear a personal

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Speaker 1: relationship someone they relate to.

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Speaker 3: Yes, in this case, we have I'm sorry I said

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Speaker 3: someone they relate to, But I'm someone they related to and.

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Speaker 1: They is me me? Yes, No, I know, Hailey, my

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Speaker 1: sweet daughter is here. What is your I always a

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Speaker 1: forgetting a last name that you use professionally, Huntly Huntly?

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Speaker 2: Yes, what is.

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Speaker 1: That you're like hunting Lee Trevino. You want to be

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Speaker 1: boyfriend girlfriends with Flee Trevina.

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Speaker 2: No.

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Speaker 5: I had to choose. It was a it was a

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Speaker 5: last minute kind of thing. I was in the office

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Speaker 5: of it. It's not actor's equity. It's a sub union.

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Speaker 5: It's sort of a sort of a farm union. And

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Speaker 5: I had to choose my name like a.

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Speaker 3: Junior union, like a triple a sort of union to

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Speaker 3: get to graduate to actors equity.

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Speaker 5: Fingers crossed, fingers crossed, And yeah, I had to pick

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Speaker 5: a name, really fest and I just chose something that

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Speaker 5: sounded a lot like my first name, a little bit different.

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Speaker 3: Those sub unions are a great way to sort of

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Speaker 3: prep yourself for what it's like to.

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Speaker 2: Be in a real union. I get used to pain dues.

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Speaker 1: It's an un it's an unfortunate acronym. MMMM that the

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Speaker 1: farm actors build has. I don't even want to. I mean,

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Speaker 1: this is that you have to what do you mean

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Speaker 1: hand out this had? I just say at the beginning

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Speaker 1: of auditions that.

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Speaker 2: You're in this guild. I don't know why.

400
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Speaker 1: I don't know why more people don't just say farm

401
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Speaker 1: actors guilt.

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Speaker 2: This is all I'm saying I wish that.

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Speaker 3: They would just say it instead of I mean that's

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Speaker 3: usually what I do here instead of abbreviating it. Okay,

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00:23:18,640 --> 00:23:22,320
Speaker 3: you know, mm hmm. But anyway, how what's what?

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Speaker 2: How are you? Haley? How is? How is your mother?

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Speaker 5: She is at a spa, a spa that takes two

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00:23:32,200 --> 00:23:35,720
Speaker 5: months to finish mmmmmm. And so I haven't talked to

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Speaker 5: her a little bit, but she's good and we're good,

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Speaker 5: and I've just been Uh, it's summer. Yeah, so I'm

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Speaker 5: I'm doing I'm not doing summer stock, but I'm around.

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Speaker 2: You know, you're around summer stock.

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Speaker 5: Yeah, because yeah, because you do. You know what summerstock.

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Speaker 1: Is, isn't it is my understanding. It's just theater in

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Speaker 1: this summer time.

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Speaker 5: The word just is demeaning, but yeah, it is theater

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Speaker 5: in the summer, and it is packed together. I mean,

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Speaker 5: it's a repertory schedule.

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Speaker 3: I always say, success is, you know, ninety nine percent

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00:24:13,359 --> 00:24:18,080
Speaker 3: perspiration and one percent just being around. Yeah, and so

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Speaker 3: it's so it's very very wise, and I commend you,

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00:24:22,600 --> 00:24:25,400
Speaker 3: and I commend your mother Ron going to the spawn.

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Speaker 3: I'm assuming getting that leg drained because it was bulbous

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Speaker 3: in a way that.

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Speaker 2: Made a lot of us uncomfortable. Yes, she's she's been good.

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Speaker 1: I listened to her on wait, wait, don't tell me,

427
00:24:42,920 --> 00:24:46,720
Speaker 1: and she's, uh, she's.

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Speaker 2: Been very funny lately.

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Speaker 1: But I'm I'm glad that she's getting a little break

430
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Speaker 1: to get that leg.

431
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Speaker 3: Unlike when she talks about her cats watching her take

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Speaker 3: a shower, yes, because they don't like water, and she's

433
00:24:58,280 --> 00:25:01,159
Speaker 3: choosing to be in the water, you know, and the

434
00:25:01,200 --> 00:25:04,359
Speaker 3: cats are looking like, what's this crazy lady? And I

435
00:25:04,400 --> 00:25:08,520
Speaker 3: can relate because I sometimes try to occupy the mind

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00:25:08,600 --> 00:25:12,919
Speaker 3: of an animal, and that was something that originally we

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00:25:13,000 --> 00:25:16,159
Speaker 3: worked out together. That was sort of a two hander.

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00:25:16,200 --> 00:25:19,520
Speaker 3: And you can feel that there's some beats when she's yeah,

439
00:25:19,760 --> 00:25:22,120
Speaker 3: she's waiting for someone else to come in, and she goes, oh,

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Speaker 3: I do this part now, Yes, but enough about I

441
00:25:28,600 --> 00:25:34,879
Speaker 3: wanted to we talk. It's difficult having someone in your

442
00:25:34,920 --> 00:25:39,359
Speaker 3: family who aspires to enter the same industry as you

443
00:25:39,480 --> 00:25:43,640
Speaker 3: are a part of, and there's always the dynamic of.

444
00:25:44,520 --> 00:25:48,480
Speaker 2: How much do you help? Are you helping them by helping.

445
00:25:48,160 --> 00:25:50,720
Speaker 3: Them, are you hurting them by help or is it

446
00:25:50,800 --> 00:25:53,520
Speaker 3: hurting to help or is it helpful to hurt them?

447
00:25:54,640 --> 00:25:56,119
Speaker 2: And those are the three options.

448
00:25:56,640 --> 00:25:58,320
Speaker 5: I mean, I remember one of the first words I

449
00:25:58,400 --> 00:26:03,200
Speaker 5: learned was nepotism, because you said we won't we will

450
00:26:03,280 --> 00:26:04,680
Speaker 5: not be one of those families.

451
00:26:04,680 --> 00:26:06,560
Speaker 3: But you said it in a very cute way when

452
00:26:06,560 --> 00:26:07,399
Speaker 3: you were so little.

453
00:26:07,560 --> 00:26:10,159
Speaker 5: Yeah, oh yeah, And then as I grew up, I

454
00:26:10,280 --> 00:26:13,080
Speaker 5: started to say it normal, but I've but yeah, I

455
00:26:13,080 --> 00:26:15,280
Speaker 5: remember we did little family skits like.

456
00:26:15,320 --> 00:26:16,679
Speaker 3: But I wonder if we could hear the way you

457
00:26:16,800 --> 00:26:19,159
Speaker 3: used to say yeah.

458
00:26:19,440 --> 00:26:22,919
Speaker 5: It was like, well, I usually had a little suit

459
00:26:22,960 --> 00:26:24,760
Speaker 5: on that had a little ears and a hood, so

460
00:26:24,760 --> 00:26:31,960
Speaker 5: it would have been like, oh no, that's nice.

461
00:26:32,000 --> 00:26:32,960
Speaker 2: Yes, I liked it.

462
00:26:33,080 --> 00:26:35,399
Speaker 5: Yeah, but yeah, we did skits around the holidays, and

463
00:26:35,440 --> 00:26:36,760
Speaker 5: I was often not cast.

464
00:26:37,560 --> 00:26:43,760
Speaker 1: Yes, yes, And still here you are doing this this

465
00:26:43,960 --> 00:26:49,520
Speaker 1: same thing. And the arrangement that we've come to, I

466
00:26:49,520 --> 00:26:51,280
Speaker 1: think is a fair one, which is that we want

467
00:26:51,320 --> 00:26:54,760
Speaker 1: to give you a shot to participate in one of

468
00:26:54,760 --> 00:26:56,280
Speaker 1: these projects for us.

469
00:26:56,960 --> 00:26:59,200
Speaker 5: And the only way I want the shot is where

470
00:26:59,200 --> 00:27:03,480
Speaker 5: there are witnesses around. And it's a totally transparent process to.

471
00:27:03,560 --> 00:27:05,840
Speaker 2: See that you crush it. If you crush it.

472
00:27:05,840 --> 00:27:09,560
Speaker 5: So when I get the part or parts or a'm

473
00:27:09,600 --> 00:27:12,479
Speaker 5: allowed to hang around, people will say she deserves you.

474
00:27:12,480 --> 00:27:16,440
Speaker 1: You know that it was because of your performance, and yes, not.

475
00:27:16,400 --> 00:27:18,919
Speaker 2: Because of your facial resemblance to me.

476
00:27:21,040 --> 00:27:23,680
Speaker 1: And that's what we seek on the show is always transparency,

477
00:27:24,160 --> 00:27:29,800
Speaker 1: to be like the glass of a submarine window, and

478
00:27:29,840 --> 00:27:34,000
Speaker 1: so the water's clear and then the window itself is clear.

479
00:27:33,840 --> 00:27:38,080
Speaker 2: And you see this the kelp, you know, which is.

480
00:27:38,000 --> 00:27:40,400
Speaker 1: The you have to be able to see ye And

481
00:27:40,440 --> 00:27:43,080
Speaker 1: it's the keenest kind of window there is because it's

482
00:27:43,160 --> 00:27:44,200
Speaker 1: constantly being.

483
00:27:44,200 --> 00:27:46,720
Speaker 3: Washed, always wet in the water, and it doesn't get

484
00:27:46,840 --> 00:27:50,320
Speaker 3: and the way that these windows get dirty in your

485
00:27:50,320 --> 00:27:53,400
Speaker 3: car and stuff, if you don't know, is from being dry.

486
00:27:53,520 --> 00:27:55,760
Speaker 2: So uh, I think that.

487
00:27:57,560 --> 00:27:59,720
Speaker 3: It's just it's we've got that out of the way.

488
00:27:59,800 --> 00:28:02,320
Speaker 3: It's lovely to see you again. We've got now obviously

489
00:28:02,400 --> 00:28:06,240
Speaker 3: with the success of Whites and Golds formerly Baby Grandpa,

490
00:28:06,359 --> 00:28:09,840
Speaker 3: formerly the untitled back Kid Project. Anyway, it's a hit show,

491
00:28:10,000 --> 00:28:13,800
Speaker 3: and we have a bunch of new pilots in development

492
00:28:13,800 --> 00:28:16,800
Speaker 3: for next year, already cooking them up, and we want

493
00:28:16,840 --> 00:28:22,199
Speaker 3: to give Haley her chance to you know, enter the

494
00:28:22,200 --> 00:28:25,040
Speaker 3: big leagues and do some of the auditions of these

495
00:28:25,040 --> 00:28:32,480
Speaker 3: scripts and hopefully it will mean graduating a sag You

496
00:28:32,520 --> 00:28:40,560
Speaker 3: know like that would be big, right. And you know, Haley,

497
00:28:40,640 --> 00:28:44,080
Speaker 3: I saw you recently at the Big Farm Actors Guild bash.

498
00:28:44,160 --> 00:28:47,840
Speaker 3: But Hayes, you weren't able to attend.

499
00:28:47,880 --> 00:28:50,520
Speaker 2: What were you doing that night? What was I doing?

500
00:28:50,800 --> 00:28:57,080
Speaker 1: I think I was lying face down in my sort

501
00:28:57,080 --> 00:29:06,120
Speaker 1: of entry way. I I cave ho and sometimes you

502
00:29:06,160 --> 00:29:08,200
Speaker 1: look at a set of stairs and you just say,

503
00:29:08,560 --> 00:29:13,479
Speaker 1: not worth it today. Uh, we're going going down.

504
00:29:13,720 --> 00:29:20,760
Speaker 2: We're going down. Yes, been there, brother, and so was

505
00:29:20,800 --> 00:29:24,960
Speaker 2: not able to attend, and I filled out on my

506
00:29:25,200 --> 00:29:27,000
Speaker 2: RSVP card that I was going to be doing that.

507
00:29:27,360 --> 00:29:30,920
Speaker 2: So well, surprised at any rate.

508
00:29:31,560 --> 00:29:36,600
Speaker 3: Let's launch right into some pilots. So this first script

509
00:29:37,120 --> 00:29:40,440
Speaker 3: that we have here is something that Hayes and I

510
00:29:40,480 --> 00:29:42,400
Speaker 3: are really proud of, and we think it's really cutting

511
00:29:42,520 --> 00:29:45,280
Speaker 3: edge and it's that edgy sort of cable feel that

512
00:29:45,320 --> 00:29:51,239
Speaker 3: people look for. It's called Smirnoff Isis and it is

513
00:29:52,480 --> 00:29:57,920
Speaker 3: about a bunch of bros icing each other with Smirnoff

514
00:29:58,000 --> 00:30:01,719
Speaker 3: ice and one guy refuses to drink it, and they go, well,

515
00:30:01,760 --> 00:30:03,320
Speaker 3: if you're not going to drink it, then you've got

516
00:30:03,320 --> 00:30:05,520
Speaker 3: to do something else, and they make them join ice.

517
00:30:05,640 --> 00:30:11,560
Speaker 3: Join isis Yeah, Yes, and you're you know, going to

518
00:30:11,600 --> 00:30:16,160
Speaker 3: be playing his Yes? Isis his girlfriend?

519
00:30:17,360 --> 00:30:17,600
Speaker 5: Uh?

520
00:30:17,680 --> 00:30:20,080
Speaker 3: Not playing, but auditioning for and maybe playing if it

521
00:30:20,120 --> 00:30:23,640
Speaker 3: gets if you yes, slam dunk it.

522
00:30:23,800 --> 00:30:24,000
Speaker 4: Yes.

523
00:30:24,040 --> 00:30:28,800
Speaker 3: I don't want to say anything that, so do you do?

524
00:30:28,840 --> 00:30:33,920
Speaker 3: We just launch into the big scene. Yes, sure, I'll

525
00:30:34,000 --> 00:30:34,720
Speaker 3: read the state.

526
00:30:34,760 --> 00:30:37,320
Speaker 1: I know this is not normally part of the audition process,

527
00:30:37,360 --> 00:30:39,080
Speaker 1: but I'll read the stage direction.

528
00:30:39,160 --> 00:30:40,760
Speaker 3: Just because we're recording it this way.

529
00:30:40,960 --> 00:30:41,560
Speaker 2: Yes, Okay.

530
00:30:43,840 --> 00:30:48,040
Speaker 1: Isis enters to find Coop slipping a paper bag over

531
00:30:48,120 --> 00:30:51,760
Speaker 1: his head and cutting eye holes out.

532
00:30:54,000 --> 00:31:00,040
Speaker 3: I'm coming to get you.

533
00:30:57,560 --> 00:31:01,200
Speaker 5: Coop, don't. It's my sorority rush night tonight. I finally

534
00:31:01,240 --> 00:31:03,120
Speaker 5: find out if I get in or if I get

535
00:31:03,120 --> 00:31:03,800
Speaker 5: in a different one.

536
00:31:04,800 --> 00:31:07,920
Speaker 2: Hey, come on, babe, I'm just goofing around.

537
00:31:08,200 --> 00:31:09,080
Speaker 5: What are you wearing?

538
00:31:09,960 --> 00:31:10,640
Speaker 2: Oh? Come on?

539
00:31:10,880 --> 00:31:15,080
Speaker 3: It's bag Man, you know, like Batman, but he's a

540
00:31:15,120 --> 00:31:19,120
Speaker 3: bag and instead of his parents getting killed by a criminal,

541
00:31:19,640 --> 00:31:21,440
Speaker 3: they just got trapped in a bag.

542
00:31:22,560 --> 00:31:24,959
Speaker 5: Okay, I'll believe that, But explain to me why you've

543
00:31:24,960 --> 00:31:26,360
Speaker 5: been getting up in praying so early.

544
00:31:27,040 --> 00:31:31,880
Speaker 3: Uh, because I don't like the taste of smearing off ice.

545
00:31:33,040 --> 00:31:34,640
Speaker 5: No one does. But when you get ice, you have

546
00:31:34,720 --> 00:31:36,120
Speaker 5: to drink it. Everybody knows that.

547
00:31:36,400 --> 00:31:40,719
Speaker 1: Coop reaches out to tug at his collar and accidentally

548
00:31:40,760 --> 00:31:44,200
Speaker 1: rips it off, revealing that the word isis is written

549
00:31:44,240 --> 00:31:44,840
Speaker 1: on his neck.

550
00:31:46,120 --> 00:31:51,280
Speaker 3: Oh I love you, baby.

551
00:31:51,360 --> 00:31:52,520
Speaker 5: You've never said I love you?

552
00:31:53,120 --> 00:31:56,720
Speaker 3: Uh well, I never accidentally revealed this tattoo before either.

553
00:31:56,840 --> 00:32:00,720
Speaker 3: But it's a day of first bag man.

554
00:32:02,160 --> 00:32:05,040
Speaker 5: I mean, I guess love you too? What even is it?

555
00:32:05,760 --> 00:32:08,480
Speaker 5: How do you know? How do you know what love is?

556
00:32:09,000 --> 00:32:11,040
Speaker 5: I'm always saw love is like the color red. Like

557
00:32:11,080 --> 00:32:13,680
Speaker 5: when I see red, is that what you're seeing as red?

558
00:32:14,200 --> 00:32:16,400
Speaker 5: So when you say love, is that what I'm saying

559
00:32:16,440 --> 00:32:16,760
Speaker 5: as love?

560
00:32:16,920 --> 00:32:20,080
Speaker 2: Hold on, I'm tripping out on this color? Shit? What

561
00:32:20,120 --> 00:32:21,880
Speaker 2: the fuck do you mean? Oh?

562
00:32:22,200 --> 00:32:25,800
Speaker 5: So what I identify as a color red? Right, I'll go, oh,

563
00:32:25,840 --> 00:32:28,120
Speaker 5: that's a stop sign, that's red, and you'll agree it's red.

564
00:32:28,280 --> 00:32:29,000
Speaker 2: Oh hold up?

565
00:32:29,080 --> 00:32:31,240
Speaker 3: Is this just for red or this is like any color?

566
00:32:31,280 --> 00:32:32,280
Speaker 3: You could think about.

567
00:32:32,000 --> 00:32:36,720
Speaker 5: This way, babe, it's any color. But I'm using red

568
00:32:36,760 --> 00:32:39,880
Speaker 5: as an example. Shit, So I'm going that's red, and

569
00:32:39,880 --> 00:32:41,800
Speaker 5: you're going that's red. But what if in my head

570
00:32:41,840 --> 00:32:46,960
Speaker 5: red looks like you're yellow? Okay, well for green, same

571
00:32:47,040 --> 00:32:49,800
Speaker 5: thing for green. If we wouldn't use the stop sign. Look,

572
00:32:49,880 --> 00:32:51,600
Speaker 5: kid's confusing, and I've thought about it for years, so

573
00:32:51,880 --> 00:32:53,000
Speaker 5: I don't blame you for just catching it.

574
00:32:53,080 --> 00:32:56,760
Speaker 3: So if it's my yellow, okay, hold on, So red's

575
00:32:56,800 --> 00:32:59,440
Speaker 3: my yellow, then what is yellow for me?

576
00:33:00,880 --> 00:33:02,240
Speaker 5: Well, it could be a lavender.

577
00:33:02,400 --> 00:33:03,560
Speaker 2: Do you think that's happening?

578
00:33:05,000 --> 00:33:07,080
Speaker 5: I think it's possible that we'll never really know what

579
00:33:07,120 --> 00:33:09,080
Speaker 5: goes on inside someone else's head. I mean, I've often

580
00:33:09,120 --> 00:33:12,520
Speaker 5: thought about can you really know another person? And I

581
00:33:12,520 --> 00:33:14,280
Speaker 5: didn't know that you had that tattoo. So I'm sorry,

582
00:33:14,440 --> 00:33:15,680
Speaker 5: I gotta lie down.

583
00:33:16,320 --> 00:33:18,840
Speaker 1: I would just keep going. I would love to see

584
00:33:19,040 --> 00:33:22,440
Speaker 1: you guys improv on this conversation.

585
00:33:23,880 --> 00:33:26,000
Speaker 2: Just whatever we feel. Yes, just sort of an.

586
00:33:25,960 --> 00:33:30,040
Speaker 1: Extension of this because it makes sense of the same discussion.

587
00:33:33,080 --> 00:33:34,960
Speaker 2: So is that for fucking shapes?

588
00:33:35,040 --> 00:33:39,320
Speaker 5: To shapes feel more concrete to me because of the

589
00:33:39,440 --> 00:33:41,680
Speaker 5: reasons I can't pick out in my mind?

590
00:33:42,200 --> 00:33:45,160
Speaker 2: Wait, you think all shapes are concrete?

591
00:33:46,600 --> 00:33:46,880
Speaker 4: See?

592
00:33:47,040 --> 00:33:48,520
Speaker 2: Okay, that was good.

593
00:33:48,880 --> 00:33:55,320
Speaker 1: Oh yeah, that's an example of taking making it my own. Ali, Yes,

594
00:33:55,440 --> 00:33:58,600
Speaker 1: what what the other person is giving you and turning

595
00:33:58,640 --> 00:34:01,560
Speaker 1: it into a literal version of that thing.

596
00:34:01,840 --> 00:34:08,080
Speaker 3: Yeah, And I think that Coop is uh, he's like

597
00:34:08,120 --> 00:34:12,360
Speaker 3: a he's like a fucking dummy, like he can't you know,

598
00:34:13,040 --> 00:34:15,120
Speaker 3: can't figure his shit out. But I've lived with this

599
00:34:15,200 --> 00:34:20,279
Speaker 3: character for a little bit longer. Yes, I love I

600
00:34:20,920 --> 00:34:25,560
Speaker 3: love the idea of Halle doing a good job, you know,

601
00:34:25,960 --> 00:34:27,520
Speaker 3: and that would be exciting.

602
00:34:28,200 --> 00:34:33,480
Speaker 1: Yes, Oh, let's talk about let's talk about Halle's character.

603
00:34:33,560 --> 00:34:36,839
Speaker 1: Don't you think this is just from of the person

604
00:34:36,880 --> 00:34:39,120
Speaker 1: who writes it. It's open to interpretation. I thought of

605
00:34:39,160 --> 00:34:43,719
Speaker 1: her as someone who would do a good job at

606
00:34:43,760 --> 00:34:45,600
Speaker 1: having a conversation with somebody else.

607
00:34:45,719 --> 00:34:46,719
Speaker 2: Well, yes, I thought.

608
00:34:46,760 --> 00:34:49,640
Speaker 3: I always pictured her as a person, and so for me,

609
00:34:50,440 --> 00:34:53,800
Speaker 3: she was holding conversations.

610
00:34:54,200 --> 00:34:57,320
Speaker 2: With other people on like a human level.

611
00:34:57,440 --> 00:35:02,000
Speaker 3: Yes, your portrayal of her as sort of a beast Master.

612
00:35:03,080 --> 00:35:05,000
Speaker 2: What a beast master?

613
00:35:05,640 --> 00:35:12,240
Speaker 3: Yes, neither man nor animal, sort of living in between place.

614
00:35:13,360 --> 00:35:16,520
Speaker 3: It's a bold choice and I could see it working

615
00:35:16,600 --> 00:35:20,880
Speaker 3: in another project, beast Master or beast Master two. But

616
00:35:21,640 --> 00:35:25,080
Speaker 3: for me, the fact that you were sort of always

617
00:35:25,120 --> 00:35:27,880
Speaker 3: at the ready about to maybe command a ferret to

618
00:35:27,920 --> 00:35:32,919
Speaker 3: do your bidding communicate it with telepathically, that didn't seem

619
00:35:33,040 --> 00:35:35,160
Speaker 3: right for this project.

620
00:35:35,960 --> 00:35:39,120
Speaker 5: While I'll disagree with you about some of the ferret stuff,

621
00:35:39,719 --> 00:35:42,799
Speaker 5: I too. Didn't feel right for this project. And that's

622
00:35:42,840 --> 00:35:45,600
Speaker 5: something I'm getting bold enough to say. I'm in a workshop.

623
00:35:45,640 --> 00:35:47,560
Speaker 5: It's an audition workshop. I've been in it for two

624
00:35:47,600 --> 00:35:50,120
Speaker 5: years now and we haven't gotten to the improv part

625
00:35:50,840 --> 00:35:53,040
Speaker 5: of the workshop, and so I'm not surprised that I

626
00:35:53,400 --> 00:35:54,120
Speaker 5: sort of crumbled.

627
00:35:54,400 --> 00:35:57,880
Speaker 2: SI. What a lot of those workshops are scientologies.

628
00:35:59,600 --> 00:36:01,640
Speaker 5: They haven't told us that yet. So we'll see.

629
00:36:02,480 --> 00:36:08,239
Speaker 2: Is there like something with a hood draped over it, like.

630
00:36:08,440 --> 00:36:16,880
Speaker 6: Okay, they're gonna lift off, lift up that hood, and

631
00:36:16,920 --> 00:36:19,640
Speaker 6: it's gonna be like if you find her goggles, you know,

632
00:36:19,800 --> 00:36:22,799
Speaker 6: you like put the little like, uh.

633
00:36:22,600 --> 00:36:23,879
Speaker 3: It's like binoculars rift.

634
00:36:24,200 --> 00:36:27,879
Speaker 1: Yeah, it's like the first incarnation of that. You put

635
00:36:27,920 --> 00:36:31,759
Speaker 1: this little wheel inside it's got pictures on. Yeah, and

636
00:36:32,400 --> 00:36:34,120
Speaker 1: you're gonna flip through the wheel and it's gonna tell

637
00:36:34,160 --> 00:36:36,080
Speaker 1: you a scary story.

638
00:36:37,040 --> 00:36:39,640
Speaker 2: Yes, em brace yourself. Yes.

639
00:36:40,600 --> 00:36:40,960
Speaker 6: Uh.

640
00:36:41,360 --> 00:36:43,040
Speaker 2: And you didn't feel like you were right to this part?

641
00:36:43,080 --> 00:36:44,239
Speaker 2: What is it the jewishness?

642
00:36:46,680 --> 00:36:47,000
Speaker 3: Now? Why?

643
00:36:47,160 --> 00:36:50,000
Speaker 5: Just some more of a character actress? I think? And

644
00:36:50,120 --> 00:36:52,479
Speaker 5: this was so close to.

645
00:36:52,440 --> 00:36:56,480
Speaker 3: Me, uh huh yeah.

646
00:36:56,600 --> 00:37:00,240
Speaker 1: What was it that you found to be close to

647
00:37:00,320 --> 00:37:01,600
Speaker 1: your experience?

648
00:37:02,440 --> 00:37:08,520
Speaker 5: I've dated two guys in one of them, and one

649
00:37:08,520 --> 00:37:14,680
Speaker 5: of them sort of joined, uh like a terrorist organization

650
00:37:14,800 --> 00:37:20,120
Speaker 5: that is not yet recognized by all the cias. But

651
00:37:21,360 --> 00:37:23,080
Speaker 5: it's not it's on its way.

652
00:37:23,120 --> 00:37:27,720
Speaker 2: Corbin, that guy, Yeah I was this Corbin. Yeah, okay,

653
00:37:28,040 --> 00:37:31,719
Speaker 2: you met him? Yeah, yeah, yeah you Why didn't I

654
00:37:31,800 --> 00:37:32,239
Speaker 2: meet him?

655
00:37:32,280 --> 00:37:33,600
Speaker 5: Because you didn't attend?

656
00:37:33,920 --> 00:37:34,880
Speaker 2: Oh?

657
00:37:36,200 --> 00:37:40,320
Speaker 5: Is that the Farmer's Actors Farm Actors Guiled Bash?

658
00:37:40,440 --> 00:37:47,680
Speaker 3: Yes, he was smashing on nachos. I liked Corbin.

659
00:37:47,880 --> 00:37:50,480
Speaker 5: I did too well. I loved everything about the way

660
00:37:50,520 --> 00:37:50,880
Speaker 5: he ate.

661
00:37:51,160 --> 00:37:51,640
Speaker 2: Yeah.

662
00:37:51,680 --> 00:37:54,799
Speaker 5: But yeah, he's involved in a lot of sort of surreptitious,

663
00:37:54,880 --> 00:37:56,880
Speaker 5: kind of anti government sort of stuff that I always

664
00:37:56,880 --> 00:38:01,400
Speaker 5: thought was like very college, very harsh sophomore year at college.

665
00:38:01,840 --> 00:38:03,000
Speaker 3: We hope they get over that.

666
00:38:03,200 --> 00:38:04,280
Speaker 2: Yeah, but it turns out.

667
00:38:04,120 --> 00:38:08,680
Speaker 5: He wasn't enrolled. Oh wow, he was starting the meetings

668
00:38:08,719 --> 00:38:11,960
Speaker 5: at the school, not a student, had a lot to say,

669
00:38:12,320 --> 00:38:13,600
Speaker 5: had a printing press.

670
00:38:14,360 --> 00:38:16,480
Speaker 2: Okay, yeah, yeah.

671
00:38:16,920 --> 00:38:19,239
Speaker 5: That's a sign anyway, that's what I related to.

672
00:38:19,320 --> 00:38:21,000
Speaker 2: I guess we can move on.

673
00:38:21,320 --> 00:38:25,040
Speaker 3: Great, hayes Man, did you have a pilot that you

674
00:38:25,120 --> 00:38:30,680
Speaker 3: wanted to sort of do next? Yes, let's do hr

675
00:38:30,880 --> 00:38:36,760
Speaker 3: K cups and stuff. We're figuring out what the hr is, yes,

676
00:38:36,800 --> 00:38:38,200
Speaker 3: and it could be a number of things.

677
00:38:38,200 --> 00:38:40,000
Speaker 1: We don't Yeah, we don't know for sure yet. It

678
00:38:40,080 --> 00:38:43,960
Speaker 1: might be Harold Reynolds, the baseball commentator. We're seeing if

679
00:38:43,960 --> 00:38:47,320
Speaker 1: we can get him. But we know it's about K cups.

680
00:38:47,520 --> 00:38:51,000
Speaker 1: It's about a little K cup machine who all the

681
00:38:51,040 --> 00:38:55,320
Speaker 1: normal machines say, is not like a real coffee machine.

682
00:38:55,719 --> 00:38:59,799
Speaker 1: And this is we're doing in collaboration with the Cure.

683
00:39:00,000 --> 00:39:02,799
Speaker 1: I don't know how you say, q rig guys, I've

684
00:39:02,800 --> 00:39:04,640
Speaker 1: only seen it written out on the checks.

685
00:39:05,200 --> 00:39:10,640
Speaker 2: Yes, it is. It animated, it's it's live action.

686
00:39:11,800 --> 00:39:13,719
Speaker 1: You can use the lids. You can kind of open

687
00:39:13,719 --> 00:39:19,400
Speaker 1: and close the lids with like an apparatus to make

688
00:39:19,440 --> 00:39:20,319
Speaker 1: it look like it's talk.

689
00:39:20,480 --> 00:39:23,880
Speaker 3: If you blow a fan on them, they'll sort of flip,

690
00:39:24,400 --> 00:39:27,400
Speaker 3: you know, and that's that. That's lip flat and you

691
00:39:27,440 --> 00:39:29,520
Speaker 3: could kind of plug you just put words in there.

692
00:39:30,160 --> 00:39:33,600
Speaker 3: But the people will be real, the people if they

693
00:39:33,640 --> 00:39:35,799
Speaker 3: come up. I mean, so far we've just such a

694
00:39:35,920 --> 00:39:40,040
Speaker 3: rich world with the cups that we haven't felt the

695
00:39:40,080 --> 00:39:44,000
Speaker 3: need to explore people. Obviously, if Reynolds Harold Reynolds comes.

696
00:39:43,800 --> 00:39:48,000
Speaker 1: To an issue with him as he's eating the contents

697
00:39:48,000 --> 00:39:50,680
Speaker 1: of the K cups, themselves with a spoon.

698
00:39:51,560 --> 00:39:53,600
Speaker 5: We've all tried it, and I.

699
00:39:53,480 --> 00:39:56,840
Speaker 1: Think he did that by accident first, and now is

700
00:39:56,920 --> 00:39:59,440
Speaker 1: like acting like it was what he meant to do

701
00:39:59,480 --> 00:39:59,839
Speaker 1: all along.

702
00:40:00,120 --> 00:40:01,080
Speaker 2: He likes it that way.

703
00:40:01,480 --> 00:40:05,279
Speaker 3: Yes, like the Sufi weaver, he's made a mistake and

704
00:40:05,360 --> 00:40:08,000
Speaker 3: wants to now create it as part of the pattern.

705
00:40:09,360 --> 00:40:10,600
Speaker 2: I admire the effort, but.

706
00:40:11,480 --> 00:40:16,640
Speaker 3: It is so sickening to watch, and it changes his

707
00:40:16,760 --> 00:40:18,040
Speaker 3: behavior drastically.

708
00:40:18,800 --> 00:40:22,120
Speaker 2: It dries his mouth out, he audibly.

709
00:40:23,800 --> 00:40:27,400
Speaker 3: And he also turns down water. The first time we

710
00:40:27,440 --> 00:40:30,000
Speaker 3: offered it to him and was trying to play it off,

711
00:40:30,000 --> 00:40:32,080
Speaker 3: and now I feel like he thinks he can't have

712
00:40:32,160 --> 00:40:35,200
Speaker 3: water around us, so he's always sort of coughing this

713
00:40:35,680 --> 00:40:41,719
Speaker 3: powdery smoke. It's not really fun for me, and I

714
00:40:41,719 --> 00:40:43,359
Speaker 3: can't wear nice clothes around him.

715
00:40:45,280 --> 00:40:49,000
Speaker 2: So yeah, he'll be in it, we think.

716
00:40:49,680 --> 00:40:52,360
Speaker 3: And then the rest of it is kind of the cups,

717
00:40:52,360 --> 00:40:55,239
Speaker 3: and we were hoping that you would play kind of

718
00:40:55,280 --> 00:40:56,360
Speaker 3: the mean cup.

719
00:40:58,360 --> 00:41:01,120
Speaker 2: And there they're cups, so they're kids. They're like.

720
00:41:02,640 --> 00:41:08,200
Speaker 1: The machines kids that it has to eat. It's like

721
00:41:08,360 --> 00:41:10,799
Speaker 1: sad because every time I wants to make coffee.

722
00:41:10,480 --> 00:41:13,200
Speaker 3: For his job is to eat the kids to make

723
00:41:13,239 --> 00:41:13,960
Speaker 3: the people happy.

724
00:41:14,080 --> 00:41:15,000
Speaker 2: It's for the nice people.

725
00:41:15,080 --> 00:41:19,200
Speaker 1: The nice people want coffee, but each cup means eating

726
00:41:19,239 --> 00:41:19,520
Speaker 1: one of.

727
00:41:19,520 --> 00:41:23,279
Speaker 3: Its kids, and so that's part of the discussion they have.

728
00:41:26,120 --> 00:41:26,840
Speaker 5: Sounds clear to me.

729
00:41:28,200 --> 00:41:30,359
Speaker 2: Okay, so let's just get right into it.

730
00:41:30,440 --> 00:41:31,920
Speaker 5: Okay. So I'm the mean cup.

731
00:41:32,200 --> 00:41:37,160
Speaker 2: Yes, you're the mean cup. Donut chop coffee.

732
00:41:37,360 --> 00:41:42,839
Speaker 1: The mean cup hops up to celestial seasonings, green tea,

733
00:41:42,880 --> 00:41:44,480
Speaker 1: the hero cup.

734
00:41:46,320 --> 00:41:46,759
Speaker 2: Ah, so.

735
00:41:49,480 --> 00:41:55,160
Speaker 5: What what tea? What tea? You got something to say?

736
00:41:55,200 --> 00:41:59,520
Speaker 5: Because you better say it? No mind, Well, you clearly

737
00:41:59,520 --> 00:42:01,440
Speaker 5: had something to say before I walked up. You were

738
00:42:01,480 --> 00:42:03,560
Speaker 5: looking at me and you were like, oh, I got

739
00:42:03,560 --> 00:42:06,279
Speaker 5: a little something to say to you, perhaps judging my activity,

740
00:42:06,680 --> 00:42:08,320
Speaker 5: perhaps commenting on my behavior.

741
00:42:08,760 --> 00:42:10,920
Speaker 2: Well, it's just that you were.

742
00:42:12,280 --> 00:42:24,680
Speaker 7: Well masturbating, so so so look away next time.

743
00:42:24,960 --> 00:42:27,000
Speaker 3: I don't I don't know what you're doing it right

744
00:42:27,040 --> 00:42:28,480
Speaker 3: in front of all of us.

745
00:42:28,800 --> 00:42:32,799
Speaker 2: It's so strange. We have a little cuppy that we

746
00:42:32,920 --> 00:42:34,080
Speaker 2: go into for that.

747
00:42:34,320 --> 00:42:35,680
Speaker 1: I will say, I don't know if this is the

748
00:42:35,760 --> 00:42:38,239
Speaker 1: right role. I'm sorry you're doing like sort of a

749
00:42:38,320 --> 00:42:42,680
Speaker 1: vague Italian accent when you do your mean cup. It's

750
00:42:42,719 --> 00:42:45,000
Speaker 1: in poor taste.

751
00:42:47,440 --> 00:42:48,439
Speaker 5: I start a different cup.

752
00:42:48,480 --> 00:42:51,480
Speaker 1: I could do you want to do the mom like

753
00:42:51,560 --> 00:42:52,640
Speaker 1: the machine itself?

754
00:42:53,360 --> 00:42:53,920
Speaker 2: Let's do that.

755
00:42:54,000 --> 00:42:56,400
Speaker 5: I feel like I don't feel agreement. Cast me in that.

756
00:42:56,719 --> 00:42:58,440
Speaker 2: No, I think you can do it. I think you

757
00:42:58,440 --> 00:42:59,080
Speaker 2: can pull it off.

758
00:42:59,239 --> 00:43:01,920
Speaker 1: People do not want I'll be honest with you. We

759
00:43:02,000 --> 00:43:05,400
Speaker 1: are having trouble landing tough to find the mom.

760
00:43:05,560 --> 00:43:08,719
Speaker 2: Yeah, just do this.

761
00:43:09,280 --> 00:43:13,319
Speaker 3: The way she's written is there's some turn offs for

762
00:43:13,400 --> 00:43:18,560
Speaker 3: a lot of people. Yes, okay, Yeah, you want to

763
00:43:18,600 --> 00:43:19,919
Speaker 3: just skip to the one of the mom scenes.

764
00:43:20,040 --> 00:43:26,759
Speaker 5: Yes, read the stuff that's costs out or keep it.

765
00:43:24,880 --> 00:43:30,560
Speaker 2: Read well you can make out. You should read interior countertop.

766
00:43:32,120 --> 00:43:36,840
Speaker 1: The mom machine sits there with all the little cups

767
00:43:37,360 --> 00:43:45,440
Speaker 1: lined up, Duncan Donuts cup, hot Chocolate cup, the Starbucks mocha,

768
00:43:46,920 --> 00:43:51,440
Speaker 1: the Sleepy Time and donut chop is there.

769
00:43:52,920 --> 00:44:01,319
Speaker 3: Oh boy, don't eat me neither, so don't eat me.

770
00:44:03,480 --> 00:44:08,440
Speaker 2: Eat me kidding, Hey, don't eat me.

771
00:44:10,680 --> 00:44:14,239
Speaker 5: Gather around on my little cup. Kids. Mama wants to

772
00:44:14,280 --> 00:44:17,279
Speaker 5: sing you a bedtime song. Should I sing it?

773
00:44:17,640 --> 00:44:18,280
Speaker 2: Yeah? Sure.

774
00:44:20,480 --> 00:44:24,960
Speaker 5: When you were born, you were each little cups. Now

775
00:44:25,040 --> 00:44:27,840
Speaker 5: I need to eat you, and that is what SUPs

776
00:44:29,200 --> 00:44:33,160
Speaker 5: first you little doughe not shop. You taste the sweetest.

777
00:44:33,600 --> 00:44:37,120
Speaker 5: Then you, little Green tea. When can I meet test

778
00:44:37,280 --> 00:44:40,400
Speaker 5: your taste?

779
00:44:40,960 --> 00:44:43,400
Speaker 2: I mean, do you because it is six or seven

780
00:44:43,440 --> 00:44:44,120
Speaker 2: page is long?

781
00:44:44,800 --> 00:44:47,520
Speaker 5: I mean I can go for the duration. I stumbled

782
00:44:47,560 --> 00:44:50,560
Speaker 5: over meet us. Your taste seemed weird, but but I'll

783
00:44:50,640 --> 00:44:58,319
Speaker 5: keep going. Starbucks mukuccino, your mommy's little favorite. Sorry, Starbucks mukuccino,

784
00:44:58,560 --> 00:45:03,880
Speaker 5: your mommy's little face. Oh, little man cinnamon, come get

785
00:45:03,920 --> 00:45:05,280
Speaker 5: your hat eaten.

786
00:45:07,239 --> 00:45:09,719
Speaker 2: Yeah, so you sort of skipped to the end there,

787
00:45:10,920 --> 00:45:12,920
Speaker 2: I skipped time to suck out my kids.

788
00:45:13,320 --> 00:45:18,080
Speaker 5: Yeah, that's yeah, I was. And you know what I

789
00:45:18,120 --> 00:45:19,160
Speaker 5: won't I guess I.

790
00:45:19,160 --> 00:45:19,759
Speaker 2: Won't say that.

791
00:45:19,960 --> 00:45:22,280
Speaker 5: Okay, Yeah, I guess that's my boundary.

792
00:45:22,560 --> 00:45:22,759
Speaker 2: Yeah.

793
00:45:23,239 --> 00:45:25,320
Speaker 3: I think that's what's turned a lot of the actresses

794
00:45:25,400 --> 00:45:29,359
Speaker 3: off that we've brought in. I don't really get what

795
00:45:29,400 --> 00:45:32,200
Speaker 3: the problem is that is so clearly what those machines

796
00:45:32,239 --> 00:45:38,800
Speaker 3: are doing, Like, yeah, we tried other versions of this character,

797
00:45:38,800 --> 00:45:41,560
Speaker 3: and it doesn't make sense given what these machines are,

798
00:45:42,160 --> 00:45:43,200
Speaker 3: what their function is.

799
00:45:44,280 --> 00:45:46,520
Speaker 5: Yeah, I've never thought about it. I guess I've just

800
00:45:47,200 --> 00:45:48,280
Speaker 5: made the coffee.

801
00:45:49,480 --> 00:45:51,719
Speaker 3: Well, and isn't that what art's job is to make

802
00:45:51,800 --> 00:45:53,680
Speaker 3: us sort of take a new look at things that

803
00:45:53,680 --> 00:45:55,480
Speaker 3: we've been taking for granted.

804
00:45:55,320 --> 00:45:56,839
Speaker 5: That I agree with you about art.

805
00:45:57,120 --> 00:46:00,879
Speaker 3: Yes, yes, And so we're doing arts job here?

806
00:46:01,000 --> 00:46:01,919
Speaker 5: What his art's job?

807
00:46:03,280 --> 00:46:08,680
Speaker 3: What's we can go deeper into this pile? Okay, Well,

808
00:46:08,719 --> 00:46:11,279
Speaker 3: of course, I mean we do have. I mean there's

809
00:46:11,320 --> 00:46:14,359
Speaker 3: the left Shark project that we've been sort of waiting.

810
00:46:14,239 --> 00:46:17,480
Speaker 2: That is really starting to heat up. That's a rich one.

811
00:46:18,400 --> 00:46:21,799
Speaker 3: Everyone remembers, of course, Katie Perry doing a halftime show

812
00:46:21,920 --> 00:46:26,279
Speaker 3: Seahawks Patriots super Bowl, and the real star on the

813
00:46:26,320 --> 00:46:31,560
Speaker 3: stage was someone we all remember called left Shark. Left

814
00:46:31,560 --> 00:46:34,200
Speaker 3: Shark was dancing to the beat of his own drummer

815
00:46:34,520 --> 00:46:38,480
Speaker 3: in the most spectacular way, and a lot of people

816
00:46:38,560 --> 00:46:43,440
Speaker 3: were joking around after the show saying, hey, there's a

817
00:46:43,920 --> 00:46:46,440
Speaker 3: you know, I was the guy in the left Shark costume,

818
00:46:46,920 --> 00:46:49,920
Speaker 3: And what Hayes and I couldn't get over is just

819
00:46:50,000 --> 00:46:54,600
Speaker 3: this notion of what if there really was guy in there,

820
00:46:54,920 --> 00:46:56,759
Speaker 3: and what if he's a girl.

821
00:46:57,239 --> 00:46:59,719
Speaker 1: And she, if you think about it, would think of

822
00:46:59,760 --> 00:47:04,680
Speaker 1: her self as the right Shark mm hmmm, because of

823
00:47:04,800 --> 00:47:09,960
Speaker 1: where because she's her reation to Katie Perry and hearing

824
00:47:10,200 --> 00:47:12,200
Speaker 1: there's this great moment in it where like she's hearing

825
00:47:12,200 --> 00:47:16,080
Speaker 1: everyone talk about left shark and she's jealous. And then

826
00:47:16,120 --> 00:47:18,480
Speaker 1: she realizes she watches.

827
00:47:18,160 --> 00:47:20,960
Speaker 2: TV for the first time and she sees.

828
00:47:21,960 --> 00:47:25,480
Speaker 1: This is not the Seber reading, but she sees the

829
00:47:25,520 --> 00:47:29,960
Speaker 1: way TV works is like basically it's a moving mirror.

830
00:47:30,480 --> 00:47:30,719
Speaker 2: Yes.

831
00:47:31,000 --> 00:47:36,800
Speaker 3: And also she's like blown away because just experiencing TV,

832
00:47:37,000 --> 00:47:42,440
Speaker 3: if you can imagine, which she's never seen for someone

833
00:47:42,520 --> 00:47:46,120
Speaker 3: whose whole life has been kind of just inside a

834
00:47:46,160 --> 00:47:51,400
Speaker 3: shark costume and confined to what that is, is pretty

835
00:47:51,440 --> 00:47:54,360
Speaker 3: mind blowing. So she's taking in the technology, the fact

836
00:47:54,360 --> 00:47:57,920
Speaker 3: that she is the left shark in their minds, and

837
00:47:58,120 --> 00:48:02,440
Speaker 3: also that she just got uh diagnosed with a brain tumor.

838
00:48:02,880 --> 00:48:04,880
Speaker 2: So it's like three things at once.

839
00:48:06,920 --> 00:48:09,239
Speaker 3: The see, the role that we think would be good

840
00:48:09,239 --> 00:48:12,520
Speaker 3: for you is Bill Belichick. Yeah, the coach of the

841
00:48:12,560 --> 00:48:15,880
Speaker 3: New England Patriots. He wears a hoodie and there's a

842
00:48:15,920 --> 00:48:19,960
Speaker 3: lot of hay to be made from that. I can't

843
00:48:20,000 --> 00:48:22,719
Speaker 3: think of running out of those jokes because there's sort

844
00:48:22,719 --> 00:48:26,120
Speaker 3: of like, oh, here here comes boys in the hood.

845
00:48:27,520 --> 00:48:32,880
Speaker 3: There's uh, hope, I don't get hoodwinked. There is little

846
00:48:33,080 --> 00:48:37,399
Speaker 3: blue riding hood because it's navy blue. Uh, I have

847
00:48:37,640 --> 00:48:41,440
Speaker 3: three or four hundred more And do you guys want

848
00:48:41,440 --> 00:48:44,040
Speaker 3: to hear a couple or do you want to want

849
00:48:44,080 --> 00:48:49,880
Speaker 3: to hear six more? Okay, Yeah, there's tales from the Hood.

850
00:48:51,719 --> 00:48:57,879
Speaker 3: If you recall, there's a lot that is a pun

851
00:48:57,960 --> 00:49:03,919
Speaker 3: with good Oh yeah, it's all Hood. There's uh oh

852
00:49:04,000 --> 00:49:06,319
Speaker 3: the Hood humor. Man, he's eating ice cream in that one.

853
00:49:07,480 --> 00:49:14,040
Speaker 3: There's a Hood Morning Vietnam, and then uh there is

854
00:49:14,080 --> 00:49:15,200
Speaker 3: of course Hood night Moon.

855
00:49:18,120 --> 00:49:19,040
Speaker 2: Was that? How many was that?

856
00:49:19,160 --> 00:49:23,960
Speaker 3: I think that was for great well. There was also

857
00:49:26,960 --> 00:49:30,680
Speaker 3: why you Got to Be So Hood? If you remember

858
00:49:30,680 --> 00:49:34,399
Speaker 3: that why you Gotta Be So Rude song? And then

859
00:49:34,400 --> 00:49:39,000
Speaker 3: there was also uh Sandstorm by Dahood. We doubled back

860
00:49:39,040 --> 00:49:41,880
Speaker 3: for rude and Hood thing. If you remember Sandstorm, it

861
00:49:41,920 --> 00:49:49,560
Speaker 3: went I mean, I'm not doing it justice, but it

862
00:49:50,000 --> 00:49:53,680
Speaker 3: was a great song. Yeah, when we stumbled on Rude,

863
00:49:53,719 --> 00:49:55,759
Speaker 3: I think we really felt we had something and that

864
00:49:55,880 --> 00:50:03,680
Speaker 3: was a good morning Hood awakening anyway, Yes, Boston, Yeah, yes,

865
00:50:05,719 --> 00:50:07,480
Speaker 3: you think gonna bring in something to the table.

866
00:50:07,719 --> 00:50:09,760
Speaker 5: Thinking about it, I recently watched The Town.

867
00:50:10,320 --> 00:50:14,800
Speaker 1: Oh all right, that's really gonna help for this, Hallie.

868
00:50:14,840 --> 00:50:16,640
Speaker 2: This could be really good, Hallie.

869
00:50:16,680 --> 00:50:19,799
Speaker 3: This might be the first time that the project is

870
00:50:19,920 --> 00:50:23,160
Speaker 3: meeting that performer in a positive way.

871
00:50:24,800 --> 00:50:27,240
Speaker 5: That I have to take that as a compliment despite

872
00:50:27,760 --> 00:50:29,520
Speaker 5: what it says about what I've done up until now.

873
00:50:30,000 --> 00:50:34,799
Speaker 1: Okay, so let's let's get right into the scene. Bill

874
00:50:34,840 --> 00:50:37,719
Speaker 1: Belichick and left Shark are in the back room of

875
00:50:37,760 --> 00:50:43,640
Speaker 1: a flower shop. Bill Belichick rolls out some blueprints.

876
00:50:45,560 --> 00:50:46,920
Speaker 2: Where do you want me to put the Bomb's?

877
00:50:46,960 --> 00:50:53,920
Speaker 5: Boss, this is Fenway pack. So you're gonna enter the

878
00:50:53,960 --> 00:50:58,439
Speaker 5: pack on the south side of the pack. You're gonna

879
00:50:58,480 --> 00:51:01,560
Speaker 5: go and past the men's restroom. You're gonna go past

880
00:51:02,400 --> 00:51:05,400
Speaker 5: the beans stand. You're gonna go.

881
00:51:05,680 --> 00:51:08,680
Speaker 2: Wait, which bean's there? Boss, there's six or seven of them.

882
00:51:09,239 --> 00:51:10,719
Speaker 5: You'll know it when you see it. I got a

883
00:51:10,760 --> 00:51:14,960
Speaker 5: guy there. He's gonna wink at you. You plant the

884
00:51:15,000 --> 00:51:17,000
Speaker 5: bomb and you walk out on the pack and you

885
00:51:17,040 --> 00:51:24,200
Speaker 5: perform your number like you are planning. Okay, you're left shock. Now, okay,

886
00:51:24,600 --> 00:51:26,840
Speaker 5: you're not right shock, you're left shock.

887
00:51:26,960 --> 00:51:28,399
Speaker 2: How I'm gonna remember that.

888
00:51:29,560 --> 00:51:31,920
Speaker 5: The way you remember left shock is you take your

889
00:51:31,960 --> 00:51:34,920
Speaker 5: left hand and you make an L and the L

890
00:51:35,000 --> 00:51:37,440
Speaker 5: isn't the right way, and that means it's your left hand.

891
00:51:37,520 --> 00:51:39,560
Speaker 2: But how do I know which one's my left hand?

892
00:51:40,640 --> 00:51:40,799
Speaker 3: Oh?

893
00:51:40,800 --> 00:51:44,399
Speaker 5: Wait, that's what you were saying, maybe I'm remembering something else.

894
00:51:44,480 --> 00:51:46,719
Speaker 3: Hang on, no, hold on, I'll figure this out.

895
00:51:48,200 --> 00:51:50,040
Speaker 5: I'm thinking about how to tell the difference between your

896
00:51:50,080 --> 00:51:50,719
Speaker 5: right and your left.

897
00:51:51,800 --> 00:51:53,279
Speaker 2: You know a question you ask, Oh, you know what's

898
00:51:53,320 --> 00:51:56,320
Speaker 2: screwing me up? East and west?

899
00:51:58,760 --> 00:51:59,120
Speaker 3: Left? Shock?

900
00:51:59,160 --> 00:51:59,960
Speaker 5: Do you believe in yourself?

901
00:52:00,760 --> 00:52:01,240
Speaker 2: Oh?

902
00:52:01,320 --> 00:52:05,080
Speaker 3: Well, I believe in a couple things like what do

903
00:52:05,120 --> 00:52:06,880
Speaker 3: you mean, like believe in myself? Like?

904
00:52:06,920 --> 00:52:07,920
Speaker 2: Do I think I exist?

905
00:52:08,040 --> 00:52:10,400
Speaker 3: Because I have this one idea where it's like, what

906
00:52:10,520 --> 00:52:13,279
Speaker 3: if I'm like a character in a giant's dream and

907
00:52:13,360 --> 00:52:15,719
Speaker 3: then every time I go to sleep, that's him waking up,

908
00:52:15,800 --> 00:52:17,720
Speaker 3: and then when he go to sleep starts dreaming me again.

909
00:52:17,880 --> 00:52:20,239
Speaker 3: That's when I wake up and start doing all my adventures.

910
00:52:20,280 --> 00:52:22,680
Speaker 5: You know, I'm gonna tell you I've had that same thought.

911
00:52:23,040 --> 00:52:25,240
Speaker 5: And you know what I've decided is if that's true,

912
00:52:26,239 --> 00:52:26,840
Speaker 5: that's okay.

913
00:52:27,600 --> 00:52:33,760
Speaker 3: Cut to Bill Belichick and left Shark in uniform walking

914
00:52:33,840 --> 00:52:40,200
Speaker 3: in slow motion towards the Church of Boston Fenway Park.

915
00:52:45,040 --> 00:52:47,200
Speaker 2: This is a great walk so far.

916
00:52:48,600 --> 00:52:51,319
Speaker 5: It's the Freedom Trail. You look down and you see

917
00:52:51,960 --> 00:52:55,160
Speaker 5: little coins buried in the ground that tell you sits

918
00:52:55,520 --> 00:52:57,640
Speaker 5: from America's history founding.

919
00:52:58,160 --> 00:52:59,640
Speaker 2: Can we stop in cheers.

920
00:53:00,880 --> 00:53:02,800
Speaker 1: That's all we can play that. We got in trouble

921
00:53:04,680 --> 00:53:10,920
Speaker 1: for playing too much songs, which I checked. People like

922
00:53:11,000 --> 00:53:14,720
Speaker 1: songs if you ask me more, if you like the song,

923
00:53:14,840 --> 00:53:17,600
Speaker 1: then more is better of the song.

924
00:53:20,960 --> 00:53:23,080
Speaker 3: But it's like people who like the song being like,

925
00:53:23,200 --> 00:53:24,000
Speaker 3: don't have it.

926
00:53:24,400 --> 00:53:28,160
Speaker 1: These people asking us not to do this, it's their songs.

927
00:53:28,600 --> 00:53:31,120
Speaker 1: If they don't like their old song, they're sick of it.

928
00:53:32,120 --> 00:53:36,239
Speaker 1: Here's the question. Am I allowed to now? So I

929
00:53:36,320 --> 00:53:39,399
Speaker 1: played fifteen seconds of it? Am I allowed to go like.

930
00:53:41,600 --> 00:53:43,960
Speaker 2: To do? Like other little pieces? Am I in trouble?

931
00:53:44,040 --> 00:53:47,960
Speaker 3: Now? Oh? That's a great question. In Holly, what do

932
00:53:48,000 --> 00:53:50,040
Speaker 3: you think? I mean, you've got some experience with union.

933
00:53:50,280 --> 00:53:50,759
Speaker 2: I'm over.

934
00:53:51,440 --> 00:53:55,720
Speaker 1: I'm over the fifteen Yeah, so what would your union

935
00:53:56,560 --> 00:53:59,560
Speaker 1: say about this? I'm over the fifteen second limit on

936
00:53:59,640 --> 00:54:02,960
Speaker 1: how much to play other songs. But I keep what

937
00:54:03,000 --> 00:54:04,840
Speaker 1: if I accidentally keep hitting the button?

938
00:54:05,239 --> 00:54:07,480
Speaker 5: I think you're safest if you change the words.

939
00:54:08,200 --> 00:54:09,480
Speaker 2: Oh boy, Okay.

940
00:54:10,040 --> 00:54:12,400
Speaker 5: When I was a freshman in college, we wanted to

941
00:54:12,440 --> 00:54:16,200
Speaker 5: do a production of Spring Awakening, very famous Broadway musical,

942
00:54:16,360 --> 00:54:19,239
Speaker 5: but the rights weren't available, so we just changed some

943
00:54:19,280 --> 00:54:23,440
Speaker 5: of the words and then it was okay. So if

944
00:54:23,440 --> 00:54:25,200
Speaker 5: you could change the words to the song. I don't

945
00:54:25,200 --> 00:54:26,720
Speaker 5: know if the song ever gets words.

946
00:54:27,200 --> 00:54:30,839
Speaker 2: It says sandstorm in the middle. It stops the thing.

947
00:54:30,880 --> 00:54:33,839
Speaker 1: I can't play it, but it stops the music and

948
00:54:34,280 --> 00:54:39,560
Speaker 1: a guy goes serve storm and then it comes it

949
00:54:39,560 --> 00:54:41,040
Speaker 1: comes back up exactly the same.

950
00:54:41,120 --> 00:54:41,359
Speaker 3: I think.

951
00:54:41,360 --> 00:54:43,239
Speaker 5: If you have sort of a muscle spasm that makes

952
00:54:43,239 --> 00:54:46,040
Speaker 5: your arm hit the space bar, nobody can say anything.

953
00:54:46,160 --> 00:54:47,560
Speaker 2: Okay, I don't know how I'm going to get one

954
00:54:47,560 --> 00:54:49,880
Speaker 2: of those. I guess we keep going.

955
00:54:50,000 --> 00:54:52,319
Speaker 5: I thought that was amazing, and when you said move

956
00:54:52,320 --> 00:54:53,960
Speaker 5: in slow motion, that made a ton of sense to me.

957
00:54:55,200 --> 00:54:57,600
Speaker 5: And our bodies kept moving in soul motion even though

958
00:54:57,640 --> 00:54:58,879
Speaker 5: our words were in fast motion.

959
00:54:59,080 --> 00:55:02,719
Speaker 1: Then well, that's the question, because I wonder that makes

960
00:55:02,719 --> 00:55:04,760
Speaker 1: it seem like it didn't make sense to you because

961
00:55:04,760 --> 00:55:06,640
Speaker 1: you were supposed to be talking like you were in

962
00:55:06,640 --> 00:55:07,200
Speaker 1: slow motion.

963
00:55:07,960 --> 00:55:12,160
Speaker 3: Oh well, that's partially on Left Shark two, who I

964
00:55:12,200 --> 00:55:16,680
Speaker 3: don't think I mentioned is has her voice sped up?

965
00:55:16,760 --> 00:55:21,400
Speaker 1: Has been normal naturally fast voice for this scene? Yeah,

966
00:55:22,560 --> 00:55:24,040
Speaker 1: as part of her disguise.

967
00:55:24,160 --> 00:55:27,080
Speaker 5: Because I took c from you that I was wrong

968
00:55:27,120 --> 00:55:28,680
Speaker 5: because I didn't know about the voice speating.

969
00:55:28,840 --> 00:55:31,439
Speaker 1: Well, you said you'd seen the town and which made

970
00:55:31,480 --> 00:55:35,160
Speaker 1: me think that this was going to be a match.

971
00:55:35,200 --> 00:55:39,040
Speaker 1: That made sense. But you've spoken normal voice during the

972
00:55:39,080 --> 00:55:44,200
Speaker 1: slow motion part, which is not what the townspeople did. Well,

973
00:55:44,640 --> 00:55:49,840
Speaker 1: you remember the curse they all got cursed of you know, No,

974
00:55:50,320 --> 00:55:52,759
Speaker 1: that was the village was.

975
00:55:55,040 --> 00:55:58,040
Speaker 5: Why are you flipping through your notebook? What are you

976
00:55:58,080 --> 00:55:58,520
Speaker 5: looking for?

977
00:55:58,800 --> 00:55:59,760
Speaker 2: You know what's in there?

978
00:56:00,320 --> 00:56:03,719
Speaker 1: It's nothing else. It says, I'm supposed to hang out

979
00:56:03,719 --> 00:56:12,840
Speaker 1: with Sam right now. Sam, So I was having this

980
00:56:12,880 --> 00:56:16,480
Speaker 1: other conversation before, but now we're supposed to be hanging out,

981
00:56:18,280 --> 00:56:20,279
Speaker 1: and so I just want to tell you that I

982
00:56:20,320 --> 00:56:24,680
Speaker 1: have to delay our hangout session in order to do

983
00:56:24,800 --> 00:56:30,240
Speaker 1: the show. Okay, I'll put it in my notebook that anyway,

984
00:56:30,280 --> 00:56:31,720
Speaker 1: I forgot what we were talking about.

985
00:56:31,960 --> 00:56:34,799
Speaker 5: I feel so warmed up. I feel kind of in

986
00:56:34,840 --> 00:56:35,480
Speaker 5: the zone.

987
00:56:35,840 --> 00:56:38,600
Speaker 3: Okay, Well that might be a good stopping point for us.

988
00:56:40,640 --> 00:56:43,600
Speaker 5: Okay, but I just achieved sort of what they call flow,

989
00:56:44,760 --> 00:56:46,000
Speaker 5: Oh believe flow.

990
00:56:46,160 --> 00:56:49,320
Speaker 1: Oh God, it's very unfortunate that this is a stopping

991
00:56:49,320 --> 00:56:51,560
Speaker 1: point because I would love to talk about flow.

992
00:56:52,320 --> 00:56:55,400
Speaker 3: I have something about flow here in my notebook. And

993
00:56:55,520 --> 00:57:03,120
Speaker 3: hold on just a second, Sam, Yeah, flows in those

994
00:57:03,120 --> 00:57:04,239
Speaker 3: progressive commercials.

995
00:57:04,320 --> 00:57:06,800
Speaker 2: Right, yeah, yeah, that's her. Okay.

996
00:57:07,760 --> 00:57:12,600
Speaker 3: Uh, I was just talking to Sam and uh uh

997
00:57:12,640 --> 00:57:17,640
Speaker 3: it went pretty well. I guess we got one more

998
00:57:18,600 --> 00:57:21,240
Speaker 3: quick pilot that's sort of like a gift as the

999
00:57:21,280 --> 00:57:21,960
Speaker 3: pro version.

1000
00:57:22,200 --> 00:57:25,640
Speaker 2: Yes, and let me figure out. Let me look up

1001
00:57:25,800 --> 00:57:28,120
Speaker 2: in my notebook who got the pro version this week?

1002
00:57:29,320 --> 00:57:32,240
Speaker 5: We haven't done anything funny yet, and I don't know

1003
00:57:32,280 --> 00:57:34,120
Speaker 5: if I don't know if a lot.

1004
00:57:34,040 --> 00:57:34,920
Speaker 2: Of it was supposed to be.

1005
00:57:35,000 --> 00:57:41,000
Speaker 1: Yeah, we have a we have a funny one.

1006
00:57:41,680 --> 00:57:43,280
Speaker 2: Is there a funny one in there? Uh?

1007
00:57:43,360 --> 00:57:46,920
Speaker 3: Yeah, there's a wacko goofy one just some like dumb

1008
00:57:47,760 --> 00:57:51,960
Speaker 3: like just some dumb wild shit, stupid Caponco's crazy stuff,

1009
00:57:52,080 --> 00:57:54,800
Speaker 3: kind of wild shit, make you lose your mind stuff,

1010
00:57:54,840 --> 00:57:57,560
Speaker 3: make you bust your butt off laughing, and uh just

1011
00:57:57,640 --> 00:58:01,280
Speaker 3: some of the most legendary yucks and many jokes. Uh,

1012
00:58:01,400 --> 00:58:04,000
Speaker 3: we got some of those in this one.

1013
00:58:04,320 --> 00:58:04,480
Speaker 6: Uh.

1014
00:58:04,760 --> 00:58:06,680
Speaker 3: Let me just flip through and make sure this is

1015
00:58:06,720 --> 00:58:10,400
Speaker 3: the right one I'm thinking of. Uh yeah, it's called

1016
00:58:12,160 --> 00:58:17,880
Speaker 3: hospital Bitch, and it's it's for uh, it's like got

1017
00:58:17,880 --> 00:58:20,440
Speaker 3: a lot of like it's for like fuck tards and

1018
00:58:20,600 --> 00:58:23,520
Speaker 3: like just fuck offs, fuck ups, like people who just

1019
00:58:23,600 --> 00:58:25,400
Speaker 3: like don't really give a shit and want to have

1020
00:58:25,480 --> 00:58:28,240
Speaker 3: fun and uh, it's not really gonna make a lot

1021
00:58:28,280 --> 00:58:31,360
Speaker 3: of friends with the PC police. But that's not really

1022
00:58:31,400 --> 00:58:35,400
Speaker 3: what we're about, is it, Holly Huntly, you.

1023
00:58:35,600 --> 00:58:38,000
Speaker 5: Changed after that Red Bull, like you're like different.

1024
00:58:38,360 --> 00:58:42,680
Speaker 3: Well, it was not a sugar free one, and that's

1025
00:58:42,720 --> 00:58:44,800
Speaker 3: what I'm used to, and so I think I am

1026
00:58:44,920 --> 00:58:50,080
Speaker 3: feeling it makes him pretty strange. And yeah, uh, some

1027
00:58:50,200 --> 00:58:53,600
Speaker 3: of what's happening for me physically I'm not comfortable with,

1028
00:58:53,760 --> 00:58:55,720
Speaker 3: and so I'm talking to cover that.

1029
00:58:56,720 --> 00:59:00,120
Speaker 1: Yeah, so we're gonna read two lines from Hospital Bitch

1030
00:59:00,240 --> 00:59:04,000
Speaker 1: for the winner of the proversion this week is Musical Guest,

1031
00:59:04,200 --> 00:59:07,360
Speaker 1: which I believe is a comedy bang bang reference. How

1032
00:59:07,520 --> 00:59:11,960
Speaker 1: this got through to being able to that should disqualify you.

1033
00:59:12,000 --> 00:59:14,320
Speaker 2: From purchasing the proversion, but I'm.

1034
00:59:14,200 --> 00:59:19,760
Speaker 1: Sure that name will change and without further ado, thank

1035
00:59:19,800 --> 00:59:25,240
Speaker 1: you Hallie for being on the show, and Sean, it

1036
00:59:25,320 --> 00:59:27,120
Speaker 1: was great to spend some time with you as well.

1037
00:59:27,320 --> 00:59:31,160
Speaker 3: Oh thanks man, And I love having that happen for

1038
00:59:31,320 --> 00:59:33,680
Speaker 3: us that just every once in a while you check

1039
00:59:33,720 --> 00:59:36,760
Speaker 3: in and you say this has been enjoyable, and I

1040
00:59:36,920 --> 00:59:40,120
Speaker 3: like to see in Holly, and where's the spot because

1041
00:59:40,800 --> 00:59:43,480
Speaker 3: maybe I should be there too, just so I don't

1042
00:59:43,520 --> 00:59:47,320
Speaker 3: have whatever's having. It feels like my back wants to escape.

1043
00:59:47,400 --> 00:59:50,080
Speaker 3: Does that make sense to you? A?

1044
00:59:50,840 --> 00:59:51,080
Speaker 2: Yes?

1045
00:59:51,480 --> 00:59:58,200
Speaker 3: Yeah, So here come hospital, bitch. Okay, I'll take a

1046
00:59:58,280 --> 00:59:59,800
Speaker 3: short stack of flapjacks.

1047
01:00:00,040 --> 01:00:00,240
Speaker 4: Yeah.

1048
01:00:02,200 --> 01:00:06,720
Speaker 5: Uh, this is the ear. Flapjacks are in the cafeteria.

1049
01:00:07,920 --> 01:00:08,520
Speaker 2: You're cast.

1050
01:00:09,040 --> 01:00:18,440
Speaker 4: Bye, Hollywood, and book is brought to you by Wolf

1051
01:00:18,560 --> 01:00:19,560
Speaker 4: Cool Productions

1052
01:00:19,560 --> 01:00:30,600
Speaker 3: To subsidiary of Calvinondibbs Ow Baby