WEBVTT - Forget I Asked (S3 E3 "Application Anxiety")

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<v Speaker 1>I am all in. I am all in with Scott

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<v Speaker 1>Patterson and I Heart Radio podcast. All right, everybody, Scott Patterson,

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<v Speaker 1>I'm all in podcast. I Heart Radio, one of leven productions.

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<v Speaker 1>We have had a tsunami, a tsunami of responses emails

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<v Speaker 1>coming in over the last recap episode haunted leg and

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<v Speaker 1>I wanted to address it. I I really think it's

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<v Speaker 1>important to address it because, as I said to Amy

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<v Speaker 1>in our initial phone call, Um, when I pictured the idea,

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<v Speaker 1>which I thought was such an original idea of a

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<v Speaker 1>of a rewatch podcast, I didn't know there were thirty

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<v Speaker 1>thousand of them already on you, which it just shows

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<v Speaker 1>you how slow my brain works. Um. Um, you know,

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<v Speaker 1>I said to her, the most important thing to me

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<v Speaker 1>is that the fans are served here that we cannot

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<v Speaker 1>usurp or you know, try to grandstand or or in

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<v Speaker 1>any way, um walk into the Church of Gilmore and

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<v Speaker 1>defy all the place. And I think I did that

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<v Speaker 1>on this last episode. And I want to first and

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<v Speaker 1>foremost apologize to you, Amy for talking over I think

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<v Speaker 1>I don't want to get into an argument and talk

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<v Speaker 1>over you. When I'm trying to apologize, I interrupt you

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<v Speaker 1>every every episode. I see your comments, I see your comments.

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<v Speaker 1>I get excited. I can't help myself, right, but we

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<v Speaker 1>just get excited. We care. Here's the thing. And I

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<v Speaker 1>don't mean to trash guys, but if it was a

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<v Speaker 1>bunch of guys reacting oh this, that I would go.

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<v Speaker 1>You know, I understand guys when men, I think I

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<v Speaker 1>place women higher than I do. Man, I just do.

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<v Speaker 1>They're more emotionally intelligent, they're more in tune with shows

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<v Speaker 1>like this. This fan base is is mostly women. It's

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<v Speaker 1>most it's like women. And uh, my entire life, I

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<v Speaker 1>have been guided by emotionally mature, intelligent women. Otherwise I'd

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<v Speaker 1>be a total wreck. And women have saved my ass

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<v Speaker 1>countless times in my life. And when women speak out

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<v Speaker 1>and say, Scott, check yourself a little bit, I listen.

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<v Speaker 1>So I'm listening to you. I appreciate this. I love you, guys, Daniel.

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<v Speaker 1>I apologize if I have been talking over you. I've

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<v Speaker 1>been too aggressive. You're so nice. So after we taped

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<v Speaker 1>the episode that aired, Scott called me the next morning

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<v Speaker 1>and call to me to apologize, and I was like,

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<v Speaker 1>you have the whole thing to apologize for, Like nothing

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<v Speaker 1>is more fun for me. Than when we're talking about

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<v Speaker 1>these episodes, because it's like we were so passionate about

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<v Speaker 1>this show, Like I love this show so much, so

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<v Speaker 1>it's like nothing. I do enjoy hearing a different perspective too,

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<v Speaker 1>you know, like it wouldn't be fun if it was

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<v Speaker 1>just the same perspective, like exactly like seeing from your lens,

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<v Speaker 1>even though ours was totally right and Scott correct, we

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<v Speaker 1>want to hear it. I'm just kidding, a lot of

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<v Speaker 1>people agree with you. You know, people don't like Christopher.

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<v Speaker 1>I happen to love him, so I think that's the

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<v Speaker 1>other thing. It's like you don't care for Christopher, where

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<v Speaker 1>I'm just like Doe ide for Christopher. I love him,

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<v Speaker 1>But it doesn't give me the right to to stop

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<v Speaker 1>listening to you because you're not agreeing with me. And

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<v Speaker 1>I want to be better at that. So I want

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<v Speaker 1>to appreciate that. But I think you always listen. But listen.

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<v Speaker 1>We I told you in that initial phone call. The

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<v Speaker 1>fans are gonna shape this. We're going into this kind

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<v Speaker 1>of blind I know this. I know this show is

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<v Speaker 1>is sacred to people. It gives them a great deal

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<v Speaker 1>of comfort. The last thing I want to do is

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<v Speaker 1>gives them any kind of stress. UM, I just happened

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<v Speaker 1>to be UM. And there's a lot of reasons for it.

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<v Speaker 1>UM A little bit forceful sometimes, UM. And you know

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<v Speaker 1>we also are passionate. You look are Luke. So whether

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<v Speaker 1>you are an actor portraying Luke over these many years,

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<v Speaker 1>like you are Luke, you care about him so much

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<v Speaker 1>so we want to hear what Luke has to say.

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<v Speaker 1>So here's here's what I'm gonna try to do. I'm

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<v Speaker 1>gonna try to and I think and one comment really

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<v Speaker 1>open my eyes. And I'm telling you, the comments are

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<v Speaker 1>so intelligent, they're so insightful, and it's amazing this fan

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<v Speaker 1>base read them as we read them. I didn't read

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<v Speaker 1>them all. I couldn't get through them all I was.

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<v Speaker 1>You know, I almost had a breakdown. I couldn't. I

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<v Speaker 1>got through about four of them, what I said, all right,

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<v Speaker 1>another one for me, another one. I read them all

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<v Speaker 1>that for some reason, if someone missed last week, you

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<v Speaker 1>might want to go back right now and give it

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<v Speaker 1>a clicker too, because it got hot. But I gotta

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<v Speaker 1>tell you, I love doing this. I've never had so

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<v Speaker 1>much fun doing anything in my professional career. And I

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<v Speaker 1>love you guys, and we are having such a good

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<v Speaker 1>time doing this. I do get passionate. I think what

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<v Speaker 1>I'm going to try to do. It's one of the

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<v Speaker 1>comments that I was I was about to comment on

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<v Speaker 1>is try to separate, And it was such an insightful comment. Um.

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<v Speaker 1>It was trying to separate Luke from Scott and try

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<v Speaker 1>to look at a little more objectively like a fan

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<v Speaker 1>would look at it. I'm looking at it. It's like

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<v Speaker 1>too much inside baseball kind of thing. But that's what

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<v Speaker 1>we like because I get it. But it doesn't because

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<v Speaker 1>you may have seen from my background acting, which was

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<v Speaker 1>a lot better than I give your credit for, I

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<v Speaker 1>just got a little jealous, very bad. It was very

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<v Speaker 1>very bad because I know I can't do it like that, Um,

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<v Speaker 1>which is why I never attempted background acting. Um, but

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<v Speaker 1>I'm listen. I hear you, I hear you, Gang, I

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<v Speaker 1>hear everybody, and you should be able to listen to

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<v Speaker 1>this podcast about this fantastic show filled with people that

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<v Speaker 1>I truly love. Um. It's an experience and it continues

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<v Speaker 1>to change my life and improve my life for the better.

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<v Speaker 1>And if you're saying this, then I'm gonna work on

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<v Speaker 1>myself and I'm going to try to to be a

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<v Speaker 1>little less um forceful with my opinion. But I think

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<v Speaker 1>I think opinions. If you know, I stand by my opinions.

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<v Speaker 1>It's just it's it's it's not having the opinion, it's

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<v Speaker 1>how the opinion is is served. And I just think

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<v Speaker 1>I'm serving the opinion a little hot. I'm gonna take

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<v Speaker 1>it out of the oven sooner, let it cool off,

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<v Speaker 1>and then I'll serve it. Ready, I mean, let's do it.

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<v Speaker 1>Let's do it today. I can't wait to see what

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<v Speaker 1>he's thinking. Anyway, greatest fans in the world. They are

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<v Speaker 1>the smartest, nicest people, by the way, I agree, they

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<v Speaker 1>are so nice. But the comments are so so smart,

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<v Speaker 1>Like keep them coming. They do. They know this show

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<v Speaker 1>a heck of a lot better than I do. And

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<v Speaker 1>I was in it. It's like not even a fair fight.

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<v Speaker 1>But thank you, thank you for the comments. And we're

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<v Speaker 1>gonna we do want to make this UM a fan

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<v Speaker 1>friendly event. Every single time you tune in. We don't

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<v Speaker 1>want you to feel like there's going to be any

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<v Speaker 1>kind of toxicity. So we've got an expert coming in.

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<v Speaker 1>They're going to clear out the toxicity and then we're

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<v Speaker 1>going to continue anyway. I almost I almost shout a

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<v Speaker 1>team low again because you can't help. But like, you're

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<v Speaker 1>still going to have a show, and we're not all

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<v Speaker 1>going to agree. Like I am going to be team Logan.

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<v Speaker 1>I do love me some Jess, but I'm always gonna

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<v Speaker 1>be team Logan. So it's like we're gonna disagree on

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<v Speaker 1>things we are. That's fine. I can't wait to see

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<v Speaker 1>you about this episode because I have like some get

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<v Speaker 1>into it because I have something. Okay, I after this

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<v Speaker 1>episode was over, Uh and we're wait a minute, so

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<v Speaker 1>who's who's going to do our synopsis? Take the synopsis away.

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<v Speaker 1>So this is season three, episode three, Application Anxiety, original

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<v Speaker 1>air day, October eight, two two. When Rory's Harvard application arrives,

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<v Speaker 1>her confidence disappears, and soon three generations of Gilmore girls

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<v Speaker 1>share one giant anxiety attack. Plus Dean starts to wonder

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<v Speaker 1>what will happen with their relationship when she takes off

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<v Speaker 1>for college, and Taylor convinces the town to open an

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<v Speaker 1>old fashioned soda shop next to Luke's diner. At the

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<v Speaker 1>end of this episode, at the end of Application Anxiety,

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<v Speaker 1>you know what I said to myself, what I said,

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<v Speaker 1>who the hell wrote this? So I went back and

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<v Speaker 1>I looked at it. Is that good or bad? Oh?

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<v Speaker 1>That's good, I said to myself. Daniel Palladino wrote the

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<v Speaker 1>hell out of this episode, because man, you talk about

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<v Speaker 1>snappy dialogue, and Gail man Cuso directed it. And I

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<v Speaker 1>remember Gail and she was always so great to work with,

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<v Speaker 1>and she masterfully guided us through this and kept our

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<v Speaker 1>pace at breakneck speed throughout this entire thing. I just

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<v Speaker 1>thought that this was a masterful episode. I was completely engaged.

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<v Speaker 1>I wanted to get up and and get some more food,

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<v Speaker 1>but I wouldn't allow myself to know I just right.

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<v Speaker 1>That happens to me with Gilmore Girls constantly, where I'm like, oh,

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<v Speaker 1>I'm just gonna watch like fifteen minutes of it and

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<v Speaker 1>then I'll go do something else, and then all of

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<v Speaker 1>a sudden, it's like I'm a zombie. Just like. I

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<v Speaker 1>was so hooked into this because the dialogue was so great,

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<v Speaker 1>and the and the banter back and forth was so great,

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<v Speaker 1>and the timing was so great. Everything was just bum

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<v Speaker 1>bum bum bum bum bum bum bum. Well, you know

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<v Speaker 1>what hooked me right from the start, The Brady Variety Hour,

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<v Speaker 1>Like do you guys, do you guys know what that is? Genius? Yeah,

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<v Speaker 1>Brady Bunch, me too. But so that's what is so

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<v Speaker 1>genius about this show. They weren't watching The Brady Bunch.

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<v Speaker 1>They were watching the fairly cheesy like Pam The Brady

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<v Speaker 1>Variety Hours. So in the seventies, Danielle was not very

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<v Speaker 1>born in are you joking me? Sorry? You weren't born

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<v Speaker 1>till the nineties. The first year, well, I was born

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<v Speaker 1>in the seventies. So in the seventies is the Variety

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<v Speaker 1>Hour was like a total thing, like it was the

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<v Speaker 1>heyday of Donnie and Marie. So the fact that Rory

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<v Speaker 1>and Lorla are watching The Brady Variety Hour, who even

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<v Speaker 1>knows how they got it at the time because it

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<v Speaker 1>wasn't on. It was like a song and dance thing

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<v Speaker 1>with all the Bradies, except where I think Jan bugged out.

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<v Speaker 1>I think Jan did not partake. That was so hilarious

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<v Speaker 1>that they were watching that I was dying, and then

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<v Speaker 1>that that kind of became that bit because her application

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<v Speaker 1>came while they were watching. They Now, did you guys

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<v Speaker 1>notice something about the mailman? He didn't close the door.

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<v Speaker 1>He left the door wide open, And I just came

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<v Speaker 1>in the house. But that's small town. That's like small town, right,

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<v Speaker 1>They're all, hey, Eddie. I'm like what yeah, Like I

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<v Speaker 1>live in a little small town and my alarm would

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<v Speaker 1>be going off if somebody to open the door, you know.

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<v Speaker 1>I mean, you know, my mailman, I wave and I love,

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<v Speaker 1>but he doesn't open my door. We used to get

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<v Speaker 1>We used to have a milkbox out in front of

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<v Speaker 1>our front door, and the milkman would come by and

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<v Speaker 1>put the glass bottles of milk and milk balls. And

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<v Speaker 1>then we used to have god, I sound old, don't

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<v Speaker 1>I um? And then we had a Charles Chips used

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<v Speaker 1>to come by and put potato chips into our potatoes. Yes, yes,

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<v Speaker 1>it was a weekly delivery. The old joke so like

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<v Speaker 1>Daniel is too young for this too. The old joke

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<v Speaker 1>would be like, oh was it the milkman. Like remember

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<v Speaker 1>when people would have like Shenanigan's on the side, and

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<v Speaker 1>or like Milkman's baby exactly because the milkman. I'm too

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<v Speaker 1>young for the milkman. Sorry, Scott, the puffcorn relieved because

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<v Speaker 1>I was suspicious, you know, guy, Yeah, can they bring

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<v Speaker 1>back the chip guys? And the guy just delivered bags

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<v Speaker 1>of potato chips. I mean what it was both. I

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<v Speaker 1>mean it was like get them both in court. You know,

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<v Speaker 1>it's like, what are you gonna do? Chip guy? It's like, okay,

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<v Speaker 1>it could be one or the other. Alright, So back

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<v Speaker 1>to the show. So what do you guys think her

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<v Speaker 1>Harvard application has come? Um, you know, I love that

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<v Speaker 1>they talked about the dead souls and go Goal reading

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<v Speaker 1>the bleak Russian authors who are all quite brilliant, and uh,

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<v Speaker 1>you know, it was just a funny bed. It was

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<v Speaker 1>a funny way to open it. What should we do?

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<v Speaker 1>Should he could have brilliant? Yeah, it was a funny

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<v Speaker 1>way to open it, very literally, because they're watching the

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<v Speaker 1>show being so ruy lorla, and then here comes the

0:13:56.080 --> 0:14:00.880
<v Speaker 1>baby Harvard application. It's like, here's here's present day culture

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<v Speaker 1>watching the Brady Bunch Variety Hour, and then there's a

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<v Speaker 1>Harvard coming in, and then there's Googel right, so okay,

0:14:08.520 --> 0:14:12.280
<v Speaker 1>So then we come into the kitchen and out pops Lane.

0:14:12.320 --> 0:14:15.200
<v Speaker 1>And this is a very important storyline. Lane wants to

0:14:15.200 --> 0:14:19.400
<v Speaker 1>be in a band, so she's got this ad. So

0:14:19.640 --> 0:14:24.040
<v Speaker 1>that's big because as we know, that becomes major throughout

0:14:24.040 --> 0:14:27.080
<v Speaker 1>the series. So Danielle, I'm jumping ahead, But what did

0:14:27.120 --> 0:14:30.640
<v Speaker 1>you think when you saw did you know his voice?

0:14:30.640 --> 0:14:35.640
<v Speaker 1>When you heard on the voice smail the guy calling Lane?

0:14:35.680 --> 0:14:37.400
<v Speaker 1>Do you know what I'm talking about? No? Yeah, yeah,

0:14:37.400 --> 0:14:38.800
<v Speaker 1>I know what you're talking about. But no, I didn't

0:14:38.840 --> 0:14:42.440
<v Speaker 1>recognize the voice. Who was it? You didn't recognize when

0:14:42.520 --> 0:14:48.360
<v Speaker 1>Dave Regowski calls for the first time? Negative? Okay, don't

0:14:48.360 --> 0:14:51.840
<v Speaker 1>want it. Okay, I'm jumping ahead, so we'll get back

0:14:51.840 --> 0:14:54.080
<v Speaker 1>to it. But this is major okay, So anyway, alright,

0:14:54.120 --> 0:14:57.160
<v Speaker 1>so we're in the kitchen, Lane pops out. Any thoughts

0:14:57.200 --> 0:15:01.840
<v Speaker 1>on that scene? Um was wondering what the music was

0:15:01.880 --> 0:15:03.880
<v Speaker 1>in the background. I liked the music in the background,

0:15:04.600 --> 0:15:06.200
<v Speaker 1>and then she popped out and I said, oh, that's

0:15:06.200 --> 0:15:10.280
<v Speaker 1>the music in the background. Okay cool? Um yeah, but

0:15:10.520 --> 0:15:15.520
<v Speaker 1>uh yeah again uh the pace of the dialogue and

0:15:15.640 --> 0:15:18.040
<v Speaker 1>you really have to focus in and concentrate on what

0:15:18.200 --> 0:15:20.160
<v Speaker 1>she's sang because you can't pick up all of it.

0:15:20.160 --> 0:15:23.480
<v Speaker 1>It's so fast. So it really does get you in

0:15:23.520 --> 0:15:26.600
<v Speaker 1>this heightened state of awareness where you need to be

0:15:26.720 --> 0:15:29.480
<v Speaker 1>completely focused or else you're gonna miss something. And that's

0:15:29.520 --> 0:15:31.680
<v Speaker 1>why people watch this so many times over and over

0:15:31.680 --> 0:15:34.080
<v Speaker 1>again because it's like I missed that. I want to

0:15:34.080 --> 0:15:36.960
<v Speaker 1>get that. I want to experience this again because it's

0:15:37.000 --> 0:15:40.600
<v Speaker 1>it's faster than life. Yeah, that is really true, especially

0:15:40.640 --> 0:15:42.400
<v Speaker 1>in this episode, and it makes it kind of thrilling,

0:15:42.440 --> 0:15:46.120
<v Speaker 1>and it really its speeds up life. It's like life

0:15:46.120 --> 0:15:48.960
<v Speaker 1>and fast forward somehow or a higher speed. And I

0:15:48.960 --> 0:15:51.280
<v Speaker 1>had I had felt like we hadn't had a Lane

0:15:51.720 --> 0:15:53.960
<v Speaker 1>episode in a bit, like either she'd been missing or

0:15:54.040 --> 0:15:56.080
<v Speaker 1>she was sort of insignificant where I was happy to

0:15:56.120 --> 0:15:59.120
<v Speaker 1>see her at the forefront again. Yeah, I was happy

0:15:59.160 --> 0:16:02.280
<v Speaker 1>to see her doing she loved and she and she

0:16:02.360 --> 0:16:05.640
<v Speaker 1>loves that. Um so that was good. It was refreshing.

0:16:05.840 --> 0:16:08.360
<v Speaker 1>It was refreshing to see her. Okay, so we get

0:16:08.360 --> 0:16:10.880
<v Speaker 1>into Luke Steiner, so it's almost like she's another she's

0:16:10.880 --> 0:16:15.680
<v Speaker 1>another of laurealized daughters, where it's like that's where she belongs,

0:16:16.480 --> 0:16:20.760
<v Speaker 1>or she's an alter ego of Rory somehow. Yes, Oh,

0:16:20.880 --> 0:16:24.280
<v Speaker 1>very interesting. I do feel that she has a very

0:16:24.800 --> 0:16:28.400
<v Speaker 1>mother daughter relationship with Laura la friends but bordering on

0:16:28.440 --> 0:16:32.080
<v Speaker 1>their very close agree She's just be bopping in their

0:16:32.120 --> 0:16:34.160
<v Speaker 1>house all the time, and as we know then she

0:16:34.320 --> 0:16:36.200
<v Speaker 1>takes the calls out there. I mean She's free to

0:16:36.240 --> 0:16:38.840
<v Speaker 1>come and go like it's her home. I had. I

0:16:38.880 --> 0:16:40.880
<v Speaker 1>had My best buddy was like that. He used to

0:16:40.920 --> 0:16:42.960
<v Speaker 1>just come over any time, and he was welcome to

0:16:43.040 --> 0:16:44.920
<v Speaker 1>just go into the fridge and come into the house.

0:16:45.000 --> 0:16:47.120
<v Speaker 1>And you know, because he had a he had a

0:16:47.160 --> 0:16:49.480
<v Speaker 1>tough family life, so he would come in and hang.

0:16:49.600 --> 0:16:51.280
<v Speaker 1>I mean I I wouldn't be there. He'd come in

0:16:51.320 --> 0:16:53.360
<v Speaker 1>and talk to my mom, and my mom would Isn't

0:16:53.360 --> 0:16:55.480
<v Speaker 1>that the best? It's the best for him and for you? Yes,

0:16:56.120 --> 0:16:58.560
<v Speaker 1>And we're still super close to this day. Oh I

0:16:58.600 --> 0:17:01.360
<v Speaker 1>love that. Yeah. Okay, So we go into Luke's diner

0:17:01.440 --> 0:17:05.000
<v Speaker 1>and this is my favorite line. Do they let kids

0:17:05.080 --> 0:17:07.440
<v Speaker 1>drink coffee before school? I think it might lead to

0:17:07.480 --> 0:17:12.640
<v Speaker 1>harder stuff Latte's cappuccinos. Yeah. Now, what did you think

0:17:12.680 --> 0:17:16.679
<v Speaker 1>of Dean and Rory that that morning? Um? What they

0:17:16.680 --> 0:17:20.000
<v Speaker 1>had that little scene at the table, right? I thought

0:17:20.040 --> 0:17:23.640
<v Speaker 1>they looked very comfortable and very content and things were

0:17:23.720 --> 0:17:27.719
<v Speaker 1>kind of back on track for them. Yeah. Yeah, I

0:17:27.760 --> 0:17:30.280
<v Speaker 1>felt that way too about this episode, and it was

0:17:30.320 --> 0:17:34.399
<v Speaker 1>sweet right there. Sweet together. They're very sweet together. He

0:17:34.480 --> 0:17:38.679
<v Speaker 1>was less annoying and no jess in this episode, So

0:17:38.760 --> 0:17:40.960
<v Speaker 1>maybe that makes us sort of like, like Dean more,

0:17:41.800 --> 0:17:45.919
<v Speaker 1>how do you guys feel about Dean right now? I

0:17:45.960 --> 0:17:48.280
<v Speaker 1>feel bad for the guy. I do feel bad. But

0:17:48.400 --> 0:17:52.080
<v Speaker 1>this episode I was like, oh, okay, there's a shift

0:17:52.200 --> 0:17:54.520
<v Speaker 1>in this episode, which we can talk about later because

0:17:54.840 --> 0:17:57.560
<v Speaker 1>the ending scene, you know, one of the final scenes,

0:17:57.600 --> 0:17:59.359
<v Speaker 1>you kind of get a glimpse into what's going on

0:17:59.400 --> 0:18:07.640
<v Speaker 1>in Dean's rain. You know, Yeah, Dean was Dean later on. Yeah, yeah,

0:18:08.040 --> 0:18:11.960
<v Speaker 1>although interesting that he sort of was thinking ahead to

0:18:12.000 --> 0:18:16.520
<v Speaker 1>it so realistically where she really wasn't. But we'll get

0:18:16.560 --> 0:18:20.000
<v Speaker 1>to that. Yeah. I thought they seemed very cute in

0:18:20.040 --> 0:18:24.200
<v Speaker 1>this scene, and you know, she wanted to make plans

0:18:24.560 --> 0:18:25.800
<v Speaker 1>and he was like, all right, you gonna be writing

0:18:25.800 --> 0:18:29.680
<v Speaker 1>your essay. And that's when we learned she put school aside.

0:18:29.880 --> 0:18:32.280
<v Speaker 1>You know, she was like no, like you know, like

0:18:32.440 --> 0:18:34.600
<v Speaker 1>I want to hang out with you. She thinks she's

0:18:34.600 --> 0:18:36.400
<v Speaker 1>going to write about Hillary Clinton, and she's all good

0:18:36.400 --> 0:18:44.680
<v Speaker 1>to go, and we see Taylor taking the photo hysterical,

0:18:48.640 --> 0:18:57.399
<v Speaker 1>and then he got he knew, Luke. He's so good.

0:18:57.600 --> 0:18:59.800
<v Speaker 1>He is. I mean, he just puts that in his

0:19:00.040 --> 0:19:05.080
<v Speaker 1>body that way, and he's hysterical. God, he's so good.

0:19:05.240 --> 0:19:09.840
<v Speaker 1>He's so good. Okay, So then we had to Chilton

0:19:10.080 --> 0:19:13.160
<v Speaker 1>for the assembly. What do you guys think of Paris

0:19:13.200 --> 0:19:16.760
<v Speaker 1>and Rory at the Assembly and everything that ensued, they're

0:19:16.800 --> 0:19:21.399
<v Speaker 1>interviewing Jim Romaine from Princeton and Rose Samuel's the college consultant.

0:19:21.480 --> 0:19:25.560
<v Speaker 1>I like how it started because the guy who was

0:19:25.640 --> 0:19:28.199
<v Speaker 1>running the place told Paris, look, look, this isn't the

0:19:28.200 --> 0:19:33.600
<v Speaker 1>Beatles at Chase Stadium. Relax. It's like finally somebody you know,

0:19:33.720 --> 0:19:36.480
<v Speaker 1>but stood up door and didn't get bulldozed and said,

0:19:36.920 --> 0:19:39.760
<v Speaker 1>what's what's with this stuff? You know? She wanted to

0:19:40.000 --> 0:19:44.040
<v Speaker 1>black everything black background with spotlights and the whole thing,

0:19:44.119 --> 0:19:46.159
<v Speaker 1>and she wanted what she wanted to look like firing

0:19:46.200 --> 0:19:48.879
<v Speaker 1>line or something like that, or Charlie Rose screen. She

0:19:48.960 --> 0:19:54.640
<v Speaker 1>wanted to look like Charlie Rose. That's where she does

0:19:54.640 --> 0:19:57.480
<v Speaker 1>her Hillary Clinton dig too. And I just kind of

0:19:57.520 --> 0:20:03.399
<v Speaker 1>had to chuck out that or He's like right, right, God.

0:20:03.680 --> 0:20:05.320
<v Speaker 1>I also thought there was a couple of words. They're like,

0:20:05.400 --> 0:20:08.359
<v Speaker 1>we don't like perfunctory answers, and I'm all, Google, what

0:20:08.560 --> 0:20:14.280
<v Speaker 1>is perfunctory? Like, uh yeah? And bad printing. They didn't

0:20:14.320 --> 0:20:19.879
<v Speaker 1>like bad printing. I was like, yeah, that was funny stuff.

0:20:20.440 --> 0:20:23.840
<v Speaker 1>The looks on both of their favor Their reactions were priceless.

0:20:24.720 --> 0:20:27.760
<v Speaker 1>Oh my god, when you jump ahead, I liked Paris

0:20:27.800 --> 0:20:29.720
<v Speaker 1>a little more in this because I got to see

0:20:29.720 --> 0:20:32.800
<v Speaker 1>a different color or she wasn't so sure. I liked

0:20:32.840 --> 0:20:37.560
<v Speaker 1>Paris so much in the scene ahead when she calls Rory.

0:20:37.640 --> 0:20:39.840
<v Speaker 1>We'll talk about that. So, so now we're at Friday

0:20:39.880 --> 0:20:43.919
<v Speaker 1>night dinner and we can go backwards, but embarrass So,

0:20:43.920 --> 0:20:47.040
<v Speaker 1>first of all, Roy has a cell phone. Does you

0:20:47.040 --> 0:20:49.480
<v Speaker 1>guys noticed that she does? She has a cell phone now,

0:20:51.040 --> 0:20:52.800
<v Speaker 1>so I believe it's the first time we've seen Rory

0:20:52.840 --> 0:20:54.879
<v Speaker 1>with a cell phone. I think Lorela had had one before,

0:20:54.880 --> 0:21:01.200
<v Speaker 1>but Roy has one now, embarish. Now I was about

0:21:01.240 --> 0:21:11.160
<v Speaker 1>to heave. Okay, so talk about it. We're at Friday

0:21:11.200 --> 0:21:16.240
<v Speaker 1>night dinner and Emily obviously has the magazines for school.

0:21:16.320 --> 0:21:18.320
<v Speaker 1>And then this is where we see both Rory and

0:21:18.400 --> 0:21:25.240
<v Speaker 1>Lower Life freaking out. Oh um, hysterically funny scene. Uh

0:21:25.520 --> 0:21:29.439
<v Speaker 1>you know they you know that's that's a hell of

0:21:29.480 --> 0:21:32.199
<v Speaker 1>a thing when you realize how much competition there is

0:21:32.280 --> 0:21:35.879
<v Speaker 1>and there's so many, you know, thousands globally, thousands of

0:21:35.920 --> 0:21:38.919
<v Speaker 1>people with the same qualifications, if not better, And how

0:21:38.920 --> 0:21:42.400
<v Speaker 1>are you going to differentiate yourself. And uh, I thought

0:21:42.440 --> 0:21:46.080
<v Speaker 1>all of their answers and and Dan, Dan researched this beautifully,

0:21:46.119 --> 0:21:47.840
<v Speaker 1>you know, I think it was you know, he probably

0:21:47.840 --> 0:21:50.040
<v Speaker 1>had to call the Harvard missions border get somebody to

0:21:50.080 --> 0:21:52.280
<v Speaker 1>talk to him, and they told him, you know, they

0:21:52.280 --> 0:21:54.520
<v Speaker 1>gave me the inside track on on how they do

0:21:54.600 --> 0:21:58.239
<v Speaker 1>these things. Um. What was scary for me is that

0:21:58.320 --> 0:22:01.960
<v Speaker 1>they you know, they're they're so that the admissions officers

0:22:02.000 --> 0:22:04.639
<v Speaker 1>know that everybody is the same the same qualifications, so

0:22:04.680 --> 0:22:06.639
<v Speaker 1>they put a stack on the rejects, and they just

0:22:06.680 --> 0:22:09.880
<v Speaker 1>put a stack on the yeses, you know, and there's

0:22:10.119 --> 0:22:12.560
<v Speaker 1>far fewer yeses and rejects, and they just that's how

0:22:12.600 --> 0:22:14.840
<v Speaker 1>they do it. Sometimes. Maybe I don't know that that

0:22:15.240 --> 0:22:17.479
<v Speaker 1>was kind of frightening to me. I hope that's not

0:22:17.560 --> 0:22:23.560
<v Speaker 1>the case. Um, but getting into college is so hard.

0:22:24.000 --> 0:22:26.920
<v Speaker 1>The difference between even when Rory was going to college

0:22:27.240 --> 0:22:30.840
<v Speaker 1>twenty years ago and now, I mean, these kids cannot

0:22:30.840 --> 0:22:33.920
<v Speaker 1>get into college now. So nobody can get into college.

0:22:33.960 --> 0:22:35.560
<v Speaker 1>You have to have like four point five to get

0:22:35.600 --> 0:22:38.680
<v Speaker 1>into like the I mean, to get into Harvard and Yale. Now,

0:22:39.200 --> 0:22:41.479
<v Speaker 1>I don't even I don't I can't even think about it.

0:22:42.400 --> 0:22:44.640
<v Speaker 1>I think it's like to have a five point out

0:22:44.680 --> 0:22:48.040
<v Speaker 1>does exist you have to be a unicorn to get

0:22:48.040 --> 0:22:50.199
<v Speaker 1>into heart. Well, it's all I mean, it used to

0:22:50.200 --> 0:22:52.399
<v Speaker 1>be in my day. All s, A T S and

0:22:52.640 --> 0:22:58.720
<v Speaker 1>a C T of course, you know. And yeah, so

0:22:58.800 --> 0:23:04.280
<v Speaker 1>they was very accurate even twenty years ago. And now

0:23:04.400 --> 0:23:06.960
<v Speaker 1>it totally plays because this is what these kids are

0:23:07.000 --> 0:23:12.000
<v Speaker 1>really going through, like freaking out about getting into college. Well,

0:23:12.040 --> 0:23:13.800
<v Speaker 1>we had a we had a kid in in my

0:23:13.920 --> 0:23:20.040
<v Speaker 1>group of friends who who got accepted to Yale um

0:23:20.040 --> 0:23:22.600
<v Speaker 1>really yeah, and he did premed and he became an

0:23:22.560 --> 0:23:25.399
<v Speaker 1>anestesil just the whole thing. Oh my god. But you know,

0:23:25.520 --> 0:23:29.560
<v Speaker 1>growing up, you know, he knew anatomy and physiology like

0:23:29.640 --> 0:23:33.640
<v Speaker 1>the back of his hand when he was ten, eleven,

0:23:33.680 --> 0:23:37.760
<v Speaker 1>twelve years old. You know, he knew it. And he

0:23:37.840 --> 0:23:40.480
<v Speaker 1>was grounded all of the time. His dad was always

0:23:40.600 --> 0:23:43.560
<v Speaker 1>rounding him. So he just strict parents, just studied, very

0:23:43.560 --> 0:23:46.159
<v Speaker 1>strict parents. Yeah, and he studied and studied and studied

0:23:46.160 --> 0:23:49.000
<v Speaker 1>and studied, and that's what it takes. It's interesting because

0:23:49.040 --> 0:23:51.640
<v Speaker 1>when you think about Chiltern, like these kids are competing

0:23:51.680 --> 0:23:55.960
<v Speaker 1>at such an extraordinary level, extraordinary level that they are

0:23:56.000 --> 0:23:58.840
<v Speaker 1>considering Yale Harvard, Prince and all these schools. It's like

0:23:59.680 --> 0:24:07.280
<v Speaker 1>it is intense. It's just it's the first time that

0:24:07.400 --> 0:24:13.359
<v Speaker 1>Laurelie realizes, oh gosh, this is not as a shoe

0:24:13.400 --> 0:24:16.560
<v Speaker 1>in as this might not happen. There's a lot of

0:24:16.600 --> 0:24:21.040
<v Speaker 1>special kids. The Gilmer women are freaking out, all three

0:24:21.040 --> 0:24:23.760
<v Speaker 1>of them. What I thought was interesting, and I will say,

0:24:23.920 --> 0:24:27.960
<v Speaker 1>is that Loureli called the headmaster and gets connected to

0:24:28.040 --> 0:24:30.480
<v Speaker 1>the guy, you know, the guy that went to Harvard.

0:24:30.520 --> 0:24:33.280
<v Speaker 1>Where what's interesting is this is where they really should

0:24:33.280 --> 0:24:35.920
<v Speaker 1>have leaned on Richard. Even though he's a Yale man,

0:24:36.400 --> 0:24:40.359
<v Speaker 1>he is an expert at this. So it's kind of

0:24:40.400 --> 0:24:43.600
<v Speaker 1>interesting that they literally have a wealth of knowledge right

0:24:43.640 --> 0:24:49.760
<v Speaker 1>in front of them of getting into school, but specifically Harvard. Right.

0:24:50.560 --> 0:24:53.960
<v Speaker 1>So there is that one thing I love when she

0:24:54.000 --> 0:24:56.720
<v Speaker 1>says and that insipid Kate Hudson is not going to

0:24:56.760 --> 0:25:02.160
<v Speaker 1>take your spot or back Luke's diner. And now we

0:25:02.280 --> 0:25:08.479
<v Speaker 1>get the kids coming in with the orders epic. I

0:25:08.520 --> 0:25:11.240
<v Speaker 1>think this was as good at writing for Luke as

0:25:11.280 --> 0:25:14.440
<v Speaker 1>there has been on the shows. How all said, I

0:25:14.520 --> 0:25:18.840
<v Speaker 1>think Dan really gave me the gift here in this

0:25:18.920 --> 0:25:22.880
<v Speaker 1>episode because I just thought that because I saw myself

0:25:23.520 --> 0:25:27.600
<v Speaker 1>really excited and engaged as an actor, and there were

0:25:27.640 --> 0:25:30.760
<v Speaker 1>no impediments in the writing, not that there are in

0:25:31.119 --> 0:25:35.679
<v Speaker 1>anybody else's writing, but I thought this was particularly um

0:25:35.920 --> 0:25:38.760
<v Speaker 1>like this perfect runway for me to take off. And

0:25:39.720 --> 0:25:43.000
<v Speaker 1>I don't know, something just really clicked for me in

0:25:43.040 --> 0:25:46.080
<v Speaker 1>this episode because I'm watching it going jeez, I don't

0:25:47.240 --> 0:25:51.800
<v Speaker 1>I don't remember enjoying. I mean, I don't like watching myself.

0:25:51.880 --> 0:25:54.800
<v Speaker 1>It's it's it's a terrible experience. But I really enjoyed

0:25:54.840 --> 0:25:59.280
<v Speaker 1>this because I didn't recognize myself. I think that's really

0:25:59.320 --> 0:26:03.400
<v Speaker 1>the character, that's the guy. Interesting because it's also wasn't

0:26:03.440 --> 0:26:06.280
<v Speaker 1>a dramatic scene or a scene with more Lye. It

0:26:06.400 --> 0:26:08.720
<v Speaker 1>totally took you out of that into something completely different

0:26:08.720 --> 0:26:11.119
<v Speaker 1>where you're engaging with these customers and then these kids.

0:26:11.440 --> 0:26:15.199
<v Speaker 1>And then it's always good when you're up against Taylor

0:26:16.400 --> 0:26:20.800
<v Speaker 1>because you're like, what is going on dude? Basically it's

0:26:20.880 --> 0:26:25.080
<v Speaker 1>just great. And and I get a chance to go

0:26:25.200 --> 0:26:28.159
<v Speaker 1>one on one with Michael Winters, which is like, you

0:26:28.200 --> 0:26:32.040
<v Speaker 1>know you're going up against It's like he made me

0:26:32.200 --> 0:26:35.800
<v Speaker 1>so much better than I actually am because I had

0:26:35.840 --> 0:26:38.560
<v Speaker 1>to survive with him, you know, I really had to

0:26:38.600 --> 0:26:42.960
<v Speaker 1>bring it when I'm working with everybody in that cast,

0:26:43.040 --> 0:26:47.840
<v Speaker 1>but Michael Winters, my god, just just a joy. I

0:26:47.880 --> 0:26:50.720
<v Speaker 1>really miss him. Yeah, he does nail that character and

0:26:50.760 --> 0:26:54.600
<v Speaker 1>it's like just owns it. I do love any scene

0:26:54.640 --> 0:27:02.080
<v Speaker 1>with him because it's so entertaining. He's brilliant. He's absolutely brilliant,

0:27:02.200 --> 0:27:05.439
<v Speaker 1>and I don't know why he's not working more. He worked,

0:27:05.480 --> 0:27:08.280
<v Speaker 1>didn't work in film. I mean all of those great

0:27:08.359 --> 0:27:11.040
<v Speaker 1>character parts in films, he could have been in a

0:27:11.080 --> 0:27:14.640
<v Speaker 1>lot of them. And I just just do you get

0:27:14.640 --> 0:27:17.480
<v Speaker 1>a shout out to to Dosie's Market. So I spent

0:27:17.600 --> 0:27:19.239
<v Speaker 1>some time when you guys were in there kind of

0:27:19.240 --> 0:27:23.760
<v Speaker 1>looking That market is stocked. It is stockful, and it

0:27:23.840 --> 0:27:28.720
<v Speaker 1>has so many candies. It's like bazookas push up. There's

0:27:28.720 --> 0:27:32.480
<v Speaker 1>a whole like Planters like that market does not look

0:27:32.600 --> 0:27:37.960
<v Speaker 1>fake or or TV. It looks awesome. That's a real produce.

0:27:38.040 --> 0:27:42.440
<v Speaker 1>Section two there's like real vegetables and celery and tomatoes.

0:27:42.480 --> 0:27:45.240
<v Speaker 1>And you guys like the go to Dosie's Market to

0:27:45.240 --> 0:27:48.400
<v Speaker 1>grab a snack. No we we didn't, but the extras

0:27:48.440 --> 0:27:54.120
<v Speaker 1>would sometimes take a chump, you know, some some gum.

0:27:54.160 --> 0:27:56.680
<v Speaker 1>No no, no, you can't go into that stuff and

0:27:56.680 --> 0:28:01.760
<v Speaker 1>and open it up and start eating it doing we

0:28:01.840 --> 0:28:04.240
<v Speaker 1>might have to reshoot the whole episode because it won't match,

0:28:04.720 --> 0:28:07.359
<v Speaker 1>you know. Yeah, but it was those were great scenes.

0:28:08.080 --> 0:28:10.840
<v Speaker 1>And I did not know what an ice cold egg

0:28:10.880 --> 0:28:15.160
<v Speaker 1>cream was, or a black cow root beer and ice

0:28:15.200 --> 0:28:18.560
<v Speaker 1>cream to go or chocolate FoST bade. What the hell

0:28:18.600 --> 0:28:24.080
<v Speaker 1>is boss? Just it's just Dan Paladino firing on all cylinders,

0:28:24.880 --> 0:28:26.919
<v Speaker 1>I gotta tell you, man, I mean, he hit it

0:28:26.920 --> 0:28:31.280
<v Speaker 1>out of the park. I think in every single scene,

0:28:35.080 --> 0:28:38.160
<v Speaker 1>it's a very gilmoury episode, do you know what I mean?

0:28:38.200 --> 0:28:41.120
<v Speaker 1>Like as opposed to like last week, which I loved

0:28:41.160 --> 0:28:45.600
<v Speaker 1>because there was so much drama, right, No, That's why

0:28:45.600 --> 0:28:47.760
<v Speaker 1>I loved it so much, because it was really and

0:28:47.880 --> 0:28:50.240
<v Speaker 1>I think in the original spirit with the show was

0:28:50.320 --> 0:28:54.320
<v Speaker 1>meant to be, which is a lighthearted, buoyant drama y

0:28:54.680 --> 0:28:56.520
<v Speaker 1>with a ton of laughs in it and a ton

0:28:56.520 --> 0:28:59.720
<v Speaker 1>of absurd situations. But you know, just the fast back

0:28:59.760 --> 0:29:02.280
<v Speaker 1>of I mean, it was just yeah, there really wasn't

0:29:03.400 --> 0:29:05.800
<v Speaker 1>like a major drama like we had the week before.

0:29:06.720 --> 0:29:09.640
<v Speaker 1>It was very what's the word, It's not slapsticky, but

0:29:09.720 --> 0:29:14.000
<v Speaker 1>like comedy bung bung bung. But I think we needed

0:29:14.000 --> 0:29:17.800
<v Speaker 1>it after the after Haunted leg We really needed an

0:29:17.840 --> 0:29:20.720
<v Speaker 1>episode like that where we could just like breathe and

0:29:20.840 --> 0:29:26.560
<v Speaker 1>enjoy it and like, okay, so probably come here for yeah,

0:29:26.680 --> 0:29:28.440
<v Speaker 1>this is this is yeah, this is what I signed

0:29:28.520 --> 0:29:31.120
<v Speaker 1>up for, right, Okay. So we go back to Lower

0:29:31.240 --> 0:29:36.360
<v Speaker 1>Lies and they're talking about meeting Darren Springsteen and he's

0:29:36.360 --> 0:29:38.000
<v Speaker 1>they're going to go have lunch with him. And so

0:29:38.200 --> 0:29:43.040
<v Speaker 1>now this is where Dave Regowski calls the Answering Machine.

0:29:44.640 --> 0:29:48.120
<v Speaker 1>And now I realized what you were saying, who is it?

0:29:48.680 --> 0:29:53.560
<v Speaker 1>Did you when you saw them? Literally when I first thought,

0:29:53.560 --> 0:29:56.120
<v Speaker 1>I was like, is that Adam Brody? But he looks

0:29:56.200 --> 0:29:58.760
<v Speaker 1>like different, you know, different than like the o C

0:29:59.280 --> 0:30:02.040
<v Speaker 1>at Brodie. So I was like, I googled it. I

0:30:02.080 --> 0:30:04.080
<v Speaker 1>was like, you know this episode and I I was like,

0:30:04.200 --> 0:30:07.960
<v Speaker 1>oh my god, that is Adam Brody, a little baby

0:30:08.000 --> 0:30:10.560
<v Speaker 1>face Adam Brody because it was before the o C.

0:30:10.800 --> 0:30:12.160
<v Speaker 1>So Scott, I don't know if you ever watched the

0:30:12.160 --> 0:30:17.160
<v Speaker 1>o C, but like for us, that was a huge show.

0:30:17.600 --> 0:30:20.680
<v Speaker 1>And Adam Brody, who I don't want to tell Danielle

0:30:20.760 --> 0:30:24.360
<v Speaker 1>what happens, but he has quite an important part on

0:30:24.840 --> 0:30:27.760
<v Speaker 1>Gilmore Girls went on to star in the O C

0:30:28.000 --> 0:30:33.040
<v Speaker 1>and like break out massive, Like he became a humongous

0:30:33.120 --> 0:30:37.960
<v Speaker 1>star and the O C was like huge if you

0:30:38.040 --> 0:30:42.680
<v Speaker 1>think about it, like the cast of Gilmore Girls is

0:30:42.760 --> 0:30:49.040
<v Speaker 1>so iconic, Like Melissa McCarthy, you have Adam Brody, you

0:30:49.120 --> 0:30:57.840
<v Speaker 1>had Seth McFarlane in one of the earlier episodes, Jane Lynch, Yeah, Alexis, Jared,

0:30:58.480 --> 0:31:01.480
<v Speaker 1>I know all of them. It's so good. And don't

0:31:01.520 --> 0:31:04.200
<v Speaker 1>knock my Matt Zukri, who literally is stars in The

0:31:04.280 --> 0:31:08.080
<v Speaker 1>Resident and was on the Good Wife, Like it's crazy

0:31:08.280 --> 0:31:12.240
<v Speaker 1>all the people. I'm gonna throw Chad Michael Murray in

0:31:12.280 --> 0:31:17.440
<v Speaker 1>there too, because totally so anyway, that was very exciting

0:31:17.480 --> 0:31:19.760
<v Speaker 1>to hear Adam Brodie's voice on the machine and know

0:31:19.920 --> 0:31:23.840
<v Speaker 1>that he was coming and Okay, so then they go

0:31:23.920 --> 0:31:26.280
<v Speaker 1>to the launch. I need you guys to just tell

0:31:26.320 --> 0:31:31.400
<v Speaker 1>what you thought. I thought it was great. I thought

0:31:31.440 --> 0:31:34.480
<v Speaker 1>it was Laura I had to contain herself. She couldn't

0:31:34.520 --> 0:31:36.560
<v Speaker 1>be here. I mean, she got a couple of singers

0:31:36.560 --> 0:31:39.760
<v Speaker 1>in and I really like the balance of that because

0:31:40.080 --> 0:31:42.640
<v Speaker 1>it was like less is more. It's like you knew

0:31:42.680 --> 0:31:45.000
<v Speaker 1>she was going to have some quip equips, right, and

0:31:45.040 --> 0:31:47.840
<v Speaker 1>they were going to be great, and she did. And

0:31:47.880 --> 0:31:53.560
<v Speaker 1>it's like, but she couldn't really you know, go nuts

0:31:53.720 --> 0:31:57.400
<v Speaker 1>because she doesn't want to sabotage your kid exactly. She

0:31:57.440 --> 0:31:59.760
<v Speaker 1>couldn't be her true self because she had to like

0:32:00.160 --> 0:32:03.120
<v Speaker 1>she had to rein it in into this. Yeah. So um,

0:32:03.560 --> 0:32:07.680
<v Speaker 1>but I just thought it was that actor was fantastic,

0:32:07.720 --> 0:32:15.160
<v Speaker 1>That family was so cookie, and I like, I like

0:32:15.320 --> 0:32:17.880
<v Speaker 1>to you know, when Laura I gave Rory that looked like,

0:32:18.040 --> 0:32:21.280
<v Speaker 1>you know, is something like on tooward going on here

0:32:21.360 --> 0:32:28.920
<v Speaker 1>between daddy and daughter. And there's so much to talk

0:32:28.920 --> 0:32:32.720
<v Speaker 1>about this lunch because this is a major part the game,

0:32:33.520 --> 0:32:37.520
<v Speaker 1>the like how smart are you game? Which I was like,

0:32:37.640 --> 0:32:40.720
<v Speaker 1>I don't know one answer, not one answer. I was like, okay.

0:32:40.760 --> 0:32:42.960
<v Speaker 1>Then he tried to like follow along and like, nope,

0:32:43.200 --> 0:32:45.880
<v Speaker 1>I want to know what you guys think of this

0:32:46.000 --> 0:32:48.880
<v Speaker 1>family and the two kids that are obviously on the

0:32:48.960 --> 0:32:53.280
<v Speaker 1>IVY League college track and then the sister and why

0:32:53.320 --> 0:32:55.440
<v Speaker 1>do you think Dan felt it was important to write

0:32:55.520 --> 0:32:58.560
<v Speaker 1>that in and for Rory to have that exchange with

0:32:58.640 --> 0:33:03.440
<v Speaker 1>the know the outlier sister, Well, it's you know, do

0:33:03.480 --> 0:33:05.040
<v Speaker 1>you want to be on this? This is what it

0:33:05.080 --> 0:33:08.760
<v Speaker 1>takes in this particular case to be on the conveyor belt,

0:33:09.560 --> 0:33:12.800
<v Speaker 1>going to Harvard and having that kind of a life.

0:33:12.920 --> 0:33:17.040
<v Speaker 1>That's that's a that's a completely different level than I mean,

0:33:17.080 --> 0:33:22.360
<v Speaker 1>that's that's a rare um rarefied air, you know um.

0:33:22.480 --> 0:33:25.960
<v Speaker 1>And the one daughter who was on her own path,

0:33:26.120 --> 0:33:30.960
<v Speaker 1>as the mother said, she's on her own bed. You know,

0:33:31.040 --> 0:33:35.720
<v Speaker 1>it just shows what happens sometimes when you have parents

0:33:35.760 --> 0:33:38.240
<v Speaker 1>that put all their hopes and dreams and their desires

0:33:38.280 --> 0:33:40.880
<v Speaker 1>and their wants into their children, and are they and

0:33:40.880 --> 0:33:42.280
<v Speaker 1>you have to ask the question is that really what

0:33:42.320 --> 0:33:47.040
<v Speaker 1>the child wants? And how important is a child's wants

0:33:47.040 --> 0:33:51.960
<v Speaker 1>and needs versus what guidance parents can give them? And

0:33:52.880 --> 0:33:56.440
<v Speaker 1>you know, when does it become like, you know too much?

0:33:57.160 --> 0:33:59.320
<v Speaker 1>So I think that's it was a great scene in

0:33:59.360 --> 0:34:02.920
<v Speaker 1>that it it sort of contrasted all of those different

0:34:02.960 --> 0:34:06.600
<v Speaker 1>options in different paths that people can possibly take, and yeah,

0:34:06.640 --> 0:34:08.759
<v Speaker 1>and what does it take. Is Rory really cut out

0:34:08.760 --> 0:34:10.560
<v Speaker 1>for this? I think the scene was there to say,

0:34:10.719 --> 0:34:13.319
<v Speaker 1>is Rory really cut out for this? Is she on

0:34:13.360 --> 0:34:16.120
<v Speaker 1>the conveyor belt because her mother is And her mother

0:34:16.200 --> 0:34:18.919
<v Speaker 1>got off the conveyor belt and that was the whole point,

0:34:18.960 --> 0:34:21.320
<v Speaker 1>that's the whole point of her life. And that independent

0:34:21.360 --> 0:34:25.120
<v Speaker 1>street does not serve Rory. Well, perhaps going into a

0:34:25.160 --> 0:34:29.960
<v Speaker 1>conveyor belt sort of a factory, which you could surmise

0:34:30.000 --> 0:34:36.000
<v Speaker 1>a Harvard might be. Yeah, that's the family was so nice,

0:34:36.040 --> 0:34:40.600
<v Speaker 1>like sugary sweets, so nice, but almost not likable for me,

0:34:40.680 --> 0:34:44.440
<v Speaker 1>Like I'm like, I like the sister, you know what

0:34:44.520 --> 0:34:47.760
<v Speaker 1>I mean. Like it was so they were so perfect

0:34:48.000 --> 0:34:52.120
<v Speaker 1>and so ivy league and so the perfect lunch and

0:34:52.200 --> 0:34:55.359
<v Speaker 1>the whole thing where I liked the sister. I was like,

0:34:55.440 --> 0:35:01.200
<v Speaker 1>that girl's cool. That was Laurel. That was Laurel as

0:35:01.239 --> 0:35:06.600
<v Speaker 1>a as a teenager. Yeah, yeah, I felt bad for her.

0:35:06.920 --> 0:35:09.560
<v Speaker 1>I really felt bad for Laurela. And I felt bad

0:35:09.600 --> 0:35:12.719
<v Speaker 1>for that girl who was not on the conveyor belt

0:35:12.719 --> 0:35:14.520
<v Speaker 1>because she's going to have a he's gonna have a

0:35:14.560 --> 0:35:18.239
<v Speaker 1>hard life. And even if she finds happiness and she

0:35:18.400 --> 0:35:20.400
<v Speaker 1>finds her own path good for her, she's still going

0:35:20.440 --> 0:35:22.640
<v Speaker 1>to have that tension with her family. They're still gonna

0:35:22.680 --> 0:35:25.760
<v Speaker 1>look down. So that was that was really walking into

0:35:25.800 --> 0:35:28.920
<v Speaker 1>a sort of a Richard and Emily, a successful Richard

0:35:28.960 --> 0:35:33.600
<v Speaker 1>and Emily family. Yeah. Yeah, because you know, the one

0:35:33.680 --> 0:35:36.160
<v Speaker 1>daughter's going to Harvard, she's it was either in or

0:35:36.160 --> 0:35:39.719
<v Speaker 1>she got accepted and she's on her way. Um, so

0:35:39.800 --> 0:35:42.279
<v Speaker 1>this is showing Laurea La. Look, you're in another situation

0:35:42.280 --> 0:35:45.400
<v Speaker 1>here with Richard and Emily. They're a little lighter version,

0:35:45.880 --> 0:35:49.920
<v Speaker 1>maybe less wealthy, right, a little less well, I think

0:35:49.920 --> 0:35:52.080
<v Speaker 1>they were more wealthy than those guys. Well if they're

0:35:52.120 --> 0:35:56.160
<v Speaker 1>if they're buying, you know, artwork, if they're buying art

0:35:56.200 --> 0:36:00.840
<v Speaker 1>at that level, then they're probably a very wealthy um. Um,

0:36:03.400 --> 0:36:07.480
<v Speaker 1>most the name of that artist. She kept repeating, what

0:36:07.520 --> 0:36:09.600
<v Speaker 1>was that? And then there was something about he's a

0:36:09.640 --> 0:36:12.279
<v Speaker 1>student of Matise. And then someone says like, oh, yes,

0:36:12.360 --> 0:36:17.480
<v Speaker 1>I know, only a Charlatan wouldn't were so fancy. They

0:36:17.520 --> 0:36:20.520
<v Speaker 1>almost were pretentious, but yet they were so nice that

0:36:20.640 --> 0:36:24.120
<v Speaker 1>they weren't pretentious. So you're like, I like them. But

0:36:24.200 --> 0:36:28.000
<v Speaker 1>I think for me there was and I'll be interested

0:36:28.040 --> 0:36:29.839
<v Speaker 1>to see what people say, because I think that there

0:36:29.960 --> 0:36:34.120
<v Speaker 1>was more to that scene for me to take away

0:36:34.239 --> 0:36:38.040
<v Speaker 1>in that the most likable people are the sister and

0:36:38.160 --> 0:36:42.200
<v Speaker 1>Laurela if we're excluding Roy, because they were the most real,

0:36:42.360 --> 0:36:46.080
<v Speaker 1>whereas the family Jack and Jennifer and Darren Springsteen and

0:36:46.160 --> 0:36:50.560
<v Speaker 1>his wife are playing the part of the perfect family.

0:36:50.920 --> 0:36:54.760
<v Speaker 1>But how do you know that maybe that's them being real.

0:36:55.719 --> 0:37:00.759
<v Speaker 1>Maybe that's they're real, right, right, because Jack Jennifer were

0:37:00.800 --> 0:37:04.520
<v Speaker 1>loving every minute of the going around the table and

0:37:04.600 --> 0:37:08.880
<v Speaker 1>playing the smarty Pants game. You're right, but it was

0:37:09.080 --> 0:37:13.480
<v Speaker 1>I think that that scene has more significance than just

0:37:15.520 --> 0:37:18.280
<v Speaker 1>do you know what I mean? Well, it was interesting

0:37:18.320 --> 0:37:20.480
<v Speaker 1>because you saw Rory Bean there, right, and that's that's

0:37:20.480 --> 0:37:22.960
<v Speaker 1>what she aspires to be. She aspires to be a

0:37:23.120 --> 0:37:26.719
<v Speaker 1>Harvard kid, and just kind of showing like, oh, this

0:37:26.800 --> 0:37:28.879
<v Speaker 1>is kind of the stereotype of what a Harvard kid

0:37:29.040 --> 0:37:33.040
<v Speaker 1>looks like and it's not really you you know, right,

0:37:33.960 --> 0:37:37.839
<v Speaker 1>isn't Jack and Jennifer. So you're seeing that like dichotomy,

0:37:37.920 --> 0:37:39.759
<v Speaker 1>like she's still going to go to Harvard, but she's

0:37:39.760 --> 0:37:48.800
<v Speaker 1>not really these people's Scott. I'm okay, I'll never disagree

0:37:48.840 --> 0:37:53.960
<v Speaker 1>with you again. I never that will never be any disagreement.

0:37:56.000 --> 0:37:58.160
<v Speaker 1>I don't know. I feel like I do want to

0:37:58.200 --> 0:38:01.160
<v Speaker 1>hear from everyone listening because I think that there's more

0:38:01.239 --> 0:38:04.000
<v Speaker 1>that I was. I want to hear what people have

0:38:04.040 --> 0:38:06.200
<v Speaker 1>to say about this scene because I feel like I

0:38:06.239 --> 0:38:10.960
<v Speaker 1>wasn't getting or interpreting it exactly to the metaphor maybe

0:38:11.000 --> 0:38:12.960
<v Speaker 1>that it was intended and maybe it was just a

0:38:13.040 --> 0:38:16.719
<v Speaker 1>simple like these are fancy freaking Harvard people. But I

0:38:16.760 --> 0:38:19.799
<v Speaker 1>want to know what people thought about that scene, because

0:38:19.840 --> 0:38:23.400
<v Speaker 1>I sort of was like, oh, I think, look, I

0:38:23.440 --> 0:38:27.319
<v Speaker 1>think there is a place for intellectual rigor, and I

0:38:27.360 --> 0:38:31.719
<v Speaker 1>think it's necessary. It's a discipline, and it's a tradition,

0:38:31.920 --> 0:38:38.040
<v Speaker 1>and it's important applying that to your every waking moment

0:38:38.760 --> 0:38:44.120
<v Speaker 1>as regards your family, dinner time, lunch, wherever. You are

0:38:44.640 --> 0:38:50.080
<v Speaker 1>constantly testing your kids. Okay, So I think that's what

0:38:50.120 --> 0:38:55.960
<v Speaker 1>they want us to question, um as it relates to

0:38:56.080 --> 0:38:59.720
<v Speaker 1>Rory and is she cut out for this world? Because

0:38:59.760 --> 0:39:02.759
<v Speaker 1>this is just one example, maybe not the great example.

0:39:03.400 --> 0:39:05.839
<v Speaker 1>Although there's a lot a lot good you can say

0:39:05.880 --> 0:39:08.719
<v Speaker 1>about Jack Springsteen and his family. I mean, there are

0:39:08.760 --> 0:39:12.280
<v Speaker 1>a lot of bad fathers out there who his friends.

0:39:12.360 --> 0:39:16.719
<v Speaker 1>Darren Jack is the kid, Darren Jack, Darren Springsteen, thank

0:39:16.760 --> 0:39:23.759
<v Speaker 1>you so much for the correction. I so appreciate you. Um.

0:39:23.920 --> 0:39:29.640
<v Speaker 1>Have I told you how grateful I am? So so?

0:39:29.960 --> 0:39:33.920
<v Speaker 1>UM Do you like Darren springste I do? I do?

0:39:34.200 --> 0:39:39.480
<v Speaker 1>I do. I think he heard on the side of caution.

0:39:40.360 --> 0:39:43.680
<v Speaker 1>He you know, sure, maybe he's a little over the

0:39:43.719 --> 0:39:46.880
<v Speaker 1>top of everything, but but you know, he's setting a

0:39:47.000 --> 0:39:50.080
<v Speaker 1>very high bar. And look, he liked Rory, and I

0:39:50.120 --> 0:39:52.000
<v Speaker 1>thought it was great that he calls and was very

0:39:52.000 --> 0:39:54.359
<v Speaker 1>impressed by her records and is going to help her

0:39:54.360 --> 0:39:57.120
<v Speaker 1>get into Harvard. So like the lor like did the

0:39:57.200 --> 0:39:59.600
<v Speaker 1>right thing by calling. You know, they're all freaking out.

0:39:59.640 --> 0:40:02.319
<v Speaker 1>So really really stepped up as a mom and said, like,

0:40:02.400 --> 0:40:04.279
<v Speaker 1>I'm going to help out my kid here, even though

0:40:04.320 --> 0:40:09.000
<v Speaker 1>this isn't my world. Calls Headmaster Charlton and says, did

0:40:09.040 --> 0:40:12.719
<v Speaker 1>I say that right, Headmaster Charleston? Yeah, you forgot that?

0:40:13.200 --> 0:40:18.200
<v Speaker 1>Suddenly I was I would never correct you ever, that

0:40:18.200 --> 0:40:20.040
<v Speaker 1>would put me in conflict with So that was like,

0:40:20.239 --> 0:40:22.560
<v Speaker 1>you know, for Lorealy, she took the initiative. Did that

0:40:22.960 --> 0:40:24.839
<v Speaker 1>you know, set up the lunch which we didn't talk

0:40:24.880 --> 0:40:27.120
<v Speaker 1>about that funny scene when Rory is supposed to be

0:40:27.160 --> 0:40:30.360
<v Speaker 1>calling him and then Lorelei pretends to be Rory. So

0:40:30.400 --> 0:40:33.680
<v Speaker 1>that was all Lorealy did great there, like she really did.

0:40:34.320 --> 0:40:37.120
<v Speaker 1>And so it was great to find out that, like

0:40:37.200 --> 0:40:45.000
<v Speaker 1>Rory's records our Harvard quality. But for me that was like, oh,

0:40:45.280 --> 0:40:48.160
<v Speaker 1>vomit in the mouth. These people like, oh god, yeah,

0:40:48.960 --> 0:40:52.439
<v Speaker 1>it's definitely vomited in the mouth. But like we've been saying.

0:40:52.480 --> 0:40:54.640
<v Speaker 1>I think that scene was on purpose. You know, you

0:40:54.680 --> 0:40:57.359
<v Speaker 1>wanted to see that maybe this isn't the right fit

0:40:57.440 --> 0:41:01.279
<v Speaker 1>for for Rory, and she needs to see what, you know,

0:41:01.440 --> 0:41:05.320
<v Speaker 1>Harvard looks like on the outside. You know, it gives

0:41:05.480 --> 0:41:08.200
<v Speaker 1>it gives me great comfort that there are families like that.

0:41:09.120 --> 0:41:12.560
<v Speaker 1>I like that that there are Springsteen families like that.

0:41:12.719 --> 0:41:16.560
<v Speaker 1>I like that there pressuring their kids. I like that

0:41:16.680 --> 0:41:20.840
<v Speaker 1>they're I do it to me, it's I see what

0:41:20.880 --> 0:41:23.880
<v Speaker 1>you're saying. You like that the father and the mother

0:41:24.840 --> 0:41:30.160
<v Speaker 1>wanted their kids to achieve I do. I think. I

0:41:30.160 --> 0:41:32.640
<v Speaker 1>think a lot of fathers and mothers really screw up

0:41:32.680 --> 0:41:37.080
<v Speaker 1>their kids. And if these if the daughter is a

0:41:37.080 --> 0:41:40.160
<v Speaker 1>little screwed up in her ways, and but at least

0:41:40.360 --> 0:41:43.560
<v Speaker 1>she's going to Harvard. I mean, there's there's nothing bad

0:41:43.800 --> 0:41:46.480
<v Speaker 1>you can say about that. And again maybe it's my

0:41:47.000 --> 0:41:49.960
<v Speaker 1>I don't know, two eyes, but there was just some

0:41:50.080 --> 0:41:54.880
<v Speaker 1>excessive privilege in that family where you're just like, oh,

0:41:55.200 --> 0:41:57.360
<v Speaker 1>but then they got the daughter that's the waitress and

0:41:57.400 --> 0:41:59.560
<v Speaker 1>going to the be the birthday party Bunny, and I

0:41:59.600 --> 0:42:03.360
<v Speaker 1>was like, oh, okay, I'm really glad they showed that.

0:42:05.280 --> 0:42:09.440
<v Speaker 1>Like that kid too, And at first, when they're like, oh,

0:42:09.480 --> 0:42:11.919
<v Speaker 1>you know about the third kid, she's following her own path.

0:42:11.960 --> 0:42:15.040
<v Speaker 1>I almost thought she wasn't there, Like when you first

0:42:15.040 --> 0:42:18.080
<v Speaker 1>hear that, you're like, oh, she's off somewhere. So it

0:42:18.120 --> 0:42:21.440
<v Speaker 1>was nice to see her room, her funky bedroom, and

0:42:21.480 --> 0:42:23.919
<v Speaker 1>her bunny. You know. I liked the way the whole

0:42:23.920 --> 0:42:27.640
<v Speaker 1>thing came together because of that third sister. I'd like

0:42:27.760 --> 0:42:30.600
<v Speaker 1>to know more about the third sister and why does

0:42:30.640 --> 0:42:32.880
<v Speaker 1>she not have the intellectual capacity? Does she not have

0:42:32.960 --> 0:42:35.920
<v Speaker 1>the study habits? Does she not have the discipline to

0:42:36.040 --> 0:42:38.560
<v Speaker 1>do the level of work it takes to get into

0:42:38.560 --> 0:42:40.480
<v Speaker 1>a position to be accepted and Harvard that's a lot

0:42:40.480 --> 0:42:44.440
<v Speaker 1>of work. And and you can say privilege till the

0:42:44.480 --> 0:42:47.560
<v Speaker 1>cows come home, but but I don't know that a

0:42:47.600 --> 0:42:52.200
<v Speaker 1>lot of people have been accepted, uh to an institution

0:42:52.520 --> 0:42:56.120
<v Speaker 1>that difficult to get into without working their tails. My

0:42:56.840 --> 0:43:00.520
<v Speaker 1>interesting question because my takeaway on Carol was Carol could

0:43:00.560 --> 0:43:03.279
<v Speaker 1>have been capable of going to Harvard. She didn't want it.

0:43:03.680 --> 0:43:07.480
<v Speaker 1>She said, my parents want that, and Jack and Jennifer

0:43:07.480 --> 0:43:10.200
<v Speaker 1>want to please my parents. And then she said, I

0:43:10.280 --> 0:43:15.040
<v Speaker 1>love how she called Rory Harvard hair because it was like, oh, yeah,

0:43:15.080 --> 0:43:17.719
<v Speaker 1>you're on the track. But I like that she was

0:43:17.760 --> 0:43:21.480
<v Speaker 1>saying I didn't want it. So even though there's Harvard

0:43:21.520 --> 0:43:24.040
<v Speaker 1>all over this place and it was basically kind of

0:43:24.040 --> 0:43:25.960
<v Speaker 1>could have been handed to me on a silver platter,

0:43:26.600 --> 0:43:30.760
<v Speaker 1>I didn't want it. And it's okay that I didn't

0:43:30.760 --> 0:43:33.800
<v Speaker 1>want it, maybe as sort of a metaphor to Lorela,

0:43:33.960 --> 0:43:37.240
<v Speaker 1>like it's okay that Laura La didn't go that route

0:43:37.239 --> 0:43:41.080
<v Speaker 1>and Rory can if that's what she wants. I don't know,

0:43:41.200 --> 0:43:45.160
<v Speaker 1>Maybe I'm reading into it too much. No, No, I think, uh,

0:43:46.120 --> 0:43:50.200
<v Speaker 1>you know, obviously they had the same, you know, a

0:43:50.239 --> 0:43:54.960
<v Speaker 1>milder reaction that Richard Andly have towards Laurela not going

0:43:55.080 --> 0:43:58.600
<v Speaker 1>staying on the conveyor belt than that girl had with

0:43:58.600 --> 0:44:02.000
<v Speaker 1>her parents. But still there was some disappointment obviously in

0:44:02.040 --> 0:44:05.200
<v Speaker 1>their voices and their attitude towards the daughter. And I

0:44:05.239 --> 0:44:09.000
<v Speaker 1>think that's you know, that can damage that daughter. Yes,

0:44:09.080 --> 0:44:13.160
<v Speaker 1>that's a great point, because right the mom and dad Springsteen,

0:44:13.360 --> 0:44:17.239
<v Speaker 1>Mr and Mrs Springsteen weren't overly thrilled with Carol. But

0:44:17.320 --> 0:44:20.200
<v Speaker 1>I thought the significance of Carol was so important because

0:44:20.239 --> 0:44:25.160
<v Speaker 1>Carol was thrilled with Carol. Carol was like, I'm I'm good. Well.

0:44:25.200 --> 0:44:27.440
<v Speaker 1>I think it's also maybe the parents feel guilty that

0:44:27.520 --> 0:44:32.040
<v Speaker 1>they didn't spend the time with her, uh and give

0:44:32.080 --> 0:44:34.560
<v Speaker 1>her all of the options that they gave their daughter

0:44:34.600 --> 0:44:37.440
<v Speaker 1>who got accepted the other daughter. Maybe they weren't as

0:44:38.600 --> 0:44:42.799
<v Speaker 1>attentive with that daughter and exploring, you know, what her

0:44:42.880 --> 0:44:45.920
<v Speaker 1>where her talents lie. And that's the responsibility of a

0:44:45.960 --> 0:44:47.879
<v Speaker 1>parent when a child is young. It's like, let them

0:44:47.880 --> 0:44:49.759
<v Speaker 1>try a million things, Let's see what they're good at,

0:44:50.360 --> 0:44:53.640
<v Speaker 1>and you know, if they love that, then let's you

0:44:53.680 --> 0:44:55.400
<v Speaker 1>know what I mean, I mean, keep them more around.

0:44:55.560 --> 0:44:58.120
<v Speaker 1>My My takeaway on Carol is she what's that saying?

0:44:58.160 --> 0:45:00.160
<v Speaker 1>She beats to the sound of her own drum? Like

0:45:00.239 --> 0:45:03.840
<v Speaker 1>Carol just was like I don't want that, but I'm

0:45:03.880 --> 0:45:06.279
<v Speaker 1>not doing that. I was more interesting. I wanted to

0:45:06.320 --> 0:45:12.520
<v Speaker 1>know more about that girl. Why right? How do fall off?

0:45:13.320 --> 0:45:17.440
<v Speaker 1>There's definitely significance to the whole thing, because otherwise it

0:45:17.440 --> 0:45:19.799
<v Speaker 1>wouldn't have been so prominent. We could have just left

0:45:19.800 --> 0:45:23.200
<v Speaker 1>it with, Oh, Carol goes to her own you know way,

0:45:23.360 --> 0:45:28.120
<v Speaker 1>like she's following her own path anyway. Yeah, this to

0:45:28.160 --> 0:45:30.160
<v Speaker 1>me was the scene that was the most like, what

0:45:30.239 --> 0:45:33.600
<v Speaker 1>am I not getting here? Anyway. Okay, So then we

0:45:33.640 --> 0:45:35.600
<v Speaker 1>go to the town meeting, which is just my favorite

0:45:35.600 --> 0:45:39.280
<v Speaker 1>thing ever and it is just so to shop time,

0:45:40.320 --> 0:45:44.200
<v Speaker 1>and Taylor has the diorama of the soda shot. How

0:45:44.200 --> 0:45:49.120
<v Speaker 1>do we feel about Laurela not supporting Luke in that

0:45:49.239 --> 0:45:52.480
<v Speaker 1>town meeting? Okay? I didn't look at it that way

0:45:52.480 --> 0:45:54.439
<v Speaker 1>because I just looked at like the whole town wants

0:45:54.480 --> 0:45:59.000
<v Speaker 1>the soda shop. They're just like and and it was

0:45:59.040 --> 0:46:01.759
<v Speaker 1>the hesitancy, like like we don't want to, we don't

0:46:01.800 --> 0:46:03.680
<v Speaker 1>want to not support you, Luke, but like we really

0:46:03.719 --> 0:46:08.040
<v Speaker 1>want like a black cow egg cream or phosphate whatever.

0:46:08.280 --> 0:46:10.640
<v Speaker 1>So he was having such a problem with it because

0:46:10.680 --> 0:46:18.759
<v Speaker 1>it was Taylor right right, but Luke being Luke, just

0:46:18.840 --> 0:46:21.839
<v Speaker 1>Luke doing Luke totally. I love that Taylor calls out

0:46:21.880 --> 0:46:25.760
<v Speaker 1>some obscure law that like I can make you rent

0:46:25.840 --> 0:46:28.160
<v Speaker 1>it to me and looks like DUTs for a Civil

0:46:28.160 --> 0:46:35.040
<v Speaker 1>War hospital, Bro, you can't do that with an ice

0:46:35.160 --> 0:46:40.879
<v Speaker 1>cream store. He needed to back off on that little man.

0:46:40.920 --> 0:46:47.960
<v Speaker 1>He just needed to just let it happen. Yeah, Okay,

0:46:47.960 --> 0:46:51.080
<v Speaker 1>So then Kirk wants a job and then here he

0:46:51.200 --> 0:46:56.640
<v Speaker 1>comes Dave Regowski. What do you think? So I really

0:46:56.640 --> 0:46:58.520
<v Speaker 1>liked the scene where they were like sitting together and

0:46:59.000 --> 0:47:01.160
<v Speaker 1>on the park bench. I guess you would say what

0:47:01.200 --> 0:47:03.759
<v Speaker 1>you would call it. And I like the two of

0:47:03.800 --> 0:47:07.360
<v Speaker 1>them together. I think there's gonna be some some cute,

0:47:07.360 --> 0:47:11.319
<v Speaker 1>little flirty flirt action happening. And I see it. I'm

0:47:11.360 --> 0:47:15.520
<v Speaker 1>like that they're they're they're cute together. I like the dynamic.

0:47:15.840 --> 0:47:24.480
<v Speaker 1>She said, I love you and I want this so bad.

0:47:24.520 --> 0:47:27.520
<v Speaker 1>I want it for her so bad. Yeah. I like that.

0:47:27.520 --> 0:47:30.360
<v Speaker 1>That's just sort of spicing things up for her. And

0:47:30.400 --> 0:47:34.400
<v Speaker 1>then Dean also sidebar, like they had the fanciest like

0:47:34.640 --> 0:47:40.160
<v Speaker 1>coffee kart serving treats at the town meeting. What happened

0:47:40.200 --> 0:47:43.600
<v Speaker 1>was that about Luke Luke's was open, right, It's not

0:47:43.920 --> 0:47:46.640
<v Speaker 1>it's Luke's open or closed. It was. It's not closed

0:47:46.680 --> 0:47:49.799
<v Speaker 1>during a town meeting. It's it's yeah because somebody runs it.

0:47:49.880 --> 0:47:52.479
<v Speaker 1>When how is there a coffee car down in front,

0:47:52.760 --> 0:47:57.480
<v Speaker 1>a fancy coffee car like I think it had like

0:47:58.200 --> 0:48:02.719
<v Speaker 1>bakery treats to her Luke's business right there, Taylor. That's

0:48:02.760 --> 0:48:06.640
<v Speaker 1>Taylor being diabolical. Alright, so talk about it. What do

0:48:06.680 --> 0:48:10.879
<v Speaker 1>you think about Dean kind of saying to Rory, what's

0:48:10.880 --> 0:48:13.040
<v Speaker 1>going to happen when you go to college. That guy,

0:48:13.120 --> 0:48:24.160
<v Speaker 1>he's a buzz so much to unpack there. Wow, God,

0:48:24.200 --> 0:48:25.920
<v Speaker 1>I know we were just so pleased with him in

0:48:25.960 --> 0:48:29.320
<v Speaker 1>the diner earlier and that it's like so we needed

0:48:29.360 --> 0:48:33.239
<v Speaker 1>this because for the last few weeks he's been kind

0:48:33.280 --> 0:48:37.239
<v Speaker 1>of not bowing down to Rory, but like, oh, are

0:48:37.280 --> 0:48:40.279
<v Speaker 1>you sure you're not just as out of town now? Yes, okay, greed,

0:48:40.440 --> 0:48:42.239
<v Speaker 1>we can move on, you know, Like he's just been

0:48:42.440 --> 0:48:46.440
<v Speaker 1>very like go with the flow, like yeah, yeah, whatever

0:48:46.960 --> 0:48:51.400
<v Speaker 1>Rory says. And now it's like, oh no, he's having

0:48:51.400 --> 0:48:56.239
<v Speaker 1>the doubts now, which breaks my realistic though. Please, like

0:48:56.239 --> 0:48:59.160
<v Speaker 1>they're going to stay together when she goes to Harvard.

0:49:00.160 --> 0:49:02.560
<v Speaker 1>It's like, come on, she's going to be in this

0:49:02.640 --> 0:49:04.799
<v Speaker 1>completely new world. She's not gonna want to come home

0:49:04.840 --> 0:49:08.040
<v Speaker 1>every weekend. Look, if he wants to go to a

0:49:08.120 --> 0:49:11.439
<v Speaker 1>junior college in Boston to be near her while she's

0:49:11.480 --> 0:49:15.400
<v Speaker 1>going at Harvard, the only way that that could possibly

0:49:15.480 --> 0:49:22.080
<v Speaker 1>work is if he is really just super oke, cool

0:49:22.200 --> 0:49:25.400
<v Speaker 1>with everything and happy with his own life and a

0:49:25.560 --> 0:49:28.600
<v Speaker 1>dynamic guy, and he's a genius in his own right.

0:49:28.680 --> 0:49:31.120
<v Speaker 1>He happens to be in junior college, which is no

0:49:31.320 --> 0:49:35.400
<v Speaker 1>shame in that. Um. But it's gonna be hard for

0:49:35.440 --> 0:49:39.680
<v Speaker 1>her socially. Um Again, I mean, you know he he

0:49:39.800 --> 0:49:43.120
<v Speaker 1>was he accepted at Chiltern? Was was Was he embarrassed

0:49:43.120 --> 0:49:45.560
<v Speaker 1>to be at Chiltern? Or does he feel inferior walking

0:49:45.640 --> 0:49:47.359
<v Speaker 1>up to Chiltern? How's he gonna feel when he walks

0:49:47.400 --> 0:49:51.480
<v Speaker 1>into Harvard saying, Oh, I'm here to get Rory and where?

0:49:51.560 --> 0:49:53.439
<v Speaker 1>Oh so are you going to Harvard? No? I'm over

0:49:53.480 --> 0:49:58.160
<v Speaker 1>there at you know, run a mead City college, you

0:49:58.200 --> 0:50:01.680
<v Speaker 1>know by the heart by the river. Um. You know

0:50:01.760 --> 0:50:03.840
<v Speaker 1>how we all know that Dean is just going to

0:50:03.960 --> 0:50:07.200
<v Speaker 1>melt down if he's in that scenario. He just doesn't

0:50:07.239 --> 0:50:10.759
<v Speaker 1>have the he doesn't have the stuff to get through it.

0:50:10.840 --> 0:50:15.759
<v Speaker 1>And he she that girl makes him so nervous. She's

0:50:15.800 --> 0:50:18.080
<v Speaker 1>given him so many reasons to be insecure, And he

0:50:18.160 --> 0:50:21.319
<v Speaker 1>was a very everything you're saying. I also think it

0:50:21.440 --> 0:50:24.200
<v Speaker 1>was impressive, if that's the right word, that he was

0:50:24.239 --> 0:50:26.880
<v Speaker 1>being so realistic and saying like, hey, we kind of

0:50:26.920 --> 0:50:30.480
<v Speaker 1>like should talk about this wait, because literally it totally

0:50:30.520 --> 0:50:33.520
<v Speaker 1>made me sad because I feel like he was like

0:50:33.600 --> 0:50:37.040
<v Speaker 1>literally like he had the realization that everything he was

0:50:37.120 --> 0:50:41.880
<v Speaker 1>fighting for for so long is maybe not really gonna happen,

0:50:42.360 --> 0:50:44.960
<v Speaker 1>you know, like he's been fighting for this relationship for

0:50:45.040 --> 0:50:47.759
<v Speaker 1>so long, going through all the bs that Rory has

0:50:47.760 --> 0:50:50.480
<v Speaker 1>put him through, still sticking by, and then he has

0:50:50.520 --> 0:50:53.640
<v Speaker 1>this moment where he's like, but wait, like, is that

0:50:54.000 --> 0:50:56.440
<v Speaker 1>is all I just went through? Worth it? You know?

0:50:56.760 --> 0:51:00.400
<v Speaker 1>Like it just made me sad? Yeah, it was. It

0:51:00.480 --> 0:51:03.759
<v Speaker 1>was sad because it's also accurate. They're not going to

0:51:03.840 --> 0:51:07.440
<v Speaker 1>stay together. No, I mean for maybe for a little while,

0:51:07.480 --> 0:51:11.520
<v Speaker 1>but then it's just gonna He'll meet somebody, She'll meet somebody.

0:51:11.600 --> 0:51:15.560
<v Speaker 1>And I thought there was some significance to Jackson mentioning

0:51:15.560 --> 0:51:21.200
<v Speaker 1>the tools to Lorelei because she realized, like Glory's leaving.

0:51:21.640 --> 0:51:25.480
<v Speaker 1>So I think Diana more Lee had the same realization

0:51:25.520 --> 0:51:27.799
<v Speaker 1>in the same an. I kind of think, if I

0:51:27.800 --> 0:51:33.880
<v Speaker 1>could interject here, um, I thought that that was a

0:51:33.960 --> 0:51:39.239
<v Speaker 1>bit insensitive of Jackson too. Yeah, I agree, you know,

0:51:39.640 --> 0:51:45.359
<v Speaker 1>the body is still warm. What what are you moving

0:51:45.400 --> 0:51:48.200
<v Speaker 1>your tools in there now for? But I think if

0:51:48.239 --> 0:51:50.839
<v Speaker 1>we like take ourselves out of it, I think, like

0:51:50.880 --> 0:51:53.520
<v Speaker 1>you were saying that, Dan Palladino wrote this episode so

0:51:53.640 --> 0:51:58.560
<v Speaker 1>perfectly because it was that moment where Dean's realistic to

0:51:58.680 --> 0:52:00.319
<v Speaker 1>Rory like we're not going to stay together, like you're

0:52:00.320 --> 0:52:02.560
<v Speaker 1>going to college, you can't come home every again. And

0:52:03.360 --> 0:52:05.719
<v Speaker 1>Jackson points out to Rory like, hey, you're gonna have

0:52:05.719 --> 0:52:07.120
<v Speaker 1>an empty room at your house, like you're gonna be

0:52:07.160 --> 0:52:10.879
<v Speaker 1>all alone. And it was sort of shrouded in this

0:52:10.960 --> 0:52:14.319
<v Speaker 1>tool thing, which was weird but whatever. I was sort

0:52:14.320 --> 0:52:16.960
<v Speaker 1>of like, is he gonna rent that room? Like what's happening.

0:52:17.160 --> 0:52:21.040
<v Speaker 1>But it was the significance of her realizing Rory is

0:52:21.080 --> 0:52:23.640
<v Speaker 1>going to be gone. Yeah, I'm gonna be here alone.

0:52:23.840 --> 0:52:26.960
<v Speaker 1>That was the point of the entire episode together to

0:52:27.040 --> 0:52:30.480
<v Speaker 1>that moment, and it was a powerful moment when we

0:52:30.560 --> 0:52:35.040
<v Speaker 1>have that sort of um, you know, waste upshot of

0:52:35.080 --> 0:52:38.960
<v Speaker 1>her looking off to Rory like going into the duner

0:52:39.080 --> 0:52:41.320
<v Speaker 1>like I'm not going to be with her much longer.

0:52:41.360 --> 0:52:45.319
<v Speaker 1>She's going away. And that's why I think it was

0:52:45.360 --> 0:52:49.640
<v Speaker 1>such a glorious Gilmour episode, because that's what that show

0:52:49.760 --> 0:52:53.760
<v Speaker 1>does best. In my opinion. That's why I responded so

0:52:54.360 --> 0:52:59.120
<v Speaker 1>negatively to the melodrama from or the drama from Haunted

0:52:59.200 --> 0:53:02.799
<v Speaker 1>Leg because I don't that's not the show for me.

0:53:03.120 --> 0:53:07.359
<v Speaker 1>For me, For me, it's both. It's both because there

0:53:07.360 --> 0:53:10.480
<v Speaker 1>are many scenes that I love, like last week, but

0:53:10.560 --> 0:53:13.520
<v Speaker 1>you're right, like we went, we go through these Shenanigans

0:53:13.640 --> 0:53:19.120
<v Speaker 1>or Gilmore antics, like the goofy Springsteen family to get

0:53:19.200 --> 0:53:24.560
<v Speaker 1>to the significant meaning for everyone's life. Keep it light,

0:53:25.040 --> 0:53:30.239
<v Speaker 1>keep it funny, and then we can have a poignant

0:53:30.239 --> 0:53:32.799
<v Speaker 1>moment at the end or here and there sprinkled in

0:53:33.040 --> 0:53:36.359
<v Speaker 1>to just sort of elevate everything or even bring it

0:53:36.400 --> 0:53:40.760
<v Speaker 1>back down to reality where everything seems so heightened because

0:53:40.760 --> 0:53:42.960
<v Speaker 1>of where it came from. I mean, it was just

0:53:43.239 --> 0:53:46.920
<v Speaker 1>such a perfect you needed that Dean moment, like Dan

0:53:47.480 --> 0:53:51.120
<v Speaker 1>Jackson moment. Dan set out to write something to get

0:53:51.160 --> 0:53:56.440
<v Speaker 1>to that ending, and absolutely brilliant to mean the significant.

0:53:56.600 --> 0:53:59.440
<v Speaker 1>I agree with you because the significance was that Rory

0:53:59.520 --> 0:54:02.000
<v Speaker 1>and Laura Lie we're going to hang out. Remember they

0:54:02.080 --> 0:54:04.400
<v Speaker 1>change their plans. Lorea Lie is not going to do

0:54:04.480 --> 0:54:07.160
<v Speaker 1>the billing or whatever, and Rory isn't going to do

0:54:07.200 --> 0:54:10.520
<v Speaker 1>whatever she was going to do because ultimately those two

0:54:10.560 --> 0:54:13.560
<v Speaker 1>want to spend time together. So it didn't become about Dean.

0:54:13.640 --> 0:54:17.239
<v Speaker 1>It's it's Rory and Laurea Lie. And again he's so

0:54:17.320 --> 0:54:19.719
<v Speaker 1>brilliant how you like, and it's so subtle. It's just

0:54:19.760 --> 0:54:23.360
<v Speaker 1>a tiny, little thing like I hang out, let's cancel

0:54:23.400 --> 0:54:28.000
<v Speaker 1>what we're doing, because that's ultimately right relationship, right. It

0:54:28.080 --> 0:54:30.879
<v Speaker 1>shows us how valuable time is when you're with your

0:54:30.880 --> 0:54:35.239
<v Speaker 1>loved ones time. We don't have much time left, and

0:54:35.280 --> 0:54:38.000
<v Speaker 1>so let's take this time to do it. And I feel,

0:54:38.120 --> 0:54:40.120
<v Speaker 1>I mean, it just got me. It put a lump

0:54:40.120 --> 0:54:43.319
<v Speaker 1>in my throat. I made. I made it like I

0:54:43.360 --> 0:54:45.200
<v Speaker 1>made a decision to go to the gym this morning

0:54:45.760 --> 0:54:48.680
<v Speaker 1>real quick and not spend an hour with my kid

0:54:48.719 --> 0:54:51.759
<v Speaker 1>having breakfast. I made him breakfast and left it, and

0:54:51.800 --> 0:54:53.399
<v Speaker 1>I was like driving there, going I want to turn

0:54:53.440 --> 0:54:56.480
<v Speaker 1>around and go spend time with Nick because every second

0:54:56.560 --> 0:54:58.480
<v Speaker 1>with him his magic. You know what. I think you're

0:54:58.560 --> 0:55:02.120
<v Speaker 1>right because I think ultimately it comes back to mom

0:55:02.160 --> 0:55:05.240
<v Speaker 1>and daughter too. Always in the show, like we always

0:55:05.280 --> 0:55:08.200
<v Speaker 1>are analyzing what is it, and it's always back to

0:55:08.840 --> 0:55:11.319
<v Speaker 1>Rory and Laura La. And I think that's also the

0:55:11.360 --> 0:55:15.360
<v Speaker 1>significance when we see Luke's and we see Taylor has

0:55:15.360 --> 0:55:18.040
<v Speaker 1>already got the sign made obviously he did it weeks ago,

0:55:18.440 --> 0:55:20.960
<v Speaker 1>and then we panned through town and we see the

0:55:21.000 --> 0:55:24.640
<v Speaker 1>Troubadour and it's just to give us that moment of

0:55:24.680 --> 0:55:29.480
<v Speaker 1>like letting it all sink in whoa yeah that that

0:55:29.680 --> 0:55:33.880
<v Speaker 1>this episode made me forgive all of the other not

0:55:34.040 --> 0:55:36.279
<v Speaker 1>a lot of them, but some of the episodes that

0:55:36.400 --> 0:55:40.000
<v Speaker 1>I thought didn't really hit the mark, you know, but

0:55:40.120 --> 0:55:43.239
<v Speaker 1>serve their purpose in some ways. You know. It's so

0:55:43.239 --> 0:55:48.320
<v Speaker 1>funny because when I'm watching it, it wasn't my favorite.

0:55:47.800 --> 0:55:51.040
<v Speaker 1>I the other stand out to me more like when

0:55:51.080 --> 0:55:53.719
<v Speaker 1>I have that kind of scene with Christopher and Lore, like, oh,

0:55:53.800 --> 0:55:56.480
<v Speaker 1>I love this, but now as we're talking about it,

0:55:56.640 --> 0:55:59.759
<v Speaker 1>I see it allows me to see the significance of

0:55:59.800 --> 0:56:03.640
<v Speaker 1>it because it's so soft and subtle, and then you're like, oh, wait,

0:56:03.960 --> 0:56:08.440
<v Speaker 1>that's what the whole show is about. Yeah, and I

0:56:08.520 --> 0:56:12.000
<v Speaker 1>you know, I think, right, it's let it's let Luke

0:56:12.040 --> 0:56:16.680
<v Speaker 1>be Luke. They let everybody be themselves, right, Luke ranting

0:56:16.719 --> 0:56:20.160
<v Speaker 1>through the whole thing. And Dean wasn't so twirpy like

0:56:20.239 --> 0:56:23.680
<v Speaker 1>they let Dean be Dean or Dean was almost cool

0:56:24.640 --> 0:56:27.200
<v Speaker 1>and almost smart, Like you're like, oh, wow, he's really

0:56:27.200 --> 0:56:30.160
<v Speaker 1>intuitive here. Like I don't mean almost smart, like he's

0:56:30.160 --> 0:56:31.600
<v Speaker 1>some ding dong, but like you know what I mean,

0:56:31.600 --> 0:56:35.800
<v Speaker 1>like where he was really like intuitive about the future.

0:56:37.760 --> 0:56:40.720
<v Speaker 1>I would I would point to this episode is really

0:56:40.800 --> 0:56:45.359
<v Speaker 1>capturing the tone the original spirit of yeah from from

0:56:45.440 --> 0:56:49.520
<v Speaker 1>moment one. Yeah, I mean it really just captured the

0:56:49.600 --> 0:56:53.960
<v Speaker 1>tone of this and it was so powerful at the end.

0:56:54.160 --> 0:56:57.080
<v Speaker 1>It really was. I mean it was unexpectedly powerful. And

0:56:57.160 --> 0:57:00.680
<v Speaker 1>she just looked. She just looked. And then there's a

0:57:00.760 --> 0:57:03.480
<v Speaker 1>pan to the towner and the two of them walking in,

0:57:03.600 --> 0:57:07.480
<v Speaker 1>and it's like, man, who can't relate to that? You know,

0:57:07.640 --> 0:57:11.399
<v Speaker 1>who's had kids or even it has been a daughter

0:57:11.480 --> 0:57:14.560
<v Speaker 1>or son. You know, it's like, wow, I'll give a

0:57:14.600 --> 0:57:17.200
<v Speaker 1>quick fashion. They love to put lord ly in florals.

0:57:17.680 --> 0:57:20.080
<v Speaker 1>And she's loving a necklace like always this sort of

0:57:20.080 --> 0:57:22.040
<v Speaker 1>a prominent necklace in the last few And I thought

0:57:22.680 --> 0:57:27.400
<v Speaker 1>Lauren's hair was particularly excellent in this episode, like something's

0:57:27.400 --> 0:57:29.240
<v Speaker 1>going on with her hair where I'm like, wow, is

0:57:29.240 --> 0:57:33.200
<v Speaker 1>sher a curl to it? Like she looked cool? Yeah,

0:57:33.440 --> 0:57:35.680
<v Speaker 1>well I gave my favorite line, what was yours? I

0:57:35.800 --> 0:57:42.760
<v Speaker 1>really like Jackson's hair in this. I thought David Galcie's

0:57:42.800 --> 0:57:48.880
<v Speaker 1>hair was pretty good too, does have great hair. His

0:57:49.080 --> 0:57:51.920
<v Speaker 1>argyle sweater. I like me some Adam Brody. I'm not

0:57:51.920 --> 0:57:55.320
<v Speaker 1>gonna lie. I love Adam Brodie. It's always confusing because

0:57:55.360 --> 0:57:59.640
<v Speaker 1>Adam Brody in real life married the girl from Gossip Girl.

0:58:00.320 --> 0:58:05.640
<v Speaker 1>Very confusing. He married Rachel Bilson no late, okay, and

0:58:05.640 --> 0:58:07.920
<v Speaker 1>then Rachel Bilson's the girl from the o C. Yeah,

0:58:08.000 --> 0:58:11.440
<v Speaker 1>so Adam Brody married the girl from Gossip Girl. Just

0:58:11.520 --> 0:58:16.439
<v Speaker 1>kind of crazy. Daniels, you have a favorite line, Um, yeah,

0:58:16.440 --> 0:58:18.840
<v Speaker 1>my favorite line is Rory goes I think we need

0:58:18.880 --> 0:58:21.760
<v Speaker 1>therapy and literalized says I think we need some booze

0:58:21.760 --> 0:58:29.120
<v Speaker 1>for those of us that are twenty one. Um. Yeah,

0:58:29.200 --> 0:58:34.760
<v Speaker 1>I'm gonna give it to old Lukey on the soda line. Um,

0:58:35.040 --> 0:58:40.600
<v Speaker 1>do you have money and paid attention to We need

0:58:40.640 --> 0:58:47.120
<v Speaker 1>to those kids givin you got money? So good? Um

0:58:48.320 --> 0:58:53.160
<v Speaker 1>all got along. It wasn't boring, No, I mean, Dan Palladino,

0:58:53.240 --> 0:58:55.640
<v Speaker 1>hats off to you. You wrote the hell out of

0:58:55.680 --> 0:58:58.360
<v Speaker 1>that episode. I mean that was just a fever dream

0:58:58.440 --> 0:59:02.720
<v Speaker 1>of of an episode. Dialogue E and it's it's it's

0:59:02.840 --> 0:59:05.080
<v Speaker 1>it's how do you The challenge is how do you

0:59:05.120 --> 0:59:11.160
<v Speaker 1>make that much dialogue compelling? You know? That's the challenge.

0:59:11.160 --> 0:59:15.400
<v Speaker 1>He made that much dialogue really active and compelling and

0:59:15.480 --> 0:59:18.680
<v Speaker 1>filled with action, even though there were set pieces all

0:59:18.720 --> 0:59:21.600
<v Speaker 1>over the place. It was. It was wonderful episode. I

0:59:21.680 --> 0:59:23.920
<v Speaker 1>really enjoyed it. I almost went back and watched it,

0:59:23.960 --> 0:59:27.360
<v Speaker 1>but I was Yeah, I had to get Nick the bed,

0:59:27.400 --> 0:59:29.919
<v Speaker 1>but yeah, it would be a good one to watch again. Yeah,

0:59:30.240 --> 0:59:34.120
<v Speaker 1>meaning you know, your third, fourth, fifth, because it's so dense.

0:59:34.400 --> 0:59:38.800
<v Speaker 1>That's one I would watch repeatedly because it's just man,

0:59:40.200 --> 0:59:47.200
<v Speaker 1>it demanded your attention. So anyway, what's what episodes next week? Daniel?

0:59:48.160 --> 0:59:51.160
<v Speaker 1>On the next episode is one's got class and the

0:59:51.240 --> 0:59:56.640
<v Speaker 1>other one dies? Oh gosh, that sounds mensota challenging, ching,

0:59:56.760 --> 1:00:02.040
<v Speaker 1>whoa see it? Then? All right, so anyway, thank you everyone.

1:00:03.880 --> 1:00:07.840
<v Speaker 1>So anyway, thank you everyone for downloading. And we mean

1:00:07.920 --> 1:00:11.160
<v Speaker 1>this from the bottom of our hearts. You are the

1:00:11.200 --> 1:00:14.160
<v Speaker 1>best fans on the planet. You are the smartest. Thank you,

1:00:14.280 --> 1:00:17.600
<v Speaker 1>thank you, thank you for your very insightful feedback. We

1:00:18.240 --> 1:00:21.480
<v Speaker 1>take it to heart. I took it to heart. And

1:00:21.840 --> 1:00:23.560
<v Speaker 1>after I get off this, I'm gonna go work on

1:00:23.600 --> 1:00:27.760
<v Speaker 1>me a little bit, you know, I'll work on my interrupting. No,

1:00:27.920 --> 1:00:31.200
<v Speaker 1>it's not you, No, I do. They tell trust me,

1:00:31.240 --> 1:00:33.960
<v Speaker 1>They comment on that like every week. Really that I

1:00:34.000 --> 1:00:36.840
<v Speaker 1>get very excited, So I do it. Yeah, I'll work

1:00:36.840 --> 1:00:39.360
<v Speaker 1>on it. It's probably one of my things I need

1:00:39.360 --> 1:00:41.080
<v Speaker 1>to work on. In life, so I appreciate them pointing

1:00:41.080 --> 1:00:43.360
<v Speaker 1>it out. But now the thing is is, you know,

1:00:43.840 --> 1:00:46.960
<v Speaker 1>I grew up with impeccable manners. I'm teaching my son

1:00:47.320 --> 1:00:49.840
<v Speaker 1>impact to have impeccable manners because I think it's the

1:00:49.880 --> 1:00:52.480
<v Speaker 1>most one of the more important things in life is

1:00:52.520 --> 1:00:57.280
<v Speaker 1>to say please and thank you and um. If I

1:00:57.360 --> 1:01:00.320
<v Speaker 1>offended anybody or insulted anybody, that makes me feel bad.

1:01:00.720 --> 1:01:02.640
<v Speaker 1>I don't want people to feel that way. I want

1:01:02.680 --> 1:01:05.640
<v Speaker 1>them to enjoy this experience and and be Just because

1:01:05.960 --> 1:01:08.120
<v Speaker 1>you know, we get heated or we get into it

1:01:08.200 --> 1:01:10.400
<v Speaker 1>and we're having fun, doesn't mean that the audience is

1:01:10.480 --> 1:01:16.440
<v Speaker 1>necessarily having fun. So anyway, again, let me apologize one

1:01:16.520 --> 1:01:25.480
<v Speaker 1>last time. I hope we get a big fight customer,

1:01:25.600 --> 1:01:29.240
<v Speaker 1>come back to us. See see what that boy does,

1:01:29.600 --> 1:01:33.960
<v Speaker 1>See what that boy makes me crazy. Anyway, I love

1:01:34.000 --> 1:02:00.280
<v Speaker 1>you guys, and we'll see you next time. Gangs. Stay safe. Yeah,

1:02:08.320 --> 1:02:11.360
<v Speaker 1>hey everybody, and don't forget Follow us on Instagram at

1:02:11.640 --> 1:02:15.560
<v Speaker 1>I Am all In podcast and email us at Gilmore

1:02:15.840 --> 1:02:19.560
<v Speaker 1>at I heart radio dot com. Oh you gil More fans.

1:02:19.560 --> 1:02:21.280
<v Speaker 1>If you're looking for the best cup of coffee in

1:02:21.280 --> 1:02:24.720
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