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Speaker 1: I am all in. I am all in with Scott

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Speaker 1: Patterson and I Heart Radio podcast. All right, everybody, Scott Patterson,

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Speaker 1: I'm all in podcast. I Heart Radio, one of leven productions.

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Speaker 1: We have had a tsunami, a tsunami of responses emails

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Speaker 1: coming in over the last recap episode haunted leg and

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Speaker 1: I wanted to address it. I I really think it's

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Speaker 1: important to address it because, as I said to Amy

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Speaker 1: in our initial phone call, Um, when I pictured the idea,

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Speaker 1: which I thought was such an original idea of a

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Speaker 1: of a rewatch podcast, I didn't know there were thirty

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Speaker 1: thousand of them already on you, which it just shows

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Speaker 1: you how slow my brain works. Um. Um, you know,

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Speaker 1: I said to her, the most important thing to me

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Speaker 1: is that the fans are served here that we cannot

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Speaker 1: usurp or you know, try to grandstand or or in

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Speaker 1: any way, um walk into the Church of Gilmore and

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Speaker 1: defy all the place. And I think I did that

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Speaker 1: on this last episode. And I want to first and

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Speaker 1: foremost apologize to you, Amy for talking over I think

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Speaker 1: I don't want to get into an argument and talk

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Speaker 1: over you. When I'm trying to apologize, I interrupt you

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Speaker 1: every every episode. I see your comments, I see your comments.

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Speaker 1: I get excited. I can't help myself, right, but we

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Speaker 1: just get excited. We care. Here's the thing. And I

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Speaker 1: don't mean to trash guys, but if it was a

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Speaker 1: bunch of guys reacting oh this, that I would go.

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Speaker 1: You know, I understand guys when men, I think I

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Speaker 1: place women higher than I do. Man, I just do.

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Speaker 1: They're more emotionally intelligent, they're more in tune with shows

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Speaker 1: like this. This fan base is is mostly women. It's

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Speaker 1: most it's like women. And uh, my entire life, I

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Speaker 1: have been guided by emotionally mature, intelligent women. Otherwise I'd

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Speaker 1: be a total wreck. And women have saved my ass

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Speaker 1: countless times in my life. And when women speak out

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Speaker 1: and say, Scott, check yourself a little bit, I listen.

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Speaker 1: So I'm listening to you. I appreciate this. I love you, guys, Daniel.

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Speaker 1: I apologize if I have been talking over you. I've

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Speaker 1: been too aggressive. You're so nice. So after we taped

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Speaker 1: the episode that aired, Scott called me the next morning

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Speaker 1: and call to me to apologize, and I was like,

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Speaker 1: you have the whole thing to apologize for, Like nothing

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Speaker 1: is more fun for me. Than when we're talking about

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Speaker 1: these episodes, because it's like we were so passionate about

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Speaker 1: this show, Like I love this show so much, so

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Speaker 1: it's like nothing. I do enjoy hearing a different perspective too,

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Speaker 1: you know, like it wouldn't be fun if it was

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Speaker 1: just the same perspective, like exactly like seeing from your lens,

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Speaker 1: even though ours was totally right and Scott correct, we

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Speaker 1: want to hear it. I'm just kidding, a lot of

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Speaker 1: people agree with you. You know, people don't like Christopher.

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Speaker 1: I happen to love him, so I think that's the

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Speaker 1: other thing. It's like you don't care for Christopher, where

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Speaker 1: I'm just like Doe ide for Christopher. I love him,

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Speaker 1: But it doesn't give me the right to to stop

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Speaker 1: listening to you because you're not agreeing with me. And

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Speaker 1: I want to be better at that. So I want

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Speaker 1: to appreciate that. But I think you always listen. But listen.

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Speaker 1: We I told you in that initial phone call. The

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Speaker 1: fans are gonna shape this. We're going into this kind

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Speaker 1: of blind I know this. I know this show is

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Speaker 1: is sacred to people. It gives them a great deal

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Speaker 1: of comfort. The last thing I want to do is

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Speaker 1: gives them any kind of stress. UM, I just happened

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Speaker 1: to be UM. And there's a lot of reasons for it.

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Speaker 1: UM A little bit forceful sometimes, UM. And you know

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Speaker 1: we also are passionate. You look are Luke. So whether

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Speaker 1: you are an actor portraying Luke over these many years,

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Speaker 1: like you are Luke, you care about him so much

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Speaker 1: so we want to hear what Luke has to say.

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Speaker 1: So here's here's what I'm gonna try to do. I'm

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Speaker 1: gonna try to and I think and one comment really

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Speaker 1: open my eyes. And I'm telling you, the comments are

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Speaker 1: so intelligent, they're so insightful, and it's amazing this fan

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Speaker 1: base read them as we read them. I didn't read

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Speaker 1: them all. I couldn't get through them all I was.

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Speaker 1: You know, I almost had a breakdown. I couldn't. I

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Speaker 1: got through about four of them, what I said, all right,

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Speaker 1: another one for me, another one. I read them all

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Speaker 1: that for some reason, if someone missed last week, you

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Speaker 1: might want to go back right now and give it

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Speaker 1: a clicker too, because it got hot. But I gotta

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Speaker 1: tell you, I love doing this. I've never had so

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Speaker 1: much fun doing anything in my professional career. And I

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Speaker 1: love you guys, and we are having such a good

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Speaker 1: time doing this. I do get passionate. I think what

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Speaker 1: I'm going to try to do. It's one of the

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Speaker 1: comments that I was I was about to comment on

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Speaker 1: is try to separate, And it was such an insightful comment. Um.

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Speaker 1: It was trying to separate Luke from Scott and try

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Speaker 1: to look at a little more objectively like a fan

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Speaker 1: would look at it. I'm looking at it. It's like

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Speaker 1: too much inside baseball kind of thing. But that's what

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Speaker 1: we like because I get it. But it doesn't because

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Speaker 1: you may have seen from my background acting, which was

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Speaker 1: a lot better than I give your credit for, I

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Speaker 1: just got a little jealous, very bad. It was very

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Speaker 1: very bad because I know I can't do it like that, Um,

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Speaker 1: which is why I never attempted background acting. Um, but

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Speaker 1: I'm listen. I hear you, I hear you, Gang, I

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Speaker 1: hear everybody, and you should be able to listen to

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Speaker 1: this podcast about this fantastic show filled with people that

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Speaker 1: I truly love. Um. It's an experience and it continues

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Speaker 1: to change my life and improve my life for the better.

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Speaker 1: And if you're saying this, then I'm gonna work on

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Speaker 1: myself and I'm going to try to to be a

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Speaker 1: little less um forceful with my opinion. But I think

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Speaker 1: I think opinions. If you know, I stand by my opinions.

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Speaker 1: It's just it's it's it's not having the opinion, it's

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Speaker 1: how the opinion is is served. And I just think

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Speaker 1: I'm serving the opinion a little hot. I'm gonna take

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Speaker 1: it out of the oven sooner, let it cool off,

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Speaker 1: and then I'll serve it. Ready, I mean, let's do it.

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Speaker 1: Let's do it today. I can't wait to see what

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Speaker 1: he's thinking. Anyway, greatest fans in the world. They are

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Speaker 1: the smartest, nicest people, by the way, I agree, they

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Speaker 1: are so nice. But the comments are so so smart,

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Speaker 1: Like keep them coming. They do. They know this show

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Speaker 1: a heck of a lot better than I do. And

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Speaker 1: I was in it. It's like not even a fair fight.

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Speaker 1: But thank you, thank you for the comments. And we're

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Speaker 1: gonna we do want to make this UM a fan

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Speaker 1: friendly event. Every single time you tune in. We don't

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Speaker 1: want you to feel like there's going to be any

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Speaker 1: kind of toxicity. So we've got an expert coming in.

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Speaker 1: They're going to clear out the toxicity and then we're

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Speaker 1: going to continue anyway. I almost I almost shout a

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Speaker 1: team low again because you can't help. But like, you're

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Speaker 1: still going to have a show, and we're not all

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Speaker 1: going to agree. Like I am going to be team Logan.

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Speaker 1: I do love me some Jess, but I'm always gonna

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Speaker 1: be team Logan. So it's like we're gonna disagree on

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Speaker 1: things we are. That's fine. I can't wait to see

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Speaker 1: you about this episode because I have like some get

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Speaker 1: into it because I have something. Okay, I after this

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Speaker 1: episode was over, Uh and we're wait a minute, so

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Speaker 1: who's who's going to do our synopsis? Take the synopsis away.

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Speaker 1: So this is season three, episode three, Application Anxiety, original

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Speaker 1: air day, October eight, two two. When Rory's Harvard application arrives,

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Speaker 1: her confidence disappears, and soon three generations of Gilmore girls

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Speaker 1: share one giant anxiety attack. Plus Dean starts to wonder

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Speaker 1: what will happen with their relationship when she takes off

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Speaker 1: for college, and Taylor convinces the town to open an

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Speaker 1: old fashioned soda shop next to Luke's diner. At the

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Speaker 1: end of this episode, at the end of Application Anxiety,

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Speaker 1: you know what I said to myself, what I said,

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Speaker 1: who the hell wrote this? So I went back and

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Speaker 1: I looked at it. Is that good or bad? Oh?

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Speaker 1: That's good, I said to myself. Daniel Palladino wrote the

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Speaker 1: hell out of this episode, because man, you talk about

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Speaker 1: snappy dialogue, and Gail man Cuso directed it. And I

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Speaker 1: remember Gail and she was always so great to work with,

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Speaker 1: and she masterfully guided us through this and kept our

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Speaker 1: pace at breakneck speed throughout this entire thing. I just

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Speaker 1: thought that this was a masterful episode. I was completely engaged.

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Speaker 1: I wanted to get up and and get some more food,

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Speaker 1: but I wouldn't allow myself to know I just right.

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Speaker 1: That happens to me with Gilmore Girls constantly, where I'm like, oh,

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Speaker 1: I'm just gonna watch like fifteen minutes of it and

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Speaker 1: then I'll go do something else, and then all of

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Speaker 1: a sudden, it's like I'm a zombie. Just like. I

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Speaker 1: was so hooked into this because the dialogue was so great,

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Speaker 1: and the and the banter back and forth was so great,

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Speaker 1: and the timing was so great. Everything was just bum

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Speaker 1: bum bum bum bum bum bum bum. Well, you know

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Speaker 1: what hooked me right from the start, The Brady Variety Hour,

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Speaker 1: Like do you guys, do you guys know what that is? Genius? Yeah,

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Speaker 1: Brady Bunch, me too. But so that's what is so

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Speaker 1: genius about this show. They weren't watching The Brady Bunch.

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Speaker 1: They were watching the fairly cheesy like Pam The Brady

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Speaker 1: Variety Hours. So in the seventies, Danielle was not very

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Speaker 1: born in are you joking me? Sorry? You weren't born

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Speaker 1: till the nineties. The first year, well, I was born

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Speaker 1: in the seventies. So in the seventies is the Variety

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Speaker 1: Hour was like a total thing, like it was the

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Speaker 1: heyday of Donnie and Marie. So the fact that Rory

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Speaker 1: and Lorla are watching The Brady Variety Hour, who even

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Speaker 1: knows how they got it at the time because it

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Speaker 1: wasn't on. It was like a song and dance thing

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Speaker 1: with all the Bradies, except where I think Jan bugged out.

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Speaker 1: I think Jan did not partake. That was so hilarious

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Speaker 1: that they were watching that I was dying, and then

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Speaker 1: that that kind of became that bit because her application

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Speaker 1: came while they were watching. They Now, did you guys

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Speaker 1: notice something about the mailman? He didn't close the door.

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Speaker 1: He left the door wide open, And I just came

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Speaker 1: in the house. But that's small town. That's like small town, right,

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Speaker 1: They're all, hey, Eddie. I'm like what yeah, Like I

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Speaker 1: live in a little small town and my alarm would

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Speaker 1: be going off if somebody to open the door, you know.

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Speaker 1: I mean, you know, my mailman, I wave and I love,

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Speaker 1: but he doesn't open my door. We used to get

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Speaker 1: We used to have a milkbox out in front of

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Speaker 1: our front door, and the milkman would come by and

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Speaker 1: put the glass bottles of milk and milk balls. And

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Speaker 1: then we used to have god, I sound old, don't

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Speaker 1: I um? And then we had a Charles Chips used

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Speaker 1: to come by and put potato chips into our potatoes. Yes, yes,

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Speaker 1: it was a weekly delivery. The old joke so like

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Speaker 1: Daniel is too young for this too. The old joke

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Speaker 1: would be like, oh was it the milkman. Like remember

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Speaker 1: when people would have like Shenanigan's on the side, and

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Speaker 1: or like Milkman's baby exactly because the milkman. I'm too

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Speaker 1: young for the milkman. Sorry, Scott, the puffcorn relieved because

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Speaker 1: I was suspicious, you know, guy, Yeah, can they bring

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Speaker 1: back the chip guys? And the guy just delivered bags

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Speaker 1: of potato chips. I mean what it was both. I

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Speaker 1: mean it was like get them both in court. You know,

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Speaker 1: it's like, what are you gonna do? Chip guy? It's like, okay,

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Speaker 1: it could be one or the other. Alright, So back

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Speaker 1: to the show. So what do you guys think her

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Speaker 1: Harvard application has come? Um, you know, I love that

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Speaker 1: they talked about the dead souls and go Goal reading

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Speaker 1: the bleak Russian authors who are all quite brilliant, and uh,

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Speaker 1: you know, it was just a funny bed. It was

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Speaker 1: a funny way to open it. What should we do?

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Speaker 1: Should he could have brilliant? Yeah, it was a funny

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Speaker 1: way to open it, very literally, because they're watching the

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Speaker 1: show being so ruy lorla, and then here comes the

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Speaker 1: baby Harvard application. It's like, here's here's present day culture

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Speaker 1: watching the Brady Bunch Variety Hour, and then there's a

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Speaker 1: Harvard coming in, and then there's Googel right, so okay,

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Speaker 1: So then we come into the kitchen and out pops Lane.

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Speaker 1: And this is a very important storyline. Lane wants to

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Speaker 1: be in a band, so she's got this ad. So

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Speaker 1: that's big because as we know, that becomes major throughout

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Speaker 1: the series. So Danielle, I'm jumping ahead, But what did

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Speaker 1: you think when you saw did you know his voice?

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Speaker 1: When you heard on the voice smail the guy calling Lane?

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Speaker 1: Do you know what I'm talking about? No? Yeah, yeah,

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Speaker 1: I know what you're talking about. But no, I didn't

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Speaker 1: recognize the voice. Who was it? You didn't recognize when

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Speaker 1: Dave Regowski calls for the first time? Negative? Okay, don't

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Speaker 1: want it. Okay, I'm jumping ahead, so we'll get back

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Speaker 1: to it. But this is major okay, So anyway, alright,

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Speaker 1: so we're in the kitchen, Lane pops out. Any thoughts

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Speaker 1: on that scene? Um was wondering what the music was

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Speaker 1: in the background. I liked the music in the background,

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Speaker 1: and then she popped out and I said, oh, that's

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Speaker 1: the music in the background. Okay cool? Um yeah, but

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Speaker 1: uh yeah again uh the pace of the dialogue and

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Speaker 1: you really have to focus in and concentrate on what

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Speaker 1: she's sang because you can't pick up all of it.

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Speaker 1: It's so fast. So it really does get you in

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Speaker 1: this heightened state of awareness where you need to be

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Speaker 1: completely focused or else you're gonna miss something. And that's

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Speaker 1: why people watch this so many times over and over

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Speaker 1: again because it's like I missed that. I want to

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Speaker 1: get that. I want to experience this again because it's

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Speaker 1: it's faster than life. Yeah, that is really true, especially

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Speaker 1: in this episode, and it makes it kind of thrilling,

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Speaker 1: and it really its speeds up life. It's like life

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Speaker 1: and fast forward somehow or a higher speed. And I

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Speaker 1: had I had felt like we hadn't had a Lane

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Speaker 1: episode in a bit, like either she'd been missing or

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Speaker 1: she was sort of insignificant where I was happy to

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Speaker 1: see her at the forefront again. Yeah, I was happy

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Speaker 1: to see her doing she loved and she and she

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Speaker 1: loves that. Um so that was good. It was refreshing.

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Speaker 1: It was refreshing to see her. Okay, so we get

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Speaker 1: into Luke Steiner, so it's almost like she's another she's

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Speaker 1: another of laurealized daughters, where it's like that's where she belongs,

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Speaker 1: or she's an alter ego of Rory somehow. Yes, Oh,

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Speaker 1: very interesting. I do feel that she has a very

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Speaker 1: mother daughter relationship with Laura la friends but bordering on

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Speaker 1: their very close agree She's just be bopping in their

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Speaker 1: house all the time, and as we know then she

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Speaker 1: takes the calls out there. I mean She's free to

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Speaker 1: come and go like it's her home. I had. I

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Speaker 1: had My best buddy was like that. He used to

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Speaker 1: just come over any time, and he was welcome to

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Speaker 1: just go into the fridge and come into the house.

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Speaker 1: And you know, because he had a he had a

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Speaker 1: tough family life, so he would come in and hang.

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Speaker 1: I mean I I wouldn't be there. He'd come in

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Speaker 1: and talk to my mom, and my mom would Isn't

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Speaker 1: that the best? It's the best for him and for you? Yes,

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Speaker 1: And we're still super close to this day. Oh I

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Speaker 1: love that. Yeah. Okay, So we go into Luke's diner

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Speaker 1: and this is my favorite line. Do they let kids

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Speaker 1: drink coffee before school? I think it might lead to

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Speaker 1: harder stuff Latte's cappuccinos. Yeah. Now, what did you think

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Speaker 1: of Dean and Rory that that morning? Um? What they

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Speaker 1: had that little scene at the table, right? I thought

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Speaker 1: they looked very comfortable and very content and things were

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Speaker 1: kind of back on track for them. Yeah. Yeah, I

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Speaker 1: felt that way too about this episode, and it was

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Speaker 1: sweet right there. Sweet together. They're very sweet together. He

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Speaker 1: was less annoying and no jess in this episode, So

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Speaker 1: maybe that makes us sort of like, like Dean more,

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Speaker 1: how do you guys feel about Dean right now? I

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Speaker 1: feel bad for the guy. I do feel bad. But

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Speaker 1: this episode I was like, oh, okay, there's a shift

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Speaker 1: in this episode, which we can talk about later because

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Speaker 1: the ending scene, you know, one of the final scenes,

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Speaker 1: you kind of get a glimpse into what's going on

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Speaker 1: in Dean's rain. You know, Yeah, Dean was Dean later on. Yeah, yeah,

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Speaker 1: although interesting that he sort of was thinking ahead to

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Speaker 1: it so realistically where she really wasn't. But we'll get

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Speaker 1: to that. Yeah. I thought they seemed very cute in

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Speaker 1: this scene, and you know, she wanted to make plans

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Speaker 1: and he was like, all right, you gonna be writing

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Speaker 1: your essay. And that's when we learned she put school aside.

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Speaker 1: You know, she was like no, like you know, like

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Speaker 1: I want to hang out with you. She thinks she's

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Speaker 1: going to write about Hillary Clinton, and she's all good

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Speaker 1: to go, and we see Taylor taking the photo hysterical,

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Speaker 1: and then he got he knew, Luke. He's so good.

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Speaker 1: He is. I mean, he just puts that in his

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Speaker 1: body that way, and he's hysterical. God, he's so good.

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Speaker 1: He's so good. Okay, So then we had to Chilton

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Speaker 1: for the assembly. What do you guys think of Paris

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Speaker 1: and Rory at the Assembly and everything that ensued, they're

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Speaker 1: interviewing Jim Romaine from Princeton and Rose Samuel's the college consultant.

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Speaker 1: I like how it started because the guy who was

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Speaker 1: running the place told Paris, look, look, this isn't the

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Speaker 1: Beatles at Chase Stadium. Relax. It's like finally somebody you know,

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Speaker 1: but stood up door and didn't get bulldozed and said,

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Speaker 1: what's what's with this stuff? You know? She wanted to

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Speaker 1: black everything black background with spotlights and the whole thing,

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Speaker 1: and she wanted what she wanted to look like firing

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Speaker 1: line or something like that, or Charlie Rose screen. She

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Speaker 1: wanted to look like Charlie Rose. That's where she does

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Speaker 1: her Hillary Clinton dig too. And I just kind of

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Speaker 1: had to chuck out that or He's like right, right, God.

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Speaker 1: I also thought there was a couple of words. They're like,

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Speaker 1: we don't like perfunctory answers, and I'm all, Google, what

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Speaker 1: is perfunctory? Like, uh yeah? And bad printing. They didn't

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Speaker 1: like bad printing. I was like, yeah, that was funny stuff.

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Speaker 1: The looks on both of their favor Their reactions were priceless.

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Speaker 1: Oh my god, when you jump ahead, I liked Paris

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Speaker 1: a little more in this because I got to see

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Speaker 1: a different color or she wasn't so sure. I liked

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Speaker 1: Paris so much in the scene ahead when she calls Rory.

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Speaker 1: We'll talk about that. So, so now we're at Friday

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Speaker 1: night dinner and we can go backwards, but embarrass So,

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Speaker 1: first of all, Roy has a cell phone. Does you

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Speaker 1: guys noticed that she does? She has a cell phone now,

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Speaker 1: so I believe it's the first time we've seen Rory

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Speaker 1: with a cell phone. I think Lorela had had one before,

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Speaker 1: but Roy has one now, embarish. Now I was about

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Speaker 1: to heave. Okay, so talk about it. We're at Friday

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Speaker 1: night dinner and Emily obviously has the magazines for school.

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Speaker 1: And then this is where we see both Rory and

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Speaker 1: Lower Life freaking out. Oh um, hysterically funny scene. Uh

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Speaker 1: you know they you know that's that's a hell of

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Speaker 1: a thing when you realize how much competition there is

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Speaker 1: and there's so many, you know, thousands globally, thousands of

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Speaker 1: people with the same qualifications, if not better, And how

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Speaker 1: are you going to differentiate yourself. And uh, I thought

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Speaker 1: all of their answers and and Dan, Dan researched this beautifully,

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Speaker 1: you know, I think it was you know, he probably

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Speaker 1: had to call the Harvard missions border get somebody to

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Speaker 1: talk to him, and they told him, you know, they

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Speaker 1: gave me the inside track on on how they do

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Speaker 1: these things. Um. What was scary for me is that

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Speaker 1: they you know, they're they're so that the admissions officers

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Speaker 1: know that everybody is the same the same qualifications, so

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Speaker 1: they put a stack on the rejects, and they just

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Speaker 1: put a stack on the yeses, you know, and there's

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Speaker 1: far fewer yeses and rejects, and they just that's how

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Speaker 1: they do it. Sometimes. Maybe I don't know that that

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Speaker 1: was kind of frightening to me. I hope that's not

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Speaker 1: the case. Um, but getting into college is so hard.

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Speaker 1: The difference between even when Rory was going to college

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Speaker 1: twenty years ago and now, I mean, these kids cannot

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Speaker 1: get into college now. So nobody can get into college.

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Speaker 1: You have to have like four point five to get

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Speaker 1: into like the I mean, to get into Harvard and Yale. Now,

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Speaker 1: I don't even I don't I can't even think about it.

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Speaker 1: I think it's like to have a five point out

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Speaker 1: does exist you have to be a unicorn to get

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Speaker 1: into heart. Well, it's all I mean, it used to

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Speaker 1: be in my day. All s, A T S and

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Speaker 1: a C T of course, you know. And yeah, so

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Speaker 1: they was very accurate even twenty years ago. And now

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Speaker 1: it totally plays because this is what these kids are

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Speaker 1: really going through, like freaking out about getting into college. Well,

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Speaker 1: we had a we had a kid in in my

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Speaker 1: group of friends who who got accepted to Yale um

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Speaker 1: really yeah, and he did premed and he became an

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Speaker 1: anestesil just the whole thing. Oh my god. But you know,

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Speaker 1: growing up, you know, he knew anatomy and physiology like

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Speaker 1: the back of his hand when he was ten, eleven,

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Speaker 1: twelve years old. You know, he knew it. And he

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Speaker 1: was grounded all of the time. His dad was always

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Speaker 1: rounding him. So he just strict parents, just studied, very

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Speaker 1: strict parents. Yeah, and he studied and studied and studied

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Speaker 1: and studied, and that's what it takes. It's interesting because

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Speaker 1: when you think about Chiltern, like these kids are competing

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Speaker 1: at such an extraordinary level, extraordinary level that they are

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Speaker 1: considering Yale Harvard, Prince and all these schools. It's like

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Speaker 1: it is intense. It's just it's the first time that

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Speaker 1: Laurelie realizes, oh gosh, this is not as a shoe

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Speaker 1: in as this might not happen. There's a lot of

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Speaker 1: special kids. The Gilmer women are freaking out, all three

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Speaker 1: of them. What I thought was interesting, and I will say,

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Speaker 1: is that Loureli called the headmaster and gets connected to

398
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Speaker 1: the guy, you know, the guy that went to Harvard.

399
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Speaker 1: Where what's interesting is this is where they really should

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Speaker 1: have leaned on Richard. Even though he's a Yale man,

401
00:24:36,400 --> 00:24:40,359
Speaker 1: he is an expert at this. So it's kind of

402
00:24:40,400 --> 00:24:43,600
Speaker 1: interesting that they literally have a wealth of knowledge right

403
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Speaker 1: in front of them of getting into school, but specifically Harvard. Right.

404
00:24:50,560 --> 00:24:53,960
Speaker 1: So there is that one thing I love when she

405
00:24:54,000 --> 00:24:56,720
Speaker 1: says and that insipid Kate Hudson is not going to

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00:24:56,760 --> 00:25:02,160
Speaker 1: take your spot or back Luke's diner. And now we

407
00:25:02,280 --> 00:25:08,479
Speaker 1: get the kids coming in with the orders epic. I

408
00:25:08,520 --> 00:25:11,240
Speaker 1: think this was as good at writing for Luke as

409
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Speaker 1: there has been on the shows. How all said, I

410
00:25:14,520 --> 00:25:18,840
Speaker 1: think Dan really gave me the gift here in this

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Speaker 1: episode because I just thought that because I saw myself

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Speaker 1: really excited and engaged as an actor, and there were

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Speaker 1: no impediments in the writing, not that there are in

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Speaker 1: anybody else's writing, but I thought this was particularly um

415
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Speaker 1: like this perfect runway for me to take off. And

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Speaker 1: I don't know, something just really clicked for me in

417
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Speaker 1: this episode because I'm watching it going jeez, I don't

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Speaker 1: I don't remember enjoying. I mean, I don't like watching myself.

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Speaker 1: It's it's it's a terrible experience. But I really enjoyed

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Speaker 1: this because I didn't recognize myself. I think that's really

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00:25:59,320 --> 00:26:03,400
Speaker 1: the character, that's the guy. Interesting because it's also wasn't

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Speaker 1: a dramatic scene or a scene with more Lye. It

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00:26:06,400 --> 00:26:08,720
Speaker 1: totally took you out of that into something completely different

424
00:26:08,720 --> 00:26:11,119
Speaker 1: where you're engaging with these customers and then these kids.

425
00:26:11,440 --> 00:26:15,199
Speaker 1: And then it's always good when you're up against Taylor

426
00:26:16,400 --> 00:26:20,800
Speaker 1: because you're like, what is going on dude? Basically it's

427
00:26:20,880 --> 00:26:25,080
Speaker 1: just great. And and I get a chance to go

428
00:26:25,200 --> 00:26:28,159
Speaker 1: one on one with Michael Winters, which is like, you

429
00:26:28,200 --> 00:26:32,040
Speaker 1: know you're going up against It's like he made me

430
00:26:32,200 --> 00:26:35,800
Speaker 1: so much better than I actually am because I had

431
00:26:35,840 --> 00:26:38,560
Speaker 1: to survive with him, you know, I really had to

432
00:26:38,600 --> 00:26:42,960
Speaker 1: bring it when I'm working with everybody in that cast,

433
00:26:43,040 --> 00:26:47,840
Speaker 1: but Michael Winters, my god, just just a joy. I

434
00:26:47,880 --> 00:26:50,720
Speaker 1: really miss him. Yeah, he does nail that character and

435
00:26:50,760 --> 00:26:54,600
Speaker 1: it's like just owns it. I do love any scene

436
00:26:54,640 --> 00:27:02,080
Speaker 1: with him because it's so entertaining. He's brilliant. He's absolutely brilliant,

437
00:27:02,200 --> 00:27:05,439
Speaker 1: and I don't know why he's not working more. He worked,

438
00:27:05,480 --> 00:27:08,280
Speaker 1: didn't work in film. I mean all of those great

439
00:27:08,359 --> 00:27:11,040
Speaker 1: character parts in films, he could have been in a

440
00:27:11,080 --> 00:27:14,640
Speaker 1: lot of them. And I just just do you get

441
00:27:14,640 --> 00:27:17,480
Speaker 1: a shout out to to Dosie's Market. So I spent

442
00:27:17,600 --> 00:27:19,239
Speaker 1: some time when you guys were in there kind of

443
00:27:19,240 --> 00:27:23,760
Speaker 1: looking That market is stocked. It is stockful, and it

444
00:27:23,840 --> 00:27:28,720
Speaker 1: has so many candies. It's like bazookas push up. There's

445
00:27:28,720 --> 00:27:32,480
Speaker 1: a whole like Planters like that market does not look

446
00:27:32,600 --> 00:27:37,960
Speaker 1: fake or or TV. It looks awesome. That's a real produce.

447
00:27:38,040 --> 00:27:42,440
Speaker 1: Section two there's like real vegetables and celery and tomatoes.

448
00:27:42,480 --> 00:27:45,240
Speaker 1: And you guys like the go to Dosie's Market to

449
00:27:45,240 --> 00:27:48,400
Speaker 1: grab a snack. No we we didn't, but the extras

450
00:27:48,440 --> 00:27:54,120
Speaker 1: would sometimes take a chump, you know, some some gum.

451
00:27:54,160 --> 00:27:56,680
Speaker 1: No no, no, you can't go into that stuff and

452
00:27:56,680 --> 00:28:01,760
Speaker 1: and open it up and start eating it doing we

453
00:28:01,840 --> 00:28:04,240
Speaker 1: might have to reshoot the whole episode because it won't match,

454
00:28:04,720 --> 00:28:07,359
Speaker 1: you know. Yeah, but it was those were great scenes.

455
00:28:08,080 --> 00:28:10,840
Speaker 1: And I did not know what an ice cold egg

456
00:28:10,880 --> 00:28:15,160
Speaker 1: cream was, or a black cow root beer and ice

457
00:28:15,200 --> 00:28:18,560
Speaker 1: cream to go or chocolate FoST bade. What the hell

458
00:28:18,600 --> 00:28:24,080
Speaker 1: is boss? Just it's just Dan Paladino firing on all cylinders,

459
00:28:24,880 --> 00:28:26,919
Speaker 1: I gotta tell you, man, I mean, he hit it

460
00:28:26,920 --> 00:28:31,280
Speaker 1: out of the park. I think in every single scene,

461
00:28:35,080 --> 00:28:38,160
Speaker 1: it's a very gilmoury episode, do you know what I mean?

462
00:28:38,200 --> 00:28:41,120
Speaker 1: Like as opposed to like last week, which I loved

463
00:28:41,160 --> 00:28:45,600
Speaker 1: because there was so much drama, right, No, That's why

464
00:28:45,600 --> 00:28:47,760
Speaker 1: I loved it so much, because it was really and

465
00:28:47,880 --> 00:28:50,240
Speaker 1: I think in the original spirit with the show was

466
00:28:50,320 --> 00:28:54,320
Speaker 1: meant to be, which is a lighthearted, buoyant drama y

467
00:28:54,680 --> 00:28:56,520
Speaker 1: with a ton of laughs in it and a ton

468
00:28:56,520 --> 00:28:59,720
Speaker 1: of absurd situations. But you know, just the fast back

469
00:28:59,760 --> 00:29:02,280
Speaker 1: of I mean, it was just yeah, there really wasn't

470
00:29:03,400 --> 00:29:05,800
Speaker 1: like a major drama like we had the week before.

471
00:29:06,720 --> 00:29:09,640
Speaker 1: It was very what's the word, It's not slapsticky, but

472
00:29:09,720 --> 00:29:14,000
Speaker 1: like comedy bung bung bung. But I think we needed

473
00:29:14,000 --> 00:29:17,800
Speaker 1: it after the after Haunted leg We really needed an

474
00:29:17,840 --> 00:29:20,720
Speaker 1: episode like that where we could just like breathe and

475
00:29:20,840 --> 00:29:26,560
Speaker 1: enjoy it and like, okay, so probably come here for yeah,

476
00:29:26,680 --> 00:29:28,440
Speaker 1: this is this is yeah, this is what I signed

477
00:29:28,520 --> 00:29:31,120
Speaker 1: up for, right, Okay. So we go back to Lower

478
00:29:31,240 --> 00:29:36,360
Speaker 1: Lies and they're talking about meeting Darren Springsteen and he's

479
00:29:36,360 --> 00:29:38,000
Speaker 1: they're going to go have lunch with him. And so

480
00:29:38,200 --> 00:29:43,040
Speaker 1: now this is where Dave Regowski calls the Answering Machine.

481
00:29:44,640 --> 00:29:48,120
Speaker 1: And now I realized what you were saying, who is it?

482
00:29:48,680 --> 00:29:53,560
Speaker 1: Did you when you saw them? Literally when I first thought,

483
00:29:53,560 --> 00:29:56,120
Speaker 1: I was like, is that Adam Brody? But he looks

484
00:29:56,200 --> 00:29:58,760
Speaker 1: like different, you know, different than like the o C

485
00:29:59,280 --> 00:30:02,040
Speaker 1: at Brodie. So I was like, I googled it. I

486
00:30:02,080 --> 00:30:04,080
Speaker 1: was like, you know this episode and I I was like,

487
00:30:04,200 --> 00:30:07,960
Speaker 1: oh my god, that is Adam Brody, a little baby

488
00:30:08,000 --> 00:30:10,560
Speaker 1: face Adam Brody because it was before the o C.

489
00:30:10,800 --> 00:30:12,160
Speaker 1: So Scott, I don't know if you ever watched the

490
00:30:12,160 --> 00:30:17,160
Speaker 1: o C, but like for us, that was a huge show.

491
00:30:17,600 --> 00:30:20,680
Speaker 1: And Adam Brody, who I don't want to tell Danielle

492
00:30:20,760 --> 00:30:24,360
Speaker 1: what happens, but he has quite an important part on

493
00:30:24,840 --> 00:30:27,760
Speaker 1: Gilmore Girls went on to star in the O C

494
00:30:28,000 --> 00:30:33,040
Speaker 1: and like break out massive, Like he became a humongous

495
00:30:33,120 --> 00:30:37,960
Speaker 1: star and the O C was like huge if you

496
00:30:38,040 --> 00:30:42,680
Speaker 1: think about it, like the cast of Gilmore Girls is

497
00:30:42,760 --> 00:30:49,040
Speaker 1: so iconic, Like Melissa McCarthy, you have Adam Brody, you

498
00:30:49,120 --> 00:30:57,840
Speaker 1: had Seth McFarlane in one of the earlier episodes, Jane Lynch, Yeah, Alexis, Jared,

499
00:30:58,480 --> 00:31:01,480
Speaker 1: I know all of them. It's so good. And don't

500
00:31:01,520 --> 00:31:04,200
Speaker 1: knock my Matt Zukri, who literally is stars in The

501
00:31:04,280 --> 00:31:08,080
Speaker 1: Resident and was on the Good Wife, Like it's crazy

502
00:31:08,280 --> 00:31:12,240
Speaker 1: all the people. I'm gonna throw Chad Michael Murray in

503
00:31:12,280 --> 00:31:17,440
Speaker 1: there too, because totally so anyway, that was very exciting

504
00:31:17,480 --> 00:31:19,760
Speaker 1: to hear Adam Brodie's voice on the machine and know

505
00:31:19,920 --> 00:31:23,840
Speaker 1: that he was coming and Okay, so then they go

506
00:31:23,920 --> 00:31:26,280
Speaker 1: to the launch. I need you guys to just tell

507
00:31:26,320 --> 00:31:31,400
Speaker 1: what you thought. I thought it was great. I thought

508
00:31:31,440 --> 00:31:34,480
Speaker 1: it was Laura I had to contain herself. She couldn't

509
00:31:34,520 --> 00:31:36,560
Speaker 1: be here. I mean, she got a couple of singers

510
00:31:36,560 --> 00:31:39,760
Speaker 1: in and I really like the balance of that because

511
00:31:40,080 --> 00:31:42,640
Speaker 1: it was like less is more. It's like you knew

512
00:31:42,680 --> 00:31:45,000
Speaker 1: she was going to have some quip equips, right, and

513
00:31:45,040 --> 00:31:47,840
Speaker 1: they were going to be great, and she did. And

514
00:31:47,880 --> 00:31:53,560
Speaker 1: it's like, but she couldn't really you know, go nuts

515
00:31:53,720 --> 00:31:57,400
Speaker 1: because she doesn't want to sabotage your kid exactly. She

516
00:31:57,440 --> 00:31:59,760
Speaker 1: couldn't be her true self because she had to like

517
00:32:00,160 --> 00:32:03,120
Speaker 1: she had to rein it in into this. Yeah. So um,

518
00:32:03,560 --> 00:32:07,680
Speaker 1: but I just thought it was that actor was fantastic,

519
00:32:07,720 --> 00:32:15,160
Speaker 1: That family was so cookie, and I like, I like

520
00:32:15,320 --> 00:32:17,880
Speaker 1: to you know, when Laura I gave Rory that looked like,

521
00:32:18,040 --> 00:32:21,280
Speaker 1: you know, is something like on tooward going on here

522
00:32:21,360 --> 00:32:28,920
Speaker 1: between daddy and daughter. And there's so much to talk

523
00:32:28,920 --> 00:32:32,720
Speaker 1: about this lunch because this is a major part the game,

524
00:32:33,520 --> 00:32:37,520
Speaker 1: the like how smart are you game? Which I was like,

525
00:32:37,640 --> 00:32:40,720
Speaker 1: I don't know one answer, not one answer. I was like, okay.

526
00:32:40,760 --> 00:32:42,960
Speaker 1: Then he tried to like follow along and like, nope,

527
00:32:43,200 --> 00:32:45,880
Speaker 1: I want to know what you guys think of this

528
00:32:46,000 --> 00:32:48,880
Speaker 1: family and the two kids that are obviously on the

529
00:32:48,960 --> 00:32:53,280
Speaker 1: IVY League college track and then the sister and why

530
00:32:53,320 --> 00:32:55,440
Speaker 1: do you think Dan felt it was important to write

531
00:32:55,520 --> 00:32:58,560
Speaker 1: that in and for Rory to have that exchange with

532
00:32:58,640 --> 00:33:03,440
Speaker 1: the know the outlier sister, Well, it's you know, do

533
00:33:03,480 --> 00:33:05,040
Speaker 1: you want to be on this? This is what it

534
00:33:05,080 --> 00:33:08,760
Speaker 1: takes in this particular case to be on the conveyor belt,

535
00:33:09,560 --> 00:33:12,800
Speaker 1: going to Harvard and having that kind of a life.

536
00:33:12,920 --> 00:33:17,040
Speaker 1: That's that's a that's a completely different level than I mean,

537
00:33:17,080 --> 00:33:22,360
Speaker 1: that's that's a rare um rarefied air, you know um.

538
00:33:22,480 --> 00:33:25,960
Speaker 1: And the one daughter who was on her own path,

539
00:33:26,120 --> 00:33:30,960
Speaker 1: as the mother said, she's on her own bed. You know,

540
00:33:31,040 --> 00:33:35,720
Speaker 1: it just shows what happens sometimes when you have parents

541
00:33:35,760 --> 00:33:38,240
Speaker 1: that put all their hopes and dreams and their desires

542
00:33:38,280 --> 00:33:40,880
Speaker 1: and their wants into their children, and are they and

543
00:33:40,880 --> 00:33:42,280
Speaker 1: you have to ask the question is that really what

544
00:33:42,320 --> 00:33:47,040
Speaker 1: the child wants? And how important is a child's wants

545
00:33:47,040 --> 00:33:51,960
Speaker 1: and needs versus what guidance parents can give them? And

546
00:33:52,880 --> 00:33:56,440
Speaker 1: you know, when does it become like, you know too much?

547
00:33:57,160 --> 00:33:59,320
Speaker 1: So I think that's it was a great scene in

548
00:33:59,360 --> 00:34:02,920
Speaker 1: that it it sort of contrasted all of those different

549
00:34:02,960 --> 00:34:06,600
Speaker 1: options in different paths that people can possibly take, and yeah,

550
00:34:06,640 --> 00:34:08,759
Speaker 1: and what does it take. Is Rory really cut out

551
00:34:08,760 --> 00:34:10,560
Speaker 1: for this? I think the scene was there to say,

552
00:34:10,719 --> 00:34:13,319
Speaker 1: is Rory really cut out for this? Is she on

553
00:34:13,360 --> 00:34:16,120
Speaker 1: the conveyor belt because her mother is And her mother

554
00:34:16,200 --> 00:34:18,919
Speaker 1: got off the conveyor belt and that was the whole point,

555
00:34:18,960 --> 00:34:21,320
Speaker 1: that's the whole point of her life. And that independent

556
00:34:21,360 --> 00:34:25,120
Speaker 1: street does not serve Rory. Well, perhaps going into a

557
00:34:25,160 --> 00:34:29,960
Speaker 1: conveyor belt sort of a factory, which you could surmise

558
00:34:30,000 --> 00:34:36,000
Speaker 1: a Harvard might be. Yeah, that's the family was so nice,

559
00:34:36,040 --> 00:34:40,600
Speaker 1: like sugary sweets, so nice, but almost not likable for me,

560
00:34:40,680 --> 00:34:44,440
Speaker 1: Like I'm like, I like the sister, you know what

561
00:34:44,520 --> 00:34:47,760
Speaker 1: I mean. Like it was so they were so perfect

562
00:34:48,000 --> 00:34:52,120
Speaker 1: and so ivy league and so the perfect lunch and

563
00:34:52,200 --> 00:34:55,359
Speaker 1: the whole thing where I liked the sister. I was like,

564
00:34:55,440 --> 00:35:01,200
Speaker 1: that girl's cool. That was Laurel. That was Laurel as

565
00:35:01,239 --> 00:35:06,600
Speaker 1: a as a teenager. Yeah, yeah, I felt bad for her.

566
00:35:06,920 --> 00:35:09,560
Speaker 1: I really felt bad for Laurela. And I felt bad

567
00:35:09,600 --> 00:35:12,719
Speaker 1: for that girl who was not on the conveyor belt

568
00:35:12,719 --> 00:35:14,520
Speaker 1: because she's going to have a he's gonna have a

569
00:35:14,560 --> 00:35:18,239
Speaker 1: hard life. And even if she finds happiness and she

570
00:35:18,400 --> 00:35:20,400
Speaker 1: finds her own path good for her, she's still going

571
00:35:20,440 --> 00:35:22,640
Speaker 1: to have that tension with her family. They're still gonna

572
00:35:22,680 --> 00:35:25,760
Speaker 1: look down. So that was that was really walking into

573
00:35:25,800 --> 00:35:28,920
Speaker 1: a sort of a Richard and Emily, a successful Richard

574
00:35:28,960 --> 00:35:33,600
Speaker 1: and Emily family. Yeah. Yeah, because you know, the one

575
00:35:33,680 --> 00:35:36,160
Speaker 1: daughter's going to Harvard, she's it was either in or

576
00:35:36,160 --> 00:35:39,719
Speaker 1: she got accepted and she's on her way. Um, so

577
00:35:39,800 --> 00:35:42,279
Speaker 1: this is showing Laurea La. Look, you're in another situation

578
00:35:42,280 --> 00:35:45,400
Speaker 1: here with Richard and Emily. They're a little lighter version,

579
00:35:45,880 --> 00:35:49,920
Speaker 1: maybe less wealthy, right, a little less well, I think

580
00:35:49,920 --> 00:35:52,080
Speaker 1: they were more wealthy than those guys. Well if they're

581
00:35:52,120 --> 00:35:56,160
Speaker 1: if they're buying, you know, artwork, if they're buying art

582
00:35:56,200 --> 00:36:00,840
Speaker 1: at that level, then they're probably a very wealthy um. Um,

583
00:36:03,400 --> 00:36:07,480
Speaker 1: most the name of that artist. She kept repeating, what

584
00:36:07,520 --> 00:36:09,600
Speaker 1: was that? And then there was something about he's a

585
00:36:09,640 --> 00:36:12,279
Speaker 1: student of Matise. And then someone says like, oh, yes,

586
00:36:12,360 --> 00:36:17,480
Speaker 1: I know, only a Charlatan wouldn't were so fancy. They

587
00:36:17,520 --> 00:36:20,520
Speaker 1: almost were pretentious, but yet they were so nice that

588
00:36:20,640 --> 00:36:24,120
Speaker 1: they weren't pretentious. So you're like, I like them. But

589
00:36:24,200 --> 00:36:28,000
Speaker 1: I think for me there was and I'll be interested

590
00:36:28,040 --> 00:36:29,839
Speaker 1: to see what people say, because I think that there

591
00:36:29,960 --> 00:36:34,120
Speaker 1: was more to that scene for me to take away

592
00:36:34,239 --> 00:36:38,040
Speaker 1: in that the most likable people are the sister and

593
00:36:38,160 --> 00:36:42,200
Speaker 1: Laurela if we're excluding Roy, because they were the most real,

594
00:36:42,360 --> 00:36:46,080
Speaker 1: whereas the family Jack and Jennifer and Darren Springsteen and

595
00:36:46,160 --> 00:36:50,560
Speaker 1: his wife are playing the part of the perfect family.

596
00:36:50,920 --> 00:36:54,760
Speaker 1: But how do you know that maybe that's them being real.

597
00:36:55,719 --> 00:37:00,759
Speaker 1: Maybe that's they're real, right, right, because Jack Jennifer were

598
00:37:00,800 --> 00:37:04,520
Speaker 1: loving every minute of the going around the table and

599
00:37:04,600 --> 00:37:08,880
Speaker 1: playing the smarty Pants game. You're right, but it was

600
00:37:09,080 --> 00:37:13,480
Speaker 1: I think that that scene has more significance than just

601
00:37:15,520 --> 00:37:18,280
Speaker 1: do you know what I mean? Well, it was interesting

602
00:37:18,320 --> 00:37:20,480
Speaker 1: because you saw Rory Bean there, right, and that's that's

603
00:37:20,480 --> 00:37:22,960
Speaker 1: what she aspires to be. She aspires to be a

604
00:37:23,120 --> 00:37:26,719
Speaker 1: Harvard kid, and just kind of showing like, oh, this

605
00:37:26,800 --> 00:37:28,879
Speaker 1: is kind of the stereotype of what a Harvard kid

606
00:37:29,040 --> 00:37:33,040
Speaker 1: looks like and it's not really you you know, right,

607
00:37:33,960 --> 00:37:37,839
Speaker 1: isn't Jack and Jennifer. So you're seeing that like dichotomy,

608
00:37:37,920 --> 00:37:39,759
Speaker 1: like she's still going to go to Harvard, but she's

609
00:37:39,760 --> 00:37:48,800
Speaker 1: not really these people's Scott. I'm okay, I'll never disagree

610
00:37:48,840 --> 00:37:53,960
Speaker 1: with you again. I never that will never be any disagreement.

611
00:37:56,000 --> 00:37:58,160
Speaker 1: I don't know. I feel like I do want to

612
00:37:58,200 --> 00:38:01,160
Speaker 1: hear from everyone listening because I think that there's more

613
00:38:01,239 --> 00:38:04,000
Speaker 1: that I was. I want to hear what people have

614
00:38:04,040 --> 00:38:06,200
Speaker 1: to say about this scene because I feel like I

615
00:38:06,239 --> 00:38:10,960
Speaker 1: wasn't getting or interpreting it exactly to the metaphor maybe

616
00:38:11,000 --> 00:38:12,960
Speaker 1: that it was intended and maybe it was just a

617
00:38:13,040 --> 00:38:16,719
Speaker 1: simple like these are fancy freaking Harvard people. But I

618
00:38:16,760 --> 00:38:19,799
Speaker 1: want to know what people thought about that scene, because

619
00:38:19,840 --> 00:38:23,400
Speaker 1: I sort of was like, oh, I think, look, I

620
00:38:23,440 --> 00:38:27,319
Speaker 1: think there is a place for intellectual rigor, and I

621
00:38:27,360 --> 00:38:31,719
Speaker 1: think it's necessary. It's a discipline, and it's a tradition,

622
00:38:31,920 --> 00:38:38,040
Speaker 1: and it's important applying that to your every waking moment

623
00:38:38,760 --> 00:38:44,120
Speaker 1: as regards your family, dinner time, lunch, wherever. You are

624
00:38:44,640 --> 00:38:50,080
Speaker 1: constantly testing your kids. Okay, So I think that's what

625
00:38:50,120 --> 00:38:55,960
Speaker 1: they want us to question, um as it relates to

626
00:38:56,080 --> 00:38:59,720
Speaker 1: Rory and is she cut out for this world? Because

627
00:38:59,760 --> 00:39:02,759
Speaker 1: this is just one example, maybe not the great example.

628
00:39:03,400 --> 00:39:05,839
Speaker 1: Although there's a lot a lot good you can say

629
00:39:05,880 --> 00:39:08,719
Speaker 1: about Jack Springsteen and his family. I mean, there are

630
00:39:08,760 --> 00:39:12,280
Speaker 1: a lot of bad fathers out there who his friends.

631
00:39:12,360 --> 00:39:16,719
Speaker 1: Darren Jack is the kid, Darren Jack, Darren Springsteen, thank

632
00:39:16,760 --> 00:39:23,759
Speaker 1: you so much for the correction. I so appreciate you. Um.

633
00:39:23,920 --> 00:39:29,640
Speaker 1: Have I told you how grateful I am? So so?

634
00:39:29,960 --> 00:39:33,920
Speaker 1: UM Do you like Darren springste I do? I do?

635
00:39:34,200 --> 00:39:39,480
Speaker 1: I do. I think he heard on the side of caution.

636
00:39:40,360 --> 00:39:43,680
Speaker 1: He you know, sure, maybe he's a little over the

637
00:39:43,719 --> 00:39:46,880
Speaker 1: top of everything, but but you know, he's setting a

638
00:39:47,000 --> 00:39:50,080
Speaker 1: very high bar. And look, he liked Rory, and I

639
00:39:50,120 --> 00:39:52,000
Speaker 1: thought it was great that he calls and was very

640
00:39:52,000 --> 00:39:54,359
Speaker 1: impressed by her records and is going to help her

641
00:39:54,360 --> 00:39:57,120
Speaker 1: get into Harvard. So like the lor like did the

642
00:39:57,200 --> 00:39:59,600
Speaker 1: right thing by calling. You know, they're all freaking out.

643
00:39:59,640 --> 00:40:02,319
Speaker 1: So really really stepped up as a mom and said, like,

644
00:40:02,400 --> 00:40:04,279
Speaker 1: I'm going to help out my kid here, even though

645
00:40:04,320 --> 00:40:09,000
Speaker 1: this isn't my world. Calls Headmaster Charlton and says, did

646
00:40:09,040 --> 00:40:12,719
Speaker 1: I say that right, Headmaster Charleston? Yeah, you forgot that?

647
00:40:13,200 --> 00:40:18,200
Speaker 1: Suddenly I was I would never correct you ever, that

648
00:40:18,200 --> 00:40:20,040
Speaker 1: would put me in conflict with So that was like,

649
00:40:20,239 --> 00:40:22,560
Speaker 1: you know, for Lorealy, she took the initiative. Did that

650
00:40:22,960 --> 00:40:24,839
Speaker 1: you know, set up the lunch which we didn't talk

651
00:40:24,880 --> 00:40:27,120
Speaker 1: about that funny scene when Rory is supposed to be

652
00:40:27,160 --> 00:40:30,360
Speaker 1: calling him and then Lorelei pretends to be Rory. So

653
00:40:30,400 --> 00:40:33,680
Speaker 1: that was all Lorealy did great there, like she really did.

654
00:40:34,320 --> 00:40:37,120
Speaker 1: And so it was great to find out that, like

655
00:40:37,200 --> 00:40:45,000
Speaker 1: Rory's records our Harvard quality. But for me that was like, oh,

656
00:40:45,280 --> 00:40:48,160
Speaker 1: vomit in the mouth. These people like, oh god, yeah,

657
00:40:48,960 --> 00:40:52,439
Speaker 1: it's definitely vomited in the mouth. But like we've been saying.

658
00:40:52,480 --> 00:40:54,640
Speaker 1: I think that scene was on purpose. You know, you

659
00:40:54,680 --> 00:40:57,359
Speaker 1: wanted to see that maybe this isn't the right fit

660
00:40:57,440 --> 00:41:01,279
Speaker 1: for for Rory, and she needs to see what, you know,

661
00:41:01,440 --> 00:41:05,320
Speaker 1: Harvard looks like on the outside. You know, it gives

662
00:41:05,480 --> 00:41:08,200
Speaker 1: it gives me great comfort that there are families like that.

663
00:41:09,120 --> 00:41:12,560
Speaker 1: I like that that there are Springsteen families like that.

664
00:41:12,719 --> 00:41:16,560
Speaker 1: I like that there pressuring their kids. I like that

665
00:41:16,680 --> 00:41:20,840
Speaker 1: they're I do it to me, it's I see what

666
00:41:20,880 --> 00:41:23,880
Speaker 1: you're saying. You like that the father and the mother

667
00:41:24,840 --> 00:41:30,160
Speaker 1: wanted their kids to achieve I do. I think. I

668
00:41:30,160 --> 00:41:32,640
Speaker 1: think a lot of fathers and mothers really screw up

669
00:41:32,680 --> 00:41:37,080
Speaker 1: their kids. And if these if the daughter is a

670
00:41:37,080 --> 00:41:40,160
Speaker 1: little screwed up in her ways, and but at least

671
00:41:40,360 --> 00:41:43,560
Speaker 1: she's going to Harvard. I mean, there's there's nothing bad

672
00:41:43,800 --> 00:41:46,480
Speaker 1: you can say about that. And again maybe it's my

673
00:41:47,000 --> 00:41:49,960
Speaker 1: I don't know, two eyes, but there was just some

674
00:41:50,080 --> 00:41:54,880
Speaker 1: excessive privilege in that family where you're just like, oh,

675
00:41:55,200 --> 00:41:57,360
Speaker 1: but then they got the daughter that's the waitress and

676
00:41:57,400 --> 00:41:59,560
Speaker 1: going to the be the birthday party Bunny, and I

677
00:41:59,600 --> 00:42:03,360
Speaker 1: was like, oh, okay, I'm really glad they showed that.

678
00:42:05,280 --> 00:42:09,440
Speaker 1: Like that kid too, And at first, when they're like, oh,

679
00:42:09,480 --> 00:42:11,919
Speaker 1: you know about the third kid, she's following her own path.

680
00:42:11,960 --> 00:42:15,040
Speaker 1: I almost thought she wasn't there, Like when you first

681
00:42:15,040 --> 00:42:18,080
Speaker 1: hear that, you're like, oh, she's off somewhere. So it

682
00:42:18,120 --> 00:42:21,440
Speaker 1: was nice to see her room, her funky bedroom, and

683
00:42:21,480 --> 00:42:23,919
Speaker 1: her bunny. You know. I liked the way the whole

684
00:42:23,920 --> 00:42:27,640
Speaker 1: thing came together because of that third sister. I'd like

685
00:42:27,760 --> 00:42:30,600
Speaker 1: to know more about the third sister and why does

686
00:42:30,640 --> 00:42:32,880
Speaker 1: she not have the intellectual capacity? Does she not have

687
00:42:32,960 --> 00:42:35,920
Speaker 1: the study habits? Does she not have the discipline to

688
00:42:36,040 --> 00:42:38,560
Speaker 1: do the level of work it takes to get into

689
00:42:38,560 --> 00:42:40,480
Speaker 1: a position to be accepted and Harvard that's a lot

690
00:42:40,480 --> 00:42:44,440
Speaker 1: of work. And and you can say privilege till the

691
00:42:44,480 --> 00:42:47,560
Speaker 1: cows come home, but but I don't know that a

692
00:42:47,600 --> 00:42:52,200
Speaker 1: lot of people have been accepted, uh to an institution

693
00:42:52,520 --> 00:42:56,120
Speaker 1: that difficult to get into without working their tails. My

694
00:42:56,840 --> 00:43:00,520
Speaker 1: interesting question because my takeaway on Carol was Carol could

695
00:43:00,560 --> 00:43:03,279
Speaker 1: have been capable of going to Harvard. She didn't want it.

696
00:43:03,680 --> 00:43:07,480
Speaker 1: She said, my parents want that, and Jack and Jennifer

697
00:43:07,480 --> 00:43:10,200
Speaker 1: want to please my parents. And then she said, I

698
00:43:10,280 --> 00:43:15,040
Speaker 1: love how she called Rory Harvard hair because it was like, oh, yeah,

699
00:43:15,080 --> 00:43:17,719
Speaker 1: you're on the track. But I like that she was

700
00:43:17,760 --> 00:43:21,480
Speaker 1: saying I didn't want it. So even though there's Harvard

701
00:43:21,520 --> 00:43:24,040
Speaker 1: all over this place and it was basically kind of

702
00:43:24,040 --> 00:43:25,960
Speaker 1: could have been handed to me on a silver platter,

703
00:43:26,600 --> 00:43:30,760
Speaker 1: I didn't want it. And it's okay that I didn't

704
00:43:30,760 --> 00:43:33,800
Speaker 1: want it, maybe as sort of a metaphor to Lorela,

705
00:43:33,960 --> 00:43:37,240
Speaker 1: like it's okay that Laura La didn't go that route

706
00:43:37,239 --> 00:43:41,080
Speaker 1: and Rory can if that's what she wants. I don't know,

707
00:43:41,200 --> 00:43:45,160
Speaker 1: Maybe I'm reading into it too much. No, No, I think, uh,

708
00:43:46,120 --> 00:43:50,200
Speaker 1: you know, obviously they had the same, you know, a

709
00:43:50,239 --> 00:43:54,960
Speaker 1: milder reaction that Richard Andly have towards Laurela not going

710
00:43:55,080 --> 00:43:58,600
Speaker 1: staying on the conveyor belt than that girl had with

711
00:43:58,600 --> 00:44:02,000
Speaker 1: her parents. But still there was some disappointment obviously in

712
00:44:02,040 --> 00:44:05,200
Speaker 1: their voices and their attitude towards the daughter. And I

713
00:44:05,239 --> 00:44:09,000
Speaker 1: think that's you know, that can damage that daughter. Yes,

714
00:44:09,080 --> 00:44:13,160
Speaker 1: that's a great point, because right the mom and dad Springsteen,

715
00:44:13,360 --> 00:44:17,239
Speaker 1: Mr and Mrs Springsteen weren't overly thrilled with Carol. But

716
00:44:17,320 --> 00:44:20,200
Speaker 1: I thought the significance of Carol was so important because

717
00:44:20,239 --> 00:44:25,160
Speaker 1: Carol was thrilled with Carol. Carol was like, I'm I'm good. Well.

718
00:44:25,200 --> 00:44:27,440
Speaker 1: I think it's also maybe the parents feel guilty that

719
00:44:27,520 --> 00:44:32,040
Speaker 1: they didn't spend the time with her, uh and give

720
00:44:32,080 --> 00:44:34,560
Speaker 1: her all of the options that they gave their daughter

721
00:44:34,600 --> 00:44:37,440
Speaker 1: who got accepted the other daughter. Maybe they weren't as

722
00:44:38,600 --> 00:44:42,799
Speaker 1: attentive with that daughter and exploring, you know, what her

723
00:44:42,880 --> 00:44:45,920
Speaker 1: where her talents lie. And that's the responsibility of a

724
00:44:45,960 --> 00:44:47,879
Speaker 1: parent when a child is young. It's like, let them

725
00:44:47,880 --> 00:44:49,759
Speaker 1: try a million things, Let's see what they're good at,

726
00:44:50,360 --> 00:44:53,640
Speaker 1: and you know, if they love that, then let's you

727
00:44:53,680 --> 00:44:55,400
Speaker 1: know what I mean, I mean, keep them more around.

728
00:44:55,560 --> 00:44:58,120
Speaker 1: My My takeaway on Carol is she what's that saying?

729
00:44:58,160 --> 00:45:00,160
Speaker 1: She beats to the sound of her own drum? Like

730
00:45:00,239 --> 00:45:03,840
Speaker 1: Carol just was like I don't want that, but I'm

731
00:45:03,880 --> 00:45:06,279
Speaker 1: not doing that. I was more interesting. I wanted to

732
00:45:06,320 --> 00:45:12,520
Speaker 1: know more about that girl. Why right? How do fall off?

733
00:45:13,320 --> 00:45:17,440
Speaker 1: There's definitely significance to the whole thing, because otherwise it

734
00:45:17,440 --> 00:45:19,799
Speaker 1: wouldn't have been so prominent. We could have just left

735
00:45:19,800 --> 00:45:23,200
Speaker 1: it with, Oh, Carol goes to her own you know way,

736
00:45:23,360 --> 00:45:28,120
Speaker 1: like she's following her own path anyway. Yeah, this to

737
00:45:28,160 --> 00:45:30,160
Speaker 1: me was the scene that was the most like, what

738
00:45:30,239 --> 00:45:33,600
Speaker 1: am I not getting here? Anyway. Okay, So then we

739
00:45:33,640 --> 00:45:35,600
Speaker 1: go to the town meeting, which is just my favorite

740
00:45:35,600 --> 00:45:39,280
Speaker 1: thing ever and it is just so to shop time,

741
00:45:40,320 --> 00:45:44,200
Speaker 1: and Taylor has the diorama of the soda shot. How

742
00:45:44,200 --> 00:45:49,120
Speaker 1: do we feel about Laurela not supporting Luke in that

743
00:45:49,239 --> 00:45:52,480
Speaker 1: town meeting? Okay? I didn't look at it that way

744
00:45:52,480 --> 00:45:54,439
Speaker 1: because I just looked at like the whole town wants

745
00:45:54,480 --> 00:45:59,000
Speaker 1: the soda shop. They're just like and and it was

746
00:45:59,040 --> 00:46:01,759
Speaker 1: the hesitancy, like like we don't want to, we don't

747
00:46:01,800 --> 00:46:03,680
Speaker 1: want to not support you, Luke, but like we really

748
00:46:03,719 --> 00:46:08,040
Speaker 1: want like a black cow egg cream or phosphate whatever.

749
00:46:08,280 --> 00:46:10,640
Speaker 1: So he was having such a problem with it because

750
00:46:10,680 --> 00:46:18,759
Speaker 1: it was Taylor right right, but Luke being Luke, just

751
00:46:18,840 --> 00:46:21,839
Speaker 1: Luke doing Luke totally. I love that Taylor calls out

752
00:46:21,880 --> 00:46:25,760
Speaker 1: some obscure law that like I can make you rent

753
00:46:25,840 --> 00:46:28,160
Speaker 1: it to me and looks like DUTs for a Civil

754
00:46:28,160 --> 00:46:35,040
Speaker 1: War hospital, Bro, you can't do that with an ice

755
00:46:35,160 --> 00:46:40,879
Speaker 1: cream store. He needed to back off on that little man.

756
00:46:40,920 --> 00:46:47,960
Speaker 1: He just needed to just let it happen. Yeah, Okay,

757
00:46:47,960 --> 00:46:51,080
Speaker 1: So then Kirk wants a job and then here he

758
00:46:51,200 --> 00:46:56,640
Speaker 1: comes Dave Regowski. What do you think? So I really

759
00:46:56,640 --> 00:46:58,520
Speaker 1: liked the scene where they were like sitting together and

760
00:46:59,000 --> 00:47:01,160
Speaker 1: on the park bench. I guess you would say what

761
00:47:01,200 --> 00:47:03,759
Speaker 1: you would call it. And I like the two of

762
00:47:03,800 --> 00:47:07,360
Speaker 1: them together. I think there's gonna be some some cute,

763
00:47:07,360 --> 00:47:11,319
Speaker 1: little flirty flirt action happening. And I see it. I'm

764
00:47:11,360 --> 00:47:15,520
Speaker 1: like that they're they're they're cute together. I like the dynamic.

765
00:47:15,840 --> 00:47:24,480
Speaker 1: She said, I love you and I want this so bad.

766
00:47:24,520 --> 00:47:27,520
Speaker 1: I want it for her so bad. Yeah. I like that.

767
00:47:27,520 --> 00:47:30,360
Speaker 1: That's just sort of spicing things up for her. And

768
00:47:30,400 --> 00:47:34,400
Speaker 1: then Dean also sidebar, like they had the fanciest like

769
00:47:34,640 --> 00:47:40,160
Speaker 1: coffee kart serving treats at the town meeting. What happened

770
00:47:40,200 --> 00:47:43,600
Speaker 1: was that about Luke Luke's was open, right, It's not

771
00:47:43,920 --> 00:47:46,640
Speaker 1: it's Luke's open or closed. It was. It's not closed

772
00:47:46,680 --> 00:47:49,799
Speaker 1: during a town meeting. It's it's yeah because somebody runs it.

773
00:47:49,880 --> 00:47:52,479
Speaker 1: When how is there a coffee car down in front,

774
00:47:52,760 --> 00:47:57,480
Speaker 1: a fancy coffee car like I think it had like

775
00:47:58,200 --> 00:48:02,719
Speaker 1: bakery treats to her Luke's business right there, Taylor. That's

776
00:48:02,760 --> 00:48:06,640
Speaker 1: Taylor being diabolical. Alright, so talk about it. What do

777
00:48:06,680 --> 00:48:10,879
Speaker 1: you think about Dean kind of saying to Rory, what's

778
00:48:10,880 --> 00:48:13,040
Speaker 1: going to happen when you go to college. That guy,

779
00:48:13,120 --> 00:48:24,160
Speaker 1: he's a buzz so much to unpack there. Wow, God,

780
00:48:24,200 --> 00:48:25,920
Speaker 1: I know we were just so pleased with him in

781
00:48:25,960 --> 00:48:29,320
Speaker 1: the diner earlier and that it's like so we needed

782
00:48:29,360 --> 00:48:33,239
Speaker 1: this because for the last few weeks he's been kind

783
00:48:33,280 --> 00:48:37,239
Speaker 1: of not bowing down to Rory, but like, oh, are

784
00:48:37,280 --> 00:48:40,279
Speaker 1: you sure you're not just as out of town now? Yes, okay, greed,

785
00:48:40,440 --> 00:48:42,239
Speaker 1: we can move on, you know, Like he's just been

786
00:48:42,440 --> 00:48:46,440
Speaker 1: very like go with the flow, like yeah, yeah, whatever

787
00:48:46,960 --> 00:48:51,400
Speaker 1: Rory says. And now it's like, oh no, he's having

788
00:48:51,400 --> 00:48:56,239
Speaker 1: the doubts now, which breaks my realistic though. Please, like

789
00:48:56,239 --> 00:48:59,160
Speaker 1: they're going to stay together when she goes to Harvard.

790
00:49:00,160 --> 00:49:02,560
Speaker 1: It's like, come on, she's going to be in this

791
00:49:02,640 --> 00:49:04,799
Speaker 1: completely new world. She's not gonna want to come home

792
00:49:04,840 --> 00:49:08,040
Speaker 1: every weekend. Look, if he wants to go to a

793
00:49:08,120 --> 00:49:11,439
Speaker 1: junior college in Boston to be near her while she's

794
00:49:11,480 --> 00:49:15,400
Speaker 1: going at Harvard, the only way that that could possibly

795
00:49:15,480 --> 00:49:22,080
Speaker 1: work is if he is really just super oke, cool

796
00:49:22,200 --> 00:49:25,400
Speaker 1: with everything and happy with his own life and a

797
00:49:25,560 --> 00:49:28,600
Speaker 1: dynamic guy, and he's a genius in his own right.

798
00:49:28,680 --> 00:49:31,120
Speaker 1: He happens to be in junior college, which is no

799
00:49:31,320 --> 00:49:35,400
Speaker 1: shame in that. Um. But it's gonna be hard for

800
00:49:35,440 --> 00:49:39,680
Speaker 1: her socially. Um Again, I mean, you know he he

801
00:49:39,800 --> 00:49:43,120
Speaker 1: was he accepted at Chiltern? Was was Was he embarrassed

802
00:49:43,120 --> 00:49:45,560
Speaker 1: to be at Chiltern? Or does he feel inferior walking

803
00:49:45,640 --> 00:49:47,359
Speaker 1: up to Chiltern? How's he gonna feel when he walks

804
00:49:47,400 --> 00:49:51,480
Speaker 1: into Harvard saying, Oh, I'm here to get Rory and where?

805
00:49:51,560 --> 00:49:53,439
Speaker 1: Oh so are you going to Harvard? No? I'm over

806
00:49:53,480 --> 00:49:58,160
Speaker 1: there at you know, run a mead City college, you

807
00:49:58,200 --> 00:50:01,680
Speaker 1: know by the heart by the river. Um. You know

808
00:50:01,760 --> 00:50:03,840
Speaker 1: how we all know that Dean is just going to

809
00:50:03,960 --> 00:50:07,200
Speaker 1: melt down if he's in that scenario. He just doesn't

810
00:50:07,239 --> 00:50:10,759
Speaker 1: have the he doesn't have the stuff to get through it.

811
00:50:10,840 --> 00:50:15,759
Speaker 1: And he she that girl makes him so nervous. She's

812
00:50:15,800 --> 00:50:18,080
Speaker 1: given him so many reasons to be insecure, And he

813
00:50:18,160 --> 00:50:21,319
Speaker 1: was a very everything you're saying. I also think it

814
00:50:21,440 --> 00:50:24,200
Speaker 1: was impressive, if that's the right word, that he was

815
00:50:24,239 --> 00:50:26,880
Speaker 1: being so realistic and saying like, hey, we kind of

816
00:50:26,920 --> 00:50:30,480
Speaker 1: like should talk about this wait, because literally it totally

817
00:50:30,520 --> 00:50:33,520
Speaker 1: made me sad because I feel like he was like

818
00:50:33,600 --> 00:50:37,040
Speaker 1: literally like he had the realization that everything he was

819
00:50:37,120 --> 00:50:41,880
Speaker 1: fighting for for so long is maybe not really gonna happen,

820
00:50:42,360 --> 00:50:44,960
Speaker 1: you know, like he's been fighting for this relationship for

821
00:50:45,040 --> 00:50:47,759
Speaker 1: so long, going through all the bs that Rory has

822
00:50:47,760 --> 00:50:50,480
Speaker 1: put him through, still sticking by, and then he has

823
00:50:50,520 --> 00:50:53,640
Speaker 1: this moment where he's like, but wait, like, is that

824
00:50:54,000 --> 00:50:56,440
Speaker 1: is all I just went through? Worth it? You know?

825
00:50:56,760 --> 00:51:00,400
Speaker 1: Like it just made me sad? Yeah, it was. It

826
00:51:00,480 --> 00:51:03,759
Speaker 1: was sad because it's also accurate. They're not going to

827
00:51:03,840 --> 00:51:07,440
Speaker 1: stay together. No, I mean for maybe for a little while,

828
00:51:07,480 --> 00:51:11,520
Speaker 1: but then it's just gonna He'll meet somebody, She'll meet somebody.

829
00:51:11,600 --> 00:51:15,560
Speaker 1: And I thought there was some significance to Jackson mentioning

830
00:51:15,560 --> 00:51:21,200
Speaker 1: the tools to Lorelei because she realized, like Glory's leaving.

831
00:51:21,640 --> 00:51:25,480
Speaker 1: So I think Diana more Lee had the same realization

832
00:51:25,520 --> 00:51:27,799
Speaker 1: in the same an. I kind of think, if I

833
00:51:27,800 --> 00:51:33,880
Speaker 1: could interject here, um, I thought that that was a

834
00:51:33,960 --> 00:51:39,239
Speaker 1: bit insensitive of Jackson too. Yeah, I agree, you know,

835
00:51:39,640 --> 00:51:45,359
Speaker 1: the body is still warm. What what are you moving

836
00:51:45,400 --> 00:51:48,200
Speaker 1: your tools in there now for? But I think if

837
00:51:48,239 --> 00:51:50,839
Speaker 1: we like take ourselves out of it, I think, like

838
00:51:50,880 --> 00:51:53,520
Speaker 1: you were saying that, Dan Palladino wrote this episode so

839
00:51:53,640 --> 00:51:58,560
Speaker 1: perfectly because it was that moment where Dean's realistic to

840
00:51:58,680 --> 00:52:00,319
Speaker 1: Rory like we're not going to stay together, like you're

841
00:52:00,320 --> 00:52:02,560
Speaker 1: going to college, you can't come home every again. And

842
00:52:03,360 --> 00:52:05,719
Speaker 1: Jackson points out to Rory like, hey, you're gonna have

843
00:52:05,719 --> 00:52:07,120
Speaker 1: an empty room at your house, like you're gonna be

844
00:52:07,160 --> 00:52:10,879
Speaker 1: all alone. And it was sort of shrouded in this

845
00:52:10,960 --> 00:52:14,319
Speaker 1: tool thing, which was weird but whatever. I was sort

846
00:52:14,320 --> 00:52:16,960
Speaker 1: of like, is he gonna rent that room? Like what's happening.

847
00:52:17,160 --> 00:52:21,040
Speaker 1: But it was the significance of her realizing Rory is

848
00:52:21,080 --> 00:52:23,640
Speaker 1: going to be gone. Yeah, I'm gonna be here alone.

849
00:52:23,840 --> 00:52:26,960
Speaker 1: That was the point of the entire episode together to

850
00:52:27,040 --> 00:52:30,480
Speaker 1: that moment, and it was a powerful moment when we

851
00:52:30,560 --> 00:52:35,040
Speaker 1: have that sort of um, you know, waste upshot of

852
00:52:35,080 --> 00:52:38,960
Speaker 1: her looking off to Rory like going into the duner

853
00:52:39,080 --> 00:52:41,320
Speaker 1: like I'm not going to be with her much longer.

854
00:52:41,360 --> 00:52:45,319
Speaker 1: She's going away. And that's why I think it was

855
00:52:45,360 --> 00:52:49,640
Speaker 1: such a glorious Gilmour episode, because that's what that show

856
00:52:49,760 --> 00:52:53,760
Speaker 1: does best. In my opinion. That's why I responded so

857
00:52:54,360 --> 00:52:59,120
Speaker 1: negatively to the melodrama from or the drama from Haunted

858
00:52:59,200 --> 00:53:02,799
Speaker 1: Leg because I don't that's not the show for me.

859
00:53:03,120 --> 00:53:07,359
Speaker 1: For me, For me, it's both. It's both because there

860
00:53:07,360 --> 00:53:10,480
Speaker 1: are many scenes that I love, like last week, but

861
00:53:10,560 --> 00:53:13,520
Speaker 1: you're right, like we went, we go through these Shenanigans

862
00:53:13,640 --> 00:53:19,120
Speaker 1: or Gilmore antics, like the goofy Springsteen family to get

863
00:53:19,200 --> 00:53:24,560
Speaker 1: to the significant meaning for everyone's life. Keep it light,

864
00:53:25,040 --> 00:53:30,239
Speaker 1: keep it funny, and then we can have a poignant

865
00:53:30,239 --> 00:53:32,799
Speaker 1: moment at the end or here and there sprinkled in

866
00:53:33,040 --> 00:53:36,359
Speaker 1: to just sort of elevate everything or even bring it

867
00:53:36,400 --> 00:53:40,760
Speaker 1: back down to reality where everything seems so heightened because

868
00:53:40,760 --> 00:53:42,960
Speaker 1: of where it came from. I mean, it was just

869
00:53:43,239 --> 00:53:46,920
Speaker 1: such a perfect you needed that Dean moment, like Dan

870
00:53:47,480 --> 00:53:51,120
Speaker 1: Jackson moment. Dan set out to write something to get

871
00:53:51,160 --> 00:53:56,440
Speaker 1: to that ending, and absolutely brilliant to mean the significant.

872
00:53:56,600 --> 00:53:59,440
Speaker 1: I agree with you because the significance was that Rory

873
00:53:59,520 --> 00:54:02,000
Speaker 1: and Laura Lie we're going to hang out. Remember they

874
00:54:02,080 --> 00:54:04,400
Speaker 1: change their plans. Lorea Lie is not going to do

875
00:54:04,480 --> 00:54:07,160
Speaker 1: the billing or whatever, and Rory isn't going to do

876
00:54:07,200 --> 00:54:10,520
Speaker 1: whatever she was going to do because ultimately those two

877
00:54:10,560 --> 00:54:13,560
Speaker 1: want to spend time together. So it didn't become about Dean.

878
00:54:13,640 --> 00:54:17,239
Speaker 1: It's it's Rory and Laurea Lie. And again he's so

879
00:54:17,320 --> 00:54:19,719
Speaker 1: brilliant how you like, and it's so subtle. It's just

880
00:54:19,760 --> 00:54:23,360
Speaker 1: a tiny, little thing like I hang out, let's cancel

881
00:54:23,400 --> 00:54:28,000
Speaker 1: what we're doing, because that's ultimately right relationship, right. It

882
00:54:28,080 --> 00:54:30,879
Speaker 1: shows us how valuable time is when you're with your

883
00:54:30,880 --> 00:54:35,239
Speaker 1: loved ones time. We don't have much time left, and

884
00:54:35,280 --> 00:54:38,000
Speaker 1: so let's take this time to do it. And I feel,

885
00:54:38,120 --> 00:54:40,120
Speaker 1: I mean, it just got me. It put a lump

886
00:54:40,120 --> 00:54:43,319
Speaker 1: in my throat. I made. I made it like I

887
00:54:43,360 --> 00:54:45,200
Speaker 1: made a decision to go to the gym this morning

888
00:54:45,760 --> 00:54:48,680
Speaker 1: real quick and not spend an hour with my kid

889
00:54:48,719 --> 00:54:51,759
Speaker 1: having breakfast. I made him breakfast and left it, and

890
00:54:51,800 --> 00:54:53,399
Speaker 1: I was like driving there, going I want to turn

891
00:54:53,440 --> 00:54:56,480
Speaker 1: around and go spend time with Nick because every second

892
00:54:56,560 --> 00:54:58,480
Speaker 1: with him his magic. You know what. I think you're

893
00:54:58,560 --> 00:55:02,120
Speaker 1: right because I think ultimately it comes back to mom

894
00:55:02,160 --> 00:55:05,240
Speaker 1: and daughter too. Always in the show, like we always

895
00:55:05,280 --> 00:55:08,200
Speaker 1: are analyzing what is it, and it's always back to

896
00:55:08,840 --> 00:55:11,319
Speaker 1: Rory and Laura La. And I think that's also the

897
00:55:11,360 --> 00:55:15,360
Speaker 1: significance when we see Luke's and we see Taylor has

898
00:55:15,360 --> 00:55:18,040
Speaker 1: already got the sign made obviously he did it weeks ago,

899
00:55:18,440 --> 00:55:20,960
Speaker 1: and then we panned through town and we see the

900
00:55:21,000 --> 00:55:24,640
Speaker 1: Troubadour and it's just to give us that moment of

901
00:55:24,680 --> 00:55:29,480
Speaker 1: like letting it all sink in whoa yeah that that

902
00:55:29,680 --> 00:55:33,880
Speaker 1: this episode made me forgive all of the other not

903
00:55:34,040 --> 00:55:36,279
Speaker 1: a lot of them, but some of the episodes that

904
00:55:36,400 --> 00:55:40,000
Speaker 1: I thought didn't really hit the mark, you know, but

905
00:55:40,120 --> 00:55:43,239
Speaker 1: serve their purpose in some ways. You know. It's so

906
00:55:43,239 --> 00:55:48,320
Speaker 1: funny because when I'm watching it, it wasn't my favorite.

907
00:55:47,800 --> 00:55:51,040
Speaker 1: I the other stand out to me more like when

908
00:55:51,080 --> 00:55:53,719
Speaker 1: I have that kind of scene with Christopher and Lore, like, oh,

909
00:55:53,800 --> 00:55:56,480
Speaker 1: I love this, but now as we're talking about it,

910
00:55:56,640 --> 00:55:59,759
Speaker 1: I see it allows me to see the significance of

911
00:55:59,800 --> 00:56:03,640
Speaker 1: it because it's so soft and subtle, and then you're like, oh, wait,

912
00:56:03,960 --> 00:56:08,440
Speaker 1: that's what the whole show is about. Yeah, and I

913
00:56:08,520 --> 00:56:12,000
Speaker 1: you know, I think, right, it's let it's let Luke

914
00:56:12,040 --> 00:56:16,680
Speaker 1: be Luke. They let everybody be themselves, right, Luke ranting

915
00:56:16,719 --> 00:56:20,160
Speaker 1: through the whole thing. And Dean wasn't so twirpy like

916
00:56:20,239 --> 00:56:23,680
Speaker 1: they let Dean be Dean or Dean was almost cool

917
00:56:24,640 --> 00:56:27,200
Speaker 1: and almost smart, Like you're like, oh, wow, he's really

918
00:56:27,200 --> 00:56:30,160
Speaker 1: intuitive here. Like I don't mean almost smart, like he's

919
00:56:30,160 --> 00:56:31,600
Speaker 1: some ding dong, but like you know what I mean,

920
00:56:31,600 --> 00:56:35,800
Speaker 1: like where he was really like intuitive about the future.

921
00:56:37,760 --> 00:56:40,720
Speaker 1: I would I would point to this episode is really

922
00:56:40,800 --> 00:56:45,359
Speaker 1: capturing the tone the original spirit of yeah from from

923
00:56:45,440 --> 00:56:49,520
Speaker 1: moment one. Yeah, I mean it really just captured the

924
00:56:49,600 --> 00:56:53,960
Speaker 1: tone of this and it was so powerful at the end.

925
00:56:54,160 --> 00:56:57,080
Speaker 1: It really was. I mean it was unexpectedly powerful. And

926
00:56:57,160 --> 00:57:00,680
Speaker 1: she just looked. She just looked. And then there's a

927
00:57:00,760 --> 00:57:03,480
Speaker 1: pan to the towner and the two of them walking in,

928
00:57:03,600 --> 00:57:07,480
Speaker 1: and it's like, man, who can't relate to that? You know,

929
00:57:07,640 --> 00:57:11,399
Speaker 1: who's had kids or even it has been a daughter

930
00:57:11,480 --> 00:57:14,560
Speaker 1: or son. You know, it's like, wow, I'll give a

931
00:57:14,600 --> 00:57:17,200
Speaker 1: quick fashion. They love to put lord ly in florals.

932
00:57:17,680 --> 00:57:20,080
Speaker 1: And she's loving a necklace like always this sort of

933
00:57:20,080 --> 00:57:22,040
Speaker 1: a prominent necklace in the last few And I thought

934
00:57:22,680 --> 00:57:27,400
Speaker 1: Lauren's hair was particularly excellent in this episode, like something's

935
00:57:27,400 --> 00:57:29,240
Speaker 1: going on with her hair where I'm like, wow, is

936
00:57:29,240 --> 00:57:33,200
Speaker 1: sher a curl to it? Like she looked cool? Yeah,

937
00:57:33,440 --> 00:57:35,680
Speaker 1: well I gave my favorite line, what was yours? I

938
00:57:35,800 --> 00:57:42,760
Speaker 1: really like Jackson's hair in this. I thought David Galcie's

939
00:57:42,800 --> 00:57:48,880
Speaker 1: hair was pretty good too, does have great hair. His

940
00:57:49,080 --> 00:57:51,920
Speaker 1: argyle sweater. I like me some Adam Brody. I'm not

941
00:57:51,920 --> 00:57:55,320
Speaker 1: gonna lie. I love Adam Brodie. It's always confusing because

942
00:57:55,360 --> 00:57:59,640
Speaker 1: Adam Brody in real life married the girl from Gossip Girl.

943
00:58:00,320 --> 00:58:05,640
Speaker 1: Very confusing. He married Rachel Bilson no late, okay, and

944
00:58:05,640 --> 00:58:07,920
Speaker 1: then Rachel Bilson's the girl from the o C. Yeah,

945
00:58:08,000 --> 00:58:11,440
Speaker 1: so Adam Brody married the girl from Gossip Girl. Just

946
00:58:11,520 --> 00:58:16,439
Speaker 1: kind of crazy. Daniels, you have a favorite line, Um, yeah,

947
00:58:16,440 --> 00:58:18,840
Speaker 1: my favorite line is Rory goes I think we need

948
00:58:18,880 --> 00:58:21,760
Speaker 1: therapy and literalized says I think we need some booze

949
00:58:21,760 --> 00:58:29,120
Speaker 1: for those of us that are twenty one. Um. Yeah,

950
00:58:29,200 --> 00:58:34,760
Speaker 1: I'm gonna give it to old Lukey on the soda line. Um,

951
00:58:35,040 --> 00:58:40,600
Speaker 1: do you have money and paid attention to We need

952
00:58:40,640 --> 00:58:47,120
Speaker 1: to those kids givin you got money? So good? Um

953
00:58:48,320 --> 00:58:53,160
Speaker 1: all got along. It wasn't boring, No, I mean, Dan Palladino,

954
00:58:53,240 --> 00:58:55,640
Speaker 1: hats off to you. You wrote the hell out of

955
00:58:55,680 --> 00:58:58,360
Speaker 1: that episode. I mean that was just a fever dream

956
00:58:58,440 --> 00:59:02,720
Speaker 1: of of an episode. Dialogue E and it's it's it's

957
00:59:02,840 --> 00:59:05,080
Speaker 1: it's how do you The challenge is how do you

958
00:59:05,120 --> 00:59:11,160
Speaker 1: make that much dialogue compelling? You know? That's the challenge.

959
00:59:11,160 --> 00:59:15,400
Speaker 1: He made that much dialogue really active and compelling and

960
00:59:15,480 --> 00:59:18,680
Speaker 1: filled with action, even though there were set pieces all

961
00:59:18,720 --> 00:59:21,600
Speaker 1: over the place. It was. It was wonderful episode. I

962
00:59:21,680 --> 00:59:23,920
Speaker 1: really enjoyed it. I almost went back and watched it,

963
00:59:23,960 --> 00:59:27,360
Speaker 1: but I was Yeah, I had to get Nick the bed,

964
00:59:27,400 --> 00:59:29,919
Speaker 1: but yeah, it would be a good one to watch again. Yeah,

965
00:59:30,240 --> 00:59:34,120
Speaker 1: meaning you know, your third, fourth, fifth, because it's so dense.

966
00:59:34,400 --> 00:59:38,800
Speaker 1: That's one I would watch repeatedly because it's just man,

967
00:59:40,200 --> 00:59:47,200
Speaker 1: it demanded your attention. So anyway, what's what episodes next week? Daniel?

968
00:59:48,160 --> 00:59:51,160
Speaker 1: On the next episode is one's got class and the

969
00:59:51,240 --> 00:59:56,640
Speaker 1: other one dies? Oh gosh, that sounds mensota challenging, ching,

970
00:59:56,760 --> 01:00:02,040
Speaker 1: whoa see it? Then? All right, so anyway, thank you everyone.

971
01:00:03,880 --> 01:00:07,840
Speaker 1: So anyway, thank you everyone for downloading. And we mean

972
01:00:07,920 --> 01:00:11,160
Speaker 1: this from the bottom of our hearts. You are the

973
01:00:11,200 --> 01:00:14,160
Speaker 1: best fans on the planet. You are the smartest. Thank you,

974
01:00:14,280 --> 01:00:17,600
Speaker 1: thank you, thank you for your very insightful feedback. We

975
01:00:18,240 --> 01:00:21,480
Speaker 1: take it to heart. I took it to heart. And

976
01:00:21,840 --> 01:00:23,560
Speaker 1: after I get off this, I'm gonna go work on

977
01:00:23,600 --> 01:00:27,760
Speaker 1: me a little bit, you know, I'll work on my interrupting. No,

978
01:00:27,920 --> 01:00:31,200
Speaker 1: it's not you, No, I do. They tell trust me,

979
01:00:31,240 --> 01:00:33,960
Speaker 1: They comment on that like every week. Really that I

980
01:00:34,000 --> 01:00:36,840
Speaker 1: get very excited, So I do it. Yeah, I'll work

981
01:00:36,840 --> 01:00:39,360
Speaker 1: on it. It's probably one of my things I need

982
01:00:39,360 --> 01:00:41,080
Speaker 1: to work on. In life, so I appreciate them pointing

983
01:00:41,080 --> 01:00:43,360
Speaker 1: it out. But now the thing is is, you know,

984
01:00:43,840 --> 01:00:46,960
Speaker 1: I grew up with impeccable manners. I'm teaching my son

985
01:00:47,320 --> 01:00:49,840
Speaker 1: impact to have impeccable manners because I think it's the

986
01:00:49,880 --> 01:00:52,480
Speaker 1: most one of the more important things in life is

987
01:00:52,520 --> 01:00:57,280
Speaker 1: to say please and thank you and um. If I

988
01:00:57,360 --> 01:01:00,320
Speaker 1: offended anybody or insulted anybody, that makes me feel bad.

989
01:01:00,720 --> 01:01:02,640
Speaker 1: I don't want people to feel that way. I want

990
01:01:02,680 --> 01:01:05,640
Speaker 1: them to enjoy this experience and and be Just because

991
01:01:05,960 --> 01:01:08,120
Speaker 1: you know, we get heated or we get into it

992
01:01:08,200 --> 01:01:10,400
Speaker 1: and we're having fun, doesn't mean that the audience is

993
01:01:10,480 --> 01:01:16,440
Speaker 1: necessarily having fun. So anyway, again, let me apologize one

994
01:01:16,520 --> 01:01:25,480
Speaker 1: last time. I hope we get a big fight customer,

995
01:01:25,600 --> 01:01:29,240
Speaker 1: come back to us. See see what that boy does,

996
01:01:29,600 --> 01:01:33,960
Speaker 1: See what that boy makes me crazy. Anyway, I love

997
01:01:34,000 --> 01:02:00,280
Speaker 1: you guys, and we'll see you next time. Gangs. Stay safe. Yeah,

998
01:02:08,320 --> 01:02:11,360
Speaker 1: hey everybody, and don't forget Follow us on Instagram at

999
01:02:11,640 --> 01:02:15,560
Speaker 1: I Am all In podcast and email us at Gilmore

1000
01:02:15,840 --> 01:02:19,560
Speaker 1: at I heart radio dot com. Oh you gil More fans.

1001
01:02:19,560 --> 01:02:21,280
Speaker 1: If you're looking for the best cup of coffee in

1002
01:02:21,280 --> 01:02:24,720
Speaker 1: the world, go to my website for my company scott

1003
01:02:24,720 --> 01:02:26,880
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1004
01:02:27,120 --> 01:02:38,880
Speaker 1: dot com, scott ep dot com Grade one Specialty Coffee, Yeah,