1 00:00:00,080 --> 00:00:02,520 Speaker 1: Hello, and welcome back to Movie Mike's Movie Podcast. I 2 00:00:02,560 --> 00:00:04,320 Speaker 1: am your host, Movie Mike, joined by my wife and 3 00:00:04,360 --> 00:00:05,520 Speaker 1: cost Kelsey. How are you. 4 00:00:05,880 --> 00:00:07,880 Speaker 2: I'm good. I'm overly caffeinated on accident. 5 00:00:08,000 --> 00:00:10,080 Speaker 1: I'm not caffeinated enough. I need to drink another one 6 00:00:10,160 --> 00:00:12,320 Speaker 1: right after this, I need to drink more water. I'll 7 00:00:12,320 --> 00:00:14,520 Speaker 1: get into a movie review of Scream, which I went 8 00:00:14,560 --> 00:00:16,640 Speaker 1: to go watch by myself. I can't believe they made 9 00:00:16,640 --> 00:00:17,520 Speaker 1: seven of these movies. 10 00:00:17,720 --> 00:00:19,239 Speaker 3: Hey, you want to watch that? And I had the 11 00:00:19,280 --> 00:00:21,720 Speaker 3: house to myself to watch the Pit and Needle Point. 12 00:00:21,760 --> 00:00:22,560 Speaker 2: It's kind of nice. 13 00:00:22,640 --> 00:00:24,960 Speaker 1: And in the trailer park, I'm going to break down 14 00:00:25,040 --> 00:00:27,360 Speaker 1: toy story five and how they're. 15 00:00:27,360 --> 00:00:29,720 Speaker 2: What he's bald spot? Yeah, what he's getting old? I 16 00:00:29,720 --> 00:00:31,520 Speaker 2: mean we're all getting old. What did I say earlier 17 00:00:31,520 --> 00:00:34,320 Speaker 2: at the container store? Oh the pill boxing pillcase? 18 00:00:34,760 --> 00:00:37,280 Speaker 3: It lights up and you know you're in your thirties 19 00:00:37,280 --> 00:00:38,640 Speaker 3: when you open and you go, this is cool. 20 00:00:40,240 --> 00:00:40,600 Speaker 1: I thought it was. 21 00:00:41,000 --> 00:00:41,600 Speaker 2: It's pretty cool. 22 00:00:41,960 --> 00:00:44,400 Speaker 1: But thank you for being here, Thank you for being subscribed. 23 00:00:44,400 --> 00:00:47,080 Speaker 1: Shout out to the Monday Morning Movie crew. And now 24 00:00:47,479 --> 00:00:55,200 Speaker 1: let's talk movies podcast Network Movie Mike's Movie Podcast. All right, 25 00:00:55,280 --> 00:00:57,880 Speaker 1: kicking us off, what was the best thing you saw 26 00:00:58,160 --> 00:00:59,920 Speaker 1: in February in your opinion. 27 00:01:00,120 --> 00:01:02,560 Speaker 3: Obviously it was a movie starring Glenn Powell, How to 28 00:01:02,560 --> 00:01:03,160 Speaker 3: Make a Killing. 29 00:01:03,440 --> 00:01:05,560 Speaker 1: I'm surprised that movie tanked. 30 00:01:05,840 --> 00:01:06,160 Speaker 2: I'm not. 31 00:01:06,280 --> 00:01:08,920 Speaker 3: I don't feel like there was much marketing around it either, 32 00:01:09,000 --> 00:01:09,760 Speaker 3: because the. 33 00:01:09,680 --> 00:01:12,480 Speaker 1: Plot is great. It is like a remake. But I 34 00:01:12,600 --> 00:01:16,600 Speaker 1: just I feel like how massive he is as a celebrity. 35 00:01:16,680 --> 00:01:20,320 Speaker 1: I'm surprised that doesn't translate always into box office numbers 36 00:01:20,400 --> 00:01:22,600 Speaker 1: because he's such a good actor. It's not a bad movie, 37 00:01:22,760 --> 00:01:25,080 Speaker 1: it's a great movie. Well, I feel like it's the genre. 38 00:01:25,440 --> 00:01:27,360 Speaker 1: Like I kind of feel like people only want him 39 00:01:27,360 --> 00:01:30,319 Speaker 1: in like a rom com or he kind of action 40 00:01:30,600 --> 00:01:32,679 Speaker 1: You think he kind of well Running Man didn't do 41 00:01:32,760 --> 00:01:33,399 Speaker 1: that well either. 42 00:01:33,640 --> 00:01:33,840 Speaker 3: Yeah. 43 00:01:34,200 --> 00:01:35,160 Speaker 2: That was also a remake. 44 00:01:35,240 --> 00:01:36,480 Speaker 1: Yeah, maybe too many remakes. 45 00:01:36,480 --> 00:01:37,640 Speaker 2: Maybe the remakes aren't working. 46 00:01:37,680 --> 00:01:40,039 Speaker 1: Do you think he should have committed more to the 47 00:01:40,160 --> 00:01:42,959 Speaker 1: rom com? I almost know, No, why not? 48 00:01:43,560 --> 00:01:45,160 Speaker 2: Because then he never would have done Twisters. 49 00:01:45,400 --> 00:01:48,639 Speaker 1: I almost feel like actors now are more strategic about 50 00:01:48,720 --> 00:01:49,800 Speaker 1: not being typecast. 51 00:01:50,080 --> 00:01:52,680 Speaker 2: Yeah, I'm thinking of like examples, because. 52 00:01:52,440 --> 00:01:54,160 Speaker 1: He could have crushed it. He could have done he 53 00:01:54,200 --> 00:01:56,120 Speaker 1: could have done anyone, but you too. He could have. 54 00:01:56,600 --> 00:01:59,680 Speaker 2: Set it up to I'll take a set complee underrated 55 00:01:59,680 --> 00:02:01,560 Speaker 2: Glynn movie. It's so good. 56 00:02:01,800 --> 00:02:05,760 Speaker 1: I think people don't realize how hard he's been working 57 00:02:05,800 --> 00:02:08,600 Speaker 1: for as long as he has yes where it feels 58 00:02:08,600 --> 00:02:10,840 Speaker 1: like he's really starting to pop off now because he's 59 00:02:10,840 --> 00:02:12,920 Speaker 1: in all these big roles. But he's been in so 60 00:02:13,080 --> 00:02:15,720 Speaker 1: much in the last fifty maybe not fifteen years, but 61 00:02:15,720 --> 00:02:19,000 Speaker 1: at least the last decade of really good, solid movies 62 00:02:19,000 --> 00:02:20,679 Speaker 1: that he's put in the work. But to some people 63 00:02:20,840 --> 00:02:23,040 Speaker 1: just feel like he came out of nowhere. But I 64 00:02:23,080 --> 00:02:25,760 Speaker 1: feel like he has a really good track history of 65 00:02:25,840 --> 00:02:27,200 Speaker 1: just giving us good movies. 66 00:02:27,320 --> 00:02:29,079 Speaker 3: I think people think that about everyone though. They're like, 67 00:02:29,080 --> 00:02:30,840 Speaker 3: you just came out of nowhere, and it's like they've 68 00:02:30,880 --> 00:02:33,519 Speaker 3: been working. Maybe you just haven't seen it, but they've 69 00:02:33,560 --> 00:02:34,000 Speaker 3: been working. 70 00:02:34,120 --> 00:02:36,640 Speaker 1: Same thing with Pedro Pascal, like he kind of came 71 00:02:37,400 --> 00:02:40,360 Speaker 1: and then was in every single movie last summer, and 72 00:02:40,400 --> 00:02:42,480 Speaker 1: I feel like people thought, man, he's just in everything now, 73 00:02:42,520 --> 00:02:44,480 Speaker 1: But he's been consistent since the Game of Thrones. 74 00:02:44,919 --> 00:02:46,680 Speaker 3: You know who's been in a lot that could go away. 75 00:02:46,720 --> 00:02:48,440 Speaker 3: Sidney Sweeney, she could go away. 76 00:02:48,639 --> 00:02:50,760 Speaker 1: I'm still excited for Euphoria though. 77 00:02:50,919 --> 00:02:53,400 Speaker 3: Well yeah, but that's more Zendaia. I feel like I 78 00:02:53,440 --> 00:02:55,400 Speaker 3: know she's in it, but Zendeia is the star. 79 00:02:55,880 --> 00:02:58,600 Speaker 1: Yeah when it comes to her movies. Ah, but the 80 00:02:58,600 --> 00:03:00,919 Speaker 1: Housemaid though she has a franch right there, she could 81 00:03:00,960 --> 00:03:04,200 Speaker 1: do because there are multiple books of that, right. 82 00:03:04,280 --> 00:03:05,760 Speaker 2: Yeah, and she's already gonna do. 83 00:03:06,000 --> 00:03:07,480 Speaker 1: I found that movie entertaining. 84 00:03:07,600 --> 00:03:09,840 Speaker 2: I liked it, but because of Amanda say Red. 85 00:03:09,880 --> 00:03:13,280 Speaker 1: But I still think with her part of that franchise, 86 00:03:13,600 --> 00:03:14,799 Speaker 1: that could be her franchise. 87 00:03:16,360 --> 00:03:18,920 Speaker 3: Fine, so that was your best, yeah, how to make 88 00:03:18,919 --> 00:03:21,200 Speaker 3: a killing. I was very entertained. I was not bored ever, 89 00:03:21,400 --> 00:03:23,240 Speaker 3: didn't even want to get up to go to the bathroom. 90 00:03:23,480 --> 00:03:25,200 Speaker 3: It had like dark humor. 91 00:03:25,520 --> 00:03:28,960 Speaker 1: For my best of February, I'm gonna go with Send Help, 92 00:03:29,200 --> 00:03:31,400 Speaker 1: which going into that movie, you didn't know if you 93 00:03:31,440 --> 00:03:34,120 Speaker 1: were going to like it or not because it's classified 94 00:03:34,160 --> 00:03:36,640 Speaker 1: as a horror movie. But it was a lot more campy, 95 00:03:37,400 --> 00:03:39,920 Speaker 1: more of us suspense thriller, and all the horror elements 96 00:03:39,920 --> 00:03:43,040 Speaker 1: were very over the top and even like the blood 97 00:03:43,080 --> 00:03:46,880 Speaker 1: and guts graphic scenes. Yeah, but it was more it 98 00:03:46,920 --> 00:03:49,880 Speaker 1: wasn't as realistic correct, and I feel like when stuff 99 00:03:49,920 --> 00:03:51,840 Speaker 1: is more realistic, that's when it freaks you out. A 100 00:03:51,880 --> 00:03:52,880 Speaker 1: little bit more like if it's a. 101 00:03:52,840 --> 00:03:56,360 Speaker 3: Saw, yes, how much, just like gunshots and like that 102 00:03:56,400 --> 00:03:56,640 Speaker 3: sort of. 103 00:03:56,640 --> 00:03:59,600 Speaker 1: Stuff which the headshot in movies has just become so 104 00:03:59,760 --> 00:04:03,560 Speaker 1: normal now, it's so shocking that I find myself to 105 00:04:03,600 --> 00:04:05,800 Speaker 1: feel more and more uncomfortable when I get worried about 106 00:04:05,800 --> 00:04:08,040 Speaker 1: a character like man, I don't want to see them die. 107 00:04:08,400 --> 00:04:10,840 Speaker 3: Well, I just don't like it. Just I don't like 108 00:04:10,880 --> 00:04:12,760 Speaker 3: the sound, and it's in so many movies. 109 00:04:12,880 --> 00:04:16,560 Speaker 1: I think there's also an element of experiencing that in 110 00:04:16,640 --> 00:04:19,120 Speaker 1: a theater now, where it gets so loud. I don't know. 111 00:04:19,240 --> 00:04:21,120 Speaker 1: Sometimes it just makes me a little bit uncomfortable, maybe 112 00:04:21,160 --> 00:04:23,640 Speaker 1: just because what's going on in the world at any 113 00:04:23,680 --> 00:04:25,480 Speaker 1: given time that it kind of puts you a little 114 00:04:25,480 --> 00:04:28,360 Speaker 1: bit on edge. I enjoy the filmmaking aspect of it 115 00:04:28,520 --> 00:04:31,800 Speaker 1: because it does bring emotion out in you, but sometimes 116 00:04:31,800 --> 00:04:35,000 Speaker 1: I don't like that feeling little too real. I feel 117 00:04:35,040 --> 00:04:38,000 Speaker 1: like getting you on board to go see it and 118 00:04:38,320 --> 00:04:40,800 Speaker 1: not totally hate it was a big win. 119 00:04:41,000 --> 00:04:43,640 Speaker 3: I hadn't seen a single movie in a month, so 120 00:04:43,880 --> 00:04:46,080 Speaker 3: I didn't see anything in January. There's nothing good out, 121 00:04:46,080 --> 00:04:47,840 Speaker 3: so I think I was just itching go back to 122 00:04:47,920 --> 00:04:48,360 Speaker 3: the movies. 123 00:04:48,960 --> 00:04:51,200 Speaker 1: Yeah, I just really enjoyed it, and I feel like 124 00:04:51,240 --> 00:04:55,400 Speaker 1: it brought back, in a good way a fun theater experience, 125 00:04:55,440 --> 00:04:57,599 Speaker 1: where for me it's really hard when people recommend a 126 00:04:57,600 --> 00:04:59,760 Speaker 1: movie to me that's just fun. So for my rating 127 00:04:59,760 --> 00:05:01,320 Speaker 1: on that one, I gave it a four out of five, 128 00:05:01,360 --> 00:05:03,760 Speaker 1: which I think was the second highest of the month. 129 00:05:03,800 --> 00:05:05,159 Speaker 1: But we'll get into that a little bit later. 130 00:05:05,240 --> 00:05:07,640 Speaker 2: What about your worst It's gotta be crime one on one? 131 00:05:08,000 --> 00:05:12,279 Speaker 1: Really? Yes, the Chris Hemsworth, halle Berry, Mark Ruffalo. 132 00:05:12,720 --> 00:05:17,200 Speaker 3: Plotless film that had so many different character arcs didn't 133 00:05:17,200 --> 00:05:17,920 Speaker 3: need to be included. 134 00:05:18,200 --> 00:05:20,960 Speaker 2: Was I entertained? Sure, It's still the worst I saw 135 00:05:21,000 --> 00:05:22,440 Speaker 2: this month because it had no plot. 136 00:05:22,600 --> 00:05:24,279 Speaker 1: That was the weird part about it is I was 137 00:05:24,440 --> 00:05:26,960 Speaker 1: entertained the entire time, but by the end of it 138 00:05:26,960 --> 00:05:28,599 Speaker 1: don't want to ruin it, but by the end of it, 139 00:05:28,640 --> 00:05:30,520 Speaker 1: I was like, what was the purpose of that? 140 00:05:30,520 --> 00:05:32,640 Speaker 2: That's what I'm saying. What was the point? Why was 141 00:05:32,680 --> 00:05:33,440 Speaker 2: this movie made? 142 00:05:33,560 --> 00:05:36,520 Speaker 1: So what the movie was about? You had it? 143 00:05:36,520 --> 00:05:37,159 Speaker 2: Not a plot? 144 00:05:37,360 --> 00:05:41,520 Speaker 1: What's a description? There's three individuals and one crime connects 145 00:05:41,600 --> 00:05:45,640 Speaker 1: them all. Chris Hemsworth is like an elusive thief who 146 00:05:45,960 --> 00:05:50,240 Speaker 1: is plotting a big heist. Halle Berry is unhappy with 147 00:05:50,320 --> 00:05:55,240 Speaker 1: their job, and Mark Ruffalo is obsessed with finding Chris 148 00:05:55,279 --> 00:06:00,279 Speaker 1: Hemsworth's character. So it's how all their lives intertwine, all 149 00:06:00,320 --> 00:06:04,400 Speaker 1: revolving one heist, and then you have a lot of 150 00:06:04,680 --> 00:06:07,599 Speaker 1: random intentions that don't really make sense throughout the movie. 151 00:06:07,800 --> 00:06:10,320 Speaker 1: I feel like it was trying to be more sophisticated 152 00:06:10,360 --> 00:06:13,000 Speaker 1: than it was, and I think that's why the plot 153 00:06:13,440 --> 00:06:14,960 Speaker 1: ended up not working for me, where I was like, 154 00:06:14,960 --> 00:06:17,719 Speaker 1: where did this even go? But still somehow so entertaining 155 00:06:17,720 --> 00:06:18,520 Speaker 1: all the way throughout. 156 00:06:18,800 --> 00:06:21,200 Speaker 2: I think I kept waiting for it to have like. 157 00:06:21,480 --> 00:06:23,839 Speaker 1: A moment or like a hook or something. 158 00:06:23,920 --> 00:06:26,960 Speaker 3: They kind of and I know they were all connected, 159 00:06:26,960 --> 00:06:29,200 Speaker 3: but I was waiting for that like final thread to 160 00:06:29,240 --> 00:06:31,400 Speaker 3: reveal itself or be pooled, and it just wasn't. I 161 00:06:31,440 --> 00:06:33,160 Speaker 3: think there's a lot of stuff left on the cutting 162 00:06:33,240 --> 00:06:34,880 Speaker 3: room floor, which is like how is their stuff left? 163 00:06:34,880 --> 00:06:36,040 Speaker 2: Because it was over two hours. 164 00:06:36,279 --> 00:06:39,920 Speaker 1: I also think that they kind of changed Chris Hamsworth's 165 00:06:40,000 --> 00:06:43,000 Speaker 1: character from beginning to end in a bad way where 166 00:06:43,480 --> 00:06:46,000 Speaker 1: I feel like movies have to have this. You have 167 00:06:46,040 --> 00:06:48,480 Speaker 1: to know the intentions of every single character in their morale, 168 00:06:48,680 --> 00:06:50,680 Speaker 1: and they're like ethics and like what they will do 169 00:06:50,720 --> 00:06:52,440 Speaker 1: and what they won't do, and what makes them the 170 00:06:52,480 --> 00:06:55,040 Speaker 1: way they are. I feel like they didn't have that 171 00:06:55,080 --> 00:06:57,760 Speaker 1: with all the characters, where it was like, Okay, he's 172 00:06:57,760 --> 00:06:59,320 Speaker 1: going to do this this way. He's going to be 173 00:06:59,320 --> 00:07:02,720 Speaker 1: so meticulous about every single crime he plots out. His 174 00:07:02,760 --> 00:07:04,919 Speaker 1: whole thing is he doesn't leave behind any evidence, he 175 00:07:04,960 --> 00:07:07,880 Speaker 1: doesn't hurt anybody, and then by the end of the 176 00:07:07,880 --> 00:07:10,520 Speaker 1: movie he doesn't really hold true to all the things 177 00:07:10,520 --> 00:07:13,360 Speaker 1: he was in the beginning. It just feels like at 178 00:07:13,360 --> 00:07:15,040 Speaker 1: the end they were just like, yeah, let's just do whatever. 179 00:07:15,160 --> 00:07:17,560 Speaker 1: Let's just try to make an entertaining ending, and let's 180 00:07:17,600 --> 00:07:19,400 Speaker 1: just have things go off the rails because we think 181 00:07:19,440 --> 00:07:21,640 Speaker 1: that'd be the best way to close out this movie. 182 00:07:21,760 --> 00:07:23,320 Speaker 2: It almost felt like they brought in like a different 183 00:07:23,320 --> 00:07:24,120 Speaker 2: writer midway. 184 00:07:24,240 --> 00:07:26,600 Speaker 1: It was like yeah, it was almost like they split directors, 185 00:07:26,600 --> 00:07:28,160 Speaker 1: Like all right, somebody else finished this thing. 186 00:07:28,240 --> 00:07:29,560 Speaker 2: It's like two different films. 187 00:07:29,720 --> 00:07:33,720 Speaker 1: Yeah, but still but still entertaining. It's like, I wouldn't 188 00:07:33,960 --> 00:07:37,320 Speaker 1: tell people not to watch it, which is weird because 189 00:07:37,360 --> 00:07:40,200 Speaker 1: I think I don't think we got any benefit of 190 00:07:40,240 --> 00:07:42,800 Speaker 1: seeing it in theaters. I think you could watch it 191 00:07:42,840 --> 00:07:46,400 Speaker 1: at home and have the same experience. So as much 192 00:07:46,440 --> 00:07:48,600 Speaker 1: as I question all the intentions of the film and 193 00:07:48,640 --> 00:07:51,480 Speaker 1: the decisions they made with all the characters, I would 194 00:07:51,480 --> 00:07:53,520 Speaker 1: still encourage people to kind of make your own judgment 195 00:07:53,600 --> 00:07:55,400 Speaker 1: on it whenever it comes to streaming. 196 00:07:55,120 --> 00:07:56,680 Speaker 2: And you can multitask while watching it. 197 00:07:57,600 --> 00:08:01,240 Speaker 1: There's not that crazy Walline throughout that. For my worst 198 00:08:01,240 --> 00:08:04,680 Speaker 1: of February, I'm gonna go with I can only imagine 199 00:08:04,680 --> 00:08:08,240 Speaker 1: two And I feel bad about it. Why because I 200 00:08:08,280 --> 00:08:11,280 Speaker 1: got to meet Milo, who you know from. 201 00:08:11,240 --> 00:08:14,000 Speaker 2: Gilmore Girls, This is Us all of his roles. 202 00:08:14,040 --> 00:08:16,320 Speaker 1: I only know him from This is Us really, And 203 00:08:16,360 --> 00:08:18,960 Speaker 1: when you were like Gilmore Girls instantly, honestly, I didn't 204 00:08:18,960 --> 00:08:19,640 Speaker 1: even know he was in that. 205 00:08:20,160 --> 00:08:21,120 Speaker 2: Well, yeah, you asked me. 206 00:08:21,200 --> 00:08:23,040 Speaker 3: You were like, oh, do you know, like, do you 207 00:08:23,080 --> 00:08:25,480 Speaker 3: remember Vintimilia from This Is Us? And I was like, 208 00:08:25,840 --> 00:08:29,520 Speaker 3: do you mean Jess Mariano from Gilmore Girls? Yes, I'm aware. 209 00:08:29,720 --> 00:08:32,800 Speaker 1: How prominent was he in that show? Was he huge? 210 00:08:33,120 --> 00:08:35,320 Speaker 1: So he wasn't just like a one season type Carrien? 211 00:08:35,400 --> 00:08:37,240 Speaker 1: Oh ah, yeah, I no idea. 212 00:08:37,400 --> 00:08:38,400 Speaker 2: He was one of. 213 00:08:38,400 --> 00:08:41,120 Speaker 3: Rory's boyfriends and so many you know the discourse of 214 00:08:41,120 --> 00:08:44,480 Speaker 3: when people are like team Dean, team Jess, Team Logan, 215 00:08:44,559 --> 00:08:45,840 Speaker 3: have you ever heard any of that discourse? 216 00:08:46,000 --> 00:08:48,480 Speaker 1: No from Gilmore girls, Yes, no, those like. 217 00:08:48,440 --> 00:08:51,440 Speaker 3: Her three boyfriends throughout the show, and you are like 218 00:08:51,880 --> 00:08:55,160 Speaker 3: very in a camp of which team you are now? 219 00:08:55,280 --> 00:08:58,080 Speaker 1: I remember when we went to Universal in Los Angeles, 220 00:08:58,559 --> 00:09:01,319 Speaker 1: we drove by like the set. Was it the gazebo? Yes, 221 00:09:01,480 --> 00:09:04,120 Speaker 1: that's what it was. And it's one of those shows 222 00:09:04,120 --> 00:09:06,920 Speaker 1: I've seen random episodes because it was one of those 223 00:09:07,000 --> 00:09:09,439 Speaker 1: just broadcast TV shows that was on and I rewatch 224 00:09:09,440 --> 00:09:11,079 Speaker 1: it and I would catch it and then you rewatch 225 00:09:11,120 --> 00:09:13,440 Speaker 1: it in the fall. But it's not one that if 226 00:09:13,480 --> 00:09:17,400 Speaker 1: you quiz me on any plot lines of any characters, 227 00:09:17,559 --> 00:09:21,239 Speaker 1: that I would even fully get. I knew him primarily 228 00:09:21,600 --> 00:09:22,560 Speaker 1: from This is Us. 229 00:09:22,600 --> 00:09:24,840 Speaker 2: A great role phenomenal. 230 00:09:24,960 --> 00:09:26,640 Speaker 1: I know he was in Heroes, but I don't really 231 00:09:26,720 --> 00:09:27,640 Speaker 1: remember him in that show. 232 00:09:27,679 --> 00:09:30,240 Speaker 3: It was huge in that too, that was right after Gilmore. 233 00:09:30,320 --> 00:09:34,199 Speaker 3: That was like his Gilmore than Heroes. Then This is Us, and. 234 00:09:34,200 --> 00:09:36,640 Speaker 1: I think I felt bad for not enjoying this movie 235 00:09:36,640 --> 00:09:38,120 Speaker 1: after I met him and he was like a really 236 00:09:38,240 --> 00:09:41,440 Speaker 1: nice guy. For those who don't know, I also produced 237 00:09:41,440 --> 00:09:44,959 Speaker 1: a podcast called the Bobby Cast, and I am always 238 00:09:44,960 --> 00:09:47,480 Speaker 1: the one who goes and gets the guests and not 239 00:09:47,600 --> 00:09:50,880 Speaker 1: every time do people want to have a conversation with me. 240 00:09:50,920 --> 00:09:53,360 Speaker 1: I don't think anything of it, but like instantly, I 241 00:09:53,440 --> 00:09:55,840 Speaker 1: just felt like he was like just a genuinely nice 242 00:09:55,880 --> 00:09:58,000 Speaker 1: person who like started talking to me like he knew me, 243 00:09:58,240 --> 00:09:59,520 Speaker 1: and he was just so nice. 244 00:09:59,600 --> 00:10:02,000 Speaker 3: For There's a lot about people too, about how they 245 00:10:02,160 --> 00:10:06,520 Speaker 3: treat anyone else who is not the main person involved 246 00:10:06,600 --> 00:10:08,840 Speaker 3: in any type of entity. 247 00:10:09,080 --> 00:10:12,560 Speaker 1: And I think it was because he was arguably one 248 00:10:12,559 --> 00:10:14,640 Speaker 1: of the most famous people we've ever had, just because 249 00:10:14,640 --> 00:10:16,880 Speaker 1: he's been in TV for so long. Even though, like 250 00:10:16,960 --> 00:10:18,840 Speaker 1: I've been mentioning, I'm not the biggest fan of all 251 00:10:18,840 --> 00:10:22,840 Speaker 1: these projects, I understood the magnitude of where he is. Yeah, 252 00:10:22,880 --> 00:10:26,880 Speaker 1: and for somebody to be that famous, that recognizable, to 253 00:10:27,000 --> 00:10:29,120 Speaker 1: be that nice, You're like, why can't everybody else me 254 00:10:29,200 --> 00:10:31,199 Speaker 1: this nice? Not saying that we've had a bunch of 255 00:10:31,200 --> 00:10:32,920 Speaker 1: people who are jerks, but. 256 00:10:32,520 --> 00:10:34,120 Speaker 2: But I feel like it's always the people. 257 00:10:34,600 --> 00:10:36,880 Speaker 3: I mean, you've talked before, You've said that, like Dolly 258 00:10:36,880 --> 00:10:39,839 Speaker 3: Parton's one of the nicest people. Garth Brooks, Like, I 259 00:10:39,880 --> 00:10:43,120 Speaker 3: think people that are of that level get to that 260 00:10:43,200 --> 00:10:46,720 Speaker 3: level because they are genuine and they are kind to everyone, 261 00:10:46,800 --> 00:10:49,480 Speaker 3: and it's not an act. It's not a I'm only 262 00:10:49,559 --> 00:10:51,520 Speaker 3: nice people to get where I want. But it's just 263 00:10:51,679 --> 00:10:53,680 Speaker 3: like that's who they are as people, and that is 264 00:10:53,720 --> 00:10:56,079 Speaker 3: how they've gotten to where they are because they're kind 265 00:10:56,120 --> 00:10:56,680 Speaker 3: to everyone. 266 00:10:57,160 --> 00:10:58,800 Speaker 1: I think that's how you stay at the top of 267 00:10:58,840 --> 00:11:02,079 Speaker 1: being that yeah, to be that genuine and it has 268 00:11:02,160 --> 00:11:03,920 Speaker 1: to be who you are as a person, because if 269 00:11:03,920 --> 00:11:06,160 Speaker 1: it's an act, it's going to run out. It's just 270 00:11:06,240 --> 00:11:08,520 Speaker 1: crazy to me that the I don't want to say, 271 00:11:08,520 --> 00:11:10,920 Speaker 1: the worst people I've encountered with, the people who have 272 00:11:10,960 --> 00:11:14,920 Speaker 1: been the less give a crap about my type of 273 00:11:15,000 --> 00:11:17,319 Speaker 1: role are always the people who just have like are 274 00:11:17,440 --> 00:11:19,760 Speaker 1: just starting out in their success or maybe have a 275 00:11:19,800 --> 00:11:22,079 Speaker 1: little bit of success and they feel like they're a 276 00:11:22,160 --> 00:11:24,480 Speaker 1: lot bigger than they are in reality. 277 00:11:24,720 --> 00:11:27,400 Speaker 3: I think that the people like Milo, like you imagine 278 00:11:27,400 --> 00:11:30,120 Speaker 3: all the projects he's probably ever like auditioned for it, 279 00:11:30,120 --> 00:11:32,360 Speaker 3: and he's probably lost some big ones. And I think 280 00:11:32,400 --> 00:11:34,120 Speaker 3: it's the people that have gone through the ups and 281 00:11:34,160 --> 00:11:37,360 Speaker 3: downs of success that have a better perspective and know 282 00:11:37,480 --> 00:11:40,920 Speaker 3: that like any entity in Hollywood or a podcast is 283 00:11:40,920 --> 00:11:43,400 Speaker 3: made up of a bunch of people, and like, you 284 00:11:43,440 --> 00:11:45,320 Speaker 3: need to be nice, Like have you seen that video 285 00:11:45,360 --> 00:11:48,680 Speaker 3: going around with the coach from UCLA asking his players, like, 286 00:11:49,080 --> 00:11:51,319 Speaker 3: what's the name of the person who claims today? What's 287 00:11:51,360 --> 00:11:53,319 Speaker 3: the name of the people who make your breakfast in 288 00:11:53,320 --> 00:11:55,120 Speaker 3: the morning, And he's like, you know, every single person's 289 00:11:55,160 --> 00:11:56,960 Speaker 3: name in this building. He's like, that's an order, Like 290 00:11:56,960 --> 00:11:59,320 Speaker 3: they are part of our team. They're not cooking just 291 00:11:59,360 --> 00:12:01,240 Speaker 3: for you, They're not after you. They are a part 292 00:12:01,280 --> 00:12:04,079 Speaker 3: of this organization. And so I think that that mindset 293 00:12:04,400 --> 00:12:06,439 Speaker 3: that no one is beneath you. And I think sometimes 294 00:12:06,440 --> 00:12:08,600 Speaker 3: when people are starting out they get a little full 295 00:12:08,640 --> 00:12:09,679 Speaker 3: of them yepes. 296 00:12:09,520 --> 00:12:11,679 Speaker 1: And they always come back around too, if they have 297 00:12:11,800 --> 00:12:13,680 Speaker 1: a long career where they're like, oh, yeah, I should 298 00:12:13,679 --> 00:12:15,440 Speaker 1: have been nicer to people, And it's kind of you 299 00:12:15,520 --> 00:12:19,520 Speaker 1: learn from experience and by having the negative effects of 300 00:12:19,520 --> 00:12:22,760 Speaker 1: treating people that way, that if you end up having success, 301 00:12:22,800 --> 00:12:24,079 Speaker 1: you kind of come back around to like, yeah, I 302 00:12:24,080 --> 00:12:26,520 Speaker 1: should treat everybody a little bit nicer, or unless you're 303 00:12:26,559 --> 00:12:26,960 Speaker 1: just a jerk. 304 00:12:27,320 --> 00:12:31,000 Speaker 3: But I think the longevity in people like Milo, because 305 00:12:31,000 --> 00:12:34,720 Speaker 3: I mean Gilmore Girls started in two thousand. 306 00:12:34,400 --> 00:12:36,080 Speaker 1: Yeah, I mean he was on the Fresh Prince of 307 00:12:36,080 --> 00:12:38,319 Speaker 1: bel Air in the nineties. He's been around forever. 308 00:12:38,160 --> 00:12:40,880 Speaker 3: So it's like I think those people who have been 309 00:12:40,960 --> 00:12:43,880 Speaker 3: through the ups and downs of success and know like 310 00:12:43,960 --> 00:12:46,600 Speaker 3: how fleeting. It's like you probably did Gilmore's and gilmore 311 00:12:46,600 --> 00:12:48,160 Speaker 3: Girls and them was like, well, I get another project, 312 00:12:48,160 --> 00:12:49,679 Speaker 3: and then Heroes was big, and then it's like, well, 313 00:12:49,679 --> 00:12:51,640 Speaker 3: I get another big TV project and you get this 314 00:12:51,679 --> 00:12:52,000 Speaker 3: is us. 315 00:12:52,040 --> 00:12:53,600 Speaker 2: So it's like it's never guaranteed. 316 00:12:53,960 --> 00:12:57,520 Speaker 1: Yeah, with actors, I think some people don't realize how 317 00:12:57,600 --> 00:12:59,880 Speaker 1: much they have to fight for every single job and 318 00:13:00,080 --> 00:13:03,800 Speaker 1: how it's not guaranteed. Where I try to be more 319 00:13:03,840 --> 00:13:07,079 Speaker 1: considerate of when I see somebody do a role that 320 00:13:07,160 --> 00:13:09,839 Speaker 1: I'm like, really, I'm like, well, they have a big team, 321 00:13:10,000 --> 00:13:13,320 Speaker 1: they have a family to feed. Sometimes it's just a paycheck. 322 00:13:13,520 --> 00:13:16,520 Speaker 3: Chris Im sort of talked about that recently, about doing 323 00:13:16,559 --> 00:13:20,480 Speaker 3: films that maybe aren't like the hardest role or like 324 00:13:20,520 --> 00:13:24,160 Speaker 3: the biggest storyline or like the most in depth acting career, 325 00:13:24,200 --> 00:13:26,959 Speaker 3: but he's like, I have a dad with Alzheimer's to 326 00:13:27,000 --> 00:13:29,400 Speaker 3: care for. I have a family, I have children, and like, 327 00:13:29,559 --> 00:13:31,080 Speaker 3: in the same way that a lot of us go 328 00:13:31,120 --> 00:13:32,920 Speaker 3: to work some days not wanting to go to work 329 00:13:32,960 --> 00:13:35,120 Speaker 3: like it's a job, it's a paycheck, and I know 330 00:13:35,160 --> 00:13:37,559 Speaker 3: that there's a lot of discourse around like celebrities being rich, 331 00:13:37,600 --> 00:13:39,160 Speaker 3: and I feel like there's been a bunch of discourse 332 00:13:39,240 --> 00:13:42,560 Speaker 3: recently with like gofund means for James Vanderbeek and Eric Dane. 333 00:13:42,640 --> 00:13:45,679 Speaker 3: But it's like, I don't think that they're all Sure, 334 00:13:45,720 --> 00:13:48,400 Speaker 3: are a lot of them better off than most people, Yes, 335 00:13:48,800 --> 00:13:51,800 Speaker 3: but are they rolling in it so much that like 336 00:13:52,440 --> 00:13:55,400 Speaker 3: medical bills don't affect them at all, And I don't 337 00:13:55,400 --> 00:13:56,240 Speaker 3: think that's the case. 338 00:13:56,440 --> 00:13:59,600 Speaker 1: Yeah. I think some people don't realize that just because 339 00:13:59,600 --> 00:14:02,360 Speaker 1: somebody was famous in the nineties or had a big 340 00:14:02,440 --> 00:14:05,360 Speaker 1: role in the two thousands, that they're set for life, 341 00:14:05,720 --> 00:14:07,960 Speaker 1: because I think some of these Hollywood jobs we see 342 00:14:08,000 --> 00:14:10,680 Speaker 1: as being like they fully made it. Some of these 343 00:14:10,720 --> 00:14:12,680 Speaker 1: people didn't make a whole lot of money off those shows. 344 00:14:12,880 --> 00:14:15,640 Speaker 1: Or you don't realize that some shows that may be 345 00:14:15,760 --> 00:14:19,560 Speaker 1: so impactful through really cutting through pop culture, sometimes they 346 00:14:19,600 --> 00:14:22,240 Speaker 1: were only on like three seasons, and you're like, that'd 347 00:14:22,280 --> 00:14:24,240 Speaker 1: be like you having a job for three years and 348 00:14:24,240 --> 00:14:26,040 Speaker 1: then you live the rest of your life off of that. 349 00:14:26,160 --> 00:14:29,080 Speaker 1: Just because you've become known for those roles doesn't mean 350 00:14:29,120 --> 00:14:30,800 Speaker 1: that those roles pay the bills for the rest of 351 00:14:30,800 --> 00:14:31,320 Speaker 1: your life. 352 00:14:31,600 --> 00:14:34,760 Speaker 3: I also think and this is a hot take, I'm sure, 353 00:14:34,800 --> 00:14:37,760 Speaker 3: but regarding some of the celebrity gofund mees, I don't 354 00:14:37,760 --> 00:14:41,240 Speaker 3: think that they're started for like the average working American 355 00:14:41,320 --> 00:14:43,600 Speaker 3: to give their last five dollars for the month or 356 00:14:43,640 --> 00:14:46,080 Speaker 3: their grocery budget. I think it is a way for 357 00:14:46,440 --> 00:14:49,840 Speaker 3: people like Spielberg to give twenty five K, or Haley 358 00:14:49,920 --> 00:14:52,440 Speaker 3: Bieberg to give twenty K. Like I don't think it 359 00:14:52,520 --> 00:14:56,360 Speaker 3: is meant for people to give everything they have, And 360 00:14:56,400 --> 00:14:58,920 Speaker 3: if you want too, that's great. But I've seen the 361 00:14:58,920 --> 00:15:02,120 Speaker 3: discourse and I'm like, I think it's interesting. Yes, sure 362 00:15:02,160 --> 00:15:04,720 Speaker 3: did they probably have more money than most people would, 363 00:15:04,760 --> 00:15:06,880 Speaker 3: they have been fine, But it's like, you don't have 364 00:15:07,000 --> 00:15:07,560 Speaker 3: to donate. 365 00:15:07,560 --> 00:15:09,520 Speaker 2: It's a choice to think on that. 366 00:15:09,520 --> 00:15:11,840 Speaker 1: That's true. With that being said, that's why I feel 367 00:15:11,880 --> 00:15:13,920 Speaker 1: bad for putting this as my worst of the month. 368 00:15:14,320 --> 00:15:17,120 Speaker 1: But I will say I think it's because I wasn't 369 00:15:17,160 --> 00:15:19,760 Speaker 1: a fan of the band Mercy Me, and I've been 370 00:15:19,840 --> 00:15:23,680 Speaker 1: very open about feeling that the entire biopic genre is 371 00:15:23,720 --> 00:15:27,240 Speaker 1: just a little bit stale, So I had no connection 372 00:15:27,400 --> 00:15:31,240 Speaker 1: to the artist, and the story itself didn't really resonate 373 00:15:31,280 --> 00:15:34,160 Speaker 1: with me overall. Miles's performance was good in it. I 374 00:15:34,240 --> 00:15:36,680 Speaker 1: tried to look at it from a not being so 375 00:15:36,880 --> 00:15:40,600 Speaker 1: like I don't enjoy this style of movie, being a 376 00:15:40,600 --> 00:15:43,440 Speaker 1: little bit more open minded, but at the end of 377 00:15:43,440 --> 00:15:47,880 Speaker 1: it just feel bad about it. I would say that 378 00:15:48,160 --> 00:15:51,920 Speaker 1: about a lot of the recent music biopicks that we've watched, 379 00:15:52,280 --> 00:15:57,360 Speaker 1: Bob Dylan movie, Bored Song, Sung Blue like Springsteen, Springsteen, 380 00:15:57,480 --> 00:16:00,680 Speaker 1: like all these That's why I'm really hesitanting about the 381 00:16:00,680 --> 00:16:03,520 Speaker 1: Michael Jackson movie coming out this year, because I just 382 00:16:03,560 --> 00:16:06,840 Speaker 1: feel that whether it's I Can Only Imagine Two or 383 00:16:06,880 --> 00:16:09,880 Speaker 1: any other music bio pick, there's just this formula that 384 00:16:09,960 --> 00:16:13,000 Speaker 1: they stick to that I feel has been just overdone. 385 00:16:13,040 --> 00:16:16,000 Speaker 1: Like I've watched this movie so many times, the way 386 00:16:16,080 --> 00:16:20,040 Speaker 1: they dramatize things around music, I just feel like that 387 00:16:20,400 --> 00:16:23,600 Speaker 1: it's not realistic. It always has like this bigger, larger 388 00:16:23,640 --> 00:16:26,400 Speaker 1: than life feeling. To me that I just want a 389 00:16:26,480 --> 00:16:30,440 Speaker 1: more down to earth, gritty music bio pick that feels 390 00:16:30,480 --> 00:16:33,240 Speaker 1: a little bit more set in reality and less just 391 00:16:33,480 --> 00:16:37,080 Speaker 1: overly polished and produced. So I think that's just the 392 00:16:37,160 --> 00:16:39,600 Speaker 1: problem I've been having with music biopicks, not just this. 393 00:16:39,600 --> 00:16:41,160 Speaker 1: This one just happens to be the one of the month, 394 00:16:41,320 --> 00:16:44,440 Speaker 1: are you? But those are our best and worst of 395 00:16:44,480 --> 00:16:46,440 Speaker 1: the month. When it comes to movies, we always do 396 00:16:46,520 --> 00:16:47,280 Speaker 1: TV shows. 397 00:16:47,480 --> 00:16:49,400 Speaker 3: I'm gonna wrap my TV show and my book of 398 00:16:49,440 --> 00:16:52,200 Speaker 3: the month together, Okay, all right. TV show is Love 399 00:16:52,240 --> 00:16:53,280 Speaker 3: Story on FX. 400 00:16:53,480 --> 00:16:54,080 Speaker 2: I'm obsessed. 401 00:16:54,280 --> 00:16:56,320 Speaker 3: I think I've talked on here before about my deep 402 00:16:56,360 --> 00:16:58,880 Speaker 3: fascination with the Kennedy family, and I will say I 403 00:16:58,920 --> 00:17:02,240 Speaker 3: feel bad because I know the but Jack Schlosberg, who 404 00:17:02,400 --> 00:17:07,880 Speaker 3: is Jackie Ow and JFK's grandson, so Caroline Kennedy Schlosburg's son, 405 00:17:08,160 --> 00:17:10,639 Speaker 3: JFK Junior's nephew, has spoken out that like the family 406 00:17:10,640 --> 00:17:11,720 Speaker 3: doesn't really improve. 407 00:17:11,400 --> 00:17:14,640 Speaker 2: Of this show. Oh really, Oh my gosh, it's so good. 408 00:17:14,800 --> 00:17:15,600 Speaker 2: It's so good. 409 00:17:15,680 --> 00:17:17,919 Speaker 3: So it is the story of JFK Junior and Carolyn 410 00:17:18,000 --> 00:17:21,280 Speaker 3: Bassett and it starts this isn't a spoiler. I think 411 00:17:21,320 --> 00:17:25,159 Speaker 3: everyone knows that they untimely perished in a plane accident 412 00:17:25,160 --> 00:17:28,200 Speaker 3: in ninety nine, but it starts with like that day, 413 00:17:28,320 --> 00:17:31,080 Speaker 3: and then you go back through their love story and 414 00:17:31,119 --> 00:17:32,920 Speaker 3: it just, oh, I love it so much. 415 00:17:33,320 --> 00:17:36,080 Speaker 1: Looks very cinematically. I haven't sat down and watched an 416 00:17:36,080 --> 00:17:36,960 Speaker 1: episode with you. 417 00:17:37,119 --> 00:17:39,840 Speaker 2: The soundtrack the way I'm like that looks like a 418 00:17:39,840 --> 00:17:40,320 Speaker 2: good show. 419 00:17:40,440 --> 00:17:43,280 Speaker 3: They ended the episode this week with name by the 420 00:17:43,280 --> 00:17:46,280 Speaker 3: Goo Goo Dolls and I just died, Okay. So then 421 00:17:46,320 --> 00:17:50,399 Speaker 3: my book is white House by the Sea by Kate's 422 00:17:50,400 --> 00:17:53,760 Speaker 3: Story s t O R Ey and I did the 423 00:17:53,800 --> 00:17:58,520 Speaker 3: audiobook for this, and it is the. 424 00:17:57,240 --> 00:17:58,440 Speaker 2: Story of how. 425 00:17:58,200 --> 00:18:00,359 Speaker 3: The Kennedys kind of came to be Synona miss with 426 00:18:00,400 --> 00:18:03,919 Speaker 3: Hyanna's port. So it's about how they have their like 427 00:18:04,000 --> 00:18:07,600 Speaker 3: big Kennedy compound up there, and just the story of 428 00:18:07,640 --> 00:18:11,239 Speaker 3: all the Kennedy's starting with Rose and Joe Senior all 429 00:18:11,280 --> 00:18:11,639 Speaker 3: the way. 430 00:18:11,520 --> 00:18:14,480 Speaker 2: Through, kind of like the current generation of the Kennedy's. Fascinating. 431 00:18:16,320 --> 00:18:20,080 Speaker 3: I talk more about that on my new book instagram, yeah, 432 00:18:20,240 --> 00:18:23,880 Speaker 3: that I made. It is Kelsey rod Reads So that's 433 00:18:23,960 --> 00:18:26,760 Speaker 3: k E L S E Y R O D R 434 00:18:26,800 --> 00:18:29,720 Speaker 3: E A d S. And it is a public instagram 435 00:18:29,720 --> 00:18:33,719 Speaker 3: where I'm sharing everything i'm reading book news I'm excited about. 436 00:18:34,359 --> 00:18:37,000 Speaker 3: So if you're interested in that, please go follow. It 437 00:18:37,040 --> 00:18:39,560 Speaker 3: also has a link to my good Reads and well StoryGraph. 438 00:18:39,600 --> 00:18:41,240 Speaker 1: We'll link at all in the episode notes too. 439 00:18:41,359 --> 00:18:42,440 Speaker 2: Yeah, it's been really fun. 440 00:18:42,880 --> 00:18:45,639 Speaker 3: I try to respond to every DM there about books, 441 00:18:45,680 --> 00:18:47,880 Speaker 3: so I've had some really good conversations with people about 442 00:18:48,160 --> 00:18:50,520 Speaker 3: different books they're reading, what they're all looking forward to. 443 00:18:51,040 --> 00:18:51,680 Speaker 2: It's really fun. 444 00:18:51,800 --> 00:18:53,399 Speaker 1: I mean, we always get a great response whenever you 445 00:18:53,440 --> 00:18:54,960 Speaker 1: talk about books on here people. 446 00:18:54,760 --> 00:18:56,840 Speaker 3: And I actually I would like to hold on. Let 447 00:18:56,840 --> 00:18:57,960 Speaker 3: me go get it from the bookshelf. 448 00:18:58,040 --> 00:19:01,280 Speaker 1: Okay, Kelsey is going to the bookshelf. She's pulling a 449 00:19:02,119 --> 00:19:03,040 Speaker 1: children's book from there. 450 00:19:03,600 --> 00:19:06,840 Speaker 2: So I would like to highlight this book. It is 451 00:19:06,880 --> 00:19:09,120 Speaker 2: called Norman at Your Service. 452 00:19:09,760 --> 00:19:12,400 Speaker 3: And a listener of the pod reached out and this 453 00:19:12,480 --> 00:19:15,679 Speaker 3: is about their service dog, Norman, and it's called Norman 454 00:19:15,720 --> 00:19:18,760 Speaker 3: at Your Service My First Day and it is adorable 455 00:19:19,080 --> 00:19:22,240 Speaker 3: And this is a real picture of Norman. 456 00:19:22,840 --> 00:19:23,800 Speaker 2: He's so cute. 457 00:19:24,160 --> 00:19:25,680 Speaker 1: I love the illustrations in the book. 458 00:19:25,720 --> 00:19:29,239 Speaker 3: The illustrations are amazing and it is just about him 459 00:19:29,280 --> 00:19:33,040 Speaker 3: being a service dog and it's adorable. So everyone check 460 00:19:33,040 --> 00:19:34,480 Speaker 3: out Norman at Your Service. 461 00:19:34,240 --> 00:19:36,960 Speaker 1: And it's at my reading level, which I love. A 462 00:19:37,000 --> 00:19:41,960 Speaker 1: picture book for my show and book the show you 463 00:19:42,119 --> 00:19:45,600 Speaker 1: have a book? Yeah. The show is Steal with Sophie Turner, Yeah, 464 00:19:45,600 --> 00:19:48,200 Speaker 1: which was about her working at a company and then 465 00:19:48,240 --> 00:19:50,399 Speaker 1: some people come in to rob the company and then 466 00:19:50,440 --> 00:19:53,200 Speaker 1: there's a whole big conspiracy behind it started out great 467 00:19:53,240 --> 00:19:55,639 Speaker 1: episode one. I was like, this is intense. I'm in 468 00:19:56,280 --> 00:19:57,480 Speaker 1: and then it got. 469 00:19:57,600 --> 00:19:59,240 Speaker 2: Could have been a movie. Yeah, it was a kind 470 00:19:59,240 --> 00:19:59,919 Speaker 2: of a series. 471 00:19:59,880 --> 00:20:01,800 Speaker 1: One one of those shows that could have been a movie. 472 00:20:01,800 --> 00:20:05,400 Speaker 1: This entire series could have been an email where those 473 00:20:05,440 --> 00:20:07,679 Speaker 1: first two episodes were great, but then once you realize 474 00:20:07,680 --> 00:20:11,119 Speaker 1: where it's going, you're like, that's it. Yeah, but I 475 00:20:11,119 --> 00:20:14,280 Speaker 1: feel like we're getting this more and more where it 476 00:20:14,440 --> 00:20:17,600 Speaker 1: just feels like streaming services like to stretch out stories 477 00:20:17,640 --> 00:20:20,520 Speaker 1: because it keeps people on their platform a little bit longer, 478 00:20:20,880 --> 00:20:23,800 Speaker 1: and we're getting mini series where we should have got 479 00:20:23,800 --> 00:20:26,360 Speaker 1: something a lot shorter, just because they're like, let's get 480 00:20:26,359 --> 00:20:28,000 Speaker 1: more content out of this, which I get it. Things 481 00:20:28,000 --> 00:20:28,640 Speaker 1: are expensive. 482 00:20:28,800 --> 00:20:30,200 Speaker 3: Yeah, we kind of it got to the point where 483 00:20:30,240 --> 00:20:31,840 Speaker 3: we're like, oh, we should finish that show. 484 00:20:31,960 --> 00:20:34,520 Speaker 1: There was one episode of it that was completely useless. 485 00:20:34,600 --> 00:20:38,199 Speaker 1: It was so boring and went nowhere, and then it 486 00:20:38,280 --> 00:20:39,760 Speaker 1: was just one of those shows that I was like, 487 00:20:39,800 --> 00:20:42,080 Speaker 1: I need to know how this ends. I could have 488 00:20:42,119 --> 00:20:44,639 Speaker 1: stopped probably after three or four, but I just I 489 00:20:44,640 --> 00:20:46,600 Speaker 1: could have skipped to the last episode and just figured 490 00:20:46,640 --> 00:20:49,240 Speaker 1: it out and like, Okay, that's it. Yeah, so don't 491 00:20:49,280 --> 00:20:52,280 Speaker 1: really recommend it. I would probably give it. I like 492 00:20:52,320 --> 00:20:54,440 Speaker 1: Sophie Turner, though, so I'd probably still give it three 493 00:20:54,600 --> 00:20:56,200 Speaker 1: out of five offices. 494 00:20:56,760 --> 00:20:57,879 Speaker 2: I love Sophie Turner. 495 00:20:57,920 --> 00:20:59,359 Speaker 1: He's really good. I can't wait to see her in 496 00:20:59,400 --> 00:21:02,120 Speaker 1: the New tumb movie. She's gonna be great and form 497 00:21:02,160 --> 00:21:05,760 Speaker 1: my book. I did it. I finally finished a book project, 498 00:21:05,800 --> 00:21:09,560 Speaker 1: Hail Mary, all four hundred and seventy six pages of it. 499 00:21:09,680 --> 00:21:11,639 Speaker 3: I'm so excited that you read it because then we 500 00:21:11,720 --> 00:21:14,840 Speaker 3: can have really good discourse about book versus movie when 501 00:21:14,880 --> 00:21:16,640 Speaker 3: we go see the movie and i'max in two. 502 00:21:16,560 --> 00:21:20,800 Speaker 1: Weeks, i'mac seventy millimeter, which I am so excited about 503 00:21:20,880 --> 00:21:24,080 Speaker 1: because it's a massive screen. This is the I think 504 00:21:24,119 --> 00:21:26,960 Speaker 1: this is the most excited I've ever been to see 505 00:21:27,000 --> 00:21:28,679 Speaker 1: a movie that I've read the book, and this is 506 00:21:28,680 --> 00:21:30,160 Speaker 1: only the second one I've ever done. 507 00:21:30,680 --> 00:21:31,600 Speaker 2: Became the first. 508 00:21:31,800 --> 00:21:33,399 Speaker 1: I read all the Hunger Games books. 509 00:21:33,560 --> 00:21:35,480 Speaker 2: Oh, Harry Potter, I didn't. 510 00:21:35,280 --> 00:21:37,000 Speaker 1: Read all the Harry Potter book that's right, okay, But 511 00:21:37,040 --> 00:21:38,880 Speaker 1: also when those I don't think I saw you. 512 00:21:38,840 --> 00:21:40,639 Speaker 3: Haven't read all the Hunger Games books because there's a 513 00:21:40,640 --> 00:21:41,800 Speaker 3: new movie this year I ever read that. 514 00:21:42,000 --> 00:21:44,560 Speaker 1: I didn't read the prequels. Do I need to read 515 00:21:44,600 --> 00:21:48,800 Speaker 1: those now too. Maybe because I read the I didn't 516 00:21:48,840 --> 00:21:52,000 Speaker 1: see all the Harry Potter movies in theaters. Okay, so 517 00:21:52,280 --> 00:21:54,359 Speaker 1: that wasn't the same experience of reading the book and 518 00:21:54,359 --> 00:21:56,960 Speaker 1: then seeing it in theaters. Hunger Games, I read all 519 00:21:57,000 --> 00:21:58,880 Speaker 1: the books before and then went to go see all 520 00:21:58,880 --> 00:22:02,560 Speaker 1: the movies in theaters. But I feel because of Project 521 00:22:02,640 --> 00:22:05,919 Speaker 1: Hill Mary being so science heavy and there being some 522 00:22:06,040 --> 00:22:09,720 Speaker 1: things that I just didn't understand visually in my head 523 00:22:09,800 --> 00:22:11,879 Speaker 1: while reading it the same that I can't wait to 524 00:22:11,880 --> 00:22:15,119 Speaker 1: see it. The annoying thing now is I feel like 525 00:22:15,800 --> 00:22:19,199 Speaker 1: people are spoiling the story with all the reviews and 526 00:22:19,240 --> 00:22:23,199 Speaker 1: the stills from the movie, because if you've read the book, 527 00:22:23,480 --> 00:22:25,800 Speaker 1: it's kind of spoilers to know and to see some 528 00:22:25,880 --> 00:22:29,679 Speaker 1: of these things where I guess it's not in context 529 00:22:29,800 --> 00:22:32,800 Speaker 1: of just watching it as a movie. But that's also 530 00:22:32,920 --> 00:22:35,760 Speaker 1: what motivated me to finish it so quickly. I mean, 531 00:22:35,760 --> 00:22:37,840 Speaker 1: I've had like three months to read it at this point, 532 00:22:38,200 --> 00:22:40,200 Speaker 1: but it really made me kick it into high gear 533 00:22:40,240 --> 00:22:42,480 Speaker 1: because I felt that people were starting to spoil things 534 00:22:42,480 --> 00:22:46,879 Speaker 1: more and more because they were showing images that didn't 535 00:22:46,920 --> 00:22:49,040 Speaker 1: line up where I was reading at the moment. 536 00:22:48,760 --> 00:22:53,640 Speaker 3: And I saw the trailer in theaters, and yeah. 537 00:22:54,320 --> 00:22:55,920 Speaker 1: Really upset about the trailer. 538 00:22:56,200 --> 00:22:58,000 Speaker 2: Yeah, I think they spoiled too much. 539 00:22:58,720 --> 00:23:01,240 Speaker 1: Because they're trying to entice people to come see it, 540 00:23:01,920 --> 00:23:05,080 Speaker 1: but what they are using is ruining it for anybody 541 00:23:05,119 --> 00:23:07,520 Speaker 1: who wants to read the book beforehand or not know 542 00:23:07,600 --> 00:23:08,520 Speaker 1: all those details. 543 00:23:08,640 --> 00:23:11,680 Speaker 2: Yeah, but just why Sometimes I don't like trailers. 544 00:23:11,240 --> 00:23:14,160 Speaker 1: You know, but I love a space movie. I loved 545 00:23:14,200 --> 00:23:18,880 Speaker 1: all the characters. I enjoy reading again where, but it's 546 00:23:18,960 --> 00:23:22,040 Speaker 1: so hard. I'm such a slow reader. It's so hard 547 00:23:22,080 --> 00:23:24,680 Speaker 1: for me. It took me three months basically to read 548 00:23:24,680 --> 00:23:28,000 Speaker 1: this book. But it's it's that feeling you get that 549 00:23:28,040 --> 00:23:30,480 Speaker 1: once you're once you want to pick it up because 550 00:23:30,520 --> 00:23:31,760 Speaker 1: you you're excited to. 551 00:23:32,200 --> 00:23:34,240 Speaker 3: I read plenty of books that I like but take 552 00:23:34,240 --> 00:23:35,879 Speaker 3: me a while, but I don't want to. 553 00:23:35,880 --> 00:23:36,560 Speaker 2: Pick back up. 554 00:23:36,800 --> 00:23:37,480 Speaker 1: But then I started. 555 00:23:37,560 --> 00:23:38,320 Speaker 2: I forced myself. 556 00:23:38,840 --> 00:23:41,240 Speaker 3: If I got it from the library, I'll totally do 557 00:23:41,359 --> 00:23:43,800 Speaker 3: not finish or d NF as the readers say. But 558 00:23:43,840 --> 00:23:45,479 Speaker 3: if I bought it and then it's one, I'm like, 559 00:23:45,520 --> 00:23:46,280 Speaker 3: I don't really like. 560 00:23:46,359 --> 00:23:49,080 Speaker 2: I forced myself to push through. You should read some 561 00:23:49,119 --> 00:23:50,880 Speaker 2: Stephen King really long though. 562 00:23:50,960 --> 00:23:55,080 Speaker 1: Yeah, I kind of feel like over four hundred was hard. 563 00:23:55,600 --> 00:23:57,000 Speaker 2: Oh, yeah, some of those are like eight hundred. 564 00:23:57,080 --> 00:23:58,400 Speaker 1: Yeah, I don't know if I could do that. Maybe 565 00:23:58,440 --> 00:24:00,639 Speaker 1: I'll start. I'll go back to like a three hundred 566 00:24:00,640 --> 00:24:03,200 Speaker 1: and three thirty book. Yeah, And then to close us out, 567 00:24:03,320 --> 00:24:06,080 Speaker 1: let's recap all of the movies we saw in February. 568 00:24:06,280 --> 00:24:10,520 Speaker 1: I watched The Wrecking Crew on Amazon, which was the 569 00:24:10,800 --> 00:24:15,000 Speaker 1: Jason Momoa Dave Bautista movie. A solid action movie. 570 00:24:15,160 --> 00:24:16,720 Speaker 2: Sounds like just a beef. 571 00:24:16,600 --> 00:24:20,760 Speaker 1: It's a lot of muscle, a lot of testostery, beefy guys. 572 00:24:20,800 --> 00:24:23,000 Speaker 1: But it was from the director of Blue Beetle, which 573 00:24:23,080 --> 00:24:25,840 Speaker 1: I just love him. Loft that movie, so I gave 574 00:24:25,880 --> 00:24:28,320 Speaker 1: it a three point five out of five. We finally 575 00:24:28,320 --> 00:24:31,119 Speaker 1: watched If I had legs, I'd Kick You on HBO. 576 00:24:31,240 --> 00:24:32,120 Speaker 2: Max Read. 577 00:24:32,440 --> 00:24:34,960 Speaker 1: Yeah, it wasn't as good as I was expecting. Rose 578 00:24:34,960 --> 00:24:38,520 Speaker 1: Byrd's performance was top notch, But I feel like I 579 00:24:38,520 --> 00:24:41,760 Speaker 1: didn't leave loving that movie a little I don't want 580 00:24:41,760 --> 00:24:43,800 Speaker 1: to say too abstract. 581 00:24:43,640 --> 00:24:44,520 Speaker 2: A little too abstracted. 582 00:24:44,560 --> 00:24:46,280 Speaker 1: Yeah, maybe it was a little bit. And I like 583 00:24:46,359 --> 00:24:47,320 Speaker 1: abstract movies. 584 00:24:47,600 --> 00:24:49,439 Speaker 3: It's kind of one of those where it's like, not 585 00:24:49,480 --> 00:24:52,280 Speaker 3: they dance around things, but you hear a character's voice 586 00:24:52,280 --> 00:24:53,720 Speaker 3: and you don't see them till the end. You see 587 00:24:53,720 --> 00:24:56,200 Speaker 3: a plot point, and it doesn't get like unraveled till 588 00:24:56,240 --> 00:24:59,680 Speaker 3: the middle. Like they reveal things throughout the movie instead 589 00:24:59,680 --> 00:25:01,919 Speaker 3: of like just showing you and telling you a story. 590 00:25:01,960 --> 00:25:04,119 Speaker 2: It's like things are alluded to and then they reveal them. 591 00:25:04,160 --> 00:25:06,080 Speaker 2: And that kind of style isn't my favorite. 592 00:25:06,359 --> 00:25:09,600 Speaker 1: And I got the message of it, but I just 593 00:25:09,600 --> 00:25:12,000 Speaker 1: think the overall execution of it, I didn't love. 594 00:25:12,240 --> 00:25:12,479 Speaker 2: A laugh. 595 00:25:12,560 --> 00:25:15,120 Speaker 1: ConA O'Brien is like really making a push to being 596 00:25:15,160 --> 00:25:18,399 Speaker 1: an actor lately, is in that he's gonna be in 597 00:25:18,400 --> 00:25:20,720 Speaker 1: the New Toy Story movie. I kind of like it. 598 00:25:20,960 --> 00:25:24,439 Speaker 1: We watched talked about said Help Wuthering Heights, which I 599 00:25:24,720 --> 00:25:27,520 Speaker 1: thought people felt they either loved it or hated it. 600 00:25:27,720 --> 00:25:28,600 Speaker 1: I saw a lot of hate. 601 00:25:28,960 --> 00:25:31,240 Speaker 2: I have a friend who loved it, and I was like, ooh, 602 00:25:31,440 --> 00:25:32,200 Speaker 2: it's kind of bored. 603 00:25:33,359 --> 00:25:35,600 Speaker 1: We went to go see it and we got busted. 604 00:25:36,040 --> 00:25:39,679 Speaker 3: Okay, so we immediately walk in and the woman's like, 605 00:25:39,760 --> 00:25:40,760 Speaker 3: can I check your bag? 606 00:25:41,119 --> 00:25:42,000 Speaker 2: I'm like, excuse me. 607 00:25:42,359 --> 00:25:45,600 Speaker 1: It's reminded me of when we were younger and we 608 00:25:45,640 --> 00:25:48,160 Speaker 1: would cross the border and they'd have to like check us. 609 00:25:48,440 --> 00:25:50,159 Speaker 1: I was like, oh no, this car has loaded of 610 00:25:50,200 --> 00:25:51,320 Speaker 1: fruits and vegetables, and. 611 00:25:51,320 --> 00:25:54,480 Speaker 3: I'm thinking, I have a whole bag of like Boom 612 00:25:54,560 --> 00:25:58,440 Speaker 3: Chick popcorn, not cheap Swedish candies that I'm like, please 613 00:25:58,440 --> 00:25:59,200 Speaker 3: don't make me throw away. 614 00:25:59,200 --> 00:25:59,880 Speaker 2: I'll go put these in the. 615 00:25:59,800 --> 00:26:02,120 Speaker 1: Car because we always take snacks. We're loaded up. Yeah, 616 00:26:02,160 --> 00:26:02,919 Speaker 1: we got drinks. 617 00:26:03,119 --> 00:26:05,120 Speaker 3: I don't mind movie theater popcorn, but I'm not buying 618 00:26:05,119 --> 00:26:07,320 Speaker 3: your eight dollars candy. They don't even have many gluten 619 00:26:07,320 --> 00:26:10,639 Speaker 3: free options. Anyways, you have like a drink in my purse, 620 00:26:10,680 --> 00:26:11,960 Speaker 3: you have a snack, and I'm like. 621 00:26:12,119 --> 00:26:15,200 Speaker 1: The look on your face. Your eyes got so wide, 622 00:26:15,200 --> 00:26:15,800 Speaker 1: and you were like. 623 00:26:15,840 --> 00:26:18,000 Speaker 3: Oh, I go, it's just a lot of tampons in there, 624 00:26:18,040 --> 00:26:20,800 Speaker 3: which there weren't even any tampons. I have used the 625 00:26:21,000 --> 00:26:23,320 Speaker 3: logic before that would have worked if it was a 626 00:26:23,359 --> 00:26:27,480 Speaker 3: man checking. It was a woman unfased, and she goes, oh, 627 00:26:27,480 --> 00:26:28,840 Speaker 3: it's fine, I just need to make sure you don't 628 00:26:28,840 --> 00:26:31,080 Speaker 3: have any alcohol. And then I'm like, oh no, And 629 00:26:31,160 --> 00:26:32,760 Speaker 3: I opened the bag. She sees all my snacks and 630 00:26:32,760 --> 00:26:34,399 Speaker 3: I was like, okay, cool. So I guess they just 631 00:26:34,440 --> 00:26:37,159 Speaker 3: don't want people sneaking and drinks. But I like, I 632 00:26:37,240 --> 00:26:40,080 Speaker 3: literally just go it's a bunch of tampons, because again, 633 00:26:40,280 --> 00:26:43,960 Speaker 3: women aren't phased men. I have used that before, sneaking 634 00:26:44,000 --> 00:26:45,360 Speaker 3: candy into a different movie. 635 00:26:45,560 --> 00:26:48,040 Speaker 2: That guy turned so bright red and was just like, yeah. 636 00:26:47,880 --> 00:26:51,080 Speaker 1: You're good, you're in. Do I need to see it? Truly? 637 00:26:51,119 --> 00:26:52,520 Speaker 2: He was like, oh, oh, I'm so sorry. 638 00:26:52,600 --> 00:26:53,320 Speaker 1: I'm so sorry. 639 00:26:53,800 --> 00:26:57,760 Speaker 3: So that trick worked not this time, but yeah, but 640 00:26:57,800 --> 00:27:00,119 Speaker 3: then it didn't happen the next time we went. Think 641 00:27:00,160 --> 00:27:01,840 Speaker 3: it's maybe just like really busy Friday nights. 642 00:27:01,960 --> 00:27:04,600 Speaker 1: Yeah, and I guess that's probably an issue with people 643 00:27:04,680 --> 00:27:07,920 Speaker 1: bringing in I don't know, beers and like bottles and 644 00:27:07,960 --> 00:27:10,199 Speaker 1: stuff to get drunk at the movies. 645 00:27:11,280 --> 00:27:13,040 Speaker 2: Movie theater. Alcohol is expensive, it is. 646 00:27:13,280 --> 00:27:15,320 Speaker 1: I mean, imagine a drink is eight dollars? Could you 647 00:27:15,359 --> 00:27:17,399 Speaker 1: imagine a beer at the movie? I haven't drink is 648 00:27:17,400 --> 00:27:20,120 Speaker 1: actually more than eight Now it's more than eight. Yeah, 649 00:27:20,119 --> 00:27:24,280 Speaker 1: it's like nine dollars with our ten percent Now, I mean, dang, 650 00:27:24,320 --> 00:27:24,840 Speaker 1: that's crazy. 651 00:27:24,880 --> 00:27:26,399 Speaker 3: That's another reason why I don't want to buy snacks 652 00:27:26,400 --> 00:27:27,800 Speaker 3: at the movie. It's so expensive. 653 00:27:28,440 --> 00:27:30,400 Speaker 1: I mean, that's why people don't go as much. 654 00:27:30,600 --> 00:27:32,080 Speaker 2: But yeah, so we got busted. We did get but 655 00:27:32,240 --> 00:27:33,080 Speaker 2: it was not really busted. 656 00:27:33,600 --> 00:27:36,760 Speaker 1: We talked about crime one on one. I threw some 657 00:27:36,800 --> 00:27:39,480 Speaker 1: shade hit songs on Blue which is on Peacock Now. 658 00:27:39,840 --> 00:27:41,560 Speaker 1: I gave that one a two point five out of five. 659 00:27:41,600 --> 00:27:44,760 Speaker 1: Again just music movies, Yeah, not big on them. Goat 660 00:27:45,520 --> 00:27:49,359 Speaker 1: Goat was okay. I think if the animation wasn't as 661 00:27:49,840 --> 00:27:52,320 Speaker 1: cool as it was, I wouldn't have enjoyed it as much. 662 00:27:52,359 --> 00:27:53,800 Speaker 1: And I love a good kids movie. We were probably 663 00:27:53,800 --> 00:27:55,280 Speaker 1: the only two adults and they were without kids. 664 00:27:55,480 --> 00:27:56,920 Speaker 2: We want to see it on like a Saturday morning, 665 00:27:57,000 --> 00:27:57,439 Speaker 2: like eleven. 666 00:27:57,640 --> 00:28:00,439 Speaker 1: Yeah. I just think the story was I've seen. 667 00:28:00,320 --> 00:28:03,560 Speaker 2: It before, but nothing seen this film before. 668 00:28:04,440 --> 00:28:06,400 Speaker 1: The Vigils are great because it's the same studio who 669 00:28:06,440 --> 00:28:09,639 Speaker 1: does Kpop, Demon Hunters and into the Spider Verse, so 670 00:28:09,720 --> 00:28:12,320 Speaker 1: it had that style. But I think maybe it was 671 00:28:12,320 --> 00:28:14,160 Speaker 1: the voice acting for me where they it just felt 672 00:28:14,160 --> 00:28:16,359 Speaker 1: like they got a bunch of celebrities that I feel 673 00:28:16,400 --> 00:28:19,880 Speaker 1: like didn't really feel like all the characters emote. Yeah, 674 00:28:20,320 --> 00:28:21,639 Speaker 1: that just didn't quite do it for me. 675 00:28:21,720 --> 00:28:22,920 Speaker 2: I'm ready for Hoppers. 676 00:28:23,240 --> 00:28:24,760 Speaker 1: Oh yeah, that comes out this week. 677 00:28:25,160 --> 00:28:25,919 Speaker 2: Ready for that. 678 00:28:25,920 --> 00:28:27,160 Speaker 1: That's good to be good. Listen. 679 00:28:27,200 --> 00:28:29,159 Speaker 3: I love an animated movie. We saw the preview for 680 00:28:29,160 --> 00:28:30,640 Speaker 3: the new Minions movie. 681 00:28:30,480 --> 00:28:33,359 Speaker 1: Yeah, it looks good, hilarious. At one point, one of 682 00:28:33,400 --> 00:28:35,080 Speaker 1: them is in the bathroom needing. 683 00:28:34,840 --> 00:28:37,119 Speaker 3: Toilet paper and he unwraps a mummy and then the 684 00:28:37,200 --> 00:28:40,240 Speaker 3: Mummy Genius Guys, slapstick comedy. 685 00:28:40,600 --> 00:28:42,960 Speaker 1: And then finally we closed out the month with watching 686 00:28:43,080 --> 00:28:47,880 Speaker 1: Rental Family, which is now on Hulu. People, I think 687 00:28:47,880 --> 00:28:52,240 Speaker 1: this was the most requested movie for us to review. Really. Yeah. 688 00:28:52,280 --> 00:28:54,200 Speaker 1: Everybody's like, when you're gonna go see Rentel Family, and 689 00:28:54,200 --> 00:28:55,680 Speaker 1: we didn't get a chance to see it, and we 690 00:28:55,720 --> 00:28:57,640 Speaker 1: wanted to. We wanted to, and then it was like 691 00:28:57,680 --> 00:29:00,040 Speaker 1: the twenty buck rental for a while. But now you 692 00:29:00,040 --> 00:29:01,440 Speaker 1: can watch it free on Hulu. So I was like, 693 00:29:01,440 --> 00:29:03,560 Speaker 1: all right, we'll probably gonna watch this movie. People said, 694 00:29:03,560 --> 00:29:06,680 Speaker 1: we're gonna love it. I love a good It had 695 00:29:06,720 --> 00:29:08,840 Speaker 1: all the things I love. I love Brendan Frasier, I 696 00:29:08,880 --> 00:29:12,320 Speaker 1: love movies that are based in Japan. I love lower 697 00:29:12,360 --> 00:29:15,440 Speaker 1: budget movies that are just supposed to make you feel good. 698 00:29:15,720 --> 00:29:17,800 Speaker 1: And I just didn't. It just didn't connect with me. 699 00:29:17,960 --> 00:29:19,880 Speaker 2: It just didn't have didn't pack a punch. 700 00:29:20,080 --> 00:29:23,640 Speaker 1: It was like almost trying to overly tell an emotional 701 00:29:23,680 --> 00:29:27,160 Speaker 1: story because it's about him. He's an actor, moves to 702 00:29:27,240 --> 00:29:29,960 Speaker 1: Japan really only gets like a commercial, like a literal 703 00:29:30,000 --> 00:29:34,240 Speaker 1: commercial job, and then just starts acting in other people's 704 00:29:34,280 --> 00:29:37,120 Speaker 1: lives to like help them out, like acting as like 705 00:29:37,120 --> 00:29:40,080 Speaker 1: like a hired Yeah, like a hired great concept, but 706 00:29:40,120 --> 00:29:42,160 Speaker 1: I think overall it's just like kind of like with 707 00:29:42,240 --> 00:29:44,240 Speaker 1: crime one on one, I was like, where was the 708 00:29:44,240 --> 00:29:44,680 Speaker 1: good part? 709 00:29:44,880 --> 00:29:47,440 Speaker 3: Yeah, it wasn't bad, It just it was a little 710 00:29:47,760 --> 00:29:49,720 Speaker 3: it was slower, and I feel like when we watch 711 00:29:49,720 --> 00:29:52,320 Speaker 3: a movie at home, to keep my attention, it needs 712 00:29:52,360 --> 00:29:53,320 Speaker 3: to be faster paced. 713 00:29:53,800 --> 00:29:55,600 Speaker 1: Anything else we want to mention this week? 714 00:29:55,920 --> 00:29:58,680 Speaker 3: Ooh, there's a great run of Saturday Night Live coming 715 00:29:58,760 --> 00:30:01,800 Speaker 3: up time. We put this out this past week and 716 00:30:01,840 --> 00:30:04,320 Speaker 3: we'll have already been but it's Connor story from Heated 717 00:30:04,440 --> 00:30:06,920 Speaker 3: Rivalry and Mumford and Son's excellent combo. I will be 718 00:30:06,960 --> 00:30:10,680 Speaker 3: watching the full episode and then this coming week. This 719 00:30:10,760 --> 00:30:13,080 Speaker 3: week that this podcast comes out on Saturday, it is 720 00:30:13,240 --> 00:30:18,120 Speaker 3: Ryan Gosling and Gorillas. Yes, Yes, And then the following 721 00:30:18,120 --> 00:30:19,840 Speaker 3: week it's Harry Styles doing double duty. 722 00:30:20,040 --> 00:30:22,680 Speaker 1: It's a good run. So are we still some of 723 00:30:22,720 --> 00:30:24,920 Speaker 1: the only people who get excited for SNL and watch 724 00:30:24,960 --> 00:30:27,480 Speaker 1: it every single week? No, there's something about us that 725 00:30:27,520 --> 00:30:28,600 Speaker 1: we just love Live TV. 726 00:30:29,000 --> 00:30:31,720 Speaker 3: I think that's because we like being home. Because let's 727 00:30:31,720 --> 00:30:33,840 Speaker 3: tell people, we left the house today for a while. Yeah, 728 00:30:34,120 --> 00:30:36,800 Speaker 3: the minute we left the house, I read it. I truly. 729 00:30:36,800 --> 00:30:38,560 Speaker 3: We had barely gotten coffee and we were kind of like, 730 00:30:38,760 --> 00:30:40,840 Speaker 3: should we go home? But it was like we'd already committed. 731 00:30:41,560 --> 00:30:43,680 Speaker 3: Didn't my hair, didn't make up, I put on an outfit. 732 00:30:43,720 --> 00:30:44,800 Speaker 3: It's kind of like we have to leave. 733 00:30:44,880 --> 00:30:47,600 Speaker 1: But I think for me, because I watch a lot 734 00:30:47,600 --> 00:30:50,560 Speaker 1: of things with intention, I like watching live things because 735 00:30:50,560 --> 00:30:53,480 Speaker 1: I don't have to think about it. That's good, Yeah, 736 00:30:53,560 --> 00:30:55,400 Speaker 1: because I don't want to have to think about like 737 00:30:55,440 --> 00:30:58,040 Speaker 1: what to put on the run time. Sometimes it's nice 738 00:30:58,080 --> 00:31:00,640 Speaker 1: just to put on something live and just let it live. 739 00:31:00,800 --> 00:31:03,239 Speaker 1: And that's why I like The Housewives, because you can 740 00:31:03,280 --> 00:31:04,760 Speaker 1: just let it live. You don't have to think a 741 00:31:04,800 --> 00:31:05,360 Speaker 1: lot about it. 742 00:31:05,440 --> 00:31:07,360 Speaker 2: Yeah. Oh that's what I was gonna say. 743 00:31:07,480 --> 00:31:09,959 Speaker 3: If you're not into Bravo, you can fast forward through 744 00:31:10,000 --> 00:31:12,480 Speaker 3: me Real Housewives Beverly Hills this season. 745 00:31:12,600 --> 00:31:14,000 Speaker 2: I know some of you have to be watching it. 746 00:31:14,080 --> 00:31:15,280 Speaker 2: Rachel Zo saved this show. 747 00:31:15,480 --> 00:31:18,200 Speaker 3: Do you know who? Rachel's was no no Idea Fashion Icon. 748 00:31:18,280 --> 00:31:20,640 Speaker 3: She had a show on Bravo. She's not getting divorced. 749 00:31:20,680 --> 00:31:23,160 Speaker 3: She came in Real Housewives Beverly Hills was getting boring. 750 00:31:23,200 --> 00:31:26,400 Speaker 3: She has single handedly revived that show. So if anyone, 751 00:31:26,680 --> 00:31:28,480 Speaker 3: if you want to talk about Rachel z O, go 752 00:31:28,560 --> 00:31:31,160 Speaker 3: follow my reading Instagram DM me about Rachel Zo because 753 00:31:31,720 --> 00:31:34,400 Speaker 3: she saved this franchise, all right. 754 00:31:34,880 --> 00:31:38,400 Speaker 1: She's like a superhero coming save today. Basically, she just 755 00:31:38,440 --> 00:31:39,840 Speaker 1: like chaotic or no. 756 00:31:39,960 --> 00:31:44,240 Speaker 3: She just brings like a good new kind of storyline 757 00:31:44,320 --> 00:31:46,720 Speaker 3: and they just she took everyone to like the Hampton's 758 00:31:46,960 --> 00:31:50,120 Speaker 3: and she's just just like fresh sometimes they need a 759 00:31:50,160 --> 00:31:52,400 Speaker 3: new housewife to spice things up. 760 00:31:52,640 --> 00:31:54,560 Speaker 1: Well, there you go. There's your reality TV take. 761 00:31:54,720 --> 00:31:55,120 Speaker 2: There you go. 762 00:31:55,360 --> 00:31:57,200 Speaker 1: All right, we'll come back and I'll give my spoiler 763 00:31:57,240 --> 00:32:07,000 Speaker 1: free review of Scream seven. Let's get into it now. 764 00:32:07,120 --> 00:32:10,680 Speaker 1: A spoiler free movie review of Scream seven. The road 765 00:32:10,760 --> 00:32:14,000 Speaker 1: to this movie was atrocious. It was a bumpy ride, 766 00:32:14,040 --> 00:32:18,120 Speaker 1: to say the least. Melissa Barrera, who I really enjoy 767 00:32:18,280 --> 00:32:20,920 Speaker 1: I thought she brought a breath of fresh air into 768 00:32:20,920 --> 00:32:25,000 Speaker 1: a franchise that really needed it, was fired from this movie. 769 00:32:25,120 --> 00:32:28,960 Speaker 1: Jenna Ortega left this movie when they were out. I 770 00:32:29,280 --> 00:32:33,240 Speaker 1: in essence was out too, because I feel their energy, 771 00:32:33,400 --> 00:32:38,480 Speaker 1: their dynamic made this franchise worthy of my time again, 772 00:32:38,800 --> 00:32:41,720 Speaker 1: which the first two were great, three and four Man, 773 00:32:41,840 --> 00:32:44,640 Speaker 1: but them coming back in five. Even the naming of 774 00:32:44,680 --> 00:32:46,600 Speaker 1: five kind of annoys me. They called it Scream, but 775 00:32:46,640 --> 00:32:50,400 Speaker 1: it was early Scream five that was the requel. It 776 00:32:50,480 --> 00:32:53,800 Speaker 1: brought the metainess back. It brought all the elements back 777 00:32:53,800 --> 00:32:57,240 Speaker 1: that I loved about the first one and modernized it 778 00:32:57,280 --> 00:33:00,960 Speaker 1: with a great cast. But with them out and now 779 00:33:01,000 --> 00:33:03,080 Speaker 1: them trying to say, oh, Nev Campbell is back when 780 00:33:03,080 --> 00:33:04,720 Speaker 1: she was back in five too, she was only nine 781 00:33:04,720 --> 00:33:08,280 Speaker 1: in six. I just felt this entire movie was rushed. 782 00:33:08,920 --> 00:33:12,960 Speaker 1: There was no heart in any element of the storytelling. 783 00:33:13,000 --> 00:33:18,240 Speaker 1: And Scream seven and it was even worse than I thought. 784 00:33:18,360 --> 00:33:20,560 Speaker 1: What this movie is about. You have Nev Campbell, who 785 00:33:20,560 --> 00:33:23,960 Speaker 1: I really enjoy. She paved the way for these movies. 786 00:33:24,640 --> 00:33:28,960 Speaker 1: I'm a Nev Campbell fan, but I just think the 787 00:33:29,040 --> 00:33:32,800 Speaker 1: writing did her so wrong in this movie. It's about 788 00:33:32,840 --> 00:33:36,920 Speaker 1: her moving away, changing her name, trying to get away 789 00:33:37,000 --> 00:33:41,240 Speaker 1: from her past completely. She has a daughter now named Tatum, 790 00:33:41,640 --> 00:33:44,400 Speaker 1: who was at the same age that Sidney was in 791 00:33:44,480 --> 00:33:46,080 Speaker 1: the first movie, and they try to make a big 792 00:33:46,120 --> 00:33:50,320 Speaker 1: deal about that it's happening again. So Sidney's worst nightmare 793 00:33:50,520 --> 00:33:54,040 Speaker 1: is coming to life because the killer is back, and 794 00:33:54,040 --> 00:33:56,600 Speaker 1: now the killer is going after her daughter. Sidney and 795 00:33:56,640 --> 00:34:02,040 Speaker 1: Tatum have a troubled relationship because Sydney is very guarded 796 00:34:02,080 --> 00:34:04,440 Speaker 1: about her past, doesn't want to tell her about all 797 00:34:04,520 --> 00:34:07,800 Speaker 1: the death that has followed her, and wants to keep 798 00:34:07,840 --> 00:34:10,959 Speaker 1: her daughter as safe as possible. The thing I found 799 00:34:11,000 --> 00:34:14,080 Speaker 1: the most unbearable about this movie is how much it 800 00:34:14,200 --> 00:34:17,359 Speaker 1: leans into the lore of Scream and reminding you about 801 00:34:17,400 --> 00:34:22,000 Speaker 1: all the characters. The way that everybody in this town 802 00:34:22,160 --> 00:34:27,600 Speaker 1: treats Sydney like she's some local celebrity that everybody knows 803 00:34:27,640 --> 00:34:31,160 Speaker 1: and everybody focuses on. That just doesn't feel like reality 804 00:34:31,160 --> 00:34:33,720 Speaker 1: to me. These don't take place in the real world, 805 00:34:34,080 --> 00:34:37,200 Speaker 1: which the first movies did. That was great about those movies, 806 00:34:37,239 --> 00:34:41,319 Speaker 1: and those movies with Wes Craven broke the mold on 807 00:34:41,360 --> 00:34:43,640 Speaker 1: a genre that was dead, and I think we forget 808 00:34:43,640 --> 00:34:46,880 Speaker 1: that when Scream came out it was so groundbreaking because 809 00:34:47,600 --> 00:34:51,960 Speaker 1: the slasher movies were oversaturated in the eighties, everybody got 810 00:34:51,960 --> 00:34:54,839 Speaker 1: tired of them. But when Scream came around, it had 811 00:34:54,840 --> 00:34:58,440 Speaker 1: that nineties edge. It was meta, it was aware of itself. 812 00:34:58,480 --> 00:35:00,920 Speaker 1: It was poking fun at the formula of horror movies 813 00:35:01,520 --> 00:35:06,120 Speaker 1: and it changed the game. But now with Scream seven, 814 00:35:07,080 --> 00:35:10,400 Speaker 1: it is going against everything that was created in the 815 00:35:10,440 --> 00:35:15,080 Speaker 1: original movie and now just being this really weird recurgitation, 816 00:35:15,840 --> 00:35:19,279 Speaker 1: scraping the barrel for any gun of nostalgia, any kind 817 00:35:19,320 --> 00:35:21,720 Speaker 1: of just we have this ip, we gotta do something 818 00:35:21,760 --> 00:35:26,080 Speaker 1: with it, and it just feels so forced at this point, 819 00:35:26,440 --> 00:35:31,480 Speaker 1: there's nothing new to follow. Ghost Face is probably the 820 00:35:31,520 --> 00:35:35,399 Speaker 1: worst version we've ever had. The mask looks off, which 821 00:35:35,400 --> 00:35:37,520 Speaker 1: the thing I loved about Scream five is they had 822 00:35:37,600 --> 00:35:41,800 Speaker 1: like the weathering on the mask. It looked old and torn, 823 00:35:42,239 --> 00:35:44,520 Speaker 1: and when it comes to Scream seven, the mask looks 824 00:35:44,560 --> 00:35:47,320 Speaker 1: like they just walked down to Walgreens, grabbed a Scream 825 00:35:47,360 --> 00:35:50,560 Speaker 1: mask off the rack, and got that person on set. 826 00:35:50,880 --> 00:35:54,680 Speaker 1: The only time this movie ever felt good was in 827 00:35:54,719 --> 00:35:57,160 Speaker 1: the opening scene, which was a lot of what we 828 00:35:57,200 --> 00:35:59,600 Speaker 1: saw in the trailer and what made me excited for 829 00:35:59,640 --> 00:36:02,040 Speaker 1: the movie because I thought this movie was gonna have 830 00:36:02,320 --> 00:36:04,760 Speaker 1: more of an edge. I thought Ghost Bace was gonna 831 00:36:04,760 --> 00:36:08,880 Speaker 1: be this hardcore villain and really causing some death and destruction. 832 00:36:09,160 --> 00:36:13,200 Speaker 1: But outside of that opening scene, nothing else felt like 833 00:36:13,239 --> 00:36:15,480 Speaker 1: a horror movie. It all just felt like a parody 834 00:36:15,520 --> 00:36:19,359 Speaker 1: of itself. That opening scene did create some tension, and 835 00:36:19,400 --> 00:36:22,759 Speaker 1: I think it's because it really had nothing to do 836 00:36:22,840 --> 00:36:25,640 Speaker 1: with the screen franchise, aside from the fact that you 837 00:36:25,680 --> 00:36:30,120 Speaker 1: have two people renting out an Airbnb that is dedicated 838 00:36:30,160 --> 00:36:33,319 Speaker 1: to the original murders. It's still meta because they were 839 00:36:33,360 --> 00:36:36,680 Speaker 1: talking about the Stab movies and about Sidney Prescott and 840 00:36:36,719 --> 00:36:39,400 Speaker 1: giving you the backstory, so just in case you haven't 841 00:36:39,400 --> 00:36:42,200 Speaker 1: seen a screen movie, they kind of tell you everything. 842 00:36:42,640 --> 00:36:45,800 Speaker 1: Even though that opening scene is still a little bit cheesy, 843 00:36:46,520 --> 00:36:49,240 Speaker 1: I found it worked. It felt like a horror movie, 844 00:36:49,880 --> 00:36:53,040 Speaker 1: but the rest of the movie just felt like a 845 00:36:53,200 --> 00:36:56,839 Speaker 1: soap opera with some people dying here and there. There 846 00:36:56,920 --> 00:37:00,240 Speaker 1: was really only one creative kill in the entire thing, 847 00:37:00,800 --> 00:37:03,080 Speaker 1: and even that was more creative in the sense that 848 00:37:03,120 --> 00:37:04,840 Speaker 1: it got a bit of a chuckle out of me. 849 00:37:05,600 --> 00:37:09,960 Speaker 1: Everything else was buy the book, no imagination to be had. 850 00:37:10,160 --> 00:37:13,879 Speaker 1: It tried to make a small comment on Ai, which 851 00:37:14,040 --> 00:37:17,040 Speaker 1: just felt completely crowbarred in that didn't work for me. 852 00:37:17,480 --> 00:37:20,320 Speaker 1: I don't think necessarily anybody in it was a bad actor. 853 00:37:20,400 --> 00:37:22,319 Speaker 1: I just think they had a really bad script to 854 00:37:22,400 --> 00:37:26,120 Speaker 1: work with because I wasn't buying into nev Campbell's performance 855 00:37:26,719 --> 00:37:30,080 Speaker 1: Courtney Cox did nothing for me, and they had to 856 00:37:30,239 --> 00:37:34,600 Speaker 1: over explain all these reasons that the people inside of 857 00:37:34,600 --> 00:37:37,359 Speaker 1: this story can still exist. And I feel like as 858 00:37:37,360 --> 00:37:40,120 Speaker 1: a franchise, once you get to that point, it is 859 00:37:40,200 --> 00:37:43,400 Speaker 1: time to hang some things up move on from this story. 860 00:37:43,440 --> 00:37:46,360 Speaker 1: You can keep ghosts Face, but if they continue to 861 00:37:46,600 --> 00:37:50,880 Speaker 1: harp on the Sidney Prescott storyline, there is going to 862 00:37:50,960 --> 00:37:54,640 Speaker 1: be no other story to tell ever, and it's gonna 863 00:37:54,680 --> 00:37:58,040 Speaker 1: get me, who is a casual screen fan, to really 864 00:37:58,080 --> 00:38:00,280 Speaker 1: write off this franchise because I don't want to see 865 00:38:00,320 --> 00:38:03,920 Speaker 1: it again. I would rather than move on completely. They 866 00:38:03,960 --> 00:38:05,719 Speaker 1: need to burn it all to the ground, much like 867 00:38:05,719 --> 00:38:08,840 Speaker 1: ghost Face did in that opening scene. That part of 868 00:38:08,880 --> 00:38:11,200 Speaker 1: the trailer just had me hype. It gave me hope, 869 00:38:11,239 --> 00:38:15,120 Speaker 1: a false sense of hope that more crazy things like 870 00:38:15,160 --> 00:38:19,000 Speaker 1: that were gonna happen. But nothing else topped the opening scene. 871 00:38:19,440 --> 00:38:20,960 Speaker 1: So I think they need to burn it all to 872 00:38:21,000 --> 00:38:24,360 Speaker 1: the ground. Forget about Sidney Prescott, because it really just 873 00:38:24,440 --> 00:38:28,640 Speaker 1: feels like what Halloween did with Lori Strode, but Sidney 874 00:38:28,640 --> 00:38:32,400 Speaker 1: Prescott is nowhere near the level of a Lorii Strode. 875 00:38:32,960 --> 00:38:36,000 Speaker 1: I think they need to let that character go move 876 00:38:36,040 --> 00:38:38,680 Speaker 1: it to a new town, create a whole new story, 877 00:38:39,360 --> 00:38:42,200 Speaker 1: because ghost Face is a great character, but it is 878 00:38:42,320 --> 00:38:45,440 Speaker 1: limited so much by still trying to play in this box. 879 00:38:45,640 --> 00:38:48,360 Speaker 1: It's gonna be like we're watching the Stab movies inside 880 00:38:48,360 --> 00:38:51,080 Speaker 1: of the movie at this point, because throughout the entire thing, 881 00:38:51,120 --> 00:38:55,040 Speaker 1: the humans don't feel like humans. At no point whatsoever 882 00:38:55,560 --> 00:38:58,120 Speaker 1: was I buying Joe mcchal as a cop. He plays 883 00:38:58,160 --> 00:39:01,680 Speaker 1: Sidney Prescott's husband in Tatum's Dad. There are some people 884 00:39:01,960 --> 00:39:05,040 Speaker 1: who should just not be cast as cops. Joe McHale 885 00:39:05,080 --> 00:39:07,440 Speaker 1: is one of them. And I'm a fan of Joe McHale. 886 00:39:07,960 --> 00:39:10,799 Speaker 1: I love him in community, I love him just as 887 00:39:10,800 --> 00:39:14,640 Speaker 1: an actor. But did not work for me whatsoever in 888 00:39:14,680 --> 00:39:17,399 Speaker 1: Scream seven because when I saw him in his cop 889 00:39:17,560 --> 00:39:20,640 Speaker 1: uniform trying to be the person in control over all 890 00:39:20,680 --> 00:39:24,000 Speaker 1: these situations, I could only see Jeff Winger making jokes, 891 00:39:24,200 --> 00:39:27,680 Speaker 1: wearing a leather jacket and talking crap on Brita, Troy, 892 00:39:27,719 --> 00:39:31,080 Speaker 1: and Abed. I could not see Joe McHale as a 893 00:39:31,160 --> 00:39:33,920 Speaker 1: serious cop, and that was a major problem for me. 894 00:39:34,280 --> 00:39:37,840 Speaker 1: I really think this movie represents and it wasn't probably 895 00:39:37,880 --> 00:39:42,040 Speaker 1: its intention, but it represents everything that is wrong in 896 00:39:42,080 --> 00:39:46,200 Speaker 1: the movie industry right now, and everything we hate about 897 00:39:46,280 --> 00:39:49,920 Speaker 1: reboots and sequels and studios just wanting to sell us 898 00:39:49,920 --> 00:39:53,239 Speaker 1: the same thing over and over again, because that is 899 00:39:53,280 --> 00:39:56,000 Speaker 1: what we got with Scream seven. We got nothing new. 900 00:39:56,560 --> 00:39:58,880 Speaker 1: We got the same thing essentially we got in Scream 901 00:39:59,000 --> 00:40:02,840 Speaker 1: five and six, minus the best parts I did enjoy. However, 902 00:40:02,920 --> 00:40:06,160 Speaker 1: Mason Gooding, who is Cuba Gooding Junior son, I think 903 00:40:06,200 --> 00:40:08,400 Speaker 1: out of everybody in this cast, he was the best 904 00:40:08,400 --> 00:40:11,759 Speaker 1: actor and the only person who I thought, Okay, that 905 00:40:11,920 --> 00:40:13,880 Speaker 1: is somebody I would actually like to hear more of 906 00:40:13,920 --> 00:40:16,360 Speaker 1: their story and see them a little bit more in 907 00:40:16,440 --> 00:40:19,400 Speaker 1: the main plot line of these films because I like 908 00:40:19,480 --> 00:40:22,480 Speaker 1: him a lot aside from everyone else. Scrap it. So 909 00:40:22,560 --> 00:40:25,840 Speaker 1: for Scream seven, I say, don't waste your time seeing 910 00:40:25,880 --> 00:40:28,279 Speaker 1: it in theaters. If you have been committed to this 911 00:40:28,320 --> 00:40:31,000 Speaker 1: franchise for a long time and invested since the nineties 912 00:40:31,360 --> 00:40:33,759 Speaker 1: and have seen every single Scream movie like I have, 913 00:40:34,719 --> 00:40:37,640 Speaker 1: maybe it's worth it. But for Scream seven, I give 914 00:40:37,680 --> 00:40:42,719 Speaker 1: it two out of five knives. It's time to head 915 00:40:42,760 --> 00:40:47,719 Speaker 1: down to Movie Mike Traylor Park. The toys are back 916 00:40:47,760 --> 00:40:52,640 Speaker 1: in town. Everybody's favorite animated toys are back in Toy 917 00:40:52,719 --> 00:40:59,840 Speaker 1: Story five. This time the big evil villain is a tablet. 918 00:41:01,000 --> 00:41:03,720 Speaker 1: We have a lily Pad smart tablet that is taking 919 00:41:03,760 --> 00:41:07,600 Speaker 1: over Bonnie's life, and the toys are afraid they are 920 00:41:07,640 --> 00:41:11,520 Speaker 1: going to be replaced by technology. And this is supposed 921 00:41:11,560 --> 00:41:14,640 Speaker 1: to be a commentary on today's society. How kids don't 922 00:41:14,680 --> 00:41:17,960 Speaker 1: really play with toys anymore. All of the kids want 923 00:41:18,000 --> 00:41:20,839 Speaker 1: an iPad and you spend so much time on them, 924 00:41:20,880 --> 00:41:26,880 Speaker 1: does it limit your imagination? And in the case of Woodie, Buzz, Jesse, Bullseye, 925 00:41:27,000 --> 00:41:30,560 Speaker 1: the entire Crew four key is back. They fear they're 926 00:41:30,600 --> 00:41:34,120 Speaker 1: going to be replaced because Bonnie is now completely obsessed 927 00:41:34,520 --> 00:41:37,239 Speaker 1: with the tablet. Even when she hangs out with their 928 00:41:37,280 --> 00:41:40,480 Speaker 1: other friends, they are all just on their tablets. So 929 00:41:41,440 --> 00:41:43,879 Speaker 1: how do you compete with technology? I think this movie 930 00:41:43,960 --> 00:41:46,680 Speaker 1: is trying to say a lot, but in its efforts 931 00:41:46,680 --> 00:41:50,799 Speaker 1: to do so, we have the exact same plotline as 932 00:41:50,880 --> 00:41:54,000 Speaker 1: Toy Story one. So I do want to get into 933 00:41:54,080 --> 00:41:57,600 Speaker 1: all that, But before I do, here is just a 934 00:41:57,640 --> 00:42:00,719 Speaker 1: little bit of the Toy Story five trailer, which is 935 00:42:00,760 --> 00:42:04,880 Speaker 1: coming out in theaters on June nineteenth. Let's take a listen. 936 00:42:09,400 --> 00:42:11,560 Speaker 1: Is it as bad out there for toys as they say? 937 00:42:11,560 --> 00:42:11,880 Speaker 3: It is. 938 00:42:12,120 --> 00:42:17,080 Speaker 1: We're finding more abandoned toys each day. Text invaded our 939 00:42:17,120 --> 00:42:21,040 Speaker 1: house too. I don't know, Jesse. Toys are for play, 940 00:42:21,239 --> 00:42:24,080 Speaker 1: but texis for everything. 941 00:42:25,680 --> 00:42:28,240 Speaker 3: I'm losing Bonnie to this device. 942 00:42:28,760 --> 00:42:30,960 Speaker 1: Why are you wearing a dress, Weddy? It's called a 943 00:42:31,040 --> 00:42:32,320 Speaker 1: puncho for Keith. 944 00:42:33,520 --> 00:42:34,920 Speaker 2: Someone needs a bro marker. 945 00:42:35,040 --> 00:42:36,759 Speaker 1: What are you some sort of old man toy? 946 00:42:36,960 --> 00:42:37,200 Speaker 3: What? 947 00:42:37,480 --> 00:42:40,839 Speaker 1: She thanks? You're old because you're bald wedding Bonnie needs 948 00:42:40,840 --> 00:42:44,080 Speaker 1: help from someone, at least from the same centry the 949 00:42:44,200 --> 00:42:52,120 Speaker 1: Long Toy Day. Even Woody, an animated character, is not 950 00:42:52,400 --> 00:42:56,080 Speaker 1: safe from father time. He is losing his hair. What 951 00:42:56,160 --> 00:42:58,680 Speaker 1: he's about to get some plastic surgery For this movie, 952 00:42:59,440 --> 00:43:01,920 Speaker 1: you have Tom Hanks for turning is Woody. Tim Allen 953 00:43:02,000 --> 00:43:05,319 Speaker 1: is back is buzz light Year. Joan Cusack is back 954 00:43:05,360 --> 00:43:09,600 Speaker 1: as Jesse. Greta Lee will be the voice of Lily Pad. 955 00:43:09,920 --> 00:43:12,440 Speaker 1: Conan O'Brien is a new part of the movie. He 956 00:43:12,520 --> 00:43:15,440 Speaker 1: will play a character named smarty Pants. Tony Hale is 957 00:43:15,480 --> 00:43:18,520 Speaker 1: back as Forky. And why I say that they are 958 00:43:18,520 --> 00:43:20,360 Speaker 1: making the exact same movie that they made with the 959 00:43:20,360 --> 00:43:23,600 Speaker 1: original toy story is because that is what happened. You 960 00:43:23,719 --> 00:43:27,520 Speaker 1: have Woody, who was an old school toy, a cowboy 961 00:43:28,400 --> 00:43:31,240 Speaker 1: that all he had was a drawstring. You pull the string, 962 00:43:31,280 --> 00:43:34,560 Speaker 1: and he said his catchphrases. But that was Andy's favorite toy. 963 00:43:34,960 --> 00:43:38,160 Speaker 1: And then he has a birthday. He gets the buzz 964 00:43:38,239 --> 00:43:41,480 Speaker 1: light Year that has all this new technology that none 965 00:43:41,520 --> 00:43:44,279 Speaker 1: of the other toys in Andy's room had. He had 966 00:43:44,280 --> 00:43:46,840 Speaker 1: the laser, which was just the light. He had the 967 00:43:46,880 --> 00:43:50,000 Speaker 1: wings that could quote unquote make them fly, and they 968 00:43:50,000 --> 00:43:53,680 Speaker 1: were all threatened by this new, big, shiny toy in 969 00:43:53,719 --> 00:43:57,680 Speaker 1: the cool box. And now thirty plus years after that one, 970 00:43:57,719 --> 00:43:59,360 Speaker 1: because that one came out in ninety ninety five, so 971 00:43:59,400 --> 00:44:03,200 Speaker 1: now thirty years yars later, the exact same thing is happening. 972 00:44:03,280 --> 00:44:06,719 Speaker 1: It's just so much more advance because now Bonnie has 973 00:44:06,760 --> 00:44:10,640 Speaker 1: this new bright and shiny toy, much like Andy did 974 00:44:10,680 --> 00:44:14,800 Speaker 1: in part one, and now Jesse is experiencing yet again 975 00:44:15,160 --> 00:44:19,680 Speaker 1: the feeling of being replaced and being abandoned by her kid, 976 00:44:20,040 --> 00:44:22,719 Speaker 1: and the overall tone of this trailer is a lot 977 00:44:22,800 --> 00:44:26,839 Speaker 1: more sad. It feels very final, even more so than 978 00:44:26,880 --> 00:44:30,560 Speaker 1: Toy Story three, because you can even hear it in 979 00:44:30,680 --> 00:44:33,280 Speaker 1: Joan Cusack's voice, who is now a little bit older, 980 00:44:33,600 --> 00:44:36,839 Speaker 1: which is really interesting to hear how some of these 981 00:44:36,840 --> 00:44:40,160 Speaker 1: animated movies are changing. And in my lifetime, I haven't 982 00:44:40,200 --> 00:44:45,640 Speaker 1: really experienced somebody stopping because they were wanting to retire, 983 00:44:46,640 --> 00:44:48,520 Speaker 1: and I think it's because of the time I was born. 984 00:44:48,600 --> 00:44:52,040 Speaker 1: Like all the original Simpsons cast, for the most part, 985 00:44:52,600 --> 00:44:54,600 Speaker 1: is still there. And if I watch an episode of 986 00:44:54,600 --> 00:44:58,480 Speaker 1: The Simpsons, especially with Dan Cassineletta, who does the voice 987 00:44:58,480 --> 00:45:02,400 Speaker 1: of Homer Simpson, to sound older now, and it's interesting 988 00:45:02,400 --> 00:45:05,640 Speaker 1: to see animated characters who are not supposed to age 989 00:45:05,920 --> 00:45:09,080 Speaker 1: physically because they are just drawing. They can look the 990 00:45:09,120 --> 00:45:12,000 Speaker 1: exact same way, but you start to hear it in 991 00:45:12,040 --> 00:45:14,319 Speaker 1: their voice, and I hear it in Joan Cusack's voice 992 00:45:14,320 --> 00:45:18,200 Speaker 1: with Jesse. But I feel overall from this trailer, I'm 993 00:45:18,239 --> 00:45:22,480 Speaker 1: getting a very this is a final storyline in this 994 00:45:23,080 --> 00:45:27,160 Speaker 1: chapter of all these toys lives, because I can't imagine 995 00:45:27,160 --> 00:45:30,400 Speaker 1: that it goes on forever where it already feels like 996 00:45:30,440 --> 00:45:33,839 Speaker 1: they are just making the same movie again. And if 997 00:45:33,840 --> 00:45:36,799 Speaker 1: you think about the life cycle of a toy in 998 00:45:36,840 --> 00:45:40,319 Speaker 1: this world, this is all they are going to experience. 999 00:45:40,840 --> 00:45:44,280 Speaker 1: A new kid gets them, they age out of that kid, 1000 00:45:44,320 --> 00:45:46,520 Speaker 1: and then they get really sad and have to move on. 1001 00:45:47,239 --> 00:45:50,440 Speaker 1: But now the reason it's a little bit different is 1002 00:45:50,480 --> 00:45:53,440 Speaker 1: not only is the kid aging out, but the world 1003 00:45:53,520 --> 00:45:56,960 Speaker 1: around them is changing so much that they can't just 1004 00:45:57,000 --> 00:46:00,600 Speaker 1: move on to a new kid, because that new kid 1005 00:46:00,719 --> 00:46:03,360 Speaker 1: is still probably going to want to play with the 1006 00:46:03,440 --> 00:46:07,600 Speaker 1: tablet more than a cowboy, more than a Space Ranger 1007 00:46:07,920 --> 00:46:11,640 Speaker 1: that is now over thirty years old. Which if Woodi's 1008 00:46:11,960 --> 00:46:16,280 Speaker 1: hair is balding or fading away, how has Buzz stayed 1009 00:46:16,320 --> 00:46:19,799 Speaker 1: in such pristine condition with all the crazy things they 1010 00:46:19,840 --> 00:46:22,840 Speaker 1: have gone through. Now, the real problem I had with 1011 00:46:22,960 --> 00:46:26,520 Speaker 1: four was that the toys started to manipulate with the 1012 00:46:26,560 --> 00:46:29,160 Speaker 1: real world too much. And I think that was the 1013 00:46:29,200 --> 00:46:32,280 Speaker 1: beauty of one is whenever there was a human around, 1014 00:46:32,760 --> 00:46:35,040 Speaker 1: they turned back into toys, and they wouldn't try to 1015 00:46:35,080 --> 00:46:38,239 Speaker 1: manipulate a whole lot of things because that would give 1016 00:46:38,280 --> 00:46:41,279 Speaker 1: some indication to the humans that, oh, are these toys alive? 1017 00:46:41,320 --> 00:46:45,920 Speaker 1: What is actually happening here? Aside from them speaking to 1018 00:46:46,000 --> 00:46:49,880 Speaker 1: sit and freaking him out, they laid low for the 1019 00:46:49,920 --> 00:46:53,400 Speaker 1: most part. After rewatching all the toy story movies, I 1020 00:46:53,440 --> 00:46:56,319 Speaker 1: had a much different outlook, and I do believe the 1021 00:46:56,440 --> 00:47:00,279 Speaker 1: toys are a little bit delusional, especially with him to 1022 00:47:00,320 --> 00:47:04,120 Speaker 1: go with Andy to college. They have no idea how 1023 00:47:04,239 --> 00:47:06,880 Speaker 1: the real world works, and I think that is something 1024 00:47:06,920 --> 00:47:10,680 Speaker 1: that we don't address. I also think that Disney gas 1025 00:47:10,760 --> 00:47:14,000 Speaker 1: lit us in portraying Sid as the villain. I don't 1026 00:47:14,000 --> 00:47:17,800 Speaker 1: think Sid did anything wrong, if anything. In the first movie, 1027 00:47:17,840 --> 00:47:21,240 Speaker 1: Woody is the villain. He is the one who committed 1028 00:47:21,360 --> 00:47:25,040 Speaker 1: attempted murder on buzz light Year, all because he wanted 1029 00:47:25,040 --> 00:47:27,759 Speaker 1: to be the toy that Andy got to take with 1030 00:47:27,960 --> 00:47:31,640 Speaker 1: to Pizza Planet, so he trying to hide him behind 1031 00:47:31,719 --> 00:47:34,880 Speaker 1: the desk and in turn knocked him out of the house. 1032 00:47:35,400 --> 00:47:38,000 Speaker 1: Woody is the one who committed the crime. I don't 1033 00:47:38,000 --> 00:47:42,439 Speaker 1: see anything on Sid's rap sheet that really makes him 1034 00:47:42,640 --> 00:47:45,360 Speaker 1: the villain. To me, Sid was just an engineer. He 1035 00:47:45,480 --> 00:47:48,640 Speaker 1: was just a kid next door. He had no idea 1036 00:47:48,719 --> 00:47:51,759 Speaker 1: that these toys were alive, no idea. They make it 1037 00:47:51,800 --> 00:47:55,960 Speaker 1: seem like he was tormenting toys because it was some 1038 00:47:56,080 --> 00:47:59,280 Speaker 1: kind of weird pleasure to him to see them experience pain. 1039 00:48:00,160 --> 00:48:03,080 Speaker 1: He is just a kid living in the normal world 1040 00:48:03,600 --> 00:48:06,919 Speaker 1: playing with this toys that maybe something is a little 1041 00:48:06,920 --> 00:48:09,120 Speaker 1: bit on ethical or think is a little bit weird, 1042 00:48:09,560 --> 00:48:13,359 Speaker 1: But he did nothing wrong because to him they were 1043 00:48:13,640 --> 00:48:18,680 Speaker 1: inanimate objects. I think Sid was an engineer, not a bully, 1044 00:48:19,040 --> 00:48:22,000 Speaker 1: not a villain, but we painted him out that way, 1045 00:48:22,400 --> 00:48:24,600 Speaker 1: and the toys saw him as a villain because he 1046 00:48:24,840 --> 00:48:29,680 Speaker 1: was hurting their kind. But he had no idea that 1047 00:48:29,719 --> 00:48:32,239 Speaker 1: they were living and I guess breathing. I don't know 1048 00:48:32,280 --> 00:48:36,000 Speaker 1: exactly what the toys do, but they went crazy on 1049 00:48:36,160 --> 00:48:40,600 Speaker 1: him and traumatized him all because he would, like I said, 1050 00:48:40,600 --> 00:48:43,399 Speaker 1: he was an engineer. He would take toys, break them 1051 00:48:43,400 --> 00:48:46,520 Speaker 1: down and rebuild them in a much different way that 1052 00:48:46,600 --> 00:48:50,160 Speaker 1: I felt was very creative and innovative. He also didn't 1053 00:48:50,200 --> 00:48:53,120 Speaker 1: really have any friends. You mean to tell me that Andy, 1054 00:48:53,160 --> 00:48:56,480 Speaker 1: the kid next door had a huge birthday party and 1055 00:48:56,600 --> 00:48:59,640 Speaker 1: didn't invite Sid. With all that house, why did they 1056 00:48:59,760 --> 00:49:03,640 Speaker 1: need such a big house? It was just Andy, his 1057 00:49:03,719 --> 00:49:06,480 Speaker 1: baby sister and his mom. They had a massive house, 1058 00:49:06,960 --> 00:49:10,800 Speaker 1: and why did they not invite Sid. I think Sid 1059 00:49:11,040 --> 00:49:14,040 Speaker 1: was unfairly picked as the villain and they didn't gets 1060 00:49:14,080 --> 00:49:18,080 Speaker 1: traumatized for the rest of his life because again, he 1061 00:49:18,239 --> 00:49:21,200 Speaker 1: was just playing with these toys as an engineer would. 1062 00:49:21,480 --> 00:49:24,319 Speaker 1: He was strapping a rocket to buzz light here to 1063 00:49:24,400 --> 00:49:27,600 Speaker 1: see how high you would go? To study science, that 1064 00:49:27,719 --> 00:49:30,680 Speaker 1: is what he was doing. And then you have Woody 1065 00:49:31,280 --> 00:49:36,399 Speaker 1: speaking to him as a toy, completely traumatizing him. Could 1066 00:49:36,440 --> 00:49:39,440 Speaker 1: you imagine Sid trying to get a girlfriend later in life, 1067 00:49:39,920 --> 00:49:42,879 Speaker 1: them opening up about things and him being like, one 1068 00:49:42,920 --> 00:49:45,680 Speaker 1: time this toy talked to me, and all these toys 1069 00:49:45,680 --> 00:49:49,439 Speaker 1: that I had created came up from the sandbox. She'd 1070 00:49:49,480 --> 00:49:51,799 Speaker 1: be like, oh man, I'm gonna get out of this 1071 00:49:52,120 --> 00:49:57,239 Speaker 1: relationship right now. They ruined Sid's life. He was not 1072 00:49:57,360 --> 00:49:59,600 Speaker 1: the villain. So that is why I think they are 1073 00:49:59,760 --> 00:50:04,280 Speaker 1: all a bit delusional. But I do enjoy seeing salty 1074 00:50:04,320 --> 00:50:07,480 Speaker 1: Woody again because in my rewatch that was something I 1075 00:50:07,520 --> 00:50:10,959 Speaker 1: did appreciate. From the first movie. He was a jerk 1076 00:50:11,000 --> 00:50:15,360 Speaker 1: to Buzz. He had a lot of jealousy, and that 1077 00:50:15,480 --> 00:50:18,960 Speaker 1: jealousy came out in very funny ways, and it was 1078 00:50:20,000 --> 00:50:23,919 Speaker 1: the most entertaining version of Woody. And then he became 1079 00:50:23,960 --> 00:50:27,520 Speaker 1: a little bit softer. He became somebody trying to find 1080 00:50:27,560 --> 00:50:30,640 Speaker 1: his purpose, and then he just became the one trying 1081 00:50:30,640 --> 00:50:33,560 Speaker 1: to hold it all together, trying to hold on to 1082 00:50:33,680 --> 00:50:37,680 Speaker 1: the past, fearing change. But now he is back to 1083 00:50:37,719 --> 00:50:40,360 Speaker 1: being a little bit salty. Him and Buzz looks like 1084 00:50:40,400 --> 00:50:43,400 Speaker 1: they're not going to get along, and we are even 1085 00:50:43,480 --> 00:50:48,879 Speaker 1: getting basically a recreation of that famous final scene from 1086 00:50:48,960 --> 00:50:52,520 Speaker 1: the first movie where it looks like Buzz and Woody 1087 00:50:52,600 --> 00:50:56,400 Speaker 1: are again going on a chase, ending up on the 1088 00:50:56,440 --> 00:51:00,440 Speaker 1: back of a car fighting against each other. So to me, 1089 00:51:00,560 --> 00:51:03,680 Speaker 1: it feels almost like a remake of the first one 1090 00:51:04,040 --> 00:51:07,360 Speaker 1: with a different kid, but kind of the same concept 1091 00:51:07,760 --> 00:51:11,080 Speaker 1: them fearing this new technology. But now they're all a 1092 00:51:11,080 --> 00:51:14,359 Speaker 1: little bit older, they're wearing down a little bit. So 1093 00:51:14,760 --> 00:51:18,080 Speaker 1: is this finally going to be the end? Are they 1094 00:51:18,160 --> 00:51:22,440 Speaker 1: all going to say goodbye? If I had to pick 1095 00:51:22,880 --> 00:51:28,680 Speaker 1: a favorite final ending to the Toy Story franchise, I 1096 00:51:28,680 --> 00:51:31,000 Speaker 1: think it all goes back to how it was going 1097 00:51:31,040 --> 00:51:34,560 Speaker 1: to end before they started messing with the situation in 1098 00:51:34,640 --> 00:51:38,640 Speaker 1: Toy Story three. I think they all accept their fate 1099 00:51:39,480 --> 00:51:41,919 Speaker 1: and they go into the attic. I think they all 1100 00:51:41,960 --> 00:51:45,680 Speaker 1: get put into a box and get taken up the 1101 00:51:45,760 --> 00:51:48,400 Speaker 1: stairs and get put up there to live out the 1102 00:51:48,400 --> 00:51:51,120 Speaker 1: rest of their lives. I think that is best case 1103 00:51:51,160 --> 00:51:54,280 Speaker 1: scenario for them. I also think that is a way 1104 00:51:54,920 --> 00:51:58,359 Speaker 1: that you could still have a Toy Story six where 1105 00:51:58,360 --> 00:52:01,000 Speaker 1: it's life in the Attic and they maybe try to 1106 00:52:01,040 --> 00:52:05,120 Speaker 1: do some other adventures that aren't as focused on just 1107 00:52:05,200 --> 00:52:07,440 Speaker 1: trying to hold on to them, wanting to still be 1108 00:52:07,480 --> 00:52:11,080 Speaker 1: played with, wanting to still have that same purpose. I 1109 00:52:11,120 --> 00:52:14,400 Speaker 1: think teaching kids that there are phases of life and 1110 00:52:14,440 --> 00:52:18,520 Speaker 1: it's not going to remain the same forever. Eventually, you, 1111 00:52:18,640 --> 00:52:21,600 Speaker 1: even as a toy, have to grow up, much like 1112 00:52:21,680 --> 00:52:24,560 Speaker 1: Andy did. Andy grew up, he went to college. He 1113 00:52:24,600 --> 00:52:26,759 Speaker 1: didn't take his toys with him. Although if you think 1114 00:52:26,760 --> 00:52:28,359 Speaker 1: about it, at the end of Toy Story three when 1115 00:52:28,360 --> 00:52:31,840 Speaker 1: he's playing with Bonnie, was anybody else monitoring that, like 1116 00:52:32,000 --> 00:52:34,080 Speaker 1: just keeping an eye on that? If I was a 1117 00:52:34,120 --> 00:52:36,319 Speaker 1: neighbor just walking down, like what is that eighteen year 1118 00:52:36,320 --> 00:52:39,279 Speaker 1: old doing with that kid? So again it picks our 1119 00:52:39,320 --> 00:52:41,040 Speaker 1: movie not going to get too far into that, but 1120 00:52:41,200 --> 00:52:45,319 Speaker 1: again doesn't really feel like reality. But you gotta move 1121 00:52:45,360 --> 00:52:49,359 Speaker 1: on with your life, and maybe the toys accept that, realize, 1122 00:52:49,520 --> 00:52:52,480 Speaker 1: you know what, we've had a good run. Let's live 1123 00:52:52,520 --> 00:52:54,759 Speaker 1: out the rest of our lives. Maybe somebody does. Oh 1124 00:52:54,760 --> 00:52:57,919 Speaker 1: what if somebody dies in Toy Story five, that could 1125 00:52:57,920 --> 00:53:01,560 Speaker 1: be it. We get a deathneral a toy funeral. How 1126 00:53:01,600 --> 00:53:04,440 Speaker 1: sad would that be? But I think and I hope 1127 00:53:04,760 --> 00:53:07,520 Speaker 1: this is closing out the chapter if they want to 1128 00:53:07,560 --> 00:53:10,120 Speaker 1: continue the franchise, which I know Disney would have a 1129 00:53:10,160 --> 00:53:12,839 Speaker 1: really hard time doing this. You get a new set 1130 00:53:12,880 --> 00:53:17,160 Speaker 1: of characters, you reboot it, much like you get new Avengers, 1131 00:53:17,239 --> 00:53:21,239 Speaker 1: you get a new group of toys. Maybe you move 1132 00:53:21,280 --> 00:53:24,040 Speaker 1: it back like you go back in time. You do 1133 00:53:24,080 --> 00:53:26,880 Speaker 1: a multiverse type thing where you go back to the 1134 00:53:27,000 --> 00:53:31,440 Speaker 1: eighties when kids still love toys. Oh, you could do that, 1135 00:53:31,520 --> 00:53:33,480 Speaker 1: you could go back in time. But I am still 1136 00:53:33,520 --> 00:53:36,080 Speaker 1: looking forward to this one more than I thought I was. 1137 00:53:36,239 --> 00:53:38,879 Speaker 1: I thought I was totally writing it off. I think 1138 00:53:38,880 --> 00:53:41,840 Speaker 1: it's because the animation looks so good. In that opening 1139 00:53:41,880 --> 00:53:45,880 Speaker 1: scene that's a dream sequence, it looks like watercolors. A 1140 00:53:45,920 --> 00:53:49,319 Speaker 1: lot of the shots look really cinematic and beautiful where 1141 00:53:49,360 --> 00:53:52,520 Speaker 1: it looks like they are filmed on an actual film camera, 1142 00:53:52,600 --> 00:53:55,319 Speaker 1: and I have to remember that I'm watching something animated. 1143 00:53:55,719 --> 00:53:59,440 Speaker 1: The lighting, the color, all the things about the animation 1144 00:54:00,600 --> 00:54:02,960 Speaker 1: is really what's drawing me into wanting to see this 1145 00:54:03,160 --> 00:54:06,680 Speaker 1: on the biggest screen possible. I'm gonna take the story 1146 00:54:06,719 --> 00:54:09,880 Speaker 1: for what it is, take the message for what they 1147 00:54:09,960 --> 00:54:11,960 Speaker 1: are trying to tell me, but I think at this 1148 00:54:12,080 --> 00:54:14,279 Speaker 1: point in my life, I'm always gonna be a little 1149 00:54:14,320 --> 00:54:17,920 Speaker 1: bit overly critical of it. But again, toy story five 1150 00:54:18,080 --> 00:54:22,520 Speaker 1: is coming out this summer on June nineteenth, and that 1151 00:54:22,920 --> 00:54:29,359 Speaker 1: was this week's edition of Movie mich Trailer Parks and 1152 00:54:29,400 --> 00:54:32,200 Speaker 1: that is gonna do it for another episode here of 1153 00:54:32,239 --> 00:54:34,480 Speaker 1: the podcast. But before I go, I gotta get my 1154 00:54:34,520 --> 00:54:37,960 Speaker 1: listener shout out of the week. This week, I'm going 1155 00:54:38,080 --> 00:54:42,400 Speaker 1: over to TikTok shouting out Elle, who tagged me in 1156 00:54:42,480 --> 00:54:45,920 Speaker 1: a comment on a video talking about Nostalogier from the 1157 00:54:45,960 --> 00:54:49,600 Speaker 1: eighties which I get fed so many nostalogier videos on TikTok, 1158 00:54:49,840 --> 00:54:52,879 Speaker 1: and L wrote, I just found out that YouTube has 1159 00:54:52,960 --> 00:54:55,840 Speaker 1: TV that you can stream the actual shows with the 1160 00:54:55,840 --> 00:54:59,680 Speaker 1: commercials and everything from that era. It'll instantly transport you 1161 00:54:59,719 --> 00:55:02,600 Speaker 1: to the era. Mike Distro mentioned it on the Bobby 1162 00:55:02,640 --> 00:55:06,319 Speaker 1: Bone Show Weekend podcast. It is so awesome and I 1163 00:55:06,320 --> 00:55:08,279 Speaker 1: did mention it there and I'll tell you about it 1164 00:55:08,280 --> 00:55:10,560 Speaker 1: now because my favorite tradition to do right now on 1165 00:55:10,600 --> 00:55:14,279 Speaker 1: Saturday mornings, when I need that kick in nostalgia where 1166 00:55:14,320 --> 00:55:16,520 Speaker 1: I feel like, oh man, the world's crazy right now, 1167 00:55:16,960 --> 00:55:19,919 Speaker 1: I just want to be transported back into the late 1168 00:55:20,000 --> 00:55:23,400 Speaker 1: nineties or early two thousands. On YouTube, if you just 1169 00:55:23,440 --> 00:55:29,040 Speaker 1: search rewind or Nickelodeon rebroadcast or my personal favorite Disney's 1170 00:55:29,040 --> 00:55:34,360 Speaker 1: One Saturday Morning, which takes me back to Waksahatchie going 1171 00:55:34,400 --> 00:55:38,600 Speaker 1: to get my haircut from my cousin's grandma, which is 1172 00:55:38,640 --> 00:55:41,800 Speaker 1: not related to me, a family friend, but my cousin's 1173 00:55:41,800 --> 00:55:46,440 Speaker 1: grandma would always have One Saturday Morning playing on a 1174 00:55:46,480 --> 00:55:51,400 Speaker 1: small tube TV on this old desk, covered and paperwork, 1175 00:55:51,880 --> 00:55:54,720 Speaker 1: and I would watch it, probably at least an hour 1176 00:55:54,760 --> 00:55:57,200 Speaker 1: of it while waiting to get my haircut by her, 1177 00:55:57,520 --> 00:56:01,080 Speaker 1: and just hearing that theme song of One Saturday Monday, 1178 00:56:01,200 --> 00:56:05,520 Speaker 1: No No, No, No, No Tuesday Wednesday. Hearing that theme song 1179 00:56:06,320 --> 00:56:10,200 Speaker 1: and hearing the illuminating television instantly takes me back to 1180 00:56:10,239 --> 00:56:13,200 Speaker 1: my childhood. And if you go on YouTube and search 1181 00:56:13,280 --> 00:56:18,520 Speaker 1: One Saturday Morning, you can watch the entire broadcast of 1182 00:56:18,560 --> 00:56:20,480 Speaker 1: that where it starts with that. Some of them start 1183 00:56:20,520 --> 00:56:24,520 Speaker 1: with commercials. I'm watching old chipsu Hoy commercials from back 1184 00:56:24,520 --> 00:56:27,360 Speaker 1: in the day, commercials and products I haven't thought about 1185 00:56:27,400 --> 00:56:32,160 Speaker 1: in so long, but somebody just ripped an entire broadcast 1186 00:56:32,280 --> 00:56:36,240 Speaker 1: uploaded it. So whatever you're into, whether it's One Saturday 1187 00:56:36,239 --> 00:56:41,520 Speaker 1: Morning from Disney that aired on ABC, Nickelodean, Snick, or 1188 00:56:41,600 --> 00:56:46,160 Speaker 1: maybe you were into Cartoon Network, they all have these rebroadcasts, 1189 00:56:46,400 --> 00:56:49,239 Speaker 1: and it feels like you're instantly transported into that time. 1190 00:56:49,280 --> 00:56:52,920 Speaker 1: And it sounds weird to be excited about watching old commercials, 1191 00:56:52,960 --> 00:56:54,320 Speaker 1: but it is really fun to do if you just 1192 00:56:54,400 --> 00:56:57,520 Speaker 1: need that kick in nostalgia. So appreciate you, l I 1193 00:56:57,520 --> 00:57:00,560 Speaker 1: didn't think that would be anything anybody else what want 1194 00:57:00,640 --> 00:57:02,960 Speaker 1: to watch except for me, but it sounds like some 1195 00:57:03,040 --> 00:57:06,320 Speaker 1: people do, so thank you for sending that comment, tagging 1196 00:57:06,360 --> 00:57:08,000 Speaker 1: me on TikTok if you want to follow me there, 1197 00:57:08,040 --> 00:57:11,120 Speaker 1: it's at Mike Distro. If you want to watch individual 1198 00:57:11,200 --> 00:57:14,880 Speaker 1: movie reviews, just go to YouTube dot com slash Mike Distro. 1199 00:57:15,600 --> 00:57:18,000 Speaker 1: Thank you all, part of the movie crew, for subscribing, 1200 00:57:18,040 --> 00:57:21,240 Speaker 1: for listening every single week, for telling a friend, and 1201 00:57:21,400 --> 00:57:24,960 Speaker 1: until next time, go out and watch good movies and 1202 00:57:25,000 --> 00:57:27,160 Speaker 1: I will talk to you later.