WEBVTT - Andrés Cantor: The Man Behind "Goooool!"

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<v Speaker 1>Dear let you know USA listener. Before we start, you

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<v Speaker 1>should know that if you want to listen to this

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<v Speaker 1>So click the link in the episode description and after

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<v Speaker 1>you do that, then click play. Let's go to the show. Hello,

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<v Speaker 1>dear listener, the Men's World Cup is underway. Don't know

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<v Speaker 1>if you noticed. Futuro Studios has actually released a new

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<v Speaker 1>podcast about soccer culture in the United States and it's

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<v Speaker 1>Underdog Roots. Oh my god, I love it so so

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<v Speaker 1>much because I don't know anything about football, but I

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<v Speaker 1>love it Underdog Story. The podcast is called American Football

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<v Speaker 1>and it's a show that goes beyond the sport to

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<v Speaker 1>the people and the stories that make it great. It's

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<v Speaker 1>hosted by our very own Fernanda Echavari. In one of

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<v Speaker 1>their recent episodes, Fernanda sat down with sports announcer Andres Cantor.

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<v Speaker 1>He is the voice of soccer for so many in

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<v Speaker 1>the United States and beyond. He talks about the art

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<v Speaker 1>of calling a game, what his viral moment from the

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<v Speaker 1>last World Cup shows about men getting emotional about soccer,

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<v Speaker 1>and he reveals his pregame routine on mena press play

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<v Speaker 1>so you can listen.

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<v Speaker 2>Andres Cantor has been a sports announcer for almost forty years.

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<v Speaker 2>He's received eight Emmy Awards for his broadcasting and a

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<v Speaker 2>place in the National Soccer Hall of Fame. You know

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<v Speaker 2>his voice that he has watched an announced countless games,

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<v Speaker 2>but there's one moment at the end of the last

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<v Speaker 2>World Cup in Qatar that is seered into his memory.

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<v Speaker 3>Benol Football.

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<v Speaker 4>The final was a roller coaster of emotions in itself.

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<v Speaker 4>It took us from Argentina's domination against the defending world

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<v Speaker 4>champion to France tying the match.

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<v Speaker 2>Review Francia, Argentina goes up three to two, then France

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<v Speaker 2>ties again. It's three to three, taking the game all

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<v Speaker 2>the way to penalty kicks.

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<v Speaker 3>By the peak.

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<v Speaker 4>When when the peak age started, I was ready to

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<v Speaker 4>like pass out. What happened in Qatar with Argentina and

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<v Speaker 4>Messi winning the World Cup is one of my favorite moments.

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<v Speaker 2>If you weren't watching this in real time, maybe you've

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<v Speaker 2>seen the clip on social media andres Cantor wearing a

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<v Speaker 2>perfectly pressed baby blue button up shirt, clinging to his

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<v Speaker 2>headset microphone, screaming with joy, his tears barely visible behind

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<v Speaker 2>his round framed glasses as he hugs his fellow announcer.

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<v Speaker 2>I think this video is such a beautiful thing to watch.

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<v Speaker 3>The moment was my true self.

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<v Speaker 2>Are you a crier? Are you an emotional guy?

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<v Speaker 3>Yeah?

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<v Speaker 4>I could say I'm emotional. I'm not hardle as a

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<v Speaker 4>rog when it comes to shelling tears. So if I

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<v Speaker 4>have to shadow one, I will.

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<v Speaker 2>What do you think about Soccer makes men who may

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<v Speaker 2>otherwise be very like Rah kiss each other and hug

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<v Speaker 2>each other and celebrate and like cry.

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<v Speaker 3>I got it the Magic of Soccer.

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<v Speaker 2>From Futuro Studios. I'm Fernande Chavarri and this is American Football,

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<v Speaker 2>a show about soccer culture in the US and it's

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<v Speaker 2>underdog roots. I've gotten to do a lot of wonderful

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<v Speaker 2>interviews for this podcast, and I've enjoyed every single one

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<v Speaker 2>of them. But when the video calls started with Argentinian

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<v Speaker 2>announcer Andres Cantor, I kind of had a moment of like, wait,

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<v Speaker 2>what I know that voice. That's the voice that calls

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<v Speaker 2>the games. His voice means soccer to me. We spoke

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<v Speaker 2>a few weeks before the World Cup started, and right

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<v Speaker 2>away when he introduced him, his chill vive put me

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<v Speaker 2>at ease. I think most of our audience knows who

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<v Speaker 2>you are, but if you don't mind introducing yourself, who

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<v Speaker 2>you are and what you're known for.

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<v Speaker 4>Sure, I'm known for being a good guy, a good

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<v Speaker 4>dub oh, I love that, and yelling goal.

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<v Speaker 2>During his now almost forty year career sportscasting, he has

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<v Speaker 2>cemented himself as the voice of soccer, first calling games

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<v Speaker 2>for NBCON as far back as nineteen eighty seven and

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<v Speaker 2>then moving over to Telemundo in two thousand. I mean

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<v Speaker 2>his goal call has literally sold as a ringtone on

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<v Speaker 2>Telemundo's website. His charismatic and energetic game narrations have helped

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<v Speaker 2>popularize the sport in the United States, even for those

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<v Speaker 2>who don't speak Spanish, especially in nineteen ninety four when

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<v Speaker 2>he was an announcer doing the first World Cup hosted

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<v Speaker 2>in the US. David Letterman even brought him on the

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<v Speaker 2>Late Show at the time.

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<v Speaker 5>Here now to call a goal from a World Cup

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<v Speaker 5>game played yesterday, Please welcome visions Andrea's cantor Andreas.

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<v Speaker 2>Two decades later, in twenty fourteen, he guest starred in

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<v Speaker 2>one of the most American shows of all times.

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<v Speaker 3>And Contor, you know that is incorrect usage. I have

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<v Speaker 3>no control. This job has taken. It's all.

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<v Speaker 4>I always say that. Sometimes I end up my broadcasts

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<v Speaker 4>feeling as tired as the players have run fifteen miles.

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<v Speaker 3>On a match.

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<v Speaker 2>Listening to Cantor during a game, it's like watching a

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<v Speaker 2>virtuoso jazz artist freestyle NonStop for ninety minutes or more.

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<v Speaker 2>And much like a musician, Cantor needs to protect his

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<v Speaker 2>instrument when you are calling these games back to back

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<v Speaker 2>to back. How do you sort of reset or recharge

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<v Speaker 2>your voice.

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<v Speaker 4>I'm supposed to do all the things singers do, which

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<v Speaker 4>is rest the mind, rest the soul, rest my body,

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<v Speaker 4>which you try to get us many hours of sleep.

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<v Speaker 4>The recommendation is before and after.

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<v Speaker 2>Silence, so okay, no talking before or after sportscasting, which

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<v Speaker 2>actually can be kind of hard, especially after.

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<v Speaker 4>The game, because obviously somebody will go for an interview.

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<v Speaker 4>We have a post production meeting, and then you go

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<v Speaker 4>out and keep on talking, and you go out to

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<v Speaker 4>dinner and the surrogance, Oh, I listen to your goal,

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<v Speaker 4>but you said there was a penalty. It was a penalty,

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<v Speaker 4>and so I can't be rude and say I can't

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<v Speaker 4>speak well.

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<v Speaker 2>He makes all of this look so effortless. It takes

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<v Speaker 2>a ton of preparation and pure talent, especially because.

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<v Speaker 4>I hate scripted material. I add, some producers fight me

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<v Speaker 4>because I do not like using teleprompter.

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<v Speaker 2>What do you do? What does it look like?

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<v Speaker 3>So you're going to reveal trade secrets? Please?

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<v Speaker 2>I just have so many questions about your process.

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<v Speaker 4>It is easier around the World Cups than it is

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<v Speaker 4>on a regular weekend where you know, let's say I'm

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<v Speaker 4>calling the Premier League for Telemundo. Right before, I would

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<v Speaker 4>tell you I would go watch tape. Now, with all

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<v Speaker 4>the resources that we have at our disposal, it's much

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<v Speaker 4>much easier now, I tell you, I'll go on YouTube

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<v Speaker 4>and find the game of Burnley, the last weekend's game,

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<v Speaker 4>and I study how they play. I study the characteristics

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<v Speaker 4>of the players. If Smith has long hair, if Johnson

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<v Speaker 4>uses like a ritband that I got to identify him

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<v Speaker 4>by not even looking at his shirt number. So there

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<v Speaker 4>are little tricks that I use to try to identify

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<v Speaker 4>the players. Come the World Cup, it's pretty much the

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<v Speaker 4>same process. I will give you one of the games

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<v Speaker 4>that I have Germany against Kurasau. Germany, I could probably

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<v Speaker 4>go like this, close my eyes and I will have

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<v Speaker 4>a sense of who has the ball. Kurasau I haven't

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<v Speaker 4>seen yet. I'm in the process of compiling all their information.

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<v Speaker 4>They're playing the World Cup for the first time in history.

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<v Speaker 4>Is the smallest country to participate in a World Cup.

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<v Speaker 2>He's a bit old school about how he likes his research.

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<v Speaker 4>I still like to write my notes and have them

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<v Speaker 4>on paper, even though I could have him electronically on

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<v Speaker 4>a tablet. I take my sharpiece. I use different colors

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<v Speaker 4>for the team lineup that I have in front of me.

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<v Speaker 4>I use a yellow highlighter to mark whenever the player

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<v Speaker 4>is given a yellow card. I take my old fashioned chronometer. Really,

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<v Speaker 4>I know, it's kind of my lucky. Char might still

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<v Speaker 4>have my old chrona with me.

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<v Speaker 2>He drinks a ton of water. But food that's a

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<v Speaker 2>whole other story.

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<v Speaker 4>I usually don't eat my cut of It's probably like

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<v Speaker 4>four or five hours before a match. I will not

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<v Speaker 4>have even a bite. I'll wait until everything is done

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<v Speaker 4>to me.

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<v Speaker 2>And no matter how many decades he's been calling.

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<v Speaker 4>Games, there's always that sense of a potential embarrassment on

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<v Speaker 4>national television. It doesn't really matter whether you're a rookie

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<v Speaker 4>or a forty year pro. Anything can happen on live TV.

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<v Speaker 4>Anything that you say, anything that you miss say, anything

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<v Speaker 4>that you miss pronounce, anything that you miss in interpret,

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<v Speaker 4>any players you identified wrongly. When you're surrounded by sixty

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<v Speaker 4>thousand yelling fans, producer talking to me in my ear,

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<v Speaker 4>the emotions of the game, and the fast pace of

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<v Speaker 4>the sport itself, you really have to work your mind

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<v Speaker 4>to make sure that everything comes out the way you

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<v Speaker 4>want it to be. So it's taxing on the mind.

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<v Speaker 2>So now we know how a real pro does this,

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<v Speaker 2>but how exactly did he get into this in the

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<v Speaker 2>first place.

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<v Speaker 3>As a matter of fact, I did not want to

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<v Speaker 3>become an announcer.

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<v Speaker 2>That's coming up after the break.

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<v Speaker 5>Hey, I'm Isa medinak Median and host of I'm Right

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<v Speaker 5>Your Wrong Podcast, a comedy podcast about the everyday debates

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<v Speaker 5>we've all had at brunch. Every week, I welcome on

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<v Speaker 5>a special guest the likes of Leo Gonzalez, Morgan, Jay Teffi,

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<v Speaker 5>Possoa and Moore to talk about what they think is

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<v Speaker 5>right or wrong, but mostly we banter chiese moosiamos and

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<v Speaker 5>keep you company. Check out new episodes of I'm Right

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<v Speaker 5>Your Wrong podcast every Wednesday anywhere you get your podcasts.

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<v Speaker 2>It's American football. I'm Fernande Charvari. Growing up in Argentina

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<v Speaker 2>in the nineteen sixties, Andres Cantor couldn't escape soccer.

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<v Speaker 4>The first gift that every gift got was a soccer bowl,

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<v Speaker 4>so that was probably my first memory gigging a ball

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<v Speaker 4>when I was probably four years old, five years old.

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<v Speaker 4>In Argentina, there's social clubs where you go every weekend

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<v Speaker 4>and spend time, and all I was played football.

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<v Speaker 2>Did you ever think about playing professionally?

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<v Speaker 3>I did.

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<v Speaker 4>I tried out in Argentina when I was twelve thirteen.

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<v Speaker 4>I last I think it was no more than ten minutes,

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<v Speaker 4>and they took me off. But there were so many

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<v Speaker 4>kids trying out at the youth level, and I obviously

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<v Speaker 4>had the dream yes of playing professional, but I wasn't

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<v Speaker 4>good enough to make it to the pros.

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<v Speaker 2>And when he wasn't playing soccer, he was listening to

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<v Speaker 2>matches on the radio. To one guy in particular, his

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<v Speaker 2>version of Andres Cantor.

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<v Speaker 4>There was one gentleman, the best broadcaster at the time,

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<v Speaker 4>that had ninety percent share of the audience. Everyone listened

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<v Speaker 4>to him, called Jose Maria Munos. So I guess I

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<v Speaker 4>got his rhythms in my years, you know, for life,

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<v Speaker 4>because we all listened to him and his broadcast and

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<v Speaker 4>his way of calling games.

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<v Speaker 2>What did he sound like?

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<v Speaker 4>He was always very, very energetic during his play by play.

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<v Speaker 2>And his broadcast, And while Cantor would listen to Munos

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<v Speaker 2>on the radio, he would sit down and write.

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<v Speaker 4>I sat in front of my dad typewriter and wrote

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<v Speaker 4>the game report just for.

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<v Speaker 3>My own sake, for fun, for fun.

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<v Speaker 4>Yeah, I have, I guess, acute observation of what I've seen,

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<v Speaker 4>and I started reading the game pretty much better than

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<v Speaker 4>any any kid my age. But I never thought for

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<v Speaker 4>a minute I would end up doing TV and radio,

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<v Speaker 4>which is.

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<v Speaker 2>Unbelievable, crazy, do you think.

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<v Speaker 4>Yeah, as a matter of fact, I did not want

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<v Speaker 4>to become an announcer. I liked writing.

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<v Speaker 2>When he first moved to southern California as a teenager,

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<v Speaker 2>he wasn't exactly thrilled.

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<v Speaker 4>Sacramento, California. It's a very big and vibrant city now,

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<v Speaker 4>but back in the seventies it was very, very different

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<v Speaker 4>than Buenos Aires, and I suffered a lot because I

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<v Speaker 4>was pretty much miserable that first year. I was missing

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<v Speaker 4>absolutely everything that I have in Buenos Aires.

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<v Speaker 2>His parents, who were both doctors, eventually moved the family

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<v Speaker 2>to Los Angeles. So the second move is to la

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<v Speaker 2>bigger city, more soccer, maybe a little.

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<v Speaker 3>Bit more soccer. Yes.

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<v Speaker 4>I started playing in my high school team in my

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<v Speaker 4>senior year San Marino High School. I always bragg We

0:16:00.880 --> 0:16:03.640
<v Speaker 4>reached the final CIF for the first time in history

0:16:03.680 --> 0:16:06.120
<v Speaker 4>when I was there, so I was a fine year.

0:16:06.200 --> 0:16:08.240
<v Speaker 3>I made some new friends.

0:16:07.840 --> 0:16:10.040
<v Speaker 2>In the team, and just like when he was a

0:16:10.120 --> 0:16:13.920
<v Speaker 2>child back in Argentina, writing was a constant. He was

0:16:13.920 --> 0:16:16.760
<v Speaker 2>the editor of sports pages for his high school newspaper.

0:16:17.000 --> 0:16:20.320
<v Speaker 2>He got a journalism degree from USC without taking a

0:16:20.360 --> 0:16:24.320
<v Speaker 2>single broadcast class. Mind blown, and one day he went

0:16:24.360 --> 0:16:26.200
<v Speaker 2>from writing to using his voice.

0:16:26.760 --> 0:16:31.359
<v Speaker 4>Since I was covering as a writer many sporting events

0:16:31.400 --> 0:16:36.360
<v Speaker 4>in Los Angeles, many of the biggest fights of boxing's

0:16:36.400 --> 0:16:40.800
<v Speaker 4>history in Las Vegas, etc. I coincided with a lot

0:16:40.840 --> 0:16:46.800
<v Speaker 4>of American media, and one day in February of nineteen

0:16:46.880 --> 0:16:51.640
<v Speaker 4>eighty seven, I get asked if I could come into

0:16:51.880 --> 0:16:56.040
<v Speaker 4>Univision studios for an addition, because they were looking for

0:16:56.880 --> 0:16:59.160
<v Speaker 4>either a soccer commentator.

0:16:58.600 --> 0:17:01.200
<v Speaker 3>Or a soccer play by player. Now, Sir, I had

0:17:01.240 --> 0:17:02.040
<v Speaker 3>a lucky.

0:17:01.760 --> 0:17:06.040
<v Speaker 4>Break and the probaly within a week, I got a

0:17:06.040 --> 0:17:10.960
<v Speaker 4>call from Corgaveri, whom I pretty much owe my career two,

0:17:11.720 --> 0:17:12.280
<v Speaker 4>and say.

0:17:12.280 --> 0:17:19.399
<v Speaker 2>You're hired, coming up. I wrap up my conversation with

0:17:19.480 --> 0:17:22.960
<v Speaker 2>andres Cantor by talking about some of his all time

0:17:23.040 --> 0:17:26.840
<v Speaker 2>favorite soccer moments and his impressions about the twenty twenty

0:17:26.880 --> 0:17:49.520
<v Speaker 2>six FIFA Men's World Cup. We'll be right back. It's

0:17:49.520 --> 0:17:55.480
<v Speaker 2>American football. I'm Fernande CHAVARRII I couldn't not ask Andres

0:17:55.520 --> 0:17:59.840
<v Speaker 2>Cantor about his favorite soccer moments. First one was in

0:17:59.880 --> 0:18:00.639
<v Speaker 2>the seventies.

0:18:00.960 --> 0:18:04.680
<v Speaker 4>I was again in Argentina and watched Argentina win it

0:18:04.800 --> 0:18:10.720
<v Speaker 4>first woke up in nineteen seventy eight Argentina can Fiond Rondol.

0:18:14.720 --> 0:18:18.119
<v Speaker 2>His second favorite would later be called the goal of

0:18:18.160 --> 0:18:18.760
<v Speaker 2>the Century.

0:18:19.240 --> 0:18:23.879
<v Speaker 4>I was already working for a Graphico magazine of Argentina

0:18:23.880 --> 0:18:28.480
<v Speaker 4>in nineteen eighty six, and so my biggest idol, Diego

0:18:28.480 --> 0:18:34.080
<v Speaker 4>Maradona lifts the Trophy and score the most beautiful goal

0:18:34.160 --> 0:18:41.680
<v Speaker 4>in the history of the World Cup against England.

0:18:48.760 --> 0:18:52.359
<v Speaker 2>They're both Argentina moments, oh yo. And then there's also

0:18:52.720 --> 0:18:54.840
<v Speaker 2>the one that we started the episode with when he

0:18:54.880 --> 0:18:58.439
<v Speaker 2>got super emotional watching Argentina win in twenty twenty two,

0:18:59.480 --> 0:19:01.800
<v Speaker 2>but taking Argentina out of the equation.

0:19:02.240 --> 0:19:06.080
<v Speaker 4>I remember one of my goals, London Donovan's goal for

0:19:06.160 --> 0:19:10.560
<v Speaker 4>the US against Al Years in South Africa twenty ten,

0:19:11.359 --> 0:19:15.119
<v Speaker 4>last minute extra time. The US was being eliminated of

0:19:15.520 --> 0:19:19.760
<v Speaker 4>group phase, which was a big embarrassment, and he scored

0:19:19.880 --> 0:19:35.120
<v Speaker 4>on a counter attack and I left it all out.

0:19:35.520 --> 0:19:38.960
<v Speaker 4>Five years later, I was very lucky enough to see

0:19:39.000 --> 0:19:43.440
<v Speaker 4>Carly Lloyd score a hat trick in the FIFA Women's

0:19:43.600 --> 0:19:49.320
<v Speaker 4>World Cup Final in Vancouver, and the third goal was

0:19:49.440 --> 0:19:54.120
<v Speaker 4>from midfield, and I always say that that was probably one,

0:19:54.400 --> 0:19:58.359
<v Speaker 4>regardless of gender, one of the greatest World Cup final

0:19:58.400 --> 0:20:15.800
<v Speaker 4>goals of all times. So the Talle Live Country Quatroso.

0:20:17.359 --> 0:20:18.880
<v Speaker 3>And King Semuta.

0:20:21.400 --> 0:20:24.359
<v Speaker 2>During our hour long conversation, I think I made it

0:20:24.600 --> 0:20:28.240
<v Speaker 2>pretty clear that I love to talk about logistics and process,

0:20:28.880 --> 0:20:31.040
<v Speaker 2>so I was curious about what his day to day

0:20:31.119 --> 0:20:33.760
<v Speaker 2>will look like for this World Cup, because for the

0:20:33.920 --> 0:20:37.399
<v Speaker 2>first time ever in the almost one hundred years of

0:20:37.520 --> 0:20:42.840
<v Speaker 2>World Cups. This time there are three host countries, three

0:20:43.320 --> 0:20:44.320
<v Speaker 2>big countries.

0:20:44.880 --> 0:20:48.600
<v Speaker 4>Qatar was beautiful because I slept in the same hotel room,

0:20:48.760 --> 0:20:53.040
<v Speaker 4>same bed for forty days. Now I get to go

0:20:53.240 --> 0:20:56.320
<v Speaker 4>to eight different cities in all three countries that are

0:20:56.400 --> 0:21:00.200
<v Speaker 4>hosting the World Cup. So I get calling game hop

0:21:00.240 --> 0:21:04.600
<v Speaker 4>on a Blaine repeat. I'll go from LA to Houston

0:21:05.160 --> 0:21:09.480
<v Speaker 4>to Vancouver to Dallas to Kansas, to Miami to Alakata.

0:21:10.040 --> 0:21:11.200
<v Speaker 2>Are you a really good packer?

0:21:11.800 --> 0:21:13.359
<v Speaker 3>Yeah, I'm used to it.

0:21:13.760 --> 0:21:18.480
<v Speaker 4>I usually take whatever it's necessary, and I've learned that

0:21:18.880 --> 0:21:22.320
<v Speaker 4>if I forget something, there's always somewhere where I can

0:21:22.400 --> 0:21:23.800
<v Speaker 4>buy whatever I forgot.

0:21:23.640 --> 0:21:24.240
<v Speaker 3>If I need to.

0:21:27.359 --> 0:21:29.560
<v Speaker 2>If you've been keeping up with this podcast series, you

0:21:29.720 --> 0:21:32.399
<v Speaker 2>know that this World Cup is widely regarded in the

0:21:32.520 --> 0:21:37.120
<v Speaker 2>US as a consequential one for many, many reasons. Here's

0:21:37.160 --> 0:21:39.800
<v Speaker 2>what soccer starred tap Ramos told me in an earlier

0:21:39.880 --> 0:21:43.280
<v Speaker 2>episode in nineteen ninety four. I feel like it was

0:21:43.320 --> 0:21:46.840
<v Speaker 2>sort of the birth of soccer here. Twenty twenty six

0:21:46.960 --> 0:21:49.280
<v Speaker 2>has to be the World Cup that makes soccer permanent,

0:21:49.640 --> 0:21:50.920
<v Speaker 2>and Cantor agrees.

0:21:52.880 --> 0:21:56.640
<v Speaker 4>Back in nineteen ninety four, I knew that soccer had

0:21:56.680 --> 0:21:59.000
<v Speaker 4>to make it in America. So we depend on the

0:21:59.040 --> 0:22:03.600
<v Speaker 4>World Cup being popular among the general margil for people

0:22:03.640 --> 0:22:05.679
<v Speaker 4>that had never seen a.

0:22:05.720 --> 0:22:07.200
<v Speaker 3>Soccer match in their lives, etc.

0:22:08.359 --> 0:22:11.320
<v Speaker 4>But as much as I said in nineteen ninety four,

0:22:12.440 --> 0:22:15.360
<v Speaker 4>we need to have a good World Cup in all

0:22:15.440 --> 0:22:19.520
<v Speaker 4>sense of the word for the sport to explode definitely

0:22:19.680 --> 0:22:24.800
<v Speaker 4>now in this World Cup will solidify the fandom of

0:22:25.359 --> 0:22:28.920
<v Speaker 4>people that are going to be either new to the

0:22:29.000 --> 0:22:33.879
<v Speaker 4>sport or that already watched the sport, and will solidify

0:22:34.440 --> 0:22:36.040
<v Speaker 4>their loyalties to organ.

0:22:37.040 --> 0:22:39.159
<v Speaker 2>On top of the pressure of this World Cup to

0:22:39.359 --> 0:22:42.920
<v Speaker 2>finally take soccer out of its underdog status in the US,

0:22:43.680 --> 0:22:48.280
<v Speaker 2>It's also happening during a particularly volatile period in geopolitics.

0:22:48.920 --> 0:22:51.840
<v Speaker 2>Whereas the typical attitude of host countries has been one

0:22:51.880 --> 0:22:56.720
<v Speaker 2>of open embrace, the Trump administration stands has been overly hostile,

0:22:57.320 --> 0:23:01.800
<v Speaker 2>throwing four qualified nations on a visa and others on

0:23:01.920 --> 0:23:05.879
<v Speaker 2>a soft blocklist. It caused a kind of dark miasma

0:23:06.040 --> 0:23:09.680
<v Speaker 2>painting for many a tournament they feel should just be

0:23:09.800 --> 0:23:14.680
<v Speaker 2>a positive global celebration. As historian Jonathan Wilson said in

0:23:14.760 --> 0:23:19.240
<v Speaker 2>our first episode, I think this is a World Cup

0:23:19.320 --> 0:23:23.640
<v Speaker 2>that people approach you in trepidation. Even with this backdrop,

0:23:23.960 --> 0:23:27.720
<v Speaker 2>andres Cantor is optimistic about the future of soccer in

0:23:27.800 --> 0:23:28.240
<v Speaker 2>the US.

0:23:28.840 --> 0:23:32.960
<v Speaker 4>Politics aside. It's a different country altogether. It's definitely not

0:23:33.080 --> 0:23:36.159
<v Speaker 4>the same as it was in nineteen ninety four. The

0:23:36.240 --> 0:23:39.440
<v Speaker 4>biggest difference, I would say is sandom. You would pull

0:23:39.800 --> 0:23:42.399
<v Speaker 4>one hundred people in nineteen ninety four about do you

0:23:42.520 --> 0:23:46.040
<v Speaker 4>know what the World Cup is? Probably seventy would say,

0:23:46.240 --> 0:23:49.320
<v Speaker 4>I have no idea, And if you do the same now,

0:23:49.440 --> 0:23:51.280
<v Speaker 4>it's probaty the opposite.

0:23:51.760 --> 0:23:53.760
<v Speaker 3>Thirty would know and seventy would know.

0:23:54.840 --> 0:23:57.800
<v Speaker 4>Way back in nineteen ninety four, nobody could watch more

0:23:57.880 --> 0:24:01.760
<v Speaker 4>than one game per weekend on television, the ones that

0:24:01.880 --> 0:24:03.160
<v Speaker 4>we were calling on Univision.

0:24:03.800 --> 0:24:05.639
<v Speaker 3>So the fandom is that much greater.

0:24:06.880 --> 0:24:12.120
<v Speaker 4>I'll quote Billy Joel in Piano Man, hopefully we will

0:24:12.160 --> 0:24:16.320
<v Speaker 4>all forget life for a while during the thirty nine

0:24:16.400 --> 0:24:21.200
<v Speaker 4>days of competition and then hoping that the world's problems

0:24:21.280 --> 0:24:21.879
<v Speaker 4>get fixed.

0:24:31.000 --> 0:24:33.560
<v Speaker 2>At the risk of sounding Pollyanna, this is something that

0:24:33.640 --> 0:24:36.480
<v Speaker 2>I talked about in episode one. The escape that the

0:24:36.560 --> 0:24:40.240
<v Speaker 2>World Cup provides for so many of us, and its

0:24:40.280 --> 0:24:45.680
<v Speaker 2>significance here in the US for immigrants and kits of immigrants. Well,

0:24:45.760 --> 0:24:47.520
<v Speaker 2>my last question is a bit of a personal one.

0:24:48.200 --> 0:24:51.000
<v Speaker 2>Soccer to me, I don't know the stats. I can't

0:24:51.040 --> 0:24:53.160
<v Speaker 2>tell you you know who plays one during the weekend.

0:24:53.200 --> 0:24:56.080
<v Speaker 2>But when the World Cup happens, I go nuts and

0:24:56.160 --> 0:24:58.720
<v Speaker 2>I go hard and I get really into it. And

0:24:58.840 --> 0:25:01.080
<v Speaker 2>my dad was always the connection to soccer for me

0:25:01.240 --> 0:25:03.880
<v Speaker 2>since I was little, And this is the first World

0:25:03.920 --> 0:25:06.480
<v Speaker 2>Cup that I'm going to experience it without him. This

0:25:06.640 --> 0:25:09.280
<v Speaker 2>is the first one since his passing. So there's a

0:25:09.400 --> 0:25:13.159
<v Speaker 2>lot of connection to soccer that is beyond the sport,

0:25:13.320 --> 0:25:17.000
<v Speaker 2>that is about family, that it's about connection. So I'm

0:25:17.080 --> 0:25:19.240
<v Speaker 2>just curious who's the person that sort of does that

0:25:19.359 --> 0:25:19.520
<v Speaker 2>for you.

0:25:20.560 --> 0:25:23.920
<v Speaker 4>You asked me before if I am emotional, and I

0:25:24.000 --> 0:25:26.359
<v Speaker 4>got emotional to hearing your story, and I know that

0:25:26.520 --> 0:25:33.800
<v Speaker 4>you will when you hear me he got a lot

0:25:33.960 --> 0:25:38.639
<v Speaker 4>of things will go through your mind and they're all

0:25:38.800 --> 0:25:42.760
<v Speaker 4>going to be beautiful memories. I have no doubt where

0:25:42.880 --> 0:25:48.240
<v Speaker 4>that Mexican Jersey proud. Think about your dad and think

0:25:48.280 --> 0:25:55.000
<v Speaker 4>about who you are and what your dad allowed you

0:25:55.119 --> 0:25:59.879
<v Speaker 4>to become. If I may say, you know, my two

0:26:00.040 --> 0:26:05.359
<v Speaker 4>beautiful kids, my wife, and you know when Argentina won

0:26:05.400 --> 0:26:08.320
<v Speaker 4>the World Up in twenty twenty two. Obviously, I got

0:26:08.359 --> 0:26:11.200
<v Speaker 4>a big hug from my son. Actually he was pitch

0:26:11.280 --> 0:26:13.800
<v Speaker 4>sided and I don't know how. He found me at

0:26:13.880 --> 0:26:16.400
<v Speaker 4>the presentation studio and we hugged and cried.

0:26:16.320 --> 0:26:17.119
<v Speaker 2>Oh, that's amazing.

0:26:17.400 --> 0:26:28.680
<v Speaker 4>With a video that also went very, very viral. I'm

0:26:28.720 --> 0:26:31.720
<v Speaker 4>going to close by saying that I am the luckiest

0:26:31.800 --> 0:26:37.680
<v Speaker 4>person in the world because I worked doing what I

0:26:37.800 --> 0:26:42.200
<v Speaker 4>love the most. I've been given the best seat in

0:26:42.280 --> 0:26:45.560
<v Speaker 4>the house for the last forty years. They pay me

0:26:45.680 --> 0:26:49.040
<v Speaker 4>for it, and I've been very lucky to be surrounded

0:26:49.119 --> 0:26:52.679
<v Speaker 4>by great professionals and a great family that has allowed

0:26:52.720 --> 0:26:53.199
<v Speaker 4>me to.

0:26:53.320 --> 0:26:53.879
<v Speaker 2>Do what I do.

0:26:54.840 --> 0:26:59.400
<v Speaker 4>So every time, and believe me, this is true, every

0:26:59.480 --> 0:27:03.560
<v Speaker 4>time I walk onto a broadcast booth at the stadium,

0:27:04.760 --> 0:27:07.359
<v Speaker 4>being the first game or the final, I'll just go

0:27:08.200 --> 0:27:11.880
<v Speaker 4>I'll pinch myself, even though it's something that it's part

0:27:11.960 --> 0:27:16.440
<v Speaker 4>of my regular job, but I will still pinch myself

0:27:16.520 --> 0:27:20.399
<v Speaker 4>and say how lucky I am, and I.

0:27:20.480 --> 0:27:23.199
<v Speaker 2>Am thank you so much for sharing that with us.

0:27:27.160 --> 0:27:30.560
<v Speaker 1>That was an episode of American Football, a new podcast

0:27:30.680 --> 0:27:35.159
<v Speaker 1>about US soccer culture from Futuro Studios. Make sure to

0:27:35.280 --> 0:27:41.720
<v Speaker 1>go to the American Football podcast That's Futbol and subscribe.

0:27:42.160 --> 0:27:45.000
<v Speaker 1>You can also find a link in this episode description.

0:28:00.240 --> 0:28:03.960
<v Speaker 2>American Football is produced by Fututo Studios in collaboration with

0:28:04.160 --> 0:28:09.520
<v Speaker 2>Iheart's Michaultura podcast network. I'm your host Fernande Chavarri. This

0:28:09.640 --> 0:28:12.600
<v Speaker 2>episode was produced by Levi Sharp. It was edited by

0:28:12.640 --> 0:28:16.320
<v Speaker 2>our senior editor Rebecca Vara and me. Fact checking by

0:28:16.440 --> 0:28:21.160
<v Speaker 2>Roxanna Guire, mixing by Brandon Krugel at Multitude Productions. Victoria

0:28:21.200 --> 0:28:25.119
<v Speaker 2>Strada is our production manager. Legal review by Jonathan Fisher

0:28:25.240 --> 0:28:28.840
<v Speaker 2>at Fisher Legal Arts, Andres Cavaguero is also part of

0:28:28.880 --> 0:28:32.440
<v Speaker 2>our production team. Our executive producers are Marlon Bishop and

0:28:32.560 --> 0:28:36.719
<v Speaker 2>Maria Garcia at Futuro Studios. Executive producers at iHeart are

0:28:36.840 --> 0:28:40.680
<v Speaker 2>Leo Gomes and Arlene Santana. Futura Media was founded by

0:28:40.760 --> 0:28:44.600
<v Speaker 2>Maria Inojosa. You can listen to more episodes of American

0:28:44.640 --> 0:28:48.680
<v Speaker 2>Football on the iHeartRadio app, Apple Podcasts, or wherever you

0:28:48.800 --> 0:28:52.000
<v Speaker 2>get your shows. And if you like it, please give

0:28:52.120 --> 0:28:54.800
<v Speaker 2>us a rating and a review. It will help other

0:28:54.840 --> 0:29:02.600
<v Speaker 2>people find us. Thanks for listening. Latino USA is made

0:29:02.640 --> 0:29:08.360
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0:29:08.440 --> 0:29:12.560
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0:29:13.320 --> 0:29:17.840
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0:29:17.920 --> 0:29:21.360
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