WEBVTT - The Brooklyn Boys SLICE TIME for Ep. #341

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<v Speaker 1>Brooklyn Boys podcast Slice reactions. This podcast depends on you

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<v Speaker 1>baby free.

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<v Speaker 2>That's right, Brooklyn Boys Slice Time for episode three forty

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<v Speaker 2>one and.

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<v Speaker 1>Beyond, how's it going?

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<v Speaker 2>Previous and previous and before, et cetera, et cetera. By

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<v Speaker 2>the way, speaking of beyond, because we had this conversation

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<v Speaker 2>last Slice Time, I went on the I guess it

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<v Speaker 2>was a Spotify app. Yeah, and they transcribed the podcasts, right,

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<v Speaker 2>So I looked at the transcript that it's it's me

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<v Speaker 2>saying all the things I said, and you say we'd

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<v Speaker 2>seeing it writing. Oh yeah, I don't like seeing that,

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<v Speaker 2>especially since there's a lot of you know, staccato style

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<v Speaker 2>start stop ship and a lot of stutters and stammers

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<v Speaker 2>and all of it.

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<v Speaker 3>Yeah, and not all, not everything is one hundred percent

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<v Speaker 3>acurate to what we said.

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<v Speaker 1>It doesn't translate to Brooklyn accent. When you call my name,

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<v Speaker 1>it reads scary half the time. So okay, Madonna, All right,

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<v Speaker 1>well anyway.

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<v Speaker 4>Name.

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<v Speaker 2>Thanks for the quick turnaround slices for those of you

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<v Speaker 2>who got the message that we needed your slice times.

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<v Speaker 2>Now all the feedback here. As we're recording this, it's

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<v Speaker 2>a Sunday night and it's time to go folks, Monday morning,

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<v Speaker 2>we said, by Sunday, Monday whatever has taken his first

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<v Speaker 2>vacation of the month. It's the congratulations. I got the

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<v Speaker 2>one year anniversary, the one year subscription to Jelly of

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<v Speaker 2>the Month club, and here I.

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<v Speaker 3>Am, oh great, and Scary Jones. Listen, listen, guys. A

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<v Speaker 3>moment of silence for Scary Jones. He has not had

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<v Speaker 3>a vacation all of June. So he's exhausted. Exhausted from

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<v Speaker 3>working four and a half hours a day and you know,

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<v Speaker 3>only Monday to Friday, having weekends off partying all night.

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<v Speaker 3>The man is exhausted. He has not been on vacation

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<v Speaker 3>since What may I mean who works that kind of schedule?

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<v Speaker 3>Oh my god, the.

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<v Speaker 1>Guy who is permanently on vacation. That guy. It's pickleballs

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<v Speaker 1>and permanent vacation. That's this guy.

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<v Speaker 3>Yeah yeah, but I'm not getting paid for it. You're

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<v Speaker 3>getting paid to go on vacation all the time, so

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<v Speaker 3>you win.

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<v Speaker 1>Can we get to the talkbacks?

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<v Speaker 5>All right?

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<v Speaker 2>Stop stop going off on tangents. Don't turn the slices

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<v Speaker 2>against me unnecessarily too late for that. I'll do that

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<v Speaker 2>on my own, right, Thanks. I don't need your help.

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<v Speaker 3>So you know what, take a vacation in the middle

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<v Speaker 3>of the Slicetime episode in case you get worn out,

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<v Speaker 3>I hit the net first call.

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<v Speaker 1>Here we are folks.

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<v Speaker 2>These are the people that listen to iHeart Radio and

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<v Speaker 2>click that microphone button. Oh, if you want to get

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<v Speaker 2>in on the next one, make sure you listen to

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<v Speaker 2>the iHeart Radio app and then you can participate in

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<v Speaker 2>Slice Time.

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<v Speaker 1>Yes, Brody, I have a Slice Time.

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<v Speaker 3>Shout out to Shady Jew Mobster who told me something

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<v Speaker 3>about the Slice Time, about the talkback feature.

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<v Speaker 1>I wasn't aware of. What's that?

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<v Speaker 2>Well, he said, I can't believe these people who leave

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<v Speaker 2>right or they're in a wind tunnel. Is No, I

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<v Speaker 2>didn't know this because I don't leave talkbacks very often.

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<v Speaker 2>But there's a play button on the screen and you

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<v Speaker 2>can hit play after you record it to hear what

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<v Speaker 2>it sounds like before it sends.

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<v Speaker 1>Ah.

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<v Speaker 2>Okay, So maybe people should preview their talkbacks before they

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<v Speaker 2>leave them.

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<v Speaker 3>Yeah, so MJ Fremenj can hear herself before she says,

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<v Speaker 3>I wonder if this is working right?

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<v Speaker 1>All right, all right, let's get to it.

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<v Speaker 6>All right, Scary and Brody, Brody and Scary Scarodi NINEI

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<v Speaker 6>from CT. Since Brody brought up an absurd question about

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<v Speaker 6>prostitutes in the last Slice Time, I have a question

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<v Speaker 6>to ask him. If a prostitute has sex against her will,

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<v Speaker 6>is it considered rape or shoplifting?

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<v Speaker 3>Oh my god, I understand the cleverness of it. Well,

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<v Speaker 3>your question is, but the first answer is correct.

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<v Speaker 1>Yeah, all right, Thank you, great opening. Thank you for

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<v Speaker 1>making us think, making.

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<v Speaker 7>Us Jay, Jamie and Queen's here. I want to thank

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<v Speaker 7>you guys in advance for something you don't know you're

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<v Speaker 7>about to do for me. I'm going to be traveling

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<v Speaker 7>from Queens to New Jersey via public transferit very soon,

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<v Speaker 7>and I'm going to save episodes three forty one and

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<v Speaker 7>the Slice Time episode for it to listen to on

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<v Speaker 7>the trips. So thank you in advance for saving my

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<v Speaker 7>sanity as I deal with public transit getting to New Jersey.

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<v Speaker 1>Oh yeah, good luck.

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<v Speaker 3>Well, I'm assuming she's already well, I guess she hasn't

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<v Speaker 3>done it yet because she hasn't listened to this yet.

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<v Speaker 1>So yeah, good luck.

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<v Speaker 7>Okay, enough of the sappy bullshit. Back to her regular

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<v Speaker 7>scheduled talk facts, Brodie, I have a post office story

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<v Speaker 7>for you. I was waiting in line at post office

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<v Speaker 7>last week, and I overhear this conversation of the woman

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<v Speaker 7>with the postal worker at the window. Apparently this woman

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<v Speaker 7>thought she could mail an envelope without putting down an

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<v Speaker 7>address of where it's going. And the postal worker says, uh,

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<v Speaker 7>there's no mailing address on And I'm thinking, Okay, how

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<v Speaker 7>did she expect it to get where it's going with

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<v Speaker 7>add an address on it? But sure, so she steps

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<v Speaker 7>to the side, she writes in the address. She goes

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<v Speaker 7>back to the window, and then the postal worker says,

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<v Speaker 7>is there a return address on it?

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<v Speaker 8>And the woman goes, I think, so, do you mean

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<v Speaker 8>you think so?

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<v Speaker 7>Shouldn't you know these things? I don't know about you guys,

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<v Speaker 7>But I double and triple and quadruple checked that all

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<v Speaker 7>the addresses are correct before I even get to the

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<v Speaker 7>post office.

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<v Speaker 1>Yeah, yeah, I.

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<v Speaker 8>Hi MJ from NJ. I don't know why I'm whispering

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<v Speaker 8>the name about the names though, this is old and

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<v Speaker 8>tired and beat up. But not the old names, but

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<v Speaker 8>the names that people give their kids. But a long

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<v Speaker 8>time ago, a girl I worked with. Her name is Lisa.

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<v Speaker 8>Her mother she was a twin paternal so her sister's

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<v Speaker 8>name is Mona, get it Mona and Lisa Mona Lisa,

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<v Speaker 8>Love you guys, all right from NJ again whispering, don't

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<v Speaker 8>ask me why.

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<v Speaker 1>Anyway about the names.

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<v Speaker 8>Another another one that was unusual. My son went to

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<v Speaker 8>a school to high school with a kid named wing

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<v Speaker 8>w I n uh shalloon? I think with his middle

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<v Speaker 8>name and something leaves with something with a legal bot

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<v Speaker 8>bits or something. Yeah, Wing, interesting name. Okay, love you j.

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<v Speaker 1>You know my my brother's kids names, right?

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<v Speaker 6>Uh?

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<v Speaker 1>No, I do not. Jack and Ruby?

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<v Speaker 6>No?

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<v Speaker 2>Is that on purpose? I guess ida. I never asked him,

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<v Speaker 2>but Jack Ruby, Jack Ruby, shot Lee Harvey Oswald. Yes,

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<v Speaker 2>that's I understand that. Yes, Jack Ruby, how do you know?

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<v Speaker 2>I mean, how do you he might? That has to

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<v Speaker 2>be just coincidence, right, I think, so I'm gonna ask him.

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<v Speaker 2>I'll be on vacation with him very soon. Oh did

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<v Speaker 2>I tell you about I'm going on vacation. Yeah, you

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<v Speaker 2>gotta you got a villa I'm gonna be. We're going

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<v Speaker 2>to Jamaica with family.

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<v Speaker 9>Hey, brokeram boys, this is Maria from Union City. I'm

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<v Speaker 9>listening to this lifetime right now. And someone brought up

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<v Speaker 9>that no one answered Asian Mike about being Asian, and

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<v Speaker 9>she's right. I am actually part Asian, about like twenty

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<v Speaker 9>five percent. My grandmother from my dad's side, she's Chinese.

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<v Speaker 9>Her parents moved to Ecuador, they immigrated over there, and

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<v Speaker 9>my grandmother was born in Ecuador.

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<v Speaker 1>But she is full.

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<v Speaker 9>Hey it's me again, Maria. Yeah, so my dad is

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<v Speaker 9>half Chinese, and then there's me. I'm a quarter So

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<v Speaker 9>I'm a quarter Chinese. There you go, Asian mic see.

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<v Speaker 2>Yeah, all right, cool, appreciate she's a quarter Chinese. But

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<v Speaker 2>had she ordered the law, she'd be a pint.

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<v Speaker 1>No, the pint would be the hat of the quarter.

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<v Speaker 1>Hind is small. Yeah, hey, I have a question. Yes,

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<v Speaker 1>what's that there, David Brody.

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<v Speaker 2>Now, Scary Maria's grandmother, uh is Chinese but born in

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<v Speaker 2>what did she say, Ecuador?

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<v Speaker 1>Yeah, which means you probably speaks Spanish.

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<v Speaker 3>Now, when Scary sees an Asian person in public and

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<v Speaker 3>they speak English, he calls that the Chinese psych out

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<v Speaker 3>because it throws him when they don't have an accent.

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<v Speaker 3>So I'm wondering, would your mind explode if you met

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<v Speaker 3>an Asian person who spoke Spanish?

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<v Speaker 2>Yeah, I'd be like, oh, my god, that's wild because

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<v Speaker 2>I wouldn't expect that I have a visual, but the

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<v Speaker 2>audio doesn't match the video.

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<v Speaker 1>You know what I'm saying? All right?

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<v Speaker 10>Never ah, Yeah, Okay, Hey guys, it's Rachel from New York,

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<v Speaker 10>and I preemptively apologize. I am delayed in catching up

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<v Speaker 10>on the podcast. No worries, but I am really sorry Bradie.

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<v Speaker 10>You were owed an apology. I meant to include that

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<v Speaker 10>I acknowledge that you corrected yourself thirty seconds later about

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<v Speaker 10>the fiddler on the roof. If I were thing and

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<v Speaker 10>you I was wrong, that you were wrong because I

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<v Speaker 10>was impatient and you were right.

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<v Speaker 1>So there you go.

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<v Speaker 4>Wrong.

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<v Speaker 1>Yeah, he doesn't always say to himself.

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<v Speaker 2>Though he doesn't always that it doesn't always happen a

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<v Speaker 2>lot of times, you guys are correct and leaving the

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<v Speaker 2>talk back.

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<v Speaker 11>Hey, here's joking, California, she's scary. On your broken bed frame,

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<v Speaker 11>was it the box spring that broke or do you

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<v Speaker 11>have slat slats without a box spring? Great question, because

0:10:22.840 --> 0:10:26.960
<v Speaker 11>it was without without a box spring. Replace each individual

0:10:27.080 --> 0:10:30.040
<v Speaker 11>slat that broke. If it's a box spring, you could

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<v Speaker 11>just throw a sheet of plywood over the box spring

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<v Speaker 11>and that should give you the support that you need.

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<v Speaker 1>I appreciate you.

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<v Speaker 2>You know, my mattress is so fucking heavy because the

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<v Speaker 2>temper pedic that I haven't even lifted up yet. I

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<v Speaker 2>don't know where the crack is, but I'm pretty sure

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<v Speaker 2>it was the frame itself. I do not have a

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<v Speaker 2>box spring. I definitely have slats, but the actual when

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<v Speaker 2>I say box spring, maybe I met the slats. But

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<v Speaker 2>the actual frame itself, I think is where the problems.

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<v Speaker 1>I have to do a little bit more digging. Scary.

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<v Speaker 11>Somebody had asked you about you ordered something with the

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<v Speaker 11>crispy bottom, and you said it was tongue in cheek,

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<v Speaker 11>So for the crispy bottom, shouldn't be tongue in cheeks.

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<v Speaker 1>Tongue in cheeks? All right? Very nice, very nice, nice,

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<v Speaker 1>you added to my own joke, Benny.

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<v Speaker 12>From Brooklyn, Victoria. Although I can appreciate and respect your

0:11:28.080 --> 0:11:31.400
<v Speaker 12>opinion that Ellenb squares are the best, my opinion is.

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<v Speaker 4>They they are just mediocre. And my biggest issue was

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<v Speaker 4>the fact that most squares are cooked with like pre

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<v Speaker 4>cooked dough or paul cooked, I should say, and then

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<v Speaker 4>they top it and put it back in. Ellen B

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<v Speaker 4>doesn't do that. They put it on completely raw, so

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<v Speaker 4>you're eating raw dough. And to me that raw do

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<v Speaker 4>this isn't the best.

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<v Speaker 1>That's all. I'll eat it if i'm there.

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<v Speaker 4>I used to go there. I used to ride a

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<v Speaker 4>motorcycle and we all used to you know, meet up

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<v Speaker 4>over there. So I used to go over there and

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<v Speaker 4>I used to eat pizza like crazy. I don't mislike it.

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<v Speaker 4>I just don't think it's the best pizza around its

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<v Speaker 4>square Wise, the Vinchies will blow it at it the water.

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<v Speaker 4>And the last time I flew with a little kid

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<v Speaker 4>boy was fifteen years ago, so I thought it was free.

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<v Speaker 1>All right. Well, we all have different opinions on pizza,

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<v Speaker 1>don't we. Yeah.

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<v Speaker 3>And by the way, not park cooking it doesn't mean

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<v Speaker 3>they don't cook it. It's not raw. They just cook

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<v Speaker 3>it slower so that they don't have to par cook it.

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<v Speaker 3>But I listen lmb's for those of you who've had

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<v Speaker 3>it or in the area, it's not traditional Sicilian pizza.

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<v Speaker 3>I can't compare it to Sicilian pizza. You can't compare

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<v Speaker 3>it to Da Vinci's or anywhere else.

0:12:41.440 --> 0:12:42.280
<v Speaker 1>Is very different.

0:12:42.760 --> 0:12:46.800
<v Speaker 3>It's an upside down what do they call it? A

0:12:46.960 --> 0:12:50.120
<v Speaker 3>Taperly style. There is a style, I forget what city,

0:12:50.320 --> 0:12:51.200
<v Speaker 3>in Palermo style.

0:12:51.280 --> 0:12:51.520
<v Speaker 1>That's it.

0:12:51.800 --> 0:12:54.720
<v Speaker 2>It's Palermo style. It's the sauce on top of the cheese.

0:12:55.120 --> 0:12:57.400
<v Speaker 2>So if you compare it to other Palermo style pizzas,

0:12:57.880 --> 0:13:01.040
<v Speaker 2>it's better. It's a unique experience, that's all.

0:13:01.160 --> 0:13:04.560
<v Speaker 4>All right, Hey from Brooklyn. I just heard the guy

0:13:04.720 --> 0:13:09.880
<v Speaker 4>talking about the pizzerias and Krispies. They are absolutely Sicilian.

0:13:10.160 --> 0:13:13.160
<v Speaker 4>They are not Albanians. There are a bunch of Albanians

0:13:13.240 --> 0:13:15.880
<v Speaker 4>working at the one at least in Freehold, probably the

0:13:16.200 --> 0:13:19.280
<v Speaker 4>other ones in Jersey too, But Freddie and his brothers

0:13:19.320 --> 0:13:25.560
<v Speaker 4>are all Sicilian. I know them thirty five years. It's Vinnie,

0:13:25.600 --> 0:13:28.960
<v Speaker 4>Freddy and two other brothers. One of them passed away,

0:13:29.480 --> 0:13:30.920
<v Speaker 4>but they were all Sicilians.

0:13:32.600 --> 0:13:39.480
<v Speaker 2>Alright, slices you got that in Oklahoma, Nah, not Albanian. Right,

0:13:40.640 --> 0:13:43.079
<v Speaker 2>very very We're all good, now, good, We're good.

0:13:43.080 --> 0:13:49.880
<v Speaker 1>We're good. The Brooklyn Boys podcast. We will be right back,

0:13:51.440 --> 0:13:54.080
<v Speaker 1>all right. We're getting more local on the old Slice time.

0:13:54.520 --> 0:13:56.120
<v Speaker 3>I just want to want to go back to Slice

0:13:56.160 --> 0:13:59.200
<v Speaker 3>time that called for a second by Vinnie. Albanians can

0:13:59.240 --> 0:14:00.800
<v Speaker 3>make pizza, of course they can.

0:14:01.760 --> 0:14:02.120
<v Speaker 1>That's all.

0:14:02.120 --> 0:14:04.880
<v Speaker 2>I mean, I there with some great pizzerias in Brooklyn

0:14:05.000 --> 0:14:09.280
<v Speaker 2>that I grew up with owned by Albanians and they

0:14:09.400 --> 0:14:10.800
<v Speaker 2>need some kick ass pizza.

0:14:12.520 --> 0:14:14.480
<v Speaker 1>And it's isn't it right next door to Italy anyway?

0:14:14.600 --> 0:14:15.640
<v Speaker 1>Is it all the same region?

0:14:17.920 --> 0:14:21.680
<v Speaker 13>Hey, Brody and scary? This is adding stremes, Jerry, I

0:14:21.880 --> 0:14:25.640
<v Speaker 13>thought you hung out with the classy and dirt big

0:14:25.720 --> 0:14:26.600
<v Speaker 13>low life peep.

0:14:27.000 --> 0:14:28.600
<v Speaker 14>What the fuck is his problem?

0:14:29.040 --> 0:14:32.880
<v Speaker 10>If he's anywhere everything your age group, he needs to grow.

0:14:32.720 --> 0:14:36.760
<v Speaker 15>The fuck up. It's disgusting that he calls them entails

0:14:37.680 --> 0:14:38.320
<v Speaker 15>or pieces of.

0:14:38.360 --> 0:14:41.360
<v Speaker 13>Ass and expect anything different from what happens.

0:14:41.880 --> 0:14:44.040
<v Speaker 8>He thinks that women are jim drums that he can

0:14:44.200 --> 0:14:45.239
<v Speaker 8>use a dead disposal.

0:14:45.920 --> 0:14:47.720
<v Speaker 9>Disgusting it is.

0:14:47.840 --> 0:14:49.880
<v Speaker 2>It is kind of disgusting. I kind of winced when

0:14:49.880 --> 0:14:53.000
<v Speaker 2>he talks. But I mean, I don't know what to say.

0:14:53.160 --> 0:14:56.200
<v Speaker 2>This is somebody who's been in my life for a while.

0:14:56.560 --> 0:14:58.440
<v Speaker 1>Brody. Brody knows who he is as well.

0:14:59.000 --> 0:15:02.560
<v Speaker 3>Yeah, it doesn't prize me, it doesn't surprise me. He's

0:15:02.720 --> 0:15:03.280
<v Speaker 3>very cocky.

0:15:03.800 --> 0:15:06.320
<v Speaker 2>I mean, he's a he's a good looking guy, and

0:15:06.440 --> 0:15:10.960
<v Speaker 2>he's very confident and cocky in his abilities to go

0:15:11.080 --> 0:15:12.000
<v Speaker 2>from one woman to another.

0:15:12.040 --> 0:15:14.000
<v Speaker 1>What mad he is saying is that doesn't make it right.

0:15:15.080 --> 0:15:16.120
<v Speaker 1>I didn't say it made it right.

0:15:16.320 --> 0:15:18.440
<v Speaker 3>I'm just saying you asked me if I yes, I've

0:15:18.480 --> 0:15:22.000
<v Speaker 3>I've met Pete a few times and it doesn't surprise

0:15:22.120 --> 0:15:22.680
<v Speaker 3>me that he would.

0:15:23.240 --> 0:15:25.120
<v Speaker 1>You know, he does have other redeeming qualities.

0:15:25.840 --> 0:15:30.520
<v Speaker 3>I will say that when he refers to women as tail, yeah,

0:15:30.640 --> 0:15:35.480
<v Speaker 3>I think it's tongue in cheek. I think, yeah, you know,

0:15:35.800 --> 0:15:38.160
<v Speaker 3>he's I'm gonna get along. I don't think he's like, yeah,

0:15:38.240 --> 0:15:40.200
<v Speaker 3>look at that. I think he's just saying it like

0:15:40.400 --> 0:15:41.040
<v Speaker 3>the guy talk.

0:15:41.200 --> 0:15:43.920
<v Speaker 1>But it's, yeah, a locker room talk. And then he

0:15:46.000 --> 0:15:50.040
<v Speaker 1>version of it, but his you know, it's it's it's

0:15:50.080 --> 0:15:53.360
<v Speaker 1>like come to be expected from Pete. He's not as

0:15:53.520 --> 0:15:56.080
<v Speaker 1>polished as Scary Jones not.

0:15:58.920 --> 0:16:03.800
<v Speaker 2>But yeah, we we kind of forgive, we overlook sometimes

0:16:04.440 --> 0:16:05.640
<v Speaker 2>some people's shortcomings.

0:16:06.280 --> 0:16:08.480
<v Speaker 1>We all we all have people in our lives that

0:16:09.000 --> 0:16:11.320
<v Speaker 1>you're just like a little cringe.

0:16:12.080 --> 0:16:13.800
<v Speaker 3>And by the way, because I think we went to commercial,

0:16:13.840 --> 0:16:15.720
<v Speaker 3>I don't remember what order it happened. Well, you're talking

0:16:15.720 --> 0:16:18.840
<v Speaker 3>about about Albania. Albania is right across the water from Italy,

0:16:19.160 --> 0:16:21.240
<v Speaker 3>like it's north of Greece. That's what I said, the

0:16:21.400 --> 0:16:24.000
<v Speaker 3>next door to each other. Well, they're across the water.

0:16:24.120 --> 0:16:26.600
<v Speaker 3>But but the point is Albanians are not. I mean,

0:16:26.600 --> 0:16:31.040
<v Speaker 3>they're like neighbors, right. They make pizza there too, of course.

0:16:32.120 --> 0:16:32.360
<v Speaker 1>Yeah.

0:16:33.200 --> 0:16:36.000
<v Speaker 3>Now if you said there were Greeks making the pizza, right,

0:16:36.040 --> 0:16:37.040
<v Speaker 3>I'd still be okay with it.

0:16:37.080 --> 0:16:38.840
<v Speaker 1>I'd be all right with that too. But guess what,

0:16:39.200 --> 0:16:41.800
<v Speaker 1>I'm good with all of their olive oil that whole region.

0:16:41.920 --> 0:16:44.680
<v Speaker 3>Now, Now, if you're from Papua New Guinea making pizza,

0:16:44.760 --> 0:16:46.160
<v Speaker 3>I have to like think twice about it.

0:16:46.560 --> 0:16:47.120
<v Speaker 1>I'd have to die.

0:16:47.200 --> 0:16:50.960
<v Speaker 16>I get it a boy Asian mic Did I hear

0:16:51.120 --> 0:16:52.680
<v Speaker 16>Risker call me Asian boy?

0:16:53.000 --> 0:16:56.240
<v Speaker 1>Mike risk the girl? I can't assure you that I'm

0:16:56.280 --> 0:16:56.760
<v Speaker 1>not a boy.

0:16:57.480 --> 0:16:59.880
<v Speaker 8>I'm all man, and I order stereotypes to bed.

0:17:01.320 --> 0:17:03.040
<v Speaker 16>So you did a Chinese malation?

0:17:03.240 --> 0:17:03.440
<v Speaker 6>Lie?

0:17:03.960 --> 0:17:04.760
<v Speaker 1>Did he talk like this?

0:17:05.000 --> 0:17:05.160
<v Speaker 17>Lie?

0:17:06.240 --> 0:17:09.000
<v Speaker 16>All this time, I thought you were a traditional Jewish girl.

0:17:09.080 --> 0:17:10.640
<v Speaker 1>How does dating outside the tribework?

0:17:11.119 --> 0:17:11.280
<v Speaker 6>You know?

0:17:12.240 --> 0:17:12.760
<v Speaker 1>That's crazy?

0:17:14.480 --> 0:17:17.480
<v Speaker 16>It's me Asian microgaan so brody pickable to me, seems

0:17:17.560 --> 0:17:19.840
<v Speaker 16>like a mix of tennis and ping pong. If I

0:17:19.920 --> 0:17:21.840
<v Speaker 16>played tennis, I like to go for power. If I'm

0:17:22.320 --> 0:17:24.879
<v Speaker 16>playing ping pong. I go for spin and power, so

0:17:25.440 --> 0:17:27.200
<v Speaker 16>I played pickable. I think I go for a mix

0:17:27.320 --> 0:17:29.840
<v Speaker 16>of spin and power, just like I do with what

0:17:29.920 --> 0:17:33.200
<v Speaker 16>I do. Yep, I can't message you because like I

0:17:33.240 --> 0:17:35.200
<v Speaker 16>don't got any of my social media accounts anymore, but

0:17:35.240 --> 0:17:38.000
<v Speaker 16>I still do have my YouTube channel, and I may

0:17:38.119 --> 0:17:40.240
<v Speaker 16>and may not have left the comment on one of

0:17:40.320 --> 0:17:43.760
<v Speaker 16>your Marvel Movie Talk videos and that means he.

0:17:43.800 --> 0:17:46.440
<v Speaker 2>Did Brody just for the record, all right, Well, since

0:17:46.440 --> 0:17:48.000
<v Speaker 2>I do so many of them, I'm not going to

0:17:48.080 --> 0:17:50.600
<v Speaker 2>go and look at every single one for your comments.

0:17:50.640 --> 0:17:52.760
<v Speaker 2>If you were more specific, I would check it out,

0:17:53.119 --> 0:17:58.240
<v Speaker 2>by the way, I think Next Monday the thirtieth, Yeah,

0:17:58.960 --> 0:18:02.560
<v Speaker 2>Monday the thirtieth, June thirtieth, twenty twenty five, I'm doing

0:18:02.600 --> 0:18:05.600
<v Speaker 2>an iron Heart podcast to talk about the new Marvel

0:18:05.840 --> 0:18:07.600
<v Speaker 2>Disney Plus show iron Heart.

0:18:07.960 --> 0:18:10.840
<v Speaker 1>Nice sou Outt's watch for David Brody.

0:18:13.240 --> 0:18:17.320
<v Speaker 18>Hi a big fan from Queen's here commenting on the

0:18:17.480 --> 0:18:21.479
<v Speaker 18>friend who ghosted Brody when he was asking for a favor. Brody,

0:18:21.880 --> 0:18:24.239
<v Speaker 18>as you were telling Skiery early on, when you were

0:18:24.320 --> 0:18:26.400
<v Speaker 18>telling him the story, take a hint.

0:18:26.760 --> 0:18:28.239
<v Speaker 6>You don't need to ask, you don't need to rack.

0:18:28.359 --> 0:18:29.640
<v Speaker 6>You got your answer right there.

0:18:30.480 --> 0:18:33.399
<v Speaker 1>You have an update for us, Dad, David Brody. Oh

0:18:33.880 --> 0:18:35.560
<v Speaker 1>you mean the person who never got back to me

0:18:35.600 --> 0:18:36.600
<v Speaker 1>on Instagram. That's right.

0:18:38.080 --> 0:18:42.600
<v Speaker 3>Yes, About twelve hours after we recorded, he wrote me

0:18:42.720 --> 0:18:44.640
<v Speaker 3>and said, oh my god, I'm so sorry I didn't

0:18:44.720 --> 0:18:47.960
<v Speaker 3>hit send on what I wrote. I apologize. I will

0:18:48.119 --> 0:18:50.160
<v Speaker 3>work on that favor for you Monday morning.

0:18:51.880 --> 0:18:55.320
<v Speaker 1>Again. I'm an idiot, so right, So now the.

0:18:55.440 --> 0:18:59.159
<v Speaker 2>Question is when we record our next Brooklyn Boys podcast,

0:19:00.320 --> 0:19:02.960
<v Speaker 2>like to revisit this again and see if he actually

0:19:03.000 --> 0:19:04.359
<v Speaker 2>came through with the actual favor.

0:19:06.000 --> 0:19:07.480
<v Speaker 1>I don't know if i'd have any way of knowing,

0:19:07.600 --> 0:19:10.880
<v Speaker 1>but at least he didn't leave me hanging. So we'll see.

0:19:11.280 --> 0:19:15.680
<v Speaker 4>We'll see me from Brooklyn in Brody that thing about

0:19:15.720 --> 0:19:16.800
<v Speaker 4>your friend with the text with.

0:19:16.880 --> 0:19:17.480
<v Speaker 15>The favor or.

0:19:19.080 --> 0:19:21.040
<v Speaker 4>I'm not saying this is the case, but it has

0:19:21.160 --> 0:19:25.480
<v Speaker 4>happened to me where I'll text something, or i'll type

0:19:25.520 --> 0:19:29.280
<v Speaker 4>out a text and I think I sent it. I'm

0:19:29.400 --> 0:19:32.960
<v Speaker 4>semi retarded too, so I'll think I sent it, and

0:19:33.040 --> 0:19:35.320
<v Speaker 4>then I'll realize a day or two later when I

0:19:35.400 --> 0:19:37.680
<v Speaker 4>go in and like, I never got a message back

0:19:37.760 --> 0:19:40.120
<v Speaker 4>and I didn't even hits end, or it didn't go through.

0:19:41.800 --> 0:19:44.560
<v Speaker 4>But if that is you think he legitimately ghosted you,

0:19:44.760 --> 0:19:46.879
<v Speaker 4>I would absolutely be like, all right, great chat dab

0:19:46.960 --> 0:19:50.720
<v Speaker 4>pam like thanks to the update or thanks for the help,

0:19:51.880 --> 0:19:55.440
<v Speaker 4>sarcastic bat it and that's it, you know. I mean

0:19:56.240 --> 0:19:58.600
<v Speaker 4>my opinion is I probably wouldn't talk to him anymore

0:19:58.720 --> 0:20:00.960
<v Speaker 4>regardless if if that's what he did to me, you know,

0:20:01.119 --> 0:20:02.600
<v Speaker 4>so what to make a difference if I sound like

0:20:02.640 --> 0:20:04.600
<v Speaker 4>a dick, Yeah.

0:20:04.640 --> 0:20:05.800
<v Speaker 1>That's a good point, great point.

0:20:06.320 --> 0:20:07.879
<v Speaker 3>If you're writing somebody off, you might as well go

0:20:07.920 --> 0:20:09.760
<v Speaker 3>out with a bang. But in this case, as I

0:20:09.880 --> 0:20:11.840
<v Speaker 3>just explained, he did the same thing that you are

0:20:11.840 --> 0:20:14.160
<v Speaker 3>guilty of. Any He didn't hit send.

0:20:14.560 --> 0:20:17.160
<v Speaker 19>Brody and scary, never scary and brody. It's well from

0:20:17.240 --> 0:20:20.280
<v Speaker 19>CT first off, scary. I'm proud of you, my boy.

0:20:20.400 --> 0:20:24.000
<v Speaker 19>You went to the gym with no motivation from anyone else, no,

0:20:25.040 --> 0:20:27.719
<v Speaker 19>you know, guilty conscience from anyone else. You went completely

0:20:27.840 --> 0:20:29.200
<v Speaker 19>on your own, and I'm proud of you for that,

0:20:29.320 --> 0:20:29.600
<v Speaker 19>my boy.

0:20:29.720 --> 0:20:30.359
<v Speaker 1>I really mean that.

0:20:32.040 --> 0:20:35.560
<v Speaker 19>Also, as far as the barbecue is concerned, like yeah,

0:20:35.680 --> 0:20:37.960
<v Speaker 19>up northf yould call it a barbecue. We're not grilling.

0:20:39.840 --> 0:20:44.200
<v Speaker 19>I would suggest that you just I would suggest that

0:20:44.280 --> 0:20:46.720
<v Speaker 19>you just stick to meat, you know, go like a

0:20:47.000 --> 0:20:51.119
<v Speaker 19>like a mini Keto thing, go like all meat, you know.

0:20:51.359 --> 0:20:54.119
<v Speaker 19>And if you're gonna have hot dogs or burgers, no buns,

0:20:54.560 --> 0:20:57.000
<v Speaker 19>if you're gonna have some kind of potato salad or something,

0:20:57.160 --> 0:20:59.960
<v Speaker 19>just have a very tiny bit, maybe like the size

0:21:00.080 --> 0:21:03.560
<v Speaker 19>year palm, and just stick stick to that, and I

0:21:03.640 --> 0:21:04.600
<v Speaker 19>think you'll be just fine.

0:21:05.080 --> 0:21:06.520
<v Speaker 1>You're right, Brody.

0:21:06.600 --> 0:21:09.680
<v Speaker 19>As far as the message from that guy is concerned,

0:21:12.200 --> 0:21:15.320
<v Speaker 19>three things could have happened Brody. Either number one, before

0:21:15.440 --> 0:21:17.760
<v Speaker 19>he was he sent the message, he probably thought, well,

0:21:17.840 --> 0:21:19.560
<v Speaker 19>let me make sure I can actually do the favor

0:21:19.640 --> 0:21:25.720
<v Speaker 19>before I respond, Or he thought, well, he only reaches

0:21:25.760 --> 0:21:27.680
<v Speaker 19>out to me directly when he needs a favor. Wherever

0:21:27.800 --> 0:21:30.240
<v Speaker 19>heard from it like five six years Oh fuck him,

0:21:31.160 --> 0:21:34.560
<v Speaker 19>Or that's when he got distracted and just forgot about

0:21:34.600 --> 0:21:35.160
<v Speaker 19>you completely.

0:21:36.119 --> 0:21:38.440
<v Speaker 1>But either way, just let it go. If you don't

0:21:38.760 --> 0:21:42.719
<v Speaker 1>message Vinnie here again, Max Up. That was the end

0:21:42.760 --> 0:21:45.160
<v Speaker 1>of his text. I know I got the point. Yeah,

0:21:45.160 --> 0:21:45.639
<v Speaker 1>I know you're right.

0:21:45.760 --> 0:21:49.800
<v Speaker 4>Yep, Vinnie here again. I'm actually calling about the the

0:21:49.840 --> 0:21:54.399
<v Speaker 4>Sabrina Calplenter thing. Now, normally I couldn't care less about

0:21:56.160 --> 0:21:58.880
<v Speaker 4>what she does on her albums or any of these,

0:21:59.720 --> 0:22:02.080
<v Speaker 4>but I do agree with Brody. And the problem is

0:22:02.160 --> 0:22:06.040
<v Speaker 4>is that she was a Disney star, and like Christina

0:22:06.080 --> 0:22:09.560
<v Speaker 4>Aguilera and Brittany with Disney stars, but it was our age.

0:22:09.680 --> 0:22:13.320
<v Speaker 4>We're all in our forties now, so it was our audience.

0:22:13.400 --> 0:22:17.920
<v Speaker 1>But for Sabrina Carpenter, this still kids like my kids.

0:22:18.400 --> 0:22:20.640
<v Speaker 4>Until I realized what she was saying and the shit

0:22:20.720 --> 0:22:25.359
<v Speaker 4>that she was doing. I have a three daughters, nine, twelve,

0:22:25.440 --> 0:22:28.040
<v Speaker 4>and fifteen. My fifteen year old, fine, I know what

0:22:28.119 --> 0:22:30.600
<v Speaker 4>I was doing at fifteen years old. I'm not saying

0:22:30.640 --> 0:22:34.480
<v Speaker 4>she's doing it, but they're exposed to things. But I

0:22:34.520 --> 0:22:36.720
<v Speaker 4>don't want my nine year old seeing that and thinking

0:22:36.800 --> 0:22:41.399
<v Speaker 4>that's fucking normal. That's horrible, hugged audience. I don't know

0:22:41.800 --> 0:22:45.240
<v Speaker 4>anybody our age, well, even in their twenties and thirties,

0:22:45.280 --> 0:22:49.400
<v Speaker 4>that are clamoring to go to a Sabrina carp Into concert.

0:22:49.960 --> 0:22:53.000
<v Speaker 4>It's usually they're taking their younger siblings or they're taking

0:22:53.080 --> 0:22:56.520
<v Speaker 4>their kids and shit like that. So I think, yeah,

0:22:56.720 --> 0:22:59.879
<v Speaker 4>very inappropriate. I think it's kind of dirt bagish to

0:23:00.119 --> 0:23:03.120
<v Speaker 4>do it at this stage. Sorry, it's my opinion. Yes

0:23:03.240 --> 0:23:07.760
<v Speaker 4>I am conservative, but it's you know it is and

0:23:07.880 --> 0:23:10.440
<v Speaker 4>what's worse is a lot of the kids don't even

0:23:10.600 --> 0:23:13.840
<v Speaker 4>know what they're replicating, but they're saying and doing shit

0:23:14.359 --> 0:23:17.560
<v Speaker 4>that's really inappropriate. And as a father, like I said,

0:23:18.400 --> 0:23:20.960
<v Speaker 4>I don't want my kids replicating that shit when they're

0:23:21.000 --> 0:23:24.240
<v Speaker 4>out in public. There's the ones that know exactly what

0:23:24.359 --> 0:23:26.359
<v Speaker 4>they're doing, and then there's the ones that innocently do

0:23:26.480 --> 0:23:30.040
<v Speaker 4>it because oh, Sabrina couplent, and parents don't really care

0:23:30.119 --> 0:23:32.080
<v Speaker 4>about what their kids are watching or they don't think

0:23:32.160 --> 0:23:33.080
<v Speaker 4>to look.

0:23:33.640 --> 0:23:36.080
<v Speaker 1>But and now, if her.

0:23:36.080 --> 0:23:40.600
<v Speaker 4>Audience was you know, sixteen, seventeen and above, and there

0:23:40.760 --> 0:23:43.720
<v Speaker 4>was no real kids, But I don't care about the objectification.

0:23:44.240 --> 0:23:46.159
<v Speaker 1>People are going to do what they do, you know.

0:23:46.320 --> 0:23:48.320
<v Speaker 4>I mean, there's so many other worst things out there

0:23:48.359 --> 0:23:51.680
<v Speaker 4>than sexual things. But I also don't feel that my

0:23:52.080 --> 0:23:54.680
<v Speaker 4>nine year old needs to be singing about fucking being

0:23:54.760 --> 0:23:56.479
<v Speaker 4>on all fours, you know what I mean? I mean,

0:23:56.800 --> 0:23:59.800
<v Speaker 4>you know, a position or whatever it is. Kids go

0:24:00.000 --> 0:24:05.160
<v Speaker 4>around school some some and either me or him don't

0:24:05.200 --> 0:24:07.920
<v Speaker 4>know what that means. Maybe I don't know what it means,

0:24:08.440 --> 0:24:10.960
<v Speaker 4>but I don't think he does. But he's got older brothers,

0:24:11.040 --> 0:24:12.920
<v Speaker 4>so that's probably where he came up with the term

0:24:13.320 --> 0:24:15.480
<v Speaker 4>thinking he was saying something good to my daughter because

0:24:15.520 --> 0:24:15.760
<v Speaker 4>he has.

0:24:15.720 --> 0:24:20.639
<v Speaker 1>A crush on her. So anyhow, all right, thank you,

0:24:20.720 --> 0:24:23.800
<v Speaker 1>vinny words from a father.

0:24:25.200 --> 0:24:25.360
<v Speaker 20>Guy.

0:24:25.520 --> 0:24:27.800
<v Speaker 5>What's going on? And from now on it's only gonna

0:24:27.800 --> 0:24:30.680
<v Speaker 5>be scooted to duty and the other guy because he

0:24:30.920 --> 0:24:32.960
<v Speaker 5>shouldn't charge you anything for that tape.

0:24:33.320 --> 0:24:35.960
<v Speaker 1>That's ridiculous. He should be ashamed of himself.

0:24:36.400 --> 0:24:38.720
<v Speaker 5>Bah, I'll tell you what, you know what, No more

0:24:38.800 --> 0:24:43.439
<v Speaker 5>steak dinner for you, mister, the other guy nor so much.

0:24:43.480 --> 0:24:46.480
<v Speaker 1>Shove it in your keyster that tape and then pull.

0:24:46.320 --> 0:24:50.520
<v Speaker 5>It under knows they don't tape the ship already hour

0:24:50.720 --> 0:24:53.600
<v Speaker 5>audio with five scoody you know what's gooody to Duty. No,

0:24:53.880 --> 0:24:56.040
<v Speaker 5>don't sweat it, man, I'm gonna make you a mixed

0:24:56.040 --> 0:24:58.800
<v Speaker 5>tip for my own. Okay, it's gonna end Willie Nelson,

0:24:59.000 --> 0:25:04.480
<v Speaker 5>some U Cash Guineas, some Christopher Stofferson, maybe a little

0:25:04.560 --> 0:25:09.119
<v Speaker 5>Dolly Parton and Barbara Mandrel and some Leonard Skinner in

0:25:09.240 --> 0:25:11.600
<v Speaker 5>there too, and then we'll top it off with a

0:25:11.640 --> 0:25:13.200
<v Speaker 5>little lead t phone home.

0:25:13.320 --> 0:25:14.520
<v Speaker 1>Yes, Siri, Barbarino.

0:25:14.720 --> 0:25:16.160
<v Speaker 21>So don't worry, don't even worry.

0:25:16.000 --> 0:25:18.840
<v Speaker 1>About that damn mixtape. The other guy wants to hold

0:25:18.880 --> 0:25:21.439
<v Speaker 1>in hostage for you, screw m Thank you, Trucker.

0:25:21.440 --> 0:25:23.520
<v Speaker 2>I appreciate you, and I will listen to your mix

0:25:23.600 --> 0:25:26.879
<v Speaker 2>on vacation over and over again. Hold on a second.

0:25:26.960 --> 0:25:30.159
<v Speaker 2>First of all, very funny list of artists. I'm not

0:25:30.240 --> 0:25:31.520
<v Speaker 2>sure how et.

0:25:31.560 --> 0:25:32.760
<v Speaker 1>Got involved.

0:25:33.840 --> 0:25:34.000
<v Speaker 2>There.

0:25:34.080 --> 0:25:36.000
<v Speaker 1>I don't know, but scary.

0:25:36.000 --> 0:25:38.560
<v Speaker 3>Would you please update the slices on the status of

0:25:38.680 --> 0:25:39.879
<v Speaker 3>the mixed audio?

0:25:40.080 --> 0:25:40.960
<v Speaker 1>Yeah, the mixtape.

0:25:42.480 --> 0:25:48.000
<v Speaker 2>Brody had the second thought and emailed me a link

0:25:48.080 --> 0:25:51.359
<v Speaker 2>to the mixtape. So I now am in possession of

0:25:51.960 --> 0:25:57.120
<v Speaker 2>Brody's mix whatever tape the tape. Now, did you listen

0:25:57.160 --> 0:25:58.920
<v Speaker 2>to any of it? You've had a four or five

0:25:59.000 --> 0:26:02.080
<v Speaker 2>days now, I've not, but I will. All right, Well

0:26:02.119 --> 0:26:04.960
<v Speaker 2>you go on vacation, you could download it. I'll listen

0:26:05.040 --> 0:26:05.879
<v Speaker 2>to it on the plane.

0:26:06.240 --> 0:26:06.800
<v Speaker 1>Yes, I can.

0:26:07.840 --> 0:26:11.240
<v Speaker 2>All right, all right, thank you so much, Brodie. Appreciate

0:26:11.440 --> 0:26:12.639
<v Speaker 2>you getting my back, Trucker.

0:26:13.400 --> 0:26:15.840
<v Speaker 1>Alright, This is Chris from South Philly. My first talkback.

0:26:16.040 --> 0:26:18.080
<v Speaker 15>Just wanted to say the only reason people care that

0:26:18.160 --> 0:26:20.360
<v Speaker 15>Suprena Carpenter's doing that and they don't care when nick

0:26:20.400 --> 0:26:22.720
<v Speaker 15>U Minaj and Cardi B do it is because white

0:26:22.760 --> 0:26:24.960
<v Speaker 15>people can't get away up the same things black people

0:26:25.000 --> 0:26:27.680
<v Speaker 15>get away with the only reason Cardi B.

0:26:29.080 --> 0:26:34.359
<v Speaker 1>She is, well, she's uh, Google that I need a

0:26:34.440 --> 0:26:35.119
<v Speaker 1>fact check on that.

0:26:35.240 --> 0:26:39.960
<v Speaker 17>Yere hey, guys from Connecticut's let's not just let that go.

0:26:40.200 --> 0:26:41.760
<v Speaker 1>You want to analyze that it has nothing.

0:26:41.840 --> 0:26:43.560
<v Speaker 3>Has nothing to do with the fact that that Sabrina

0:26:43.640 --> 0:26:45.680
<v Speaker 3>Carpenter is white, has to do with the fact that

0:26:45.720 --> 0:26:48.840
<v Speaker 3>people think she's fifteen. That like, she's still a Disney

0:26:48.920 --> 0:26:51.399
<v Speaker 3>artist and demindes of some people, and she appeals to

0:26:51.480 --> 0:26:54.080
<v Speaker 3>a young girl audience, whereas Cardi B and nick Ki

0:26:54.119 --> 0:26:57.440
<v Speaker 3>Minaje do not. They appealed to an older audience and

0:26:57.600 --> 0:26:58.960
<v Speaker 3>would never teeny boppers.

0:26:59.400 --> 0:26:59.879
<v Speaker 1>No never.

0:27:00.200 --> 0:27:04.800
<v Speaker 2>The other part of the problem is is uh, a

0:27:04.880 --> 0:27:07.879
<v Speaker 2>lot of feminists were coming out online saying it had

0:27:07.960 --> 0:27:10.000
<v Speaker 2>nothing to do with they know how old they know,

0:27:10.240 --> 0:27:12.639
<v Speaker 2>damn well how old she is. They said that a

0:27:12.680 --> 0:27:15.159
<v Speaker 2>woman should not be doing that and putting themselves in

0:27:15.240 --> 0:27:24.440
<v Speaker 2>that situation and basically trashing what Sabrina Carpenter you know,

0:27:24.640 --> 0:27:28.159
<v Speaker 2>calls art you know her artists the right to artistic

0:27:28.240 --> 0:27:32.440
<v Speaker 2>ex artistic expression. So that was there was a few

0:27:33.359 --> 0:27:36.800
<v Speaker 2>layers of this. It wasn't just people thinking she was fifteen.

0:27:37.480 --> 0:27:39.760
<v Speaker 2>It was that's fine. I don't think it's it's a

0:27:39.880 --> 0:27:41.280
<v Speaker 2>it's a it's a racial thing at all.

0:27:41.760 --> 0:27:42.680
<v Speaker 1>No, No, I don't think it's that.

0:27:44.119 --> 0:27:47.280
<v Speaker 3>But I just think she's a young girl. And uh,

0:27:47.600 --> 0:27:49.960
<v Speaker 3>you know, I think if Madonna did the same album

0:27:50.000 --> 0:27:51.480
<v Speaker 3>with cover, I don't think she'd get the heat for

0:27:51.560 --> 0:27:53.480
<v Speaker 3>it right now. I mean, she's fifty something years.

0:27:53.359 --> 0:27:58.159
<v Speaker 2>Old, but she's sixty five. Oh whatever, I don't want

0:27:58.160 --> 0:28:02.119
<v Speaker 2>to she's okay, she's she's older. I don't think she's anyway.

0:28:03.240 --> 0:28:08.480
<v Speaker 2>Hell does MacDonald's stay Donald's like sixty six, right, sixty six?

0:28:08.680 --> 0:28:08.880
<v Speaker 1>Yeah?

0:28:09.280 --> 0:28:14.800
<v Speaker 17>Yeah, Hey, guys, lord from Connecticut. Brody could be different scenarios.

0:28:14.840 --> 0:28:16.520
<v Speaker 17>You could be like, I haven't spoken to this guy

0:28:16.600 --> 0:28:18.280
<v Speaker 17>in a few years. He wants me to help him out.

0:28:18.840 --> 0:28:20.480
<v Speaker 17>I don't really want to help him out. Or he

0:28:20.520 --> 0:28:23.600
<v Speaker 17>could be like we're not really close anymore, so I'm

0:28:23.600 --> 0:28:26.520
<v Speaker 17>not going to help him out, or whatever the situation

0:28:26.680 --> 0:28:30.040
<v Speaker 17>may be. On Facebook, you may fight at a disagreement

0:28:30.560 --> 0:28:32.120
<v Speaker 17>and it'll be like I don't want to help him out.

0:28:32.200 --> 0:28:34.720
<v Speaker 17>But at least he could say, hey, I don't feel

0:28:34.760 --> 0:28:37.480
<v Speaker 17>comfortable or I don't want to instead of just ghosting you.

0:28:38.080 --> 0:28:43.040
<v Speaker 3>But now you know how he feels, all right, Yeah,

0:28:43.080 --> 0:28:44.600
<v Speaker 3>I should have saved the update till the end of this.

0:28:44.680 --> 0:28:46.640
<v Speaker 1>I didn't realize so many people were going to leave talkbacks.

0:28:49.040 --> 0:28:50.960
<v Speaker 2>They were all, you guys are all right up until

0:28:50.960 --> 0:28:53.320
<v Speaker 2>the point that he actually like, you're all right on

0:28:53.400 --> 0:28:55.239
<v Speaker 2>what your assumptions were and what your guesses were.

0:28:56.400 --> 0:29:02.560
<v Speaker 22>Hey, Perfect Voice is Fusion City. So in regards to

0:29:03.400 --> 0:29:06.000
<v Speaker 22>your friend that we're calling Pete or Pete whatever, we

0:29:06.320 --> 0:29:13.280
<v Speaker 22>are calling him zero sympathy zero because he ghosted her.

0:29:13.680 --> 0:29:18.240
<v Speaker 22>He left it open, and personally, I think she just

0:29:18.640 --> 0:29:21.480
<v Speaker 22>went and was like, oh, he's here, let me go

0:29:21.600 --> 0:29:25.360
<v Speaker 22>with this and see how far I can get. Hey,

0:29:25.440 --> 0:29:27.960
<v Speaker 22>prepend boys, this is Maria's and Union City again. I'm

0:29:28.000 --> 0:29:30.520
<v Speaker 22>sorry I sound different than usual. I'm walking around like

0:29:30.640 --> 0:29:35.520
<v Speaker 22>Kwan Valdez. Anyway, So, Brina carp who cares about the

0:29:35.600 --> 0:29:39.520
<v Speaker 22>album cover? Obviously she got what she wanted. She got

0:29:40.240 --> 0:29:42.760
<v Speaker 22>talking about her and press is good for us, right,

0:29:43.400 --> 0:29:47.520
<v Speaker 22>Who cares if it's not affecting your daily life?

0:29:47.640 --> 0:29:50.880
<v Speaker 13>Why do people care? Hey, it's Marie again.

0:29:52.000 --> 0:29:52.840
<v Speaker 22>Just one last thing.

0:29:53.680 --> 0:29:53.800
<v Speaker 4>Uh.

0:29:53.960 --> 0:29:56.720
<v Speaker 22>In regards to Sabrina Carpenter, again, I'm not even a fan.

0:29:57.480 --> 0:29:58.640
<v Speaker 1>I don't care for her music.

0:29:58.920 --> 0:30:01.640
<v Speaker 22>I could not pick it out while it's playing on

0:30:01.720 --> 0:30:05.560
<v Speaker 22>the radio. But just you know, the whole premise that

0:30:05.760 --> 0:30:07.960
<v Speaker 22>she's a grown woman. And yeah, she looked like she's

0:30:08.000 --> 0:30:11.720
<v Speaker 22>sixteen seventeen. But wasn't Britney doing all this shit while

0:30:11.920 --> 0:30:15.240
<v Speaker 22>she was sixteen or seventeen? She wrote a book about it,

0:30:15.600 --> 0:30:18.640
<v Speaker 22>Leave a woman alone, whatever, Bye, I'm with you.

0:30:18.760 --> 0:30:20.840
<v Speaker 1>Leave her alone, Leave Britney alone.

0:30:21.880 --> 0:30:24.680
<v Speaker 3>Brittany was seventeen when she did Hit Me Baby one

0:30:24.720 --> 0:30:27.400
<v Speaker 3>More Time, But she wasn't doing the really sexy little

0:30:27.440 --> 0:30:29.360
<v Speaker 3>stuff until her early twenties.

0:30:29.840 --> 0:30:32.320
<v Speaker 1>Are you sure about that? You know, let's check that timeline.

0:30:33.400 --> 0:30:35.400
<v Speaker 3>Yeah, I don't think she was on all fours looking

0:30:35.440 --> 0:30:38.880
<v Speaker 3>like she was about to perform oral sex. I don't

0:30:38.920 --> 0:30:42.080
<v Speaker 3>ever remember Britney doing that. Actually, she wore tight outfits

0:30:42.080 --> 0:30:45.400
<v Speaker 3>and she danced seductively, but I don't think she I mean,

0:30:45.680 --> 0:30:49.640
<v Speaker 3>at least when she was popular. Now she dances with

0:30:49.720 --> 0:30:50.800
<v Speaker 3>knives and does crazy shit.

0:30:52.360 --> 0:30:54.880
<v Speaker 22>Hey, personally, boys, Maria from Union City again, I just

0:30:54.960 --> 0:31:01.560
<v Speaker 22>finished listening to that episode Brody Waiter weird always sitting

0:31:01.560 --> 0:31:04.560
<v Speaker 22>across from each other in a boot. Also, if y'all

0:31:04.640 --> 0:31:07.640
<v Speaker 22>go to our own homestead and sit on the same

0:31:07.760 --> 0:31:10.280
<v Speaker 22>side and everything and you're saying to write it off

0:31:10.360 --> 0:31:15.040
<v Speaker 22>for expenses. You're still not getting a steak dinner because

0:31:15.040 --> 0:31:18.720
<v Speaker 22>he's writing it all. And uh, that's it, love y'all.

0:31:20.440 --> 0:31:22.640
<v Speaker 3>No, no, if you, if you write off your taxes,

0:31:22.760 --> 0:31:27.360
<v Speaker 3>write off of dinner on your taxes. If Scary pays

0:31:27.400 --> 0:31:30.239
<v Speaker 3>for that dinner, I mean, let's say it costs him

0:31:30.240 --> 0:31:32.640
<v Speaker 3>three hundred dollars, so he's not going to pay tax

0:31:32.680 --> 0:31:34.320
<v Speaker 3>on the three hundred dollars. So maybe he's gonna he's

0:31:34.320 --> 0:31:37.600
<v Speaker 3>gonna save one hundred dollars in his taxes or seventy

0:31:37.640 --> 0:31:40.560
<v Speaker 3>five dollars or whatever. I'm okay with that. I'll meet Scary.

0:31:40.640 --> 0:31:41.880
<v Speaker 3>I'll meet Scary a little bit of the way.

0:31:42.080 --> 0:31:43.560
<v Speaker 1>Oh, thanks, appreciate you.

0:31:45.000 --> 0:31:46.360
<v Speaker 3>If I can get a dinner out of him where

0:31:46.360 --> 0:31:47.920
<v Speaker 3>he writes it off on his taxes, it's still better

0:31:47.920 --> 0:31:49.200
<v Speaker 3>than no dinner at all, So I'll take it.

0:31:49.880 --> 0:31:57.280
<v Speaker 1>It's the Boy Podcast, all right, Thank you, appreciate you.

0:31:57.360 --> 0:31:59.160
<v Speaker 1>Thank you, commercials. Thank you commercials.

0:31:59.240 --> 0:31:59.440
<v Speaker 5>Thank you.

0:31:59.560 --> 0:32:02.280
<v Speaker 1>Yeah, thanks, thank you commercials. Yeah, thank you commercials. You

0:32:02.360 --> 0:32:06.760
<v Speaker 1>know we get paid well yeah, I mean no, I

0:32:06.840 --> 0:32:09.520
<v Speaker 1>mean it's nice. It's nice, that's all. So yeah, thank

0:32:09.560 --> 0:32:12.160
<v Speaker 1>you commercials. Yes, thank you for having faith in us

0:32:12.200 --> 0:32:15.680
<v Speaker 1>to advertise on our show. We do appreciate your patronage.

0:32:17.360 --> 0:32:19.720
<v Speaker 13>Hey, Brooklyn boys, you don't have to post this, but

0:32:19.800 --> 0:32:22.000
<v Speaker 13>I just wanted to say that I love you guys

0:32:22.160 --> 0:32:25.600
<v Speaker 13>so much to make me laugh every single time, and.

0:32:25.760 --> 0:32:28.480
<v Speaker 1>Just keep it up. You guys are doing a great job.

0:32:28.800 --> 0:32:32.960
<v Speaker 1>I love you from Brooklyn to Sunset Park. Okay, I

0:32:33.040 --> 0:32:38.000
<v Speaker 1>love you by Sunset the home of formerly the home

0:32:38.040 --> 0:32:41.120
<v Speaker 1>of my favorite white Castle. Yeah no, I'm fourth Avenue.

0:32:42.000 --> 0:32:42.360
<v Speaker 1>Very said.

0:32:43.560 --> 0:32:45.920
<v Speaker 17>Hey, guys, Laura from Connectic, get Brody, I'm with you

0:32:46.080 --> 0:32:51.160
<v Speaker 17>on the cover for Sabrina. But scary, get a grip. Okay,

0:32:51.360 --> 0:32:54.160
<v Speaker 17>first off, like you're telling people all they have to

0:32:54.360 --> 0:32:56.440
<v Speaker 17>like it or don't look at it. This is the

0:32:56.560 --> 0:32:57.720
<v Speaker 17>world of complaining.

0:32:58.040 --> 0:32:59.240
<v Speaker 6>This is what the world does.

0:32:59.680 --> 0:33:02.640
<v Speaker 17>But like you said, because we're complaining about it, we're

0:33:02.680 --> 0:33:04.440
<v Speaker 17>talking about it, so more people are going to.

0:33:04.440 --> 0:33:04.800
<v Speaker 16>Look at it.

0:33:04.880 --> 0:33:05.239
<v Speaker 1>That's right.

0:33:06.040 --> 0:33:08.120
<v Speaker 14>But I see her as a Disney girl still.

0:33:08.640 --> 0:33:12.000
<v Speaker 6>Yes, she sings well, but at the same time we.

0:33:12.120 --> 0:33:14.520
<v Speaker 1>All have her Nope, get over it. She hasn't been

0:33:14.520 --> 0:33:17.920
<v Speaker 1>in Disney staring in like ten years, and we.

0:33:18.000 --> 0:33:18.840
<v Speaker 6>Know damn well.

0:33:19.320 --> 0:33:22.000
<v Speaker 17>In this world and society that we live in, there's

0:33:22.040 --> 0:33:25.200
<v Speaker 17>gonna be a million Karens that hate the fact that

0:33:25.360 --> 0:33:28.120
<v Speaker 17>she's doing that and subjecting women.

0:33:28.400 --> 0:33:29.880
<v Speaker 23>No, no one's subjecting anyone.

0:33:30.240 --> 0:33:31.760
<v Speaker 1>That's her decisions, her decisions.

0:33:31.800 --> 0:33:34.520
<v Speaker 24>We all don't know what everyone does behind closed doors.

0:33:34.640 --> 0:33:37.520
<v Speaker 24>As you say, you're just bringing it out and who

0:33:37.600 --> 0:33:39.640
<v Speaker 24>knows the reason is. I don't know the reason behind

0:33:39.680 --> 0:33:42.600
<v Speaker 24>the cover. But more power to her.

0:33:42.960 --> 0:33:44.880
<v Speaker 14>But like I said, just more people see her as

0:33:44.880 --> 0:33:45.480
<v Speaker 14>a young girl.

0:33:46.240 --> 0:33:48.520
<v Speaker 2>That's great, But you have to you living in the past.

0:33:48.560 --> 0:33:51.200
<v Speaker 2>If you see her that way, I'm sorry. You know

0:33:51.480 --> 0:33:55.080
<v Speaker 2>it is this is life has moved on. That's the

0:33:55.160 --> 0:33:58.080
<v Speaker 2>point I disagree with you, Laura. When was the last

0:33:58.120 --> 0:34:02.760
<v Speaker 2>time she was anything Disney Girl meets the world? It's

0:34:02.760 --> 0:34:05.560
<v Speaker 2>irrelevant because scary you you learned.

0:34:06.840 --> 0:34:07.600
<v Speaker 1>We both learned.

0:34:07.800 --> 0:34:10.920
<v Speaker 3>We took our boss taught us about marketing, right, and

0:34:11.000 --> 0:34:13.280
<v Speaker 3>what did he teach us first? In the mind wins

0:34:13.680 --> 0:34:17.319
<v Speaker 3>the first thing you associate as something like coke. Coke

0:34:17.520 --> 0:34:20.800
<v Speaker 3>was the first cola that made it big. In people's minds,

0:34:20.920 --> 0:34:23.200
<v Speaker 3>Coke will always be number one and PEPSI will always

0:34:23.200 --> 0:34:26.120
<v Speaker 3>be number two, Sabrina, It's just the way, okay, in

0:34:26.200 --> 0:34:29.520
<v Speaker 3>people's minds, Sabrina, in their minds, The first thing they

0:34:29.600 --> 0:34:32.399
<v Speaker 3>think of is she was on Nickelodeon or Disney whatever,

0:34:32.480 --> 0:34:34.040
<v Speaker 3>whatever she was on. They think of her as a

0:34:34.120 --> 0:34:36.759
<v Speaker 3>young girl. The fact that she plays it up as

0:34:36.840 --> 0:34:41.600
<v Speaker 3>this little girl, the sexy girl thing, is why people

0:34:41.719 --> 0:34:43.560
<v Speaker 3>still think of her as younger than she is.

0:34:44.000 --> 0:34:45.719
<v Speaker 1>I know, but that is it. But yeah, but you

0:34:46.040 --> 0:34:47.320
<v Speaker 1>have to deal with the facts.

0:34:47.440 --> 0:34:50.960
<v Speaker 2>Okay, she left Disney and with When Girl Meets World

0:34:51.040 --> 0:34:54.800
<v Speaker 2>end in twenty seventeen, you could even argue for twenty fourteen.

0:34:55.040 --> 0:34:58.239
<v Speaker 2>So you're talking about eleven years or twenty seventeen, eight

0:34:58.400 --> 0:35:00.320
<v Speaker 2>years ago, So that's it.

0:35:00.640 --> 0:35:01.360
<v Speaker 1>She's not.

0:35:01.760 --> 0:35:04.560
<v Speaker 2>I'm just not going to convince me. I'm telling you

0:35:04.800 --> 0:35:08.799
<v Speaker 2>I'm talented psychologically. Eight years isn't a long time ago.

0:35:09.080 --> 0:35:11.720
<v Speaker 2>You and I were talking off air before we started recording,

0:35:12.000 --> 0:35:13.799
<v Speaker 2>and I said, oh, how long ago was Lonna del

0:35:13.880 --> 0:35:16.360
<v Speaker 2>Rey on Saturday and R Live where she shipped the

0:35:16.400 --> 0:35:17.960
<v Speaker 2>bed and they made fun of her the next week?

0:35:18.320 --> 0:35:20.160
<v Speaker 2>And we were like, I don't know how many years ago? Five,

0:35:20.200 --> 0:35:22.440
<v Speaker 2>six years ago? It was thirteen years ago? Now I

0:35:22.480 --> 0:35:25.600
<v Speaker 2>knew Ashley Simpson with Pieces of Me Fucked Up SNL

0:35:25.760 --> 0:35:27.399
<v Speaker 2>that you were like, when was that? And I said

0:35:27.440 --> 0:35:30.160
<v Speaker 2>that it was two thousand and four. That was twenty

0:35:30.440 --> 0:35:33.960
<v Speaker 2>two years ago, right, But anything she did after that,

0:35:34.000 --> 0:35:36.640
<v Speaker 2>people are still going to associate her with that. That's

0:35:36.719 --> 0:35:38.799
<v Speaker 2>the way the world. But then that's un damn. That's

0:35:38.880 --> 0:35:42.360
<v Speaker 2>their problem. It's not society's problem.

0:35:43.160 --> 0:35:47.000
<v Speaker 3>Ask anyone about Ashley Simpson, anyone who knows her, what

0:35:47.160 --> 0:35:49.080
<v Speaker 3>the first thing they think of is. They're not gonna say,

0:35:49.080 --> 0:35:53.719
<v Speaker 3>oh shit, SNL blonder of course, right. So the first

0:35:53.760 --> 0:35:56.760
<v Speaker 3>thing people think of with Sabrina Coupenter, it's some people

0:35:57.080 --> 0:36:00.600
<v Speaker 3>is that she's young. Okay, when she's four, they won't.

0:36:00.400 --> 0:36:00.920
<v Speaker 1>Think she's young.

0:36:01.080 --> 0:36:03.279
<v Speaker 2>You know, you just called Madonna a fifty year old.

0:36:03.320 --> 0:36:04.960
<v Speaker 2>I had to correct you and tell you she was

0:36:05.000 --> 0:36:08.360
<v Speaker 2>sixty six. Time moves on, time moves on on.

0:36:08.640 --> 0:36:11.880
<v Speaker 1>That's all I'm saying. It's fine, it's okay, but but

0:36:12.040 --> 0:36:15.080
<v Speaker 1>you have to be cognizant of that. That's all I'm saying.

0:36:15.160 --> 0:36:17.640
<v Speaker 1>I mean, you're always Brodie, the first one to correct

0:36:17.680 --> 0:36:19.400
<v Speaker 1>people on shit like scary.

0:36:19.480 --> 0:36:21.120
<v Speaker 3>What's the first thing that pops into your head when

0:36:21.200 --> 0:36:22.480
<v Speaker 3>I say Cindy Lauper.

0:36:22.760 --> 0:36:23.440
<v Speaker 1>Cindy Lauper.

0:36:23.560 --> 0:36:26.320
<v Speaker 2>Of course, it's in my head. It goes to girls

0:36:26.400 --> 0:36:30.279
<v Speaker 2>just want to have fun. Nineteen eighty three, okay, four

0:36:30.760 --> 0:36:32.879
<v Speaker 2>years ago. Correct, a woman has said other hits, she's

0:36:32.920 --> 0:36:35.680
<v Speaker 2>produced Broadway plays, he's been in movies. Understood it in

0:36:35.800 --> 0:36:39.719
<v Speaker 2>your mind, right, and she's at so get over it. No,

0:36:39.880 --> 0:36:44.360
<v Speaker 2>But before before I go online and complain about something,

0:36:45.120 --> 0:36:47.640
<v Speaker 2>if I said, oh, she's just young, she has to

0:36:47.719 --> 0:36:47.880
<v Speaker 2>do it.

0:36:49.120 --> 0:36:51.879
<v Speaker 1>You just you're not You're not making any sense because

0:36:51.880 --> 0:36:52.280
<v Speaker 1>what I'm.

0:36:52.160 --> 0:36:54.080
<v Speaker 2>Telling you is no, no, no, I would have to

0:36:54.160 --> 0:36:56.040
<v Speaker 2>first go back into my head and be like, Okay,

0:36:56.280 --> 0:36:58.400
<v Speaker 2>it has been forty two years before I leave this

0:36:58.600 --> 0:37:02.680
<v Speaker 2>dumb fucking comment on this thread. I'm gonna I'm gonna

0:37:02.719 --> 0:37:05.719
<v Speaker 2>remind myself of that. I'm going to correct myself and

0:37:05.960 --> 0:37:08.880
<v Speaker 2>let me give you no one. Yeah, Ray, would you

0:37:09.000 --> 0:37:12.680
<v Speaker 2>say Jennifer Aniston is a very good looking woman for

0:37:12.800 --> 0:37:13.799
<v Speaker 2>fifty five years old.

0:37:14.360 --> 0:37:16.480
<v Speaker 1>Well, however, I would say, I would say so, yes.

0:37:17.040 --> 0:37:22.359
<v Speaker 2>Okay, However, because she's Rachel from Friends, people compare her

0:37:22.760 --> 0:37:25.120
<v Speaker 2>to what she looked like in nineteen ninety five and

0:37:25.200 --> 0:37:29.520
<v Speaker 2>they say, my god, she's aged. But that's because even

0:37:29.520 --> 0:37:34.240
<v Speaker 2>though she's done fifty Motion Pictures award winning TV shows

0:37:34.280 --> 0:37:38.879
<v Speaker 2>on Apple TV, of course she's Rachel from Friends, right, Yes,

0:37:39.080 --> 0:37:41.920
<v Speaker 2>So they think of her as that young girl on Friends, right,

0:37:42.080 --> 0:37:44.440
<v Speaker 2>even though she's a very attractive woman in her fifties.

0:37:44.480 --> 0:37:46.640
<v Speaker 2>And that was my point that show, and in two

0:37:46.640 --> 0:37:50.440
<v Speaker 2>thousand and five once again twenty years ago. Yes, but

0:37:50.600 --> 0:37:53.319
<v Speaker 2>my point is the way the human brain works, whether

0:37:53.400 --> 0:37:56.080
<v Speaker 2>you like it or not, is that people at image

0:37:56.080 --> 0:37:59.000
<v Speaker 2>of somebody sticks in their head. She will always be

0:37:59.160 --> 0:38:02.719
<v Speaker 2>Rachel from even if she's the woman from that morning show.

0:38:02.800 --> 0:38:05.080
<v Speaker 2>But we are smart creatures and we adapt, so we

0:38:05.320 --> 0:38:08.800
<v Speaker 2>our brains need to then kick into gear and correct

0:38:08.840 --> 0:38:11.719
<v Speaker 2>itself and say, you know what, but it has been

0:38:11.800 --> 0:38:13.920
<v Speaker 2>twenty years, so I'm not going to make a foolish

0:38:13.960 --> 0:38:14.520
<v Speaker 2>comment like that.

0:38:15.840 --> 0:38:19.880
<v Speaker 3>Okay, that's bullshit, because because if you see any celebrity

0:38:19.920 --> 0:38:21.560
<v Speaker 3>that you had a crush on back in the day

0:38:22.040 --> 0:38:23.960
<v Speaker 3>now you'd be like, oh, she was hot back in

0:38:24.040 --> 0:38:27.520
<v Speaker 3>the day. I'm allowed to say that, but I'm not

0:38:27.600 --> 0:38:29.640
<v Speaker 3>allowed to criticize what she's doing today.

0:38:30.200 --> 0:38:31.840
<v Speaker 1>No, I'm not talking about that. But that's what the

0:38:31.880 --> 0:38:33.160
<v Speaker 1>Sabrina Carpenter thing is.

0:38:33.400 --> 0:38:36.680
<v Speaker 2>No, No, you're just saying, you're making the analogy that

0:38:36.800 --> 0:38:39.280
<v Speaker 2>she's no a Disney character to a lot of people,

0:38:39.360 --> 0:38:42.680
<v Speaker 2>and you're that's why that they're feeling upset and offended

0:38:42.960 --> 0:38:45.200
<v Speaker 2>that she's on all fours on an album cover. And

0:38:45.280 --> 0:38:48.000
<v Speaker 2>I'm trying to tell you, while that's great and all,

0:38:48.360 --> 0:38:50.320
<v Speaker 2>you're supposed to think about it and say, you know what,

0:38:51.040 --> 0:38:53.240
<v Speaker 2>fuck man, she hasn't been with Disney in like ten years.

0:38:53.560 --> 0:38:55.799
<v Speaker 1>She is, yes, and she has come into our own right.

0:38:56.120 --> 0:38:58.479
<v Speaker 2>So I'm not going to leave this fucking dumb ass

0:38:58.640 --> 0:39:04.080
<v Speaker 2>comment on this read and criticize her art. That's what

0:39:04.200 --> 0:39:07.160
<v Speaker 2>I should say to myself. But you're making excuses for

0:39:07.200 --> 0:39:10.040
<v Speaker 2>those people and saying, yeah, it's because she they think

0:39:10.160 --> 0:39:10.480
<v Speaker 2>that way.

0:39:11.160 --> 0:39:14.600
<v Speaker 3>I'm not making excuses, scary, I'm making explanations. There's a difference.

0:39:14.880 --> 0:39:18.000
<v Speaker 2>I'm telling you that people's minds get stuck on a

0:39:18.080 --> 0:39:20.000
<v Speaker 2>period of time or period in time.

0:39:20.360 --> 0:39:24.200
<v Speaker 1>I want you say the same page, same page, but

0:39:24.320 --> 0:39:25.120
<v Speaker 1>it doesn't make it.

0:39:25.440 --> 0:39:27.800
<v Speaker 2>But I'm saying that doesn't make it right when you

0:39:27.920 --> 0:39:30.880
<v Speaker 2>see Britney Spears doing crazy shit online.

0:39:31.320 --> 0:39:33.600
<v Speaker 1>When people look at Britney Spears, they go, God, she

0:39:33.760 --> 0:39:35.239
<v Speaker 1>was such a sweet kid. When she was going to

0:39:35.320 --> 0:39:36.960
<v Speaker 1>hit me baby one more time, of course, and she

0:39:37.040 --> 0:39:38.360
<v Speaker 1>was on the Disney Show. You don't go, ton go

0:39:38.400 --> 0:39:39.000
<v Speaker 1>what happened to her?

0:39:39.200 --> 0:39:39.359
<v Speaker 5>Right.

0:39:39.880 --> 0:39:42.400
<v Speaker 3>But if she if she was a maniac at seventeen

0:39:43.080 --> 0:39:45.919
<v Speaker 3>and she was a thug singer at seventeen, and she's

0:39:45.960 --> 0:39:47.760
<v Speaker 3>a crazy woman now people are like, oh, she's always

0:39:47.760 --> 0:39:50.680
<v Speaker 3>been crazy, She's still crazy. It's the fact that Britney

0:39:50.719 --> 0:39:53.080
<v Speaker 3>Spears was this sweet girl in the hit Me Baby

0:39:53.320 --> 0:39:58.520
<v Speaker 3>and in the Mickey Mouse clarineteen ninety. Now, yeah, Linda

0:39:58.640 --> 0:40:01.480
<v Speaker 3>Lindsay blowing. Look at Lindsay Low and they go, what

0:40:01.640 --> 0:40:03.880
<v Speaker 3>a train wreck she turned out to be. Remember when

0:40:03.920 --> 0:40:06.239
<v Speaker 3>she was in Parent Trap What a cute kid she was.

0:40:06.760 --> 0:40:09.120
<v Speaker 3>That's life. They look at her as a train wreck

0:40:09.280 --> 0:40:11.120
<v Speaker 3>because they remember her when she was a little girl

0:40:11.160 --> 0:40:12.760
<v Speaker 3>in Parent Trapp agreed.

0:40:12.520 --> 0:40:14.360
<v Speaker 1>I'm not, I'm not. I'm not disagreeing with you.

0:40:15.360 --> 0:40:18.440
<v Speaker 3>That's it, Freaky Friday. They remember Lindsay Low and as

0:40:18.440 --> 0:40:19.080
<v Speaker 3>Freaky Friday.

0:40:19.200 --> 0:40:19.319
<v Speaker 23>Right.

0:40:19.840 --> 0:40:22.080
<v Speaker 2>If a celebrity is a train wreck and you never

0:40:22.160 --> 0:40:23.759
<v Speaker 2>knew them as a not train wreck, you go, yep,

0:40:23.760 --> 0:40:24.239
<v Speaker 2>that's what they are.

0:40:25.200 --> 0:40:26.800
<v Speaker 1>But you try to remember who they were when you

0:40:26.880 --> 0:40:27.399
<v Speaker 1>knew who they.

0:40:27.360 --> 0:40:30.399
<v Speaker 2>Were, right, But you can't criticize who they are now

0:40:31.080 --> 0:40:35.200
<v Speaker 2>because because time has moved on and you're you're supposed

0:40:35.200 --> 0:40:36.160
<v Speaker 2>to acknowledge that.

0:40:36.320 --> 0:40:38.359
<v Speaker 1>Is a train wreck. Lindsay Lowan is a train wreck?

0:40:38.480 --> 0:40:38.600
<v Speaker 17>Right?

0:40:38.960 --> 0:40:41.840
<v Speaker 1>Is she still wreck? We don't know that. Maybe she.

0:40:44.080 --> 0:40:44.120
<v Speaker 6>Is.

0:40:44.239 --> 0:40:46.839
<v Speaker 3>Okay, she was, she went through a period of train wreck.

0:40:47.600 --> 0:40:49.560
<v Speaker 3>But if she was a train wreck from the day

0:40:49.600 --> 0:40:53.360
<v Speaker 3>we met her, right like Axel Rose. Axel Rose was

0:40:53.360 --> 0:40:55.560
<v Speaker 3>the lead singer Guns and Roses, and he was always

0:40:55.560 --> 0:40:58.640
<v Speaker 3>a drug addict. Yes, when he when he becomes more

0:40:58.640 --> 0:40:58.759
<v Speaker 3>of a.

0:40:58.840 --> 0:41:01.280
<v Speaker 2>Drug addict, you don't go what happened to Axel Rose?

0:41:01.840 --> 0:41:04.279
<v Speaker 2>But when he gets fat, you go, what happened to

0:41:04.320 --> 0:41:04.919
<v Speaker 2>Axel Rose?

0:41:05.000 --> 0:41:05.560
<v Speaker 1>Used to be thin?

0:41:06.400 --> 0:41:06.520
<v Speaker 4>Right?

0:41:06.560 --> 0:41:08.440
<v Speaker 2>Because he was thin? He was, But if he was

0:41:08.480 --> 0:41:10.759
<v Speaker 2>always fat, you wouldn't care he was fat. It's the

0:41:10.840 --> 0:41:13.360
<v Speaker 2>fact that he wasn't fat at one point. Now he's fat.

0:41:13.760 --> 0:41:17.040
<v Speaker 2>People remember when he was thin? Understood once again? The

0:41:17.080 --> 0:41:20.799
<v Speaker 2>hell happened? Dead horse beaten? What do you want to say?

0:41:21.160 --> 0:41:24.960
<v Speaker 2>There's nothing I just want on this point. No, Okay, Slices,

0:41:25.000 --> 0:41:26.640
<v Speaker 2>you know what I'm talking about. Hit the next call.

0:41:26.719 --> 0:41:29.200
<v Speaker 1>What I'm saying. I'm not arguing with you. I'm just

0:41:29.360 --> 0:41:33.359
<v Speaker 1>letting you know that he Rose is fat. Okay, he's fat.

0:41:34.040 --> 0:41:37.120
<v Speaker 1>Let's go back. Let's go back to the Sabrina album coverment.

0:41:37.200 --> 0:41:39.879
<v Speaker 1>It doesn't matter. Fuck it all right, arrest my case.

0:41:41.440 --> 0:41:44.960
<v Speaker 14>Hey b boys, christie'srom Saddlebrook. Regarding episode three forty one

0:41:45.120 --> 0:41:48.719
<v Speaker 14>homework assignment, Brody, I would message the guy, Hey, so

0:41:48.840 --> 0:41:50.800
<v Speaker 14>and so, how are you doing? Did you have a

0:41:50.920 --> 0:41:52.280
<v Speaker 14>chance to complete the favor?

0:41:52.800 --> 0:41:53.040
<v Speaker 16>Listen?

0:41:53.120 --> 0:41:56.680
<v Speaker 14>I appreciate anything and everything you can do for me. Really,

0:41:57.160 --> 0:42:00.640
<v Speaker 14>you're terrific. Thank you so so much, and end it there.

0:42:02.120 --> 0:42:04.200
<v Speaker 14>I got not wait to hear how it went if

0:42:04.280 --> 0:42:07.480
<v Speaker 14>he stepped back to you. Good luck to you, Brody.

0:42:08.360 --> 0:42:08.640
<v Speaker 1>Thank you.

0:42:09.239 --> 0:42:09.359
<v Speaker 2>Uh.

0:42:09.560 --> 0:42:11.880
<v Speaker 1>That is actually almost word for what I would have

0:42:11.920 --> 0:42:13.160
<v Speaker 1>written had he not gotten back to me.

0:42:14.400 --> 0:42:17.760
<v Speaker 14>Christie again, do not charge Scary for that tape.

0:42:17.800 --> 0:42:20.399
<v Speaker 13>Come on, Brody, you can give it to him.

0:42:20.440 --> 0:42:22.080
<v Speaker 14>I think you should give it to all the slices.

0:42:22.160 --> 0:42:24.560
<v Speaker 10>Also, I think I have most.

0:42:24.400 --> 0:42:27.800
<v Speaker 14>Of that music on cassettes as well, but I'd have

0:42:27.880 --> 0:42:30.440
<v Speaker 14>to dig them out. It would be so much easier

0:42:30.440 --> 0:42:33.720
<v Speaker 14>if you just gave me a digital copy. Awesome music,

0:42:34.160 --> 0:42:39.760
<v Speaker 14>awesome find Yeah, guys, thank you, thank.

0:42:39.560 --> 0:42:42.279
<v Speaker 13>You from all over and there. I actually like when

0:42:42.719 --> 0:42:46.560
<v Speaker 13>Scary recycles the kind of from the Big Show because

0:42:47.000 --> 0:42:49.279
<v Speaker 13>I feel like now I can have a say and

0:42:49.440 --> 0:42:52.439
<v Speaker 13>put my theory in it. You know not only doesn't

0:42:52.440 --> 0:42:55.360
<v Speaker 13>do it for Brody, but he does it for the people. Sorry, Maddie,

0:42:56.400 --> 0:43:00.600
<v Speaker 13>I think I love your content and all that stuff,

0:43:00.680 --> 0:43:03.479
<v Speaker 13>but I like when you recycle it it's fine.

0:43:04.000 --> 0:43:05.560
<v Speaker 16>Thank you, and it's usually good stuff.

0:43:05.880 --> 0:43:07.480
<v Speaker 1>Thank you, appreciate you. Thank you.

0:43:09.320 --> 0:43:11.120
<v Speaker 13>Also, I just want to say, Brody, I know you

0:43:11.120 --> 0:43:14.360
<v Speaker 13>always got these jokes about conjoined twins, but the actual

0:43:14.400 --> 0:43:18.440
<v Speaker 13>couldn't join twins have a TikTok and they do hilarious skits.

0:43:18.880 --> 0:43:19.880
<v Speaker 6>You guys need to watch.

0:43:19.719 --> 0:43:20.600
<v Speaker 1>Them all right.

0:43:20.920 --> 0:43:24.319
<v Speaker 2>See they're leaning into their fame, okay, but if one

0:43:24.360 --> 0:43:26.040
<v Speaker 2>of them leans in, they both have to lean in, right,

0:43:26.400 --> 0:43:28.920
<v Speaker 2>Very true, he brought and.

0:43:28.960 --> 0:43:32.839
<v Speaker 23>Mark listening to episode three thirty nine, just a quick

0:43:32.960 --> 0:43:40.359
<v Speaker 23>question on this chicken popsh scenario. Was this person European

0:43:40.880 --> 0:43:44.080
<v Speaker 23>or you know, was it going to maybe a second language?

0:43:44.160 --> 0:43:47.120
<v Speaker 23>And no, you know, they can't pronounce the X.

0:43:47.200 --> 0:43:47.480
<v Speaker 4>I don't know.

0:43:47.480 --> 0:43:49.319
<v Speaker 23>I've never heard that before, but that's the only thing

0:43:49.360 --> 0:43:50.520
<v Speaker 23>I could think of it. If it was just a

0:43:50.560 --> 0:43:53.920
<v Speaker 23>straight up Americans say chicken pops, then that's crazy.

0:43:55.239 --> 0:43:55.880
<v Speaker 1>It is crazy.

0:43:56.120 --> 0:43:58.960
<v Speaker 3>It was it's a it's a it's a person, to

0:43:59.040 --> 0:44:01.960
<v Speaker 3>the best of my knowledge, is American, but I will

0:44:02.040 --> 0:44:04.279
<v Speaker 3>tell you that growing up in Brooklyn, I did hear

0:44:04.600 --> 0:44:06.640
<v Speaker 3>other people say it. It's not the first time I've heard,

0:44:07.120 --> 0:44:09.279
<v Speaker 3>but it's the first time I've heard a medical professional

0:44:09.840 --> 0:44:10.760
<v Speaker 3>say chicken pops.

0:44:11.520 --> 0:44:15.800
<v Speaker 1>Chicken pops. Yeah, my favorite cereal makes me itch.

0:44:16.200 --> 0:44:20.640
<v Speaker 25>Brooklyn Boys, Danny Virginia City here brody about your issue

0:44:20.760 --> 0:44:23.560
<v Speaker 25>with the guy that left you on red. Those dots

0:44:23.960 --> 0:44:28.319
<v Speaker 25>I've seen are maybe eighty percent accurate. Like I've been

0:44:28.440 --> 0:44:30.960
<v Speaker 25>next to my girlfriend when we're sending each other stuff

0:44:31.600 --> 0:44:33.799
<v Speaker 25>or something where I'll just open it up, maybe I'll

0:44:33.840 --> 0:44:36.480
<v Speaker 25>scroll and then put my phone down, and then the

0:44:36.560 --> 0:44:37.640
<v Speaker 25>dots will still show.

0:44:37.520 --> 0:44:42.200
<v Speaker 1>Up on her end for a long time, all right.

0:44:45.320 --> 0:44:48.600
<v Speaker 25>Or I've also been in like arguments where the same

0:44:48.680 --> 0:44:52.279
<v Speaker 25>thing happens, where someone will be like, you left me

0:44:52.320 --> 0:44:53.960
<v Speaker 25>a red I saw you, I saw the dots. I

0:44:54.000 --> 0:44:56.080
<v Speaker 25>saw the dots. They were there for a while, and

0:44:56.239 --> 0:45:00.279
<v Speaker 25>I never typed anything. I never did a single letter.

0:45:01.000 --> 0:45:01.360
<v Speaker 1>I don't know.

0:45:01.600 --> 0:45:03.120
<v Speaker 25>Sometimes it works, sometimes it doesn't.

0:45:03.160 --> 0:45:03.520
<v Speaker 1>It's weird.

0:45:03.680 --> 0:45:05.440
<v Speaker 25>So he could have just been driving, he could have

0:45:05.520 --> 0:45:08.240
<v Speaker 25>been doing something, opened it up, looked at it, maybe scrolled,

0:45:08.400 --> 0:45:09.080
<v Speaker 25>tapped something.

0:45:09.480 --> 0:45:10.279
<v Speaker 1>The dots were there.

0:45:10.640 --> 0:45:13.640
<v Speaker 25>He got distracted four hours later completely forgot about it.

0:45:13.840 --> 0:45:17.120
<v Speaker 1>We now know the answer. All right, thank you so much.

0:45:17.480 --> 0:45:21.960
<v Speaker 1>We'll be right back with Gary and Brody.

0:45:23.640 --> 0:45:26.520
<v Speaker 2>All Right, we got the final leg of these of

0:45:26.600 --> 0:45:31.040
<v Speaker 2>these talkbacks, and uh, let's see what's going on here.

0:45:31.239 --> 0:45:34.520
<v Speaker 2>This one is commenting on episode three forty one, Dad

0:45:34.600 --> 0:45:35.400
<v Speaker 2>Booth behavior.

0:45:35.640 --> 0:45:36.960
<v Speaker 1>Hey, Scooty, what's going on?

0:45:37.280 --> 0:45:39.280
<v Speaker 5>It's uh, you know, it's always going to be Scooty

0:45:39.880 --> 0:45:43.560
<v Speaker 5>with the other guy anyway, going back to the mixtape,

0:45:43.840 --> 0:45:46.560
<v Speaker 5>the mixtape, you know, I don't see.

0:45:46.440 --> 0:45:50.080
<v Speaker 21>Why somebody would hold that back from a from a buddy.

0:45:50.120 --> 0:45:52.440
<v Speaker 21>You know that's teddy man wanted to ask money for it?

0:45:52.520 --> 0:45:54.120
<v Speaker 21>What did he what did you want to share it

0:45:54.200 --> 0:45:54.840
<v Speaker 21>with your buddy?

0:45:54.880 --> 0:45:55.040
<v Speaker 6>You know?

0:45:55.360 --> 0:45:58.280
<v Speaker 21>And and then remedies about old times and then remember

0:45:58.400 --> 0:45:59.640
<v Speaker 21>you know about the songs.

0:45:59.680 --> 0:46:01.879
<v Speaker 1>Oh I remember that. You know that makes you feel good,

0:46:01.880 --> 0:46:04.640
<v Speaker 1>wouldn't it. You know, Scoody, what he's trying to do.

0:46:04.800 --> 0:46:07.480
<v Speaker 5>He's trying to dominate your relationship. He's trying to get

0:46:07.560 --> 0:46:10.080
<v Speaker 5>you to get down on all fours like a dog.

0:46:12.360 --> 0:46:14.239
<v Speaker 5>But don't go for it, Scootie, tell him that she'll

0:46:14.280 --> 0:46:16.560
<v Speaker 5>go tape up its key, Stu. I'm gonna make you

0:46:16.680 --> 0:46:18.880
<v Speaker 5>one myself. You know, I think most start off with

0:46:18.960 --> 0:46:21.640
<v Speaker 5>a little bit of midnight starring on no parking, Baby,

0:46:22.080 --> 0:46:23.040
<v Speaker 5>no parking.

0:46:22.880 --> 0:46:25.200
<v Speaker 11>On the dance floor, and then we'll go to some

0:46:26.080 --> 0:46:29.360
<v Speaker 11>owner of a lonely Heart, Owner of a lonely Heart.

0:46:30.840 --> 0:46:32.319
<v Speaker 1>Yeah, and then I don't think it's some more.

0:46:32.239 --> 0:46:35.920
<v Speaker 2>Al right, how many lines did he do before he

0:46:36.040 --> 0:46:39.839
<v Speaker 2>left that one? My god, Brodie, want to turn your

0:46:39.880 --> 0:46:42.200
<v Speaker 2>mic on? Maybe you want to turn your mic on, Bertie?

0:46:42.360 --> 0:46:44.279
<v Speaker 3>Sorry, I was Owner of a Lonely Heart by yes,

0:46:44.360 --> 0:46:47.239
<v Speaker 3>with not being a mixed dance tape, but I like

0:46:47.280 --> 0:46:49.440
<v Speaker 3>the the songs you mentioned. But as you know, I

0:46:49.480 --> 0:46:50.719
<v Speaker 3>gave him the link, so it's all good.

0:46:51.840 --> 0:46:53.440
<v Speaker 1>Second ahead, Yes, Bertie.

0:46:53.800 --> 0:46:56.320
<v Speaker 3>I just looked up chicken pops and it is a

0:46:56.480 --> 0:47:00.520
<v Speaker 3>colloquialism for often used by children and in a nineteen

0:47:00.560 --> 0:47:02.759
<v Speaker 3>ninety seven episode of rug Rats when one of the

0:47:02.840 --> 0:47:04.960
<v Speaker 3>kids gets chicken pox and all the other babies call

0:47:05.040 --> 0:47:05.720
<v Speaker 3>it chicken pops.

0:47:06.719 --> 0:47:09.040
<v Speaker 5>A Now, hold on just one second. They're on that

0:47:09.160 --> 0:47:11.520
<v Speaker 5>stick dinner with you guys sitting on the same side

0:47:11.560 --> 0:47:14.000
<v Speaker 5>at the table. You know, other guy you might want

0:47:14.040 --> 0:47:16.120
<v Speaker 5>to chick if he's gonna wear his person that day,

0:47:16.320 --> 0:47:18.439
<v Speaker 5>because if he's gonna wear his person that day. It's

0:47:18.520 --> 0:47:20.279
<v Speaker 5>gonna look a little funny there if you know what

0:47:20.400 --> 0:47:22.799
<v Speaker 5>I'm talking about. But if you don't care, well, it's

0:47:22.920 --> 0:47:25.000
<v Speaker 5>up to you. But anyways, you know, if there's a

0:47:25.160 --> 0:47:27.480
<v Speaker 5>basketball game or something going on and you can see

0:47:27.560 --> 0:47:30.520
<v Speaker 5>the TV, I think it'll be all right. But definitely

0:47:31.120 --> 0:47:34.120
<v Speaker 5>make sure and find out if he's gonna wear the

0:47:34.200 --> 0:47:34.640
<v Speaker 5>person or not.

0:47:34.880 --> 0:47:40.240
<v Speaker 1>Oh, I thank you, No purse, purse the beach only, okay, beach,

0:47:40.320 --> 0:47:48.040
<v Speaker 1>Holy Liam? With that lady psycho bitch, basically I have one.

0:47:48.239 --> 0:47:49.880
<v Speaker 1>She's talked me for eight years.

0:47:50.440 --> 0:47:53.439
<v Speaker 26>You need to put her in a place, right out

0:47:53.719 --> 0:47:59.040
<v Speaker 26>out loud in front of everybody, like, hey, how many

0:47:59.120 --> 0:47:59.960
<v Speaker 26>times I got fuck?

0:48:00.120 --> 0:48:03.759
<v Speaker 1>Tell you go fund yourself? Something like that? The fuck

0:48:03.800 --> 0:48:08.680
<v Speaker 1>on my face? Something like that? God, Liam, bronkle boys, Liam,

0:48:08.840 --> 0:48:10.439
<v Speaker 1>I got something very important to say.

0:48:10.960 --> 0:48:18.200
<v Speaker 5>Ver uh.

0:48:20.160 --> 0:48:22.080
<v Speaker 27>And I hope you guys understand.

0:48:23.239 --> 0:48:27.080
<v Speaker 1>Appreciate it. You guys, You guys really take care. You

0:48:27.160 --> 0:48:30.640
<v Speaker 1>know what I'm saying. We really appreciate what I Thank you, Liam.

0:48:30.880 --> 0:48:33.520
<v Speaker 27>Damn again, Scared Brody, just let me know how your

0:48:33.600 --> 0:48:36.760
<v Speaker 27>vacation was lessen now in detail?

0:48:36.920 --> 0:48:40.759
<v Speaker 1>Please? Ye, lets you know, don't you worry. I'll have

0:48:40.800 --> 0:48:42.239
<v Speaker 1>a lot to say when I come back from this

0:48:42.760 --> 0:48:43.640
<v Speaker 1>this two week break.

0:48:44.480 --> 0:48:47.719
<v Speaker 28>Lamb he you guys and your music making me feel

0:48:47.840 --> 0:48:51.960
<v Speaker 28>old as fuck. I'm thirty six guys making feel old

0:48:51.960 --> 0:48:56.400
<v Speaker 28>as fuck fuckers learning from high so Upper Arlington is

0:48:56.560 --> 0:48:57.080
<v Speaker 28>own click.

0:48:57.800 --> 0:49:05.040
<v Speaker 27>They have a huge baseball field, like times to five

0:49:05.640 --> 0:49:06.600
<v Speaker 27>baseball fields.

0:49:07.239 --> 0:49:08.960
<v Speaker 1>Huge, and it's a church near it.

0:49:09.840 --> 0:49:12.640
<v Speaker 26>And I was looking at this pick a ball game

0:49:12.840 --> 0:49:17.200
<v Speaker 26>going down and this lady she was crippled in a

0:49:17.520 --> 0:49:21.520
<v Speaker 26>chair and she was still she was literally kicking ass.

0:49:21.640 --> 0:49:25.520
<v Speaker 26>She was crushing right liter Agan, So that lady was

0:49:25.600 --> 0:49:28.359
<v Speaker 26>playing pick a ball in her wheelchair.

0:49:29.280 --> 0:49:32.359
<v Speaker 27>It was amazing. Don't ever anyone tell you you can't

0:49:32.400 --> 0:49:36.800
<v Speaker 27>do nothing. You're like, that's she She was this testament

0:49:36.880 --> 0:49:39.719
<v Speaker 27>of time. She could do everything and all that. She

0:49:39.880 --> 0:49:41.680
<v Speaker 27>was amazing and and.

0:49:41.760 --> 0:49:42.600
<v Speaker 1>I was rooting for her.

0:49:43.160 --> 0:49:46.880
<v Speaker 27>I was like, yeah, keep going, yeah, don't don't let

0:49:47.040 --> 0:49:50.239
<v Speaker 27>anything happen, you know what I mean?

0:49:51.080 --> 0:49:53.919
<v Speaker 1>Yeah, we got you. Don't like this scards you yep,

0:49:58.160 --> 0:50:03.359
<v Speaker 1>three or four? Maybe something. I liked that Liam poke

0:50:03.480 --> 0:50:06.160
<v Speaker 1>fun at the call quality of his talk about it

0:50:08.719 --> 0:50:10.560
<v Speaker 1>lately and you got to keep it to like more

0:50:11.120 --> 0:50:12.680
<v Speaker 1>more Liam on the way here, hold on.

0:50:14.239 --> 0:50:19.440
<v Speaker 27>Lim again I watched a baseball game today on Saturday,

0:50:19.560 --> 0:50:23.560
<v Speaker 27>June twenty first, eleven thirty in the morning.

0:50:24.200 --> 0:50:26.920
<v Speaker 1>Watch the whole thing. You know, I'm telling you.

0:50:30.880 --> 0:50:35.920
<v Speaker 27>Right, it was the best thanks thing ever because you're

0:50:35.920 --> 0:50:40.719
<v Speaker 27>reminded my childhood and I I actually love to getting

0:50:40.760 --> 0:50:42.000
<v Speaker 27>talked Liam.

0:50:42.040 --> 0:50:43.279
<v Speaker 1>Again, that's one.

0:50:43.320 --> 0:50:46.640
<v Speaker 27>Secure of love the fifteen minute shows. You guys are

0:50:46.719 --> 0:50:50.640
<v Speaker 27>bringing in people, and you guys have a new experience

0:50:51.400 --> 0:50:56.600
<v Speaker 27>and conversation wise and just straight up just much better

0:50:56.640 --> 0:50:59.080
<v Speaker 27>than a fifteen minute more show. I'll just say that,

0:50:59.800 --> 0:51:03.359
<v Speaker 27>but I love how. I don't know how you guys

0:51:03.600 --> 0:51:08.279
<v Speaker 27>do it. You just bring people in and then you

0:51:08.440 --> 0:51:10.480
<v Speaker 27>understand them. It's crazy.

0:51:10.600 --> 0:51:13.080
<v Speaker 1>I love it, while we appreciate the fact that you're

0:51:13.239 --> 0:51:15.479
<v Speaker 1>enjoying all the content. Thank you, Liam. Well listen.

0:51:15.640 --> 0:51:18.040
<v Speaker 3>If you want to hear really good fifteen minute morning shows,

0:51:18.760 --> 0:51:21.239
<v Speaker 3>just go back prior to August of twenty twenty two

0:51:21.280 --> 0:51:23.279
<v Speaker 3>when I was in almost all of them, and you

0:51:23.320 --> 0:51:25.759
<v Speaker 3>will hear some quality fifteen minute morning shows with your

0:51:25.760 --> 0:51:28.080
<v Speaker 3>own David Brody as a main contributor.

0:51:28.280 --> 0:51:29.800
<v Speaker 1>They're still posted somewhere, I'm sure.

0:51:29.760 --> 0:51:33.680
<v Speaker 20>Hi Brooklyn boys, Jen the groomer here, I am cracking

0:51:33.800 --> 0:51:37.120
<v Speaker 20>up listening to you guys talk about the tape. I

0:51:37.320 --> 0:51:40.480
<v Speaker 20>also have a mixtape with my friends, so I know

0:51:40.640 --> 0:51:42.160
<v Speaker 20>exactly what you're talking about.

0:51:43.400 --> 0:51:43.680
<v Speaker 2>Nice.

0:51:44.360 --> 0:51:44.840
<v Speaker 1>I were to.

0:51:45.000 --> 0:51:48.880
<v Speaker 20>Charge for my tape, Brody, I would be charging at

0:51:48.960 --> 0:51:50.280
<v Speaker 20>least two steak dinners.

0:51:51.200 --> 0:51:52.520
<v Speaker 1>Yes, thank you. I should have done that.

0:51:52.680 --> 0:51:53.719
<v Speaker 4>No vaccines? Wow?

0:51:54.160 --> 0:51:54.840
<v Speaker 1>Wow, you know what.

0:51:55.760 --> 0:51:59.319
<v Speaker 2>Scary hasn't yet downloaded the audio, so technically I could.

0:51:59.400 --> 0:52:00.960
<v Speaker 2>I could take down on the link and he won't

0:52:00.960 --> 0:52:03.920
<v Speaker 2>have a don't be a dick. Now I'm getting some good,

0:52:04.160 --> 0:52:06.960
<v Speaker 2>good ideas. Now, don't be a Not only can I

0:52:07.000 --> 0:52:09.480
<v Speaker 2>get an extra steak dinner, but Cowboy Truck is going

0:52:09.520 --> 0:52:12.040
<v Speaker 2>to make you his own mixtape with Willie Nelson and

0:52:12.160 --> 0:52:15.480
<v Speaker 2>Johnny Cash and et so. And I'll make and none

0:52:15.520 --> 0:52:19.120
<v Speaker 2>for the other guy last due uh, I sent the

0:52:19.200 --> 0:52:21.759
<v Speaker 2>mixtape link to my one of my Brooklyn boys who

0:52:21.800 --> 0:52:22.480
<v Speaker 2>moved to Florida.

0:52:23.160 --> 0:52:25.160
<v Speaker 1>He went he went crazy. He couldn't believe it. He

0:52:25.280 --> 0:52:27.759
<v Speaker 1>was so excited. It's good. So you get some money

0:52:27.800 --> 0:52:30.320
<v Speaker 1>for that for me. I probably should not. From me,

0:52:30.400 --> 0:52:34.399
<v Speaker 1>I invested. Once you listen to it all last too, Hey,

0:52:35.000 --> 0:52:35.480
<v Speaker 1>I hope.

0:52:35.360 --> 0:52:37.760
<v Speaker 6>You called this, Scary said Doodoo in the last episode.

0:52:37.840 --> 0:52:41.799
<v Speaker 1>Listen and you're a couple. We do to the right

0:52:41.840 --> 0:52:46.359
<v Speaker 1>angle thing we do do? He do very nice, good

0:52:46.400 --> 0:52:46.919
<v Speaker 1>catch member.

0:52:47.200 --> 0:52:48.680
<v Speaker 6>I know you probably don't want to hear this, but.

0:52:50.880 --> 0:52:55.319
<v Speaker 29>Billions, the Wall Street Guy wasn't the guy you were

0:52:55.360 --> 0:52:57.560
<v Speaker 29>saying the Wall Street Guy was Axe, and then Paul

0:52:57.600 --> 0:53:01.560
<v Speaker 29>Giamani played like a lawyer, public defender guy like trying

0:53:01.560 --> 0:53:02.200
<v Speaker 29>to take him down.

0:53:02.440 --> 0:53:03.680
<v Speaker 6>You said it was the Wall Street guy.

0:53:04.200 --> 0:53:06.799
<v Speaker 29>I know you don't care, but you didn't say don't

0:53:06.800 --> 0:53:07.160
<v Speaker 29>tweet me.

0:53:07.239 --> 0:53:12.520
<v Speaker 1>No, say don't tweet me. So he tweeted you.

0:53:13.200 --> 0:53:15.120
<v Speaker 3>So let me, let me, let me pull the curtain back.

0:53:15.360 --> 0:53:18.120
<v Speaker 3>I never watched Billions. I know it's about Wall Street

0:53:18.600 --> 0:53:21.239
<v Speaker 3>and I saw the scene because it made news. We

0:53:21.360 --> 0:53:23.800
<v Speaker 3>talked about it on the Morning Show back when it

0:53:23.880 --> 0:53:26.880
<v Speaker 3>first premiered, so I didn't really know which character he played,

0:53:27.040 --> 0:53:29.799
<v Speaker 3>but he did play a high profile, powerful guy who

0:53:29.920 --> 0:53:31.600
<v Speaker 3>needed to go to a dominatrix to be shot.

0:53:31.640 --> 0:53:34.239
<v Speaker 1>That I did knock down a peg or peg for

0:53:34.320 --> 0:53:35.000
<v Speaker 1>that matter of peg.

0:53:35.280 --> 0:53:40.520
<v Speaker 2>Yeah, all right, well hold your fire. Do not leave

0:53:40.560 --> 0:53:45.840
<v Speaker 2>any talkbacks because they'll just get deleted and used and abused,

0:53:45.880 --> 0:53:47.839
<v Speaker 2>and who knows if someone else may listen to them

0:53:47.880 --> 0:53:50.200
<v Speaker 2>and we're not around on vacation here, so.

0:53:50.840 --> 0:53:51.479
<v Speaker 1>We'll be leaving.

0:53:51.560 --> 0:53:54.120
<v Speaker 2>We'll be doing a Brooklyn Boys episode number three forty

0:53:54.160 --> 0:53:58.239
<v Speaker 2>two the week of July seventh, and then you can

0:53:58.320 --> 0:54:03.439
<v Speaker 2>resume leaving them then for the following talkback show.

0:54:03.920 --> 0:54:05.920
<v Speaker 1>All right, I hope that makes sense.

0:54:06.480 --> 0:54:09.360
<v Speaker 2>All right, Well, if you don't listen and you leave it,

0:54:09.400 --> 0:54:13.160
<v Speaker 2>talk back and make it deleted, because we'll say, all right,

0:54:13.920 --> 0:54:17.200
<v Speaker 2>mushrooms may not. I'm I'm headed to Miami followed by

0:54:18.560 --> 0:54:21.120
<v Speaker 2>a week in Jamaica with my family. We're doing a

0:54:21.239 --> 0:54:25.839
<v Speaker 2>week longreat, Novilla Retreat. Yeah, we decided to do it again.

0:54:25.880 --> 0:54:28.040
<v Speaker 2>It's an annual thing. We got to do a family trip.

0:54:28.520 --> 0:54:30.719
<v Speaker 2>And you know, my brother and my sister and I

0:54:30.840 --> 0:54:33.560
<v Speaker 2>were the family were taking my dad. It's important that

0:54:33.600 --> 0:54:36.759
<v Speaker 2>he sees his grandkids. So uh, you know, I'm doing

0:54:36.800 --> 0:54:38.839
<v Speaker 2>more of that kind of stuff these days, and I mean,

0:54:38.920 --> 0:54:41.160
<v Speaker 2>I can't wait for it, so I will.

0:54:41.360 --> 0:54:43.359
<v Speaker 1>If your father wants to see his grandkids, he doesn't

0:54:43.400 --> 0:54:46.239
<v Speaker 1>need to see you, well, yeah, but I want. I

0:54:46.280 --> 0:54:49.279
<v Speaker 1>want to my nephews and nieces. Yeah. It seems like

0:54:49.440 --> 0:54:51.560
<v Speaker 1>you could do that in New Jersey or Brooklyn, couldn't you. Yeah.

0:54:51.600 --> 0:54:56.200
<v Speaker 1>I gave Lucas the Nintendo switch to today for his graduation? Like,

0:54:56.719 --> 0:55:01.160
<v Speaker 1>was he excited? Super excited? Super very nice? Freaking out?

0:55:01.200 --> 0:55:03.000
<v Speaker 1>He goes, oh my god, when is his graduate When

0:55:03.080 --> 0:55:03.720
<v Speaker 1>is his graduation?

0:55:04.600 --> 0:55:04.719
<v Speaker 4>Uh?

0:55:04.840 --> 0:55:08.520
<v Speaker 2>It is Monday, the twenty third, which we're releasing this

0:55:08.920 --> 0:55:12.240
<v Speaker 2>on Tuesday, so it was yesterday. Oh dude, you should

0:55:12.239 --> 0:55:13.920
<v Speaker 2>have given it to him after the graduation so that

0:55:14.000 --> 0:55:15.840
<v Speaker 2>he would have been like to see whether or not

0:55:15.880 --> 0:55:19.040
<v Speaker 2>he was excited. You were there if he If he was, yeah,

0:55:19.040 --> 0:55:20.760
<v Speaker 2>you don't give him the gift, like like a wedding,

0:55:21.000 --> 0:55:22.480
<v Speaker 2>you don't write out the check. He said, nice, the

0:55:22.520 --> 0:55:25.440
<v Speaker 2>wedding is yeah, all right, Well he better be appreciative

0:55:25.440 --> 0:55:27.319
<v Speaker 2>that you showed up and gave him such a nice gift.

0:55:27.640 --> 0:55:38.480
<v Speaker 1>Absolutely all right, Well, super take dinner, nice reactions. This

0:55:38.680 --> 0:55:42.640
<v Speaker 1>podcast depends on you, baby,