WEBVTT - Episode 404 w/ Erick Sermon

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<v Speaker 1>He is Drinks Chants, motherfucking podcast. Man, he's a legendary

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<v Speaker 1>queen's rapper. He ain't agreed. That's your boy in O

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<v Speaker 1>R E. He's a Miami hip hop pioneer.

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<v Speaker 2>What up, It's d J E f N.

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<v Speaker 1>Together they drink it up with some of the biggest players,

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<v Speaker 1>you know what I mean. And the most professional, unprofessional

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<v Speaker 1>podcast and your number one source for drunk drinks Chans

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<v Speaker 1>Mo day is New Year's CST.

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<v Speaker 2>It's time for drink Champs.

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<v Speaker 1>Drink up, mother, would it gonna be hopinges with? This

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<v Speaker 1>is your boy in O R E. What Up?

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<v Speaker 2>It's DJ E f N And this.

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<v Speaker 1>Is drink Champs. Happy hour makes now.

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<v Speaker 3>Now when we talk about this brother right here, we

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<v Speaker 3>talk about icon. We talk about a legend. This is

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<v Speaker 3>has had three or four or five careers.

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<v Speaker 1>It was a part of one of the most legendary

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<v Speaker 1>groups of all times.

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<v Speaker 3>Classic album after classic album, then he went on for

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<v Speaker 3>his own career, classic after classic. At the classic then

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<v Speaker 3>he can turn off his producer hat and produce the

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<v Speaker 3>ship out of you and had you sounding right on

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<v Speaker 3>the streets. The people are still sampling him and his being.

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<v Speaker 3>My checks are crazy to this day to this day.

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<v Speaker 3>In case you don't know who we're talking about, we

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<v Speaker 3>talking about the one only we was on one of

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<v Speaker 3>the most one of my favorite flights that was legendary,

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<v Speaker 3>like it was rock excuse me, Big Daddy came to

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<v Speaker 3>the left y'ah ruh in front of you.

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<v Speaker 1>Me and you Red Man.

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<v Speaker 2>Should have had. That was a real.

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<v Speaker 3>Version of soul plane like in my opinion, Leo called

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<v Speaker 3>me like, how do you like the plane?

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<v Speaker 2>The plane is the hotel.

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<v Speaker 4>That's people was. They thought we was really like on

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<v Speaker 4>something crazy, like what are you on? Everybody can asked me.

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<v Speaker 4>I'm like, it's a plane. But again it was big

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<v Speaker 4>though what I'm saying so, but slick Wick was in.

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<v Speaker 1>The back slick house.

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<v Speaker 2>Let's be clear. Slickick bullies us.

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<v Speaker 1>All.

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<v Speaker 4>Yeah, yeah, he came in there and he cleaned.

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<v Speaker 3>His bed like like a foul, like like like.

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<v Speaker 1>You in jail, like you walk in jail.

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<v Speaker 3>You're like this man, Peter, And nobody said no, this

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<v Speaker 3>sick Everybody, like.

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<v Speaker 4>I told you, he's from London, which is also raalty.

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<v Speaker 4>So his eyes from the beginning, we all the crumbs

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<v Speaker 4>ship here, He's like crumbs.

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<v Speaker 2>So the talking was minimum.

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<v Speaker 4>It was worse when he was younger, like no type

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<v Speaker 4>of vision, like not looking whatever. Because again, the coolest

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<v Speaker 4>nigga you ever. You know, Mitch Slipper one of my

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<v Speaker 4>favorite albums, know what I'm saying when you listen to

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<v Speaker 4>the records like that. But Rick's mentality was like that,

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<v Speaker 4>He's way friendlier now but then not really packed the weapon.

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<v Speaker 3>Stories about Slipper around. Yeah, did you see him now?

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<v Speaker 3>He's like cool, calm. I feel like he always has

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<v Speaker 3>a cane in his hand.

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<v Speaker 4>He's just He's just one of those. But you're right,

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<v Speaker 4>you see, he had the whole back of the the

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<v Speaker 4>whole back of the plane.

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<v Speaker 3>He did share what But Redman was on the camera.

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<v Speaker 3>I'm sitting back and I'm looking at these pictures and

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<v Speaker 3>I'm like, these shits are really really dope. You think

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<v Speaker 3>from the experience of us being in front of the

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<v Speaker 3>camera's easy for us to turn over and flip like that.

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<v Speaker 4>Yeah, maybe I think that. Reggie Listen, when I first

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<v Speaker 4>met him, When I first met him, he was always

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<v Speaker 4>a person where remember being an apartment with sunglasses on

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<v Speaker 4>when I first when Redmen first came here in a

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<v Speaker 4>yellow suit, yellowed two pieces, some shades Okay, I'm like, yo,

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<v Speaker 4>the two piece ill like too, like the the you know,

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<v Speaker 4>the jacket with the pants but yellow though you know,

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<v Speaker 4>the Iller ship though crazy. But Ressie was always always

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<v Speaker 4>like a person that even now with technology, whatever the

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<v Speaker 4>new ship came out, whatever new technology game, whatever he

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<v Speaker 4>had it, he bought his mind whatever he was so

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<v Speaker 4>whatever he put his mind to, he can do it.

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<v Speaker 4>So I wasn't even shocked about him doing cameras and

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<v Speaker 4>doing his own videos whatever like that. He always had

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<v Speaker 4>the vision to do whatever, you know what I'm saying,

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<v Speaker 4>So I wasn't shocked by it, you know what I'm saying.

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<v Speaker 4>And that's the part that's really ill though to the

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<v Speaker 4>sky driving part, the sky diving which which we asked

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<v Speaker 4>him and he says, like the freedom that he gets,

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<v Speaker 4>which is crazy because is if you know, to jump

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<v Speaker 4>out the plane because he started with the people where

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<v Speaker 4>they hold now it's just him rocket the freedom that

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<v Speaker 4>he got to do that because Dougie Fresh asked him

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<v Speaker 4>like is it a fifty to fifty chance? You know

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<v Speaker 4>what I'm saying, Like you know, are you gonna make it?

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<v Speaker 4>You know what I'm saying. But you see, he sees

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<v Speaker 4>soulas and that whole ship.

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<v Speaker 2>The older red man gets kind of whiter.

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<v Speaker 3>He's becomes become a white guy.

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<v Speaker 5>You're crazy about that, yo, But you know what, when

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<v Speaker 5>you speak to him, his mind is just another thing

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<v Speaker 5>that whatever he found, he found something else, you know

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<v Speaker 5>what I'm saying.

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<v Speaker 2>Like I said, I don't.

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<v Speaker 4>Know what type of piece that he got, but he

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<v Speaker 4>found it, right, So I you know, people look for that.

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<v Speaker 3>But let's talk about why we was all on that

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<v Speaker 3>plane anyway. Uh, Leo kom Yes, who has been a.

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<v Speaker 2>Great I was a great interview with Leo Cohmen, Oh.

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<v Speaker 3>That's my man. But he's been a great guy to me. Right,

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<v Speaker 3>But I want to address something, you.

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<v Speaker 1>Know, Dame Dash.

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<v Speaker 3>I don't want to say it's picking on him. Dame

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<v Speaker 3>Dash has an issue with right. Right. I chose not

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<v Speaker 3>to bring up Dame Dash in a Leo interview because

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<v Speaker 3>I wanted to keep it possible, right, But you know,

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<v Speaker 3>it's something you can't avoid. Like, I don't look at

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<v Speaker 3>Leo as a coach of not me personal personally. He's

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<v Speaker 3>he's personally came to me and made me a better artist.

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<v Speaker 3>He told me I had a little bit more money,

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<v Speaker 3>and he said, if you stick with me, I'm going

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<v Speaker 3>to give you a career.

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<v Speaker 2>So I stuck with Leo, and I got a career.

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<v Speaker 1>I had a career.

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<v Speaker 3>But Dame famously calls him a coach of WoT do

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<v Speaker 3>you think he's is that such thing?

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<v Speaker 1>Can you be that when you off the culture?

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<v Speaker 4>One thing that I know about Leo Cohen is the

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<v Speaker 4>fact that in the beginning, don't think.

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<v Speaker 2>That he managed run.

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<v Speaker 4>He managed Russian management, but he managed running him. See

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<v Speaker 4>first happened. So when rush management there, he's there from

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<v Speaker 4>the beginning. That's the part. It's kind of get confusing

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<v Speaker 4>when you hear it. See, Dame had a different experience

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<v Speaker 4>with him, right, because Dame is powerful. Don't think a

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<v Speaker 4>rocketfeller didn't really need them except for distribution. Right, So

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<v Speaker 4>when when start taking credit, that's when I think it

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<v Speaker 4>got ugly. But I'm like, you know, to Leo Kellen,

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<v Speaker 4>he helped me. You know again, he was the person

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<v Speaker 4>that showed me what it was and and but again

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<v Speaker 4>you can't take the hip hop from him. I watched him.

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<v Speaker 4>I watched him be like that shit swack. That's not

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<v Speaker 4>that's not fly, it's not dope like to like not

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<v Speaker 4>you how you know this ship? So around Russell. That's

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<v Speaker 4>why Russell was the man in the back. Leo was

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<v Speaker 4>the up front. You can't be the up front of

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<v Speaker 4>you on those ship. But for him to be like

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<v Speaker 4>that ship is horrible. I don't know what that shit is.

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<v Speaker 4>Get that bull shit out of it. And that's how

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<v Speaker 4>he how he was no hesitation, you know what I'm saying.

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<v Speaker 4>So we did coss Before I had coss Over, I

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<v Speaker 4>had the last the fourth album done right Gold think

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<v Speaker 4>I had did with it Dad. It was number one

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<v Speaker 4>the whole nine. So we had the song on the

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<v Speaker 4>fourth album called don't play Me play the next Man,

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<v Speaker 4>trying to do a course over part I mean go

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<v Speaker 4>to ther part two. Him and Russell. If he dropped

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<v Speaker 4>that record, your career was sobo. I never so imagine this.

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<v Speaker 4>So I'm like me and parais Is amped on the record.

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<v Speaker 4>So when I was in La, when I got the

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<v Speaker 4>tip of Silvers cassette tape, you hear b will tell

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<v Speaker 4>the story because again when I got the tape, I

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<v Speaker 4>bring the cassette, I said, Cube, I got some shit

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<v Speaker 4>called type of Sills. I want you to listened to it.

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<v Speaker 4>So I brung it to Cube, by some but another

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<v Speaker 4>story though. But Roger Trautman had just came out, so

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<v Speaker 4>I took his new album and I went through it wow,

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<v Speaker 4>and then I heard whatever you want. I heard it, so.

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<v Speaker 2>I went home and sampled it.

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<v Speaker 4>So then I went back to them and they said

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<v Speaker 4>that's the one.

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<v Speaker 2>And then the night after that.

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<v Speaker 4>Wesed in the studio all of us and I played

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<v Speaker 4>the head Banger beat and that's when Reggie was like negros.

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<v Speaker 4>We started wilding out. I started doing the honest ship

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<v Speaker 4>you know. That wasn't really our style with the with

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<v Speaker 4>the you know behind it that was that was us.

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<v Speaker 4>But again it felt like the record. I made the

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<v Speaker 4>record for Cube. I never got it to him. Head

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<v Speaker 4>bang yes, head bang ye m hm. That would have

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<v Speaker 4>been after America's most wanting yes right because because what happened, No,

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<v Speaker 4>you can, because.

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<v Speaker 1>What happened was there. I could hear them.

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<v Speaker 2>No, no, no, the hook wasn't.

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<v Speaker 4>Just the beat was loud, like if it sounds like

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<v Speaker 4>some Lynch exactly Lynch mob also too, with keep hang

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<v Speaker 4>shotting them, I felt like, you know, something like loud

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<v Speaker 4>with the birds the day, so it was loud. So

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<v Speaker 4>I made that for him. I never got it to him.

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<v Speaker 4>So the last two songs, Course Over and Headbang was

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<v Speaker 4>the last two songs that was made on that, Course

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<v Speaker 4>on on that, But it's never personal.

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<v Speaker 3>Yeah, that's crazy. I'm bouncing around a little bit.

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<v Speaker 4>You go ahead.

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<v Speaker 3>Did you ever get caught up in the East Coast

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<v Speaker 3>West Coast? Because I remember listening to our record with

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<v Speaker 3>you and Too Short? Remember too Short actually saying that?

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<v Speaker 3>He says, No, that's coach West Coast stuff to the

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<v Speaker 3>East Coast, West Coast stuff.

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<v Speaker 2>Have you ever got caught in him?

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<v Speaker 4>And I know, I'll tell you what. Yeah, your Puerto

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<v Speaker 4>Ricans that came out of fixedling. Sometimes you nigga niggas

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<v Speaker 4>porty vecan like, Yo, what's up?

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<v Speaker 1>Nigga?

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<v Speaker 4>NI say hold on, nigga, the too Short he wrung

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<v Speaker 4>it to me, like, yo, you know why this is

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<v Speaker 4>going on?

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<v Speaker 2>Me and you're the only one that's doing this.

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<v Speaker 4>I didn't even peep that while the world was was

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<v Speaker 4>going what they was doing, Me and Short was just

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<v Speaker 4>friends because we're in a landa so weren't you know

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<v Speaker 4>what I'm saying.

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<v Speaker 2>We in Georgia, New York guys, right.

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<v Speaker 1>West coast.

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<v Speaker 2>We just enjoying Georgia.

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<v Speaker 4>Not realizing what's going on with that, you know, I mean,

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<v Speaker 4>we know, but we ain't tripping on that because we

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<v Speaker 4>another whole place.

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<v Speaker 3>I remember at one point death Jam would not allow

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<v Speaker 3>us to wear white shirts.

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<v Speaker 4>No, no, no, to tell them.

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<v Speaker 3>Because I think that was like trying to be neutral.

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<v Speaker 3>That's that's how in l A l A and l

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<v Speaker 3>A you were knowing that they're like, yo, don't wear

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<v Speaker 3>white shirts.

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<v Speaker 2>That's what the East Coast and they was looking for you.

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<v Speaker 2>You know that.

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<v Speaker 4>Okay, Yeah, I'm saying I'm a bad You got to

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<v Speaker 4>know what it's talking about. Reggae Tony and that that

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<v Speaker 4>type of beat. That's the only time he let nigga

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<v Speaker 4>know he was.

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<v Speaker 3>You know, the first prime to the industry was Jose

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<v Speaker 3>Luis gotcha, I don't know, but l A l A

0:12:01.800 --> 0:12:05.280
<v Speaker 3>if you ever heard it, andbody the top was repend.

0:12:05.120 --> 0:12:07.679
<v Speaker 1>The Puerto Rican people off time.

0:12:07.600 --> 0:12:11.520
<v Speaker 3>Because you know they you know, I get inducted into

0:12:11.559 --> 0:12:14.559
<v Speaker 3>the Latin Heritage Month every every they mentioned me, you

0:12:14.640 --> 0:12:15.120
<v Speaker 3>know what I mean?

0:12:15.160 --> 0:12:18.520
<v Speaker 4>But yeah, no, but that for real, that people got

0:12:18.559 --> 0:12:21.439
<v Speaker 4>to look at that. Nobody did what you did.

0:12:21.520 --> 0:12:22.880
<v Speaker 2>Yeah, I saw reggae thing early.

0:12:23.080 --> 0:12:25.680
<v Speaker 3>I seen I was in Puerto Rico and I've seen

0:12:26.120 --> 0:12:31.840
<v Speaker 3>you know, no, I saw no. I saw a female

0:12:32.000 --> 0:12:37.000
<v Speaker 3>dancing to it, and I thought of a Spanish reggae.

0:12:37.240 --> 0:12:39.600
<v Speaker 3>I was like, holy shit, because I didn't really understand.

0:12:39.640 --> 0:12:41.960
<v Speaker 3>I was like, and it came on after boom. I

0:12:41.720 --> 0:12:44.800
<v Speaker 3>mean it was emulating reggae. It was everybody to reggae.

0:12:44.800 --> 0:12:46.560
<v Speaker 3>And I came back home and I was like, yo

0:12:47.280 --> 0:12:50.000
<v Speaker 3>the DJ enough DJ Camillo, and I was like, yoah, yeah,

0:12:50.040 --> 0:12:52.240
<v Speaker 3>you're playing the Spanish reggae. And they looked at me

0:12:52.320 --> 0:12:54.160
<v Speaker 3>like what the fuck is you talking about?

0:12:54.400 --> 0:12:55.360
<v Speaker 1>And I was like, all right, cool.

0:12:55.400 --> 0:12:57.040
<v Speaker 3>It was like I was like boom, boom, and then

0:12:57.240 --> 0:12:58.560
<v Speaker 3>it was Dago had the record.

0:12:58.559 --> 0:12:59.839
<v Speaker 1>It was I don't even know.

0:13:04.679 --> 0:13:06.720
<v Speaker 3>I was like, oh, that's just sound like Spanish biggies

0:13:06.760 --> 0:13:09.880
<v Speaker 3>walls and I was like spins.

0:13:10.240 --> 0:13:11.720
<v Speaker 1>And that's how the DJs.

0:13:12.280 --> 0:13:16.439
<v Speaker 3>The DJs wouldn't with it because God bless at this time,

0:13:16.760 --> 0:13:20.120
<v Speaker 3>they would say, we can only play that at hick parties.

0:13:20.400 --> 0:13:21.880
<v Speaker 2>I don't know if you'll know what means.

0:13:21.960 --> 0:13:24.559
<v Speaker 3>Of course, it's kind of like a derogatory Puerto Rican Yeah,

0:13:25.120 --> 0:13:27.720
<v Speaker 3>calling him Germans to like when people says almost work.

0:13:29.200 --> 0:13:30.080
<v Speaker 2>Is worse Quean.

0:13:30.240 --> 0:13:33.200
<v Speaker 3>Yeah, but so that's how and you know then linked

0:13:33.240 --> 0:13:35.920
<v Speaker 3>with Dago, linked with Daddy Yankee and don't.

0:13:35.760 --> 0:13:38.280
<v Speaker 4>Want to get that out there yet you didn't know

0:13:38.280 --> 0:13:42.760
<v Speaker 4>it was Latin know, yes, nobody.

0:13:43.040 --> 0:13:45.480
<v Speaker 3>So how did you get Marvin gated clear?

0:13:45.520 --> 0:13:47.920
<v Speaker 4>That said let's let's stop because you be at crime

0:13:48.000 --> 0:13:54.520
<v Speaker 4>and all the behind the post doors. He'd being fucking listen,

0:13:58.840 --> 0:14:00.040
<v Speaker 4>wanted to drink the pop.

0:14:01.440 --> 0:14:04.360
<v Speaker 2>Keep it real food.

0:14:04.480 --> 0:14:08.880
<v Speaker 1>What do you vodka or Japanese whiskey?

0:14:09.120 --> 0:14:11.480
<v Speaker 4>I don't know by Japanese whisk by vodka though, so

0:14:11.520 --> 0:14:15.240
<v Speaker 4>you want me to go vodka? Yeah, okay, vodka with limit,

0:14:15.520 --> 0:14:17.360
<v Speaker 4>going vodka the limit? Okay, ask the question, go ahead.

0:14:17.720 --> 0:14:19.960
<v Speaker 3>How did you get Marvin Gaye to clear the sample?

0:14:20.000 --> 0:14:23.760
<v Speaker 3>Because Wuma has it is if you get Marvin Gaye's

0:14:23.880 --> 0:14:27.240
<v Speaker 3>estate or to clear a sample, then you can't curse

0:14:27.240 --> 0:14:27.840
<v Speaker 3>on the record.

0:14:29.160 --> 0:14:38.120
<v Speaker 4>Hmmm, yes, again I gotta say, but no name every time.

0:14:38.320 --> 0:14:39.760
<v Speaker 4>I can't help he did it though, you know what,

0:14:39.760 --> 0:14:42.040
<v Speaker 4>I'm sorry when Bnard stole the record, it was already

0:14:42.120 --> 0:14:46.000
<v Speaker 4>too late. It was already to radio okay and clear channel.

0:14:46.280 --> 0:14:49.040
<v Speaker 4>Oh okay, okay, yeah, so the record was already going okay,

0:14:49.280 --> 0:14:51.080
<v Speaker 4>so they wasn't going to stop it because it was

0:14:51.080 --> 0:14:51.400
<v Speaker 4>a hit.

0:14:51.640 --> 0:14:52.760
<v Speaker 2>I was number one in Miami.

0:14:53.240 --> 0:14:55.760
<v Speaker 4>You know when when that spring break the May twenty eight,

0:14:56.000 --> 0:15:00.840
<v Speaker 4>I couldn't get down whatever that main street was Collin Collins,

0:15:02.280 --> 0:15:04.360
<v Speaker 4>Tyson Beffett came and got me. I was on the school.

0:15:04.480 --> 0:15:07.960
<v Speaker 4>Almost killed myself, the fucking I couldn't get down there,

0:15:08.360 --> 0:15:11.320
<v Speaker 4>not knowing I was number one to when whatever touched.

0:15:12.000 --> 0:15:15.680
<v Speaker 4>But when the record was already going and it was

0:15:15.760 --> 0:15:19.120
<v Speaker 4>number one in Florida, it was too late. He's up

0:15:19.200 --> 0:15:24.200
<v Speaker 4>too fast. So when we called the state, they was like, okay,

0:15:24.320 --> 0:15:27.000
<v Speaker 4>they could stick you up, just place. Stuck me up too,

0:15:27.400 --> 0:15:32.080
<v Speaker 4>but getting another story with niggas sixty thousand dollars to react.

0:15:32.280 --> 0:15:35.160
<v Speaker 2>That stuck me up like big time dame too. They

0:15:35.200 --> 0:15:35.520
<v Speaker 2>got me.

0:15:35.800 --> 0:15:41.360
<v Speaker 4>But but Marvin Gaye as state, I met White, the wife,

0:15:41.440 --> 0:15:45.400
<v Speaker 4>jan And and Eric.

0:15:45.240 --> 0:15:46.240
<v Speaker 2>B had something to do with it.

0:15:46.320 --> 0:15:46.760
<v Speaker 1>Wow.

0:15:47.400 --> 0:15:50.920
<v Speaker 4>Eric had short arms ship gage lord. Yeah.

0:15:51.040 --> 0:15:51.280
<v Speaker 6>Wow.

0:15:51.440 --> 0:15:53.040
<v Speaker 4>He made fifty thousand dollars up of that too.

0:15:53.160 --> 0:15:54.080
<v Speaker 2>Oh wow, this is.

0:15:54.080 --> 0:15:56.120
<v Speaker 4>Crazy right, I'm like, whatever we got to do with

0:15:56.200 --> 0:16:01.000
<v Speaker 4>this at the lawyer anyway, I gave it one fifty

0:16:02.760 --> 0:16:05.560
<v Speaker 4>I paid, but I knew that that was gonna get

0:16:05.640 --> 0:16:08.040
<v Speaker 4>me that four million dollars from Clive Davis. So no

0:16:08.160 --> 0:16:10.560
<v Speaker 4>matter what I knew, if I played it, and the

0:16:10.640 --> 0:16:13.720
<v Speaker 4>thing about it was so crazy, it was already already hot.

0:16:14.520 --> 0:16:20.200
<v Speaker 4>We had so Jimmy I Bean had that movie. Yeah,

0:16:20.240 --> 0:16:22.800
<v Speaker 4>it was where that can happen. That's what Daddy DeVito

0:16:22.840 --> 0:16:25.440
<v Speaker 4>and Lawrence. So we had to wait thirty five, thirty

0:16:25.520 --> 0:16:28.360
<v Speaker 4>days or forty days for that to get for them

0:16:28.400 --> 0:16:31.200
<v Speaker 4>to implement that whatever could, for Clive to sign me.

0:16:31.720 --> 0:16:33.520
<v Speaker 4>So we had to wait. But it's again, you know,

0:16:33.600 --> 0:16:36.040
<v Speaker 4>it's cool. But at the end of the day we paid.

0:16:35.920 --> 0:16:37.480
<v Speaker 1>You knew it was a certain investment on your end.

0:16:37.480 --> 0:16:38.640
<v Speaker 1>You're like, I'm gonna get it back.

0:16:38.840 --> 0:16:42.640
<v Speaker 4>Yes, because again, but but nod had told Tim Matola

0:16:43.880 --> 0:16:47.720
<v Speaker 4>that yo ever was getting off of two million dollars. Wow.

0:16:48.240 --> 0:16:52.160
<v Speaker 4>So once we told that to Clive, Clive was like, Okay,

0:16:52.240 --> 0:16:55.560
<v Speaker 4>I get four million dollars. And then Clive said, I'm

0:16:55.600 --> 0:16:56.840
<v Speaker 4>gonna give you fifty to.

0:16:56.880 --> 0:16:59.480
<v Speaker 2>Fifty, So not only four million dollars, but we're gonna

0:16:59.520 --> 0:17:00.600
<v Speaker 2>go I'm.

0:17:00.520 --> 0:17:04.720
<v Speaker 4>The only one straight partnership with that partnership, not hy cleft,

0:17:05.000 --> 0:17:06.080
<v Speaker 4>not busting, not nothing.

0:17:06.560 --> 0:17:08.320
<v Speaker 2>Me that's that doesn't happen.

0:17:08.359 --> 0:17:12.159
<v Speaker 4>Now your levee no to me because again he does

0:17:12.320 --> 0:17:15.080
<v Speaker 4>he again they found out though I don't know why,

0:17:15.680 --> 0:17:17.960
<v Speaker 4>you know, in the day you like me like, I

0:17:18.000 --> 0:17:20.560
<v Speaker 4>don't know why you're doing that though, but you know,

0:17:22.200 --> 0:17:22.399
<v Speaker 4>you know.

0:17:25.240 --> 0:17:27.080
<v Speaker 3>We got to go back to that that's going around.

0:17:27.640 --> 0:17:30.200
<v Speaker 4>I'm saying like yo, because I'm like, why you you

0:17:30.240 --> 0:17:32.320
<v Speaker 4>know what I'm saying that, I don't understand what's making

0:17:32.400 --> 0:17:40.720
<v Speaker 4>me special? But well, like I didn't know its later

0:17:40.800 --> 0:17:50.600
<v Speaker 4>on when you hold up nigga, but that was that

0:17:50.720 --> 0:17:52.920
<v Speaker 4>was a label deal, right, or imprint deal or just

0:17:53.160 --> 0:17:56.480
<v Speaker 4>it wasn't that it wasn't my regular production. Like with

0:17:56.560 --> 0:17:59.399
<v Speaker 4>that production, it wasn't. That wasn't he gave me fifty

0:17:59.480 --> 0:18:04.040
<v Speaker 4>That means when he made records sold, I made money.

0:18:04.320 --> 0:18:06.400
<v Speaker 1>But for you as an artist, yes, oh, it wasn't

0:18:06.440 --> 0:18:07.240
<v Speaker 1>even for you to know.

0:18:07.359 --> 0:18:10.240
<v Speaker 4>This was when I got music solo right, Okay, okay,

0:18:10.960 --> 0:18:13.480
<v Speaker 4>it's still ezy, but no, still got me money for

0:18:13.680 --> 0:18:15.600
<v Speaker 4>e p M D. And I knew I wasn't making

0:18:15.600 --> 0:18:18.280
<v Speaker 4>an EPM D album. I just got a budget for

0:18:18.320 --> 0:18:18.640
<v Speaker 4>that too.

0:18:19.800 --> 0:18:20.879
<v Speaker 2>This nigga was I don't know.

0:18:26.520 --> 0:18:27.720
<v Speaker 1>Why, but if you had a.

0:18:27.840 --> 0:18:32.920
<v Speaker 3>Chance to pick one, whether it being a solo artist,

0:18:34.280 --> 0:18:36.879
<v Speaker 3>in the group or just being a producer. Which one

0:18:36.920 --> 0:18:37.640
<v Speaker 3>would you pick.

0:18:38.400 --> 0:18:39.560
<v Speaker 2>A beat maker your producer.

0:18:39.800 --> 0:18:43.560
<v Speaker 4>Really the reason why is because if you know, E

0:18:43.720 --> 0:18:45.720
<v Speaker 4>p m D like I did what we had to

0:18:45.760 --> 0:18:48.000
<v Speaker 4>do in the beginning, because again, the first tour was

0:18:48.040 --> 0:18:50.159
<v Speaker 4>the runs House Tour, epm D Public going to be

0:18:50.600 --> 0:18:53.080
<v Speaker 4>and Frist, Prince and uh and you know that that

0:18:53.240 --> 0:18:58.920
<v Speaker 4>was the four of us, and then we left that toward.

0:18:58.960 --> 0:19:05.399
<v Speaker 4>The next tour was LJ. Slick Rick came epm D Legends.

0:19:06.440 --> 0:19:09.240
<v Speaker 4>After that was mc hammer, mc hammer, epm dB in

0:19:09.280 --> 0:19:12.480
<v Speaker 4>the Ice. After that, ninety two came, and then the

0:19:12.560 --> 0:19:15.200
<v Speaker 4>Hit Squad came. So now we don't need nobody because

0:19:15.280 --> 0:19:19.600
<v Speaker 4>Dosa is one Reggie e pm D K solo, So

0:19:19.720 --> 0:19:23.399
<v Speaker 4>now we're doing that. So that came with the with

0:19:23.520 --> 0:19:26.200
<v Speaker 4>the whole ship, you got to tour, but that wasn't

0:19:26.240 --> 0:19:28.680
<v Speaker 4>my thing, like the road wasn't really you know, something

0:19:28.720 --> 0:19:30.280
<v Speaker 4>I like to do. That's why when you see me

0:19:30.400 --> 0:19:34.040
<v Speaker 4>now my whole solo career, I ain't tour like I didn't.

0:19:34.280 --> 0:19:37.639
<v Speaker 4>I made money off the production production, you know what

0:19:37.680 --> 0:19:40.680
<v Speaker 4>I'm saying. So even now EPMD, we probably did like

0:19:41.200 --> 0:19:43.360
<v Speaker 4>you know, ten shows a year, eleven shows a year.

0:19:43.359 --> 0:19:45.600
<v Speaker 4>I'm the only one in one of my my colleagues

0:19:46.000 --> 0:19:48.720
<v Speaker 4>who we don't do like you got Caine to do ninety,

0:19:49.560 --> 0:19:52.880
<v Speaker 4>Dougie do two hundred and something, God rest of death.

0:19:52.880 --> 0:19:55.560
<v Speaker 4>Bismal Key was one eighty. And this money to be

0:19:55.680 --> 0:20:00.159
<v Speaker 4>made there too. But before I leave my sofa, no

0:20:00.280 --> 0:20:03.280
<v Speaker 4>my college, I want. I need thirty down dollars. So

0:20:03.520 --> 0:20:05.719
<v Speaker 4>if you can do that, then I might even make

0:20:05.760 --> 0:20:09.119
<v Speaker 4>a suggestion to go do it, you know, if if

0:20:09.320 --> 0:20:10.280
<v Speaker 4>I if you want.

0:20:10.200 --> 0:20:10.800
<v Speaker 3>Me to go do that.

0:20:11.200 --> 0:20:13.480
<v Speaker 2>But other than that, though, I'm not coming off my sofa.

0:20:13.359 --> 0:20:16.960
<v Speaker 4>Because again it's not beneficial to me because I'm already

0:20:17.000 --> 0:20:17.680
<v Speaker 4>making this money.

0:20:17.760 --> 0:20:19.720
<v Speaker 1>There's a lot of words tear on the body too

0:20:19.880 --> 0:20:20.400
<v Speaker 1>after a while.

0:20:20.440 --> 0:20:21.919
<v Speaker 4>See what met the man said when he was on here,

0:20:22.440 --> 0:20:25.680
<v Speaker 4>when he said about overseas, he said whatever like that.

0:20:25.840 --> 0:20:26.919
<v Speaker 2>Yeah, that's how I felt too.

0:20:26.960 --> 0:20:30.080
<v Speaker 3>It's not easy. I can't say this artist's name. But

0:20:30.200 --> 0:20:33.960
<v Speaker 3>I went to his show and he killed the stage

0:20:34.080 --> 0:20:36.600
<v Speaker 3>right as soon as he walked off the stage, like

0:20:36.720 --> 0:20:39.960
<v Speaker 3>he put on this puss face, like and I count

0:20:39.960 --> 0:20:41.640
<v Speaker 3>a face like you know one of them?

0:20:41.840 --> 0:20:43.680
<v Speaker 2>Oh like, and I can.

0:20:43.720 --> 0:20:47.040
<v Speaker 3>Tell like he had he had bills to pay, like

0:20:47.160 --> 0:20:49.800
<v Speaker 3>he didn't want he didn't want to perform.

0:20:49.920 --> 0:20:52.720
<v Speaker 4>It's not for everybody. That's the majority, though it's not.

0:20:53.080 --> 0:20:56.840
<v Speaker 4>You think it's the majority that's the majority. The majority.

0:20:57.080 --> 0:21:00.639
<v Speaker 4>Aw not everybody's a showmanship. Like I said, came like it. No, no, no, no,

0:21:01.119 --> 0:21:06.080
<v Speaker 4>listen not. You know the big names right, these niggas

0:21:06.080 --> 0:21:09.240
<v Speaker 4>is living. You gotta understand, even at the minimum, if

0:21:09.280 --> 0:21:11.800
<v Speaker 4>you make ten thousand dollars a night, you do one

0:21:11.840 --> 0:21:14.159
<v Speaker 4>hundred shows a million dollars. I don't know a doctor,

0:21:14.480 --> 0:21:17.840
<v Speaker 4>a lawyer, no, no surgeent, nobody. So don't you ever

0:21:17.960 --> 0:21:20.680
<v Speaker 4>look at one of us and be like, yo, numbers

0:21:20.720 --> 0:21:21.080
<v Speaker 4>don't lie.

0:21:21.200 --> 0:21:21.840
<v Speaker 3>You don't.

0:21:22.680 --> 0:21:24.600
<v Speaker 4>Don't ever look at one of them and be like,

0:21:24.680 --> 0:21:27.880
<v Speaker 4>I wonder what they're doing now, No, nigga, at the minimum,

0:21:28.040 --> 0:21:29.840
<v Speaker 4>I'm only giving the minimum of what they make. It

0:21:30.320 --> 0:21:34.440
<v Speaker 4>ten thousands a night. If they're doing eighty shows, eighty

0:21:34.560 --> 0:21:37.800
<v Speaker 4>is eight hundred grand. So this is how you look

0:21:37.880 --> 0:21:41.160
<v Speaker 4>at Caine, Rock, Cam Dougie. Those people are the ones

0:21:41.200 --> 0:21:43.280
<v Speaker 4>that you know that you see all the time everywhere,

0:21:43.440 --> 0:21:47.080
<v Speaker 4>who's averaging eighty two hundred shows a year the rock.

0:21:47.040 --> 0:21:51.280
<v Speaker 1>Basis, I don't know they got a tour right now?

0:21:52.800 --> 0:21:55.600
<v Speaker 1>Piece of easy rock. Oh now that that nineties tour

0:21:56.480 --> 0:22:01.359
<v Speaker 1>MC breathe that whole Excuse me that it makes bread.

0:22:01.560 --> 0:22:02.960
<v Speaker 4>I don't know what they make it. But that's why

0:22:03.119 --> 0:22:07.359
<v Speaker 4>every year is pandemonium. So don't look at the when

0:22:07.400 --> 0:22:08.919
<v Speaker 4>people be like, I wonder what they do now they

0:22:08.960 --> 0:22:11.240
<v Speaker 4>get that judge or are you judging that? And I

0:22:11.359 --> 0:22:14.520
<v Speaker 4>got certain people niggas better not even look on this side.

0:22:16.400 --> 0:22:20.600
<v Speaker 4>I was at bottom and selling over seventy million records.

0:22:20.680 --> 0:22:21.320
<v Speaker 1>That means.

0:22:22.640 --> 0:22:25.320
<v Speaker 4>Whatever albums that was out, I was on them, right,

0:22:26.040 --> 0:22:28.119
<v Speaker 4>so you can. And then my publishing, I own it.

0:22:28.400 --> 0:22:30.840
<v Speaker 4>That's why I tell the story about too about young kids,

0:22:30.880 --> 0:22:33.520
<v Speaker 4>about having the publishing, that how important it is to

0:22:33.640 --> 0:22:35.720
<v Speaker 4>have it. That's why all our argument, with all those acts,

0:22:35.800 --> 0:22:37.800
<v Speaker 4>we gotta name them. That that was in here fighting.

0:22:38.080 --> 0:22:38.760
<v Speaker 2>You know what I'm saying.

0:22:39.320 --> 0:22:44.040
<v Speaker 4>Just for metro booming and the weekend sampling you a

0:22:44.160 --> 0:22:46.480
<v Speaker 4>customer for I don't want to know overg and I

0:22:46.520 --> 0:22:50.160
<v Speaker 4>get four percent in that record, right, I bring home

0:22:50.280 --> 0:22:53.399
<v Speaker 4>two hundred and forty thousand dollars every four months. That's

0:22:53.560 --> 0:22:57.639
<v Speaker 4>passive incomfort one, not from the whole only four percent.

0:22:58.960 --> 0:23:02.320
<v Speaker 4>I'most about one record, it right, And there's no cappening. This,

0:23:02.480 --> 0:23:05.320
<v Speaker 4>This is how this ship works. So so when people

0:23:05.400 --> 0:23:08.199
<v Speaker 4>look at certain things and see people out there, especially

0:23:08.240 --> 0:23:11.280
<v Speaker 4>people with the publishing that ship can feature, you'll.

0:23:11.119 --> 0:23:11.920
<v Speaker 2>Know when it's gonna come.

0:23:12.400 --> 0:23:15.240
<v Speaker 4>But every time I look around, But no, friend, Big Tank,

0:23:15.520 --> 0:23:17.520
<v Speaker 4>he's the one that do all the picty ship power.

0:23:17.960 --> 0:23:20.680
<v Speaker 4>You know, you know, being up the whole nine ship,

0:23:20.720 --> 0:23:24.119
<v Speaker 4>stay on there, you know you It just comes when you,

0:23:24.640 --> 0:23:26.480
<v Speaker 4>when you're able to have it. And I sput it

0:23:26.520 --> 0:23:31.359
<v Speaker 4>with parish wow wow because the EP and d stuff.

0:23:31.400 --> 0:23:35.520
<v Speaker 1>Yeah yeah, is there a reason why you decided when

0:23:35.560 --> 0:23:38.280
<v Speaker 1>he said producer, you said beat maker instead of going along.

0:23:41.600 --> 0:23:42.719
<v Speaker 2>I am not one of them.

0:23:42.920 --> 0:23:47.560
<v Speaker 1>Oat maker, don't know what happened.

0:23:49.800 --> 0:23:53.560
<v Speaker 4>And the beat maker right, A producer tells you that

0:23:53.680 --> 0:23:56.119
<v Speaker 4>beat is dope, and that beats not for you. That

0:23:56.280 --> 0:23:59.160
<v Speaker 4>paragraph is dope, but it should go third. That chorus

0:23:59.240 --> 0:24:01.840
<v Speaker 4>is ill, but it does as those paragraphs. Put that

0:24:02.240 --> 0:24:04.480
<v Speaker 4>second verse first, put that one third. I got to

0:24:04.560 --> 0:24:08.919
<v Speaker 4>create the record. A producer creates the record for the artists.

0:24:09.440 --> 0:24:12.200
<v Speaker 4>So I never claimed to be the best beat maker.

0:24:12.359 --> 0:24:14.520
<v Speaker 4>I know how to make a record. So I'm not

0:24:14.640 --> 0:24:17.320
<v Speaker 4>in that category of niggas saying yo, the nigga I

0:24:17.359 --> 0:24:18.280
<v Speaker 4>ain't never claimed to be that.

0:24:18.800 --> 0:24:19.800
<v Speaker 2>I know how to make a song.

0:24:19.760 --> 0:24:23.320
<v Speaker 1>Though, right, Christy Jones a't gonna say he's a beat maker, right.

0:24:23.880 --> 0:24:26.400
<v Speaker 4>I don't know where that came from. I must sow

0:24:26.480 --> 0:24:32.840
<v Speaker 4>must to happen. You did something, blaze, you said, just blaze. Okay,

0:24:33.200 --> 0:24:37.360
<v Speaker 4>this is for React. That beat went around had to beat.

0:24:38.640 --> 0:24:40.639
<v Speaker 1>This is a rumor I was supposed to be on React.

0:24:41.359 --> 0:24:44.919
<v Speaker 1>Is that a rum yes, not a room, that's yo.

0:24:45.359 --> 0:24:48.240
<v Speaker 2>So because it fit you.

0:24:49.400 --> 0:24:51.960
<v Speaker 4>What happened was we couldn't I really couldn't find nobody

0:24:52.440 --> 0:24:54.600
<v Speaker 4>to be able to understand where I was coming from.

0:24:54.880 --> 0:24:57.960
<v Speaker 4>Brether Meth had to be. But since since that that

0:24:58.440 --> 0:25:01.080
<v Speaker 4>lady was saying the sample, what do you say on

0:25:01.240 --> 0:25:04.680
<v Speaker 4>top of that? So my ship was like whatever she

0:25:04.800 --> 0:25:08.040
<v Speaker 4>said that, I'm that. So that's what what made it

0:25:09.040 --> 0:25:12.080
<v Speaker 4>able to be a record, because I found a way

0:25:12.160 --> 0:25:16.439
<v Speaker 4>to use it. They all had to be. But again, Reggie,

0:25:16.760 --> 0:25:20.240
<v Speaker 4>I took an old verse of Reggie's like I kind

0:25:20.280 --> 0:25:23.560
<v Speaker 4>of like, you know, like devoted it gosh. And then

0:25:23.640 --> 0:25:25.680
<v Speaker 4>I played it for the label and I said, Reggie,

0:25:25.880 --> 0:25:27.600
<v Speaker 4>they like it whatever, So he did it over.

0:25:27.920 --> 0:25:32.639
<v Speaker 2>Wow, But but he wasn't there. I just made ith do.

0:25:32.720 --> 0:25:34.120
<v Speaker 1>We ever find out what she was saying.

0:25:35.240 --> 0:25:36.920
<v Speaker 4>Somebody was saying that she was talking about, you know,

0:25:37.000 --> 0:25:39.200
<v Speaker 4>the rumors like she was talking about suicide, and you

0:25:39.280 --> 0:25:40.000
<v Speaker 4>know that's the rumors.

0:25:40.040 --> 0:25:41.760
<v Speaker 2>You know people they were trying to kill me out there.

0:25:45.880 --> 0:25:47.800
<v Speaker 2>So we never found out officially what she said.

0:25:47.880 --> 0:25:51.040
<v Speaker 4>Somebody, one of the somebody said something that she said.

0:25:51.080 --> 0:25:52.639
<v Speaker 4>But that was one of the main things. She was

0:25:52.760 --> 0:25:54.080
<v Speaker 4>talking about, suicide.

0:25:53.720 --> 0:25:55.760
<v Speaker 3>Because when you perform it, do you let the crowd

0:25:55.800 --> 0:25:56.360
<v Speaker 3>say that work?

0:25:56.440 --> 0:25:59.320
<v Speaker 4>Okay, they do that too, They do the whatever said

0:25:59.359 --> 0:26:01.680
<v Speaker 4>they do again at the end of the day. It

0:26:01.840 --> 0:26:04.439
<v Speaker 4>was so crazy because me having Marvin Gaye and then

0:26:04.480 --> 0:26:06.680
<v Speaker 4>they then again You're looking like, okay, well damn, I'm

0:26:06.800 --> 0:26:09.399
<v Speaker 4>this record is too big. I can't come behind that.

0:26:09.600 --> 0:26:11.879
<v Speaker 4>But I was able to come right behind it with that.

0:26:12.119 --> 0:26:14.680
<v Speaker 4>That's the part too. Had his hands on me like,

0:26:14.760 --> 0:26:17.080
<v Speaker 4>oh shit, you give me another career, you know. So

0:26:17.440 --> 0:26:20.120
<v Speaker 4>at the end of the day, so you know, again,

0:26:20.160 --> 0:26:24.359
<v Speaker 4>I think just blazed two because they was hot, right,

0:26:24.760 --> 0:26:27.240
<v Speaker 4>and I heard the rumors that that they was mad

0:26:27.359 --> 0:26:30.320
<v Speaker 4>that he gave me the beat. They was upset, Wow,

0:26:30.440 --> 0:26:34.479
<v Speaker 4>because they give records away, you the beat. They can

0:26:34.560 --> 0:26:36.199
<v Speaker 4>all say that. But you don't know if it's going

0:26:36.240 --> 0:26:37.680
<v Speaker 4>to be a hit because you had the record.

0:26:38.080 --> 0:26:38.800
<v Speaker 2>This happened to hit.

0:26:38.880 --> 0:26:42.520
<v Speaker 4>And now you're saying, okay, what sixty thousand that was

0:26:43.000 --> 0:26:44.920
<v Speaker 4>just places. That's the most money he ever got for

0:26:45.000 --> 0:26:45.880
<v Speaker 4>a record in his life.

0:26:46.480 --> 0:26:46.720
<v Speaker 3>Wow.

0:26:47.560 --> 0:26:48.480
<v Speaker 1>And did he stay there?

0:26:48.960 --> 0:26:55.520
<v Speaker 2>No, that's he never got that no more, never again. Okay, gee, Louise, geez.

0:26:56.000 --> 0:26:58.720
<v Speaker 1>Did you did going back to the beginning of EPMD,

0:26:58.800 --> 0:27:00.680
<v Speaker 1>did you ever see yourself as a so orders from bag?

0:27:00.720 --> 0:27:03.080
<v Speaker 1>Then nah, this is listen. Man.

0:27:03.160 --> 0:27:04.960
<v Speaker 2>Parish was the one that.

0:27:06.840 --> 0:27:10.320
<v Speaker 4>Had experience because his brother was in the business, and

0:27:10.440 --> 0:27:12.920
<v Speaker 4>Paris was in a cool called the Rock Squad. He

0:27:13.040 --> 0:27:16.359
<v Speaker 4>just didn't rhyme. He was a DJ. But when he

0:27:16.640 --> 0:27:20.000
<v Speaker 4>heard when I went to his neighborhood, moved my grandmother,

0:27:20.440 --> 0:27:23.040
<v Speaker 4>I used, I was already had two rhymes. I had

0:27:23.480 --> 0:27:26.960
<v Speaker 4>the bunad Get story and I had Jane. So I

0:27:27.080 --> 0:27:29.800
<v Speaker 4>used to spit those for his friends and him. So

0:27:29.960 --> 0:27:32.200
<v Speaker 4>he was like, you know, one day we're gonna go

0:27:32.200 --> 0:27:34.919
<v Speaker 4>to the studio. So I'm like, this can't be happening.

0:27:34.920 --> 0:27:36.080
<v Speaker 4>You know what I'm saying, Like, you know, you don't kid,

0:27:36.119 --> 0:27:39.399
<v Speaker 4>you don't know. So he went to college because he

0:27:39.440 --> 0:27:43.600
<v Speaker 4>played football, So we skipped eighty five. Eighty six we

0:27:43.720 --> 0:27:45.439
<v Speaker 4>kind of went in, but we skipped that too. Then

0:27:45.520 --> 0:27:47.720
<v Speaker 4>eighty seven we went in and made the first demo

0:27:48.400 --> 0:27:51.399
<v Speaker 4>and that's when November of eighty seven, it's my Thing

0:27:51.480 --> 0:27:56.040
<v Speaker 4>and your customer came out. Now, you guys wasn't on

0:27:56.200 --> 0:27:58.920
<v Speaker 4>depth jam then, No, we was on teating back records

0:27:58.920 --> 0:28:02.480
<v Speaker 4>are independent sleep Yeah, first record, so team Bank Records,

0:28:02.560 --> 0:28:06.679
<v Speaker 4>right man Tron. That was the group that they had.

0:28:06.720 --> 0:28:08.879
<v Speaker 4>And they had Joyce Simms, a lady that was you

0:28:08.960 --> 0:28:11.560
<v Speaker 4>know you oh my ole, they really do. You had

0:28:11.600 --> 0:28:14.879
<v Speaker 4>that the press was kind of crazy. And then they

0:28:14.960 --> 0:28:17.639
<v Speaker 4>signed Nicer Smooth and then they had Craig Matt with

0:28:17.680 --> 0:28:21.480
<v Speaker 4>the zoom zoom zoom. So again we they was moving,

0:28:21.960 --> 0:28:25.920
<v Speaker 4>you know. But but I walked in the in the

0:28:26.080 --> 0:28:28.760
<v Speaker 4>in the spot one day, I saw a new computers,

0:28:29.320 --> 0:28:34.480
<v Speaker 4>a new desks, new cars outside, and we broke figure.

0:28:34.560 --> 0:28:37.080
<v Speaker 4>I signed for fifteen hundred dollars. That means seven hundred

0:28:37.119 --> 0:28:42.120
<v Speaker 4>feet dollars for Paris, seven hundred dollars for me. But

0:28:42.280 --> 0:28:45.440
<v Speaker 4>I was I was a minor. So when Russell went

0:28:45.520 --> 0:28:47.840
<v Speaker 4>in for the audit, he was able to get it.

0:28:48.360 --> 0:28:51.520
<v Speaker 4>So and then because they was in an illegal contract

0:28:51.560 --> 0:28:54.160
<v Speaker 4>with you that too, and they were just robbing you know,

0:28:54.480 --> 0:28:57.200
<v Speaker 4>this wasn't right. So Russell came with it was like

0:28:57.280 --> 0:28:59.360
<v Speaker 4>one point six million dollars and after that was on

0:28:59.440 --> 0:29:03.280
<v Speaker 4>definitely by the whole third album is I'm mad Man

0:29:03.360 --> 0:29:06.040
<v Speaker 4>slaughter fucking you know the old type.

0:29:05.880 --> 0:29:08.560
<v Speaker 2>Of you know this, you know, angry titles.

0:29:09.320 --> 0:29:11.160
<v Speaker 4>You know, when you signed the Depth cham because of

0:29:11.240 --> 0:29:13.240
<v Speaker 4>what was going on with Seambag, you.

0:29:13.240 --> 0:29:16.720
<v Speaker 3>Know, and the rumor was like, which I didn't really

0:29:16.840 --> 0:29:19.280
<v Speaker 3>know to so recently the rumor or the rumor was like,

0:29:19.520 --> 0:29:22.320
<v Speaker 3>uh that you thought it was Parish at first because

0:29:22.320 --> 0:29:23.960
<v Speaker 3>he had the cars and he had the houses and

0:29:24.040 --> 0:29:27.800
<v Speaker 3>you didn't. Oh that's just as far as the e PMD.

0:29:28.000 --> 0:29:30.600
<v Speaker 3>How it got sour. Yeah, that was everybody.

0:29:30.880 --> 0:29:33.160
<v Speaker 4>I mean we watched it and everybody was saying, you know,

0:29:33.200 --> 0:29:37.440
<v Speaker 4>the neighborhood talking. Same with the EPMD Rock and Beef.

0:29:37.800 --> 0:29:39.720
<v Speaker 4>It's the neighborhood that talks, you know what I'm saying.

0:29:40.280 --> 0:29:43.160
<v Speaker 4>So at the end of the day, again, I wasn't

0:29:43.200 --> 0:29:46.120
<v Speaker 4>on my business, you know, That's what it boils down to.

0:29:46.200 --> 0:29:53.160
<v Speaker 4>You know, you I did think that that count Bow

0:29:53.720 --> 0:29:56.480
<v Speaker 4>and Bert had all of us everybody so but the

0:29:56.600 --> 0:30:00.440
<v Speaker 4>end of the day, bird kind of helped me to right,

0:30:00.520 --> 0:30:03.160
<v Speaker 4>you know, after a while, like when I started seeing things,

0:30:03.200 --> 0:30:04.960
<v Speaker 4>I started learning ship too. But again, at the end

0:30:04.960 --> 0:30:07.280
<v Speaker 4>of the day, when you're young or you're thinking, is

0:30:07.320 --> 0:30:10.080
<v Speaker 4>the negative part, like you know, it's somebody getting me,

0:30:10.440 --> 0:30:11.320
<v Speaker 4>you know what I'm saying.

0:30:11.200 --> 0:30:15.080
<v Speaker 3>So why do you think that's mentality? Like I got

0:30:15.200 --> 0:30:17.840
<v Speaker 3>drunk my first contract too. I got I think five

0:30:17.960 --> 0:30:20.520
<v Speaker 3>grand when the Avera Rex and the cowboy hat and

0:30:20.720 --> 0:30:24.080
<v Speaker 3>gor text books, I thought I was rich, so I was.

0:30:24.320 --> 0:30:25.160
<v Speaker 1>I went to the tunnel.

0:30:25.200 --> 0:30:31.760
<v Speaker 3>You couldn't tell me ship five grand magic? But but

0:30:31.920 --> 0:30:33.920
<v Speaker 3>why do you think And I'm gonna tell you something.

0:30:35.440 --> 0:30:38.280
<v Speaker 3>I knew my contract was shipped, right, but I was.

0:30:38.480 --> 0:30:41.200
<v Speaker 3>I was under the impression. I was like, yo, let

0:30:41.240 --> 0:30:44.080
<v Speaker 3>me just get into this game and I'm gonna make

0:30:44.120 --> 0:30:48.960
<v Speaker 3>it work. When when do that generation stop and say

0:30:49.040 --> 0:30:52.680
<v Speaker 3>fuck that. I'm gonna get a good contract first, not

0:30:52.840 --> 0:30:54.280
<v Speaker 3>get into this bad ship.

0:30:54.400 --> 0:30:55.960
<v Speaker 1>Because I listened to your.

0:30:55.880 --> 0:30:57.240
<v Speaker 2>Story and.

0:30:59.680 --> 0:31:01.920
<v Speaker 3>That was research and research and researching, and it was

0:31:02.040 --> 0:31:04.760
<v Speaker 3>like you learned the business. After that you kind of

0:31:04.800 --> 0:31:07.520
<v Speaker 3>got and I'm like, damn, that's that's fucking my story.

0:31:08.040 --> 0:31:10.440
<v Speaker 3>Like I had to learn publishing after I sold it,

0:31:10.920 --> 0:31:12.880
<v Speaker 3>You know what I mean. I had to learn about

0:31:12.920 --> 0:31:14.320
<v Speaker 3>points after I gave it away.

0:31:14.600 --> 0:31:15.880
<v Speaker 1>That everybody, you know what I mean.

0:31:16.240 --> 0:31:19.880
<v Speaker 3>What I'm saying is like your experience, from your experience.

0:31:19.960 --> 0:31:22.360
<v Speaker 3>I shouldn't have went through it. From my experience, the

0:31:22.440 --> 0:31:23.520
<v Speaker 3>next person shouldn't google.

0:31:23.800 --> 0:31:25.520
<v Speaker 1>When do we stop this ship? When do we tell

0:31:25.600 --> 0:31:27.600
<v Speaker 1>these artists that what they were?

0:31:27.840 --> 0:31:31.200
<v Speaker 4>This is what Kiss was just talking about the last interview.

0:31:31.280 --> 0:31:33.680
<v Speaker 4>I just heard him saying. He's saying that again, is

0:31:34.240 --> 0:31:39.160
<v Speaker 4>he said? Him signing the contract? These days it's like

0:31:39.320 --> 0:31:41.600
<v Speaker 4>for him Robin the bank. You know what I mean,

0:31:41.640 --> 0:31:44.080
<v Speaker 4>it's you know, it's just a stupid to do. At

0:31:44.080 --> 0:31:46.680
<v Speaker 4>the end of the day, you have to learn that

0:31:47.520 --> 0:31:50.400
<v Speaker 4>all of us who went through it and saw what

0:31:50.560 --> 0:31:53.480
<v Speaker 4>it was, why would you do that? But the fame

0:31:54.200 --> 0:31:56.520
<v Speaker 4>and that checked they dingle in front of you for

0:31:56.640 --> 0:31:59.320
<v Speaker 4>that to be sixty deals. It's hard for a kid

0:31:59.440 --> 0:32:01.520
<v Speaker 4>to be like what you say about points and all

0:32:01.520 --> 0:32:02.440
<v Speaker 4>that type of stuff that you know.

0:32:02.520 --> 0:32:05.440
<v Speaker 1>They which is coated all that stuff is complicing publishing.

0:32:05.520 --> 0:32:08.200
<v Speaker 1>They should learn they should teach a course before you

0:32:08.320 --> 0:32:08.680
<v Speaker 1>get to.

0:32:08.760 --> 0:32:11.920
<v Speaker 3>The merchandising all of that, like they control their merchandise.

0:32:12.400 --> 0:32:14.640
<v Speaker 4>That's the whole thing there too, which is crazy. The

0:32:14.800 --> 0:32:17.720
<v Speaker 4>major r is that you know about you haven't seen

0:32:17.760 --> 0:32:21.400
<v Speaker 4>a T shirt or nothing that they shows. They don't

0:32:21.440 --> 0:32:24.320
<v Speaker 4>own that part. And that's also all that money from

0:32:24.400 --> 0:32:28.160
<v Speaker 4>that three sixty is gone, So that's part was kind

0:32:28.160 --> 0:32:30.120
<v Speaker 4>of crazy for you to be at your own show

0:32:30.200 --> 0:32:32.720
<v Speaker 4>and your own concert and you got no merchandise.

0:32:32.280 --> 0:32:33.360
<v Speaker 1>Even owning your likeness.

0:32:33.800 --> 0:32:36.360
<v Speaker 4>That's what it's like right right then, and then.

0:32:36.520 --> 0:32:39.920
<v Speaker 1>In the language saying in perpetuity throughout the universe, like

0:32:40.000 --> 0:32:41.520
<v Speaker 1>these things are what's the crazy city?

0:32:42.520 --> 0:32:44.960
<v Speaker 3>It's so fucked up right now that they can they

0:32:45.040 --> 0:32:47.040
<v Speaker 3>can take your image and put you in a video

0:32:47.080 --> 0:32:48.080
<v Speaker 3>game that you don't even owe.

0:32:48.120 --> 0:32:49.600
<v Speaker 2>Yeah, that was that's like.

0:32:49.680 --> 0:32:52.200
<v Speaker 3>Yeah yeah, like like at least when we did Depth

0:32:52.280 --> 0:32:54.520
<v Speaker 3>Jam Fight for the New York we had to actually

0:32:54.600 --> 0:32:55.080
<v Speaker 3>go in there.

0:32:56.800 --> 0:32:57.880
<v Speaker 1>Yeah, yeah, you're.

0:33:00.320 --> 0:33:01.959
<v Speaker 3>So right now if you was just signed a three

0:33:02.080 --> 0:33:06.480
<v Speaker 3>sixty deal, your label can put you in Mortal Kombat

0:33:07.040 --> 0:33:10.880
<v Speaker 3>right seven and just had you there and you know what,

0:33:10.960 --> 0:33:11.920
<v Speaker 3>you had a good move on that.

0:33:12.160 --> 0:33:15.040
<v Speaker 1>Oh yeah I had it call Yeah it was dead

0:33:15.080 --> 0:33:20.880
<v Speaker 1>all nor yeah life Eric, I do it.

0:33:21.360 --> 0:33:24.120
<v Speaker 4>You know, the fucking the move was nice. I don't

0:33:24.160 --> 0:33:27.440
<v Speaker 4>know who he got though, but somebody the ship was crazy.

0:33:27.680 --> 0:33:30.960
<v Speaker 1>If there's anything probably positive of this generation of artists,

0:33:31.480 --> 0:33:34.240
<v Speaker 1>they do have more power to dictate the type of

0:33:34.320 --> 0:33:37.280
<v Speaker 1>deals because they're self sufficient in what they're doing, at

0:33:37.360 --> 0:33:39.360
<v Speaker 1>least on yes, creating their own.

0:33:39.440 --> 0:33:42.200
<v Speaker 2>Doing that revenue. If they're doing that there, if they're

0:33:42.240 --> 0:33:42.480
<v Speaker 2>doing that.

0:33:42.560 --> 0:33:45.920
<v Speaker 4>But the majority of them too, see all that money

0:33:45.920 --> 0:33:49.640
<v Speaker 4>they generated from from them shows, right, that's why they

0:33:50.240 --> 0:33:52.480
<v Speaker 4>so rich. Either they got they got the two million

0:33:52.520 --> 0:33:55.160
<v Speaker 4>dollars for the three sixty, but the shows that you

0:33:55.240 --> 0:33:55.680
<v Speaker 4>see they.

0:33:55.680 --> 0:33:56.640
<v Speaker 2>Torn like crazy.

0:33:56.680 --> 0:34:00.160
<v Speaker 4>They out there in the arenas like early all is

0:34:00.360 --> 0:34:02.160
<v Speaker 4>the reasons all of them is in out there, you

0:34:02.200 --> 0:34:04.120
<v Speaker 4>know what I'm saying, Like, I don't know how many.

0:34:04.200 --> 0:34:06.600
<v Speaker 4>He's not a whole bunch, but they but they on them, right,

0:34:06.800 --> 0:34:09.239
<v Speaker 4>But they they that money that you see they got

0:34:09.400 --> 0:34:12.000
<v Speaker 4>is real. But I always tell them, I'm not hating

0:34:12.080 --> 0:34:18.120
<v Speaker 4>on you. Nobody's coming to watch you in the future.

0:34:18.440 --> 0:34:18.600
<v Speaker 3>Right.

0:34:19.560 --> 0:34:21.840
<v Speaker 4>And the scary part they don't understand that when they

0:34:21.960 --> 0:34:24.319
<v Speaker 4>hear it, that means that you see how we can

0:34:24.480 --> 0:34:27.120
<v Speaker 4>rock or the people from the seventies and sixties make

0:34:27.239 --> 0:34:29.600
<v Speaker 4>Jack's one hundred and thirty six years old. This is still.

0:34:31.480 --> 0:34:31.640
<v Speaker 1>You know.

0:34:33.640 --> 0:34:37.400
<v Speaker 4>You can perform the four hundred and forty million dollars

0:34:37.680 --> 0:34:40.719
<v Speaker 4>when you step on the on that stage for that

0:34:40.880 --> 0:34:44.520
<v Speaker 4>year that tour, meaning that he made records, that's going

0:34:44.600 --> 0:34:46.880
<v Speaker 4>to always be able to people for this show up.

0:34:47.760 --> 0:34:51.560
<v Speaker 4>So when when this error has to go to work,

0:34:51.960 --> 0:34:53.200
<v Speaker 4>how we can go to work if you want to

0:34:53.239 --> 0:34:54.399
<v Speaker 4>go to work and you can go get some money

0:34:54.600 --> 0:34:57.960
<v Speaker 4>whatever they can because when I when I knew when

0:34:58.000 --> 0:35:01.440
<v Speaker 4>they or get forty and they're gonna be talking about

0:35:01.560 --> 0:35:03.840
<v Speaker 4>dick fuck suck pus. See whatever, it.

0:35:03.880 --> 0:35:07.880
<v Speaker 2>Won't match, right, it won't match. No longevity in that right,

0:35:08.040 --> 0:35:08.799
<v Speaker 2>it won't.

0:35:08.560 --> 0:35:10.960
<v Speaker 4>Match is no longer you won't. So I want to

0:35:11.000 --> 0:35:13.719
<v Speaker 4>figure out, how are you going to be able to

0:35:13.840 --> 0:35:16.680
<v Speaker 4>earn money? Nigga? If you didn't save or have some

0:35:16.800 --> 0:35:19.120
<v Speaker 4>type of situation, you won't be able to do what we.

0:35:19.200 --> 0:35:21.800
<v Speaker 1>Do past virality, past going viral.

0:35:22.480 --> 0:35:24.799
<v Speaker 4>Right, this is this quote, and this is what I'm

0:35:24.800 --> 0:35:28.399
<v Speaker 4>saying is so fucking letho, and I wish they could

0:35:28.440 --> 0:35:32.920
<v Speaker 4>hear this, like the fact that when that time comes, right,

0:35:33.360 --> 0:35:35.279
<v Speaker 4>are you going to You're not going to be able

0:35:35.360 --> 0:35:35.759
<v Speaker 4>to work?

0:35:36.400 --> 0:35:42.719
<v Speaker 3>Right, It's real. You remember what I always say, like

0:35:43.640 --> 0:35:47.359
<v Speaker 3>That's why I love Europe because like you just said,

0:35:48.280 --> 0:35:50.600
<v Speaker 3>there's a time, well, you just can't book a show

0:35:50.640 --> 0:35:54.000
<v Speaker 3>in America, right, Europe don't get to see you like that.

0:35:54.560 --> 0:35:56.960
<v Speaker 2>Europe That's kind of saved my life. You know what

0:35:57.000 --> 0:35:57.279
<v Speaker 2>I'm saying.

0:35:57.280 --> 0:35:59.960
<v Speaker 3>I always say, I always say dudef Germany, he always

0:36:00.080 --> 0:36:02.800
<v Speaker 3>last at me. But I was frequenting dudes in Germany.

0:36:03.880 --> 0:36:06.239
<v Speaker 3>I was like, fuck that they paying my quote. I'm

0:36:06.360 --> 0:36:08.520
<v Speaker 3>going That's how I learned about miles and all that.

0:36:08.800 --> 0:36:11.279
<v Speaker 3>I started sucking with the plane tickets because you can't

0:36:11.320 --> 0:36:14.160
<v Speaker 3>be paying that first cast flight and then and they

0:36:14.200 --> 0:36:16.880
<v Speaker 3>get it all in all, if it's all in so

0:36:17.480 --> 0:36:20.880
<v Speaker 3>I would use my points still get that first class

0:36:20.920 --> 0:36:22.840
<v Speaker 3>flight and you put me onto that.

0:36:22.920 --> 0:36:25.279
<v Speaker 1>But Europe, Europe, Europe, you know.

0:36:25.680 --> 0:36:33.400
<v Speaker 3>Part Russia at times, Japan they held me down, They

0:36:33.480 --> 0:36:35.600
<v Speaker 3>helped me down where I didn't have to like take

0:36:35.880 --> 0:36:36.480
<v Speaker 3>these little.

0:36:36.280 --> 0:36:37.879
<v Speaker 1>Because you know that's how they start doing. You didn't

0:36:38.160 --> 0:36:38.920
<v Speaker 1>he go twenty.

0:36:38.719 --> 0:36:44.279
<v Speaker 3>Five, You want me at twenty five, and then you're

0:36:44.320 --> 0:36:46.040
<v Speaker 3>just like, yo, how you doing sh Let me let

0:36:46.080 --> 0:36:47.680
<v Speaker 3>me go, let me go, grab, let me grab that.

0:36:48.040 --> 0:36:51.680
<v Speaker 1>But Europe hold us down, and it almost feels.

0:36:51.480 --> 0:36:55.200
<v Speaker 4>Like they held this they still holding, They still still

0:36:55.320 --> 0:36:58.439
<v Speaker 4>in Europe, getting ready. I see the resund there, said,

0:36:58.520 --> 0:37:00.759
<v Speaker 4>I just saw it fucking goes underd just alcoholic.

0:37:00.840 --> 0:37:01.960
<v Speaker 2>I've seen it right there out there.

0:37:03.440 --> 0:37:06.080
<v Speaker 3>Do you think hip hop lives in Europe more than

0:37:06.120 --> 0:37:06.560
<v Speaker 3>it lives in.

0:37:06.600 --> 0:37:10.400
<v Speaker 4>The well now it does, even though the new stuff

0:37:10.480 --> 0:37:12.640
<v Speaker 4>did infiltrate. I never thought it was going to infistrate.

0:37:12.680 --> 0:37:16.320
<v Speaker 4>But again, kids, come now, you know whatever, whatever you know,

0:37:16.800 --> 0:37:18.799
<v Speaker 4>let me flash back to you, because you flashed back

0:37:18.840 --> 0:37:20.480
<v Speaker 4>a while ago, but you got a mate back outside.

0:37:20.880 --> 0:37:21.799
<v Speaker 2>So I don't know what.

0:37:23.280 --> 0:37:25.320
<v Speaker 4>Year you're talking about. You know what I'm saying, What

0:37:25.520 --> 0:37:28.000
<v Speaker 4>year was that overseas? Because that's a long time.

0:37:28.080 --> 0:37:30.160
<v Speaker 2>That was in the early two thousands, early two thousands.

0:37:30.239 --> 0:37:33.520
<v Speaker 3>This is this is like right before we do, Right

0:37:33.560 --> 0:37:35.840
<v Speaker 3>before we did, I was what I called let me,

0:37:37.160 --> 0:37:40.320
<v Speaker 3>I was what I call a hip hop purgatory. Like

0:37:40.440 --> 0:37:43.200
<v Speaker 3>I wasn't dead, but I damn sure it wasn't a lie.

0:37:44.000 --> 0:37:47.840
<v Speaker 3>Well like I was in that tough, tough space. And

0:37:48.280 --> 0:37:49.880
<v Speaker 3>you know, Joe was there with me, you know what

0:37:49.920 --> 0:37:53.840
<v Speaker 3>I mean. I had lunch with Joe yesterday, right and

0:37:53.960 --> 0:37:58.239
<v Speaker 3>he said something very interesting to me. You know, we

0:37:58.360 --> 0:38:00.560
<v Speaker 3>always say when we in the studio. This is this

0:38:00.680 --> 0:38:03.640
<v Speaker 3>is our best look, right, it's our best fight. So

0:38:04.000 --> 0:38:05.839
<v Speaker 3>you know, we all think like that. I don't give

0:38:05.880 --> 0:38:08.319
<v Speaker 3>a what you say. So Joe looks at me and goes,

0:38:08.440 --> 0:38:11.760
<v Speaker 3>I think I'm making the best music of my life.

0:38:12.160 --> 0:38:14.439
<v Speaker 3>And I somewhat laugh because I'm like, Nigga, you say

0:38:14.440 --> 0:38:17.759
<v Speaker 3>that every year, right, And he says to me, it's

0:38:17.800 --> 0:38:20.800
<v Speaker 3>because I don't have no pressure no more. And I

0:38:20.960 --> 0:38:25.680
<v Speaker 3>was like, and it's like, so what he's saying is

0:38:27.239 --> 0:38:30.840
<v Speaker 3>when it's no pressure to me, the record label standing

0:38:31.080 --> 0:38:35.160
<v Speaker 3>to me. To me, they are what is that ship

0:38:35.480 --> 0:38:36.399
<v Speaker 3>schedule or whatever?

0:38:36.440 --> 0:38:37.520
<v Speaker 1>And you just make the music.

0:38:37.560 --> 0:38:39.239
<v Speaker 2>And I was like, holy shit, I had.

0:38:39.239 --> 0:38:41.239
<v Speaker 1>Never looked at it like and it goes against our

0:38:41.360 --> 0:38:45.480
<v Speaker 1>argument of indie versus major too, oh, because.

0:38:45.440 --> 0:38:48.480
<v Speaker 2>The major puts that pressure to Okay, good lue.

0:38:51.280 --> 0:38:53.520
<v Speaker 3>We always argue the verse. I said, I'm a major guy,

0:38:53.520 --> 0:38:58.560
<v Speaker 3>he's an indie guy. But does that take the offer

0:38:58.560 --> 0:39:00.839
<v Speaker 3>of you when you're in the studio and you're making

0:39:00.920 --> 0:39:02.920
<v Speaker 3>records and you're just like, yo, I'm doing it.

0:39:03.120 --> 0:39:04.360
<v Speaker 1>I'm doing it because of course.

0:39:04.560 --> 0:39:08.040
<v Speaker 3>It's gonna be eventually lucrative, but right now I'm just

0:39:08.120 --> 0:39:09.719
<v Speaker 3>gonna have some fun. I'm to go on.

0:39:10.400 --> 0:39:14.200
<v Speaker 4>I'll tell you what my thing was annoying. It was

0:39:14.280 --> 0:39:16.960
<v Speaker 4>on my album too when I made Brunier. That was

0:39:17.080 --> 0:39:20.439
<v Speaker 4>what my feeling was because I didn't have nobody telling

0:39:20.480 --> 0:39:23.640
<v Speaker 4>me about no radio record or what to make. I'm

0:39:23.680 --> 0:39:26.000
<v Speaker 4>doing it because I'm doing it for the culture and

0:39:26.080 --> 0:39:28.239
<v Speaker 4>people that want to hear hip hop. And when I

0:39:28.320 --> 0:39:34.399
<v Speaker 4>did it that way, my colleague showed up. Now I've

0:39:34.440 --> 0:39:37.000
<v Speaker 4>talked about Yo, I wish I made that three hundred record,

0:39:37.360 --> 0:39:39.840
<v Speaker 4>you know, shocking them. Everybody was just snooping them. Was

0:39:39.880 --> 0:39:41.920
<v Speaker 4>just down the line saying, yo, did you get Eeric

0:39:42.000 --> 0:39:46.880
<v Speaker 4>Summon's album? So usually I would hear what the company

0:39:46.960 --> 0:39:50.080
<v Speaker 4>wanted to say. That's how we do. Sometimes they write,

0:39:50.120 --> 0:39:52.120
<v Speaker 4>sometimes we fall into it. It's been a couple of

0:39:52.160 --> 0:39:54.320
<v Speaker 4>times where I made songs. No, I didn't want to

0:39:54.360 --> 0:39:56.640
<v Speaker 4>make them records, but I'll try to depress them to

0:39:56.719 --> 0:39:58.200
<v Speaker 4>get it. But they can go out there and do

0:39:58.280 --> 0:40:00.680
<v Speaker 4>the right thing. But again, when it's no pressure at

0:40:00.719 --> 0:40:03.399
<v Speaker 4>this moment, That's why j just talking about that being

0:40:03.480 --> 0:40:08.400
<v Speaker 4>independent and being the controlled. Joe doesn't care what happens

0:40:08.480 --> 0:40:11.680
<v Speaker 4>because this is what he feels and he ain't worried

0:40:11.680 --> 0:40:15.720
<v Speaker 4>about you know what somebody else is saying if cooland

0:40:15.760 --> 0:40:18.040
<v Speaker 4>Dre says dope or no, say it's dope, and I

0:40:18.080 --> 0:40:21.040
<v Speaker 4>think it's dope. I'm coming out with it, you know.

0:40:21.160 --> 0:40:24.160
<v Speaker 4>So that's how I think that a lot of us feel.

0:40:24.160 --> 0:40:25.000
<v Speaker 4>Who's independent?

0:40:25.280 --> 0:40:25.400
<v Speaker 1>Right?

0:40:25.680 --> 0:40:25.840
<v Speaker 4>You know?

0:40:27.360 --> 0:40:30.920
<v Speaker 1>Do you think a rapper ever, ever really retires.

0:40:33.040 --> 0:40:35.160
<v Speaker 4>Maybe for not making records, but as far as them

0:40:35.400 --> 0:40:38.000
<v Speaker 4>him doing this and still you know, writing rhymes and

0:40:38.040 --> 0:40:40.719
<v Speaker 4>still now, I think you're going to keep doing it.

0:40:41.880 --> 0:40:44.960
<v Speaker 2>But listen, okay, listen, you keep that to yourself.

0:40:46.600 --> 0:40:50.359
<v Speaker 4>Because don't be busting niggas all that, because because because

0:40:50.360 --> 0:40:54.120
<v Speaker 4>I don't feel that way all that niggas that like

0:40:54.680 --> 0:40:57.360
<v Speaker 4>hip hop and like and like it's like Quincy Jones

0:40:57.640 --> 0:41:01.040
<v Speaker 4>at his age still loves loves this. You know people

0:41:01.440 --> 0:41:04.200
<v Speaker 4>who still loves this. I see Jermaine Dupre and see

0:41:04.600 --> 0:41:05.719
<v Speaker 4>Brian Michael Brian.

0:41:06.360 --> 0:41:10.440
<v Speaker 3>Pre socks right now, to take them guide right them

0:41:10.520 --> 0:41:12.920
<v Speaker 3>socks is crazy, you see, don't it's Louie.

0:41:13.160 --> 0:41:15.960
<v Speaker 1>No, I don't care. Those socks look like slave socks.

0:41:16.080 --> 0:41:19.759
<v Speaker 4>Okay, listen, but I went too far. Yeah, but we

0:41:19.880 --> 0:41:22.400
<v Speaker 4>still like doing it as far as the music is

0:41:22.760 --> 0:41:25.520
<v Speaker 4>being made. And then I think that the question you

0:41:25.640 --> 0:41:27.960
<v Speaker 4>ask is real because again, how many people to be

0:41:28.040 --> 0:41:28.839
<v Speaker 4>tired and came back?

0:41:29.160 --> 0:41:31.439
<v Speaker 3>Yes, like every now and then you see whole doing

0:41:31.520 --> 0:41:34.759
<v Speaker 3>Carcer pop up or something. He's been retired for twenty

0:41:34.880 --> 0:41:38.880
<v Speaker 3>years now. Uh, Joe said he's retired. He told me

0:41:38.880 --> 0:41:39.480
<v Speaker 3>he's in the studio.

0:41:40.920 --> 0:41:44.480
<v Speaker 4>You have to again, Yeah, think about one hundred two

0:41:44.480 --> 0:41:46.719
<v Speaker 4>thousand two kills me too, because again you're not doing

0:41:46.760 --> 0:41:48.600
<v Speaker 4>no runs, but you want to kill him Mike's album.

0:41:49.160 --> 0:41:51.600
<v Speaker 4>But that's the part that bugs out all of every

0:41:51.760 --> 0:41:52.839
<v Speaker 4>other you hear the sound.

0:41:52.880 --> 0:41:55.960
<v Speaker 1>So he did the Flu album. No, it's kind of hard.

0:41:58.160 --> 0:42:01.719
<v Speaker 4>For people to say but that he's still rhymed and

0:42:01.800 --> 0:42:05.440
<v Speaker 4>he's still righting the top level. But he comes and

0:42:05.600 --> 0:42:10.840
<v Speaker 4>does it, so you can't say you're not rhyming, like

0:42:10.880 --> 0:42:13.920
<v Speaker 4>you know what I'm saying. Like, so, so imagine if

0:42:13.920 --> 0:42:16.040
<v Speaker 4>you got something to say on that, you got something

0:42:16.080 --> 0:42:18.520
<v Speaker 4>to say. I'm just doing being biased because I wanted

0:42:18.600 --> 0:42:20.000
<v Speaker 4>to come out. You know what I'm saying. I want

0:42:20.200 --> 0:42:21.879
<v Speaker 4>he got something to say. I think he got something

0:42:21.920 --> 0:42:22.520
<v Speaker 4>to say out there.

0:42:22.640 --> 0:42:25.200
<v Speaker 2>I can't help it. Like this was a while ago.

0:42:25.719 --> 0:42:29.680
<v Speaker 3>Well I'm in Carbone and I'm just sitting there and

0:42:29.800 --> 0:42:34.160
<v Speaker 3>I just start writing, just start writing. And no one

0:42:34.200 --> 0:42:37.040
<v Speaker 3>could read my handwriting. No one, not my wife, not

0:42:37.080 --> 0:42:37.600
<v Speaker 3>even my mom.

0:42:38.239 --> 0:42:42.480
<v Speaker 1>You're not handwriting, bro, I mean though, still you just

0:42:42.560 --> 0:42:45.200
<v Speaker 1>went like this, Yeah, no one could read it, like

0:42:45.960 --> 0:42:46.479
<v Speaker 1>put it together.

0:42:47.120 --> 0:42:49.399
<v Speaker 3>The only person who read my mind word I've read

0:42:49.480 --> 0:42:51.959
<v Speaker 3>my rhyme word for words that Kanye West.

0:42:52.120 --> 0:42:55.000
<v Speaker 1>I knew it from him so fast. He was like,

0:42:56.000 --> 0:42:59.040
<v Speaker 1>I looked, I said, holy ship. He spit it out,

0:43:00.040 --> 0:43:00.560
<v Speaker 1>said you wrote it?

0:43:00.800 --> 0:43:01.640
<v Speaker 2>You was like to write it.

0:43:01.840 --> 0:43:03.759
<v Speaker 3>It was creepy. I grab my phones, give me ship.

0:43:04.440 --> 0:43:09.560
<v Speaker 3>What are y'all in carbones? Okay, so you're Kanye what's

0:43:09.600 --> 0:43:10.320
<v Speaker 3>your relationship?

0:43:11.120 --> 0:43:11.359
<v Speaker 1>Yeah?

0:43:11.400 --> 0:43:20.000
<v Speaker 4>I mean, man, that's a good sea listen at the

0:43:20.080 --> 0:43:24.840
<v Speaker 4>end of the day. I never seen nobody excited about

0:43:24.960 --> 0:43:28.880
<v Speaker 4>music like that. A few people that I've been in

0:43:28.920 --> 0:43:32.279
<v Speaker 4>the lab with, you know, that's like feel the same

0:43:32.320 --> 0:43:34.520
<v Speaker 4>way when the beat come on, in the momentum, the

0:43:34.560 --> 0:43:39.480
<v Speaker 4>whole non same way. Because again, when I started with him,

0:43:40.200 --> 0:43:42.399
<v Speaker 4>we was doing like a lot of hip hop music.

0:43:42.800 --> 0:43:44.560
<v Speaker 4>And there's a room out there saying Eric says that

0:43:44.640 --> 0:43:47.439
<v Speaker 4>the album's coming. I never said nothing like that. I said,

0:43:47.480 --> 0:43:51.879
<v Speaker 4>I was working on the album. We was doing hip

0:43:51.920 --> 0:43:56.640
<v Speaker 4>hop music. Pink Polo Kanye right. Well, the fact that

0:43:56.760 --> 0:43:58.320
<v Speaker 4>it was the beats and stuff, it was like, you know,

0:43:58.360 --> 0:44:00.160
<v Speaker 4>because again you come to get me. You know what

0:44:00.239 --> 0:44:01.640
<v Speaker 4>I'm going to get ready to make You know what

0:44:01.680 --> 0:44:02.920
<v Speaker 4>I'm saying. You come to get me, you know what

0:44:02.920 --> 0:44:07.640
<v Speaker 4>I'm saying. So, and we had a vibe, we were

0:44:07.840 --> 0:44:10.880
<v Speaker 4>the momentum was going crazy, and we had mad ideas

0:44:10.920 --> 0:44:13.680
<v Speaker 4>the whole down with or whatever. So but as far

0:44:13.800 --> 0:44:19.520
<v Speaker 4>as him and music, he don't need nobody. I just

0:44:19.640 --> 0:44:23.640
<v Speaker 4>heard consequence saying too, he don't get people to write

0:44:23.719 --> 0:44:26.520
<v Speaker 4>rhymes because he can't rhyme. Is the fact that maybe

0:44:26.840 --> 0:44:29.600
<v Speaker 4>somebody else might have something that might be illa or

0:44:29.680 --> 0:44:31.840
<v Speaker 4>your mind might not go there. People think that because

0:44:31.840 --> 0:44:33.920
<v Speaker 4>the people that are sitting there giving you ideas the

0:44:33.960 --> 0:44:35.279
<v Speaker 4>whole not meaning that you need.

0:44:35.239 --> 0:44:36.160
<v Speaker 1>To do it. He don't.

0:44:36.680 --> 0:44:39.440
<v Speaker 4>There was records that his man played me from twenty

0:44:39.680 --> 0:44:43.440
<v Speaker 4>thirteen that would shake this whole ground up, you know,

0:44:43.960 --> 0:44:48.640
<v Speaker 4>his production, whatever, his rhyme, all that shit his way out.

0:44:50.040 --> 0:44:52.560
<v Speaker 4>So I kind of was bugging out, like what are

0:44:52.600 --> 0:44:54.759
<v Speaker 4>we doing here? But I understand now because this is

0:44:54.800 --> 0:44:57.640
<v Speaker 4>what it is. It's the other idea that you might have.

0:44:58.280 --> 0:45:02.000
<v Speaker 4>So I did the whole lay thing. They went to Japan.

0:45:02.280 --> 0:45:05.440
<v Speaker 4>I didn't go, and then I went to Italy and

0:45:05.560 --> 0:45:08.680
<v Speaker 4>we was, you know, oh there that vibe was dope too.

0:45:08.760 --> 0:45:11.600
<v Speaker 4>When that's when I walked in, I saw Todd dallas

0:45:11.640 --> 0:45:17.080
<v Speaker 4>Sign and him and Dallas Sign had created something else,

0:45:18.440 --> 0:45:23.160
<v Speaker 4>you know that that I wasn't doing when I was there.

0:45:23.719 --> 0:45:29.319
<v Speaker 4>It wasn't mad, but still was you know, you don't

0:45:29.320 --> 0:45:32.480
<v Speaker 4>play with drums, so the whole time it's like, Yo,

0:45:32.840 --> 0:45:35.480
<v Speaker 4>make sure the drums is crazy whatever like that. Make

0:45:35.520 --> 0:45:37.160
<v Speaker 4>sure it's like that, you know. So I was trying

0:45:37.160 --> 0:45:39.239
<v Speaker 4>to do what I could do at that moment. But

0:45:39.640 --> 0:45:43.719
<v Speaker 4>in the beginning, we was making you know, you was

0:45:43.880 --> 0:45:44.879
<v Speaker 4>part of Vulture's one.

0:45:45.600 --> 0:45:46.040
<v Speaker 2>There wasn't.

0:45:46.239 --> 0:45:48.319
<v Speaker 4>I don't know if that was the name, you would

0:45:48.360 --> 0:45:51.080
<v Speaker 4>make it with no name. This is the beginning. This

0:45:51.280 --> 0:45:53.640
<v Speaker 4>is you know, we're just trying to set the vibe

0:45:53.719 --> 0:45:55.600
<v Speaker 4>up and see what we get ready to make. But

0:45:56.239 --> 0:45:59.279
<v Speaker 4>we had something going, you know what I'm saying. But

0:45:59.640 --> 0:46:02.400
<v Speaker 4>I guess and I saw my couple of songs on

0:46:02.520 --> 0:46:04.880
<v Speaker 4>the list when I was in Italy, I saw two

0:46:04.920 --> 0:46:05.839
<v Speaker 4>of my songs on there.

0:46:06.360 --> 0:46:08.960
<v Speaker 2>When it came to my song was known that But

0:46:09.120 --> 0:46:09.520
<v Speaker 2>how did.

0:46:09.440 --> 0:46:11.839
<v Speaker 1>You guys How did that relationship for you to come

0:46:11.920 --> 0:46:12.440
<v Speaker 1>and work with him?

0:46:12.440 --> 0:46:13.040
<v Speaker 2>How did that start?

0:46:13.200 --> 0:46:16.440
<v Speaker 4>He called, He called, He called for me, He called again,

0:46:17.560 --> 0:46:20.880
<v Speaker 4>eighty eight keys, called Bernard again and told me, yo

0:46:21.080 --> 0:46:22.960
<v Speaker 4>that oh Kanye summons you.

0:46:24.520 --> 0:46:25.200
<v Speaker 3>Is how he said it.

0:46:25.560 --> 0:46:27.160
<v Speaker 2>That's where I heard it like that, So it was

0:46:27.239 --> 0:46:27.880
<v Speaker 2>like crumbs.

0:46:29.880 --> 0:46:35.680
<v Speaker 4>Well, but again it was the experience that I, you know,

0:46:36.280 --> 0:46:40.040
<v Speaker 4>being around again, the antics, all that stuff that people.

0:46:40.080 --> 0:46:41.719
<v Speaker 4>I know that fact that when it came down to

0:46:41.800 --> 0:46:45.120
<v Speaker 4>the music, this motherfucker is what you know of a

0:46:45.360 --> 0:46:49.600
<v Speaker 4>pure genius or he needs no one right, but he

0:46:49.760 --> 0:46:52.840
<v Speaker 4>just chooses to do that. You like to collaborate exactly

0:46:52.880 --> 0:46:54.759
<v Speaker 4>the ideas and see what you see where your mind

0:46:54.880 --> 0:46:58.960
<v Speaker 4>is at. Same with Dre, though, because yeah, you did

0:46:59.040 --> 0:47:02.960
<v Speaker 4>that too, Because Dre. When I first got to Dre's

0:47:03.520 --> 0:47:07.600
<v Speaker 4>I did and one night he did three records of

0:47:07.719 --> 0:47:10.759
<v Speaker 4>mine this rhyme, one after the other.

0:47:11.080 --> 0:47:12.000
<v Speaker 2>I'm like, damn this nigga.

0:47:12.080 --> 0:47:14.880
<v Speaker 4>Dre just did three songs back to back by two

0:47:15.000 --> 0:47:17.319
<v Speaker 4>thirty three in the morning. I come back. The next

0:47:17.360 --> 0:47:21.880
<v Speaker 4>two days, he we do another record. But you call Snooping,

0:47:22.239 --> 0:47:24.640
<v Speaker 4>So Snoop is doing the jay. I'm like, damn, this

0:47:24.719 --> 0:47:27.400
<v Speaker 4>is four songs. Now full of your production. Right the

0:47:27.600 --> 0:47:31.719
<v Speaker 4>next couple of days, he's doing this song, so I

0:47:31.880 --> 0:47:36.200
<v Speaker 4>rhyme on that. Oh my god, nobody's never going to

0:47:36.239 --> 0:47:36.759
<v Speaker 4>hear this is.

0:47:37.080 --> 0:47:38.239
<v Speaker 1>It's not you don't think it's a part of this

0:47:38.920 --> 0:47:40.799
<v Speaker 1>joint Snoop drap project.

0:47:41.400 --> 0:47:44.359
<v Speaker 4>Not me and his no no, And when I mean,

0:47:44.840 --> 0:47:46.520
<v Speaker 4>I can't even tell you the record.

0:47:46.360 --> 0:47:50.960
<v Speaker 1>This is is how many records somebody got to kidnap Dre.

0:47:52.120 --> 0:47:55.719
<v Speaker 3>I'm just somebody got to kidnap him and let him

0:47:55.920 --> 0:47:58.360
<v Speaker 3>hear his own ship. But yo, man, this song was

0:47:58.440 --> 0:48:00.520
<v Speaker 3>exciting and this belongs to the world in the fact

0:48:00.560 --> 0:48:04.080
<v Speaker 3>of yours. That the the nw A e pm D thing,

0:48:04.239 --> 0:48:07.440
<v Speaker 3>the Eric Simons Dre thing like it would have been

0:48:07.600 --> 0:48:09.719
<v Speaker 3>something to talk about. It's just like when the ship

0:48:09.760 --> 0:48:11.759
<v Speaker 3>went viral without I was there, you know. But this

0:48:11.840 --> 0:48:15.040
<v Speaker 3>record was fantastic. You take us back the epmdnw A thing.

0:48:15.600 --> 0:48:16.680
<v Speaker 2>That's what people saw us as.

0:48:17.040 --> 0:48:20.920
<v Speaker 4>It was always a comparison, not rivals, though not just

0:48:21.080 --> 0:48:25.520
<v Speaker 4>the caparison of of what we did and the music

0:48:25.600 --> 0:48:27.360
<v Speaker 4>they made was almost the same.

0:48:27.840 --> 0:48:30.160
<v Speaker 1>Because they wasn't you was working with y'all were doing

0:48:30.239 --> 0:48:33.600
<v Speaker 1>funk before them the same time, same time.

0:48:33.760 --> 0:48:37.160
<v Speaker 4>Yeah, it was because when you go back to easy,

0:48:37.400 --> 0:48:40.759
<v Speaker 4>he was already on Parliament and I was doing the same,

0:48:40.920 --> 0:48:44.000
<v Speaker 4>doing that too, would doing it right, well exactly, but

0:48:44.120 --> 0:48:46.520
<v Speaker 4>again not knowing though, you know what I'm saying. But

0:48:46.600 --> 0:48:48.800
<v Speaker 4>when you go back you can hear the similarities. So

0:48:48.840 --> 0:48:51.400
<v Speaker 4>it's very close. Yeah, well no, you're saying, it's the

0:48:51.440 --> 0:48:54.960
<v Speaker 4>same time, yes, right, So I can't really say who

0:48:55.080 --> 0:48:58.200
<v Speaker 4>had what? You know, I know that in nineteen eighty seven,

0:48:59.320 --> 0:49:02.560
<v Speaker 4>it's my thing. You A customer came out cubas me

0:49:02.600 --> 0:49:05.480
<v Speaker 4>and Cuba was tight. That's why you hear Cuban when

0:49:05.520 --> 0:49:07.880
<v Speaker 4>he's speaking about me too. I used to he used to,

0:49:08.120 --> 0:49:10.320
<v Speaker 4>you know, I used to pick him up, take him around.

0:49:10.520 --> 0:49:11.160
<v Speaker 2>You know what I'm saying.

0:49:11.560 --> 0:49:14.520
<v Speaker 4>It's crazy because again he's to check in with you.

0:49:16.280 --> 0:49:19.239
<v Speaker 4>He can't you know. Cube came to records. Can't make

0:49:19.280 --> 0:49:23.920
<v Speaker 4>it up. Cube came to my house one time, right Atlanta,

0:49:23.960 --> 0:49:28.279
<v Speaker 4>New York, New York. Okay, I ain't have no ac

0:49:28.440 --> 0:49:29.640
<v Speaker 4>in my new home. I just got it.

0:49:29.840 --> 0:49:33.520
<v Speaker 3>He got to Jerry Crow, Jerry Curl, Jerry Kruk, continue

0:49:34.280 --> 0:49:35.920
<v Speaker 3>the a C Jerry Carroll take it him there.

0:49:36.560 --> 0:49:40.400
<v Speaker 4>He goes to the backyard, jumps in the pool, fully

0:49:40.480 --> 0:49:44.719
<v Speaker 4>clothed because he was hot.

0:49:46.719 --> 0:49:47.239
<v Speaker 1>He was hot.

0:49:49.960 --> 0:49:52.480
<v Speaker 4>What happens to the to the Jerry curR I'm saying,

0:49:52.520 --> 0:49:55.080
<v Speaker 4>I'm telling you what figureways now, I ain't look at

0:49:55.120 --> 0:49:58.720
<v Speaker 4>all that the fact that he jumped in the pool

0:49:58.840 --> 0:49:59.560
<v Speaker 4>fully clothed.

0:50:01.000 --> 0:50:03.440
<v Speaker 2>Okay, what happens after that?

0:50:05.200 --> 0:50:08.920
<v Speaker 4>Back because we were shooting the sat na's commercial winding?

0:50:09.040 --> 0:50:13.040
<v Speaker 4>Oh okay, so you know he just again came over.

0:50:13.600 --> 0:50:16.320
<v Speaker 4>But he must have been hot because you know, you know,

0:50:16.360 --> 0:50:18.600
<v Speaker 4>when you see a pool looking quenching the Knights to

0:50:18.719 --> 0:50:20.399
<v Speaker 4>blue like, it makes you you know what I'm saying,

0:50:20.400 --> 0:50:22.360
<v Speaker 4>when you see it. So that's he jumped in.

0:50:22.560 --> 0:50:24.200
<v Speaker 1>What kind of money is you getting back then you

0:50:24.280 --> 0:50:26.080
<v Speaker 1>had a pool? Yeah?

0:50:26.640 --> 0:50:27.000
<v Speaker 2>Your money?

0:50:31.320 --> 0:50:38.400
<v Speaker 4>Fact that Jesus nineteen ninety one, that's.

0:50:38.320 --> 0:50:41.960
<v Speaker 3>That long money, yo, that's that longevity. You gotta understand.

0:50:42.000 --> 0:50:45.040
<v Speaker 4>Though we was we didn't know he was producers, So

0:50:45.120 --> 0:50:47.040
<v Speaker 4>don't forget we making the records. We don't know that

0:50:47.120 --> 0:50:50.359
<v Speaker 4>we produce this. So again we already a step aheaded game.

0:50:50.880 --> 0:50:53.320
<v Speaker 4>So so whatever royalties that you was getting over the

0:50:53.680 --> 0:50:56.680
<v Speaker 4>advanceage you was getting, it was still more than somebody

0:50:56.760 --> 0:50:58.279
<v Speaker 4>who was just doing this, you.

0:50:58.280 --> 0:50:58.799
<v Speaker 1>Know what I'm saying.

0:50:58.880 --> 0:51:01.240
<v Speaker 2>So but how did you not know you were producers already?

0:51:01.840 --> 0:51:04.640
<v Speaker 4>I thought that the records you heard, the people made them.

0:51:04.520 --> 0:51:06.080
<v Speaker 1>That they were already making their own records.

0:51:06.680 --> 0:51:09.280
<v Speaker 4>Everybody who I heard, I thought they made their records.

0:51:09.680 --> 0:51:11.480
<v Speaker 4>So me and Paris went in and did what we

0:51:11.600 --> 0:51:19.000
<v Speaker 4>thought everybody did not knowing, well, then god, you didn't know.

0:51:19.239 --> 0:51:22.000
<v Speaker 4>And then Will Smith was like, stop the show on

0:51:22.120 --> 0:51:24.080
<v Speaker 4>stage one night and said, yo, e pmgs number one

0:51:24.080 --> 0:51:27.640
<v Speaker 4>and Billboard, we'll know what Billboard was neither never forget

0:51:27.680 --> 0:51:29.640
<v Speaker 4>we children. He's like number one in Billboard?

0:51:29.680 --> 0:51:30.040
<v Speaker 3>What is that?

0:51:30.520 --> 0:51:30.680
<v Speaker 6>You know?

0:51:31.239 --> 0:51:35.360
<v Speaker 4>Afterwards Leo told me, oh, yeah, this is the Billboard charts.

0:51:35.640 --> 0:51:36.319
<v Speaker 2>They're number one.

0:51:36.640 --> 0:51:36.840
<v Speaker 6>You know.

0:51:37.160 --> 0:51:39.239
<v Speaker 2>So Will been fucking up the stage for a long time.

0:51:39.920 --> 0:51:48.320
<v Speaker 4>Will yeah, said Will was already run DMC talk. But

0:51:48.480 --> 0:51:52.680
<v Speaker 4>the most the seller is fresh Prince theys two point

0:51:52.719 --> 0:51:56.160
<v Speaker 4>five million records. So they but they just don't understand

0:51:56.920 --> 0:52:00.160
<v Speaker 4>that's it. Will used to be backstage saying, yo, I'm

0:52:00.160 --> 0:52:02.640
<v Speaker 4>about to be famous. It's like you're already famous. He

0:52:02.800 --> 0:52:05.759
<v Speaker 4>was talking about being on TV way before it happened. Wow,

0:52:07.760 --> 0:52:10.800
<v Speaker 4>this nigga's so strong, you know. Me, I'm about fifty

0:52:11.200 --> 0:52:14.120
<v Speaker 4>pounds bigger now. But I was still two hundred. Then

0:52:14.160 --> 0:52:21.640
<v Speaker 4>Nigga picked me up and turned me upside down at eighteen.

0:52:22.840 --> 0:52:28.920
<v Speaker 4>At eighteen, all right, I never and I'm like, I'm like,

0:52:29.200 --> 0:52:31.239
<v Speaker 4>first of all, I'm kind of confused, but why are

0:52:31.239 --> 0:52:35.920
<v Speaker 4>you doing this? That's what we were doing it because

0:52:35.960 --> 0:52:38.840
<v Speaker 4>because we're boy you know. But for some reason that

0:52:38.920 --> 0:52:41.000
<v Speaker 4>must something must have happened. And Nigga just you know whatever,

0:52:42.040 --> 0:52:44.880
<v Speaker 4>like it was nothing snatched me whatever eighteen.

0:52:46.120 --> 0:52:47.360
<v Speaker 2>Have you ever been starstruck?

0:52:50.880 --> 0:52:55.200
<v Speaker 4>Jewish serving Julius Irvy doctor J I saw him at

0:52:55.239 --> 0:52:58.040
<v Speaker 4>the Cleveland All Star Awards back in ninety five or

0:52:58.080 --> 0:53:00.840
<v Speaker 4>whatever like that, and I shook a hand, but nothing was.

0:53:01.120 --> 0:53:04.520
<v Speaker 4>I couldn't speak, nothing came out because my whole time,

0:53:04.640 --> 0:53:06.640
<v Speaker 4>all I was thinking about when I was a kid

0:53:07.239 --> 0:53:09.759
<v Speaker 4>was was Irving. When I play basketball, when I shoot

0:53:09.800 --> 0:53:11.759
<v Speaker 4>up like Irving all the time. My family number is

0:53:11.840 --> 0:53:14.600
<v Speaker 4>number six, my lucky number. To me, it's number six.

0:53:15.200 --> 0:53:17.359
<v Speaker 3>The time when you just did like that, you look

0:53:17.400 --> 0:53:21.160
<v Speaker 3>like you you can't play ball at all. Okay, now

0:53:21.200 --> 0:53:26.080
<v Speaker 3>that's the myth. You just did that, you know, embarrassed

0:53:26.080 --> 0:53:26.440
<v Speaker 3>a little bit.

0:53:26.800 --> 0:53:28.440
<v Speaker 4>My boys in there they're telling you.

0:53:30.560 --> 0:53:30.920
<v Speaker 1>That's not.

0:53:33.200 --> 0:53:36.680
<v Speaker 2>Might not any time when you want to shoot. Yeah

0:53:36.719 --> 0:53:37.320
<v Speaker 2>at this age.

0:53:37.800 --> 0:53:40.480
<v Speaker 3>Okay, we got the weekend. We got to have a

0:53:40.520 --> 0:53:44.280
<v Speaker 3>back game and we have a handball. Nice and handball.

0:53:44.360 --> 0:53:46.360
<v Speaker 3>That's awesome, water we can side awesome.

0:53:46.680 --> 0:53:47.640
<v Speaker 2>You just selling the truth.

0:53:48.120 --> 0:53:48.959
<v Speaker 4>He was hot and ship.

0:53:50.520 --> 0:53:52.040
<v Speaker 3>You sid trying to.

0:53:52.000 --> 0:53:54.200
<v Speaker 1>Make a handball off national sport in the Olympics.

0:53:54.239 --> 0:53:56.680
<v Speaker 4>I seen your golf outfit, Nigga with the strikes, with

0:53:56.800 --> 0:54:00.719
<v Speaker 4>the fucking I seen you play golf. I don't play golf.

0:54:01.000 --> 0:54:03.440
<v Speaker 4>You have to go off outfit nigga with not the

0:54:03.520 --> 0:54:05.000
<v Speaker 4>handball outfit. Okay, we'll make.

0:54:05.880 --> 0:54:10.160
<v Speaker 3>Yeah, I'm trying to bring handball back. Is the time, Thomas,

0:54:10.480 --> 0:54:13.000
<v Speaker 3>let's do it. Okay, you want to play him in

0:54:13.000 --> 0:54:13.279
<v Speaker 3>the game.

0:54:13.440 --> 0:54:16.520
<v Speaker 4>You're not asking enough question because again you're gonna edd

0:54:16.600 --> 0:54:17.360
<v Speaker 4>this for two hours.

0:54:18.840 --> 0:54:19.120
<v Speaker 1>You don't.

0:54:21.320 --> 0:54:23.560
<v Speaker 4>Okay, so what so where's the stuff that I read

0:54:23.640 --> 0:54:28.640
<v Speaker 4>the drama that you can drama drama? No, you're not

0:54:28.760 --> 0:54:31.040
<v Speaker 4>acting the whole you know, you ask everything.

0:54:31.239 --> 0:54:33.600
<v Speaker 1>We this is this is just the middle of the

0:54:35.520 --> 0:54:39.160
<v Speaker 1>we get this is the part. This is everybody. Then

0:54:39.160 --> 0:54:40.759
<v Speaker 1>we go off. By the way, I love this, but

0:54:40.800 --> 0:54:42.720
<v Speaker 1>you gotta pick a designated drinker for yourself.

0:54:43.920 --> 0:54:44.680
<v Speaker 4>Nobody drinks.

0:54:44.960 --> 0:54:47.080
<v Speaker 2>Yeah, you can pick Sonny D.

0:54:47.120 --> 0:54:47.839
<v Speaker 1>B T right here.

0:54:47.960 --> 0:54:48.920
<v Speaker 4>Okay, Sonny, you got it.

0:54:49.239 --> 0:54:52.680
<v Speaker 2>Okay, he got a E P M D shirt on. Hey, Sonny,

0:54:52.719 --> 0:54:53.040
<v Speaker 2>you know what.

0:54:53.120 --> 0:54:55.799
<v Speaker 4>Time is right so so so if you go out

0:54:55.840 --> 0:54:58.239
<v Speaker 4>there drunk right now? Oh yeah, he's gonna go my drunk.

0:54:58.920 --> 0:55:09.080
<v Speaker 4>He's already drun two at two pm? Who's driving? Who's

0:55:09.120 --> 0:55:12.439
<v Speaker 4>driving you? Okay, he got it. He got a horse

0:55:12.480 --> 0:55:17.440
<v Speaker 4>and carriage because it's two pms. Okay, yeah, so the

0:55:17.560 --> 0:55:20.440
<v Speaker 4>little guys twelve and thirty, well, he's gonna be fucked up.

0:55:21.480 --> 0:55:23.160
<v Speaker 2>The rules is this is the rules. We're gonna give

0:55:23.160 --> 0:55:24.719
<v Speaker 2>you to two different things.

0:55:24.760 --> 0:55:27.719
<v Speaker 1>I got from Yes, you say you picked one that,

0:55:27.880 --> 0:55:30.040
<v Speaker 1>we're good if you say both or neither.

0:55:30.120 --> 0:55:32.560
<v Speaker 2>Do you know that everybody named mother this show?

0:55:34.840 --> 0:55:37.640
<v Speaker 3>You saw I got to argue. Someone on Twitter was mad, You're.

0:55:37.480 --> 0:55:39.160
<v Speaker 1>Like, why nor we gotta keep saying the same start

0:55:39.200 --> 0:55:39.920
<v Speaker 1>I said, he's.

0:55:39.800 --> 0:55:41.359
<v Speaker 2>Not talking to you, talking to the guests.

0:55:41.840 --> 0:55:46.319
<v Speaker 3>Yea, all right, this is a good one. You want

0:55:46.360 --> 0:55:47.360
<v Speaker 3>this one, I'll take this.

0:55:47.400 --> 0:55:48.480
<v Speaker 2>One now, I'm gonna do it.

0:55:48.680 --> 0:55:49.759
<v Speaker 4>Okay, we're a drink at.

0:55:50.120 --> 0:55:50.799
<v Speaker 1>I'm get another one.

0:55:51.280 --> 0:55:53.960
<v Speaker 2>Get my mama, Juan and uh the.

0:55:54.000 --> 0:55:54.680
<v Speaker 1>Shots to him.

0:55:54.719 --> 0:55:57.440
<v Speaker 2>Make sure you just you can't move in here.

0:55:57.800 --> 0:56:00.879
<v Speaker 1>That's alright ready, du Parker, d MX, how to get.

0:56:00.800 --> 0:56:05.600
<v Speaker 3>Another drinks, DMX and if you got any stories.

0:56:05.640 --> 0:56:07.279
<v Speaker 2>Yeah yeah, stop And this is the part where we

0:56:07.719 --> 0:56:09.880
<v Speaker 2>get into things. You got it?

0:56:10.120 --> 0:56:16.400
<v Speaker 4>Oh yeah, you know DMX and Solo, Oh that's right.

0:56:16.480 --> 0:56:18.640
<v Speaker 1>Case his first record is no.

0:56:18.760 --> 0:56:22.439
<v Speaker 4>But as far as them jail together, so I don't

0:56:22.520 --> 0:56:25.680
<v Speaker 4>know who had spellbound first. I know Solo was nice

0:56:25.719 --> 0:56:28.600
<v Speaker 4>as fuck, but DMX for him to argue.

0:56:28.480 --> 0:56:30.680
<v Speaker 1>Like that for twenty years, to be like, yo, I

0:56:30.800 --> 0:56:31.040
<v Speaker 1>did it.

0:56:31.280 --> 0:56:33.319
<v Speaker 4>Like you niggas A're gonna argue like that the whole time.

0:56:34.719 --> 0:56:38.840
<v Speaker 4>But again, either way, we don't know. We don't know

0:56:38.920 --> 0:56:41.279
<v Speaker 4>to prove it. But DMX was he was adam adam

0:56:41.320 --> 0:56:43.680
<v Speaker 4>in about his so too. But Solo was so dope

0:56:43.719 --> 0:56:44.799
<v Speaker 4>at DMX.

0:56:44.560 --> 0:56:45.719
<v Speaker 2>And he didn't do it.

0:56:45.920 --> 0:56:47.919
<v Speaker 4>He need to because X is so nice. He said,

0:56:47.960 --> 0:56:49.640
<v Speaker 4>fuck it, I't got to do that ship right whatever,

0:56:50.080 --> 0:56:54.520
<v Speaker 4>but anyway, get out me. Dog was being made right

0:56:55.000 --> 0:56:58.400
<v Speaker 4>and they they called me and said, yo, you know

0:56:58.520 --> 0:57:02.800
<v Speaker 4>we this in your man, you know, no irv Gotti

0:57:03.280 --> 0:57:06.560
<v Speaker 4>and DMX like you know you want me to take

0:57:06.560 --> 0:57:09.040
<v Speaker 4>it out. I'm like, you gotta do what you gotta do.

0:57:09.120 --> 0:57:09.680
<v Speaker 3>That's not what I got.

0:57:09.760 --> 0:57:09.880
<v Speaker 6>You know.

0:57:09.920 --> 0:57:12.040
<v Speaker 2>What I'm saying was whatever, So I've.

0:57:11.920 --> 0:57:14.399
<v Speaker 4>Never heard so so when it came out, they still

0:57:14.480 --> 0:57:14.880
<v Speaker 4>bleeped it.

0:57:15.560 --> 0:57:18.320
<v Speaker 2>Oh that's the bleep. But everyone knew that's what he said.

0:57:18.360 --> 0:57:21.320
<v Speaker 4>Though I'm not gonna lie. I didn't know that case

0:57:21.440 --> 0:57:24.440
<v Speaker 4>the concept, but whatever, whatever, they bleep it. Even though

0:57:24.480 --> 0:57:27.720
<v Speaker 4>I said to them, do what you gotta do, they

0:57:27.800 --> 0:57:30.480
<v Speaker 4>still bleeped it. So that was the DMX little story.

0:57:30.640 --> 0:57:34.640
<v Speaker 3>Oh wow, that's that's you ever met ta? Yeah, I

0:57:34.720 --> 0:57:39.040
<v Speaker 3>got picture to be in my rim shot. Man, it's

0:57:39.080 --> 0:57:43.760
<v Speaker 3>the New York Tupac Atlanta, Atlanta, Atlanta. Okay, because everybody

0:57:43.920 --> 0:57:45.160
<v Speaker 3>was they always did.

0:57:45.240 --> 0:57:48.600
<v Speaker 4>Man, you gotta watch the you gotta watch the Freaknick movies.

0:57:50.000 --> 0:57:52.800
<v Speaker 4>That's a h right, yeah, okay, I'm telling the story

0:57:52.880 --> 0:57:53.160
<v Speaker 4>in there.

0:57:53.240 --> 0:57:54.440
<v Speaker 3>Okay, okay, okay, that's right.

0:57:54.480 --> 0:57:55.520
<v Speaker 4>I'm gonna start now, man.

0:57:59.080 --> 0:58:02.320
<v Speaker 3>Doing what I can see the Magic City tear it

0:58:02.440 --> 0:58:04.439
<v Speaker 3>up original Magic City short.

0:58:05.040 --> 0:58:09.920
<v Speaker 4>It's another nigga with some bread that yeah, he hold it. Okay, good,

0:58:09.920 --> 0:58:10.200
<v Speaker 4>go ahead.

0:58:10.280 --> 0:58:13.800
<v Speaker 2>Next one big pun or big L not or big

0:58:13.880 --> 0:58:18.200
<v Speaker 2>pun big L. See that's man, you wild now shot.

0:58:21.280 --> 0:58:26.840
<v Speaker 4>See you take a shot because that's sasse. Two different dynamics,

0:58:26.880 --> 0:58:30.360
<v Speaker 4>but both of them lyrically is lyrically nobody never seen

0:58:30.600 --> 0:58:32.600
<v Speaker 4>heard before. See mefore that you can't do that. You

0:58:32.600 --> 0:58:35.840
<v Speaker 4>gotta take you gotta get jokes resting piece of both

0:58:35.840 --> 0:58:36.080
<v Speaker 4>of them.

0:58:37.360 --> 0:58:39.280
<v Speaker 1>And imagine if both of them would have been here today,

0:58:39.400 --> 0:58:40.840
<v Speaker 1>And the same with Pocket and next.

0:58:42.480 --> 0:58:46.080
<v Speaker 3>You always always wanted to see what Big Pun would

0:58:46.160 --> 0:58:47.560
<v Speaker 3>be like with a Twitter account.

0:58:49.280 --> 0:58:50.040
<v Speaker 4>What made you say that?

0:58:50.600 --> 0:58:55.520
<v Speaker 1>Or easy, he says Instagram they would have been sucking

0:58:55.640 --> 0:58:58.840
<v Speaker 1>up because an extension of personality.

0:58:59.280 --> 0:59:01.240
<v Speaker 2>Yeah, Like, I'm gonna be honest.

0:59:02.920 --> 0:59:05.280
<v Speaker 3>The first time I kind of like really really knew

0:59:05.320 --> 0:59:07.840
<v Speaker 3>that Fab was a real funny person was when he

0:59:08.480 --> 0:59:10.560
<v Speaker 3>when he ranked on the ray J When he did that,

0:59:10.640 --> 0:59:13.280
<v Speaker 3>I was like, fabist funny, like you get around Fab.

0:59:13.400 --> 0:59:16.320
<v Speaker 2>Like if social media helped Fab in.

0:59:16.400 --> 0:59:18.800
<v Speaker 3>My opinion, like like it helped him because people started

0:59:18.800 --> 0:59:21.320
<v Speaker 3>to say, holy shit, he's kind of funny, Like you know,

0:59:21.560 --> 0:59:26.000
<v Speaker 3>because he didn't talk much. He didn't talk, office would

0:59:26.000 --> 0:59:28.080
<v Speaker 3>speak for him. It wouldn't be him, you know what

0:59:28.160 --> 0:59:30.120
<v Speaker 3>I mean. So, but then he didn't have to do

0:59:30.200 --> 0:59:32.280
<v Speaker 3>a dope interview or nothing. Fab would just be funny

0:59:32.320 --> 0:59:34.720
<v Speaker 3>on on the ground and then everybody, and then people

0:59:34.800 --> 0:59:37.040
<v Speaker 3>started to gravitate to us. Yeah, so okay, so we

0:59:37.120 --> 0:59:39.800
<v Speaker 3>want the next one. L L or Kane, Oh.

0:59:47.280 --> 0:59:51.000
<v Speaker 4>You got again, you gotta you gotta look at ship man.

0:59:51.080 --> 0:59:55.960
<v Speaker 4>This is elo coolja whatever the criteria for lyrically, this

0:59:56.120 --> 0:59:57.720
<v Speaker 4>is you gotta take a shot.

0:59:57.800 --> 0:59:59.840
<v Speaker 3>You gotta take a shot. I thought you was gonna

1:00:00.680 --> 1:00:06.920
<v Speaker 3>now I was, But the dynamics is, you know, because

1:00:07.040 --> 1:00:09.000
<v Speaker 3>I did have cuts in my eyebrows trying to be

1:00:09.080 --> 1:00:09.200
<v Speaker 3>like that.

1:00:09.480 --> 1:00:09.760
<v Speaker 2>He can't.

1:00:09.920 --> 1:00:13.000
<v Speaker 4>Those are friends and people are this mad sensitive now

1:00:13.040 --> 1:00:15.240
<v Speaker 4>too when you're just like, you know, you say my name,

1:00:15.360 --> 1:00:20.880
<v Speaker 4>you know, Oh, niggas be acting like that, they like you.

1:00:20.960 --> 1:00:29.600
<v Speaker 4>Niggas you mad at that Primo or Pete Rock? Oh

1:00:29.760 --> 1:00:35.320
<v Speaker 4>what's warm with shoes man Dominican in the Columbian Man,

1:00:35.640 --> 1:00:41.720
<v Speaker 4>it's twelve thirty. Niggas like, right, we drinking. You gotta

1:00:41.800 --> 1:00:45.680
<v Speaker 4>drink that. You gotta drink that Mano Sip Sippy sip.

1:00:45.840 --> 1:00:47.720
<v Speaker 1>Who have you worked with more out of those two

1:00:48.360 --> 1:00:49.840
<v Speaker 1>who Premore or Pete Rock?

1:00:49.920 --> 1:00:51.960
<v Speaker 3>Pete Okay, me and.

1:00:51.960 --> 1:00:55.280
<v Speaker 4>Pete got records from nineteen ninety one and heavy these

1:00:55.320 --> 1:00:58.880
<v Speaker 4>basement wow wow peace because his historia wasn't heavy these

1:00:58.920 --> 1:01:01.480
<v Speaker 4>basement because Heavy had the records. This stuff is down

1:01:01.520 --> 1:01:03.000
<v Speaker 4>there at Heavy de Scrip.

1:01:03.920 --> 1:01:04.439
<v Speaker 1>Rest of Peace.

1:01:04.600 --> 1:01:05.920
<v Speaker 3>That's another when we lost it.

1:01:06.840 --> 1:01:11.480
<v Speaker 2>Uh, slick Rick or Biggie Smalls, Yeah.

1:01:11.400 --> 1:01:12.880
<v Speaker 1>What is it? Yo?

1:01:14.400 --> 1:01:14.920
<v Speaker 4>On purpose?

1:01:15.680 --> 1:01:17.040
<v Speaker 2>Biggie Smaller, slick Rick.

1:01:17.440 --> 1:01:21.960
<v Speaker 4>It doesn't Yo, just these sister has never been this

1:01:22.080 --> 1:01:27.200
<v Speaker 4>hard for nobody. I watched this ship. Just ain't you

1:01:27.320 --> 1:01:28.200
<v Speaker 4>put these shows together?

1:01:28.240 --> 1:01:29.440
<v Speaker 3>But they making it personally for you.

1:01:29.680 --> 1:01:31.080
<v Speaker 1>That's why they want.

1:01:31.440 --> 1:01:34.520
<v Speaker 4>But you know the storytellers like the biggest small than

1:01:34.560 --> 1:01:38.480
<v Speaker 4>one too, boy, where they come from. This nigga want

1:01:38.480 --> 1:01:41.560
<v Speaker 4>to junk. Okay, I feel sorry for you.

1:01:41.640 --> 1:01:42.280
<v Speaker 2>You finished.

1:01:43.760 --> 1:01:44.680
<v Speaker 4>They fucking you up.

1:01:44.960 --> 1:01:49.360
<v Speaker 2>Any any stories with Biggie, Yeah, tell us.

1:01:50.760 --> 1:01:56.240
<v Speaker 4>I'll tell you what. I gotta go again, Okay, but

1:01:56.440 --> 1:02:01.040
<v Speaker 4>not brung Biggie Smaller to a barber shop right, No,

1:02:01.280 --> 1:02:04.280
<v Speaker 4>this is in Brooklyn to meet me.

1:02:05.440 --> 1:02:07.240
<v Speaker 2>But I don't remember that was getting.

1:02:06.960 --> 1:02:09.479
<v Speaker 1>Your haircut in Brooklyn. I'm getting all that money.

1:02:10.000 --> 1:02:13.680
<v Speaker 4>I'm a Pink Houses nigga Niggs New York. Yeah, okay,

1:02:14.080 --> 1:02:17.800
<v Speaker 4>so I didn't never, I never. I don't remember that story.

1:02:18.600 --> 1:02:25.320
<v Speaker 4>But but he's adamant and people are confirming the story anyway.

1:02:26.320 --> 1:02:29.720
<v Speaker 4>E P. D Breakup. I do Hitting Switches my first single.

1:02:30.280 --> 1:02:34.320
<v Speaker 4>It's directed by Puffy and Hight Williams. First, whatever on

1:02:34.520 --> 1:02:39.000
<v Speaker 4>the set is Notrri's b I g the whole entire time, right,

1:02:39.720 --> 1:02:41.880
<v Speaker 4>So when when I go do a set, I see him,

1:02:42.320 --> 1:02:45.080
<v Speaker 4>you know, he was like, you know, just following now.

1:02:45.360 --> 1:02:47.400
<v Speaker 4>I don't know why he in the video because Puppy

1:02:47.440 --> 1:02:49.800
<v Speaker 4>had the whole mont Vern in my video, you know.

1:02:50.040 --> 1:02:55.760
<v Speaker 4>At the time, So Biggie Small's tells Tracy Waples, I

1:02:55.880 --> 1:03:00.320
<v Speaker 4>need to be on Eric Sermmon's album, right, But me wild,

1:03:00.360 --> 1:03:02.760
<v Speaker 4>I had my own crew, you know. Then I had

1:03:02.880 --> 1:03:05.640
<v Speaker 4>met this regally talking about this kid named Joe Sinister,

1:03:06.120 --> 1:03:08.600
<v Speaker 4>which Je Mester j had and I heard him. So

1:03:08.960 --> 1:03:11.480
<v Speaker 4>that was the only special guests I had on the

1:03:11.680 --> 1:03:13.880
<v Speaker 4>CD at the time. But I never heard in the

1:03:13.960 --> 1:03:16.440
<v Speaker 4>tories big you know, I want to I can shoot

1:03:16.480 --> 1:03:18.040
<v Speaker 4>myself now at at the end of the day. But

1:03:18.160 --> 1:03:25.400
<v Speaker 4>again that's my story of somebody who was looking at

1:03:25.440 --> 1:03:28.080
<v Speaker 4>me in the way, like, yo, was this nigga? I

1:03:28.120 --> 1:03:30.480
<v Speaker 4>needed to be on this nigga's album CD and he

1:03:30.640 --> 1:03:32.240
<v Speaker 4>was brought to me, I don't remember.

1:03:32.560 --> 1:03:35.120
<v Speaker 1>And that's before he had any records, no record party, bullshit.

1:03:35.280 --> 1:03:38.240
<v Speaker 1>Before he was onvd's Blue Funk Nowhere.

1:03:38.840 --> 1:03:41.080
<v Speaker 2>He wasn't No, he didn't do nothing yet.

1:03:42.000 --> 1:03:46.240
<v Speaker 4>Wow, but he was signing the Puff but I don't

1:03:46.280 --> 1:03:46.440
<v Speaker 4>know that.

1:03:46.600 --> 1:03:48.360
<v Speaker 2>I don't know that he was around.

1:03:48.440 --> 1:03:51.400
<v Speaker 3>But yeah, he's with him because Puff the video. You said, yes,

1:03:54.840 --> 1:03:55.920
<v Speaker 3>but wild of Diamond D.

1:04:03.840 --> 1:04:07.840
<v Speaker 4>I gotta go with Diamond because again I played the

1:04:07.920 --> 1:04:12.520
<v Speaker 4>first album and the tour bus. We put that every day.

1:04:13.120 --> 1:04:14.680
<v Speaker 4>That was dos the FIXT player with the album though too,

1:04:14.760 --> 1:04:16.840
<v Speaker 4>but we heard that every day. So I say, like

1:04:17.160 --> 1:04:20.680
<v Speaker 4>that first LP, that's the stump Blunts, no Salary, one

1:04:20.720 --> 1:04:22.000
<v Speaker 4>track mind album, that whole ship.

1:04:23.760 --> 1:04:27.439
<v Speaker 2>Yeah, Leo Cohns and Russell Simmons, they're both same people.

1:04:27.920 --> 1:04:30.800
<v Speaker 3>So they're taking a shot for that. You do.

1:04:30.920 --> 1:04:32.600
<v Speaker 4>You have to because they're both the same people.

1:04:33.840 --> 1:04:38.120
<v Speaker 1>You're saying that one person saying saying bothoth Oh yeah, okay.

1:04:39.840 --> 1:04:41.560
<v Speaker 4>I'm not Maybe that smokers get me because I'm not

1:04:41.640 --> 1:04:42.320
<v Speaker 4>even doing anything.

1:04:42.400 --> 1:04:48.280
<v Speaker 3>It's just crazy n w A or Wu tang Klan,

1:04:49.320 --> 1:04:50.720
<v Speaker 3>God damn.

1:04:55.400 --> 1:04:55.560
<v Speaker 1>Yo.

1:04:56.000 --> 1:04:57.640
<v Speaker 4>Are you sure nigga you're gonna be cool?

1:04:58.840 --> 1:04:59.400
<v Speaker 3>Gonna be cool?

1:05:00.040 --> 1:05:03.080
<v Speaker 2>Are sipping? Okay? So that he said sane?

1:05:03.200 --> 1:05:03.320
<v Speaker 3>Right?

1:05:03.520 --> 1:05:04.160
<v Speaker 2>He said both?

1:05:04.720 --> 1:05:04.840
<v Speaker 1>Right?

1:05:05.000 --> 1:05:08.680
<v Speaker 4>Both because you know man because n W A Man

1:05:08.880 --> 1:05:12.880
<v Speaker 4>was just like you to about Q Wren Dre and

1:05:13.920 --> 1:05:17.080
<v Speaker 4>and then you're looking at the Wo Tang clan and

1:05:17.280 --> 1:05:20.240
<v Speaker 4>all nine of them came and shocked the planet.

1:05:20.320 --> 1:05:23.160
<v Speaker 2>You cannot they both those both of those crews shocked

1:05:23.200 --> 1:05:23.480
<v Speaker 2>the plant.

1:05:23.480 --> 1:05:24.280
<v Speaker 3>Don't forget the DC.

1:05:24.960 --> 1:05:29.200
<v Speaker 4>And that would have been if he didn't imagine what

1:05:29.480 --> 1:05:30.960
<v Speaker 4>he would have been had.

1:05:33.040 --> 1:05:34.560
<v Speaker 2>Yeah, yeah, it's coming out.

1:05:35.640 --> 1:05:38.840
<v Speaker 4>People realize when you play and hear the lyrically what

1:05:39.160 --> 1:05:42.720
<v Speaker 4>he was. He was incredible because he sold a million records,

1:05:42.760 --> 1:05:44.360
<v Speaker 4>though they like he didn't come out and do whatever.

1:05:44.480 --> 1:05:47.120
<v Speaker 4>This of the lyrics Texas lyrically insane.

1:05:47.600 --> 1:05:50.400
<v Speaker 3>It was similar to like you guys, you had Doc Effects,

1:05:50.640 --> 1:05:53.280
<v Speaker 3>you had E P M D and you had I

1:05:53.400 --> 1:05:58.320
<v Speaker 3>forget who else I forgetting waste red man and they

1:05:58.440 --> 1:06:01.840
<v Speaker 3>had n W A Easy E and d O CEO

1:06:02.000 --> 1:06:03.000
<v Speaker 3>same time, H D O C.

1:06:04.960 --> 1:06:07.720
<v Speaker 4>Very dangerous, very like even though I come beget He

1:06:07.760 --> 1:06:08.720
<v Speaker 4>wrote the chronic though.

1:06:08.600 --> 1:06:12.840
<v Speaker 1>To his paying game was crazy. He was that near

1:06:12.960 --> 1:06:15.200
<v Speaker 1>like the Nods of the West Coast before now he was.

1:06:15.560 --> 1:06:17.280
<v Speaker 4>Yeah, you're right, you got to give him that. People

1:06:17.280 --> 1:06:18.000
<v Speaker 4>don't talk about, not.

1:06:18.000 --> 1:06:19.320
<v Speaker 3>Even West Coast because he's from Texas.

1:06:19.360 --> 1:06:22.480
<v Speaker 4>But I mean he made give it to him because

1:06:22.680 --> 1:06:25.240
<v Speaker 4>they don't know him and he only had the one situation.

1:06:25.440 --> 1:06:27.160
<v Speaker 4>But again, if you go back and you play it

1:06:27.320 --> 1:06:28.680
<v Speaker 4>or watch the video, his.

1:06:28.880 --> 1:06:32.280
<v Speaker 2>His his delivery, all of it. Like he knew his

1:06:33.160 --> 1:06:38.080
<v Speaker 2>game was wild, right, And you know we asked him.

1:06:38.280 --> 1:06:39.320
<v Speaker 4>He was yeah.

1:06:39.440 --> 1:06:41.720
<v Speaker 2>We said him, you know, how how fucking for?

1:06:41.960 --> 1:06:44.920
<v Speaker 3>What is uh? What name of the hit?

1:06:45.960 --> 1:06:46.000
<v Speaker 6>No?

1:06:46.080 --> 1:06:50.120
<v Speaker 1>No, no, no, We were asking him, Yo, where did

1:06:50.120 --> 1:06:51.960
<v Speaker 1>the patchwak come from? He said he just made it up?

1:06:52.640 --> 1:06:54.880
<v Speaker 1>Like we thought, you know, maybe he had some Caribbean background.

1:06:55.360 --> 1:06:56.760
<v Speaker 1>He's like, no, he just said he's one of the

1:06:56.840 --> 1:06:59.160
<v Speaker 1>shock you wanted to shock dra Studio.

1:06:59.400 --> 1:07:00.440
<v Speaker 2>Did you see his documentary?

1:07:00.480 --> 1:07:02.120
<v Speaker 3>You got to see this documentary because when they talk

1:07:02.120 --> 1:07:05.280
<v Speaker 3>about it, right, they all everyone's like and then doctor

1:07:05.360 --> 1:07:07.840
<v Speaker 3>Dre looks up and goes, I still to this day

1:07:07.880 --> 1:07:14.360
<v Speaker 3>don't know what the fun He says over really he's

1:07:14.400 --> 1:07:15.120
<v Speaker 3>not that ship.

1:07:16.440 --> 1:07:18.640
<v Speaker 1>No, that's such an ill record and the whole album

1:07:18.840 --> 1:07:19.480
<v Speaker 1>album's crazy.

1:07:20.080 --> 1:07:20.720
<v Speaker 3>Get the next one.

1:07:20.880 --> 1:07:27.280
<v Speaker 2>Biz mark here o dB uh bis monkey.

1:07:29.120 --> 1:07:36.200
<v Speaker 4>Digital or analog analog all fucking day, analogm analog all day.

1:07:36.120 --> 1:07:41.680
<v Speaker 2>To Cuba scar face. This is a highly debate debatable

1:07:41.760 --> 1:07:44.880
<v Speaker 2>one here. Yeah you can go on that though too.

1:07:44.960 --> 1:07:47.800
<v Speaker 4>You can say whatever to but I feel they're the

1:07:47.880 --> 1:07:49.120
<v Speaker 4>same from different parts.

1:07:49.360 --> 1:07:50.160
<v Speaker 3>They are the same.

1:07:50.320 --> 1:07:54.480
<v Speaker 4>But you got one person that is radical and one

1:07:54.560 --> 1:07:59.000
<v Speaker 4>dude who tells stories that's insane radical. Yes, whatever, like,

1:07:59.080 --> 1:08:02.680
<v Speaker 4>but when you play America's most Wanted Nigga, like this

1:08:02.880 --> 1:08:05.760
<v Speaker 4>is life changing. And the certificate too, I think that's

1:08:06.120 --> 1:08:09.480
<v Speaker 4>certificate too. You playing record and you're playing funking and

1:08:09.680 --> 1:08:12.439
<v Speaker 4>and and jack and for beats to fucking.

1:08:13.040 --> 1:08:13.440
<v Speaker 1>The e P.

1:08:14.120 --> 1:08:15.560
<v Speaker 2>He said, God your record.

1:08:15.600 --> 1:08:22.800
<v Speaker 4>I'm saying my back to back to back and when

1:08:22.800 --> 1:08:24.640
<v Speaker 4>I'm saying that, run and I don't want to do

1:08:24.800 --> 1:08:27.800
<v Speaker 4>that because niggas is for real?

1:08:28.120 --> 1:08:29.040
<v Speaker 2>Can you say my name?

1:08:29.439 --> 1:08:29.479
<v Speaker 6>Like?

1:08:30.880 --> 1:08:32.479
<v Speaker 2>But Face is one of them.

1:08:32.720 --> 1:08:38.599
<v Speaker 4>He's listen man, but listen you. Face is my friend

1:08:39.080 --> 1:08:43.880
<v Speaker 4>because I produced this nigga, so he's my that's my boy.

1:08:44.880 --> 1:08:48.120
<v Speaker 4>But when you go back to n w A in

1:08:48.280 --> 1:08:52.479
<v Speaker 4>the writing America's most Wanted, the certificate and the.

1:08:52.720 --> 1:08:52.960
<v Speaker 3>And the.

1:08:55.680 --> 1:08:59.120
<v Speaker 4>Just that with you that I want to say it,

1:08:59.200 --> 1:09:00.000
<v Speaker 4>but you got to drink.

1:09:00.080 --> 1:09:03.719
<v Speaker 2>That's what that was. What argument was that run is crazy?

1:09:04.800 --> 1:09:07.639
<v Speaker 1>I know, okay, I had it built.

1:09:07.439 --> 1:09:10.400
<v Speaker 4>Up, getting ready to say give me that I was

1:09:10.400 --> 1:09:10.920
<v Speaker 4>going ready to go.

1:09:10.960 --> 1:09:13.280
<v Speaker 2>There, but you guys are while for this one.

1:09:13.280 --> 1:09:16.760
<v Speaker 3>You got to say that, I guess Puerto Rican food

1:09:17.360 --> 1:09:21.840
<v Speaker 3>or Jamaican food Spanish, Like how you said Spanish instead

1:09:21.840 --> 1:09:22.439
<v Speaker 3>of Puerto Ricans.

1:09:23.400 --> 1:09:24.080
<v Speaker 4>Is a Puerto Rican.

1:09:28.400 --> 1:09:30.360
<v Speaker 1>I don't know why I thought recipes of Hurricane g

1:09:30.479 --> 1:09:32.240
<v Speaker 1>but I thought she was Cuban at one point for

1:09:32.320 --> 1:09:33.320
<v Speaker 1>some reason, because you was out.

1:09:33.240 --> 1:09:37.760
<v Speaker 4>Of line that twin that you CARDI b got. She

1:09:37.960 --> 1:09:43.160
<v Speaker 4>had it first card Dominican, but the strong Puerto Rican sat.

1:09:43.360 --> 1:09:48.839
<v Speaker 1>Yeah, Hurricane Dominican, though, listen.

1:09:50.400 --> 1:09:53.280
<v Speaker 4>Got you right about that, because that's because I'm Dominican. Listen,

1:09:58.400 --> 1:10:03.479
<v Speaker 4>you know what, because I listen because because the green Eyes, right,

1:10:04.479 --> 1:10:08.439
<v Speaker 4>I could pull it listening listen.

1:10:09.760 --> 1:10:15.679
<v Speaker 2>Hey wait, wait wait, let me put my story my story.

1:10:15.800 --> 1:10:18.680
<v Speaker 4>I had a rapp named team Hot Up and watch Heights, right.

1:10:19.840 --> 1:10:24.080
<v Speaker 4>They look just like us, So I'm like, damn, I

1:10:24.400 --> 1:10:30.280
<v Speaker 4>look like y'all. You know, maybe I can pass through, right,

1:10:31.120 --> 1:10:33.920
<v Speaker 4>Because again, Dominicans go up that that bus on seventy

1:10:33.960 --> 1:10:40.040
<v Speaker 4>second Street. All anybody said, I'm parked outside, it's gonna

1:10:40.080 --> 1:10:40.320
<v Speaker 4>come with.

1:10:41.040 --> 1:10:43.160
<v Speaker 1>And be like I'm here, I'm looking.

1:10:42.960 --> 1:10:45.040
<v Speaker 2>For now English.

1:10:45.640 --> 1:10:48.200
<v Speaker 4>But she's bad as I'm just waiting to see what

1:10:48.439 --> 1:10:51.840
<v Speaker 4>I can fix that. You know that bust that come

1:10:51.920 --> 1:10:58.639
<v Speaker 4>up on broad Wait they busted come up English call

1:10:58.760 --> 1:11:02.560
<v Speaker 4>anybody go get her. I'm gonna talk to her, and

1:11:02.960 --> 1:11:07.680
<v Speaker 4>my boy gonna translate. I got money for you. I'm

1:11:07.680 --> 1:11:09.720
<v Speaker 4>gonna give your apartment papers, say, and some food and

1:11:09.840 --> 1:11:15.000
<v Speaker 4>some clothes and a visa. What they was doing.

1:11:17.080 --> 1:11:18.600
<v Speaker 2>I mean, look, you're not saying I.

1:11:20.960 --> 1:11:23.920
<v Speaker 4>Didn't know about the culture to whatever. I'm just here

1:11:24.040 --> 1:11:26.720
<v Speaker 4>trying to see what's going on. Washed Heights was was

1:11:26.800 --> 1:11:29.760
<v Speaker 4>new to me, and Dominicans was was heavy. Now Washed

1:11:29.800 --> 1:11:33.000
<v Speaker 4>Heights is fire with restaurants in the hold off all that.

1:11:33.320 --> 1:11:34.920
<v Speaker 4>But at that time is what they did. We parked

1:11:34.920 --> 1:11:38.280
<v Speaker 4>outside seventy first seventy sixth Street, Mida.

1:11:40.000 --> 1:11:43.560
<v Speaker 1>And listen, mister, need to get your Starburst for you.

1:11:46.520 --> 1:11:49.840
<v Speaker 4>You left, you know, but the good back to the

1:11:49.920 --> 1:11:53.280
<v Speaker 4>Dominican with the CARDI b You're right, Dominicans and Puerto

1:11:53.360 --> 1:11:55.160
<v Speaker 4>Ricans wants you to know they're not that.

1:11:55.479 --> 1:11:58.160
<v Speaker 1>Yeah, everybody's at the Cubans Puerto Ricans like we all.

1:11:59.360 --> 1:12:01.000
<v Speaker 4>I don't unders stay in the same way.

1:12:01.080 --> 1:12:03.720
<v Speaker 3>If I said you from Brooklyn and you was like, nah,

1:12:03.760 --> 1:12:06.639
<v Speaker 3>I'm from Long Island because you have their own.

1:12:08.120 --> 1:12:08.840
<v Speaker 2>But that's the difference.

1:12:08.840 --> 1:12:11.760
<v Speaker 4>Though, Why is this? Why are they saying that to

1:12:12.160 --> 1:12:14.320
<v Speaker 4>knowing that they it's stupid to me. It seems like

1:12:14.360 --> 1:12:15.720
<v Speaker 4>they're close, but I don't know that.

1:12:15.880 --> 1:12:18.240
<v Speaker 1>No, it's not right, it's not, but it is the

1:12:18.320 --> 1:12:21.240
<v Speaker 1>thing is, that's colonial bullshit in all of our minds.

1:12:22.000 --> 1:12:26.080
<v Speaker 3>You're correct, that's what it is a difference. Not eat

1:12:26.160 --> 1:12:29.800
<v Speaker 3>my fu from my portoy, different land, different But what's

1:12:29.880 --> 1:12:32.320
<v Speaker 3>funked up about that? You can't even base it on

1:12:32.400 --> 1:12:34.919
<v Speaker 3>the food. I went to my favorite Porto Rican restaurant

1:12:35.200 --> 1:12:38.760
<v Speaker 3>for damn there six months actually meet the goddamn chefs

1:12:38.800 --> 1:12:39.759
<v Speaker 3>and the chefs was Dominican.

1:12:39.840 --> 1:12:43.960
<v Speaker 1>I was, I was, this is not But what different

1:12:44.040 --> 1:12:47.080
<v Speaker 1>is my fungal from Mongoul? How difference? It's the same ship.

1:12:47.120 --> 1:12:50.880
<v Speaker 2>But we have the same ship too, It's all, you know.

1:12:51.000 --> 1:12:53.640
<v Speaker 3>But but there's certain people might say Coca cola, and

1:12:54.360 --> 1:12:56.840
<v Speaker 3>also all of that comes from that.

1:13:03.040 --> 1:13:07.360
<v Speaker 2>It's all a mix. Huh, Why why not mister?

1:13:07.760 --> 1:13:10.640
<v Speaker 3>One is Puerto Rican and one is Dominican When you

1:13:10.680 --> 1:13:10.920
<v Speaker 3>eat it?

1:13:11.000 --> 1:13:19.400
<v Speaker 1>What wait, it's all based on planting, bro Relax man.

1:13:20.240 --> 1:13:23.760
<v Speaker 4>This is the part too. It's because argument because because

1:13:23.760 --> 1:13:27.400
<v Speaker 4>I don't do they is again different with Puerto Ricans

1:13:27.600 --> 1:13:30.920
<v Speaker 4>and Dominicans. Some of them put olives in there in

1:13:31.040 --> 1:13:36.479
<v Speaker 4>it right and what and what and yeah, I don't

1:13:36.520 --> 1:13:39.880
<v Speaker 4>do that the rice and beans.

1:13:39.760 --> 1:13:41.720
<v Speaker 1>And some people put in right all of in the

1:13:42.120 --> 1:13:43.640
<v Speaker 1>the ground beef to.

1:13:43.960 --> 1:13:47.640
<v Speaker 4>Some people I went that to Dominicans don't do the

1:13:47.760 --> 1:13:49.600
<v Speaker 4>same way that Puerto Ricans do.

1:13:49.760 --> 1:13:52.880
<v Speaker 1>Yeah, that's there's there's the differences. That's why they that's

1:13:52.920 --> 1:13:54.400
<v Speaker 1>their it's the same name.

1:13:56.960 --> 1:13:57.920
<v Speaker 2>No, that was just not that.

1:13:59.760 --> 1:14:02.800
<v Speaker 3>That's no. And then you don't understand. This is called

1:14:02.840 --> 1:14:04.559
<v Speaker 3>what exactly?

1:14:04.640 --> 1:14:04.880
<v Speaker 6>So that.

1:14:06.760 --> 1:14:07.240
<v Speaker 1>Congree.

1:14:08.120 --> 1:14:10.640
<v Speaker 2>But then this is the thing to be hungry. The

1:14:10.720 --> 1:14:12.560
<v Speaker 2>difference is shoes divine.

1:14:14.080 --> 1:14:18.360
<v Speaker 1>And then the South American and Central American those start

1:14:18.439 --> 1:14:21.760
<v Speaker 1>to change, you know, because then it's colonialism. How long

1:14:21.840 --> 1:14:24.320
<v Speaker 1>Spain was there? How long this was here? Like main

1:14:24.439 --> 1:14:26.799
<v Speaker 1>not a part of us. Spain is the reason why.

1:14:26.640 --> 1:14:27.759
<v Speaker 2>We talk Spanish guy Spain.

1:14:27.920 --> 1:14:29.679
<v Speaker 3>Let me just tell you some bro then that Spain

1:14:29.840 --> 1:14:31.760
<v Speaker 3>is the whitest You're not a Titano, you are not

1:14:31.840 --> 1:14:35.640
<v Speaker 3>a Spain is the whitest Latino country, the.

1:14:35.680 --> 1:14:36.400
<v Speaker 2>Color in the world.

1:14:36.479 --> 1:14:40.960
<v Speaker 1>They are the reason why we are Latinos. Unfortunately, colonialism, bro,

1:14:42.000 --> 1:14:46.200
<v Speaker 1>and we all gonna take that ship all the same question. Yeah,

1:14:46.240 --> 1:14:48.680
<v Speaker 1>we're sucking up right now. You picked, you picked, you

1:14:48.760 --> 1:14:58.000
<v Speaker 1>picked port Weekond pick colonially to forty sure, Hammer over them.

1:14:58.320 --> 1:15:00.320
<v Speaker 1>We got to talk about you was on that tour. Yeah,

1:15:00.520 --> 1:15:02.880
<v Speaker 1>so how did you feel what everybody like? Was it

1:15:02.960 --> 1:15:05.759
<v Speaker 1>around ever the time when third base was dising Hammer,

1:15:05.840 --> 1:15:08.040
<v Speaker 1>when when people were disinhammered.

1:15:07.400 --> 1:15:09.120
<v Speaker 4>Their base in come they came at ninety one, but

1:15:09.200 --> 1:15:11.760
<v Speaker 4>they wasn't out yet. They was probably they copy came.

1:15:11.640 --> 1:15:13.439
<v Speaker 1>When we got But how did you feel about people

1:15:13.520 --> 1:15:15.640
<v Speaker 1>disin hammered being that you was not?

1:15:15.800 --> 1:15:18.560
<v Speaker 4>Because because I had don't forget, we had to. We

1:15:18.640 --> 1:15:20.880
<v Speaker 4>had beef with Hammer, so we it wasn't so you

1:15:20.960 --> 1:15:23.280
<v Speaker 4>guys started that then what you mean you had beef

1:15:23.320 --> 1:15:23.679
<v Speaker 4>for Hammer?

1:15:23.760 --> 1:15:28.160
<v Speaker 2>E PMD on the tour? Yeah, oh remind us listen.

1:15:28.240 --> 1:15:30.320
<v Speaker 4>Me and Paris put it to We gave it to everybody,

1:15:31.760 --> 1:15:33.479
<v Speaker 4>like I said, for I was like I said, six

1:15:33.600 --> 1:15:35.760
<v Speaker 4>two and a half, heavy set, chocolate brown, hell of

1:15:35.760 --> 1:15:38.880
<v Speaker 4>a jab gift together. It didn't matter. People thought they

1:15:39.040 --> 1:15:41.679
<v Speaker 4>was they was like that and we had to show

1:15:41.760 --> 1:15:43.519
<v Speaker 4>them that you wasn't like that. So you open your

1:15:43.560 --> 1:15:45.680
<v Speaker 4>mouth up, you're catching it. That's what Keith Murray was

1:15:45.720 --> 1:15:49.280
<v Speaker 4>a problem though too. Everybody was trying to calm Keith

1:15:49.360 --> 1:15:52.559
<v Speaker 4>Murray down, but you they was fucking the fire on him.

1:15:52.840 --> 1:15:55.080
<v Speaker 4>So he couldn't sit back and just say whatever he

1:15:55.200 --> 1:15:56.840
<v Speaker 4>had to go. He was gonna cut you.

1:15:57.080 --> 1:15:59.120
<v Speaker 2>So the same thing too, when you on this road,

1:16:00.080 --> 1:16:00.720
<v Speaker 2>you on this thing.

1:16:01.400 --> 1:16:03.719
<v Speaker 4>Always artists, you know, they want to get the certain

1:16:03.760 --> 1:16:05.960
<v Speaker 4>position I want to go on before you, or this

1:16:06.120 --> 1:16:08.280
<v Speaker 4>and that or take your spot, the whole nine. And

1:16:08.360 --> 1:16:10.519
<v Speaker 4>anybody that was trying to get that, they had it coming.

1:16:11.840 --> 1:16:13.840
<v Speaker 2>So I'd never heard about the EPM DMC.

1:16:14.000 --> 1:16:16.719
<v Speaker 4>I mean I think I I vaguely remember I said

1:16:16.840 --> 1:16:18.960
<v Speaker 4>on somebody else's thing, but you know you want to

1:16:19.000 --> 1:16:22.559
<v Speaker 4>hear that. You want to hear what happened. Yes, okay,

1:16:22.680 --> 1:16:24.880
<v Speaker 4>So we had the dancer called Findy. Findy was a

1:16:24.920 --> 1:16:31.160
<v Speaker 4>good dancer. He's from the Brooklyn No, he's from the

1:16:31.520 --> 1:16:38.040
<v Speaker 4>Rockaway right, so he's he was He was all over

1:16:38.120 --> 1:16:41.200
<v Speaker 4>the stage. Hammer comes out to speakers and riders, so

1:16:41.280 --> 1:16:43.400
<v Speaker 4>you know you want to be like, stay off the speakers.

1:16:44.360 --> 1:16:47.960
<v Speaker 4>You know what I'm saying. Because the Hammer's people told

1:16:48.920 --> 1:16:54.559
<v Speaker 4>EPMDS dancers stay off the speaker, right, So so okay,

1:16:54.760 --> 1:16:57.040
<v Speaker 4>so we on tour whatever like that and that, that

1:16:57.160 --> 1:16:59.840
<v Speaker 4>and this. But when you and the when the mow

1:17:00.000 --> 1:17:02.560
<v Speaker 4>and the crowds hype, you get amped. So maybe in

1:17:02.640 --> 1:17:06.760
<v Speaker 4>my dance's mind he remembered, but he probably didn't remember it.

1:17:07.720 --> 1:17:12.479
<v Speaker 4>So that one night Vanila Ice opens up matter of fact,

1:17:12.479 --> 1:17:13.960
<v Speaker 4>when the lights wanted to go on tour and dance

1:17:14.040 --> 1:17:18.680
<v Speaker 4>with Findy be on toy EPMD. It's crazy, but he

1:17:19.720 --> 1:17:24.519
<v Speaker 4>that night got on the speaker dancing. So we get

1:17:24.600 --> 1:17:28.599
<v Speaker 4>off the stage. I think it was Hammer's brother, not Lou,

1:17:28.680 --> 1:17:33.040
<v Speaker 4>but another one came and was barking at Findy, so

1:17:33.160 --> 1:17:36.080
<v Speaker 4>we don't know this is going on hammer pants, I

1:17:36.160 --> 1:17:38.240
<v Speaker 4>don't know. I didn't look at all that everybody in

1:17:38.280 --> 1:17:44.519
<v Speaker 4>his crew maybe maybe the his the stat I mean

1:17:44.520 --> 1:17:48.439
<v Speaker 4>everybody that was on stay. But anyway, they was talking right,

1:17:49.040 --> 1:17:51.920
<v Speaker 4>so we here like yelling. We see the dancer going

1:17:51.960 --> 1:17:54.600
<v Speaker 4>back and forth. So Paris comes over. Here is it

1:17:55.120 --> 1:17:59.599
<v Speaker 4>and then boom busts this nigga glasses and everything, yes,

1:18:00.040 --> 1:18:03.200
<v Speaker 4>all of it, all of us, the practice, cook, the blow,

1:18:03.600 --> 1:18:08.240
<v Speaker 4>then the door punt first quickly, so once he hit him,

1:18:11.479 --> 1:18:14.759
<v Speaker 4>we see like a whole fucking sea of people.

1:18:15.520 --> 1:18:19.040
<v Speaker 2>Can you imagine him? And got thirty on stage. Anyway, so.

1:18:20.520 --> 1:18:24.240
<v Speaker 4>The people started coming and there was police officers. You know,

1:18:24.320 --> 1:18:26.640
<v Speaker 4>I can't make this up. So after a while we

1:18:26.880 --> 1:18:30.960
<v Speaker 4>ended ended up moving towards the wrong way. So now

1:18:31.040 --> 1:18:34.000
<v Speaker 4>we're in this corridor where you go backstage and change.

1:18:34.560 --> 1:18:38.000
<v Speaker 4>Now it's me, Solo, Alvin God by the Dead, and

1:18:38.880 --> 1:18:43.160
<v Speaker 4>I and some other person against all these people and

1:18:43.240 --> 1:18:46.400
<v Speaker 4>we're like, oh, Ship, And one of the god was like, yo,

1:18:46.720 --> 1:18:48.080
<v Speaker 4>I want him to chubby one.

1:18:49.600 --> 1:18:51.920
<v Speaker 2>So I'm like God, damn, I'm like Ship.

1:18:54.080 --> 1:18:56.719
<v Speaker 4>So now I get to him karate.

1:18:57.320 --> 1:18:59.040
<v Speaker 2>I don't know, no comfortable.

1:19:10.040 --> 1:19:13.920
<v Speaker 4>Dance, nothing whatever. So Solo is a golden glove boxer,

1:19:13.960 --> 1:19:16.200
<v Speaker 4>so at least I know maybe he can be able to.

1:19:18.000 --> 1:19:20.840
<v Speaker 2>Take two or three one on one. But I know

1:19:21.040 --> 1:19:22.879
<v Speaker 2>Alvin is he's dangerous.

1:19:23.240 --> 1:19:28.640
<v Speaker 4>But again, it too many people for some reason, the

1:19:28.760 --> 1:19:33.080
<v Speaker 4>police were the sheriffs had it didn't get to that point,

1:19:33.400 --> 1:19:36.519
<v Speaker 4>but it almost got there. So then the next day

1:19:37.920 --> 1:19:41.160
<v Speaker 4>we get a call from Leo and Russell because they

1:19:41.200 --> 1:19:43.479
<v Speaker 4>had called him and said we want no parts with E. P. M. D.

1:19:44.600 --> 1:19:47.200
<v Speaker 4>We want no parts of them. And that's that's how

1:19:47.280 --> 1:19:48.760
<v Speaker 4>it it ended.

1:19:48.800 --> 1:19:53.759
<v Speaker 3>The tour ended, It's like, wow, did you ever connect

1:19:53.800 --> 1:19:54.439
<v Speaker 3>with Hammer? After that?

1:19:54.560 --> 1:19:57.840
<v Speaker 2>He didn't even show up to the next show. This

1:19:58.080 --> 1:20:00.320
<v Speaker 2>in his hometown. He didn't show up. Ok because of

1:20:00.400 --> 1:20:04.200
<v Speaker 2>that if and he didn't come.

1:20:05.920 --> 1:20:06.559
<v Speaker 1>To Oakland.

1:20:06.840 --> 1:20:07.880
<v Speaker 2>No, that's crazy.

1:20:08.400 --> 1:20:10.679
<v Speaker 1>Yeah, mister fab where you'll ave.

1:20:12.520 --> 1:20:13.000
<v Speaker 3>Too Short?

1:20:13.080 --> 1:20:16.200
<v Speaker 4>Nobody Short came Short, came Short was my that's still

1:20:16.240 --> 1:20:19.640
<v Speaker 4>my boy? Like Short was like like really kind of

1:20:19.680 --> 1:20:20.559
<v Speaker 4>like holding me down.

1:20:20.520 --> 1:20:24.840
<v Speaker 1>Kind of Oh okay, you know, because they all cool now.

1:20:25.000 --> 1:20:26.960
<v Speaker 2>Yeah, but they was cool with him and now too.

1:20:27.000 --> 1:20:29.680
<v Speaker 4>I was cool with him him then, Like so for

1:20:30.040 --> 1:20:31.680
<v Speaker 4>when people talk about him, I'm like, man, you got

1:20:31.800 --> 1:20:34.439
<v Speaker 4>to be crazy. Motherfucker sold ten million record You cannot

1:20:34.520 --> 1:20:36.360
<v Speaker 4>take nothing from him. And I was and I was

1:20:36.520 --> 1:20:39.160
<v Speaker 4>also an advocate to to like where was he at

1:20:39.240 --> 1:20:42.720
<v Speaker 4>for Hip hop fifty? You cannot do that. He was

1:20:42.800 --> 1:20:45.280
<v Speaker 4>like the big quart of it, like whatever, that's why

1:20:45.320 --> 1:20:45.920
<v Speaker 4>he never came.

1:20:46.200 --> 1:20:47.599
<v Speaker 2>You'd be like, yo, what happened to him?

1:20:47.640 --> 1:20:51.400
<v Speaker 4>But again the time whatever, everybody, listen, you're young, norry

1:20:51.720 --> 1:20:54.639
<v Speaker 4>out there in the nineties. Ain't know none of these phones,

1:20:54.680 --> 1:20:56.599
<v Speaker 4>none of the other ship this and that whatever. They

1:20:56.720 --> 1:20:58.320
<v Speaker 4>just got busy, you know, many these shootouts. We was

1:20:58.360 --> 1:21:03.400
<v Speaker 4>in Jesus like apartments, you know, North Carolina, fucking Callium,

1:21:04.160 --> 1:21:09.080
<v Speaker 4>fucking Rochester, upstate. I mean, these these people didn't play

1:21:09.160 --> 1:21:11.479
<v Speaker 4>you coming to their town, right, because don't forget you

1:21:11.600 --> 1:21:13.760
<v Speaker 4>you in the town. The girls is you look at

1:21:14.040 --> 1:21:16.160
<v Speaker 4>the whole Nimes and now whatever like that, and they're

1:21:16.200 --> 1:21:18.160
<v Speaker 4>doing the shit that happened the puppy at the club. Yo,

1:21:18.520 --> 1:21:21.240
<v Speaker 4>I got money too, you know that's the type of

1:21:21.240 --> 1:21:24.439
<v Speaker 4>shit that that was going on back then. Man, we

1:21:24.640 --> 1:21:31.360
<v Speaker 4>in fucking Ohio, right, we in one of them shits whatever,

1:21:32.040 --> 1:21:35.479
<v Speaker 4>one of arenas, and I put I have my EPMD jacket,

1:21:35.560 --> 1:21:38.800
<v Speaker 4>put my jacket down. Somebody stole my jacket. So somebody said, yo,

1:21:39.000 --> 1:21:41.760
<v Speaker 4>I got Eric Simmon's jacket, right, making a whole big deal.

1:21:42.439 --> 1:21:44.439
<v Speaker 4>I'm like, damn man, the niggas got my jacket, so

1:21:45.080 --> 1:21:47.120
<v Speaker 4>we know you all know who has it. But anyway,

1:21:47.840 --> 1:21:51.280
<v Speaker 4>twelve Detroit niggas, it's eight thousand people in there, they

1:21:51.439 --> 1:21:57.640
<v Speaker 4>tearing this areena the fuck up? Right now with me

1:21:58.240 --> 1:22:03.519
<v Speaker 4>is Jalen Rose, no ship right, I'm the only one

1:22:03.560 --> 1:22:06.160
<v Speaker 4>with a pistol. So now it's like, okay, we got

1:22:06.280 --> 1:22:09.920
<v Speaker 4>to get because these niggas are now as shooting so

1:22:10.120 --> 1:22:12.439
<v Speaker 4>I'm telling you right now, kim My mother died eight

1:22:12.520 --> 1:22:18.280
<v Speaker 4>months ago. Jalen Roses outside in the moving van. He

1:22:18.360 --> 1:22:22.680
<v Speaker 4>had to jump in because it was that hectic out

1:22:23.160 --> 1:22:25.479
<v Speaker 4>in that part. But we got this basketball niggas. We

1:22:25.560 --> 1:22:26.920
<v Speaker 4>gotta make sure that he's safe.

1:22:27.680 --> 1:22:27.880
<v Speaker 3>Wow.

1:22:27.960 --> 1:22:29.400
<v Speaker 1>And this is when he's in the NBA or winning.

1:22:30.760 --> 1:22:34.559
<v Speaker 4>Yeah, this is this is this is Maybe it might

1:22:34.680 --> 1:22:37.479
<v Speaker 4>you know, maybe because this is this is ninety ninety,

1:22:37.720 --> 1:22:39.400
<v Speaker 4>ninety or nineteen ninety.

1:22:39.479 --> 1:22:42.760
<v Speaker 1>Because isn't at the time five isn't that the Fab five?

1:22:44.920 --> 1:22:45.760
<v Speaker 1>It might be five?

1:22:45.840 --> 1:22:47.800
<v Speaker 4>Yeah, it might be because don't forget if you watch

1:22:47.960 --> 1:22:50.439
<v Speaker 4>some of his documentaries, you see on the sofa with

1:22:50.600 --> 1:22:53.120
<v Speaker 4>pirates like him and Harry Paris had got cool. But

1:22:53.320 --> 1:22:55.599
<v Speaker 4>but again the Fat five had to because it's ninety

1:22:56.200 --> 1:23:01.639
<v Speaker 4>so so had to moving banduck crazy and I'm like, yeah,

1:23:01.680 --> 1:23:03.120
<v Speaker 4>imagine that ship didn't go right?

1:23:04.560 --> 1:23:09.640
<v Speaker 1>Thank got it? Okay, Cypress Hills on the Fuji's.

1:23:11.760 --> 1:23:13.920
<v Speaker 4>They got to go with withis because it was my boys,

1:23:14.000 --> 1:23:17.840
<v Speaker 4>even though it's people too, because I was mad cool

1:23:17.880 --> 1:23:20.120
<v Speaker 4>with Lauren in the beginning of me. People don't know

1:23:20.200 --> 1:23:22.000
<v Speaker 4>that about law. Lauren used to call the studio. We

1:23:22.080 --> 1:23:24.800
<v Speaker 4>used to talk a lot, like talk a lot on

1:23:24.880 --> 1:23:27.320
<v Speaker 4>the phone, you know what I mean. But but again,

1:23:27.400 --> 1:23:30.960
<v Speaker 4>but you know Cyper Stills, they changed the whole fusih

1:23:30.960 --> 1:23:31.640
<v Speaker 4>ain't escape too.

1:23:31.720 --> 1:23:35.719
<v Speaker 2>But for niggas like that Hardcourt ship. That was problem

1:23:35.800 --> 1:23:36.080
<v Speaker 2>with them.

1:23:38.400 --> 1:23:38.840
<v Speaker 4>That's the word.

1:23:40.479 --> 1:23:41.000
<v Speaker 2>The first video.

1:23:41.000 --> 1:23:42.400
<v Speaker 4>I was like, but you got to talk about you

1:23:42.439 --> 1:23:45.640
<v Speaker 4>said you got the tape to Cyprus. We had the

1:23:45.680 --> 1:23:47.760
<v Speaker 4>same Sony rap. So when I when I got up

1:23:47.800 --> 1:23:49.519
<v Speaker 4>the playing me and past in the car with the

1:23:49.600 --> 1:23:52.960
<v Speaker 4>Sony rap, he had the Cyper Skills tape. Whatever I heard,

1:23:53.040 --> 1:23:54.880
<v Speaker 4>I'm like, this is crazy. I just happened to call

1:23:55.040 --> 1:23:57.080
<v Speaker 4>Cube because I wanted Cube to hear it. I don't

1:23:57.160 --> 1:23:59.240
<v Speaker 4>know why I called them, but I said, yo, meet

1:23:59.280 --> 1:24:01.160
<v Speaker 4>me at He said, no, me me such and such.

1:24:01.360 --> 1:24:03.599
<v Speaker 4>So I brought him to tape when I came home.

1:24:03.640 --> 1:24:07.800
<v Speaker 4>He in the video. Yeah, so you really like the

1:24:07.960 --> 1:24:10.160
<v Speaker 4>you know cyber steals when he when he heard him

1:24:10.439 --> 1:24:12.760
<v Speaker 4>and he's in the video in New York. That's what

1:24:12.760 --> 1:24:15.240
<v Speaker 4>I'm saying in New York. That's the ill part. And

1:24:15.400 --> 1:24:17.840
<v Speaker 4>he will says when he looked up and saw him, like,

1:24:17.920 --> 1:24:19.200
<v Speaker 4>ohly ship, that's cute.

1:24:19.439 --> 1:24:22.760
<v Speaker 1>That video has mad cameos. Yeah, that's a crazy A

1:24:22.760 --> 1:24:23.639
<v Speaker 1>lot of New York cameo.

1:24:23.800 --> 1:24:26.800
<v Speaker 4>Yeah, yeah, yeah, he said that they did label. The

1:24:26.880 --> 1:24:29.200
<v Speaker 4>label wanted him to. They wanted them to shoot that

1:24:29.800 --> 1:24:31.680
<v Speaker 4>to get the New York because again not knowing that

1:24:31.840 --> 1:24:33.600
<v Speaker 4>LA was going to play the record. But it's a

1:24:33.680 --> 1:24:35.439
<v Speaker 4>New York sounds, it's a jam, so they're like, yo,

1:24:35.520 --> 1:24:36.400
<v Speaker 4>let's shoot it there.

1:24:36.360 --> 1:24:42.519
<v Speaker 3>Except got me, got me? You're still going with that? Yeah, yeah,

1:24:42.920 --> 1:24:45.400
<v Speaker 3>We've got another one. A deaf squad or his squad

1:24:46.680 --> 1:24:53.120
<v Speaker 3>his squad. Okay, Metro Boomer or Murder Beats, metro Keith

1:24:53.240 --> 1:24:54.240
<v Speaker 3>Mary or Redman.

1:24:55.880 --> 1:24:57.840
<v Speaker 2>The way are you doing that? Drink Man?

1:24:59.640 --> 1:25:04.040
<v Speaker 4>Look that's said, got to take a super peepiece in

1:25:04.120 --> 1:25:04.519
<v Speaker 4>a second.

1:25:05.320 --> 1:25:09.559
<v Speaker 3>Just Blaze or bank they hate each other by the way,

1:25:09.680 --> 1:25:13.600
<v Speaker 3>f y Yeah no, see from what.

1:25:13.760 --> 1:25:15.960
<v Speaker 4>I guys see, I say it's just because he did

1:25:16.000 --> 1:25:19.160
<v Speaker 4>the record for me too. But but bank Dog style

1:25:19.439 --> 1:25:22.200
<v Speaker 4>is just insane. I think that I think that people,

1:25:23.200 --> 1:25:25.080
<v Speaker 4>I think he might be the father of it. You

1:25:25.160 --> 1:25:27.840
<v Speaker 4>know of a couple of people's styles on on the

1:25:27.960 --> 1:25:32.800
<v Speaker 4>on the low because if you play the songs that

1:25:32.960 --> 1:25:35.560
<v Speaker 4>don't because he was there first. So you play the

1:25:35.640 --> 1:25:37.880
<v Speaker 4>records and see some of the technique of it.

1:25:38.560 --> 1:25:42.320
<v Speaker 3>You said he was there first, my Rockefeller, the style.

1:25:42.160 --> 1:25:44.519
<v Speaker 4>Of the style of the beat. When you hear people

1:25:44.600 --> 1:25:47.599
<v Speaker 4>that came after him, you know, I'm just hey, man,

1:25:48.600 --> 1:25:49.200
<v Speaker 4>God damn it.

1:25:49.560 --> 1:25:52.320
<v Speaker 2>That's big coming for you. So you say, I'm just

1:25:52.400 --> 1:25:53.320
<v Speaker 2>giving the father.

1:25:53.360 --> 1:25:56.160
<v Speaker 4>The factual, the timing history of the history of it,

1:25:56.280 --> 1:25:58.599
<v Speaker 4>like when you see the stuff that he was doing.

1:25:59.240 --> 1:26:01.640
<v Speaker 4>And you know, you gotta put Rockbill in there too,

1:26:01.640 --> 1:26:05.760
<v Speaker 4>because again some of the styles are similar, but he

1:26:06.240 --> 1:26:11.960
<v Speaker 4>was first before the other one, you know. And but

1:26:12.320 --> 1:26:15.519
<v Speaker 4>again we all take from ship, you know what I mean.

1:26:15.600 --> 1:26:20.320
<v Speaker 4>But you know, just Blase is incredible. You gotta you

1:26:20.360 --> 1:26:23.040
<v Speaker 4>gotta sit man, because because both of them is ill

1:26:23.240 --> 1:26:34.439
<v Speaker 4>at what they do. I know, I'm sorry, order youngsters illegal.

1:26:34.560 --> 1:26:35.840
<v Speaker 4>Come on, Both those groups are dope.

1:26:35.880 --> 1:26:38.240
<v Speaker 2>Though rock him okay, restaurant.

1:26:39.360 --> 1:26:42.559
<v Speaker 4>Rockim is my mentor Chris is my man doing too.

1:26:42.640 --> 1:26:44.920
<v Speaker 4>But I gotta go for my partner who's down the

1:26:44.960 --> 1:26:47.680
<v Speaker 4>block from me, you know, Long Island. I'm gonna have

1:26:47.760 --> 1:26:50.320
<v Speaker 4>to take a people got you gotta take a dookie.

1:26:55.240 --> 1:26:56.200
<v Speaker 3>So he picked him.

1:26:58.200 --> 1:26:59.320
<v Speaker 2>M j Or Prince.

1:27:00.880 --> 1:27:03.439
<v Speaker 4>Yeah, you know, Michael Jackson. Even though Prinson is still

1:27:03.439 --> 1:27:05.240
<v Speaker 4>a genius because he produced his own music.

1:27:05.320 --> 1:27:05.880
<v Speaker 2>And the whole one.

1:27:05.880 --> 1:27:09.519
<v Speaker 4>But I just watched him Michael Jackson just before about

1:27:09.600 --> 1:27:15.600
<v Speaker 4>what they said that Michael Jackson when he did the

1:27:15.680 --> 1:27:21.600
<v Speaker 4>Oprah Winfrey interview, right, it was one billion people that

1:27:21.760 --> 1:27:22.120
<v Speaker 4>watched it.

1:27:22.400 --> 1:27:24.320
<v Speaker 2>No, five hundred, five hundred million.

1:27:24.960 --> 1:27:32.479
<v Speaker 4>Right then when he did oh no, when when he

1:27:33.320 --> 1:27:38.880
<v Speaker 4>passed away, it was one billion people that watched it. Yes.

1:27:39.200 --> 1:27:39.400
<v Speaker 1>Wow.

1:27:39.800 --> 1:27:41.240
<v Speaker 4>So when you talk about the people like I'm the

1:27:41.280 --> 1:27:43.559
<v Speaker 4>next Michael, none of y'all, no way in the world

1:27:45.040 --> 1:27:49.479
<v Speaker 4>his whole ship about him. Chris don't have that neither.

1:27:49.680 --> 1:27:51.560
<v Speaker 4>But you have to give it to Michael. He was

1:27:52.200 --> 1:27:56.160
<v Speaker 4>something that we never ever, ever ever seen before.

1:27:57.360 --> 1:28:01.960
<v Speaker 3>You heard you ever hear the stories of the beefing No, yeah,

1:28:03.120 --> 1:28:05.719
<v Speaker 3>like the more and more interview people.

1:28:05.800 --> 1:28:08.040
<v Speaker 2>Yeah, yeah, I don't think they like each other.

1:28:08.560 --> 1:28:08.960
<v Speaker 4>Mike said.

1:28:09.000 --> 1:28:11.960
<v Speaker 3>He showed up to a couple of the shows, but

1:28:12.080 --> 1:28:14.280
<v Speaker 3>he was there to shut him down. He wasn't there

1:28:14.400 --> 1:28:18.400
<v Speaker 3>like okay, he wasn't there to like he like. Mike

1:28:18.439 --> 1:28:20.800
<v Speaker 3>would come up to some Prince shows and know that

1:28:21.160 --> 1:28:23.960
<v Speaker 3>these people ain't gonna tell him, no, he's fucking Michael Jackson.

1:28:24.200 --> 1:28:26.280
<v Speaker 3>And he would go on and try to perform before

1:28:26.360 --> 1:28:29.760
<v Speaker 3>prints from certain things and real, Yeah, like this is

1:28:29.880 --> 1:28:33.040
<v Speaker 3>this is like we have multiple stories from different people,

1:28:33.479 --> 1:28:35.840
<v Speaker 3>and Mike was Mike was kind of the more and

1:28:35.960 --> 1:28:37.800
<v Speaker 3>more you kind of see it and you like kind

1:28:37.840 --> 1:28:38.439
<v Speaker 3>of see him like.

1:28:38.479 --> 1:28:39.280
<v Speaker 2>With gang members.

1:28:39.320 --> 1:28:43.320
<v Speaker 3>You're like, that didn't make sense, Like he I almost

1:28:43.360 --> 1:28:44.960
<v Speaker 3>thought I saw him throw up a side but I did,

1:28:46.320 --> 1:28:48.720
<v Speaker 3>I did, and I did but and beat it. No, no, no,

1:28:50.000 --> 1:28:53.479
<v Speaker 3>like all that. It was always like certain things and

1:28:53.560 --> 1:28:58.000
<v Speaker 3>then you hear like his affiliation, like it's different.

1:28:58.080 --> 1:28:58.200
<v Speaker 1>Man.

1:28:58.280 --> 1:29:00.760
<v Speaker 3>So I always said, or those stories. This is my

1:29:00.800 --> 1:29:03.840
<v Speaker 3>favorite stories. Michael Jackson and Prince stories. Have you ever

1:29:03.920 --> 1:29:04.320
<v Speaker 3>met Mike.

1:29:06.000 --> 1:29:09.920
<v Speaker 4>Let me tell you a story with Mike. So I

1:29:10.040 --> 1:29:12.960
<v Speaker 4>got a call to go do Black Street Teddy Rally.

1:29:13.840 --> 1:29:17.599
<v Speaker 4>So me and my cousin ride down to Virginia again.

1:29:18.520 --> 1:29:24.599
<v Speaker 4>N all right, cool, well yo, you you're mentioning there

1:29:24.640 --> 1:29:28.080
<v Speaker 4>one more time when I'm stopping. I know, but this

1:29:28.240 --> 1:29:28.720
<v Speaker 4>is too much.

1:29:29.320 --> 1:29:32.360
<v Speaker 1>Let's go. Let's go because let's take this to this.

1:29:32.439 --> 1:29:34.920
<v Speaker 4>I'm already in every he's already in every interview. He's like,

1:29:35.960 --> 1:29:36.920
<v Speaker 4>did you say my name again?

1:29:38.160 --> 1:29:40.600
<v Speaker 1>We're talking about So I.

1:29:40.640 --> 1:29:44.519
<v Speaker 3>Go to Virginia and and I see you're speaking to

1:29:44.560 --> 1:29:45.240
<v Speaker 3>see Teddy Rally.

1:29:45.400 --> 1:29:47.600
<v Speaker 4>No I go see he called me okay, so so

1:29:47.680 --> 1:29:49.960
<v Speaker 4>because don't beginut, I did Booty Call the first single

1:29:49.960 --> 1:29:53.639
<v Speaker 4>when they first something right, that's right? So after I whatever,

1:29:54.000 --> 1:29:59.200
<v Speaker 4>I walk inside for real. So I walk inside there

1:29:59.760 --> 1:30:04.040
<v Speaker 4>the first person I meet is Pharrell Wow right. It

1:30:04.120 --> 1:30:08.160
<v Speaker 4>is a producer there him Chad and a singer named Mike.

1:30:09.320 --> 1:30:12.439
<v Speaker 4>So he's like, yo, I wrap like you do?

1:30:12.640 --> 1:30:16.439
<v Speaker 1>Yes, it's his shirt tight? What's what's true?

1:30:16.760 --> 1:30:17.880
<v Speaker 6>What like?

1:30:17.920 --> 1:30:20.280
<v Speaker 4>I'm not looking at people like that I do.

1:30:20.400 --> 1:30:22.360
<v Speaker 3>I have to describe the situation ahead continued.

1:30:22.560 --> 1:30:26.880
<v Speaker 4>So if you go on the internet, there's a song

1:30:26.960 --> 1:30:30.599
<v Speaker 4>with me and Pharrell called boot Monocalization that we made

1:30:30.640 --> 1:30:33.240
<v Speaker 4>in nineteen ninety three. Boot what I know?

1:30:33.320 --> 1:30:35.080
<v Speaker 3>It's crazy ninety three?

1:30:35.280 --> 1:30:37.599
<v Speaker 4>Yes, because I put them on two records.

1:30:37.800 --> 1:30:39.599
<v Speaker 1>Are trying to say you discovered the Neptunes before?

1:30:39.640 --> 1:30:40.400
<v Speaker 4>No, I justspect that.

1:30:44.479 --> 1:30:45.200
<v Speaker 3>Tell you had them.

1:30:45.600 --> 1:30:46.200
<v Speaker 1>It's very true.

1:30:46.479 --> 1:30:52.000
<v Speaker 4>He had in the studio. That was the producers. I

1:30:52.200 --> 1:30:54.679
<v Speaker 4>let him rhyme on the records that I was doing.

1:30:55.479 --> 1:30:58.280
<v Speaker 1>You let Pharrell run before anybody else, let him ryme right.

1:30:58.760 --> 1:31:03.960
<v Speaker 2>I always take those prospects. Fuck you, Eric, I din't

1:31:03.960 --> 1:31:05.479
<v Speaker 2>know that. You gotta go on the YouTube and you

1:31:05.600 --> 1:31:05.800
<v Speaker 2>go that.

1:31:05.880 --> 1:31:09.360
<v Speaker 4>I didn't know that. Anyway, I'm already amp up because

1:31:09.360 --> 1:31:13.120
<v Speaker 4>I'm there with Teddy outside of the tour bus, right,

1:31:14.600 --> 1:31:21.599
<v Speaker 4>Michael Jackson on tour bus. So Mike goes to the bathroom.

1:31:21.760 --> 1:31:25.240
<v Speaker 4>I miss him, right, So I don't know that part.

1:31:25.680 --> 1:31:29.000
<v Speaker 4>Teddy says, Eric, Yo, you want to be Michael. I

1:31:29.080 --> 1:31:32.000
<v Speaker 4>was like, not now you said not? Now, I know

1:31:32.240 --> 1:31:36.679
<v Speaker 4>what's wrong with you? Were you nervous?

1:31:37.320 --> 1:31:37.599
<v Speaker 2>Michael?

1:31:37.960 --> 1:31:40.479
<v Speaker 4>I was there with Teddy? No, I was there with Teddy.

1:31:40.640 --> 1:31:43.000
<v Speaker 4>Wasn't like this is what I was here doing for

1:31:43.160 --> 1:31:46.479
<v Speaker 4>some reason that was that wasn't more important than what

1:31:46.640 --> 1:31:51.000
<v Speaker 4>I was doing. I know that's the illly ship. I

1:31:51.240 --> 1:31:56.640
<v Speaker 4>told Teddy. Not now crazy. I could have walked on

1:31:56.720 --> 1:32:00.479
<v Speaker 4>that bus, shook hands, maybe, could have building a record, anything, anything.

1:32:00.600 --> 1:32:02.000
<v Speaker 4>My mind was someplace else.

1:32:02.400 --> 1:32:04.439
<v Speaker 2>And let me guess that Michael float out of there.

1:32:05.160 --> 1:32:05.960
<v Speaker 1>No, he he is.

1:32:07.840 --> 1:32:13.040
<v Speaker 3>You've never seen I never saw. So your one chance

1:32:13.120 --> 1:32:14.439
<v Speaker 3>to be one chance you blew it.

1:32:14.560 --> 1:32:15.920
<v Speaker 4>Take a pictures the whole that I could have had,

1:32:15.960 --> 1:32:16.400
<v Speaker 4>all that ship.

1:32:16.800 --> 1:32:19.519
<v Speaker 1>Yeah, man, you ain't even take a flick for the ground.

1:32:20.840 --> 1:32:24.160
<v Speaker 4>Tell you to collaborate, Tell you would collaborate the story, nigga,

1:32:24.280 --> 1:32:26.280
<v Speaker 4>Like yo, the bus is sitting out there.

1:32:26.320 --> 1:32:27.200
<v Speaker 2>He said, you want to meet him?

1:32:27.240 --> 1:32:32.040
<v Speaker 4>I said not. Now he must have thought Teddy must

1:32:32.040 --> 1:32:34.200
<v Speaker 4>have thought he was was I don't know what he's doing.

1:32:34.600 --> 1:32:37.360
<v Speaker 1>Well, I know Michael thinking he was told, oh, yeah,

1:32:37.360 --> 1:32:37.519
<v Speaker 1>if he.

1:32:37.520 --> 1:32:42.719
<v Speaker 2>Were Teddy, yeah, Michael, he would have been like crumbs.

1:32:44.439 --> 1:32:46.360
<v Speaker 3>And then Teddy went back and say, man, he'll be

1:32:46.560 --> 1:32:47.559
<v Speaker 3>He'll be a little while.

1:32:48.400 --> 1:32:50.160
<v Speaker 4>Yeah. But but but at the end of the day,

1:32:50.240 --> 1:32:52.080
<v Speaker 4>Michael Jackson, nobody was bigger than him.

1:32:52.160 --> 1:32:55.240
<v Speaker 2>Nobody, nobody. I'm not gonna lie Chris Brown right now.

1:32:55.680 --> 1:32:58.800
<v Speaker 4>Very close what I told you, nigga, very close though,

1:32:59.160 --> 1:33:04.760
<v Speaker 4>five hundred millions, Michael's one billion international. He goes to

1:33:05.080 --> 1:33:08.560
<v Speaker 4>the shows, there's one hundred thousand people a shot, no

1:33:08.680 --> 1:33:09.920
<v Speaker 4>matter what outside.

1:33:10.040 --> 1:33:12.280
<v Speaker 2>When he goes somewhere, he got to shut down.

1:33:12.160 --> 1:33:15.439
<v Speaker 4>The whole Christmas would tell you neighborhood everything. We never

1:33:15.560 --> 1:33:19.320
<v Speaker 4>seen that from no individual that that that was it.

1:33:22.520 --> 1:33:27.320
<v Speaker 1>That's why I said close, like damn shape, political everything internationally,

1:33:27.400 --> 1:33:28.880
<v Speaker 1>probably helped the Cold War everything.

1:33:28.920 --> 1:33:30.840
<v Speaker 4>People that have stopped to see it. When he show

1:33:30.960 --> 1:33:32.320
<v Speaker 4>up somewhere, what they got to do. They have to

1:33:32.360 --> 1:33:36.439
<v Speaker 4>shut down the neighborhood. This is just proof of the

1:33:36.560 --> 1:33:39.240
<v Speaker 4>millions and millions of millions of people. You never but

1:33:39.320 --> 1:33:41.559
<v Speaker 4>no individual. He's bigger than anything we have ever seen.

1:33:43.400 --> 1:33:46.439
<v Speaker 2>Who come on, you just left field right now to

1:33:46.640 --> 1:33:49.400
<v Speaker 2>this question? Is crazy? A couple of those.

1:33:51.600 --> 1:33:53.840
<v Speaker 1>Ahead? Yay? Or for real?

1:33:55.600 --> 1:33:55.960
<v Speaker 2>Kanye?

1:33:56.760 --> 1:33:59.120
<v Speaker 1>We did that already. No, no, no, we just brought

1:33:59.200 --> 1:34:01.080
<v Speaker 1>up for we just brought mom. You said who you say?

1:34:01.080 --> 1:34:06.840
<v Speaker 4>You said Kanye even though Parrell's ill, but Kanye again,

1:34:07.000 --> 1:34:09.760
<v Speaker 4>when he came he kind of whatever. I know when

1:34:09.800 --> 1:34:12.280
<v Speaker 4>I was, like you said, from when you sit there,

1:34:12.320 --> 1:34:14.920
<v Speaker 4>you kind of dormant. But when he when I heard

1:34:15.200 --> 1:34:17.519
<v Speaker 4>the ship that when he came out, it kind of

1:34:17.560 --> 1:34:19.280
<v Speaker 4>woke me up as a producer.

1:34:19.360 --> 1:34:22.599
<v Speaker 1>Yeah, okay, that's that's that's that's a compliment.

1:34:22.840 --> 1:34:27.320
<v Speaker 4>Radio podcast. Oh it's podcast.

1:34:27.920 --> 1:34:38.120
<v Speaker 1>Good Cam or Mace, you.

1:34:38.160 --> 1:34:38.760
<v Speaker 4>Gotta sip it.

1:34:39.080 --> 1:34:42.000
<v Speaker 1>Yeah, big up to Cam and makes too man very

1:34:42.040 --> 1:34:42.360
<v Speaker 1>proud of.

1:34:44.560 --> 1:34:47.439
<v Speaker 4>Because they both to me, is almost kind of the same.

1:34:47.479 --> 1:34:50.000
<v Speaker 4>Though kind of though too because because they both spit

1:34:50.080 --> 1:34:54.920
<v Speaker 4>the that that that dollar that they both what they're doing.

1:34:55.280 --> 1:34:56.400
<v Speaker 3>Cheers love what they're doing.

1:34:56.840 --> 1:35:00.719
<v Speaker 4>Uh, Chris Rock or Dave Chappelle, I got the biggest

1:35:00.760 --> 1:35:06.040
<v Speaker 4>list ever. Yeah, it's your niggas wold out with that. Yeah,

1:35:09.840 --> 1:35:11.760
<v Speaker 4>so Chris Rockert, Dave Chappelle.

1:35:12.840 --> 1:35:13.160
<v Speaker 1>Yeah.

1:35:17.640 --> 1:35:21.160
<v Speaker 4>No, because I know Chris One, I know Dave Funny.

1:35:21.439 --> 1:35:23.479
<v Speaker 4>Now I'm just saying that just Chris say PMD fan.

1:35:23.600 --> 1:35:27.679
<v Speaker 4>So I'm saying I don't you know. And I watched

1:35:27.720 --> 1:35:30.280
<v Speaker 4>everything he did, and I watched anything Dave did too, And.

1:35:30.320 --> 1:35:33.639
<v Speaker 2>They're both just hip hop heads, like heavy hip hop,

1:35:33.920 --> 1:35:35.759
<v Speaker 2>bolt of them. Yeah, and both of them legends.

1:35:36.000 --> 1:35:41.000
<v Speaker 4>And yeah, yeah, gotta drink almost you know you too, man,

1:35:41.000 --> 1:35:43.560
<v Speaker 4>you gotta drink I don't know, but you got to

1:35:43.680 --> 1:35:47.120
<v Speaker 4>cool out too, like you gotta cool out this ship

1:35:47.240 --> 1:35:48.240
<v Speaker 4>right here is a question.

1:35:48.320 --> 1:35:51.760
<v Speaker 2>They sucked it up and got your good No, yeah,

1:35:51.800 --> 1:35:52.439
<v Speaker 2>we're not good.

1:35:54.560 --> 1:35:56.519
<v Speaker 3>Man, oh man.

1:35:58.439 --> 1:36:06.000
<v Speaker 4>Yeah, way point is ill, but I'm gonna give it

1:36:06.000 --> 1:36:10.120
<v Speaker 4>to him to method man. Okay, kick a pri or

1:36:10.160 --> 1:36:16.880
<v Speaker 4>DJ red Alert, Yeah, but they they do different things.

1:36:17.120 --> 1:36:18.800
<v Speaker 2>Kick a pre is like that's the point.

1:36:19.200 --> 1:36:23.639
<v Speaker 3>Yeah, it's whatever, it's whatever your category, whatever whatever, you could.

1:36:23.840 --> 1:36:27.200
<v Speaker 4>I guess say both, yes, both they both because they

1:36:27.280 --> 1:36:32.400
<v Speaker 4>both impacted, hugely impacted, usually because that mixtape game was

1:36:33.320 --> 1:36:34.000
<v Speaker 4>something insane.

1:36:34.840 --> 1:36:37.920
<v Speaker 3>Doctor Drake or Puff Daddy, Well you stop, go ahead

1:36:38.400 --> 1:36:39.240
<v Speaker 3>because it's Dre.

1:36:41.680 --> 1:36:47.240
<v Speaker 2>You said, Yeah, Molly, Ma or large professor, but Molly Ma,

1:36:48.040 --> 1:36:50.080
<v Speaker 2>he would be he's invented sampling.

1:36:50.200 --> 1:36:52.640
<v Speaker 4>You got to give it. There's nothing to say about that.

1:36:55.560 --> 1:36:56.320
<v Speaker 4>You're still going.

1:36:56.640 --> 1:36:58.800
<v Speaker 3>You got only a couple more, a couple more your

1:36:58.800 --> 1:37:00.599
<v Speaker 3>own TV raps or video music box?

1:37:01.439 --> 1:37:05.160
<v Speaker 2>Rough me, Daniels, I like that kiss or fabulous?

1:37:06.040 --> 1:37:06.519
<v Speaker 3>What did you say?

1:37:08.600 --> 1:37:09.360
<v Speaker 2>Why did he say?

1:37:10.200 --> 1:37:15.720
<v Speaker 4>He wrote it in Spanish sweak fluent speak fluent, mister Lee.

1:37:17.040 --> 1:37:22.519
<v Speaker 4>They knew that you was not represented. They put that

1:37:22.640 --> 1:37:22.880
<v Speaker 4>in there.

1:37:22.920 --> 1:37:23.240
<v Speaker 1>You put that.

1:37:28.200 --> 1:37:30.280
<v Speaker 4>Have him say it because he because he's gonna say nothing,

1:37:30.640 --> 1:37:47.760
<v Speaker 4>have him saying, yeah, wow, fab turned out to be dangerous.

1:37:48.040 --> 1:37:50.599
<v Speaker 4>He did yeah, man, kiss was always dangerous.

1:37:52.800 --> 1:37:54.439
<v Speaker 2>Yes, you know you gotta you gotta sick.

1:37:54.439 --> 1:37:56.479
<v Speaker 4>You know why? Because again, because fab turned out to

1:37:56.520 --> 1:37:58.080
<v Speaker 4>be something dangerous.

1:37:58.120 --> 1:37:59.680
<v Speaker 2>I mean, we don't have to know.

1:38:00.800 --> 1:38:05.599
<v Speaker 4>Yeah, you got it, Sonny, New Jack City or King

1:38:05.640 --> 1:38:16.559
<v Speaker 4>of New York if a nickel baggers throw in the park.

1:38:18.320 --> 1:38:27.040
<v Speaker 3>M Frank White, but you know brown, you know Brown

1:38:27.280 --> 1:38:28.960
<v Speaker 3>brung thus skin niggas back to life?

1:38:30.720 --> 1:38:31.400
<v Speaker 2>What was Homegirl?

1:38:31.520 --> 1:38:32.320
<v Speaker 1>Rock saved me?

1:38:32.439 --> 1:38:35.439
<v Speaker 4>That was the New Jack City? Yes, but even though

1:38:35.520 --> 1:38:38.200
<v Speaker 4>King of New York was fucking crazy.

1:38:38.840 --> 1:38:44.719
<v Speaker 3>The what's my man name and Chris. He was Wessey Snipes.

1:38:45.360 --> 1:38:47.560
<v Speaker 3>Wessey Snipes did such a good job that when I

1:38:47.640 --> 1:38:49.599
<v Speaker 3>met him in real life I was still scared of him.

1:38:50.680 --> 1:38:52.880
<v Speaker 1>And Bro, he was a cop.

1:38:52.960 --> 1:38:54.320
<v Speaker 2>He did such a good job.

1:38:56.320 --> 1:38:58.880
<v Speaker 1>I knew he wouldn't have Copper.

1:38:59.160 --> 1:39:00.679
<v Speaker 2>This is the first time he's him as a cop.

1:39:00.760 --> 1:39:01.040
<v Speaker 4>It was.

1:39:02.760 --> 1:39:04.679
<v Speaker 1>Yeah, that's a fact. That's the fact.

1:39:04.720 --> 1:39:07.280
<v Speaker 3>What I'm saying is my first time encountering I see

1:39:07.680 --> 1:39:10.200
<v Speaker 3>course of that role. I wasn't him, but when I

1:39:10.840 --> 1:39:14.599
<v Speaker 3>you were scared him as yeah West, I saw Nino.

1:39:15.439 --> 1:39:17.599
<v Speaker 4>Yeah look at your funky black ass.

1:39:17.800 --> 1:39:24.280
<v Speaker 3>Yeah yeah, Chris, you picked blue Jack City. This is

1:39:24.520 --> 1:39:26.040
<v Speaker 3>the last one that we could get back to the interview.

1:39:27.560 --> 1:39:29.480
<v Speaker 3>Loyalty or respect.

1:39:31.200 --> 1:39:33.360
<v Speaker 4>I got to go on with was it was?

1:39:33.439 --> 1:39:34.200
<v Speaker 3>It was it.

1:39:36.520 --> 1:39:37.160
<v Speaker 4>Holy Ship?

1:39:37.280 --> 1:39:38.360
<v Speaker 2>Who would you have up here?

1:39:38.520 --> 1:39:40.160
<v Speaker 3>Snoop no said love.

1:39:40.280 --> 1:39:44.280
<v Speaker 4>I know, yes, Snoop Stead though too, but also I

1:39:44.360 --> 1:39:46.759
<v Speaker 4>think it was bleak Memphis.

1:39:46.920 --> 1:39:49.320
<v Speaker 1>Everybody has a different take. I think they kind of

1:39:49.600 --> 1:39:51.840
<v Speaker 1>they kind of you need both of them. I think

1:39:51.920 --> 1:39:53.400
<v Speaker 1>both is the most logical answer.

1:39:53.600 --> 1:39:53.800
<v Speaker 4>Both.

1:39:53.920 --> 1:39:56.240
<v Speaker 3>It's the only question that we've both people.

1:39:56.160 --> 1:39:58.360
<v Speaker 1>Come in with one and they going with this crazy

1:39:59.160 --> 1:39:59.840
<v Speaker 1>dire tribe.

1:40:00.800 --> 1:40:11.960
<v Speaker 4>So respect and loyalty right, yes, me, respect might be

1:40:12.040 --> 1:40:14.920
<v Speaker 4>a little bit more bigger though, because the reason why

1:40:15.080 --> 1:40:18.040
<v Speaker 4>is like the loyal is dead too. But I feel

1:40:18.080 --> 1:40:19.880
<v Speaker 4>like you if you don't got to respect, you can't

1:40:19.920 --> 1:40:22.919
<v Speaker 4>get that. You don't want both, you do, but respect

1:40:23.120 --> 1:40:26.040
<v Speaker 4>is a big one. So you rather that than both.

1:40:27.320 --> 1:40:29.320
<v Speaker 4>That's the thing I'm going to respect because the nigga

1:40:29.360 --> 1:40:32.479
<v Speaker 4>ca you catch because that's goes a long way because

1:40:32.640 --> 1:40:35.600
<v Speaker 4>I can see what's what's happening. Loyal for me is

1:40:35.720 --> 1:40:38.840
<v Speaker 4>not how I'm still here. Respect is how I'm still here.

1:40:39.120 --> 1:40:41.680
<v Speaker 4>Niggas respect me. So this is why I'm saying that

1:40:42.040 --> 1:40:43.680
<v Speaker 4>to the loyalty, I don't really have to be lord

1:40:43.760 --> 1:40:45.960
<v Speaker 4>and nobody like that. You know that I know about it.

1:40:46.080 --> 1:40:48.519
<v Speaker 4>Be like yo, damn you niggasayer a nigga no but respect.

1:40:49.080 --> 1:40:50.960
<v Speaker 4>No to respect got me where I'm at.

1:40:51.479 --> 1:40:56.040
<v Speaker 3>So you're going respect, yes, But let me just I'm explaining.

1:40:55.720 --> 1:40:58.960
<v Speaker 4>The way niggas didn't play it that way. Like respect

1:40:59.120 --> 1:41:01.799
<v Speaker 4>you can't buy it. Your niggas can't get it. If

1:41:01.800 --> 1:41:04.800
<v Speaker 4>you respect is it's always earned, exactly always.

1:41:05.640 --> 1:41:09.120
<v Speaker 1>But let me just chatting on you. You not only

1:41:09.240 --> 1:41:11.240
<v Speaker 1>have respect, you have love.

1:41:12.000 --> 1:41:14.800
<v Speaker 3>That's the beautiful thing about you, like you don't just

1:41:14.880 --> 1:41:18.720
<v Speaker 3>have features because people, you know, are looking to get

1:41:18.760 --> 1:41:19.600
<v Speaker 3>a check or looking to know.

1:41:19.720 --> 1:41:20.720
<v Speaker 2>People respect you.

1:41:21.280 --> 1:41:22.920
<v Speaker 4>That's what I'm saying. That's that's why I'm here.

1:41:23.439 --> 1:41:24.240
<v Speaker 1>It respect is you.

1:41:24.439 --> 1:41:26.000
<v Speaker 2>But love is loyal too.

1:41:26.120 --> 1:41:28.800
<v Speaker 3>Loved though right and to me love, love is loyalty and.

1:41:28.880 --> 1:41:29.400
<v Speaker 2>Love is Lord.

1:41:29.400 --> 1:41:32.120
<v Speaker 4>You're putting three together, you gotta. I'm trying to choose

1:41:32.200 --> 1:41:34.799
<v Speaker 4>love the Lord to you? Have you said loyalty and respect?

1:41:34.840 --> 1:41:36.000
<v Speaker 4>The love is something different.

1:41:36.160 --> 1:41:38.360
<v Speaker 1>You can't just add the love is loyalty in my

1:41:39.120 --> 1:41:39.920
<v Speaker 1>add another word.

1:41:40.720 --> 1:41:43.280
<v Speaker 3>I know he said loyalty, and say.

1:41:43.200 --> 1:41:47.080
<v Speaker 4>Love, loyalty and respect. Love he's added another word. You

1:41:47.120 --> 1:41:47.519
<v Speaker 4>can't do that.

1:41:48.040 --> 1:41:51.360
<v Speaker 3>I think love loyalty is the same, not not really,

1:41:51.439 --> 1:41:53.800
<v Speaker 3>not really someone can love you. Take a shot for

1:41:53.880 --> 1:41:54.280
<v Speaker 3>that anyway.

1:41:55.280 --> 1:41:57.559
<v Speaker 4>For me getting it wrong, You trying to add something

1:41:57.600 --> 1:41:58.719
<v Speaker 4>into the new contest.

1:41:58.760 --> 1:42:02.879
<v Speaker 1>This is love you I do you dirty? That's facts exactly.

1:42:04.400 --> 1:42:08.519
<v Speaker 1>We don't want you to say ship just playing. You've

1:42:08.520 --> 1:42:12.120
<v Speaker 1>been drinking from you deserve. Ain't no camera on you

1:42:12.200 --> 1:42:14.960
<v Speaker 1>or not. I ain't got no love for you. Bad

1:42:15.200 --> 1:42:15.720
<v Speaker 1>bad Huh.

1:42:17.960 --> 1:42:24.600
<v Speaker 2>Everyone's road is your you know this nigga drunk some

1:42:24.680 --> 1:42:25.920
<v Speaker 2>people might go on a dirt road.

1:42:26.000 --> 1:42:27.320
<v Speaker 4>Wait wait wait wait wait, you.

1:42:30.040 --> 1:42:31.280
<v Speaker 3>Know your role.

1:42:31.920 --> 1:42:33.639
<v Speaker 1>Everybody started off with loyalty.

1:42:33.880 --> 1:42:36.519
<v Speaker 2>Because you're still here too.

1:42:36.680 --> 1:42:41.439
<v Speaker 4>Respect And that's why I'm saying that exactly.

1:42:45.040 --> 1:42:46.320
<v Speaker 3>I don't understand what you takes.

1:42:47.240 --> 1:42:52.000
<v Speaker 7>I just told you you did not understand what inspect

1:42:52.400 --> 1:42:57.720
<v Speaker 7>comes first. He said like this, He said, like broad

1:42:59.080 --> 1:42:59.680
<v Speaker 7>you come back to me.

1:43:00.240 --> 1:43:01.759
<v Speaker 1>Well, let me tell you something, Eric Sherman.

1:43:03.240 --> 1:43:04.400
<v Speaker 2>It's just about giving people.

1:43:04.479 --> 1:43:06.800
<v Speaker 3>They flowers where they could smell them, they thought where

1:43:06.800 --> 1:43:07.280
<v Speaker 3>they could tell it.

1:43:07.360 --> 1:43:07.920
<v Speaker 2>We didn't get it.

1:43:08.160 --> 1:43:10.240
<v Speaker 3>They drink, get drinking, they thoughts when they could think

1:43:10.240 --> 1:43:13.200
<v Speaker 3>of them. And we need to give you your flying away.

1:43:16.479 --> 1:43:18.760
<v Speaker 1>We need to get you up. We wound up doing

1:43:18.800 --> 1:43:20.439
<v Speaker 1>this back then when the first time he came up.

1:43:20.880 --> 1:43:22.680
<v Speaker 1>The first time was hold on, let me say so.

1:43:22.800 --> 1:43:25.240
<v Speaker 4>Let me say so, y'all mad bows that was empty on.

1:43:27.240 --> 1:43:30.519
<v Speaker 4>We drank them because there was twenty sixteen though, y'all

1:43:30.600 --> 1:43:34.880
<v Speaker 4>in the hotel with a bootleg and the whole type

1:43:34.880 --> 1:43:35.160
<v Speaker 4>of ship.

1:43:36.400 --> 1:43:39.280
<v Speaker 2>It was different times. Man, Well, listen.

1:43:40.880 --> 1:43:42.759
<v Speaker 3>Ya dance.

1:43:45.800 --> 1:43:49.719
<v Speaker 2>We will figured that out. We figured it out exactly,

1:43:49.840 --> 1:43:51.799
<v Speaker 2>said this is right here is yeah, nope.

1:43:51.680 --> 1:43:53.880
<v Speaker 1>This is figuring it out. So so let me just

1:43:53.960 --> 1:43:57.960
<v Speaker 1>say something. They're real would this be if it wasn't

1:43:58.000 --> 1:43:58.680
<v Speaker 1>an E P M D.

1:43:59.760 --> 1:44:02.000
<v Speaker 3>They wouldn't be a component oriega, It wouldn't be a

1:44:02.040 --> 1:44:02.839
<v Speaker 3>component in oreega.

1:44:02.880 --> 1:44:04.360
<v Speaker 2>It wouldn't be a drink. Absolutely.

1:44:04.920 --> 1:44:08.400
<v Speaker 4>So did you watch the the fucking Ship with with

1:44:08.600 --> 1:44:12.920
<v Speaker 4>with Mark Wilbourne talking in the addition say it won't

1:44:12.960 --> 1:44:15.760
<v Speaker 4>be a Backstreet Boys or in sync. You got to say,

1:44:22.720 --> 1:44:26.639
<v Speaker 4>it's the truth. It's the truth, the evolution.

1:44:26.800 --> 1:44:28.640
<v Speaker 3>And we all got to the two men, to the

1:44:28.720 --> 1:44:31.840
<v Speaker 3>two man groups, from Smith and Wesson, to mob Deep

1:44:31.880 --> 1:44:33.519
<v Speaker 3>to m O P to.

1:44:33.800 --> 1:44:36.599
<v Speaker 1>All of us. We all owe it to y'all.

1:44:36.880 --> 1:44:38.360
<v Speaker 4>I appreciate that that two men.

1:44:39.240 --> 1:44:40.760
<v Speaker 2>And I know I always say this word wrong.

1:44:40.880 --> 1:44:41.480
<v Speaker 1>Camarerie.

1:44:42.960 --> 1:44:44.120
<v Speaker 2>That's the Spanish coming out of me.

1:44:44.800 --> 1:44:49.560
<v Speaker 1>Camarerie, camaraderie. You know what I mean? The Commodore's you

1:44:49.640 --> 1:44:50.800
<v Speaker 1>motherfucker's invented that.

1:44:51.200 --> 1:44:54.519
<v Speaker 4>Well, we robbed run DMC for it for it.

1:44:55.880 --> 1:44:58.640
<v Speaker 1>See the three people though, still so why y'all say that?

1:44:58.960 --> 1:45:01.719
<v Speaker 2>I understand that though, but too, but it's still two rappers.

1:45:02.080 --> 1:45:04.479
<v Speaker 4>They had a d J too, Yeah, but no, no,

1:45:04.560 --> 1:45:09.719
<v Speaker 4>no jams J is the two rappers back and forth.

1:45:10.040 --> 1:45:11.840
<v Speaker 4>We listen when you look at the E P M

1:45:11.880 --> 1:45:17.920
<v Speaker 4>D logo. Oh LEO, did that? Russell said, did this? Russell?

1:45:18.080 --> 1:45:20.840
<v Speaker 4>I said, E P D was E P E E

1:45:21.600 --> 1:45:25.680
<v Speaker 4>M D E E is long. Russell was like, do

1:45:25.800 --> 1:45:26.240
<v Speaker 4>it this way.

1:45:26.240 --> 1:45:28.600
<v Speaker 2>I said, Russell, you can't take your because the.

1:45:30.200 --> 1:45:33.600
<v Speaker 4>Red. You can't take run DMC's logo because all it

1:45:33.760 --> 1:45:36.479
<v Speaker 4>is is just chopped up line. Run DMC is.

1:45:36.479 --> 1:45:38.120
<v Speaker 3>Well, y'all had the same motherfucking logo.

1:45:38.600 --> 1:45:39.880
<v Speaker 1>Look at it now. I never.

1:45:41.280 --> 1:45:43.320
<v Speaker 4>And we told Russell. He said, don't take care, don'torry

1:45:43.320 --> 1:45:44.640
<v Speaker 4>about that. I take care of that.

1:45:53.160 --> 1:45:53.519
<v Speaker 2>Secret.

1:45:53.600 --> 1:45:54.479
<v Speaker 4>You look right at it.

1:45:55.640 --> 1:45:57.200
<v Speaker 2>Not a secret, not a secret.

1:45:57.760 --> 1:45:59.200
<v Speaker 1>But if you didn't know, you didn't know.

1:45:59.360 --> 1:46:01.479
<v Speaker 2>I know, I didn't know today. I mean I just

1:46:01.520 --> 1:46:02.479
<v Speaker 2>thought the death cham we.

1:46:02.560 --> 1:46:04.720
<v Speaker 4>Had different colors, and then they had the nerve to

1:46:04.760 --> 1:46:05.519
<v Speaker 4>put the red.

1:46:05.560 --> 1:46:06.720
<v Speaker 2>And the white like them on.

1:46:06.800 --> 1:46:11.200
<v Speaker 3>This one because these were the color right right, and

1:46:11.280 --> 1:46:19.000
<v Speaker 3>god damn it, it worked. And because of that from

1:46:19.280 --> 1:46:21.200
<v Speaker 3>if you're going to give it to run to you.

1:46:21.280 --> 1:46:25.280
<v Speaker 4>Guys that you guys, well the style, change rock him,

1:46:25.360 --> 1:46:28.120
<v Speaker 4>change the style. Then our new style came in. So

1:46:28.280 --> 1:46:30.800
<v Speaker 4>that's when we started doing the gun talking. So that's

1:46:30.840 --> 1:46:33.560
<v Speaker 4>where again the mob's coming. Mattha let me get a

1:46:33.560 --> 1:46:36.200
<v Speaker 4>plug real quick, because I called you though to you

1:46:36.840 --> 1:46:39.200
<v Speaker 4>you he was busy. I don't say that your why

1:46:39.439 --> 1:46:43.200
<v Speaker 4>on the projects not called okay two man's right. So

1:46:43.240 --> 1:46:48.519
<v Speaker 4>when you're bringing that up and you said less dynamic duels, right, you.

1:46:48.600 --> 1:46:50.640
<v Speaker 2>Did the whole album. Capon't even called me for that.

1:46:51.000 --> 1:46:54.639
<v Speaker 4>Dynamic duels is something that I did because the way

1:46:54.680 --> 1:46:57.840
<v Speaker 4>y'all did drink champs like okay, well, which I heard

1:46:57.880 --> 1:46:59.880
<v Speaker 4>the story I off is true that y'all did the

1:47:00.200 --> 1:47:02.840
<v Speaker 4>because to interview people like us.

1:47:05.680 --> 1:47:08.400
<v Speaker 2>So when COVID was going on, even.

1:47:08.200 --> 1:47:10.360
<v Speaker 4>Though they had the idea before, I was like, you

1:47:10.400 --> 1:47:13.320
<v Speaker 4>know what, I got to do this for hip hop

1:47:13.479 --> 1:47:17.040
<v Speaker 4>and for these for my colleagues who feel they can't

1:47:17.080 --> 1:47:19.960
<v Speaker 4>make records no more. Who told you to stop making records?

1:47:20.000 --> 1:47:22.880
<v Speaker 4>Like how you doing this? I'm like, fuck all that.

1:47:23.439 --> 1:47:27.800
<v Speaker 4>So I called the people you know, DM them. I

1:47:27.840 --> 1:47:31.160
<v Speaker 4>mean I ain't really called nobody, but I d M

1:47:31.320 --> 1:47:35.000
<v Speaker 4>them and I made records on them. So when I

1:47:35.120 --> 1:47:37.760
<v Speaker 4>have Run came to the studios, but the Run DMC

1:47:37.920 --> 1:47:40.960
<v Speaker 4>dynamic because they wasn't making no ship. Both of them

1:47:41.000 --> 1:47:45.599
<v Speaker 4>was this adamant it ain't happening. So then I made

1:47:45.880 --> 1:47:47.960
<v Speaker 4>I called storm Pepper because I didn't have no girls.

1:47:48.520 --> 1:47:50.320
<v Speaker 4>So that's why the sworn Pepper's on the now though two.

1:47:50.760 --> 1:47:55.120
<v Speaker 4>But on the album who you Have Pepper mab D

1:47:58.520 --> 1:48:02.519
<v Speaker 4>from Heaven No, probably I got vocals. I got you

1:48:02.600 --> 1:48:06.519
<v Speaker 4>got vocals, okay, Hell the Skelter he got vocals. Dog

1:48:06.640 --> 1:48:12.519
<v Speaker 4>Pound okay, m O p mm hmm brdan F not

1:48:12.680 --> 1:48:19.920
<v Speaker 4>cnn E P M D bum B and U g K.

1:48:20.040 --> 1:48:22.519
<v Speaker 4>But you can't say you gotta say bumb petureman pimp

1:48:22.600 --> 1:48:25.320
<v Speaker 4>c Okay, you have to say it leally. You can't

1:48:25.320 --> 1:48:28.720
<v Speaker 4>say U g K that some iss like some in

1:48:28.800 --> 1:48:36.760
<v Speaker 4>the medical So that's some ship, okay, right, Snoop Dogg

1:48:36.840 --> 1:48:42.920
<v Speaker 4>and Nate Dog okay. And Biggie Smalls and Biggie Biggie

1:48:42.920 --> 1:48:48.519
<v Speaker 4>Smells and Biggie Yes. And when you hear yeah, I know.

1:48:50.680 --> 1:48:52.320
<v Speaker 2>What is Biggs and Biggie.

1:48:52.520 --> 1:48:54.320
<v Speaker 1>Early, Biggie Smalls is in notorious.

1:48:54.560 --> 1:48:56.680
<v Speaker 4>All of it is early, but it's not something that

1:48:56.920 --> 1:49:00.800
<v Speaker 4>was like vaguely familiar. And the way that I did it,

1:49:00.920 --> 1:49:02.840
<v Speaker 4>it's fucked up because a I came out right, so

1:49:03.240 --> 1:49:06.120
<v Speaker 4>people ain't gonna look at me and be like yo, nah, Eric,

1:49:06.280 --> 1:49:09.160
<v Speaker 4>but no, it's me This is how I made it

1:49:09.520 --> 1:49:12.200
<v Speaker 4>if I the biggest small than Tupac was together. This

1:49:12.280 --> 1:49:14.640
<v Speaker 4>is how we hit them together rocking. So I was

1:49:14.920 --> 1:49:17.200
<v Speaker 4>doing my ship to make it seem like they was together.

1:49:17.560 --> 1:49:19.439
<v Speaker 4>How I said with me and Marvin was like I

1:49:19.600 --> 1:49:21.439
<v Speaker 4>was answering back and forth with him like he was

1:49:21.520 --> 1:49:23.519
<v Speaker 4>with me. I made a song like that too, to

1:49:23.640 --> 1:49:25.839
<v Speaker 4>make it seem like those two were together.

1:49:26.560 --> 1:49:27.280
<v Speaker 2>Which two.

1:49:29.120 --> 1:49:34.040
<v Speaker 4>The biggest moll in PC. You didn't say that, he said, big?

1:49:34.439 --> 1:49:34.920
<v Speaker 4>Oh yeah I did.

1:49:35.840 --> 1:49:37.680
<v Speaker 2>Yeah, And you know there was that guy that suited him.

1:49:37.680 --> 1:49:40.160
<v Speaker 2>That's why he changed biggie small. That's what you meant.

1:49:45.520 --> 1:49:48.840
<v Speaker 4>Yo, I said, biggest, small than bigger. You're looking at

1:49:48.920 --> 1:50:00.080
<v Speaker 4>my confusion. I said, I'm like, no, that's all, and

1:50:00.120 --> 1:50:04.280
<v Speaker 4>you got clearance. Well, I guess Puppy cleared his quicker.

1:50:04.680 --> 1:50:07.040
<v Speaker 4>The two pacing stage is kind of again. They're taking

1:50:07.080 --> 1:50:10.080
<v Speaker 4>a long time, but nobody said no so to me

1:50:11.360 --> 1:50:11.800
<v Speaker 4>to let go.

1:50:12.640 --> 1:50:15.240
<v Speaker 3>I don't think anybody's gonna tell you no. You know,

1:50:16.240 --> 1:50:18.200
<v Speaker 3>I think that's you're one of those let me get

1:50:18.200 --> 1:50:20.200
<v Speaker 3>your flowers. Please don't cut me off because you don't

1:50:20.320 --> 1:50:24.720
<v Speaker 3>guess to be coming. He deserves to. No, no, no, no,

1:50:24.840 --> 1:50:30.240
<v Speaker 3>it's cool. You are one of those people that no

1:50:30.360 --> 1:50:32.280
<v Speaker 3>one can actually say no no.

1:50:32.320 --> 1:50:33.280
<v Speaker 4>It says that all the time.

1:50:33.680 --> 1:50:34.519
<v Speaker 1>I'm just being honest.

1:50:34.600 --> 1:50:39.560
<v Speaker 3>You you, your genuineness, your humbleness and your realness and

1:50:39.680 --> 1:50:43.599
<v Speaker 3>his legacy. I'm not even the legacy is like number seven,

1:50:44.120 --> 1:50:46.880
<v Speaker 3>but the realness and how you you you are as

1:50:46.960 --> 1:50:49.920
<v Speaker 3>a person. I don't think there's anybody on this earth.

1:50:50.000 --> 1:50:53.560
<v Speaker 3>There's certain people who have that you. I see it.

1:50:53.640 --> 1:50:55.600
<v Speaker 3>In fact, Joe I can't tell Fat Joe no, and

1:50:55.680 --> 1:50:57.519
<v Speaker 3>I can't tell DJ Collin no, even though I be

1:50:57.640 --> 1:51:03.280
<v Speaker 3>knowing it's wrong, I'd be like, damn, I don't know

1:51:04.000 --> 1:51:05.200
<v Speaker 3>Colin asked me to do anything.

1:51:05.200 --> 1:51:06.600
<v Speaker 1>I'm like, what the I do it?

1:51:06.960 --> 1:51:09.760
<v Speaker 3>I'm like, I don't know why where like?

1:51:09.960 --> 1:51:12.080
<v Speaker 1>But but it's real.

1:51:12.200 --> 1:51:16.920
<v Speaker 4>It's so crazy because now realness ship, it's the.

1:51:16.960 --> 1:51:19.600
<v Speaker 3>Realness who you are. It's the humbleness and like you

1:51:20.200 --> 1:51:23.479
<v Speaker 3>just all said, the legacy. You're a super super legend.

1:51:23.479 --> 1:51:27.600
<v Speaker 3>You're an icon. And I don't think there's anybody on

1:51:27.680 --> 1:51:31.200
<v Speaker 3>this planet that, if you call yourself, is going to

1:51:31.280 --> 1:51:32.160
<v Speaker 3>say no to you.

1:51:32.320 --> 1:51:34.600
<v Speaker 4>Why you say that, because now he gonna look like

1:51:34.720 --> 1:51:36.040
<v Speaker 4>he's a fucking genius.

1:51:36.160 --> 1:51:41.400
<v Speaker 2>He is a genius. You're honest with you, man.

1:51:41.479 --> 1:51:43.000
<v Speaker 4>But how do you know that that's not something that

1:51:43.080 --> 1:51:45.639
<v Speaker 4>you wouldn't I can see him saying, but you're saying

1:51:45.720 --> 1:51:46.040
<v Speaker 4>that too.

1:51:46.280 --> 1:51:48.639
<v Speaker 2>I don't listen, man, I don't know no other ways.

1:51:48.640 --> 1:51:49.960
<v Speaker 2>You're never going to see that in yourself.

1:51:50.479 --> 1:51:52.640
<v Speaker 4>That's right about that. And my mother used to be

1:51:52.920 --> 1:51:56.320
<v Speaker 4>so upset, like, yo, what's wrong with you? Because I'd

1:51:56.320 --> 1:51:57.960
<v Speaker 4>be like, I guess what I saw last night? He

1:51:58.040 --> 1:52:01.320
<v Speaker 4>was like, so, like, you know again, but this is

1:52:01.439 --> 1:52:04.200
<v Speaker 4>just me. I just I know that the humblest I'm

1:52:04.240 --> 1:52:07.200
<v Speaker 4>humble to a fault. So that's why I mean, like,

1:52:07.360 --> 1:52:08.920
<v Speaker 4>I really can't say it's the position that I'm in.

1:52:09.280 --> 1:52:13.040
<v Speaker 4>I never was able to even though I got the status,

1:52:13.160 --> 1:52:17.679
<v Speaker 4>I never was able to get to you know that part.

1:52:18.200 --> 1:52:20.479
<v Speaker 1>But it's the long game, and you are reaching that part.

1:52:21.520 --> 1:52:21.720
<v Speaker 3>Yeah.

1:52:21.840 --> 1:52:23.719
<v Speaker 1>Maybe the people that you at one point saw.

1:52:23.760 --> 1:52:25.679
<v Speaker 2>That part, they're not here anymore.

1:52:25.720 --> 1:52:28.280
<v Speaker 4>And that's the part that's that's that I'm gonna go

1:52:28.400 --> 1:52:30.840
<v Speaker 4>on that as far as still being here after thirty

1:52:30.880 --> 1:52:32.519
<v Speaker 4>six years, to be able to still be.

1:52:36.080 --> 1:52:37.760
<v Speaker 2>And then to be able to say, okay, you know

1:52:37.840 --> 1:52:40.040
<v Speaker 2>what a I went.

1:52:39.920 --> 1:52:42.120
<v Speaker 4>To a party doing the Grammys, and I went to

1:52:42.240 --> 1:52:44.880
<v Speaker 4>the warning party because I'm on Warner right and I

1:52:44.960 --> 1:52:46.800
<v Speaker 4>walked in there. I was feign because it was all

1:52:46.920 --> 1:52:50.160
<v Speaker 4>young people and I'm the old head in there, you know.

1:52:51.320 --> 1:52:58.040
<v Speaker 4>But I'm like, I'm here with a project getting ready

1:52:58.080 --> 1:53:02.479
<v Speaker 4>to come out in them like three hundred with all

1:53:02.560 --> 1:53:05.439
<v Speaker 4>that shit they got over there, and and I'm over

1:53:05.439 --> 1:53:06.840
<v Speaker 4>there getting ready to come out. So it kind of

1:53:06.880 --> 1:53:09.760
<v Speaker 4>bugged me out a little bit that how the fuck

1:53:09.800 --> 1:53:13.720
<v Speaker 4>I'm doing this this long and still be able to

1:53:13.880 --> 1:53:17.560
<v Speaker 4>And then like like I gotta I got announcement. I

1:53:17.600 --> 1:53:20.160
<v Speaker 4>can't make it right now though too. But about the

1:53:20.280 --> 1:53:24.360
<v Speaker 4>about the shock the world because because because my label

1:53:25.400 --> 1:53:28.759
<v Speaker 4>is going to be with somebody who did this before,

1:53:30.000 --> 1:53:35.479
<v Speaker 4>and we are getting ready to make another impact. You know,

1:53:35.560 --> 1:53:40.559
<v Speaker 4>as far as this, somebody's missing the boat with talent.

1:53:41.920 --> 1:53:45.080
<v Speaker 4>When we signed Nori, we knew he had ten years.

1:53:46.320 --> 1:53:49.640
<v Speaker 4>We're not signing that. Now we signing what's popular. So

1:53:49.840 --> 1:53:52.000
<v Speaker 4>now you see why the music business is not doing

1:53:52.080 --> 1:53:54.080
<v Speaker 4>so well. Seeing why you see the mirage of what

1:53:54.200 --> 1:53:57.800
<v Speaker 4>you think is doing well. Nobody's signing no talent. And

1:53:57.880 --> 1:54:01.759
<v Speaker 4>I'm not saying that these everybody that's out it's not talented,

1:54:02.840 --> 1:54:08.240
<v Speaker 4>but the talented people that don't have to worry about you.

1:54:08.400 --> 1:54:12.160
<v Speaker 4>Was there, no you hosted this ship. Leo was like,

1:54:12.280 --> 1:54:14.920
<v Speaker 4>fuck the algorithm, f the fucking likes. You come in

1:54:14.960 --> 1:54:17.599
<v Speaker 4>front of me with this bullshit, smeaging shit, all this ship,

1:54:17.840 --> 1:54:21.760
<v Speaker 4>It don't matter. He told every major person in there,

1:54:22.280 --> 1:54:26.400
<v Speaker 4>sign some fucking talent. All right, he did so, So

1:54:26.560 --> 1:54:30.080
<v Speaker 4>this is where we're at at this particular moment. Can

1:54:30.120 --> 1:54:33.200
<v Speaker 4>you rap nigga save says some bars? Okay, now rhyme

1:54:33.480 --> 1:54:35.920
<v Speaker 4>regular but not behind that record? Okay?

1:54:35.960 --> 1:54:39.080
<v Speaker 2>Can you sing sing regular? Sing sing now?

1:54:39.080 --> 1:54:43.680
<v Speaker 1>A lovedes in the computer as far as talented people,

1:54:44.120 --> 1:54:47.720
<v Speaker 1>and that's what somebody just said that the major label killed.

1:54:47.520 --> 1:54:51.600
<v Speaker 2>The superstar damn used to be the radio kill.

1:54:52.200 --> 1:54:54.800
<v Speaker 4>So we don't have that. So where is the fifty?

1:54:54.880 --> 1:54:57.560
<v Speaker 4>Where's the where's fucking all these people that you see

1:54:57.600 --> 1:54:59.960
<v Speaker 4>that came out every five years? That was youmongous? Where

1:55:00.080 --> 1:55:01.600
<v Speaker 4>where's them? Where's the snoop?

1:55:01.600 --> 1:55:01.760
<v Speaker 1>Where?

1:55:01.800 --> 1:55:04.640
<v Speaker 4>Where are they? We got the same people circling like.

1:55:04.720 --> 1:55:05.960
<v Speaker 2>This and they're there though.

1:55:06.600 --> 1:55:09.040
<v Speaker 1>There's droves of talent, but nobody, nobody doing that.

1:55:09.120 --> 1:55:12.320
<v Speaker 4>That's what Leo was saying. He told the people know

1:55:12.840 --> 1:55:16.360
<v Speaker 4>they said, he said, sign some fucking talent and for

1:55:16.440 --> 1:55:19.240
<v Speaker 4>the only labels. He said, Look at hip hop did

1:55:19.360 --> 1:55:22.240
<v Speaker 4>made on y'all motherfucking millionaires. Leo was wild on that day.

1:55:22.520 --> 1:55:24.680
<v Speaker 4>Oh y'all sitting down there. Hip hop did this for

1:55:24.840 --> 1:55:28.720
<v Speaker 4>y'all very well. So that's what I'm saying. I got

1:55:28.800 --> 1:55:31.680
<v Speaker 4>that part. Damn, I forgot that far. Yeah, you were

1:55:31.680 --> 1:55:33.880
<v Speaker 4>talking about that ship because because the only way he

1:55:33.920 --> 1:55:35.040
<v Speaker 4>don't call him don't fuck with him.

1:55:39.280 --> 1:55:39.879
<v Speaker 1>That dame.

1:55:44.040 --> 1:55:47.280
<v Speaker 3>Me because I was like branking the crowd and ship.

1:55:47.560 --> 1:55:50.320
<v Speaker 3>Jay didn't want to be pranked, and I did not

1:55:50.440 --> 1:55:52.840
<v Speaker 3>break him either, but they told him to do it.

1:55:55.680 --> 1:55:56.840
<v Speaker 1>Break everyone around.

1:55:56.600 --> 1:55:59.920
<v Speaker 4>Him, but not that table was crazy though, Swiss Beads,

1:56:00.400 --> 1:56:03.160
<v Speaker 4>Jermaine Duprex, Jay and and Puppy.

1:56:03.960 --> 1:56:05.480
<v Speaker 3>Yeah, it was wrong.

1:56:06.200 --> 1:56:08.200
<v Speaker 2>Are you following what's happening with Wendy Williams?

1:56:10.360 --> 1:56:11.360
<v Speaker 4>Yeah, of course I watched it.

1:56:12.120 --> 1:56:15.240
<v Speaker 2>You know what, what the what are they putting cameras

1:56:15.240 --> 1:56:15.720
<v Speaker 2>in her face?

1:56:17.360 --> 1:56:22.520
<v Speaker 8>She did a series, No nor that ship was supposed

1:56:22.560 --> 1:56:26.720
<v Speaker 8>to be her reintroduction, like she was saying about coming

1:56:26.800 --> 1:56:29.160
<v Speaker 8>back to TV, and then it went left.

1:56:29.280 --> 1:56:29.920
<v Speaker 1>That's what happened.

1:56:29.920 --> 1:56:32.200
<v Speaker 2>And then in that natural thing that.

1:56:32.280 --> 1:56:37.080
<v Speaker 4>Was there right, well, she wasn't suposed to shoot that right,

1:56:37.880 --> 1:56:41.440
<v Speaker 4>but somebody signed, shouldn't I think that to me, like

1:56:41.800 --> 1:56:46.240
<v Speaker 4>that dude that was talking, I think that they got paid. Wow,

1:56:47.000 --> 1:56:49.200
<v Speaker 4>you know because again she wasn't supposed to be seen.

1:56:49.680 --> 1:56:50.680
<v Speaker 4>That wasn't supposed to be seen.

1:56:51.080 --> 1:56:54.400
<v Speaker 2>Do you think that's karma coming back because annoy wanted

1:56:54.400 --> 1:56:55.040
<v Speaker 2>to be aggressive?

1:56:56.120 --> 1:56:59.200
<v Speaker 4>I'm asking, like you think so because that question you

1:56:59.240 --> 1:57:02.080
<v Speaker 4>already answered that that's what that's what everybody else is

1:57:02.120 --> 1:57:05.480
<v Speaker 4>saying that too, too, like but people do it, you know.

1:57:05.600 --> 1:57:08.520
<v Speaker 4>But again, when you had that magnitude and that all that,

1:57:09.040 --> 1:57:13.320
<v Speaker 4>what are you doing? Oh for you to take home?

1:57:13.720 --> 1:57:21.640
<v Speaker 3>Yeah? Real, and that ship has because I didn't I

1:57:21.720 --> 1:57:24.360
<v Speaker 3>didn't think when these people would let that go down.

1:57:25.200 --> 1:57:28.680
<v Speaker 1>Who's the people's I don't know, but I'm just them

1:57:28.800 --> 1:57:30.080
<v Speaker 1>that that was people.

1:57:29.920 --> 1:57:32.680
<v Speaker 4>That know, not not the family fam. You're right, You're right, nobody.

1:57:33.280 --> 1:57:33.840
<v Speaker 2>I didn't think that.

1:57:34.160 --> 1:57:37.280
<v Speaker 4>That's why you got to be like, yo, who benefited?

1:57:38.640 --> 1:57:40.640
<v Speaker 4>And you said, I think it's like the manager and

1:57:40.800 --> 1:57:44.200
<v Speaker 4>that guy that was you know, to me, did they

1:57:44.320 --> 1:57:44.960
<v Speaker 4>kept showing them?

1:57:46.200 --> 1:57:46.360
<v Speaker 6>You know?

1:57:47.440 --> 1:57:47.680
<v Speaker 4>Yeah?

1:57:47.960 --> 1:57:51.160
<v Speaker 2>You said the karma karma is the motherfucker though, man.

1:57:51.160 --> 1:57:54.520
<v Speaker 3>I mean because he made a living putting people in

1:57:54.640 --> 1:57:57.960
<v Speaker 3>the vulnerable positions, and now it's like she's going out

1:57:58.760 --> 1:58:01.360
<v Speaker 3>at that same vulnerable visit position that she tried to

1:58:01.400 --> 1:58:01.880
<v Speaker 3>like put.

1:58:01.800 --> 1:58:02.480
<v Speaker 2>Everyone else on.

1:58:02.600 --> 1:58:06.360
<v Speaker 3>And I'm like, I'm just I'm just curious, because I mean,

1:58:07.440 --> 1:58:09.120
<v Speaker 3>she's the queen of black media.

1:58:10.520 --> 1:58:12.600
<v Speaker 4>That's one thing you can't take from it. After Oprah Rumphrey,

1:58:12.680 --> 1:58:14.600
<v Speaker 4>that was it was her. I didn't know how big

1:58:14.640 --> 1:58:17.240
<v Speaker 4>she wasn't even that all those years she was on Like,

1:58:17.360 --> 1:58:18.960
<v Speaker 4>I'm like, god, damn, she was that crazy.

1:58:19.040 --> 1:58:20.840
<v Speaker 3>She was big like that, Like I remember at one

1:58:20.880 --> 1:58:24.520
<v Speaker 3>point I wish she dissed me like sweater, yeah, because

1:58:24.560 --> 1:58:28.480
<v Speaker 3>it was like you you like got somewhere if she

1:58:28.600 --> 1:58:29.160
<v Speaker 3>had beef with.

1:58:29.200 --> 1:58:32.240
<v Speaker 4>You, like and if you see, what does this say

1:58:32.280 --> 1:58:34.240
<v Speaker 4>about somebody not saying your name recently?

1:58:34.400 --> 1:58:37.280
<v Speaker 2>Of Tupac, I always wish, yes.

1:58:37.240 --> 1:58:40.120
<v Speaker 1>I wanted to want to be kind of did this you,

1:58:40.200 --> 1:58:44.000
<v Speaker 1>but he just didn't say your name when he did

1:58:44.080 --> 1:58:44.320
<v Speaker 1>see it.

1:58:44.440 --> 1:58:47.360
<v Speaker 3>When he did mob Deep, he said, and those other motherfuckers.

1:58:48.920 --> 1:58:52.520
<v Speaker 4>Okay, right, okay, remember.

1:58:54.480 --> 1:58:54.800
<v Speaker 1>What you.

1:58:57.080 --> 1:59:01.560
<v Speaker 2>He was talking about? Because because I was, I never

1:59:01.600 --> 1:59:03.360
<v Speaker 2>even peeked that when he said the motherucker.

1:59:03.760 --> 1:59:04.880
<v Speaker 4>I gotta go back to out.

1:59:05.320 --> 1:59:06.440
<v Speaker 1>Because it never came out of fish.

1:59:06.560 --> 1:59:07.560
<v Speaker 2>It was those those mixtapes.

1:59:08.560 --> 1:59:10.760
<v Speaker 1>Yeah, yeah, yeah, that was that was hilarious.

1:59:10.960 --> 1:59:12.520
<v Speaker 4>He said, I wish he said my name.

1:59:12.560 --> 1:59:13.960
<v Speaker 2>I would have been ill. I would have been.

1:59:16.240 --> 1:59:20.920
<v Speaker 3>I mean, you know, Tyler said this and a funny

1:59:20.960 --> 1:59:23.680
<v Speaker 3>way to us on our show, and he said, even

1:59:23.720 --> 1:59:27.360
<v Speaker 3>when Kanye West diss you, he picked you up because

1:59:27.400 --> 1:59:29.440
<v Speaker 3>if he diss you, it's like you have a new

1:59:29.560 --> 1:59:32.080
<v Speaker 3>single out, everyone wants.

1:59:31.960 --> 1:59:35.200
<v Speaker 1>To talk to you. And I, oh, no, that, Like,

1:59:35.440 --> 1:59:37.480
<v Speaker 1>what what did I thought about it? He was like,

1:59:38.040 --> 1:59:40.920
<v Speaker 1>I got fifteen interviews over the drink chat and I

1:59:41.040 --> 1:59:41.400
<v Speaker 1>was just like.

1:59:41.440 --> 1:59:45.480
<v Speaker 4>What, You're right, but the certain way say it like

1:59:45.600 --> 1:59:47.920
<v Speaker 4>that the two parts you write about that because if

1:59:47.960 --> 1:59:51.840
<v Speaker 4>your name, that means everybody heard it. Anybody who's normy.

1:59:51.920 --> 1:59:55.960
<v Speaker 1>Right, remember Tino Excel, like who was? Yeah?

1:59:56.120 --> 2:00:00.800
<v Speaker 3>But I remember everyone inquiring about Gino Excel because Tupac

2:00:00.960 --> 2:00:03.480
<v Speaker 3>disst them, and Tupac was like show and you know

2:00:03.560 --> 2:00:07.080
<v Speaker 3>it's like Xcel fuck you too, who fucks you know ourselves?

2:00:07.240 --> 2:00:09.040
<v Speaker 3>And everybody went and I don't know if she and

2:00:09.200 --> 2:00:14.240
<v Speaker 3>Xcel nigga for a week and I love but I

2:00:14.360 --> 2:00:17.040
<v Speaker 3>remember people who didn't know about hip hop was like

2:00:17.720 --> 2:00:20.440
<v Speaker 3>Google was at that time, it wasn't Google back then.

2:00:20.560 --> 2:00:21.640
<v Speaker 1>Whatever Google wasn't the time.

2:00:21.680 --> 2:00:23.640
<v Speaker 2>It was like, yeah, but it doesn't.

2:00:23.360 --> 2:00:25.320
<v Speaker 1>Always end that well, so we got to be honest

2:00:25.320 --> 2:00:27.440
<v Speaker 1>about that point. It doesn't always. Yes, it's true.

2:00:27.920 --> 2:00:31.440
<v Speaker 4>In sidebar, I got the runs. You know what I was.

2:00:32.200 --> 2:00:36.360
<v Speaker 4>I was shipping from six o'clock to like eight thirty. Seriously,

2:00:36.400 --> 2:00:38.960
<v Speaker 4>this is crazy, and I got the bummer gus now

2:00:40.120 --> 2:00:42.120
<v Speaker 4>all another I got to b g and I don't

2:00:42.160 --> 2:00:45.480
<v Speaker 4>know what what part that would get up because you

2:00:45.520 --> 2:00:48.640
<v Speaker 4>went up whatever, I know, but my other ship is

2:00:48.680 --> 2:00:50.240
<v Speaker 4>coming here trying to put it on me was like,

2:00:50.280 --> 2:00:50.920
<v Speaker 4>you gotta take.

2:00:52.320 --> 2:00:54.280
<v Speaker 2>I was just letting I know this avoided because.

2:00:54.160 --> 2:00:54.480
<v Speaker 1>You want to.

2:00:56.400 --> 2:00:58.800
<v Speaker 4>K got a great victice like, no, I get it.

2:00:58.960 --> 2:01:02.280
<v Speaker 4>I'm not scared to do that shop in public. I'm

2:01:02.320 --> 2:01:06.400
<v Speaker 4>not saying the bag that I was since six thirty

2:01:07.440 --> 2:01:09.200
<v Speaker 4>and I figured that, you know what, damn, I get

2:01:09.240 --> 2:01:14.240
<v Speaker 4>to drink Champs and Champs. What happened was that I

2:01:14.320 --> 2:01:17.360
<v Speaker 4>hate some watermelon and because if you eat something else

2:01:18.800 --> 2:01:20.840
<v Speaker 4>is come and you gotta be careful. You got to

2:01:20.880 --> 2:01:21.360
<v Speaker 4>be careful with.

2:01:21.400 --> 2:01:23.080
<v Speaker 2>That before you go to the back of Actally, just

2:01:23.160 --> 2:01:23.480
<v Speaker 2>one question.

2:01:23.600 --> 2:01:24.400
<v Speaker 4>I'm not going to go right now.

2:01:24.440 --> 2:01:25.560
<v Speaker 3>But business.

2:01:26.160 --> 2:01:27.880
<v Speaker 2>I got to say a second too. It could be.

2:01:29.400 --> 2:01:32.160
<v Speaker 3>We don't want to record hostile. There's always been that part.

2:01:32.480 --> 2:01:36.920
<v Speaker 3>He's I got a right to be hostile, right, Who

2:01:37.000 --> 2:01:37.600
<v Speaker 3>the fuck was that?

2:01:37.680 --> 2:01:42.600
<v Speaker 4>That's from the public Enemy album at play? But somebody

2:01:42.680 --> 2:01:46.480
<v Speaker 4>from that that's on that lawn. No, that's from the

2:01:46.520 --> 2:01:51.160
<v Speaker 4>public Y albums right when it comes on from from

2:01:51.240 --> 2:01:53.160
<v Speaker 4>Taking Taking? What's that?

2:01:55.160 --> 2:01:55.400
<v Speaker 3>Damn?

2:01:55.600 --> 2:01:57.680
<v Speaker 4>It's not without a pause. It's one of them records

2:01:57.800 --> 2:02:02.680
<v Speaker 4>before that. I got it from there, not mar Lauren. No,

2:02:03.040 --> 2:02:08.560
<v Speaker 4>not Flavor you know Flavors boys, you would I thought

2:02:08.600 --> 2:02:13.720
<v Speaker 4>it could have been could have been Grie right, yeah,

2:02:13.920 --> 2:02:16.080
<v Speaker 4>I wasn't fall Who was.

2:02:16.200 --> 2:02:20.320
<v Speaker 1>Who was your biggest influence in hip hop before you.

2:02:20.400 --> 2:02:21.560
<v Speaker 3>Got on run?

2:02:23.080 --> 2:02:25.040
<v Speaker 2>And then the number one number.

2:02:24.800 --> 2:02:26.600
<v Speaker 4>One and the niggas and the niggas around the way,

2:02:26.800 --> 2:02:29.240
<v Speaker 4>like from the Nigga on the way, Yeah, some dude

2:02:29.320 --> 2:02:33.240
<v Speaker 4>named Burgermeister and some dude named Amazing these guys. Was

2:02:33.600 --> 2:02:35.240
<v Speaker 4>was the one that was in the neighborhood. But this

2:02:35.360 --> 2:02:36.600
<v Speaker 4>kid named Frankie.

2:02:37.800 --> 2:02:40.760
<v Speaker 2>It was done Ellen. I remember these.

2:02:40.640 --> 2:02:42.520
<v Speaker 4>People, man, like when when I'm coming back with my names,

2:02:42.720 --> 2:02:43.280
<v Speaker 4>these guys.

2:02:43.240 --> 2:02:44.920
<v Speaker 2>Was somebody's special, you know.

2:02:45.360 --> 2:02:45.480
<v Speaker 1>Uh.

2:02:46.160 --> 2:02:46.600
<v Speaker 2>One c.

2:02:48.400 --> 2:02:54.360
<v Speaker 4>H my boy Patrick, Like, this is where I was

2:02:54.440 --> 2:02:57.680
<v Speaker 4>able to get my ship from from the neighborhood. First,

2:02:58.200 --> 2:03:01.200
<v Speaker 4>before Rappers of Light came out, like he writes the

2:03:01.280 --> 2:03:05.000
<v Speaker 4>music right, rappers like came out and turned my whole

2:03:05.000 --> 2:03:05.560
<v Speaker 4>ship around.

2:03:05.680 --> 2:03:08.840
<v Speaker 2>But before that, it was these niggas, you know, just

2:03:08.920 --> 2:03:10.000
<v Speaker 2>around the way to fit right.

2:03:10.240 --> 2:03:10.600
<v Speaker 3>M hm.

2:03:11.520 --> 2:03:13.120
<v Speaker 2>Did you ever think hip hop and make it this far?

2:03:14.440 --> 2:03:15.160
<v Speaker 2>I know it's a cliche.

2:03:15.560 --> 2:03:20.400
<v Speaker 4>Yeah, you sound like the record. Listen, all I want

2:03:20.440 --> 2:03:22.400
<v Speaker 4>to do is go on the radio, so nothing else

2:03:22.440 --> 2:03:25.040
<v Speaker 4>really matter. Nobody don't think about that. That's crazy a

2:03:25.120 --> 2:03:26.040
<v Speaker 4>song called crossover.

2:03:26.800 --> 2:03:27.800
<v Speaker 2>No, this is before that.

2:03:29.120 --> 2:03:30.960
<v Speaker 4>When you first start, you don't care about the That's

2:03:30.960 --> 2:03:33.720
<v Speaker 4>why seventh thing didn't matter. I got some feet that

2:03:33.760 --> 2:03:36.080
<v Speaker 4>I went to Marshalls and went to King Collen. I

2:03:36.160 --> 2:03:37.880
<v Speaker 4>got groceries from my moms and went to Marshals.

2:03:37.880 --> 2:03:44.480
<v Speaker 2>And you can get your best gear at Marshall's. See

2:03:44.560 --> 2:03:45.720
<v Speaker 2>that's that's Queen's.

2:03:46.040 --> 2:03:48.600
<v Speaker 4>You know. Nig tried to get me your left back mall.

2:03:48.960 --> 2:03:52.320
<v Speaker 2>Oh queens and them all, Yeah, what happened, yo?

2:03:52.480 --> 2:03:53.920
<v Speaker 4>Niggas tried to get me. I went to go see

2:03:53.960 --> 2:03:56.560
<v Speaker 4>this this chick. They try to rob you and She's like, Yo,

2:03:56.800 --> 2:03:58.320
<v Speaker 4>you gotta leave them all. I said, what say, niggas

2:03:58.320 --> 2:03:59.200
<v Speaker 4>gonna be just trying to get you.

2:04:00.040 --> 2:04:00.200
<v Speaker 3>Damn.

2:04:00.440 --> 2:04:05.520
<v Speaker 4>That's why queens like that, like not like that, na

2:04:05.880 --> 2:04:07.880
<v Speaker 4>far as me. Like when I was when I was

2:04:07.960 --> 2:04:12.200
<v Speaker 4>doing my rounds, it was mostly Brooklyn, Manhattan and the Bronx.

2:04:12.840 --> 2:04:14.440
<v Speaker 4>But since that shit happened to me, nigga tried to

2:04:14.440 --> 2:04:15.800
<v Speaker 4>get me going back there.

2:04:17.280 --> 2:04:20.040
<v Speaker 2>Jesus Man left Racklet's make.

2:04:22.440 --> 2:04:25.160
<v Speaker 4>Because crazy because when you get off right from the

2:04:25.360 --> 2:04:28.840
<v Speaker 4>l A, you go down there whatever whatever, and I'm like,

2:04:29.040 --> 2:04:30.600
<v Speaker 4>the girls said you got to get out of here.

2:04:31.000 --> 2:04:31.920
<v Speaker 4>I'm like, what do you mean?

2:04:32.440 --> 2:04:33.200
<v Speaker 2>Did they come to get you?

2:04:33.360 --> 2:04:36.800
<v Speaker 3>The malls gentified now? Yeah, the malls gentified now yeah,

2:04:37.280 --> 2:04:43.440
<v Speaker 3>it wasn't. Just So, what is your favorite part of

2:04:43.480 --> 2:04:45.840
<v Speaker 3>the game? Is it making the record or performing the record?

2:04:46.520 --> 2:04:47.000
<v Speaker 3>What do you mean?

2:04:47.800 --> 2:04:50.360
<v Speaker 2>Like is it you you put in the studio? Like

2:04:51.640 --> 2:04:52.720
<v Speaker 2>making the songs is better?

2:04:52.920 --> 2:04:53.040
<v Speaker 3>You know?

2:04:53.800 --> 2:04:53.960
<v Speaker 1>Yeah?

2:04:54.000 --> 2:04:57.160
<v Speaker 4>Yeah, I mean, like I said, for I I enjoy

2:04:57.880 --> 2:05:00.960
<v Speaker 4>hearing what this record sounds like when when I'm producing

2:05:01.400 --> 2:05:04.520
<v Speaker 4>an artist. So you know, making those Redman records is fun.

2:05:04.960 --> 2:05:07.680
<v Speaker 4>Making Meth records was fun. Making Keep Merry Records fun

2:05:07.880 --> 2:05:10.320
<v Speaker 4>making EPM D Ship was fun though, too, But they

2:05:10.360 --> 2:05:12.560
<v Speaker 4>don't forget I you know, I don't. Did you know

2:05:12.800 --> 2:05:17.040
<v Speaker 4>the jay Z's the fucking the scarfaces, you know, having

2:05:17.120 --> 2:05:19.720
<v Speaker 4>four three two one and having these type of stuff,

2:05:19.760 --> 2:05:22.080
<v Speaker 4>you know, these records that's out there was fun.

2:05:22.280 --> 2:05:22.440
<v Speaker 8>You know.

2:05:23.000 --> 2:05:26.040
<v Speaker 4>Doing R and B was fun. You know, I did

2:05:26.160 --> 2:05:27.920
<v Speaker 4>much R and B and I did hip hop music.

2:05:28.360 --> 2:05:30.520
<v Speaker 4>But don't you know, you don't people don't see me

2:05:30.600 --> 2:05:32.320
<v Speaker 4>and be like, oh, yeah, I did the Angelo, I

2:05:32.400 --> 2:05:35.880
<v Speaker 4>did Chicle, the Barge, I did these people. You know,

2:05:35.960 --> 2:05:38.800
<v Speaker 4>you look at all these groups that people it's like,

2:05:39.080 --> 2:05:41.560
<v Speaker 4>wa have to say, google me. But at the end

2:05:41.600 --> 2:05:43.040
<v Speaker 4>of the day, it's like you could say that you

2:05:43.200 --> 2:05:46.280
<v Speaker 4>did this, but like like know you're saying, I can't

2:05:46.320 --> 2:05:49.440
<v Speaker 4>say it a nigga. You ain't me, right, Like the

2:05:49.560 --> 2:05:51.320
<v Speaker 4>niggas ain't me this. Niggas ain't do what I did

2:05:51.840 --> 2:05:55.720
<v Speaker 4>now not what I did. But again there's nobody. I

2:05:55.800 --> 2:05:58.680
<v Speaker 4>don't bark, so there's no vocals, no vocals to be

2:05:58.800 --> 2:06:02.560
<v Speaker 4>able to say, yo. You know, I'm like the underrated nigga,

2:06:02.920 --> 2:06:04.400
<v Speaker 4>but not the underrated nigga, you know.

2:06:04.400 --> 2:06:04.800
<v Speaker 2>What I'm saying.

2:06:04.840 --> 2:06:08.280
<v Speaker 4>But when it comes down to me doing rap, music,

2:06:08.360 --> 2:06:11.600
<v Speaker 4>but doing R and B two right because they had

2:06:11.680 --> 2:06:17.080
<v Speaker 4>the opportunities of groups that came to me for your

2:06:17.160 --> 2:06:19.720
<v Speaker 4>your era of producing R and B. I'm talking about

2:06:19.720 --> 2:06:21.880
<v Speaker 4>the ones, the groups that I would have had that

2:06:22.000 --> 2:06:24.800
<v Speaker 4>you could have been behind one hundred percent. Ray Korn,

2:06:24.880 --> 2:06:26.360
<v Speaker 4>I could have had that. I could have had the

2:06:26.400 --> 2:06:30.000
<v Speaker 4>Wu Tang clan. What wait, wait, wait, go back, I

2:06:30.040 --> 2:06:33.880
<v Speaker 4>could have had game. You're going too fast, way too fast.

2:06:34.440 --> 2:06:37.200
<v Speaker 4>Go back to Ray What do you mean you could

2:06:37.200 --> 2:06:39.920
<v Speaker 4>have had? Could have had on They showed the show

2:06:39.960 --> 2:06:41.840
<v Speaker 4>he's this all this stuff and that this is all

2:06:42.040 --> 2:06:45.680
<v Speaker 4>documented forget. But again, had his father had a church,

2:06:45.880 --> 2:06:46.880
<v Speaker 4>you should be sitting here, bro.

2:06:47.800 --> 2:06:48.120
<v Speaker 1>We don't.

2:06:49.160 --> 2:06:52.640
<v Speaker 4>As far as he drunk without drinking, he had a

2:06:52.720 --> 2:06:55.040
<v Speaker 4>church of Staaten Allen. But now it took me to

2:06:55.400 --> 2:06:59.760
<v Speaker 4>an apartment in park Hill and the Wu Tang clan

2:06:59.800 --> 2:07:03.280
<v Speaker 4>before day was Wu Tang clan was out there. I

2:07:03.360 --> 2:07:05.840
<v Speaker 4>got a picture that's going over that we can't find

2:07:06.200 --> 2:07:08.560
<v Speaker 4>me on my eye rock with all them in the

2:07:09.040 --> 2:07:13.040
<v Speaker 4>on the irack and me before the Wu Tang Clan.

2:07:13.480 --> 2:07:16.760
<v Speaker 4>Now I take a walk to Ray Korn steps of

2:07:16.920 --> 2:07:19.480
<v Speaker 4>his apartment. His name was Sha Lah at the time.

2:07:19.560 --> 2:07:22.160
<v Speaker 4>Whatever he sit down there. He tells them the interview

2:07:22.360 --> 2:07:23.480
<v Speaker 4>I almost signed with Eric.

2:07:25.200 --> 2:07:28.000
<v Speaker 2>Oh, so before Wu Tang launches, yes this, they ain't

2:07:28.040 --> 2:07:30.880
<v Speaker 2>even know they know Wu Tang clan.

2:07:31.000 --> 2:07:31.760
<v Speaker 4>Yes eighty nine.

2:07:33.040 --> 2:07:36.000
<v Speaker 1>So this is your same thing with Biggie. Biggie's around you.

2:07:36.400 --> 2:07:39.760
<v Speaker 1>You don't know Ray none.

2:07:39.840 --> 2:07:45.400
<v Speaker 4>Ludicris the game, all of them fifty You saw Coury

2:07:45.440 --> 2:07:48.360
<v Speaker 4>when he tells that niggas coming fifty centers like how

2:07:48.440 --> 2:07:50.800
<v Speaker 4>to rob is out whatever, such and such and now

2:07:50.880 --> 2:07:52.320
<v Speaker 4>he got to figure out what to do with him.

2:07:52.320 --> 2:07:54.040
<v Speaker 4>And he knocked on my door because he looked next

2:07:54.040 --> 2:07:56.640
<v Speaker 4>door to me, and he says, Yo, Eric, and you

2:07:56.720 --> 2:07:58.400
<v Speaker 4>know need to take care of this for me. You

2:07:58.480 --> 2:08:01.320
<v Speaker 4>gotta take care of him. That's why I did. You

2:08:01.400 --> 2:08:04.200
<v Speaker 4>don't do it like we do. You on the goddamn record,

2:08:04.480 --> 2:08:05.600
<v Speaker 4>God damn.

2:08:07.080 --> 2:08:10.040
<v Speaker 2>This this soilber drunk. Eric Sermon's out of control.

2:08:12.200 --> 2:08:12.320
<v Speaker 1>Yo.

2:08:12.960 --> 2:08:15.320
<v Speaker 2>So let me ask you, does that make you paranoid?

2:08:16.560 --> 2:08:19.480
<v Speaker 4>Niggas out like we do? Next thing? You know, he

2:08:19.600 --> 2:08:20.680
<v Speaker 4>gets shot, But.

2:08:20.760 --> 2:08:23.120
<v Speaker 1>Does that make you paranoid that any artists you come

2:08:23.160 --> 2:08:25.600
<v Speaker 1>across might be the next one but you're not seeing it.

2:08:26.720 --> 2:08:29.960
<v Speaker 4>I turned down nas, I turned down the Fujis. I

2:08:30.080 --> 2:08:32.920
<v Speaker 4>turned down. Fucking this this Olban's artists.

2:08:33.120 --> 2:08:35.120
<v Speaker 2>Don't turn down. Looks sunny, he's about to give you

2:08:35.160 --> 2:08:35.560
<v Speaker 2>a demo.

2:08:36.920 --> 2:08:37.680
<v Speaker 1>Turn down.

2:08:40.960 --> 2:08:42.080
<v Speaker 2>Look he's got the jewels.

2:08:43.680 --> 2:08:45.280
<v Speaker 1>Yo, I'm gonna take a break.

2:08:46.480 --> 2:08:47.240
<v Speaker 2>I got his next.

2:08:47.800 --> 2:08:50.600
<v Speaker 4>It's a part to where like some parts of mistakes

2:08:50.680 --> 2:08:52.720
<v Speaker 4>I made in my life, the mistakes I wish I

2:08:52.760 --> 2:08:56.000
<v Speaker 4>would have been able to to know that, to hear

2:08:56.080 --> 2:08:59.120
<v Speaker 4>what Nas was saying, because again, that was the Illmatic

2:08:59.200 --> 2:08:59.880
<v Speaker 4>album and I had.

2:08:59.840 --> 2:09:03.320
<v Speaker 1>No idea prior to him doing So okay, wait, what

2:09:03.600 --> 2:09:05.920
<v Speaker 1>what part of NAS do you meet him?

2:09:06.000 --> 2:09:06.320
<v Speaker 6>Is it like?

2:09:07.160 --> 2:09:09.840
<v Speaker 4>This is this is producing ill madic, I'm coming for

2:09:09.920 --> 2:09:12.200
<v Speaker 4>you to be a producer, right and you just didn't

2:09:12.800 --> 2:09:15.320
<v Speaker 4>I did, But I did. I did see less records.

2:09:15.600 --> 2:09:18.080
<v Speaker 4>I wasn't paying attention to him, like, oh you didn't

2:09:18.080 --> 2:09:18.640
<v Speaker 4>give them you all?

2:09:18.920 --> 2:09:18.960
<v Speaker 6>No?

2:09:19.600 --> 2:09:19.880
<v Speaker 1>Wow?

2:09:20.520 --> 2:09:20.560
<v Speaker 6>No?

2:09:22.800 --> 2:09:24.400
<v Speaker 4>And after he left me, but no, I took him

2:09:24.400 --> 2:09:37.160
<v Speaker 4>to Pete Rock at least his job, Yo. I did.

2:09:37.360 --> 2:09:39.600
<v Speaker 4>I did records with him, like like three songs, you know,

2:09:39.880 --> 2:09:42.160
<v Speaker 4>So you were just being what argant at the time,

2:09:42.600 --> 2:09:46.160
<v Speaker 4>It wasn't that, don't because I had my own artists, right,

2:09:46.640 --> 2:09:49.000
<v Speaker 4>and my head squad's already happening at that time.

2:09:49.280 --> 2:09:53.200
<v Speaker 2>Yes, so I don't. I can't hear what queens.

2:09:53.320 --> 2:09:55.680
<v Speaker 4>I'm from Long Island, so I don't know about Queen's

2:09:55.760 --> 2:09:58.440
<v Speaker 4>Bridge and the type of struggle when the whole that

2:09:58.480 --> 2:10:02.920
<v Speaker 4>shit my niggas obvious about get bound and you know,

2:10:03.960 --> 2:10:09.480
<v Speaker 4>then uh yes, bump, and then Reggie got as bitch,

2:10:09.560 --> 2:10:11.880
<v Speaker 4>and then Murray's over here, like you know, so all

2:10:11.960 --> 2:10:13.240
<v Speaker 4>this is too much.

2:10:13.280 --> 2:10:16.080
<v Speaker 1>Right right now, we're all looking in retrospects, so it's

2:10:16.080 --> 2:10:17.120
<v Speaker 1>easy to say that now.

2:10:17.320 --> 2:10:18.360
<v Speaker 2>But I get it now.

2:10:18.400 --> 2:10:21.240
<v Speaker 1>In that landscape, you had the top tier artist already.

2:10:21.560 --> 2:10:22.120
<v Speaker 1>It wasn't.

2:10:23.480 --> 2:10:26.640
<v Speaker 2>If I would like if I if he had this,

2:10:27.000 --> 2:10:29.720
<v Speaker 2>the same type of stuff that you.

2:10:29.760 --> 2:10:32.240
<v Speaker 1>Know, he turned out. I heard that he said he

2:10:32.320 --> 2:10:34.440
<v Speaker 1>gave He gave me seedless beats.

2:10:34.520 --> 2:10:36.280
<v Speaker 2>He said, hey, you can just throw away.

2:10:36.480 --> 2:10:37.080
<v Speaker 3>He didn't believe.

2:10:38.120 --> 2:10:40.800
<v Speaker 2>He just he just rhymed on what I gave him.

2:10:40.840 --> 2:10:42.680
<v Speaker 4>But I knew it. It wasn't strong. He didn't give

2:10:42.720 --> 2:10:52.120
<v Speaker 4>him his best, Yeah, because I didn't understand it. But

2:10:52.240 --> 2:10:56.480
<v Speaker 4>the coolest nigga in the planet, Oh my god, we again,

2:10:56.760 --> 2:10:58.680
<v Speaker 4>it was so long ago. I don't even know if

2:10:58.720 --> 2:11:03.120
<v Speaker 4>he if he would remember how the sessions went, but again, whatever,

2:11:03.640 --> 2:11:05.600
<v Speaker 4>he just he rocked on what I gave him.

2:11:06.000 --> 2:11:08.240
<v Speaker 1>But you weren't ad the sessions, were you what you

2:11:08.320 --> 2:11:10.320
<v Speaker 1>weren't being a dick in the session. No, hell no,

2:11:10.560 --> 2:11:12.560
<v Speaker 1>you just to give him your best. I just wasn't

2:11:12.560 --> 2:11:12.960
<v Speaker 1>pay attient.

2:11:13.160 --> 2:11:15.560
<v Speaker 4>I didn't like do the natural thing that you do

2:11:15.680 --> 2:11:17.840
<v Speaker 4>in the studio where you're making records and you like

2:11:18.400 --> 2:11:19.120
<v Speaker 4>it happened like that.

2:11:20.080 --> 2:11:22.160
<v Speaker 1>It was lost pro, it was you. It was you

2:11:22.520 --> 2:11:23.560
<v Speaker 1>was lost pro.

2:11:24.120 --> 2:11:26.320
<v Speaker 3>He took him to Rock after him, he took him

2:11:26.320 --> 2:11:26.840
<v Speaker 3>to pe Rock.

2:11:31.200 --> 2:11:35.520
<v Speaker 4>I love this story and then then again again but no,

2:11:35.840 --> 2:11:36.720
<v Speaker 4>I mean the Foojie is.

2:11:36.680 --> 2:11:39.680
<v Speaker 1>And I was like, you're like Jersey, I don't know

2:11:39.680 --> 2:11:40.360
<v Speaker 1>about Jersey's.

2:11:40.800 --> 2:11:42.920
<v Speaker 3>No, this this wasn't right because it was Haitians with

2:11:43.000 --> 2:11:43.720
<v Speaker 3>Jamaica accents.

2:11:43.800 --> 2:11:51.880
<v Speaker 4>No, if it wasn't, If it wasn't for I think

2:11:51.960 --> 2:11:55.640
<v Speaker 4>Salon Remy bro that changed the game.

2:11:55.760 --> 2:12:00.440
<v Speaker 1>If I would have had but that REMI no, no, no,

2:12:00.520 --> 2:12:01.640
<v Speaker 1>that was boom back.

2:12:01.800 --> 2:12:01.920
<v Speaker 6>Was it?

2:12:02.440 --> 2:12:04.400
<v Speaker 4>How many mics? Right? How many mics?

2:12:04.920 --> 2:12:06.560
<v Speaker 2>How many many man that one?

2:12:06.680 --> 2:12:08.840
<v Speaker 1>Yeah? Yeah? That whatever that remix was, it changed the

2:12:08.880 --> 2:12:11.640
<v Speaker 1>game for DJ Buddy, It changed everybody's.

2:12:11.480 --> 2:12:18.000
<v Speaker 2>Because again, in the beginning of it wasn't Wow, Oh

2:12:18.080 --> 2:12:19.200
<v Speaker 2>so you had Salon do it?

2:12:25.960 --> 2:12:28.160
<v Speaker 6>What k.

2:12:29.880 --> 2:12:33.080
<v Speaker 1>Oh, Yeah he did just so sorry, Yeah that's here

2:12:33.120 --> 2:12:34.520
<v Speaker 1>he's he's right here in the backyard.

2:12:34.600 --> 2:12:36.879
<v Speaker 2>Yeah yeah, yeah, there.

2:12:38.800 --> 2:12:38.840
<v Speaker 1>Not.

2:12:38.960 --> 2:12:41.760
<v Speaker 2>But my boy brought me game to the to the

2:12:42.120 --> 2:12:43.440
<v Speaker 2>to the Fox Hills.

2:12:43.240 --> 2:12:46.960
<v Speaker 3>Mall, and and and in l A. You shopping in

2:12:47.000 --> 2:12:47.680
<v Speaker 3>fox Hills Mall.

2:12:47.720 --> 2:12:48.400
<v Speaker 1>That's the hood mall?

2:12:48.920 --> 2:12:50.800
<v Speaker 4>Yeah, but no, he was in New York.

2:12:50.840 --> 2:12:51.160
<v Speaker 1>Is coming.

2:12:51.200 --> 2:12:52.960
<v Speaker 4>I stopped, all right, so.

2:12:54.720 --> 2:12:59.560
<v Speaker 2>Yeah, you're right, that's your next sortist. Remember, don't don't

2:12:59.560 --> 2:13:03.080
<v Speaker 2>skip out. You're gonna regret that. You regret this guy.

2:13:03.520 --> 2:13:07.720
<v Speaker 2>So he comes, he comes in right. I talked to him.

2:13:07.880 --> 2:13:10.600
<v Speaker 4>I said, yo, spinning sixteen real quick. He didn't know

2:13:10.640 --> 2:13:15.920
<v Speaker 4>what the sixteen ball was game? Right, So when he

2:13:15.960 --> 2:13:17.520
<v Speaker 4>told the story, he says that I was gonna sound

2:13:17.560 --> 2:13:19.800
<v Speaker 4>with Eric, but he wasn't ready, so I sound with fifth.

2:13:23.440 --> 2:13:24.080
<v Speaker 3>So what happened?

2:13:24.200 --> 2:13:26.120
<v Speaker 2>He spit to sixteen? He didn't do it?

2:13:26.280 --> 2:13:26.480
<v Speaker 3>He did.

2:13:26.560 --> 2:13:28.200
<v Speaker 4>I know, he spent Ryan, but he didn't know.

2:13:28.240 --> 2:13:32.600
<v Speaker 2>What You didn't see the talent?

2:13:32.920 --> 2:13:34.720
<v Speaker 4>Oh yeah he was. The game was a game, So

2:13:34.840 --> 2:13:37.120
<v Speaker 4>that was your game. That was the game changing for you.

2:13:37.200 --> 2:13:39.720
<v Speaker 4>That he didn't know the sixteen No, I just didn't.

2:13:39.720 --> 2:13:42.360
<v Speaker 4>I just wasn't like I said, poor. I just told you, man,

2:13:42.400 --> 2:13:43.280
<v Speaker 4>I'm already doing me.

2:13:43.640 --> 2:13:44.840
<v Speaker 2>You just was not into it.

2:13:45.160 --> 2:13:48.560
<v Speaker 4>It wasn't that I'm already doing like I'm out there,

2:13:49.320 --> 2:13:52.240
<v Speaker 4>you're stretched in. No, just the fact that my mine's not.

2:13:52.640 --> 2:13:55.200
<v Speaker 4>I'm already like you said, be poor, not that niggas

2:13:55.280 --> 2:13:58.760
<v Speaker 4>wasn't ill. I just wasn't. I was doing some other ship.

2:13:59.080 --> 2:14:00.000
<v Speaker 4>My mom was someplace else.

2:14:00.080 --> 2:14:00.200
<v Speaker 8>Us.

2:14:01.160 --> 2:14:01.800
<v Speaker 1>It had to be.

2:14:04.560 --> 2:14:10.480
<v Speaker 4>The mississ the Missus Murray, the Missus Keith Murray.

2:14:11.000 --> 2:14:15.120
<v Speaker 3>I'm ready for it, come back, sir.

2:14:16.480 --> 2:14:20.040
<v Speaker 4>When we come back Murray at the end, at the

2:14:20.120 --> 2:14:22.240
<v Speaker 4>end of the day, at the end of.

2:14:22.200 --> 2:14:22.920
<v Speaker 2>The day too.

2:14:24.680 --> 2:14:27.040
<v Speaker 4>And then when that nigga came, it was really a

2:14:27.160 --> 2:14:31.200
<v Speaker 4>problem because again it was like, holy ship, who are you?

2:14:32.000 --> 2:14:36.640
<v Speaker 4>Because don't forget I heard one line on Keith Murray.

2:14:36.800 --> 2:14:38.320
<v Speaker 4>I heard one line on Red Man put them on

2:14:38.400 --> 2:14:40.760
<v Speaker 4>stage that night. Don't forget. If niggas don't know about

2:14:40.880 --> 2:14:43.280
<v Speaker 4>New New Jersey and Cluss Sensations.

2:14:42.760 --> 2:14:44.280
<v Speaker 1>That's how you discover.

2:14:45.160 --> 2:14:47.640
<v Speaker 4>Yeah, I want to go do a show at Cosensations E.

2:14:47.720 --> 2:14:51.760
<v Speaker 4>P and D and New York Brick City. A nine

2:14:53.000 --> 2:14:55.960
<v Speaker 4>ninety smells like a lot of crack. No, but it

2:14:56.120 --> 2:14:59.440
<v Speaker 4>was wall to wall, but they will rob you. Yeah,

2:15:00.120 --> 2:15:02.160
<v Speaker 4>but again the respect lever coming part come in. So

2:15:02.280 --> 2:15:05.000
<v Speaker 4>Reggie is brought in by do it All from those

2:15:05.040 --> 2:15:07.960
<v Speaker 4>of undergrounds. He's not those underground yet, so do it

2:15:08.000 --> 2:15:11.200
<v Speaker 4>All rhymes and he says, yo, my man rap, And

2:15:11.280 --> 2:15:11.960
<v Speaker 4>then Reggie was.

2:15:11.920 --> 2:15:14.960
<v Speaker 2>Like, that's not the mayor now right, do it all? Yeah? Yeah,

2:15:15.080 --> 2:15:18.200
<v Speaker 2>he's the mayor now, not the mayor, he's an a councilman.

2:15:19.160 --> 2:15:20.080
<v Speaker 2>I feel like that's the mayor.

2:15:20.440 --> 2:15:24.320
<v Speaker 4>No, So Reggie said the rhyme like I felt like

2:15:24.360 --> 2:15:27.680
<v Speaker 4>a butterfly stinging like the rock group. So he already

2:15:27.760 --> 2:15:30.960
<v Speaker 4>had me because you're going to say like a be

2:15:31.640 --> 2:15:34.000
<v Speaker 4>he didn't say that metaphor. So I put them on

2:15:34.120 --> 2:15:36.840
<v Speaker 4>stage that night, didn't even know. I'm just freshly like whatever.

2:15:36.840 --> 2:15:39.400
<v Speaker 4>It's like like, yo, what's Reggily doing? What's workman doing

2:15:39.400 --> 2:15:41.400
<v Speaker 4>on the stage? But how you up there? But I

2:15:41.440 --> 2:15:43.360
<v Speaker 4>already knew from the door that I was going to

2:15:43.440 --> 2:15:46.600
<v Speaker 4>fuck with him because of the rhyme. Same thing with

2:15:46.760 --> 2:15:50.240
<v Speaker 4>Keith Murray. I heard one line. He just says, let's

2:15:50.240 --> 2:15:52.600
<v Speaker 4>squash the beef, cook it and we all can get fat.

2:15:52.720 --> 2:15:55.280
<v Speaker 4>So now in my head, all I'm seeing is a

2:15:55.320 --> 2:15:58.400
<v Speaker 4>hamburger inside of the firing passion.

2:15:59.480 --> 2:15:59.920
<v Speaker 1>Raising the.

2:16:01.680 --> 2:16:02.480
<v Speaker 2>To a hamburger.

2:16:03.400 --> 2:16:05.840
<v Speaker 4>Let's squash the beef cooked, we all can get fat. Now,

2:16:05.920 --> 2:16:09.280
<v Speaker 4>who the fuck is metaphorm like that? So again right,

2:16:09.680 --> 2:16:13.040
<v Speaker 4>it's too far at fetched. So I knew what it was,

2:16:13.280 --> 2:16:14.840
<v Speaker 4>you know, I knew from the door what it was.

2:16:15.040 --> 2:16:17.720
<v Speaker 4>And I never you ever get demos or you play

2:16:17.760 --> 2:16:19.760
<v Speaker 4>somebody who's somebody around for you and you hear about

2:16:20.000 --> 2:16:21.640
<v Speaker 4>a couple of bars, and you know off the bat

2:16:21.760 --> 2:16:25.280
<v Speaker 4>like yo, no he's not ill you know that they

2:16:25.280 --> 2:16:26.560
<v Speaker 4>ain't gotta pay you off. But they put you the

2:16:26.600 --> 2:16:29.040
<v Speaker 4>whole record because you gotta listen to it.

2:16:29.120 --> 2:16:32.360
<v Speaker 3>Play the whole record, not with them, not with Red

2:16:32.440 --> 2:16:36.480
<v Speaker 3>and Keep and dost Effects. We didn't get into dostap

2:16:36.520 --> 2:16:38.320
<v Speaker 3>facts too much. Let's talk about.

2:16:42.040 --> 2:16:44.600
<v Speaker 4>Well, we met them at a at their school at

2:16:44.879 --> 2:16:47.959
<v Speaker 4>a rap contest Brooklyn. No, Virginia.

2:16:48.840 --> 2:16:50.160
<v Speaker 3>Dost Effect is not from Brooklyn.

2:16:50.680 --> 2:16:51.680
<v Speaker 2>You know, they went to college.

2:16:52.800 --> 2:16:57.400
<v Speaker 1>That's the childhood Brooklyn from bookly one from Jersey.

2:16:57.959 --> 2:16:59.200
<v Speaker 2>But they met in college.

2:16:59.640 --> 2:17:01.480
<v Speaker 4>In college. They met in college and there was a

2:17:01.560 --> 2:17:05.840
<v Speaker 4>rap contest and we let these other guys win because

2:17:05.879 --> 2:17:08.880
<v Speaker 4>we knew that were going to fuck with them. Oh

2:17:09.000 --> 2:17:13.560
<v Speaker 4>ship one hundred dollars. You let the other guys win. Yeah, okay,

2:17:14.080 --> 2:17:16.600
<v Speaker 4>because we knew that they were going to eventually fuck

2:17:16.680 --> 2:17:21.039
<v Speaker 4>with these guys, because the day was already to advance. Yes, wow,

2:17:21.640 --> 2:17:24.080
<v Speaker 4>there was advanced that did that that. You see what happened?

2:17:25.240 --> 2:17:27.280
<v Speaker 4>You know what I'm saying? Like, you know, they was

2:17:28.080 --> 2:17:30.680
<v Speaker 4>they was ready, you know, for some reason, they were

2:17:30.760 --> 2:17:34.680
<v Speaker 4>just ready, you know. And and Sylvia Romes. So Sylvias

2:17:34.720 --> 2:17:38.680
<v Speaker 4>signed all those people that's different, you know, Buster Rhymes,

2:17:38.800 --> 2:17:43.000
<v Speaker 4>Missy Elliott's Effects case Solo, like everybody that was different.

2:17:43.240 --> 2:17:46.400
<v Speaker 4>Sylvia signed all those people who were just like different

2:17:46.440 --> 2:17:49.560
<v Speaker 4>that people would be like, yeah, yeah she did.

2:17:49.720 --> 2:17:57.160
<v Speaker 3>Yeah yeah for Sylvia wrong. Yeah, woman, strong black women

2:17:57.240 --> 2:17:59.680
<v Speaker 3>out there still getting it too, still getting it still

2:18:01.040 --> 2:18:02.160
<v Speaker 3>hold on, let me get to my notes.

2:18:03.240 --> 2:18:05.680
<v Speaker 2>So y'all discuss Keith Murray already? No, man?

2:18:06.160 --> 2:18:06.600
<v Speaker 6>What what?

2:18:06.959 --> 2:18:07.760
<v Speaker 4>What? What is it?

2:18:07.840 --> 2:18:07.960
<v Speaker 6>You know?

2:18:08.160 --> 2:18:10.920
<v Speaker 1>I want to just talk about just how you just

2:18:11.080 --> 2:18:13.920
<v Speaker 1>talking about do effects the meeting Keith Murray because he

2:18:14.040 --> 2:18:16.640
<v Speaker 1>was post uh his squad.

2:18:17.040 --> 2:18:19.680
<v Speaker 2>He wasn't in his squad. No, he wasn't death squad, right,

2:18:20.320 --> 2:18:21.240
<v Speaker 2>So what was that?

2:18:21.520 --> 2:18:22.080
<v Speaker 1>How did that beg?

2:18:22.240 --> 2:18:24.040
<v Speaker 4>Yeah? I mean of course it was like in the beginning,

2:18:24.120 --> 2:18:28.039
<v Speaker 4>nobody wanted to listen. Nobody wanted to sign Dos Effects again,

2:18:28.120 --> 2:18:30.240
<v Speaker 4>but no, I went out there and that's why nobody

2:18:30.280 --> 2:18:33.040
<v Speaker 4>wanted to sign them because nobody definitely didn't like him

2:18:33.920 --> 2:18:35.359
<v Speaker 4>deaf like red Man either.

2:18:36.680 --> 2:18:37.840
<v Speaker 1>That's crazy man.

2:18:38.440 --> 2:18:39.880
<v Speaker 2>He's like a death jam child.

2:18:40.480 --> 2:18:42.800
<v Speaker 4>And then Leo called in like then like Keith Murray.

2:18:43.200 --> 2:18:45.760
<v Speaker 4>So that's why Keith Murray was no on death sham job.

2:18:45.879 --> 2:18:46.840
<v Speaker 1>He was on job y.

2:18:47.560 --> 2:18:51.200
<v Speaker 4>But Russell was pissed because Russell didn't know that Leo

2:18:51.400 --> 2:18:52.600
<v Speaker 4>had turned down Keith Murray.

2:18:52.680 --> 2:18:55.760
<v Speaker 2>So they're not always right. Let's be honest, we've.

2:18:55.560 --> 2:18:57.840
<v Speaker 1>Been I'm just saying you guys were.

2:18:57.840 --> 2:18:58.920
<v Speaker 2>Saying how much how right there?

2:18:59.320 --> 2:19:00.039
<v Speaker 1>They're not all.

2:19:01.959 --> 2:19:05.080
<v Speaker 4>But when Keith Murray was in prison and it came home,

2:19:05.480 --> 2:19:08.039
<v Speaker 4>they gave him two point eight million dollars job or.

2:19:08.480 --> 2:19:09.039
<v Speaker 1>A death jam.

2:19:09.120 --> 2:19:10.879
<v Speaker 3>I was on that, I was, I was on tour.

2:19:10.959 --> 2:19:12.160
<v Speaker 2>I was on tour with Keith Murray.

2:19:12.480 --> 2:19:16.280
<v Speaker 4>So I don't forget that. The can you imagine Jay?

2:19:16.480 --> 2:19:18.640
<v Speaker 4>None of them got no no deal like that. Nobody

2:19:18.800 --> 2:19:21.680
<v Speaker 4>made no he's got no deal like Murray got coming

2:19:21.720 --> 2:19:25.400
<v Speaker 4>home from prison three years from prison two point seven

2:19:25.520 --> 2:19:28.600
<v Speaker 4>million dollars at that time. Right, that's crazy, And they

2:19:28.680 --> 2:19:31.280
<v Speaker 4>gave job the six hundred and Murray kept the rest.

2:19:31.840 --> 2:19:35.880
<v Speaker 4>Wow the contract. Get him out of the Contray, I

2:19:35.879 --> 2:19:38.800
<v Speaker 4>don't forget. So now you got fatty girl coming special

2:19:38.920 --> 2:19:42.600
<v Speaker 4>delivery like this is this niggas you expect she's about

2:19:42.640 --> 2:19:45.960
<v Speaker 4>to be He's back to back like this, Leil like, YO,

2:19:46.520 --> 2:19:49.040
<v Speaker 4>give him that. So he ended up being that death

2:19:49.120 --> 2:19:53.640
<v Speaker 4>jam later on two thousand and three. Later, but you

2:19:53.720 --> 2:19:57.680
<v Speaker 4>know it happened. But in the beginning, Leo didn't tell

2:19:58.040 --> 2:20:01.680
<v Speaker 4>Russell that he turned to start WOW.

2:20:02.879 --> 2:20:07.000
<v Speaker 2>So suggests Keith, married, I got to you. You said

2:20:07.000 --> 2:20:08.640
<v Speaker 2>you wanted to use You want him to come.

2:20:09.000 --> 2:20:12.520
<v Speaker 3>I love to come on the show.

2:20:13.320 --> 2:20:13.520
<v Speaker 4>We do.

2:20:14.400 --> 2:20:16.119
<v Speaker 2>But wait, but I understand your point of view.

2:20:19.240 --> 2:20:24.360
<v Speaker 3>Keith seeing me at El's rock the balls right sitting outside,

2:20:24.480 --> 2:20:27.200
<v Speaker 3>what the one that just passed two years ago?

2:20:27.280 --> 2:20:28.039
<v Speaker 1>This is two years ago.

2:20:29.760 --> 2:20:34.880
<v Speaker 3>This is like post pandemic. I see Keith. Keith sees me,

2:20:37.200 --> 2:20:39.560
<v Speaker 3>say what's up? But I'm waiting for my people to

2:20:39.600 --> 2:20:43.000
<v Speaker 3>come in. So I'm waiting for my people to come in,

2:20:43.040 --> 2:20:45.440
<v Speaker 3>and security stop me and they say, yo, see what

2:20:45.640 --> 2:20:48.080
<v Speaker 3>you because I'm waiting for my people. So I'm like no,

2:20:49.560 --> 2:20:52.520
<v Speaker 3>because I'm my people is coming down. Keith must have

2:20:52.560 --> 2:20:55.800
<v Speaker 3>took it like I was saying, no, he's not with me.

2:20:57.520 --> 2:21:00.320
<v Speaker 3>I kind of didn't say it like that. And I'm

2:21:00.320 --> 2:21:06.400
<v Speaker 3>gonna tell you why I was in queensed. If I

2:21:06.480 --> 2:21:09.760
<v Speaker 3>was anywhere else in the world and if Keith needed

2:21:10.600 --> 2:21:13.680
<v Speaker 3>to get in, I'm obligated to get a fellow rapper.

2:21:13.800 --> 2:21:16.560
<v Speaker 3>And I'm obligated. But I know he's from Long Island.

2:21:16.560 --> 2:21:18.680
<v Speaker 3>He's going right down the flot He's good. I was

2:21:18.720 --> 2:21:21.320
<v Speaker 3>gonna come get him eventually. I was gonna come get

2:21:21.320 --> 2:21:25.560
<v Speaker 3>an event. But I got these people that waited months

2:21:26.080 --> 2:21:28.880
<v Speaker 3>to see me. I'm to wait it months to see me.

2:21:29.640 --> 2:21:33.000
<v Speaker 3>So I did kind of pick my people over seeing

2:21:33.240 --> 2:21:34.040
<v Speaker 3>where Keith was.

2:21:34.360 --> 2:21:35.440
<v Speaker 4>It was a misunderstanding.

2:21:35.520 --> 2:21:36.680
<v Speaker 1>Man, he's a misunderstanding.

2:21:36.720 --> 2:21:38.280
<v Speaker 3>I want to dress it like a man. I want

2:21:38.320 --> 2:21:40.560
<v Speaker 3>to dress it like a man because how he took it,

2:21:40.760 --> 2:21:42.920
<v Speaker 3>how he took it could have been that way. It

2:21:42.959 --> 2:21:45.240
<v Speaker 3>could have been because it was just a spirit moment

2:21:45.640 --> 2:21:47.440
<v Speaker 3>like me, like I died him and that's not me.

2:21:47.879 --> 2:21:50.200
<v Speaker 3>That's what this whole show is about. It's give him flowers.

2:21:50.440 --> 2:21:52.400
<v Speaker 3>When I see a fellow legend, I want to salute

2:21:52.400 --> 2:21:55.200
<v Speaker 3>a legend. But at the same time, I don't do

2:21:55.360 --> 2:21:57.320
<v Speaker 3>shows no more. Eric, you said you don't leave the couch.

2:21:57.360 --> 2:21:58.760
<v Speaker 3>I don't leave the motherfucking couch.

2:21:58.879 --> 2:22:05.920
<v Speaker 4>You've come. He'll couch outside up.

2:22:07.560 --> 2:22:08.800
<v Speaker 1>These places.

2:22:09.879 --> 2:22:13.520
<v Speaker 3>Spot to be there. So when I'm there and I'm

2:22:13.560 --> 2:22:18.400
<v Speaker 3>seeing a fellow person clear these restaurants, I don't, I don't.

2:22:18.879 --> 2:22:19.640
<v Speaker 1>Let's be clear.

2:22:24.560 --> 2:22:25.120
<v Speaker 5>We all know.

2:22:25.800 --> 2:22:29.880
<v Speaker 3>We all know to a certain extent, Keith is a

2:22:30.000 --> 2:22:34.840
<v Speaker 3>liability to a certain extent, I did not want to

2:22:34.879 --> 2:22:38.640
<v Speaker 3>be responsible for the person that let Keith, and knowing

2:22:38.720 --> 2:22:40.160
<v Speaker 3>that he has relationship.

2:22:39.720 --> 2:22:40.120
<v Speaker 4>With l L.

2:22:40.200 --> 2:22:42.480
<v Speaker 3>We're all here for l L, regardless of your check

2:22:42.560 --> 2:22:44.800
<v Speaker 3>is involved or not, be a dire for l L.

2:22:45.640 --> 2:22:48.320
<v Speaker 3>I didn't want to be the guy, the snick Keith

2:22:48.440 --> 2:22:52.840
<v Speaker 3>marry Inn and he do some great He fought on

2:22:52.920 --> 2:22:55.520
<v Speaker 3>the mic. We've seen him far on the mic and

2:22:55.560 --> 2:22:58.240
<v Speaker 3>Big Face Gary Show. We see him standing in front

2:22:58.240 --> 2:23:03.680
<v Speaker 3>of the the streets stopping cars. We seen him jump

2:23:03.760 --> 2:23:09.160
<v Speaker 3>on top of a girl's back. It's all documented, guys,

2:23:09.720 --> 2:23:11.920
<v Speaker 3>this is all on the internet. So I felt at

2:23:11.959 --> 2:23:15.000
<v Speaker 3>that time I didn't want to be responsible. But did

2:23:15.080 --> 2:23:17.240
<v Speaker 3>I just Keith? Hell no, that's not what I meant

2:23:17.280 --> 2:23:18.040
<v Speaker 3>that was not my intention.

2:23:18.680 --> 2:23:20.760
<v Speaker 1>That was not my intentions. But my intention was to

2:23:20.800 --> 2:23:22.119
<v Speaker 1>protect myself though as well.

2:23:22.160 --> 2:23:23.400
<v Speaker 2>I got you, yeah, you know what.

2:23:24.640 --> 2:23:26.119
<v Speaker 1>So he went, so, this is why I was mad.

2:23:26.160 --> 2:23:27.119
<v Speaker 1>This is the reason why I was mad.

2:23:28.080 --> 2:23:29.880
<v Speaker 2>He told the story on Big Face Gary Show.

2:23:31.320 --> 2:23:34.080
<v Speaker 1>I laughed at it. It was cool. I seen him

2:23:34.200 --> 2:23:37.560
<v Speaker 1>with you after that. Do you know where we see

2:23:37.600 --> 2:23:37.920
<v Speaker 1>each other?

2:23:39.600 --> 2:23:39.960
<v Speaker 3>Once?

2:23:40.440 --> 2:23:41.400
<v Speaker 4>I seen him.

2:23:43.120 --> 2:23:45.560
<v Speaker 1>Be to you once, I I can't right to want

2:23:45.560 --> 2:23:48.600
<v Speaker 1>to say, Keith, I said, I didn't mean it like that.

2:23:48.879 --> 2:23:51.960
<v Speaker 1>He said, Yo, are we good? And he said we're good.

2:23:52.400 --> 2:23:54.880
<v Speaker 1>He smiled at me, and we actually have it on

2:23:55.240 --> 2:23:57.520
<v Speaker 1>foot of me, in front.

2:23:57.320 --> 2:23:58.800
<v Speaker 3>Of the knock, in front of him because I didn't

2:23:58.800 --> 2:23:59.280
<v Speaker 3>step to him.

2:23:59.280 --> 2:24:01.440
<v Speaker 1>It wasn't like I was like, what you now. I

2:24:01.520 --> 2:24:04.640
<v Speaker 1>was just like, yo, broderstand.

2:24:05.320 --> 2:24:06.560
<v Speaker 3>Me red Man.

2:24:07.000 --> 2:24:08.160
<v Speaker 2>We shook hands.

2:24:09.040 --> 2:24:11.560
<v Speaker 3>We have it on tape. Then he goes on Willie

2:24:11.600 --> 2:24:14.840
<v Speaker 3>d Show and he goes, I heard Nordy got five

2:24:14.879 --> 2:24:17.960
<v Speaker 3>million dollars and he turned he's by the way, I

2:24:17.959 --> 2:24:21.040
<v Speaker 3>don't know what this fucking rumor about, and he's like, yeah,

2:24:21.440 --> 2:24:24.240
<v Speaker 3>so soon as Noory, you know, got money, he started

2:24:24.360 --> 2:24:26.920
<v Speaker 3>changing on me and I'm like that I've never changed.

2:24:27.040 --> 2:24:29.760
<v Speaker 3>There's one incident, is that rock the Bells you have

2:24:30.000 --> 2:24:30.879
<v Speaker 3>records with LL.

2:24:30.959 --> 2:24:32.880
<v Speaker 1>I think I feel like l L is obligated to

2:24:32.920 --> 2:24:36.160
<v Speaker 1>get you in more than me, more than me. I'm

2:24:36.200 --> 2:24:37.199
<v Speaker 1>here for our job.

2:24:39.400 --> 2:24:42.080
<v Speaker 4>I mean, oh, I know the fact that this man, yeah,

2:24:42.320 --> 2:24:47.000
<v Speaker 4>if you know, keep from every story and he never

2:24:47.120 --> 2:24:50.520
<v Speaker 4>told that story. You know, like no parents, the way

2:24:50.560 --> 2:24:53.120
<v Speaker 4>that his parents died, the where his sistant them died,

2:24:53.240 --> 2:24:55.840
<v Speaker 4>oh bless the way that he had to help stuff

2:24:55.959 --> 2:24:58.680
<v Speaker 4>down as a young eighteen year old kids on the block.

2:24:58.840 --> 2:25:03.800
<v Speaker 4>Who funded who funded everybody? People? We had biggest, small

2:25:03.840 --> 2:25:06.360
<v Speaker 4>than the hood people. We had noads in the hood

2:25:06.959 --> 2:25:08.320
<v Speaker 4>like these people they fuck.

2:25:08.400 --> 2:25:13.360
<v Speaker 1>That's the reason why you know he's loved so so like.

2:25:13.400 --> 2:25:18.640
<v Speaker 4>Anybody else who has you know, something that's conflicted right again,

2:25:19.760 --> 2:25:21.920
<v Speaker 4>this is the things you know. Things happened, and.

2:25:21.920 --> 2:25:23.640
<v Speaker 3>It was two things. Let me just tell you what else.

2:25:24.480 --> 2:25:30.080
<v Speaker 3>So as we see each other, I get my people in.

2:25:30.200 --> 2:25:32.800
<v Speaker 3>Who was waiting for thirty minutes, I get them in.

2:25:33.000 --> 2:25:35.320
<v Speaker 3>He was waiting for his time. But then we both

2:25:35.400 --> 2:25:38.000
<v Speaker 3>go to the bathroom. We both come out in the

2:25:38.080 --> 2:25:40.320
<v Speaker 3>bathroom and we were like, he's on one side of

2:25:40.320 --> 2:25:42.240
<v Speaker 3>the bathroom and on the other side of the bathroom

2:25:42.320 --> 2:25:43.480
<v Speaker 3>and we both come out to the bath.

2:25:43.440 --> 2:25:48.279
<v Speaker 1>I don't like giving you know, five after the bathroom,

2:25:48.440 --> 2:25:53.120
<v Speaker 1>it's just thing. Go to the stage.

2:25:53.760 --> 2:25:58.039
<v Speaker 3>I go to the stage, I perform, and Keith says,

2:25:58.120 --> 2:26:00.440
<v Speaker 3>and I have to address this part. He goes, he didn't.

2:26:00.600 --> 2:26:03.520
<v Speaker 3>He didn't stay there when Tragedy performed. Well, I just

2:26:03.600 --> 2:26:05.560
<v Speaker 3>want to explain something to because I gotta address him,

2:26:05.560 --> 2:26:07.360
<v Speaker 3>because he addressed me twice. He did it on Big

2:26:07.360 --> 2:26:09.160
<v Speaker 3>Face Gary Show and did it on Really Defus.

2:26:08.879 --> 2:26:12.360
<v Speaker 1>What you Gotta do with me though, exactly exactly set

2:26:12.400 --> 2:26:17.440
<v Speaker 1>your ass up. So so look, so this is I'm

2:26:17.440 --> 2:26:18.879
<v Speaker 1>not I'm not negative at all though.

2:26:19.560 --> 2:26:21.680
<v Speaker 3>So what happened was, he says, Yo, Normy got on

2:26:21.760 --> 2:26:25.080
<v Speaker 3>stage and when Trag performed, he walked to the side.

2:26:25.920 --> 2:26:27.200
<v Speaker 2>That's called taking a break.

2:26:27.480 --> 2:26:29.920
<v Speaker 1>It's called getting the water break, and it's called that.

2:26:30.120 --> 2:26:33.320
<v Speaker 3>This was my show. I was trying to let Trag shine.

2:26:34.440 --> 2:26:36.360
<v Speaker 1>How could you take that in any other way?

2:26:36.879 --> 2:26:41.480
<v Speaker 2>So I don't watch nobody good things in my class.

2:26:41.480 --> 2:26:45.560
<v Speaker 4>When when I'm done my work, I'm funking out of there.

2:26:46.720 --> 2:26:48.240
<v Speaker 4>And to just be like that too, because I used

2:26:48.240 --> 2:26:50.280
<v Speaker 4>to be like, damn, why niggas going home because I

2:26:50.280 --> 2:26:52.680
<v Speaker 4>didn't understand that when I was younger, Like niggas ain't

2:26:52.680 --> 2:26:56.960
<v Speaker 4>watching my show. I don't give a funk who out there.

2:26:57.040 --> 2:26:59.240
<v Speaker 3>So let me just finish just saying that the fuck home,

2:26:59.480 --> 2:27:04.520
<v Speaker 3>keithver you the only reason why. And by the way

2:27:04.840 --> 2:27:07.640
<v Speaker 3>he said that he turned us down. I don't ever

2:27:07.800 --> 2:27:10.440
<v Speaker 3>remember that. I don't ever remember that. But let me

2:27:10.480 --> 2:27:13.000
<v Speaker 3>just tell you something, Keith. The only reason why we

2:27:13.160 --> 2:27:16.080
<v Speaker 3>didn't take that interview at that time was because of

2:27:16.280 --> 2:27:19.360
<v Speaker 3>us seeing that footage and us being concerned. Yes, do

2:27:19.440 --> 2:27:21.720
<v Speaker 3>we have other people that's on here out of control.

2:27:23.080 --> 2:27:26.320
<v Speaker 3>We have, but we didn't know better and now we do.

2:27:27.000 --> 2:27:27.240
<v Speaker 6>So the.

2:27:28.720 --> 2:27:31.160
<v Speaker 2>One thing that I don't want to do is help.

2:27:31.240 --> 2:27:33.800
<v Speaker 4>Ruin some a legends. But one thing that you you

2:27:33.879 --> 2:27:35.640
<v Speaker 4>got to know though, too, is the fact that so

2:27:35.879 --> 2:27:39.320
<v Speaker 4>Be hereward was right. Yep, fantastic, fantastic. The whole thing

2:27:39.320 --> 2:27:39.959
<v Speaker 4>about it, too is the.

2:27:39.959 --> 2:27:42.640
<v Speaker 1>Fact that once you but they say they good with

2:27:42.840 --> 2:27:43.240
<v Speaker 1>around you.

2:27:44.280 --> 2:27:46.440
<v Speaker 4>But still but still you have to you have to

2:27:46.800 --> 2:27:50.360
<v Speaker 4>all this stuff that could put you in the situation. Yep,

2:27:51.240 --> 2:27:54.160
<v Speaker 4>this is what you can, but it takes away from

2:27:54.280 --> 2:27:55.600
<v Speaker 4>the show. It's called.

2:27:57.680 --> 2:28:04.560
<v Speaker 3>By the way, I'm still me, Yeah, conversations. Your conversation

2:28:04.720 --> 2:28:06.400
<v Speaker 3>is still dope. So that's he's a fake Puerto Rican

2:28:06.480 --> 2:28:11.760
<v Speaker 3>listening and I still find the way it don't.

2:28:11.640 --> 2:28:15.840
<v Speaker 4>Matter without it. So again, the fact that I know

2:28:16.640 --> 2:28:19.920
<v Speaker 4>the conversation would be and that's why I wanted to say, yeah,

2:28:23.040 --> 2:28:29.560
<v Speaker 4>not like every every chance. Is the fact like when

2:28:29.600 --> 2:28:33.040
<v Speaker 4>you when somebody's alone and you know, and they going down,

2:28:33.160 --> 2:28:33.680
<v Speaker 4>and then.

2:28:34.120 --> 2:28:36.680
<v Speaker 3>You know, like because between me and you, like big

2:28:36.760 --> 2:28:38.480
<v Speaker 3>Face Gary told me I had a conversation with Big

2:28:38.480 --> 2:28:40.000
<v Speaker 3>Face Gary, Big Face Gary. I was like, yo, did

2:28:40.080 --> 2:28:43.520
<v Speaker 3>did he drink? And He's like yeah, and I'm like,

2:28:43.600 --> 2:28:46.360
<v Speaker 3>wait a minute. So I didn't want that because I'm like,

2:28:46.360 --> 2:28:48.760
<v Speaker 3>all right, cool, just like how you not drinking? We

2:28:48.840 --> 2:28:51.160
<v Speaker 3>can still do that. But the last thing I want

2:28:51.200 --> 2:28:53.320
<v Speaker 3>to do is he drink. Is someone laughing, he'd take

2:28:53.360 --> 2:28:55.600
<v Speaker 3>a joke the wrong way and try to get physical,

2:28:58.920 --> 2:29:00.560
<v Speaker 3>so something that's like, we don't need that.

2:29:00.879 --> 2:29:03.040
<v Speaker 2>What we need is give you your flowers.

2:29:04.440 --> 2:29:08.400
<v Speaker 4>But I think that the convo that he would give

2:29:08.440 --> 2:29:12.680
<v Speaker 4>you would be fantastic. I think it's gonna happen at

2:29:12.680 --> 2:29:14.440
<v Speaker 4>the end of the day too, which is like, listen

2:29:14.440 --> 2:29:18.000
<v Speaker 4>to the memo I was on drugs for fifteen years. Right,

2:29:19.080 --> 2:29:21.920
<v Speaker 4>I was doing purgocept for from two thousand and eight

2:29:22.000 --> 2:29:25.560
<v Speaker 4>to twenty twenty two. All right, June second to be

2:29:25.680 --> 2:29:30.560
<v Speaker 4>my second will be my two years of me being sober.

2:29:30.879 --> 2:29:32.560
<v Speaker 2>Right, Well, congrats, congrats.

2:29:32.600 --> 2:29:33.360
<v Speaker 3>I just made them money.

2:29:37.280 --> 2:29:39.920
<v Speaker 4>I understand about that substance abuse.

2:29:40.200 --> 2:29:44.240
<v Speaker 2>This is what somebody hass you know, serious and to.

2:29:45.720 --> 2:29:48.560
<v Speaker 4>Anybody that's just They taught me this in the in

2:29:48.600 --> 2:29:51.560
<v Speaker 4>the rehab, I can tell f Intwo he blew in

2:29:51.600 --> 2:29:54.440
<v Speaker 4>the face to go get help. It ain't gonna matter.

2:29:54.840 --> 2:29:59.360
<v Speaker 4>You're so intervendens right before with people. You gotta be ready.

2:30:00.520 --> 2:30:03.080
<v Speaker 4>Everybody needs to start with like, go and talk to

2:30:03.240 --> 2:30:06.199
<v Speaker 4>each other. And who's talking to him, It doesn't matter.

2:30:07.400 --> 2:30:11.400
<v Speaker 4>The individual itself passed the change. I had to say

2:30:11.959 --> 2:30:16.119
<v Speaker 4>two to myself. I got to go inside, even though

2:30:16.240 --> 2:30:19.280
<v Speaker 4>I let all that time go by to where at

2:30:19.360 --> 2:30:24.640
<v Speaker 4>the end, I'm taking these thirties that are mixed with fetnol.

2:30:24.720 --> 2:30:27.080
<v Speaker 4>So when I go in there and take my piss tests,

2:30:27.520 --> 2:30:28.120
<v Speaker 4>they said, oh, you.

2:30:28.160 --> 2:30:31.080
<v Speaker 2>Do fetnol too, don't you. I'm like, I don't do fetanol.

2:30:31.640 --> 2:30:34.360
<v Speaker 4>So that means that the fetnah and the press pills

2:30:34.400 --> 2:30:37.640
<v Speaker 4>I was getting because again the street is provided me. Now,

2:30:37.760 --> 2:30:40.920
<v Speaker 4>now the doctors, I'm on the street getting pills. Of course,

2:30:40.959 --> 2:30:44.320
<v Speaker 4>you know, people, I never went back to them. You know,

2:30:44.400 --> 2:30:46.520
<v Speaker 4>you can't go back and they ain't gonna be giving

2:30:46.560 --> 2:30:48.800
<v Speaker 4>you pills. You gotta go to the street. But again,

2:30:48.840 --> 2:30:50.680
<v Speaker 4>the nigga who I was dealing with, I didn't know

2:30:50.800 --> 2:30:53.760
<v Speaker 4>that he was dirty. But again, if I'm spending eight

2:30:53.800 --> 2:30:55.560
<v Speaker 4>thousand dollars a month, of course he don't give a

2:30:55.640 --> 2:30:58.160
<v Speaker 4>fucking If the pills is fucked up, I'm gonna go

2:30:58.200 --> 2:31:01.080
<v Speaker 4>with the value of them eight thousand dollars.

2:31:02.000 --> 2:31:04.800
<v Speaker 2>Look at this face looking like, I will hold your custoiner.

2:31:05.680 --> 2:31:09.400
<v Speaker 4>So so of course, people who I thought that was

2:31:09.520 --> 2:31:13.040
<v Speaker 4>my friend's damn, I could have died. But towards the end,

2:31:13.120 --> 2:31:15.800
<v Speaker 4>I kept throwing up. So every time I would pop,

2:31:15.879 --> 2:31:16.560
<v Speaker 4>I would throw up.

2:31:16.600 --> 2:31:17.520
<v Speaker 2>You get rid of the talks.

2:31:17.840 --> 2:31:21.600
<v Speaker 4>Yeah, but it wasn't happening until that time. Wow, So

2:31:21.760 --> 2:31:24.400
<v Speaker 4>whatever happened, that guard was like, hey know what, Hey,

2:31:25.000 --> 2:31:27.640
<v Speaker 4>all right, I'm gonna keep saving you, but the next

2:31:27.720 --> 2:31:28.720
<v Speaker 4>time you might not make it.

2:31:29.120 --> 2:31:32.600
<v Speaker 2>So I went to rehab, went upstate, stayed there.

2:31:33.400 --> 2:31:36.520
<v Speaker 4>Mad. People talked the whole nine because the most part

2:31:36.640 --> 2:31:39.520
<v Speaker 4>is that I was worried about the withdrawal part. So

2:31:39.640 --> 2:31:42.600
<v Speaker 4>the withdraw part make years go by it because is

2:31:42.640 --> 2:31:45.480
<v Speaker 4>technically heroin, right, it's the synthetic heroin. The heroin is

2:31:45.520 --> 2:31:47.800
<v Speaker 4>what you're addicted to. So at the end of the day,

2:31:49.840 --> 2:31:52.520
<v Speaker 4>people that was in there, it was one dude named Smiley.

2:31:52.600 --> 2:31:55.280
<v Speaker 4>He had tracks all on this arm up and he

2:31:55.440 --> 2:31:57.560
<v Speaker 4>did tell him to put a shirt on because he

2:31:58.000 --> 2:32:01.000
<v Speaker 4>again you could see everything he was. His whole arms

2:32:01.120 --> 2:32:02.000
<v Speaker 4>was filled.

2:32:02.280 --> 2:32:02.400
<v Speaker 6>Right.

2:32:02.840 --> 2:32:06.120
<v Speaker 4>People that was doing fetanal to regularly. Crack was still

2:32:06.200 --> 2:32:08.480
<v Speaker 4>heavy in there, you know, and people was there because.

2:32:08.600 --> 2:32:10.560
<v Speaker 2>What you mean people were doing fitting all No, no.

2:32:10.680 --> 2:32:12.960
<v Speaker 4>No, that's about fault, is that. Yeah, when you hit

2:32:13.000 --> 2:32:19.800
<v Speaker 4>that story, yeah yeah yeah, yeah, yeah right because the

2:32:20.120 --> 2:32:24.320
<v Speaker 4>hospital uses it, so it's fitting on something that. Yeah,

2:32:24.320 --> 2:32:25.880
<v Speaker 4>but it don't have to be the bad ship, the

2:32:26.000 --> 2:32:29.080
<v Speaker 4>bad and killing people. But they still use it in

2:32:29.160 --> 2:32:31.600
<v Speaker 4>the hospital, of the street, the streets ships this bad

2:32:32.959 --> 2:32:38.840
<v Speaker 4>so but but again this stuff again, you can go

2:32:38.959 --> 2:32:42.680
<v Speaker 4>to heroin because once you can't afford the bill, you shoot,

2:32:43.520 --> 2:32:46.000
<v Speaker 4>don't forget. You have to have money. So it was

2:32:46.120 --> 2:32:48.680
<v Speaker 4>never gonna stop for me. That's the flex a little

2:32:48.680 --> 2:32:56.080
<v Speaker 4>bit around. So if you got the bread you're gonna

2:32:56.080 --> 2:32:58.800
<v Speaker 4>always be doing it. But the sad part of the

2:32:58.920 --> 2:33:02.160
<v Speaker 4>fact that magic fin that money towards the end unit

2:33:02.200 --> 2:33:06.959
<v Speaker 4>getting high. So for the last two years I'm doing

2:33:07.000 --> 2:33:11.120
<v Speaker 4>it so I won't get with durls. So that's the

2:33:11.160 --> 2:33:14.080
<v Speaker 4>part that's fucked up. So when people see when your

2:33:14.200 --> 2:33:18.280
<v Speaker 4>talents comes now, Luckily, if I would have said, fuck it,

2:33:18.400 --> 2:33:20.360
<v Speaker 4>I need to get that feeling and then I would

2:33:20.400 --> 2:33:22.440
<v Speaker 4>have started shooting, that's the next step.

2:33:22.480 --> 2:33:23.320
<v Speaker 2>That's what people go to.

2:33:23.680 --> 2:33:26.440
<v Speaker 4>They go to the needle, you know, because the heroin

2:33:26.560 --> 2:33:29.160
<v Speaker 4>part whatever ain't doing it for you no more. So

2:33:29.280 --> 2:33:31.160
<v Speaker 4>that's what the whole part was with me. I'm like

2:33:31.480 --> 2:33:33.880
<v Speaker 4>so like when you talk like when I did that,

2:33:34.040 --> 2:33:38.080
<v Speaker 4>Timmelin left a big paragraph under my ship like Eric,

2:33:38.320 --> 2:33:41.520
<v Speaker 4>he right, these are niggas. That was uses him meek

2:33:42.080 --> 2:33:45.040
<v Speaker 4>fucking the bow, wows the waynes all these niggas sudden

2:33:45.040 --> 2:33:48.480
<v Speaker 4>study they call it lean, but hydro code on is

2:33:48.560 --> 2:33:53.480
<v Speaker 4>this liquid form of heroin exactly. So all this opio

2:33:53.640 --> 2:33:56.680
<v Speaker 4>that was at that time, you know me, it came

2:33:56.720 --> 2:33:59.920
<v Speaker 4>from the doctor I had back surgery. He gave me

2:34:00.000 --> 2:34:03.320
<v Speaker 4>one hundred and twenty pills. It stands this tall inside

2:34:03.320 --> 2:34:06.040
<v Speaker 4>of the and a thing with one twenty so after

2:34:06.120 --> 2:34:08.560
<v Speaker 4>while you take the one, you take the two, and

2:34:08.680 --> 2:34:10.960
<v Speaker 4>now your back pain is gone. And then you're like,

2:34:11.040 --> 2:34:12.960
<v Speaker 4>then that shit feel good. The next you know, the

2:34:13.040 --> 2:34:14.800
<v Speaker 4>next time you look up at twenty two days, all

2:34:14.840 --> 2:34:15.959
<v Speaker 4>that the whole bottle is gone.

2:34:16.200 --> 2:34:16.800
<v Speaker 3>You're addicted.

2:34:17.800 --> 2:34:19.959
<v Speaker 4>It takes seven days for addiction.

2:34:20.240 --> 2:34:24.199
<v Speaker 3>Wow, you know what's the crazy shit? I really appreciate

2:34:24.280 --> 2:34:28.520
<v Speaker 3>you sharing that story because most people have never seen

2:34:28.600 --> 2:34:32.080
<v Speaker 3>that version of you, Like, no, you got to be outsider.

2:34:32.240 --> 2:34:34.200
<v Speaker 4>Look, you got to you got to be put together,

2:34:34.200 --> 2:34:35.880
<v Speaker 4>you got to be not in and leading, and you

2:34:35.959 --> 2:34:37.959
<v Speaker 4>got to have no money. She's the part you got

2:34:38.080 --> 2:34:40.959
<v Speaker 4>to show. I'm still gonna raise my son, so I'm

2:34:40.959 --> 2:34:43.280
<v Speaker 4>still taking them to school, watching them, feeding them the

2:34:43.280 --> 2:34:45.960
<v Speaker 4>whole none cooking whatever, taking them to practice. The whole

2:34:46.000 --> 2:34:49.680
<v Speaker 4>ship is the function and crackhead, right wow, right, what

2:34:49.760 --> 2:34:51.800
<v Speaker 4>that is? The real street, the whole night is still

2:34:51.879 --> 2:34:54.360
<v Speaker 4>doing them. The only time you don't do it is

2:34:54.400 --> 2:34:57.440
<v Speaker 4>because you don't have any bread, and so now you're

2:34:57.520 --> 2:34:58.120
<v Speaker 4>falling off.

2:34:58.320 --> 2:34:59.720
<v Speaker 1>And then you got to go to the street and

2:34:59.800 --> 2:35:03.480
<v Speaker 1>that and you're looking like you're looking the part.

2:35:03.400 --> 2:35:05.000
<v Speaker 4>So you're doing it. But if you got this ship

2:35:05.120 --> 2:35:09.360
<v Speaker 4>going you straight. Yeah, So I'm not gonna give that

2:35:09.520 --> 2:35:12.800
<v Speaker 4>off and then whatever, I can't let you see me

2:35:12.959 --> 2:35:16.920
<v Speaker 4>like that. So the kids didn't even understand. They were

2:35:16.959 --> 2:35:19.480
<v Speaker 4>shocked as too. When I'm in read, they don't know

2:35:19.640 --> 2:35:25.160
<v Speaker 4>that you can't you can't physically see that person, you know,

2:35:26.000 --> 2:35:27.640
<v Speaker 4>unless they sucked up.

2:35:28.560 --> 2:35:31.520
<v Speaker 3>And that's that's that's what makes it very very unique

2:35:31.520 --> 2:35:35.520
<v Speaker 3>about you. Is I forget who I told today. I

2:35:35.680 --> 2:35:38.200
<v Speaker 3>was like and I was like, I'm mad excited to

2:35:38.360 --> 2:35:40.920
<v Speaker 3>interview told but no Eric Sherman, right, I was like,

2:35:41.080 --> 2:35:42.160
<v Speaker 3>I'm mad exciting, right.

2:35:42.840 --> 2:35:42.920
<v Speaker 6>And.

2:35:44.879 --> 2:35:45.959
<v Speaker 2>You told me and.

2:35:49.160 --> 2:35:51.000
<v Speaker 1>Yeah, yeah, yeah, yeah, yeah. I was like a mad

2:35:51.120 --> 2:35:52.800
<v Speaker 1>man because I was just like just hype.

2:35:52.800 --> 2:35:54.360
<v Speaker 3>You know, even though you're my friend, I can say

2:35:54.360 --> 2:35:56.320
<v Speaker 3>to you my friend, but I'm still like, it doesn't

2:35:56.360 --> 2:35:58.840
<v Speaker 3>take away from me being your fan. It can't, it can't,

2:35:59.200 --> 2:36:02.600
<v Speaker 3>And I'm mad excited it And I never that question

2:36:02.640 --> 2:36:05.440
<v Speaker 3>would have never came up, like because I never I

2:36:05.640 --> 2:36:09.400
<v Speaker 3>always seen you put together. I've never seen you out

2:36:09.440 --> 2:36:12.000
<v Speaker 3>of line. Now people say that about d m X

2:36:12.280 --> 2:36:16.080
<v Speaker 3>to me, right, say that I never seen DMX. How Ever,

2:36:16.840 --> 2:36:19.200
<v Speaker 3>because they say that when d m A you, they

2:36:19.240 --> 2:36:22.480
<v Speaker 3>said that I never they said no, I said, because

2:36:22.520 --> 2:36:26.920
<v Speaker 3>when he actually got high, he stayed inside. So you

2:36:27.040 --> 2:36:33.760
<v Speaker 3>were seeing him on on alcohol, you seeing him on the.

2:36:36.920 --> 2:36:38.640
<v Speaker 1>So so that was shocking to me.

2:36:38.760 --> 2:36:42.119
<v Speaker 3>But with you, that's kind of like the total opposite

2:36:42.160 --> 2:36:44.360
<v Speaker 3>because I've kind of never seen you slipping like I

2:36:44.520 --> 2:36:46.640
<v Speaker 3>kind of always seen you put together for every time.

2:36:46.760 --> 2:36:48.840
<v Speaker 3>And that's one thing I said that somebody asked me,

2:36:48.879 --> 2:36:51.039
<v Speaker 3>and I was like, I like, you know, I since

2:36:51.040 --> 2:36:54.600
<v Speaker 3>silly love Eric Sherman as a person, not only his

2:36:54.760 --> 2:36:57.160
<v Speaker 3>music and not only you know, if it was for

2:36:57.240 --> 2:37:00.840
<v Speaker 3>ep M D with me a CNN. But you've always

2:37:00.920 --> 2:37:05.359
<v Speaker 3>been the same. So you you got an excellent version.

2:37:05.120 --> 2:37:09.720
<v Speaker 1>Of hot than that you have ecstasy at he was

2:37:09.760 --> 2:37:12.320
<v Speaker 1>the dealer. I can see.

2:37:12.360 --> 2:37:12.640
<v Speaker 4>It's the.

2:37:17.640 --> 2:37:18.760
<v Speaker 1>It's a deal.

2:37:18.920 --> 2:37:19.360
<v Speaker 2>Yeah, now.

2:37:22.320 --> 2:37:25.560
<v Speaker 4>Okay, yes, yes now that you for you?

2:37:25.680 --> 2:37:30.440
<v Speaker 2>You get I mean I never got. Just help let

2:37:30.440 --> 2:37:31.040
<v Speaker 2>me get you.

2:37:31.680 --> 2:37:33.600
<v Speaker 4>I tell you the ecstasy story.

2:37:33.680 --> 2:37:34.520
<v Speaker 1>We want to get into it.

2:37:34.600 --> 2:37:34.920
<v Speaker 3>Let's go.

2:37:37.120 --> 2:37:40.080
<v Speaker 2>The Century Club in l A. Right, that sounds like

2:37:40.120 --> 2:37:41.000
<v Speaker 2>a place for ecstasy.

2:37:41.640 --> 2:37:44.800
<v Speaker 4>So now I don't know nothing about this. It's me

2:37:45.040 --> 2:37:48.080
<v Speaker 4>dre exhibit A few other people get mad, go out right.

2:37:48.640 --> 2:37:50.800
<v Speaker 3>It's a girl who introduced it to you know, doctor

2:37:50.879 --> 2:37:52.959
<v Speaker 3>Dre did. Doctor Dre is the first person who gave

2:37:52.959 --> 2:37:55.000
<v Speaker 3>you ecstasy. Let's talk some noise about the Dre.

2:37:55.920 --> 2:38:00.080
<v Speaker 2>I don't make it do. I could have died, so

2:38:00.200 --> 2:38:00.840
<v Speaker 2>the cronic.

2:38:04.440 --> 2:38:07.840
<v Speaker 4>Crazy because again I don't even know if he if

2:38:07.920 --> 2:38:09.359
<v Speaker 4>he remembered this story.

2:38:09.520 --> 2:38:10.800
<v Speaker 2>But they're about to remember it.

2:38:11.240 --> 2:38:14.600
<v Speaker 4>But anyway, this is what Sun Section Shouldtree club. We're

2:38:14.600 --> 2:38:19.080
<v Speaker 4>going to. He pops the trunk, going net Pataya passed

2:38:19.080 --> 2:38:23.920
<v Speaker 4>out appeals to everybody. Look, I got, I got no instructions.

2:38:23.320 --> 2:38:24.600
<v Speaker 2>By the way, I want to be at this party

2:38:24.680 --> 2:38:25.000
<v Speaker 2>so bad.

2:38:25.120 --> 2:38:26.160
<v Speaker 1>Continue should club?

2:38:26.200 --> 2:38:27.120
<v Speaker 3>I got so.

2:38:27.240 --> 2:38:29.880
<v Speaker 4>Now we're in the Sphery Club right, like the record

2:38:29.920 --> 2:38:36.520
<v Speaker 4>says city clubs. Now my homegirl Alisha's there, Barby Brown's wife. Right,

2:38:38.280 --> 2:38:40.480
<v Speaker 4>this is wow ninety.

2:38:42.440 --> 2:38:42.680
<v Speaker 3>Wow.

2:38:42.840 --> 2:38:44.480
<v Speaker 4>Let me see what I was because I was doing

2:38:44.560 --> 2:38:45.920
<v Speaker 4>exhibits album, so I.

2:38:45.920 --> 2:38:48.720
<v Speaker 1>Would say ninety six first exhibit album, the first one

2:38:48.840 --> 2:38:51.000
<v Speaker 1>that's ninety four five ninety five.

2:38:52.760 --> 2:38:56.160
<v Speaker 4>I did the call the was shoe on the the

2:38:56.200 --> 2:38:57.199
<v Speaker 4>one that had Pross.

2:38:59.400 --> 2:39:02.000
<v Speaker 1>First man is a two thousand drugs.

2:39:03.240 --> 2:39:07.160
<v Speaker 2>So I had to be like nty six exceed no nigga.

2:39:07.240 --> 2:39:10.360
<v Speaker 2>He was out ninety five no in Miami for sure.

2:39:11.480 --> 2:39:14.680
<v Speaker 1>You know it's like it's like ninety you're talking about

2:39:14.760 --> 2:39:15.160
<v Speaker 1>ninety six.

2:39:15.760 --> 2:39:17.879
<v Speaker 4>No camp, nigga, it's no reason.

2:39:18.920 --> 2:39:21.160
<v Speaker 2>Ninety eight the second album, Someone was.

2:39:23.280 --> 2:39:23.959
<v Speaker 4>So ninety eight.

2:39:24.800 --> 2:39:25.400
<v Speaker 1>Second album.

2:39:25.680 --> 2:39:26.879
<v Speaker 2>I do the sense.

2:39:30.040 --> 2:39:30.200
<v Speaker 8>Right.

2:39:31.440 --> 2:39:34.920
<v Speaker 4>So I go to your club, Alicia. We lost our

2:39:34.959 --> 2:39:38.720
<v Speaker 4>friend Tiffany. She just had died. So she starts crying.

2:39:39.360 --> 2:39:42.800
<v Speaker 4>So now I'm in the club boo hooing, crying with us.

2:39:43.480 --> 2:39:48.480
<v Speaker 4>You're rolling, You're under no instructions with extasy. I'm crying

2:39:48.600 --> 2:39:48.920
<v Speaker 4>with u.

2:39:49.560 --> 2:39:50.720
<v Speaker 2>I mean boo hooing.

2:39:51.600 --> 2:39:54.320
<v Speaker 4>Right after done.

2:39:55.040 --> 2:40:01.400
<v Speaker 2>Yeah, we can't laugh that. No, someone passed. After I'm done,

2:40:01.480 --> 2:40:03.640
<v Speaker 2>we go to the what's that hotel?

2:40:03.680 --> 2:40:09.800
<v Speaker 4>Would tell the MDIO nothing on the other one, the manchos, no,

2:40:09.959 --> 2:40:14.760
<v Speaker 4>not in montals need a deco hotel. No the other one, no,

2:40:14.959 --> 2:40:19.160
<v Speaker 4>not not that one's hotel. Let's go Let's hotel, right,

2:40:20.000 --> 2:40:24.320
<v Speaker 4>because always do he is the w then am always

2:40:24.320 --> 2:40:29.160
<v Speaker 4>part to go whatever. So I go Lormitage. So the

2:40:29.400 --> 2:40:32.000
<v Speaker 4>l was first would lie and there the m come

2:40:32.040 --> 2:40:37.080
<v Speaker 4>out for that Dan. So so the Lamitage is the

2:40:37.160 --> 2:40:37.520
<v Speaker 4>drug is.

2:40:37.560 --> 2:40:40.640
<v Speaker 1>So drunk.

2:40:44.720 --> 2:40:45.880
<v Speaker 3>Slumber champs gone.

2:40:45.959 --> 2:40:49.400
<v Speaker 4>Well, the Lormitage. I ain't gonna tell you who famous

2:40:49.440 --> 2:40:51.920
<v Speaker 4>wife this is. But somebody that's real famous, that's yous

2:40:52.000 --> 2:40:54.800
<v Speaker 4>I got his wife in the room, right, I want

2:40:54.840 --> 2:40:57.879
<v Speaker 4>to know, but she wouldn't she wasn't married then, Oh man,

2:40:57.879 --> 2:41:00.400
<v Speaker 4>I don't even work marry with people like that ever

2:41:00.480 --> 2:41:03.680
<v Speaker 4>in my life. So now I don't got no instructions.

2:41:04.680 --> 2:41:07.280
<v Speaker 4>So now I'm in there buggering the fuck. I'm like, yo,

2:41:07.920 --> 2:41:10.600
<v Speaker 4>now my mouth is driving my ship. Everything is dry,

2:41:10.640 --> 2:41:13.360
<v Speaker 4>and I'm sitting there tripping. She come in there with

2:41:13.440 --> 2:41:17.640
<v Speaker 4>the robe on nothing. I'm like, get out. I'm like,

2:41:18.280 --> 2:41:21.120
<v Speaker 4>so now I'm sitting there. They forgot to tell me

2:41:21.200 --> 2:41:21.800
<v Speaker 4>to drink water.

2:41:21.920 --> 2:41:22.600
<v Speaker 2>You know, you gotta do.

2:41:24.320 --> 2:41:24.760
<v Speaker 1>So now?

2:41:25.959 --> 2:41:32.520
<v Speaker 4>And like this, no na, after I kicked I kicked

2:41:32.520 --> 2:41:36.640
<v Speaker 4>the girl out. I'm in the bed, but time is

2:41:36.760 --> 2:41:41.920
<v Speaker 4>moving slow. It's still maybe like in the morning. I'm like, damn,

2:41:41.959 --> 2:41:43.760
<v Speaker 4>I ain't gonna be able to get through this. But again,

2:41:44.040 --> 2:41:46.560
<v Speaker 4>if they were told me about to have somebody with

2:41:46.720 --> 2:41:49.760
<v Speaker 4>you drink water the whole night, I got no instruction

2:41:50.560 --> 2:41:53.600
<v Speaker 4>because I'm already booing. I'm already boohooing in the club

2:41:54.320 --> 2:41:58.800
<v Speaker 4>draga ecstasy and said you take on the emotions of

2:41:59.000 --> 2:42:01.080
<v Speaker 4>I took the emotions on that, but got to the

2:42:01.200 --> 2:42:04.520
<v Speaker 4>room and whatever like that. But again that's that's whatever

2:42:04.720 --> 2:42:07.560
<v Speaker 4>the experience. I never took that ever again in my

2:42:07.680 --> 2:42:10.400
<v Speaker 4>life ever, and people rock with that. The whole time

2:42:12.640 --> 2:42:16.320
<v Speaker 4>about walking about ecstasy is because the same effraial yous

2:42:16.440 --> 2:42:21.039
<v Speaker 4>you get from that euphoria, that's what percoset does. That's

2:42:21.080 --> 2:42:23.200
<v Speaker 4>why the people in the records speak about it so much.

2:42:24.560 --> 2:42:27.760
<v Speaker 4>They shouldn't. But nobody's gonna speak about something that don't

2:42:27.760 --> 2:42:32.959
<v Speaker 4>make them hot. That ecstasy feel you get. Pergoset give

2:42:32.959 --> 2:42:35.320
<v Speaker 4>you that too. But does the percoset make you sleepy? No,

2:42:35.480 --> 2:42:38.920
<v Speaker 4>that's certain people. Everything that every drug works lean. And

2:42:39.000 --> 2:42:41.120
<v Speaker 4>the thing is is that it's the time before you

2:42:41.240 --> 2:42:45.640
<v Speaker 4>fall asleep. There's that euphoria. That's the euphoria. But it

2:42:45.760 --> 2:42:50.480
<v Speaker 4>can make you create and make records and be as

2:42:50.600 --> 2:42:53.600
<v Speaker 4>ill as you possibly can while niggas smoke weed. That's

2:42:53.600 --> 2:42:56.080
<v Speaker 4>why niggas did held when that's why you got people

2:42:56.080 --> 2:42:58.120
<v Speaker 4>who over those. So you got the Kirk Coke Burns

2:42:58.320 --> 2:42:59.959
<v Speaker 4>or the Marvin Gaye or that donnia have the way

2:43:00.040 --> 2:43:00.320
<v Speaker 4>you can.

2:43:00.280 --> 2:43:01.359
<v Speaker 2>Get create.

2:43:03.280 --> 2:43:07.440
<v Speaker 4>In there fucking beating that piano all night five of

2:43:07.520 --> 2:43:07.879
<v Speaker 4>the morning.

2:43:08.959 --> 2:43:11.000
<v Speaker 3>You know, are you.

2:43:12.800 --> 2:43:14.560
<v Speaker 4>No will? I'm just giving you what.

2:43:14.959 --> 2:43:18.280
<v Speaker 1>It'll make you do you're recreating a way too real, bro.

2:43:18.480 --> 2:43:20.840
<v Speaker 4>No, but because know when you when you up there

2:43:20.840 --> 2:43:23.640
<v Speaker 4>and you hide the creative part of it makes you

2:43:23.720 --> 2:43:25.960
<v Speaker 4>feel good. You just thought you'd be in there.

2:43:26.040 --> 2:43:30.000
<v Speaker 2>You know, you ever worked an Electric Lady. No, I

2:43:30.080 --> 2:43:32.760
<v Speaker 2>wish I would have you. That's with the cat.

2:43:33.920 --> 2:43:34.959
<v Speaker 4>No, no, no, that's that's something.

2:43:36.520 --> 2:43:39.360
<v Speaker 1>Yeah, the cat was a cat there in Dangelo. Yeah,

2:43:39.879 --> 2:43:40.800
<v Speaker 1>d Angela had something to do.

2:43:40.879 --> 2:43:43.200
<v Speaker 2>No, you have to know he ended up working there afterwards.

2:43:43.800 --> 2:43:44.000
<v Speaker 5>Yeah.

2:43:44.080 --> 2:43:46.000
<v Speaker 2>Yeah, yeah, that's Jimmy.

2:43:47.040 --> 2:43:48.680
<v Speaker 1>And there was to be a white cat there.

2:43:48.920 --> 2:43:52.000
<v Speaker 3>And I'm allergic to cats like anywhere, Like, if a

2:43:52.080 --> 2:43:54.119
<v Speaker 3>cat is down the block, I will break out. That's

2:43:54.160 --> 2:43:56.240
<v Speaker 3>the only cat in the world that I didn't break

2:43:56.280 --> 2:43:58.600
<v Speaker 3>out for. And I swore to God that was Jimmy

2:43:58.640 --> 2:44:03.000
<v Speaker 3>Hens what a real cat. Yeah, like a cat that

2:44:03.200 --> 2:44:07.520
<v Speaker 3>was not the homie cat. Yeah, that's why I thought you.

2:44:08.200 --> 2:44:09.800
<v Speaker 3>I swore you would have worked at an Electric lad

2:44:09.920 --> 2:44:10.080
<v Speaker 3>I was.

2:44:10.480 --> 2:44:12.560
<v Speaker 4>You know what, you get to this, to this, to

2:44:12.720 --> 2:44:15.360
<v Speaker 4>this thing, and you tell stories and you keep it

2:44:15.400 --> 2:44:16.960
<v Speaker 4>getting how sensitive people are.

2:44:17.080 --> 2:44:17.200
<v Speaker 8>Man.

2:44:17.200 --> 2:44:19.560
<v Speaker 2>I just told people like, don't call me, tell me yo,

2:44:20.440 --> 2:44:21.520
<v Speaker 2>I'm just I'm just talking.

2:44:21.360 --> 2:44:23.880
<v Speaker 4>In my head. About people that don't worry. Yeah, I know,

2:44:24.000 --> 2:44:24.600
<v Speaker 4>but people.

2:44:26.040 --> 2:44:28.880
<v Speaker 2>Don't worry. They blame us anyways, you know. But I

2:44:28.879 --> 2:44:31.000
<v Speaker 2>don't want to bring up the story though, But again.

2:44:31.080 --> 2:44:34.640
<v Speaker 1>Bring the story what you do, right, because this is history,

2:44:34.720 --> 2:44:38.000
<v Speaker 1>no real, we're documenting history. That's the problem that hip

2:44:38.040 --> 2:44:41.199
<v Speaker 1>hop hasn't done a very good job of documenting itself properly.

2:44:41.400 --> 2:44:43.680
<v Speaker 3>That's right, Yeah, that's right.

2:44:47.000 --> 2:44:48.160
<v Speaker 2>You know, we gotta be told.

2:44:48.240 --> 2:44:48.680
<v Speaker 3>God damn it.

2:44:49.480 --> 2:44:51.320
<v Speaker 4>Yeah, I got some I got some ship though, man

2:44:51.360 --> 2:44:56.760
<v Speaker 4>with some other niggas. So you had a story or

2:44:56.800 --> 2:45:00.520
<v Speaker 4>no I got I mean, that's that's yeah, buget fuck out, man,

2:45:01.400 --> 2:45:02.960
<v Speaker 4>you got understand. This is why I tell people was

2:45:03.480 --> 2:45:06.800
<v Speaker 4>see how everybody is famous. Now imagine that eighty eight.

2:45:08.440 --> 2:45:11.400
<v Speaker 4>It's only like twelve of us, right, there's a small

2:45:11.440 --> 2:45:12.480
<v Speaker 4>group with the whole world.

2:45:12.640 --> 2:45:13.240
<v Speaker 2>It's crazy.

2:45:13.360 --> 2:45:16.840
<v Speaker 4>And the poem we told about, man David talk about

2:45:16.840 --> 2:45:19.680
<v Speaker 4>the other day. I'm in Philadelphia, I'm Michael Jackson. I

2:45:19.760 --> 2:45:23.200
<v Speaker 4>gotta jump over the gate. I got ten thousand kids

2:45:23.959 --> 2:45:24.480
<v Speaker 4>chasing me.

2:45:24.959 --> 2:45:27.039
<v Speaker 2>Use finger popping everything I'm gonna.

2:45:26.840 --> 2:45:29.360
<v Speaker 4>Say, because how it was like the same type of

2:45:29.520 --> 2:45:32.200
<v Speaker 4>that's what you see, what you see talking about whatever

2:45:32.320 --> 2:45:35.600
<v Speaker 4>you see. The fucking people talk about they're all famous now,

2:45:35.640 --> 2:45:37.560
<v Speaker 4>but back then it was only twelve of us, and

2:45:37.720 --> 2:45:40.760
<v Speaker 4>I was one of them, like e pmd Rahim Rock, Caim,

2:45:40.879 --> 2:45:44.360
<v Speaker 4>Dougie Hammered Short. But it's only name you could name

2:45:44.640 --> 2:45:47.600
<v Speaker 4>fifteen people. Can you imagine that with the whole world?

2:45:48.680 --> 2:45:50.560
<v Speaker 4>I think, and this is the thing I know. I

2:45:51.080 --> 2:45:56.440
<v Speaker 4>think the culture takes RANDI hold, hold, hold it. But

2:45:56.560 --> 2:45:59.120
<v Speaker 4>I think I think the culture takes for granted that

2:45:59.320 --> 2:46:04.560
<v Speaker 4>reality that it was a small thing day grew. I

2:46:04.879 --> 2:46:08.320
<v Speaker 4>like to say when the iPod came to play and

2:46:08.480 --> 2:46:11.480
<v Speaker 4>it made hip hop a thing beyond hip hop where

2:46:11.520 --> 2:46:14.240
<v Speaker 4>you have a playlist, But we did that well, Apple

2:46:14.280 --> 2:46:15.520
<v Speaker 4>and all these jobs.

2:46:15.800 --> 2:46:19.160
<v Speaker 2>But that's what that's what explained it was in the culture.

2:46:19.320 --> 2:46:23.400
<v Speaker 4>Remember Eminem had one commercial, Remember that, right, because don't

2:46:23.400 --> 2:46:25.800
<v Speaker 4>forget Steve went to Jimmy Iveen and said, Yo, I

2:46:25.840 --> 2:46:29.120
<v Speaker 4>got this ship called Apple, called it the iPod, want

2:46:29.160 --> 2:46:31.160
<v Speaker 4>you suck with it? Jimmy Iveen is making a hundred

2:46:31.200 --> 2:46:33.680
<v Speaker 4>million dollars in this call. He gets the funk about

2:46:33.720 --> 2:46:36.440
<v Speaker 4>what Steve is talking about. So but in the beginning,

2:46:36.600 --> 2:46:38.600
<v Speaker 4>Eminem does one commercial for Apple.

2:46:38.879 --> 2:46:45.680
<v Speaker 2>We never saw the game. Really, he did one commercial

2:46:45.920 --> 2:46:46.360
<v Speaker 2>for Apple.

2:46:47.520 --> 2:46:47.879
<v Speaker 1>You two.

2:46:49.280 --> 2:46:52.400
<v Speaker 4>He didn't nobody, Jimmy Iveen, nobody believed in it. They

2:46:52.400 --> 2:46:54.800
<v Speaker 4>didn't believe that, so they didn't let it happen. What

2:46:54.920 --> 2:46:59.800
<v Speaker 4>Steve was playing with like, he changed that. That ship

2:47:00.080 --> 2:47:01.920
<v Speaker 4>changed the game. That fucking iPod.

2:47:02.040 --> 2:47:05.440
<v Speaker 1>That's what changed everything, but also changed Apple. But that's

2:47:05.480 --> 2:47:08.880
<v Speaker 1>what changed hip hop in terms of it being just culturally,

2:47:09.400 --> 2:47:12.000
<v Speaker 1>because I tell people all till I'm like from Miami

2:47:12.080 --> 2:47:15.080
<v Speaker 1>hip hop standpoint, I'm like, I remember going around and

2:47:15.200 --> 2:47:17.600
<v Speaker 1>it was a few thousand hip hops.

2:47:17.920 --> 2:47:21.720
<v Speaker 4>You said that because that's what happened. Steve went to

2:47:21.879 --> 2:47:25.960
<v Speaker 4>him whatever, and Jimmy is like, look at me, Nigga

2:47:26.440 --> 2:47:29.560
<v Speaker 4>in the scope, I'm fucking h you coming to me

2:47:29.680 --> 2:47:29.920
<v Speaker 4>with this.

2:47:30.959 --> 2:47:34.600
<v Speaker 2>Didn't believe it. And it changed the game. It changed everything.

2:47:34.720 --> 2:47:38.000
<v Speaker 1>It changed everything because it crossed genre and everything and

2:47:38.120 --> 2:47:39.760
<v Speaker 1>made everybody be into everything.

2:47:39.879 --> 2:47:42.280
<v Speaker 2>And then it just good and bad.

2:47:42.959 --> 2:47:45.920
<v Speaker 4>There's good and I wish though, oh my God, to

2:47:46.000 --> 2:47:49.600
<v Speaker 4>be able to Tuesday comes and the CDs coming out.

2:47:49.680 --> 2:47:51.840
<v Speaker 4>Nigga's on the line of Tower Records and be a

2:47:52.080 --> 2:47:53.880
<v Speaker 4>soul opened up and read the back and the whole,

2:47:53.920 --> 2:47:54.440
<v Speaker 4>and that's that.

2:47:54.680 --> 2:47:59.680
<v Speaker 2>That was Sam Goodie and the Mixtape errow, Like.

2:48:00.120 --> 2:48:03.320
<v Speaker 4>Can you imagine if that still existed, that we waited

2:48:03.400 --> 2:48:05.360
<v Speaker 4>for Tuesday and we waited for that and all of

2:48:05.400 --> 2:48:08.600
<v Speaker 4>a sudden, niggas dropping, Like yo, what can you imagine

2:48:08.640 --> 2:48:11.200
<v Speaker 4>we still had that type of ship Like I understand

2:48:11.240 --> 2:48:13.840
<v Speaker 4>about technology though, but to be able to you as

2:48:13.879 --> 2:48:20.880
<v Speaker 4>a fan to open up the package and it was

2:48:20.959 --> 2:48:24.080
<v Speaker 4>recording but but but then but then play the sequence right,

2:48:24.360 --> 2:48:28.359
<v Speaker 4>But to care the sequence was important shuffle.

2:48:28.120 --> 2:48:30.720
<v Speaker 1>To care about it, guys, this is a shuffle available

2:48:30.760 --> 2:48:33.959
<v Speaker 1>we're talking about to care about even wanting to read

2:48:34.000 --> 2:48:34.560
<v Speaker 1>those credits.

2:48:34.600 --> 2:48:36.880
<v Speaker 3>But that's what I'm saying that when it changed, like

2:48:37.480 --> 2:48:39.959
<v Speaker 3>there's the positivity of the audience growing.

2:48:39.760 --> 2:48:43.240
<v Speaker 4>Actually was important because then when that interlude came, the

2:48:43.360 --> 2:48:45.800
<v Speaker 4>inter it's a red down on your head. It's a

2:48:45.879 --> 2:48:48.560
<v Speaker 4>red down on your head too. Oh Ship, then the

2:48:48.600 --> 2:48:53.240
<v Speaker 4>record coming like that was nothing like that, Like I

2:48:53.320 --> 2:48:56.280
<v Speaker 4>know it's a dream though, but damn man, Ship.

2:48:56.440 --> 2:48:57.920
<v Speaker 3>You was one of the first people that I heard

2:48:58.040 --> 2:49:04.240
<v Speaker 3>speak about streaming. Do you think in retrospect it's a

2:49:04.280 --> 2:49:05.200
<v Speaker 3>good thing or a bad thing?

2:49:06.680 --> 2:49:12.720
<v Speaker 4>Streaming right now is quadjupling. The contracts we got when

2:49:12.720 --> 2:49:15.240
<v Speaker 4>we got contract meaning when we.

2:49:15.280 --> 2:49:21.960
<v Speaker 3>Signed our contracts, the Perpetuity did and that was involved.

2:49:22.120 --> 2:49:26.000
<v Speaker 4>Is even with the less than one penny, it is

2:49:26.080 --> 2:49:27.280
<v Speaker 4>better than the contracts we got.

2:49:28.640 --> 2:49:31.480
<v Speaker 1>Wait, because of how much exponentially.

2:49:31.200 --> 2:49:35.720
<v Speaker 4>Money that's being made is way way more than the

2:49:35.800 --> 2:49:36.879
<v Speaker 4>contract that we got.

2:49:37.640 --> 2:49:40.680
<v Speaker 2>But the money being made for the label. Yeah, but

2:49:40.920 --> 2:49:41.240
<v Speaker 2>if you.

2:49:42.760 --> 2:49:48.640
<v Speaker 4>Have, if you independent and you got the name and

2:49:48.760 --> 2:49:51.200
<v Speaker 4>it goes to you, I'm just going to pause what's

2:49:51.240 --> 2:49:53.560
<v Speaker 4>happening with me and when you talk to baby. When

2:49:53.640 --> 2:49:55.960
<v Speaker 4>Baby says, if you think there's no money in the

2:49:56.040 --> 2:49:59.480
<v Speaker 4>music business, union in the music business because people like him.

2:50:00.520 --> 2:50:02.920
<v Speaker 4>But the contract, this is what I'm saying. The contract

2:50:02.920 --> 2:50:07.480
<v Speaker 4>that we got that you signed from every artist doesn't

2:50:07.480 --> 2:50:09.760
<v Speaker 4>compare to the one less than one pinion that we get.

2:50:09.840 --> 2:50:14.720
<v Speaker 4>The streaming now, I don't know about what everybody else

2:50:14.879 --> 2:50:18.640
<v Speaker 4>thinks is doing, but I've seen it happen for people

2:50:19.040 --> 2:50:21.879
<v Speaker 4>and what it's doing for other people who are benefiting

2:50:22.040 --> 2:50:25.080
<v Speaker 4>off streaming. But the ill part of the fact that

2:50:25.320 --> 2:50:26.720
<v Speaker 4>it's supposed to be going up.

2:50:27.480 --> 2:50:30.040
<v Speaker 1>Yeah, well, Congress is supposed to pas it to one penny,

2:50:30.240 --> 2:50:33.800
<v Speaker 1>to a penny to a penny, which everybody's like, that's ridiculous, buddy.

2:50:33.520 --> 2:50:35.400
<v Speaker 2>But you're can imagine what a penny. Oh my god,

2:50:35.680 --> 2:50:37.000
<v Speaker 2>is way big difference.

2:50:37.360 --> 2:50:39.880
<v Speaker 1>But then when Snoop goes out and says this needs

2:50:39.920 --> 2:50:42.119
<v Speaker 1>to change, I believe do you feel like the legacy

2:50:42.240 --> 2:50:43.080
<v Speaker 1>artists should deserve?

2:50:43.160 --> 2:50:45.960
<v Speaker 4>Noop is the one that made that thing happen? Oh

2:50:46.040 --> 2:50:50.560
<v Speaker 4>really because him vocalizing one billion of streams only made systance.

2:50:52.400 --> 2:50:55.199
<v Speaker 4>But see I could get on him. It is different

2:50:55.320 --> 2:51:00.120
<v Speaker 4>for the producer, got you. The producer is not the

2:51:00.360 --> 2:51:05.920
<v Speaker 4>artists or the writer like we we It's always been

2:51:06.040 --> 2:51:10.640
<v Speaker 4>different for the producer. If we if we are the

2:51:10.680 --> 2:51:11.760
<v Speaker 4>whole thing, we get the whole tea.

2:51:13.120 --> 2:51:14.279
<v Speaker 2>As a producer.

2:51:13.959 --> 2:51:16.040
<v Speaker 4>Producer, we just we get that. I just showed you

2:51:16.120 --> 2:51:21.720
<v Speaker 4>on publishing and then on it right. But the artist,

2:51:21.840 --> 2:51:25.920
<v Speaker 4>the producer period is going to be because again you

2:51:26.120 --> 2:51:29.040
<v Speaker 4>get you get all that publishing, you get role, you

2:51:29.120 --> 2:51:31.120
<v Speaker 4>get all of that that come with it. The writer

2:51:31.320 --> 2:51:33.720
<v Speaker 4>doesn't get. The artist doesn't get it that contract GT

2:51:33.720 --> 2:51:37.880
<v Speaker 4>made for him and her unless you you're big artist.

2:51:37.920 --> 2:51:38.879
<v Speaker 2>You sell those millions of.

2:51:38.920 --> 2:51:40.959
<v Speaker 4>Records and then you look for your advance to come

2:51:41.040 --> 2:51:45.840
<v Speaker 4>back big, not the other mechanical stuff that the next

2:51:45.879 --> 2:51:48.680
<v Speaker 4>advanced the label side exactly, and then they be like

2:51:48.680 --> 2:51:50.800
<v Speaker 4>you know what you owe me five in thousands because

2:51:50.800 --> 2:51:51.600
<v Speaker 4>I pay for that this way.

2:51:51.760 --> 2:51:54.320
<v Speaker 2>Whatever, So you never the label, You'll never be cooped.

2:51:55.000 --> 2:51:59.959
<v Speaker 4>You're gonna always owe them there, gonna always owe them always.

2:52:00.280 --> 2:52:04.160
<v Speaker 3>I remember seeing charges as a young young and they

2:52:04.200 --> 2:52:06.840
<v Speaker 3>would tell me, you know, we didn't have Instagram back then,

2:52:07.120 --> 2:52:09.120
<v Speaker 3>we didn't have Twitter, and they would tell me, you know,

2:52:09.200 --> 2:52:11.920
<v Speaker 3>we spent one hundred and fifty thousand in Japan for

2:52:12.000 --> 2:52:14.560
<v Speaker 3>you here, and we spent such and such, and I

2:52:14.680 --> 2:52:17.360
<v Speaker 3>didn't have access to Japan back then, so I would

2:52:17.440 --> 2:52:20.160
<v Speaker 3>just take their word. Do you think they was lying

2:52:20.240 --> 2:52:22.400
<v Speaker 3>to us? But you could always audit them though.

2:52:23.600 --> 2:52:25.600
<v Speaker 4>Certain labels though too, And I can say it now

2:52:25.760 --> 2:52:29.800
<v Speaker 4>that death Sham or whatever. They whole thing is to

2:52:29.879 --> 2:52:33.879
<v Speaker 4>come under budget. So as long as I don't spend

2:52:33.959 --> 2:52:36.520
<v Speaker 4>that money on you and I could pocket it, it's cool.

2:52:37.000 --> 2:52:41.280
<v Speaker 4>Labels just did that period. They were some labels they

2:52:41.440 --> 2:52:44.760
<v Speaker 4>do what would put money behind you, and not saying

2:52:44.800 --> 2:52:47.240
<v Speaker 4>they didn't, but they go off for you having a

2:52:47.320 --> 2:52:49.600
<v Speaker 4>hit record and then that shit exploded, you know what

2:52:49.640 --> 2:52:52.160
<v Speaker 4>I'm saying. But the but, but the thing is to

2:52:52.240 --> 2:52:54.680
<v Speaker 4>come under budget and for niggas to pocket money.

2:52:55.240 --> 2:52:58.640
<v Speaker 1>Right, you know, you recorded albums under the budget.

2:53:00.080 --> 2:53:02.600
<v Speaker 2>You mean he's saying that deaf Jam as a whole.

2:53:02.680 --> 2:53:06.360
<v Speaker 2>The budget goal is the.

2:53:06.600 --> 2:53:09.560
<v Speaker 1>Nuts that could be recording, that could be marketing. I

2:53:09.640 --> 2:53:11.680
<v Speaker 1>get money from from from from what was it called

2:53:11.760 --> 2:53:13.600
<v Speaker 1>reforcastcop no recoop.

2:53:14.480 --> 2:53:19.200
<v Speaker 2>I never did that recoup or not refork. I never

2:53:19.280 --> 2:53:21.480
<v Speaker 2>took I never took extra money from them.

2:53:22.200 --> 2:53:24.880
<v Speaker 4>That's why I'm I think that that the respect I

2:53:25.080 --> 2:53:29.000
<v Speaker 4>gain respecting I get from from Leon and from because

2:53:29.000 --> 2:53:31.000
<v Speaker 4>I was one of the only clients who never asked

2:53:31.040 --> 2:53:31.720
<v Speaker 4>for extra money.

2:53:32.040 --> 2:53:34.080
<v Speaker 2>I used what they gave me.

2:53:35.120 --> 2:53:38.680
<v Speaker 3>But what I did my thing was I bought my

2:53:38.760 --> 2:53:43.360
<v Speaker 3>own studio. When I bought my own stood love early yeah,

2:53:43.440 --> 2:53:48.280
<v Speaker 3>and I named something thirty second in Madison, US in

2:53:48.360 --> 2:53:52.000
<v Speaker 3>Manhattan to yes, Wow, totally different.

2:53:52.360 --> 2:53:55.640
<v Speaker 2>I think it's something totally different. And I it didn't

2:53:55.680 --> 2:53:56.400
<v Speaker 2>seem like a man.

2:53:57.440 --> 2:54:00.320
<v Speaker 3>It was called the hood laugh but uh, but it

2:54:00.360 --> 2:54:04.080
<v Speaker 3>was a thirty second in Madison. And I would charge

2:54:04.440 --> 2:54:07.680
<v Speaker 3>Depth Jam, Tommy boy, everybody who is doing business, but

2:54:07.720 --> 2:54:08.520
<v Speaker 3>I charge him.

2:54:08.400 --> 2:54:10.880
<v Speaker 2>On a different entity. And they never knew that I

2:54:11.000 --> 2:54:12.440
<v Speaker 2>actually owned the students dope.

2:54:17.200 --> 2:54:22.080
<v Speaker 3>And then then like other other clients started to catch on,

2:54:22.280 --> 2:54:24.160
<v Speaker 3>like men League, you know, other people.

2:54:24.160 --> 2:54:25.920
<v Speaker 2>It was like wait a minute. So I was like, Yo,

2:54:26.000 --> 2:54:27.760
<v Speaker 2>what is quads charging you?

2:54:27.800 --> 2:54:28.360
<v Speaker 1>What is sound on?

2:54:28.480 --> 2:54:30.640
<v Speaker 3>Sound charge you with his daddy's house charging? They charge

2:54:30.680 --> 2:54:32.520
<v Speaker 3>you this. I'll charge you this and I'll give you

2:54:32.680 --> 2:54:33.240
<v Speaker 3>back half.

2:54:34.080 --> 2:54:35.720
<v Speaker 1>So I just I had a whole.

2:54:36.600 --> 2:54:37.520
<v Speaker 4>But that's the game.

2:54:37.680 --> 2:54:41.680
<v Speaker 2>Yeah, I had old had kick. Yeah, that's what was

2:54:41.680 --> 2:54:45.200
<v Speaker 2>going on in the labels, you know, I.

2:54:45.200 --> 2:54:45.800
<v Speaker 4>Mean we got.

2:54:47.640 --> 2:54:48.160
<v Speaker 1>What we did.

2:54:48.360 --> 2:54:54.000
<v Speaker 4>Everybody made money that way. Everybody. You you the money is,

2:54:54.240 --> 2:54:56.600
<v Speaker 4>don't forget it's coming from somebody else anyway. But I

2:54:56.680 --> 2:54:59.440
<v Speaker 4>can get this for you, you know. Just I need

2:54:59.520 --> 2:55:01.080
<v Speaker 4>this to get half of this back. That's what he

2:55:01.640 --> 2:55:06.120
<v Speaker 4>was doing. Everybody was making money, is what happened. Put

2:55:06.160 --> 2:55:10.480
<v Speaker 4>a hole on blast. But everybody did that, everybody and

2:55:10.520 --> 2:55:13.960
<v Speaker 4>they still do it now. Everybody this is doing this.

2:55:14.920 --> 2:55:18.320
<v Speaker 4>And the radio game was even crazier. Oh my god,

2:55:18.520 --> 2:55:19.320
<v Speaker 4>it was disrespectful.

2:55:19.320 --> 2:55:20.280
<v Speaker 3>It was dispectful back then.

2:55:20.520 --> 2:55:21.640
<v Speaker 2>Charging on that got damn money.

2:55:21.680 --> 2:55:24.680
<v Speaker 4>I was. I gave somebody thirty five thousand dollars. My

2:55:24.760 --> 2:55:30.120
<v Speaker 4>ship came on a three A game in the morning. Yo,

2:55:30.160 --> 2:55:33.040
<v Speaker 4>you got some spinds wet nigga, that buddy hurting none.

2:55:39.920 --> 2:55:43.039
<v Speaker 4>I wasn't ready, but that's the game.

2:55:44.040 --> 2:55:47.400
<v Speaker 3>Let me ask you, is to be all these like

2:55:48.240 --> 2:55:51.879
<v Speaker 3>uh stories about hip hop, like what is it though?

2:55:52.400 --> 2:55:53.160
<v Speaker 1>On Fox?

2:55:53.920 --> 2:56:01.879
<v Speaker 3>Oh, Empire and all this seventy one sixty Varrak yeah,

2:56:03.280 --> 2:56:03.720
<v Speaker 3>definit jam.

2:56:03.840 --> 2:56:08.040
<v Speaker 2>That office was single handedly saved my life.

2:56:09.080 --> 2:56:15.039
<v Speaker 4>Grand Grand Grand Green Studio, you know the cor service

2:56:15.080 --> 2:56:18.800
<v Speaker 4>Grand Yes and X y Z when you spent on

2:56:19.080 --> 2:56:19.800
<v Speaker 4>two months, I know.

2:56:20.120 --> 2:56:21.840
<v Speaker 3>But let me just tell you something. I used to

2:56:21.920 --> 2:56:24.280
<v Speaker 3>go there because the rush management was there. And this

2:56:24.360 --> 2:56:26.080
<v Speaker 3>is how I got introduced to Chris Lightdy.

2:56:26.879 --> 2:56:28.840
<v Speaker 2>Oh yeah, you was was on the I was on Vio.

2:56:29.800 --> 2:56:31.879
<v Speaker 1>He was there, and I wasn't on Death Jamber at

2:56:31.920 --> 2:56:32.200
<v Speaker 1>that time.

2:56:32.400 --> 2:56:34.520
<v Speaker 2>I was on Penalty. But I used to go to

2:56:34.640 --> 2:56:35.640
<v Speaker 2>that office.

2:56:37.080 --> 2:56:40.280
<v Speaker 3>I can get a haircut there, I could roll dice there,

2:56:40.840 --> 2:56:42.120
<v Speaker 3>and I could buy weed there.

2:56:43.520 --> 2:56:44.360
<v Speaker 2>I stopped hanging in.

2:56:44.600 --> 2:56:48.440
<v Speaker 3>At Barrack, Yes, at Varick. I used to see Redman there.

2:56:49.000 --> 2:56:54.680
<v Speaker 3>I used to see rush management there. To me, that

2:56:54.879 --> 2:56:58.320
<v Speaker 3>is the quick essential hip hop story that should be told.

2:56:59.400 --> 2:56:59.960
<v Speaker 3>What do you think?

2:57:02.680 --> 2:57:05.560
<v Speaker 2>What about all the sex that was going on a

2:57:05.600 --> 2:57:07.320
<v Speaker 2>minute out of control?

2:57:07.920 --> 2:57:09.240
<v Speaker 3>Come on, what are you talking about?

2:57:10.720 --> 2:57:14.199
<v Speaker 4>Because you're not mentioning that. Oh yeah you can't because

2:57:14.200 --> 2:57:16.680
<v Speaker 4>you you know you you really beloved right now.

2:57:16.680 --> 2:57:17.000
<v Speaker 6>But but.

2:57:19.160 --> 2:57:29.520
<v Speaker 4>But but at the end of the day with the Staines, Wow.

2:57:30.040 --> 2:57:31.480
<v Speaker 1>Yeah it was bad.

2:57:32.160 --> 2:57:36.040
<v Speaker 4>But again, the story could be told on that block,

2:57:37.320 --> 2:57:39.760
<v Speaker 4>but it could be told on Elizabeth Avenue. He was

2:57:39.840 --> 2:57:43.879
<v Speaker 4>before you wasn't here. You probably was like, yeah, Elizabeth

2:57:44.040 --> 2:57:50.120
<v Speaker 4>is where us started. At Elizabeth Elizabeth Street. Okay, any

2:57:50.280 --> 2:57:52.160
<v Speaker 4>time you would go outside, you would see one d

2:57:52.280 --> 2:57:54.879
<v Speaker 4>M c rock him e PM. You would see all

2:57:54.920 --> 2:58:00.560
<v Speaker 4>of us outside ran everywhere. This is chilling.

2:58:01.400 --> 2:58:05.480
<v Speaker 2>But Barrick was a whole dynamic of interns.

2:58:07.120 --> 2:58:08.600
<v Speaker 4>Why you act like you shocked niggas?

2:58:08.600 --> 2:58:12.199
<v Speaker 2>No, I didn't know. To me, this was like he's saying.

2:58:12.520 --> 2:58:14.560
<v Speaker 1>This was like, you don't want to stay.

2:58:14.560 --> 2:58:16.480
<v Speaker 4>I got the same one when you got there that

2:58:16.640 --> 2:58:18.119
<v Speaker 4>was this was like great evinure.

2:58:18.160 --> 2:58:20.920
<v Speaker 3>To me, I was like, wait a minute, I could

2:58:20.959 --> 2:58:21.200
<v Speaker 3>get my.

2:58:21.280 --> 2:58:24.440
<v Speaker 1>Hair cut, roll dice and buy weed at the same

2:58:24.520 --> 2:58:26.560
<v Speaker 1>place as the hood. Fuck the hood.

2:58:27.000 --> 2:58:28.880
<v Speaker 2>And and and it's safe, it's safe.

2:58:29.200 --> 2:58:30.960
<v Speaker 4>I think that part. I think it's rough riders. There's

2:58:31.240 --> 2:58:36.320
<v Speaker 4>there's there's murder Ink and then Randfather, and there's the

2:58:36.400 --> 2:58:39.199
<v Speaker 4>Depth Squad, and there's and at that time that ship

2:58:39.360 --> 2:58:42.760
<v Speaker 4>was on fire on so so you came. When did

2:58:42.800 --> 2:58:43.760
<v Speaker 4>you get signed there?

2:58:43.800 --> 2:58:43.959
<v Speaker 1>Then?

2:58:44.480 --> 2:58:49.280
<v Speaker 3>Well, remember Chris Lidy picked me up nineteen ninety eight

2:58:50.360 --> 2:58:56.960
<v Speaker 3>or ninety seven seven because because he he got me

2:58:57.080 --> 2:58:58.840
<v Speaker 3>into the n R album, which was.

2:58:58.840 --> 2:58:59.640
<v Speaker 2>My ninety nine.

2:59:00.480 --> 2:59:02.960
<v Speaker 4>Hey, let's go for the real quick. This is I

2:59:03.040 --> 2:59:05.920
<v Speaker 4>gotta tell you this, this is really you won't do

2:59:06.000 --> 2:59:15.400
<v Speaker 4>this at all. Death Sham has me, the Death Squad

2:59:15.480 --> 2:59:20.680
<v Speaker 4>and Oriega Right now, t R L was was big, right,

2:59:20.920 --> 2:59:23.800
<v Speaker 4>m t V, m TV and Peter Gun's Lord, we

2:59:23.879 --> 2:59:27.600
<v Speaker 4>got that ship out uptown right, so it's uptown Anthem,

2:59:28.600 --> 2:59:32.000
<v Speaker 4>you know, it's what what uptown Anthem and sugar and

2:59:32.360 --> 2:59:33.040
<v Speaker 4>it raps the light?

2:59:33.680 --> 2:59:37.320
<v Speaker 2>Right, So we're in the meeting, so I don't care

2:59:37.360 --> 2:59:37.920
<v Speaker 2>about that too.

2:59:37.959 --> 2:59:41.560
<v Speaker 4>They're like, yeah, so yeah, we gotta make sure we

2:59:41.640 --> 2:59:45.680
<v Speaker 4>have a little dilemma the Death Squad and Oreegle record

2:59:45.720 --> 2:59:48.520
<v Speaker 4>and what what record? And and and we gotta see

2:59:48.640 --> 2:59:51.240
<v Speaker 4>which one that we're gonna put to number one?

2:59:51.640 --> 2:59:51.800
<v Speaker 1>Right.

2:59:52.040 --> 2:59:57.960
<v Speaker 4>But I'm sitting there, you know, so they're talking talking

2:59:58.280 --> 3:00:03.640
<v Speaker 4>there too. I'm like, okay, tell you what, we're gonna

3:00:03.720 --> 3:00:07.280
<v Speaker 4>make NOIB number one. And then on the next couple

3:00:07.360 --> 3:00:10.800
<v Speaker 4>of weeks when he comes starts coming down, we'll put

3:00:10.879 --> 3:00:12.960
<v Speaker 4>y'all up there whatever that we never got a chance

3:00:14.320 --> 3:00:17.320
<v Speaker 4>the direct it came down so nor we stayed up

3:00:17.400 --> 3:00:20.039
<v Speaker 4>then at number one. And then when when he when

3:00:20.080 --> 3:00:22.440
<v Speaker 4>he came down to number two, did they put Peter

3:00:22.520 --> 3:00:23.440
<v Speaker 4>Gunns and the Lord Trek on it?

3:00:23.520 --> 3:00:24.959
<v Speaker 2>So I never got a chance to be number one spot.

3:00:25.480 --> 3:00:26.080
<v Speaker 1>Owe you lunch.

3:00:29.360 --> 3:00:32.080
<v Speaker 2>Wait, this is c r L making those decisions. No

3:00:32.280 --> 3:00:32.800
<v Speaker 2>depth share.

3:00:33.240 --> 3:00:37.920
<v Speaker 4>Yes, I'll tell you what though, I ended up having

3:00:37.920 --> 3:00:40.640
<v Speaker 4>a number one album in the country though, that's right,

3:00:42.400 --> 3:00:43.320
<v Speaker 4>the album number one.

3:00:43.560 --> 3:00:44.400
<v Speaker 1>I'm not gonna lie to you.

3:00:44.680 --> 3:00:45.720
<v Speaker 2>Let me just tell you something.

3:00:46.040 --> 3:00:49.160
<v Speaker 4>I don't think you remember that day though, sitting outside

3:00:49.480 --> 3:00:54.320
<v Speaker 4>to at that whatever that outside. I think it was

3:00:54.360 --> 3:00:56.920
<v Speaker 4>one of the spring breaks and we was all out

3:00:56.959 --> 3:01:00.400
<v Speaker 4>there like doing the show. But I knew in my

3:01:00.520 --> 3:01:02.920
<v Speaker 4>head like, yo, damn, okay, well in two weeks he's

3:01:02.959 --> 3:01:06.000
<v Speaker 4>coming down. Now'm gonna get the spot. But it never happened.

3:01:06.120 --> 3:01:06.680
<v Speaker 3>God damn, it.

3:01:07.240 --> 3:01:07.960
<v Speaker 2>Makes no noise to me.

3:01:08.040 --> 3:01:13.680
<v Speaker 3>Once again, I'm gonna be honest with you. Like that

3:01:14.000 --> 3:01:20.760
<v Speaker 3>run that we keep talking about you dots effects red Man,

3:01:20.920 --> 3:01:28.320
<v Speaker 3>red Man, Like how did that feel? Because I believe

3:01:28.400 --> 3:01:35.040
<v Speaker 3>cash money no limit, even bad Boy rough Riders rocket

3:01:35.120 --> 3:01:38.760
<v Speaker 3>for the kind of like based their murdering kind of

3:01:38.840 --> 3:01:40.000
<v Speaker 3>base theate thing off of that.

3:01:40.160 --> 3:01:42.840
<v Speaker 1>I think his squad was a big like example for

3:01:42.879 --> 3:01:43.640
<v Speaker 1>a lot of crews.

3:01:43.879 --> 3:01:46.600
<v Speaker 4>And we'll definitely put the Wu Tang clan because cause

3:01:46.600 --> 3:01:47.520
<v Speaker 4>they show it in like in.

3:01:47.520 --> 3:01:52.880
<v Speaker 1>The series, not just everybody's like like, I was influenced

3:01:52.879 --> 3:01:53.800
<v Speaker 1>by even more.

3:01:55.080 --> 3:01:58.320
<v Speaker 3>And I asked people this all the time while you

3:01:58.480 --> 3:02:00.160
<v Speaker 3>was making history, did you know you.

3:02:00.240 --> 3:02:00.959
<v Speaker 2>Was making history?

3:02:02.680 --> 3:02:05.320
<v Speaker 4>Nah? I just knew that. The other question you asked,

3:02:05.440 --> 3:02:08.400
<v Speaker 4>did we know that it was ill like when it

3:02:08.520 --> 3:02:09.959
<v Speaker 4>was going on, I'm like, hell, yeah.

3:02:09.840 --> 3:02:10.040
<v Speaker 3>We did.

3:02:10.200 --> 3:02:11.840
<v Speaker 4>Like yo, we did look at this because we all

3:02:11.879 --> 3:02:14.280
<v Speaker 4>because again to be on the billboard charts at the

3:02:14.360 --> 3:02:16.880
<v Speaker 4>same time you go to do something, you see through

3:02:17.040 --> 3:02:17.560
<v Speaker 4>your groups.

3:02:18.080 --> 3:02:21.280
<v Speaker 1>Did anybody else influence that type of structure? I mean,

3:02:21.320 --> 3:02:24.800
<v Speaker 1>I know, I see, I see had Ryan syndicate. That

3:02:24.959 --> 3:02:25.720
<v Speaker 1>was the closest thing.

3:02:25.800 --> 3:02:30.480
<v Speaker 4>Maybe yeah, But what we did was yeah, not say yeah,

3:02:30.760 --> 3:02:31.280
<v Speaker 4>we didn't you.

3:02:31.360 --> 3:02:33.200
<v Speaker 2>Know, like anybody else in No.

3:02:33.360 --> 3:02:37.000
<v Speaker 4>And then EPMD had three consecutive number one albums in

3:02:37.040 --> 3:02:43.880
<v Speaker 4>a row. You know, That's what I said before. My

3:02:44.000 --> 3:02:47.440
<v Speaker 4>colleagues can talk about what they did, though, but consistency.

3:02:47.480 --> 3:02:50.240
<v Speaker 4>Don't forget we broke up. So imagine that five years,

3:02:50.400 --> 3:02:54.560
<v Speaker 4>gred Man, imagine from nineteen ninety two to ninety seven,

3:02:54.640 --> 3:02:55.800
<v Speaker 4>that we had them five years.

3:02:55.840 --> 3:02:58.760
<v Speaker 1>Do you think do you think the breakup fucked up

3:02:58.800 --> 3:02:59.680
<v Speaker 1>a lot of business?

3:02:59.720 --> 3:03:01.920
<v Speaker 2>That the his squad and the crews come in.

3:03:03.120 --> 3:03:05.760
<v Speaker 4>You gotta understand niggas can say that they was they

3:03:05.800 --> 3:03:07.360
<v Speaker 4>were going to come in all types of ship. But

3:03:07.760 --> 3:03:10.000
<v Speaker 4>now when when his squad was there, that you had

3:03:10.040 --> 3:03:13.240
<v Speaker 4>to be very careful about what you was making and

3:03:13.400 --> 3:03:14.960
<v Speaker 4>what you're going to be able to make to come

3:03:15.040 --> 3:03:16.959
<v Speaker 4>in there because we was not going to.

3:03:17.000 --> 3:03:18.280
<v Speaker 3>Stop m.

3:03:20.720 --> 3:03:22.200
<v Speaker 2>And I don't know who I would have signed then.

3:03:22.240 --> 3:03:23.760
<v Speaker 2>My ear was I had I was.

3:03:23.840 --> 3:03:26.160
<v Speaker 4>I don't know who I could have had because because

3:03:26.200 --> 3:03:28.520
<v Speaker 4>I was looking at we was looking to keep building.

3:03:29.000 --> 3:03:32.400
<v Speaker 4>You know, it could have been it could have been somebody,

3:03:34.879 --> 3:03:37.520
<v Speaker 4>but we don't know who it could have been. I

3:03:37.640 --> 3:03:40.120
<v Speaker 4>was trying to because at that time I could have been.

3:03:40.200 --> 3:03:43.160
<v Speaker 4>We was making I was making music every fucking day,

3:03:43.520 --> 3:03:45.280
<v Speaker 4>so so the production was going to be there.

3:03:45.520 --> 3:03:47.360
<v Speaker 2>I had it, so I don't know who I was

3:03:47.360 --> 3:03:48.240
<v Speaker 2>going to be able to put down.

3:03:48.320 --> 3:03:51.640
<v Speaker 1>And it was a highly respected crew. Highly respected.

3:03:51.840 --> 3:03:55.160
<v Speaker 2>Again, like I told, there was nobody it's only a

3:03:55.240 --> 3:03:55.800
<v Speaker 2>few of us.

3:03:56.520 --> 3:03:59.879
<v Speaker 4>Nobody was around it for any competition that I saw

3:04:00.080 --> 3:04:03.320
<v Speaker 4>that was going to make me because now I've done

3:04:03.400 --> 3:04:07.800
<v Speaker 4>some past my clients, I mean my my colleagues. Because

3:04:07.879 --> 3:04:11.040
<v Speaker 4>then because we're consistent and now we number one and

3:04:11.360 --> 3:04:14.120
<v Speaker 4>that and then that Crossover came out. You know, that

3:04:14.240 --> 3:04:16.200
<v Speaker 4>was our biggest record. You know, then all of a

3:04:16.240 --> 3:04:19.760
<v Speaker 4>sudden we got some niggas over here, the Dots effects

3:04:19.840 --> 3:04:20.880
<v Speaker 4>kids and then the Red Man come.

3:04:20.959 --> 3:04:24.040
<v Speaker 2>He was like it was it was bad. It was

3:04:24.160 --> 3:04:25.800
<v Speaker 2>bad in a good way.

3:04:25.959 --> 3:04:29.240
<v Speaker 4>Yeah, in a good way. Okay, we are we done

3:04:29.280 --> 3:04:31.320
<v Speaker 4>now because we gotta take you gotta take a ship.

3:04:31.360 --> 3:04:35.360
<v Speaker 2>We gotta take more. I got no no, let me,

3:04:35.480 --> 3:04:39.560
<v Speaker 2>we got some going. Let's let's talk about Stay Real

3:04:41.040 --> 3:04:41.440
<v Speaker 2>the record.

3:04:41.480 --> 3:04:41.680
<v Speaker 6>But what.

3:04:44.360 --> 3:04:45.760
<v Speaker 2>I'm trying to see what you guys, where are you

3:04:45.760 --> 3:04:47.320
<v Speaker 2>going with that talking about the record Stay Real?

3:04:48.160 --> 3:04:48.440
<v Speaker 4>Okay?

3:04:48.600 --> 3:04:49.440
<v Speaker 6>What? What?

3:04:50.320 --> 3:04:51.400
<v Speaker 2>How did you make that record?

3:04:51.840 --> 3:05:01.640
<v Speaker 3>The want to motivation behind that Stay realm.

3:04:59.200 --> 3:05:01.160
<v Speaker 4>It was a continue racing the course over That's what

3:05:01.480 --> 3:05:06.199
<v Speaker 4>the lyrics showing you that mother everybody who wasn't keeping

3:05:06.240 --> 3:05:08.080
<v Speaker 4>a will, that was because you know, a getting people

3:05:08.280 --> 3:05:11.640
<v Speaker 4>was hip hop was changing. And my version because again

3:05:11.720 --> 3:05:14.480
<v Speaker 4>you had the license coming people with whatever, people start

3:05:14.520 --> 3:05:16.720
<v Speaker 4>wearing suit's getting sexy, the whole nine whatever it's and that.

3:05:17.160 --> 3:05:18.920
<v Speaker 4>So I just felt like, you know, I got to

3:05:19.040 --> 3:05:21.120
<v Speaker 4>say something because it was like it was getting ready

3:05:21.120 --> 3:05:23.840
<v Speaker 4>to change, you know. But it really was a continuation

3:05:23.959 --> 3:05:26.000
<v Speaker 4>of that right there period, and I did. I was

3:05:26.040 --> 3:05:28.760
<v Speaker 4>in Georgia then, so I was calling myself, I was

3:05:28.800 --> 3:05:29.720
<v Speaker 4>in Georgian.

3:05:29.360 --> 3:05:33.040
<v Speaker 2>And I was, I tell you what, this is.

3:05:33.040 --> 3:05:36.880
<v Speaker 4>The illly shit Redman kind of kind of woke me

3:05:37.000 --> 3:05:41.360
<v Speaker 4>up in Georgia because I had got to a point

3:05:41.400 --> 3:05:44.600
<v Speaker 4>where I got so comfortable, I started getting real happy

3:05:45.280 --> 3:05:48.680
<v Speaker 4>and I was playing them some happy ship and I

3:05:48.879 --> 3:05:52.280
<v Speaker 4>was I was going left because because I was, I

3:05:52.400 --> 3:05:54.360
<v Speaker 4>was with left eye. So I was like, you know,

3:05:55.440 --> 3:06:00.680
<v Speaker 4>it was day left eye. I lived with her, don't begause,

3:06:00.680 --> 3:06:04.000
<v Speaker 4>I'm broke. So I had to find some something place

3:06:04.080 --> 3:06:08.880
<v Speaker 4>to sleep. I slept. I stayed in her. She had

3:06:08.920 --> 3:06:12.280
<v Speaker 4>a hotel. Hey, but y'all was dating right right, Okay,

3:06:13.800 --> 3:06:18.440
<v Speaker 4>she had when I moved to Georgia. That's how I

3:06:18.560 --> 3:06:22.879
<v Speaker 4>met Illegal. Illegal was signed to her. So now I'm

3:06:23.000 --> 3:06:28.000
<v Speaker 4>uncle Eric. So I go to the place she lives

3:06:28.040 --> 3:06:31.160
<v Speaker 4>in the in the in the like a hotel type

3:06:31.160 --> 3:06:31.520
<v Speaker 4>of sweet.

3:06:31.560 --> 3:06:33.840
<v Speaker 1>Wait, didn't you think the youngsters when we said illegal

3:06:34.080 --> 3:06:34.520
<v Speaker 1>the youngsters.

3:06:35.120 --> 3:06:41.240
<v Speaker 4>I'm gonna say the youngsters to mom was death squad.

3:06:42.600 --> 3:06:47.120
<v Speaker 4>So so what where I'm at with that? You?

3:06:47.840 --> 3:06:48.000
<v Speaker 3>Yeah?

3:06:48.440 --> 3:06:49.680
<v Speaker 4>Yeah, so I was getting solved.

3:06:50.440 --> 3:06:53.400
<v Speaker 2>My whole ship was different because the LESSI.

3:06:55.000 --> 3:06:57.000
<v Speaker 4>If you, if you go back to my first album,

3:06:57.040 --> 3:06:59.480
<v Speaker 4>I had a song called every now and then I

3:06:59.600 --> 3:07:01.760
<v Speaker 4>get crazy is it in the chorus?

3:07:02.840 --> 3:07:05.840
<v Speaker 2>I couldn't hear my sound like that, even sounds like TLC.

3:07:06.200 --> 3:07:10.920
<v Speaker 4>It wasn't the line. But but I was doing this

3:07:11.120 --> 3:07:15.120
<v Speaker 4>not knowing. And then I had one of my other

3:07:15.480 --> 3:07:18.120
<v Speaker 4>rhymes on the song. I was like, I got my

3:07:18.200 --> 3:07:20.760
<v Speaker 4>hat to the back, but my pants down below whatever

3:07:20.879 --> 3:07:25.360
<v Speaker 4>I was, I didn't know I was doing this. I

3:07:25.520 --> 3:07:27.320
<v Speaker 4>was just like a getting getting soft.

3:07:27.920 --> 3:07:29.000
<v Speaker 2>You put condom like this?

3:07:29.320 --> 3:07:34.440
<v Speaker 3>No, So Ressie was like, yot, she must have had

3:07:34.520 --> 3:07:34.880
<v Speaker 3>that thing.

3:07:35.320 --> 3:07:42.039
<v Speaker 2>So Ressie was like Recidia. So Reggie was like, had

3:07:42.120 --> 3:07:42.720
<v Speaker 2>you turns?

3:07:43.400 --> 3:07:45.040
<v Speaker 4>Nobody knew it? To A two show with on Hot

3:07:45.160 --> 3:07:47.280
<v Speaker 4>ninety seven says oh yeah, that's the time when every

3:07:47.320 --> 3:07:50.680
<v Speaker 4>someone was left out, like niggas already know the story

3:07:50.680 --> 3:07:53.320
<v Speaker 4>because two shorts and said it out loud already but

3:07:54.440 --> 3:07:57.560
<v Speaker 4>at the end of the day, I was not I

3:07:57.600 --> 3:08:00.240
<v Speaker 4>didn't have Hitt Switches. I didn't have Stayed Real, didn't

3:08:00.240 --> 3:08:02.680
<v Speaker 4>have none of that ship. All my ship was kind

3:08:02.680 --> 3:08:09.320
<v Speaker 4>of pretty Reggie real Low not wanting to be assertive

3:08:09.520 --> 3:08:12.840
<v Speaker 4>to me, like yo, He's like, yo, you know those

3:08:12.879 --> 3:08:15.760
<v Speaker 4>are cool though, man, but you know that type of ship,

3:08:15.879 --> 3:08:19.360
<v Speaker 4>you know it's cool. I would never thought that he

3:08:19.360 --> 3:08:22.879
<v Speaker 4>would say that to me. You know, I'm producing you and.

3:08:25.480 --> 3:08:26.879
<v Speaker 2>That's dope. That's a good friend.

3:08:28.040 --> 3:08:33.760
<v Speaker 4>And next thing, you know, hitting switches that's in my notes,

3:08:33.800 --> 3:08:36.640
<v Speaker 4>by the way, and then Stay Real then Hostile I was.

3:08:37.440 --> 3:08:39.480
<v Speaker 4>I got back hitting switches in my notes.

3:08:40.480 --> 3:08:42.080
<v Speaker 1>I got it.

3:08:42.959 --> 3:08:46.440
<v Speaker 4>But if he didn't do that, I would have had

3:08:46.480 --> 3:08:50.600
<v Speaker 4>a soft album on my debut I would have had

3:08:50.760 --> 3:08:52.680
<v Speaker 4>I wouldn't have hitt Switches. I wouldn't have had Stay,

3:08:52.840 --> 3:08:56.840
<v Speaker 4>I would have had Hostile because my mind was someplace

3:08:56.920 --> 3:08:59.920
<v Speaker 4>I was. I was making the kid.

3:09:00.160 --> 3:09:00.480
<v Speaker 1>I don't know.

3:09:00.959 --> 3:09:06.280
<v Speaker 2>Maybe it was man U was t l seed, which

3:09:06.400 --> 3:09:11.480
<v Speaker 2>is good. It looks good kind. He was living and

3:09:11.640 --> 3:09:13.720
<v Speaker 2>left out. I don't think I've ever met left eye.

3:09:14.400 --> 3:09:15.320
<v Speaker 4>This was mad cool.

3:09:15.400 --> 3:09:18.440
<v Speaker 2>She seemed like she was mad cool, crazy, crazy cool.

3:09:18.920 --> 3:09:21.280
<v Speaker 4>All of them is cool to see how they all

3:09:21.480 --> 3:09:24.800
<v Speaker 4>was mad cool, like, don't forget I'm new to the city,

3:09:25.280 --> 3:09:26.720
<v Speaker 4>you know, Like I said, for I got a thousand

3:09:26.720 --> 3:09:29.880
<v Speaker 4>dollars in the credit and the America Spress card trying

3:09:29.879 --> 3:09:30.400
<v Speaker 4>to get through.

3:09:30.480 --> 3:09:32.440
<v Speaker 2>See how'm making you know what I'm saying. Where were

3:09:32.520 --> 3:09:35.320
<v Speaker 2>they in their career when you mets, Oh, they were

3:09:35.320 --> 3:09:37.760
<v Speaker 2>already huge waterfalls.

3:09:37.240 --> 3:09:40.959
<v Speaker 4>And look this is this isus.

3:09:42.560 --> 3:09:43.959
<v Speaker 2>I'm go chasing the waterfalls.

3:09:44.120 --> 3:09:49.480
<v Speaker 4>This is nineteen ninety three. Oh yeah it is they

3:09:49.480 --> 3:09:54.119
<v Speaker 4>are you mongous? And again at the end of the day,

3:09:54.760 --> 3:09:56.800
<v Speaker 4>everybody was going through what they was going through, So

3:09:57.080 --> 3:09:59.920
<v Speaker 4>I just happened to be again illegal was her.

3:10:01.200 --> 3:10:07.160
<v Speaker 3>Wow, we talked about El scar Face record. We talked

3:10:07.160 --> 3:10:09.240
<v Speaker 3>about that already, right or did we not? Ll scar

3:10:09.360 --> 3:10:09.880
<v Speaker 3>Face record?

3:10:10.000 --> 3:10:10.200
<v Speaker 2>Yeah?

3:10:11.600 --> 3:10:12.080
<v Speaker 3>Do ray me?

3:10:13.080 --> 3:10:15.560
<v Speaker 4>Oh, doray me. Yeah that was what does that mean?

3:10:16.280 --> 3:10:20.720
<v Speaker 4>That's the chorus? That was the old school do Yeah,

3:10:20.760 --> 3:10:22.160
<v Speaker 4>that's what he was. That's opera ship.

3:10:22.280 --> 3:10:23.320
<v Speaker 3>I don't know that means?

3:10:24.920 --> 3:10:26.400
<v Speaker 4>Yeah, you know that in school?

3:10:27.160 --> 3:10:27.840
<v Speaker 2>Come on, bro.

3:10:29.560 --> 3:10:34.440
<v Speaker 4>Oh he knows it in Spanish. No, you're right, yeah,

3:10:34.959 --> 3:10:38.000
<v Speaker 4>that's what that was. That was cool saying that that

3:10:38.120 --> 3:10:39.560
<v Speaker 4>was something that anybody.

3:10:39.280 --> 3:10:41.400
<v Speaker 3>Know but you yeah, I mean I don't know. I

3:10:41.440 --> 3:10:44.640
<v Speaker 3>ain't going to that school. I was in a special school,

3:10:45.520 --> 3:10:47.000
<v Speaker 3>the Yellow Bus, And I don't mind.

3:10:47.600 --> 3:10:48.920
<v Speaker 2>I don't know you an artist?

3:10:49.000 --> 3:10:52.480
<v Speaker 4>You never heard Doray met Yeah, that's what he was doing.

3:10:52.560 --> 3:10:55.840
<v Speaker 4>He was like making dog get this bread. It's the infrared. Hey,

3:10:56.280 --> 3:10:58.680
<v Speaker 4>he was just doing it as a routine, trying to

3:10:58.959 --> 3:11:01.320
<v Speaker 4>trying to make something up, was being being slick with

3:11:01.400 --> 3:11:01.880
<v Speaker 4>the word play.

3:11:02.360 --> 3:11:04.879
<v Speaker 1>So that was that's fire.

3:11:06.120 --> 3:11:09.640
<v Speaker 4>Street you made. You bring that up because I love it?

3:11:10.040 --> 3:11:12.480
<v Speaker 4>So oh, I got a chance to go work with

3:11:12.600 --> 3:11:13.080
<v Speaker 4>NAS again.

3:11:13.160 --> 3:11:13.800
<v Speaker 1>So I go to L. E.

3:11:13.959 --> 3:11:16.320
<v Speaker 2>S Studio, I bring the Street Hot there to play

3:11:16.400 --> 3:11:19.000
<v Speaker 2>for Virginia No the one I see that.

3:11:19.040 --> 3:11:20.720
<v Speaker 4>That was here in New York and Long Island, Okay,

3:11:20.800 --> 3:11:23.200
<v Speaker 4>okay whatever. I played that song for m because I

3:11:23.240 --> 3:11:25.720
<v Speaker 4>wanted him to hear it. He didn't give a funk

3:11:25.720 --> 3:11:27.480
<v Speaker 4>about what I was saying. He's like, can I get

3:11:27.520 --> 3:11:30.879
<v Speaker 4>that record or naves?

3:11:30.959 --> 3:11:31.240
<v Speaker 1>Okay?

3:11:31.440 --> 3:11:32.560
<v Speaker 4>And I didn't give it to him.

3:11:33.040 --> 3:11:33.320
<v Speaker 2>Again.

3:11:33.440 --> 3:11:35.520
<v Speaker 1>You've been front of the NAS your whole career.

3:11:38.560 --> 3:11:40.480
<v Speaker 4>You just bring back memories of that because I played

3:11:40.520 --> 3:11:42.560
<v Speaker 4>it for him, and you did. And all I do

3:11:42.720 --> 3:11:44.360
<v Speaker 4>is give to because I ain't really need it, and

3:11:44.440 --> 3:11:47.039
<v Speaker 4>my shit didn't go away anyway, but he came.

3:11:48.760 --> 3:11:50.320
<v Speaker 3>Came back into the ap M D album.

3:11:53.640 --> 3:11:54.360
<v Speaker 1>That's what I'm saying.

3:11:55.560 --> 3:11:58.760
<v Speaker 4>But yeah, you know what, that's right. So he came

3:11:58.840 --> 3:11:59.760
<v Speaker 4>back and got me anyway.

3:12:02.120 --> 3:12:03.440
<v Speaker 2>I feel like we should make no noise of that.

3:12:07.560 --> 3:12:09.160
<v Speaker 3>But you run on nas twice.

3:12:09.840 --> 3:12:10.080
<v Speaker 1>Damn.

3:12:11.040 --> 3:12:12.920
<v Speaker 4>I ain't really fun him. I just the fact that

3:12:14.040 --> 3:12:15.920
<v Speaker 4>he might maybe he was serious, maybe he wasn't. But

3:12:15.959 --> 3:12:17.840
<v Speaker 4>I played the record for him because I had to

3:12:17.920 --> 3:12:20.200
<v Speaker 4>sample him, and he's like, what's up with that?

3:12:24.600 --> 3:12:25.480
<v Speaker 2>I was going to ask you.

3:12:27.520 --> 3:12:30.000
<v Speaker 3>I think you already answered this, but maybe this one

3:12:30.120 --> 3:12:34.200
<v Speaker 3>that we didn't speak about. I remember I did a

3:12:34.600 --> 3:12:41.039
<v Speaker 3>KANDU which is and come up to me and said,

3:12:41.240 --> 3:12:43.480
<v Speaker 3>I got this girl that wanted to do the West

3:12:43.560 --> 3:12:47.680
<v Speaker 3>Indian version of it. All right, cool whatever, whatever, and

3:12:48.360 --> 3:12:51.760
<v Speaker 3>it was there was it was gonna say Barbados, you know,

3:12:52.720 --> 3:12:55.240
<v Speaker 3>like Turan k Goos, like ship like that, you know,

3:12:55.360 --> 3:12:56.640
<v Speaker 3>trinidadad Jamaica.

3:12:57.360 --> 3:13:01.920
<v Speaker 2>Right, it was Rihanna. What she wasn't even at the time.

3:13:01.959 --> 3:13:04.040
<v Speaker 4>I know that, I know, I know, I know, I know,

3:13:05.320 --> 3:13:07.039
<v Speaker 4>so so I was like, yeah, no problem.

3:13:07.360 --> 3:13:07.800
<v Speaker 1>And then.

3:13:09.760 --> 3:13:11.760
<v Speaker 3>I was like, yeah, she just wants fifteen grand and

3:13:11.840 --> 3:13:13.800
<v Speaker 3>I was just like at the time I had what

3:13:14.000 --> 3:13:14.600
<v Speaker 3>she Wants?

3:13:15.040 --> 3:13:16.480
<v Speaker 4>Yeah, what was she famous?

3:13:17.240 --> 3:13:19.800
<v Speaker 1>She had the song part of the Yeah, okay, that

3:13:20.200 --> 3:13:21.800
<v Speaker 1>song replay.

3:13:22.360 --> 3:13:26.760
<v Speaker 9>That said part of the river, Yeah, yeah on the river.

3:13:26.920 --> 3:13:30.680
<v Speaker 9>You know, no, I said part of the river Regga

3:13:30.800 --> 3:13:33.959
<v Speaker 9>joins me. So biggest mistake of my career.

3:13:34.959 --> 3:13:37.960
<v Speaker 3>So you got one of those. That's the biggest. That's

3:13:38.240 --> 3:13:41.040
<v Speaker 3>one of my biggest stakes. You named some, But is

3:13:41.080 --> 3:13:45.520
<v Speaker 3>there one that you didn't name to night that you think.

3:13:46.840 --> 3:13:48.199
<v Speaker 4>It's like, No, this is the biggest.

3:13:48.440 --> 3:13:49.280
<v Speaker 2>Nahs is the biggest.

3:13:49.280 --> 3:13:52.720
<v Speaker 4>Okay, to this day, I still again, I can't believe

3:13:52.720 --> 3:13:56.240
<v Speaker 4>that that EPMD record happened, you know, because but again

3:13:56.800 --> 3:13:59.920
<v Speaker 4>me not working and doing any produced records on him.

3:14:00.720 --> 3:14:02.880
<v Speaker 4>That's one thing I wish I had inside my road,

3:14:03.120 --> 3:14:09.280
<v Speaker 4>inside my catalogue is him is Yeah, It's gonna happen.

3:14:09.280 --> 3:14:10.640
<v Speaker 4>I ain't the only one that said it though, but

3:14:11.240 --> 3:14:13.279
<v Speaker 4>mad people say about him.

3:14:13.560 --> 3:14:15.800
<v Speaker 1>Like meaning meaning like they presented him.

3:14:16.360 --> 3:14:18.640
<v Speaker 4>No just to work with him, you know, I have

3:14:18.720 --> 3:14:20.600
<v Speaker 4>to be able to say but I work with but

3:14:21.480 --> 3:14:23.000
<v Speaker 4>we just say I have a record.

3:14:23.000 --> 3:14:26.680
<v Speaker 2>That I made for him, right, well, let's speak it

3:14:26.720 --> 3:14:27.960
<v Speaker 2>into existence now.

3:14:28.080 --> 3:14:31.880
<v Speaker 4>Hell yeah on my album, I don't think Wow he

3:14:32.160 --> 3:14:33.560
<v Speaker 4>made all the albums he made.

3:14:33.840 --> 3:14:36.080
<v Speaker 2>Nah, he's still got so much music. I feel.

3:14:36.080 --> 3:14:37.280
<v Speaker 4>I don't think. I don't think he coming up. I

3:14:37.280 --> 3:14:38.960
<v Speaker 4>don't think he's coming up for a while. And he

3:14:39.040 --> 3:14:41.000
<v Speaker 4>did four or five back to back.

3:14:41.080 --> 3:14:43.800
<v Speaker 2>I think he's I think he's gonna go even further.

3:14:44.080 --> 3:14:44.880
<v Speaker 3>Yeah, I think he is.

3:14:45.280 --> 3:14:48.120
<v Speaker 2>You can be honest. I think I think you know

3:14:48.240 --> 3:14:49.000
<v Speaker 2>what I think.

3:14:49.080 --> 3:14:53.200
<v Speaker 1>So, I think he's enjoying he's he's on a streak too.

3:14:53.320 --> 3:14:53.520
<v Speaker 2>Yeah.

3:14:53.560 --> 3:14:56.720
<v Speaker 3>I think he's enjoying that independency and he's enjoying what

3:14:57.000 --> 3:14:58.360
<v Speaker 3>me and you spoke about earlier.

3:14:58.640 --> 3:15:01.520
<v Speaker 2>We spoke about earlier. Excuse me with Fad Joe, he.

3:15:01.600 --> 3:15:04.080
<v Speaker 4>Said that, he said, he said, I'm making records because

3:15:04.120 --> 3:15:04.520
<v Speaker 4>I want to.

3:15:04.640 --> 3:15:06.200
<v Speaker 3>He want to. Yeah, yeah, you don't know. I think

3:15:06.280 --> 3:15:08.680
<v Speaker 3>that was giving Nas that freedom right now.

3:15:09.040 --> 3:15:11.360
<v Speaker 4>Yeah, I don't think that he's doing a thing because again,

3:15:11.520 --> 3:15:14.280
<v Speaker 4>Nas got so much dope ship for you know, the

3:15:14.520 --> 3:15:16.360
<v Speaker 4>money that he making, the dimensions that he makes. I

3:15:16.400 --> 3:15:17.640
<v Speaker 4>don't know he wanted to be.

3:15:17.760 --> 3:15:19.240
<v Speaker 1>He got a casino in Queens.

3:15:19.280 --> 3:15:25.160
<v Speaker 2>He about to bill God damn it. He's not such

3:15:25.160 --> 3:15:29.920
<v Speaker 2>a great exactly. But I'm gonna be honest.

3:15:32.080 --> 3:15:35.200
<v Speaker 3>With Fad Joe said to me yesterday, made sense to

3:15:35.320 --> 3:15:39.760
<v Speaker 3>what NAS has been doing, doing something because you want

3:15:39.800 --> 3:15:43.920
<v Speaker 3>to do Because we gotta remember a part of us,

3:15:44.400 --> 3:15:48.440
<v Speaker 3>all of us real artists, probably would have still rapped

3:15:48.440 --> 3:15:51.560
<v Speaker 3>if we didn't make money, like we probably would have

3:15:51.600 --> 3:15:53.080
<v Speaker 3>still like did it as a hobby.

3:15:53.160 --> 3:15:55.119
<v Speaker 1>Maybe it wouldn't have been you know what I mean.

3:15:55.240 --> 3:16:00.280
<v Speaker 3>But my first like you just said, you had signed

3:16:00.280 --> 3:16:02.840
<v Speaker 3>for seven hundred and fifty dollars, I got signed five thousand.

3:16:03.360 --> 3:16:06.480
<v Speaker 3>But we basically was doing it for the love then, right.

3:16:06.720 --> 3:16:09.280
<v Speaker 3>We didn't make money then, and then we made it

3:16:09.360 --> 3:16:15.800
<v Speaker 3>into a business. So uh, I love.

3:16:17.400 --> 3:16:24.080
<v Speaker 1>Yah, I love it. I really shure me. I love

3:16:26.160 --> 3:16:26.600
<v Speaker 1>so bat.

3:16:26.840 --> 3:16:34.240
<v Speaker 4>I'm hot, No, I'm hot as this again. Having the

3:16:34.360 --> 3:16:37.960
<v Speaker 4>Marvin Gaye try to you know what's bugged out? People said,

3:16:38.000 --> 3:16:41.680
<v Speaker 4>I tried to strike lightning twice. I just happened to

3:16:41.720 --> 3:16:43.960
<v Speaker 4>have the record on there. Of course the label let's

3:16:44.000 --> 3:16:47.800
<v Speaker 4>go with that One's what I'm hot. Oh. I did

3:16:47.840 --> 3:16:50.000
<v Speaker 4>the Marvin Gary Body, but since I fucked around and

3:16:50.480 --> 3:16:51.959
<v Speaker 4>had another one, it worked.

3:16:53.360 --> 3:16:56.320
<v Speaker 2>It didn't work work, but again it did what need

3:16:56.360 --> 3:16:57.360
<v Speaker 2>to do. It didn't need to do.

3:16:57.520 --> 3:17:02.480
<v Speaker 4>But that's I'm walking around with the samples making records,

3:17:02.520 --> 3:17:05.280
<v Speaker 4>don't know that I want to actually use it, right,

3:17:05.560 --> 3:17:07.880
<v Speaker 4>And I just had the acapellas. If it's fun to

3:17:07.959 --> 3:17:09.200
<v Speaker 4>fuck with to be chopping them, you.

3:17:09.240 --> 3:17:15.960
<v Speaker 3>Know, that's a that's a question for me. Is we

3:17:16.080 --> 3:17:22.800
<v Speaker 3>talked about you getting you're publishing right, but you also

3:17:22.959 --> 3:17:26.160
<v Speaker 3>sample a lot of times when you sample, people want

3:17:26.240 --> 3:17:28.160
<v Speaker 3>one hundred percent that published.

3:17:28.320 --> 3:17:28.920
<v Speaker 4>Did they take it?

3:17:29.600 --> 3:17:29.640
<v Speaker 1>So?

3:17:31.200 --> 3:17:33.360
<v Speaker 3>How many times have you sampled and they asked for

3:17:33.400 --> 3:17:34.240
<v Speaker 3>one hundred percent of that?

3:17:34.520 --> 3:17:42.160
<v Speaker 4>Publisher who asks epm D got real blessed back then

3:17:42.200 --> 3:17:45.400
<v Speaker 4>because we got we didn't clear Roger, we didn't clear

3:17:45.440 --> 3:17:49.320
<v Speaker 4>every early and before sampling. But yeah, but they still

3:17:49.800 --> 3:17:51.920
<v Speaker 4>came at us. But just like for ten thousand dollars

3:17:52.600 --> 3:17:55.200
<v Speaker 4>the small ship, you know what I'm saying. But the

3:17:55.280 --> 3:17:57.920
<v Speaker 4>people that take the one hundred percent, you have to

3:17:58.000 --> 3:18:01.160
<v Speaker 4>really want it. Like the RESU bought dogs to me right,

3:18:01.200 --> 3:18:03.359
<v Speaker 4>Well that was one hundred.

3:18:03.080 --> 3:18:03.760
<v Speaker 2>Percent by.

3:18:05.160 --> 3:18:06.000
<v Speaker 4>By Isaac Hayes.

3:18:06.280 --> 3:18:07.440
<v Speaker 3>Wow wow.

3:18:08.000 --> 3:18:10.520
<v Speaker 4>But Jay liked it. He wanted so bad he said,

3:18:10.520 --> 3:18:13.280
<v Speaker 4>go ahead and take it, you know, because sometimes people

3:18:13.480 --> 3:18:16.080
<v Speaker 4>take that one hundred funds out how bad you want

3:18:16.120 --> 3:18:20.960
<v Speaker 4>that record, you know, hmhmm, But they'll take it.

3:18:21.480 --> 3:18:23.960
<v Speaker 2>But again like like, like, that's what me.

3:18:24.280 --> 3:18:27.520
<v Speaker 4>You know that we offered to Tupaca estate, go ahead

3:18:27.520 --> 3:18:29.160
<v Speaker 4>and take it because because.

3:18:28.879 --> 3:18:33.320
<v Speaker 3>The hype are it lasts longer for me, the importance

3:18:33.360 --> 3:18:35.280
<v Speaker 3>of the record for you. Yeah, but you said you

3:18:35.360 --> 3:18:38.000
<v Speaker 3>had Tupac am Biggie, is that fear the biggiest of state.

3:18:38.440 --> 3:18:43.000
<v Speaker 4>Yeah, No, bigg state cleared, Okay, same as the mob

3:18:43.080 --> 3:18:46.360
<v Speaker 4>deepest state clear. The the Sean price is state clear,

3:18:46.720 --> 3:18:49.240
<v Speaker 4>their dog estate clear. Like you said before, niggas they

3:18:49.360 --> 3:18:49.920
<v Speaker 4>clear and ship.

3:18:50.240 --> 3:18:50.760
<v Speaker 2>You know what I'm saying.

3:18:50.800 --> 3:18:52.960
<v Speaker 4>But then sometimes you know you got that ship like

3:18:53.120 --> 3:18:53.760
<v Speaker 4>like because.

3:18:53.480 --> 3:18:55.640
<v Speaker 2>You motherfucker Eric Sherman, that's what you got.

3:18:59.520 --> 3:18:59.680
<v Speaker 4>I know.

3:19:00.400 --> 3:19:01.600
<v Speaker 1>I told you I'm being cocky for you.

3:19:01.959 --> 3:19:04.960
<v Speaker 4>But but but the two Pockets, it does. You heard

3:19:05.000 --> 3:19:07.200
<v Speaker 4>stories about it taking long. But again, at the end

3:19:07.240 --> 3:19:09.000
<v Speaker 4>of the day, I tell you can have it. I

3:19:09.080 --> 3:19:13.959
<v Speaker 4>just want the nostalgia the record, right, But I'll play

3:19:14.000 --> 3:19:18.320
<v Speaker 4>it for y'all again. You everybody who hears the record,

3:19:18.360 --> 3:19:20.800
<v Speaker 4>they always their faces.

3:19:21.040 --> 3:19:23.039
<v Speaker 2>I love to watch them because they be like, nah.

3:19:23.320 --> 3:19:25.240
<v Speaker 1>I can't wait. There's no way you can play for

3:19:25.480 --> 3:19:27.840
<v Speaker 1>when we're done right here, No way you can play

3:19:27.840 --> 3:19:28.440
<v Speaker 1>it today when we do.

3:19:28.640 --> 3:19:34.200
<v Speaker 2>Yeah, have you been to Ballet to see Russell the bally.

3:19:35.879 --> 3:19:40.120
<v Speaker 4>He'd be like, he told you to come down to

3:19:40.440 --> 3:19:42.200
<v Speaker 4>health right the whole Now you're gonna love it.

3:19:42.400 --> 3:19:45.720
<v Speaker 2>Yeah, never went Yeah, of course for you too.

3:19:46.160 --> 3:19:46.800
<v Speaker 4>He said you got a.

3:19:46.760 --> 3:19:49.080
<v Speaker 1>Snoop dogg Sweet sat Snoop Dog Sweet.

3:19:49.560 --> 3:19:53.720
<v Speaker 2>Right in the hotel tax Haven over there. Yeah he

3:19:53.920 --> 3:19:57.039
<v Speaker 2>just he went. Russell went and just did this thing.

3:19:57.280 --> 3:19:57.879
<v Speaker 2>You know what I'm saying.

3:19:59.080 --> 3:20:06.960
<v Speaker 4>Yeah, And so this is one time. No, we said

3:20:07.000 --> 3:20:08.480
<v Speaker 4>this is your last one time, like this is just

3:20:08.600 --> 3:20:09.039
<v Speaker 4>go now.

3:20:11.600 --> 3:20:13.119
<v Speaker 1>You take a picture.

3:20:14.280 --> 3:20:17.560
<v Speaker 3>Signed to Depth jam right, we signed as.

3:20:19.720 --> 3:20:20.720
<v Speaker 2>Component Orega.

3:20:20.920 --> 3:20:24.680
<v Speaker 3>Yes, but then they was like, yo, we're not gonna

3:20:24.680 --> 3:20:30.320
<v Speaker 3>sign a Norri solo and a Compone solo, so you.

3:20:30.400 --> 3:20:31.600
<v Speaker 2>Gotta make a pick right now.

3:20:32.320 --> 3:20:34.480
<v Speaker 3>I felt like I already got mynt off Components just

3:20:34.560 --> 3:20:35.959
<v Speaker 3>coming home from from jail.

3:20:37.000 --> 3:20:40.039
<v Speaker 2>So I said, you know what, I let Compone.

3:20:41.800 --> 3:20:42.440
<v Speaker 4>Whining before you.

3:20:43.120 --> 3:20:45.800
<v Speaker 3>Uh, this is after this is this.

3:20:45.959 --> 3:20:47.560
<v Speaker 2>Is when we signed to Death jam I.

3:20:48.280 --> 3:20:50.840
<v Speaker 3>So they had a choice to sign Component Oriega and

3:20:50.959 --> 3:20:54.320
<v Speaker 3>one solo. So they signed Compona Oreega and I said,

3:20:54.360 --> 3:20:57.040
<v Speaker 3>you know what, Coone was just coming home from jail,

3:20:57.120 --> 3:21:06.320
<v Speaker 3>I said, sign Components solo. They did, and then I

3:21:06.440 --> 3:21:08.880
<v Speaker 3>remember me going in because Copone was working on his

3:21:09.000 --> 3:21:12.680
<v Speaker 3>solo before he worked on a Copon on Noriega. And

3:21:12.760 --> 3:21:15.440
<v Speaker 3>I remember me just going in spending my own money.

3:21:15.680 --> 3:21:19.400
<v Speaker 3>Dev Jam would not pay for me to go in

3:21:20.520 --> 3:21:23.040
<v Speaker 3>and record my solo. While I'm waiting for Copone to

3:21:23.080 --> 3:21:31.120
<v Speaker 3>finish his solo, Kevin lows come seize me, and he

3:21:31.240 --> 3:21:35.680
<v Speaker 3>says to me, man and y'all never told you the story.

3:21:35.720 --> 3:21:38.680
<v Speaker 3>I should have told you the story years ago. And

3:21:38.720 --> 3:21:44.160
<v Speaker 3>he goes, you're Eric Sherman right now, and I say, tuned,

3:21:45.360 --> 3:21:46.560
<v Speaker 3>what do you mean?

3:21:47.440 --> 3:21:50.360
<v Speaker 1>He said, that's crazy.

3:21:50.600 --> 3:21:53.440
<v Speaker 3>You feel like Kevin tell you. Kevin llowed to tell

3:21:53.440 --> 3:21:55.640
<v Speaker 3>you this. You know what you said earlier, no capping.

3:21:55.760 --> 3:22:00.200
<v Speaker 3>He's like, Yo, you feel like you you hold than

3:22:00.240 --> 3:22:04.240
<v Speaker 3>the burden of the group. You're holding it down and

3:22:04.360 --> 3:22:06.800
<v Speaker 3>you feel like you're not being compensated the same way

3:22:08.640 --> 3:22:09.160
<v Speaker 3>you will be.

3:22:10.240 --> 3:22:12.720
<v Speaker 2>It's gonna come or of pause.

3:22:13.520 --> 3:22:17.880
<v Speaker 3>And I remember me saying I didn't know what he

3:22:18.080 --> 3:22:24.320
<v Speaker 3>meant by that, and years later I did and don't

3:22:24.959 --> 3:22:30.480
<v Speaker 3>what he meant by that was making a group album

3:22:30.560 --> 3:22:33.760
<v Speaker 3>for me at that time was harder than making a

3:22:33.879 --> 3:22:34.840
<v Speaker 3>solo album for me.

3:22:35.000 --> 3:22:37.039
<v Speaker 2>Yeah, because a.

3:22:37.080 --> 3:22:39.760
<v Speaker 1>Group album I had to collap.

3:22:40.160 --> 3:22:43.280
<v Speaker 3>I had to actually, but then after I made that

3:22:43.400 --> 3:22:47.320
<v Speaker 3>solo album, it was just like, yo, it's so much easier.

3:22:48.440 --> 3:22:51.280
<v Speaker 3>It's way easier. And I remember him telling me that

3:22:51.680 --> 3:22:55.480
<v Speaker 3>I remember me knowing you, but remember me not like saying, damn,

3:22:55.560 --> 3:22:59.160
<v Speaker 3>what does he mean by that? And years later I

3:22:59.280 --> 3:23:02.199
<v Speaker 3>got to know what he meant by that. And sometimes

3:23:03.000 --> 3:23:07.920
<v Speaker 3>you hold the verdict of being.

3:23:09.560 --> 3:23:10.240
<v Speaker 1>That guy.

3:23:12.400 --> 3:23:15.680
<v Speaker 2>Not feeling like it and then applying it.

3:23:19.000 --> 3:23:24.000
<v Speaker 3>And to this day, I always say that my relationship

3:23:24.040 --> 3:23:28.360
<v Speaker 3>with EFN is so much better because of my relationship

3:23:28.400 --> 3:23:28.920
<v Speaker 3>with Compone.

3:23:30.640 --> 3:23:32.439
<v Speaker 2>My relationship with Compone.

3:23:37.959 --> 3:23:40.640
<v Speaker 3>Makes me say I don't ever want to push EFN

3:23:40.760 --> 3:23:43.240
<v Speaker 3>to anything that he doesn't want to do, because I

3:23:43.320 --> 3:23:46.040
<v Speaker 3>did that with Compone and it pushed him away for

3:23:46.120 --> 3:23:49.320
<v Speaker 3>a while, Like I want a compone to be on time.

3:23:51.600 --> 3:23:53.480
<v Speaker 2>My motherfucker's still ain't on time.

3:23:53.600 --> 3:23:55.800
<v Speaker 3>Bro here, yo, who.

3:23:57.600 --> 3:24:00.400
<v Speaker 2>Still ain't on top? But when I pushed him to.

3:24:00.480 --> 3:24:04.760
<v Speaker 1>Be like me, that was not the move, right, you

3:24:04.840 --> 3:24:05.280
<v Speaker 1>know what I mean?

3:24:05.360 --> 3:24:08.040
<v Speaker 3>That's not that was not the move. I should have

3:24:08.120 --> 3:24:10.240
<v Speaker 3>let him be here how he is. And that's the

3:24:10.280 --> 3:24:12.320
<v Speaker 3>reason why I feel like me and f En relationship

3:24:12.400 --> 3:24:16.880
<v Speaker 3>works judgement. He doesn't give a fuck about and we're

3:24:16.879 --> 3:24:19.280
<v Speaker 3>both on time. We kind of try to beat each

3:24:19.280 --> 3:24:20.920
<v Speaker 3>other and see who's on time.

3:24:21.920 --> 3:24:26.160
<v Speaker 4>But so I'm not such time. I'm saying this because

3:24:26.200 --> 3:24:30.160
<v Speaker 4>nobody always nobody knew that, nobody really knew the dynamics

3:24:30.200 --> 3:24:35.640
<v Speaker 4>and will you what really happened between y'all two? Yeah,

3:24:36.840 --> 3:24:38.440
<v Speaker 4>my brother said this. I'm not saying that. I'm just

3:24:38.520 --> 3:24:41.880
<v Speaker 4>saying the fact that even though you went solo, like

3:24:42.440 --> 3:24:44.800
<v Speaker 4>the album didn't come. See, he wasn't like my dynamic

3:24:44.920 --> 3:24:47.480
<v Speaker 4>ship was different. Why did y'all stop.

3:24:47.360 --> 3:24:50.760
<v Speaker 1>Making always thought my dynamic was compared to yours.

3:24:50.920 --> 3:24:53.440
<v Speaker 2>I never knew that they.

3:24:53.440 --> 3:24:56.119
<v Speaker 3>Had a more good had a breakupe.

3:24:56.280 --> 3:24:58.800
<v Speaker 1>He went to jail, so I would have never been

3:24:58.840 --> 3:25:01.400
<v Speaker 1>a solo arm if he didn't go to jail.

3:25:01.480 --> 3:25:04.080
<v Speaker 2>Got you, I got you, I got you like I met.

3:25:04.040 --> 3:25:07.240
<v Speaker 1>No aready doing the promo tour for CNN. That's how

3:25:07.320 --> 3:25:09.320
<v Speaker 1>me and him met. He was the only he was

3:25:09.400 --> 3:25:10.560
<v Speaker 1>doing the run by himself.

3:25:11.040 --> 3:25:14.040
<v Speaker 3>But in my mind, we didn't have the internet back then,

3:25:14.120 --> 3:25:16.119
<v Speaker 3>so we didn't know that you were in parish. If

3:25:16.160 --> 3:25:19.240
<v Speaker 3>that was the case, was I thought I was based

3:25:19.240 --> 3:25:21.800
<v Speaker 3>in my career of for you okay, like you went

3:25:21.920 --> 3:25:27.400
<v Speaker 3>solo that based off a Cube damn you know because.

3:25:29.000 --> 3:25:32.760
<v Speaker 4>Corre, Yeah, these are we're in major groups.

3:25:33.320 --> 3:25:36.720
<v Speaker 1>But that's crazy comparison to what happened there.

3:25:37.560 --> 3:25:40.640
<v Speaker 4>But still he still went solo. Yeah, but it was

3:25:41.120 --> 3:25:43.600
<v Speaker 4>it was crazy. It doesn't matter you still leaving the

3:25:43.800 --> 3:25:44.640
<v Speaker 4>major group.

3:25:45.680 --> 3:25:48.920
<v Speaker 1>But you felt the same like energy that that you saw.

3:25:49.120 --> 3:25:51.360
<v Speaker 1>We all SAWQ go through with no vassaline.

3:25:51.560 --> 3:25:54.240
<v Speaker 4>No, just the fact that you the part of leaving

3:25:54.280 --> 3:25:57.120
<v Speaker 4>the major group, being in the major group and then

3:25:57.240 --> 3:25:59.359
<v Speaker 4>going your own separate ways.

3:25:59.480 --> 3:26:02.480
<v Speaker 1>And then how to create your own identity, creating that.

3:26:02.640 --> 3:26:05.080
<v Speaker 4>And then and then seeing if it's gonna if people

3:26:05.080 --> 3:26:07.720
<v Speaker 4>are gonna accept it as that Cuba tell your old

3:26:07.760 --> 3:26:11.640
<v Speaker 4>time too with so and so about not knowing you

3:26:12.040 --> 3:26:14.000
<v Speaker 4>skart of depth, you know whatever, you know, how people

3:26:14.040 --> 3:26:16.320
<v Speaker 4>are you tell you that you know yo, yo, you

3:26:16.400 --> 3:26:17.080
<v Speaker 4>better with the group.

3:26:17.280 --> 3:26:19.160
<v Speaker 1>I mean if you if you look at it. It

3:26:19.320 --> 3:26:21.760
<v Speaker 1>was crazy for Cube to leave n W at its height.

3:26:21.959 --> 3:26:24.560
<v Speaker 1>They come from such a hit and that's when he

3:26:24.680 --> 3:26:26.560
<v Speaker 1>left the hours with the break and people didn't.

3:26:27.000 --> 3:26:29.320
<v Speaker 4>It still was people still like there's no way epm

3:26:29.360 --> 3:26:31.520
<v Speaker 4>d Brook and you know how big that that was

3:26:31.680 --> 3:26:34.680
<v Speaker 4>huge for people, you know, But again things happened, but

3:26:34.720 --> 3:26:35.920
<v Speaker 4>you don't know it's gonna work for you.

3:26:37.800 --> 3:26:41.840
<v Speaker 1>Wow, but you but you were the primary producer in

3:26:41.959 --> 3:26:42.360
<v Speaker 1>e PM.

3:26:42.400 --> 3:26:44.720
<v Speaker 4>You know, in the beginning it was Paris did the

3:26:44.800 --> 3:26:48.920
<v Speaker 4>first album. People don't know really because people, you know,

3:26:48.959 --> 3:26:52.760
<v Speaker 4>they always might think that it's me because he stopped working.

3:26:54.720 --> 3:26:58.880
<v Speaker 4>But again, don't forget he knew about this stuff before

3:26:58.920 --> 3:26:59.240
<v Speaker 4>I did.

3:26:59.600 --> 3:27:00.320
<v Speaker 2>Is the older than you.

3:27:00.480 --> 3:27:03.760
<v Speaker 4>But yeah, by the year or so. But at the

3:27:03.840 --> 3:27:09.600
<v Speaker 4>end of the day, you know, I just learned how

3:27:09.680 --> 3:27:12.760
<v Speaker 4>to do it by the second album.

3:27:13.680 --> 3:27:14.039
<v Speaker 1>Mm hmm.

3:27:14.280 --> 3:27:17.440
<v Speaker 2>You know, I'm glad you did.

3:27:17.879 --> 3:27:22.080
<v Speaker 4>You know. So when when someone so when it's what

3:27:22.200 --> 3:27:26.080
<v Speaker 4>you're saying came, you know, it was it was you know,

3:27:26.200 --> 3:27:29.880
<v Speaker 4>that was the beginning of where I was starting at.

3:27:30.560 --> 3:27:32.280
<v Speaker 2>You know, shout out to both of y'all.

3:27:32.320 --> 3:27:32.480
<v Speaker 3>Man.

3:27:33.120 --> 3:27:38.760
<v Speaker 2>So, so let me ask you, right, like I love

3:27:38.840 --> 3:27:42.480
<v Speaker 2>to ask artist this question. What's on your rider?

3:27:44.040 --> 3:27:46.440
<v Speaker 4>I don't get it. I don't when you when you're the.

3:27:46.440 --> 3:27:48.880
<v Speaker 3>Show, no trow like if somebody is a book you

3:27:49.080 --> 3:27:50.280
<v Speaker 3>to the show.

3:27:50.320 --> 3:27:54.440
<v Speaker 4>Oh yeah, yeah, damn. I I didn't even do all that.

3:27:54.720 --> 3:27:57.240
<v Speaker 4>I wasn't even in it. Like that. Whatever food that

3:27:57.400 --> 3:28:04.080
<v Speaker 4>came with you had chicken, salmon, rice vegetables. But people

3:28:04.200 --> 3:28:10.440
<v Speaker 4>had rolling paper, fucking alcohol whatever. I don't and I

3:28:10.480 --> 3:28:15.360
<v Speaker 4>didn't care. I never cared. Yeah, I ain't, that's it.

3:28:15.760 --> 3:28:19.640
<v Speaker 4>I never looked at no, right, I never did that.

3:28:19.840 --> 3:28:23.400
<v Speaker 3>I know you ain't asked for missus Chiles as ship,

3:28:23.640 --> 3:28:26.600
<v Speaker 3>little Roy Rogers nothing and ms.

3:28:28.600 --> 3:28:34.039
<v Speaker 4>The Blue Ones. That's my I'm not making fun of people.

3:28:34.280 --> 3:28:35.960
<v Speaker 4>They just take all the others. Just ket the Blue

3:28:36.000 --> 3:28:36.520
<v Speaker 4>Ones in there.

3:28:37.000 --> 3:28:38.200
<v Speaker 2>I that was ever real.

3:28:38.640 --> 3:28:43.160
<v Speaker 4>It's real, yeah, people, that's deepest ship people. See if

3:28:43.200 --> 3:28:45.400
<v Speaker 4>people would do it though, yeah, they would do it.

3:28:45.560 --> 3:28:47.160
<v Speaker 4>But I'm saying, do you think they said it just

3:28:47.240 --> 3:28:48.880
<v Speaker 4>to see if it would get done? No, that's what

3:28:48.959 --> 3:28:49.360
<v Speaker 4>they want.

3:28:50.240 --> 3:28:53.879
<v Speaker 2>That's wild. Who didn't live opus.

3:28:57.120 --> 3:28:57.560
<v Speaker 1>Madonna?

3:28:57.879 --> 3:29:00.560
<v Speaker 4>I want the water that's from from BALI get it

3:29:00.600 --> 3:29:01.280
<v Speaker 4>shipped over here.

3:29:01.760 --> 3:29:03.000
<v Speaker 2>How would she know it's from Bali?

3:29:03.080 --> 3:29:03.160
<v Speaker 1>Bro?

3:29:03.240 --> 3:29:05.640
<v Speaker 3>I would I would have gotten water put Polly on that.

3:29:06.240 --> 3:29:08.680
<v Speaker 2>No, she knew because they got it in that dressing room.

3:29:09.440 --> 3:29:12.640
<v Speaker 3>Have you ever met somebody that that you were disappointed

3:29:13.200 --> 3:29:15.760
<v Speaker 3>after meeting him and he was like, fuck, Scott was

3:29:15.760 --> 3:29:16.279
<v Speaker 3>an asshole?

3:29:17.840 --> 3:29:18.040
<v Speaker 1>Wow?

3:29:18.080 --> 3:29:18.720
<v Speaker 6>Who was that?

3:29:20.480 --> 3:29:20.920
<v Speaker 3>Mister Lee?

3:29:21.840 --> 3:29:23.600
<v Speaker 4>I don't know, not off the off the bat, but

3:29:23.680 --> 3:29:26.879
<v Speaker 4>it happened though I can't. I can't remember, but yeah,

3:29:26.879 --> 3:29:30.920
<v Speaker 4>I just wanted somebody, holy ship. I wish I could

3:29:30.959 --> 3:29:31.640
<v Speaker 4>even name, right, I.

3:29:31.680 --> 3:29:36.000
<v Speaker 3>Wish you could name the name too, think about it, Gota,

3:29:39.080 --> 3:29:44.360
<v Speaker 3>no tell me, Denzel Washington.

3:29:44.480 --> 3:29:46.040
<v Speaker 4>Somebody gave me the side, you know when you could

3:29:46.040 --> 3:29:48.879
<v Speaker 4>decide like that, Yeah, one of those.

3:29:50.640 --> 3:29:52.760
<v Speaker 2>Who's that? Somebody? I don't remember.

3:29:54.280 --> 3:29:58.359
<v Speaker 3>We don't got to talk about it, right, Well.

3:29:59.200 --> 3:30:01.680
<v Speaker 2>We did it. We did it, Eric, sir.

3:30:02.120 --> 3:30:07.080
<v Speaker 4>So that's your whole your phone, it's my phone, it's

3:30:07.120 --> 3:30:09.840
<v Speaker 4>my phone. No, there's fucking questions, man, that's the phones,

3:30:09.920 --> 3:30:14.520
<v Speaker 4>the phones and ship. You answered, you can ask about

3:30:14.560 --> 3:30:17.080
<v Speaker 4>the fucking doory me. And then here's which is you

3:30:17.120 --> 3:30:18.400
<v Speaker 4>went off the whole script with.

3:30:18.440 --> 3:30:19.039
<v Speaker 2>Some other ship.

3:30:21.120 --> 3:30:23.560
<v Speaker 3>I mean, I'm a special education student. I went to

3:30:23.600 --> 3:30:26.360
<v Speaker 3>the resource room in case you didn't know. Listen, man,

3:30:26.400 --> 3:30:28.400
<v Speaker 3>you got notes. Man, it works out, it works out,

3:30:28.440 --> 3:30:31.800
<v Speaker 3>it works out. Okay, you asked every one of my questions,

3:30:32.200 --> 3:30:34.440
<v Speaker 3>all step ups, bomb Diggy.

3:30:35.760 --> 3:30:36.959
<v Speaker 4>What's up with the records though?

3:30:37.040 --> 3:30:39.039
<v Speaker 6>What you just.

3:30:42.440 --> 3:30:44.840
<v Speaker 4>Pick out my records? The bomb Diggy. We never talked

3:30:44.840 --> 3:30:47.600
<v Speaker 4>about bomb Diggy. Wasn't it wasn't it wasn't. All the

3:30:47.640 --> 3:30:49.520
<v Speaker 4>ways done by me that's when I had tie Fife

3:30:49.560 --> 3:30:54.680
<v Speaker 4>with me. We'll do so right, So Queen's niggas so hey,

3:30:54.959 --> 3:30:58.680
<v Speaker 4>the chopping queen, the boom the boom to see that

3:30:58.840 --> 3:31:02.039
<v Speaker 4>wasn't I ain't had that technique yet, but time Fife did,

3:31:03.120 --> 3:31:04.119
<v Speaker 4>it sounded.

3:31:03.840 --> 3:31:05.560
<v Speaker 2>Like me because the defunk part of it.

3:31:06.280 --> 3:31:07.400
<v Speaker 1>So I added some.

3:31:07.440 --> 3:31:11.240
<v Speaker 4>Stuff in there too, But that's mostly tie Fife at

3:31:11.280 --> 3:31:13.640
<v Speaker 4>the time. It's ninety five tip fight. Matter of fact,

3:31:13.680 --> 3:31:17.000
<v Speaker 4>on that second album, was doing like maybe three or

3:31:17.000 --> 3:31:19.160
<v Speaker 4>four records on that because he was my new producer.

3:31:19.560 --> 3:31:20.120
<v Speaker 2>You know what I'm saying.

3:31:20.200 --> 3:31:25.240
<v Speaker 4>He was He had a dope style, you know. So,

3:31:25.640 --> 3:31:29.720
<v Speaker 4>But that's about about that story about on that on

3:31:29.879 --> 3:31:32.640
<v Speaker 4>that record. But I think that I think that again,

3:31:32.760 --> 3:31:37.120
<v Speaker 4>that was a record that too, that LA took off with.

3:31:37.600 --> 3:31:40.120
<v Speaker 4>You know, New York didn't really fuck with it too

3:31:40.240 --> 3:31:43.480
<v Speaker 4>tough then you people loved the second album, that second

3:31:43.480 --> 3:31:45.680
<v Speaker 4>albu of Day, but that single didn't go It didn't

3:31:45.720 --> 3:31:48.240
<v Speaker 4>do nothing except for California.

3:31:48.720 --> 3:31:49.000
<v Speaker 1>Didn't you.

3:31:50.040 --> 3:31:52.520
<v Speaker 3>That's with Derek Angeletti for a while. Wasn't he under

3:31:52.560 --> 3:31:56.600
<v Speaker 3>your prot No? No, no, yeah.

3:31:58.800 --> 3:32:01.520
<v Speaker 4>Only the only ones I can't was fighting rock Waller

3:32:01.560 --> 3:32:06.040
<v Speaker 4>and I can't rock wall with we Gotta get and

3:32:06.160 --> 3:32:09.200
<v Speaker 4>died don't want to come through. Yes, rock Wall is

3:32:09.200 --> 3:32:12.320
<v Speaker 4>one person though to that people again doesn't know, like

3:32:12.400 --> 3:32:15.400
<v Speaker 4>again you know already did the Big Pun, the jay Z,

3:32:15.760 --> 3:32:20.320
<v Speaker 4>the Di the Christian Aguilera's his child, the fucking you know,

3:32:20.440 --> 3:32:21.240
<v Speaker 4>he got his own.

3:32:21.120 --> 3:32:22.240
<v Speaker 2>Record called the rock Waller.

3:32:22.320 --> 3:32:25.720
<v Speaker 4>Whether than people look at them, Jennet Jackson, this nigga

3:32:25.800 --> 3:32:29.800
<v Speaker 4>is fucking one of those, you know, and people don't

3:32:29.840 --> 3:32:31.920
<v Speaker 4>look at it and look at him at all, you know,

3:32:32.040 --> 3:32:34.680
<v Speaker 4>as far as to really as one of those people

3:32:34.920 --> 3:32:37.400
<v Speaker 4>you know, dangerous because I ain't know he did the

3:32:37.400 --> 3:32:41.520
<v Speaker 4>Big Pun record Blue. I had no idea he did

3:32:41.560 --> 3:32:51.800
<v Speaker 4>that song, which one the dude one of the uh man,

3:32:53.640 --> 3:32:56.720
<v Speaker 4>that's rock Wall though, mister Lee, you're not helping at all, bro,

3:32:57.200 --> 3:32:58.160
<v Speaker 4>you're on that record.

3:32:58.400 --> 3:32:59.320
<v Speaker 1>He came up, what.

3:33:03.240 --> 3:33:06.240
<v Speaker 4>Rock Wall did that? Yes, you don't even know this?

3:33:06.560 --> 3:33:11.199
<v Speaker 1>No, no, I was also high mister head of the Sounds.

3:33:11.240 --> 3:33:12.280
<v Speaker 1>Can you google that please?

3:33:12.959 --> 3:33:13.360
<v Speaker 2>You got it?

3:33:14.320 --> 3:33:21.640
<v Speaker 4>Come on, man, this is my camp nigga. Holy shit,

3:33:22.840 --> 3:33:25.360
<v Speaker 4>this is crazy. Two records, no reason to know nothing

3:33:25.400 --> 3:33:30.280
<v Speaker 4>about it. He waved and this he's on both cool

3:33:30.320 --> 3:33:34.640
<v Speaker 4>about none of them. I credit that having a dope life.

3:33:37.480 --> 3:33:39.400
<v Speaker 4>But yo, every sermon, I'm gonna be honest with you.

3:33:39.560 --> 3:33:39.720
<v Speaker 1>Man.

3:33:41.000 --> 3:33:43.680
<v Speaker 3>Last time I saw you, we were on the private

3:33:44.080 --> 3:33:47.440
<v Speaker 3>right Jack, and then the next day I went to

3:33:48.240 --> 3:33:53.640
<v Speaker 3>Nice and I went to Paris. I'm seeing you today

3:33:54.480 --> 3:33:56.840
<v Speaker 3>and tomorrow I am going to Paris.

3:33:57.080 --> 3:33:58.760
<v Speaker 1>Stop lying your good luck.

3:34:00.480 --> 3:34:03.680
<v Speaker 4>Like you travel a lot, nigga. You don't want me

3:34:03.680 --> 3:34:05.480
<v Speaker 4>to drive, but I'm saying the fact that you was

3:34:05.520 --> 3:34:08.360
<v Speaker 4>like you really really be out there enjoying life for real,

3:34:08.640 --> 3:34:10.280
<v Speaker 4>because tomorrow is not promised. I like to.

3:34:15.120 --> 3:34:15.400
<v Speaker 3>See you.

3:34:16.879 --> 3:34:17.199
<v Speaker 2>Niggas.

3:34:17.200 --> 3:34:22.080
<v Speaker 4>You got money and it's not and and and the

3:34:22.800 --> 3:34:25.959
<v Speaker 4>side poss niggas live out here and day County over

3:34:26.000 --> 3:34:30.840
<v Speaker 4>there in Coral keep around. He's gonna be able to joy.

3:34:31.400 --> 3:34:33.760
<v Speaker 4>I mean, how about you, real quick list, you got

3:34:33.840 --> 3:34:37.080
<v Speaker 4>to be you got to be capful. I'm not gonna be.

3:34:37.160 --> 3:34:41.880
<v Speaker 4>I can't be the protect them like that. You know

3:34:42.400 --> 3:34:46.560
<v Speaker 4>you didn't drink bro Listen, My first Wednesday is not

3:34:46.680 --> 3:34:50.080
<v Speaker 4>a coincidence because again, you know, this is my second

3:34:50.160 --> 3:34:53.000
<v Speaker 4>day living in Miami, but you're living in Miami now.

3:34:53.320 --> 3:35:00.960
<v Speaker 4>I just moved yesterday and I can see the water

3:35:01.040 --> 3:35:05.400
<v Speaker 4>and ship. I'm just another I'm just Japan because I'm

3:35:05.440 --> 3:35:08.160
<v Speaker 4>forced and listening, but listen, and my g wagons being

3:35:08.400 --> 3:35:09.880
<v Speaker 4>being sent right now. Listen, but listen to some of

3:35:11.240 --> 3:35:13.600
<v Speaker 4>this place. I'm trying to find out if this is

3:35:13.680 --> 3:35:17.040
<v Speaker 4>me or not right because you because my man. Once

3:35:17.120 --> 3:35:20.960
<v Speaker 4>this nigga left California, I'm like, damn, so La might

3:35:21.040 --> 3:35:23.800
<v Speaker 4>not be the place, will.

3:35:23.640 --> 3:35:24.120
<v Speaker 3>You stop it?

3:35:25.720 --> 3:35:28.160
<v Speaker 4>And so in New York was making me comfortable, like

3:35:28.200 --> 3:35:29.800
<v Speaker 4>you know how you get a comfortability and when you

3:35:29.840 --> 3:35:31.880
<v Speaker 4>get too comfortable, you know, you got to be careful

3:35:31.920 --> 3:35:34.840
<v Speaker 4>with that because you can fall into a comfort zone.

3:35:35.160 --> 3:35:38.640
<v Speaker 4>So I was doing that, and you know, I've always

3:35:38.640 --> 3:35:40.640
<v Speaker 4>been in Atlanta, you know what I'm saying, But I

3:35:40.760 --> 3:35:44.400
<v Speaker 4>knew that that wasn't where I wanted to go now too.

3:35:44.760 --> 3:35:45.800
<v Speaker 2>Yeah, freaking nigga is over.

3:35:46.120 --> 3:35:46.879
<v Speaker 3>You gotta go leave.

3:35:48.520 --> 3:35:59.080
<v Speaker 4>So so my colleagues are here, nor Fat Joe's Hallong

3:36:00.400 --> 3:36:04.160
<v Speaker 4>d like the age group with Ross, make these all

3:36:04.240 --> 3:36:05.680
<v Speaker 4>these people that I know.

3:36:07.320 --> 3:36:08.920
<v Speaker 2>You know what I'm saying, don't forget.

3:36:08.920 --> 3:36:09.360
<v Speaker 3>D J E.

3:36:09.560 --> 3:36:09.720
<v Speaker 1>F N.

3:36:11.440 --> 3:36:15.720
<v Speaker 4>Young Bird, but he was with me right right.

3:36:16.680 --> 3:36:21.120
<v Speaker 1>We got to unreleased ahead, right, so you gotta understand, great,

3:36:21.160 --> 3:36:24.800
<v Speaker 1>young We're going to release that mother.

3:36:26.320 --> 3:36:28.200
<v Speaker 4>With Ross left on my basement floor.

3:36:29.040 --> 3:36:30.360
<v Speaker 2>Wow, like this is.

3:36:31.920 --> 3:36:35.000
<v Speaker 4>This niggas ain't maybe all I know the fact that

3:36:35.160 --> 3:36:40.119
<v Speaker 4>this is what I I want to see for myself,

3:36:40.800 --> 3:36:42.960
<v Speaker 4>if this is where I, you know, supposed to be at.

3:36:43.240 --> 3:36:47.840
<v Speaker 4>Because again, the motivation is what people need to keep,

3:36:47.920 --> 3:36:50.360
<v Speaker 4>you know, just to keep it, keep it fresh.

3:36:50.800 --> 3:36:53.560
<v Speaker 2>You know, I can make music anyway anywhere.

3:36:53.640 --> 3:36:57.480
<v Speaker 4>But the motivation of people doing what I love to

3:36:57.600 --> 3:37:01.200
<v Speaker 4>do makes you do what you love to do and

3:37:01.400 --> 3:37:04.279
<v Speaker 4>at a higher level. So when you out here, dolo

3:37:04.680 --> 3:37:07.520
<v Speaker 4>and you over there by yourself with it and nobody's

3:37:07.560 --> 3:37:09.560
<v Speaker 4>doing that now it's just you. You're still making it.

3:37:09.640 --> 3:37:10.080
<v Speaker 3>But it ain't.

3:37:10.280 --> 3:37:12.600
<v Speaker 4>It ain't the same type of motivation. That's what Atlanta

3:37:12.640 --> 3:37:15.320
<v Speaker 4>had gave me. That's what La had gave me. New

3:37:15.400 --> 3:37:16.560
<v Speaker 4>York had gave me for a while.

3:37:16.720 --> 3:37:18.720
<v Speaker 2>Now, I mean, let me give it to you. Yeah,

3:37:18.800 --> 3:37:20.920
<v Speaker 2>but don't I'm the fuck out of here. Don't really matter.

3:37:21.440 --> 3:37:25.120
<v Speaker 3>Get yourself a public sandwich, a public's public's not a

3:37:25.160 --> 3:37:26.199
<v Speaker 3>public one, but a public.

3:37:27.040 --> 3:37:30.920
<v Speaker 4>And then to the part of the part of the

3:37:32.959 --> 3:37:36.520
<v Speaker 4>of the the the weather part, the part of this

3:37:36.640 --> 3:37:38.480
<v Speaker 4>being like you know, you wake up at seven every

3:37:38.560 --> 3:37:41.320
<v Speaker 4>day right now, be hurricanes. This nigga is this nigga

3:37:41.400 --> 3:37:45.160
<v Speaker 4>right here much jogging five or ten miles. I don't

3:37:45.240 --> 3:37:47.360
<v Speaker 4>know if you lyne that they picking the camera up like,

3:37:47.480 --> 3:37:49.520
<v Speaker 4>He's like, no, you're picking the camera. You're like, okay,

3:37:50.200 --> 3:37:53.320
<v Speaker 4>and now I'm at seven now, nigga the camera. I

3:37:53.440 --> 3:37:54.160
<v Speaker 4>watched the edit.

3:37:54.680 --> 3:37:56.680
<v Speaker 2>I watched the editor here on different sneakers.

3:38:01.320 --> 3:38:03.560
<v Speaker 4>He had on some new bads and they switched to this.

3:38:06.240 --> 3:38:06.640
<v Speaker 2>Only way.

3:38:06.959 --> 3:38:17.040
<v Speaker 6>You're putting one run day a week's worth of running.

3:38:17.360 --> 3:38:20.520
<v Speaker 4>You can skip, man, like you skip to number ten.

3:38:21.200 --> 3:38:25.760
<v Speaker 4>But they're doing the movie. Okay, cut the movie. Oh

3:38:25.879 --> 3:38:27.680
<v Speaker 4>ship that the ice melted?

3:38:29.360 --> 3:38:31.800
<v Speaker 1>Well, well, listen, wet, this is your home now now

3:38:32.000 --> 3:38:34.680
<v Speaker 1>we know you live here. Yes, please come sober drunk

3:38:34.800 --> 3:38:37.199
<v Speaker 1>every time we love it. Man, you are the soberest

3:38:37.280 --> 3:38:40.720
<v Speaker 1>drunk person. I feel I feel like we've been you

3:38:40.959 --> 3:38:42.200
<v Speaker 1>drinking everything we drinking.

3:38:42.600 --> 3:38:44.880
<v Speaker 4>I feel like every time, this right here is the

3:38:44.959 --> 3:38:47.240
<v Speaker 4>dope ship. Though now people get this and this is

3:38:47.280 --> 3:38:47.760
<v Speaker 4>dope and ship.

3:38:48.160 --> 3:38:50.040
<v Speaker 2>But but but but can I can I give you

3:38:50.120 --> 3:38:51.280
<v Speaker 2>a prosper two minutes? Please?

3:38:52.240 --> 3:38:56.200
<v Speaker 3>You a legend. You're an icon in many ways. If

3:38:56.280 --> 3:38:59.080
<v Speaker 3>you weren't here, I wouldn't be here the FM. I

3:38:59.120 --> 3:39:04.760
<v Speaker 3>don't know if you even notice, he didn't go on eBay,

3:39:06.320 --> 3:39:09.320
<v Speaker 3>that's the original. Like, but he has tennis balls from

3:39:09.360 --> 3:39:12.560
<v Speaker 3>carras one, he got he got your he got your

3:39:12.840 --> 3:39:13.800
<v Speaker 3>your tapes on.

3:39:13.920 --> 3:39:17.560
<v Speaker 4>A tape, but the shirt I don't know how many

3:39:17.680 --> 3:39:22.320
<v Speaker 4>times you wore were interviews with other people. I'm like, damn,

3:39:22.360 --> 3:39:25.680
<v Speaker 4>it feels like that, like I saw him before, but

3:39:25.800 --> 3:39:29.880
<v Speaker 4>he never act like like how I see you with

3:39:30.040 --> 3:39:31.880
<v Speaker 4>the path and there and the stuff that you doing

3:39:31.920 --> 3:39:34.480
<v Speaker 4>as far as like, damn, represent I like.

3:39:34.520 --> 3:39:38.360
<v Speaker 3>That called the power for that. That's illegal ship. Let's go.

3:39:40.240 --> 3:39:51.800
<v Speaker 4>Because I didn't make that ship. I can get you

3:39:51.879 --> 3:39:52.680
<v Speaker 4>off that right now.

3:39:54.400 --> 3:39:55.080
<v Speaker 2>He couldn't get.

3:39:56.760 --> 3:39:59.520
<v Speaker 4>Like, that's my life. So at the end of the day,

3:39:59.600 --> 3:40:03.160
<v Speaker 4>But again I realized that now too, at the end

3:40:03.160 --> 3:40:04.640
<v Speaker 4>of the day, I'd be like, damn, these niggas be

3:40:04.720 --> 3:40:06.560
<v Speaker 4>repping and then for y'all to do that, like y'all

3:40:06.680 --> 3:40:09.640
<v Speaker 4>rep for real, like your niggas rep for real, like

3:40:09.760 --> 3:40:13.000
<v Speaker 4>for real for real EPMD repings. So that right there,

3:40:13.040 --> 3:40:14.720
<v Speaker 4>I appreciated that too. But again at the end of

3:40:14.760 --> 3:40:18.920
<v Speaker 4>the day, we was kids not knowing. I was just

3:40:19.040 --> 3:40:21.360
<v Speaker 4>making what we thought it was dope, period, And that's

3:40:21.400 --> 3:40:22.760
<v Speaker 4>what we did. We made what we thought it was

3:40:22.800 --> 3:40:27.280
<v Speaker 4>Dope and the world Man and and and again, don't forget.

3:40:27.320 --> 3:40:30.600
<v Speaker 4>We had the I couldn't come whack? Can you imagine

3:40:30.600 --> 3:40:34.000
<v Speaker 4>you at home? And then Crammed the Crammed understand came

3:40:34.080 --> 3:40:39.879
<v Speaker 4>on first. Yes, that was Red Alert playing that right.

3:40:40.560 --> 3:40:41.520
<v Speaker 1>So the next.

3:40:43.840 --> 3:40:46.000
<v Speaker 4>You know, Craig mac came to my house because Craig

3:40:46.040 --> 3:40:47.320
<v Speaker 4>makes come to my house all the time at my

3:40:47.320 --> 3:40:51.560
<v Speaker 4>grandma's house. Yes, we used to Me and Craig Matt

3:40:51.640 --> 3:40:53.160
<v Speaker 4>used to listen to the radio and see what's coming

3:40:53.200 --> 3:40:56.960
<v Speaker 4>on next. So we heard publicking number one together and

3:40:57.080 --> 3:41:03.360
<v Speaker 4>we heard nobody beats the Biz. So now right, and

3:41:03.480 --> 3:41:08.360
<v Speaker 4>then then the next week I came in the door.

3:41:08.840 --> 3:41:10.040
<v Speaker 1>That was for me.

3:41:10.520 --> 3:41:14.080
<v Speaker 2>So so now don't forget. Then you have question.

3:41:14.120 --> 3:41:16.560
<v Speaker 4>You had KOs one with the bridge and and and

3:41:17.000 --> 3:41:20.560
<v Speaker 4>all that, so we have I got all these people

3:41:20.640 --> 3:41:23.320
<v Speaker 4>to watch. Don't forget me and Paris is the last

3:41:23.400 --> 3:41:28.760
<v Speaker 4>one out from the era. Don't forget you got Robin

3:41:28.800 --> 3:41:29.800
<v Speaker 4>with canes out, you.

3:41:29.800 --> 3:41:32.080
<v Speaker 3>Know, so we know school the last one.

3:41:32.120 --> 3:41:37.200
<v Speaker 4>Now that's the next era. Some of as far as

3:41:38.200 --> 3:41:41.880
<v Speaker 4>me and Paris listening, you hear what we heard. We

3:41:42.040 --> 3:41:45.480
<v Speaker 4>heard kaos one, we heard light, we heard biz, We

3:41:45.600 --> 3:41:47.800
<v Speaker 4>heard rock Him and we heard Public Enemy.

3:41:48.240 --> 3:41:50.640
<v Speaker 2>So imagine you sitting there, so how do we have

3:41:50.840 --> 3:41:52.480
<v Speaker 2>to have to come when you hear that?

3:41:52.800 --> 3:41:55.320
<v Speaker 1>And it's crazy because you guys sounded nothing like anybody

3:41:55.440 --> 3:41:57.000
<v Speaker 1>you was inspired by.

3:41:57.480 --> 3:41:58.240
<v Speaker 4>Well rock him.

3:41:59.120 --> 3:42:00.640
<v Speaker 2>You felt like you sounded like rock Him.

3:42:01.280 --> 3:42:06.440
<v Speaker 4>Because I interview Paris said it into what you're saying.

3:42:06.760 --> 3:42:08.960
<v Speaker 4>Niggas said, we signed the music was black. We have

3:42:09.000 --> 3:42:12.880
<v Speaker 4>to the album strictly business. Help him, you don't sign it.

3:42:12.959 --> 3:42:15.440
<v Speaker 4>But this is what they were saying. Okay, then don't

3:42:15.480 --> 3:42:17.959
<v Speaker 4>forget though, when that e pm D ship was going

3:42:18.000 --> 3:42:20.240
<v Speaker 4>on in rock Him from the next town. Whatever that shit,

3:42:20.280 --> 3:42:22.520
<v Speaker 4>I ain't no joke. Whatever. You can get a smack

3:42:22.600 --> 3:42:25.320
<v Speaker 4>for this. Then EPMD came out like a Digham smack.

3:42:25.360 --> 3:42:27.400
<v Speaker 4>You smacked me and I smack you back. So niggas

3:42:27.600 --> 3:42:30.480
<v Speaker 4>thought that that was the disc again that if you

3:42:30.560 --> 3:42:33.440
<v Speaker 4>don't know that, the hood took that. So now rock

3:42:33.520 --> 3:42:36.800
<v Speaker 4>Him is pissed. I'm like, damn no way. It was

3:42:36.959 --> 3:42:39.320
<v Speaker 4>no way you want beef with him. We can't beat him.

3:42:39.480 --> 3:42:42.440
<v Speaker 4>It came so so Denny says a brother said, diggum,

3:42:42.480 --> 3:42:44.280
<v Speaker 4>I never dug and he couldn't have. Finally enough, so

3:42:44.400 --> 3:42:46.680
<v Speaker 4>I drug him and the dangers on the curve. I'm like, oh,

3:42:46.760 --> 3:42:52.720
<v Speaker 4>we in trouble, were in trouble. All of a sudden

3:42:52.720 --> 3:42:55.240
<v Speaker 4>we saw about the place called the building, and Paris

3:42:55.240 --> 3:42:58.640
<v Speaker 4>saw him in Paris squats the beef. What did parents do?

3:42:59.080 --> 3:43:01.120
<v Speaker 4>What are you saying about these at the bar? And

3:43:01.240 --> 3:43:03.600
<v Speaker 4>like you talked to him and the ship was squashed.

3:43:03.640 --> 3:43:07.800
<v Speaker 4>But again the Hood made that beef just because of

3:43:07.879 --> 3:43:10.200
<v Speaker 4>what you thought you might have heard. So I'm forgeting

3:43:10.560 --> 3:43:12.440
<v Speaker 4>if your man gashed up said you heard him say

3:43:12.480 --> 3:43:15.000
<v Speaker 4>that ship smack me or smack you back? So it

3:43:15.080 --> 3:43:18.600
<v Speaker 4>went crazy. So now you're going we only two towns

3:43:18.680 --> 3:43:26.920
<v Speaker 4>over Brentwood then wine dance right here. Wow, that's my

3:43:27.120 --> 3:43:29.959
<v Speaker 4>mentor who I'm watching who I wouldn't even be going

3:43:30.040 --> 3:43:32.680
<v Speaker 4>that far if I never heard him. My melody and

3:43:32.800 --> 3:43:36.440
<v Speaker 4>fucking every president was the ship. That's what I based

3:43:36.480 --> 3:43:39.520
<v Speaker 4>my shoe off of him. You don't know that, but

3:43:39.560 --> 3:43:42.160
<v Speaker 4>I'm telling you that's incredible.

3:43:42.400 --> 3:43:45.760
<v Speaker 1>And he thinks you dissed them. You don't think that's

3:43:46.440 --> 3:43:51.160
<v Speaker 1>the Hood did it? So they so you ain't had

3:43:51.200 --> 3:43:53.560
<v Speaker 1>no d M back then we'd be like it was.

3:43:53.600 --> 3:43:55.560
<v Speaker 2>No, it was the bar when parasaw him it was

3:43:55.640 --> 3:43:56.200
<v Speaker 2>too late for that.

3:43:56.360 --> 3:44:01.119
<v Speaker 4>It's too late because once that came whatever and then

3:44:01.200 --> 3:44:03.960
<v Speaker 4>we said sounding like the all we said, the virus

3:44:04.040 --> 3:44:05.360
<v Speaker 4>said the all like nigga, you.

3:44:05.320 --> 3:44:08.280
<v Speaker 1>Can said this the awe and the music was wet, worse,

3:44:09.520 --> 3:44:10.840
<v Speaker 1>and he said, did not follow.

3:44:10.920 --> 3:44:13.760
<v Speaker 4>Leather came out, but it's the dig that I never

3:44:13.800 --> 3:44:15.720
<v Speaker 4>dug it. You couldn't follow that. I'm like, oh my god,

3:44:15.760 --> 3:44:17.680
<v Speaker 4>we in trouble, and he twitched it up.

3:44:18.360 --> 3:44:19.040
<v Speaker 2>I was so young.

3:44:19.160 --> 3:44:21.440
<v Speaker 1>I didn't even all of that went over my head.

3:44:21.560 --> 3:44:23.800
<v Speaker 4>Ya No, I said it. That's what all this ship?

3:44:23.840 --> 3:44:24.600
<v Speaker 3>You heard? No say that.

3:44:24.640 --> 3:44:28.120
<v Speaker 4>But the rock record came from me with the autobiography,

3:44:28.600 --> 3:44:30.560
<v Speaker 4>that all that ship he said. He said the same

3:44:30.640 --> 3:44:35.280
<v Speaker 4>thing I told him. He said it in the rhyme Wow, Jesus.

3:44:38.200 --> 3:44:41.959
<v Speaker 4>That day when I went with the street, we talked

3:44:41.959 --> 3:44:42.800
<v Speaker 4>about that story.

3:44:43.240 --> 3:44:43.480
<v Speaker 2>Wow.

3:44:44.160 --> 3:44:46.120
<v Speaker 4>And the next thing, you know, he wrote it in

3:44:46.240 --> 3:44:46.640
<v Speaker 4>the rhyme.

3:44:47.840 --> 3:44:51.200
<v Speaker 3>Yeah, that's that's That's how motherfucking good artist is. You

3:44:51.280 --> 3:44:53.960
<v Speaker 3>sit around, we talked, and then we're writing about that

3:44:54.040 --> 3:44:55.280
<v Speaker 3>ship that you just talked about.

3:44:55.640 --> 3:44:56.520
<v Speaker 4>Right, drink, we did it.

3:44:56.640 --> 3:44:57.080
<v Speaker 1>Let's do it.

3:44:59.400 --> 3:44:59.959
<v Speaker 2>Take a picture.

3:45:01.840 --> 3:45:03.920
<v Speaker 4>Drink Champs is a drink Champs LLC.

3:45:04.080 --> 3:45:07.600
<v Speaker 1>Production, hosts and executive producers n O r E and

3:45:07.800 --> 3:45:12.040
<v Speaker 1>dj e FN. Listen to Drink Champs on Apple Podcast,

3:45:12.280 --> 3:45:17.400
<v Speaker 1>Amazon Music, Spotify, or wherever you get your podcasts. Thanks

3:45:17.440 --> 3:45:19.959
<v Speaker 1>for joining us for another episode of Drink Champs hosted

3:45:20.000 --> 3:45:22.320
<v Speaker 1>by Yours Truly, dj e f N and n O

3:45:22.480 --> 3:45:24.520
<v Speaker 1>r E. Please make sure to follow us on all

3:45:24.600 --> 3:45:28.240
<v Speaker 1>our socials That's at drink Champs across all platforms, at

3:45:28.280 --> 3:45:32.360
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3:45:32.400 --> 3:45:35.760
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3:45:35.879 --> 3:45:38.240
<v Speaker 1>on Twitter, and most importantly, stay up to date with

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