WEBVTT - Screen Time: Brave New World

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<v Speaker 1>So when you're talking about books being adapted into movies

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<v Speaker 1>and TV shows, the cliche that always comes to mind

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<v Speaker 1>is the book was better. But if you've listened to

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<v Speaker 1>our last couple episodes about Alvie Huxley's Brave New World intent,

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<v Speaker 1>you should do that. If you haven't, you've heard our

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<v Speaker 1>myriad issues with it. Well, this week we are getting

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<v Speaker 1>into the adaptation for NBC's Peacock, and now you'll want

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<v Speaker 1>to hear our myriad issues with that as well. It

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<v Speaker 1>doesn't lend itself very well to adaptation, which is why

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<v Speaker 1>when I finished reading it, I was like, what they

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<v Speaker 1>made this into a show, And it turns out they didn't.

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<v Speaker 1>So Welcome back to Popcorn Book Club. I'm Danis Schwartz,

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<v Speaker 1>joined as always by Jennifer Wright, Tan Tran, Melissa Hunter,

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<v Speaker 1>and caramadan Qua, and today we are back on screen

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<v Speaker 1>time the name for the segment that I have unilaterally

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<v Speaker 1>decided to move forward of it? You did. I just

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<v Speaker 1>made this decisions for the moment with such confidence that

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<v Speaker 1>we all were like, yes that is the name. Yeah,

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<v Speaker 1>you said it with such confidence that it made me

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<v Speaker 1>feel like I did vote for it. Yes you did.

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<v Speaker 1>You just all forgot. I just assumed that I missed.

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<v Speaker 1>I thought it like Mr. I Heart Radio told us

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<v Speaker 1>it had to be called that. I am Mr Karama.

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<v Speaker 1>His name is I Heart Radio, Ivan Heart Radio. It's

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<v Speaker 1>like a haunted mansion to Stone. So we are back

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<v Speaker 1>on the segment that Mr. The president of I Heart

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<v Speaker 1>Radio told us had to be called screen time talking

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<v Speaker 1>about Brave New World. The I want to say adaptation,

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<v Speaker 1>but not even really adaptations. It a title and very

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<v Speaker 1>little and some characters people keep making fun of Bernards

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<v Speaker 1>like c W West World. I maybe say that is

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<v Speaker 1>such a yeah, have we said the name yet? It's

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<v Speaker 1>Brave New World on NBC's streaming series Peacock. Again a

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<v Speaker 1>very loose adaptation, and that they picked a few elements

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<v Speaker 1>that I think they liked. But before we dive in,

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<v Speaker 1>because I think we're gonna have a lot to say, Jennifer,

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<v Speaker 1>you're you're a defender of the show, and so I

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<v Speaker 1>want to start with you on just in your own words,

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<v Speaker 1>what you think the show is about and what you

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<v Speaker 1>enjoy about it. Okay, So first of all, um, not

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<v Speaker 1>that you need a defense for enjoying anything, because we

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<v Speaker 1>would never be afraid to like things that we'd like.

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<v Speaker 1>But um, A note is that I watched the first

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<v Speaker 1>i'm gonna say four episodes of this after having a

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<v Speaker 1>very minor operation and I was on painkillers. So I

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<v Speaker 1>have a sense that henced my my enjoyment of at

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<v Speaker 1>least the first portion of the show, because I did

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<v Speaker 1>notice a guarantee reason quality. I was no longer on

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<v Speaker 1>thank killer. But I just thought, like, I guess it

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<v Speaker 1>really ran out of ideas, like two and a half hours.

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<v Speaker 1>It might have been something else. I mean, I kind

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<v Speaker 1>of thought it came together towards the end. I think

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<v Speaker 1>because I let go of all of my expectations, I

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<v Speaker 1>was gonna say, did we watch the same show? Because

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<v Speaker 1>it did not come together. It came together kind of

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<v Speaker 1>the same way that when a kid makes you a

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<v Speaker 1>little mudpie and then here you go, it's like together

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<v Speaker 1>only for a second, crumbling watch the entire show. No

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<v Speaker 1>I didn't. I did, Karama did see And how far

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<v Speaker 1>could you get? I only got I only got three

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<v Speaker 1>episodes in when he just starts, he just got back,

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<v Speaker 1>or John just is in the room. That's very freaking out,

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<v Speaker 1>like I can't can you put in? You put in exactly?

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<v Speaker 1>This is this brings up one of my gripes. So

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<v Speaker 1>you got a third of the way through. Because the

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<v Speaker 1>series is nine episodes, which is not a thing that

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<v Speaker 1>I've ever heard of anyone ever doing. And I'm all

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<v Speaker 1>for the fact that we now have this streaming ability

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<v Speaker 1>which makes it so that we don't need to follow

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<v Speaker 1>the conventions of network television. And I think that's great,

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<v Speaker 1>and I think innovation is cool. But because the show

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<v Speaker 1>was also not great, I don't know why they didn't

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<v Speaker 1>do more or less episodes. I don't know what it

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<v Speaker 1>would have benefited from one more or one few. The

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<v Speaker 1>more I think in terms of episodes, it's kind of

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<v Speaker 1>my rule about movies that no movie should be over

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<v Speaker 1>two hours unless it's very very good. If it's very very,

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<v Speaker 1>very very good, I don't care how long it is.

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<v Speaker 1>But if some movie is like a B plus and

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<v Speaker 1>it's two hours and one minute, I'm like, what's happening?

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<v Speaker 1>Why are generate? I feel like a minus? Get that

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<v Speaker 1>ship out of here. And I think it's the same

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<v Speaker 1>with episodes. It's like, if it's going to be more

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<v Speaker 1>than eight these days, you got to prove your ninth,

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<v Speaker 1>you know, prove your ninth. Nine. We listen, that's the

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<v Speaker 1>name of your TV writing school. Prove your ninth, your

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<v Speaker 1>nine seminar no sense to like half of the whatever. Yeah,

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<v Speaker 1>it'll make sense on the ninth class. Yes, it's intriguing.

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<v Speaker 1>You have to have a title that makes you want

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<v Speaker 1>to ask questions and and find out more. Well the

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<v Speaker 1>well the classes eight sessions, and then you have to

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<v Speaker 1>pay for the nights. So I'm proving my ninth. You know,

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<v Speaker 1>I type the class. So let's talk about the similarities

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<v Speaker 1>with the book. First, I got that there's a character

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<v Speaker 1>named Bernard. It's Bernard, It's Bernard. There's a people say

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<v Speaker 1>they're British. That's a British people. Really, okay. I was

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<v Speaker 1>just like, this is a fun one. Actually did not

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<v Speaker 1>like the fact that John kept saying Bernard when everybody

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<v Speaker 1>else is saying Bernard, And I'm like, you can say Bernard.

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<v Speaker 1>Like if that part I would say weird, I would

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<v Speaker 1>feel weird saying Bernard to a British person. I have

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<v Speaker 1>an uncle Bernard who's American, and we've just always called

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<v Speaker 1>him Bernard because that's I like that. Yeah, that's better,

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<v Speaker 1>it's objectively better. I just thought this an American. I

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<v Speaker 1>was forced to always say Bernard Bernard. That was like

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<v Speaker 1>the British one pounce their name in a different way.

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<v Speaker 1>Probably just go with that. I just keep thinking of

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<v Speaker 1>him as Bernard because I read it that way. Yeah,

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<v Speaker 1>me too. Yeah. Well, the fun fact I learned about

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<v Speaker 1>the actor playing Bernard is that he's Charles Dickens, like

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<v Speaker 1>great great great grandson, which is just one he does.

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<v Speaker 1>I don't look like he's Else Dickens, great great great

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<v Speaker 1>pants and totally. I also just want to point out

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<v Speaker 1>that Charles Dickens tried to get his wife institutionalize so

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<v Speaker 1>he could run off with a teenage mistress. And I've

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<v Speaker 1>never forgiven him for that. She was she was an actress,

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<v Speaker 1>She was very very young, and his wife had something

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<v Speaker 1>like nine children, might have been six sowhere in that

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<v Speaker 1>six to nine range of children. Yeah, and then he

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<v Speaker 1>tried to get her institutionalized, and that's a horrible, horrible

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<v Speaker 1>thing to do. Well, one of those six to nine

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<v Speaker 1>babies had some more babies, and one of them became

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<v Speaker 1>an actor. Who is good. He was great, She did

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<v Speaker 1>a good job. Everybody. I think everybody did a very

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<v Speaker 1>nice job. I thought the costumes were delightful. The Weasley

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<v Speaker 1>man that you that is your type, okay, because I

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<v Speaker 1>was like John is also We's John is not my type.

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<v Speaker 1>Though I don't like like cowboys. I don't think he

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<v Speaker 1>might like a cowboy. I don't think he as a cowboy.

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<v Speaker 1>My my theory about Aldan Aarnich, who is uh the

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<v Speaker 1>actor who played John John in this series um is

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<v Speaker 1>that everything about him to me reads as a British

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<v Speaker 1>actor playing American even though he's like born in l A. H.

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<v Speaker 1>I don't know why. He just seems very like he's

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<v Speaker 1>a British guy, like doing that American accent that's very

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<v Speaker 1>like we have to go, we have to go to

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<v Speaker 1>get us. Like he British, he is a person who

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<v Speaker 1>grew up in l a and went to theater school

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<v Speaker 1>and college. He just seems like exactly that, like an

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<v Speaker 1>l A kid who took some like voice classes, non

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<v Speaker 1>singing voice voice actor he did like Alexander method, and

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<v Speaker 1>now he's like very into his front palette. Honestly, I

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<v Speaker 1>like him. I think it's kind of a bummer that

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<v Speaker 1>he's gotten these high level roles that people don't turn

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<v Speaker 1>out to like. Like Solo he played, I liked it too.

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<v Speaker 1>I thought it was like a super fun movie, but

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<v Speaker 1>super intense fans did not like it. And it's really

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<v Speaker 1>I liked this record. Yeah, I'm saying I really like

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<v Speaker 1>him In Hail Caesar. I think that's a really good movie.

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<v Speaker 1>That movie that had like George Clooney and a bunch

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<v Speaker 1>of white people. It was like all white people. All

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<v Speaker 1>white people didn't it's yeah, it's all white, but everyone

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<v Speaker 1>is good in it. As a white person. He's he's

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<v Speaker 1>everyone is great. I like all the actors for the

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<v Speaker 1>most part. I thought everyone was like very compelling, interesting

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<v Speaker 1>to watch. Love Sybil from down Down Nabby. I like

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<v Speaker 1>didn't recognize her at first, and then I was like,

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<v Speaker 1>who is this stunning woman? I recognize it as like wait,

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<v Speaker 1>could it be it is? I'm so excited and like

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<v Speaker 1>she's great. She is not usually in starring roles, so

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<v Speaker 1>I think that it's nice to have her in this

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<v Speaker 1>starring role. I think that it's very well acted. I

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<v Speaker 1>think that the set, dressing and the special effects. There's

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<v Speaker 1>a lot that's good about the show. It's just that

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<v Speaker 1>the show wasn't like there are many good elements, but

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<v Speaker 1>it is not greater than the sum. It's not like

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<v Speaker 1>so in writing, you have something learned Like TV writing,

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<v Speaker 1>you have something called like a sandbox, right, Melissa, this

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<v Speaker 1>is this isn't earned the dime freeby is all right?

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<v Speaker 1>So this is like in the beginning of writing, writer's

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<v Speaker 1>rooms usually like here's our sandbox of ideas and we're

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<v Speaker 1>just gonna like throw it all out. I'm sure it's

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<v Speaker 1>a term borrowed from business that I don't know about,

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<v Speaker 1>but you just throw writers throw out all the ideas

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<v Speaker 1>possible and then you kind of skimmed through see which

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<v Speaker 1>ones you like. It feels like they just are like, well,

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<v Speaker 1>we have the sandbox, let's dump it all into the show. Well.

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<v Speaker 1>I think part of the problem for me is, um,

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<v Speaker 1>it's not a very action packed book. Like there's there's

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<v Speaker 1>a lot of great emotional up people, but if you

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<v Speaker 1>had to come up with any kind of like real action,

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<v Speaker 1>it's not really there. And they clearly want us to

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<v Speaker 1>be an action packed show. So instead of just getting

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<v Speaker 1>found by people from New London and vacating with his mother, um, yeah,

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<v Speaker 1>they have to escape the reservation and break their way

0:11:32.800 --> 0:11:39.480
<v Speaker 1>through a smirkling magnetic field that myous, yeah, and then

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<v Speaker 1>she gets shot in the process, and then They're gonna

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<v Speaker 1>kill all of the people from New London. They're like,

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<v Speaker 1>none of that happens in the book. It's like, as

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<v Speaker 1>I understand it, it's like a minor bureaucratic discussion that

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<v Speaker 1>does not lead to any car chases and clearly is

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<v Speaker 1>mostly quiet philosophical discussions. It. Yeah, they could have gone that.

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<v Speaker 1>It could have been how Normal People. I remember thinking like,

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<v Speaker 1>how is normal People are going to be adapted into

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<v Speaker 1>a show? It's so internal and like, oh they did that.

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<v Speaker 1>They did that very successfully on screen. I think that

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<v Speaker 1>Normal People also is about two people, and that's the thing.

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<v Speaker 1>We get to see those two people interact, and I

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<v Speaker 1>feel like we talked in our episode on the book

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<v Speaker 1>Brave New World. There is not a protagonist, so it's

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<v Speaker 1>not It doesn't lend itself very well to adaptation, which

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<v Speaker 1>is why when I finished reading it, I was like,

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<v Speaker 1>what they made this into a show, And it turns

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<v Speaker 1>out they didn't, so you know, Like I mean, it

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<v Speaker 1>focuses so much on the monogamy aspect and the next

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<v Speaker 1>aspect of it that is not that prevalent in the

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<v Speaker 1>book in the way that I was like, this is

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<v Speaker 1>such a like made for TV thing. That they're trying

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<v Speaker 1>to do, like opening with her talking about monogamy and

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<v Speaker 1>like having those like three rules. At the very beginning,

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<v Speaker 1>I was like, oh god, this is going to be

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<v Speaker 1>all about sex, isn't it? And then when the orgies

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<v Speaker 1>can we talk? I only saw one or I need

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<v Speaker 1>to I need to say a story about watching the orgy.

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<v Speaker 1>So I thought it was going to be a personal orgy. Sorry,

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<v Speaker 1>but I live in a small apartment with my fiance

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<v Speaker 1>and we have this little device on our TV that

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<v Speaker 1>you can um you can listen to like bluetooth it

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<v Speaker 1>because we don't have like an update TV whatever, So

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<v Speaker 1>I will listen to TV on our headphones a lot

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<v Speaker 1>of time to when the other one isn't watching. I

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<v Speaker 1>was watching it the other day during the day and

0:13:38.679 --> 0:13:41.520
<v Speaker 1>he was where he was working, and he was just like,

0:13:41.679 --> 0:13:45.600
<v Speaker 1>what are you what? Like he literally turned up right

0:13:45.920 --> 0:13:48.600
<v Speaker 1>when the orgy had started. I'm like, it's not it's

0:13:48.840 --> 0:13:54.200
<v Speaker 1>it's a classic literature pod, just like I was watching

0:13:54.400 --> 0:14:00.080
<v Speaker 1>porn in the afternoon on a Monday. I want to

0:14:00.080 --> 0:14:02.640
<v Speaker 1>say the record, I think that the problem with this

0:14:02.800 --> 0:14:06.360
<v Speaker 1>adaptation isn't that they added action, which is fine to me.

0:14:06.559 --> 0:14:09.040
<v Speaker 1>I thought they made the costumes boring and like they

0:14:09.120 --> 0:14:11.840
<v Speaker 1>decided that, like, oh, the aesthetic is just boring. Futures

0:14:11.840 --> 0:14:16.200
<v Speaker 1>that coast or cost that store case which I had

0:14:16.280 --> 0:14:18.680
<v Speaker 1>never heard of before you sent something about it. The

0:14:18.679 --> 0:14:25.320
<v Speaker 1>group that is where they shopped. It's like boxy neutral colors,

0:14:26.120 --> 0:14:34.760
<v Speaker 1>uh like very clean. They have like beautiful indescent panel costume.

0:14:35.040 --> 0:14:38.160
<v Speaker 1>But I wanted like like kicky little green outfits with

0:14:38.200 --> 0:14:44.040
<v Speaker 1>like little belts, and they described all these like little outsay,

0:14:44.080 --> 0:14:48.200
<v Speaker 1>because it's very important. It sounds like all Lenina's outfits

0:14:48.240 --> 0:14:54.520
<v Speaker 1>in the book her spectacular pointed. Okay, the green outfit

0:14:54.640 --> 0:14:56.640
<v Speaker 1>where she goes to the new I just kept thinking about,

0:14:56.640 --> 0:14:58.600
<v Speaker 1>like that's gonna look so cool on screen, and then

0:14:58.600 --> 0:15:01.480
<v Speaker 1>she just wore like a jumpsuit. So that's what I found.

0:15:02.480 --> 0:15:05.280
<v Speaker 1>That's what I found most disappointing is that they fundamentally

0:15:05.320 --> 0:15:09.000
<v Speaker 1>seem to misunderstand the message of the book Brave New World,

0:15:09.080 --> 0:15:12.480
<v Speaker 1>which is so relevant, which is that like consumerism and

0:15:12.520 --> 0:15:17.360
<v Speaker 1>wanting more more fashioned, more more toys, more experiences, more

0:15:17.400 --> 0:15:20.960
<v Speaker 1>like based like um frivolous human pleasures, which is so

0:15:21.040 --> 0:15:24.000
<v Speaker 1>relevant than distracts people from wondering like is our life

0:15:24.040 --> 0:15:28.320
<v Speaker 1>even worth living? Where in this they were like everyone

0:15:28.360 --> 0:15:31.640
<v Speaker 1>just wears a boring utilitarian jumpsuit. Also, the House of

0:15:31.760 --> 0:15:36.240
<v Speaker 1>Want is some like savage land idea. We're no, the

0:15:36.240 --> 0:15:38.720
<v Speaker 1>House of Want is supposed to be New London. Everyone

0:15:38.840 --> 0:15:43.800
<v Speaker 1>is up. It's a capitalist was like the Emperor, yea,

0:15:44.760 --> 0:15:47.920
<v Speaker 1>this isn't this isn't about like for the book. Like

0:15:47.960 --> 0:15:49.520
<v Speaker 1>the sex in the book was just like a fun

0:15:49.560 --> 0:15:54.680
<v Speaker 1>little added thing, that fun distraction that wasn't like not

0:15:55.000 --> 0:15:58.560
<v Speaker 1>like undulating orgy scene that made me laugh so loud

0:15:58.560 --> 0:16:01.600
<v Speaker 1>because like, I'm sorry, in this world everyone is on rhythm.

0:16:01.680 --> 0:16:05.600
<v Speaker 1>There's not like one person who's just like like phrenetically

0:16:05.880 --> 0:16:09.200
<v Speaker 1>like offbeat and unable to funk. Like everyone is good.

0:16:09.240 --> 0:16:12.600
<v Speaker 1>I just there's so many. I just couldn't stop laughing

0:16:12.640 --> 0:16:15.600
<v Speaker 1>at that. But like the fact the fact that no

0:16:15.640 --> 0:16:19.320
<v Speaker 1>one the the enemy of this world is like, oh

0:16:19.360 --> 0:16:22.320
<v Speaker 1>my god. The idea of monogamy that's so taboo. Look,

0:16:22.440 --> 0:16:25.640
<v Speaker 1>it's so easy for people for viewers to be like, oh,

0:16:25.720 --> 0:16:28.200
<v Speaker 1>I see why this world is wrong. We're in the book.

0:16:28.360 --> 0:16:30.080
<v Speaker 1>I mean the book, take it, take what you will

0:16:30.160 --> 0:16:32.600
<v Speaker 1>from it. But I definitely reflected I'm like, oh I

0:16:32.640 --> 0:16:35.120
<v Speaker 1>see a lot of relevance and similarities in the way

0:16:35.440 --> 0:16:38.240
<v Speaker 1>I structure my life and the world structures our lives

0:16:38.240 --> 0:16:42.200
<v Speaker 1>and consumerism, and it wasn't as challenging in that way

0:16:42.280 --> 0:16:44.680
<v Speaker 1>to me. I need to pop a few somma, So

0:16:44.680 --> 0:17:00.240
<v Speaker 1>why don't we take a quick break. Okay, we're back

0:17:00.360 --> 0:17:06.040
<v Speaker 1>with Popcorn book Club. The introduction of Indra really muddled

0:17:06.040 --> 0:17:10.920
<v Speaker 1>things from yeah, I think, oh yeah, well the end

0:17:11.400 --> 0:17:13.639
<v Speaker 1>in the end, okay, so only Karama and I can

0:17:13.680 --> 0:17:15.840
<v Speaker 1>talk about this, I guess please. In the end, they

0:17:15.840 --> 0:17:23.680
<v Speaker 1>find out they all live in a computer what is like, Yeah,

0:17:23.960 --> 0:17:28.520
<v Speaker 1>like it's so, it's not it's not explained well enough

0:17:28.560 --> 0:17:33.000
<v Speaker 1>for me to definitively say that it's a matrix. But

0:17:33.119 --> 0:17:35.240
<v Speaker 1>I think it is strongly implied that they are living

0:17:35.240 --> 0:17:37.800
<v Speaker 1>in a computer simulation and they just escaped at the

0:17:37.920 --> 0:17:41.440
<v Speaker 1>very end, well, because like, doesn't Indra then go and

0:17:41.480 --> 0:17:46.320
<v Speaker 1>live in Bernard or like the inside Bernard and go

0:17:46.440 --> 0:17:49.439
<v Speaker 1>back to the Savage Lands and then they bring something

0:17:49.480 --> 0:17:52.800
<v Speaker 1>but they bring with them. Yeah, yeah, I think that's

0:17:52.840 --> 0:17:56.480
<v Speaker 1>what they're doing. So they're gonna tame the Savage Lands

0:17:56.960 --> 0:18:01.560
<v Speaker 1>with Indra, their computer overlord who health the spirits of

0:18:01.640 --> 0:18:08.520
<v Speaker 1>the nine people who created it. But no, but yeah,

0:18:08.560 --> 0:18:13.000
<v Speaker 1>and C C six is a clone of one of

0:18:13.000 --> 0:18:15.720
<v Speaker 1>the people who have created Indra, who is the guy

0:18:15.760 --> 0:18:19.239
<v Speaker 1>that plays Klaus on The Originals. That's like straight out

0:18:19.280 --> 0:18:24.879
<v Speaker 1>of West World taking that is the engine that engineer character. Yeah,

0:18:25.359 --> 0:18:31.880
<v Speaker 1>that's boring. They made a message this book like Brave

0:18:31.920 --> 0:18:34.480
<v Speaker 1>New World, which I think is a very relevant dystopia,

0:18:34.560 --> 0:18:37.480
<v Speaker 1>and just like flattened it into like the most boring

0:18:37.640 --> 0:18:43.960
<v Speaker 1>Hollywood dystopia. There's nothing You're right, there's nothing about the

0:18:44.000 --> 0:18:48.760
<v Speaker 1>book Brave New World that's like great jumpsuits, sleek minimalism.

0:18:48.800 --> 0:18:53.840
<v Speaker 1>Nothing is minimalism. Nothing is is stimps, computer simulation. It's like,

0:18:54.400 --> 0:18:56.600
<v Speaker 1>where did you get that? We all saw Minority Report.

0:18:56.640 --> 0:19:00.520
<v Speaker 1>It's fine. I thought Minority Report level where it's boom

0:19:00.560 --> 0:19:06.919
<v Speaker 1>boom bye, get it, take it, want it? Um? Yeah. Also,

0:19:07.119 --> 0:19:10.080
<v Speaker 1>here's the thing. Everybody in this movie becomes horny for

0:19:10.240 --> 0:19:17.320
<v Speaker 1>monogny immediately, yes, which I um. If everybody is super

0:19:17.359 --> 0:19:20.639
<v Speaker 1>horny for monogamy, it's hard for me to belief that

0:19:20.680 --> 0:19:23.359
<v Speaker 1>there would not just be like a sea change in

0:19:23.440 --> 0:19:26.760
<v Speaker 1>their society where people would be like all of the

0:19:26.760 --> 0:19:28.959
<v Speaker 1>population is going to be miserable if they can't like

0:19:29.400 --> 0:19:32.360
<v Speaker 1>take a whack at monogamy, So let's give it a try.

0:19:32.440 --> 0:19:36.640
<v Speaker 1>And I think that's only enhanced by having this tourist

0:19:36.680 --> 0:19:41.159
<v Speaker 1>attraction where you get to see INDs and violence, but

0:19:41.240 --> 0:19:45.920
<v Speaker 1>like a very passionate, heartfelt wedding where somebody talks about

0:19:45.920 --> 0:19:49.800
<v Speaker 1>how desperately they love the woman that they're going to

0:19:49.840 --> 0:19:53.800
<v Speaker 1>be monogamous with. I will set the wedding. The thing

0:19:53.840 --> 0:19:55.679
<v Speaker 1>that's funny about the wedding for me is there supposed

0:19:55.680 --> 0:19:58.359
<v Speaker 1>to be like a shotgun wedding and the woman is pregnant,

0:19:58.920 --> 0:20:02.040
<v Speaker 1>and I love loved it on TV when you're pregnant,

0:20:02.080 --> 0:20:07.199
<v Speaker 1>you're always nine months pregnant, very visibly pregnant, which is

0:20:07.240 --> 0:20:09.240
<v Speaker 1>not at all how a shotgun wedding works. So I

0:20:09.280 --> 0:20:13.000
<v Speaker 1>like the idea of the like park engineers from New

0:20:13.040 --> 0:20:16.280
<v Speaker 1>London being like, ah, yes, she's pregnant, we must make

0:20:16.280 --> 0:20:20.639
<v Speaker 1>her very very pregnant. I do. I do like that

0:20:20.760 --> 0:20:23.600
<v Speaker 1>in this world too, that there's a respect for theater

0:20:26.440 --> 0:20:30.199
<v Speaker 1>is still a craft that is the most date. That

0:20:30.280 --> 0:20:33.240
<v Speaker 1>line where he's like live theater is the most dangerous thing.

0:20:33.840 --> 0:20:37.480
<v Speaker 1>I was like, cool, someone who has done a lot

0:20:37.520 --> 0:20:42.760
<v Speaker 1>of life, but I'm making them feel I wish it

0:20:42.840 --> 0:20:46.199
<v Speaker 1>was full like waiting for Guffman, like like it was

0:20:46.320 --> 0:20:50.960
<v Speaker 1>my guest as the director, because it did feel I

0:20:51.560 --> 0:20:55.000
<v Speaker 1>loved how over the top it all was and it

0:20:55.119 --> 0:20:58.159
<v Speaker 1>just felt like an alien trying to be like I

0:20:58.359 --> 0:21:01.760
<v Speaker 1>understand marriages. I really I appreciated that part. I wish

0:21:01.800 --> 0:21:03.800
<v Speaker 1>it was a whole series, that it was just a

0:21:03.880 --> 0:21:07.080
<v Speaker 1>Christopher guest dile like adventure land of just like people

0:21:07.200 --> 0:21:10.400
<v Speaker 1>hanging out working at the Savage nothing happens that don't

0:21:10.480 --> 0:21:14.600
<v Speaker 1>just feel like George saunderstory. It just like what would

0:21:14.600 --> 0:21:17.600
<v Speaker 1>do and like they make friends and there's no crazy

0:21:17.880 --> 0:21:20.320
<v Speaker 1>plot and we just get to know these people. I

0:21:20.359 --> 0:21:22.840
<v Speaker 1>do think that it is important to recognize, though, that

0:21:23.000 --> 0:21:25.840
<v Speaker 1>there are people who want to leave the Savage Lands

0:21:25.920 --> 0:21:28.399
<v Speaker 1>and then they can't write, which I think is so

0:21:28.480 --> 0:21:31.199
<v Speaker 1>odd because that part of the adaptation. I get that

0:21:31.240 --> 0:21:33.800
<v Speaker 1>they didn't want to have it be the weird racist

0:21:33.920 --> 0:21:44.080
<v Speaker 1>thing that it was in them, the racism, but introduced

0:21:44.119 --> 0:21:46.800
<v Speaker 1>a weird new like haves and have not some thing

0:21:46.960 --> 0:21:49.080
<v Speaker 1>and like, oh, this is where we keep our poor

0:21:49.119 --> 0:21:52.000
<v Speaker 1>people to entertain us. I kind of just read it

0:21:52.040 --> 0:21:55.479
<v Speaker 1>as Americans, and um, the way America is going at

0:21:55.480 --> 0:21:57.560
<v Speaker 1>the moment, I kind of feel like it's what we deserve,

0:21:58.280 --> 0:22:00.520
<v Speaker 1>like we should just have to put on like terrible

0:22:00.600 --> 0:22:07.359
<v Speaker 1>pantomimes of for British people. Yeah, that's that's what we deserve.

0:22:07.600 --> 0:22:12.400
<v Speaker 1>I sayd appreciate that change obviously because of racism. And

0:22:12.440 --> 0:22:16.240
<v Speaker 1>also that's what I thought was where it was where

0:22:16.240 --> 0:22:17.800
<v Speaker 1>it was going in the book when they kept on

0:22:17.920 --> 0:22:19.960
<v Speaker 1>talking about the savages, the savages, and like, Oh, it's

0:22:20.000 --> 0:22:24.200
<v Speaker 1>just gonna be like what our society is now. And

0:22:24.640 --> 0:22:29.480
<v Speaker 1>but then I underestimated all this hugs racism um, and

0:22:29.520 --> 0:22:31.560
<v Speaker 1>then it turned out to be something entirely different. But

0:22:31.600 --> 0:22:37.160
<v Speaker 1>I was like, oh, yeah, black Friday wedding, shotgun weddings,

0:22:37.200 --> 0:22:41.400
<v Speaker 1>that is what you would expect. Well, they all have gone,

0:22:41.640 --> 0:22:45.920
<v Speaker 1>like the guns are a very important part of their

0:22:45.960 --> 0:22:50.560
<v Speaker 1>culture constantly. Everybody hasn't gone. But I also think that

0:22:50.600 --> 0:22:53.840
<v Speaker 1>it's just like a fundamental misunderstanding of what the difference

0:22:53.960 --> 0:22:57.040
<v Speaker 1>was between like the New World and then end quote

0:22:57.080 --> 0:22:59.760
<v Speaker 1>Savage Land in the book, where it wasn't like black

0:23:00.000 --> 0:23:02.840
<v Speaker 1>a Day and weddings which are like sexual and romantic

0:23:02.840 --> 0:23:06.199
<v Speaker 1>and like a shotgun wedding is like an act of

0:23:06.240 --> 0:23:09.080
<v Speaker 1>passion in romance where it's like I would think that

0:23:09.560 --> 0:23:12.119
<v Speaker 1>a stranger thing for a New London person would be

0:23:12.160 --> 0:23:17.200
<v Speaker 1>seeing like a big cathedral wedding with like religion and superstition,

0:23:17.480 --> 0:23:21.199
<v Speaker 1>you know, Like I just I didn't understand the ratio

0:23:21.240 --> 0:23:23.520
<v Speaker 1>where it's like, no, that the difference is New London

0:23:23.640 --> 0:23:27.000
<v Speaker 1>is all about like pleasures and consumering and buying things

0:23:27.000 --> 0:23:29.520
<v Speaker 1>and having sex and like get married if you get

0:23:29.640 --> 0:23:32.240
<v Speaker 1>want and have a baby, where it's like no, they

0:23:32.280 --> 0:23:35.280
<v Speaker 1>would be weirded out by, like yeah, I would think

0:23:35.320 --> 0:23:38.400
<v Speaker 1>like a ceremony with a veil and like a virgin bride,

0:23:38.400 --> 0:23:42.400
<v Speaker 1>Like they would be more scandalized by like someone waiting

0:23:42.440 --> 0:23:45.639
<v Speaker 1>for marriage to have sex than a shotgun wedding. I

0:23:45.680 --> 0:23:48.679
<v Speaker 1>just think the show misunderstood that where they were like, oh,

0:23:48.800 --> 0:23:52.720
<v Speaker 1>shotgun wedding tacky, that's what it is. They're tacky. It's

0:23:52.720 --> 0:23:55.880
<v Speaker 1>like you know, you don't that's not it, right, am

0:23:55.920 --> 0:23:58.400
<v Speaker 1>I No? I said, I feel like the one thing

0:23:58.440 --> 0:24:01.439
<v Speaker 1>about the shotgun wedding and the preycy is that pregnancy

0:24:01.560 --> 0:24:05.600
<v Speaker 1>is such a like oh my god London and like

0:24:05.640 --> 0:24:09.359
<v Speaker 1>the idea of motherhood specifically, So I think that's one

0:24:09.359 --> 0:24:11.159
<v Speaker 1>of the reasons that it had to be like bail

0:24:11.320 --> 0:24:14.920
<v Speaker 1>belly like Ali want. But they did such a bad

0:24:15.000 --> 0:24:18.000
<v Speaker 1>job of setting that up in the New in New London,

0:24:18.119 --> 0:24:20.760
<v Speaker 1>Like there was no real Like that's what I missed

0:24:20.800 --> 0:24:24.080
<v Speaker 1>about what was in the book that did not make

0:24:24.160 --> 0:24:26.040
<v Speaker 1>it to the TV show is that there wasn't any

0:24:26.119 --> 0:24:28.600
<v Speaker 1>discussion of like how this world came to be, what

0:24:28.840 --> 0:24:31.760
<v Speaker 1>like the like different factories and the cloning, and that

0:24:31.760 --> 0:24:33.960
<v Speaker 1>there aren't any mothers and like we don't see the

0:24:34.000 --> 0:24:37.720
<v Speaker 1>conditioning of children until like episode two, And I thought

0:24:37.760 --> 0:24:41.520
<v Speaker 1>that was like the most interesting aspects of that original book.

0:24:41.520 --> 0:24:44.760
<v Speaker 1>And all we get is just like monogamy or g sex,

0:24:45.040 --> 0:24:48.080
<v Speaker 1>we get a little conditioning later a little And in

0:24:48.160 --> 0:24:51.320
<v Speaker 1>the book it is such a layup, Like the way

0:24:51.359 --> 0:24:55.600
<v Speaker 1>the book is structured, Like the first fifty pages are exposition,

0:24:56.359 --> 0:24:58.639
<v Speaker 1>like a guy giving a tour, And I feel like

0:24:58.720 --> 0:25:02.359
<v Speaker 1>you could have easily taken that and just adapted that

0:25:02.440 --> 0:25:04.280
<v Speaker 1>to screen, Like I think that would be a fun

0:25:04.880 --> 0:25:09.240
<v Speaker 1>entry point into the world. You would have loved watching that. Yeah, yeah,

0:25:09.400 --> 0:25:12.280
<v Speaker 1>it's a freebee. Tell us what is happening. He'll put us,

0:25:12.320 --> 0:25:15.600
<v Speaker 1>give us a tour, give us the Jurassic Park. Like

0:25:15.840 --> 0:25:18.720
<v Speaker 1>I'm what's I'm a d n A you know that

0:25:18.800 --> 0:25:27.760
<v Speaker 1>whole one thing I also found a little confusing and

0:25:28.119 --> 0:25:32.280
<v Speaker 1>maybe you guys can help what you think the appeal

0:25:32.359 --> 0:25:37.040
<v Speaker 1>of this was. But um, the different inass in classes

0:25:37.040 --> 0:25:39.560
<v Speaker 1>in the cast between like alpha and epsilon, I was

0:25:39.760 --> 0:25:44.359
<v Speaker 1>very wildly confused about how John in the book is

0:25:44.400 --> 0:25:48.480
<v Speaker 1>able to get through this wall. And they're like, oh

0:25:48.520 --> 0:25:52.399
<v Speaker 1>my god, he's an alpha exotic. That's amazing, Like I

0:25:52.400 --> 0:25:54.040
<v Speaker 1>think that's what they call him right there, like we've

0:25:54.080 --> 0:25:58.080
<v Speaker 1>never seen this specimen. But I thought in the show,

0:25:58.560 --> 0:26:01.040
<v Speaker 1>but I thought the whole point of like the alpha

0:26:01.119 --> 0:26:04.560
<v Speaker 1>epsilon things was that you're like genetically made in a factory.

0:26:04.600 --> 0:26:08.000
<v Speaker 1>So how it doesn't benefit doesn't make sense that he

0:26:08.119 --> 0:26:10.600
<v Speaker 1>is in alpha. How would he be an alpha? Was

0:26:12.000 --> 0:26:13.760
<v Speaker 1>his dad was an alpha, his mother was a beta.

0:26:13.880 --> 0:26:17.080
<v Speaker 1>Here's the thing, though, I don't think it's genetic that Indra,

0:26:18.320 --> 0:26:21.879
<v Speaker 1>Indra what's it called, controls the force field. So it

0:26:21.920 --> 0:26:25.480
<v Speaker 1>was never about you're whether you're in alpha or not.

0:26:25.720 --> 0:26:28.160
<v Speaker 1>It was about whether Indra wanted you to leave or not.

0:26:28.280 --> 0:26:31.000
<v Speaker 1>But they examine him when they're when they're paying him,

0:26:31.600 --> 0:26:34.280
<v Speaker 1>and they're like and they're like, he has the eyes

0:26:34.320 --> 0:26:38.520
<v Speaker 1>of an of an alpha. Like whatever dumb thing they

0:26:38.560 --> 0:26:40.640
<v Speaker 1>come up with but I'm like, I thought the whole

0:26:40.680 --> 0:26:42.600
<v Speaker 1>point of the alpha's were the people who are like

0:26:42.640 --> 0:26:46.639
<v Speaker 1>genetically engineered or not. There aren't moms and dads can

0:26:46.840 --> 0:26:48.399
<v Speaker 1>How can you be an alpha if you have a

0:26:48.440 --> 0:26:50.639
<v Speaker 1>mom and dad? Even if your mom is it's not

0:26:50.760 --> 0:26:55.360
<v Speaker 1>like eye color, Maybe it is. Maybe maybe whatever you're

0:26:55.440 --> 0:26:58.800
<v Speaker 1>supposed to determine that are like eye color, and they're

0:26:58.840 --> 0:27:04.960
<v Speaker 1>passed down to me. It's dumb. But I mean, no

0:27:05.040 --> 0:27:06.719
<v Speaker 1>shade to the people who wrote this. I'm sure they

0:27:06.760 --> 0:27:08.119
<v Speaker 1>did a lot of really hard work and it's a

0:27:08.119 --> 0:27:12.000
<v Speaker 1>difficult piece to agree. It's very good. They made nine

0:27:12.600 --> 0:27:17.400
<v Speaker 1>episodes of it, nine whole episode But here's my thing

0:27:17.640 --> 0:27:21.399
<v Speaker 1>about it. My understanding in the book was that alpha's

0:27:21.400 --> 0:27:26.720
<v Speaker 1>were always one egg, one sperm, and every other every

0:27:26.760 --> 0:27:31.000
<v Speaker 1>other cast was what's it called the splitting method? I

0:27:31.040 --> 0:27:38.240
<v Speaker 1>forgot the new game. Yeah, So for me, my understanding,

0:27:38.440 --> 0:27:41.720
<v Speaker 1>having read the book and then watched the show was, Okay,

0:27:41.880 --> 0:27:44.320
<v Speaker 1>the reason he has an alpha eyeball is because he

0:27:44.359 --> 0:27:47.280
<v Speaker 1>was actually conceived with one egg and one But then

0:27:47.840 --> 0:27:55.359
<v Speaker 1>everyone everyone, everybody, Okay, really maybe it's just okay, you

0:27:55.440 --> 0:28:01.919
<v Speaker 1>can't like not a blank it solved? Okay, no, but

0:28:02.040 --> 0:28:06.040
<v Speaker 1>indraw was what was controlling the force field? Sure, yeah,

0:28:06.359 --> 0:28:08.639
<v Speaker 1>you know fun a fact. Okay, both of my parents

0:28:08.640 --> 0:28:11.320
<v Speaker 1>are Canadian, but I was born in America. But that

0:28:11.400 --> 0:28:14.000
<v Speaker 1>means that I'm still a Canadian citizen because both of

0:28:14.040 --> 0:28:21.880
<v Speaker 1>my parents are not Canadian. Okay, have you guys seen

0:28:21.920 --> 0:28:29.920
<v Speaker 1>Gattica because I think Gatica that was really good at it? Like, Jen,

0:28:30.000 --> 0:28:32.639
<v Speaker 1>does that mean you have Canadian eyeballs? Is that is

0:28:32.680 --> 0:28:36.159
<v Speaker 1>that what the meaning of that is? To text that

0:28:36.280 --> 0:28:39.920
<v Speaker 1>I should be allowed into Canada because I have Canadian eyeballs? Yes,

0:28:40.080 --> 0:28:43.480
<v Speaker 1>that is how it would work, all right, So that

0:28:43.560 --> 0:28:46.000
<v Speaker 1>that is my Those are my like big qualms where

0:28:46.000 --> 0:28:47.880
<v Speaker 1>I was like, I don't think the people who understood

0:28:47.880 --> 0:28:51.200
<v Speaker 1>who made this understood like the message the parable of

0:28:51.240 --> 0:28:54.080
<v Speaker 1>the book. And then also I don't find the show entertaining.

0:28:55.000 --> 0:28:57.360
<v Speaker 1>But again, it's very hard to make a show. So

0:28:57.480 --> 0:28:59.800
<v Speaker 1>if you're listening to this and and worked on it,

0:28:59.840 --> 0:29:01.920
<v Speaker 1>I'm you job. I mean, my god, it's so hard

0:29:01.960 --> 0:29:04.440
<v Speaker 1>to get anything made. It is so hard to get

0:29:04.440 --> 0:29:08.400
<v Speaker 1>anything made. I will say that. Like. Also glaring things

0:29:08.440 --> 0:29:11.800
<v Speaker 1>to me are that, like the main characters are all white.

0:29:11.920 --> 0:29:14.200
<v Speaker 1>We're just like I can't believe you're like coming out

0:29:14.200 --> 0:29:17.640
<v Speaker 1>with a new like streaming service, and the characters that

0:29:17.680 --> 0:29:20.000
<v Speaker 1>were mostly focused well, I've seen the first three so

0:29:20.080 --> 0:29:29.040
<v Speaker 1>like it all focused, so you're correct day and that

0:29:30.000 --> 0:29:33.120
<v Speaker 1>I wish it was queerer. It really isn't like everyone

0:29:33.280 --> 0:29:39.200
<v Speaker 1>ends up matching very like seemingly straight, and even in

0:29:39.240 --> 0:29:42.240
<v Speaker 1>the orgy scenes, I'm like, everyone is still paired up

0:29:42.840 --> 0:29:46.160
<v Speaker 1>in interestingly straight couplings. And if there is there's a

0:29:46.280 --> 0:29:52.840
<v Speaker 1>later orgy, how everybody is bisexual you yourself half of

0:29:52.880 --> 0:29:55.360
<v Speaker 1>the population, that's yeah, but the visual of it is

0:29:55.400 --> 0:29:59.640
<v Speaker 1>still very straight and very white and very character They

0:29:59.680 --> 0:30:02.920
<v Speaker 1>do mean because there is the scene where Bernard is like, oh,

0:30:02.960 --> 0:30:08.960
<v Speaker 1>I forgot savages are weird about dudes? Fucking dudes? Yeah,

0:30:08.960 --> 0:30:11.400
<v Speaker 1>I know he explicitly says that because Bernard's like, go

0:30:11.480 --> 0:30:13.800
<v Speaker 1>grab yourself a dude, and he's like no, I'm good.

0:30:14.040 --> 0:30:17.720
<v Speaker 1>Like He's like, no, homo, but and Bernard's like, don't

0:30:17.920 --> 0:30:25.160
<v Speaker 1>do that. What's your problem? Dude? But I'm yeah, and

0:30:27.040 --> 0:30:31.200
<v Speaker 1>miss listen. I only got through episode two. But in

0:30:31.280 --> 0:30:34.080
<v Speaker 1>that episode, when they're talking about how like the new

0:30:34.120 --> 0:30:36.920
<v Speaker 1>London or stole our land and all that stuff, it's

0:30:36.920 --> 0:30:41.280
<v Speaker 1>a lot of like mapping over Native issues, real Native issues,

0:30:41.320 --> 0:30:43.640
<v Speaker 1>and it's a bunch of white people saying that I

0:30:43.640 --> 0:30:47.320
<v Speaker 1>guess correct, And I was like, oh, I don't I

0:30:47.360 --> 0:30:52.440
<v Speaker 1>don't love that. Uh, you know, it felt tricky and

0:30:52.600 --> 0:30:57.200
<v Speaker 1>like a little bit disappointing. I couldn't agree more. I

0:30:57.240 --> 0:30:59.880
<v Speaker 1>agree with you. There is a way to successfully out

0:30:59.840 --> 0:31:04.120
<v Speaker 1>of orically talk about issues without including those people. Like

0:31:04.200 --> 0:31:07.520
<v Speaker 1>the movie pleasant Bill, which is a movie about segregation

0:31:07.520 --> 0:31:12.920
<v Speaker 1>and race that hasn't marry a black person, And I

0:31:12.960 --> 0:31:15.200
<v Speaker 1>love that movie. I think it's great. It has one

0:31:15.200 --> 0:31:17.600
<v Speaker 1>of my favorite lines in the world where she's talking

0:31:17.680 --> 0:31:21.000
<v Speaker 1>to Reese Spoon is talking to her friend and she's like,

0:31:21.040 --> 0:31:22.760
<v Speaker 1>you can't believe you guys are twins. You must have

0:31:22.800 --> 0:31:25.280
<v Speaker 1>been from the cool side of the uterus, which is

0:31:26.240 --> 0:31:28.920
<v Speaker 1>truly the dumbest thing I've ever heard. My favorite, my favorite.

0:31:29.400 --> 0:31:31.680
<v Speaker 1>I love Pleasantville because it's my favorite movie in which

0:31:31.680 --> 0:31:38.200
<v Speaker 1>a woman. Yeah, but I think that they dropped the

0:31:38.240 --> 0:31:41.240
<v Speaker 1>ball on being able to allegorically talk about the issues

0:31:41.280 --> 0:31:45.480
<v Speaker 1>of land thievery and not include Native voices. I think

0:31:45.480 --> 0:31:46.880
<v Speaker 1>that there might have been a way to do it,

0:31:46.960 --> 0:31:48.680
<v Speaker 1>but they didn't figure it out. And I don't know

0:31:48.720 --> 0:31:50.680
<v Speaker 1>what that way is either. I'm not saying they should

0:31:50.680 --> 0:31:53.320
<v Speaker 1>have done this. I don't know what that way either is,

0:31:53.360 --> 0:31:55.880
<v Speaker 1>but like, yeah, having that one woman keep saying like

0:31:56.280 --> 0:31:59.000
<v Speaker 1>they stole our land. She said like a million times,

0:31:59.040 --> 0:32:02.880
<v Speaker 1>and I'm like, you got stop saying. I don't know

0:32:02.920 --> 0:32:07.560
<v Speaker 1>if that even made sense for they're British. They're British

0:32:07.560 --> 0:32:09.600
<v Speaker 1>and they're just coming to visit this. I think a

0:32:09.680 --> 0:32:13.719
<v Speaker 1>computer simulation. Yeah, like, what is this white lady who

0:32:13.800 --> 0:32:16.960
<v Speaker 1>lives in America. You're in America, right, what is what

0:32:17.040 --> 0:32:20.320
<v Speaker 1>are you accusing them of the land? And they made

0:32:20.320 --> 0:32:23.000
<v Speaker 1>it into a theme park? But it's a big land.

0:32:23.120 --> 0:32:25.680
<v Speaker 1>I mean, it seems very very big. It's not like

0:32:25.720 --> 0:32:27.640
<v Speaker 1>they're using that, you know. I don't know. I felt

0:32:27.640 --> 0:32:30.680
<v Speaker 1>like that wasn't the message that it could have been.

0:32:30.720 --> 0:32:32.680
<v Speaker 1>It could have been like there the halves and where

0:32:32.680 --> 0:32:35.400
<v Speaker 1>they have not and they have this technology and bro

0:32:35.720 --> 0:32:40.600
<v Speaker 1>whatever they were saying. I just don't think her grievance

0:32:40.640 --> 0:32:44.600
<v Speaker 1>like made the most sense emotionally to me. Okay, another

0:32:44.640 --> 0:32:47.920
<v Speaker 1>thing that bothered me a lot um. One of the

0:32:48.040 --> 0:32:50.760
<v Speaker 1>things that I think is really interesting in the book,

0:32:51.320 --> 0:32:54.000
<v Speaker 1>and that he's one of the downsides of their society

0:32:54.040 --> 0:32:58.200
<v Speaker 1>that the really clear about is that entertainment is not

0:32:58.440 --> 0:33:01.240
<v Speaker 1>very good, Like theater is not very good. They can't

0:33:01.240 --> 0:33:04.720
<v Speaker 1>do Shakespeare there. But they're taking all these eleven year

0:33:04.720 --> 0:33:08.280
<v Speaker 1>old children to see what is like. It's not a

0:33:08.360 --> 0:33:11.760
<v Speaker 1>great theatrical productionant at least one, but the people involved

0:33:11.800 --> 0:33:17.560
<v Speaker 1>in care about a lot that has like legitimate emotions

0:33:17.680 --> 0:33:21.320
<v Speaker 1>involved and and gonna shoot out and like a lot

0:33:21.360 --> 0:33:24.160
<v Speaker 1>of people are yelling and saying lives and there's a

0:33:24.200 --> 0:33:27.920
<v Speaker 1>little poetic bit in the middle. But the bonything they're

0:33:27.960 --> 0:33:32.600
<v Speaker 1>seeing is like, not great theater, but it certainly qualifies

0:33:32.600 --> 0:33:34.720
<v Speaker 1>in my mind just to see it. Um, these are

0:33:34.760 --> 0:33:37.760
<v Speaker 1>all very very smart people seeing it. Are you really

0:33:37.760 --> 0:33:40.160
<v Speaker 1>telling me that everyone would see this and be like, well,

0:33:40.200 --> 0:33:42.680
<v Speaker 1>the only thing we can make is pornographic movie. That

0:33:44.360 --> 0:33:49.280
<v Speaker 1>is what we're gonna do. Not all pornographic though, But

0:33:49.400 --> 0:33:51.920
<v Speaker 1>like Jennifer, you're right where it's like they make it

0:33:52.080 --> 0:33:54.440
<v Speaker 1>very clear that there's an upper limit to the amount

0:33:54.480 --> 0:33:57.080
<v Speaker 1>of art you can achieve in in this world where

0:33:57.080 --> 0:34:01.840
<v Speaker 1>everything is preordained and there's no suffering. But they there

0:34:01.880 --> 0:34:03.960
<v Speaker 1>there are there are no barriers in this they should

0:34:03.960 --> 0:34:07.040
<v Speaker 1>be no. I mean, they have shadowed the ceiling that

0:34:07.320 --> 0:34:12.520
<v Speaker 1>has been said in the book for one of theatrical experience. Um,

0:34:12.560 --> 0:34:15.840
<v Speaker 1>that insane guy who just starts dealing at Bernard about

0:34:15.880 --> 0:34:18.160
<v Speaker 1>how he is an actor. He's working without a net

0:34:18.200 --> 0:34:21.880
<v Speaker 1>all the time, is in fact correct by the standards

0:34:22.000 --> 0:34:24.640
<v Speaker 1>and play a new world. He is the greatest actor

0:34:24.680 --> 0:34:29.680
<v Speaker 1>in the world and he should be respected. But none

0:34:29.680 --> 0:34:32.480
<v Speaker 1>of them take that back, none of them like. I

0:34:32.600 --> 0:34:37.480
<v Speaker 1>like how they told lies. But it felt true. Oh, emotions,

0:34:37.520 --> 0:34:41.920
<v Speaker 1>when we have emotions, that's interesting, that's something for us.

0:34:41.920 --> 0:34:44.640
<v Speaker 1>Why aren't they just all doing like a little historic

0:34:44.680 --> 0:34:47.960
<v Speaker 1>place about what they think monogamy is. I love that.

0:34:48.080 --> 0:34:53.360
<v Speaker 1>I would watch that. I also think it's very It

0:34:53.440 --> 0:34:56.200
<v Speaker 1>was also a little disappointing that the whole point of

0:34:56.560 --> 0:35:02.239
<v Speaker 1>the book was like to criticize Forward and the what's

0:35:02.239 --> 0:35:05.759
<v Speaker 1>an assembly line? Assembly line the mechanization of the workforce,

0:35:05.920 --> 0:35:10.720
<v Speaker 1>which is a legitimate thing worth criticizing. And then uh Lenina,

0:35:10.760 --> 0:35:13.359
<v Speaker 1>who's a factory worker. She's working at like a at

0:35:13.360 --> 0:35:15.600
<v Speaker 1>a at a desk in her own little microscope. There's

0:35:15.640 --> 0:35:18.640
<v Speaker 1>no factory, there's no assembly line. This is a universe.

0:35:18.800 --> 0:35:22.400
<v Speaker 1>There was a thing, there was a conveyor belt. I

0:35:22.400 --> 0:35:26.200
<v Speaker 1>did not think that there was a factory vibe vibe

0:35:26.400 --> 0:35:28.120
<v Speaker 1>that I was like, this isn't it. This doesn't feel

0:35:28.160 --> 0:35:31.400
<v Speaker 1>like a universe devoted to Ford. Um. I am also

0:35:31.480 --> 0:35:36.400
<v Speaker 1>fascinated by, uh, what gammas are in this book because

0:35:38.800 --> 0:35:42.959
<v Speaker 1>Gamma is my favorite character. I think. I think it's

0:35:42.960 --> 0:35:44.600
<v Speaker 1>hard to read a book like this and not on

0:35:44.680 --> 0:35:46.840
<v Speaker 1>some level being like, I wonder what social class I

0:35:46.840 --> 0:35:51.480
<v Speaker 1>would fit into Gamma all the way we need talk,

0:35:55.719 --> 0:35:59.239
<v Speaker 1>but also like the little Historians, there's a Gamma on

0:35:59.280 --> 0:36:02.520
<v Speaker 1>the tour but I love that. Yeah, who got to

0:36:02.560 --> 0:36:08.359
<v Speaker 1>wear a little hat? I'm telling you people, Yeah, and

0:36:08.440 --> 0:36:11.240
<v Speaker 1>I told him about Gary the Gamma. Okay, So Gary

0:36:11.280 --> 0:36:14.240
<v Speaker 1>the Gamma is a gamma that is assigned to John

0:36:14.360 --> 0:36:17.840
<v Speaker 1>the Savage when he comes to New London and basically

0:36:17.840 --> 0:36:22.160
<v Speaker 1>he's his confidante and his butler, and Um. It also

0:36:22.239 --> 0:36:25.920
<v Speaker 1>shows to me that John, while he's criticizing this world,

0:36:26.440 --> 0:36:29.840
<v Speaker 1>is very much into the lifestyle that he immediately because

0:36:29.880 --> 0:36:32.600
<v Speaker 1>there is a moment where, um, oh my god, there's

0:36:32.640 --> 0:36:36.000
<v Speaker 1>this moment where Bernard just totally crushes Gary in his

0:36:36.080 --> 0:36:39.560
<v Speaker 1>conditioning and it is so weird and fun to watch

0:36:39.760 --> 0:36:42.920
<v Speaker 1>because he knows that John and Lenina have been having sex,

0:36:43.120 --> 0:36:47.000
<v Speaker 1>which happens in the show like a lot. He doesn't

0:36:47.000 --> 0:36:54.759
<v Speaker 1>call her a strumpet, so it's still bad their relationship,

0:36:54.920 --> 0:37:01.480
<v Speaker 1>it's not. Yeah. But so then Arry the Gamma is

0:37:01.520 --> 0:37:05.840
<v Speaker 1>like shamed because he has broken his confidence for John.

0:37:05.920 --> 0:37:07.399
<v Speaker 1>He's like, I thought that I was being a good

0:37:07.400 --> 0:37:09.680
<v Speaker 1>Gamma and Bernard's like, you're not a very good gamma

0:37:09.760 --> 0:37:15.120
<v Speaker 1>after all, are you. So Gry runs off feeling all

0:37:15.160 --> 0:37:18.399
<v Speaker 1>of his feelings and has no soma, and and then

0:37:18.920 --> 0:37:23.719
<v Speaker 1>m Garry's always baking for them. Everything Gary bakes is wonderful.

0:37:24.320 --> 0:37:27.600
<v Speaker 1>I mean, Gammas are basically housewives. It seems it seems like, yeah,

0:37:27.719 --> 0:37:31.840
<v Speaker 1>it seems like everybody's problems. You can't say that you

0:37:31.880 --> 0:37:34.920
<v Speaker 1>don't have a family stretcher if everybody gets assigned a

0:37:35.040 --> 0:37:40.880
<v Speaker 1>servant who is wildly devoted to you and the benefits

0:37:42.400 --> 0:37:46.319
<v Speaker 1>about Yeah. So then he John comes out of the

0:37:46.320 --> 0:37:50.799
<v Speaker 1>shower and he's like Gary, Gary, and then Gary's not there,

0:37:50.880 --> 0:37:53.160
<v Speaker 1>And then he comes out and sees Bernard and he's like,

0:37:53.239 --> 0:37:59.200
<v Speaker 1>where is Gary? I had to dry myself. Garry's been

0:37:59.280 --> 0:38:02.880
<v Speaker 1>drying him. Gary is gently chalming him off like a baby.

0:38:03.600 --> 0:38:09.480
<v Speaker 1>So there is monogamy, And yeah, I think that Gary

0:38:09.600 --> 0:38:12.000
<v Speaker 1>was like a little bit in love with John. I

0:38:12.040 --> 0:38:16.200
<v Speaker 1>think that's a gamma's role. I think they are essentially housewives.

0:38:16.680 --> 0:38:22.200
<v Speaker 1>People are like deeply no, um no. It seems like

0:38:22.280 --> 0:38:24.319
<v Speaker 1>if you were an upperclass person, you all get your

0:38:24.360 --> 0:38:27.080
<v Speaker 1>own Gamma and they're just gonna take care of you. Man,

0:38:27.120 --> 0:38:29.239
<v Speaker 1>They're just gonna stroke your hair you go sleep and

0:38:29.280 --> 0:38:36.320
<v Speaker 1>make little shift shish noises. They're like a household. Yeah, Gamma,

0:38:37.400 --> 0:38:39.560
<v Speaker 1>and they like look really good. And I think they

0:38:39.680 --> 0:38:43.760
<v Speaker 1>are like a salmon color, unless like a nice pinkish color. Yeah.

0:38:43.960 --> 0:38:46.879
<v Speaker 1>I loved Gary the Gamma and he was by far

0:38:47.000 --> 0:38:49.440
<v Speaker 1>my favorite character because he seemed like one of the

0:38:49.480 --> 0:38:52.920
<v Speaker 1>more complex characters. I know, what do Gammas do on

0:38:52.960 --> 0:38:55.280
<v Speaker 1>their days off? Because they seem like the only people

0:38:55.280 --> 0:38:58.400
<v Speaker 1>who are deeply feeling their feelings? Like do they just

0:38:58.480 --> 0:39:00.920
<v Speaker 1>all get together and have coffee and like, okay, if

0:39:00.920 --> 0:39:05.520
<v Speaker 1>you won't believe what my alfa did, I've got some

0:39:05.560 --> 0:39:08.560
<v Speaker 1>stuff to talk about. Another great spin another great spin off,

0:39:08.560 --> 0:39:11.239
<v Speaker 1>which which feels like it's a multicam you know, just

0:39:11.280 --> 0:39:15.120
<v Speaker 1>like a Gamma multicam sitcom. Yeah you get the break room,

0:39:15.239 --> 0:39:18.400
<v Speaker 1>you know. Yeah, they all baked like a special ext

0:39:18.440 --> 0:39:21.560
<v Speaker 1>retreat for this, because that's what they like doing I

0:39:21.600 --> 0:39:24.240
<v Speaker 1>would love like a I would love a series that's

0:39:24.600 --> 0:39:28.799
<v Speaker 1>for women who are all Gammas and they like hang

0:39:28.840 --> 0:39:30.800
<v Speaker 1>out together on their days off and their friends and

0:39:30.840 --> 0:39:37.960
<v Speaker 1>it's like the Gamma Girls, Pitt Check, Karama, Pitch. Are

0:39:37.960 --> 0:39:46.320
<v Speaker 1>you listening to the show? Sorry, we're to have opinions.

0:39:46.400 --> 0:39:48.760
<v Speaker 1>The thing is, I mean we have said that there's

0:39:49.120 --> 0:39:52.200
<v Speaker 1>many there are many things that are good about the show.

0:39:52.680 --> 0:39:54.759
<v Speaker 1>They just don't all come together in a way that

0:39:54.800 --> 0:39:56.560
<v Speaker 1>I think makes it the best show I've ever seen.

0:39:56.600 --> 0:39:58.840
<v Speaker 1>But there is somebody out there who thinks this is

0:39:58.840 --> 0:40:02.879
<v Speaker 1>the best show they've ever seen. Actually, somebody's favorite show. Yeah,

0:40:03.600 --> 0:40:05.960
<v Speaker 1>I think we should all take a break, check in

0:40:06.000 --> 0:40:18.640
<v Speaker 1>with our Gammas, and then come back. So we're back

0:40:18.719 --> 0:40:25.759
<v Speaker 1>with Popcorn Book Club for My Heart Radio, Melissa. I

0:40:25.760 --> 0:40:28.880
<v Speaker 1>think he mentioned earlier when we were talking about this adaptation,

0:40:29.000 --> 0:40:31.000
<v Speaker 1>it's so hard to make things in Hollywood that like

0:40:31.239 --> 0:40:33.719
<v Speaker 1>you just need I p and they were like, Brave

0:40:33.760 --> 0:40:36.080
<v Speaker 1>New World, that's the thing we've heard of. We can

0:40:36.239 --> 0:40:38.160
<v Speaker 1>turn that into a West World where it was less

0:40:38.200 --> 0:40:41.040
<v Speaker 1>about like the interest in what the book was than

0:40:41.080 --> 0:40:43.520
<v Speaker 1>the fact that this book that people have heard of existed,

0:40:45.160 --> 0:40:50.120
<v Speaker 1>which you know, kind you can in this book with

0:40:50.239 --> 0:40:52.319
<v Speaker 1>the four people sitting in a room and discussing for

0:40:52.360 --> 0:40:55.000
<v Speaker 1>seventeen pages, has said they heard that they can't do Shakespeare,

0:40:55.400 --> 0:40:58.160
<v Speaker 1>and then and then they go to an island, and

0:40:58.200 --> 0:40:59.960
<v Speaker 1>then they go off to an island and it's fine.

0:41:00.040 --> 0:41:02.160
<v Speaker 1>There's bad weather, if you know, if they're doing like

0:41:02.200 --> 0:41:04.480
<v Speaker 1>you said, was the c WS where I wish they

0:41:04.480 --> 0:41:07.919
<v Speaker 1>would have like leaned in even more than to all

0:41:08.000 --> 0:41:12.839
<v Speaker 1>like the weird romance and relationships that like I didn't get.

0:41:12.880 --> 0:41:14.680
<v Speaker 1>I didn't, I wasn't rooting for I didn't. I was like,

0:41:14.719 --> 0:41:17.400
<v Speaker 1>I'm not rooting for anyone. And I don't know what

0:41:17.440 --> 0:41:20.040
<v Speaker 1>you're trying to say. With this version of Brave New World,

0:41:20.200 --> 0:41:22.359
<v Speaker 1>it does feel like, as I was reading it and

0:41:22.400 --> 0:41:24.960
<v Speaker 1>knowing there was a show and having seen the poster

0:41:25.160 --> 0:41:31.520
<v Speaker 1>and stuff, it feels like a development and marketing super

0:41:31.680 --> 0:41:35.439
<v Speaker 1>challenge to be true to the book or like true

0:41:35.480 --> 0:41:37.840
<v Speaker 1>to the tone and the like sort of dark nature

0:41:37.840 --> 0:41:40.479
<v Speaker 1>of the book and the slowness of the book. While

0:41:40.920 --> 0:41:45.480
<v Speaker 1>starring a bunch of sexy twenty year twenty something year olds,

0:41:45.560 --> 0:41:48.120
<v Speaker 1>it feels like it's always going to veer in the

0:41:48.200 --> 0:41:51.200
<v Speaker 1>c W direction. I feel like the only show that

0:41:51.239 --> 0:41:54.080
<v Speaker 1>I've seen that does not do that in recent history.

0:41:54.160 --> 0:41:58.240
<v Speaker 1>Is Euphoria right, Like it does go darker and pushes

0:41:58.880 --> 0:42:03.200
<v Speaker 1>darker and or like transgressive. But I think you Euphoria

0:42:03.280 --> 0:42:06.359
<v Speaker 1>benefit from being like a trojan Horse and the other

0:42:06.440 --> 0:42:09.759
<v Speaker 1>drab looks. It looks like a teen show, and then

0:42:09.880 --> 0:42:13.200
<v Speaker 1>secretly it's a prestig show. Where this they were like, look,

0:42:13.239 --> 0:42:16.160
<v Speaker 1>it's so Prestigie, and then they try to like sneak

0:42:16.239 --> 0:42:18.120
<v Speaker 1>it in to be pulpy, and then you have to

0:42:18.120 --> 0:42:22.239
<v Speaker 1>go the other way. I agree. I disagree with the

0:42:22.280 --> 0:42:25.600
<v Speaker 1>categorization of this as a c W show one just

0:42:25.640 --> 0:42:27.760
<v Speaker 1>because I really like c W shows and I feel

0:42:27.800 --> 0:42:31.560
<v Speaker 1>like you're using it pejoratively and I don't appreciate it. Well,

0:42:31.640 --> 0:42:33.200
<v Speaker 1>I am a big fan of a lot of c

0:42:33.480 --> 0:42:36.200
<v Speaker 1>W shows, Okay, I love Laying the Virgin, I love

0:42:36.520 --> 0:42:45.120
<v Speaker 1>Um Craziest Girlfriend and Buffy. Ye I can't believe Supernatural

0:42:45.160 --> 0:42:48.560
<v Speaker 1>is ending this year, like that's that's half my life over.

0:42:49.600 --> 0:42:52.000
<v Speaker 1>But I do think that I feel like the c

0:42:52.320 --> 0:42:56.000
<v Speaker 1>W for all of its dramatic interpretations of I p

0:42:56.320 --> 0:42:59.320
<v Speaker 1>like I mean Riverdale, which we have mentioned many times

0:42:59.360 --> 0:43:03.000
<v Speaker 1>on this podcast for a good reason. Yeah, I mean

0:43:03.040 --> 0:43:07.240
<v Speaker 1>and it is an adaptation um so Riverdale, It's still

0:43:07.800 --> 0:43:11.120
<v Speaker 1>is grounded in the relationships between people. I feel like like,

0:43:11.239 --> 0:43:14.000
<v Speaker 1>at the end of the day, I know the Jugead

0:43:14.000 --> 0:43:16.799
<v Speaker 1>and Betty care about each other and that's what why

0:43:16.840 --> 0:43:19.000
<v Speaker 1>the choices were made, but I don't see that here.

0:43:19.040 --> 0:43:22.960
<v Speaker 1>And like Supernatural, it's the relationship between Sam and Dean

0:43:23.040 --> 0:43:27.200
<v Speaker 1>and their brotherhood that makes the show move forward and

0:43:27.239 --> 0:43:29.840
<v Speaker 1>why people have been watching it for fifteen years. Yeah, totally.

0:43:29.840 --> 0:43:32.120
<v Speaker 1>I mean that's what I mean from like the seat,

0:43:32.280 --> 0:43:35.040
<v Speaker 1>not pejorative, but like the seat. What people love and

0:43:35.040 --> 0:43:38.400
<v Speaker 1>what I love is those relationships. Like it felt like

0:43:38.800 --> 0:43:42.640
<v Speaker 1>this show was attempting to do that, like with the

0:43:42.760 --> 0:43:44.480
<v Speaker 1>with the even the poster of the three of them,

0:43:44.480 --> 0:43:45.840
<v Speaker 1>you're like, oh, is this going to be like a

0:43:45.920 --> 0:43:48.359
<v Speaker 1>love triangle thing that you're going to have to try

0:43:48.400 --> 0:43:51.480
<v Speaker 1>to figure out and like root for someone to win

0:43:51.600 --> 0:43:54.200
<v Speaker 1>someone over. Not that that is a part of the

0:43:54.200 --> 0:43:56.880
<v Speaker 1>book at all, but like it's kind of a set

0:43:57.040 --> 0:44:00.279
<v Speaker 1>up like that, or or even like it looks like

0:44:00.320 --> 0:44:02.600
<v Speaker 1>it could be that in the night there was I

0:44:02.640 --> 0:44:05.120
<v Speaker 1>was reading for no one. I didn't care about anyone's relationship,

0:44:05.360 --> 0:44:07.720
<v Speaker 1>but it's like, did anyone have a crush on anyone

0:44:07.800 --> 0:44:11.640
<v Speaker 1>where it's like the pilot of Riverdale. Do you understand

0:44:11.719 --> 0:44:13.920
<v Speaker 1>right away Betty has a crush on Archie and then

0:44:13.920 --> 0:44:17.920
<v Speaker 1>this hot girl Veronica arrives an now Archie likes Veronica. Simple,

0:44:18.080 --> 0:44:20.399
<v Speaker 1>we know who the conflict where it's like in this

0:44:20.920 --> 0:44:25.840
<v Speaker 1>who does Bernard like Lanina more than anyone else in

0:44:25.880 --> 0:44:29.200
<v Speaker 1>any meaningful way? And you also kind of have to

0:44:29.239 --> 0:44:31.960
<v Speaker 1>bank on the fact that in a society with your monogamy,

0:44:32.080 --> 0:44:35.400
<v Speaker 1>you found three people who were incredibly committed to the

0:44:35.440 --> 0:44:39.600
<v Speaker 1>idea of monogamy. People weren't being like, all right, let's

0:44:39.600 --> 0:44:42.920
<v Speaker 1>all fun. We don't believe in like not being bisexual.

0:44:43.120 --> 0:44:46.359
<v Speaker 1>So here we go. Well, I do think it. Just

0:44:46.560 --> 0:44:50.040
<v Speaker 1>to be clear, I did sort of mean as a pejorative,

0:44:50.080 --> 0:44:52.000
<v Speaker 1>but I didn't mean that the c W is a

0:44:52.040 --> 0:44:55.640
<v Speaker 1>bad thing. I mean that people try at being that,

0:44:56.040 --> 0:44:58.080
<v Speaker 1>you know what I mean, and do not succeed. I

0:44:58.120 --> 0:45:00.760
<v Speaker 1>feel like the only one I've seen recently that succeeded

0:45:00.800 --> 0:45:05.160
<v Speaker 1>as you on Netflix. I feel like it was Life.

0:45:06.719 --> 0:45:10.839
<v Speaker 1>Nobody watched people that talk to me about it when

0:45:10.920 --> 0:45:14.320
<v Speaker 1>it was on Lifetime. Everybody would I do to Lifetime

0:45:14.360 --> 0:45:17.239
<v Speaker 1>because they've been creating amazing content they did unreal which

0:45:17.280 --> 0:45:22.920
<v Speaker 1>wassib I watched. I watched you on Lifetime and was like,

0:45:23.160 --> 0:45:26.520
<v Speaker 1>is this good? Is this secretly really good? Good? It's

0:45:26.560 --> 0:45:29.640
<v Speaker 1>really good. But I will say it is such a

0:45:29.840 --> 0:45:32.319
<v Speaker 1>challenge when you think about this book, because every good

0:45:32.360 --> 0:45:35.879
<v Speaker 1>TV show is about relationships, and we care about relationships,

0:45:36.160 --> 0:45:38.719
<v Speaker 1>and this is a book that's like people don't care

0:45:38.760 --> 0:45:44.160
<v Speaker 1>about relationships any one person. That's the whole freaking thing,

0:45:44.440 --> 0:45:46.359
<v Speaker 1>you know. And even in the book, you're like, oh,

0:45:46.400 --> 0:45:48.560
<v Speaker 1>they're going to fall in love. John's going to come

0:45:48.560 --> 0:45:50.560
<v Speaker 1>around to with Lenny and it's like no, he just

0:45:50.760 --> 0:45:56.879
<v Speaker 1>was like, you're a strumpet and her like. That's why

0:45:56.960 --> 0:46:00.880
<v Speaker 1>Gary's the most interesting character. He's the only person who

0:46:01.040 --> 0:46:04.520
<v Speaker 1>has a strong and ever present emotional tie to someone.

0:46:04.600 --> 0:46:07.280
<v Speaker 1>The other person who I think is a very fascinating

0:46:07.360 --> 0:46:13.960
<v Speaker 1>character is Franny. Yeah, very interesting in her competitive friendship

0:46:14.160 --> 0:46:17.960
<v Speaker 1>with Lanina. I think that. I think it's also very sexful,

0:46:18.320 --> 0:46:22.640
<v Speaker 1>Like I definitely sex with each other. Yeah, that's what

0:46:22.760 --> 0:46:25.240
<v Speaker 1>I meant. I didn't want to spoil it for people.

0:46:27.200 --> 0:46:29.960
<v Speaker 1>Why is that not in the first three episodes because

0:46:29.960 --> 0:46:34.160
<v Speaker 1>they have the Trojan the queer stuff. Because I don't

0:46:35.880 --> 0:46:38.840
<v Speaker 1>I don't think they show the sex itself. There is

0:46:38.880 --> 0:46:45.839
<v Speaker 1>a moment where Franny comes into Lenina's room and like yeah,

0:46:46.120 --> 0:46:49.120
<v Speaker 1>and then Lanina this isn't the point where Lenina is like, no,

0:46:49.400 --> 0:46:54.279
<v Speaker 1>I believe in monogamy, but hasn't told people because so

0:46:54.360 --> 0:46:57.280
<v Speaker 1>they don't sleep with each other they have, they haven't

0:46:58.680 --> 0:47:03.240
<v Speaker 1>and they implied that because you don't want to tickle

0:47:03.480 --> 0:47:06.560
<v Speaker 1>or something the word tick, which he definitely uses tickle.

0:47:06.640 --> 0:47:10.960
<v Speaker 1>She goes, I know how you like tick. They're using

0:47:10.960 --> 0:47:14.680
<v Speaker 1>the lesbian vernacular. Great? Is it just me? Or In

0:47:14.840 --> 0:47:17.640
<v Speaker 1>the book Brave New World, which the Dystopia was like

0:47:17.760 --> 0:47:19.520
<v Speaker 1>bad and I get totally get that, but was the

0:47:19.600 --> 0:47:21.279
<v Speaker 1>one thing where I was like, oh that, actually this

0:47:21.400 --> 0:47:23.319
<v Speaker 1>is kind of a good thing was that people were

0:47:23.360 --> 0:47:28.080
<v Speaker 1>like less puritanical about sex, and this show was like

0:47:28.200 --> 0:47:32.520
<v Speaker 1>that is the worst thing about it. Like I thought

0:47:32.600 --> 0:47:35.080
<v Speaker 1>that the one good thing about the Dystopia was like

0:47:35.120 --> 0:47:37.439
<v Speaker 1>at least people didn't like sledge shame and like people

0:47:37.480 --> 0:47:39.680
<v Speaker 1>could just sleep with people when they want, which is

0:47:39.760 --> 0:47:42.400
<v Speaker 1>like a pretty I think monogamy is great, but I

0:47:42.440 --> 0:47:45.520
<v Speaker 1>also think if you want a sexual relationship, go for it.

0:47:46.000 --> 0:47:48.719
<v Speaker 1>And I was like, Okay, this this Utopia. Dystopia has

0:47:48.760 --> 0:47:51.359
<v Speaker 1>some goods and some bads, but the TV show went

0:47:51.560 --> 0:47:54.359
<v Speaker 1>hard on that it is the worst thing about this dystopia.

0:47:55.400 --> 0:47:57.239
<v Speaker 1>The most evil thing is I think we are having

0:47:59.200 --> 0:48:01.520
<v Speaker 1>when when Bernard and Lena are at the when they

0:48:01.560 --> 0:48:05.440
<v Speaker 1>first get to the hotel or whatever at the Savage Lands,

0:48:05.840 --> 0:48:08.719
<v Speaker 1>and it was hot, it was really hot, but it

0:48:08.800 --> 0:48:11.800
<v Speaker 1>also made it like I laughed out loud because for

0:48:11.920 --> 0:48:17.399
<v Speaker 1>them to stop and be like, let's save ourselves, it's

0:48:17.480 --> 0:48:22.640
<v Speaker 1>like extreme edging. I was like, Wow, what is the

0:48:22.840 --> 0:48:28.200
<v Speaker 1>message of this show? What are we Yeah, I think

0:48:28.280 --> 0:48:30.279
<v Speaker 1>that one of the things about the show is the

0:48:30.320 --> 0:48:32.600
<v Speaker 1>introduction of the lack of privacy, and that's supposed to

0:48:32.600 --> 0:48:35.960
<v Speaker 1>speak to sort of our interconnected social networking and social

0:48:36.000 --> 0:48:39.800
<v Speaker 1>media world. And I don't think that that landed like

0:48:39.880 --> 0:48:42.480
<v Speaker 1>the idea have no privacy, And it was actually deeply

0:48:42.560 --> 0:48:44.839
<v Speaker 1>alarming to the point where I mean, in the very

0:48:44.960 --> 0:48:49.040
<v Speaker 1>first ten minutes, Lenina walks into his office and he's like,

0:48:49.280 --> 0:48:53.760
<v Speaker 1>here's some imagery of you getting railed over the last

0:48:53.880 --> 0:48:56.160
<v Speaker 1>couple of months. Did you know that you've only been

0:48:56.200 --> 0:48:58.239
<v Speaker 1>sleeping with one man? Because I know because I can

0:48:58.320 --> 0:49:01.759
<v Speaker 1>watch you. Like that was deeply alarming to be more

0:49:01.920 --> 0:49:05.120
<v Speaker 1>into that, and it would have been interesting. But instead

0:49:05.160 --> 0:49:07.200
<v Speaker 1>they were just like, all these people fuck all the

0:49:07.320 --> 0:49:09.480
<v Speaker 1>time and then John comes and teaches them how to

0:49:09.560 --> 0:49:13.960
<v Speaker 1>be good. Yeah, it seems like the thesis of the

0:49:14.560 --> 0:49:18.000
<v Speaker 1>of the film. The film. The show was very Twilight

0:49:18.160 --> 0:49:20.920
<v Speaker 1>and that it's like, wouldn't it be sexy if we waited?

0:49:25.480 --> 0:49:29.840
<v Speaker 1>Which I also want to say it's a valid choice, totally, totally,

0:49:30.000 --> 0:49:32.960
<v Speaker 1>but but but is it the most relevant thesis of

0:49:33.040 --> 0:49:37.320
<v Speaker 1>Brady World a property? He is very relevant today. I

0:49:37.440 --> 0:49:39.080
<v Speaker 1>just want to say on the record that if you

0:49:39.239 --> 0:49:41.440
<v Speaker 1>think it's sexy to wait, then I am so happy

0:49:41.560 --> 0:49:44.239
<v Speaker 1>for you. But it is not sexy for everyone. And

0:49:44.320 --> 0:49:46.480
<v Speaker 1>that's okay. And that's sort of what we talked about

0:49:46.520 --> 0:49:49.200
<v Speaker 1>in the book episode is that choice is good. Yeah,

0:49:49.280 --> 0:49:51.080
<v Speaker 1>to return to that, like to the discussion that we

0:49:51.120 --> 0:49:53.319
<v Speaker 1>had about the book, great did I only watched two

0:49:53.360 --> 0:49:57.520
<v Speaker 1>episodes this but but if that's I thought, the more

0:49:57.800 --> 0:50:02.319
<v Speaker 1>poignant message about the like non monogamy and the sort

0:50:02.360 --> 0:50:05.520
<v Speaker 1>of dystopian nature of it, is less about like, oh

0:50:05.640 --> 0:50:07.920
<v Speaker 1>you shouldn't have a partner. It's like, oh, you shouldn't

0:50:07.960 --> 0:50:11.680
<v Speaker 1>love anyone, you shouldn't care about one person's life or

0:50:11.880 --> 0:50:15.640
<v Speaker 1>relationship with one person. If someone dies, who cares? You

0:50:15.680 --> 0:50:20.960
<v Speaker 1>shouldn't have a maternal, paternal or parental love, romantic love,

0:50:21.080 --> 0:50:23.320
<v Speaker 1>friendship love. None of that matters. And I'm kind of

0:50:23.360 --> 0:50:26.040
<v Speaker 1>disappointed that none of that seems like it's in the show.

0:50:27.400 --> 0:50:32.279
<v Speaker 1>It's right about monogamy, it's good. I think a lot

0:50:32.360 --> 0:50:35.680
<v Speaker 1>of the problem with that is turning turning all of

0:50:35.760 --> 0:50:40.239
<v Speaker 1>these things into this George Saunders esque being park because well,

0:50:40.440 --> 0:50:43.920
<v Speaker 1>obviously they at least say this is to show how

0:50:44.080 --> 0:50:46.640
<v Speaker 1>bad it was back then, but there are obviously parts

0:50:46.680 --> 0:50:49.640
<v Speaker 1>of it that are very alluring and enticing. Like I

0:50:49.680 --> 0:50:51.799
<v Speaker 1>I don't think you could be a thirteen year old

0:50:51.880 --> 0:50:54.840
<v Speaker 1>child and here a man recite a love home to

0:50:54.960 --> 0:50:56.960
<v Speaker 1>a woman and not be like, oh, I'd like somebody

0:50:57.000 --> 0:50:59.080
<v Speaker 1>to do that for me one day. That would be cool.

0:51:00.000 --> 0:51:06.920
<v Speaker 1>Have you met thirteen year olds recently, because I'm scared

0:51:07.000 --> 0:51:10.720
<v Speaker 1>of all of them. I'm thinking of thirteen year old boys,

0:51:12.680 --> 0:51:17.600
<v Speaker 1>old girl. Yeah, yeah, okay, But I feel like by

0:51:17.880 --> 0:51:22.920
<v Speaker 1>showing them the fascinating passions experienced by these people, you

0:51:23.239 --> 0:51:26.800
<v Speaker 1>obviously make those passions alluring right away. Like, I just

0:51:27.000 --> 0:51:31.319
<v Speaker 1>don't believe that you could have this theme park where

0:51:31.360 --> 0:51:33.399
<v Speaker 1>you give people a guide book of like they saved

0:51:33.440 --> 0:51:36.360
<v Speaker 1>themselves your marriage and it was so erotic, exciting, and

0:51:36.760 --> 0:51:39.360
<v Speaker 1>they went out to see highly oiled men before the

0:51:39.520 --> 0:51:42.840
<v Speaker 1>bride gave herself away, but she couldn't touch them, and

0:51:43.400 --> 0:51:45.600
<v Speaker 1>nobody went back to New London. It was like, I'm

0:51:45.600 --> 0:51:48.880
<v Speaker 1>going to start doing mad that's my empty thing now, Um,

0:51:49.080 --> 0:51:54.719
<v Speaker 1>everybody would do that. It's just um the entire Brave

0:51:54.800 --> 0:51:58.360
<v Speaker 1>New Girl Books. Society I think is built around the

0:51:58.440 --> 0:52:01.759
<v Speaker 1>idea of ignorance the love could be a desirable thing,

0:52:01.960 --> 0:52:05.279
<v Speaker 1>and that families and passion could be a desirable thing,

0:52:05.360 --> 0:52:08.560
<v Speaker 1>and that art and theater could be desirable. Um. That

0:52:08.680 --> 0:52:11.440
<v Speaker 1>society works because you've distracted people so much that they

0:52:11.600 --> 0:52:15.399
<v Speaker 1>just don't think about it. And there are so many

0:52:15.560 --> 0:52:19.840
<v Speaker 1>instances in the television show where like whether it's John

0:52:20.080 --> 0:52:22.879
<v Speaker 1>coming back and like giving this speech up parties where

0:52:22.920 --> 0:52:25.800
<v Speaker 1>he talks about how like he's never gonna love again

0:52:25.920 --> 0:52:29.400
<v Speaker 1>because like the girl he loved died, um, where you

0:52:29.480 --> 0:52:32.200
<v Speaker 1>make all of those emotions immediately desirable, Like you can't

0:52:32.239 --> 0:52:34.280
<v Speaker 1>tell me that people don't hear him give that speech

0:52:34.280 --> 0:52:36.399
<v Speaker 1>at a party and be like I think it would

0:52:36.640 --> 0:52:39.200
<v Speaker 1>I love now I'm in love with Mary jeez, who

0:52:39.280 --> 0:52:41.920
<v Speaker 1>I'm in love with now. It's also it looks very

0:52:42.000 --> 0:52:43.919
<v Speaker 1>weird that like that you're right that the whole point

0:52:44.040 --> 0:52:46.600
<v Speaker 1>of like the Brave New World Utopia is that distraction

0:52:46.719 --> 0:52:48.759
<v Speaker 1>and that like we only have new games if it

0:52:49.040 --> 0:52:53.319
<v Speaker 1>it capitalistically makes you need to buy more uh accessories,

0:52:53.400 --> 0:52:56.239
<v Speaker 1>and all our movies are are propaganda that well is

0:52:56.320 --> 0:52:58.880
<v Speaker 1>just crazy and erotic and whatever. And it's like this

0:52:59.040 --> 0:53:01.799
<v Speaker 1>world is very minim list and there's nothing distracting. It's

0:53:01.800 --> 0:53:10.439
<v Speaker 1>all just like modest jumpsuits that are obstacle golf. Maybe

0:53:10.480 --> 0:53:12.800
<v Speaker 1>you would tell us that it showed up later it

0:53:13.880 --> 0:53:16.880
<v Speaker 1>tennis like tennis with a light ball, but like a

0:53:17.000 --> 0:53:19.960
<v Speaker 1>lot of empty space, a lot of minimalism, a lot

0:53:20.040 --> 0:53:23.879
<v Speaker 1>of walks where someone might be alone with their thoughts. Yeah,

0:53:24.120 --> 0:53:28.400
<v Speaker 1>there's not enough distraction to keep these people numb, like

0:53:28.480 --> 0:53:31.040
<v Speaker 1>the soma is. That's it, and that's not good enough

0:53:31.719 --> 0:53:34.319
<v Speaker 1>for this world to like keep them numb to even

0:53:34.560 --> 0:53:40.319
<v Speaker 1>feeling remotely like discontent with how content I do feel

0:53:40.360 --> 0:53:42.440
<v Speaker 1>like that was one of the things that really shook

0:53:42.520 --> 0:53:46.480
<v Speaker 1>me in the book, was never being alone with your thoughts,

0:53:46.640 --> 0:53:50.440
<v Speaker 1>because it does feel like something that I personally struggle

0:53:50.480 --> 0:53:52.640
<v Speaker 1>with of like going on walks. I'll listen to a podcast.

0:53:53.000 --> 0:53:55.480
<v Speaker 1>I hope you're listening to a podcast right now. It's

0:53:55.600 --> 0:53:59.759
<v Speaker 1>very good. Um, but it does feel like that is

0:54:00.080 --> 0:54:02.400
<v Speaker 1>things so in our culture of like where you're alone

0:54:02.480 --> 0:54:05.240
<v Speaker 1>for five minutes, you check Twitter, you check Instagram, whatever,

0:54:06.040 --> 0:54:09.800
<v Speaker 1>and it does feel disappointments such an opportunity to to

0:54:09.920 --> 0:54:13.720
<v Speaker 1>like hit people. You know, I will say there is indra,

0:54:13.960 --> 0:54:18.920
<v Speaker 1>and I know keep saying in this case, I am correct,

0:54:19.160 --> 0:54:20.879
<v Speaker 1>because the whole kind of indra is you just think

0:54:20.880 --> 0:54:23.640
<v Speaker 1>about a person and you're with them. But they dedicate

0:54:23.800 --> 0:54:26.640
<v Speaker 1>using that, so it's like the best targeted ad. They

0:54:26.719 --> 0:54:30.239
<v Speaker 1>didn't like visually convey injury. Injury was like very minimalist.

0:54:30.360 --> 0:54:33.960
<v Speaker 1>Also in the eye and like very like modern and yeah,

0:54:34.000 --> 0:54:37.640
<v Speaker 1>minimalist where it's like injur wasn't like distracting. Yeah, I

0:54:37.760 --> 0:54:41.799
<v Speaker 1>was hoping for like times square times a million. Yeah,

0:54:42.520 --> 0:54:46.520
<v Speaker 1>just like also like Versailles, like a fashion that would

0:54:46.560 --> 0:54:49.920
<v Speaker 1>be fun. Yeah, like weird stuck, give me like excess.

0:54:50.200 --> 0:54:54.120
<v Speaker 1>Well look it's Peacock's HBO. They didn't have that kind

0:54:54.120 --> 0:54:59.680
<v Speaker 1>of budget. The budget and they didn't have money and

0:54:59.840 --> 0:55:04.000
<v Speaker 1>be see universal they have a lot of money Peacock,

0:55:06.000 --> 0:55:08.200
<v Speaker 1>although I will say that does speak to the model

0:55:08.280 --> 0:55:10.759
<v Speaker 1>of Peacock itself, and just because this is sort of

0:55:11.239 --> 0:55:14.080
<v Speaker 1>the first big property that Peacock has, I think we

0:55:14.080 --> 0:55:17.040
<v Speaker 1>should talk about how they have this freemium model where

0:55:17.520 --> 0:55:19.839
<v Speaker 1>Peacock itself is free to sign up for, but then

0:55:19.880 --> 0:55:22.399
<v Speaker 1>they have like levels, so if you wanted to watch

0:55:22.440 --> 0:55:24.719
<v Speaker 1>Brave New World, you do have to pay money for it,

0:55:25.120 --> 0:55:27.560
<v Speaker 1>and they can't guarantee that everybody is going to want

0:55:27.600 --> 0:55:30.160
<v Speaker 1>to pay money for things when they have free things. Also,

0:55:30.680 --> 0:55:33.160
<v Speaker 1>like all of Downto Nabby, so you can still see

0:55:33.200 --> 0:55:36.680
<v Speaker 1>Lady Sybil. Oh thank god. My question for the four

0:55:36.719 --> 0:55:41.160
<v Speaker 1>of you, who are all intelligent, television adjacent slash in people,

0:55:42.160 --> 0:55:44.520
<v Speaker 1>if you were given the book Brave New World, what

0:55:44.600 --> 0:55:47.840
<v Speaker 1>would your approach to turn into a television series of

0:55:48.000 --> 0:55:53.160
<v Speaker 1>nine or or fewer or more episodes? Well, first of all,

0:55:53.400 --> 0:55:58.480
<v Speaker 1>we make an eight. I didn't earn the nine, and

0:55:58.520 --> 0:56:03.160
<v Speaker 1>that's when Melissa Hunter said, wow, yeah, would make it eight.

0:56:04.760 --> 0:56:07.000
<v Speaker 1>I don't know. I think i'd make it. I think

0:56:07.000 --> 0:56:09.320
<v Speaker 1>I'd make it like a mini series sort of. Allah.

0:56:09.640 --> 0:56:13.520
<v Speaker 1>I know as much as true um, and I feel

0:56:13.560 --> 0:56:16.160
<v Speaker 1>like there's stuff that just needs to come out. I

0:56:16.640 --> 0:56:19.520
<v Speaker 1>think that some of the things that they were trying

0:56:19.560 --> 0:56:23.359
<v Speaker 1>to incorporate, like maybe we don't have world controller Mond

0:56:23.400 --> 0:56:26.440
<v Speaker 1>and we can't we like mash that character up with

0:56:26.560 --> 0:56:32.120
<v Speaker 1>Henry with the director and Henry because they he becomes

0:56:32.160 --> 0:56:34.239
<v Speaker 1>the director whatever. I think that there were too many

0:56:34.320 --> 0:56:37.680
<v Speaker 1>characters in the show, and characters that were not in

0:56:37.760 --> 0:56:39.399
<v Speaker 1>the book that we're in the show, and I think

0:56:39.440 --> 0:56:42.040
<v Speaker 1>that we could actually pare down the characters in the

0:56:42.200 --> 0:56:46.360
<v Speaker 1>book and then focus on one person, so focus on Bernard,

0:56:46.440 --> 0:56:50.160
<v Speaker 1>focus on Lenina. I would probably focus on Bernard, despite

0:56:50.160 --> 0:56:53.120
<v Speaker 1>the fact that I think that Lanina as a woman

0:56:53.239 --> 0:56:56.320
<v Speaker 1>is somebody that I identify more with, but Bernard in

0:56:56.440 --> 0:56:58.799
<v Speaker 1>terms of fish out of water and having this sort

0:56:58.840 --> 0:57:00.719
<v Speaker 1>of legacy that he's supposed live up to as an

0:57:00.719 --> 0:57:05.320
<v Speaker 1>alpha that he is being questioned on. It's funny, however,

0:57:05.560 --> 0:57:11.360
<v Speaker 1>dunk Son, It's funny that everyone dunk Son, Burner Rama.

0:57:11.520 --> 0:57:14.640
<v Speaker 1>We would do a great show together because I feel

0:57:14.680 --> 0:57:17.040
<v Speaker 1>like I have the same instincts I think when you

0:57:17.120 --> 0:57:20.120
<v Speaker 1>think about Black Mirror, like I'm a big Black Mirror fan,

0:57:20.240 --> 0:57:23.760
<v Speaker 1>and I feel like some some episodes are super strong

0:57:23.920 --> 0:57:26.320
<v Speaker 1>and some aren't as strong. And I feel like the

0:57:26.400 --> 0:57:30.600
<v Speaker 1>strongest ones are always a big world with a small

0:57:30.880 --> 0:57:35.440
<v Speaker 1>central relationship that has like very high stakes and like

0:57:35.640 --> 0:57:41.560
<v Speaker 1>the one with Lady Sybil, Yes, very I think it's

0:57:41.600 --> 0:57:45.480
<v Speaker 1>a very distracting world. I think, Yes, the one that

0:57:45.600 --> 0:57:47.920
<v Speaker 1>really got me, that has always stuck with me is

0:57:48.040 --> 0:57:52.120
<v Speaker 1>the one where um, they everyone records things with their

0:57:52.160 --> 0:57:55.240
<v Speaker 1>eyes and every memory is recorded and uh, and it's

0:57:55.280 --> 0:57:58.160
<v Speaker 1>like this jealous guy who thinks his wife is cheating

0:57:58.200 --> 0:58:02.080
<v Speaker 1>on him. And again it's guess simple right in a

0:58:02.200 --> 0:58:04.520
<v Speaker 1>big world. And I think that's what you do with

0:58:05.240 --> 0:58:10.120
<v Speaker 1>Bernard and Um and Lanina. It's like make them the

0:58:10.200 --> 0:58:12.720
<v Speaker 1>central relationship. John is the one that kind of comes

0:58:12.800 --> 0:58:18.440
<v Speaker 1>in between them. Um. But but it's like what is

0:58:18.520 --> 0:58:22.280
<v Speaker 1>their central conflict and their dynamic and really hone in

0:58:22.400 --> 0:58:25.960
<v Speaker 1>on that, and then you have John sort of like

0:58:26.480 --> 0:58:29.480
<v Speaker 1>blow it all up. Yeah. My ark would be that

0:58:30.440 --> 0:58:32.640
<v Speaker 1>Bernard starts feeling like a fish out of water and

0:58:32.720 --> 0:58:34.600
<v Speaker 1>then in the end he goes to his island and

0:58:34.720 --> 0:58:37.760
<v Speaker 1>he gets to feel like he belongs and it's like, oh,

0:58:38.040 --> 0:58:42.680
<v Speaker 1>maybe sometimes it's not you, sometimes it's society, And maybe

0:58:42.840 --> 0:58:45.200
<v Speaker 1>being a misfit is an okay thing in a world

0:58:45.280 --> 0:58:48.960
<v Speaker 1>where everyone expects you to be a misfit. Um. But yeah,

0:58:49.040 --> 0:58:50.960
<v Speaker 1>I don't know what the show was trying to do

0:58:51.160 --> 0:58:58.960
<v Speaker 1>or say. Yeah, I think, um, I think it touches

0:58:59.000 --> 0:59:01.560
<v Speaker 1>on something that we meant it earlier. I'd like to

0:59:01.680 --> 0:59:05.040
<v Speaker 1>see them lean into these characters being antiherists. Like in

0:59:05.120 --> 0:59:10.479
<v Speaker 1>the book, everybody picks on Bernard, Bernard's awful. Everybody picks

0:59:10.520 --> 0:59:16.480
<v Speaker 1>on him for understandable reasons, um, and the Savage is

0:59:19.560 --> 0:59:23.240
<v Speaker 1>maybe has a better knowledge of Shakespeare, but it is

0:59:23.320 --> 0:59:28.960
<v Speaker 1>also awful and probably murders the central woman in the

0:59:28.960 --> 0:59:33.680
<v Speaker 1>book by the end. So I think not leaning into

0:59:33.760 --> 0:59:36.000
<v Speaker 1>those characteristics is what makes it feel like a c

0:59:36.240 --> 0:59:39.000
<v Speaker 1>W show that it feels like they've watered this down

0:59:39.320 --> 0:59:41.680
<v Speaker 1>so really gloss over the murder that he does in

0:59:41.760 --> 0:59:45.480
<v Speaker 1>the show, like straight marks his dad and nobody ever

0:59:45.600 --> 0:59:48.480
<v Speaker 1>brings it up ever again at all. I forget that

0:59:48.600 --> 0:59:53.440
<v Speaker 1>he doesn't. Yeah, exactly my point. Yeah, yeah, it's just

0:59:53.560 --> 0:59:57.120
<v Speaker 1>kind of painted as like, um, I guess, an acceptable

0:59:57.280 --> 1:00:02.040
<v Speaker 1>moment of feeling. But I'm sure Gary would like help

1:00:02.120 --> 1:00:03.880
<v Speaker 1>him get a passport and get him out to another

1:00:03.960 --> 1:00:14.320
<v Speaker 1>country because because sports in that world. Indra in this

1:00:14.760 --> 1:00:21.000
<v Speaker 1>podcast episode sponsored by Indra, what about you, Dana. I

1:00:21.120 --> 1:00:23.040
<v Speaker 1>think that definitely makes it. I mean you you're all

1:00:23.480 --> 1:00:25.680
<v Speaker 1>those instincts all sound right. I think like the one

1:00:25.800 --> 1:00:29.600
<v Speaker 1>major thing or like the fix because of the book,

1:00:29.720 --> 1:00:32.560
<v Speaker 1>racism of the Savage Land is true, like you need

1:00:32.640 --> 1:00:34.600
<v Speaker 1>to fix that. But I don't know if the theme

1:00:34.640 --> 1:00:36.560
<v Speaker 1>park worked for me. I do kind of like the

1:00:36.640 --> 1:00:38.800
<v Speaker 1>idea that they would just go and it would just

1:00:38.880 --> 1:00:43.560
<v Speaker 1>be regular America. But it's just just jet actual regular America.

1:00:44.600 --> 1:00:47.080
<v Speaker 1>What I would do, which is just like not a

1:00:47.200 --> 1:00:50.000
<v Speaker 1>theme park. It's just really hard to get a travel

1:00:50.200 --> 1:00:53.400
<v Speaker 1>visa to go. If you're like a high ranking alpha,

1:00:53.480 --> 1:00:57.720
<v Speaker 1>you can go, and it's just they just go to

1:00:57.840 --> 1:01:00.760
<v Speaker 1>like the Cleve Cleveland and just like like this is

1:01:00.880 --> 1:01:06.600
<v Speaker 1>kind of shitty in a different way. So that's my

1:01:06.840 --> 1:01:09.280
<v Speaker 1>that would be my one. But I would spend like

1:01:09.320 --> 1:01:12.120
<v Speaker 1>a week in Cleveland with no silma. Yeah you can

1:01:12.800 --> 1:01:16.080
<v Speaker 1>whether they're like it's a stressful experience. They like watch

1:01:16.160 --> 1:01:18.840
<v Speaker 1>a movie that's like a normal movie and they're like, Okay,

1:01:19.560 --> 1:01:23.800
<v Speaker 1>it's fine. They seem like they see like a Cleveland

1:01:23.920 --> 1:01:30.840
<v Speaker 1>production of like Wicked, and then they're like theatery scarbage.

1:01:30.960 --> 1:01:32.880
<v Speaker 1>If they go back home and that feeling is true,

1:01:33.400 --> 1:01:36.280
<v Speaker 1>It's fine. It was a little flat, like not not

1:01:36.480 --> 1:01:44.000
<v Speaker 1>bad listening when you're in Cleveland, They're not. I really

1:01:44.040 --> 1:01:47.640
<v Speaker 1>I enjoyed Cleveland the perspective of a of a New

1:01:47.760 --> 1:01:51.880
<v Speaker 1>London asshole. They wouldn't appreciate the joys of Cleveland like

1:01:51.920 --> 1:01:58.760
<v Speaker 1>I would. I've never been to Cleveland, but I think

1:01:59.760 --> 1:02:04.400
<v Speaker 1>I mean regular. I only know Cleveland from the thirty

1:02:04.520 --> 1:02:10.480
<v Speaker 1>Rock bit where they're like that, I love that bit.

1:02:13.320 --> 1:02:16.000
<v Speaker 1>Wasn't the Drew Carey show set in Cleveland? Yes? It was?

1:02:16.600 --> 1:02:18.600
<v Speaker 1>Did they just choose a spot on a map ors

1:02:18.840 --> 1:02:21.560
<v Speaker 1>from Cleveland? I feel like he has feel like he

1:02:21.640 --> 1:02:23.959
<v Speaker 1>has to be from Cleveland, you know what. I feel

1:02:24.000 --> 1:02:26.520
<v Speaker 1>like the only reason we're thinking of Cleveland is because

1:02:26.600 --> 1:02:30.240
<v Speaker 1>he's a lot of pop culture, Like Cleveland is too sophisticated.

1:02:30.320 --> 1:02:34.240
<v Speaker 1>Send them to this moy Tiowa. Cleveland doesn't sound like

1:02:34.280 --> 1:02:37.800
<v Speaker 1>a real word anymore. Yeah, did you tell us how

1:02:37.880 --> 1:02:40.560
<v Speaker 1>you would write the show? I mean I would. I

1:02:40.600 --> 1:02:43.640
<v Speaker 1>would do something similar to Melissa and Karma is just

1:02:43.720 --> 1:02:48.360
<v Speaker 1>like focus on that those relationships of Bernard uh Lanina

1:02:48.680 --> 1:02:51.520
<v Speaker 1>and John. I mean my dream would be too. I

1:02:51.560 --> 1:02:54.040
<v Speaker 1>would clear the hell out of it and follow Lanina

1:02:54.720 --> 1:02:57.880
<v Speaker 1>and maybe have Bernard to be a woman as well

1:02:58.080 --> 1:03:01.800
<v Speaker 1>and have them kind of like play around with the

1:03:01.920 --> 1:03:04.360
<v Speaker 1>fact that this world is what do you say, Bernard

1:03:05.280 --> 1:03:09.400
<v Speaker 1>debt um, because it does seem like, you know, we

1:03:09.520 --> 1:03:13.000
<v Speaker 1>still get to see these men making these decisions based

1:03:13.040 --> 1:03:15.600
<v Speaker 1>on their emotions, and I want to I want to

1:03:15.640 --> 1:03:18.960
<v Speaker 1>give the women in this world that opity opportunity to

1:03:19.040 --> 1:03:21.720
<v Speaker 1>do that and not just have like John b Emo

1:03:21.960 --> 1:03:26.720
<v Speaker 1>and Bernard b also Emo in his wheels weird Weasley way.

1:03:28.160 --> 1:03:31.640
<v Speaker 1>Also in terms of people who are related to famous people.

1:03:31.760 --> 1:03:34.760
<v Speaker 1>Tom Stoppard's son is also in it, and he plays

1:03:35.960 --> 1:03:38.880
<v Speaker 1>the I'm forgetting his name, just the the guy in charge,

1:03:39.400 --> 1:03:43.720
<v Speaker 1>Bernard's boss who shows up something to say to lecture

1:03:43.800 --> 1:03:48.720
<v Speaker 1>him worked, the white guy, the one who gets pushed

1:03:48.760 --> 1:04:01.959
<v Speaker 1>over the cliff. No, I didn't, I didn't finish this fathers. Yeah, sorry,

1:04:02.000 --> 1:04:04.440
<v Speaker 1>I kind of do. Sometimes have white guy face blindness

1:04:04.480 --> 1:04:09.360
<v Speaker 1>with really generic looking handsome guys. Were handsome in there

1:04:09.440 --> 1:04:12.520
<v Speaker 1>to make it okay, but like if someone is like

1:04:12.560 --> 1:04:15.400
<v Speaker 1>a certain level of handsome, they just all look the

1:04:15.480 --> 1:04:19.960
<v Speaker 1>same to me, like every every like bachelor guy, every

1:04:20.000 --> 1:04:21.720
<v Speaker 1>guy who's ever been on the badelor I can never

1:04:21.920 --> 1:04:23.360
<v Speaker 1>I can't tell a part. I mean, I think that's

1:04:23.400 --> 1:04:27.680
<v Speaker 1>done on purpose. They all, yeah, they're all casting cast

1:04:27.760 --> 1:04:32.560
<v Speaker 1>to look the same the same there twice And I

1:04:32.800 --> 1:04:34.520
<v Speaker 1>found it out recently and I was like, really, I

1:04:34.640 --> 1:04:38.440
<v Speaker 1>would have never known if you lined them up. They

1:04:38.480 --> 1:04:41.120
<v Speaker 1>should just be renaming the same guys every season with

1:04:41.200 --> 1:04:46.400
<v Speaker 1>a different name and a different occupation. Like, wow, Matthi

1:04:46.560 --> 1:04:50.200
<v Speaker 1>architect really looks a lot like Mark the Pilot. I

1:04:50.320 --> 1:04:53.120
<v Speaker 1>just take it over it. They make them like change

1:04:53.160 --> 1:04:59.440
<v Speaker 1>their whole identity every time social Security number. Also, I

1:04:59.520 --> 1:05:01.600
<v Speaker 1>think for if we were to write this, I would

1:05:01.640 --> 1:05:05.000
<v Speaker 1>love to see just like capitalism even grosser than what's

1:05:05.040 --> 1:05:09.960
<v Speaker 1>being shown, just like they don't really gross capitalists. No

1:05:10.120 --> 1:05:12.680
<v Speaker 1>person buy a thing. Do they have money? Like it

1:05:12.760 --> 1:05:16.479
<v Speaker 1>doesn't it's not clear. It's certainly clear in the book

1:05:16.520 --> 1:05:19.480
<v Speaker 1>that they have to keep consuming that someone guys because

1:05:19.600 --> 1:05:22.600
<v Speaker 1>Lenina talks about that someone bought her like a darling

1:05:22.720 --> 1:05:25.920
<v Speaker 1>Mouth Lucian belt. Yeah, and that was a gift. And

1:05:26.040 --> 1:05:29.720
<v Speaker 1>the show, do they have money, It's very unclear. It's

1:05:29.800 --> 1:05:32.880
<v Speaker 1>unclear they don't. It's unclear how they like have their

1:05:33.600 --> 1:05:38.160
<v Speaker 1>their apartments and like how they get and their damas,

1:05:38.760 --> 1:05:42.000
<v Speaker 1>just as signed the game just like you have a

1:05:42.120 --> 1:05:45.920
<v Speaker 1>person that's your person, Yeah, my person, and they just

1:05:46.160 --> 1:05:51.040
<v Speaker 1>love you. Yeah. I there was something that was really

1:05:51.120 --> 1:05:55.280
<v Speaker 1>intriguing that I don't remember at least being explored in

1:05:55.320 --> 1:05:57.280
<v Speaker 1>the book. I've blocked out the majority of the book

1:05:57.360 --> 1:05:59.720
<v Speaker 1>because I was like, I don't care for this. This

1:05:59.840 --> 1:06:03.920
<v Speaker 1>is racist, racist in a lot of ways. Um, but

1:06:04.520 --> 1:06:09.560
<v Speaker 1>they get There's a part where Lenina and Bernard do dating,

1:06:09.840 --> 1:06:13.400
<v Speaker 1>as they call it. Um. They try out doing a

1:06:13.520 --> 1:06:18.160
<v Speaker 1>date like a monogamous, savage person would do, and Bernard

1:06:18.280 --> 1:06:22.000
<v Speaker 1>is basically like trying to see if Lenina like likes him,

1:06:22.160 --> 1:06:25.240
<v Speaker 1>which is sweet in a way, but then he gets

1:06:25.280 --> 1:06:29.400
<v Speaker 1>really frustrated when she clearly is like I want to go.

1:06:30.280 --> 1:06:32.400
<v Speaker 1>But then he like plays chicken with her in a

1:06:32.480 --> 1:06:35.440
<v Speaker 1>way where he's like, okay, so now we fuck, and

1:06:35.560 --> 1:06:39.080
<v Speaker 1>then she's like clearly not interested in it, but starts

1:06:39.120 --> 1:06:41.480
<v Speaker 1>taking her clothes off because it's what she's supposed to

1:06:41.520 --> 1:06:45.400
<v Speaker 1>do because she's a beta, and he does stop her,

1:06:45.480 --> 1:06:48.480
<v Speaker 1>he doesn't assault her, but like the fact that he's

1:06:48.520 --> 1:06:53.120
<v Speaker 1>willing to humiliate her in that way was very weird,

1:06:53.560 --> 1:06:56.920
<v Speaker 1>and I don't know it sort of got into this

1:06:57.120 --> 1:06:59.640
<v Speaker 1>idea like the betas are supposed to be good time

1:06:59.720 --> 1:07:03.919
<v Speaker 1>girl all the time, and I are all the fascinating.

1:07:04.360 --> 1:07:06.280
<v Speaker 1>Not all of the women are betas. I think in

1:07:06.360 --> 1:07:10.080
<v Speaker 1>this they do have alpha's that are women. I'm pretty sure.

1:07:11.080 --> 1:07:13.080
<v Speaker 1>I'm pretty sure all the women are betas because he

1:07:13.120 --> 1:07:16.840
<v Speaker 1>wrote it in and women didn't develop full brains until

1:07:18.560 --> 1:07:21.240
<v Speaker 1>women didn't get the right to vote in Switzerland until

1:07:21.280 --> 1:07:25.360
<v Speaker 1>the nineteen seventies. Did you know that? But I found

1:07:25.400 --> 1:07:29.280
<v Speaker 1>it out today. It is curious though maybe I mean, again,

1:07:29.360 --> 1:07:31.560
<v Speaker 1>only watch two episodes, but in the second episode on

1:07:31.600 --> 1:07:35.400
<v Speaker 1>the bus that like, there's like a shitty kid who's like, yeah,

1:07:35.520 --> 1:07:39.120
<v Speaker 1>you're a beta, like and why would he say that

1:07:39.240 --> 1:07:42.080
<v Speaker 1>if like every woman was a beta like that, you're

1:07:42.160 --> 1:07:46.720
<v Speaker 1>a lady Helm is a I'm pretty sure. I felt

1:07:46.720 --> 1:07:49.919
<v Speaker 1>the tender swopping on that was fun, was very good.

1:07:50.760 --> 1:07:53.760
<v Speaker 1>She was too artistic for a dystopia. She was too cool.

1:07:56.480 --> 1:07:58.280
<v Speaker 1>That ended up being her problem. And she became so

1:07:58.440 --> 1:08:02.040
<v Speaker 1>fascinated by the idea of John's feelings and how she

1:08:02.160 --> 1:08:05.160
<v Speaker 1>got to explore his feelings, like she downloaded his feelings

1:08:05.200 --> 1:08:07.520
<v Speaker 1>and she was like, I've never seen anything like that before.

1:08:07.840 --> 1:08:10.720
<v Speaker 1>And then she like takes off her wig and he's

1:08:10.760 --> 1:08:17.280
<v Speaker 1>a new person, Like again giving these people full history books,

1:08:17.520 --> 1:08:21.439
<v Speaker 1>why wouldn't you just do like a bunch of historical promise. Um,

1:08:22.160 --> 1:08:25.519
<v Speaker 1>the the amount of information they have given them is

1:08:25.600 --> 1:08:28.200
<v Speaker 1>not compatible with the art that this world is turning out.

1:08:28.880 --> 1:08:31.040
<v Speaker 1>Part of a part of a dystopia is you have

1:08:31.240 --> 1:08:34.439
<v Speaker 1>to restrict information, like the difference with this and they

1:08:34.520 --> 1:08:37.240
<v Speaker 1>haven't at all. There's that famous essay of like the

1:08:37.320 --> 1:08:41.120
<v Speaker 1>difference between comparing Brave New World with n and it's like, yeah,

1:08:41.160 --> 1:08:43.920
<v Speaker 1>the dystopia in nineteen eight four is they destroy all

1:08:44.000 --> 1:08:46.760
<v Speaker 1>the books and restrict it and center it. And the

1:08:46.880 --> 1:08:49.720
<v Speaker 1>difference in Brave New World is they give you so

1:08:49.920 --> 1:08:52.519
<v Speaker 1>much that you don't even care to read the history books.

1:08:52.800 --> 1:08:55.439
<v Speaker 1>So it's like they're not doing either of those things.

1:08:55.520 --> 1:08:59.920
<v Speaker 1>So why is the system working in a bit of

1:09:00.080 --> 1:09:03.320
<v Speaker 1>the matrix? Because that's the at the end of the series,

1:09:03.360 --> 1:09:05.559
<v Speaker 1>and it's like a test. It's like to see if

1:09:05.680 --> 1:09:08.880
<v Speaker 1>Indra can withstand the Savage coming in and he's like

1:09:08.960 --> 1:09:12.879
<v Speaker 1>a virus. Like it's so weird. It's such a bizarre

1:09:13.320 --> 1:09:18.040
<v Speaker 1>ending that came from nothing. In the book Full Scale Revolt,

1:09:18.200 --> 1:09:23.120
<v Speaker 1>I forgot that part. They murder people, they murder people.

1:09:24.120 --> 1:09:29.160
<v Speaker 1>The exons just completely revolt and c Jack sixty is

1:09:29.400 --> 1:09:32.840
<v Speaker 1>the leader of the revolt, and then when he sees

1:09:32.960 --> 1:09:35.760
<v Speaker 1>how it actually ends up happening because it's done with

1:09:35.840 --> 1:09:38.559
<v Speaker 1>the use of Indra, because you can't tell anybody apart

1:09:38.680 --> 1:09:41.000
<v Speaker 1>other than with Indra because they don't have their color

1:09:41.080 --> 1:09:44.200
<v Speaker 1>coordinated outfits like they did in the book. So, um,

1:09:44.360 --> 1:09:45.960
<v Speaker 1>if there were a couple of people who like took

1:09:46.040 --> 1:09:48.920
<v Speaker 1>Indra out and he was like, oh god, this is

1:09:49.280 --> 1:09:52.360
<v Speaker 1>this is not good, what's happening, and those people get

1:09:52.439 --> 1:09:55.479
<v Speaker 1>to live and they're like, it's it's really interesting to

1:09:55.560 --> 1:09:57.960
<v Speaker 1>see how Indra is the only way that they can

1:09:58.040 --> 1:10:01.680
<v Speaker 1>tell what class anybody is. So once you take that out,

1:10:01.760 --> 1:10:05.160
<v Speaker 1>everybody's the same. Maybe that maybe that is what the

1:10:05.360 --> 1:10:08.240
<v Speaker 1>remake should have been, is just follow ce Jack see

1:10:08.320 --> 1:10:12.719
<v Speaker 1>Jack sixty. Yeah, and not following alpha and not follow

1:10:12.760 --> 1:10:15.240
<v Speaker 1>a beta, not follow someone who's like up in that society,

1:10:15.240 --> 1:10:17.479
<v Speaker 1>because they start doing it a little bit where they're

1:10:18.080 --> 1:10:20.400
<v Speaker 1>where he like touches the person that jumped up like

1:10:20.560 --> 1:10:24.679
<v Speaker 1>touches his clone, and he has a feeling that was bizarre.

1:10:25.920 --> 1:10:27.800
<v Speaker 1>But if that's what you wanted, if that is something

1:10:27.880 --> 1:10:30.920
<v Speaker 1>that you wanted to explore, that like people are starting

1:10:31.000 --> 1:10:35.360
<v Speaker 1>to like play with emotion and feeling. I would buy that.

1:10:35.880 --> 1:10:39.200
<v Speaker 1>It's very the giver that it's like, oh, people, people

1:10:39.240 --> 1:10:42.479
<v Speaker 1>are starting to have emotions. What's happening. One of the

1:10:42.560 --> 1:10:44.439
<v Speaker 1>best scenes in the book, though, is the scene that

1:10:44.479 --> 1:10:48.280
<v Speaker 1>makes it so clear that revolt it's impossible that John

1:10:48.400 --> 1:10:51.439
<v Speaker 1>in the book tries to start a revolt, and the

1:10:51.640 --> 1:10:54.599
<v Speaker 1>first of all, everybody's just really annoyed that he's growing

1:10:54.640 --> 1:10:57.639
<v Speaker 1>out their soma. And then once it got so annoyed

1:10:57.680 --> 1:11:00.120
<v Speaker 1>that they're willing to attack him, they just really a

1:11:00.200 --> 1:11:02.719
<v Speaker 1>cloud of so mane to the air and they play

1:11:03.080 --> 1:11:06.519
<v Speaker 1>a little recording saying like, why are you doing this?

1:11:06.920 --> 1:11:09.320
<v Speaker 1>Please be good, just be nice to each other. Okay,

1:11:11.960 --> 1:11:13.800
<v Speaker 1>all right, right right right right right right right right

1:11:13.960 --> 1:11:17.880
<v Speaker 1>right right yeah, nice, right right nice? Yeah, what we

1:11:18.000 --> 1:11:24.760
<v Speaker 1>do here again? I would be into that too. Yeah, absolutely, yeah.

1:11:24.920 --> 1:11:28.360
<v Speaker 1>I think one of the most interesting parts of their culture,

1:11:28.400 --> 1:11:30.400
<v Speaker 1>and the reason I think their culture keeps working is

1:11:30.439 --> 1:11:33.320
<v Speaker 1>because you just do that every time there's an attempt

1:11:33.320 --> 1:11:36.720
<v Speaker 1>at uprising. Yeah, it's a successful it's a successful dystopia.

1:11:36.800 --> 1:11:39.800
<v Speaker 1>And also if someone is too smart for it, they

1:11:39.880 --> 1:11:42.200
<v Speaker 1>send you to a nice island where it seems fine,

1:11:42.400 --> 1:11:44.759
<v Speaker 1>where then you don't. It's not like they're murdering people

1:11:44.800 --> 1:11:46.720
<v Speaker 1>and they're guillotining people and they're like, oh we have

1:11:46.880 --> 1:11:49.479
<v Speaker 1>to Okay, this system is not working. This is violent.

1:11:49.560 --> 1:11:51.559
<v Speaker 1>It's like, all right, if you don't work for the system,

1:11:51.880 --> 1:11:58.120
<v Speaker 1>go live in like the Falkland Islands with fun. Okay,

1:11:58.240 --> 1:12:01.320
<v Speaker 1>that sounds nice. I'll do that what we're saying about

1:12:01.560 --> 1:12:05.560
<v Speaker 1>that though, And I wonder do they do that with

1:12:06.280 --> 1:12:09.120
<v Speaker 1>gammas and absalon's or do they just do it with

1:12:09.240 --> 1:12:11.439
<v Speaker 1>like alpha's and baby But I think the prob the

1:12:11.560 --> 1:12:13.960
<v Speaker 1>thing in the book is it assumes that gammas and

1:12:14.040 --> 1:12:18.400
<v Speaker 1>epsilons are so programmed that they would never even have

1:12:18.840 --> 1:12:22.040
<v Speaker 1>the ability to see outside the box they love, that's true.

1:12:22.080 --> 1:12:24.599
<v Speaker 1>And they also all have like fetal alcohol syndrome. Yeah,

1:12:24.960 --> 1:12:30.240
<v Speaker 1>they're like they're like actually brain damage like on purpose, yeah,

1:12:31.200 --> 1:12:38.679
<v Speaker 1>developmentally like actively stunted. Yeah, I mean bad. But aspect

1:12:38.760 --> 1:12:42.280
<v Speaker 1>of it was missing from the show. Yes, yeah, the

1:12:42.360 --> 1:12:46.200
<v Speaker 1>AICs was gone. Yes, said they really they flattened it out,

1:12:46.360 --> 1:12:49.480
<v Speaker 1>They made it much more. They made the like questions

1:12:49.600 --> 1:12:55.960
<v Speaker 1>of morality and society just like way less pressing. I mean,

1:12:56.040 --> 1:12:58.519
<v Speaker 1>you could you could push all of those things to

1:12:58.640 --> 1:13:01.519
<v Speaker 1>make it more relevant for to and they just flattened

1:13:01.560 --> 1:13:05.400
<v Speaker 1>it out. Yeah, doing like a very eugenics heavy, um

1:13:06.439 --> 1:13:11.720
<v Speaker 1>dystopian show. That would have been interesting, scary look a

1:13:12.040 --> 1:13:16.639
<v Speaker 1>dystopian world about like the distraction of consumerism and social

1:13:16.720 --> 1:13:21.160
<v Speaker 1>media and also eugenics and also apathy that people just

1:13:21.520 --> 1:13:24.720
<v Speaker 1>don't care is very scary and I would want to

1:13:24.760 --> 1:13:26.960
<v Speaker 1>see that. And I was just like disappointed that we

1:13:27.040 --> 1:13:30.519
<v Speaker 1>didn't get that. And that's why I think so not

1:13:30.640 --> 1:13:33.040
<v Speaker 1>to harp on the nine episodes, but I feel like

1:13:33.120 --> 1:13:36.559
<v Speaker 1>if they had had episodes, if they had kind of episodes,

1:13:36.600 --> 1:13:38.719
<v Speaker 1>I feel like they might have been able to figure

1:13:38.720 --> 1:13:40.960
<v Speaker 1>out a way to stretch and explore all of those things.

1:13:41.360 --> 1:13:44.800
<v Speaker 1>But like they went for nine, not even eight, So

1:13:44.920 --> 1:13:46.640
<v Speaker 1>it doesn't feel like they were told, you only have

1:13:46.720 --> 1:13:49.400
<v Speaker 1>eight episodes. I don't I don't know what happened there.

1:13:49.439 --> 1:13:51.160
<v Speaker 1>I think that they like came up with the thing

1:13:51.200 --> 1:13:52.760
<v Speaker 1>and they were like, Okay, we said all the things

1:13:52.880 --> 1:13:55.120
<v Speaker 1>we want to say. I say all the things that

1:13:55.160 --> 1:13:57.679
<v Speaker 1>the book wanted to say. I feel like the nine

1:13:57.840 --> 1:14:00.840
<v Speaker 1>meant that they that the I was like, how many

1:14:00.920 --> 1:14:03.120
<v Speaker 1>do you need to tell the story you want to tell?

1:14:03.200 --> 1:14:07.240
<v Speaker 1>And he's like mm hmm nine, So they got exactly

1:14:07.320 --> 1:14:11.120
<v Speaker 1>what they wanted. You know, it wouldn't work if John

1:14:11.200 --> 1:14:13.960
<v Speaker 1>got completely absorbed into that society. Would that be a

1:14:14.080 --> 1:14:17.640
<v Speaker 1>kind of tragedy if he went there and just by that,

1:14:17.920 --> 1:14:20.200
<v Speaker 1>like he ended up realizing that he didn't want to

1:14:20.240 --> 1:14:23.439
<v Speaker 1>towel himself off ever again, then he wanted Gary to

1:14:23.560 --> 1:14:25.760
<v Speaker 1>gently towel off his wet body every time he came

1:14:25.800 --> 1:14:27.439
<v Speaker 1>out of the shower for the rest of his life.

1:14:28.160 --> 1:14:32.920
<v Speaker 1>I think he would have been happier. I mean maybe, Yeah,

1:14:33.160 --> 1:14:35.360
<v Speaker 1>I don't know down into the show, so I don't

1:14:35.360 --> 1:14:37.599
<v Speaker 1>know how good this toweling off is. So I can't

1:14:37.640 --> 1:14:41.200
<v Speaker 1>make it. I can't make a good judgment. Very gentle

1:14:41.320 --> 1:14:44.439
<v Speaker 1>Garry is very lovely him, and we're talking like what

1:14:44.640 --> 1:14:51.479
<v Speaker 1>kind of what kind of really fluffy? Okay, yeah, just

1:14:51.720 --> 1:14:56.280
<v Speaker 1>Gary warms it up a little bit beforehand, Pyle, Okay, well,

1:14:56.320 --> 1:14:59.160
<v Speaker 1>then that would have been tragic. I would have liked

1:14:59.200 --> 1:15:04.320
<v Speaker 1>to see. Yeah, they didn't include any of the good stuff.

1:15:05.040 --> 1:15:08.439
<v Speaker 1>I think that they did a disservice to themselves by

1:15:08.520 --> 1:15:13.040
<v Speaker 1>making the first two episodes medium good and then like

1:15:13.640 --> 1:15:17.080
<v Speaker 1>making those the three episodes because we're I not watching it.

1:15:17.200 --> 1:15:20.360
<v Speaker 1>I always will watch anything for three to five episodes

1:15:20.520 --> 1:15:25.720
<v Speaker 1>just to test it out. I'll watch truly pretty much anything. Um.

1:15:26.240 --> 1:15:30.280
<v Speaker 1>But if it weren't something that we were talking about

1:15:30.360 --> 1:15:32.840
<v Speaker 1>for this show, with the first two episodes being free,

1:15:32.880 --> 1:15:35.840
<v Speaker 1>I don't think I would have pushed to go further. Like,

1:15:35.920 --> 1:15:37.920
<v Speaker 1>I don't think I would have signed up to get

1:15:38.080 --> 1:15:41.240
<v Speaker 1>more episodes. Yeah, we had watched this for this and

1:15:41.400 --> 1:15:45.400
<v Speaker 1>we only watched two and three. Yeah, it's about relationships, right.

1:15:45.479 --> 1:15:48.720
<v Speaker 1>I feel like I could see a version where you

1:15:48.840 --> 1:15:52.400
<v Speaker 1>just really slow it all down and like really drill

1:15:52.520 --> 1:15:55.040
<v Speaker 1>into Bernard and Lenina in the first episode and like

1:15:55.080 --> 1:15:58.519
<v Speaker 1>why we care about them, and then you just an

1:15:58.600 --> 1:16:01.240
<v Speaker 1>episode three, you're with John and you don't know who

1:16:01.320 --> 1:16:06.439
<v Speaker 1>he is, you don't know like what world the whole episode. Yeah,

1:16:06.640 --> 1:16:12.600
<v Speaker 1>it's very like yeah exactly, uh, and it feels like

1:16:13.360 --> 1:16:15.960
<v Speaker 1>then you're just with him and then you you understand

1:16:16.000 --> 1:16:18.960
<v Speaker 1>how the world's intersect. Like I'd be all in. Yeah,

1:16:19.960 --> 1:16:22.080
<v Speaker 1>that sounds I want to watch that. I want to

1:16:22.120 --> 1:16:25.400
<v Speaker 1>watch that show too. Yeah, Peacock, what do you think

1:16:25.400 --> 1:16:29.720
<v Speaker 1>a reboot of Brave New World? At least? No, I

1:16:29.840 --> 1:16:32.960
<v Speaker 1>think that we've we've done enough braving of this New

1:16:33.040 --> 1:16:36.760
<v Speaker 1>World we can stick with old worlds and other new

1:16:36.840 --> 1:16:40.800
<v Speaker 1>worlds that have other adjectives, so like maybe like a

1:16:40.880 --> 1:16:46.439
<v Speaker 1>funky new world. I don't know. I would love a

1:16:46.520 --> 1:16:49.160
<v Speaker 1>world that's just about like funk music, just like funk

1:16:49.280 --> 1:16:53.519
<v Speaker 1>music and soma just like people having a good time.

1:16:53.640 --> 1:16:57.960
<v Speaker 1>People would love that. I know exactly what people would

1:16:57.960 --> 1:17:03.120
<v Speaker 1>love that. And they're on Somac show. I think that's

1:17:03.160 --> 1:17:09.080
<v Speaker 1>just like a live concert fish. It's a fish concert,

1:17:13.840 --> 1:17:19.720
<v Speaker 1>some funny music, people on drugs. Fun. Thank you so

1:17:19.840 --> 1:17:23.040
<v Speaker 1>much for listening. Next week is Rebecca, So get reading

1:17:23.080 --> 1:17:24.960
<v Speaker 1>if you want to read along or just watch the movie.

1:17:25.080 --> 1:17:27.240
<v Speaker 1>We're doing both of them. There's one coming to Netflix

1:17:27.760 --> 1:17:31.360
<v Speaker 1>with Army Hammer and Lily James. So thanks for listening.

1:17:31.520 --> 1:17:40.040
<v Speaker 1>Bye bye bye. That's our show for the week. Thank

1:17:40.080 --> 1:17:42.560
<v Speaker 1>you so much for listening. I'm Danish Schwartz and you

1:17:42.600 --> 1:17:45.040
<v Speaker 1>can find me on Twitter at Danis Schwartz with three

1:17:45.120 --> 1:17:49.400
<v Speaker 1>z s. You can follow Jennifer Wright at Jen Ashley Right, Karama,

1:17:49.439 --> 1:17:53.200
<v Speaker 1>Donqua is at Karama Drama, Melissa Hunter is at Melissa

1:17:53.720 --> 1:17:56.439
<v Speaker 1>f t W and Tan Tran is smart enough to

1:17:56.479 --> 1:17:58.920
<v Speaker 1>have gotten off Twitter, but she is on Insta at

1:17:59.040 --> 1:18:02.599
<v Speaker 1>Hank Tina Our Executive producer is Christopher Hessiotes and were

1:18:02.640 --> 1:18:06.400
<v Speaker 1>produced and edited by Mike John's Special thanks to David Wasserman.

1:18:06.720 --> 1:18:09.400
<v Speaker 1>Next week, we are going goth in time for Halloween.

1:18:09.800 --> 1:18:12.960
<v Speaker 1>Not like dressing in black listening to the care goth Unfortunately,

1:18:13.600 --> 1:18:18.040
<v Speaker 1>we're discussing the gothic novel Rebecca by Daphne Dumourier, soon

1:18:18.120 --> 1:18:20.840
<v Speaker 1>to be a film on Netflix. Popcorn book Club is

1:18:20.840 --> 1:18:22.320
<v Speaker 1>a production of I Heart Radio