WEBVTT - The Future of Golf Course Restoration

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<v Speaker 1>In the United States, many of the greatest old golf

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<v Speaker 1>courses have already undergone what they've called restorations. That is,

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<v Speaker 1>they've worked with architects to bring back elements of their

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<v Speaker 1>original designs. In fact, many of these courses have gone

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<v Speaker 1>through this process multiple times over the past thirty years,

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<v Speaker 1>which begs the question, when can you actually consider a

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<v Speaker 1>golf course restored? Can you?

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<v Speaker 2>Ever?

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<v Speaker 1>In any case, the restoration movement, which dates back to

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<v Speaker 1>the nineteen eighties, has seemingly reached a point of maturity,

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<v Speaker 1>and now I think we have to ask where does

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<v Speaker 1>it go next. In this episode, I'll explore a few

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<v Speaker 1>projects that I think represent interesting frontiers of the golf

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<v Speaker 1>course restoration and renovation industry. First, I'll sit down with

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<v Speaker 1>Jeff Stein to talk about his and Brian Ross's creative,

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<v Speaker 1>historically inspired redesign the Great Dunes course at Jekyl Island.

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<v Speaker 1>Then I'll speak with Clyde Johnson about his efforts to

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<v Speaker 1>bring back vintage elements of British links courses. I'm Garrett Morrison,

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<v Speaker 1>and this is Designing Golf. Jeff Stein, Welcome to the podcast.

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<v Speaker 3>Thanks a lot, gar I'm really glad to be talking

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<v Speaker 3>with you.

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<v Speaker 1>So today we're talking about the future of golf course restoration,

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<v Speaker 1>and I wanted to talk to you specifically, Jeff, about

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<v Speaker 1>a project that you recently completed with your partner Brian

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<v Speaker 1>Ross at Jekyl Island Golf Club off the coast of Georgia.

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<v Speaker 1>I'm not sure i'd call this project a restoration in

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<v Speaker 1>the strict sense of the word, but it certainly had

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<v Speaker 1>a historical motive and there are a number of intriguing

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<v Speaker 1>things about the project that might indicate where golf course

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<v Speaker 1>restoration quote unquote might go in the coming years. So

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<v Speaker 1>just to set the scene, where is Jeckyll Island and

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<v Speaker 1>what's the history of golf there?

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<v Speaker 3>Okay, So Jacky Island is on the southeastern coast of Georgia.

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<v Speaker 3>It's kind of midway between Jacksonville, Florida and Savannah, Georgia.

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<v Speaker 3>So from the airport in Jacksonville, it's an hour drive

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<v Speaker 3>right up ninety five, you make a right turn at

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<v Speaker 3>Brunswick and you head, you know, right through the marsh

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<v Speaker 3>and onto jeckl Island.

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<v Speaker 1>So we're talking about the sea islands here, basically the

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<v Speaker 1>Georgia Sea islands.

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<v Speaker 3>Well they call them the Golden Isles.

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<v Speaker 1>The Golden Isles, that's right, yeah, yeah, yeah.

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<v Speaker 3>And then from Savannah. You know, it's an hour and

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<v Speaker 3>a half south from Savannah. You know, Atlanta is probably

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<v Speaker 3>four hours away from if you want to come from

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<v Speaker 3>that direction. And the history of golf there is a

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<v Speaker 3>long history. They you know, really done laid a golf

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<v Speaker 3>course out there. Originally through I think it was the

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<v Speaker 3>Riverside course. Donald Ross lay out a pretty would be

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<v Speaker 3>a failed routing of a golf course through there. It

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<v Speaker 3>just was too wet. He wasn't able to drain it

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<v Speaker 3>very well. You know, the members went through several iterations

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<v Speaker 3>kind of playing golf from the river through the Savannah. Later,

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<v Speaker 3>Carl Keffer, the Canadian Open and their winter time pro

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<v Speaker 3>laid out the original holes in the sand dunes, so

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<v Speaker 3>where you would travel from the Savannah out to the

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<v Speaker 3>sand dunes and back again. And then of course Walter

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<v Speaker 3>Travis came in and fully laid out a spectacular ocean

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<v Speaker 3>side links called the Great Dunes.

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<v Speaker 1>So the Great Dunes Course a Walter Travis design. We'll

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<v Speaker 1>talk more about Walter Travis in a moment. Originally eighteen holes,

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<v Speaker 1>as I understand it, How did this course evolve over time?

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<v Speaker 1>What happened to it?

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<v Speaker 3>Yeah, well, Travis came and laid out the course in

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<v Speaker 3>twenty six. Of course opened end of twenty seven, but

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<v Speaker 3>Travis never lived to see the course actually finished. But

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<v Speaker 3>the holes he laid out were you know, hard against

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<v Speaker 3>the ocean, I mean, nothing in between you the beach

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<v Speaker 3>and the golf and it was just one of these

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<v Speaker 3>spectacular link settings that's pretty rare to find in the

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<v Speaker 3>United States. And you know, Travis adapted the routing of

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<v Speaker 3>Keffer on the front nine and he re routed stuff,

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<v Speaker 3>but definitely used some of his green sites and the

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<v Speaker 3>back nine which we lost due to basically time erosion storms.

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<v Speaker 3>And then of course when the original owners, you know,

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<v Speaker 3>this group of very wealthy individuals who used to own

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<v Speaker 3>Jacko Island, they kind of gave up the club in

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<v Speaker 3>the island in the you know, post depression, and the

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<v Speaker 3>state took it over. And that's that is when we

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<v Speaker 3>really lost the back nine of the Great Dunes golf course,

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<v Speaker 3>and they decided to do a lot more economic development.

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<v Speaker 3>They put a beach road in later on at convention Center,

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<v Speaker 3>several hotels and and so on.

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<v Speaker 1>So basically you can't get the original back nine back

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<v Speaker 1>that has now been developed.

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<v Speaker 3>That ship has sailed.

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<v Speaker 1>Okay, you alluded to the ownership situation on the island.

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<v Speaker 1>It's a pretty unique situation, so tell me about that.

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<v Speaker 3>Yeah, I mean, oh, you mean currently or before?

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<v Speaker 1>Yeah, currently, Well, as I understand it, this the was

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<v Speaker 1>the Jekyl Island Authority. It's a state body, right, It's

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<v Speaker 1>a government body that owns it, but it's relatively independent

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<v Speaker 1>from the government. So yeah, the current situation, which I

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<v Speaker 1>think dates back a couple of decades, right.

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<v Speaker 3>Yeah, I mean I don't know when the authority was,

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<v Speaker 3>you know, given their license from the State of Georgia

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<v Speaker 3>to operate, but the state park was created sometime in

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<v Speaker 3>the in the forties or fifties around that time, and

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<v Speaker 3>the Jeklan Authority has, you know, complete control over all

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<v Speaker 3>the you know, the lease agreements on the island for

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<v Speaker 3>whether that be if you're a restaurant, a hotel. You

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<v Speaker 3>know that they actually operate the golf course, a conservation department, landscaping,

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<v Speaker 3>et cetera. And they just they oversee everything that goes

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<v Speaker 3>on in the state park. But there are actually a

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<v Speaker 3>for profit entity but given the right by the State

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<v Speaker 3>of Georgia. So this project really came to be from

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<v Speaker 3>a really massive commitment. I think I read the other

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<v Speaker 3>day it was like two hundred and eighty million dollar

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<v Speaker 3>renovation plan over several decades, and the and the golf

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<v Speaker 3>piece was really the last part of that puzzle in

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<v Speaker 3>this whole economic redevelopment of the island.

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<v Speaker 1>So I guess the reason they can do a project

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<v Speaker 1>this ambitious is that they are an entrepreneurial body. Essentially,

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<v Speaker 1>They're they're not they they need to make a They

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<v Speaker 1>need to make a profit, absolutely.

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<v Speaker 3>Need to make a profit. And and I think that

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<v Speaker 3>they they kind of they all pool the resources and

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<v Speaker 3>pull all the dollart tourist dollars from you know, there's

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<v Speaker 3>a ten dollars toll when you come on the island.

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<v Speaker 3>So you know, they unlike you know, a standalone golf course.

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<v Speaker 3>They do have maybe some other profit centers from tourism.

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<v Speaker 3>But of course we're hoping that the golf is going

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<v Speaker 3>to start to drive a lot of those tourists, uh,

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<v Speaker 3>that tourist activity and and we start filling the t

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<v Speaker 3>sheets at the Great Dunes.

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<v Speaker 1>It's really cool. It's a it's a fun model of

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<v Speaker 1>ownership that kind of combines the UH the entrepreneurial spirit

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<v Speaker 1>of an ambitious golf course with the support of of

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<v Speaker 1>government and and the and the and the you know,

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<v Speaker 1>I guess the mission to bring people out and give

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<v Speaker 1>them access to a great golf experience.

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<v Speaker 3>Yeah, and and I think that, you know, oftentimes municipal

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<v Speaker 3>golf isn't really that profitable or it's hard to be profitable.

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<v Speaker 3>So we're and I also want to mention there's a

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<v Speaker 3>you know, we have two other golf courses at the

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<v Speaker 3>Jackal Island Golf Club. There's Pine Lakes which is just

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<v Speaker 3>recently renovated, an Indian Mound which is more your budget

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<v Speaker 3>friendly option right now, shorter golf course built by Joe Lee.

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<v Speaker 3>And we're going to see what happens with that third

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<v Speaker 3>golf course, whether that gets redeveloped, maybe into a short

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<v Speaker 3>course or something along those lines. We're just going to

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<v Speaker 3>see how this whole plan comes together.

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<v Speaker 1>So just some history of the island itself. My understanding

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<v Speaker 1>is that pre Depression, Jackal Island was sort of a

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<v Speaker 1>happening place, right This was a place that that wealthy

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<v Speaker 1>people vacationed, and then it it just fell on hard

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<v Speaker 1>times during the depression and the war and that's when

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<v Speaker 1>the state stepped in and took it over. Is that

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<v Speaker 1>is that basically an accurate characterization?

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<v Speaker 3>That's that's fairly fairly accurate. I think there's a funny

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<v Speaker 3>anecdote that they, you know, these owners kind of walked

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<v Speaker 3>away with a pretty large tax bill and just said, okay,

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<v Speaker 3>you guys deal with it.

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<v Speaker 1>You take care of our debts here. Yeah, exactly, so.

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<v Speaker 3>They say, here's the land, we don't want to deal

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<v Speaker 3>with this anymore. And you know, there's a there's another

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<v Speaker 3>island just down the coast. I think it's Cumberland Island

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<v Speaker 3>maybe is owned by the Carnegie family, and that they

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<v Speaker 3>have a home like in a national wilderness or something.

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<v Speaker 3>So like this, this whole area, you know, in the

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<v Speaker 3>teens and twenties, was was very happening. You know, you

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<v Speaker 3>had a lot of commerce and and just yeah, vacationing

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<v Speaker 3>for like, yeah, the wealthy and influential folks. I mean,

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<v Speaker 3>I think they made the first transatlantic phone call from

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<v Speaker 3>Jackyal Island. They they formed the idea of the Federal

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<v Speaker 3>Reserve on Jecko Island.

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<v Speaker 4>This wasn't you know, your average getaway wow, okay, yeah,

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<v Speaker 4>I mean the stories of these different islands off the

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<v Speaker 4>southeastern coast are all different.

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<v Speaker 1>That's that's the interesting thing about them. There's there's not

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<v Speaker 1>really a standard narrative of the history of all these islands.

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<v Speaker 1>People are maybe familiar with hilton Head Island, right, hilton

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<v Speaker 1>Head Island is currently a much more developed and you know,

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<v Speaker 1>I would say financially stable and thriving place than Jekyl

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<v Speaker 1>Island has been until recently. And so you have a

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<v Speaker 1>different situation at Jekyl, right.

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<v Speaker 3>Yeah, I mean, and even more even more close to

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<v Speaker 3>home at Jeckel. You have Saint Simon's Island where you

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<v Speaker 3>have this the you know this the Sea Island Resort,

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<v Speaker 3>Open Forest Frederica. You know, there's there's dozens of golf

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<v Speaker 3>courses right there, and that's just very much more developed,

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<v Speaker 3>uh you know land Jecko Island is a state park.

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<v Speaker 3>You know, we have we're playing golf in a state park.

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<v Speaker 3>And and that's really evident and part of the part

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<v Speaker 3>of what we like about visiting there having worked there,

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<v Speaker 3>is just the tranquility of it. The wildlife. There's deer

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<v Speaker 3>all over the place, osprey's flying over the golf course,

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<v Speaker 3>all types of fish, and you know, gators and whatnot.

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<v Speaker 3>So you really it's really a getaway and I think

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<v Speaker 3>that's that should be the attraction and the focus of

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<v Speaker 3>Jeckyll is the fact that it's not developed. You know,

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<v Speaker 3>we do have a convention center and that's you know,

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<v Speaker 3>like I said, that ship has sailed, but I think

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<v Speaker 3>that we've done a lot to conserve the space that

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<v Speaker 3>we have. And that was part of the thrust of

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<v Speaker 3>the Great Dunes project is we got the nine holes

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<v Speaker 3>from the Dick Wilson course, the only ender golf course

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<v Speaker 3>because we gave away the other nine holes for wetland conservation.

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<v Speaker 3>So the whole thing is wrapped up in you know,

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<v Speaker 3>a nice little package.

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<v Speaker 1>Okay, so that's good context. Now you enter the picture

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<v Speaker 1>with Brian Ross. How did you become involved in the

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<v Speaker 1>in this Jackyll Island golf course project.

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<v Speaker 3>It was a public RFP. Brian brought the RFP to

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<v Speaker 3>me one day.

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<v Speaker 2>Uh.

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<v Speaker 3>I we were working together in Pennsylvania. I was doing

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<v Speaker 3>a design and build a type project where I really

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<v Speaker 3>was working as like architect and contractor. We had built

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<v Speaker 3>We'd built a very small crew and had shapers working

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<v Speaker 3>for us, and Brian was one of those shapers and

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<v Speaker 3>he said, Hey, what about this project. And I said, listen,

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<v Speaker 3>if you if you can put this RFP together, because

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<v Speaker 3>they're they're pretty onerous, you know, it's.

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<v Speaker 1>Like, yeah, yeah, a government RFP. It's not you know,

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<v Speaker 1>it's not just.

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<v Speaker 3>A presentation patch together. I don't know if it was

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<v Speaker 3>thirty forty pages or something. And I said, I'll co

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<v Speaker 3>sign it. You mail it, I'll co sign it. And uh,

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<v Speaker 3>that's how we got involved. You know, Brian had been

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<v Speaker 3>there before and knew the potential of it. I really

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<v Speaker 3>had no conception of it. He didn't even show me

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<v Speaker 3>any pictures. He just I trust Brian's you know, I

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<v Speaker 3>his his knowledge of the business. And the first day

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<v Speaker 3>that we got there, I have to say I was

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<v Speaker 3>a little bit like overwhelmed with the amount of work

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<v Speaker 3>that I saw was necessary. And I was like, oh man,

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<v Speaker 3>what did you get us into? How are we going

0:13:20.320 --> 0:13:20.680
<v Speaker 3>to do this?

0:13:21.360 --> 0:13:23.480
<v Speaker 1>What exactly did you see on that on that first

0:13:23.559 --> 0:13:24.280
<v Speaker 1>day on site?

0:13:24.840 --> 0:13:31.960
<v Speaker 3>So much overgrowth, an overwhelming amount of vegetation, vines. Not

0:13:32.080 --> 0:13:36.920
<v Speaker 3>only that, like it's a sensitive you know, conservation district,

0:13:37.080 --> 0:13:39.920
<v Speaker 3>like you're there are restrictions on removing trees.

0:13:40.920 --> 0:13:41.120
<v Speaker 2>You know.

0:13:41.200 --> 0:13:44.640
<v Speaker 3>We we had luckily since we were literally working for

0:13:44.720 --> 0:13:49.440
<v Speaker 3>the j I A. The you know, the the methods,

0:13:49.440 --> 0:13:52.360
<v Speaker 3>and like the mitigation was easy to work with if

0:13:52.400 --> 0:13:55.040
<v Speaker 3>we had to take you know, a large tree branch

0:13:55.120 --> 0:13:58.920
<v Speaker 3>out that was hanging over a green site. But that

0:13:59.040 --> 0:14:02.000
<v Speaker 3>happened couple of times where we moved a green back

0:14:02.480 --> 0:14:05.480
<v Speaker 3>by about forty yards, but we had this huge, you know,

0:14:05.600 --> 0:14:08.000
<v Speaker 3>oak branch hanging over the green and you know, I

0:14:08.440 --> 0:14:10.080
<v Speaker 3>kind of wanted to keep it because I thought it

0:14:10.240 --> 0:14:11.800
<v Speaker 3>kind of reminded me a little bit of like the

0:14:11.840 --> 0:14:15.760
<v Speaker 3>Harbor Town stuff. But in the in the end, you know,

0:14:15.840 --> 0:14:18.000
<v Speaker 3>we had to lop lop off a few limbs here

0:14:18.040 --> 0:14:18.640
<v Speaker 3>and there.

0:14:19.040 --> 0:14:23.280
<v Speaker 1>And you were working for the authority that that would

0:14:23.320 --> 0:14:25.440
<v Speaker 1>decide whether you could do this, so that it was

0:14:25.640 --> 0:14:27.040
<v Speaker 1>fairlylined the process.

0:14:27.360 --> 0:14:31.080
<v Speaker 3>But we we mitigated, we mitigated whatever we cleared, and

0:14:31.120 --> 0:14:34.600
<v Speaker 3>we honestly we didn't We didn't take out any very

0:14:34.680 --> 0:14:38.480
<v Speaker 3>large trees. It was just all the underbrush and palmettos

0:14:38.520 --> 0:14:42.240
<v Speaker 3>and all the thick stuff underneath the understory needed to

0:14:42.280 --> 0:14:45.680
<v Speaker 3>be just mulched up, chewed out, and and taken away.

0:14:46.320 --> 0:14:48.240
<v Speaker 3>We buried a bunch of it to bring up clean

0:14:48.360 --> 0:14:52.840
<v Speaker 3>sand so to kind of like again minimize our you know,

0:14:52.960 --> 0:14:56.360
<v Speaker 3>our our footprint in terms of hauling stuff off off island,

0:14:56.760 --> 0:14:58.720
<v Speaker 3>we did as much of that as possible to just

0:14:59.080 --> 0:15:01.680
<v Speaker 3>keep everything like in the envelope.

0:15:02.480 --> 0:15:07.200
<v Speaker 1>So how much of the Walter Travis design remained in

0:15:07.280 --> 0:15:13.080
<v Speaker 1>the ground to restore through light touch methods? Like, to

0:15:13.120 --> 0:15:16.400
<v Speaker 1>what extent could you get back the Walter Travis design

0:15:16.520 --> 0:15:20.760
<v Speaker 1>by clearing out some vegetation, widening fairways, pushing out mowing

0:15:20.800 --> 0:15:24.680
<v Speaker 1>lines on greens In other words, was there much in

0:15:24.720 --> 0:15:27.080
<v Speaker 1>the ground that that you could work with?

0:15:27.640 --> 0:15:30.479
<v Speaker 3>I would say there were three green sites that required

0:15:30.600 --> 0:15:33.880
<v Speaker 3>a relatively light touch, and the rest of it what

0:15:34.120 --> 0:15:37.800
<v Speaker 3>really had to be adapted for modern play, just kind

0:15:37.840 --> 0:15:40.440
<v Speaker 3>of making stuff a little bit bigger, like amplifying the

0:15:40.480 --> 0:15:45.200
<v Speaker 3>green site. Just you know, we're expecting you know, twenty

0:15:45.240 --> 0:15:49.480
<v Speaker 3>thirty thousand rounds maybe a year, where there were probably

0:15:49.520 --> 0:15:53.720
<v Speaker 3>playing a few hundred or a few thousand when the

0:15:53.720 --> 0:15:58.560
<v Speaker 3>course was created. So yeah, we're just trying. Definitely some

0:15:59.080 --> 0:16:03.640
<v Speaker 3>green sites were were worth preserving and working off of.

0:16:04.160 --> 0:16:07.400
<v Speaker 3>And then the veget clearing vegetation on the dunes. I

0:16:07.440 --> 0:16:11.000
<v Speaker 3>mean that that really elevates the architecture as well, because

0:16:11.120 --> 0:16:15.080
<v Speaker 3>again more overhanging trees you couldn't see certain sight lines,

0:16:15.400 --> 0:16:20.320
<v Speaker 3>lines of charm, stuff like that. And and of course

0:16:20.520 --> 0:16:26.240
<v Speaker 3>the routing was intact. I mean, we accept our our

0:16:26.480 --> 0:16:30.240
<v Speaker 3>ninth t was the first hole of the Great Dunes.

0:16:30.720 --> 0:16:35.080
<v Speaker 3>So the way that we you know, looped in the

0:16:35.120 --> 0:16:37.560
<v Speaker 3>Great Duns nine, it happens really in the middle of

0:16:37.600 --> 0:16:40.120
<v Speaker 3>our round of golf. We play holes one, two, and

0:16:40.200 --> 0:16:44.080
<v Speaker 3>three on the old Oleander, and then four through twelve

0:16:44.160 --> 0:16:47.800
<v Speaker 3>is the Great Dunes. And and it's a really happy

0:16:47.880 --> 0:16:51.160
<v Speaker 3>accident that it works out that way because it allowed

0:16:51.680 --> 0:16:55.560
<v Speaker 3>it created this seamless transition and an out and in

0:16:55.720 --> 0:17:01.560
<v Speaker 3>routing as well, that really doesn't require more than you know,

0:17:01.640 --> 0:17:05.200
<v Speaker 3>fifty to seventy five yards walk between where the golf

0:17:05.240 --> 0:17:07.520
<v Speaker 3>courses were linked.

0:17:08.119 --> 0:17:10.840
<v Speaker 1>Okay, so you had two different courses. You had the

0:17:10.880 --> 0:17:16.200
<v Speaker 1>Oleander eighteen designed by Dick Wilson, and you basically borrowed

0:17:16.200 --> 0:17:19.280
<v Speaker 1>a portion of that course and connected it to the

0:17:19.280 --> 0:17:24.639
<v Speaker 1>Great Dunes nine to create a new eighteen whole course.

0:17:25.280 --> 0:17:29.840
<v Speaker 1>So presumably you had very different approaches for these two

0:17:30.520 --> 0:17:33.840
<v Speaker 1>different sections of the course. You probably had to be

0:17:33.920 --> 0:17:37.480
<v Speaker 1>way more aggressive on the Oleander portion of the course

0:17:37.520 --> 0:17:41.120
<v Speaker 1>than you were on the Great Dunes portion of the course.

0:17:41.200 --> 0:17:45.200
<v Speaker 1>Where maybe you were doing some more classic restoration work.

0:17:45.320 --> 0:17:51.399
<v Speaker 1>So how were your methods different on these different parts

0:17:51.440 --> 0:17:51.920
<v Speaker 1>of the site.

0:17:52.119 --> 0:17:55.240
<v Speaker 3>Sure, well, the approach was the same because we're trying

0:17:55.280 --> 0:17:58.560
<v Speaker 3>to create you know, a classic, a classic you know,

0:17:58.640 --> 0:18:02.080
<v Speaker 3>appearing Golden age golf course. The method was on the

0:18:02.080 --> 0:18:06.240
<v Speaker 3>odlander was okay, drop the blade and just smash all

0:18:06.320 --> 0:18:09.560
<v Speaker 3>this dirt. There's a lot of dirt around those green sites,

0:18:10.080 --> 0:18:12.600
<v Speaker 3>so you know, either we're just pushing it out as

0:18:12.600 --> 0:18:15.080
<v Speaker 3>far as we can, trying to tie it out, you know,

0:18:15.280 --> 0:18:19.280
<v Speaker 3>and just blend it into the kind of restore the landscape.

0:18:19.320 --> 0:18:22.960
<v Speaker 3>That's like job number one, and then find a green

0:18:23.000 --> 0:18:25.760
<v Speaker 3>site that that makes sense for the routing and the

0:18:25.840 --> 0:18:29.040
<v Speaker 3>you know, the timing of you know, where you're gonna

0:18:29.200 --> 0:18:32.679
<v Speaker 3>you're gonna see these particular greens. And that's what that

0:18:32.800 --> 0:18:36.600
<v Speaker 3>was like the biggest the biggest challenges maybe just taking

0:18:36.640 --> 0:18:38.560
<v Speaker 3>away and just trucking off a bunch of dirt and

0:18:38.560 --> 0:18:41.840
<v Speaker 3>putting it somewhere where you needed it, you know, on

0:18:41.880 --> 0:18:44.439
<v Speaker 3>the first green, for example, a ton of dirt around

0:18:44.440 --> 0:18:47.520
<v Speaker 3>the green site pushed it out, but also we also

0:18:47.680 --> 0:18:50.480
<v Speaker 3>created a kind of push up green there on number

0:18:50.480 --> 0:18:53.560
<v Speaker 3>one to kind of kind of you know, punch you

0:18:53.600 --> 0:18:55.320
<v Speaker 3>in the face a little bit. Let you know you're

0:18:55.359 --> 0:18:57.960
<v Speaker 3>on a Walter Travis golf course. And and it also

0:18:58.040 --> 0:19:01.760
<v Speaker 3>broke up some of the site line so that you

0:19:01.760 --> 0:19:05.160
<v Speaker 3>could have a really focused target. And just the way

0:19:05.280 --> 0:19:09.520
<v Speaker 3>we cleared cleared the trees behind number one, you know,

0:19:09.560 --> 0:19:12.600
<v Speaker 3>it was just this long gun sight, you know, probably

0:19:13.040 --> 0:19:15.960
<v Speaker 3>twelve hundred yards long from the first tee or the

0:19:15.960 --> 0:19:18.520
<v Speaker 3>first fairway all the way to too Green, and we

0:19:18.640 --> 0:19:20.639
<v Speaker 3>decided to just break that up a little bit so

0:19:20.680 --> 0:19:23.160
<v Speaker 3>that you could you could just get a really nice

0:19:23.160 --> 0:19:23.920
<v Speaker 3>target to hit at.

0:19:24.920 --> 0:19:28.359
<v Speaker 1>So this might be a somewhat naive question, but was

0:19:28.400 --> 0:19:33.280
<v Speaker 1>there ever any thought of restoring Dick Wilson's work on

0:19:33.440 --> 0:19:38.520
<v Speaker 1>the non Great Dunes nine And if not, why not?

0:19:40.119 --> 0:19:43.920
<v Speaker 3>I think it was a very fleeting thought if anyone

0:19:44.440 --> 0:19:48.760
<v Speaker 3>had it. I think the work of Travis was just

0:19:48.920 --> 0:19:54.199
<v Speaker 3>valued more highly above that of Wilson's. Not to say

0:19:54.400 --> 0:19:57.080
<v Speaker 3>people really adored the only under golf course.

0:19:57.440 --> 0:20:00.440
<v Speaker 1>Yeah, I mean, Wilson was a good architect, There's no

0:20:00.920 --> 0:20:03.800
<v Speaker 1>doubt about that. Maybe this wasn't the best example of

0:20:03.840 --> 0:20:06.679
<v Speaker 1>his work. Well, but where he did good work, he

0:20:06.720 --> 0:20:07.639
<v Speaker 1>did really good work.

0:20:07.800 --> 0:20:10.960
<v Speaker 3>Yeah, except half his golf course was like perpetually underwater,

0:20:11.400 --> 0:20:14.360
<v Speaker 3>so like it just was it just never was created

0:20:14.400 --> 0:20:17.280
<v Speaker 3>in a way that was would be sustainable. Whether that's

0:20:17.560 --> 0:20:20.320
<v Speaker 3>because the water table has risen, we're getting more rainfall,

0:20:20.520 --> 0:20:25.119
<v Speaker 3>I don't know exactly, but decision was really made for us.

0:20:25.160 --> 0:20:28.400
<v Speaker 3>We're gonna, you know, chop off half of the only

0:20:28.480 --> 0:20:30.920
<v Speaker 3>inter course because we can't even get golf carts out there.

0:20:31.440 --> 0:20:34.960
<v Speaker 3>And hey, we really like and this came from you

0:20:35.000 --> 0:20:38.159
<v Speaker 3>know that we had a sense of it during the

0:20:38.280 --> 0:20:44.119
<v Speaker 3>RFP process that restoration was a priority for Jecko Island,

0:20:44.480 --> 0:20:46.840
<v Speaker 3>like going back as far as we could go to

0:20:46.920 --> 0:20:50.720
<v Speaker 3>something that was usable and really like the best iteration

0:20:50.920 --> 0:20:53.600
<v Speaker 3>of the golf on Jecko Island is from the savannah

0:20:53.720 --> 0:20:55.879
<v Speaker 3>to the dunes. And we didn't have the choice to

0:20:55.920 --> 0:20:59.960
<v Speaker 3>go dunes dunes, but you know, if we had a choice,

0:21:00.119 --> 0:21:02.600
<v Speaker 3>hey let's let's marry these two pieces of land which

0:21:02.640 --> 0:21:07.240
<v Speaker 3>were really actually very similar, Like the the thirteenth and

0:21:07.400 --> 0:21:12.280
<v Speaker 3>fourteenth holes on the Oleander pretty much are joined up

0:21:12.320 --> 0:21:17.320
<v Speaker 3>with this you know sandy plane that that rides in

0:21:17.359 --> 0:21:19.320
<v Speaker 3>the in the the back of the sand dunes of

0:21:19.320 --> 0:21:22.240
<v Speaker 3>the primary sand dune. So it was always I think

0:21:22.280 --> 0:21:24.640
<v Speaker 3>it was always meant to be this way when when

0:21:24.680 --> 0:21:29.760
<v Speaker 3>they built the Oleander golf course, the front nine was

0:21:29.760 --> 0:21:33.640
<v Speaker 3>actually a part of the great They combined the two

0:21:34.000 --> 0:21:36.240
<v Speaker 3>back in the sixties when they were building the Oleander.

0:21:36.480 --> 0:21:40.159
<v Speaker 3>When they completed both nines, Oleander went to it's you know,

0:21:40.240 --> 0:21:43.479
<v Speaker 3>its routing. So I find it I find it really

0:21:44.240 --> 0:21:46.520
<v Speaker 3>interesting that again, like it seems like it was meant

0:21:46.560 --> 0:21:48.560
<v Speaker 3>to be to join these two nines together.

0:21:50.280 --> 0:21:53.320
<v Speaker 1>How do you go about restoring a golf course that

0:21:53.440 --> 0:21:57.800
<v Speaker 1>never existed? Maybe that's maybe that's an issue for philosophers,

0:21:57.840 --> 0:22:00.800
<v Speaker 1>but I like, yeah, how do you what's your what's

0:22:00.800 --> 0:22:01.600
<v Speaker 1>your approach there?

0:22:01.760 --> 0:22:04.560
<v Speaker 3>Right, that's the that's the semantical argument, and say hey,

0:22:04.640 --> 0:22:08.919
<v Speaker 3>is this a restoration or not? And and so you

0:22:09.040 --> 0:22:13.640
<v Speaker 3>go about that by really diving deep into the historical photography.

0:22:14.320 --> 0:22:18.359
<v Speaker 3>You look at the aerials and you see, hey, what

0:22:18.600 --> 0:22:22.480
<v Speaker 3>can we do what was actually built and how can

0:22:22.520 --> 0:22:26.720
<v Speaker 3>we maybe place that on what we're doing here on

0:22:26.960 --> 0:22:30.800
<v Speaker 3>those Oleander holes. And Brian came up with a great idea.

0:22:30.960 --> 0:22:33.520
<v Speaker 3>Picked he picked a great green site. It's kind of

0:22:33.520 --> 0:22:38.840
<v Speaker 3>a a T shaped green with a saddle, you know,

0:22:38.920 --> 0:22:41.320
<v Speaker 3>two high dunes and you know saddle in between. And

0:22:41.359 --> 0:22:44.639
<v Speaker 3>so the green sits down low in between these in

0:22:44.640 --> 0:22:48.359
<v Speaker 3>between these mounds, and Brian found a great site on

0:22:48.359 --> 0:22:53.240
<v Speaker 3>our thirteenth Green to recreate the shapes and strategy of

0:22:53.240 --> 0:22:55.560
<v Speaker 3>of what we believe to be the fourteenth Pole on

0:22:55.600 --> 0:23:00.320
<v Speaker 3>the Great Dunes. So that's a you know, the best

0:23:00.359 --> 0:23:03.960
<v Speaker 3>example of how we went about restoring something that actually

0:23:04.440 --> 0:23:07.080
<v Speaker 3>used to exist. But you know, kind of it's kind

0:23:07.080 --> 0:23:10.200
<v Speaker 3>of like the Lido, right, you know, in a certain way.

0:23:10.400 --> 0:23:14.880
<v Speaker 3>You know, they it definitely didn't ever exist in Wisconsin, right,

0:23:16.240 --> 0:23:19.520
<v Speaker 3>So I think it's it fits in a similar category

0:23:19.560 --> 0:23:22.600
<v Speaker 3>with Lido, although we didn't use like the you know,

0:23:22.760 --> 0:23:27.399
<v Speaker 3>the lighter like they did, and you know the GPS technology.

0:23:27.680 --> 0:23:34.320
<v Speaker 3>Ours is really handbuilt and using our judgment, intuition and

0:23:34.320 --> 0:23:38.840
<v Speaker 3>and you know, just trying to find fun features that

0:23:38.920 --> 0:23:42.280
<v Speaker 3>we think Walter Travis would have built if he had

0:23:42.320 --> 0:23:45.040
<v Speaker 3>that had those pieces of ground to work with.

0:23:46.440 --> 0:23:50.639
<v Speaker 1>So you were pulling inspiration for lost from lost aspects

0:23:50.880 --> 0:23:54.520
<v Speaker 1>of the course. So that's that's one possible source that

0:23:54.600 --> 0:23:57.440
<v Speaker 1>you can use. I assume you also looked at other

0:23:57.640 --> 0:24:00.800
<v Speaker 1>Walter Travis courses to get ideas from there.

0:24:01.080 --> 0:24:04.280
<v Speaker 3>Oh, without a doubt. Yeah, we uh, we took our

0:24:04.560 --> 0:24:07.600
<v Speaker 3>executive our deputy executive director, Noel Jensen. We took him

0:24:07.600 --> 0:24:11.080
<v Speaker 3>on a field trip to New Jersey. So we brought good, good,

0:24:11.280 --> 0:24:15.600
<v Speaker 3>good old uh uh you know, buy you boys from Louisiana.

0:24:15.640 --> 0:24:18.560
<v Speaker 3>We brought him up to New Jersey and we took Yeah,

0:24:18.600 --> 0:24:20.760
<v Speaker 3>he had a blast, and we took him to Hollywood.

0:24:20.760 --> 0:24:23.480
<v Speaker 3>We went to North Jersey and we went to Troy.

0:24:24.040 --> 0:24:27.199
<v Speaker 3>Uh I. I have been you know, an intimate knowledge

0:24:27.200 --> 0:24:31.520
<v Speaker 3>with Garden City Golf Club, Cape Arundle, and those were

0:24:31.680 --> 0:24:34.800
<v Speaker 3>like a really good uh subset for us to like

0:24:34.920 --> 0:24:37.919
<v Speaker 3>pull ideas from and and really look at the greens

0:24:37.960 --> 0:24:42.359
<v Speaker 3>and see like what did Travis do here? And so

0:24:42.840 --> 0:24:45.520
<v Speaker 3>going back to an earlier question like what was worth restoring?

0:24:45.600 --> 0:24:47.199
<v Speaker 3>Was there anything that we could just do like a

0:24:47.280 --> 0:24:51.800
<v Speaker 3>light touch on And the the ninth green of the

0:24:51.840 --> 0:24:55.160
<v Speaker 3>Great Dunes, which is our eighth green, it had this

0:24:55.160 --> 0:24:57.800
<v Speaker 3>this deep swale that ran through the middle of the

0:24:57.800 --> 0:25:00.320
<v Speaker 3>green on a little bit of a diagonal. And that's

0:25:00.400 --> 0:25:02.520
<v Speaker 3>something that we all picked up on in our in

0:25:02.560 --> 0:25:06.399
<v Speaker 3>our field trip, was the way that Travis used these

0:25:06.600 --> 0:25:09.040
<v Speaker 3>these swales through the middle of his green. He would

0:25:09.160 --> 0:25:13.480
<v Speaker 3>rotate them different angles and create different playing strategies. And

0:25:13.480 --> 0:25:16.960
<v Speaker 3>and that was far and away the most like intact

0:25:17.000 --> 0:25:21.400
<v Speaker 3>feature that we found that was recognizably Travis uh out

0:25:21.400 --> 0:25:24.639
<v Speaker 3>there in the Great Dunes. So you know, that's a

0:25:24.640 --> 0:25:27.800
<v Speaker 3>great way to uh you know again like build something

0:25:27.840 --> 0:25:29.879
<v Speaker 3>that was never there, but you know, to kind of

0:25:29.920 --> 0:25:33.320
<v Speaker 3>transport yourself and say what would you know, what would

0:25:33.320 --> 0:25:33.760
<v Speaker 3>Walter do?

0:25:35.160 --> 0:25:36.800
<v Speaker 1>North Jersey is incredible.

0:25:37.480 --> 0:25:39.960
<v Speaker 3>Yeah, and you know, Brian Schneider has done a ton

0:25:40.000 --> 0:25:42.200
<v Speaker 3>of great work there and and it's hard to tell

0:25:42.280 --> 0:25:46.120
<v Speaker 3>now like what Brian's done and what Walter Travis has done.

0:25:45.920 --> 0:25:48.520
<v Speaker 1>So exactly right. Yeah, that's why it's such a relevant

0:25:48.520 --> 0:25:54.000
<v Speaker 1>comparison because Brian Schneider has gone out there and created

0:25:54.040 --> 0:25:59.120
<v Speaker 1>greens using his own imagination that seemed like Walter Travis

0:25:59.119 --> 0:26:03.040
<v Speaker 1>greens but are not actually restored Walter Travis green.

0:26:03.119 --> 0:26:05.040
<v Speaker 3>I couldn't agree more. We have a we have a

0:26:05.080 --> 0:26:08.159
<v Speaker 3>ton of respect for Brian's work, his talent, and like

0:26:08.640 --> 0:26:10.879
<v Speaker 3>clearly like the clubs that he's been working with in

0:26:10.920 --> 0:26:15.119
<v Speaker 3>the Travis space, there's a huge inspiration for us. His

0:26:15.200 --> 0:26:21.240
<v Speaker 3>eighteenth Green at North Jersey was was definitely something that

0:26:21.359 --> 0:26:23.960
<v Speaker 3>we tried to We took a look at that and said, well,

0:26:24.000 --> 0:26:26.480
<v Speaker 3>that's that's kind of a cool idea. That's you know,

0:26:26.520 --> 0:26:28.800
<v Speaker 3>it's it's kind of like a mini beer. It's greed

0:26:30.000 --> 0:26:33.760
<v Speaker 3>we built. We built one on the fourteenth green of

0:26:33.880 --> 0:26:38.240
<v Speaker 3>our course that has like it's a little bit of

0:26:38.920 --> 0:26:41.480
<v Speaker 3>a beer its style. It's a little bit of the

0:26:41.520 --> 0:26:44.359
<v Speaker 3>sixteenth at North Barrick, you know the two plateaus with

0:26:44.440 --> 0:26:49.800
<v Speaker 3>the swale through the middle, and we incorporated a dune

0:26:49.840 --> 0:26:52.840
<v Speaker 3>that like kind of feeds into the green to to

0:26:52.920 --> 0:26:56.879
<v Speaker 3>create this like you know, this two headed you know

0:26:57.040 --> 0:26:59.359
<v Speaker 3>terminus for the dune and which makes for just an

0:26:59.400 --> 0:27:01.880
<v Speaker 3>awesome put surface. It's one of my favorites.

0:27:03.160 --> 0:27:06.040
<v Speaker 1>This is a little bit like dancing about architecture. But

0:27:07.160 --> 0:27:12.040
<v Speaker 1>what for you are the characteristics of a Walter Travis green.

0:27:12.240 --> 0:27:17.439
<v Speaker 1>How would you describe his style of green construction? Because it,

0:27:17.600 --> 0:27:19.639
<v Speaker 1>I mean it is super distinctive.

0:27:20.880 --> 0:27:27.760
<v Speaker 3>Yes, he often has steep transitions between plateaus. Often there's

0:27:29.160 --> 0:27:32.920
<v Speaker 3>knuckles or mounds surrounding the edges of the greens, and

0:27:32.960 --> 0:27:37.439
<v Speaker 3>irregular patterns you could have like these swales that we

0:27:37.520 --> 0:27:41.639
<v Speaker 3>talked about, and I believe you know it's like you

0:27:41.800 --> 0:27:44.359
<v Speaker 3>talk I've heard say before, like if you want to

0:27:44.359 --> 0:27:47.359
<v Speaker 3>build a cool green, like throw some pebbles around and

0:27:48.240 --> 0:27:50.040
<v Speaker 3>you know, like those where your mounds will be, and

0:27:50.080 --> 0:27:51.959
<v Speaker 3>then you know figure out where the water is going

0:27:52.000 --> 0:27:55.760
<v Speaker 3>to go. And it's almost as if he's constantly you know,

0:27:55.920 --> 0:28:00.320
<v Speaker 3>moving mounds in asymmetrical ways around the green and then

0:28:00.359 --> 0:28:03.320
<v Speaker 3>throwing a swale in, you know, doing a maiden style

0:28:03.440 --> 0:28:07.159
<v Speaker 3>green two shoulders and at Troy has an awesome I

0:28:07.160 --> 0:28:09.600
<v Speaker 3>think it's the sixteenth green at Troy there's like two

0:28:09.680 --> 0:28:12.320
<v Speaker 3>shoulders left and right and the green falls away from

0:28:12.320 --> 0:28:15.800
<v Speaker 3>you with the swale right down the center. Troy blew

0:28:15.840 --> 0:28:18.760
<v Speaker 3>me away because I felt like that was the place

0:28:18.800 --> 0:28:23.119
<v Speaker 3>where we saw his work the most untouched. To my knowledge,

0:28:23.119 --> 0:28:25.359
<v Speaker 3>I don't know if the greens were really messed with

0:28:25.440 --> 0:28:29.600
<v Speaker 3>at all. And again, like I see in Brian's work

0:28:30.000 --> 0:28:32.320
<v Speaker 3>some of the ways that Troy has influenced him, like

0:28:32.359 --> 0:28:35.320
<v Speaker 3>the eighteenth at Old Barnwell being like that dead flat

0:28:35.359 --> 0:28:37.800
<v Speaker 3>you know, top of the plateau, like nothing fancy, just

0:28:37.840 --> 0:28:40.920
<v Speaker 3>like this is what it is the eighteenth that Troy

0:28:41.000 --> 0:28:45.440
<v Speaker 3>is like that, you know, So it's you know, it's

0:28:45.480 --> 0:28:47.360
<v Speaker 3>good to study. It's good to study. The Masters.

0:28:48.640 --> 0:28:51.560
<v Speaker 1>Yes, Country Club of Troy is so special because it

0:28:51.640 --> 0:28:56.560
<v Speaker 1>really has been preserved as opposed to renovated or restored.

0:28:57.160 --> 0:28:59.840
<v Speaker 1>And that's partly because they've been working with Bruce Hepner,

0:29:00.240 --> 0:29:03.360
<v Speaker 1>who is not somebody who likes to go in and

0:29:03.520 --> 0:29:06.960
<v Speaker 1>reconstruct he is he is somebody who likes to use

0:29:07.600 --> 0:29:11.040
<v Speaker 1>a very light touch. And as a result, you have

0:29:11.120 --> 0:29:14.800
<v Speaker 1>some very special feeling greens at at Country Club of

0:29:14.840 --> 0:29:19.120
<v Speaker 1>Troy that then do you can tell their original because

0:29:19.480 --> 0:29:23.800
<v Speaker 1>because you just wouldn't probably build greens like that anymore

0:29:23.920 --> 0:29:27.360
<v Speaker 1>in a modern context. And so yeah, that Country Club

0:29:27.400 --> 0:29:31.040
<v Speaker 1>of Troy just an incredible place to study what Walter

0:29:31.120 --> 0:29:33.560
<v Speaker 1>Travis might have actually done in Cape Arrundle as well.

0:29:34.000 --> 0:29:35.920
<v Speaker 3>Yeah, and I think the ten and Bruce worked at

0:29:35.960 --> 0:29:38.560
<v Speaker 3>Cape Rundle for a long time. He's worked at Skylar

0:29:38.600 --> 0:29:41.560
<v Speaker 3>Meadows as a course in the Capital region in New York.

0:29:42.080 --> 0:29:48.080
<v Speaker 3>And I think the tendency for restoring architects, you know,

0:29:48.120 --> 0:29:51.720
<v Speaker 3>myself included would be again is to like expand things,

0:29:52.120 --> 0:29:55.160
<v Speaker 3>get pinning locations bigger. And I think that's a function

0:29:55.240 --> 0:29:59.240
<v Speaker 3>of green speed. And you know this, you know usability

0:29:59.280 --> 0:30:02.080
<v Speaker 3>of the golf course, you know, getting more cup locations,

0:30:02.240 --> 0:30:05.600
<v Speaker 3>spreading out where like all necessary things for the modern game.

0:30:06.160 --> 0:30:10.320
<v Speaker 3>But you know kind of problems born by green speed.

0:30:11.000 --> 0:30:15.080
<v Speaker 3>And so I think when you go see the greens

0:30:15.080 --> 0:30:18.400
<v Speaker 3>at Great Dunes, we're not anticipating the greens that are

0:30:18.440 --> 0:30:21.520
<v Speaker 3>going to be all that fast. So we were able

0:30:21.520 --> 0:30:25.520
<v Speaker 3>to build some smaller greens, nothing crazy small, like we didn't.

0:30:25.720 --> 0:30:28.520
<v Speaker 3>Our smallest green is like forty eight hundred square feet

0:30:28.640 --> 0:30:31.400
<v Speaker 3>to Part three or fifth hole. But what we had

0:30:31.440 --> 0:30:34.800
<v Speaker 3>to work with there before, I mean, Garrett, I mean

0:30:34.920 --> 0:30:37.800
<v Speaker 3>the Moon's surface couldn't have been more than nine hundred

0:30:37.800 --> 0:30:41.200
<v Speaker 3>square feet. And even if we like went out to

0:30:41.280 --> 0:30:44.160
<v Speaker 3>like the fhillpad, it was going to be you know,

0:30:44.640 --> 0:30:48.200
<v Speaker 3>twenty eight hundred square feet of actual green like our

0:30:48.200 --> 0:30:50.760
<v Speaker 3>client would never We just couldn't build a green that

0:30:50.800 --> 0:30:55.000
<v Speaker 3>small for a public resort. So it's it's very site specific,

0:30:55.080 --> 0:30:57.640
<v Speaker 3>like what you do. And but I don't think we

0:30:57.640 --> 0:31:00.200
<v Speaker 3>we have a variety of green sizes out there, and

0:31:00.600 --> 0:31:03.720
<v Speaker 3>the stuff that we amplified, like I said, the few

0:31:03.760 --> 0:31:07.479
<v Speaker 3>greens that we thought were worth preserving, we we were

0:31:07.640 --> 0:31:10.240
<v Speaker 3>very cognitiant of that of just like, hey, let's let's

0:31:10.320 --> 0:31:12.920
<v Speaker 3>keep this under control here. No need to make everything

0:31:13.280 --> 0:31:14.719
<v Speaker 3>ninety five hundred square feet.

0:31:15.640 --> 0:31:17.720
<v Speaker 1>So now that you've kind of done this deep dive

0:31:17.920 --> 0:31:22.880
<v Speaker 1>into Walter Travis, like tried to become inhabit Walter Travis,

0:31:23.120 --> 0:31:25.560
<v Speaker 1>you know, like get get his get as close to

0:31:25.640 --> 0:31:30.240
<v Speaker 1>him as possible methodical. What excites you about about his

0:31:30.400 --> 0:31:34.560
<v Speaker 1>architectural style as compared to his his contemporaries.

0:31:36.240 --> 0:31:38.800
<v Speaker 3>I mean, he's just so well known for the intricacies

0:31:38.840 --> 0:31:39.719
<v Speaker 3>of his greens.

0:31:40.480 --> 0:31:40.880
<v Speaker 1>Uh.

0:31:41.000 --> 0:31:43.760
<v Speaker 3>You know, I get really excited thinking about East Potomac Links.

0:31:44.040 --> 0:31:47.520
<v Speaker 3>You know, the reversible course, and I've seen the green

0:31:47.600 --> 0:31:50.320
<v Speaker 3>plans for that. Mike mccarton from National Links Trust showed

0:31:50.360 --> 0:31:54.640
<v Speaker 3>me the greens plans for that, and so yes, his

0:31:55.280 --> 0:31:59.040
<v Speaker 3>the way that the golf course works, especially so from

0:31:59.080 --> 0:32:03.239
<v Speaker 3>the green back. Uh. In terms of Travis's style. And

0:32:03.280 --> 0:32:06.280
<v Speaker 3>then yeah, thinking golf is you know Travis that was

0:32:06.320 --> 0:32:09.960
<v Speaker 3>his the term that he coined and and about you know,

0:32:11.120 --> 0:32:15.160
<v Speaker 3>uh strategy and you know the shot values and penalty

0:32:15.360 --> 0:32:18.960
<v Speaker 3>and and you know, I think he wasn't afraid to

0:32:19.480 --> 0:32:21.880
<v Speaker 3>make you take some take your medicine. If you hit

0:32:21.920 --> 0:32:24.480
<v Speaker 3>it in a bunker, you know, hit it behind a

0:32:24.560 --> 0:32:28.560
<v Speaker 3>chocolate drop. You know, the game was not meant to be.

0:32:28.640 --> 0:32:30.960
<v Speaker 3>I don't think he was a very I think he

0:32:31.000 --> 0:32:34.000
<v Speaker 3>was a little of a gruff guy, and I think

0:32:34.040 --> 0:32:38.240
<v Speaker 3>that is reflected maybe in his architectural style certainly, like

0:32:38.280 --> 0:32:40.520
<v Speaker 3>if you look what if you go to Garden City

0:32:40.560 --> 0:32:44.240
<v Speaker 3>golf Club, like what he did to Emmett's golf course.

0:32:44.360 --> 0:32:46.840
<v Speaker 3>You know, he really really tough in that that he's

0:32:46.840 --> 0:32:50.280
<v Speaker 3>stiff in that golf course up from you know, Fairway

0:32:50.320 --> 0:32:52.200
<v Speaker 3>bunkering to the to the greens themselves.

0:32:52.960 --> 0:32:55.200
<v Speaker 1>Just the fact that his nickname was the old Man,

0:32:56.120 --> 0:32:58.720
<v Speaker 1>and I think he got that nickname when he wasn't

0:32:58.760 --> 0:33:01.840
<v Speaker 1>really that old, That's right. I think that tells you.

0:33:02.160 --> 0:33:04.840
<v Speaker 1>That tells you a little bit about what his persona

0:33:04.920 --> 0:33:05.440
<v Speaker 1>might have been.

0:33:06.080 --> 0:33:08.520
<v Speaker 3>A cranky, scratch golfer.

0:33:08.960 --> 0:33:11.959
<v Speaker 1>Yeah, yeah, yeah. You know, when I look at Travis's

0:33:12.040 --> 0:33:15.320
<v Speaker 1>architecture and think about how it can be applied to

0:33:15.360 --> 0:33:22.560
<v Speaker 1>a modern context, it's exciting to me because he didn't

0:33:22.640 --> 0:33:25.880
<v Speaker 1>do wall to wall reshaping, and not many architects of

0:33:26.720 --> 0:33:29.640
<v Speaker 1>his time did. Obviously, you know, Donald Ross maybe did

0:33:29.680 --> 0:33:34.320
<v Speaker 1>that a little bit. SETH. Rayner got close on some projects.

0:33:34.360 --> 0:33:37.880
<v Speaker 1>Certainly the Lido was was just created from whole cloth.

0:33:38.600 --> 0:33:43.719
<v Speaker 1>But Walter Travis's courses really leave most of the natural

0:33:43.840 --> 0:33:49.120
<v Speaker 1>terrain completely intact, and from tee to green, especially there's

0:33:49.200 --> 0:33:53.239
<v Speaker 1>just not that much alteration of the natural landscape. There

0:33:53.320 --> 0:33:55.560
<v Speaker 1>might be some chocolate drops, but you can there's a

0:33:55.680 --> 0:34:00.680
<v Speaker 1>kind of transparency about where the manufacturing happened. You can see, Okay,

0:34:00.720 --> 0:34:03.680
<v Speaker 1>that chocolate drop was manufactured, but the rest of it

0:34:03.760 --> 0:34:06.920
<v Speaker 1>is completely lay of the land. Okay, the green is

0:34:07.080 --> 0:34:13.320
<v Speaker 1>highly manufactured, obviously manufactured, but everything around it is natural.

0:34:13.920 --> 0:34:16.400
<v Speaker 1>And for me, that's that's almost the best of both worlds,

0:34:16.880 --> 0:34:19.879
<v Speaker 1>where you get the natural terrain, but you also get

0:34:19.920 --> 0:34:24.719
<v Speaker 1>some really interesting architecture and not everything is blended in,

0:34:25.160 --> 0:34:29.600
<v Speaker 1>so you can actually see where some of the work happened.

0:34:30.200 --> 0:34:32.800
<v Speaker 1>And for me, that's a that's a compelling combination.

0:34:33.280 --> 0:34:35.279
<v Speaker 3>Yeah, And I think there's another layer to that in

0:34:35.320 --> 0:34:39.520
<v Speaker 3>that Travis edited a lot of people's work and added

0:34:39.560 --> 0:34:43.560
<v Speaker 3>on to others golf courses. Wayne Styles did a bunch

0:34:43.600 --> 0:34:46.040
<v Speaker 3>of this in New England where he took nine holes

0:34:46.080 --> 0:34:49.879
<v Speaker 3>and added another nine in and you know, didn't necessarily

0:34:49.960 --> 0:34:53.120
<v Speaker 3>move a lot of earth other than creating the green sites,

0:34:54.360 --> 0:34:56.560
<v Speaker 3>you know, digging some bunkers and things of that nature.

0:34:56.640 --> 0:34:59.160
<v Speaker 3>So I think it is very site specific, like at

0:34:59.200 --> 0:35:01.480
<v Speaker 3>North Jersey that you know, they probably had to blast

0:35:01.520 --> 0:35:04.160
<v Speaker 3>a lot of rock or you know, and and it's

0:35:04.200 --> 0:35:07.040
<v Speaker 3>a pretty severe sight as well, so they would have

0:35:07.080 --> 0:35:10.799
<v Speaker 3>had to, like, you know, do some significant fills. But

0:35:10.880 --> 0:35:14.879
<v Speaker 3>the way that he blended it in h is very

0:35:15.000 --> 0:35:19.200
<v Speaker 3>much in the same way that uh Travis's contemporaries did.

0:35:19.520 --> 0:35:24.680
<v Speaker 3>And and the thread here for me is between McDonald, Rayner, Travis,

0:35:24.719 --> 0:35:27.760
<v Speaker 3>and Emmett. I think they were all so closely related

0:35:27.800 --> 0:35:30.799
<v Speaker 3>in the time that they were creating golf courses, and

0:35:31.800 --> 0:35:34.840
<v Speaker 3>you can just see how they borrowed ideas and the

0:35:34.880 --> 0:35:38.360
<v Speaker 3>style and methods of construction from one another. And you

0:35:38.360 --> 0:35:42.000
<v Speaker 3>could almost confuse an Emmett and a Travis sometimes or

0:35:42.040 --> 0:35:46.680
<v Speaker 3>like a Rainer and an Emmett. Uh very you know,

0:35:46.760 --> 0:35:48.880
<v Speaker 3>it's it's it's not too far fetched.

0:35:49.320 --> 0:35:51.640
<v Speaker 1>And they were all buddies, right, so it kind of

0:35:51.680 --> 0:35:54.719
<v Speaker 1>makes sense they were. They were all sharing ideas with

0:35:54.760 --> 0:35:58.160
<v Speaker 1>each other and and maybe even consciously emulating each other

0:35:58.160 --> 0:36:02.080
<v Speaker 1>and competing with each other about Yeah. All right, so

0:36:03.280 --> 0:36:06.560
<v Speaker 1>the Great Dunes Project, I want to get into some

0:36:06.640 --> 0:36:11.280
<v Speaker 1>macro questions about it. Okay, would you call it a restoration?

0:36:11.800 --> 0:36:13.400
<v Speaker 1>Do you have a do you have a term for

0:36:13.480 --> 0:36:14.160
<v Speaker 1>what you did here?

0:36:15.840 --> 0:36:18.319
<v Speaker 3>I think at first we approached it like, hey, we're

0:36:18.360 --> 0:36:21.200
<v Speaker 3>going to restore this golf course. And then the more

0:36:21.280 --> 0:36:23.120
<v Speaker 3>that we got into it was it was just clear,

0:36:23.239 --> 0:36:27.880
<v Speaker 3>like how much new that we were building out there.

0:36:29.200 --> 0:36:31.360
<v Speaker 3>You know. Certain we didn't mess with the routing, We

0:36:31.360 --> 0:36:35.879
<v Speaker 3>didn't mess with Travis's routing, but there were just there

0:36:36.000 --> 0:36:40.200
<v Speaker 3>wasn't anything. There wasn't too much recognizable. Like if we

0:36:40.320 --> 0:36:43.080
<v Speaker 3>just like dusted it off, stripped the side, and like

0:36:43.160 --> 0:36:45.279
<v Speaker 3>put it back, I think people would think that we

0:36:45.280 --> 0:36:48.640
<v Speaker 3>were crazy and they would be very very much disappointed.

0:36:49.000 --> 0:36:53.040
<v Speaker 3>You know, people were being promised a Walter Travis restoration, right,

0:36:53.560 --> 0:36:57.360
<v Speaker 3>but most of that cool stuff had been obliterated either

0:36:57.600 --> 0:37:00.799
<v Speaker 3>in the hurricanes and storms on the Back nine, or

0:37:00.880 --> 0:37:05.280
<v Speaker 3>it had been obliterated by you know, saying irrigation renovation

0:37:05.400 --> 0:37:09.440
<v Speaker 3>in the nineteen seventies or whatever. Right, because we did find,

0:37:11.040 --> 0:37:13.080
<v Speaker 3>you know, these kind of platforms of dirt in the

0:37:13.120 --> 0:37:14.960
<v Speaker 3>center of these film pads. They were like ten to

0:37:15.040 --> 0:37:18.279
<v Speaker 3>twelve inches, like our famous the famous May West hole,

0:37:18.680 --> 0:37:24.399
<v Speaker 3>the our fourth hole. Like the green feels like it's

0:37:24.440 --> 0:37:26.759
<v Speaker 3>sitting in a hollow in a punch bowl behind these

0:37:26.760 --> 0:37:29.239
<v Speaker 3>two dunes. But then there's like this little pyramid on

0:37:29.800 --> 0:37:31.160
<v Speaker 3>in the middle of the green, and we're like, this

0:37:31.239 --> 0:37:34.880
<v Speaker 3>doesn't make any sense, you know, you know, this is

0:37:34.920 --> 0:37:39.960
<v Speaker 3>not what the green shape would be. So we really,

0:37:40.360 --> 0:37:42.680
<v Speaker 3>in all honesty, we restored as much as we could.

0:37:42.719 --> 0:37:46.840
<v Speaker 3>We had historical photographs of that particular green site. We

0:37:46.920 --> 0:37:49.080
<v Speaker 3>have some of the stuff on the back nine, but

0:37:49.120 --> 0:37:51.279
<v Speaker 3>there's there's more than half of this golf course that

0:37:51.719 --> 0:37:55.520
<v Speaker 3>is you know, newly created from you know, putting ourselves

0:37:55.560 --> 0:37:57.560
<v Speaker 3>in walter shoes. Between Brian and I.

0:37:57.880 --> 0:38:01.319
<v Speaker 1>You know, this is an interesting to me because in

0:38:01.400 --> 0:38:05.960
<v Speaker 1>previous conversations I've heard you express the view that there

0:38:06.040 --> 0:38:10.640
<v Speaker 1>might not really be such a thing as pure restoration.

0:38:11.280 --> 0:38:11.560
<v Speaker 2>M H.

0:38:12.840 --> 0:38:15.279
<v Speaker 1>Could you explain that that position to me and how

0:38:15.280 --> 0:38:18.319
<v Speaker 1>it might have led to your approach to this to

0:38:18.360 --> 0:38:18.960
<v Speaker 1>this project.

0:38:19.239 --> 0:38:24.160
<v Speaker 3>Well, yeah, in the most doctrinal sense, like purely restoring something,

0:38:24.600 --> 0:38:26.760
<v Speaker 3>you would have to have one hell of a record

0:38:27.200 --> 0:38:31.400
<v Speaker 3>or it would take you an ungodly amount of time

0:38:32.080 --> 0:38:37.440
<v Speaker 3>to like archaeologically peel back and figure it out. And

0:38:37.920 --> 0:38:40.200
<v Speaker 3>you know, we tried to do that certainly. On that

0:38:40.320 --> 0:38:43.000
<v Speaker 3>may West Green. We went down all the way to

0:38:43.200 --> 0:38:46.160
<v Speaker 3>the to the native sand layer and to see how

0:38:46.280 --> 0:38:49.399
<v Speaker 3>deep was the soil layer that was built up upon

0:38:49.480 --> 0:38:52.120
<v Speaker 3>that and by far and away. That green was filled

0:38:52.200 --> 0:38:55.239
<v Speaker 3>more than any of the other greens. It was a

0:38:55.360 --> 0:38:57.680
<v Speaker 3>very unique green site. Some of the other greens we

0:38:57.719 --> 0:39:01.200
<v Speaker 3>found a little bit of consistency, maybe there was you know,

0:39:01.280 --> 0:39:04.319
<v Speaker 3>eight to ten inches of soil, but it was just

0:39:04.360 --> 0:39:07.439
<v Speaker 3>so inconsistent what we were finding in the ground. We're

0:39:07.480 --> 0:39:10.520
<v Speaker 3>just like, well, how can we possibly just restore? There

0:39:10.560 --> 0:39:13.320
<v Speaker 3>was no there was no like consistent way or method

0:39:13.320 --> 0:39:17.160
<v Speaker 3>that we could find to get to the actual like

0:39:17.480 --> 0:39:21.440
<v Speaker 3>elevation that we thought it would be. So what is

0:39:21.800 --> 0:39:25.479
<v Speaker 3>what is restoration? I'd have to think a minute of

0:39:26.520 --> 0:39:30.480
<v Speaker 3>you know, how you could which golf courses have actually

0:39:30.520 --> 0:39:34.080
<v Speaker 3>been restored. You know, I'm working with Hooper Golf Course

0:39:34.160 --> 0:39:37.040
<v Speaker 3>right now, and this is a bit of a hot topic.

0:39:37.400 --> 0:39:41.759
<v Speaker 3>Like the first green at at Hooper is you know,

0:39:41.880 --> 0:39:46.480
<v Speaker 3>the members would love to have backpin positions there, but

0:39:47.080 --> 0:39:50.520
<v Speaker 3>and the green, to anyone's knowledge, has never been altered.

0:39:50.960 --> 0:39:54.080
<v Speaker 3>But the question is did they ever have back positions

0:39:54.480 --> 0:39:57.880
<v Speaker 3>on a green that was sloping you know six to

0:39:57.920 --> 0:40:00.000
<v Speaker 3>eight percent sometimes ten percent in place?

0:40:00.239 --> 0:40:04.120
<v Speaker 1>Six Oh yeah, the whole that's not that's not pinnable,

0:40:04.320 --> 0:40:06.239
<v Speaker 1>Just just to clarify to people.

0:40:06.280 --> 0:40:09.480
<v Speaker 3>But it may have been pinnable when the greens were

0:40:09.680 --> 0:40:10.640
<v Speaker 3>running out of five.

0:40:11.239 --> 0:40:13.680
<v Speaker 1>That's the thing is that like, Okay, at what point

0:40:14.480 --> 0:40:18.040
<v Speaker 1>can it really ever be a restoration if green speeds

0:40:18.520 --> 0:40:19.279
<v Speaker 1>are what they are?

0:40:20.239 --> 0:40:23.520
<v Speaker 3>Right? So you get you getting into this massively gray

0:40:23.640 --> 0:40:28.240
<v Speaker 3>area of are we restoring the intention and the playability

0:40:28.320 --> 0:40:30.920
<v Speaker 3>of the original hole? Are we you know, are we

0:40:31.000 --> 0:40:33.440
<v Speaker 3>going to just turn back the clock and say no,

0:40:33.560 --> 0:40:36.360
<v Speaker 3>we want to play Victorian style golf. You know, we

0:40:36.440 --> 0:40:39.480
<v Speaker 3>think that's cool. We're going to hickorys and cop mounds,

0:40:40.280 --> 0:40:43.040
<v Speaker 3>you know, And I don't believe that's where we're going,

0:40:43.520 --> 0:40:47.120
<v Speaker 3>you know, in the next decade or more in the

0:40:47.120 --> 0:40:53.759
<v Speaker 3>golf restoration game. I think more people we clearly have

0:40:54.400 --> 0:40:58.840
<v Speaker 3>you know, been changing classic designs. Like you know, I

0:40:58.880 --> 0:41:03.080
<v Speaker 3>work at the you know, the lower course at Balterstral

0:41:03.120 --> 0:41:07.920
<v Speaker 3>with Gil, and and I don't Gil in all honesty,

0:41:08.120 --> 0:41:12.160
<v Speaker 3>Gil did not change many of those greens at all.

0:41:12.200 --> 0:41:14.959
<v Speaker 3>But there were certain instances where we we literally had

0:41:15.000 --> 0:41:17.560
<v Speaker 3>to change stuff. They were like clo there were uh,

0:41:18.040 --> 0:41:20.920
<v Speaker 3>you know, closed contours in greens where water was settling,

0:41:22.320 --> 0:41:26.360
<v Speaker 3>and in one instance Gil actually left that contour. He said, no,

0:41:26.440 --> 0:41:29.080
<v Speaker 3>we're not touching it. This thing is perfect. We're not,

0:41:29.239 --> 0:41:32.120
<v Speaker 3>you know. And then another instance where we decided to

0:41:32.480 --> 0:41:34.759
<v Speaker 3>you know, cut you know, cut three four inches out

0:41:34.800 --> 0:41:36.600
<v Speaker 3>of the back of the green to let water flow

0:41:37.120 --> 0:41:40.359
<v Speaker 3>flow out. So, you know, of all my people, I've

0:41:40.360 --> 0:41:42.240
<v Speaker 3>worked with guys who are the best in the business.

0:41:42.320 --> 0:41:44.839
<v Speaker 3>Like it's always there's always a judgment call to be made,

0:41:44.960 --> 0:41:47.480
<v Speaker 3>you know, and maybe Bruce Heppner is a guy who's

0:41:47.520 --> 0:41:50.439
<v Speaker 3>like not willing to make that call. And then on

0:41:50.840 --> 0:41:55.719
<v Speaker 3>certain stages like championship golf courses, members and architects are

0:41:55.800 --> 0:41:59.920
<v Speaker 3>much more willing to make those calls for the same

0:42:00.160 --> 0:42:03.000
<v Speaker 3>of continuing the tradition of championship golf.

0:42:03.680 --> 0:42:03.840
<v Speaker 2>You know.

0:42:04.440 --> 0:42:07.680
<v Speaker 1>Yeah, well, well, Balthus roll Lower is an interesting comparison

0:42:07.960 --> 0:42:14.359
<v Speaker 1>because they're a lot of historical evidence was used, as

0:42:14.400 --> 0:42:18.600
<v Speaker 1>you obviously know, like Gil loves to use historical photographs

0:42:18.640 --> 0:42:21.840
<v Speaker 1>and really try to precisely get back what was there.

0:42:22.640 --> 0:42:26.520
<v Speaker 1>But in the end, those greens were dug up and

0:42:28.000 --> 0:42:31.759
<v Speaker 1>you know, high tech infrastructure was put under them, and

0:42:31.800 --> 0:42:33.240
<v Speaker 1>then they were reconstructed.

0:42:33.560 --> 0:42:35.600
<v Speaker 3>Well they were scanned, you know, they were scanned to

0:42:35.920 --> 0:42:39.920
<v Speaker 3>a very high degree of accuracy. The greens were certainly

0:42:40.040 --> 0:42:43.520
<v Speaker 3>expanded around the edges, and like I said before. They

0:42:44.400 --> 0:42:47.960
<v Speaker 3>they look amazing. They're also expanded around the edges to

0:42:48.160 --> 0:42:52.080
<v Speaker 3>improve pin locations because they want championship golf and the

0:42:52.120 --> 0:42:55.520
<v Speaker 3>greens running at twelve plus and the members want to

0:42:55.520 --> 0:42:58.479
<v Speaker 3>play that every day. You know. It's like Wainfoot, same deal.

0:42:58.920 --> 0:43:02.279
<v Speaker 3>You know. That's what's so was the experience there is

0:43:02.400 --> 0:43:08.000
<v Speaker 3>playing US Open Golf PG Championship golf. So it's it's

0:43:08.040 --> 0:43:10.960
<v Speaker 3>really tough. Like I'm one like going back to Hooper,

0:43:11.320 --> 0:43:14.479
<v Speaker 3>you know, I sympathize with like regular members who don't

0:43:14.520 --> 0:43:19.640
<v Speaker 3>get to experience like the full dynamism of that hole

0:43:19.680 --> 0:43:22.759
<v Speaker 3>at Hooper. It's such a cool hole. The second it's

0:43:22.760 --> 0:43:26.480
<v Speaker 3>a short par five, and the idea is, okay, if

0:43:26.520 --> 0:43:28.840
<v Speaker 3>the pin's in the middle of the green or in

0:43:28.880 --> 0:43:32.040
<v Speaker 3>the back of the green, how dare do you get

0:43:32.239 --> 0:43:36.440
<v Speaker 3>close to that pin? Because the danger like ratchets up

0:43:36.520 --> 0:43:39.600
<v Speaker 3>the more club that you take. These days, the pin

0:43:39.640 --> 0:43:43.080
<v Speaker 3>can only be laid in the front third of the green.

0:43:43.400 --> 0:43:46.279
<v Speaker 3>You're always sure of the bunkers, you never feel like

0:43:46.320 --> 0:43:50.040
<v Speaker 3>you need to take extra club, and the strategy becomes

0:43:50.239 --> 0:43:54.080
<v Speaker 3>you know, dull. So then you say, okay, what do

0:43:54.120 --> 0:43:56.160
<v Speaker 3>we do? Do we just slow all the greens down,

0:43:56.480 --> 0:43:59.440
<v Speaker 3>or do we, you know, take take a few inches

0:43:59.480 --> 0:44:03.160
<v Speaker 3>off the back and restore the playing strategy. And that's

0:44:03.960 --> 0:44:06.840
<v Speaker 3>the opinions vary wildly.

0:44:07.440 --> 0:44:10.719
<v Speaker 1>Oh I'm sure. I'm sure it's a lively debate. But

0:44:11.480 --> 0:44:14.719
<v Speaker 1>these are the questions that I think more and more

0:44:14.840 --> 0:44:18.719
<v Speaker 1>architects are going to need to confront going forward in

0:44:18.760 --> 0:44:21.880
<v Speaker 1>renovation and restoration projects. And I think part of the

0:44:21.920 --> 0:44:24.200
<v Speaker 1>reason for that is that a lot of the great

0:44:24.320 --> 0:44:30.080
<v Speaker 1>courses that could be restored through less interventionist methods or

0:44:30.120 --> 0:44:35.680
<v Speaker 1>with more historical accuracy have been restored, maybe even multiple times.

0:44:35.680 --> 0:44:40.440
<v Speaker 1>At this point, they've they've been restored supposedly right, And

0:44:40.480 --> 0:44:43.960
<v Speaker 1>so what's left is courses that have either been altered

0:44:44.000 --> 0:44:48.440
<v Speaker 1>beyond recognition so that very little remains to be restored,

0:44:49.280 --> 0:44:52.560
<v Speaker 1>or courses that maybe weren't very good to begin with.

0:44:53.680 --> 0:44:56.959
<v Speaker 1>And so the architect is put in the position of

0:44:57.840 --> 0:45:01.200
<v Speaker 1>trying to introduce some of their own idea is and say,

0:45:01.760 --> 0:45:04.359
<v Speaker 1>this is what I think good golf is. If we

0:45:04.400 --> 0:45:06.720
<v Speaker 1>want to make this a good golf course as opposed

0:45:06.760 --> 0:45:11.719
<v Speaker 1>to just a restored or historically authentic golf course, then

0:45:11.760 --> 0:45:13.879
<v Speaker 1>here are some of the things that we need to do.

0:45:14.680 --> 0:45:16.120
<v Speaker 1>And so how do you how do you get to

0:45:16.160 --> 0:45:19.640
<v Speaker 1>that point where you have enough guts basically to say

0:45:20.239 --> 0:45:22.600
<v Speaker 1>this is what I think would best serve the golf course.

0:45:23.400 --> 0:45:25.959
<v Speaker 3>Well, yeah, I mean it just you got to build

0:45:26.040 --> 0:45:30.080
<v Speaker 3>up a lot of trust with your client. And you

0:45:30.120 --> 0:45:32.680
<v Speaker 3>know here right behind me where you know, I'm sitting

0:45:32.719 --> 0:45:34.879
<v Speaker 3>in the office at essex Fell's country Club right now,

0:45:34.920 --> 0:45:36.680
<v Speaker 3>it's a it's a job that I'm working on with

0:45:36.760 --> 0:45:40.000
<v Speaker 3>Jim Orbina's who's done a lot of this restoration work.

0:45:40.040 --> 0:45:42.640
<v Speaker 3>And you know, we could open up that conversation about

0:45:42.760 --> 0:45:45.480
<v Speaker 3>you know, Posit Tiempo is too as well, like where

0:45:45.520 --> 0:45:49.759
<v Speaker 3>they did a lot of archaeological type construction method. But

0:45:49.920 --> 0:45:52.840
<v Speaker 3>here at essex Fell's this is kind of a mishmash

0:45:53.160 --> 0:45:56.640
<v Speaker 3>of architects coming through here throughout the years. You know,

0:45:57.080 --> 0:45:59.840
<v Speaker 3>we have record of SETH. Rayner coming through and he

0:45:59.840 --> 0:46:03.560
<v Speaker 3>did did a survey as built drainage plan, and then

0:46:03.600 --> 0:46:08.280
<v Speaker 3>we have another plan of Tilling Hast drawing green sketches

0:46:08.320 --> 0:46:13.000
<v Speaker 3>in the margins of that drainage plan. Rhees Jones has

0:46:13.000 --> 0:46:16.799
<v Speaker 3>been through the golf course and and now Jim and

0:46:16.840 --> 0:46:21.480
<v Speaker 3>I are here doing just exactly what you are alluding to,

0:46:21.680 --> 0:46:25.880
<v Speaker 3>is like creating good golf, you know, usable space.

0:46:26.080 --> 0:46:26.200
<v Speaker 2>Uh.

0:46:26.800 --> 0:46:29.120
<v Speaker 3>You know one thing that we you know, we didn't

0:46:29.239 --> 0:46:34.760
<v Speaker 3>really thought, we didn't really feel like fit the style

0:46:35.239 --> 0:46:38.480
<v Speaker 3>of the golf course here at Essex Fells is you know,

0:46:38.560 --> 0:46:41.040
<v Speaker 3>the Jones group brought a lot of dirt in around

0:46:41.200 --> 0:46:45.120
<v Speaker 3>the greens to I guess kind of create the sense

0:46:45.160 --> 0:46:49.480
<v Speaker 3>of difficulty when you really didn't we didn't think you

0:46:49.560 --> 0:46:52.120
<v Speaker 3>really have to do that. So we're kind of undoing

0:46:52.200 --> 0:46:57.160
<v Speaker 3>some of that, removing the extraneous soil and creating some

0:46:57.239 --> 0:47:00.920
<v Speaker 3>of those sharper features and and fall off that. You know,

0:47:01.000 --> 0:47:03.800
<v Speaker 3>tilling Hast has shown us a lot of his original work,

0:47:04.360 --> 0:47:08.360
<v Speaker 3>and we believe tilling Hass did some original work here. Uh,

0:47:08.680 --> 0:47:10.960
<v Speaker 3>you know, it's just some of it is beyond recognition.

0:47:12.000 --> 0:47:15.520
<v Speaker 1>Yeah, And you're using your own judgment to put it

0:47:15.560 --> 0:47:18.359
<v Speaker 1>back together, your own knowledge of what telling Hast might

0:47:18.400 --> 0:47:21.719
<v Speaker 1>have done or what he could have done, and not

0:47:21.760 --> 0:47:26.040
<v Speaker 1>necessarily needing to fall back on historical evidence to justify

0:47:26.680 --> 0:47:29.200
<v Speaker 1>your moves. And that sometimes a little bit scary, I

0:47:29.239 --> 0:47:29.960
<v Speaker 1>would imagine.

0:47:30.200 --> 0:47:33.600
<v Speaker 3>Yeah, sometimes the evidence just isn't there anymore. It's just

0:47:33.680 --> 0:47:37.839
<v Speaker 3>it's just been you know, warmed over. Uh and and

0:47:37.880 --> 0:47:40.040
<v Speaker 3>a lot of the bunkers get crowded into the side

0:47:40.080 --> 0:47:42.040
<v Speaker 3>of the greens, and that's what create you know, they

0:47:42.080 --> 0:47:46.480
<v Speaker 3>create these like these false roles that clearly were never

0:47:46.560 --> 0:47:48.160
<v Speaker 3>on the side of the greens. And you can see

0:47:48.160 --> 0:47:51.120
<v Speaker 3>that in the when you take it apart, you can see,

0:47:52.600 --> 0:47:55.080
<v Speaker 3>you know, what materials were used, so you can see, Okay,

0:47:55.080 --> 0:47:57.600
<v Speaker 3>somebody did something here, So let's the first step is

0:47:57.640 --> 0:48:01.839
<v Speaker 3>just take it away and tie into what they didn't touch, right,

0:48:01.880 --> 0:48:04.240
<v Speaker 3>and so that you know, so your powers of intuition

0:48:04.360 --> 0:48:08.120
<v Speaker 3>are just by being very careful about how you go about,

0:48:09.000 --> 0:48:12.640
<v Speaker 3>you know, deconstructing things sometimes that and then you have

0:48:12.719 --> 0:48:15.359
<v Speaker 3>to know when to stop and maybe that's you know,

0:48:15.480 --> 0:48:18.000
<v Speaker 3>that's where our expertise comes into play.

0:48:18.480 --> 0:48:18.919
<v Speaker 1>M hmm.

0:48:19.200 --> 0:48:19.399
<v Speaker 2>Yeah.

0:48:19.440 --> 0:48:24.040
<v Speaker 1>Personally, I think these projects are really exciting because you

0:48:24.160 --> 0:48:27.080
<v Speaker 1>need to make some of these judgment calls. And so

0:48:27.400 --> 0:48:33.360
<v Speaker 1>I'm actually very really anticipating that that the restoration and

0:48:33.440 --> 0:48:37.200
<v Speaker 1>renovation game is only going to get more interesting as

0:48:37.239 --> 0:48:40.000
<v Speaker 1>we go on because the projects, a lot of the

0:48:40.040 --> 0:48:41.960
<v Speaker 1>projects do exist in this gray area.

0:48:42.400 --> 0:48:45.480
<v Speaker 3>Mm hmm. Yeah. And I think, like everything is that

0:48:45.520 --> 0:48:48.600
<v Speaker 3>we're always approaching like our work and thinking how can

0:48:48.640 --> 0:48:51.719
<v Speaker 3>we improve this area? You know, how can we make

0:48:51.800 --> 0:48:54.640
<v Speaker 3>this shot value a little bit better? How can we

0:48:54.680 --> 0:48:57.520
<v Speaker 3>make this uh, you know if if there's too many

0:48:57.560 --> 0:49:00.520
<v Speaker 3>bunkers that's often happens like too many bunkers pinched the

0:49:00.560 --> 0:49:03.040
<v Speaker 3>front of a green right, how can we create an

0:49:03.080 --> 0:49:06.719
<v Speaker 3>angle by removing a bunker and maybe shifting one in

0:49:06.760 --> 0:49:11.040
<v Speaker 3>the other direction, opening up locations and things. So it's

0:49:11.080 --> 0:49:14.080
<v Speaker 3>a very fun exercise. And again you're putting on your

0:49:14.200 --> 0:49:17.239
<v Speaker 3>architectural hat and you know whether it be Tilling, Hass,

0:49:17.360 --> 0:49:21.080
<v Speaker 3>Travis or Emmett, and you're doing your best to incorporate

0:49:21.120 --> 0:49:26.440
<v Speaker 3>their design principles into the way into the lens of improvement,

0:49:26.800 --> 0:49:28.080
<v Speaker 3>design restoration.

0:49:29.680 --> 0:49:31.880
<v Speaker 1>Jeff, it's been very fun talking to you. Thanks for

0:49:31.880 --> 0:49:32.640
<v Speaker 1>spending the time.

0:49:33.000 --> 0:49:35.359
<v Speaker 3>I really appreciate it. Garry a lot of fun as well.

0:49:35.440 --> 0:49:36.799
<v Speaker 3>Hope we can do it again soon.

0:49:37.120 --> 0:49:46.160
<v Speaker 1>Absolutely. This episode of Designing Golf is brought to you

0:49:46.200 --> 0:49:52.280
<v Speaker 1>by Perfect Practice and specifically Perfect Practice's new product, chip Shot.

0:49:52.560 --> 0:49:55.120
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0:49:55.200 --> 0:49:59.600
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0:49:59.680 --> 0:50:03.040
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0:50:03.120 --> 0:50:06.600
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0:50:06.640 --> 0:50:11.239
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0:50:18.400 --> 0:50:21.480
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0:50:21.600 --> 0:50:24.520
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0:50:24.520 --> 0:50:28.600
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0:50:29.080 --> 0:50:33.600
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0:50:37.520 --> 0:50:43.200
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0:50:43.200 --> 0:50:47.640
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0:50:47.920 --> 0:50:51.400
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0:50:51.440 --> 0:50:54.560
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0:51:02.400 --> 0:51:11.560
<v Speaker 1>let's get to my interview with Clyde Johnson. Clyde Johnson,

0:51:11.640 --> 0:51:12.640
<v Speaker 1>welcome to the podcast.

0:51:13.120 --> 0:51:14.160
<v Speaker 2>A right good to be honest.

0:51:15.239 --> 0:51:17.640
<v Speaker 1>So I wanted to make sure to speak with you, Clyde,

0:51:17.719 --> 0:51:22.480
<v Speaker 1>because you've recently been doing a kind of restoration work

0:51:22.640 --> 0:51:26.560
<v Speaker 1>that is pretty rare right now, but I think might

0:51:26.600 --> 0:51:29.799
<v Speaker 1>become more common in the coming years, and that is

0:51:30.239 --> 0:51:35.439
<v Speaker 1>the restoration of links courses. So, first of all, why

0:51:35.440 --> 0:51:37.960
<v Speaker 1>do you think links courses in Great Britain and Ireland

0:51:38.000 --> 0:51:41.400
<v Speaker 1>have generally not done restoration projects.

0:51:41.560 --> 0:51:44.240
<v Speaker 2>I think generally is that there's an attitude towards golf

0:51:44.280 --> 0:51:46.520
<v Speaker 2>and Great Britain mind as you know, we certainly not

0:51:46.719 --> 0:51:50.719
<v Speaker 2>precious about the history of our golf courses. I don't think,

0:51:50.719 --> 0:51:54.080
<v Speaker 2>you know, golf courses have evolved a lot, especially over

0:51:54.360 --> 0:51:58.120
<v Speaker 2>you know, from the mid eighteen hundreds to the nineteen thirties.

0:51:58.320 --> 0:52:01.759
<v Speaker 2>You know, golf courses, even the great golf courses like Mirfield's,

0:52:01.760 --> 0:52:09.879
<v Speaker 2>evolved a bunch over over that fifty thirty seventy year period,

0:52:09.920 --> 0:52:11.879
<v Speaker 2>depending on the age of when the golf course was

0:52:11.920 --> 0:52:16.080
<v Speaker 2>initially laid out and developed. Yeah, so I don't think,

0:52:16.719 --> 0:52:20.160
<v Speaker 2>you know, there's this there's not that same preciousness towards

0:52:20.160 --> 0:52:22.240
<v Speaker 2>the work. And you know, if we're talking about restoration,

0:52:22.840 --> 0:52:26.439
<v Speaker 2>it's really difficult to take a fixed point and time

0:52:26.480 --> 0:52:31.960
<v Speaker 2>to restore a golf course too. So yeah, I think

0:52:31.960 --> 0:52:33.439
<v Speaker 2>that's a lot of it. Really.

0:52:33.520 --> 0:52:36.480
<v Speaker 1>In Hoursty you mentioned that a lot of British links

0:52:36.480 --> 0:52:39.920
<v Speaker 1>clubs don't really seem to think of themselves as having

0:52:40.800 --> 0:52:44.719
<v Speaker 1>like significant architecture that needs to be preserved right there.

0:52:45.120 --> 0:52:47.560
<v Speaker 1>They instead kind of view their courses as grounds for

0:52:47.600 --> 0:52:52.319
<v Speaker 1>the game, and those grounds evolve as time goes on.

0:52:52.520 --> 0:52:56.040
<v Speaker 1>And that's okay, I've heard you make that point before.

0:52:56.040 --> 0:52:59.359
<v Speaker 1>It's a really interesting point of difference between between say,

0:52:59.440 --> 0:53:02.600
<v Speaker 1>UK golf and American golf, where a lot of people

0:53:02.640 --> 0:53:06.240
<v Speaker 1>in the American golf community are now kind of obsessed

0:53:06.239 --> 0:53:09.120
<v Speaker 1>with the history of architecture and bringing back things from

0:53:09.160 --> 0:53:12.279
<v Speaker 1>the Golden Age exactly as they were. There's there's not

0:53:12.400 --> 0:53:14.799
<v Speaker 1>as much of that ideology I guess that you find

0:53:15.320 --> 0:53:20.200
<v Speaker 1>at especially older UK links clubs. Do you think that

0:53:20.360 --> 0:53:22.880
<v Speaker 1>perception is changing now and and do you want to

0:53:22.960 --> 0:53:23.319
<v Speaker 1>change it?

0:53:24.160 --> 0:53:25.680
<v Speaker 2>Yeah? I think I think, I think yeah, I think

0:53:25.680 --> 0:53:28.560
<v Speaker 2>I think it definitely. It definitely is more recognition of

0:53:29.400 --> 0:53:32.720
<v Speaker 2>you know, a golf course is history and past and

0:53:32.920 --> 0:53:35.879
<v Speaker 2>how it's evolved, you know, partly, you know, I think

0:53:35.920 --> 0:53:40.839
<v Speaker 2>most of that really comes from American influence in terms

0:53:40.880 --> 0:53:44.840
<v Speaker 2>of coverage of golf course architecture, you guys, and you know,

0:53:45.000 --> 0:53:49.799
<v Speaker 2>almost talking about this type of stuff more readily. And

0:53:49.840 --> 0:53:54.880
<v Speaker 2>I think, you know, I think British architects as well

0:53:54.920 --> 0:53:59.239
<v Speaker 2>have seen what's been done in America as well, you know,

0:53:59.480 --> 0:54:04.280
<v Speaker 2>in the reference for the history, and you know, wanted

0:54:04.280 --> 0:54:08.080
<v Speaker 2>to incorporate, incorporate that certainly into certainly into thought processes

0:54:08.760 --> 0:54:11.840
<v Speaker 2>an execution of of work over here, you know. But

0:54:11.920 --> 0:54:14.040
<v Speaker 2>you know, it's it tends. It tends to be you

0:54:14.040 --> 0:54:17.520
<v Speaker 2>know when when we I think when clubs look at

0:54:17.520 --> 0:54:21.680
<v Speaker 2>the past, but you know, when it comes to doing work,

0:54:21.800 --> 0:54:25.960
<v Speaker 2>they use it. They're looking at the past for you know, ideas,

0:54:26.120 --> 0:54:29.200
<v Speaker 2>you know, ideas to grab onto as opposed to wholesale

0:54:29.680 --> 0:54:37.520
<v Speaker 2>and exact restoration to that to that certain day. So yeah,

0:54:37.719 --> 0:54:40.280
<v Speaker 2>certain there's there's certainly more value. There's certainly more value

0:54:40.360 --> 0:54:43.800
<v Speaker 2>and knowledge near today history about history our clubs, and

0:54:43.880 --> 0:54:45.400
<v Speaker 2>I think I think that's generally a good thing. You know,

0:54:46.120 --> 0:54:49.240
<v Speaker 2>it's not it's not restoration for the sake of restoration.

0:54:49.360 --> 0:54:51.560
<v Speaker 2>But if there was a good idea that you know,

0:54:51.560 --> 0:54:52.640
<v Speaker 2>if it looked to be a good idea it was

0:54:52.640 --> 0:54:54.600
<v Speaker 2>one hundred years ago and it helped solve a prone

0:54:54.680 --> 0:54:56.480
<v Speaker 2>or it makes some more interest in golf today, why

0:54:56.560 --> 0:54:58.160
<v Speaker 2>why not look at the past and use that for

0:54:58.200 --> 0:55:01.439
<v Speaker 2>inspiration and bring that back into into you know, some

0:55:01.520 --> 0:55:03.719
<v Speaker 2>of some of our golf courses today. And you know,

0:55:03.800 --> 0:55:06.879
<v Speaker 2>often you know no thing, you know golf courses, all

0:55:06.920 --> 0:55:10.239
<v Speaker 2>these you know linkxy features links, you know, links in

0:55:10.280 --> 0:55:14.040
<v Speaker 2>the general lynx environment. You know, it's continually evolving more

0:55:14.080 --> 0:55:16.000
<v Speaker 2>than any type of any of the type of golf

0:55:16.000 --> 0:55:19.319
<v Speaker 2>course really, you know, so there's there's generally a reason

0:55:19.360 --> 0:55:22.080
<v Speaker 2>why golf courses have evolved, and there's not massive big

0:55:22.960 --> 0:55:27.239
<v Speaker 2>blowout e sand scraping bunkers anymore. So you know, when

0:55:27.280 --> 0:55:30.160
<v Speaker 2>you are thinking about, you know, recapturing and reusing these

0:55:30.480 --> 0:55:33.120
<v Speaker 2>historic features, you know, you kind of got to have

0:55:33.280 --> 0:55:36.120
<v Speaker 2>a fairly pragmatic and practical approach and think how you

0:55:36.160 --> 0:55:38.759
<v Speaker 2>can lean on those, but also think how it might

0:55:38.800 --> 0:55:41.960
<v Speaker 2>work and exist today, because you don't want to put

0:55:41.960 --> 0:55:44.320
<v Speaker 2>them back and then watch them being done again or

0:55:44.320 --> 0:55:45.839
<v Speaker 2>filled in in five or ten years time.

0:55:46.080 --> 0:55:48.600
<v Speaker 1>Some of these factors that you're talking about are part

0:55:48.640 --> 0:55:54.640
<v Speaker 1>of why the idea of British links restoration is so interesting,

0:55:54.680 --> 0:55:57.880
<v Speaker 1>because because it's kind of a more towards the beginning

0:55:57.920 --> 0:56:01.880
<v Speaker 1>stages of that movement than a lot of American Golden

0:56:01.920 --> 0:56:04.759
<v Speaker 1>Age clubs are, where restoration has been kind of a

0:56:04.800 --> 0:56:08.640
<v Speaker 1>fixed reality of those clubs and what they're doing for

0:56:08.960 --> 0:56:13.280
<v Speaker 1>you know, thirty years now. And so it's I'm excited

0:56:13.280 --> 0:56:16.600
<v Speaker 1>to get into some specific examples with you of projects

0:56:16.640 --> 0:56:20.919
<v Speaker 1>that you've done at links courses. So, first off, over

0:56:20.920 --> 0:56:24.480
<v Speaker 1>the past four years you've helped with some projects at

0:56:24.520 --> 0:56:29.040
<v Speaker 1>North Barrack Golf Club, the famous and very wonderful Links

0:56:29.080 --> 0:56:32.799
<v Speaker 1>course in East Lothian, Scotland, famous as the home of

0:56:32.880 --> 0:56:36.080
<v Speaker 1>the Radan Hole and the pit hole and Perfection and

0:56:36.600 --> 0:56:39.120
<v Speaker 1>many other holes that have kind of served as an

0:56:39.160 --> 0:56:42.200
<v Speaker 1>inspiration for later golf golf architects. And you know, I

0:56:42.239 --> 0:56:45.200
<v Speaker 1>think there's been kind of a rediscovery of North Barrack's

0:56:45.239 --> 0:56:48.960
<v Speaker 1>brilliance over the past decade or so. It's really risen

0:56:49.000 --> 0:56:52.440
<v Speaker 1>in prominence, I think, or in at least in frequency

0:56:52.480 --> 0:56:55.240
<v Speaker 1>of discussion as far as I've been able to see,

0:56:56.080 --> 0:56:59.040
<v Speaker 1>So have what have just broad strokes what have your

0:56:59.040 --> 0:57:02.600
<v Speaker 1>projects at North Barrick Ben over over the past three

0:57:02.680 --> 0:57:03.799
<v Speaker 1>years or four years.

0:57:03.840 --> 0:57:06.840
<v Speaker 2>So it's it's kind of funny really, you know, on

0:57:06.880 --> 0:57:09.600
<v Speaker 2>some of the stuff we talked about earlier, as as

0:57:09.640 --> 0:57:14.920
<v Speaker 2>Northbury Bay has become more recognized and fought more fondly

0:57:14.960 --> 0:57:22.200
<v Speaker 2>of over the last decade fifteen years, say, the architectural

0:57:22.200 --> 0:57:24.640
<v Speaker 2>presentation of the golf course until four or five years

0:57:24.680 --> 0:57:28.520
<v Speaker 2>ago was actually going in the opposite direction. Fair Ways

0:57:28.520 --> 0:57:34.240
<v Speaker 2>were shrinking greens were shrinking. Bunkers. Bunkers were massively shrinking.

0:57:34.280 --> 0:57:37.120
<v Speaker 2>You know, you know when you rebuild, when you rebuild

0:57:37.120 --> 0:57:40.160
<v Speaker 2>a revetted or sod wall bunker, you know, normally you'd

0:57:40.400 --> 0:57:44.920
<v Speaker 2>chased back in you know by you know, mostly by hand,

0:57:45.240 --> 0:57:47.720
<v Speaker 2>uh you know, shovel out of the old revet wallers

0:57:47.760 --> 0:57:50.520
<v Speaker 2>that decayed, say between three and seven years have been

0:57:50.560 --> 0:57:55.120
<v Speaker 2>the the average lifespan of a revetted wall, depending on orientation,

0:57:55.720 --> 0:58:00.240
<v Speaker 2>exposure to win, amount of traffic, et cetera. You know,

0:58:00.440 --> 0:58:02.760
<v Speaker 2>you know, rather than rather than the older ready wall

0:58:02.840 --> 0:58:07.120
<v Speaker 2>being chased out and the new wall being built in

0:58:07.160 --> 0:58:09.560
<v Speaker 2>the same position, as they're really careful to do at

0:58:09.880 --> 0:58:13.360
<v Speaker 2>the old course in Beuerfield was being built on the

0:58:13.360 --> 0:58:15.720
<v Speaker 2>inside of the old wall. And you know that happens

0:58:15.800 --> 0:58:18.720
<v Speaker 2>over a twenty to thirty year period soddenly something the

0:58:18.720 --> 0:58:23.200
<v Speaker 2>bunker becomes half the size. So you know, a lot

0:58:23.200 --> 0:58:25.520
<v Speaker 2>of you know, a lot of the work has been

0:58:25.520 --> 0:58:29.800
<v Speaker 2>to remedy, remedy therese remedying. The fairway lines were really

0:58:29.800 --> 0:58:32.720
<v Speaker 2>shrunk in. For fairway, for example, was maybe about fifteen

0:58:32.800 --> 0:58:37.720
<v Speaker 2>yards wide. Four or five years ago. As Kyle's Grugshanks,

0:58:37.440 --> 0:58:41.080
<v Speaker 2>the superintendent was taking over and we've slowly been able

0:58:41.080 --> 0:58:44.680
<v Speaker 2>to push that out to thirty thirty five yards kind

0:58:44.680 --> 0:58:46.600
<v Speaker 2>of back to where it used to be. Picking up

0:58:46.640 --> 0:58:49.640
<v Speaker 2>so some of the cool old features that are on

0:58:49.440 --> 0:58:54.000
<v Speaker 2>the right, on the seaside side of the whole. The

0:58:54.040 --> 0:58:56.959
<v Speaker 2>same same with green expansions too, just just getting those

0:58:57.000 --> 0:59:00.720
<v Speaker 2>back as far as irrigation will allow, and then assisting

0:59:00.840 --> 0:59:02.880
<v Speaker 2>Kyle with a lot of the you know, you know,

0:59:03.160 --> 0:59:07.200
<v Speaker 2>he's he's had a four or five year program for

0:59:07.480 --> 0:59:09.480
<v Speaker 2>vetting the bunkers that you tend to tend to do

0:59:09.560 --> 0:59:15.280
<v Speaker 2>North berks, not particularly bunker heavy golf course in Link's terms,

0:59:15.320 --> 0:59:17.800
<v Speaker 2>probably seventy twenty bunkers so I remember correctly, but you know,

0:59:18.160 --> 0:59:22.160
<v Speaker 2>rotating those on a five year program, so twenty is

0:59:22.600 --> 0:59:25.080
<v Speaker 2>twenty ye ish bunkers a year, and then just really

0:59:25.120 --> 0:59:29.760
<v Speaker 2>helping him to recapture the original size of those while

0:59:29.800 --> 0:59:33.120
<v Speaker 2>also dealing with you know a lot of them. You know,

0:59:33.200 --> 0:59:36.800
<v Speaker 2>so there were Dwanhill, for example, the famous or not

0:59:36.880 --> 0:59:38.640
<v Speaker 2>the famous book with the lamb the lamb bunker on

0:59:38.680 --> 0:59:40.320
<v Speaker 2>the left, on the inside of that one that tilts

0:59:40.320 --> 0:59:44.600
<v Speaker 2>away that that become it was maybe three yards three

0:59:44.640 --> 0:59:47.439
<v Speaker 2>yards deep in terms of you know, from the green

0:59:47.640 --> 0:59:51.880
<v Speaker 2>side back to the direction to play floor was floor

0:59:52.000 --> 0:59:54.880
<v Speaker 2>was tilting really hard towards the base of the revect wall,

0:59:54.880 --> 0:59:57.280
<v Speaker 2>which meant, you know, the ball would generally have become

0:59:57.360 --> 0:59:59.840
<v Speaker 2>trapped right at the face and you know, the floor

0:59:59.880 --> 1:00:03.600
<v Speaker 2>to bunker and also deepened with times versus where it

1:00:03.680 --> 1:00:06.240
<v Speaker 2>used to be. So not only did not only did

1:00:06.280 --> 1:00:09.400
<v Speaker 2>it look inconsequential or not be fitting of hold the

1:00:09.440 --> 1:00:12.040
<v Speaker 2>scale or statue of the redown, it was also become

1:00:12.080 --> 1:00:16.080
<v Speaker 2>really playable and difficult for the average golfer. So it

1:00:16.160 --> 1:00:19.720
<v Speaker 2>was remedying stuff like that while thinking about, you know,

1:00:19.800 --> 1:00:22.760
<v Speaker 2>improving the maintainability of those features as well.

1:00:23.080 --> 1:00:26.560
<v Speaker 1>There have obviously been many versions of North Barrick over

1:00:26.600 --> 1:00:29.560
<v Speaker 1>the years, and so yeah, one of my questions is

1:00:29.600 --> 1:00:32.280
<v Speaker 1>always like what how do you settle on a version

1:00:32.320 --> 1:00:34.120
<v Speaker 1>of the course to go back to When you're doing

1:00:34.160 --> 1:00:38.800
<v Speaker 1>things like working on bunkers on the Radan hole, you know,

1:00:38.880 --> 1:00:41.400
<v Speaker 1>what kind of historical evidence do you look at and

1:00:41.400 --> 1:00:43.840
<v Speaker 1>then how do you make a decision about what's the

1:00:43.880 --> 1:00:46.760
<v Speaker 1>best version of that bunker that we want to bring back.

1:00:47.720 --> 1:00:50.560
<v Speaker 2>Well, listen, there's some great obviously his pretty famous holes,

1:00:50.560 --> 1:00:54.960
<v Speaker 2>some great old photographs. There was a nineteen twenty nine

1:00:55.000 --> 1:01:00.360
<v Speaker 2>areals that really helped, like an aerial photograss. There was

1:01:00.400 --> 1:01:05.120
<v Speaker 2>a nineteen twelve plan sketch that actually talked about how

1:01:05.200 --> 1:01:09.240
<v Speaker 2>deep the faces of the bunkers were. So the lamb

1:01:09.240 --> 1:01:13.560
<v Speaker 2>bunker was six foot deep. We worked on the Raddan

1:01:13.720 --> 1:01:15.640
<v Speaker 2>got the color ra Dan bunker, which is the pair

1:01:15.640 --> 1:01:19.280
<v Speaker 2>of bunkers at the front forty to fifty yards short

1:01:19.320 --> 1:01:21.680
<v Speaker 2>of the green. This went that was seven foot deep,

1:01:21.720 --> 1:01:25.880
<v Speaker 2>for example. But then the bunkers on the right of

1:01:25.920 --> 1:01:28.000
<v Speaker 2>the green, which are now free today and have been

1:01:28.360 --> 1:01:34.400
<v Speaker 2>free in number since nineteen nineteen thirties, I think around

1:01:34.400 --> 1:01:36.400
<v Speaker 2>that time, but a long time anyway, that you know,

1:01:36.480 --> 1:01:40.360
<v Speaker 2>in that sketch were only actually two bunkers, so had

1:01:40.360 --> 1:01:44.400
<v Speaker 2>a bunch of great ground photographs. So one you know

1:01:45.400 --> 1:01:47.840
<v Speaker 2>some of the really some of the late eighteen hundreds

1:01:47.920 --> 1:01:51.400
<v Speaker 2>early nineteen hundreds pictures. You know, the rare Dan was

1:01:51.440 --> 1:01:57.960
<v Speaker 2>stabilized by a sleeper wall, for example, but you know

1:01:58.000 --> 1:02:02.840
<v Speaker 2>with time that became a sod walls. So you you're basically,

1:02:02.880 --> 1:02:04.600
<v Speaker 2>you know my approaches, you're kind of thinking about the

1:02:04.600 --> 1:02:07.760
<v Speaker 2>problems that you're trying to solve that exists with the

1:02:07.800 --> 1:02:11.440
<v Speaker 2>existing bunker off feature, and then you're kind of interpolating

1:02:11.720 --> 1:02:14.880
<v Speaker 2>all of the different imagery that you've gotten, coming up

1:02:14.880 --> 1:02:18.360
<v Speaker 2>a solution that kind of fits the problems that you're

1:02:18.360 --> 1:02:22.439
<v Speaker 2>trying to address with, you know, a nod to how

1:02:22.440 --> 1:02:25.640
<v Speaker 2>the bunker used to look and how the bunker used

1:02:25.680 --> 1:02:27.800
<v Speaker 2>to play. So, you know, on the lamp on the

1:02:27.880 --> 1:02:29.640
<v Speaker 2>lamb bunker left of the green, we kind of restored

1:02:30.000 --> 1:02:32.680
<v Speaker 2>that sold wall to the you know, to six foot high,

1:02:32.800 --> 1:02:35.120
<v Speaker 2>really really cut it tight or as tight as possible

1:02:35.800 --> 1:02:39.120
<v Speaker 2>to the green, squaring off the corners. You know, that

1:02:39.240 --> 1:02:40.880
<v Speaker 2>kind of you kind of give that old you know,

1:02:40.920 --> 1:02:43.880
<v Speaker 2>you look at you know, modern revetted softwall bunkers of

1:02:44.240 --> 1:02:45.800
<v Speaker 2>you know tend to people a little bit rounder, and

1:02:45.960 --> 1:02:48.840
<v Speaker 2>that's I think that's really driven by maintenance and wanting

1:02:48.880 --> 1:02:52.600
<v Speaker 2>to get you know, the triplex mo as close as

1:02:52.640 --> 1:02:57.000
<v Speaker 2>close as possible and riding over and tight to the

1:02:57.000 --> 1:03:00.600
<v Speaker 2>top of those lips. And then you know, also also

1:03:00.680 --> 1:03:03.840
<v Speaker 2>raising the floor, also tilting the floor back up towards

1:03:04.000 --> 1:03:05.640
<v Speaker 2>the green, you know, in the old in some of

1:03:05.680 --> 1:03:07.920
<v Speaker 2>the old folk or actually you can clearly see in

1:03:07.960 --> 1:03:13.400
<v Speaker 2>both versions where it was either timber, timber faced or

1:03:13.440 --> 1:03:16.480
<v Speaker 2>so on faced. You know, the floor was climbing up

1:03:16.960 --> 1:03:18.760
<v Speaker 2>into the far car, up the bunk and the wind

1:03:18.800 --> 1:03:21.040
<v Speaker 2>which just doing its thinging like blow around, and it

1:03:21.160 --> 1:03:24.760
<v Speaker 2>kind of looked cool, easy to access, easy to access,

1:03:24.760 --> 1:03:27.200
<v Speaker 2>an easier to play out, while also of looking visually

1:03:27.200 --> 1:03:28.000
<v Speaker 2>pretty intimidating.

1:03:28.280 --> 1:03:29.640
<v Speaker 1>Yeah, so let me let me know if this is

1:03:29.680 --> 1:03:32.720
<v Speaker 1>like a good distillation of what you're saying about your approach.

1:03:32.760 --> 1:03:35.080
<v Speaker 1>You're you're kind of you're you're coming in there to

1:03:35.120 --> 1:03:38.960
<v Speaker 1>solve current some current problems with whatever version of the

1:03:39.120 --> 1:03:43.000
<v Speaker 1>course currently exists, problems that numbers are having, or or

1:03:43.080 --> 1:03:45.640
<v Speaker 1>just you know, maybe esthetic problems or problems with the

1:03:45.720 --> 1:03:50.520
<v Speaker 1>architecture in general, and you are looking at some historical

1:03:50.640 --> 1:03:56.480
<v Speaker 1>evidence to find, you know, possible solutions to that problem.

1:03:56.680 --> 1:04:01.200
<v Speaker 1>You're not necessarily saying like nineteen nineteen was the best

1:04:01.280 --> 1:04:03.400
<v Speaker 1>version of North Barrick and that's what we're going to

1:04:03.440 --> 1:04:06.000
<v Speaker 1>bring back, which is a very common approach in the

1:04:06.120 --> 1:04:09.800
<v Speaker 1>US where where where where you know, fed the line

1:04:09.840 --> 1:04:13.520
<v Speaker 1>by by many clubs that you know, this particular year

1:04:13.880 --> 1:04:16.439
<v Speaker 1>is the course that we think was ideal, and we're

1:04:16.440 --> 1:04:19.000
<v Speaker 1>going to do everything we can to get the course

1:04:19.080 --> 1:04:22.640
<v Speaker 1>back from from that year. It seems like this is

1:04:22.640 --> 1:04:25.800
<v Speaker 1>a more complex process where where you have to go

1:04:25.920 --> 1:04:29.120
<v Speaker 1>through a number of different options, see different iterations of

1:04:29.120 --> 1:04:33.080
<v Speaker 1>the feature and kind of decide all right, this this

1:04:33.160 --> 1:04:35.560
<v Speaker 1>is the one that best serves our current needs.

1:04:36.600 --> 1:04:39.480
<v Speaker 2>Yeah, I tend to have a fairly tragmatic approach to

1:04:39.600 --> 1:04:42.440
<v Speaker 2>certainly consulting golf cost design. But really it's kind of

1:04:42.560 --> 1:04:44.880
<v Speaker 2>kind of thinking of you really just create, you know,

1:04:44.960 --> 1:04:48.160
<v Speaker 2>problem solving in a creative way, you know, with with

1:04:48.440 --> 1:04:51.520
<v Speaker 2>the nod to history. So you know, you kind of

1:04:51.840 --> 1:04:54.680
<v Speaker 2>especially at place as historically significant as North Barrick, you know,

1:04:55.000 --> 1:04:58.240
<v Speaker 2>you've got to view your role as a custodian. You know,

1:04:58.280 --> 1:05:01.280
<v Speaker 2>you're only you're only there for you already working there

1:05:01.280 --> 1:05:03.520
<v Speaker 2>for a short moment in the golf course's history of

1:05:03.520 --> 1:05:05.919
<v Speaker 2>the golf course has evolved. What you kind of want

1:05:05.960 --> 1:05:09.800
<v Speaker 2>to make sure the pieces or your impact on the

1:05:09.800 --> 1:05:12.360
<v Speaker 2>golf course is sensitive to what's gone before, but also

1:05:13.120 --> 1:05:16.600
<v Speaker 2>can hopefully stand the test of time. So you know,

1:05:18.320 --> 1:05:20.960
<v Speaker 2>you know, I was going to say, you know, going

1:05:21.000 --> 1:05:23.840
<v Speaker 2>back in and recreated a cool feature that was one

1:05:23.880 --> 1:05:27.240
<v Speaker 2>hundred years old that obviously didn't last beyond a certain

1:05:27.280 --> 1:05:31.040
<v Speaker 2>period without thinking about the consequences of that. It's a

1:05:31.360 --> 1:05:34.120
<v Speaker 2>it's a surefire way to have to have to redo

1:05:34.160 --> 1:05:36.360
<v Speaker 2>your work pretty soon, pretty soon after. And there is

1:05:36.360 --> 1:05:38.560
<v Speaker 2>only you know, there is only a lifespan. There is

1:05:38.600 --> 1:05:41.680
<v Speaker 2>only a certain lifespan to a revetted bunker, you know,

1:05:41.720 --> 1:05:44.080
<v Speaker 2>So you've kind of got you know, you kind of

1:05:44.280 --> 1:05:47.640
<v Speaker 2>you're accepting that the next person to build that's probably

1:05:47.680 --> 1:05:51.240
<v Speaker 2>going to be the you know, the greenkeeping team without

1:05:51.280 --> 1:05:54.080
<v Speaker 2>any put from an architect or a designer. That's the

1:05:54.120 --> 1:05:56.120
<v Speaker 2>assumption that you're going to make. So you kind of

1:05:56.160 --> 1:05:58.200
<v Speaker 2>got to set them in the right place. And you know,

1:05:58.640 --> 1:06:01.520
<v Speaker 2>if you do get if some thing doesn't quite turn

1:06:01.560 --> 1:06:04.960
<v Speaker 2>out right, you know, then it's you can you can

1:06:05.040 --> 1:06:06.680
<v Speaker 2>force be a little bit more risky, I think when

1:06:06.840 --> 1:06:11.360
<v Speaker 2>in the links environment, and and you know, building reverted

1:06:11.400 --> 1:06:14.840
<v Speaker 2>bunkers partly because they've only got a short lifespan, and

1:06:14.920 --> 1:06:17.680
<v Speaker 2>you know, constructions relatively easy in the sound, and you know,

1:06:18.240 --> 1:06:22.240
<v Speaker 2>often the materials you're using coming from the sites that

1:06:22.440 --> 1:06:24.080
<v Speaker 2>they've got their own turf now sort of they're using

1:06:24.160 --> 1:06:27.520
<v Speaker 2>for reverted walls, et cetera. So you know, if you

1:06:27.560 --> 1:06:29.400
<v Speaker 2>don't quite get the walk, you know, you lead the

1:06:29.440 --> 1:06:32.680
<v Speaker 2>walk in a little steep because that's what it used

1:06:32.680 --> 1:06:35.240
<v Speaker 2>to look like in the old photographs, but it doesn't

1:06:35.320 --> 1:06:38.120
<v Speaker 2>quite work as you think, or the wind blows and

1:06:38.200 --> 1:06:40.480
<v Speaker 2>the roads more in a certain direction. You can theind

1:06:40.480 --> 1:06:43.240
<v Speaker 2>of just that wall, just to just hold the sandal

1:06:43.240 --> 1:06:44.800
<v Speaker 2>a little bit more. Next time around you do it.

1:06:44.840 --> 1:06:48.160
<v Speaker 2>You know, you look at the mut Field's got a

1:06:48.240 --> 1:06:50.560
<v Speaker 2>mate got putting the best reveeted bunkcause anywhere in the world,

1:06:50.560 --> 1:06:54.000
<v Speaker 2>and they, you know, they've evolved really over seventy eight years,

1:06:54.120 --> 1:06:57.880
<v Speaker 2>whereas North Berwick because of the north the reflect the

1:06:57.960 --> 1:07:00.960
<v Speaker 2>neglects it kind of had, which is perhaps a bit

1:07:01.000 --> 1:07:04.080
<v Speaker 2>of an fair word, but you know the bunkers really

1:07:04.120 --> 1:07:08.320
<v Speaker 2>were because of that neglect over the last thirty years. Say,

1:07:09.320 --> 1:07:11.720
<v Speaker 2>you know, you kind of starting against well a lot

1:07:11.840 --> 1:07:13.680
<v Speaker 2>on a lot of those books, rather than you know,

1:07:14.080 --> 1:07:18.520
<v Speaker 2>having had that dialed in or refined final bunker, if

1:07:18.560 --> 1:07:19.160
<v Speaker 2>that makes sense.

1:07:19.520 --> 1:07:22.640
<v Speaker 1>So, just a couple of days before I'm talking to

1:07:22.720 --> 1:07:27.480
<v Speaker 1>you right now, Clyde north Barrick actually announced that it

1:07:27.560 --> 1:07:31.280
<v Speaker 1>had hired Gil Hants as its new consulting architect. So

1:07:31.400 --> 1:07:36.160
<v Speaker 1>you and north Barrick are parting ways. I just wonder

1:07:36.200 --> 1:07:38.640
<v Speaker 1>when when you kind of reflect on your work there

1:07:38.720 --> 1:07:41.120
<v Speaker 1>now that it's now that it's kind of a complete

1:07:41.120 --> 1:07:45.960
<v Speaker 1>four years of of interventions at North Barrick and tweaks

1:07:45.960 --> 1:07:50.240
<v Speaker 1>and adjustments and things like that. What overall effect you

1:07:50.360 --> 1:07:52.800
<v Speaker 1>do you hope that your work there had had on the.

1:07:52.720 --> 1:07:57.040
<v Speaker 2>Course and really well so it's been a privileged to

1:07:57.240 --> 1:08:00.360
<v Speaker 2>how a golf course like North Beric ando into have

1:08:00.480 --> 1:08:04.520
<v Speaker 2>the opportunity to really recapture and you know, bring back

1:08:04.520 --> 1:08:07.080
<v Speaker 2>the gory some of the most famous holes in the

1:08:07.240 --> 1:08:08.920
<v Speaker 2>in the world of golf course architecture. But I really

1:08:09.040 --> 1:08:11.640
<v Speaker 2>just hope that we've been able to show the members

1:08:12.920 --> 1:08:15.840
<v Speaker 2>what they have and the potential for North Berrick still.

1:08:15.880 --> 1:08:18.200
<v Speaker 2>You know, there's still there's still plenty of bunkers out there.

1:08:18.240 --> 1:08:23.000
<v Speaker 2>We've worked particularly focus was helping Kyle and the Greek

1:08:23.040 --> 1:08:26.320
<v Speaker 2>keeping team on the bigger bunkers that they weren't able

1:08:26.360 --> 1:08:28.679
<v Speaker 2>to really work on themselves. But you know, just to

1:08:28.720 --> 1:08:32.080
<v Speaker 2>recapture the scale of some of those features and just

1:08:32.200 --> 1:08:34.360
<v Speaker 2>you know, just to be able to, you know, just

1:08:34.400 --> 1:08:36.720
<v Speaker 2>show what North Berrick should. You know, there's some, there's

1:08:36.720 --> 1:08:39.120
<v Speaker 2>some and there's still some. There's still plenty some more

1:08:39.160 --> 1:08:42.080
<v Speaker 2>of a low hanging fruit to recapture. Once the ons

1:08:42.120 --> 1:08:44.720
<v Speaker 2>in the club installing new irrigation system, the next couple

1:08:44.720 --> 1:08:47.479
<v Speaker 2>of years. The third Greek, for example, used to be

1:08:48.080 --> 1:08:51.000
<v Speaker 2>used to be massive, used to go tied to the

1:08:51.040 --> 1:08:53.839
<v Speaker 2>wall on the right of that green and back towards

1:08:54.160 --> 1:08:56.720
<v Speaker 2>a bunker short of the green that we've kind of

1:08:56.760 --> 1:09:00.559
<v Speaker 2>just reinstated or restored somewhat that used to connect all

1:09:00.600 --> 1:09:03.720
<v Speaker 2>the way throughout prove to the beach. Believe it or not,

1:09:03.760 --> 1:09:06.840
<v Speaker 2>but we we kind of did a a sensible version

1:09:06.880 --> 1:09:10.120
<v Speaker 2>of that one that kind of went half of the

1:09:10.120 --> 1:09:13.559
<v Speaker 2>way back to the beach and is revetted. But yeah,

1:09:13.560 --> 1:09:16.840
<v Speaker 2>I really really just hope, yeah, that we're well, I'm

1:09:16.840 --> 1:09:20.360
<v Speaker 2>just glad to have you know, shown shown the potential

1:09:20.400 --> 1:09:23.200
<v Speaker 2>of what North Barak should be once again. You know,

1:09:23.240 --> 1:09:26.439
<v Speaker 2>so have got some coastal erosion issues that they're looking

1:09:26.520 --> 1:09:32.559
<v Speaker 2>to deal living and looking for a robust plan, you know,

1:09:33.040 --> 1:09:37.360
<v Speaker 2>conveniency plan really to hopefully address something that no one

1:09:37.880 --> 1:09:40.400
<v Speaker 2>wants to really contemplate, which is, you know, we've been

1:09:40.400 --> 1:09:42.200
<v Speaker 2>a loss of some of the most famous holes in

1:09:42.240 --> 1:09:43.240
<v Speaker 2>Scotland and the world.

1:09:43.400 --> 1:09:46.479
<v Speaker 1>That would be a very difficult architectural project trying to

1:09:46.960 --> 1:09:50.360
<v Speaker 1>you know, if holes get lost or altered, how how

1:09:50.360 --> 1:09:54.000
<v Speaker 1>in the world do you do you design something that

1:09:54.000 --> 1:09:56.760
<v Speaker 1>that can replace it. I would imagine that would be

1:09:56.920 --> 1:09:58.719
<v Speaker 1>a very tricky problem for the club.

1:09:59.000 --> 1:10:01.040
<v Speaker 2>Yeah, yeah, No one who wants to think about losing

1:10:01.080 --> 1:10:03.640
<v Speaker 2>the pit, green, harp, per section, greens or you know,

1:10:04.720 --> 1:10:06.479
<v Speaker 2>you know some of those some of those great those

1:10:06.520 --> 1:10:08.760
<v Speaker 2>great features and holes. But I'm sure, I'm sure it

1:10:08.840 --> 1:10:13.240
<v Speaker 2>will be a sensible, sexible solution from coastal erosion from

1:10:13.280 --> 1:10:14.639
<v Speaker 2>the from the council before them.

1:10:14.680 --> 1:10:17.320
<v Speaker 1>All right, so let's talk about another course that you've

1:10:17.360 --> 1:10:22.040
<v Speaker 1>been working on recently. As I understand it, uh, the event,

1:10:22.200 --> 1:10:24.320
<v Speaker 1>correct me if this is not not the arrangement, but

1:10:24.720 --> 1:10:28.439
<v Speaker 1>I think you're helping Tom Doak or helping Renaissance Golf

1:10:28.439 --> 1:10:32.800
<v Speaker 1>Design implement a master plan at Saint Anadoc Golf Club

1:10:32.840 --> 1:10:36.759
<v Speaker 1>in southwestern England. Of course that people should more people

1:10:36.760 --> 1:10:39.879
<v Speaker 1>should should know about because it just looks it looks amazing.

1:10:41.240 --> 1:10:44.160
<v Speaker 1>Is that the arrangement right now? First of all? And

1:10:44.200 --> 1:10:46.120
<v Speaker 1>then second of all, can you tell me about the

1:10:46.120 --> 1:10:48.759
<v Speaker 1>big project that you completed there recently?

1:10:49.479 --> 1:10:54.519
<v Speaker 2>So say ana doc Golf Club hired Tom to do

1:10:54.680 --> 1:10:57.600
<v Speaker 2>a consulting report in twenty sixteenth I think it was

1:10:57.800 --> 1:11:00.760
<v Speaker 2>the twenty sixteenth, Okay, So I went I went down

1:11:00.800 --> 1:11:03.759
<v Speaker 2>with Tom when we're doing some or we're just planning

1:11:03.760 --> 1:11:07.800
<v Speaker 2>for the work, and his restoration worked at Woodhollspark in Lincolnshire.

1:11:08.760 --> 1:11:12.120
<v Speaker 2>So I headed down with Tom for that consoling visit

1:11:12.200 --> 1:11:15.519
<v Speaker 2>with the idea that i'd help the plumb emplum implement

1:11:15.560 --> 1:11:18.640
<v Speaker 2>that over the next however many years. Yeah, it's one

1:11:18.640 --> 1:11:20.679
<v Speaker 2>of Tom's favorite golf course, is one of my favorite

1:11:20.680 --> 1:11:23.439
<v Speaker 2>golf courses, a golf course that really relies on some

1:11:23.960 --> 1:11:32.120
<v Speaker 2>amazingly diverse and amazingly interesting topography and artificial features within

1:11:32.240 --> 1:11:35.559
<v Speaker 2>the golf course, historically artificial features within the golf course.

1:11:37.080 --> 1:11:42.639
<v Speaker 2>So yeah, really, you know, Tom completed that report twenty sixteen,

1:11:42.680 --> 1:11:45.599
<v Speaker 2>twenty seventeen, club sat on it for a for a while,

1:11:45.800 --> 1:11:51.080
<v Speaker 2>did a little bit of work twenty nineteen and head

1:11:51.080 --> 1:11:53.479
<v Speaker 2>greenkeeper at a time after that, wanted to try and

1:11:53.520 --> 1:11:56.200
<v Speaker 2>implement some of the work himself over the next few years,

1:11:56.200 --> 1:11:59.439
<v Speaker 2>and then that wasn't successful as the club would have liked.

1:11:59.479 --> 1:12:03.439
<v Speaker 2>So since then been you know, back into continue to

1:12:03.479 --> 1:12:08.519
<v Speaker 2>implement more for Tom's ideas really plus some plus some

1:12:08.560 --> 1:12:10.559
<v Speaker 2>of my own where where needed, but trying to say

1:12:10.640 --> 1:12:14.200
<v Speaker 2>as faithful to Tom's report as possible, you know, the

1:12:14.640 --> 1:12:17.960
<v Speaker 2>big the big feature. You know, it's it's that'sn't that's

1:12:17.960 --> 1:12:19.840
<v Speaker 2>that's another. It's such a great golf course. A lot

1:12:19.880 --> 1:12:21.759
<v Speaker 2>of the issues there that they have, like I said earlier,

1:12:21.840 --> 1:12:25.519
<v Speaker 2>are about getting traffic around the golf course. Very popular

1:12:26.160 --> 1:12:32.000
<v Speaker 2>holiday resort, second home village and area for people from

1:12:32.080 --> 1:12:38.160
<v Speaker 2>generally from stereotyping, generally from the southeast, from London. So yeah,

1:12:38.240 --> 1:12:40.519
<v Speaker 2>so you know, the big the big project this year

1:12:40.560 --> 1:12:44.360
<v Speaker 2>was to restore the famous Himalayas Bunker to something of

1:12:44.400 --> 1:12:47.080
<v Speaker 2>its form of law, because it really was a shadow

1:12:47.080 --> 1:12:50.920
<v Speaker 2>of what it used to be in the early nineteen hundreds.

1:12:50.960 --> 1:12:54.240
<v Speaker 1>Okay, so the Himalayas Bunker's bunker. Which hole is it on?

1:12:54.439 --> 1:12:56.840
<v Speaker 1>And could you kind of describe the feature, like the

1:12:57.640 --> 1:13:00.240
<v Speaker 1>landform that it's cut into and the scale of it.

1:13:00.360 --> 1:13:01.840
<v Speaker 1>Just give people a picture of this.

1:13:02.360 --> 1:13:04.280
<v Speaker 2>Yeah, So it's the it's the current it's the current

1:13:04.360 --> 1:13:07.840
<v Speaker 2>day six hole. So you kind of you kind of

1:13:07.840 --> 1:13:14.479
<v Speaker 2>tear off from a high high june platform. You can

1:13:14.560 --> 1:13:17.120
<v Speaker 2>kind of you know, there's about tour and fifty yards

1:13:17.120 --> 1:13:24.639
<v Speaker 2>down the hole as a massive let's call it twenty

1:13:24.720 --> 1:13:28.960
<v Speaker 2>thirty meters high sand dune. I'm useless, I'm useless of

1:13:29.120 --> 1:13:31.599
<v Speaker 2>getting the scale of elevated features like that, but.

1:13:31.560 --> 1:13:36.400
<v Speaker 1>It's it's it's big. Basically, Yeah, if you, if.

1:13:36.240 --> 1:13:37.960
<v Speaker 2>You, if you like, if you, if you're thirty yards

1:13:37.960 --> 1:13:40.599
<v Speaker 2>short of that, you've still got one hundred and eighty

1:13:40.640 --> 1:13:45.120
<v Speaker 2>yards probably ish at least one hundred and fifty into

1:13:45.200 --> 1:13:47.400
<v Speaker 2>the green and you and you're laying back on as

1:13:47.479 --> 1:13:49.160
<v Speaker 2>much club as you think you can get on it

1:13:49.200 --> 1:13:54.000
<v Speaker 2>to get over over this enormous dune that's an exposed

1:13:54.040 --> 1:13:57.880
<v Speaker 2>sand feature. From the tee, you kind of you kind

1:13:57.880 --> 1:13:59.519
<v Speaker 2>of you kind of kind of see the green just

1:13:59.560 --> 1:14:02.240
<v Speaker 2>poking out behind, so you know, you kind of know

1:14:02.280 --> 1:14:03.920
<v Speaker 2>what the task ahead is. But you know there's a

1:14:04.000 --> 1:14:07.000
<v Speaker 2>road that runs down there and some rough and the

1:14:07.080 --> 1:14:10.560
<v Speaker 2>last of that there's a low marshy area. So you

1:14:10.680 --> 1:14:12.519
<v Speaker 2>basically got to you kind of got to hug the

1:14:12.600 --> 1:14:14.600
<v Speaker 2>left side of the fairway as much as possible and

1:14:15.000 --> 1:14:17.479
<v Speaker 2>took the natural topography of the fairway can't take it

1:14:18.120 --> 1:14:21.680
<v Speaker 2>into that position. But you know, it's still he going

1:14:21.760 --> 1:14:24.800
<v Speaker 2>over the toe of that june. It's still plenty to

1:14:24.800 --> 1:14:27.400
<v Speaker 2>think about. It's amazing how many people actually end up

1:14:27.400 --> 1:14:29.400
<v Speaker 2>pretty much if it's the intimidation fact or it's the

1:14:29.760 --> 1:14:32.240
<v Speaker 2>need to get the elevation over the June but end

1:14:32.360 --> 1:14:35.599
<v Speaker 2>up in the in the face of that amazing sound feature.

1:14:35.800 --> 1:14:39.600
<v Speaker 1>So how had the Himalayas Bunker evolved over time? What

1:14:39.640 --> 1:14:42.080
<v Speaker 1>did its earliest version look like? And then what did

1:14:42.120 --> 1:14:44.800
<v Speaker 1>it look like when you and Tom came in and

1:14:45.080 --> 1:14:46.160
<v Speaker 1>started working at the club.

1:14:46.360 --> 1:14:49.080
<v Speaker 2>There's there's actually some there's some great there's some great

1:14:49.120 --> 1:14:51.519
<v Speaker 2>photos in the locker room actually that give the paint

1:14:51.560 --> 1:14:55.200
<v Speaker 2>a pretty good picture of the history and you know,

1:14:55.200 --> 1:14:57.960
<v Speaker 2>a bit like they're's not quite as prevalent as Dane,

1:14:57.960 --> 1:15:00.639
<v Speaker 2>but there's lots of there's lots of historic phogra historical

1:15:00.680 --> 1:15:03.960
<v Speaker 2>photographs out there over time. Because of the nature of

1:15:04.360 --> 1:15:08.920
<v Speaker 2>the feature, it might be maybe great Britain Island's greatest

1:15:09.360 --> 1:15:12.760
<v Speaker 2>links bunker feature. It's certainly the greatest in terms of

1:15:12.800 --> 1:15:15.040
<v Speaker 2>scale of any surviving feature that I can think of.

1:15:16.000 --> 1:15:17.960
<v Speaker 2>But you know, in the in the early nineteen hundreds,

1:15:17.960 --> 1:15:24.759
<v Speaker 2>it was essentially a dune ridge which on the near side,

1:15:24.800 --> 1:15:27.200
<v Speaker 2>on the Tea side of the of the whole was

1:15:27.760 --> 1:15:32.280
<v Speaker 2>evolving sand dune, you know, some of marin clumps. Nature

1:15:32.360 --> 1:15:36.439
<v Speaker 2>was you know, it was it was barely stabilized, kind

1:15:36.479 --> 1:15:40.320
<v Speaker 2>of exposed somewhat to the prevailing wind from the west there,

1:15:40.400 --> 1:15:43.360
<v Speaker 2>but not completely depending you know, if it was flipping

1:15:43.400 --> 1:15:47.160
<v Speaker 2>around to the south or to the north, you know,

1:15:47.240 --> 1:15:51.200
<v Speaker 2>but bye. By nineteen thirty seven, it really evolved to

1:15:51.240 --> 1:15:53.800
<v Speaker 2>the point where the right side of it was kind

1:15:53.840 --> 1:15:56.439
<v Speaker 2>of you know, it was stretching out quite a long way,

1:15:56.479 --> 1:16:00.639
<v Speaker 2>so you know, it's maybe a forty fifty yard plus

1:16:00.680 --> 1:16:03.479
<v Speaker 2>expanse of sand, you know, and went beyond the height

1:16:03.520 --> 1:16:05.479
<v Speaker 2>of the of the buk itself. But that was kind

1:16:05.520 --> 1:16:08.720
<v Speaker 2>of stretching out to the right, and it's kind of

1:16:08.760 --> 1:16:10.840
<v Speaker 2>been started to stabilize on the right and on the

1:16:10.920 --> 1:16:13.040
<v Speaker 2>left side. It certainly appears like there was some kind

1:16:13.120 --> 1:16:18.280
<v Speaker 2>of effort to at least stabilize, you know, the feature,

1:16:18.280 --> 1:16:20.880
<v Speaker 2>because the feature is kind of like a big at

1:16:20.880 --> 1:16:22.760
<v Speaker 2>that point. By the nineteen thirty senn was like a

1:16:22.800 --> 1:16:27.600
<v Speaker 2>big high ball, and then like a flare, you know,

1:16:27.920 --> 1:16:30.519
<v Speaker 2>like a tail that kind of wrapped all the way

1:16:30.560 --> 1:16:35.240
<v Speaker 2>down to ground level and stretched to the toe of

1:16:35.280 --> 1:16:38.840
<v Speaker 2>the dune on the left side. And then you know,

1:16:39.080 --> 1:16:44.400
<v Speaker 2>by the nineteen eighties it really become you know, it

1:16:44.439 --> 1:16:48.400
<v Speaker 2>was really just high ball that was left a sound

1:16:48.439 --> 1:16:52.080
<v Speaker 2>which was still still a pretty still a pretty impressive feature.

1:16:52.320 --> 1:16:55.880
<v Speaker 2>And you know, if you've got Tom Dobe's Confidential Guide,

1:16:55.880 --> 1:16:58.960
<v Speaker 2>the latest or the reading we did were the Great

1:16:58.960 --> 1:17:01.120
<v Speaker 2>Britain Island to kind of kind of looked like that

1:17:01.200 --> 1:17:03.040
<v Speaker 2>was the you know, you know, the painting in the

1:17:03.080 --> 1:17:06.880
<v Speaker 2>front of that book. And then at some point, you know,

1:17:06.920 --> 1:17:11.400
<v Speaker 2>it's no no photographs from the from that period, and

1:17:11.640 --> 1:17:13.559
<v Speaker 2>you know, the committee within the club haven't given me

1:17:13.560 --> 1:17:15.479
<v Speaker 2>a definite avant on this, but at some point there

1:17:15.520 --> 1:17:19.360
<v Speaker 2>was also a pot bunker that was established to where

1:17:19.400 --> 1:17:22.680
<v Speaker 2>the tail on the left used to go. You know,

1:17:22.760 --> 1:17:25.760
<v Speaker 2>so there's a really puny little poplunker on the left,

1:17:25.760 --> 1:17:29.439
<v Speaker 2>this enormous expanse of sand on the high side, which

1:17:29.479 --> 1:17:33.960
<v Speaker 2>was kind of a really weird juxtaposition, and then you know,

1:17:34.479 --> 1:17:38.080
<v Speaker 2>in the late twenty in the late twenty tens, that

1:17:38.280 --> 1:17:40.320
<v Speaker 2>was filled in, so we're kind of back just to

1:17:40.640 --> 1:17:44.840
<v Speaker 2>or you know, left with this high, high expanse of sand,

1:17:44.920 --> 1:17:48.720
<v Speaker 2>but you know, nothing, you know, a really poor reflection

1:17:49.000 --> 1:17:53.679
<v Speaker 2>on what feature used to be. The greenkeeping team over

1:17:53.720 --> 1:17:56.160
<v Speaker 2>the last ten to fifteen years had tried tried really

1:17:56.200 --> 1:18:00.880
<v Speaker 2>hard to contain the sand at the top, so they'd

1:18:01.000 --> 1:18:03.360
<v Speaker 2>use chicken wire to hold that in which was you know,

1:18:03.600 --> 1:18:06.599
<v Speaker 2>was saidible the sand didn't quite climb as high as

1:18:06.640 --> 1:18:08.240
<v Speaker 2>it used to be, maybe a couple of meters down

1:18:08.280 --> 1:18:11.519
<v Speaker 2>from from the very top. But yeah, it was a

1:18:11.640 --> 1:18:15.280
<v Speaker 2>it was a that was a sensible solution to at

1:18:15.360 --> 1:18:17.320
<v Speaker 2>least the top edge. But you know, the tail in

1:18:17.400 --> 1:18:20.080
<v Speaker 2>the lower half of the bunker were completely lost.

1:18:20.360 --> 1:18:24.519
<v Speaker 1>So what did you end up restoring or building there

1:18:24.600 --> 1:18:25.360
<v Speaker 1>on this feature?

1:18:25.600 --> 1:18:27.479
<v Speaker 2>You know, so on so one of the rigs. So there's

1:18:27.479 --> 1:18:32.120
<v Speaker 2>probably two reasons for two reasons for why the bunker

1:18:32.840 --> 1:18:36.479
<v Speaker 2>had been allowed to get to that state. One was

1:18:36.479 --> 1:18:38.559
<v Speaker 2>foot traffic. You know, all the foot traffic had to

1:18:38.600 --> 1:18:42.479
<v Speaker 2>go round the tail of the bunker on the left

1:18:42.520 --> 1:18:44.960
<v Speaker 2>to get to get towards the appafeat of Green and

1:18:45.439 --> 1:18:47.439
<v Speaker 2>there was a bowl shot that's that made you know,

1:18:47.560 --> 1:18:50.240
<v Speaker 2>that made traffic really squog. You know, there's there was

1:18:50.240 --> 1:18:52.800
<v Speaker 2>a dune on there was a dune that flag the

1:18:52.880 --> 1:18:57.160
<v Speaker 2>left of the fairway that tied in too, uh, tied

1:18:57.160 --> 1:19:00.000
<v Speaker 2>into the near side of that feature, so really new

1:19:00.160 --> 1:19:03.680
<v Speaker 2>like a five ten yard wide piece of space that

1:19:03.960 --> 1:19:06.560
<v Speaker 2>near enough every golfer had to channel through. So that

1:19:06.680 --> 1:19:08.080
<v Speaker 2>was a problem and it was you know, it was

1:19:08.120 --> 1:19:10.439
<v Speaker 2>also you know because of the depth of that bowl

1:19:11.240 --> 1:19:13.160
<v Speaker 2>short of where the tail of the bug he used

1:19:13.160 --> 1:19:17.679
<v Speaker 2>to go. Also, you know maybe six seven eight feet

1:19:17.720 --> 1:19:22.360
<v Speaker 2>deep made it really difficult for the lady golfers. That's

1:19:22.479 --> 1:19:25.960
<v Speaker 2>really really lazily say, it's the lazy golfers that are struggling.

1:19:25.960 --> 1:19:29.840
<v Speaker 2>But the weaker golfer to to play, to play around,

1:19:30.479 --> 1:19:32.040
<v Speaker 2>you know, to lay up into that space, and it

1:19:32.160 --> 1:19:36.479
<v Speaker 2>was it wasn't a great shot from there. So you know,

1:19:36.840 --> 1:19:40.120
<v Speaker 2>my solution was to take off take off the backside

1:19:40.160 --> 1:19:42.240
<v Speaker 2>of that dune on the fairway. He used that material

1:19:42.280 --> 1:19:44.599
<v Speaker 2>to raise the bowl to give the give the weaker

1:19:44.640 --> 1:19:48.200
<v Speaker 2>player a little bit of a flatter space to lay

1:19:48.280 --> 1:19:50.880
<v Speaker 2>up to, you know, if you if you can't get

1:19:50.880 --> 1:19:56.960
<v Speaker 2>around the feature into while also creating some more space

1:19:57.040 --> 1:19:59.160
<v Speaker 2>for the walk for the golfers to get around. So

1:19:59.280 --> 1:20:01.800
<v Speaker 2>that space and twenty thirty yards, but you know it

1:20:01.800 --> 1:20:03.640
<v Speaker 2>would look exactly the same from the fairway and the

1:20:03.640 --> 1:20:06.599
<v Speaker 2>teas it did before because it was all the blindside. Yeah,

1:20:06.640 --> 1:20:08.640
<v Speaker 2>and that gave us, that gave the opportunity in the

1:20:08.680 --> 1:20:13.719
<v Speaker 2>space to then recapture the full tail of the bunker

1:20:13.880 --> 1:20:17.360
<v Speaker 2>looks maybe extending twenty yards down to the left like

1:20:17.400 --> 1:20:19.360
<v Speaker 2>it did in nineteen thirty seven. We had to get

1:20:19.400 --> 1:20:23.280
<v Speaker 2>the practicalities right to be able to sell the cool

1:20:23.320 --> 1:20:25.680
<v Speaker 2>part of the job, if that makes sense. So the

1:20:25.680 --> 1:20:28.599
<v Speaker 2>cool part of the job is obviously seeing that bunk

1:20:28.680 --> 1:20:31.080
<v Speaker 2>look as great as it used to. But if it didn't,

1:20:31.240 --> 1:20:33.760
<v Speaker 2>if it didn't work, the question would be how to

1:20:33.880 --> 1:20:35.479
<v Speaker 2>play this? Why we did this right?

1:20:35.840 --> 1:20:38.519
<v Speaker 1>Function and artistry had to had to be matched, and

1:20:38.880 --> 1:20:40.640
<v Speaker 1>you know, I would I would advise that people go

1:20:40.720 --> 1:20:44.240
<v Speaker 1>to Clyde's Instagram account and take a look at the

1:20:45.320 --> 1:20:49.240
<v Speaker 1>at the bunker that Clyde produced out of this process.

1:20:49.360 --> 1:20:54.320
<v Speaker 1>It is really interesting looking and obviously much better looking

1:20:54.400 --> 1:20:58.320
<v Speaker 1>than than what they what they had before, but also

1:20:58.360 --> 1:21:00.760
<v Speaker 1>from the sounds of it, you know, serves the kind

1:21:00.760 --> 1:21:04.840
<v Speaker 1>of functional needs of the golf course. And I think

1:21:04.880 --> 1:21:06.840
<v Speaker 1>this is kind of a representative story in a lot

1:21:06.840 --> 1:21:11.120
<v Speaker 1>of ways, because a lot of bunkers at British Links

1:21:11.200 --> 1:21:14.960
<v Speaker 1>courses have evolved in this way over time. As the

1:21:15.000 --> 1:21:19.800
<v Speaker 1>courses became more settled and more used. What were these

1:21:20.920 --> 1:21:26.040
<v Speaker 1>initially very wild gouges of sand in the Lynx Land

1:21:26.640 --> 1:21:31.599
<v Speaker 1>kind of turn into smaller and more formalized shapes, and

1:21:31.640 --> 1:21:33.519
<v Speaker 1>now we see an awful lot of just like straight

1:21:33.600 --> 1:21:38.479
<v Speaker 1>up circular pop bunkers with rivetted walls, and that's a

1:21:38.560 --> 1:21:41.400
<v Speaker 1>very common look at Scottish links courses. But if you

1:21:41.400 --> 1:21:45.080
<v Speaker 1>looked at these same courses in nineteen hundred, obviously you

1:21:45.080 --> 1:21:49.439
<v Speaker 1>would have much much more kind of random sand shapes

1:21:49.439 --> 1:21:52.640
<v Speaker 1>on these courses. And so, you know, I guess the

1:21:52.720 --> 1:21:55.760
<v Speaker 1>question is when you bring back a kind of more

1:21:55.840 --> 1:21:58.720
<v Speaker 1>intricate shape for a bunker like you did at sant

1:21:58.760 --> 1:22:02.400
<v Speaker 1>Anadoc here, is there some kind of assurance that this

1:22:02.479 --> 1:22:04.840
<v Speaker 1>is going to last, that this is going to be maintainable.

1:22:06.360 --> 1:22:09.120
<v Speaker 2>We're certainly very pragmatic in terms of the upper section

1:22:09.120 --> 1:22:10.400
<v Speaker 2>of the bunk, and you know, we didn't want to

1:22:10.479 --> 1:22:14.840
<v Speaker 2>didn't want to really disturb the stabilize efforts that had

1:22:14.880 --> 1:22:17.000
<v Speaker 2>gone before. And you know, it was kind of a

1:22:17.040 --> 1:22:19.479
<v Speaker 2>shoulder on the left that could have that we could

1:22:19.520 --> 1:22:22.000
<v Speaker 2>have opened up. It would have looked cool and made

1:22:22.040 --> 1:22:24.679
<v Speaker 2>the bunk look exactly like it did on old photographs.

1:22:24.720 --> 1:22:27.240
<v Speaker 2>But that was that was doing a that was doing

1:22:27.240 --> 1:22:29.439
<v Speaker 2>a product, that was that was doing the job of

1:22:29.520 --> 1:22:32.080
<v Speaker 2>you making the bunk. The upper section of the bowl

1:22:32.080 --> 1:22:35.200
<v Speaker 2>really sam swirl around route that blows straight out. So

1:22:35.600 --> 1:22:37.320
<v Speaker 2>I think, you know, that's part you know, that comes

1:22:37.320 --> 1:22:39.519
<v Speaker 2>from experience of just being able to well leaning on

1:22:39.520 --> 1:22:41.719
<v Speaker 2>the experience of the green keeping team that you're working

1:22:41.760 --> 1:22:44.120
<v Speaker 2>with ball, so the experience of being able to read

1:22:44.160 --> 1:22:48.599
<v Speaker 2>and understand Link's features and how things evolved in nature.

1:22:48.840 --> 1:22:55.000
<v Speaker 2>But you know, the perception, you know, the tailor the

1:22:55.040 --> 1:22:58.200
<v Speaker 2>tail of that book actually sits relatively low down the

1:22:58.240 --> 1:23:00.920
<v Speaker 2>face of the dune, so we can be what can

1:23:00.960 --> 1:23:06.439
<v Speaker 2>be more confident that the bunker is going to be

1:23:06.560 --> 1:23:10.120
<v Speaker 2>more sheltered and not blow out as quickly or you know,

1:23:10.280 --> 1:23:13.160
<v Speaker 2>a road. But you know, there's also there also needs

1:23:13.160 --> 1:23:15.360
<v Speaker 2>to be you know, there's there's you know, there's also

1:23:15.400 --> 1:23:19.040
<v Speaker 2>an awareness as well that there's no no bunker is

1:23:19.120 --> 1:23:22.559
<v Speaker 2>ever maintenance free, you know, so we we we've we've

1:23:22.640 --> 1:23:26.280
<v Speaker 2>left a we've left a small RAVET four three fourth

1:23:26.560 --> 1:23:29.720
<v Speaker 2>vet high step on the leaning edge just to stabilize

1:23:29.720 --> 1:23:34.439
<v Speaker 2>that and you know, to stop that collapsing and going

1:23:34.479 --> 1:23:37.200
<v Speaker 2>away really quickly with time. And then I think, you know,

1:23:37.320 --> 1:23:39.599
<v Speaker 2>I think there's an understanding that if you know, if

1:23:39.640 --> 1:23:42.400
<v Speaker 2>the bunker, if it does, if the newly cut bunker

1:23:42.560 --> 1:23:46.040
<v Speaker 2>does start the road in an odd place, then there's

1:23:46.040 --> 1:23:48.800
<v Speaker 2>nothing wrong with having to stabilize that with a couple

1:23:48.800 --> 1:23:50.840
<v Speaker 2>of rows of revet, and you know, like they did

1:23:51.520 --> 1:23:53.559
<v Speaker 2>in the in the turn of the cential, the early

1:23:53.640 --> 1:23:58.840
<v Speaker 2>Unite hundreds, where it's just really practical, you know, just

1:23:58.880 --> 1:24:01.960
<v Speaker 2>like the bunker roading care. Let's let's short that up

1:24:02.040 --> 1:24:05.639
<v Speaker 2>with sleepers or throw some turf down and look cool,

1:24:05.720 --> 1:24:06.559
<v Speaker 2>it's quite cool.

1:24:07.680 --> 1:24:09.680
<v Speaker 1>I want to widen out the lens a little bit

1:24:09.760 --> 1:24:12.320
<v Speaker 1>here and just talk about kind of what's going on

1:24:12.439 --> 1:24:16.800
<v Speaker 1>in the British golf industry and British golf course renovation

1:24:16.880 --> 1:24:20.680
<v Speaker 1>and restoration in general. You know, my understanding is that

1:24:20.720 --> 1:24:24.679
<v Speaker 1>a lot of links clubs, including North Beric and Saint Enodoc,

1:24:25.560 --> 1:24:29.479
<v Speaker 1>have historically not had the kind of financial wherewithal to

1:24:29.560 --> 1:24:35.439
<v Speaker 1>do big, ambitious restoration and renovation projects. Would you say

1:24:35.479 --> 1:24:37.599
<v Speaker 1>that's that's changing right now?

1:24:39.520 --> 1:24:43.880
<v Speaker 2>I think I think certainly. I think certainly the top

1:24:43.960 --> 1:24:48.519
<v Speaker 2>end golf courses is definitely. I don't I don't know

1:24:48.560 --> 1:24:51.240
<v Speaker 2>if it's partly there's more of an appreciation for golf

1:24:51.280 --> 1:24:56.679
<v Speaker 2>course architecture in the UK these days are great Britain

1:24:56.680 --> 1:24:59.360
<v Speaker 2>Island these days, you know, you know, has gonna be

1:24:59.400 --> 1:25:03.040
<v Speaker 2>really easy to ero type. But outside I mean even

1:25:03.080 --> 1:25:04.720
<v Speaker 2>the very best golf course. It would just be like

1:25:05.320 --> 1:25:08.559
<v Speaker 2>committee would decide what was what would what what should

1:25:08.560 --> 1:25:11.519
<v Speaker 2>be done. The head green keeper would be responsible for

1:25:11.560 --> 1:25:15.760
<v Speaker 2>implementing it. But then job, job's done, really and I mean,

1:25:15.880 --> 1:25:18.240
<v Speaker 2>and that's part that's partly why golf courses was so

1:25:18.280 --> 1:25:21.640
<v Speaker 2>well preserved from the nineteen thirties until the court of

1:25:21.680 --> 1:25:23.800
<v Speaker 2>let's say the two thousands on the twenty tens, was

1:25:23.840 --> 1:25:29.439
<v Speaker 2>because because of that attitude, and you know, so you know,

1:25:29.439 --> 1:25:33.280
<v Speaker 2>there's definitely, know, there's definitely there's definitely much more work

1:25:33.439 --> 1:25:38.240
<v Speaker 2>being done now to golf courses. Whether that needs to

1:25:38.280 --> 1:25:40.840
<v Speaker 2>be done, whether as much needs to be done has

1:25:41.000 --> 1:25:43.759
<v Speaker 2>been done, This is is really up to personal taste

1:25:43.760 --> 1:25:45.479
<v Speaker 2>and personal preference.

1:25:45.960 --> 1:25:49.679
<v Speaker 1>Royal Dornick, Higher, King Collins, Dormer. We've seen North Berrick

1:25:49.720 --> 1:25:54.200
<v Speaker 1>obviously higher gil Hands. We've seen englansh Inland English clubs

1:25:54.200 --> 1:25:58.120
<v Speaker 1>start to start to do some more projects as well.

1:25:58.280 --> 1:26:01.679
<v Speaker 1>You know, when when you think of shifting from the

1:26:01.760 --> 1:26:04.559
<v Speaker 1>old approach that you're talking about the kind of more

1:26:04.800 --> 1:26:09.960
<v Speaker 1>preservation focused approach or just you know almost kind of

1:26:10.000 --> 1:26:13.400
<v Speaker 1>like hands off, let's deal with this in house and

1:26:13.400 --> 1:26:18.000
<v Speaker 1>and just maintain the golf course. If there if there

1:26:18.040 --> 1:26:21.680
<v Speaker 1>is a shift from that to maybe something else, do

1:26:21.720 --> 1:26:23.599
<v Speaker 1>you think there are any dangers that come along with.

1:26:23.560 --> 1:26:34.880
<v Speaker 2>That wink skulls specifically, I think it's I think it's

1:26:34.920 --> 1:26:39.679
<v Speaker 2>really important to have great understanding of link skulls when

1:26:39.760 --> 1:26:45.120
<v Speaker 2>you're working on golf courses because you know, really the most,

1:26:45.160 --> 1:26:47.200
<v Speaker 2>really the most important part of a links golf course

1:26:47.280 --> 1:26:50.160
<v Speaker 2>is that you know certainly when they play, they don't pray.

1:26:50.320 --> 1:26:52.680
<v Speaker 2>Golf courses could be regage systems don't play quite as

1:26:52.720 --> 1:26:54.479
<v Speaker 2>firm and as fast as perhaps used to, but still

1:26:54.479 --> 1:26:58.240
<v Speaker 2>that that's thirty yards in front of the green also

1:26:58.520 --> 1:27:00.240
<v Speaker 2>is just as important, you know, for the average golf

1:27:00.240 --> 1:27:01.920
<v Speaker 2>for certainly maybe not the best player in the world,

1:27:02.000 --> 1:27:07.040
<v Speaker 2>but the average golf that that's really where the most

1:27:07.080 --> 1:27:09.639
<v Speaker 2>interest or most important lies, because that's kind of where

1:27:09.640 --> 1:27:13.240
<v Speaker 2>you thinking about lagging you ball, you know, in you know,

1:27:13.479 --> 1:27:17.599
<v Speaker 2>depending on wind conditions, and then also also being able

1:27:17.640 --> 1:27:21.760
<v Speaker 2>to read you know, and understand how much the wind

1:27:22.400 --> 1:27:25.639
<v Speaker 2>can change and how strong it can blow, and how

1:27:26.160 --> 1:27:30.360
<v Speaker 2>you know you know you might see a bunker that

1:27:30.479 --> 1:27:34.439
<v Speaker 2>you might drive past or not even give consideration to.

1:27:34.840 --> 1:27:36.680
<v Speaker 2>Ninety nine times out one hundred times you played the

1:27:36.720 --> 1:27:39.040
<v Speaker 2>golf course in one day, the wind's doing something. I

1:27:39.040 --> 1:27:40.880
<v Speaker 2>didn't realize that bunker was there, but it was actually

1:27:40.960 --> 1:27:43.120
<v Speaker 2>really in a great place and there's kind of a

1:27:43.120 --> 1:27:49.120
<v Speaker 2>reason for that. And you know, understanding understanding that the

1:27:49.200 --> 1:27:53.320
<v Speaker 2>vagaries of links golf, and yeah, the importance of the

1:27:53.360 --> 1:27:56.280
<v Speaker 2>shapes around the greens and how they impact recovery shots

1:27:56.320 --> 1:27:59.120
<v Speaker 2>into the greens that I think is is probably an

1:27:59.120 --> 1:28:01.879
<v Speaker 2>acquiet taste, not that it can't be learned by people

1:28:01.960 --> 1:28:05.760
<v Speaker 2>that haven't spent as which time around links golf, but yeah,

1:28:05.760 --> 1:28:07.840
<v Speaker 2>I think I think that I think that's important and

1:28:08.040 --> 1:28:11.559
<v Speaker 2>just an understanding of, yeah, the evolution that golf courses

1:28:11.840 --> 1:28:13.960
<v Speaker 2>have been on in Great Britain over the last hundred

1:28:14.080 --> 1:28:17.519
<v Speaker 2>years and why, you know, understanding why golf course are

1:28:17.560 --> 1:28:21.759
<v Speaker 2>involved in knowing when knowing when to trust the past

1:28:23.280 --> 1:28:25.120
<v Speaker 2>or when you can take you know, where you can

1:28:25.200 --> 1:28:30.360
<v Speaker 2>think about bringing or you know, introducing new ideas or

1:28:30.400 --> 1:28:34.599
<v Speaker 2>bringing old ideas into the new. Yeah, it's just it's

1:28:35.000 --> 1:28:36.759
<v Speaker 2>that experience I think is really valuable.

1:28:36.920 --> 1:28:38.720
<v Speaker 1>All Right, Well, Clyde, thank you so much for coming

1:28:38.760 --> 1:28:40.640
<v Speaker 1>on the podcast. It's been fun talking to you and

1:28:40.960 --> 1:28:43.080
<v Speaker 1>uh and good luck with your with your future work.

1:28:43.800 --> 1:28:44.920
<v Speaker 2>Thank you it was a pleasure.

1:28:51.320 --> 1:28:55.160
<v Speaker 1>This episode of Designing Golf was produced by Will Balsam.

1:28:55.479 --> 1:28:59.840
<v Speaker 1>Thank you Will. The holiday season is approaching and you

1:29:00.080 --> 1:29:03.759
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