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Speaker 1: Hey, what's up everybody. Thanks for checking out this Disgraceland

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Speaker 1: bonus episode, this after party episode. We have a ton

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Speaker 1: of content in the feed for you this month. We

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Speaker 1: just came to the close of October and we just

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Speaker 1: wrapped our reincarnated Best Halloween episodes with episodes on The

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Speaker 1: Misfits in Big Lurch over the bad Lands Feed. We're

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Speaker 1: dropping an episode on the movie The Misfits. Okay, not

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Speaker 1: the Glenn danzig Man, the movie The Misfits with Merril Monroe,

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Speaker 1: so you can check that out as well. All right,

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Speaker 1: let's get in to the after party. Hey, discos, need

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Speaker 1: a little more Disgraceland in your life, just to touch

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Speaker 1: to get you through. Yeah, me too. This is the podcast.

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Speaker 1: It comes after the podcast. Welcome to Disgraceland the after Party.

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Speaker 1: Welcome to the disgracelaand bonus episode. A little thing we

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Speaker 1: like to call the after party. This is the show

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Speaker 1: after the show, the party after the party, the bridge

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Speaker 1: to get you from one full episode of Disgraceland to

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Speaker 1: the other. The backyard did get into the dirt on

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Speaker 1: this episode. We are talking about, among other things, the Misfits,

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Speaker 1: the band the Misfits, and the Misfits the movie The Misfits,

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Speaker 1: as well as your voicemails, text, dms and more, and

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Speaker 1: as always, a whole lot of Rosie. All right, discos,

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Speaker 1: let's get into it. Halloween twenty twenty three. It's in

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Speaker 1: the books, and the creeps have returned to their crips,

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Speaker 1: as they say, the ghosts, all those ghouls they disappeared,

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Speaker 1: back into their old haunts. I was trying to explain

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Speaker 1: to my son's nine year old friend last night what

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Speaker 1: a ghoul was, and I realized, you know what, perhaps

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Speaker 1: I'm not the storyteller I think I am, because I

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Speaker 1: wasn't making any progress. But you know what, I am

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Speaker 1: making progress on today my candy hangover. I kept it tight.

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Speaker 1: I didn't go overboard last night. Proud of myself. How'd

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Speaker 1: you guys do? Listen here in Disgraceland. You know, Halloween

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Speaker 1: may may be over, but the dead remain undead, as

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Speaker 1: you likely saw in your feed this week, we just

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Speaker 1: wrapped up ten days of the ten Scariest Halloween episodes

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Speaker 1: with two of my favorite episodes we've ever done in Disgraceland,

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Speaker 1: one on horror core rapper Big Lurch and also another

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Speaker 1: on one of my favorite bands of all time the Misfits.

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Speaker 1: As you know, if you've listened to that episode or

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Speaker 1: you've heard me talk before, I love the Misfits. They

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Speaker 1: had a huge impact on me as a kid. This

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Speaker 1: episode that we did on the Misfits truly unique in

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Speaker 1: the world of Disgraceland. Forgive me if you've heard this before,

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Speaker 1: because I've told this story, but I don't care. I'm

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Speaker 1: going to tell it again for the new listeners out there,

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Speaker 1: especially those who are who are here because of the

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Speaker 1: Halloween vibes. I found out, I don't know, four years

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Speaker 1: ago or so, that Night of the Living Dead, the

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Speaker 1: classic horror movie, the George rom Meiro horror movie. I

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Speaker 1: found out the Night of the Living Dead was public domain.

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Speaker 1: The sixty nineteen sixty eight classic film, for whatever reason,

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Speaker 1: is in the public domain. And why it is, I

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Speaker 1: don't know. But basically what that means is anyone can

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Speaker 1: take whatever they want from that movie and do whatever

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Speaker 1: they want with it. So, upon hearing that and researching

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Speaker 1: the Misfits right around the same time, because I knew

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Speaker 1: I was going to write an episode on them, came

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Speaker 1: across the fact obviously that Glenn Danzig, singer of the

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Speaker 1: Misfits was hugely influenced by the film Night of the

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Speaker 1: Living Dead, So I thought, why don't I try to

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Speaker 1: get the crack engineers and musicians at Double Elvis to

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Speaker 1: rip the soundtrack, the sound of that movie, the score

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Speaker 1: of Night of the Living Dead. Why don't I get

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Speaker 1: them to try to rip that, and then I'll use

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Speaker 1: those files that music to score our disgrace in episode.

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Speaker 1: So that's exactly what we did, and we actually took

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Speaker 1: it a step further and doing so, I became so

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Speaker 1: inspired by Night of the Living Dead that I actually

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Speaker 1: went in this totally different direction with the Misfits episode,

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Speaker 1: which was supposed to be an episode that was built

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Speaker 1: largely around the arrest of the band in that graveyard

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Speaker 1: down in Louisiana, New Orleans, back from the early days

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Speaker 1: of the Misfits, but in being inspired by Night of

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Speaker 1: the Living Dead, I decided to take a more satirical

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Speaker 1: approach and really try to put the character of Glenn

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Speaker 1: and Danzig into the Night of the Living Dead world

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Speaker 1: and use sort of the zombies as a parable. And

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Speaker 1: the telling of that story is a parable for the

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Speaker 1: telling of the story of Glenn Danzig and the alienation

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Speaker 1: that he felt. So that was the Misfits episode. If

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Speaker 1: you have not heard it, please check it out. The

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Speaker 1: Misfits are part of what made me as a creator,

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Speaker 1: as not only a writer, but a musician and just

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Speaker 1: a kid with the year trying to find his way

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Speaker 1: early on, trying to figure out who he was and

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Speaker 1: what he wanted to do and how he was going

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Speaker 1: to direct his anger. And the Misfits had a lot

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Speaker 1: to do with that. Also, you know the Misfits, the

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Speaker 1: band Glenn Danzig took the name from the movie The Misfits,

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Speaker 1: the Marilyn Monroe movie, because Danzig was obsessed with Marilyn

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Speaker 1: Monroe and we decided, you know, we knew a little

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Speaker 1: bit about that movie. I love that movie. The movie's great.

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Speaker 1: I loved it even before I really knew it had

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Speaker 1: anything to do with Danzig. It's Marilyn Monroe's last performance

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Speaker 1: before she died. It's a John Houston movie. It's written

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Speaker 1: by Marilyn Monroe's who was soon to be her ex

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Speaker 1: husband at the time, Arthur Miller, and stars Clark Gable

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Speaker 1: along with Marilyn Monroe and Montgomery Cliff. It's just a great, great,

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Speaker 1: great film. But the lore around that film is something else.

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Speaker 2: Man.

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Speaker 1: There was a lot of drama that happened around the

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Speaker 1: making of The Misfits, and a lot of that I

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Speaker 1: uncovered when I was researching the Marilyn Monroe pilot episodes

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Speaker 1: for Bad Life. So you know, I don't know, we

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Speaker 1: were thinking Halloween going to re release the Danzig Misfits

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Speaker 1: episode and the Disgrace Land Feed. Why don't we do

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Speaker 1: an episode on the Misfits movie and we'll tie them

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Speaker 1: together and release them around the same time. So that's

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Speaker 1: what we've done. You're going to be able to go

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Speaker 1: to the bad Lands Feed this week and hear that

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Speaker 1: Misfits movie episode. Okay again, the last film that both

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Speaker 1: Marilyn Monroe and Clark Gable made, not just together. I

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Speaker 1: don't think they made a film before that actually together,

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Speaker 1: but the last film they made, and the lore of

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Speaker 1: the film is that it killed them both. It was

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Speaker 1: that crazy of an experience, and Maril Monroe was even

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Speaker 1: subsequently blamed for her hero who Clark Gable was her

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Speaker 1: hero's death. Anyways, just you know, in John Houston larger

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Speaker 1: than life character directing it. Montgomery Cliff also a huge, huge,

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Speaker 1: dynamic character, just really really interesting story so check out

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Speaker 1: the Misfits movie episode and the bad Lands feed this

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Speaker 1: week as well. So this is essentially a crossover episode

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Speaker 1: between both the disgrace landpock in the bad Lands podcast.

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Speaker 1: We've done this before with Mama Cass Elliott and Sharon Tate.

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Speaker 1: Mama Cass Elliott has two episodes dedicated to her in Disgraceland,

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Speaker 1: and her friend Sharon Tate has two episodes dedicated to

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Speaker 1: her in bad Lands. We had more of an intentional

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Speaker 1: aim at these two episodes. The crossover here that we

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Speaker 1: did with the Misfits ones, the thing that we did

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Speaker 1: with the Sharon Tate and Mama Cass episodes is we

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Speaker 1: essentially told the same story from two different points of view.

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Speaker 1: And I don't know, I think we did a really

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Speaker 1: good job. I'm really proud of those two episodes. I

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Speaker 1: don't know, though, what do you guys think? What do

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Speaker 1: you think of this crossover thing? More importantly, not specifically,

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Speaker 1: what do you think of the Misfits episodes? Though I

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Speaker 1: am interested in that, But what I'm more interested in

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Speaker 1: is what do you think of crossing over between Disgraceland

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Speaker 1: and bad Lands. A lot of people think that it

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Speaker 1: should just be one show. A lot of people think

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Speaker 1: we should do more versions of what we're already doing

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Speaker 1: in different genres, but I'm kind of liking the way

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Speaker 1: it's going now, and I'm kind of liking the way

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Speaker 1: that we're able to cross over when we want and

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Speaker 1: kind of keep them separate as well. But let me

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Speaker 1: know what you guys. Thank you guys are the most

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Speaker 1: important opinions out there. You're the voices of Double Elvis,

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Speaker 1: the voices of Disgraceland and bad Lands, and you know

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Speaker 1: how to make your voice heard. It's six one seven

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Speaker 1: nine oh six, six six three eight, Okay, And then

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Speaker 1: at disgracelam pod on the socials and disgracelampod at gmail

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Speaker 1: dot com on email. All right, I cannot wait to

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Speaker 1: hear from you guys this week. Can't wait to hear

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Speaker 1: from you on all things music, all things true crime,

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Speaker 1: all things even Hollywood. We'll get to that in the

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Speaker 1: wrap party. Bonus episodes over in the bad Lands. Feed

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Speaker 1: but again. Six one seven nine oh six, six six

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Speaker 1: three eight. Let me know what you're thinking, Let me

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Speaker 1: know what you want to hear for future episodes of Disgraceland.

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Speaker 1: Let me know what you think about crossover episodes with

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Speaker 1: bad Lands, and I'm here to talk about whatever you

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Speaker 1: want more general stuff. Receive some very heartfelt dms from

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Speaker 1: a few of you this week. I'm not exactly sure

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Speaker 1: why they came this time of year. Star Together. We're

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Speaker 1: gonna get to that later in the engagement part of

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Speaker 1: this episode. But like I said, I'm here to talk

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Speaker 1: to you guys about whatever you want to talk about.

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Speaker 1: Six one seven nine oh six six six three eight.

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Speaker 1: Take a quick break back in the flash. All right,

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Speaker 1: we're back. You know the drill six one seven nine

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Speaker 1: oh six six six three eight to get at me

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Speaker 1: on voicemail or text. Let's check out this voicemail from

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Speaker 1: the five to four to.

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Speaker 3: Zero Jake, Sure, Happy Halloween eight.

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Speaker 4: Well you did it.

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Speaker 2: I listened to the missed It episode for like about

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Speaker 2: the third time or something, and.

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Speaker 4: Uh did that this morning.

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Speaker 2: And you know what, I've been listening to all day

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Speaker 2: long now missed it one days, been in my head

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Speaker 2: all day long. Thanks man, I appreciate it. No, actually

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Speaker 2: I really do, thank you. I had listened to them

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Speaker 2: in a very long time, but thank you for that,

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Speaker 2: and I appreciate that.

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Speaker 3: Up says you got it.

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Speaker 1: Five four h I love when when things come across

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Speaker 1: the sort of cultural landscape.

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Speaker 5: That have to do with.

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Speaker 1: Bands or movies or whatever that I haven't really paid

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Speaker 1: attention to in a long time, and it's just another

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Speaker 1: excuse to pull me back into it. So anything I've

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Speaker 1: done to pull you back into the Misfits right on.

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Speaker 1: And I'm super psyched that you dug the episode. Thank you.

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Speaker 1: All right, let's hear from Mike in the nine seventy.

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Speaker 3: Hey, Jake, someone that's close but that's been pushing it

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Speaker 3: off for a while. My name is Mike. I haven't

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Speaker 3: done his little stage full cancer about six years ago,

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Speaker 3: and I already told my wife keep me in your

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Speaker 3: heart by Warren Zebo, and that's my checkouts on. You

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Speaker 3: have a great day. Talk to you later. Bye bye.

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Speaker 1: All right, Mike, thank you, thanks for your message. I

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Speaker 1: hope you're doing well. Appreciate it. Mike of course is

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Speaker 1: calling in and we put up the call you know,

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Speaker 1: what's the what's your Funeral song? And I did a

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Speaker 1: kind of tongue in cheek thinking that we were all

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Speaker 1: thinking about a time way down the line in the future.

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Speaker 1: Sounds like Mike has some more a more pressing need

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Speaker 1: to think about this sort of thing. U and Mike

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Speaker 1: your your choice here. Keep Me in your Heart by

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Speaker 1: Warren Zevon. Is you know it's a tear jerker. I

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Speaker 1: want to start crying just thinking about it. I hope

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Speaker 1: you're doing well. I hope your wife is well and

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Speaker 1: h yeah, man, hit us back, keep us posted, let

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Speaker 1: us know how you're doing. All right, Let's hear from

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Speaker 1: David in the two six to two on you know

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Speaker 1: what he's up to while he's listening to Disgraceland.

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Speaker 6: Jacob Man, this is David in the two six two.

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Speaker 6: First time, long time you've been asking when people listen

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Speaker 6: to Disgraceland, and.

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Speaker 5: For me, I save it for well.

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Speaker 6: I'm doing yard work, making leaves, mowing the grass, shoveling snow,

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Speaker 6: all that crap.

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Speaker 7: It's perfect.

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Speaker 6: There's no other bullshit in my face. I could just

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Speaker 6: focus on you. This afternoon, I was raking leaves and

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Speaker 6: listening to the episode on Skip James when you mentioned

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Speaker 6: that he came to Grafton, Wisconsin to record. I happened

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Speaker 6: to live in Grafton, one hundred yards from where the

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Speaker 6: Paramount Records building. Was what a trip hearing you mentioned

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Speaker 6: my hometown. Love the show and how well you tell

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Speaker 6: these fascinating stories. Keep it up, man, click.

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Speaker 1: David, thank you for the message.

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Speaker 3: Love this.

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Speaker 1: I do the same thing when i'm when i'm you know,

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Speaker 1: taking out the trash, doing yard work whatever, that's when

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Speaker 1: I tend to be listening to podcasts. But it makes

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Speaker 1: me happy, man, to know that I'm in your head

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Speaker 1: while you're raking those leaves, you're listening to me talk

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Speaker 1: Skip James and then skip James recorded right down the

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Speaker 1: road from you. Pretty amazing. Love this stuff. Keep it coming.

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Speaker 1: Hope you're well and talk soon. All right, man, All right,

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Speaker 1: let's hear from this disgrace and listener over in Scotland my.

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Speaker 8: Mind Jake scattas Faede Bony Skull and Longtain Musla Fastained

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Speaker 8: Cola just to.

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Speaker 3: Crct nass you see.

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Speaker 8: Keep hope you could.

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Speaker 3: Talk to me. Yeah, podcasts, all of them.

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Speaker 8: It really got me through some dark times in my

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Speaker 8: life's mate, honest life lately it's been good and I

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Speaker 8: don't think you appreciate how much your story detailing helps

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Speaker 8: to take us away from all of life's problems, even

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Speaker 8: just for a wee while.

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Speaker 3: Keep probably good.

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Speaker 8: But also how about an episode about Dylan's role and

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Speaker 8: Thunder tour man was up to all sorts, you know

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Speaker 8: it anyway, mate, much love for you cross the Pond jails,

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Speaker 8: my man.

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Speaker 1: I love the message. Thanks for listening way over there

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Speaker 1: in Scotland. Happy to hear that listening to Disgraceline is

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Speaker 1: helping you out whatever way it is. I cannot tell

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Speaker 1: you how much gratitude I have for your message here.

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Speaker 1: It just really makes me feel like we're doing something

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Speaker 1: worthwhile here. So I hope whatever's got you down has

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Speaker 1: lightened up a little bit and that you're able to

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Speaker 1: get through your day with a little more ease. And yeah, dude,

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Speaker 1: Dylan rolling Thunder. That's a whole whole whole thing that

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Speaker 1: we will get into at one point. What a wonderful

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Speaker 1: cast of characters there, Bob Dylan, Alan Ginsberg, Damn who else,

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Speaker 1: Sam Sheppard, t Bo and Burnett. Just incredible. All right, man,

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Speaker 1: keep listening and stay in touch.

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Speaker 5: All right.

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Speaker 1: Let's hear from Edison in the seven seven three.

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Speaker 7: Jake Edison from the seven seven three on the subject

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Speaker 7: of music that gives us the chills. If you're talking

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Speaker 7: soundtrack music, John Carper during the like you should include

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Speaker 7: Vic Mizzy's Haunted Organ music from the Ghost and Mister Chicken.

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Speaker 7: I've talked to other people over the years, generally my age,

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Speaker 7: but whoever seen that movie has agreed with me. It

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Speaker 7: gives you the shit chills every time you hear it.

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Speaker 6: I still get goosebumps.

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Speaker 7: And I saw the movie was when I was like

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Speaker 7: five years old. Vic Mizzy also wrote the scenes of

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Speaker 7: The Adams Family music, so the guy obviously knew how

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Speaker 7: to work a nerve and write a good hook as well.

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Speaker 7: But give that, Alicia. Tell me I'm wrong, but.

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Speaker 3: It's chilling.

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Speaker 1: That's it, rock and roll one, Edison, great message, man. Yeah,

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Speaker 1: John Carpenter, for sure, I've never heard of Haunted Organ

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Speaker 1: music for the Ghost of Mister Chicken. But anything that's

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Speaker 1: going to give you the quote unquote shit chills that

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Speaker 1: you mentioned, I'm here for it. And interesting tidbit about

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Speaker 1: that being the writer for the Adams Family music as well.

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Speaker 7: Love it.

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Speaker 1: Thanks for the thanks for the note, and I've played

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Speaker 1: The Fog the soundtrack for The Fog for my five

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Speaker 1: year old, which is John Carpenter, as you know, Edison,

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Speaker 1: and honestly, all I have to do is put that

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Speaker 1: music on and just drop my voice like this, and

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Speaker 1: I can talk about anything. I can talk about the

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Speaker 1: sun coming up. I can talk about rainbows and puppy

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Speaker 1: dogs and cute little kittens, and my five year old

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Speaker 1: loses his fucking mind in fear. Just because of the

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Speaker 1: tonality of the voice set to the John Carpenter music.

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Speaker 1: It still works. It's been working for about a year

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Speaker 1: and a half now. Yes, I'm the worst at all right,

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Speaker 1: it's a couple more voicemails here, what else we got?

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Speaker 1: All right, let's hear from the five to one three

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Speaker 1: on some more spooky songs.

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Speaker 4: Hello, Jake, I am they saying my name is cat

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Speaker 4: House Boo. And as for a scary.

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Speaker 3: Song, the song garbage number.

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Speaker 4: One Proshi it's that song.

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Speaker 3: It's like, oh die three.

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Speaker 4: I was driving down the street. Someone ran in front

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Speaker 4: of my car and their head went through my windshield.

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Speaker 4: So if I hear that song, I start to sweat.

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Speaker 4: Hopefully the guy was okay, but I never heard I

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Speaker 4: figured it the passaway on what it know? Anyway, I

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Speaker 4: keep up the good work.

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Speaker 1: Thanks damn well. Cathouse Blue. First of all, your name

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Speaker 1: sounds like you're from a Sam Peck and Palm movie,

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Speaker 1: which is obviously a good thing. I'm just I'm just

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Speaker 1: gonna go with the fact that you you just left

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Speaker 1: out some details in this, like the guy was tended

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Speaker 1: to but you don't know if he if he died,

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Speaker 1: you didn't drive away from the scene. I'm guessing that's

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Speaker 1: not what happened. And yes, I'm hoping that the man

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Speaker 1: whose head smashed through windshield is okay as well. And

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Speaker 1: I can completely understand how you would be traumatized every

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Speaker 1: time you would hear that song that was playing when

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Speaker 1: this event happened. Damn quite the message. Uh calls back

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Speaker 1: Cathouse Blue. Sounds like he got some stories, all right.

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Speaker 1: So Voicemail of the Week comes from the five to

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Speaker 1: four to h five four to oh, I love it.

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Speaker 1: Sean play that.

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Speaker 3: One, mister Jaikester.

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Speaker 5: I'm at my funeral. I believe I'll get him to

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Speaker 5: play the sex pistols. Pretty vacant, just because I want

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Speaker 5: everybody in the whole thing to have to listen to

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Speaker 5: sex pistles. Everybody should listening to sex ustle anyway, and

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Speaker 5: pretty vacant. So I mean, you're you're dead and ballance

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Speaker 5: that you're pretty much vacant. But anyway, that's but then

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Speaker 5: you'll like this. You could always just play a soundtrack

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Speaker 5: of a of a sixty seven Mustang ninety Big Block

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Speaker 5: just going through the gears.

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Speaker 1: But thanks man, yo, yes, spot on quite literally dead

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Speaker 1: and gone and pretty vacant. So sex pistols makes total

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Speaker 1: sense for the funeral song. But I got to hand

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Speaker 1: it to you, man, Uh, the three ninety big block

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Speaker 1: Mustang just going through the gears, that's just that. Nothing

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Speaker 1: screams life more than the sound of a big American

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Speaker 1: engine from a muscle car. So I'm with you on

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Speaker 1: that good stuff, all right? Six one seven nine oh

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Speaker 1: six six six three eight voicemail and text to get

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Speaker 1: at me on what your favorite funeral song is. What

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Speaker 1: disgrace Land episodes you want to hear in the future,

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Speaker 1: What bad Lands episodes you want to hear in the future.

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Speaker 1: We're going to start there, but you guys can talk

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Speaker 1: to me about anything, you know that. All right, We're

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Speaker 1: gonna take a quick break, come back and read some texts.

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Speaker 1: All right, Let's do some texts, all right? This one

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Speaker 1: from the two two eight. Hey, Jake, this is Michelle

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Speaker 1: with one L. I listened to Disgraceland when I'm getting

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Speaker 1: ready for work. I work at a very busy, upscale

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Speaker 1: restaurant in Gulfport, Mississippi, and I enjoy it so much

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Speaker 1: that I take notes on the recommendations and I have

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Speaker 1: a few pages of them, enough to keep me busy

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Speaker 1: for a long time. I don't know how you have

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Speaker 1: enough time to watch all this stuff and listen to

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Speaker 1: all this stuff, but I sure am glad that you do.

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Speaker 1: I have a question, where did you get the name

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Speaker 1: double Elvis? And are y'all unpacked now? Since you moved?

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Speaker 1: Love you rock a rolla? Well, all right, Michelle, appreciate

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Speaker 1: this message. I really do. Glad you're digging the res Okay,

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Speaker 1: so here he's a dirty little secret. Here's how I

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Speaker 1: have time to watch and listen and read everything that

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00:20:05,800 --> 00:20:10,240
Speaker 1: I watched, listen and read maybe about I don't know.

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Speaker 1: Ten years ago, I was listening to an interview with

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Speaker 1: Jason Schwarzman. He's the actor from Rushmore and a ton

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Speaker 1: of other things. You'll recognize him. He's Talia Shire, the

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Speaker 1: actress Talia Shire from the Godfather from Rocky, he's her son,

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Speaker 1: and he's also Francis for Coppola's nephew. Anyways, I was

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Speaker 1: listening to an interview he was doing. And in addition

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Speaker 1: to him being an actor that I think is just

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Speaker 1: fucking fantastic, he's also he's also a musician. He's a drummer.

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Speaker 1: He's in a band called Phantom Planet. I believe his

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Speaker 1: brother's a musician as well. Anyways, he was talking about

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Speaker 1: growing up with his mom, who, like I said, was

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Speaker 1: an actress, and what it was like, and he described

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Speaker 1: his house as being one where his mom always had

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Speaker 1: multiple things going on that she was consuming culturally. So

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Speaker 1: in one room, she would have a movie playing, and

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Speaker 1: you know, maybe she was watching it, maybe she wasn't,

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Speaker 1: but she's passing through the room throughout the day. And

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Speaker 1: in the other room she would have music playing. And

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Speaker 1: then you know, she'd be in the kitchen and she'd

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Speaker 1: be cooking, and she'd be reading a menu from the

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Speaker 1: New York Times cookbook or or or you know, up

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Speaker 1: up in the bathroom there'd be there'd be all these

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Speaker 1: great magazines, and perhaps in another room there was a

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Speaker 1: book that she would just have open where she left

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Speaker 1: off reading, like a great piece of literature or something

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Speaker 1: like that. And I thought that just sounded wonderful, and

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Speaker 1: I had a kind of similar upbringing at my father's house.

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Speaker 1: And I didn't grow up with my dad, but I

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Speaker 1: was certainly at his place a lot, and it was similar.

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Speaker 1: It wasn't the same, but it was similar. I was

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Speaker 1: exposed to a lot. So my point is, that's that's

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Speaker 1: how I run our house. You know, we have we

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Speaker 1: have a lot of televisions and different rooms, and a

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Speaker 1: lot of stereos and a lot of records, and I've

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Speaker 1: got shit going all the time. I might have a

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Speaker 1: horror movie on in one room and you know, my

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00:22:03,200 --> 00:22:06,040
Speaker 1: kids maybe watching you know, something a little more PG

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Speaker 1: in another room. There's there's multiple books all over the

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Speaker 1: place and I'm in and out of and I'm reading.

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Speaker 1: Reading's tough because I have to read a lot for work,

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Speaker 1: so that's a tough one. But listening to music as well.

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Speaker 1: I'm constantly listening to music, even if I'll have music

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Speaker 1: blaring throughout the house and movies on different TV screens

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Speaker 1: with just you know, the volume on the film down.

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Speaker 1: And then of course, you know, I've learned that as

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Speaker 1: the busier I get with a family, it's just damn

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Speaker 1: hard to watch a movie from start to finish. I

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Speaker 1: don't watch as much television. But I'll just put movies

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Speaker 1: on and I'll just get sucked into them, and I'll

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Speaker 1: watch as much of them as I can, and then

429
00:22:45,040 --> 00:22:47,280
Speaker 1: I watch them in fits and spurts, and I just

430
00:22:47,359 --> 00:22:49,200
Speaker 1: kind of piece it all together. And that's how I

431
00:22:49,280 --> 00:22:50,840
Speaker 1: do it. My wife kind of does her version of

432
00:22:50,880 --> 00:22:52,639
Speaker 1: the same thing, so I get I get kind of

433
00:22:52,680 --> 00:22:55,320
Speaker 1: the double exposure, which is awesome. And then my kids

434
00:22:55,440 --> 00:22:57,879
Speaker 1: they're they're they're finding their way into stuff on their

435
00:22:57,920 --> 00:23:00,080
Speaker 1: own as well, and they're exposing me to things. So

436
00:23:01,119 --> 00:23:03,240
Speaker 1: that's it. That's how I do it, if that makes

437
00:23:03,280 --> 00:23:05,440
Speaker 1: any sense at all. It's a big friggin' mess, but

438
00:23:05,560 --> 00:23:08,280
Speaker 1: it's a it's a fun one, all right. The five

439
00:23:08,440 --> 00:23:11,960
Speaker 1: four to one says, in text form you ask for

440
00:23:12,160 --> 00:23:15,760
Speaker 1: dog pictures, we have Moon, Queen of Hops and Arnold

441
00:23:15,840 --> 00:23:18,960
Speaker 1: the punk chilling on a hammock listening to Disgraceland and

442
00:23:19,119 --> 00:23:21,840
Speaker 1: Moon Queen of Hops as chain dog and Flop as

443
00:23:22,000 --> 00:23:25,160
Speaker 1: Moon's digging sidekick. There is an offense these two can't

444
00:23:25,240 --> 00:23:28,840
Speaker 1: jump over or dig under. Hashtag fence break twenty twenty three,

445
00:23:28,880 --> 00:23:32,639
Speaker 1: and there's two really cute looking dogs. One looks like

446
00:23:32,720 --> 00:23:34,359
Speaker 1: a pit bull mix and the other one is some

447
00:23:34,560 --> 00:23:38,000
Speaker 1: other kind of terrier mix. I'm guessing. Uh, these are

448
00:23:38,080 --> 00:23:40,919
Speaker 1: really really gorgeous dogs, and I love that they're listening

449
00:23:41,000 --> 00:23:44,520
Speaker 1: to Disgraceland. I gotta say Disgraceland for the dog. Six

450
00:23:44,640 --> 00:23:47,320
Speaker 1: one seven nine oh six six six three eight. Text

451
00:23:47,440 --> 00:23:50,720
Speaker 1: us your dog pictures, text us your questions, your recommendations,

452
00:23:50,760 --> 00:23:53,800
Speaker 1: anything you got three one six texts in. Hey, Jake,

453
00:23:53,920 --> 00:23:55,960
Speaker 1: this is Jason from the three one six. I always

454
00:23:55,960 --> 00:23:58,440
Speaker 1: said that when I died, I wanted Norman Greenbaum's song

455
00:23:58,680 --> 00:24:01,040
Speaker 1: Spirit in the Sky play at my funeral. Love the

456
00:24:01,080 --> 00:24:03,320
Speaker 1: guitar riffs and it's a good message as well. You

457
00:24:03,400 --> 00:24:07,040
Speaker 1: know what else, Jason about that song, It fucking feels good.

458
00:24:07,200 --> 00:24:10,600
Speaker 1: It's got a good fucking groove, it's played out. I

459
00:24:10,720 --> 00:24:13,840
Speaker 1: mean that song. I don't actively try to listen to

460
00:24:13,920 --> 00:24:15,399
Speaker 1: that song, but if I heard it at a funeral,

461
00:24:15,440 --> 00:24:18,720
Speaker 1: I'd be like, this is perfect. This dude, this dude

462
00:24:18,800 --> 00:24:22,239
Speaker 1: had good taste in a good sense of timing. Four

463
00:24:22,280 --> 00:24:24,159
Speaker 1: to four to Roh Rights and Jake. Huge fan of

464
00:24:24,240 --> 00:24:27,200
Speaker 1: Double Elvis podcasts. I was catching up on some episodes.

465
00:24:27,240 --> 00:24:32,320
Speaker 1: Wanted to give you my favorite Halloween songs and uh yeah,

466
00:24:32,400 --> 00:24:34,240
Speaker 1: the four Tour row here gives us six. I don't

467
00:24:34,280 --> 00:24:37,680
Speaker 1: know why six, but six works Number six Spooky Atlanta

468
00:24:37,760 --> 00:24:41,320
Speaker 1: Rhythm Section five, Monster, Kanye West featuring Nicki, Minaj, Bonaver,

469
00:24:41,680 --> 00:24:44,000
Speaker 1: Rick ross A, jay Z, four Bars, The Spider, The

470
00:24:44,080 --> 00:24:47,439
Speaker 1: Who three Season of the Witch, Donovan two Monster by

471
00:24:47,480 --> 00:24:51,480
Speaker 1: Skillet one Monster Hash by the Toys. Hey have you

472
00:24:51,600 --> 00:24:53,920
Speaker 1: heard Lona del Rey's Season of the Witch? I actually

473
00:24:53,920 --> 00:24:55,320
Speaker 1: think I might like it. No, I don't like it

474
00:24:55,359 --> 00:24:57,719
Speaker 1: more than Donovan's. I have a tough relationship with Donovan.

475
00:24:57,960 --> 00:25:00,159
Speaker 1: I'll say that, but you check her version out. It's

476
00:25:00,200 --> 00:25:04,320
Speaker 1: good and appreciate the text. Four four h Also, just

477
00:25:04,400 --> 00:25:07,560
Speaker 1: before I forget a couple of text ago, someone asked

478
00:25:07,560 --> 00:25:09,240
Speaker 1: about the name double Elvis and where it came from.

479
00:25:09,880 --> 00:25:13,200
Speaker 1: And obviously we're all things Elvis here at Disgraceland, but

480
00:25:15,240 --> 00:25:18,840
Speaker 1: I read that there was that famous Warhol photo of

481
00:25:18,920 --> 00:25:22,200
Speaker 1: the two Elvis's the photo of Elvis where he's got

482
00:25:22,240 --> 00:25:25,399
Speaker 1: the gun. It's full size, and there's there's sort of

483
00:25:25,480 --> 00:25:29,200
Speaker 1: one image of Elvis layered over the exact same image

484
00:25:29,240 --> 00:25:32,080
Speaker 1: of Elvis, and that that piece of art by Warhol

485
00:25:32,359 --> 00:25:35,600
Speaker 1: is called double Elvis. And I thought that was cool

486
00:25:35,640 --> 00:25:38,560
Speaker 1: because we deal with dichotomies here we're telling these stories

487
00:25:38,600 --> 00:25:41,520
Speaker 1: of people who who make great music and do horrible things.

488
00:25:41,560 --> 00:25:44,080
Speaker 1: And I just like the sort of duality of the

489
00:25:44,200 --> 00:25:46,440
Speaker 1: sound of the name double Elvis as it pertained to

490
00:25:47,200 --> 00:25:49,840
Speaker 1: what we're trying to do here with thematically, with the storytelling.

491
00:25:50,320 --> 00:25:53,560
Speaker 1: So there you go, all right, now you know? Three

492
00:25:53,640 --> 00:25:57,280
Speaker 1: one two rights and Happy Halloween, Jake Sarah from Wisconsin. Here,

493
00:25:57,320 --> 00:25:59,720
Speaker 1: I have to say, the one song I would pick

494
00:26:00,080 --> 00:26:02,680
Speaker 1: for my funeral is a sweet song but still a

495
00:26:02,760 --> 00:26:06,960
Speaker 1: good one, and that is Over the Rainbow by Izz Hope.

496
00:26:07,000 --> 00:26:08,680
Speaker 1: You have a fabulous spooky season.

497
00:26:08,720 --> 00:26:09,159
Speaker 4: Who is?

498
00:26:10,040 --> 00:26:10,560
Speaker 3: Who is?

499
00:26:11,680 --> 00:26:15,479
Speaker 1: Is she trying to say, Liza Judy Garland? Three one

500
00:26:15,520 --> 00:26:19,560
Speaker 1: two right back? Let me know who is is? All right?

501
00:26:19,920 --> 00:26:22,200
Speaker 1: What else? What else? What else? Do you guys want

502
00:26:22,240 --> 00:26:24,480
Speaker 1: to talk about? Six one seven nine oh six six

503
00:26:24,640 --> 00:26:26,800
Speaker 1: six three eight. You know how to get in touch,

504
00:26:27,119 --> 00:26:31,679
Speaker 1: Hit me up voicemail, text down to talk funeral songs forever,

505
00:26:31,920 --> 00:26:35,280
Speaker 1: down to talk about favorite Disgraceland subjects. I want to

506
00:26:35,320 --> 00:26:38,040
Speaker 1: know how your Halloween was. I especially want to know

507
00:26:38,440 --> 00:26:41,159
Speaker 1: what you do when you're listening to Disgraceland. And I

508
00:26:41,200 --> 00:26:43,280
Speaker 1: want to know what you guys want from me as

509
00:26:43,320 --> 00:26:45,920
Speaker 1: a podcaster, as a creator. What you're looking for, I

510
00:26:45,960 --> 00:26:47,560
Speaker 1: don't know. It's been a while, it's been a minute.

511
00:26:47,680 --> 00:26:49,040
Speaker 1: Hit me up and let me know. Six one seven

512
00:26:49,119 --> 00:26:51,040
Speaker 1: nine oh six six six three eight. Going to take

513
00:26:51,040 --> 00:27:05,240
Speaker 1: a quick break back with some dms. All right, we

514
00:27:05,480 --> 00:27:08,360
Speaker 1: are back. I want to do a couple of dms here,

515
00:27:08,960 --> 00:27:13,760
Speaker 1: this one. Tony Carbone writes in on Instagram DM at

516
00:27:13,840 --> 00:27:15,880
Speaker 1: Disgrace lampod. That's where we're on Instagram if you guys

517
00:27:15,920 --> 00:27:18,080
Speaker 1: want to hit me up there. Tony Carbone writes in

518
00:27:18,160 --> 00:27:21,680
Speaker 1: true story, I had retina surgery done in Florida last year.

519
00:27:22,080 --> 00:27:28,200
Speaker 1: The surgeon doctor Carl Danzig, a cousin of Glenn. I

520
00:27:28,320 --> 00:27:32,720
Speaker 1: love that. I fucking love that, all right, Tony, good one?

521
00:27:33,520 --> 00:27:36,920
Speaker 1: All right. This listener writes in at Disgrace Lampod, also

522
00:27:37,000 --> 00:27:39,680
Speaker 1: on Instagram. I'm not going to give this listener's name,

523
00:27:40,880 --> 00:27:42,920
Speaker 1: but he writes, Hey, Jake, just a quick note to

524
00:27:42,960 --> 00:27:44,840
Speaker 1: say that I just spent the last five weeks in

525
00:27:44,920 --> 00:27:47,840
Speaker 1: psychiatric care during a pretty massive manic episode of my

526
00:27:47,920 --> 00:27:51,240
Speaker 1: bipolar disorder. And when I finally checked in on my

527
00:27:51,320 --> 00:27:55,080
Speaker 1: favorite shows, I saw there's a whole season of Disgraceland

528
00:27:55,200 --> 00:27:57,920
Speaker 1: on Wu Tang Clan and I am so excited to

529
00:27:58,080 --> 00:28:02,480
Speaker 1: dig in. This gentleman goes on to talk about how

530
00:28:03,600 --> 00:28:06,320
Speaker 1: Ghostface just made a record with Bad, Bad, Not Good,

531
00:28:06,440 --> 00:28:08,320
Speaker 1: which I did not know about. I love Bad, Bad,

532
00:28:08,440 --> 00:28:10,440
Speaker 1: Not Good, and I need to check that out. And

533
00:28:10,640 --> 00:28:12,600
Speaker 1: this fine gentleman goes on to say that the album's

534
00:28:12,720 --> 00:28:15,159
Speaker 1: amazing and anyways, take care and thanks for doing what

535
00:28:15,240 --> 00:28:18,960
Speaker 1: you do. And you got it at disgracelam pod. You

536
00:28:19,000 --> 00:28:21,520
Speaker 1: guys want to hit me up on Instagram, on x

537
00:28:21,840 --> 00:28:25,760
Speaker 1: on Facebook, just like Christine Manuel who writes saying, Hey,

538
00:28:25,800 --> 00:28:27,600
Speaker 1: when I was in high school, I attended a federal

539
00:28:27,680 --> 00:28:30,920
Speaker 1: boarding school that was located smack dab right in the

540
00:28:30,960 --> 00:28:34,280
Speaker 1: heart of Phoenix. And this was also geared for Native

541
00:28:34,280 --> 00:28:36,920
Speaker 1: American students. And this is also where I first heard

542
00:28:37,000 --> 00:28:40,040
Speaker 1: Bob Marley. And what struck me to say, what the

543
00:28:40,160 --> 00:28:43,080
Speaker 1: fuck was The kids that were blaring this awesome quote

544
00:28:43,160 --> 00:28:48,240
Speaker 1: unquote new music were from the Havasupai tribe. I know

545
00:28:48,280 --> 00:28:50,760
Speaker 1: I'm saying that incorrectly, and I apologize. They have a

546
00:28:50,800 --> 00:28:53,800
Speaker 1: relatively small nation at the bottom of the Grand Canyon.

547
00:28:54,120 --> 00:28:56,840
Speaker 1: And how did this really remote tribe get turned on

548
00:28:57,120 --> 00:28:59,520
Speaker 1: to Bob Marley before the rest of the native tribes

549
00:28:59,520 --> 00:29:02,440
Speaker 1: who had your access to just about everything the tribes

550
00:29:02,480 --> 00:29:05,040
Speaker 1: that don't live in the Grand Canyon. I believe Marley

551
00:29:05,240 --> 00:29:08,640
Speaker 1: even went there and performed a concert and that's what

552
00:29:08,800 --> 00:29:11,400
Speaker 1: did the trick. So pretty incredible story there. I love

553
00:29:11,480 --> 00:29:15,200
Speaker 1: these sort of anthropological stories of music and how it

554
00:29:15,240 --> 00:29:19,800
Speaker 1: gets to certain people before others really interesting. Appreciate that, Christine,

555
00:29:20,040 --> 00:29:20,920
Speaker 1: thanks for the message.

556
00:29:21,600 --> 00:29:21,959
Speaker 2: All right.

557
00:29:22,000 --> 00:29:25,280
Speaker 1: My friend Chelsea start Us writes in Okay, here, she

558
00:29:25,360 --> 00:29:29,520
Speaker 1: writes in I love this. She's talking about this story

559
00:29:29,560 --> 00:29:31,720
Speaker 1: we did where we were talking about our favorite Halloween music.

560
00:29:31,800 --> 00:29:34,320
Speaker 1: Chelsea writes, I make a different Halloween playlist every year,

561
00:29:34,760 --> 00:29:37,960
Speaker 1: have been since twenty fifteen. She sent me the link.

562
00:29:39,200 --> 00:29:44,480
Speaker 1: She goes on to recommend the Killer Sounds of Halloween albums. Okay, so,

563
00:29:44,560 --> 00:29:47,880
Speaker 1: if you guys are into a long playing Halloween playlist,

564
00:29:48,880 --> 00:29:51,680
Speaker 1: not too too long, but it's long and filled with

565
00:29:51,760 --> 00:29:55,080
Speaker 1: great songs, great tracks. Each album, Chelsea says, has thirteen

566
00:29:55,120 --> 00:29:58,040
Speaker 1: tracks by thirteen fake bands. But our homage is to

567
00:29:58,160 --> 00:30:01,040
Speaker 1: other bands which you will recognize and feature lots of

568
00:30:01,080 --> 00:30:03,840
Speaker 1: folks from the horror filmmaking world, and they are awesome.

569
00:30:04,440 --> 00:30:06,280
Speaker 1: If you're looking for this, go to band camp and

570
00:30:06,360 --> 00:30:10,040
Speaker 1: search The Killer Sounds of Halloween by Sean Keller and Friends.

571
00:30:10,480 --> 00:30:13,280
Speaker 1: It's actually eighteen tracks. It's pretty dope. We've been cranking

572
00:30:13,360 --> 00:30:15,520
Speaker 1: around the house and you're gonna dig it all right

573
00:30:15,640 --> 00:30:20,080
Speaker 1: at Disgrace slam pod on Instagram, on Twitter, on Facebook. Okay,

574
00:30:20,240 --> 00:30:23,120
Speaker 1: you want to talk some recommendations. I've been blabbing a

575
00:30:23,200 --> 00:30:25,880
Speaker 1: lot here, all right, blabbing to you guys though, so

576
00:30:25,960 --> 00:30:30,280
Speaker 1: it's all good. So I watched someone's recommendation on Instagram.

577
00:30:30,320 --> 00:30:35,120
Speaker 1: I watched Suspiria. This is the classic early eighties I

578
00:30:35,240 --> 00:30:38,960
Speaker 1: believe horror movie, Italian horror movie, and the movie is

579
00:30:39,080 --> 00:30:43,280
Speaker 1: scored by Goblin. This is one of those movies where

580
00:30:43,360 --> 00:30:46,000
Speaker 1: it is just too fucked up for me to explain.

581
00:30:46,040 --> 00:30:48,560
Speaker 1: There's no way I can explain this and do it justice.

582
00:30:48,600 --> 00:30:51,160
Speaker 1: So I'm just gonna tell you just go find it. Suspiria,

583
00:30:52,000 --> 00:30:56,680
Speaker 1: s usp I r Ia. If you love horror and

584
00:30:56,800 --> 00:31:00,720
Speaker 1: you love creepy fucking music, this is the marriage you've

585
00:31:00,800 --> 00:31:03,200
Speaker 1: always been looking for. And for those of you who

586
00:31:03,320 --> 00:31:06,800
Speaker 1: love this film, for those of you who hold this

587
00:31:07,280 --> 00:31:12,600
Speaker 1: horror movie deeply to your heart, I apologize for the

588
00:31:12,800 --> 00:31:15,480
Speaker 1: very shitty description non description that I'm giving I just

589
00:31:15,600 --> 00:31:16,880
Speaker 1: I don't know what to do with it, but I

590
00:31:16,960 --> 00:31:20,080
Speaker 1: do feel compelled to talk about it because it's that good.

591
00:31:20,120 --> 00:31:23,680
Speaker 1: Anyone has criteria and collection. It's being featured on there

592
00:31:23,760 --> 00:31:25,680
Speaker 1: right now. You can also, I believe you can watch

593
00:31:25,760 --> 00:31:27,880
Speaker 1: the whole thing on YouTube as well for free. So

594
00:31:28,000 --> 00:31:31,080
Speaker 1: check that out. And Goblin, just fucking Google Goblin. Man,

595
00:31:31,520 --> 00:31:33,640
Speaker 1: They're gonna blow your mind if you don't know about them.

596
00:31:33,920 --> 00:31:35,760
Speaker 1: All right, what else am I recommending? Of course I

597
00:31:35,840 --> 00:31:38,320
Speaker 1: recommended that because of the Goblin. The music side of it,

598
00:31:39,000 --> 00:31:42,440
Speaker 1: just recommended you that playlist from Chelsea Stardust. Check that out.

599
00:31:42,520 --> 00:31:45,200
Speaker 1: I'm gonna do something here because I'm drawing a blank.

600
00:31:45,600 --> 00:31:49,800
Speaker 1: I'm just gonna go through my Spotify search history for

601
00:31:49,960 --> 00:31:54,080
Speaker 1: the last few days and talk about what I've been

602
00:31:54,120 --> 00:31:58,000
Speaker 1: searching and listening to. All Right, Walking with a Ghost

603
00:31:58,720 --> 00:32:02,200
Speaker 1: by Teagan and Sarah. I wasn't listening to that for me.

604
00:32:02,280 --> 00:32:04,080
Speaker 1: I was listening to that for my five year old

605
00:32:04,120 --> 00:32:05,960
Speaker 1: who loves that song, and I freaked him out. He

606
00:32:06,080 --> 00:32:08,960
Speaker 1: was taking a shower and I just remotely started playing

607
00:32:09,000 --> 00:32:12,080
Speaker 1: it from the other room in the bathroom to get

608
00:32:12,080 --> 00:32:14,960
Speaker 1: a rise out of him. Also, there is a this

609
00:32:15,120 --> 00:32:16,600
Speaker 1: is good for those of you who like to listen

610
00:32:16,680 --> 00:32:19,680
Speaker 1: to music while you work but are doing something that

611
00:32:20,400 --> 00:32:25,360
Speaker 1: requires just critical thinking. I can't. I can't listen to

612
00:32:25,520 --> 00:32:29,120
Speaker 1: music with words, with vocals when I'm writing or researching.

613
00:32:29,160 --> 00:32:30,960
Speaker 1: It's too distracting. So there's a couple of things I

614
00:32:31,000 --> 00:32:33,560
Speaker 1: listened to. I listen to classical music. I listen to

615
00:32:34,080 --> 00:32:37,800
Speaker 1: hard bop jazz. And if i'm if I really need

616
00:32:37,880 --> 00:32:40,400
Speaker 1: to not be distracted, I listen to what is my

617
00:32:40,640 --> 00:32:44,680
Speaker 1: version of sort of acceptable music. And there's this profile

618
00:32:45,080 --> 00:32:47,320
Speaker 1: which a lot of millions of you probably know about,

619
00:32:47,920 --> 00:32:51,240
Speaker 1: that's on it's everywhere. It's on YouTube, and it's on Spotify.

620
00:32:51,320 --> 00:32:53,479
Speaker 1: It's it's called Lo Fi Girl, and it's great low

621
00:32:53,600 --> 00:32:56,960
Speaker 1: fi beats. There's there's typically no no vocals at all,

622
00:32:57,520 --> 00:33:00,600
Speaker 1: and you can just put that on Zone now right,

623
00:33:00,760 --> 00:33:04,360
Speaker 1: do whatever whatever you're doing. Also searched up some Bob

624
00:33:04,440 --> 00:33:06,520
Speaker 1: Mould looks like looks like. I searched up See a

625
00:33:06,560 --> 00:33:09,600
Speaker 1: Little Light, a song that I was on Instagram, and

626
00:33:09,760 --> 00:33:12,160
Speaker 1: I somehow got pointed to Bob Mould and he was

627
00:33:12,240 --> 00:33:14,080
Speaker 1: talking about that song and it reminded me of how

628
00:33:14,200 --> 00:33:16,920
Speaker 1: fucking great that song is. So I had that crank

629
00:33:16,960 --> 00:33:20,640
Speaker 1: in I was listening to the Corrosion of Conformity album Blind.

630
00:33:21,280 --> 00:33:23,720
Speaker 1: I was listening to day La Soul, all kinds of

631
00:33:23,800 --> 00:33:27,040
Speaker 1: day Las Soul, not just three feet high in rising.

632
00:33:27,480 --> 00:33:29,240
Speaker 1: But there's this other record home let me find It,

633
00:33:29,280 --> 00:33:30,680
Speaker 1: which I didn't know about. You know, this is one

634
00:33:30,720 --> 00:33:33,080
Speaker 1: of those things. It's like, you know, Dayla Soul never

635
00:33:33,160 --> 00:33:35,360
Speaker 1: really went away, or maybe they did, but looking at

636
00:33:35,400 --> 00:33:41,280
Speaker 1: their discography, they're just they've been making albums in great

637
00:33:41,440 --> 00:33:45,560
Speaker 1: music recently. They're not like, like their recent shit is

638
00:33:45,880 --> 00:33:50,160
Speaker 1: really fucking good. Specifically, I was listening to the twenty

639
00:33:50,320 --> 00:33:54,760
Speaker 1: sixteen album and the anonymous Nobody, which is great, It's fantastic.

640
00:33:55,320 --> 00:33:57,120
Speaker 1: I didn't hear anything on it that I didn't like.

641
00:33:57,360 --> 00:33:58,920
Speaker 1: I was like, wow, all right, I'm listening to a

642
00:33:58,960 --> 00:34:03,160
Speaker 1: full album again. Welcome to nineteen ninety eight. What else

643
00:34:03,160 --> 00:34:06,280
Speaker 1: do I got here? Jjkale very best at JJKAL playlist.

644
00:34:06,760 --> 00:34:10,360
Speaker 1: Anybody wants to chime in on which Jjkal album I

645
00:34:10,440 --> 00:34:12,520
Speaker 1: need to just go listen to as a full record.

646
00:34:12,680 --> 00:34:17,840
Speaker 1: I'm all ears, all right, let me know d'urgealing limited soundtrack.

647
00:34:18,000 --> 00:34:19,440
Speaker 1: I'm not sure why I pulled that up. I just

648
00:34:19,520 --> 00:34:22,719
Speaker 1: felt like it the fog soundtrack by John Carpenter and

649
00:34:23,080 --> 00:34:26,400
Speaker 1: uh yeah, that about does it for my recent Spotify searches.

650
00:34:26,440 --> 00:34:28,160
Speaker 1: Now you know what I'm listening to. Let me know

651
00:34:28,200 --> 00:34:30,480
Speaker 1: what you guys are listening to. Six one seven nine

652
00:34:30,520 --> 00:34:33,200
Speaker 1: oh six six six three eight at Disgrace LAMB pod

653
00:34:33,960 --> 00:34:37,520
Speaker 1: on Instagram, social media, all on Facebook, Twitter, you know

654
00:34:37,560 --> 00:34:38,000
Speaker 1: where I'm at.

655
00:34:38,120 --> 00:34:38,520
Speaker 7: Hit me up.

656
00:34:39,080 --> 00:34:42,200
Speaker 1: All right, we did it, we did it. We're here,

657
00:34:42,280 --> 00:34:44,400
Speaker 1: We're gonna wrap it up. Listen. Full disclosure. I was

658
00:34:44,560 --> 00:34:48,160
Speaker 1: flying through this episode because, uh I got to notice.

659
00:34:48,680 --> 00:34:51,560
Speaker 1: My wife got a call this morning from the town

660
00:34:51,680 --> 00:34:53,480
Speaker 1: who said that they're going to be doing some construction

661
00:34:53,560 --> 00:34:55,680
Speaker 1: in our neighborhood and we're going to lose our power

662
00:34:56,719 --> 00:34:58,560
Speaker 1: throughout the day. We couldn't lose it for as much

663
00:34:58,560 --> 00:35:01,000
Speaker 1: as eight hours, so I've been racing to get this

664
00:35:01,120 --> 00:35:03,600
Speaker 1: thing done. I also have to record some ads too,

665
00:35:03,920 --> 00:35:05,920
Speaker 1: and I can't do it any other time this week

666
00:35:05,960 --> 00:35:07,560
Speaker 1: because I'm traveling tomorrow. So I got to get it

667
00:35:07,600 --> 00:35:08,839
Speaker 1: done today, and I got to get it done before

668
00:35:08,880 --> 00:35:10,839
Speaker 1: the town knocks out the power. Power actually went out

669
00:35:10,880 --> 00:35:12,880
Speaker 1: twice in the recording of this, it looks like, but

670
00:35:13,560 --> 00:35:16,520
Speaker 1: I kept saving, so we're good. And you guys are

671
00:35:16,560 --> 00:35:18,719
Speaker 1: going to get the episode I wanted to deliver. I

672
00:35:18,800 --> 00:35:21,920
Speaker 1: did everything pretty much off script here, not that we

673
00:35:22,000 --> 00:35:24,040
Speaker 1: script these episodes, but we do have an outline, and

674
00:35:24,080 --> 00:35:25,759
Speaker 1: we do have notes, and I have certain points I

675
00:35:25,800 --> 00:35:27,200
Speaker 1: want to make to you guys. But I just kind

676
00:35:27,200 --> 00:35:28,640
Speaker 1: of added lib the whole thing, and I got to say.

677
00:35:28,640 --> 00:35:30,400
Speaker 1: It was fun. It was more fun than it usually is,

678
00:35:30,840 --> 00:35:33,000
Speaker 1: and it's usually a lot of fun. So let's recap it,

679
00:35:33,040 --> 00:35:35,520
Speaker 1: all right. Six one seven nine oh six six six

680
00:35:35,640 --> 00:35:37,080
Speaker 1: three eight. That's where you get in touch with me.

681
00:35:37,160 --> 00:35:38,520
Speaker 1: You let me know what you're listening to. You, you

682
00:35:38,600 --> 00:35:40,120
Speaker 1: let me know what you're watching. You let me know

683
00:35:40,160 --> 00:35:42,680
Speaker 1: what you want me to listen to, What artists and

684
00:35:42,880 --> 00:35:45,799
Speaker 1: subjects and musicians you would like for me to cover

685
00:35:46,040 --> 00:35:48,759
Speaker 1: in Disgraceland. I am here for it. I'm here to

686
00:35:48,840 --> 00:35:51,200
Speaker 1: hear your stories, here to hear what you're doing when

687
00:35:51,239 --> 00:35:54,480
Speaker 1: you're listening to Disgraceland. Introduce yourself. Let me know where

688
00:35:54,560 --> 00:35:56,880
Speaker 1: you were at, what you were listening to, how you

689
00:35:57,160 --> 00:35:59,840
Speaker 1: got into this podcast, what you do for a living, whatever,

690
00:36:00,120 --> 00:36:02,319
Speaker 1: I don't care. I want to know. Six one seven

691
00:36:02,400 --> 00:36:05,040
Speaker 1: nine oh six six six three eight. All right, let's

692
00:36:05,080 --> 00:36:07,480
Speaker 1: recap for real. Number one right now in your feed

693
00:36:07,719 --> 00:36:10,719
Speaker 1: Halloween episodes on Big Lurch in the Misfits, plus a

694
00:36:10,840 --> 00:36:13,560
Speaker 1: special feed drop on our episode of the Misfits movie

695
00:36:13,840 --> 00:36:16,440
Speaker 1: from Over in our bad Land show. Number two. Just

696
00:36:16,560 --> 00:36:18,640
Speaker 1: listen to this bad Lands episode on the Misfits. Even

697
00:36:18,640 --> 00:36:20,480
Speaker 1: if you're not a bad Lands follower, you're going to

698
00:36:20,600 --> 00:36:23,239
Speaker 1: love it. Number three next week in the Disgraceland feed,

699
00:36:23,520 --> 00:36:27,200
Speaker 1: the trailer first Season fourteen. Yes, that's right, Season fourteen

700
00:36:27,360 --> 00:36:30,399
Speaker 1: is coming at you asap. This whole seasonal thing. Man,

701
00:36:30,560 --> 00:36:32,640
Speaker 1: I think we're moving away from it because we're releasing

702
00:36:32,719 --> 00:36:35,759
Speaker 1: episodes every friggin week. We've been doing it all year.

703
00:36:35,840 --> 00:36:38,360
Speaker 1: We're going to keep doing it. We're just always on baby,

704
00:36:38,480 --> 00:36:41,760
Speaker 1: all right. We're like we're like friends in the nineteen nineties.

705
00:36:42,000 --> 00:36:45,680
Speaker 1: We barely take any break. Speaking of which, Rip Chandler

706
00:36:45,840 --> 00:36:48,319
Speaker 1: bing number four, my number six one seven, nine oh

707
00:36:48,360 --> 00:36:50,320
Speaker 1: six six sixty three eight call me on the telephone

708
00:36:50,360 --> 00:36:53,120
Speaker 1: or text me number five. Remember no one cares about

709
00:36:53,120 --> 00:36:54,880
Speaker 1: the music that you love more than you do. And

710
00:36:55,120 --> 00:36:57,960
Speaker 1: well that's a disgrace, all right. My moment of bliss

711
00:36:58,120 --> 00:37:01,120
Speaker 1: me reading you the city directory of Newark, New Jersey

712
00:37:01,200 --> 00:37:05,480
Speaker 1: in eighteen fifty five, exactly one hundred years before Glenn

713
00:37:05,600 --> 00:37:10,479
Speaker 1: Allen Anzeloney aka Glenn Danzig was born and nearby lod.

714
00:37:10,560 --> 00:37:14,640
Speaker 1: I wait a minute, Wait a minute, Wait a minute.

715
00:37:15,520 --> 00:37:18,640
Speaker 1: That caller now the dm R, the guy who hit

716
00:37:18,680 --> 00:37:22,920
Speaker 1: me up and said that his surgeon was Danzig's cousin.

717
00:37:23,520 --> 00:37:26,960
Speaker 1: He said his surgeon's last name was Danzig. But how

718
00:37:27,000 --> 00:37:31,160
Speaker 1: can that be true when Glenn Danzig's real last name

719
00:37:31,480 --> 00:37:35,400
Speaker 1: is Anzeloney? Are you fucking with me? Listener? I hope not?

720
00:37:35,800 --> 00:37:40,840
Speaker 1: All right, Let's get into this directory. Airs David Clay

721
00:37:41,560 --> 00:37:47,719
Speaker 1: twenty one Bridge Airs, Frederick Clerk forty nine East Railroad

722
00:37:47,800 --> 00:37:55,040
Speaker 1: Avenue Bader Mason, South Orange Avenue Babbitt, Henry business Maker

723
00:37:55,480 --> 00:38:03,040
Speaker 1: forty Elizabethtown Road Babbitt, Isaac Carver six Lafayette Back, Doctor

724
00:38:03,560 --> 00:38:08,640
Speaker 1: Green Street Bach Frederick Shoemaker Budget three thirty four Mulberry

725
00:38:08,960 --> 00:38:14,000
Speaker 1: Avenue Bocheler Babbit Diana eighty four, Mr Hunt, Elizabeth Baker,

726
00:38:14,360 --> 00:38:18,160
Speaker 1: Abraham Babbin, fishty L one ninety three Courts not North,

727
00:38:18,239 --> 00:38:24,560
Speaker 1: Prince or Williams PRIs Toto Baker Back one Night, Prince

728
00:38:25,680 --> 00:38:36,200
Speaker 1: Budgers Harry Widow, Chicago three. Quit talking and start mixing