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Speaker 1: It's time for the Bobby Bones post show. Here's your host,

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Speaker 1: Bobby Bones. Hello, welcome. I hear your top three songs

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Speaker 1: in country music this week. At number three, Thomas Rhett

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Speaker 1: Slowdown Summer You wo can't see we had down unfastened down?

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Speaker 1: Uh doing this? Luke Combs at number two, I have

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Speaker 1: a Friend. That's a good one. Huh really good. Yeah,

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Speaker 1: that's a good one. Then number one Jason Audi and

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Speaker 1: Trouble with a Heartbreak. That's the Trouble with a Heartbreak.

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Speaker 1: It's going on round. Leave you your number one pop

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Speaker 1: song as Harry Styles as it was, Sha was the

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Speaker 1: album's good. I don't repeat at the house. No, nothing's

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Speaker 1: gonna repeat anymore. Really, I don't live that life. And

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Speaker 1: I remember back in the day I go and Chris

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Speaker 1: Tapleton was like the Yeah, there's no repeat for me

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Speaker 1: anymore because I'm just not on the same device. Often,

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Speaker 1: if there's stuff i'm working at the table, like I've

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Speaker 1: been signing a lot of book cards that get put

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Speaker 1: into books, I'll just go to the jukebox and play

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Speaker 1: something there and it's mostly older stuff. Um my phone.

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Speaker 1: If I'm in my car, I guess because I'm bluetoothed up.

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Speaker 1: I'll just hit a podcast or like it. It's either

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Speaker 1: right now, it's either been rector Jack Harlo. It's pretty

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Speaker 1: much the only things that we're listening to now. And

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Speaker 1: then even then not on repeat. I don't know. I

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Speaker 1: just don't have the capacity to repeat anymore care enough.

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Speaker 1: So that's Harry Styles as it was. And then here's

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Speaker 1: Jack Harlow first class. I mean Jack Harlos from Kentucky,

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Speaker 1: which is pretty cool. And the old Jack Harlow is

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Speaker 1: so nerdy. He's not some heartthrob now anyway, but I

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Speaker 1: mean it's so funny. Look at all pictures of Jack

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Speaker 1: Carlo when he was like big, curly hair and glasses,

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Speaker 1: but those that's the number one hip hop song. So

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Speaker 1: there you go. Let's see a man steals a five

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Speaker 1: hundred thousand dollars McLaren from Valet and then gets caught.

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Speaker 1: It'd be tough to steal like an ambulance or McLaren

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Speaker 1: or something that it's just easy to see. Like if

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Speaker 1: you're like, oh, they stole an ambulance, be on the

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Speaker 1: look out. That's not hard to find. I mean, same

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Speaker 1: thing with a McLaren, because that's the back to the

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Speaker 1: future car is it? No? No's delorian, Okay, I know

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Speaker 1: I know what a McLaren looks like too, something that

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Speaker 1: I don't know what it is, but it costs a lot.

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Speaker 1: Picture of now the doors come like this. Yeah, it's

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Speaker 1: one of those that I would go the debt a

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Speaker 1: Lamborghini and I would have no idea. But a man

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Speaker 1: left his five hundred thousand dollars McLaren's sports car with

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Speaker 1: a ballet service and he tried to get it back

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Speaker 1: the next morning and they said, no, you took it

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Speaker 1: last night. He goes, no, I didn't. So they tracked

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Speaker 1: a vehicle and the rest of forty three year old

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Speaker 1: guy charged him with theft of a motor vehicle. The

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Speaker 1: car belongs to a company called Honeymoon Car Hire. There

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Speaker 1: was damage to the car and the interior and the engine.

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Speaker 1: They're gonna sit the casino who apparently was the valet.

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Speaker 1: Police say the investigation is ongoing. That is from nine News.

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Speaker 1: But if you were going to steal a car from

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Speaker 1: a valet, that's the one to steal. Like, if you're

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Speaker 1: like I'm going to take a car, that's the one

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Speaker 1: you steal because that you're gonna get in trouble for stealing,

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Speaker 1: so why not steal the most awesome one. So did

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Speaker 1: the guy work for the valet or he just the

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Speaker 1: gay man? To me, it sounds like his buddy calls said, hey, dude,

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Speaker 1: we got the McLaren here. Come here. I'd like, you're

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Speaker 1: the guy, I'll give you the keys. But you're making

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Speaker 1: that up. Yeah, that's my sinerio in my head. You

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Speaker 1: don't have a ticket for McLaren. When you go up,

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Speaker 1: you do park up front if you have that car,

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Speaker 1: so you can just walk by the stand and see

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Speaker 1: the McLaren up front. And if they didn't lock the keys,

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Speaker 1: if they're just hanging, they could easily go wow, this

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Speaker 1: is that's a more boring version. Yes, yea, yes, that's

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Speaker 1: a more boring version. I like to have the inside

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Speaker 1: job like a movie. Wisconsin couple will kill the bear

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Speaker 1: that broke into their house and bid them. A Wisconsin

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Speaker 1: couple yelled at a bear to stop eating from their

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Speaker 1: bird feeder, but instead it charged them and broke through

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Speaker 1: a window at the house. This poor bear must have

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Speaker 1: just been so hungry, because animals do not attack unless

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Speaker 1: they're threatened or hungry, or they're sick. Sometimes if they're

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Speaker 1: not right in the head because they're sick, that'll happen.

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Speaker 1: But the couple says the bear attack them, and they

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Speaker 1: attacked the bear back with a kitchen knife until the

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Speaker 1: husband grabbed a gun and kill the animal. The couple

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Speaker 1: was traded from multiple injuries and release. Their children slept

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Speaker 1: the entire attack in their bedrooms. I didn't see the

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Speaker 1: video of this one though, anybody didn't. I just saw

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Speaker 1: a picture of the bear land dead in the floor.

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Speaker 1: Maybe there wasn't a video. That's from Daily Mail. That

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Speaker 1: sucks for everybody, does. I hate this bear was so

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Speaker 1: hungry he felt like you had to attack humans. I

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Speaker 1: wouldn't care. So much of the bear was eating the

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Speaker 1: bird food. Well, what happens is it'd be like a

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Speaker 1: straight dog coming and eating some food. They would just

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Speaker 1: always come back around. Yeah, so sure, in theory, it

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Speaker 1: would be nice if a bear just came once, ever

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Speaker 1: and had some bird feed. That's not how it happens.

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Speaker 1: We're trying to trap foxes at our house now. We

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Speaker 1: have like five or six foxes, and my dogs go

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Speaker 1: bizarre at night when they see them, and then they

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Speaker 1: don't stop. Eller doesn't stop. I've talked about the before.

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Speaker 1: She just and then once she sees it, she doesn't

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Speaker 1: stop all night long. And so we found where they

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Speaker 1: are found a little din. We found holes are going

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Speaker 1: in and out up in the backyard, and we have

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Speaker 1: put the traps, the live traps, and then we're going

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Speaker 1: to free them. And it makes Kaitlin saddic. He's like,

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Speaker 1: what do we catch one and we have to free

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Speaker 1: it without its family? Oh no? And I'm like they

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Speaker 1: might figure it out, and I'm like, I know what

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Speaker 1: that sucks, but we we gotta get the foxes out

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Speaker 1: of our yard. Yeah, because they're I mean, I'll drive

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Speaker 1: up at night and you see them looking around, just chilling,

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Speaker 1: ready to get at my dogs. I know they're making

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Speaker 1: plans getting my dogs. Let's see. Thieves use Walmart vests

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Speaker 1: to make off a twenty three thousand dollars and goods.

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Speaker 1: The key to any good highest is stealth. And when

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Speaker 1: it comes rupping off of Walmart, they vests and face masks,

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Speaker 1: face masks like the COVID ones who just fine. So

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Speaker 1: that's what happened. They went into an Illinois Walmart stole

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Speaker 1: twenty three thousand dollars worth of electronics and luggage. They

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Speaker 1: had the blue vests and had a mask on that

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Speaker 1: people just thought they were being protective. Wow, I wanted

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Speaker 1: to question them. No, wow, that's from something called Central

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Speaker 1: Illinois Proud. It's target song. M Oh exactly, well except

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Speaker 1: what still nobody goes to work? Yeah, but we can still.

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Speaker 1: Michigan man didn't know he won three point three nine

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Speaker 1: million dollars in the lottery. For weeks. An unidentified man

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Speaker 1: from Michigan was unaware that he won this money in

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Speaker 1: the lottery. La la la. Do you know somebody on

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Speaker 1: the show want some money a lottery recently? Huh? I

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Speaker 1: meant to do this as a bit on the show show.

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Speaker 1: I kind of walked myself into this now and that's okay.

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Speaker 1: Do you want to hold it for the show? We'll

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Speaker 1: kick in the balls right now, mean and kick me

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Speaker 1: in the balls. No. But somebody on this show thought

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Speaker 1: they'd won just a little and it actually won a

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Speaker 1: lot more. Oh my god. So this person thought they

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Speaker 1: only won one hundred dollars. No, but they won a

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Speaker 1: lot more than one hundred dollars. Who is I don't

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Speaker 1: know who this is? Stick around to the end of

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Speaker 1: this bit. This this clip scuba. Oh yeah, tell I'll

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Speaker 1: watch box your story. Yeah. Man. So I went to

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Speaker 1: a little gas station over there in the east side

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Speaker 1: of Nashville, scamed my ticket, and it was a whole

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Speaker 1: heck of a lot more than I thought it was.

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Speaker 1: He had actually leave the register and go to the

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Speaker 1: back to get more cash. So you thought, though, wait,

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Speaker 1: because you want to scratch or it's a lottery. So

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Speaker 1: I played consistent. I played two numbers, one set of

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Speaker 1: numbers that I always play that are my numbers, like

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Speaker 1: wedding anniversaries, basketball players, and then a seat of numbers.

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Speaker 1: My grandfather left me behind when he passed away to

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Speaker 1: play what if Scooba wins the big lottery? Oh man.

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Speaker 1: So I played this consistently three times a week, and

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Speaker 1: I went to go get it cash and I had

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Speaker 1: four numbers correct, which is three numbers and in the powerball.

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Speaker 1: I was like, that's pretty cool. I'm two numbers away

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Speaker 1: from where the whole damn thing. It's gotta be a lot.

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Speaker 1: I was like, only one hundred bucks. I was like,

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Speaker 1: oh man, get the guy that ticket. He comes back,

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Speaker 1: he starts counting the money. It's way more than a hundred.

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Speaker 1: He keeps counting and counting and counting like, what has happening?

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Speaker 1: What's the most you every one lunchbox ever? Like two

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Speaker 1: fifty Scoopa beat you? Obviously, by the way he said,

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Speaker 1: it was a lot more than one hundred, Well, go ahead,

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Speaker 1: scoop by well it ended up being five hundred bucks,

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Speaker 1: which is definitely, But it also because you're one number

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Speaker 1: away from winning, like one hundred thousand and one more

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Speaker 1: away from winning the don't look at it like that, Yeah,

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Speaker 1: don't look at it, but you can't listen. Here's the thing.

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Speaker 1: Like medalists in the Olympics, you win the gold, that's amazing.

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Speaker 1: Silver medalists are way more miserable than bronze because silver

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Speaker 1: medalists go, look how close I was to win in

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Speaker 1: the goal. Bronze medals is like, hey, I got this

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Speaker 1: is awesome, I got my medal. They knew they weren't

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Speaker 1: close to winning it, yet they still finished in that.

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Speaker 1: So bronze medalists have way less um being regret, no,

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Speaker 1: not regret, being depressed, far less depression than silver medals

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Speaker 1: because they got a medal because no, because they weren't

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Speaker 1: so close to it that they're like, dang, look at

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Speaker 1: what I didn't do. So not because it metal, but

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Speaker 1: because they weren't like, oh, comparing themselves upward. It's interesting. Yes,

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Speaker 1: so scoo, but don't do that. You're a bad example

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Speaker 1: for all the kids listener right now, which is none

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Speaker 1: and then go ahead. But I also look at it

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Speaker 1: as my numbers. I've been looking at them. They haven't

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Speaker 1: hit all the numbers, so I'm inching towards that. So

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Speaker 1: kind of are yes, I am. It's not a thing

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Speaker 1: you're not getting closer. Well, I think one has nothing

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Speaker 1: to do with the name. But I'm looking at them

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Speaker 1: positively that I'm getting there. I'm almost there. If you're

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Speaker 1: looking at it knowing that that's not the reality of

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Speaker 1: the numbers. But if you just look, if it's just

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Speaker 1: what you need to be positive about it. Yes, that's

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Speaker 1: what I do for because I know I will win

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Speaker 1: some day. There's there's not watching to it at all.

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Speaker 1: It's random numbers being bounced around it and a thing

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Speaker 1: they get picked, they don't get picked. I know there

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Speaker 1: isn't logic to it, but I do know that someday

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Speaker 1: and my soul I know I'm going to win. So

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Speaker 1: does Lunchbox, but he doesn't. But he's not real though

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Speaker 1: I really am going to win. He's he's inconsistent playing

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Speaker 1: different numbers, playing screa. He has no strategy to it whatsoever.

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Speaker 1: He's not playing the odds. Proper strategy has nothing to

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Speaker 1: do with a lottery. I think consistency is the strategy.

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Speaker 1: Consist and see a playing the same number is over

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Speaker 1: and over and over has a better odd than just

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Speaker 1: playing willy nuver random. But it doesn't. It doesn't because

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Speaker 1: you're continually planning. It doesn't. It doesn't. Okay, all right,

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Speaker 1: I kind of I like it that you have a

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Speaker 1: strategy and I don't have a strategy. You don't tell me.

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Speaker 1: Sometimes strategy is not having a strategy and playing willy

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Speaker 1: nilly because the odds there are no odds as far

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Speaker 1: as one number has a better shot hit than the next. Yeah,

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Speaker 1: from one to the next, there's no difference. The strategy

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Speaker 1: of not having a strategy is just as good as

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Speaker 1: having a strategy. Play the same stations to a game

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Speaker 1: of luck. When it comes to a game of luck

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Speaker 1: where everything's even, there's no strategy. That's a leg up

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Speaker 1: on the other person. It's just in our heads that

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Speaker 1: there's a strategy. You feel good about it. Because you've

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Speaker 1: been doing it. Yeah, yeah, I like it. You should

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Speaker 1: stick with it, but you're not at an advantage that

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Speaker 1: he doesn't get to have. That's a good plant. I

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Speaker 1: just yeah, yeah, don't insult my strategy of going to

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Speaker 1: small gas stations on the outskirts of town. That a

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Speaker 1: run down. That's what my strategy is. Yes, because I

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Speaker 1: play quick picks because if I do miss a lottery,

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Speaker 1: I don't want to have that regret of oh my gosh,

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Speaker 1: I would have won five hundred million dollars. So yeah,

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Speaker 1: I don't pick the same numbers because it's random. And

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Speaker 1: don't call my strategy willy nilly and inconsistent. That's very rude.

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Speaker 1: Just Scuba's point though, twenty one on our Little Dice

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Speaker 1: rolls hit more more than any number, and that's you

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Speaker 1: don't know that. You don't haven't kept track all the

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Speaker 1: other numbers. I've been listening, but you don't know that. No,

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Speaker 1: you only remember twenty one because she's your number. Yeah,

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Speaker 1: how many times have you won Eddie ever? Once? But

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Speaker 1: the times that I didn't pick twenty one they hit

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Speaker 1: two times. Okay, but how do you know four hasn't

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Speaker 1: hit more? How do you know how many how many

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Speaker 1: jeeps do you see on the road? Lots of jeeps?

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Speaker 1: Is it only it could because there's only jeeps on

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Speaker 1: the road right, No, No, it's because it's your car,

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Speaker 1: so you notice the geep O. Hey, jeez, why are yelling?

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Speaker 1: I don't know. No, I'm just saying we're gonna get

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Speaker 1: down this eddie rabbit hole again. No, I just don't

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Speaker 1: allow yourself. It's like, I know what you're saying to them. Sorry,

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Speaker 1: I was really frustrate with I agree with you and

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Speaker 1: I don't. I'm like, why did they think this way

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Speaker 1: about the lottery? But honestly, every time they talk about it,

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Speaker 1: I'm kind of like I should play the lottery anymore.

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Speaker 1: It's statistically, it makes no difference if you play the

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Speaker 1: same set of lottery numbers every week, or you choose

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Speaker 1: a different set for every drawing. It is what is

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Speaker 1: called I had to look it up statistical independence. They

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Speaker 1: have nothing to do with each other at all. So

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Speaker 1: but I like it that you guys have it. You

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Speaker 1: do it makes you feel good. That's what it's all about.

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Speaker 1: Lotteries entertainment, not an investment. It's great to see that

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Speaker 1: five hundred dollars Scooba. Got investment? Yeah, how much that?

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Speaker 1: How many tickets do you buy? One or two? What

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Speaker 1: do you mean after I got the winner? When you want?

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Speaker 1: When you want to win the five hundred. I only

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Speaker 1: played two numbers every time, so one ticket, so two numbers.

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Speaker 1: So my investment was eight dollars I got back. But

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Speaker 1: how many times though, if you spent eight eight dollars

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Speaker 1: and not one? Oh many times? Probably more? Probably more. Yeah.

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Speaker 1: I usually end up win like two bucks here and there,

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Speaker 1: four bucks, but break even sometimes but never that I'm out. Yeah, yeah,

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Speaker 1: I definitely spend more than I've won. I'm glad you

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Speaker 1: have your thing. That's good. Yeah, I'm logical about it.

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Speaker 1: I'm not not really because I've heard you here in

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Speaker 1: the last few minutes. But I like it. I like it. Yes,

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Speaker 1: I've been trolling people the last couple of days. Listen.

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Speaker 1: I like my steak with a one sauce. I don't

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Speaker 1: care how good the steak is. It can be the

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Speaker 1: best stake in the whole world. And if you put

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Speaker 1: a one sauce on, it makes the best steak even better.

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Speaker 1: Like it's my thing. I love a one sauce tastes

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Speaker 1: like home and I posted that once and everybody just

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Speaker 1: came after me, and so I was like, well, this

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Speaker 1: is gonna be a new thing. So I get on

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Speaker 1: Twitter and I've had a steak the last few nights. Heck,

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Speaker 1: last night I only got one because I wanted to

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Speaker 1: troll people. It's a really good steak. I got it

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Speaker 1: from Roots Chris and it ordered it and I got

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Speaker 1: some blue cheese on top of it and I covered

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Speaker 1: it in a one sauce and people were just freaking out.

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Speaker 1: I mean I can read just some of the comments.

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Speaker 1: And so it's been like a week over on Twitter.

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Speaker 1: And now I would a medium well too because I

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Speaker 1: love it medium well with a one sauce. And it

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Speaker 1: guys like I should go to jail for that. Yeah,

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Speaker 1: there ain't no piece of meat I have cooked ride

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Speaker 1: it don't need a one. I disagree. I think it

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Speaker 1: can be cooked the absolute best way possible and it

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Speaker 1: is a plus, but a one it goes a plus plus.

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Speaker 1: It can even get better. And also it's like, my

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Speaker 1: steak don't need seasoning. I seasoned it before I cook

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Speaker 1: it and then I eat it. Well, that's still seasoning.

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Speaker 1: You still use something the same way that I'm using

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Speaker 1: a one, and so it has been quite the disaster area.

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Speaker 1: On my Twitter, I said, hey, stake tonight from roots Chris,

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Speaker 1: medium well, little blue cheese and about to be covering

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Speaker 1: nay one. What a time to be alive. Ninety seven

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Speaker 1: replies to that one, with about seventy five of them

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Speaker 1: wishing I would die in one way or the other. Yeah,

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Speaker 1: it's been a pretty rough place. Um. And I took

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Speaker 1: a screenshot of just people replying to this other one,

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Speaker 1: and I'll here you go enjoy this. Um, I want

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Speaker 1: this man arrested. It's one of them. The next one,

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Speaker 1: this is at least a misdemeanor. The next one, m bro,

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Speaker 1: we gotta talk. What are you doing? The next one,

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Speaker 1: good grief, Bobby. So it's just in Rodic just hits

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Speaker 1: me all the time. Well, if your meat tastes like

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Speaker 1: a shoot, no hero. If I like the way I

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Speaker 1: like it my food, I like it medium, well, I

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Speaker 1: don't like pink at all. I don't need it. I

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Speaker 1: don't need a move and I don't need a sing

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Speaker 1: I don't need to do an anything. I don't like

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Speaker 1: any I like a medium well because I liked that

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Speaker 1: slightly burnt taste. And then I like a one sauce

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Speaker 1: all over it. And if you got a problem with that,

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Speaker 1: kiss my grits. You know what I mean, got them?

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Speaker 1: Not really? I tried, and I you know, a long

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Speaker 1: time ago. If I can just share a story with

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Speaker 1: you guys. I was far away and this monk came

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Speaker 1: up to me and I was like, wow, this is crazy.

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Speaker 1: And the monk said, this is the greatest steak man's

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Speaker 1: ever tasted. And he had a steak from me on

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Speaker 1: a plate and he invited me to eat some of

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Speaker 1: that steak. And so I grabbed a knife and like

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Speaker 1: my lips and I cut that steak right down the

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Speaker 1: middle and two pieces. And that was a great steak.

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Speaker 1: It really was. It was a steak unlike anything I've

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Speaker 1: ever eaten before, and I felt I had reached steak

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Speaker 1: in Nirvana and that spy I'm like, oh man. The

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Speaker 1: monk said, but why did you cut steak in two pieces?

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Speaker 1: And I said, well, it's for one reason only. And

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Speaker 1: I looked at the monk and then I poured a

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Speaker 1: one over the other half that I hadn't tasted yet,

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Speaker 1: And just when I thought I could get no higher,

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Speaker 1: I did my taste bud screen like the sound you

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Speaker 1: here when a four years the ice cream truck for

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Speaker 1: the first time. It was then I knew that even

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Speaker 1: the best steak tastes better if a one is added.

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Speaker 1: The monk then tasted the steak himself, and it was

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Speaker 1: so good he quit the monastery he was at and

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Speaker 1: he now works at a Logan steakhouse in Tampa. You

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Speaker 1: met a monk sometimes he reaches out to me. Just

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Speaker 1: let me know that we're both a one since day one,

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Speaker 1: you know, So get the best tasting steak you could

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Speaker 1: fine cooking medium well covered in a one. You welcome.

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Speaker 1: I made that story. I put on my Instagram stories

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Speaker 1: yesterday with bottles at A one, and you would have

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Speaker 1: think I just posted a picture of me naked. The

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Speaker 1: responses it was getting, oh, people were like, that's disgusting,

359
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Speaker 1: get that offer here. So yeah, I hadn't really met

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Speaker 1: that many monks, and any monks that I have met,

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Speaker 1: they don't talk. Oh yeah, they vow of silence, right,

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Speaker 1: And I was like, monk came up to me, start

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Speaker 1: talking about steak, Henry escape. Monks can't talk. No, I

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Speaker 1: think some maybe can't. I don't know the ones that

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Speaker 1: I've ever seen haven't that they were in a vow

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Speaker 1: of silence. Maybe yeah, just what I think they say,

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Speaker 1: a vow of silence. That sounds terrible. Oh yeah, for you,

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Speaker 1: for you, sure, for everybody. You can't do it. There's

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Speaker 1: no way you can be quite for five, let's see,

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Speaker 1: spoken conversations between monks are permitted, but limited according to

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Speaker 1: the norms established by the community and approved by the order.

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Speaker 1: So most monks don't just chit or chat. They don't

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Speaker 1: have a monk morning show. Yeah, they're like a podcast

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Speaker 1: that the monks would be funny, just the monks. It's

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Speaker 1: all quiet all the time. Um So I've been trolling

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Speaker 1: people back with I love A one though. It's the

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Speaker 1: greatest and I ate it all the time. I didn't

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Speaker 1: realize it was going to be such a such a

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Speaker 1: divisive issue, meaning everybody against me. But I am who

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Speaker 1: I am, and I'm pretty happy about it. May have

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Speaker 1: steak tonight, I mean so much Stak just approve it

382
00:17:41,560 --> 00:17:45,960
Speaker 1: just to troll people people. Um so there's that that

383
00:17:46,080 --> 00:17:47,760
Speaker 1: was not a paid thing by in any way. I

384
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Speaker 1: wish A One and I would do a deal together,

385
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Speaker 1: but that was not paid in any way. So they

386
00:17:53,440 --> 00:17:55,840
Speaker 1: got a whole lot of free advertising. Lunch Box really

387
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Speaker 1: thought you met a monk. I know it means a

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Speaker 1: lot of people. Bolancellor, Your reels are getting out of control?

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Speaker 1: What do you mean meaning you're spending way too much

390
00:18:06,480 --> 00:18:08,960
Speaker 1: time worried about your reals? How much money are you making? Not? Oh,

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Speaker 1: I can't tell you that. No, it's very Uh why

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Speaker 1: Morgan did secretive? Morgan did? I don't want to tell

393
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Speaker 1: you because I'll make some I'll make some of you

394
00:18:17,400 --> 00:18:19,359
Speaker 1: guys job. But you're taking like bits from the show

395
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Speaker 1: and putting them in as you're reel, which one should

396
00:18:21,200 --> 00:18:23,560
Speaker 1: probably go a show content when even the one where

397
00:18:23,560 --> 00:18:25,080
Speaker 1: you're barking like a dog or the other day he

398
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Speaker 1: took a segment from the studio. Yeah, Morgan, No, I

399
00:18:27,359 --> 00:18:30,240
Speaker 1: collaborated with that fun. He did collaborate because I asked

400
00:18:30,280 --> 00:18:34,320
Speaker 1: after I asked to put it into from his page.

401
00:18:34,359 --> 00:18:36,159
Speaker 1: He's getting the credit for it, yes, right, But I

402
00:18:36,200 --> 00:18:37,840
Speaker 1: did ask him to put it in the YouTube video

403
00:18:37,920 --> 00:18:39,600
Speaker 1: and he told me no, that he had to use

404
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Speaker 1: it for his reels. And I'm like, it's going on YouTube, sorry,

405
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Speaker 1: and if it's show content hosted, sorry, sure, if it's

406
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Speaker 1: show content, then that's contents gone. Sorry it, let's show content. Yeah,

407
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Speaker 1: I will do that next time he take it out

408
00:18:55,359 --> 00:18:57,920
Speaker 1: another punishment, I'll do that. But it's always But you're

409
00:18:57,960 --> 00:19:00,400
Speaker 1: just always like worried about your reels all the time.

410
00:19:00,480 --> 00:19:03,280
Speaker 1: I am, and you can't. It's more annoying than I

411
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Speaker 1: think it is. Money you're making, like part of the

412
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Speaker 1: whole skydiving thing. I've been like, oh, I gotta go

413
00:19:07,920 --> 00:19:09,679
Speaker 1: skydiving because I need to get a reel of this.

414
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Speaker 1: I mean, my whole life's about reels, right, But you're

415
00:19:12,800 --> 00:19:15,359
Speaker 1: not making any money. You could literally do one hundred

416
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Speaker 1: other things and make more money than chasing these real

417
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Speaker 1: you're a fort for a year old man trying to

418
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Speaker 1: make it be an influencers making can bind not making anything?

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Speaker 1: Come on, man, what the what are the influencers saying

420
00:19:28,640 --> 00:19:30,159
Speaker 1: when she came in five mones? I don't get out

421
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Speaker 1: of bed of that. But I know what she made too.

422
00:19:31,960 --> 00:19:35,159
Speaker 1: Oh and it wasn't a lot. There's a rumor on

423
00:19:35,240 --> 00:19:38,440
Speaker 1: the street, Well let me see, oh one hundred fifty bucks. Yeah,

424
00:19:38,720 --> 00:19:42,920
Speaker 1: it's above that sixty. But for as annoying as you're

425
00:19:42,960 --> 00:19:45,240
Speaker 1: being with your phone everywhere all the time, trying to

426
00:19:45,240 --> 00:19:47,159
Speaker 1: make these reels all the time. You could be putting

427
00:19:47,160 --> 00:19:50,000
Speaker 1: that into other things, ideas for your podcast. Yeah, no,

428
00:19:50,040 --> 00:19:52,560
Speaker 1: I would do that too. Does anyone else find his

429
00:19:52,600 --> 00:19:54,879
Speaker 1: real or starting to be a little annoying? You do,

430
00:19:54,920 --> 00:19:58,000
Speaker 1: even I? Yes, the one he post Yester is like, dude,

431
00:19:58,000 --> 00:19:59,399
Speaker 1: you messed up my real Like why could you not

432
00:19:59,440 --> 00:20:01,000
Speaker 1: wait to talk? I was like, I didn't know you

433
00:20:01,000 --> 00:20:03,880
Speaker 1: were filmed. I was just taking it. I wasn't. Yeah,

434
00:20:03,880 --> 00:20:06,040
Speaker 1: he kind of messed up my Dirks Bentley reel because

435
00:20:06,080 --> 00:20:07,960
Speaker 1: I was rolling it was perfect Dirks on the bike

436
00:20:08,000 --> 00:20:10,560
Speaker 1: and then in the back. Really, I just was doing like,

437
00:20:10,560 --> 00:20:13,880
Speaker 1: look Dirts, like poor Dirks is just trying to ride

438
00:20:13,920 --> 00:20:16,040
Speaker 1: his bike when I was I was just trying to

439
00:20:16,040 --> 00:20:17,800
Speaker 1: do a cool like, hey when you live in Nashville,

440
00:20:17,880 --> 00:20:19,920
Speaker 1: this happens. And in the background was like, hers, I

441
00:20:20,080 --> 00:20:21,720
Speaker 1: ride my back too, and I'm like, well, there goes

442
00:20:21,760 --> 00:20:24,280
Speaker 1: my real But he was like, hey, I'm showing somebody

443
00:20:24,320 --> 00:20:25,639
Speaker 1: ride a bike and there's some guy going hey when

444
00:20:25,640 --> 00:20:27,720
Speaker 1: you live in Nashville offense in the background. No, I

445
00:20:27,720 --> 00:20:30,240
Speaker 1: did it quietly. I was really. He literally got mad

446
00:20:30,240 --> 00:20:32,280
Speaker 1: at he goes, dude, you couldn't waited till I was done?

447
00:20:32,320 --> 00:20:35,679
Speaker 1: Recording is my livelihood. But now I feed my family. Man,

448
00:20:35,720 --> 00:20:38,440
Speaker 1: it's not this is how you feed your family. This

449
00:20:38,520 --> 00:20:41,199
Speaker 1: is one way. This is one way. I mean. Do

450
00:20:41,240 --> 00:20:45,160
Speaker 1: you treat your tours differently than raging idiots versus one

451
00:20:45,200 --> 00:20:48,360
Speaker 1: man comedy show. No, it's they're both equally your way

452
00:20:48,359 --> 00:20:52,800
Speaker 1: of making money. Huh, your comedy, you're your tours. You

453
00:20:52,880 --> 00:20:55,280
Speaker 1: treat them differently. I don't understand your questions. They're both,

454
00:20:55,480 --> 00:20:58,520
Speaker 1: they're both your projects. But if one made if one

455
00:20:58,560 --> 00:21:00,679
Speaker 1: made me eighty dollars and I was ending all day

456
00:21:00,720 --> 00:21:02,600
Speaker 1: annoying people with it all the time, I would go,

457
00:21:02,680 --> 00:21:05,479
Speaker 1: this isn't worth it. Man. See I looked at it

458
00:21:05,480 --> 00:21:07,479
Speaker 1: as like, I don't know, man, money's money. If are

459
00:21:07,480 --> 00:21:09,359
Speaker 1: they're paying me to do this, why not just do it?

460
00:21:09,400 --> 00:21:10,960
Speaker 1: If you're doing a whole lot of work and not

461
00:21:11,000 --> 00:21:12,880
Speaker 1: making I'm not doing that much work. It's not that crazy,

462
00:21:12,880 --> 00:21:15,240
Speaker 1: are you kidding? Everybody's complains about you always having your

463
00:21:15,240 --> 00:21:18,320
Speaker 1: phone out recording these stupid reels. Oh well, and just

464
00:21:18,320 --> 00:21:20,800
Speaker 1: wait till I start dancing. I'm gonna start a new

465
00:21:20,840 --> 00:21:23,800
Speaker 1: boot goofing pretty soon. Pay okay, But also, Bobby, for

466
00:21:23,960 --> 00:21:27,000
Speaker 1: your different things, you have different content It's not like

467
00:21:27,080 --> 00:21:29,360
Speaker 1: you go to do your comedy show and you basically

468
00:21:29,400 --> 00:21:31,560
Speaker 1: bust out all the segments we do and try to

469
00:21:31,880 --> 00:21:34,520
Speaker 1: reuse that. Whoa, whoa. I don't go to my comedy show.

470
00:21:34,520 --> 00:21:35,879
Speaker 1: I put up a screen and show them segments of

471
00:21:35,920 --> 00:21:38,199
Speaker 1: the show. But guys, the idea of the barking was

472
00:21:38,280 --> 00:21:41,680
Speaker 1: from you. Yes, yes, so the only one I've taken

473
00:21:41,760 --> 00:21:43,480
Speaker 1: from the show. No, that's not sure. There's one last

474
00:21:43,480 --> 00:21:45,680
Speaker 1: week too. It was a collaboration, right, but you got

475
00:21:45,680 --> 00:21:47,800
Speaker 1: you posted it. No, No, all I did was click

476
00:21:47,840 --> 00:21:51,040
Speaker 1: a button that Morgan invited me. You say, there's two

477
00:21:51,080 --> 00:21:52,879
Speaker 1: levels to this one. The whole point of reels is

478
00:21:52,920 --> 00:21:55,360
Speaker 1: to help your your brand as a whole, right, that's

479
00:21:55,359 --> 00:21:57,680
Speaker 1: the focus of it, not the money side of this.

480
00:21:57,800 --> 00:22:00,800
Speaker 1: So if you're posting for more money, it's just gonna

481
00:22:00,840 --> 00:22:02,840
Speaker 1: your brand's gonna go all over the place. So that's

482
00:22:02,840 --> 00:22:05,600
Speaker 1: a big, big problem. The second part of this, too,

483
00:22:05,920 --> 00:22:08,200
Speaker 1: is that it's fine to use show content to post

484
00:22:08,200 --> 00:22:10,080
Speaker 1: on your socials, but you have to allow the show

485
00:22:10,119 --> 00:22:12,840
Speaker 1: to do it first, and then you can post split

486
00:22:12,880 --> 00:22:17,719
Speaker 1: the views. No chance, no chance. I wonder how much

487
00:22:17,760 --> 00:22:19,280
Speaker 1: money you made off all right, I'll tell you later.

488
00:22:19,480 --> 00:22:22,560
Speaker 1: A fair text me and I won't tell you, okay,

489
00:22:22,600 --> 00:22:25,359
Speaker 1: I mean I won't tell them, okay. So so because

490
00:22:25,480 --> 00:22:28,200
Speaker 1: I mean I believe Morgan her job is get web

491
00:22:28,320 --> 00:22:30,640
Speaker 1: views and clicks, right, so she probably gets paid her

492
00:22:30,680 --> 00:22:35,000
Speaker 1: real life money by our show content, right unless it's

493
00:22:35,040 --> 00:22:37,080
Speaker 1: on her own page right right now, I'm saying, but

494
00:22:37,200 --> 00:22:40,920
Speaker 1: Eddie is saying that, no, you can't have the content. Ah. Man,

495
00:22:41,000 --> 00:22:43,480
Speaker 1: that's kind of taking money out of her pocket. Like

496
00:22:43,520 --> 00:22:46,520
Speaker 1: that's out of Morgan's pocket. Yeah, my job harder, that's

497
00:22:46,560 --> 00:22:48,880
Speaker 1: for day. Well, she's gonna she's got a guaranteed pay

498
00:22:48,960 --> 00:22:51,480
Speaker 1: no matter what. Well, but if she doesn't keep clicks

499
00:22:51,520 --> 00:22:54,159
Speaker 1: and views up right, and Eddie's taken from that, like

500
00:22:54,200 --> 00:22:57,040
Speaker 1: I'm on trial right now, then like when she, like

501
00:22:57,119 --> 00:23:00,440
Speaker 1: an evaluation of her performance comes up, it might chloer

502
00:23:00,560 --> 00:23:02,480
Speaker 1: Eddie trying to make a buck. Guys, I mean, you

503
00:23:02,480 --> 00:23:04,000
Speaker 1: do have a video what directs one hundred and one

504
00:23:04,000 --> 00:23:05,960
Speaker 1: thousan views? Pretty good? Pretty good? One? Pretty good? But

505
00:23:06,119 --> 00:23:08,680
Speaker 1: watch it and lunch walks in the background. Yeah, back

506
00:23:08,720 --> 00:23:13,760
Speaker 1: to look at me. Oh my gosh, thanks to watch um.

507
00:23:13,800 --> 00:23:16,639
Speaker 1: And then your audition for the call map you took. No,

508
00:23:16,760 --> 00:23:19,480
Speaker 1: I redid that I redid that. That's my real audition,

509
00:23:20,320 --> 00:23:22,440
Speaker 1: but it's you in the studio, the studio cameras. But no,

510
00:23:22,520 --> 00:23:25,080
Speaker 1: that's just me recording it differently again because it's with

511
00:23:25,160 --> 00:23:27,440
Speaker 1: the with the corrections. I rewrote it and everything. I said,

512
00:23:27,440 --> 00:23:29,439
Speaker 1: this is my actual audition for the Calm. So you

513
00:23:29,480 --> 00:23:32,720
Speaker 1: turned it in now I missed it. But I'm saying,

514
00:23:32,720 --> 00:23:34,600
Speaker 1: if you use all the studio equipment, that does that matter?

515
00:23:34,800 --> 00:23:36,960
Speaker 1: Are you cool? Is that okay? I don't know. I'm saying,

516
00:23:37,400 --> 00:23:41,080
Speaker 1: you tell me, you tell me you're trying. I don't care. Scoble,

517
00:23:41,119 --> 00:23:42,919
Speaker 1: what do you think about that? If he's using all

518
00:23:42,920 --> 00:23:48,320
Speaker 1: the equipment here? Honestly, I don't really care. But but

519
00:23:48,320 --> 00:23:50,200
Speaker 1: if you're going to go down that route, I mean,

520
00:23:50,240 --> 00:23:53,800
Speaker 1: in theory we're using work stuff for personal gain. Yeah,

521
00:23:53,880 --> 00:23:56,320
Speaker 1: So I mean I guess sure he can't do it.

522
00:23:56,320 --> 00:23:58,720
Speaker 1: He can't use our stuff, all right? No more listen,

523
00:23:58,920 --> 00:24:04,640
Speaker 1: studio cameras, you sure use them up. Just don't take

524
00:24:04,640 --> 00:24:06,080
Speaker 1: show content and put it on as your own. You

525
00:24:06,080 --> 00:24:07,520
Speaker 1: got the show. One is what bothered me when I

526
00:24:07,600 --> 00:24:08,920
Speaker 1: was like, what a secon. We hadn't done something on

527
00:24:08,920 --> 00:24:10,640
Speaker 1: the air yet and it's already on which one aim

528
00:24:10,880 --> 00:24:13,000
Speaker 1: which one, the barking the barking one. I thought, right,

529
00:24:13,000 --> 00:24:15,200
Speaker 1: we already talked about it. I did after we talked. Yeah,

530
00:24:15,280 --> 00:24:17,120
Speaker 1: he spoiled it for all the East Coast people though,

531
00:24:17,160 --> 00:24:20,160
Speaker 1: so I'm saying that he didn't wait for it to clear. Yeah, yeah,

532
00:24:20,160 --> 00:24:22,320
Speaker 1: it's true because we've done it before other people. I'm like,

533
00:24:22,320 --> 00:24:23,760
Speaker 1: why would you post it? We haven't even talked about

534
00:24:23,760 --> 00:24:26,320
Speaker 1: in the show yet. Hasn't hit, Like Bakersfield hasn't heard

535
00:24:26,320 --> 00:24:27,800
Speaker 1: it yet. Yeah, now they already know the payoff, and

536
00:24:27,840 --> 00:24:29,240
Speaker 1: the payoff hasn't even happen, but yet they have the

537
00:24:29,240 --> 00:24:31,560
Speaker 1: answer on Instagram. Yeah, you're right. I won't do that.

538
00:24:31,560 --> 00:24:33,080
Speaker 1: That's the one thing I think bothers me. Other than that,

539
00:24:33,080 --> 00:24:34,640
Speaker 1: I really can care less. Where are you doing? How

540
00:24:34,680 --> 00:24:36,760
Speaker 1: you do it? Yeah? Do you all ever notice like

541
00:24:36,760 --> 00:24:42,159
Speaker 1: when you post you lose followers? Yeah, it's weird you do. No,

542
00:24:42,240 --> 00:24:44,200
Speaker 1: I mean, I'm with you. It's like they it dropped

543
00:24:44,240 --> 00:24:46,760
Speaker 1: two thousand, It's like, what that makes no sense? That's weird.

544
00:24:46,800 --> 00:24:50,199
Speaker 1: They don't like what you posted, posting stuff that I

545
00:24:50,200 --> 00:24:54,399
Speaker 1: don't know. I don't know somehow I followers If I

546
00:24:54,400 --> 00:24:57,000
Speaker 1: don't post at all for a long time, I feel

547
00:24:57,400 --> 00:24:59,840
Speaker 1: you're not a social media expert. No, no, I see

548
00:24:59,840 --> 00:25:01,960
Speaker 1: that two with me. It just makes me. I don't

549
00:25:02,000 --> 00:25:04,760
Speaker 1: really track it. But sometimes if I am paying attention,

550
00:25:04,800 --> 00:25:06,600
Speaker 1: then I'm like, I got to stop paying this because

551
00:25:06,640 --> 00:25:10,160
Speaker 1: like this is so sad. Like I posted and then

552
00:25:10,280 --> 00:25:12,840
Speaker 1: my followers went down. Did you post two reels of

553
00:25:12,880 --> 00:25:14,879
Speaker 1: the boarding? No, it's three. I did the whole thing

554
00:25:14,880 --> 00:25:17,800
Speaker 1: in three segments, and that that was Amy's suggestion, why

555
00:25:17,880 --> 00:25:20,920
Speaker 1: not do it in I know what I'm talking about. Oh,

556
00:25:20,960 --> 00:25:23,560
Speaker 1: now you're not confident in your suggestion. Yes, you're like,

557
00:25:24,640 --> 00:25:27,960
Speaker 1: why would you go to Amy right next sire in

558
00:25:27,960 --> 00:25:30,439
Speaker 1: the studio saying you don't need to edit it? I

559
00:25:30,520 --> 00:25:32,879
Speaker 1: just said I didn't edit it exactly. That's also that,

560
00:25:33,160 --> 00:25:35,240
Speaker 1: so you have to watch three reels to get the bait.

561
00:25:35,320 --> 00:25:38,280
Speaker 1: I mean you're you're you're wasting well a lot of

562
00:25:38,359 --> 00:25:43,639
Speaker 1: views when you haven't in one everyone attacked me. Maybe

563
00:25:43,640 --> 00:25:45,560
Speaker 1: you're gaining because if it's good enough. Now, let me

564
00:25:45,600 --> 00:25:47,640
Speaker 1: tell you, I've had the same number of followers for

565
00:25:47,680 --> 00:25:51,920
Speaker 1: like six months. I cannot change get I'm trying. It's

566
00:25:52,040 --> 00:25:54,080
Speaker 1: it's I haven't grown a whole lot either. I've got

567
00:25:54,080 --> 00:25:55,960
Speaker 1: one point two million and I've set there for a while.

568
00:25:56,160 --> 00:25:57,479
Speaker 1: Ye at one point two you're looking for that one

569
00:25:57,520 --> 00:26:00,360
Speaker 1: point three? Yeah, what are you looking for? Just just

570
00:26:00,359 --> 00:26:02,919
Speaker 1: just just a thousand, just a thousand to give me

571
00:26:02,920 --> 00:26:04,920
Speaker 1: another point. That's why you should ask me, Eddie, why

572
00:26:04,960 --> 00:26:06,679
Speaker 1: do you think I keep getting more followers because I

573
00:26:06,720 --> 00:26:11,040
Speaker 1: know what I'm doing on the show. One Morgan keeps

574
00:26:11,040 --> 00:26:12,480
Speaker 1: asking me to dance with her, and I'm like, I'm

575
00:26:12,480 --> 00:26:14,920
Speaker 1: not gonna do it. That I can't do. I wouldn't

576
00:26:14,920 --> 00:26:18,040
Speaker 1: do it. I can't do the dance. You don't have to,

577
00:26:18,160 --> 00:26:20,600
Speaker 1: but you also like can use me as a resource

578
00:26:20,640 --> 00:26:23,000
Speaker 1: and also like utilize the show. You should only like

579
00:26:23,400 --> 00:26:26,439
Speaker 1: be posting show content when we've already talked about on

580
00:26:26,440 --> 00:26:28,040
Speaker 1: this show it's been utilized that way, and then you

581
00:26:28,080 --> 00:26:31,240
Speaker 1: post something different, Like there's so many strategies on social

582
00:26:31,280 --> 00:26:34,080
Speaker 1: media and to grow your brand and to get more followers,

583
00:26:34,080 --> 00:26:35,959
Speaker 1: and like I have the proof of that, and you

584
00:26:36,000 --> 00:26:38,720
Speaker 1: just sit here and don't ask what's your brand, Eddie?

585
00:26:38,720 --> 00:26:40,399
Speaker 1: Except just want to watch your crap up? There no

586
00:26:40,960 --> 00:26:44,480
Speaker 1: brand really, just content, just greade a content for everyone

587
00:26:44,520 --> 00:26:46,560
Speaker 1: to watch. I want everyone have a better day. Grade

588
00:26:46,560 --> 00:26:50,399
Speaker 1: A grade A premium. Okay, like it should do a

589
00:26:50,440 --> 00:26:56,040
Speaker 1: subscription service into your kind? Does this content? Greade ay

590
00:26:56,320 --> 00:27:00,840
Speaker 1: here is no, it's not. Maybe not to you. You're

591
00:27:00,960 --> 00:27:04,080
Speaker 1: you're not my demo. Everyone who's your people would like

592
00:27:04,160 --> 00:27:08,480
Speaker 1: to live life, have fun. Um. I think it doesn't matter.

593
00:27:08,480 --> 00:27:10,320
Speaker 1: I'm moving on. I've already slipped down a slope a

594
00:27:10,359 --> 00:27:13,359
Speaker 1: little too far. Here we go, the slide, the slide.

595
00:27:13,560 --> 00:27:16,080
Speaker 1: Jimmy Westbrook was on the Bobbycast's he's up there this

596
00:27:16,119 --> 00:27:18,239
Speaker 1: week and it's really good. And what's interesting too we've

597
00:27:18,240 --> 00:27:20,200
Speaker 1: been able to do on the Bobbycast is now after

598
00:27:20,320 --> 00:27:22,320
Speaker 1: six years, we've had all four of a Little Big

599
00:27:22,320 --> 00:27:25,280
Speaker 1: Town individually. That's cool. And they all have separate stories

600
00:27:25,320 --> 00:27:30,520
Speaker 1: as to not different, and they have different stories about

601
00:27:30,560 --> 00:27:33,480
Speaker 1: how it happened, but just different perspectives and their stories

602
00:27:33,480 --> 00:27:37,840
Speaker 1: a little different. But Jimmy, who's Karen's husband, He's not

603
00:27:37,880 --> 00:27:40,280
Speaker 1: the long hair blond one. He's the short hair dude. Um.

604
00:27:40,400 --> 00:27:42,800
Speaker 1: So he shared the story behind Little Big Town's first

605
00:27:42,800 --> 00:27:46,480
Speaker 1: record deal and why they left the record deal after

606
00:27:46,560 --> 00:27:50,320
Speaker 1: just a few months. We basically signed at Mercury. We

607
00:27:50,400 --> 00:27:53,679
Speaker 1: cut about four songs and when the powers that be

608
00:27:53,760 --> 00:27:57,400
Speaker 1: at that time at Mercury heard the sides, that we did.

609
00:27:57,760 --> 00:28:00,879
Speaker 1: They basically said, hey, if if any of this is

610
00:28:00,920 --> 00:28:04,320
Speaker 1: who you are, we're not interested. So we made the

611
00:28:04,320 --> 00:28:07,160
Speaker 1: decision ourselves that we were going to walk away from

612
00:28:07,200 --> 00:28:09,440
Speaker 1: it because if they're telling us that they don't want

613
00:28:09,480 --> 00:28:12,280
Speaker 1: any of that, then we can't stay here. But it

614
00:28:12,520 --> 00:28:17,360
Speaker 1: also set the ground work for who we became as

615
00:28:17,400 --> 00:28:20,399
Speaker 1: a band as far as living and dying by our

616
00:28:20,440 --> 00:28:23,679
Speaker 1: own decisions. Record label was like, we don't like what

617
00:28:23,720 --> 00:28:25,000
Speaker 1: you guys have done, and if you're going to keep

618
00:28:25,040 --> 00:28:26,439
Speaker 1: doing that, we don't need to work together. And they

619
00:28:26,480 --> 00:28:28,840
Speaker 1: were like, all right, we're out. Piece. The second clip

620
00:28:28,880 --> 00:28:31,280
Speaker 1: here is how he had quit music just a couple

621
00:28:31,320 --> 00:28:33,040
Speaker 1: of years before he moved to Nashville. He had tried

622
00:28:33,160 --> 00:28:35,320
Speaker 1: music and was like, man, I have any success here,

623
00:28:35,680 --> 00:28:37,760
Speaker 1: and so he just went and worked at a coffee

624
00:28:37,800 --> 00:28:41,080
Speaker 1: company for years. I was paying off bills from prior

625
00:28:41,560 --> 00:28:46,040
Speaker 1: musical failures. Are you still singing? A little here and there?

626
00:28:46,200 --> 00:28:48,440
Speaker 1: But not a lot? In fact, the girl I was

627
00:28:48,520 --> 00:28:51,040
Speaker 1: dating at the time and had been dating for a

628
00:28:51,080 --> 00:28:53,240
Speaker 1: long time, had no idea I could sing, and that's

629
00:28:53,240 --> 00:28:55,920
Speaker 1: all I'd done prior to that time in my life.

630
00:28:56,000 --> 00:28:58,320
Speaker 1: But there was a couple of years where I was

631
00:28:58,480 --> 00:29:02,320
Speaker 1: paying off credit card bills and working. Didn't really know

632
00:29:02,360 --> 00:29:04,440
Speaker 1: what I was going to do and work my way

633
00:29:04,480 --> 00:29:07,320
Speaker 1: up in this job, and I decided internally, I didn't

634
00:29:07,320 --> 00:29:09,280
Speaker 1: even really tell anybody that I was like, I've got

635
00:29:09,280 --> 00:29:11,840
Speaker 1: to get back in music. And so he did, and

636
00:29:11,920 --> 00:29:14,760
Speaker 1: there you go, pretty good, pretty good stories. He just

637
00:29:14,760 --> 00:29:16,600
Speaker 1: got a call from Karen one day. He had met

638
00:29:16,680 --> 00:29:19,600
Speaker 1: Karen because she was opening for a group that he

639
00:29:19,680 --> 00:29:22,520
Speaker 1: was with, like a Christian group, and she was like, Hey,

640
00:29:23,320 --> 00:29:26,040
Speaker 1: we have a duo, her and Kimberly Schlaman. We're gonna look,

641
00:29:26,080 --> 00:29:27,600
Speaker 1: we don't know what we're doing, but we're looking to

642
00:29:27,640 --> 00:29:29,320
Speaker 1: do something. Come up. It was gonna be a three

643
00:29:29,360 --> 00:29:32,960
Speaker 1: person and so he goes up and they had also

644
00:29:33,040 --> 00:29:35,160
Speaker 1: before him though they had tried out Gary Levox. He

645
00:29:35,200 --> 00:29:37,840
Speaker 1: talks about that, Joe Don Rooney. Both those guys ended

646
00:29:37,920 --> 00:29:40,440
Speaker 1: up being Rascal Flaw. So it's really good. So check

647
00:29:40,440 --> 00:29:41,840
Speaker 1: it out. But we've put all four of them up

648
00:29:41,880 --> 00:29:44,280
Speaker 1: on the feed through all the years, right, Mike, are

649
00:29:44,280 --> 00:29:47,760
Speaker 1: they all up now? So Jimmy was up Friday, that's

650
00:29:47,760 --> 00:29:50,680
Speaker 1: the new one. But then we have Karen, Kimberly and

651
00:29:50,800 --> 00:29:53,400
Speaker 1: Philip and they're all individual as well. So it's pretty cool.

652
00:29:53,400 --> 00:29:55,840
Speaker 1: A little collection we have there. It's a box set,

653
00:29:55,840 --> 00:29:58,360
Speaker 1: as Garth would say, about a little big town like

654
00:29:58,800 --> 00:30:02,040
Speaker 1: they super rich. Oh, I gotta right now, I gotta

655
00:30:02,080 --> 00:30:04,800
Speaker 1: do this. What lunchbox like a little big town? Like

656
00:30:04,840 --> 00:30:08,400
Speaker 1: what level like wealth? Are they really well? Because because

657
00:30:08,640 --> 00:30:10,160
Speaker 1: you know, I have no idea, like I think I

658
00:30:10,200 --> 00:30:13,480
Speaker 1: see them like that, they're pretty rich. The fact that

659
00:30:13,480 --> 00:30:17,000
Speaker 1: there's four of them cuts what their success individually would

660
00:30:17,000 --> 00:30:21,280
Speaker 1: have done in quarters. But they're they're all multi millionaires. Okay, yeah,

661
00:30:21,400 --> 00:30:24,640
Speaker 1: so the adventures they've gotten opportunities. Yeah, but they've had

662
00:30:24,720 --> 00:30:27,800
Speaker 1: enough success where they Jimmy and Karen are married joint

663
00:30:27,880 --> 00:30:30,160
Speaker 1: so they get half. It's also, wow, that's probably sever

664
00:30:30,200 --> 00:30:33,240
Speaker 1: bank accounts. You don't know that, I have no idea

665
00:30:33,400 --> 00:30:35,080
Speaker 1: that I have to go because I have I have

666
00:30:35,160 --> 00:30:37,680
Speaker 1: a call forgot about it all right, Thank you guys,

667
00:30:37,960 --> 00:30:40,400
Speaker 1: enjoy and we will do this again tomorrow. Bye,