1 00:00:01,639 --> 00:00:04,880 Speaker 1: Hi, I'm Kristin Davis, and I want to know, are 2 00:00:04,880 --> 00:00:11,920 Speaker 1: you a Charlotte. We are back you guys. Benny's still here. 3 00:00:12,640 --> 00:00:15,520 Speaker 1: It's amazing. I can't wait to hear what he has 4 00:00:15,560 --> 00:00:18,560 Speaker 1: to say about this episode so much. I know you do. 5 00:00:18,680 --> 00:00:22,680 Speaker 1: It's episode two o nine Old Dog's New Dix excellent, 6 00:00:23,040 --> 00:00:28,360 Speaker 1: and this is directed by Alan Taylor, who's incredible, obulous, 7 00:00:28,400 --> 00:00:31,280 Speaker 1: who goes on to direct He's Sopranos. We stole him 8 00:00:31,280 --> 00:00:32,879 Speaker 1: from there. He goes on to do a lot of 9 00:00:32,880 --> 00:00:35,160 Speaker 1: Game of Thrones and all kinds of amazing things legends. 10 00:00:35,200 --> 00:00:36,879 Speaker 1: We love him so much. And he's written by the 11 00:00:36,880 --> 00:00:40,519 Speaker 1: wonderful Jenny Biggs, who we also love so much. Yes, okay, 12 00:00:40,880 --> 00:00:44,239 Speaker 1: all right. This is one of those ones where I'm like, 13 00:00:44,560 --> 00:00:47,159 Speaker 1: you know, let's discuss Big and Carrie, because I know 14 00:00:47,280 --> 00:00:48,720 Speaker 1: you've got some thoughts and feelings. 15 00:00:49,000 --> 00:00:50,800 Speaker 2: I have a lot of thoughts and feelings. Here's my thing. 16 00:00:50,880 --> 00:00:53,479 Speaker 3: I know that everyone is kind of like Big is terrible. 17 00:00:53,560 --> 00:00:55,800 Speaker 3: That's kind of like the general consensus is. Right now, 18 00:00:55,800 --> 00:00:58,040 Speaker 3: how much are you watching like fan edits on TikTok 19 00:00:58,080 --> 00:00:59,520 Speaker 3: Because they're electrifying by the way. 20 00:01:01,040 --> 00:01:02,480 Speaker 1: They never know when they're going to be mean. 21 00:01:02,720 --> 00:01:05,200 Speaker 3: Well, oh, there's only good ones a Charlotte. It's like 22 00:01:05,280 --> 00:01:07,280 Speaker 3: Charlotte has one line and then boom, it's like, you know, 23 00:01:07,440 --> 00:01:10,440 Speaker 3: all these like clips of her are likes are eating down. Yeah, 24 00:01:10,440 --> 00:01:13,440 Speaker 3: I'm like, I'm gonna, I'm gonna send you. But I know, 25 00:01:14,240 --> 00:01:17,760 Speaker 3: here's the thing in between the movies. Yea, And and 26 00:01:17,920 --> 00:01:20,920 Speaker 3: just like that, there's a happy marriage there. They were 27 00:01:21,000 --> 00:01:23,160 Speaker 3: together for a long time and the days they have 28 00:01:23,240 --> 00:01:24,920 Speaker 3: that we see where he's kind of putting on like 29 00:01:25,080 --> 00:01:28,360 Speaker 3: records and she's like getting takeout and they're kind of 30 00:01:28,400 --> 00:01:32,600 Speaker 3: like hanging out and he's got a cigar. I don't know, 31 00:01:32,640 --> 00:01:36,440 Speaker 3: it just seems like they really they match each other's 32 00:01:36,440 --> 00:01:40,559 Speaker 3: freak and they're and they're slight, you know, I don't 33 00:01:40,800 --> 00:01:45,440 Speaker 3: I think we say narcissistant a little too freely. Of course, 34 00:01:45,600 --> 00:01:47,760 Speaker 3: I think, you know, they both can be self centered 35 00:01:47,760 --> 00:01:52,160 Speaker 3: at times. But yes, and I think that he he 36 00:01:52,480 --> 00:01:55,240 Speaker 3: is of course toxic, but I do think that he 37 00:01:55,360 --> 00:01:59,320 Speaker 3: loves her. And his actions in the American in Paris 38 00:01:59,360 --> 00:02:02,840 Speaker 3: part two, I'm I'm like, he loves that woman, and 39 00:02:02,920 --> 00:02:06,000 Speaker 3: he did, and at the wedding it was a lot 40 00:02:06,360 --> 00:02:07,640 Speaker 3: I kind of see why. 41 00:02:07,480 --> 00:02:08,840 Speaker 2: He was a little bit like freaked out. 42 00:02:08,880 --> 00:02:11,280 Speaker 3: And I do get that he was like, it looks 43 00:02:11,280 --> 00:02:16,839 Speaker 3: bad because it's my second marriage and I've already had my. 44 00:02:15,240 --> 00:02:16,440 Speaker 2: My marriage was in the trades. 45 00:02:17,200 --> 00:02:19,760 Speaker 3: I think also he tried to call She's got to 46 00:02:19,800 --> 00:02:24,119 Speaker 3: start using that phone, my daughter to get that exactly. 47 00:02:24,200 --> 00:02:25,440 Speaker 2: I'm like, Lily, don't play this. 48 00:02:25,760 --> 00:02:28,480 Speaker 3: But here I'm like, I think, of course, I'm glad 49 00:02:28,520 --> 00:02:30,520 Speaker 3: that she was like you at the wedding. 50 00:02:30,560 --> 00:02:32,840 Speaker 2: I mean, that was and when my father gave them. 51 00:02:32,680 --> 00:02:36,399 Speaker 1: The lived one of the few lives ever. 52 00:02:36,680 --> 00:02:40,480 Speaker 2: That's my girl. But yeah, I all. 53 00:02:40,360 --> 00:02:42,320 Speaker 1: The years of them telling you, Charlotte couldn't be angry, 54 00:02:42,440 --> 00:02:43,160 Speaker 1: pent up, you. 55 00:02:43,240 --> 00:02:46,640 Speaker 4: Have to come watch this, Zachos ready to. 56 00:02:48,720 --> 00:02:52,079 Speaker 2: Let's go. But I just, yeah, I think I kind 57 00:02:52,080 --> 00:02:54,480 Speaker 2: of I'm I'm a Charlotte in that way that I 58 00:02:54,520 --> 00:02:54,920 Speaker 2: am like. 59 00:02:55,080 --> 00:02:57,839 Speaker 3: I I do see that there is like a love 60 00:02:57,880 --> 00:02:59,880 Speaker 3: and a friction here. I think there's other powers that be. 61 00:03:00,480 --> 00:03:02,440 Speaker 3: Do I think they're like totally perfect for each other? 62 00:03:02,520 --> 00:03:04,200 Speaker 3: Maybe not, But I do think that there was a 63 00:03:04,200 --> 00:03:06,359 Speaker 3: beautiful bond there. I think, and I really don't want 64 00:03:06,400 --> 00:03:09,200 Speaker 3: to I don't want to speak ill of it. I 65 00:03:09,240 --> 00:03:11,800 Speaker 3: don't like her and aiden together way more than I 66 00:03:11,840 --> 00:03:12,560 Speaker 3: have problems with that. 67 00:03:12,600 --> 00:03:14,240 Speaker 1: Yeah, we can't talk about that right now because we 68 00:03:14,320 --> 00:03:15,400 Speaker 1: will never do it. 69 00:03:16,600 --> 00:03:16,880 Speaker 5: I know. 70 00:03:17,320 --> 00:03:19,560 Speaker 2: Yeah, sorry, Okay. 71 00:03:19,800 --> 00:03:23,080 Speaker 1: Thing so I at the time, right because I played Charlotte, 72 00:03:23,120 --> 00:03:26,840 Speaker 1: and Charlotte was always believing in love and always poring right. 73 00:03:27,240 --> 00:03:30,760 Speaker 1: So I never ever, ever second guessed it at all. 74 00:03:31,000 --> 00:03:33,280 Speaker 1: And I'm not the kind of actor where I read 75 00:03:33,320 --> 00:03:36,520 Speaker 1: a script and think about it from an outside perspective. 76 00:03:37,080 --> 00:03:40,000 Speaker 1: Cynthia does that beautifully, like she'll say, oh, we need 77 00:03:40,040 --> 00:03:41,760 Speaker 1: more of this or this or that. You know, she 78 00:03:41,800 --> 00:03:44,480 Speaker 1: can think about it analytically. I'm in it from the 79 00:03:44,560 --> 00:03:46,920 Speaker 1: second that I read it. I'm never out interesting. 80 00:03:47,000 --> 00:03:50,680 Speaker 3: Yeah, I'm saying is it's only the information I'm getting 81 00:03:50,680 --> 00:03:51,360 Speaker 3: in the right and. 82 00:03:51,280 --> 00:03:53,480 Speaker 1: I'm going to go with it. And yes, I'm building 83 00:03:53,520 --> 00:03:55,480 Speaker 1: on it in my head, right, like what do I 84 00:03:55,560 --> 00:03:57,760 Speaker 1: need to deepen out here in my mind that I'm 85 00:03:57,760 --> 00:04:00,280 Speaker 1: going to play subtext whatever blah blah blah. Actually in 86 00:04:00,360 --> 00:04:02,960 Speaker 1: the beginning, right because we were just starting. But I 87 00:04:03,040 --> 00:04:06,120 Speaker 1: never questioned big And also, and I've said this many times, 88 00:04:06,160 --> 00:04:08,480 Speaker 1: but oh, I say, Benny, with the Kardashians, I was 89 00:04:08,480 --> 00:04:08,960 Speaker 1: supposed to. 90 00:04:08,960 --> 00:04:12,120 Speaker 2: Talk to you about that next next. 91 00:04:12,040 --> 00:04:18,000 Speaker 1: Time, Okay, I really felt. I really felt, like I 92 00:04:18,040 --> 00:04:20,280 Speaker 1: look back on it now because I never rewatched before 93 00:04:20,560 --> 00:04:24,320 Speaker 1: I am now, right, So I'm like these episodes I 94 00:04:24,360 --> 00:04:27,320 Speaker 1: hardly remember. Yeah, it's fascinating. I don't know what I'm 95 00:04:27,360 --> 00:04:29,280 Speaker 1: about to do. I'm like, what am I about to do? 96 00:04:29,400 --> 00:04:31,080 Speaker 2: And they came out? Did you watch them? 97 00:04:31,240 --> 00:04:32,720 Speaker 1: I watched it before they came out, because they'd give 98 00:04:32,760 --> 00:04:35,240 Speaker 1: us a VHS. Oh well, I was on HBO. 99 00:04:35,320 --> 00:04:37,160 Speaker 2: Okay, she just watched that, and then that was Run 100 00:04:37,240 --> 00:04:39,239 Speaker 2: Home and we'd be so excited. 101 00:04:39,240 --> 00:04:40,600 Speaker 1: At least I was right, you know what I mean. 102 00:04:40,760 --> 00:04:42,760 Speaker 1: I wasn't that critical of myself back then. But also 103 00:04:42,800 --> 00:04:45,400 Speaker 1: I was so into the world we were creating. 104 00:04:45,520 --> 00:04:48,560 Speaker 3: Well yeah, of course, so yeah, yeah, yeah, yeah, and 105 00:04:48,680 --> 00:04:49,680 Speaker 3: see what everyone else is doing. 106 00:04:49,760 --> 00:04:51,400 Speaker 2: That's what's fun to be like, I don't know you 107 00:04:51,440 --> 00:04:52,200 Speaker 2: were shooting. 108 00:04:51,920 --> 00:04:54,560 Speaker 1: That, right, because you weren't there. Yeah, it's really cool. 109 00:04:54,680 --> 00:04:55,160 Speaker 2: Yeah. 110 00:04:55,320 --> 00:04:58,359 Speaker 1: So I never thought twice about big. And I also 111 00:04:58,400 --> 00:05:00,600 Speaker 1: think that we were just very, very used to men 112 00:05:00,680 --> 00:05:02,720 Speaker 1: like this, of course, And I mean it's not like 113 00:05:02,760 --> 00:05:04,480 Speaker 1: they don't exist now, but like back then, they were 114 00:05:04,560 --> 00:05:05,279 Speaker 1: kind of the norm. 115 00:05:05,600 --> 00:05:09,080 Speaker 2: Yeah, him in this episode looking at women, I'm like, yeah, that's. 116 00:05:09,080 --> 00:05:11,920 Speaker 3: I don't see any changes now, Like I still I'll 117 00:05:11,960 --> 00:05:14,719 Speaker 3: still literally be with like a guy, a straight guy. 118 00:05:14,920 --> 00:05:16,560 Speaker 2: It's rare, but I'll be with a straight guy every 119 00:05:16,600 --> 00:05:17,000 Speaker 2: now and then. 120 00:05:17,480 --> 00:05:20,560 Speaker 3: And I'll see like them check out, you know waitress, 121 00:05:20,560 --> 00:05:21,640 Speaker 3: and I'm like, I'm sure I do that. 122 00:05:21,880 --> 00:05:23,120 Speaker 1: Okay, So as a man. 123 00:05:23,080 --> 00:05:24,960 Speaker 3: You know, I'm like, I get that. And also I've 124 00:05:24,960 --> 00:05:27,200 Speaker 3: seen like women do that, I mean my friends. 125 00:05:27,440 --> 00:05:30,440 Speaker 2: But do we do this? Obviously no, of course there's 126 00:05:31,400 --> 00:05:33,560 Speaker 2: so men don't do this thing. It's called being discreet. 127 00:05:33,960 --> 00:05:36,760 Speaker 3: I would say that that's not necessarily on the menu, 128 00:05:37,120 --> 00:05:40,480 Speaker 3: but I do think that. Yeah, I get where carry's 129 00:05:40,480 --> 00:05:42,760 Speaker 3: coming from. I wish big. I hate him in that 130 00:05:42,760 --> 00:05:45,680 Speaker 3: that bar scene with the cigar. That part is oh 131 00:05:45,880 --> 00:05:48,920 Speaker 3: my gosh, and that's so crazy. It's like I die 132 00:05:48,960 --> 00:05:50,240 Speaker 3: a little bit. That's where he uses me. 133 00:05:50,360 --> 00:05:53,359 Speaker 1: So sad. It's sad because the episode before he sings 134 00:05:53,360 --> 00:05:56,279 Speaker 1: to her, I know in the Italian my girlfriend and 135 00:05:56,320 --> 00:05:58,320 Speaker 1: you were in love and says that you're just like 136 00:05:58,960 --> 00:06:00,680 Speaker 1: everything I ever said about him. 137 00:06:00,720 --> 00:06:01,799 Speaker 2: I take you back exactly. 138 00:06:01,920 --> 00:06:05,680 Speaker 1: And then we're now in this episode smoke a cigar 139 00:06:05,720 --> 00:06:08,719 Speaker 1: and this is a durable young waitress comes and Carrie 140 00:06:08,800 --> 00:06:12,080 Speaker 1: puts up with it, and I'm dying. She looks fabulous, 141 00:06:12,240 --> 00:06:15,039 Speaker 1: She looks fabulous. She looks fabulous at all times. 142 00:06:14,800 --> 00:06:15,280 Speaker 2: Really at all. 143 00:06:15,680 --> 00:06:19,640 Speaker 3: My favorite carrying moment that I feel like, actually now 144 00:06:19,680 --> 00:06:21,039 Speaker 3: I'm I think it's getting its flowers. 145 00:06:21,040 --> 00:06:23,239 Speaker 2: But when she's got the newsboy cap on, pony chail. 146 00:06:25,279 --> 00:06:26,960 Speaker 3: Out and she shows up at the bar and Aiden's 147 00:06:27,000 --> 00:06:30,040 Speaker 3: playing like yacht Si with the bartender, and you guys 148 00:06:30,080 --> 00:06:35,640 Speaker 3: want me to like Aiden, don't be crazy. 149 00:06:34,279 --> 00:06:36,800 Speaker 2: Don't don't be crazy? 150 00:06:35,880 --> 00:06:38,159 Speaker 1: Funny that part. I know the outfit. 151 00:06:38,400 --> 00:06:38,960 Speaker 2: I haven't done. 152 00:06:39,440 --> 00:06:42,760 Speaker 3: Watch that bastard when he tries to when he tries 153 00:06:42,800 --> 00:06:45,320 Speaker 3: to punish her for her little. 154 00:06:45,720 --> 00:06:49,599 Speaker 2: Her love with Big. Sorry, I love record. 155 00:06:50,000 --> 00:06:52,720 Speaker 1: That's the whole thing. That's the whole thing. We have 156 00:06:52,800 --> 00:06:55,520 Speaker 1: to we have to hear. Okay, okay, okay. So here 157 00:06:55,560 --> 00:06:57,599 Speaker 1: we are, here we are he So this is the 158 00:06:57,640 --> 00:06:59,880 Speaker 1: thing that bugs me about the So what about Samanth. 159 00:07:00,040 --> 00:07:03,360 Speaker 1: Samantha says, so Big is very obviously looking at other 160 00:07:03,400 --> 00:07:05,400 Speaker 1: women as carry and here are walking down the street. 161 00:07:06,000 --> 00:07:08,320 Speaker 1: Then she talks to all of No, she talks to 162 00:07:08,360 --> 00:07:10,560 Speaker 1: just Samantha when they're walking in Central Park, and she 163 00:07:10,680 --> 00:07:15,520 Speaker 1: basically says he's wondering and it's very good, and she says, 164 00:07:15,680 --> 00:07:18,480 Speaker 1: Samantha says, you can't change the part about a man. 165 00:07:18,520 --> 00:07:21,600 Speaker 1: It's in their genetic code, like something else I'm not 166 00:07:21,640 --> 00:07:22,560 Speaker 1: going to say, she. 167 00:07:22,520 --> 00:07:25,280 Speaker 3: Said, like farting, Yes, thank you, Yes, of course you 168 00:07:25,320 --> 00:07:26,640 Speaker 3: got to have I say all the crude stuff. 169 00:07:29,440 --> 00:07:31,640 Speaker 1: But this is her She's a theme, right because in 170 00:07:31,680 --> 00:07:33,560 Speaker 1: the cheating episode, she's like, this is just what they're 171 00:07:33,560 --> 00:07:36,000 Speaker 1: going to do. It's in their code. It's genetics, it's 172 00:07:36,080 --> 00:07:38,960 Speaker 1: you know, it's who they are. Like, are you of that, thinking. 173 00:07:39,120 --> 00:07:42,040 Speaker 3: That that men it's just men are going to do this? Yeah, 174 00:07:43,280 --> 00:07:45,480 Speaker 3: I mean there's a pattern for sure. I think that 175 00:07:45,520 --> 00:07:48,240 Speaker 3: there's a natural thing that we tell straight men that 176 00:07:48,280 --> 00:07:51,400 Speaker 3: there's like always a something better out there for them, 177 00:07:51,720 --> 00:07:52,000 Speaker 3: you know. 178 00:07:52,160 --> 00:07:53,600 Speaker 1: So then I think gay men feel this. 179 00:07:54,120 --> 00:07:58,200 Speaker 3: Maybe sometimes, but I do think it feels very straight 180 00:07:58,200 --> 00:08:00,000 Speaker 3: guy to be like the world is built for you, 181 00:08:00,120 --> 00:08:01,760 Speaker 3: and I think it is in a lot of ways. 182 00:08:01,760 --> 00:08:02,800 Speaker 2: So then I think they're. 183 00:08:03,040 --> 00:08:05,360 Speaker 1: They're like hedging their bets because there might be something 184 00:08:05,400 --> 00:08:06,040 Speaker 1: better maybe. 185 00:08:06,080 --> 00:08:11,480 Speaker 3: And also I think, yeah, I don't think Samantha's wrong 186 00:08:11,680 --> 00:08:13,920 Speaker 3: and that if this is like a huge red flag, 187 00:08:14,000 --> 00:08:16,119 Speaker 3: I don't think that this feels like the biggest red flag, 188 00:08:16,240 --> 00:08:18,560 Speaker 3: just because just I think guys in general, now, the 189 00:08:18,600 --> 00:08:20,000 Speaker 3: red flag is how he acts in that. 190 00:08:19,960 --> 00:08:23,160 Speaker 2: Rest Totally, totally, totally, you're so brutal. 191 00:08:22,920 --> 00:08:26,160 Speaker 3: I know, and thank god, Yeah, doesn't she say She's like, 192 00:08:26,200 --> 00:08:28,119 Speaker 3: you're so you're so full of yourself? 193 00:08:28,160 --> 00:08:28,640 Speaker 2: Does she say it? 194 00:08:28,640 --> 00:08:28,840 Speaker 3: There? 195 00:08:28,880 --> 00:08:30,160 Speaker 1: She said something like that will get to it in 196 00:08:30,200 --> 00:08:32,440 Speaker 1: a second. I mean, but this is when this whole 197 00:08:32,480 --> 00:08:35,880 Speaker 1: episode starts, and you can she's holding it in and 198 00:08:35,920 --> 00:08:37,960 Speaker 1: holding it in, holding it in, holding in it, which 199 00:08:37,960 --> 00:08:40,880 Speaker 1: I really relate to and feel for her, and you know, 200 00:08:41,280 --> 00:08:44,000 Speaker 1: it's fascinating to watch, and she does it so beautifully, 201 00:08:44,040 --> 00:08:48,120 Speaker 1: you know, because I was talking to someone else who said, oh, 202 00:08:48,160 --> 00:08:51,360 Speaker 1: you know, she makes drama when things are good, but 203 00:08:51,440 --> 00:08:53,600 Speaker 1: that's because she's held in so many things. 204 00:08:53,640 --> 00:08:55,240 Speaker 2: Yeah, of course. Also she's an observer. 205 00:08:55,720 --> 00:08:57,360 Speaker 3: I think like she's coming to this as like a 206 00:08:57,360 --> 00:08:59,760 Speaker 3: writer and someone who's writing about it, so it's like 207 00:09:00,480 --> 00:09:02,959 Speaker 3: the her being thoughtful also talking to our friends a 208 00:09:02,960 --> 00:09:03,400 Speaker 3: lot about it. 209 00:09:03,520 --> 00:09:05,040 Speaker 2: I don't know if I necessarily think. 210 00:09:04,840 --> 00:09:08,360 Speaker 3: That that's like narcissistic, like I think it is her 211 00:09:08,480 --> 00:09:11,600 Speaker 3: job and that to me, I'm like, it's kind of 212 00:09:11,640 --> 00:09:14,880 Speaker 3: the this feels like you would. Anyone in relationships is 213 00:09:15,040 --> 00:09:18,679 Speaker 3: probably talking about it too much, especially in a new relationships. 214 00:09:18,920 --> 00:09:20,360 Speaker 2: That's just when you're young. 215 00:09:20,360 --> 00:09:23,200 Speaker 3: People do I want my girls to they once they're done, 216 00:09:23,240 --> 00:09:24,160 Speaker 3: I go start from the top. 217 00:09:24,240 --> 00:09:27,000 Speaker 2: Which I want to hear it again? What do we 218 00:09:27,040 --> 00:09:28,920 Speaker 2: think he's doing? I got to hear this again. 219 00:09:29,360 --> 00:09:30,560 Speaker 1: God, you're such a good friend. 220 00:09:30,559 --> 00:09:33,240 Speaker 2: I love Anthony in a lot of ways. Love it. 221 00:09:33,559 --> 00:09:43,520 Speaker 1: Yeah about that, I will. I will think you're less angry, yes, yes, yes, yeah, 222 00:09:43,520 --> 00:09:45,240 Speaker 1: I'm more playful yes, which I love. 223 00:09:45,440 --> 00:09:46,320 Speaker 2: So let me ask you this. 224 00:09:46,640 --> 00:09:50,040 Speaker 1: We've got we are in the depths now with Miranda 225 00:09:50,040 --> 00:09:54,640 Speaker 1: and Steve. He just showed up last episode. I first 226 00:09:54,679 --> 00:09:56,720 Speaker 1: of all didn't even realize he comes in the second season. 227 00:09:56,800 --> 00:10:01,480 Speaker 1: He's early and she's amazing, say from the first second, 228 00:10:02,200 --> 00:10:03,080 Speaker 1: which I didn't remember. 229 00:10:03,280 --> 00:10:06,240 Speaker 2: Yeah, he's really not to you know, do you know 230 00:10:06,320 --> 00:10:06,679 Speaker 2: not to. 231 00:10:08,200 --> 00:10:08,480 Speaker 6: Do it? 232 00:10:08,520 --> 00:10:10,600 Speaker 3: What would this be? I guess I don't know. I'm like, 233 00:10:10,600 --> 00:10:12,199 Speaker 3: what would I How would this get me in trouble? 234 00:10:12,240 --> 00:10:14,840 Speaker 3: But he just has a great butt and well. 235 00:10:15,360 --> 00:10:15,880 Speaker 2: So much love. 236 00:10:16,800 --> 00:10:19,319 Speaker 3: Like I feel like people like as like a young 237 00:10:19,480 --> 00:10:21,719 Speaker 3: gay guy watching the show is like Steeve's like kind 238 00:10:21,760 --> 00:10:26,320 Speaker 3: of hot, it's because everyone's like guys, but I'm like, 239 00:10:26,640 --> 00:10:27,280 Speaker 3: Steve's hot. 240 00:10:27,400 --> 00:10:29,640 Speaker 1: Oh my god, he's very hot, and he's hot. I 241 00:10:29,679 --> 00:10:31,840 Speaker 1: never noticed the butt because I know him and I can't. 242 00:10:31,880 --> 00:10:34,080 Speaker 1: It's I mean, and I mean. 243 00:10:34,200 --> 00:10:36,240 Speaker 2: Yes, so much more than that. He really is. 244 00:10:36,360 --> 00:10:38,480 Speaker 1: And the thing that's great about him is that he's 245 00:10:38,800 --> 00:10:40,959 Speaker 1: very in the way that I think Evan also does 246 00:10:41,000 --> 00:10:44,240 Speaker 1: and definitely Kyle does from the minute they show up, 247 00:10:44,640 --> 00:10:46,600 Speaker 1: even though you don't know that that guy is going 248 00:10:46,679 --> 00:10:49,000 Speaker 1: to stay and I can't remember if we really knew 249 00:10:49,080 --> 00:10:52,280 Speaker 1: what was going to happen with Sidenbergh. They come with 250 00:10:52,720 --> 00:10:53,720 Speaker 1: so much. 251 00:10:53,640 --> 00:10:55,800 Speaker 3: And they feel so real, like they feel like the 252 00:10:55,840 --> 00:10:58,800 Speaker 3: fully formed because some I think so beautiful are so 253 00:10:58,840 --> 00:11:02,520 Speaker 3: beautifully written as this almost like like the jazz guy 254 00:11:02,559 --> 00:11:05,120 Speaker 3: for some reason is so funny because that is such 255 00:11:05,120 --> 00:11:07,840 Speaker 3: a specific guy and you don't want to it's like, boom, 256 00:11:08,000 --> 00:11:08,439 Speaker 3: that's him. 257 00:11:08,559 --> 00:11:10,800 Speaker 2: There is nothing else you need to know. That's true. 258 00:11:10,880 --> 00:11:13,480 Speaker 3: That like some just feel like like even in aiden, 259 00:11:13,559 --> 00:11:14,959 Speaker 3: I know I'm being really hard on him today. I 260 00:11:14,960 --> 00:11:16,600 Speaker 3: don't know why, but like. 261 00:11:16,880 --> 00:11:26,320 Speaker 6: I just feel like there's a lot Yeah, okay myself, Hey, 262 00:11:26,400 --> 00:11:28,800 Speaker 6: we all are I think you know this show so 263 00:11:28,880 --> 00:11:33,480 Speaker 6: beautifully writes these like complex, like iconic women, but the 264 00:11:33,520 --> 00:11:35,640 Speaker 6: way men are written, I feel like it's so I 265 00:11:35,679 --> 00:11:37,360 Speaker 6: don't know, so inspiring to me with. 266 00:11:37,360 --> 00:11:39,480 Speaker 3: The show because it just yeah, at times you can 267 00:11:39,520 --> 00:11:42,960 Speaker 3: make so flat, so satirical. So but then someone like 268 00:11:43,000 --> 00:11:45,720 Speaker 3: Steve can come in and they're just what you thought 269 00:11:45,760 --> 00:11:46,720 Speaker 3: you were imposing on the sprint. 270 00:11:46,720 --> 00:11:50,000 Speaker 2: They're completely different. There's so much that's true and where 271 00:11:50,000 --> 00:11:51,640 Speaker 2: he's coming from, and that's. 272 00:11:51,480 --> 00:11:53,319 Speaker 1: So true and what I love is like so he 273 00:11:53,400 --> 00:11:56,120 Speaker 1: really also cuts through her stuff, you know, like mine 274 00:11:56,200 --> 00:11:59,240 Speaker 1: is obviously and you know, tough and all of the 275 00:11:59,320 --> 00:12:01,280 Speaker 1: things right, and she's so mean to him in the 276 00:12:01,280 --> 00:12:03,480 Speaker 1: first episode that he comes and now they're just having 277 00:12:03,480 --> 00:12:05,960 Speaker 1: all this sex and stuff. She's trying to stay away 278 00:12:05,960 --> 00:12:09,160 Speaker 1: even am right, what's morning sex? And she does this 279 00:12:09,280 --> 00:12:11,760 Speaker 1: it's a very interesting thing. But then she gets all 280 00:12:11,840 --> 00:12:14,160 Speaker 1: dressed uff for him and drinks a bunch of coffee 281 00:12:14,400 --> 00:12:16,160 Speaker 1: and then he comes over, he falls asleep and then 282 00:12:16,200 --> 00:12:16,760 Speaker 1: she's like no. 283 00:12:17,760 --> 00:12:20,319 Speaker 2: So that's so like it's those moments. 284 00:12:20,320 --> 00:12:22,360 Speaker 3: I think it even is the you know, the Charlotte, 285 00:12:22,360 --> 00:12:23,560 Speaker 3: I'm your wife and you know, I won't do the 286 00:12:23,559 --> 00:12:24,280 Speaker 3: whole thing again. 287 00:12:24,440 --> 00:12:26,319 Speaker 2: But it is it is fully just putting yourself. 288 00:12:26,360 --> 00:12:28,800 Speaker 3: It's like those vulnerable moments I think are where the 289 00:12:28,800 --> 00:12:32,720 Speaker 3: show is so funny and real, and that like, there's 290 00:12:32,720 --> 00:12:36,640 Speaker 3: something funny about turning on sexiness because I think no 291 00:12:36,679 --> 00:12:40,280 Speaker 3: one knows when they're actually sexy. Good point, Like we 292 00:12:40,320 --> 00:12:42,920 Speaker 3: all think this thing is so sexy, but then I 293 00:12:42,960 --> 00:12:44,600 Speaker 3: say that to someone and they're like, no, that was 294 00:12:44,720 --> 00:12:46,240 Speaker 3: it was so much hotter when you did that. And 295 00:12:46,320 --> 00:12:47,920 Speaker 3: I'm like, oh my god, I looked really. 296 00:12:47,720 --> 00:12:49,880 Speaker 2: Gross, you know what I mean. And you're like, I 297 00:12:49,920 --> 00:12:53,280 Speaker 2: hate when I wear my hair like that. So it's 298 00:12:53,320 --> 00:12:54,840 Speaker 2: something I think it's true like that. 299 00:12:54,880 --> 00:12:57,679 Speaker 3: It feels so real in that he's like, you look great, 300 00:12:57,760 --> 00:12:59,840 Speaker 3: but it's like that's not the you know. 301 00:13:00,240 --> 00:13:03,120 Speaker 1: Well, it's also like she obviously made this effort, which 302 00:13:03,120 --> 00:13:05,320 Speaker 1: I think of matters because previously she was kind of 303 00:13:05,320 --> 00:13:18,040 Speaker 1: making none, right, and you don't know about that effort. Well, 304 00:13:18,080 --> 00:13:20,520 Speaker 1: I do think Steve Keres, because apparently later someone else 305 00:13:20,559 --> 00:13:22,920 Speaker 1: told me this again. I'm really like in it, he 306 00:13:23,160 --> 00:13:25,600 Speaker 1: asks her to do something for him. It comes to 307 00:13:25,679 --> 00:13:28,280 Speaker 1: his basketball and he doesn't, but then she does, right. 308 00:13:28,520 --> 00:13:31,520 Speaker 1: But you know, she's just Miranda has her walls and 309 00:13:31,559 --> 00:13:33,440 Speaker 1: she's so much right, and she's like, I'm not going 310 00:13:33,520 --> 00:13:36,160 Speaker 1: to compromise her whatever, that's her thing. And as we know, 311 00:13:36,240 --> 00:13:42,600 Speaker 1: the whole course of them, this is going to continue 312 00:13:42,800 --> 00:13:44,240 Speaker 1: in different ways. 313 00:13:44,800 --> 00:13:47,760 Speaker 3: In beautiful ways. I think their relationship I love too. 314 00:13:47,840 --> 00:13:51,400 Speaker 3: I think their relationship is so Yeah, I don't know, 315 00:13:51,559 --> 00:13:53,520 Speaker 3: it feels really real to like, I agree. 316 00:13:53,640 --> 00:13:54,000 Speaker 2: I don't know. 317 00:13:54,080 --> 00:13:55,680 Speaker 3: I went to college with a lot of New York kids, 318 00:13:55,720 --> 00:13:57,400 Speaker 3: and I feel like she feels like a lot of 319 00:13:57,120 --> 00:13:59,599 Speaker 3: the parents I met, and those relationships feel like the 320 00:13:59,640 --> 00:14:00,280 Speaker 3: parents met. 321 00:14:00,320 --> 00:14:03,240 Speaker 2: I don't know. I don't know how to describe it. 322 00:14:03,280 --> 00:14:03,400 Speaker 5: Well. 323 00:14:03,400 --> 00:14:05,360 Speaker 1: I think that people who go to New York. First 324 00:14:05,360 --> 00:14:07,880 Speaker 1: of all, there's a bunch of interesting people who go, right, Like, 325 00:14:07,920 --> 00:14:10,800 Speaker 1: you only go to New York if like you're full 326 00:14:11,080 --> 00:14:14,920 Speaker 1: of something, like something you want to super succeeds for life, 327 00:14:15,040 --> 00:14:18,400 Speaker 1: alpha lost for life, creativity, whatever it is. You only 328 00:14:18,440 --> 00:14:21,120 Speaker 1: go to New York if you're like like overly full, right, 329 00:14:21,480 --> 00:14:23,440 Speaker 1: and then you go there and then you might be like, 330 00:14:23,480 --> 00:14:25,920 Speaker 1: oh what did I do? This place is insane and 331 00:14:25,960 --> 00:14:29,240 Speaker 1: you might leave. But if you stay and creative family, 332 00:14:29,880 --> 00:14:31,320 Speaker 1: that means you're different. 333 00:14:32,000 --> 00:14:36,400 Speaker 3: Yeah, there's something exactly that that's so especially from people 334 00:14:36,400 --> 00:14:38,400 Speaker 3: who came to New York not like raise that right, 335 00:14:38,480 --> 00:14:40,720 Speaker 3: because it's like parents, like grew up in Brooklyn and 336 00:14:40,920 --> 00:14:41,640 Speaker 3: like that feels that. 337 00:14:41,680 --> 00:14:44,320 Speaker 1: It's definitely, definitely, definitely, Yeah, there's. 338 00:14:44,160 --> 00:14:45,760 Speaker 2: Something about them. It all feels very real. 339 00:14:45,840 --> 00:14:47,600 Speaker 1: I'm with you. I'm totally with you. Okay, So I 340 00:14:47,640 --> 00:14:50,320 Speaker 1: love their love their thing. Now you see me with 341 00:14:50,400 --> 00:14:52,920 Speaker 1: this guy, and you know, apologies to this person. I 342 00:14:52,960 --> 00:14:55,960 Speaker 1: don't remember him literally at all. He's so weird. Well, 343 00:14:56,000 --> 00:14:58,360 Speaker 1: there were a lot you see yourself and you're like, 344 00:14:58,400 --> 00:15:03,160 Speaker 1: oh my god, I'm because I have no I'm just 345 00:15:03,240 --> 00:15:06,280 Speaker 1: like I was blacked out that episode. I don't know. 346 00:15:06,440 --> 00:15:08,840 Speaker 2: I mean the amount of like hours you're clocking in 347 00:15:09,080 --> 00:15:12,320 Speaker 2: Honestly at that point on a sound stage. It is 348 00:15:12,400 --> 00:15:13,680 Speaker 2: just like I thought, no. 349 00:15:13,720 --> 00:15:15,800 Speaker 1: And we're not in the sound stage at that point. 350 00:15:16,800 --> 00:15:18,440 Speaker 1: I do think I had. I think at this one, 351 00:15:18,520 --> 00:15:21,120 Speaker 1: I saw my white flowers, Charlotte's white flowers show up 352 00:15:21,120 --> 00:15:26,400 Speaker 1: in this episode for the first time. Very exciting. Yeah, yeah, 353 00:15:26,560 --> 00:15:29,960 Speaker 1: I think I might have three flats from my bedroom now. 354 00:15:30,240 --> 00:15:32,280 Speaker 1: I started with just two and a bed and a 355 00:15:32,360 --> 00:15:35,000 Speaker 1: night stand and a picture of a woman falling through water. 356 00:15:35,960 --> 00:15:40,680 Speaker 2: Yes, that was it, and that that's so high it's high. Yeah, 357 00:15:40,720 --> 00:15:41,760 Speaker 2: it's high in the corner. 358 00:15:41,840 --> 00:15:42,240 Speaker 1: It's high. 359 00:15:42,240 --> 00:15:44,200 Speaker 2: Although I don't think Charlotte would have a TV and no, 360 00:15:44,280 --> 00:15:44,520 Speaker 2: I know. 361 00:15:44,520 --> 00:15:45,720 Speaker 1: I think I only had it because I had that 362 00:15:45,800 --> 00:15:47,840 Speaker 1: handyman one time who had to come fix it, and 363 00:15:47,840 --> 00:15:49,880 Speaker 1: then I decided to have sex fix it. 364 00:15:49,960 --> 00:15:52,560 Speaker 4: Exact you thought it was day Zo. Need to start 365 00:15:52,600 --> 00:15:55,840 Speaker 4: with me, you can go all day I remember that 366 00:15:55,920 --> 00:15:59,880 Speaker 4: I love that gay guy that you're like, oh no, 367 00:16:00,040 --> 00:16:00,800 Speaker 4: oh my god, I. 368 00:16:00,720 --> 00:16:04,760 Speaker 2: Love him and crush on him is incredible. 369 00:16:04,840 --> 00:16:07,280 Speaker 1: Ye, when he's had a huge crush. 370 00:16:07,400 --> 00:16:10,640 Speaker 2: Well done. Yeah, yeah, well let me ask you this. 371 00:16:10,720 --> 00:16:12,240 Speaker 1: We called him metrosexual. 372 00:16:12,600 --> 00:16:14,520 Speaker 2: Oh yeah, which I think we got to bring that back. 373 00:16:14,560 --> 00:16:17,520 Speaker 1: That was so so you're not against, No, I think, 374 00:16:17,560 --> 00:16:18,640 Speaker 1: I mean, okay. 375 00:16:18,320 --> 00:16:19,040 Speaker 2: Maybe I don't know. 376 00:16:19,160 --> 00:16:21,480 Speaker 3: I'm like, I don't think I'm I don't know if 377 00:16:21,520 --> 00:16:24,200 Speaker 3: I'm pro or against. I think I'm more like, I 378 00:16:24,320 --> 00:16:26,720 Speaker 3: just if that was a tiptoe into being more accepting 379 00:16:26,920 --> 00:16:29,880 Speaker 3: gay people tell you. But also I'm like, it is 380 00:16:29,920 --> 00:16:32,240 Speaker 3: funny to finally give it a term, because it's like, 381 00:16:32,400 --> 00:16:37,720 Speaker 3: you guys are acting Gaysing. 382 00:16:36,320 --> 00:16:38,080 Speaker 1: Said that at the time it would have been bad. 383 00:16:38,160 --> 00:16:40,160 Speaker 2: Yeah, but metro feels like it was the culture at 384 00:16:40,160 --> 00:16:41,560 Speaker 2: that it was my thing. 385 00:16:41,600 --> 00:16:43,360 Speaker 1: Is also like they're like, no, that guy is gay, 386 00:16:43,360 --> 00:16:44,880 Speaker 1: you can't go out with him, and I'm like, he is, 387 00:16:45,080 --> 00:16:47,360 Speaker 1: Oh no, I think I haven't rewatched, but I think 388 00:16:47,400 --> 00:16:49,920 Speaker 1: there's like a lot of I think you're like, let. 389 00:16:49,760 --> 00:16:52,240 Speaker 3: Me see, I really love Charlotte being like it feels 390 00:16:52,360 --> 00:16:55,400 Speaker 3: very true. It feels very true to my experiences with 391 00:16:55,440 --> 00:16:57,520 Speaker 3: women to where it would be like gay was put 392 00:16:57,640 --> 00:17:00,000 Speaker 3: so far down on the list of things they thought 393 00:17:00,160 --> 00:17:01,760 Speaker 3: that were going wrong between me and them. 394 00:17:01,880 --> 00:17:02,480 Speaker 1: This is true. 395 00:17:02,520 --> 00:17:04,600 Speaker 3: Yeah, They're like, it's me. It's my body, it's my hair, 396 00:17:04,880 --> 00:17:07,919 Speaker 3: my skin, the way I talk. And then someone's like 397 00:17:08,280 --> 00:17:15,200 Speaker 3: or he's a flaming homosexual and they're like no, no, no, yeah. 398 00:17:15,720 --> 00:17:19,480 Speaker 1: Yes, okay. I went to college with a bunch of actors. 399 00:17:19,480 --> 00:17:21,320 Speaker 1: I went to Rutgers and they had me school School 400 00:17:21,320 --> 00:17:24,320 Speaker 1: of the Arts, like the BFA program. Yeah, so when 401 00:17:24,359 --> 00:17:25,400 Speaker 1: we started. 402 00:17:25,160 --> 00:17:27,000 Speaker 2: I know where this is going, you do. 403 00:17:27,200 --> 00:17:30,280 Speaker 1: When they started, the sophomores and up would take beds 404 00:17:30,359 --> 00:17:32,040 Speaker 1: on the freshman and who would be gay and who 405 00:17:32,040 --> 00:17:35,600 Speaker 1: wouldn't be gay, and we were just like what you know? 406 00:17:35,720 --> 00:17:36,040 Speaker 2: Yeah? 407 00:17:36,080 --> 00:17:38,119 Speaker 1: And I came from South Carolina, all right, so I 408 00:17:38,240 --> 00:17:41,160 Speaker 1: was super clueless. I know a bunch of gay people, 409 00:17:41,200 --> 00:17:43,080 Speaker 1: but no one said they were gay. Of course they 410 00:17:43,119 --> 00:17:45,560 Speaker 1: were in South Carolina. Yeah, so in the eighties. 411 00:17:46,080 --> 00:17:48,679 Speaker 3: Yeah, my prom date is gay. But that's also my 412 00:17:48,720 --> 00:17:50,200 Speaker 3: boyfriend exactly. 413 00:17:50,320 --> 00:17:52,440 Speaker 2: Yeah, and we're going together for a while, exactly. 414 00:17:52,840 --> 00:17:55,840 Speaker 1: So. I have a boyfriend in college in my freshman year. 415 00:17:55,880 --> 00:17:58,479 Speaker 1: His name is Bob, and he was a sophomore. So 416 00:17:58,560 --> 00:18:01,560 Speaker 1: I thought, well, he's already as the freshman test or whatever. 417 00:18:01,840 --> 00:18:07,840 Speaker 2: Of course, I love this to me, let me. 418 00:18:08,440 --> 00:18:11,520 Speaker 1: She was so sweet, right, really, like you could have 419 00:18:11,560 --> 00:18:14,800 Speaker 1: emotional conversations with me. I've never had this in my 420 00:18:14,840 --> 00:18:16,280 Speaker 1: young life, do you know what I mean? 421 00:18:16,400 --> 00:18:18,000 Speaker 2: I never total So then. 422 00:18:20,080 --> 00:18:24,040 Speaker 1: In the in the indimcy category, he was really into 423 00:18:24,600 --> 00:18:29,400 Speaker 1: giving oral sex, not so much into the other things. Right, 424 00:18:29,720 --> 00:18:31,640 Speaker 1: it's not really my thing, which I know, like I'm 425 00:18:31,680 --> 00:18:33,720 Speaker 1: saying a lot. I understand its clickbait right now, but 426 00:18:33,800 --> 00:18:35,120 Speaker 1: this is the truth in your Benny, So I'm gonna 427 00:18:35,160 --> 00:18:37,200 Speaker 1: tell you. I was like, that's not really my thing 428 00:18:37,880 --> 00:18:41,280 Speaker 1: so much, but it's just I could never like get 429 00:18:41,320 --> 00:18:48,600 Speaker 1: over that hurd so important. I'm talking to my other 430 00:18:48,680 --> 00:18:51,240 Speaker 1: freshman girlfriends about it, and we're all just like, oh, well, 431 00:18:51,280 --> 00:18:53,480 Speaker 1: that's interesting, and they were all put it, don't you 432 00:18:53,640 --> 00:18:53,879 Speaker 1: like that? 433 00:18:54,080 --> 00:18:54,600 Speaker 2: Isn't that good? 434 00:18:55,800 --> 00:18:58,440 Speaker 1: Trying to please you? Isn't that great? And I'm like, well, 435 00:18:58,520 --> 00:19:00,760 Speaker 1: I don't know, it's just really kind of all it happens, 436 00:19:00,800 --> 00:19:04,320 Speaker 1: and like I just can't seem to like I just 437 00:19:04,400 --> 00:19:07,399 Speaker 1: keep thinking it's gonna progress and it just doesn't. 438 00:19:07,560 --> 00:19:08,240 Speaker 2: That's kind of it. 439 00:19:08,400 --> 00:19:11,600 Speaker 1: Yeah, okay, but isn't that that's not really bad? And 440 00:19:11,640 --> 00:19:14,200 Speaker 1: I'm like, I don't know, I don't know. I mean, 441 00:19:14,240 --> 00:19:16,280 Speaker 1: I don't know why it took them so long, but 442 00:19:16,400 --> 00:19:19,920 Speaker 1: come junior year, very gay. Yeah, but then it was 443 00:19:19,960 --> 00:19:22,200 Speaker 1: a drama and it's so sad when I look back 444 00:19:22,240 --> 00:19:24,560 Speaker 1: on it because it was like such a it's like 445 00:19:24,560 --> 00:19:26,560 Speaker 1: what your show is about, you know, And that's part 446 00:19:26,600 --> 00:19:28,840 Speaker 1: of why I love your show, Like it's it is 447 00:19:28,880 --> 00:19:33,480 Speaker 1: a specific relationship that you should be able to make great. 448 00:19:33,760 --> 00:19:36,960 Speaker 3: Yeah, but it's it's what's so it's that it's both sad, 449 00:19:37,000 --> 00:19:39,280 Speaker 3: but then also in the end, I think there is 450 00:19:39,280 --> 00:19:42,080 Speaker 3: something beautiful about it. There's like a safety as long 451 00:19:42,119 --> 00:19:44,800 Speaker 3: as like women. I think I always feel terrible if 452 00:19:44,800 --> 00:19:47,560 Speaker 3: it ever comes across as like women getting used in 453 00:19:47,600 --> 00:19:48,600 Speaker 3: that way because it's. 454 00:19:48,440 --> 00:19:50,959 Speaker 1: So used you know, it's it's so confused. 455 00:19:51,119 --> 00:19:53,320 Speaker 3: Absolutely, yeah, and that's it. It's a little bit like 456 00:19:53,359 --> 00:19:58,040 Speaker 3: mental warfare that you were unfortunately, psychological warfare that we're 457 00:19:58,040 --> 00:20:01,320 Speaker 3: imposing on women where they're like yeah, and so I 458 00:20:01,320 --> 00:20:03,920 Speaker 3: think that's the thing too. It's like that everyone is 459 00:20:04,000 --> 00:20:07,320 Speaker 3: kind of having this in all of their sexual. 460 00:20:07,000 --> 00:20:10,040 Speaker 2: Explorations, you know, yes, yes, And I think that's what 461 00:20:10,040 --> 00:20:11,400 Speaker 2: Sex and the City does so beautifully. 462 00:20:11,400 --> 00:20:13,359 Speaker 3: That there are so many other ways that these things 463 00:20:13,359 --> 00:20:15,480 Speaker 3: can be strange because sex is so weird, like the 464 00:20:15,560 --> 00:20:18,040 Speaker 3: way and everyone brings a weirdness to it. 465 00:20:19,160 --> 00:20:22,240 Speaker 2: But yeah, it is, I know. 466 00:20:22,880 --> 00:20:24,800 Speaker 1: But the thing that was said was that after we've 467 00:20:24,840 --> 00:20:26,520 Speaker 1: been so close, I was always just like a little 468 00:20:26,560 --> 00:20:29,040 Speaker 1: mad at him. I guess I was just like, yeah, 469 00:20:29,680 --> 00:20:32,520 Speaker 1: well Macnus. 470 00:20:31,480 --> 00:20:32,120 Speaker 2: That makes sense. 471 00:20:32,200 --> 00:20:34,359 Speaker 3: And I think that's that also is the show and 472 00:20:34,359 --> 00:20:38,240 Speaker 3: that I'm like, I these relationships are so complicated, like 473 00:20:38,320 --> 00:20:41,719 Speaker 3: he does there and there's miscommunication, and there's you are 474 00:20:41,840 --> 00:20:45,080 Speaker 3: you know unfortunately like telling you know something. 475 00:20:45,400 --> 00:20:46,840 Speaker 1: Eighteen or nineteen or whatever. 476 00:20:46,960 --> 00:20:49,760 Speaker 2: Yeah, and you're like, oh, I put right. 477 00:20:49,880 --> 00:20:51,720 Speaker 3: You're like I gave you my body like I felt, 478 00:20:51,800 --> 00:20:54,480 Speaker 3: you know, and and then like, oh you wasted my time. 479 00:20:54,640 --> 00:20:56,840 Speaker 3: That was kind of a thing that conversation at that 480 00:20:56,880 --> 00:20:59,880 Speaker 3: point in time in a theater school, I would say 481 00:21:00,080 --> 00:21:03,520 Speaker 3: probably most Oh yeah, you had to look real hard. 482 00:21:03,880 --> 00:21:06,240 Speaker 1: You had to look real hard to find anyone. 483 00:21:05,960 --> 00:21:07,239 Speaker 2: And there would probably be the one you would never 484 00:21:07,240 --> 00:21:08,040 Speaker 2: would have thought. 485 00:21:07,960 --> 00:21:10,320 Speaker 1: Oh no, No, it was one that I totally thought, okay, 486 00:21:10,359 --> 00:21:12,920 Speaker 1: and it was a great, great boyfriend. But it took 487 00:21:12,960 --> 00:21:15,040 Speaker 1: me till senior year to figure that out. But it 488 00:21:15,119 --> 00:21:17,320 Speaker 1: was great because it was freedom. It was freedom once 489 00:21:17,359 --> 00:21:20,560 Speaker 1: you kind of accepted you know, it's just freedom. Yeah, 490 00:21:20,600 --> 00:21:23,040 Speaker 1: I'm saying, oh, totally, yeah, yeah, yeah. Do you want 491 00:21:23,080 --> 00:21:25,520 Speaker 1: to talk about Charlotte and this this boy it's just 492 00:21:25,560 --> 00:21:29,240 Speaker 1: to get circumcised, which is so weird and honestly, can 493 00:21:29,320 --> 00:21:30,080 Speaker 1: it even happen? 494 00:21:31,119 --> 00:21:33,880 Speaker 2: So yeah, I don't know if this I think I can. 495 00:21:34,680 --> 00:21:37,280 Speaker 3: I love that Charlotte's crushing our guys like this, that 496 00:21:37,400 --> 00:21:39,840 Speaker 3: she's saying, hey, I need this, but it is so 497 00:21:40,560 --> 00:21:43,080 Speaker 3: a guy thing to have this new At the end, 498 00:21:43,160 --> 00:21:44,959 Speaker 3: when he's like, I know, I kind of have this 499 00:21:45,040 --> 00:21:45,800 Speaker 3: newfound life. 500 00:21:46,200 --> 00:21:47,600 Speaker 2: I can't live it. 501 00:21:47,680 --> 00:21:49,879 Speaker 1: You don't see it coming from this dude, He's like, 502 00:21:50,000 --> 00:21:50,440 Speaker 1: kind of. 503 00:21:50,400 --> 00:21:51,080 Speaker 2: It's just great. 504 00:21:51,119 --> 00:21:54,680 Speaker 3: It's just like it's such a deliciously written this sequence 505 00:21:54,800 --> 00:21:57,400 Speaker 3: to me that it's like, I mean, I don't, yeah, 506 00:21:57,440 --> 00:22:00,280 Speaker 3: I don't. This is so interesting to me because if 507 00:22:00,320 --> 00:22:02,879 Speaker 3: it is so American and that this is such a 508 00:22:03,240 --> 00:22:05,320 Speaker 3: because I grew up in Idaho, so it was like 509 00:22:05,400 --> 00:22:07,680 Speaker 3: if someone was uncircumcised. 510 00:22:07,200 --> 00:22:09,679 Speaker 2: Everyone knew, right, it was very different. 511 00:22:09,760 --> 00:22:11,879 Speaker 3: It was so different and so yeah, and so I 512 00:22:11,920 --> 00:22:14,320 Speaker 3: feel like there is something so Charlotte when she has 513 00:22:14,400 --> 00:22:16,640 Speaker 3: that line that she's like, I'm from Connecticut. 514 00:22:16,200 --> 00:22:29,479 Speaker 5: Right, that is so Mary. 515 00:22:31,640 --> 00:22:33,879 Speaker 1: I know a lot of people do this, like cover 516 00:22:34,119 --> 00:22:36,720 Speaker 1: their true selves, but I mean it's it's a lot 517 00:22:36,800 --> 00:22:37,240 Speaker 1: of work. 518 00:22:37,359 --> 00:22:39,359 Speaker 3: It's a lot of work, so much so that acting 519 00:22:39,400 --> 00:22:40,520 Speaker 3: is really it feels really fun. 520 00:22:40,560 --> 00:22:41,320 Speaker 1: Oh my gosh. 521 00:22:41,400 --> 00:22:43,000 Speaker 2: Yeah, I'm like kind of back in, back in the 522 00:22:43,040 --> 00:22:48,200 Speaker 2: swing of things. I love that. I think Charlotte, I don't. 523 00:22:48,280 --> 00:22:50,399 Speaker 3: I think she could have maybe come to love it 524 00:22:50,440 --> 00:22:52,600 Speaker 3: at some point if she really ended up liking the guy. 525 00:22:52,920 --> 00:22:55,160 Speaker 1: Yeah, that guy was exciting enough. 526 00:22:55,280 --> 00:22:56,600 Speaker 2: I completely agree, and. 527 00:22:56,560 --> 00:22:58,440 Speaker 3: I think she was like, oh, yeah, maybe let's see 528 00:22:58,480 --> 00:23:00,000 Speaker 3: and then I'm getting it done. 529 00:23:00,200 --> 00:23:02,960 Speaker 2: At first I could see how that'd be like for me, right, No. 530 00:23:03,000 --> 00:23:03,760 Speaker 1: That was exciting. 531 00:23:06,520 --> 00:23:07,000 Speaker 2: What could be better? 532 00:23:07,040 --> 00:23:10,120 Speaker 1: The girls are like, you know, the girls don't even 533 00:23:10,160 --> 00:23:13,240 Speaker 1: get on her her thinking, which is obviously not unusual, 534 00:23:13,280 --> 00:23:15,159 Speaker 1: but it is very sweet. But there are also so 535 00:23:15,200 --> 00:23:18,719 Speaker 1: many big things that happened, but you know we weren't well. 536 00:23:18,720 --> 00:23:21,680 Speaker 3: Samantha's My favorite is is very much. I really see 537 00:23:21,680 --> 00:23:24,879 Speaker 3: myself reflected in that of returning to an ex girlfriend 538 00:23:24,920 --> 00:23:26,480 Speaker 3: and you're like dressed up as. 539 00:23:26,359 --> 00:23:27,760 Speaker 2: Them in a way. I don't know. 540 00:23:27,880 --> 00:23:30,960 Speaker 3: I think about that a lot where I'm like, well, yeah, 541 00:23:31,000 --> 00:23:34,000 Speaker 3: I had kind of been with this girl in college, 542 00:23:34,040 --> 00:23:36,439 Speaker 3: if you and so I wonder if she was ever 543 00:23:36,520 --> 00:23:40,159 Speaker 3: story And I just say, I've never heard a single 544 00:23:40,240 --> 00:23:42,680 Speaker 3: thing from her about anything, and I've never heard anyone 545 00:23:42,720 --> 00:23:45,800 Speaker 3: ask her, but I am curious, like if she it 546 00:23:45,880 --> 00:23:49,399 Speaker 3: seems like maybe she is kind of like more on 547 00:23:49,440 --> 00:23:52,680 Speaker 3: the mad side, you know, and kind of like what 548 00:23:52,720 --> 00:23:54,560 Speaker 3: the fuck me? 549 00:23:54,720 --> 00:23:55,920 Speaker 1: Does she still have an Idaho? 550 00:23:56,200 --> 00:24:01,200 Speaker 3: No? No, this was in college, but it's just so 551 00:24:01,560 --> 00:24:03,240 Speaker 3: but it's so funny to me to think, like, oh 552 00:24:03,240 --> 00:24:04,280 Speaker 3: my god, yeah, I don't know. 553 00:24:04,320 --> 00:24:06,200 Speaker 2: That scene feels so real of like my. 554 00:24:06,200 --> 00:24:09,160 Speaker 1: Thought looking at it was why is she not more flattered? 555 00:24:09,800 --> 00:24:13,879 Speaker 3: Well what I mean incredible delivery of like I'm so 556 00:24:14,000 --> 00:24:14,959 Speaker 3: much prettier than her. 557 00:24:16,400 --> 00:24:19,120 Speaker 1: So it's funny, but it's incredible. 558 00:24:19,840 --> 00:24:22,359 Speaker 3: I think now maybe more flattered. I think at the time, 559 00:24:22,640 --> 00:24:23,920 Speaker 3: I think it might be a little bit of the 560 00:24:24,400 --> 00:24:27,800 Speaker 3: Bob thing where you're like, damn, wait really and like, 561 00:24:27,920 --> 00:24:28,960 Speaker 3: am I the reason that. 562 00:24:30,480 --> 00:24:31,120 Speaker 1: She's confused? 563 00:24:32,680 --> 00:24:34,959 Speaker 2: But I'm a perfect woman, right, you know? 564 00:24:35,040 --> 00:24:37,719 Speaker 3: Like how so I and I think there is just 565 00:24:37,760 --> 00:24:40,600 Speaker 3: something so almost in that of him like taking her 566 00:24:40,720 --> 00:24:41,800 Speaker 3: entire vibe. 567 00:24:41,560 --> 00:24:44,000 Speaker 2: For the drag queen. I feel like it is also. 568 00:24:45,600 --> 00:24:46,560 Speaker 1: Is it not flattering? 569 00:24:46,680 --> 00:24:48,880 Speaker 3: I think both the name and the look is kind 570 00:24:48,880 --> 00:24:50,280 Speaker 3: of like that could be like to. 571 00:24:50,760 --> 00:24:53,640 Speaker 2: Wait, you're you know of like calling yourself you took 572 00:24:53,680 --> 00:24:54,520 Speaker 2: my whole vibe? 573 00:24:54,800 --> 00:24:59,440 Speaker 3: Yeah, I'm clearly the reference here, right, you know, but 574 00:24:59,440 --> 00:25:01,879 Speaker 3: but it's just to I think that is almost like 575 00:25:02,480 --> 00:25:05,199 Speaker 3: just a beautifully like comedic scene in an episode that 576 00:25:05,240 --> 00:25:09,000 Speaker 3: feels more like about this complicated of like carrying big 577 00:25:09,359 --> 00:25:12,720 Speaker 3: kind of being hell, yes, need that moment of like. 578 00:25:12,640 --> 00:25:15,080 Speaker 1: Oh definitely don't know. I was thinking about this as 579 00:25:15,080 --> 00:25:18,919 Speaker 1: I rewatched, like how once we feel more confident to 580 00:25:18,960 --> 00:25:22,000 Speaker 1: be dramatic, the things that we have deemed to be 581 00:25:22,040 --> 00:25:25,119 Speaker 1: the comedy subplots have to be upped of course. 582 00:25:25,240 --> 00:25:26,680 Speaker 2: Yeah, yeah, it's like tone. 583 00:25:26,720 --> 00:25:29,040 Speaker 3: I mean that show like I think Sex and the 584 00:25:29,040 --> 00:25:32,159 Speaker 3: City balances tone so beautifully because it's like the second 585 00:25:32,160 --> 00:25:34,480 Speaker 3: it would maybe get too much, then there is like 586 00:25:34,520 --> 00:25:37,600 Speaker 3: a perfect laugh or just like someone one of the 587 00:25:37,680 --> 00:25:40,119 Speaker 3: side stories, whether it be you or Miranda or you know, 588 00:25:40,200 --> 00:25:43,439 Speaker 3: and that these and or carry at times where like 589 00:25:43,560 --> 00:25:46,040 Speaker 3: that that's the humor. Like even I think Hot Child 590 00:25:46,040 --> 00:25:48,399 Speaker 3: in the City. I'm trying to think of what the 591 00:25:48,440 --> 00:25:51,119 Speaker 3: other storylines were, but Carr watch it was just like 592 00:25:51,160 --> 00:25:53,840 Speaker 3: a young guy that she's like taking, Yeah, and it's 593 00:25:53,840 --> 00:25:55,679 Speaker 3: like she kind of gets to have that kind of 594 00:25:55,680 --> 00:25:57,800 Speaker 3: like funlucky hair. 595 00:25:58,000 --> 00:26:01,399 Speaker 2: Yeah exactly. And he's like he drawser in a comic book, 596 00:26:02,040 --> 00:26:03,120 Speaker 2: you know, and it feels. 597 00:26:02,960 --> 00:26:05,960 Speaker 1: Very had a new writer drew comic books all. 598 00:26:06,040 --> 00:26:06,520 Speaker 2: I love it. 599 00:26:06,720 --> 00:26:09,360 Speaker 1: This is why it happened. Yes, it's all coming. 600 00:26:09,200 --> 00:26:11,400 Speaker 3: Back to it's very like light and I think can 601 00:26:11,440 --> 00:26:14,040 Speaker 3: balance that and what a gift of an ensemble. 602 00:26:14,080 --> 00:26:16,560 Speaker 2: I think that that's so fun for writers. 603 00:26:16,640 --> 00:26:18,399 Speaker 3: Okay, if it's going to be so if this is 604 00:26:18,440 --> 00:26:21,040 Speaker 3: going to be so sad, like I remember when I 605 00:26:21,040 --> 00:26:25,159 Speaker 3: was writing the fifth episode, Scott King and I were 606 00:26:25,240 --> 00:26:27,679 Speaker 3: laughing so much at the thought of Haley spreading Mono 607 00:26:27,760 --> 00:26:29,879 Speaker 3: at this party while you know, me and Carmen are 608 00:26:29,880 --> 00:26:32,320 Speaker 3: getting our hearts broken, but just playing within that world 609 00:26:33,119 --> 00:26:34,760 Speaker 3: because you know, people sign up for a comedy so 610 00:26:34,800 --> 00:26:35,360 Speaker 3: you also. 611 00:26:35,119 --> 00:26:38,200 Speaker 1: Want to definitely, and I asked a very risky question, 612 00:26:38,520 --> 00:26:39,800 Speaker 1: and you can go please. 613 00:26:40,480 --> 00:26:43,600 Speaker 2: I never want to leave. 614 00:26:43,920 --> 00:26:46,800 Speaker 1: So obviously we took time off. We did the movies, 615 00:26:46,840 --> 00:26:48,480 Speaker 1: we took time off, we came back with them just 616 00:26:48,520 --> 00:26:50,359 Speaker 1: like that. We intended to come back and make a 617 00:26:50,359 --> 00:26:52,359 Speaker 1: different show with the same characters, which I know is 618 00:26:52,359 --> 00:26:54,720 Speaker 1: slightly insane. I don't know if I knew it then, 619 00:26:55,040 --> 00:26:56,360 Speaker 1: but I definitely know it now. 620 00:26:56,480 --> 00:26:58,960 Speaker 2: Well, of course, as is always the case. 621 00:26:59,000 --> 00:27:00,880 Speaker 1: And no one had really done this. It's not something 622 00:27:00,920 --> 00:27:03,520 Speaker 1: that's commonly done. We're so lucky we got to do it, obviously. 623 00:27:04,040 --> 00:27:07,760 Speaker 1: And the tone is different, obviously because we could never 624 00:27:07,840 --> 00:27:10,800 Speaker 1: replicate the tone, you know, And it's twice as long, 625 00:27:11,040 --> 00:27:13,640 Speaker 1: and there's more characters and we're dealing with different things. 626 00:27:13,880 --> 00:27:16,320 Speaker 1: But when you look at say, the balance of drama 627 00:27:16,359 --> 00:27:21,080 Speaker 1: and comedy in Sex and City and then the whatever 628 00:27:21,200 --> 00:27:23,280 Speaker 1: people want to call it, like people talk about how 629 00:27:23,359 --> 00:27:26,320 Speaker 1: like we're insane on interest like that, which I don't 630 00:27:26,320 --> 00:27:27,239 Speaker 1: feel when I'm in it. 631 00:27:27,760 --> 00:27:30,320 Speaker 3: Like that people are acting insane in the show, or 632 00:27:30,320 --> 00:27:32,840 Speaker 3: that it's or like, oh the scenarios are insane. 633 00:27:32,960 --> 00:27:34,880 Speaker 1: I don't feel any of it is insane. 634 00:27:35,280 --> 00:27:36,320 Speaker 2: I don't know it's insane. 635 00:27:36,400 --> 00:27:40,879 Speaker 3: I think it's it's it's a shift from the show, 636 00:27:41,040 --> 00:27:43,040 Speaker 3: but in a way that, Yeah, that feels like you 637 00:27:43,200 --> 00:27:44,760 Speaker 3: have to naturally evolves. 638 00:27:44,840 --> 00:27:48,120 Speaker 2: I mean, what an insane creative challenge. I think it's like. 639 00:27:48,040 --> 00:27:50,520 Speaker 3: The whole process of it because also each one is 640 00:27:50,520 --> 00:27:53,560 Speaker 3: coming to you want to show evolution of characters, and 641 00:27:53,600 --> 00:27:56,719 Speaker 3: I think that's something tricky that that people you know, 642 00:27:56,880 --> 00:28:00,480 Speaker 3: whether they love or don't love how a character acting. 643 00:28:00,520 --> 00:28:02,760 Speaker 3: It's like, but the actor also has to bring in 644 00:28:03,240 --> 00:28:06,080 Speaker 3: history to it, like this has been they are not 645 00:28:06,200 --> 00:28:08,320 Speaker 3: that character that you met, because no one is the 646 00:28:08,320 --> 00:28:10,560 Speaker 3: person that they were years ago. 647 00:28:10,640 --> 00:28:11,840 Speaker 2: That's that would be strange. 648 00:28:11,920 --> 00:28:14,760 Speaker 1: And that's the problem though, because we're frozen in time 649 00:28:15,200 --> 00:28:18,480 Speaker 1: and still being watched. Yeah, yet we're making this new thing. 650 00:28:18,560 --> 00:28:20,679 Speaker 3: Well that's why it's smart to create a different format 651 00:28:20,720 --> 00:28:23,159 Speaker 3: for it. But I think there's still in obvious blend 652 00:28:23,160 --> 00:28:26,160 Speaker 3: of comedy and drama and and maybe like a little 653 00:28:26,160 --> 00:28:29,560 Speaker 3: bit lesser like intense drama. I mean, I guess big 654 00:28:29,680 --> 00:28:32,159 Speaker 3: like literally dropped dead. But sorry, I'm laughing at some 655 00:28:32,240 --> 00:28:36,320 Speaker 3: uncomfortable because I think it's funny, just like I guess, well. 656 00:28:36,640 --> 00:28:39,680 Speaker 1: We started so then exactly the ultimate. 657 00:28:39,440 --> 00:28:43,080 Speaker 3: There is exactly that there is like a maybe more 658 00:28:43,160 --> 00:28:46,600 Speaker 3: levity than any for me, definitely, I don't know. I 659 00:28:46,600 --> 00:28:54,480 Speaker 3: think that the show so beautifully can keep people still engaged. 660 00:28:54,000 --> 00:28:56,360 Speaker 2: Though I don't know. That's the thing I like to 661 00:28:56,400 --> 00:28:57,640 Speaker 2: say exactly, which. 662 00:28:57,480 --> 00:28:59,440 Speaker 3: I think, isn't that Like, I don't know, it's kind 663 00:28:59,440 --> 00:29:02,680 Speaker 3: of proving it self in that it's like, still we 664 00:29:02,760 --> 00:29:04,400 Speaker 3: have so much to say about women and what we 665 00:29:04,400 --> 00:29:07,840 Speaker 3: think women should be an act in too in culture, 666 00:29:07,880 --> 00:29:09,360 Speaker 3: and whether that be sexually. 667 00:29:09,080 --> 00:29:12,120 Speaker 2: Or with their families exactly. So I'm like, I don't know. 668 00:29:12,120 --> 00:29:15,480 Speaker 3: And each of the relationships also still feel complicated, Like 669 00:29:15,520 --> 00:29:17,800 Speaker 3: I think the carry and aiden thing does kind of 670 00:29:17,840 --> 00:29:20,360 Speaker 3: sound like something that I think some people that are 671 00:29:20,400 --> 00:29:23,200 Speaker 3: single at that age feel, and that there's you know, 672 00:29:23,240 --> 00:29:30,120 Speaker 3: so I'm like that feel are you really yeah, marry me? 673 00:29:30,440 --> 00:29:30,920 Speaker 1: Is he going to come? 674 00:29:31,000 --> 00:29:34,840 Speaker 2: He's coming? Of course? My Charlotte's so sweet? Yeah, he 675 00:29:34,920 --> 00:29:35,880 Speaker 2: really is, my Charlotte? 676 00:29:35,960 --> 00:29:37,480 Speaker 1: Are you a Charlotte at all? 677 00:29:37,920 --> 00:29:40,880 Speaker 3: Okay, So I think I'm Charlotte Rising because at times 678 00:29:40,880 --> 00:29:43,480 Speaker 3: I am very you know, and I do feel kind 679 00:29:43,480 --> 00:29:46,280 Speaker 3: of like a preppy boy, and I like being straight. 680 00:29:46,440 --> 00:29:48,320 Speaker 3: I like being straight. A's I like doing you know, 681 00:29:48,440 --> 00:29:52,160 Speaker 3: I was the auditorio very that. But then I think 682 00:29:52,200 --> 00:29:54,960 Speaker 3: I lean maybe a little bit like naughtier like Samantha. 683 00:29:55,680 --> 00:29:57,600 Speaker 2: And then I do have like some Carrie in me. 684 00:29:57,680 --> 00:29:59,360 Speaker 1: I think I was going to say Carrie, I do 685 00:29:59,400 --> 00:30:00,320 Speaker 1: feel get a. 686 00:30:01,440 --> 00:30:03,280 Speaker 3: I'm not, but I love her so much. I just 687 00:30:03,360 --> 00:30:07,680 Speaker 3: and I surround myself. I think with Miranda and Charlotte's 688 00:30:07,800 --> 00:30:10,840 Speaker 3: that feels like like Mary Beth to me, feels like 689 00:30:10,920 --> 00:30:13,720 Speaker 3: a bit of she's such a Charlotte. But then I 690 00:30:13,720 --> 00:30:18,160 Speaker 3: think there's like a Miranda. She's very logical, very like also. 691 00:30:18,080 --> 00:30:22,320 Speaker 1: Like sharp sharp yeah yeah, yeah, yeah, yeah, it's I 692 00:30:22,320 --> 00:30:23,400 Speaker 1: wouldn't use sharp. 693 00:30:24,400 --> 00:30:25,520 Speaker 2: I think she is. 694 00:30:26,120 --> 00:30:30,880 Speaker 1: She's so sharp, you know what, and she's. 695 00:30:29,400 --> 00:30:32,560 Speaker 3: So like I think what I love is like the 696 00:30:32,640 --> 00:30:36,520 Speaker 3: stances are always just like it's this, and that feels 697 00:30:36,320 --> 00:30:41,400 Speaker 3: and so totally like my East Coast girls like you 698 00:30:41,560 --> 00:30:46,240 Speaker 3: nail that and and just like that is a joy, 699 00:30:46,600 --> 00:30:49,520 Speaker 3: like just to be clear like everything. I think it's 700 00:30:49,560 --> 00:30:52,560 Speaker 3: cool that there's so much discourse, like that is so 701 00:30:52,720 --> 00:30:55,400 Speaker 3: scary to me. Of course it's scary, but I like, 702 00:30:55,560 --> 00:30:57,240 Speaker 3: I think I'm getting like a tiny dust of that 703 00:30:57,280 --> 00:30:59,080 Speaker 3: with my show, where like there are people have so 704 00:30:59,120 --> 00:31:01,800 Speaker 3: many opinions of careacters. Yeah, and they keeping like redeem 705 00:31:01,880 --> 00:31:05,280 Speaker 3: him or I hate her she's a lesbian, and I'm like, yeah, 706 00:31:05,320 --> 00:31:08,760 Speaker 3: I know, okay, sometimes but I think the fact that 707 00:31:08,760 --> 00:31:11,080 Speaker 3: people are talking about it and electrified and that carry 708 00:31:11,080 --> 00:31:12,960 Speaker 3: all of a sudden it is pissed at Miranda. 709 00:31:13,080 --> 00:31:14,280 Speaker 2: Hell yeah, I seated. 710 00:31:14,400 --> 00:31:16,600 Speaker 1: It was fascinating. I didn't see it coming. 711 00:31:16,640 --> 00:31:18,680 Speaker 2: Man, I don't drink that Mexican cut were scared. 712 00:31:18,760 --> 00:31:23,120 Speaker 1: I was scared. I was scared last week when they 713 00:31:23,200 --> 00:31:24,560 Speaker 1: argued after my birthday party. 714 00:31:25,040 --> 00:31:28,080 Speaker 2: That's what I mean. I haven't seen the latest week 715 00:31:28,120 --> 00:31:28,520 Speaker 2: that's tonight. 716 00:31:29,320 --> 00:31:31,800 Speaker 1: Yeah, and yeah, because the coke, I think was even 717 00:31:31,840 --> 00:31:33,680 Speaker 1: before it's been coming, you know what I'm saying. 718 00:31:33,720 --> 00:31:35,240 Speaker 2: Well, she took the last Mexican I know. 719 00:31:35,440 --> 00:31:38,000 Speaker 1: See, they have a complex relationship. When you look back, 720 00:31:38,480 --> 00:31:39,000 Speaker 1: it's own. 721 00:31:39,440 --> 00:31:42,000 Speaker 3: There is the kind of remember when I think there's 722 00:31:42,000 --> 00:31:45,040 Speaker 3: something there. I agree, but they need to kiss, but there's. 723 00:31:44,840 --> 00:31:49,760 Speaker 2: Something, there's something at this point, it's like letter. 724 00:31:52,360 --> 00:31:57,440 Speaker 1: Yeah, lesbian too, and I just watched My Power Lesbians. 725 00:31:57,440 --> 00:32:01,360 Speaker 1: It was really fun. Up opportunity woman. 726 00:32:01,160 --> 00:32:03,560 Speaker 3: Oh my god, her lines, what a great mic drop. 727 00:32:03,640 --> 00:32:06,000 Speaker 3: She But if you're not gonna eat seat, you're not. Oh. 728 00:32:06,080 --> 00:32:08,680 Speaker 1: I know, man, I know. I went to the cubby 729 00:32:08,720 --> 00:32:11,320 Speaker 1: room when I was young, and well in there. 730 00:32:14,560 --> 00:32:17,520 Speaker 2: I love you so much. You're perfect.