WEBVTT - Foo Fighters: How Did Taylor Hawkins Die? 

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<v Speaker 1>Disgraceland as a production of Double Elvis. There are many

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<v Speaker 1>insane stories about the Foo Fighters, and you've likely heard

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<v Speaker 1>most of them, and that's because Dave Grohl himself is

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<v Speaker 1>an incredible storyteller. But there are a few stories that

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<v Speaker 1>the band doesn't want told. Chief among them how their

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<v Speaker 1>drummer Taylor Hawkins died, more specifically, the story behind the

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<v Speaker 1>curious fact that it's been four years and we still

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<v Speaker 1>don't have an official cause of death for one of

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<v Speaker 1>the greatest drummers who ever lived. Why not? I have

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<v Speaker 1>some ideas, and none of them take away from the

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<v Speaker 1>fact that Taylor Hawkins and the Foo Fighters made great music.

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<v Speaker 1>Unlike that music, I've played a few at the top

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<v Speaker 1>of the show that wasn't great music. That was a

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<v Speaker 1>not so preset loop for my melotron called ROMI has

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<v Speaker 1>Two Trons MK one. I played you that loote because

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<v Speaker 1>I can't afford the rights to heat Waves by Glass Animals,

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<v Speaker 1>And why would I play you that specific slice of

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<v Speaker 1>I don't even know what to call that, geez? Could

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<v Speaker 1>I afford it? Because that was the number one song

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<v Speaker 1>in America on March twenty fifth, twenty twenty two, and

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<v Speaker 1>that was the day that Food Fighters drummer Taylor Hawkins died,

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<v Speaker 1>creating one of the most unexplainable and recent mysteries in

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<v Speaker 1>rock and roll. On this episode, the Incredible Story of

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<v Speaker 1>Dave Roll, Dave Groll's incredible story telling great rock and

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<v Speaker 1>roll in the mystery behind the death of Food Fighters

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<v Speaker 1>drummer Taylor Hawkins. I'm Jake Brennan, and this this disgrace slams.

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<v Speaker 1>Dave Grohl is commonly referred to as the nicest guy

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<v Speaker 1>in rock and roll. It's a descriptor that Dave himself

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<v Speaker 1>reportedly doesn't like. However, the Foo Fighters front man and

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<v Speaker 1>former drummer for Nirvana and DC hardcore band Scream, has

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<v Speaker 1>been on our radios and screens and in our record

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<v Speaker 1>bins for the past three decades, entertaining us in some capacity,

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<v Speaker 1>either on stage, in front of the microphone, behind the

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<v Speaker 1>drums on record, or answering some interviewers questions with his

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<v Speaker 1>four on the floor charisma and his toothy smile and

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<v Speaker 1>well earned confidence, and well, he sure seems like a

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<v Speaker 1>nice guy. I've never met Dave Grohl, but I have

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<v Speaker 1>a lot of friends who have, and every single one

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<v Speaker 1>of them says the same thing. Yes, he really is

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<v Speaker 1>that dude. At the moment, that dude, Dave Grohl is everywhere.

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<v Speaker 1>It seems. He's all over our feeds, in short clips

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<v Speaker 1>and in memes, the former from his Zane Lowe Apple

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<v Speaker 1>Music conversation, the latter from his Guardian newspaper interview. In

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<v Speaker 1>both cases, he's promoting the new Foo Fighters album Your

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<v Speaker 1>Favorite Toy, the band's twelve full length LP, and it's

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<v Speaker 1>first with new drummer Elon Rubin, and carefully talking around

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<v Speaker 1>the more controversial subjects from his in the Foo's recent past,

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<v Speaker 1>namely the bust up between the band and their most

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<v Speaker 1>recent drummer, Josh Freese. Punk Rocks Jim Gordon, a dude

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<v Speaker 1>who has played with a who's who of rock, punk

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<v Speaker 1>and pop, from The Vandals to Katie Perry, Devo, Weezer,

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<v Speaker 1>Bruce Springsteen, Maya, Rudolph, Guns N' Roses, Joe Strummer, Paul Westerberg,

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<v Speaker 1>The Offspring and a gazillion more and now nine inch Nails.

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<v Speaker 1>Freeze toured with the Foo Fighters from twenty twenty three

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<v Speaker 1>to twenty twenty five, and Josh Freese was understandably butt

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<v Speaker 1>heard about being kicked out of the band, posting on

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<v Speaker 1>Instagram in May twenty twenty five that the band called

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<v Speaker 1>him in to let him know that they were quote

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<v Speaker 1>going in a different direction unquote. He claimed that no

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<v Speaker 1>actual reason was given for his firing, and Freeze went

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<v Speaker 1>on to say that it was the first time he'd

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<v Speaker 1>been fired from any gig in his forty year career,

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<v Speaker 1>and that he was shocked and disappointed. Dave Grohl describes

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<v Speaker 1>the conversation that the band had with Freeze, the one

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<v Speaker 1>where they let him go, in typical nicest guy in

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<v Speaker 1>rock and roll fashion, as follows. Basically, we called Josh

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<v Speaker 1>and we were like, hey man, that was awesome. That

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<v Speaker 1>was such a blast, Thank you so much, but we're

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<v Speaker 1>gonna move on and find another drummer. After the dust settled,

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<v Speaker 1>Freeze went on a passive aggressive rant on Instagram, listing

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<v Speaker 1>with at least some humor, the quote ten possible reasons

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<v Speaker 1>joshka booted, the joke apparently being what reason could there

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<v Speaker 1>possibly be to actually fire Josh Freeze from any band,

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<v Speaker 1>much less the Foo Fighters, a band that Freeze would

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<v Speaker 1>eventually claim wasn't music that I resonated with. After all that,

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<v Speaker 1>Dave Grohl told Zane Lowe. I think Josh said it

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<v Speaker 1>best when he said that he didn't feel our music

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<v Speaker 1>really resonated with him, and that's really important. And then

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<v Speaker 1>there's a topic of Dave Grohl's recent Baby Mama drama.

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<v Speaker 1>It's a most unchill modern rock and roll controversy, one

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<v Speaker 1>that has caused culture vultures and fans alike to question

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<v Speaker 1>Grohl's nice guy reputation. On September tenth, twenty twenty four,

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<v Speaker 1>the post appeared on Girl's personal Instagram page, saying quote,

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<v Speaker 1>I've recently become the father of a new baby daughter

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<v Speaker 1>born outside my marriage. I planned to be a loving

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<v Speaker 1>and supportive parent tour. I love my wife and my children,

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<v Speaker 1>and I'm doing everything I can to regain their trust

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<v Speaker 1>and earn their forgiveness. We're grateful for your consideration toward

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<v Speaker 1>all the children involved as we move forward together. Dave ouch,

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<v Speaker 1>hearing this sucked as a fan, but it's hard to

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<v Speaker 1>complain again as a fan knowing how hard this must

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<v Speaker 1>have been to hear for the four women in Dave

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<v Speaker 1>Gorohle's family, his wife and three daughters. So I don't

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<v Speaker 1>really want to talk about it, and neither is Dave

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<v Speaker 1>grol understandably. That said, part of the point of these

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<v Speaker 1>recent interviews that Grole has done seems to be to

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<v Speaker 1>let everyone know that he's spending a lot of time

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<v Speaker 1>working on himself, going to therapy six times a week.

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<v Speaker 1>Are you kidding me? If anything would make me insane,

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<v Speaker 1>it would be talking about myself in in ten sessions

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<v Speaker 1>for six out of the seven days in a week.

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<v Speaker 1>I can't imagine what this process for Dave Grohl is like.

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<v Speaker 1>This is a guy whose entire mission in life has

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<v Speaker 1>been for the past thirty years to rock our faces

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<v Speaker 1>off and to bring joy through his music to millions

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<v Speaker 1>of fans across the globe. Sitting on a couch, turning inward,

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<v Speaker 1>talking to a therapist about the things in one's life

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<v Speaker 1>that have nearly destroyed you seems it's like the opposite

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<v Speaker 1>of what Dave Grole was put on this planet to do.

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<v Speaker 1>Dave Grohl is supposed to stand, not sit and on stage,

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<v Speaker 1>not in a comfy chair, and destroy us, not talk

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<v Speaker 1>about what's destroying him. Dave Grohl is a rock star.

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<v Speaker 1>As a fan, I don't want to hear about Dave's

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<v Speaker 1>problems or how he's dealing with them. I want to

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<v Speaker 1>feel him melt my face with this hardcore arena rock

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<v Speaker 1>animal from Electric Mayhem Energy. But I'm no utopian. I

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<v Speaker 1>get it. Nothing is as it seems. And if you

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<v Speaker 1>can't always get what you want, love the one you're

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<v Speaker 1>with or whatever that's saying is. But what I'm trying

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<v Speaker 1>to say is Dave Grohl understandably needs to do whatever

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<v Speaker 1>Dave grol needs to do for himself, his family, and

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<v Speaker 1>for his public persona, and then keep himself wired together

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<v Speaker 1>enough to continue bringing joy on stage and on record.

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<v Speaker 1>And this, for better or worse, is where we're at

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<v Speaker 1>with this dude, after three decades with him in our lives.

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<v Speaker 1>To his credit, Dave Grohl has confronted his infidelity in

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<v Speaker 1>these recent interviews within the context of his recent therapy,

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<v Speaker 1>at least saying I have to be perfectly honest. Writing

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<v Speaker 1>songs and writing lyrics about these things is sometimes enough

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<v Speaker 1>as far as having a deeper, longer conversation about them.

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<v Speaker 1>I still do reserve a lot of this for my

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<v Speaker 1>own personal life. That's totally fair. I kind of wish

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<v Speaker 1>he'd reserve it all for his personal life. But there

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<v Speaker 1>is this rabid beast called public opinion, and the beast

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<v Speaker 1>must be fed. It's clear Dave does not want to

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<v Speaker 1>talk about this moment in his life, and who among

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<v Speaker 1>us would. But this is just a moment that he's

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<v Speaker 1>got to get through, and he will, and in another

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<v Speaker 1>three hundred and sixty five days and in another three

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<v Speaker 1>hundred and sixty five news cycles, we will barely remember

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<v Speaker 1>any of this because by that time Sean Diddy Combs

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<v Speaker 1>will be president or something equally ludicrous. Then there's the

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<v Speaker 1>subject of Foo Fighters drummer Taylor Hawkins's death, the third

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<v Speaker 1>consequential subject that Dave Grohl and everyone involved with the

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<v Speaker 1>Foos clearly doesn't want to talk about. In fact, the

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<v Speaker 1>subject of how Taylor died just well, it doesn't even

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<v Speaker 1>come up anymore, not in the pop music discourse, and

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<v Speaker 1>most certainly not in recent Dave Girl interviews or in

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<v Speaker 1>interviews with other members of the Foo Fighters, which is strange.

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<v Speaker 1>Taylor Hawkins died on March twenty fifth, twenty twenty two,

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<v Speaker 1>a full four years ago, and we still don't know

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<v Speaker 1>how he died. Is this pop music's greatest unsolved mystery? No,

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<v Speaker 1>far from it. It's just that no one seems to care.

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<v Speaker 1>Make that make sense? This wasn't the drummer for some

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<v Speaker 1>random rock band struggling to make ends meet out there

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<v Speaker 1>on the road. This wasn't some faceless session drummer either.

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<v Speaker 1>And this wasn't even Josh Freeze. This was Taylor fucking Hawkins,

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<v Speaker 1>one of the most charismatic, larger than life drummers of

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<v Speaker 1>the twenty first century, a man whose unique presence and

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<v Speaker 1>talent behind the kit was challenged by very few, but

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<v Speaker 1>most ironically by a dude in his own band, Dave Grohl.

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<v Speaker 1>And now he's gone, and we don't know why? Why not?

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<v Speaker 1>You know how Keith Moon died overdosed in Harry Nilson's

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<v Speaker 1>London apartment. We know how John Bonham died. He choked

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<v Speaker 1>on his own vomit. Why don't we know how this

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<v Speaker 1>latter day drumming icon died. Go ahead and google how

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<v Speaker 1>did Taylor Hawkins die? The response you get will be

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<v Speaker 1>the following.

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<v Speaker 2>Taylor Hawkins died on March twenty fifth, twenty twenty two,

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<v Speaker 2>at age fifty in Bogatah, Columbia, due to a cardiovascular

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<v Speaker 2>collapse following a reported chest pain emergency. A preliminary urine

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<v Speaker 2>toxicology test found ten different substances in his system, including opioids, benzodiazepines, antidepressants,

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<v Speaker 2>and THHC, though an official final cause of death was

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<v Speaker 2>not publicly released.

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<v Speaker 1>Okay, so he overdosed on drugs and died, right, well,

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<v Speaker 1>go ahead and google, did Taylor Hawkins die from an overdose?

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<v Speaker 1>The Google Gemini response you'll get will be the following

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<v Speaker 1>excerpt from a Variety article from twenty twenty two, around

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<v Speaker 1>the time of Hawkins's death, which says.

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<v Speaker 2>As of late March twenty twenty six, an official cause

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<v Speaker 2>of death has never been released for Foo Fighters drummer

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<v Speaker 2>Taylor Hawkins. While investigators found substances in his system, authorities

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<v Speaker 2>in Columbia have not officially classified his death as a

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<v Speaker 2>drug overdose.

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<v Speaker 1>Okay, now Google, is there an official cause of death

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<v Speaker 1>for Taylor Hawkins? And the response you will get is no.

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<v Speaker 2>An official finalized cause of death for Foo Fighters drummer

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<v Speaker 2>Taylor Hawkins has never been publicly released.

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<v Speaker 1>I don't get it. What are they doing? Are they

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<v Speaker 1>trolling the conspiracy theorists here? Why hasn't an official cause

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<v Speaker 1>of death ever been released? If you want an ice

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<v Speaker 1>cream headache, you can go ahead and google that one.

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<v Speaker 1>But I'm gonna try to answer that question in this

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<v Speaker 1>episode while at the same time telling you the story

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<v Speaker 1>of nice guy Dave Grohl and the Mighty Foo Fighters.

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<v Speaker 1>Dave Grohl is a great drummer, sure, and songwriter and frontman,

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<v Speaker 1>but his greatest talent may be as a storyteller. We've

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<v Speaker 1>all seen him back in the day on MTV disarming

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<v Speaker 1>a nervous interviewer in some comfy late night chair, blowing

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<v Speaker 1>the minds of the host and studio audience, talking shit

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<v Speaker 1>to some podcaster, stunning some morning drive DJ, all with

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<v Speaker 1>jaw dropping story after jaw dropping story featuring him. Dave Grohl,

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<v Speaker 1>the nicest guy in rock and roll, right there at

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<v Speaker 1>the center of our rock and roll fantasy. There's the

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<v Speaker 1>one about Dave meeting Lemmy from Motorhead for the first time,

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<v Speaker 1>and that time Dave made a pilgrimage to Pantera's Strip Club.

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<v Speaker 1>Then there are all those stories about Dave experiencing some

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<v Speaker 1>sort of UFO, and and there's that time he drank

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<v Speaker 1>forty cups of coffee in one day, got chased by

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<v Speaker 1>knife wielding junkies in Amsterdam, broke his leg on stage

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<v Speaker 1>in Sweden, and returned with a doctor at his side

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<v Speaker 1>to hold the bone in place so he could finish

0:13:11.920 --> 0:13:15.160
<v Speaker 1>the show for his fans, and my favorite Dave showing

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<v Speaker 1>up on the set of The X Files and talking

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<v Speaker 1>his way into a role as an extra. It's not

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<v Speaker 1>just the wild experiences that make these tales so interesting,

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<v Speaker 1>it's the way Dave Grohl tells these stories. He's a natural.

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<v Speaker 1>Songwriters are, of course, storytellers, and the best of the

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<v Speaker 1>best know this and use one talent to enhance the other.

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<v Speaker 1>And Dave Grohl seems hyper conscious of this skill. His

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<v Speaker 1>Instagram handle is at Dave's True Stories. His twenty twenty

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<v Speaker 1>two memoir is titled Storyteller. My point is, what the

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<v Speaker 1>hell am I doing? If there's no way I'm going

0:13:53.360 --> 0:13:55.680
<v Speaker 1>to do Dave Grohl's story or the story of the

0:13:55.679 --> 0:13:59.200
<v Speaker 1>Foo Fighters justice. Nobody can tell Dave's story as well

0:13:59.240 --> 0:14:02.600
<v Speaker 1>as Dave himself. But maybe I can fill in some gaps,

0:14:02.960 --> 0:14:06.240
<v Speaker 1>some narrative drum fills, if you will. Nothing over the top,

0:14:06.600 --> 0:14:09.920
<v Speaker 1>not so much Bron Dailer from Mastadon, but perhaps something

0:14:09.920 --> 0:14:13.040
<v Speaker 1>a bit more Levon Helm from the band, Just some

0:14:13.080 --> 0:14:15.720
<v Speaker 1>thoughtful emphasis to round out the story the front man

0:14:15.840 --> 0:14:19.360
<v Speaker 1>is telling because, like I said, there's no telling Dave

0:14:19.400 --> 0:14:22.920
<v Speaker 1>Grohl's story. Like Dave Grole, but like the punk rock

0:14:22.960 --> 0:14:25.760
<v Speaker 1>snobs who only vibe on the first two Foo Fighters records.

0:14:25.880 --> 0:14:28.800
<v Speaker 1>They're self titled nineteen ninety five debut in nineteen ninety

0:14:28.840 --> 0:14:31.040
<v Speaker 1>seven's the color and the shape. When it comes to

0:14:31.120 --> 0:14:35.520
<v Speaker 1>Dave Grol, the storyteller, I prefer his early stuff, going

0:14:35.560 --> 0:14:38.480
<v Speaker 1>all the way back to the Melvins, the Pacific Northwest

0:14:38.480 --> 0:14:41.680
<v Speaker 1>sludge heroes, to Nirvana, the heaviest band on the planet

0:14:41.720 --> 0:14:45.560
<v Speaker 1>since Black Sabbath, a band whose leader King Buzzo's nineteen

0:14:45.640 --> 0:14:48.920
<v Speaker 1>ninety two self titled solo effort features a spoken word

0:14:49.040 --> 0:14:51.640
<v Speaker 1>rant by a little known musician at the time, credited

0:14:51.680 --> 0:14:55.200
<v Speaker 1>in homage to Black Flag as Dale Nixon, but known

0:14:55.240 --> 0:15:00.640
<v Speaker 1>to his friends in and around Seattle as Dave Grohl. So,

0:15:00.760 --> 0:15:03.800
<v Speaker 1>Dave was in Olympia. He was staying at this guy,

0:15:03.880 --> 0:15:07.280
<v Speaker 1>Kurt's house, a new friend of his. He was a

0:15:07.320 --> 0:15:09.720
<v Speaker 1>singer in Day's new band, Nirvana. They were just starting

0:15:09.760 --> 0:15:13.680
<v Speaker 1>with their second album, never Mind, and everything was going

0:15:13.720 --> 0:15:18.040
<v Speaker 1>pretty good. Kurt. He was writing these great new songs.

0:15:19.800 --> 0:15:21.840
<v Speaker 1>It within a couple of months, never Mind came out,

0:15:21.880 --> 0:15:22.160
<v Speaker 1>you know.

0:15:23.120 --> 0:15:25.520
<v Speaker 3>And I guess radio DJ's really liked it or something,

0:15:25.560 --> 0:15:28.440
<v Speaker 3>because they were constantly playing Nirvana and giving him lots

0:15:28.440 --> 0:15:31.160
<v Speaker 3>of love making the money, you know, and Kurt was

0:15:31.200 --> 0:15:33.080
<v Speaker 3>constantly harassed by the press.

0:15:33.680 --> 0:15:36.920
<v Speaker 1>It was always getting high heroin the bad stuff. You know,

0:15:37.360 --> 0:15:40.080
<v Speaker 1>he was in bad shape. The spotlight just got hotter.

0:15:40.240 --> 0:15:42.400
<v Speaker 1>Kurt was really hurt, and I don't think he knew

0:15:42.400 --> 0:15:46.840
<v Speaker 1>about fame before, but he had other demons, I suppose.

0:16:09.120 --> 0:16:11.000
<v Speaker 1>So Dave was sitting on his couch now in his

0:16:11.240 --> 0:16:12.440
<v Speaker 1>La apartment and he.

0:16:12.480 --> 0:16:15.200
<v Speaker 4>Was reading you know, Maximum Rock and Roll and Flip

0:16:15.240 --> 0:16:15.680
<v Speaker 4>Side or.

0:16:15.760 --> 0:16:18.200
<v Speaker 3>One of those pulp things, and he hears the phone ring.

0:16:18.560 --> 0:16:20.080
<v Speaker 3>There's a guy on the other end of the line,

0:16:20.360 --> 0:16:21.240
<v Speaker 3>really going on.

0:16:21.680 --> 0:16:24.640
<v Speaker 1>Kurt was in Rome, Kurt was in some hotel. He

0:16:24.760 --> 0:16:28.600
<v Speaker 1>was really really doing bad. You know, he looked bad.

0:16:28.480 --> 0:16:29.400
<v Speaker 4>Too, you know.

0:16:29.480 --> 0:16:30.000
<v Speaker 1>On the phone.

0:16:30.040 --> 0:16:33.040
<v Speaker 3>The guy puts his cards on the table and whatever.

0:16:33.720 --> 0:16:39.080
<v Speaker 3>Davi's is reading his little punk magazine, but he's paying attention.

0:16:40.520 --> 0:16:43.479
<v Speaker 1>He says, uh, he says, Kurt's dead.

0:16:44.320 --> 0:16:47.680
<v Speaker 5>Dave hangs up, and he's standing there with the phone

0:16:47.680 --> 0:16:50.600
<v Speaker 5>in his hand, and he hangs up like but that.

0:16:50.760 --> 0:16:55.280
<v Speaker 5>The phone rings again, and Dave finally answers it and

0:16:55.360 --> 0:16:56.600
<v Speaker 5>Dave doesn't know what to think.

0:16:56.880 --> 0:17:00.960
<v Speaker 1>Dave says, is Kurt Cobaine really dead? And the guy says, no,

0:17:01.480 --> 0:17:10.159
<v Speaker 1>I think he's alive. Imagine that. Imagine you're in the

0:17:10.160 --> 0:17:13.080
<v Speaker 1>biggest band on the planet, as Dave Grohl was in

0:17:13.119 --> 0:17:16.400
<v Speaker 1>nineteen ninety four in Nirvana, a band that had come

0:17:16.440 --> 0:17:19.480
<v Speaker 1>out of nowhere from Olympia, Washington by way of Seattle,

0:17:19.640 --> 0:17:23.840
<v Speaker 1>to outseell Michael Jackson to completely change the pop music

0:17:23.920 --> 0:17:27.960
<v Speaker 1>game and music forever in your Dave Grohl, a twenty

0:17:28.000 --> 0:17:30.520
<v Speaker 1>one year old hardcore kid from Virginia who just a

0:17:30.560 --> 0:17:33.240
<v Speaker 1>few months earlier was playing in the DC hardcore band's

0:17:33.280 --> 0:17:36.560
<v Speaker 1>Scream and living in Squalor, crashing on a friend's floor

0:17:36.560 --> 0:17:39.320
<v Speaker 1>in La So insisting on a diet a convenience store,

0:17:39.320 --> 0:17:42.359
<v Speaker 1>hot dogs and canned beans. And then you join Nirvana,

0:17:42.400 --> 0:17:45.040
<v Speaker 1>and you make an incredible album, not just an incredible

0:17:45.040 --> 0:17:49.120
<v Speaker 1>album musically, but one of those albums that changes music,

0:17:49.280 --> 0:17:54.600
<v Speaker 1>that changes culture. Nirvana's never Mind, which Let's be honest,

0:17:54.760 --> 0:17:57.880
<v Speaker 1>was strengthened because of the addition of Dave Groll's drumming

0:17:58.080 --> 0:18:02.280
<v Speaker 1>that inimitable hardcore heaviness that Neanderthal disco is. Dave called

0:18:02.320 --> 0:18:05.840
<v Speaker 1>it Part Black Sabbathsville Ward, part Sheeks Tony Thompson. Never

0:18:05.920 --> 0:18:10.800
<v Speaker 1>Mind changed how kids listened to music, how they consumed music,

0:18:11.000 --> 0:18:14.080
<v Speaker 1>how they dressed, how they thought. And now now you're

0:18:14.280 --> 0:18:16.560
<v Speaker 1>Dave and you're hanging out with friends in sunny La

0:18:16.640 --> 0:18:19.480
<v Speaker 1>one afternoon, and the phone rings and someone gives you

0:18:19.520 --> 0:18:22.040
<v Speaker 1>the news that you're singer, your friend, your former roommate,

0:18:22.080 --> 0:18:25.280
<v Speaker 1>your resident torture genius in your band, the reluctant voice

0:18:25.280 --> 0:18:28.160
<v Speaker 1>of a generation, The heavily depressed and drug addicted Kirk

0:18:28.200 --> 0:18:33.280
<v Speaker 1>Cobain is dead. But then they call back and surprise,

0:18:33.760 --> 0:18:37.200
<v Speaker 1>he's alive. It was just an overdose or a suicide attempt.

0:18:37.200 --> 0:18:39.760
<v Speaker 1>No one's really sure, but the point is he survived.

0:18:40.600 --> 0:18:43.760
<v Speaker 1>But then, thirty six days later, on April eighth, nineteen

0:18:43.840 --> 0:18:46.239
<v Speaker 1>ninety four, the call comes again, but this time with

0:18:46.359 --> 0:18:52.679
<v Speaker 1>more finality. Kirk Cobain is gone for good, and the

0:18:52.760 --> 0:18:56.520
<v Speaker 1>grief is as immeasurable as it is impossible to get

0:18:56.520 --> 0:18:59.320
<v Speaker 1>a hold of. It snakes around inside of you. It's

0:18:59.320 --> 0:19:04.119
<v Speaker 1>both a loose and intrusive. The only defense is movement work.

0:19:05.280 --> 0:19:09.040
<v Speaker 1>And then another call, this one from none other than

0:19:09.080 --> 0:19:12.560
<v Speaker 1>Tom Petty. The Tom Petty, the Man who'd been pummeling

0:19:12.600 --> 0:19:15.800
<v Speaker 1>America with hit after hit, stretching back to the nineteen seventies.

0:19:16.280 --> 0:19:18.240
<v Speaker 1>There was an empty drum stool behind Tom on the

0:19:18.240 --> 0:19:21.560
<v Speaker 1>sound stage at NBC Saturday Night Live Studio, and oh man,

0:19:21.720 --> 0:19:25.800
<v Speaker 1>wasn't that exactly what Dave Grohl needed. Dave, with Tom

0:19:25.840 --> 0:19:30.320
<v Speaker 1>Petty's Heartbreakers on National Television fit like a glove, and

0:19:30.400 --> 0:19:33.119
<v Speaker 1>not the cheesy kind Vic Firth made for drummers, the

0:19:33.200 --> 0:19:36.159
<v Speaker 1>kind Steve McQueen wore while he whipped around Laurel Canyon

0:19:36.200 --> 0:19:40.320
<v Speaker 1>on his Triumph motorcycle. Dave Grohl playing drums for Tom

0:19:40.359 --> 0:19:42.679
<v Speaker 1>Petty made all the sense in the world, but at

0:19:42.720 --> 0:19:46.560
<v Speaker 1>the same time, it made no sense at all. Tom

0:19:46.640 --> 0:19:49.560
<v Speaker 1>offered Dave the gig full time. Dave needed to think

0:19:49.600 --> 0:19:53.119
<v Speaker 1>about it. There were the demos to consider, the songs

0:19:53.119 --> 0:19:55.960
<v Speaker 1>he'd been working on with Barrett Jones, the producer Dave

0:19:56.040 --> 0:19:59.199
<v Speaker 1>worked with alongside the Melvins under the pseudonym Dale Nixon.

0:20:00.119 --> 0:20:02.480
<v Speaker 1>Dave was as inspired by those new songs as he

0:20:02.640 --> 0:20:05.720
<v Speaker 1>was frightened by them. It was Dave out front, not

0:20:05.880 --> 0:20:12.000
<v Speaker 1>behind the kid, center stage on mike and playing everything guitar, bass,

0:20:12.200 --> 0:20:16.440
<v Speaker 1>drums and singing. Dave Grohl told Tom Petty there was

0:20:16.480 --> 0:20:18.479
<v Speaker 1>a dream he needed to run down, and then he

0:20:18.480 --> 0:20:22.200
<v Speaker 1>headed into the studio by himself. He had seven days

0:20:22.240 --> 0:20:25.480
<v Speaker 1>to record an album of songs. He tracked four songs

0:20:25.520 --> 0:20:28.680
<v Speaker 1>a day every day for four days straight. He took

0:20:28.720 --> 0:20:31.480
<v Speaker 1>one day to record vocals, a couple days to mix,

0:20:31.800 --> 0:20:34.840
<v Speaker 1>and on the seventh day, the burgeoning rock god rested

0:20:35.119 --> 0:20:39.240
<v Speaker 1>and the Foo Fighters were born. At first, those songs

0:20:39.280 --> 0:20:41.600
<v Speaker 1>amounted to just a demo tape for Day's friends to

0:20:41.640 --> 0:20:44.040
<v Speaker 1>hear what he was up to after Nirvana, But in

0:20:44.119 --> 0:20:46.520
<v Speaker 1>no time, Dave had a record deal. A band was

0:20:46.520 --> 0:20:49.399
<v Speaker 1>put together to bring the songs on tour. Dave tracked

0:20:49.400 --> 0:20:52.440
<v Speaker 1>down Nate Mendel and William Goldsmith the rhythm section from

0:20:52.520 --> 0:20:57.120
<v Speaker 1>Subpop's Sunny Day Real Estate. Soon Pat Smear from the Germs,

0:20:57.200 --> 0:21:00.280
<v Speaker 1>who had joined Nirvana back in nineteen ninety three, to

0:21:00.359 --> 0:21:03.560
<v Speaker 1>join the Food Fighters for their live shows. The Foo

0:21:03.600 --> 0:21:07.080
<v Speaker 1>Fighters first record took off. A follow up was needed.

0:21:07.480 --> 0:21:09.800
<v Speaker 1>Dave went back into the studio, but this time with

0:21:09.920 --> 0:21:12.800
<v Speaker 1>a band. But that was just the problem, or at

0:21:12.880 --> 0:21:16.720
<v Speaker 1>least part of the problem. The drums were wrong. William

0:21:16.760 --> 0:21:20.200
<v Speaker 1>Goldsmith couldn't deliver what Dave Grohl was hearing in his head,

0:21:20.600 --> 0:21:23.440
<v Speaker 1>so Dave re recorded all the drums and the Foo

0:21:23.520 --> 0:21:26.840
<v Speaker 1>Fighters Monsters second album, The Color in the Shape, was

0:21:26.920 --> 0:21:31.600
<v Speaker 1>done a glorious rock and roll steaming Dave Grohl wasn't

0:21:31.760 --> 0:21:34.960
<v Speaker 1>just the guy from Nirvana and the Foo Fighters, wasn't

0:21:35.000 --> 0:21:38.879
<v Speaker 1>some one off solo vanity project. It was a band,

0:21:39.280 --> 0:21:41.840
<v Speaker 1>a band fronted by one of the greatest rock and

0:21:41.920 --> 0:21:45.879
<v Speaker 1>roll drummers ever, a drummer who sang and played guitar,

0:21:46.320 --> 0:21:50.240
<v Speaker 1>fronting a band that now needed a drummer because Dave

0:21:50.359 --> 0:21:54.520
<v Speaker 1>Grohl was also an inexperienced bandleader who, as he sang

0:21:54.560 --> 0:21:57.760
<v Speaker 1>on The Color in the Shape, sometimes got stuck between

0:21:57.760 --> 0:22:02.200
<v Speaker 1>the handshake and the fuck. William Goldsmith was out. He

0:22:02.240 --> 0:22:05.119
<v Speaker 1>couldn't get over having his drum parts replaced, could you.

0:22:07.560 --> 0:22:10.760
<v Speaker 1>But Dave Grohl knew a guy, another rock and roll animal,

0:22:11.080 --> 0:22:12.960
<v Speaker 1>a man who could not only keep up with Dave

0:22:13.000 --> 0:22:15.520
<v Speaker 1>Grole behind the kit, but a man with a spirit

0:22:15.560 --> 0:22:20.280
<v Speaker 1>and charisma that somehow equaled Dave's own enter Taylor Hawkins,

0:22:20.840 --> 0:22:26.880
<v Speaker 1>Dave Grole's reversal world rock and roll twin. Dave came

0:22:26.960 --> 0:22:31.720
<v Speaker 1>from hardcore, Taylor from milanis Morris Set, but still they rocked.

0:22:32.520 --> 0:22:37.280
<v Speaker 1>Dave referenced the Pixies Taylor queen, but still they rocked.

0:22:37.880 --> 0:22:42.359
<v Speaker 1>Dave wrestled melodies, Taylor wrestled rhythm, but still well, you

0:22:42.480 --> 0:22:45.960
<v Speaker 1>get it. Theirs was a match for the books, too

0:22:46.000 --> 0:22:49.880
<v Speaker 1>good to be true. Taylor Hawkins's incredible playing in Presence

0:22:50.119 --> 0:22:53.679
<v Speaker 1>was rocket fuel for Dave Grohl's Foo Fighters' ambitions. The

0:22:53.760 --> 0:22:56.600
<v Speaker 1>first album Taylor played on, There Is Nothing Left to Lose,

0:22:56.840 --> 0:23:02.000
<v Speaker 1>went platinum. Then in two thousand and one, Dave Grohl

0:23:02.080 --> 0:23:06.960
<v Speaker 1>got another phone call. This time it was about Taylor.

0:23:11.160 --> 0:23:24.000
<v Speaker 1>We'll be right back after this word word word, two

0:23:24.040 --> 0:23:29.440
<v Speaker 1>thousand and one, Hollywood Sunset, Marquis Hotel, Dave Grohl's at

0:23:29.440 --> 0:23:31.760
<v Speaker 1>the bar, fresh out of band practice with his buds

0:23:31.760 --> 0:23:35.720
<v Speaker 1>and Tenacious d Jack Black and Kyle Gass's comedy rock band,

0:23:35.840 --> 0:23:40.360
<v Speaker 1>which Dave was generously donating his drumming skills. Drumming a

0:23:40.400 --> 0:23:43.760
<v Speaker 1>constant source of joy and sometimes source of anxiety for

0:23:43.880 --> 0:23:48.000
<v Speaker 1>Dave Grohl. Finding a drummer not just to replace William Goldsmith,

0:23:48.040 --> 0:23:50.679
<v Speaker 1>but essentially to replace what Dave himself had done in

0:23:50.680 --> 0:23:54.520
<v Speaker 1>the studio behind the kit was no easy task until

0:23:54.520 --> 0:23:59.120
<v Speaker 1>it wasn't. Taylor Hawkins appeared like one of those mirages

0:23:59.160 --> 0:24:02.400
<v Speaker 1>in a bugs bunny car, out of nowhere and almost

0:24:02.520 --> 0:24:06.639
<v Speaker 1>too perfect to be true. Taylor understood the mission to

0:24:06.680 --> 0:24:09.080
<v Speaker 1>be the biggest, most badass rock and roll band on

0:24:09.119 --> 0:24:12.720
<v Speaker 1>the planet, to bridge the gap between sweaty hardcore DIY

0:24:12.760 --> 0:24:16.920
<v Speaker 1>basement club energy and arena rock energy, something that hadn't

0:24:16.920 --> 0:24:20.600
<v Speaker 1>really been done before. Drumming was the mortar to build

0:24:20.640 --> 0:24:24.720
<v Speaker 1>that bridge. After departing from Alanis Morissett's band and joining

0:24:24.720 --> 0:24:27.840
<v Speaker 1>the Food Fighters, Taylor Hawkins told Spin Magazine in a

0:24:27.920 --> 0:24:31.159
<v Speaker 1>nineteen ninety seven cover story that, in preparation for the

0:24:31.160 --> 0:24:34.760
<v Speaker 1>food Fighters nightly six hour practices, quote, you have to

0:24:34.800 --> 0:24:37.840
<v Speaker 1>be an athlete to play these drum parts, un quote,

0:24:37.920 --> 0:24:40.400
<v Speaker 1>and that I play really hard and that's the key

0:24:40.440 --> 0:24:42.840
<v Speaker 1>to playing drums for Dave Grohl. You've got to beat

0:24:42.880 --> 0:24:46.600
<v Speaker 1>the shit out of the drums. His approach was spot on,

0:24:47.200 --> 0:24:50.920
<v Speaker 1>and so was his vibe. Taylor Hawkins exuded rock star

0:24:51.160 --> 0:24:54.760
<v Speaker 1>energy on and off stage effortlessly. Dudes wanted to be

0:24:54.880 --> 0:24:58.119
<v Speaker 1>m and women wanted well, you've heard the cliche. So

0:24:58.240 --> 0:25:00.439
<v Speaker 1>here he was bellied up to the bar at the

0:25:00.480 --> 0:25:03.680
<v Speaker 1>Sunset Marquee on the receiving end of drink after drink

0:25:03.720 --> 0:25:08.160
<v Speaker 1>from Hollywood's most beautiful women. Dave Grohl was not intimidated.

0:25:08.520 --> 0:25:11.720
<v Speaker 1>He understood his role. Once a drummer, always a drummer.

0:25:12.520 --> 0:25:16.000
<v Speaker 1>Theirs was a strange dynamic, a drummer with frontman good

0:25:16.000 --> 0:25:18.639
<v Speaker 1>looks and a front man with an iconic drumming pedigree,

0:25:18.800 --> 0:25:22.920
<v Speaker 1>and both with charisma despair. Dave set his gaze upon

0:25:23.000 --> 0:25:25.200
<v Speaker 1>one of the friends of one of the bombshells competing

0:25:25.240 --> 0:25:29.359
<v Speaker 1>for Taylor's attention. A beautiful blonde. You're my future ex wife,

0:25:29.359 --> 0:25:31.720
<v Speaker 1>he told her. She wrote her number down on a

0:25:31.720 --> 0:25:36.320
<v Speaker 1>scrap of paper and signed it Jordan, your future ex wife.

0:25:36.400 --> 0:25:40.440
<v Speaker 1>After and on again, off again courtship, Dave was eventually smitten,

0:25:40.520 --> 0:25:43.600
<v Speaker 1>and a new girl to complete this new incredible life

0:25:43.640 --> 0:25:47.600
<v Speaker 1>was now part of the picture. But then in London,

0:25:47.880 --> 0:25:50.600
<v Speaker 1>while the food Fighters were on tour, the phone rang

0:25:52.000 --> 0:25:59.080
<v Speaker 1>Taylor Hawkins was in a coma heroin. The traumatic stringout

0:25:59.119 --> 0:26:03.280
<v Speaker 1>back to Kurt was obvious, and Dave spiraled. He prayed

0:26:03.280 --> 0:26:05.880
<v Speaker 1>in the streets on his walks back from Taylor's hospital

0:26:05.920 --> 0:26:10.040
<v Speaker 1>to his hotel room. He contemplated quitting music altogether if

0:26:10.080 --> 0:26:15.280
<v Speaker 1>this was the cost two dead bandmates, The Foo Fighters,

0:26:15.560 --> 0:26:18.919
<v Speaker 1>after Day's experience with skyrocketing rock and roll fame in

0:26:18.920 --> 0:26:22.000
<v Speaker 1>the late nineties, had a list of dues and don'ts.

0:26:22.600 --> 0:26:26.480
<v Speaker 1>The list of dues play great shows, write great songs,

0:26:26.840 --> 0:26:29.679
<v Speaker 1>start at the bottom and work your way up organically,

0:26:30.359 --> 0:26:35.520
<v Speaker 1>and there was only one don't. Don't do heroin. Taylor

0:26:35.560 --> 0:26:44.680
<v Speaker 1>Hawkins didn't listen, but thankfully Taylor Hawkins survived. Dave Grohl

0:26:44.760 --> 0:26:46.600
<v Speaker 1>put the Foo Fighters on the shelf for a minute

0:26:46.600 --> 0:26:48.720
<v Speaker 1>and joined Queens of the Stone Age to record their

0:26:48.760 --> 0:26:52.480
<v Speaker 1>excellent album Songs for the Death. He was unsure whether

0:26:52.480 --> 0:26:56.480
<v Speaker 1>the Foo Fighters would continue. Prior to Taylor's overdose, Pat

0:26:56.520 --> 0:26:59.840
<v Speaker 1>Smear had quit the Foos. Franz Stall from Dave's old

0:26:59.880 --> 0:27:03.679
<v Speaker 1>bands Scream replaced him. Franz fit on stage, but not

0:27:03.840 --> 0:27:06.800
<v Speaker 1>in the studio. Franz was asked to leave the band.

0:27:06.920 --> 0:27:09.280
<v Speaker 1>He was replaced by Chris Shifflett from No Use for

0:27:09.320 --> 0:27:12.840
<v Speaker 1>Her Name. Chris's hardcore punk scene experience made him a

0:27:12.920 --> 0:27:16.879
<v Speaker 1>natural fit. Pat smer was calling Dave pack kind of

0:27:16.920 --> 0:27:18.640
<v Speaker 1>sort of maybe, wasn't going to be upset if Dave

0:27:18.680 --> 0:27:23.040
<v Speaker 1>asked him back in the band. Chris was understandably freaked out.

0:27:23.600 --> 0:27:26.080
<v Speaker 1>What the hell kind of band. Was this was even

0:27:26.119 --> 0:27:30.120
<v Speaker 1>a band dysfunction in a revolving door of band members aside.

0:27:30.480 --> 0:27:34.840
<v Speaker 1>The answer to that question was a loud yes. Not

0:27:34.920 --> 0:27:37.440
<v Speaker 1>only were they a band, the Foo Fighters were now

0:27:37.520 --> 0:27:41.320
<v Speaker 1>a band with three Grammys that had graduated to playing arenas.

0:27:45.440 --> 0:27:48.880
<v Speaker 1>Two thousand and two the Coachella Valley Music and Arts Festival,

0:27:49.560 --> 0:27:52.760
<v Speaker 1>Dave Grohl was splitting duties as drummer for Queens of

0:27:52.800 --> 0:27:55.960
<v Speaker 1>the Stone Age and as frontman for Food Fighters for

0:27:56.040 --> 0:27:59.399
<v Speaker 1>what Dave, Taylor, Nate, and Chris thought might be their

0:27:59.480 --> 0:28:03.640
<v Speaker 1>last show ever. But it wasn't. They killed, and they

0:28:03.680 --> 0:28:09.400
<v Speaker 1>reminded themselves of what they had together. They went back

0:28:09.400 --> 0:28:11.600
<v Speaker 1>into the studio and came out with the Grammy winning

0:28:11.640 --> 0:28:15.199
<v Speaker 1>album One by One with hits Times like These in

0:28:15.280 --> 0:28:18.000
<v Speaker 1>All My Life. They followed that up with the two

0:28:18.080 --> 0:28:21.240
<v Speaker 1>thousand and six album In Your Honor and an acoustic tour,

0:28:21.480 --> 0:28:24.320
<v Speaker 1>which was Pat Smears's ticket back into the band, not

0:28:24.400 --> 0:28:27.359
<v Speaker 1>to replace Chris Shifflip, but instead to play alongside both

0:28:27.400 --> 0:28:31.720
<v Speaker 1>him and Dave. The band's next record, Echoes, Silence, Patience

0:28:31.760 --> 0:28:34.720
<v Speaker 1>and Grace, now with an expanded lineup that included not

0:28:34.760 --> 0:28:38.080
<v Speaker 1>only Pat Smear but Ronny Jaffy on keys proved that

0:28:38.120 --> 0:28:40.640
<v Speaker 1>the Foo Fighters were no longer just a loud band

0:28:40.680 --> 0:28:44.920
<v Speaker 1>that sometimes played acoustic sets. Now, like the biggest of

0:28:44.960 --> 0:28:47.920
<v Speaker 1>the rock gods before them, Led Zeppelin and Queen, to

0:28:48.040 --> 0:28:52.160
<v Speaker 1>name a few, the fos seamlessly incorporated ballads and power

0:28:52.240 --> 0:28:55.480
<v Speaker 1>not only into their shows, but into the same songs.

0:28:56.480 --> 0:29:01.640
<v Speaker 1>They were ready, not for arenas, not for festival, for stadiums.

0:29:02.560 --> 0:29:07.560
<v Speaker 1>Wembley Stadium eighty five thousand people sold out two nights,

0:29:08.240 --> 0:29:12.560
<v Speaker 1>then another great record wasting Light, followed up by Sonic

0:29:12.640 --> 0:29:16.120
<v Speaker 1>Highways in Concrete and Gold. The only thing that could

0:29:16.160 --> 0:29:19.280
<v Speaker 1>slow the band down was a global pandemic, which happened

0:29:19.280 --> 0:29:23.080
<v Speaker 1>in twenty twenty. After that, the Foo Fighters were one

0:29:23.120 --> 0:29:25.280
<v Speaker 1>of the first major acts to get back on the road,

0:29:25.720 --> 0:29:28.920
<v Speaker 1>headlining a stadium show in Australia on March fourth, twenty

0:29:28.960 --> 0:29:33.719
<v Speaker 1>twenty two. More dates were added a festival in South America,

0:29:34.480 --> 0:29:38.240
<v Speaker 1>and that's where Dave Grohl was in Bogata, Columbia when

0:29:38.240 --> 0:30:07.240
<v Speaker 1>his phone rang again. In the beginning, there was only music,

0:30:08.000 --> 0:30:11.320
<v Speaker 1>a kick drum pounding to the rhythm of heartbeat, voices

0:30:11.320 --> 0:30:14.560
<v Speaker 1>in the crowd shouting along with the band, guitar riffs

0:30:14.640 --> 0:30:19.080
<v Speaker 1>ricocheting off the walls of the club, total harmony. But

0:30:19.200 --> 0:30:23.160
<v Speaker 1>then some new sounds entered the concert, loud, rapid ones.

0:30:23.680 --> 0:30:26.720
<v Speaker 1>They ricocheted off the walls just the same, and then

0:30:26.760 --> 0:30:33.800
<v Speaker 1>they pierced through flesh, not music. Gunfire. Terrorists tore through

0:30:33.840 --> 0:30:37.840
<v Speaker 1>the Battaklan Theater in Paris without a second thought. Three gunmen,

0:30:38.280 --> 0:30:42.960
<v Speaker 1>three reloads each maybe four three minutes of a police assault,

0:30:43.600 --> 0:30:46.520
<v Speaker 1>ten hours of sorting through dead bodies, and in the

0:30:46.640 --> 0:30:52.280
<v Speaker 1>end there was no music, just silence. The Eagles of

0:30:52.320 --> 0:30:56.320
<v Speaker 1>Death Metal concert ended too early on November thirteenth, twenty fifteen.

0:30:57.080 --> 0:30:59.719
<v Speaker 1>An attack during the show claimed the lives of ninety

0:31:00.920 --> 0:31:08.400
<v Speaker 1>Paris burned with fear, grief, exasperation. That was in twenty

0:31:08.560 --> 0:31:11.880
<v Speaker 1>fifteen at the Bottoclon concert Hall, a venue attacked by

0:31:11.960 --> 0:31:14.360
<v Speaker 1>Islamic State terrorists and what has come to be known

0:31:14.440 --> 0:31:18.640
<v Speaker 1>as the Paris Attacks. As a result of that tragedy,

0:31:18.960 --> 0:31:24.320
<v Speaker 1>numerous concerts were canceled, including Foo Fighters concerts. Earlier that year,

0:31:24.640 --> 0:31:26.920
<v Speaker 1>Dave Grohl had broken his leg on stage and was

0:31:26.960 --> 0:31:30.200
<v Speaker 1>forced to perform subsequent shows seated on an epic throne

0:31:30.200 --> 0:31:34.360
<v Speaker 1>made of guitars, but two shows were canceled because of this.

0:31:34.760 --> 0:31:38.160
<v Speaker 1>The insurance companies that ensure big ticket concert events like

0:31:38.200 --> 0:31:41.400
<v Speaker 1>Foo Fighters shows reduced the amount of money they believed

0:31:41.520 --> 0:31:44.240
<v Speaker 1>the Foo Fighters were owed. Now, I'm not going to

0:31:44.240 --> 0:31:45.840
<v Speaker 1>go into all the details here because I didn't get

0:31:45.880 --> 0:31:47.640
<v Speaker 1>into this line of work to bore people to death

0:31:47.680 --> 0:31:51.000
<v Speaker 1>with insurance payout policy talk, but basically, it's like this.

0:31:51.800 --> 0:31:54.040
<v Speaker 1>Remember that time you got a bill from the hospital

0:31:54.080 --> 0:31:56.760
<v Speaker 1>for like five thousand dollars or whatever, and you were like, cool,

0:31:56.880 --> 0:31:59.760
<v Speaker 1>I've got insurance. I'm all set. The insurance company's going

0:31:59.760 --> 0:32:02.720
<v Speaker 1>to pay five grand. But then the insurance company was like,

0:32:02.840 --> 0:32:04.600
<v Speaker 1>wait a minute, hold up, We're only going to pay

0:32:04.600 --> 0:32:07.440
<v Speaker 1>two thousand, and you have to pay the rest because, well,

0:32:07.520 --> 0:32:09.600
<v Speaker 1>you see, we looked into what happened to you and

0:32:09.680 --> 0:32:13.040
<v Speaker 1>decided that the nature of your injury didn't conform exactly

0:32:13.160 --> 0:32:16.200
<v Speaker 1>to what our policies cover. So you're out three grand.

0:32:16.280 --> 0:32:19.760
<v Speaker 1>Now kindly go fuck yourself. And you're like, shit, where

0:32:19.760 --> 0:32:21.520
<v Speaker 1>am I going to get three thousand dollars to pay

0:32:21.560 --> 0:32:24.680
<v Speaker 1>these monsters? Well, that's kind of what the insurance companies

0:32:24.680 --> 0:32:27.160
<v Speaker 1>did to the Food Fighters, except it wasn't overpaying the

0:32:27.160 --> 0:32:29.640
<v Speaker 1>band for medical bills. It was about paying the band

0:32:29.720 --> 0:32:32.240
<v Speaker 1>for the money they lost from being unable to perform

0:32:32.280 --> 0:32:36.120
<v Speaker 1>for reasons beyond their control. Terrorism in a broken leg

0:32:36.360 --> 0:32:38.920
<v Speaker 1>that happened in the line of work, the exact types

0:32:38.960 --> 0:32:42.400
<v Speaker 1>of reasons a band ensures their concerts for. And it

0:32:42.440 --> 0:32:45.880
<v Speaker 1>wasn't over five grand, it was over millions and millions

0:32:45.880 --> 0:32:48.080
<v Speaker 1>of dollars that the Foo Fighters were now on the

0:32:48.120 --> 0:32:51.080
<v Speaker 1>hook for. And I know what you're saying, Oh boohoo,

0:32:51.200 --> 0:32:53.560
<v Speaker 1>Dave girls rich. So what he didn't get to buy

0:32:53.600 --> 0:32:55.920
<v Speaker 1>another rocket ship or whatever. But that's not the point.

0:32:56.640 --> 0:33:01.120
<v Speaker 1>Bands like the Foo Fighters employ hundreds of people, not

0:33:01.200 --> 0:33:04.120
<v Speaker 1>just the band, but their crew, the roadies, the text,

0:33:04.360 --> 0:33:07.480
<v Speaker 1>the truck drivers, and these people are working stiffs. And

0:33:07.520 --> 0:33:10.320
<v Speaker 1>if the band doesn't get paid, these folks don't get paid.

0:33:10.920 --> 0:33:12.840
<v Speaker 1>Why should Dave Grohl and his band have to go

0:33:12.880 --> 0:33:14.680
<v Speaker 1>into their pockets to do the right thing and pay

0:33:14.720 --> 0:33:17.760
<v Speaker 1>these folks while the greedy insurance companies continue to get

0:33:17.920 --> 0:33:22.920
<v Speaker 1>rich by screwing their customers. So the Foo Fighters sued

0:33:23.160 --> 0:33:26.360
<v Speaker 1>their insurers, and they must have had Lloyds of London

0:33:26.400 --> 0:33:30.320
<v Speaker 1>over the barrel, because Lloyd's of London eventually settled, which

0:33:30.320 --> 0:33:38.239
<v Speaker 1>brings us to Bogata, Columbia in twenty twenty two, The

0:33:38.280 --> 0:33:41.280
<v Speaker 1>Foo Fighters were in South America at the headline a festival.

0:33:42.080 --> 0:33:44.520
<v Speaker 1>The show was canceled due to weather and the band

0:33:44.600 --> 0:33:47.280
<v Speaker 1>was spinning its wheels in a Bogota four seasons hotel

0:33:47.360 --> 0:33:51.080
<v Speaker 1>with nothing to do. Fans were gathered outside, and Taylor

0:33:51.120 --> 0:33:54.280
<v Speaker 1>Hawkins was among them, hanging out, taking time to pose

0:33:54.360 --> 0:33:56.320
<v Speaker 1>for a photo with a nine year old female fan

0:33:56.360 --> 0:33:58.520
<v Speaker 1>who was also a drummer, who had lugged her kit

0:33:58.640 --> 0:34:00.560
<v Speaker 1>down to the street outside the hotel tell to bang

0:34:00.560 --> 0:34:03.160
<v Speaker 1>out Taylor Hawkins and Dave grollbeats on her drum set,

0:34:03.520 --> 0:34:06.760
<v Speaker 1>and by Taylor's estimation, she was pretty damn good. But

0:34:06.840 --> 0:34:09.319
<v Speaker 1>Taylor was antsy, and it wasn't just because he was

0:34:09.320 --> 0:34:11.439
<v Speaker 1>trapped in a hotel in a foreign country with nothing

0:34:11.480 --> 0:34:15.879
<v Speaker 1>to do. Friends of Taylor's, including ex Soundgarden and then

0:34:16.040 --> 0:34:19.680
<v Speaker 1>Pearl Jam drummer Matt Cameron, told Rolling Stone magazine that

0:34:19.760 --> 0:34:22.880
<v Speaker 1>Taylor had expressed to Dave Grohl prior to those twenty

0:34:22.920 --> 0:34:26.800
<v Speaker 1>twenty two tour dates that he could no longer keep up, saying, quote,

0:34:26.880 --> 0:34:29.320
<v Speaker 1>he had a heart to heart with Dave and yeah,

0:34:29.400 --> 0:34:31.880
<v Speaker 1>he told me that he couldn't fucking do it anymore.

0:34:32.120 --> 0:34:36.160
<v Speaker 1>Those were his words. Un quote. In that same Rolling

0:34:36.200 --> 0:34:39.960
<v Speaker 1>Stone article, unnamed representatives for the Foo Fighters denied that

0:34:40.040 --> 0:34:43.400
<v Speaker 1>Hawkins ever raised these issues, saying, quote, No, there was

0:34:43.480 --> 0:34:45.600
<v Speaker 1>never a heart to heart or any sort of meeting

0:34:45.640 --> 0:34:49.359
<v Speaker 1>on this topic with Dave and Silva artist management. So

0:34:49.400 --> 0:34:53.680
<v Speaker 1>who's lying and why? And why does this matter? On

0:34:53.760 --> 0:34:57.560
<v Speaker 1>the issue of who's lying? Matt Cameron came out against

0:34:57.600 --> 0:35:01.000
<v Speaker 1>this Rolling Stone article after it was published, saying, quote,

0:35:01.120 --> 0:35:03.640
<v Speaker 1>my quotes were taken out of context and shaped into

0:35:03.640 --> 0:35:07.600
<v Speaker 1>a narrative that I had never intended. Okay, what about

0:35:07.600 --> 0:35:10.000
<v Speaker 1>the quotes from Taylor's other friends in the article who

0:35:10.080 --> 0:35:13.239
<v Speaker 1>support what Cameron had said? Were their quotes taken out

0:35:13.280 --> 0:35:16.239
<v Speaker 1>of context to shape a narrative as well? I've read

0:35:16.239 --> 0:35:19.920
<v Speaker 1>the article many times, like, very closely, and here's what

0:35:19.960 --> 0:35:23.160
<v Speaker 1>I think that Rolling Stone magazine did something it no

0:35:23.200 --> 0:35:27.520
<v Speaker 1>longer does that often anymore actual music journalism. And a

0:35:27.520 --> 0:35:30.400
<v Speaker 1>bunch of people who spoke to Rolling Stone's reporters didn't

0:35:30.440 --> 0:35:33.400
<v Speaker 1>like how the article turned out and cried foul. Just

0:35:33.440 --> 0:35:35.360
<v Speaker 1>because you don't like how the chef cooked your steak,

0:35:35.400 --> 0:35:38.560
<v Speaker 1>it doesn't mean that it's not steak. But okay, why

0:35:38.640 --> 0:35:43.759
<v Speaker 1>does this matter? It matters because after Taylor Hawkins allegedly

0:35:43.840 --> 0:35:47.200
<v Speaker 1>expressed to his band leader and boss that he wanted

0:35:47.200 --> 0:35:50.320
<v Speaker 1>to pull back on touring, and was reportedly, as the

0:35:50.400 --> 0:35:54.600
<v Speaker 1>Rolling Stone magazine claims via an unnamed source, given assurances

0:35:54.640 --> 0:35:57.320
<v Speaker 1>that the band would have a lighter schedule going forward.

0:35:57.680 --> 0:36:00.759
<v Speaker 1>The band did not have a lighter schedule. They had

0:36:00.840 --> 0:36:04.040
<v Speaker 1>sixty gigs on the schedule, plus a one off in Australia.

0:36:04.560 --> 0:36:08.200
<v Speaker 1>This all after playing forty shows the year prior, including

0:36:08.200 --> 0:36:11.400
<v Speaker 1>a gig in December at which Taylor Hawkins's friends allege

0:36:11.640 --> 0:36:15.120
<v Speaker 1>that Taylor collapsed on a plane. Red Hot Chili Peppers

0:36:15.239 --> 0:36:18.319
<v Speaker 1>drummer Chad Smith said that Taylor quote was exhausted and

0:36:18.360 --> 0:36:22.440
<v Speaker 1>collapsed once again. A rep for the Foo Fighters denied this,

0:36:23.000 --> 0:36:25.680
<v Speaker 1>but according to Rolling Stone, Chad Smith went on to

0:36:25.719 --> 0:36:28.279
<v Speaker 1>say that Taylor told him quote, I can't do it

0:36:28.400 --> 0:36:32.920
<v Speaker 1>like this anymore. Chad Smith also denounced how his comments

0:36:32.920 --> 0:36:38.000
<v Speaker 1>were represented by Rolling Stone Magazine. Okay, but facts are facts.

0:36:39.000 --> 0:36:42.600
<v Speaker 1>All these sources friends of Taylor Hawkins went on record

0:36:42.680 --> 0:36:45.160
<v Speaker 1>to state that the drummer felt he could no longer

0:36:45.239 --> 0:36:49.200
<v Speaker 1>continue with the band due to their extensive touring responsibilities.

0:36:49.920 --> 0:36:52.840
<v Speaker 1>One of them claimed that Taylor had collapsed from exhaustion

0:36:53.080 --> 0:36:57.440
<v Speaker 1>during this time period. Another, an unnamed source, claimed Taylor

0:36:57.520 --> 0:37:00.480
<v Speaker 1>was given assurances that the band would have a lighter skeede,

0:37:00.920 --> 0:37:02.680
<v Speaker 1>but the facts proved that the band did not have

0:37:02.719 --> 0:37:06.480
<v Speaker 1>a lighter schedule, just the opposite. How's this for another fact?

0:37:06.960 --> 0:37:10.440
<v Speaker 1>Taylor Hawkins revealed in twenty twenty one that his doctor

0:37:10.520 --> 0:37:14.239
<v Speaker 1>told him he had an enlarged heart. His heart was

0:37:14.360 --> 0:37:18.160
<v Speaker 1>enlarged not from being unhealthy, but from being too healthy.

0:37:18.440 --> 0:37:21.439
<v Speaker 1>From bashing the shit out of the drums behind Dave

0:37:21.560 --> 0:37:26.120
<v Speaker 1>Grohl for sixty shows a year, from practicing for six hours,

0:37:26.160 --> 0:37:29.880
<v Speaker 1>six nights a week, from being a fucking athlete. The

0:37:29.920 --> 0:37:32.600
<v Speaker 1>average age for an athlete to retire, by the way,

0:37:32.920 --> 0:37:36.800
<v Speaker 1>is twenty nine years old. In twenty twenty two, Taylor

0:37:36.840 --> 0:37:41.400
<v Speaker 1>Hawkins was fifty years old. And yeah, sure, rock and

0:37:41.480 --> 0:37:44.600
<v Speaker 1>roll drummers like Taylor's heroes Roger Taylor from Queen and

0:37:44.760 --> 0:37:48.120
<v Speaker 1>Stuart Copeland from The Police are still performing at ages

0:37:48.200 --> 0:37:51.440
<v Speaker 1>seventy six and seventy three, respectively, and the Rolling Stones,

0:37:51.440 --> 0:37:53.200
<v Speaker 1>as Charlie Watts, tore it up until he died at

0:37:53.239 --> 0:37:55.640
<v Speaker 1>the age of eighty. But these drummers were from a

0:37:55.680 --> 0:37:58.799
<v Speaker 1>different generation, and they played a style of music way

0:37:58.880 --> 0:38:01.920
<v Speaker 1>less physically demanding than the drumming required to perform in

0:38:01.960 --> 0:38:04.719
<v Speaker 1>the Foo Fighters or in most big rock bands from

0:38:04.760 --> 0:38:10.040
<v Speaker 1>the nineties. We are entering unknown territory here. As drummers

0:38:10.120 --> 0:38:12.960
<v Speaker 1>like Taylor Hawkins and Chad Smith and Matt Cameron look

0:38:13.040 --> 0:38:14.799
<v Speaker 1>to the future to figure out how they're going to

0:38:14.800 --> 0:38:17.520
<v Speaker 1>continue their careers on the road, they can't look to

0:38:17.600 --> 0:38:20.920
<v Speaker 1>the past for a roadmap, because what's being demanded of

0:38:20.960 --> 0:38:24.239
<v Speaker 1>them physically at their age has never been demanded of

0:38:24.360 --> 0:38:27.640
<v Speaker 1>any drummer before. Based purely on the style of music

0:38:27.719 --> 0:38:31.080
<v Speaker 1>they play compared to the less aggressive style of music

0:38:31.080 --> 0:38:35.719
<v Speaker 1>played by aging classic rock drummers, there simply isn't a precedent.

0:38:36.280 --> 0:38:38.440
<v Speaker 1>These drummers are the first to get there, and the

0:38:38.480 --> 0:38:40.759
<v Speaker 1>first to attempt to keep up with their bandmates at

0:38:40.760 --> 0:38:44.320
<v Speaker 1>an age that makes it nearly impossible. All due respect

0:38:44.360 --> 0:38:47.360
<v Speaker 1>to Roger Taylor, Stuart Copeland in the late great Charlie Watts,

0:38:47.360 --> 0:38:49.279
<v Speaker 1>but there's no fucking way any of them could have

0:38:49.280 --> 0:38:51.319
<v Speaker 1>pulled off a Foo Fighters gig past the age of

0:38:51.360 --> 0:38:54.840
<v Speaker 1>forty nine. And by the way, in twenty twenty five,

0:38:55.120 --> 0:39:02.160
<v Speaker 1>Matt Cameron quit Pearl Jam for this exact reason. Back

0:39:02.200 --> 0:39:06.400
<v Speaker 1>to what I believe are the facts. Taylor Hawkins collapsed

0:39:06.440 --> 0:39:10.279
<v Speaker 1>after a performance in twenty twenty one. Taylor Hawkins had

0:39:10.360 --> 0:39:13.839
<v Speaker 1>an enlarged heart. Taylor Hawkins believed playing in the Foo

0:39:13.920 --> 0:39:16.200
<v Speaker 1>Fighters was taking a toll on him physically, and that

0:39:16.239 --> 0:39:18.480
<v Speaker 1>he couldn't keep up with the touring demands of the band.

0:39:19.120 --> 0:39:22.240
<v Speaker 1>Taylor Hawkins wanted to pull back on his touring responsibilities,

0:39:22.360 --> 0:39:25.880
<v Speaker 1>and he told Dave Grol this. Allegedly, some sort of

0:39:25.960 --> 0:39:28.960
<v Speaker 1>agreement was reached where Taylor was given assurances that his

0:39:29.080 --> 0:39:33.759
<v Speaker 1>touring responsibilities would be lessened. Foo Fighters representatives never confirmed

0:39:33.800 --> 0:39:36.800
<v Speaker 1>that Taylor Hawkins collapsed, and the REPS adamantly denied that

0:39:36.840 --> 0:39:39.840
<v Speaker 1>a meeting took place where Taylor expressed his misgivings about

0:39:39.840 --> 0:39:42.360
<v Speaker 1>touring or that any such assurances were given that he

0:39:42.360 --> 0:39:45.440
<v Speaker 1>would be allowed to tour less, and the Foo Fighters

0:39:45.760 --> 0:39:50.239
<v Speaker 1>showed no signs of slowing down. Instead, they went to

0:39:50.280 --> 0:39:53.799
<v Speaker 1>Bogata and Taylor Hawkins died in his hotel room on

0:39:53.880 --> 0:39:57.720
<v Speaker 1>March twenty fifth, twenty twenty two, and over forty booked

0:39:57.719 --> 0:40:02.440
<v Speaker 1>Food Fighters shows were then Can't their drummer had passed

0:40:02.440 --> 0:40:06.759
<v Speaker 1>away with a lot of drugs in his system. If

0:40:06.760 --> 0:40:09.960
<v Speaker 1>we're to believe the Columbia Attorney General's Office, the preliminary

0:40:10.000 --> 0:40:13.000
<v Speaker 1>toxicology report states that Taylor had a mix of ten

0:40:13.040 --> 0:40:19.719
<v Speaker 1>different substances in his system, including opioids, antidepressants, benzodiazepines, and marijuana,

0:40:19.760 --> 0:40:24.239
<v Speaker 1>among others. This report is, as I said, preliminary, and

0:40:24.280 --> 0:40:27.080
<v Speaker 1>there was never a final report. What are they waiting

0:40:27.120 --> 0:40:30.359
<v Speaker 1>for the reincarnation of John Bonham. It's not happening. Give

0:40:30.440 --> 0:40:36.160
<v Speaker 1>us the damn report. Also, guys, this is Colombia. Okay,

0:40:36.560 --> 0:40:39.360
<v Speaker 1>you think our government institutions are corrupt, It's a whole

0:40:39.400 --> 0:40:43.360
<v Speaker 1>other ballgame of corruption down there. But okay, sure, what

0:40:43.520 --> 0:40:47.200
<v Speaker 1>incentive would the Columbia Attorney General's Office have to lie

0:40:47.320 --> 0:40:50.040
<v Speaker 1>about an American rock and roll drummer's fatal drug intake.

0:40:50.719 --> 0:40:53.359
<v Speaker 1>I don't know. But the result is we don't have

0:40:53.400 --> 0:40:56.920
<v Speaker 1>a final toxicology report on Taylor Hawkins's death, and we

0:40:57.040 --> 0:40:59.600
<v Speaker 1>also still don't have an official cause of death for

0:40:59.640 --> 0:41:04.160
<v Speaker 1>Taylor Hawkins, four years after he died. I'll say that again.

0:41:04.520 --> 0:41:08.400
<v Speaker 1>It's been four years and there's still no official cause

0:41:08.400 --> 0:41:11.319
<v Speaker 1>of death for one of the most famous drummers on

0:41:11.400 --> 0:41:21.000
<v Speaker 1>the planet. This makes no sense. I suppose if Taylor

0:41:21.040 --> 0:41:23.640
<v Speaker 1>was getting high and that was how he died, you

0:41:23.680 --> 0:41:27.480
<v Speaker 1>could understand how his bandmates, management, and friends would circle

0:41:27.520 --> 0:41:30.200
<v Speaker 1>the wagons to protect his reputation, given that he was

0:41:30.200 --> 0:41:32.520
<v Speaker 1>a husband and a father, and well, one could easily

0:41:32.520 --> 0:41:34.360
<v Speaker 1>make the case that none of this is any of

0:41:34.400 --> 0:41:37.720
<v Speaker 1>our fucking business. But this is the twenty first century.

0:41:38.000 --> 0:41:41.400
<v Speaker 1>This isn't the nineteen fifties. People suffer and die from

0:41:41.440 --> 0:41:45.520
<v Speaker 1>addiction every day, rock stars and celebrities every year, and

0:41:45.560 --> 0:41:48.560
<v Speaker 1>we are more understanding and forgiving and empathetic of this

0:41:48.680 --> 0:41:52.160
<v Speaker 1>disease than we've ever been, So the shame argument doesn't

0:41:52.200 --> 0:41:55.920
<v Speaker 1>make sense. Also, I'm not even close to convince that

0:41:55.960 --> 0:42:00.880
<v Speaker 1>Taylor actually overdosed from using drugs recreationally. Ten substances in

0:42:00.960 --> 0:42:03.600
<v Speaker 1>the system sounds like somebody getting freaky with this chemistry set,

0:42:03.640 --> 0:42:06.680
<v Speaker 1>But the way people self medicate these days, ten substances

0:42:06.719 --> 0:42:09.440
<v Speaker 1>in one system is a lot, yes, but it doesn't

0:42:09.440 --> 0:42:13.760
<v Speaker 1>necessarily mean someone was partying. Also, again we're talking about

0:42:13.760 --> 0:42:20.640
<v Speaker 1>Colombian government officials here. After his death, it was revealed

0:42:20.640 --> 0:42:23.480
<v Speaker 1>that Taylor Hawkins's heart was twice the size of a

0:42:23.520 --> 0:42:28.120
<v Speaker 1>normal heart. It weighed six hundred grams an enlarged heart

0:42:28.239 --> 0:42:31.000
<v Speaker 1>can be caused by chronic high blood pressure, which can

0:42:31.040 --> 0:42:34.799
<v Speaker 1>be caused by physical over exertion. It can also be

0:42:34.880 --> 0:42:41.080
<v Speaker 1>caused by over relying on substances, physical overexertion, a reliance

0:42:41.280 --> 0:42:45.480
<v Speaker 1>on substances. Why won't the Food Fighters or anyone else

0:42:45.520 --> 0:42:48.440
<v Speaker 1>put these pieces together and declare an official cause of

0:42:48.480 --> 0:42:53.240
<v Speaker 1>death for one of the greatest drummers to ever do it? Maybe,

0:42:53.320 --> 0:42:57.160
<v Speaker 1>and I'm just speculating here, maybe a known physical condition

0:42:57.400 --> 0:43:01.040
<v Speaker 1>and a reliance on chemical substances, the exact types of

0:43:01.120 --> 0:43:05.880
<v Speaker 1>extenuating circumstances that insurance companies like to exploit in cases

0:43:05.960 --> 0:43:08.960
<v Speaker 1>like this to get themselves off the hook from having

0:43:09.040 --> 0:43:14.120
<v Speaker 1>to pay artists for canceled shows, which is a disgrace.

0:43:15.280 --> 0:43:19.960
<v Speaker 1>I'm Jake Brennan in this is Disgraceland.

0:43:39.760 --> 0:43:42.200
<v Speaker 4>All right, thanks for checking out this episode of Disgraceland

0:43:42.239 --> 0:43:43.960
<v Speaker 4>on the Foo Fighters, hit me up six one seven

0:43:44.040 --> 0:43:46.520
<v Speaker 4>nine oh six sixty six three eight voicemail and text

0:43:46.520 --> 0:43:48.640
<v Speaker 4>to let me know how you think Taylor Hawkins died

0:43:48.680 --> 0:43:49.760
<v Speaker 4>with the official cause.

0:43:49.560 --> 0:43:51.920
<v Speaker 1>Of death actually is. We can bid it on the

0:43:52.000 --> 0:43:54.440
<v Speaker 1>After Party six one seven nine oh six sixty six

0:43:54.520 --> 0:43:58.080
<v Speaker 1>three eight voicemail and text at disgrace lamppod on the socials.

0:43:58.120 --> 0:44:00.720
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0:44:00.760 --> 0:44:02.680
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0:44:02.719 --> 0:44:04.399
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0:44:04.400 --> 0:44:10.640
<v Speaker 1>here comes some credits. Disgraceland was created by Yours Truly

0:44:10.719 --> 0:44:13.880
<v Speaker 1>and is produced in partnership with Double Elvis, The Exactly

0:44:13.960 --> 0:44:18.200
<v Speaker 1>Right Network, and iHeart Podcasts. Credits for this episode can

0:44:18.200 --> 0:44:21.919
<v Speaker 1>be found on the show notes page at disgracelampod dot com.

0:44:22.000 --> 0:44:25.120
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0:44:25.120 --> 0:44:27.799
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0:44:45.239 --> 0:44:53.120
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