1 00:00:02,800 --> 00:00:05,000 Speaker 1: What would you talk about on your on your podcast 2 00:00:05,240 --> 00:00:17,000 Speaker 1: Firms show. All right, here we go, we've got fifteen minutes. 3 00:00:17,120 --> 00:00:20,280 Speaker 1: We have a special guest today. Around the table, We've 4 00:00:20,320 --> 00:00:23,200 Speaker 1: got Scary, We've got Dave Brody. Hello, those are the 5 00:00:23,239 --> 00:00:29,080 Speaker 1: Brooklyn Boys are in. Here's Danielle Straight and Ate and 6 00:00:29,120 --> 00:00:32,080 Speaker 1: we welcome radio's best friend. Art Volo was born in 7 00:00:32,120 --> 00:00:34,800 Speaker 1: brook where you really we're part of Brooklyn? You're from Uh? 8 00:00:35,000 --> 00:00:36,519 Speaker 1: No, No No, I'm not from there. I was born there 9 00:00:36,560 --> 00:00:40,280 Speaker 1: in the hospital. They tore it down. Okay, I told 10 00:00:40,320 --> 00:00:41,720 Speaker 1: them all they had to do with a few midgate 11 00:00:41,800 --> 00:00:44,000 Speaker 1: the place. But now they tore the entire hospital down. 12 00:00:44,000 --> 00:00:46,680 Speaker 1: It was the old naval hospital. If I exployed Bennett Field, 13 00:00:46,800 --> 00:00:48,800 Speaker 1: that's way out there. It's way out there. Your father 14 00:00:48,880 --> 00:00:51,479 Speaker 1: flies as planes there? Yeah, well my father was a pilot. 15 00:00:51,560 --> 00:00:56,440 Speaker 1: My last name means fine in Italian. That's why, Yeah, Blovino, 16 00:00:56,560 --> 00:00:58,160 Speaker 1: you see him in the airport. They saw the line 17 00:00:58,200 --> 00:01:01,040 Speaker 1: for your flight. That's what it means to look at that. 18 00:01:01,040 --> 00:01:06,080 Speaker 1: That's why all pilots drink wine before flying. What we 19 00:01:06,160 --> 00:01:09,400 Speaker 1: love about what we love about Art Volo is, uh 20 00:01:09,560 --> 00:01:13,840 Speaker 1: he is sort of radio's historian in a way. In 21 00:01:13,880 --> 00:01:16,440 Speaker 1: a way. Now, explain to everyone how you and I 22 00:01:16,520 --> 00:01:19,240 Speaker 1: met back in the early early nineties and what it 23 00:01:19,360 --> 00:01:21,959 Speaker 1: is you do that a lot of radio people are 24 00:01:22,000 --> 00:01:25,000 Speaker 1: familiar with. Well, what I do is I archive video 25 00:01:25,480 --> 00:01:28,760 Speaker 1: radio personalities. There's a guy by the name of Shotgun 26 00:01:28,840 --> 00:01:31,360 Speaker 1: Tom Kelly out on the West Coast who with an 27 00:01:31,360 --> 00:01:35,400 Speaker 1: eight millimeter movie camera b V before video, and he 28 00:01:35,480 --> 00:01:37,320 Speaker 1: went into his station that he was at a B 29 00:01:37,440 --> 00:01:40,200 Speaker 1: one hundred out in San Diego, and he did a 30 00:01:40,280 --> 00:01:42,640 Speaker 1: video of all the DJs on the air. Now, Shotgun 31 00:01:42,720 --> 00:01:45,920 Speaker 1: Tom Kelly, is that his legal born name? No, if 32 00:01:46,040 --> 00:01:54,720 Speaker 1: anybody whose last name is Kelly or Duran? Alright, alright, alright, 33 00:01:54,760 --> 00:01:58,000 Speaker 1: so so so you started, you took over. Well, I 34 00:01:58,000 --> 00:02:01,040 Speaker 1: saw the video and I said, wow, we all know 35 00:02:01,080 --> 00:02:03,400 Speaker 1: when an air check of a radio station is listening 36 00:02:03,400 --> 00:02:06,320 Speaker 1: to it on tape, how the station sounds. I said, 37 00:02:06,360 --> 00:02:08,960 Speaker 1: this is a like video air check. You can see 38 00:02:08,960 --> 00:02:11,520 Speaker 1: the body language and see what goes on in the studio. 39 00:02:11,520 --> 00:02:14,079 Speaker 1: It's like being with what Gary Brian calls the window 40 00:02:14,120 --> 00:02:16,680 Speaker 1: liquor and people that as young kids that wanted to 41 00:02:16,720 --> 00:02:18,600 Speaker 1: just put our face up against the window and watch 42 00:02:18,680 --> 00:02:21,360 Speaker 1: DJs while they did their thing. It's interesting and it 43 00:02:21,440 --> 00:02:25,040 Speaker 1: was just until it wasn't until recently when uh, people 44 00:02:25,040 --> 00:02:28,359 Speaker 1: were watching us live on online. The people got to 45 00:02:28,400 --> 00:02:30,040 Speaker 1: see what we look like, which I hate, by the way, 46 00:02:30,560 --> 00:02:31,880 Speaker 1: I'd rather you hear me and not know what I 47 00:02:31,880 --> 00:02:33,560 Speaker 1: look like. But it's too late. There's no more theater 48 00:02:33,639 --> 00:02:37,240 Speaker 1: of the mind exactly. So, how many different radio hosts 49 00:02:37,320 --> 00:02:42,280 Speaker 1: have you recorded and and distributed through your career? You 50 00:02:42,280 --> 00:02:46,120 Speaker 1: probably close to a thousand. Wow. Yeah, And and your 51 00:02:46,160 --> 00:02:48,160 Speaker 1: next question of where is it's gonna be? Who wouldn't 52 00:02:48,200 --> 00:02:50,400 Speaker 1: let you do it? And there's only been There's only 53 00:02:50,440 --> 00:02:53,880 Speaker 1: been three, has only been three Howard Howard Stern. Howard 54 00:02:53,880 --> 00:02:57,320 Speaker 1: Stern has never let me in. Rick is hard to believe. 55 00:02:57,400 --> 00:02:59,440 Speaker 1: He's a big He's a big radio guy from Los Angele, 56 00:02:59,480 --> 00:03:02,080 Speaker 1: Los Angeles, he was, and and uh and who was 57 00:03:02,080 --> 00:03:06,120 Speaker 1: the owing Jonathan Bryer and the big radio guy from Chicago? Chicago, 58 00:03:06,320 --> 00:03:10,200 Speaker 1: l A and New York. So the three biggest markets. Well, 59 00:03:10,280 --> 00:03:12,519 Speaker 1: I'm told that Rick D's didn't want anybody to see 60 00:03:12,520 --> 00:03:14,440 Speaker 1: the kind of control board that he worked on because 61 00:03:14,760 --> 00:03:18,960 Speaker 1: unlike today's modern control panels you know on the radio stations, 62 00:03:19,080 --> 00:03:21,440 Speaker 1: he didn't like the slider controls. He liked the guy 63 00:03:21,520 --> 00:03:27,160 Speaker 1: you turned rotary? Yeah, and how come Howard wouldn't want 64 00:03:27,160 --> 00:03:31,560 Speaker 1: you in hot does the name of the control marijuana? Howard? 65 00:03:31,360 --> 00:03:34,399 Speaker 1: I don't know. Howard is strange, you know, strange. See, 66 00:03:34,440 --> 00:03:36,800 Speaker 1: Howard's the best in the business, I know, but he 67 00:03:36,880 --> 00:03:39,240 Speaker 1: maybe just I don't know. He's got his own car. Well, 68 00:03:39,400 --> 00:03:41,280 Speaker 1: I think I'll tell you why. I think he's mad 69 00:03:41,320 --> 00:03:43,280 Speaker 1: at me for the fact that I have a video 70 00:03:43,320 --> 00:03:46,360 Speaker 1: of him from a TV station in Detroit where he 71 00:03:46,400 --> 00:03:49,200 Speaker 1: was in Detroit at W four Radio in Detroit on 72 00:03:49,280 --> 00:03:53,480 Speaker 1: his knees begging into the video camera, please to me 73 00:03:53,560 --> 00:03:55,560 Speaker 1: and give me a chance. I just bought a new 74 00:03:55,600 --> 00:03:59,520 Speaker 1: car American. I'm quoting exactly what he said, and he said, 75 00:03:59,560 --> 00:04:01,560 Speaker 1: give me of teen minutes. You know, he was begging 76 00:04:01,600 --> 00:04:03,840 Speaker 1: for listeners because nobody in Detroit had ever heard of 77 00:04:05,040 --> 00:04:08,320 Speaker 1: and he hates that sounds like a great thing. But 78 00:04:09,800 --> 00:04:14,040 Speaker 1: I'm not gonna let you bash Howardward. But he was 79 00:04:14,200 --> 00:04:16,320 Speaker 1: new down he was, and he doesn't like the fact 80 00:04:16,360 --> 00:04:18,240 Speaker 1: that I am. But I think that's a great video, 81 00:04:18,279 --> 00:04:19,840 Speaker 1: and I would think that he would have put that 82 00:04:20,240 --> 00:04:22,080 Speaker 1: something I don't agree with, Daniel. I think he would 83 00:04:22,120 --> 00:04:23,760 Speaker 1: like that. I think I just don't think he wanted 84 00:04:23,760 --> 00:04:26,000 Speaker 1: you making money selling a video of him. I don't 85 00:04:26,040 --> 00:04:30,039 Speaker 1: make any money anyway. Down to Dave Brody, Well, my 86 00:04:30,120 --> 00:04:33,280 Speaker 1: question was the three names you mentioned, Jonathan brand Meyer, 87 00:04:33,279 --> 00:04:36,600 Speaker 1: Howard Stern, and Rickti's They're all television personalities. They're all 88 00:04:36,640 --> 00:04:39,960 Speaker 1: bigger than radio stars. It seems ironic they wouldn't want 89 00:04:39,960 --> 00:04:42,480 Speaker 1: to be on video and yet all the guys behind 90 00:04:42,520 --> 00:04:46,400 Speaker 1: the scenes that are never on camera. I said yes, 91 00:04:46,440 --> 00:04:49,440 Speaker 1: because I'm I'm a freaking loser. Well, and another weird 92 00:04:49,480 --> 00:04:52,440 Speaker 1: thing that just happened in Detroit. We just had um 93 00:04:52,880 --> 00:04:55,960 Speaker 1: Dick Burton was a very big Detroit disc jockey and 94 00:04:56,240 --> 00:04:59,279 Speaker 1: Dick is his daughter worked at Channel seven for twenty 95 00:04:59,360 --> 00:05:01,920 Speaker 1: years and another guy from Channel seven in Detroit are 96 00:05:02,000 --> 00:05:04,760 Speaker 1: now on the station in Detroit radio. They went from 97 00:05:04,880 --> 00:05:08,400 Speaker 1: TV to radio, unusual usually goes the other way around. 98 00:05:08,640 --> 00:05:10,520 Speaker 1: And the program director was nervous for me to be 99 00:05:10,560 --> 00:05:12,680 Speaker 1: in the studio on their first day on the air 100 00:05:12,800 --> 00:05:17,000 Speaker 1: with my camera. I said, they're TV people. Camera is 101 00:05:17,000 --> 00:05:19,400 Speaker 1: not going to bother them. He goes, oh, yeah, I 102 00:05:19,400 --> 00:05:22,839 Speaker 1: guess you're ye. Radio and TV they're not the same though, 103 00:05:22,839 --> 00:05:25,320 Speaker 1: communicating on look, this is boring. Let can talk about 104 00:05:25,320 --> 00:05:27,200 Speaker 1: something else. Let's talk about I want to talk about 105 00:05:27,440 --> 00:05:30,920 Speaker 1: what like the exciting stuff you do. First of all, 106 00:05:31,680 --> 00:05:34,960 Speaker 1: he is radio's best friend, Art Volo. I didn't come 107 00:05:35,040 --> 00:05:37,600 Speaker 1: up with that though, don't. It doesn't matter. It doesn't matter. 108 00:05:37,760 --> 00:05:40,159 Speaker 1: We love him. He promotes everything we do and it 109 00:05:40,160 --> 00:05:42,200 Speaker 1: has for many years. Now. I met you back in 110 00:05:42,240 --> 00:05:45,040 Speaker 1: the early nineties here at New York, that's right, and 111 00:05:47,960 --> 00:05:50,479 Speaker 1: c CAUs New Jersey. He used to videotape us and 112 00:05:50,520 --> 00:05:52,200 Speaker 1: you know, we had cake fights and we had a 113 00:05:52,200 --> 00:05:54,440 Speaker 1: lot of fun whatever. Oh now we did back then, 114 00:05:58,920 --> 00:06:00,880 Speaker 1: you know, the funny thing. And I shouldn't say that 115 00:06:01,320 --> 00:06:04,200 Speaker 1: he got mad at me, and I love this man, 116 00:06:04,360 --> 00:06:07,120 Speaker 1: I get at but he got he got mad at 117 00:06:07,120 --> 00:06:09,839 Speaker 1: me because because if he didn't want that cake fight 118 00:06:09,880 --> 00:06:12,839 Speaker 1: thing on the internet. And yet we look back now 119 00:06:12,880 --> 00:06:15,400 Speaker 1: it is one of the best funniest bits ever done 120 00:06:15,440 --> 00:06:19,000 Speaker 1: on radio. Again hysterical, I mean it really was. You 121 00:06:19,080 --> 00:06:24,840 Speaker 1: must admit, Okay, come on in someone's face, no doubt 122 00:06:24,880 --> 00:06:28,160 Speaker 1: of that. Maybe Steve saw your video and said I'm 123 00:06:28,200 --> 00:06:30,880 Speaker 1: stealing that exactly. That was a lot of fun and 124 00:06:30,920 --> 00:06:32,640 Speaker 1: I and I did a in fact, I did a 125 00:06:32,720 --> 00:06:36,679 Speaker 1: video retrospective which you're heavily featured in of ten years, 126 00:06:36,720 --> 00:06:39,080 Speaker 1: the first ten years of one. Wait a minute, hold on, 127 00:06:39,120 --> 00:06:41,800 Speaker 1: let's back up. You go around the country and you 128 00:06:41,920 --> 00:06:46,440 Speaker 1: videotape all these personalities providing content over radio stations and 129 00:06:46,480 --> 00:06:49,440 Speaker 1: online whatever, and then you sell it. But but you're saying, 130 00:06:49,440 --> 00:06:51,600 Speaker 1: but you don't make money off nobody pays me. But 131 00:06:51,680 --> 00:06:56,160 Speaker 1: how do you make a living by the grace of God? Really? Well, no, no, no. 132 00:06:56,360 --> 00:06:58,880 Speaker 1: I had a company for thirty three years that published 133 00:06:58,960 --> 00:07:01,760 Speaker 1: radio guides so people could find out their favorite radio 134 00:07:01,800 --> 00:07:04,240 Speaker 1: stations when they travel on road trips. And I put 135 00:07:04,240 --> 00:07:06,480 Speaker 1: out over a hundred million of those little radio guides 136 00:07:06,520 --> 00:07:08,719 Speaker 1: in conjunction with radio stations all over the country. So 137 00:07:08,760 --> 00:07:14,200 Speaker 1: that's how you made your millions. A very small house 138 00:07:14,240 --> 00:07:17,360 Speaker 1: in in suburban Detroit. Okay, so Art, let's talk about 139 00:07:17,440 --> 00:07:19,760 Speaker 1: how radio has turned into what it is today. It 140 00:07:19,800 --> 00:07:21,680 Speaker 1: really isn't. I don't even call it. I don't want 141 00:07:21,680 --> 00:07:24,000 Speaker 1: to call it radio an even it isn't, you know. 142 00:07:24,200 --> 00:07:27,160 Speaker 1: And it's just that it's like even I, who love 143 00:07:27,280 --> 00:07:30,840 Speaker 1: radio passionately, I go to sleep with my cell phone, 144 00:07:31,240 --> 00:07:33,200 Speaker 1: I wake up to my cell phone. I listened to 145 00:07:33,280 --> 00:07:36,560 Speaker 1: the radio stations on my cell phone Uh. The other day, 146 00:07:36,600 --> 00:07:40,000 Speaker 1: I was driving in New Jersey and I said, this 147 00:07:40,040 --> 00:07:41,720 Speaker 1: is so cool. I'm in New Jersey and I was 148 00:07:41,760 --> 00:07:45,480 Speaker 1: bouncing between four radio stations that are all on I 149 00:07:45,600 --> 00:07:49,080 Speaker 1: Heart Radio, and I could just touch the screen and 150 00:07:49,160 --> 00:07:52,200 Speaker 1: switch from Detroit to Miami to New York. It was 151 00:07:52,240 --> 00:07:55,480 Speaker 1: great cool. So, you know, a lot of purists who 152 00:07:55,520 --> 00:07:58,840 Speaker 1: are from the era of art Follows Days, you know, 153 00:07:58,920 --> 00:08:00,960 Speaker 1: when he first started and when I first started. They 154 00:08:01,000 --> 00:08:04,160 Speaker 1: don't like this. They don't like the digital digital age 155 00:08:04,200 --> 00:08:05,760 Speaker 1: that we're living in. And I hate to say digital 156 00:08:05,800 --> 00:08:09,640 Speaker 1: age because even that sounds old. But I find it 157 00:08:09,680 --> 00:08:13,360 Speaker 1: more exciting than ever. The opportunities like this podcast for instantly. Yeah, 158 00:08:13,360 --> 00:08:16,000 Speaker 1: podcasts are huge. I did one with a guy named 159 00:08:16,000 --> 00:08:18,920 Speaker 1: Matt Kundall up in Canada and it was an hour 160 00:08:19,000 --> 00:08:21,040 Speaker 1: in seven minutes. It was the second longest one he 161 00:08:21,080 --> 00:08:23,960 Speaker 1: ever did ever, and he said it's trending higher than 162 00:08:24,000 --> 00:08:26,480 Speaker 1: any that he has, that it's way ahead of everybody else. 163 00:08:26,520 --> 00:08:28,360 Speaker 1: We are you shaking your head? Well, you know, we 164 00:08:28,440 --> 00:08:31,080 Speaker 1: do the Brooklyn Boys podcast and when we first started 165 00:08:31,080 --> 00:08:33,480 Speaker 1: doing the podcast, people were saying, keep it to fifteen 166 00:08:33,480 --> 00:08:35,560 Speaker 1: twenty minutes. Nobody can listen for longer than that's why 167 00:08:35,600 --> 00:08:38,120 Speaker 1: this is a fifteen minute morning. Well, we started just 168 00:08:38,160 --> 00:08:40,280 Speaker 1: talking and doing an hour and fifteen minutes, hour and 169 00:08:40,320 --> 00:08:42,880 Speaker 1: twenty and people said longer, we want more. They want 170 00:08:42,880 --> 00:08:44,520 Speaker 1: to sit in a car, they want to let it 171 00:08:44,600 --> 00:08:46,520 Speaker 1: spend the day with them, and we can't do one 172 00:08:46,559 --> 00:08:48,480 Speaker 1: long enough for people. And they wanted to pick up 173 00:08:48,480 --> 00:08:51,560 Speaker 1: where they leave off. Right, it's crazy through the week, 174 00:08:51,679 --> 00:08:54,319 Speaker 1: it's insane. They listen in minute block. I did I 175 00:08:54,400 --> 00:08:56,600 Speaker 1: did want in Detroit and I talked at FM talk 176 00:08:56,679 --> 00:08:59,040 Speaker 1: station in Detroit, and I was supposed to go an hour. 177 00:08:59,160 --> 00:09:01,600 Speaker 1: It was a five hour show. We had so many calls, 178 00:09:01,679 --> 00:09:03,640 Speaker 1: we had so much interest. We went the full five 179 00:09:03,679 --> 00:09:05,800 Speaker 1: hours and it went by like five minutes. So let 180 00:09:05,840 --> 00:09:08,440 Speaker 1: me ask you this, why do you think, uh, what 181 00:09:08,600 --> 00:09:11,080 Speaker 1: seems to be an art form that has lost an 182 00:09:11,160 --> 00:09:14,840 Speaker 1: art form right and has has has now been revised 183 00:09:14,840 --> 00:09:17,320 Speaker 1: to something new. Why are people so still into it, 184 00:09:17,440 --> 00:09:20,440 Speaker 1: even people who weren't around during the golden days of 185 00:09:20,520 --> 00:09:22,800 Speaker 1: what they say radio was. Why do you think it's 186 00:09:22,800 --> 00:09:26,000 Speaker 1: so interesting? Why radio is so interesting? Yeah, and it's 187 00:09:26,040 --> 00:09:29,480 Speaker 1: a very personal meeting. It's very very intimate. I mean, 188 00:09:29,679 --> 00:09:31,560 Speaker 1: you wake up to some people take them in the 189 00:09:31,600 --> 00:09:33,800 Speaker 1: shower with them into the bathroom. I had three radios 190 00:09:33,800 --> 00:09:36,640 Speaker 1: in my bathroom. You know how many radios you need 191 00:09:36,640 --> 00:09:39,240 Speaker 1: three radios in your bathot because one right next to 192 00:09:39,280 --> 00:09:43,240 Speaker 1: the john that can one overall sink and big bathroom 193 00:09:43,400 --> 00:09:46,760 Speaker 1: shower radio. Well, no, it's not that big. I have 194 00:09:46,920 --> 00:09:49,760 Speaker 1: five radio surrounding my bed. You won't get your shot 195 00:09:49,760 --> 00:09:51,680 Speaker 1: how many radios are in my house and it's only 196 00:09:51,720 --> 00:09:53,679 Speaker 1: a fifteen hundred square foot I have no idea how 197 00:09:53,720 --> 00:09:58,320 Speaker 1: many radios you just need one, and I go into 198 00:09:58,320 --> 00:10:00,840 Speaker 1: most people's house, I have to search for That's why 199 00:10:00,880 --> 00:10:03,520 Speaker 1: everybody in the radio business now was excited about Alexa 200 00:10:03,760 --> 00:10:06,000 Speaker 1: because they think I shouldn't even say that because somebody 201 00:10:06,160 --> 00:10:08,680 Speaker 1: might be listening, might be answering them right now. But 202 00:10:08,840 --> 00:10:10,920 Speaker 1: they think this is what's going to bring radio back 203 00:10:10,960 --> 00:10:13,719 Speaker 1: into the home. And I hope it does, because there 204 00:10:13,760 --> 00:10:16,240 Speaker 1: was a time when radio was very popular with the home. 205 00:10:16,240 --> 00:10:17,920 Speaker 1: You had a radio in every room. It's a very 206 00:10:17,920 --> 00:10:20,720 Speaker 1: good point you just made about how you know, uh, 207 00:10:20,960 --> 00:10:25,400 Speaker 1: Amazon Echo in the Google Home whatever it is, they 208 00:10:25,440 --> 00:10:29,120 Speaker 1: are truly bringing back that speaker that plays radio, and 209 00:10:29,360 --> 00:10:31,319 Speaker 1: we didn't even know it. They snuck it back in there. 210 00:10:32,280 --> 00:10:34,680 Speaker 1: That's pretty cool. And I think that's really very very cool. 211 00:10:34,800 --> 00:10:37,160 Speaker 1: And and and you're doing a darn good job. I mean, 212 00:10:37,160 --> 00:10:39,560 Speaker 1: you know, I never I never imagined that you were 213 00:10:39,559 --> 00:10:41,920 Speaker 1: going to have the car. Not not that you weren't good, 214 00:10:42,160 --> 00:10:44,679 Speaker 1: but it's just that it's it's sort of like another 215 00:10:44,960 --> 00:10:48,400 Speaker 1: friend of ours, Jim Kerr, Jim Kerr, who's at another 216 00:10:48,440 --> 00:10:51,200 Speaker 1: station in New York here. I mean, I knew Jim 217 00:10:51,240 --> 00:10:54,080 Speaker 1: when he was fourteen years old, Okay, I gave him 218 00:10:54,120 --> 00:10:55,920 Speaker 1: a couch to sleep bar and when he had no 219 00:10:56,040 --> 00:10:58,160 Speaker 1: place to go, I picked him up in the middle 220 00:10:58,200 --> 00:11:00,000 Speaker 1: of the night when his dad threw him out of 221 00:11:00,080 --> 00:11:02,320 Speaker 1: my house. I mean, let me tell you. I mean, 222 00:11:02,360 --> 00:11:05,400 Speaker 1: it's it's it's like and now I look at him 223 00:11:05,440 --> 00:11:08,600 Speaker 1: and he's the longest running now that I misses off 224 00:11:08,640 --> 00:11:14,319 Speaker 1: the radio, he's the longest running New York radio personality, 225 00:11:14,480 --> 00:11:16,960 Speaker 1: the nicest person in the world. And I and I 226 00:11:17,040 --> 00:11:19,719 Speaker 1: just think, God, I remember when he actually used the 227 00:11:19,800 --> 00:11:22,040 Speaker 1: name Jim Curtis on the area. Didn't think he uses 228 00:11:22,240 --> 00:11:25,400 Speaker 1: I didn't know that named Jim Kerr. But I have pictures. 229 00:11:25,400 --> 00:11:27,040 Speaker 1: I will send you a picture of him with a 230 00:11:27,760 --> 00:11:36,080 Speaker 1: little blond hair. And it's so funny how radio is 231 00:11:36,120 --> 00:11:41,600 Speaker 1: one of those things that it lingers everything. It just 232 00:11:41,679 --> 00:11:44,640 Speaker 1: things like like a bad far But there's so many 233 00:11:44,880 --> 00:11:47,120 Speaker 1: there are so many things that were huge and prevalent 234 00:11:47,160 --> 00:11:49,080 Speaker 1: in the entertainment business back in the day that really 235 00:11:49,120 --> 00:11:51,760 Speaker 1: aren't the same anymore. This is we're kind of holding on. 236 00:11:52,120 --> 00:11:55,160 Speaker 1: And a lot of people who are running digital industries 237 00:11:55,200 --> 00:11:57,440 Speaker 1: these days say, well, radios, it's a thing of the past. 238 00:11:57,440 --> 00:11:59,439 Speaker 1: It's a dinosaur. Well call it that if you want, 239 00:11:59,440 --> 00:12:02,120 Speaker 1: but we are we are now digital. We have snuck 240 00:12:02,200 --> 00:12:06,120 Speaker 1: an old form form of communication into a new package 241 00:12:06,120 --> 00:12:08,480 Speaker 1: of delivery and and it's it's all digital. And I 242 00:12:08,520 --> 00:12:09,960 Speaker 1: think a lot of people do want to see what's 243 00:12:09,960 --> 00:12:12,120 Speaker 1: going on in the studios and whatever they want to see. 244 00:12:12,480 --> 00:12:15,120 Speaker 1: That's why my video air checks the things are so popular. 245 00:12:15,440 --> 00:12:17,320 Speaker 1: And in fact, if you go on the internet and 246 00:12:17,440 --> 00:12:20,199 Speaker 1: let me do a shameless plug here because I was 247 00:12:20,280 --> 00:12:21,880 Speaker 1: first of all, I was very honored a couple of 248 00:12:21,960 --> 00:12:24,880 Speaker 1: years ago, and you were inducted. And that was the 249 00:12:24,920 --> 00:12:28,040 Speaker 1: same night that they announced that all the videos I've 250 00:12:28,040 --> 00:12:30,080 Speaker 1: shot over all the years are going to go into 251 00:12:30,120 --> 00:12:33,439 Speaker 1: a special exhibit that's gonna be a permanent exhibit in 252 00:12:33,520 --> 00:12:36,400 Speaker 1: the Radio Hall of Fame. At the Museum of Broadcast 253 00:12:36,400 --> 00:12:39,480 Speaker 1: Communications in Chicago where people can go in and they 254 00:12:39,480 --> 00:12:41,560 Speaker 1: can like in the old language lab and in the 255 00:12:41,920 --> 00:12:44,200 Speaker 1: in the high school, and you put headphones on and 256 00:12:44,200 --> 00:12:45,880 Speaker 1: you have a screen in front of and a keyboard 257 00:12:46,000 --> 00:12:47,959 Speaker 1: and you can just punch up Elvis Duran you want 258 00:12:48,000 --> 00:12:50,360 Speaker 1: to see him in the early days and what have you, 259 00:12:50,559 --> 00:12:53,440 Speaker 1: and it'll come right up on the screen. So that's 260 00:12:53,440 --> 00:12:56,000 Speaker 1: what they're gonna do. And I was very, very flattered 261 00:12:56,000 --> 00:13:01,280 Speaker 1: by that, and and and I think that, um, the 262 00:13:01,280 --> 00:13:04,280 Speaker 1: thing it makes it so special is is that, uh, 263 00:13:04,520 --> 00:13:08,280 Speaker 1: people can now see how it's evolved over the years. 264 00:13:08,600 --> 00:13:12,240 Speaker 1: They can see when people were playing records on turntables 265 00:13:12,640 --> 00:13:14,680 Speaker 1: and then they had all the records were on put 266 00:13:14,679 --> 00:13:17,240 Speaker 1: on tape cartridge that looked like the eight track tapes, 267 00:13:17,640 --> 00:13:19,760 Speaker 1: and that's how they played the songs on the air. 268 00:13:20,000 --> 00:13:22,360 Speaker 1: And then they went to the c D s and 269 00:13:22,400 --> 00:13:25,440 Speaker 1: now everything's in an audio vault on the computer and 270 00:13:25,480 --> 00:13:28,480 Speaker 1: you touch screens. And when I think, it's amazing to 271 00:13:28,600 --> 00:13:32,920 Speaker 1: watch the evolution over the almost forty years that I've 272 00:13:32,960 --> 00:13:36,160 Speaker 1: been videotaping in radio studios from one of the country 273 00:13:36,200 --> 00:13:38,560 Speaker 1: or the other. And that's why you know tomorrow night 274 00:13:38,679 --> 00:13:41,600 Speaker 1: on Friday the Woods. Tomorrow is the ninth I guess 275 00:13:41,640 --> 00:13:44,880 Speaker 1: it is of or the eighth of June. They're giving 276 00:13:44,920 --> 00:13:48,920 Speaker 1: me a special award, UH, a lifetime Achievement award, which 277 00:13:49,000 --> 00:13:51,720 Speaker 1: I was shocked when I heard about this because of 278 00:13:51,760 --> 00:13:55,960 Speaker 1: what I've been doing for the industry, doing what I love. 279 00:13:56,120 --> 00:13:57,920 Speaker 1: Let's talk about don't get paid to do this. Let's 280 00:13:57,920 --> 00:14:00,800 Speaker 1: talk about one more thing that's advancing in this business, 281 00:14:00,840 --> 00:14:04,199 Speaker 1: and that's women in radio. Women in radio. Daniel used 282 00:14:04,200 --> 00:14:05,800 Speaker 1: to be just the gig that we were. They were 283 00:14:05,840 --> 00:14:07,640 Speaker 1: forced to be just the giggly thing in the corner 284 00:14:08,080 --> 00:14:11,640 Speaker 1: who just agree with everything that's right. And now, believe me, Daniel, 285 00:14:11,679 --> 00:14:13,560 Speaker 1: when Daniel speaks, she takes over this from this is 286 00:14:13,600 --> 00:14:15,840 Speaker 1: he this is her run. I'm not going to giggle. 287 00:14:16,120 --> 00:14:18,120 Speaker 1: I do giggle a lot, and I'll tell you like 288 00:14:18,200 --> 00:14:21,040 Speaker 1: it is. In fact, one of my very the very first, 289 00:14:21,120 --> 00:14:23,080 Speaker 1: one of the very first radio stations I every day 290 00:14:23,160 --> 00:14:25,400 Speaker 1: was w i f E in Indianapolis at one time, 291 00:14:25,720 --> 00:14:28,640 Speaker 1: great radio station, you know, and they said, uh, they 292 00:14:28,640 --> 00:14:32,400 Speaker 1: had an afternoon drive, afternoon drive host that was female. 293 00:14:32,560 --> 00:14:36,480 Speaker 1: And that was unusual back very this is n nobody 294 00:14:36,560 --> 00:14:38,520 Speaker 1: was doing stuff like that. You know. So it was 295 00:14:38,600 --> 00:14:41,080 Speaker 1: really great and now women are all over the place. 296 00:14:41,120 --> 00:14:42,920 Speaker 1: I was just at awards banked, but the other night 297 00:14:42,920 --> 00:14:45,440 Speaker 1: for a high school radio station, and everybody was a woman. 298 00:14:47,560 --> 00:14:51,440 Speaker 1: For the women taking over. Edgie Martinez by the way, 299 00:14:51,520 --> 00:14:53,480 Speaker 1: up for the Radio Hall of Fame. You can vote 300 00:14:53,480 --> 00:14:59,800 Speaker 1: for her radio vote or thank you Minute Morning Show