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Speaker 1: Got the boat is like going up and down and

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Speaker 1: the surface like splashing in my face. And I like

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Speaker 1: it was like an off day. So this entire whale watch,

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Speaker 1: it's just me and Wallace, Grandma's friend, and he's brought

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Speaker 1: like cheese.

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Speaker 2: You know. He is like like she's addicted. He's obsessed

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Speaker 2: with cheese. Uh.

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Speaker 1: And and I it was kind of sad because like

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Speaker 1: we get to the pot like an actual like pod

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Speaker 1: of whales. Oh wow, and the guy is like this

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Speaker 1: is crazy, like we never see this much whales. This

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Speaker 1: is like really special and might get your cameras out

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Speaker 1: and stuff. And it seems like Wallace was kind of

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Speaker 1: just there to eat cheese, right.

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Speaker 2: So it's it's a beautiful surroundings, this amazing natural event

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Speaker 2: that you're witnessing of the whales. Were they having sex

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Speaker 2: or were they the whales were Yes, the whales were

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Speaker 2: having sex. So you're seeing all these whale what we're

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Speaker 2: twenty twenty five?

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Speaker 1: It was it was like it was like it was

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Speaker 1: like it was like so with all the whales. Yeah,

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Speaker 1: it was like twenty five wheales. Wow, so okay, so

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Speaker 1: close to my guess.

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Speaker 2: So then it was like twenty five and he you know,

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Speaker 2: you never get to see that. And he's just so

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Speaker 2: focused on his cheese that he's missing and.

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Speaker 1: It's like a big block of this like very almost

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Speaker 1: like stereotypical cheese. It's like a wedge that's like the

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Speaker 1: size of a basketball basically, you know what it is.

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Speaker 2: Though that's his phone screen. I mean, this is happening

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Speaker 2: all over the country at all times. We're all rising

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Speaker 2: out on life.

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Speaker 1: That's you know what, that's true. And I and I

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Speaker 1: found myself that's so interesting. I didn't think about that

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Speaker 1: because I'm like, he addicted to this cheese and he's

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Speaker 1: just using like a social event. It's like, oh great,

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Speaker 1: I get like a reason to like go out and

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Speaker 1: like have fun with people, but really just like e cheese.

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Speaker 1: But meanwhile, me, I'm watching these whales just through my

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Speaker 1: phone screen, you know what I mean, instead of like

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Speaker 1: taking in the actual thing, I'm watching a video of

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Speaker 1: some different whales on my phone right while there's real

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Speaker 1: whales right there.

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Speaker 2: And that is something thing. And we've all fallen into

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Speaker 2: that trap because you're double checking, you think these are whales.

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Speaker 2: Hang on, let me freaking google search whales.

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Speaker 1: Right, And I'm in the same way as the cheese

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Speaker 1: I'm eating like these big pieces of my phone, It's.

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Speaker 2: Exactly the same. So, hey, welcome to Hollywood hand Book.

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Speaker 2: It's an insider's guide to kicking button dropping names in

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Speaker 2: the red carpet line back allways of this industry we

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Speaker 2: call show biz and hayes. Do you want to say?

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Speaker 2: What up? What up? Today?

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Speaker 1: I would like to say to all my all the fans, uh,

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Speaker 1: and to everyone who has supported us all this time,

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Speaker 1: and to everyone at ear Wolf that has been so

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Speaker 1: like nice to us and who we have become friends with,

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Speaker 1: and to engineer Devin and to Chef Kevin, and to

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Speaker 1: our guests who will get to in the second, and

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Speaker 1: to all the fans, I want to wish a very

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Speaker 1: happy what up?

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Speaker 2: What up? That was so nice? So, speaking of our

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Speaker 2: guests who will get to in a second, our guests,

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Speaker 2: let's get to her now. Uh.

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Speaker 1: It's Heather An Campbell is here.

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Speaker 3: Hi everybody, Hi guys, Hi?

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Speaker 2: How do you.

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Speaker 1: How do you say that?

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Speaker 2: Like?

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Speaker 1: How does your name like work for to you?

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Speaker 3: Heather An Campbell?

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Speaker 2: Yeah, well do you know what? Okay?

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Speaker 1: So that's how you say it?

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Speaker 2: Yeah, Okay.

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Speaker 3: I go by my middle name for a reason. You

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Speaker 3: want to know.

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Speaker 1: Why, Yeah, because your middle name is Heather Ane Campbell.

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Speaker 3: So I'm Heather and Heather Anne Campbell Campbell.

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Speaker 2: Yes, wow wow.

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Speaker 3: Uh. The the truth is, there is a Heather Campbell

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Speaker 3: who is an actress, looks very similar to me, okay,

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Speaker 3: and she used to do more riskue material. So if

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Speaker 3: you google Heather Campbell nude, you can see a woman

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Speaker 3: who looks similar to me, yea in very little clothing,

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Speaker 3: and it's enough like me. It's I mean, it's so

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Speaker 3: that's why I'm all three names.

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Speaker 2: That could just differentiate a bit, all right, And so

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Speaker 2: if you ever decided to do risk a material, you

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Speaker 2: wouldn't have the same name as someone in that in

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Speaker 2: the same field you want. You want them to find

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Speaker 2: your news exactly exactly. I've been in this same spot.

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Speaker 2: So there's a movie called like Beach Party, Bikini Masker

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Speaker 2: or something like that, uh huh, that stars a man

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Speaker 2: kind of looks like Chris Evans. I'm not gonna say

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Speaker 2: he looks like me. His name is Sean Clement with

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Speaker 2: no s on the okay, and he is miscredited in

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Speaker 2: the film as Sean Clement's It made it all the

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Speaker 2: way to the credits that he's listed as Sean Clements

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Speaker 2: and so if you google like Sean Clements actor, that's

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Speaker 2: who you find. Oh, I don't know if he's nude

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Speaker 2: in it. I am not googled my name and the

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Speaker 2: word nude. You should. I think I'm gonna start today.

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Speaker 3: Like somebody pointed it out to me on Twitter. They

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Speaker 3: were like, is this you? And I'm like, no, that

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Speaker 3: is not me.

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Speaker 1: Somebody has been googling that because it's an autocomplete. The

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Speaker 1: first one is nude is Sean Clements nude.

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Speaker 2: But I think they're trying to see that beach party

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Speaker 2: bikini massacre fella.

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Speaker 1: He's massacring bikinis in it. He's got a pair of

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Speaker 1: scissors and he's cutting the bikini strig.

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Speaker 2: He's saying, hey, well all one piece is only he

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Speaker 2: has a one piece shop. He's masking the bikinis in

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Speaker 2: order to boost sales. Is my understanding of the plot

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Speaker 2: of the film.

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Speaker 3: We were you gonna say you can't what I was

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Speaker 3: gonna say, you can't make a one piece out of

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Speaker 3: a bikini? But I realized that that's not what you

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Speaker 3: were saying.

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Speaker 2: No, he's saying, hey, no, no bikinis allowed on this beach,

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Speaker 2: I'll massacre.

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Speaker 1: He's tried. He's tried to make the one piece out

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Speaker 1: of the bikini. It takes a third piece to connect them.

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Speaker 3: You're speaking about this movie with the authority of people

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Speaker 3: who have seen it admitted that you haven't the name.

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Speaker 2: Well, it's all the name.

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Speaker 1: Yeah.

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Speaker 2: When you've been in this business as long as I have,

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Speaker 2: you hear a movie name, you could just about put

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Speaker 2: it together name. Give it an example in any movie.

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Speaker 3: I name a movie, I name a movie, and you

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Speaker 3: tell me, yes, batteries not included.

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Speaker 2: Okay, so easy one. So the guy has a one

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Speaker 2: piece baby suit.

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Speaker 1: Shop obviously something like that. A baby suit does not

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Speaker 1: need any batteries, So why would they need to put

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Speaker 1: batteries included in the you're telling a one piece bikini.

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Speaker 1: It's not even worth mentioning.

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Speaker 2: No, it is an odd title. And then it's maybe

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Speaker 2: why that film didn't do so great and we haven't

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Speaker 2: heard of it.

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Speaker 3: That was a Spielberg film. Wow, that's produced by Steven Spielberg.

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Speaker 3: He's a big shot.

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Speaker 2: Wow.

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Speaker 1: Okay, And so I guess we're living in frigging nineteen

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Speaker 1: eighty five. If we're Heather and Campbell because that's the

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Speaker 1: last time I ever even heard of that guy.

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Speaker 2: I don't think he I literally don't think he's done

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Speaker 2: anything that's nineteen eighty five except War Horse, which I

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Speaker 2: was crying, Yes a warse yes, oh that was my

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Speaker 2: childhood on screen? The war Horse what?

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Speaker 1: And that wasn't even him. That was mostly like the

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Speaker 1: the wrangler. Do you think he's the guy who's like

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Speaker 1: wrangling the horse. That's the real director. He's not touching

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Speaker 1: the horse's he gonna point the cameras. Okay, let's imagine

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Speaker 1: Warhorse without the horse wrangler was You're not gonna the

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Speaker 1: horse is not even gonna be on screen. Yeah, he's

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Speaker 1: gonna be running away.

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Speaker 2: I'll tell you what that movie would be, Bighini, Beach Party,

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Speaker 2: Bassic Card. What do you do? Did you think about Warhorse? Yeah?

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Speaker 3: I love animals and movies because they're not acting.

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Speaker 2: They just are. They don't know there's a movie.

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Speaker 3: You're watching a movie with everyone acting, and then a

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Speaker 3: documentary about a horse is taking place simultaneously. I love that,

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Speaker 3: Like I love watching a dog who's like walks through

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Speaker 3: a screen and you're like that dog it is just.

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Speaker 2: In the living room, has no idea, No idea.

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Speaker 3: It's great. I love movie animals unless it's like my

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Speaker 3: lone otis because.

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Speaker 1: You could just watch a documentary about animals. You don't

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Speaker 1: have to watch, but then.

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Speaker 2: You could watch a documentary.

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Speaker 3: Remember, I'm sorry, what am I supposed to remember?

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Speaker 2: There a documentary?

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Speaker 4: No?

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Speaker 3: I know I heard the word you said, but you

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Speaker 3: said remember.

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Speaker 2: Like remember when Netflix did that? Oh?

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Speaker 3: Is that a thing Netflix did?

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Speaker 2: No, they coined the they coined the term friend documentary.

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Speaker 3: I don't remember that.

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Speaker 2: You watch Kenny Kenny?

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Speaker 3: Is that the It's a movie about a dog, treet

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Speaker 3: cats of Istia and Bull.

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Speaker 2: Okay, great, that's a dark cat mentory. That's a cat

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Speaker 2: you menory. Uh yeah, I'm going with that. Let me

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Speaker 2: check in with myself cat umentory. Yeah, I'm sticking with it.

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Speaker 2: Do you help us do a video game? You're video

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Speaker 2: game expert. We're looking to make big bucks. I hear

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Speaker 2: you don't have to pay the actors when you do

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Speaker 2: a video game.

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Speaker 3: That is I mean that's mildly true, sort of, uh,

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Speaker 3: but I mean only because they're working on unionizing. It's

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Speaker 3: been hard for video game voice acting to take this.

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Speaker 2: So we can get in right before work fast we

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Speaker 2: do a video game right now, we can effectively rip

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Speaker 2: off a lot of artists.

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Speaker 3: Yeah, yeah, yeah you could. And same with the developers.

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Speaker 3: They work those guys to the bar.

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Speaker 2: Are you kidding me? This sounds like a fucking cash cow. Yeah.

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Speaker 1: And we already have the mics and a computer.

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Speaker 3: Yeah, well it takes okay, I mean yeah, you could

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Speaker 3: make a video game with just that, which is kind

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Speaker 3: of incredible.

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Speaker 1: Yeah, you're about to say it takes more than that,

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Speaker 1: but yeah, but then I thought about it.

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Speaker 3: It's going to be a small scale game, but you

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Speaker 3: could do it.

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Speaker 2: Yeah, and that's what we plan to do.

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Speaker 3: I like that you lead with mics, So your your

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Speaker 3: game is a lot of voice.

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Speaker 1: We have more mics than Yes, it is mostly voice acting.

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Speaker 1: The game is yeah, what is it?

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Speaker 2: Uh? Well, we were hoping for a little bit of hell.

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Speaker 1: Okay, So we did a famous game a few years ago, Yes,

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Speaker 1: called Fight Have Her Fight Have Yes.

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Speaker 2: Drive Edition.

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Speaker 3: I'm sorry, what can you both say that title at

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Speaker 3: the same time?

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Speaker 1: Please?

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Speaker 2: Because it was.

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Speaker 1: Three two.

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Speaker 3: I'll count you down already.

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Speaker 2: That would be so you.

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Speaker 3: Should both know the name of your game and we

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Speaker 3: and we will on one two three, A fast.

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Speaker 2: And it might have a fast driver then yes, okay, uh,

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Speaker 2: what was.

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Speaker 3: The platform that was released on?

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Speaker 2: Kumil helped us with it. He did the voices.

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Speaker 1: It was on and like a table basically it was

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Speaker 1: basically this table.

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Speaker 3: Like the Microsoft's surface.

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Speaker 1: More signatures, Yeah, a couple more, very similar to this

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Speaker 1: you release.

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Speaker 3: You released a video game on a table, like you

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Speaker 3: put it on the table.

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Speaker 1: That's like that's where the Yes, that's where it has

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Speaker 1: to kind of sit.

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Speaker 2: It has its own device.

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Speaker 1: Oh wow, that that it plays on, which is like

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Speaker 1: pretty smart. A lot of these other games. You don't

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Speaker 1: even have to buy a separate machine. Yeah, you're making

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Speaker 1: it for somebody else's machine. Yeah.

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Speaker 2: So it's like if I'm a famous chef and I'm

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Speaker 2: making food for that guy's restaurant. Yeah, it's like, why

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Speaker 2: don't I make you come to my restaurant.

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Speaker 3: It's as if you Yeah, it's as if you made

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Speaker 3: food and also invented plates.

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Speaker 1: Yeah right, yeah, and no one else could use the plate.

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Speaker 1: It's all the.

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Speaker 3: Food is shape plate for your food.

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Speaker 1: It is falling on the floor.

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Speaker 2: It's only plate only shape that the food works on.

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Speaker 3: I will lie That is a philosophy of game design.

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Speaker 3: That has worked in the past. I feel like companies

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Speaker 3: are moving away from that though. Now okay started releasing

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Speaker 3: games for phones. You can play Nintendo games on your phone.

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Speaker 1: So you're saying, my phone is a Nintendo.

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Speaker 3: Yeah, I mean essentially, yeah, what is a Nintendo?

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Speaker 2: So what you're saying is that right at the moment

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Speaker 2: that the entire industry has decided to zig, we're zagging. Yeah, yeah,

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Speaker 2: thank you for the compliment.

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Speaker 3: No worries.

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Speaker 1: So we have to do another game though, because it's

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Speaker 1: been a couple of years and we do just sort

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Speaker 1: of have to wrote to anything we have done. We

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Speaker 1: have to do it again until.

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Speaker 2: Especially when it's someone so directly aligns with our interest gaming. Yes,

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Speaker 2: so what kind of games right now? Is what's huge? What?

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Speaker 3: Okay, Well, there's Fortnite, is I guess the largest game?

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Speaker 1: Two weeks right now? Two weeks? Notice the game based

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Speaker 1: on the movie two weeks?

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Speaker 2: Two weeks. Notice. I'm sorry, we could go off the

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Speaker 2: proposal because I had those sort of those are connected

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Speaker 2: in my head a little bit.

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Speaker 1: I can say draw Bullock was it both of the best?

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Speaker 1: I don't think they came out very close together. You're

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Speaker 1: doing it really maybe I'm wrong. You're doing a game

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Speaker 1: based on when did Two Weeks Notice come out? Devin, Yeah, Devin,

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Speaker 1: I don't even know what that.

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Speaker 3: Movie is about.

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Speaker 2: Engineer devn activate Cindra Bullock, filmographer, two thousand and two. Okay,

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Speaker 2: and I think the proposal was two thousand proposal. I'm

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Speaker 2: going to say two thousand and nine, possibly even ten.

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Speaker 2: You guys are I'm going to say eight.

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Speaker 1: What are you going to say? You have to say

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Speaker 1: when you think the proposal came out.

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Speaker 3: Two thousand and seven?

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Speaker 2: I don't know.

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Speaker 3: Why would you? First off, do you own that IP?

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Speaker 3: Do you own the rights to that movie?

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Speaker 2: Well, we just changed the name two Weeks Notice. They

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Speaker 2: changed it to Fortnite, and it's clearly inspired by Two

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Speaker 2: Weeks Notice, but they've just gotten a way to So

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Speaker 2: instead of the Proposal, we would say like The Engagement

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Speaker 2: or The Bridesmaids.

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Speaker 3: Those okay, few things you need the IP for the

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Speaker 3: you need the right vous. Yeah, those are both movies

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Speaker 3: you can What is all right? Let's say that you

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Speaker 3: are basing a movie around the proposal as a concept.

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Speaker 3: What do you see the interactivity features of this game?

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Speaker 2: Like? Is it a Ryan Reynolds? I mean if anyone's

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Speaker 2: innovating in the world of interactivity, it's got to be

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Speaker 2: Ryan Renols.

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Speaker 1: Dead coming out of the screen and I am and

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Speaker 1: being his friend in the audience.

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Speaker 2: It's actually to yourself. Couples two nine proposal.

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Speaker 3: Wow, gee, so you're going to do a game where

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Speaker 3: the characters talk to the player?

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Speaker 2: Yes, uh huh, okay, yep, okay, do you have.

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Speaker 3: Any do you have any other that's your your core concept?

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Speaker 1: Well, we also know it would be more helpful some

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Speaker 1: of these if some of these guys in the other

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Speaker 1: games were helping me and saying like make me punch

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Speaker 1: you know that would Yeah, that would walk me around

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Speaker 1: because I'm noticing I don't really know much about games,

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Speaker 1: but when I'm doing them, I'm getting shot to pieces.

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Speaker 3: Yeah.

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Speaker 2: If my guy would say, hey, I don't want to

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Speaker 2: get shot, Yeah, help me out here, pal, help me

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Speaker 2: find the golden beans.

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Speaker 3: So this is a tutorial heavy game based on the proposal,

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Speaker 3: where all training mode what are you training for?

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Speaker 2: Like?

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Speaker 3: What give me an example of a of aw thing

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Speaker 3: that Ryan Reynolds would say, even though he's not in.

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Speaker 1: The proposal, immigrant he is in the proposal in a

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Speaker 1: big way.

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Speaker 2: I'm so sick of my heart.

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Speaker 1: He's in it, on it around, it is all over it.

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Speaker 2: If I'm not mistaken, his boss is a real hard

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Speaker 2: ass in that.

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Speaker 3: I have not seen this. I've not seen this.

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Speaker 2: He has to get married.

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Speaker 3: He has to get married.

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Speaker 2: Yes, that's the He has two weeks to get married. Yea,

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Speaker 2: he has one fortnight to get married.

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Speaker 3: Why deportment he's gonna get He's going to get deported

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Speaker 3: if he doesn't get married. To is to marry Sandra.

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Speaker 2: Block has to marry his boss.

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Speaker 3: He has to marry his boss married.

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Speaker 1: That's the immigration law. Yeah, and look, I mean, this

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Speaker 1: is the time we live and you have to marry

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Speaker 1: your boss.

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Speaker 3: I'm I mean, like, honestly, I'm sucked that this is

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Speaker 3: a movie.

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Speaker 2: That's yeah, that's basically the movie. Mm hm. You know

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Speaker 2: how Cardi b calls herself like a boss bitch? Uh

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Speaker 2: huh okay, kind of based on the proposal.

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Speaker 3: I didn't know that.

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Speaker 1: Devin say, the summary of the.

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Speaker 2: Movie let's see here unbelievable. Well, you've cut that gross

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Speaker 2: and noise out.

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Speaker 5: You're pretty close, except that actually she's the Canadian executive

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Speaker 5: is going to be the best.

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Speaker 1: That's what he said.

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Speaker 2: But I said, Ryan Reynolds is Canadian. That's why he

359
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Speaker 2: took the project. Oh is that right? He connected the material?

360
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Speaker 2: Ryan rounds Canadian? Why are Canadians so goddamn funny? Why

361
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Speaker 2: is it something in the water up there? They're so

362
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Speaker 2: goddamn funny?

363
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Speaker 1: I mean, where are you from?

364
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Speaker 2: Me?

365
00:17:41,520 --> 00:17:42,000
Speaker 3: Personally?

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Speaker 2: Chicago? Okay, close though close, it's in the zone.

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Speaker 3: It is. It's cold. It's a cold weather town and

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Speaker 3: then a.

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Speaker 2: Very hot a. Yes, Chicago, the cold weather town city.

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Speaker 4: I really want to know the plot of this movie

371
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Speaker 4: him Ron Reynolds is from America's family from as she's Canadian,

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Speaker 4: and she forces him to marry her, well forces, she

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Speaker 4: would like him to marry her in order to keep

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Speaker 4: her visa.

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Speaker 1: The summary says, she forces him to marry her, well

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Speaker 1: forces she.

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Speaker 2: Would like it summarizing. Yeah, yeah, yeah, Well why don't

378
00:18:15,920 --> 00:18:19,600
Speaker 2: you Instead of summarizing The summary, why don't you reapply?

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00:18:19,920 --> 00:18:22,360
Speaker 5: Centers on a Canadian executive who learns that she may

380
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Speaker 5: face deportation from the US because of her expired visa.

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Speaker 5: Determined to retain her position as editor in chief of

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Speaker 5: a publishing house, she convinces her assistant to temporarily act

383
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Speaker 5: as her fiance.

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Speaker 1: Mm hm ah.

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Speaker 3: So this is like a real pre me too film.

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Speaker 1: Like well, it's well yeah, and the women are doing

387
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Speaker 1: it for themselves in this.

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Speaker 3: One, I don't, I mean yeah, but the theory still

389
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Speaker 3: applies like that power, but.

390
00:18:49,080 --> 00:18:52,920
Speaker 2: She leverages the fact that she's his employer to force

391
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Speaker 2: him into a pseudo romantic situation that ultimately does become

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Speaker 2: a real romantic situation.

393
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Speaker 1: But Collegy think that movies can be controversial and movies

394
00:19:03,600 --> 00:19:07,040
Speaker 1: can show the world as it really is, uh huh,

395
00:19:07,080 --> 00:19:09,679
Speaker 1: which is we have this like new immigration policy now

396
00:19:09,720 --> 00:19:13,199
Speaker 1: where like billionaires are running the country and making people

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Speaker 1: marry them.

398
00:19:14,640 --> 00:19:20,240
Speaker 2: That they would never the proposal now, but I think

399
00:19:21,119 --> 00:19:25,719
Speaker 2: Ghostbusters style reboot of the Proposal where we flip the genders.

400
00:19:26,000 --> 00:19:27,840
Speaker 3: So just in decent proposal.

401
00:19:28,960 --> 00:19:33,720
Speaker 2: Okay, And this is a movie about a swimsuit salesperson.

402
00:19:37,080 --> 00:19:38,119
Speaker 1: I remember this.

403
00:19:39,640 --> 00:19:46,000
Speaker 2: What he said a one piece shop. He and his

404
00:19:46,040 --> 00:19:49,520
Speaker 2: wife Demi Moore are approached by Robert Redford at a casino.

405
00:19:49,880 --> 00:19:52,639
Speaker 2: Robert Redford wants to see her wearing a two piece?

406
00:19:53,080 --> 00:19:54,360
Speaker 3: Is it Robert Redford?

407
00:19:54,400 --> 00:19:55,360
Speaker 2: It is Robert Redford?

408
00:19:55,800 --> 00:19:56,200
Speaker 3: God?

409
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Speaker 2: What year did that one come out? Four?

410
00:20:01,160 --> 00:20:08,240
Speaker 5: I'm gonna say two yeah, jeeze, what a team.

411
00:20:08,480 --> 00:20:13,800
Speaker 2: I'm just kidding your team of me. The game.

412
00:20:14,400 --> 00:20:19,720
Speaker 1: Let's get to this on an office with Ryan Reynolds.

413
00:20:19,960 --> 00:20:21,760
Speaker 1: It has to get out of the door, but there

414
00:20:21,840 --> 00:20:25,719
Speaker 1: is a box in his way and he says, hey, buddy,

415
00:20:26,040 --> 00:20:28,760
Speaker 1: help me jump, okay, And that's to me.

416
00:20:29,760 --> 00:20:31,080
Speaker 2: I had the jump button.

417
00:20:31,119 --> 00:20:33,760
Speaker 1: There was a jump button on our machine instead of

418
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Speaker 1: this all this stupid like shapes. Why would I hit

419
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Speaker 1: a square?

420
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Speaker 2: Dude? Jump? Well, if you're jumping over a box?

421
00:20:45,560 --> 00:20:47,960
Speaker 1: But what if I but I mean, there's you're only

422
00:20:48,000 --> 00:20:51,520
Speaker 1: jumping over a box. Just hear me out, then push

423
00:20:51,560 --> 00:20:53,920
Speaker 1: the box. But that implies that and the other one

424
00:20:53,920 --> 00:20:55,440
Speaker 1: I'm jumping over a beer bid.

425
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Speaker 3: Can I ask a question that you seem to be

426
00:20:58,600 --> 00:21:01,960
Speaker 3: hinting at here, but I'm want to clarify. Is the

427
00:21:02,040 --> 00:21:05,560
Speaker 3: game that Ryan Reynolds is in an office and that

428
00:21:05,640 --> 00:21:09,040
Speaker 3: you also are in the game and he is asking

429
00:21:09,200 --> 00:21:12,560
Speaker 3: you to help him jump? Or is this a game

430
00:21:12,600 --> 00:21:14,200
Speaker 3: made exclusively for you?

431
00:21:15,880 --> 00:21:16,040
Speaker 1: Yeah?

432
00:21:16,080 --> 00:21:19,640
Speaker 3: I know who, I do know. But what I'm asking

433
00:21:19,760 --> 00:21:23,199
Speaker 3: is the player's experience of the game. Is it that

434
00:21:23,359 --> 00:21:28,239
Speaker 3: I'm controlling you, controlling Ryan Reynolds? Or is this a

435
00:21:28,520 --> 00:21:31,960
Speaker 3: one person one copy released game.

436
00:21:31,960 --> 00:21:34,359
Speaker 1: There's well, there's only one machine.

437
00:21:35,440 --> 00:21:38,560
Speaker 2: Okay, these things are.

438
00:21:38,520 --> 00:21:42,040
Speaker 1: Honestly, it's this ship is so stupid. These things take

439
00:21:42,080 --> 00:21:43,679
Speaker 1: forever to make these machines.

440
00:21:43,800 --> 00:21:46,160
Speaker 3: Are you making money off of this concept?

441
00:21:46,320 --> 00:21:49,680
Speaker 2: Well, in the game there's coins everywhere.

442
00:21:49,600 --> 00:21:55,359
Speaker 3: You as a human your investment. How are you getting

443
00:21:55,359 --> 00:21:56,760
Speaker 3: a return on this investment?

444
00:21:56,880 --> 00:22:00,800
Speaker 1: Well, you can trade the coins. That's not what I'm new.

445
00:22:01,160 --> 00:22:04,480
Speaker 2: Hats Sandra Bulk is a high powered executive, so we

446
00:22:04,600 --> 00:22:06,000
Speaker 2: know she's got a big salary.

447
00:22:06,200 --> 00:22:08,359
Speaker 3: I feel like you guys are mixing a couple of

448
00:22:08,400 --> 00:22:10,760
Speaker 3: things here, Okay, which is all right? If I make

449
00:22:10,800 --> 00:22:15,320
Speaker 3: a video game about making money, it's called like stockbroker,

450
00:22:15,600 --> 00:22:18,359
Speaker 3: stockbroker five thousand, right, ok Can I sell?

451
00:22:18,480 --> 00:22:20,520
Speaker 2: We do? Can we get the number? Will hire you?

452
00:22:21,200 --> 00:22:22,520
Speaker 3: Stockbroker ten million?

453
00:22:22,680 --> 00:22:23,480
Speaker 2: Sure? Okay?

454
00:22:23,600 --> 00:22:24,439
Speaker 3: Okay? A billion?

455
00:22:24,520 --> 00:22:26,359
Speaker 2: Stockway stockbroker a billion? Yeah.

456
00:22:26,400 --> 00:22:28,879
Speaker 3: So I make that game and then I sell it

457
00:22:28,920 --> 00:22:33,119
Speaker 3: to consumers like regular people, and then how much for

458
00:22:33,720 --> 00:22:35,040
Speaker 3: how much am I selling the game for?

459
00:22:35,119 --> 00:22:35,520
Speaker 2: How much?

460
00:22:35,600 --> 00:22:37,200
Speaker 3: I don't know, like twenty nine ninety nine?

461
00:22:37,320 --> 00:22:39,080
Speaker 2: Okay, but great, so you'll.

462
00:22:39,040 --> 00:22:42,480
Speaker 1: Why is a stockbroker making video games and selling them

463
00:22:42,480 --> 00:22:42,919
Speaker 1: to consume?

464
00:22:43,119 --> 00:22:49,080
Speaker 3: No? No, no, he's not again, this is a okay, like

465
00:22:49,200 --> 00:22:52,280
Speaker 3: when you when Mario games are made, they're not sold

466
00:22:52,440 --> 00:22:55,840
Speaker 3: to Mario, and they're not made by Mario. They are

467
00:22:55,920 --> 00:22:58,200
Speaker 3: they are Mario games. This is a stockbroker.

468
00:22:58,359 --> 00:23:01,600
Speaker 2: He use a reference. I know, Sonic do you what

469
00:23:02,200 --> 00:23:04,960
Speaker 2: you are is a movie here? We are here.

470
00:23:05,000 --> 00:23:07,200
Speaker 1: You're saying that we have to have all the rights

471
00:23:07,240 --> 00:23:10,200
Speaker 1: to these movies and these characters and stuff. And yet

472
00:23:10,240 --> 00:23:14,760
Speaker 1: people can just make Mario's game no without him, as

473
00:23:14,800 --> 00:23:16,280
Speaker 1: you say, even being involved.

474
00:23:16,320 --> 00:23:18,639
Speaker 2: That is that is not what?

475
00:23:18,840 --> 00:23:21,920
Speaker 3: All right? Name a game that you know, Name any

476
00:23:22,040 --> 00:23:22,480
Speaker 3: game that.

477
00:23:22,480 --> 00:23:24,479
Speaker 2: You know, okay, fight have drive Fast?

478
00:23:26,440 --> 00:23:29,960
Speaker 3: Did you make that game for a fight hav or

479
00:23:30,119 --> 00:23:31,399
Speaker 3: was that for people to play?

480
00:23:32,080 --> 00:23:33,160
Speaker 2: We didn't finish it?

481
00:23:33,280 --> 00:23:38,000
Speaker 3: Okay, what was the plan? I hate to keep backtracking here,

482
00:23:38,000 --> 00:23:40,680
Speaker 3: but I'm just trying to create a foundation that we

483
00:23:40,760 --> 00:23:45,720
Speaker 3: all share. So who was that game made for? Not

484
00:23:45,720 --> 00:23:47,960
Speaker 3: not what because I could see you starting to say

485
00:23:47,960 --> 00:23:50,800
Speaker 3: that platform, but who who? Who is the game?

486
00:23:50,960 --> 00:23:53,240
Speaker 2: Well? It wasn't for kids, that's for sure. Yeah. Okay,

487
00:23:53,480 --> 00:23:55,879
Speaker 2: a lot of showering in it. A lot of the

488
00:23:56,000 --> 00:24:03,920
Speaker 2: characters all took showers in fight ef Yeah yeah, wow, Yeah,

489
00:24:04,520 --> 00:24:08,720
Speaker 2: nothing feels better than just rinsing off. I feel like

490
00:24:08,920 --> 00:24:09,600
Speaker 2: maybe the.

491
00:24:09,480 --> 00:24:13,920
Speaker 3: First step for you guys as designers, the first step,

492
00:24:13,960 --> 00:24:15,640
Speaker 3: even though you've already made part of.

493
00:24:15,600 --> 00:24:18,200
Speaker 2: A game and the machine and machines finish the.

494
00:24:18,280 --> 00:24:23,359
Speaker 3: Single machine, is maybe playing a video game, like any game,

495
00:24:23,600 --> 00:24:24,680
Speaker 3: really just playing one.

496
00:24:25,200 --> 00:24:26,840
Speaker 2: Okay, okay, all right.

497
00:24:27,000 --> 00:24:29,040
Speaker 3: And then seeing what works about that.

498
00:24:29,560 --> 00:24:31,800
Speaker 2: Okay, okay, you're looking.

499
00:24:31,800 --> 00:24:34,520
Speaker 1: You're both everyone else everyone else see this is a

500
00:24:34,720 --> 00:24:37,359
Speaker 1: like the zigging and zagging. Everyone else is playing these

501
00:24:37,440 --> 00:24:38,200
Speaker 1: video games.

502
00:24:38,240 --> 00:24:42,040
Speaker 2: First, they're basing their games off of these other games.

503
00:24:42,400 --> 00:24:45,800
Speaker 2: But to truly innovate, I think what you have to

504
00:24:45,840 --> 00:24:51,480
Speaker 2: do is ignore the game completely. Okay, then your game,

505
00:24:51,840 --> 00:24:56,040
Speaker 2: right is almost like really good.

506
00:24:56,800 --> 00:25:00,520
Speaker 1: And I just want to say, and where we are

507
00:25:00,520 --> 00:25:02,720
Speaker 1: at in the game now, Ryan Reynolds is stuck in

508
00:25:02,800 --> 00:25:05,000
Speaker 1: his office. There's a little bit of urgency to this.

509
00:25:05,280 --> 00:25:06,240
Speaker 1: He is hungry.

510
00:25:06,320 --> 00:25:08,359
Speaker 2: We don't exactly want to pick apart all the logic

511
00:25:08,400 --> 00:25:10,960
Speaker 2: of it when he hasn't even gotten past the bomb.

512
00:25:11,080 --> 00:25:14,359
Speaker 3: When you, okay, let's say you. He asks you to jump,

513
00:25:14,359 --> 00:25:16,399
Speaker 3: and I'm still not clear if you are in the game,

514
00:25:16,480 --> 00:25:17,760
Speaker 3: and I'm looking at you, so.

515
00:25:18,320 --> 00:25:20,920
Speaker 2: You are looking at him playing because ideally you are

516
00:25:21,960 --> 00:25:24,440
Speaker 2: part of a very long line of people waiting to

517
00:25:24,480 --> 00:25:25,040
Speaker 2: play the game.

518
00:25:26,960 --> 00:25:29,880
Speaker 3: So this one we got the one device, the one

519
00:25:29,960 --> 00:25:33,080
Speaker 3: copy of the game, one device. You're playing the game,

520
00:25:33,359 --> 00:25:35,480
Speaker 3: there's a line behind you with other people.

521
00:25:35,240 --> 00:25:39,960
Speaker 2: And we're hoping it's Big Ryan Reynolds is asking you, heyes, man,

522
00:25:40,160 --> 00:25:41,240
Speaker 2: help me jump right.

523
00:25:41,320 --> 00:25:44,800
Speaker 3: So you're so, what do you do? Hit the jump button.

524
00:25:44,800 --> 00:25:46,959
Speaker 3: You hit the jump button. Great, and then he jumps

525
00:25:47,680 --> 00:25:49,440
Speaker 3: over the box to escape his.

526
00:25:49,520 --> 00:25:52,359
Speaker 1: And he's jumping. If you just hit the jump button,

527
00:25:52,359 --> 00:25:53,439
Speaker 1: he's jumping straight up.

528
00:25:53,520 --> 00:25:53,760
Speaker 3: Okay.

529
00:25:53,760 --> 00:25:56,239
Speaker 1: So he's helping you, and he's saying, heyes, man, hit

530
00:25:56,280 --> 00:25:59,199
Speaker 1: the jump button and the go forward button okay. And

531
00:25:59,280 --> 00:26:02,160
Speaker 1: so if you hit the at the same time, then

532
00:26:02,280 --> 00:26:04,960
Speaker 1: he goes forward. And now he's on top of the box.

533
00:26:05,520 --> 00:26:07,240
Speaker 1: Smash it, get a coin.

534
00:26:07,080 --> 00:26:10,240
Speaker 3: Okay, great, And then he leaves the office.

535
00:26:11,160 --> 00:26:17,639
Speaker 1: No, he didn't leave the entire office. It's he's at work. Yeah, okay,

536
00:26:17,680 --> 00:26:19,760
Speaker 1: So he gets fired. And the first thing that happens

537
00:26:19,760 --> 00:26:20,040
Speaker 1: at the.

538
00:26:19,960 --> 00:26:23,240
Speaker 2: Gabe Okay, no, because then how's his boss gonna force

539
00:26:23,280 --> 00:26:27,679
Speaker 2: him to marry? So that is and I know you've

540
00:26:27,720 --> 00:26:30,040
Speaker 2: got a little more game experience, but just in terms

541
00:26:30,040 --> 00:26:31,840
Speaker 2: of storytelling, that's nonsense.

542
00:26:31,960 --> 00:26:35,720
Speaker 3: Yeah, it doesn't. It doesn't track. You're right, I.

543
00:26:35,320 --> 00:26:39,320
Speaker 2: Don't Who else is in the proposal Betty White? Okay

544
00:26:40,200 --> 00:26:44,000
Speaker 2: is that true? Yes? Wow? And who else? Mary Steam

545
00:26:44,080 --> 00:26:46,520
Speaker 2: version okay? All right?

546
00:26:46,760 --> 00:26:51,160
Speaker 5: As if man be ah, that could be good for us.

547
00:26:51,240 --> 00:26:53,080
Speaker 1: He was on our one hundredth episode. He was on

548
00:26:53,160 --> 00:26:54,080
Speaker 1: our show before.

549
00:26:54,560 --> 00:26:58,240
Speaker 2: Huh, you like the Brink the movie?

550
00:26:58,320 --> 00:26:59,639
Speaker 3: Now, I don't know the Brink.

551
00:26:59,520 --> 00:27:02,560
Speaker 1: To Brink the Brink is is TV show?

552
00:27:03,080 --> 00:27:04,159
Speaker 3: Oh? Okay, I don't know it.

553
00:27:04,280 --> 00:27:05,480
Speaker 2: No, I don't know it. Oh.

554
00:27:06,080 --> 00:27:07,960
Speaker 3: I know a lot of video game stuff. That's why

555
00:27:07,960 --> 00:27:10,200
Speaker 3: you guys had me here. I know video game things,

556
00:27:10,200 --> 00:27:12,479
Speaker 3: but not TV or film things.

557
00:27:12,840 --> 00:27:13,200
Speaker 2: You keep.

558
00:27:13,840 --> 00:27:15,959
Speaker 3: Had I known that this, I would have watched the

559
00:27:16,000 --> 00:27:18,680
Speaker 3: proposal had I known. But you're The email you sent

560
00:27:18,720 --> 00:27:23,520
Speaker 3: me was blank.

561
00:27:25,119 --> 00:27:28,800
Speaker 2: Thank you for just like figuring it out. Yeah, well,

562
00:27:28,840 --> 00:27:33,760
Speaker 2: we don't like to be bullies. We're very anti bully

563
00:27:33,840 --> 00:27:35,439
Speaker 2: and I feel like a lot of the emails these

564
00:27:35,520 --> 00:27:40,400
Speaker 2: days aren't here. Yeah, No, that was all right, we go, Hey,

565
00:27:40,520 --> 00:27:42,000
Speaker 2: let your imagination fill it in.

566
00:27:42,560 --> 00:27:43,359
Speaker 3: There was that?

567
00:27:43,359 --> 00:27:44,840
Speaker 2: That was Yeah.

568
00:27:44,880 --> 00:27:47,080
Speaker 3: There was an automated signature at the end of a

569
00:27:47,080 --> 00:27:50,040
Speaker 3: blank email, and I had to contact my people to

570
00:27:50,080 --> 00:27:50,720
Speaker 3: find out.

571
00:27:50,600 --> 00:27:55,119
Speaker 1: What it was yeah saying sure, yeah, yeah, yesterday's history days,

572
00:27:55,160 --> 00:27:56,600
Speaker 1: but terms mystery days.

573
00:27:56,680 --> 00:27:59,560
Speaker 2: Get that's why they call it President Dave Matthews. That's

574
00:27:59,600 --> 00:28:00,119
Speaker 2: our email.

575
00:28:01,119 --> 00:28:02,800
Speaker 3: Yep, yeah, yeah, yep.

576
00:28:02,920 --> 00:28:05,320
Speaker 2: Do you know what they mean by that? What? Who

577
00:28:05,440 --> 00:28:05,840
Speaker 2: is they?

578
00:28:06,119 --> 00:28:08,520
Speaker 3: Who's they? Guys?

579
00:28:10,320 --> 00:28:10,600
Speaker 1: Uh?

580
00:28:10,720 --> 00:28:12,280
Speaker 3: No, I mean I don't know.

581
00:28:12,200 --> 00:28:15,280
Speaker 2: What all the different day there's one Dave singular Dave

582
00:28:15,359 --> 00:28:19,560
Speaker 2: Matthew mm hmm, but all the Dave Matthews have sort

583
00:28:19,560 --> 00:28:22,600
Speaker 2: of joined together to deliver this message to us, which is, yes,

584
00:28:22,640 --> 00:28:27,200
Speaker 2: today's history. Tomorrow's a mystery, but today's a gift. That's

585
00:28:27,200 --> 00:28:33,879
Speaker 2: why they call it the President Dave Matthews. Yeah, you

586
00:28:33,880 --> 00:28:36,760
Speaker 2: never heard the space between? Yeah?

587
00:28:36,800 --> 00:28:39,520
Speaker 3: I do, that's I do. I've heard that song, but

588
00:28:39,600 --> 00:28:40,600
Speaker 3: I haven't heard it.

589
00:28:41,240 --> 00:28:42,640
Speaker 2: Can we get that in the game?

590
00:28:43,480 --> 00:28:47,120
Speaker 3: Probably, to be honest, But I don't know. Is that

591
00:28:47,160 --> 00:28:49,920
Speaker 3: in the movie? Why would you include that song if

592
00:28:49,960 --> 00:28:50,800
Speaker 3: it's not in the film?

593
00:28:51,360 --> 00:28:53,960
Speaker 2: Is the space between in the movie? The proposal? The

594
00:28:54,040 --> 00:29:03,160
Speaker 2: space between? Artled me the song? I have to look

595
00:29:03,200 --> 00:29:04,640
Speaker 2: up the soundtrack? You want to? You want me to

596
00:29:04,680 --> 00:29:06,680
Speaker 2: look up the soundtrack album? Please do? Let's see No

597
00:29:06,800 --> 00:29:08,400
Speaker 2: by all means, finish what you were doing on your

598
00:29:08,400 --> 00:29:09,360
Speaker 2: phone now this is.

599
00:29:09,360 --> 00:29:11,720
Speaker 1: Like a no, it's like a contractual thing where we

600
00:29:11,800 --> 00:29:14,320
Speaker 1: get to he gets to look up one thing, and

601
00:29:14,360 --> 00:29:17,000
Speaker 1: then any additional thing is out of our pocket.

602
00:29:17,560 --> 00:29:21,040
Speaker 2: I think it was part of the contract this year. Uh.

603
00:29:21,080 --> 00:29:25,000
Speaker 5: I don't think they have songs in the proposals.

604
00:29:25,320 --> 00:29:28,400
Speaker 2: Okay, score, that's a blank canvas for us. Yeah, so

605
00:29:28,520 --> 00:29:30,160
Speaker 2: space between a blank email.

606
00:29:30,280 --> 00:29:33,040
Speaker 3: Every every detail I find out about this movie makes

607
00:29:33,080 --> 00:29:35,960
Speaker 3: it seem less and less like it was actually a film.

608
00:29:35,760 --> 00:29:38,160
Speaker 2: That was released made three hundred and seventeen million dollars.

609
00:29:38,320 --> 00:29:40,640
Speaker 1: Yeah, so that's how I I felt.

610
00:29:40,840 --> 00:29:42,800
Speaker 5: It's a poster like the two of them leaning on

611
00:29:42,840 --> 00:29:45,880
Speaker 5: each other absolutely really you want to see the post

612
00:29:46,000 --> 00:29:46,239
Speaker 5: I do.

613
00:29:47,760 --> 00:29:52,960
Speaker 2: She's holding a ring box right what they're going to

614
00:29:53,000 --> 00:29:53,840
Speaker 2: get engaged? Wow?

615
00:29:53,920 --> 00:29:57,960
Speaker 5: Yeah, wow, extremely two thousand and nine romantic comedy poster. Yeah,

616
00:29:58,000 --> 00:29:59,560
Speaker 5: I'm surprised, Matthew McConaughey.

617
00:29:59,160 --> 00:30:02,400
Speaker 2: They're not necessarily I mean, this is again it hashtag

618
00:30:02,400 --> 00:30:04,920
Speaker 2: pre too. She's almost choking name.

619
00:30:05,400 --> 00:30:08,160
Speaker 5: Yeah that yes, he does look like he's trying to

620
00:30:08,200 --> 00:30:11,080
Speaker 5: back away and she's kind of got an there's no

621
00:30:11,160 --> 00:30:13,920
Speaker 5: implied consent and then post whatsoever?

622
00:30:14,000 --> 00:30:17,640
Speaker 1: Now yeah, and so you've got the coin okay. And

623
00:30:17,760 --> 00:30:21,920
Speaker 1: so now we're walking around the office and as Mond

624
00:30:22,000 --> 00:30:29,440
Speaker 1: vasus there and he has he's holding coffee powers coffee.

625
00:30:30,000 --> 00:30:32,680
Speaker 1: It's like a special or but you get and it

626
00:30:32,840 --> 00:30:36,960
Speaker 1: allows you to drink coffee. Okay, it's like a power.

627
00:30:38,400 --> 00:30:40,960
Speaker 1: And so you hit the talk to ASEF button.

628
00:30:41,040 --> 00:30:45,520
Speaker 3: Okay, So does Ryan say, press the talk to ASIF buttons?

629
00:30:45,560 --> 00:30:48,600
Speaker 1: He's man, there you go, press the talk to OSEF button.

630
00:30:49,360 --> 00:30:51,920
Speaker 3: Is do you put in your own name before the

631
00:30:52,000 --> 00:30:54,360
Speaker 3: game starts? Or is he always no?

632
00:30:54,480 --> 00:30:56,600
Speaker 2: This is a fight we've had. I'm actually glad you're

633
00:30:56,600 --> 00:30:58,840
Speaker 2: bringing this up because I don't necessarily want to have

634
00:30:58,960 --> 00:31:01,400
Speaker 2: to be hayes Man when I play the game, and

635
00:31:01,480 --> 00:31:04,360
Speaker 2: I haven't been able to undo that program and it

636
00:31:04,440 --> 00:31:08,200
Speaker 2: lets you put in your own name, but then all

637
00:31:08,200 --> 00:31:10,920
Speaker 2: that happened is on the screen the letters like swirl

638
00:31:11,000 --> 00:31:13,440
Speaker 2: and then warp to become Hazeman again.

639
00:31:14,840 --> 00:31:18,160
Speaker 3: And you've already recorded this dialogue with Ryan Reynolds.

640
00:31:18,520 --> 00:31:20,160
Speaker 1: Yes, that is what we're kind of.

641
00:31:21,560 --> 00:31:21,840
Speaker 2: Going.

642
00:31:22,000 --> 00:31:25,400
Speaker 1: We're building the game around this batch of this MP

643
00:31:25,520 --> 00:31:28,200
Speaker 1: three file that we have one file. Yes, it's a

644
00:31:28,280 --> 00:31:34,400
Speaker 1: voice memo. Oh okay, So Ryan Reynolds tells me this,

645
00:31:34,560 --> 00:31:36,480
Speaker 1: and so the talks by the way, the way it

646
00:31:36,520 --> 00:31:39,320
Speaker 1: works on the on the controller which is attached to

647
00:31:39,360 --> 00:31:42,520
Speaker 1: the machine. Yes, so you're basically kind of typing on

648
00:31:43,720 --> 00:31:50,640
Speaker 1: the console, you tight, it's sort of like typing, but

649
00:31:51,120 --> 00:31:56,280
Speaker 1: there's a talk button and then under the talk button

650
00:31:56,440 --> 00:31:58,800
Speaker 1: a bunch of other buttons with different names on can.

651
00:31:59,080 --> 00:32:03,120
Speaker 2: Quit me so quickly. And that's just playing in the background.

652
00:32:04,720 --> 00:32:06,120
Speaker 2: And so you.

653
00:32:06,960 --> 00:32:10,440
Speaker 3: Have to sit right basically on top of your like

654
00:32:10,560 --> 00:32:12,240
Speaker 3: right up against it to play this game.

655
00:32:12,600 --> 00:32:14,600
Speaker 1: Yes, and you have to do you know, like get

656
00:32:14,600 --> 00:32:17,760
Speaker 1: and kind of get on the home keys and then

657
00:32:17,800 --> 00:32:20,479
Speaker 1: you'll extend I guess it be your ring finger to

658
00:32:20,560 --> 00:32:24,280
Speaker 1: the talk right ring finger to the top key, and

659
00:32:24,320 --> 00:32:27,120
Speaker 1: then your thumb is on the osive key, which is

660
00:32:27,280 --> 00:32:29,160
Speaker 1: as big as the space bar is.

661
00:32:29,200 --> 00:32:32,000
Speaker 2: The laughter keeps us coming back from more. That's a

662
00:32:32,040 --> 00:32:39,200
Speaker 2: real space bar between that's big. They is too big.

663
00:32:41,320 --> 00:32:45,440
Speaker 3: I gotta be honest, guys, I think that hibe brutal honesty.

664
00:32:46,000 --> 00:32:48,760
Speaker 2: That's honestly why we have what works about it and

665
00:32:48,800 --> 00:32:52,600
Speaker 2: what needs a slight tweet the So what works.

666
00:32:52,360 --> 00:32:55,480
Speaker 3: About it is that you've locked in major talent, huge

667
00:32:55,600 --> 00:32:57,320
Speaker 3: into a single audio file.

668
00:32:57,440 --> 00:32:59,080
Speaker 2: That's that is huge.

669
00:32:59,480 --> 00:33:02,400
Speaker 3: What does work is that you only have one audio file,

670
00:33:02,440 --> 00:33:05,040
Speaker 3: you need to at least split that up into separate tracks,

671
00:33:05,080 --> 00:33:07,840
Speaker 3: because otherwise the player has to play it at exactly

672
00:33:07,920 --> 00:33:10,880
Speaker 3: the same speed as the audio file, or what's happening

673
00:33:10,920 --> 00:33:13,200
Speaker 3: on screen won't synchronize to the action.

674
00:33:13,400 --> 00:33:16,280
Speaker 2: Then also require separate tracks. So it sounds like you are.

675
00:33:16,160 --> 00:33:19,440
Speaker 1: Angling to be awesif, and that is great because that

676
00:33:19,560 --> 00:33:20,600
Speaker 1: is exactly yeah, we.

677
00:33:20,960 --> 00:33:25,600
Speaker 2: Want we do want a secondary OSSIF ideally. No, the

678
00:33:25,640 --> 00:33:27,960
Speaker 2: way it works right now is you fire up the game.

679
00:33:28,200 --> 00:33:29,760
Speaker 2: First of all, the game you put in a video

680
00:33:29,760 --> 00:33:32,440
Speaker 2: because it's not play alongside the game. It's the Wizard

681
00:33:32,480 --> 00:33:35,360
Speaker 2: of Oz. The third time the lion roars, you hit

682
00:33:35,480 --> 00:33:40,280
Speaker 2: play on both the game and the audio track, and

683
00:33:40,320 --> 00:33:43,840
Speaker 2: they should sync up pretty close. What the but we're

684
00:33:43,920 --> 00:33:47,280
Speaker 2: finding that if people don't necessarily follow the rules as

685
00:33:47,400 --> 00:33:51,160
Speaker 2: quickly that sometimes OSIF gets pretty far out of few.

686
00:33:51,800 --> 00:33:54,840
Speaker 3: I I just I feel like I feel like you

687
00:33:54,880 --> 00:33:58,040
Speaker 3: should strip this down to its bear essentials, which is

688
00:33:58,160 --> 00:34:03,400
Speaker 3: an office game. Yeah, where you have goals and Ryan

689
00:34:03,440 --> 00:34:06,640
Speaker 3: Reynolds provides the voice acting you need.

690
00:34:06,720 --> 00:34:09,960
Speaker 1: Chef Kevin, our producer, is working on the office Chef Kevin.

691
00:34:10,000 --> 00:34:12,560
Speaker 2: We would love to have him actually get involved. Unfortunately,

692
00:34:12,600 --> 00:34:15,520
Speaker 2: you said strip this down to our bear essentials, and

693
00:34:15,680 --> 00:34:25,879
Speaker 2: he is now googling himself nude. So what's his name?

694
00:34:25,920 --> 00:34:32,360
Speaker 1: In the movie Ryan is Andrew Paxton, and so asif

695
00:34:32,400 --> 00:34:38,960
Speaker 1: would be saying Andrew Paxton? The packsman running from the

696
00:34:39,000 --> 00:34:43,040
Speaker 1: ghosts Inky Winky, Blinky and nod? Is that their names?

697
00:34:43,040 --> 00:34:46,279
Speaker 1: And yeah, his name? And isn't it amazing that his

698
00:34:46,719 --> 00:34:48,520
Speaker 1: name is another famous game?

699
00:34:49,719 --> 00:34:54,399
Speaker 3: But it's not his his pac Man pack?

700
00:34:54,640 --> 00:34:55,480
Speaker 1: What's the ghost name?

701
00:34:55,600 --> 00:35:00,919
Speaker 2: Inky? Pinky? Okay, Clyde Sue? Is that right?

702
00:35:01,320 --> 00:35:03,200
Speaker 3: I don't I think so, I'm not sure.

703
00:35:03,960 --> 00:35:06,520
Speaker 2: Okay, well we're gonna have to pony up for another

704
00:35:06,880 --> 00:35:09,680
Speaker 2: Devin search. Now you said blinky, but I'm my only thinking.

705
00:35:10,600 --> 00:35:13,560
Speaker 3: Yeah, I know video game stuff, I don't know movie stuff.

706
00:35:13,640 --> 00:35:15,480
Speaker 3: But you can't use.

707
00:35:17,560 --> 00:35:18,360
Speaker 2: You can't use pam.

708
00:35:19,400 --> 00:35:21,880
Speaker 3: You can use PACs Man because it's parody, but you

709
00:35:21,920 --> 00:35:27,520
Speaker 3: can't use the good pixels. Why are the ghosts in

710
00:35:27,760 --> 00:35:28,839
Speaker 3: your office game?

711
00:35:28,920 --> 00:35:33,200
Speaker 2: He is making a joke. He is assif went off

712
00:35:33,239 --> 00:35:36,359
Speaker 2: script a little bit, which we didn't have a ton

713
00:35:36,360 --> 00:35:39,720
Speaker 2: of control over, and some of the ship's pretty funny,

714
00:35:40,760 --> 00:35:43,720
Speaker 2: but he does take the game off track.

715
00:35:44,480 --> 00:35:48,400
Speaker 3: Are you using the audio from your podcast for this.

716
00:35:49,600 --> 00:35:54,120
Speaker 1: Yes, that's that's kind of what we have period.

717
00:35:54,400 --> 00:35:58,040
Speaker 2: Yes. And also Scott, do you use Scott Akerman?

718
00:35:58,440 --> 00:36:00,759
Speaker 3: I'm Anchorman? Is that what you called him?

719
00:36:00,920 --> 00:36:02,160
Speaker 2: Yeah, Scott Anchorman.

720
00:36:02,320 --> 00:36:04,800
Speaker 1: Yeah, he's funny revolutionized comedy.

721
00:36:05,120 --> 00:36:07,239
Speaker 3: Yeah, I mean that's not his name, but I do

722
00:36:07,320 --> 00:36:07,839
Speaker 3: know who he is.

723
00:36:07,880 --> 00:36:10,400
Speaker 2: He showed up to our hundredth episode and was pretty jealous.

724
00:36:10,400 --> 00:36:14,000
Speaker 2: Then we had also Big guess, so we have to

725
00:36:14,000 --> 00:36:18,400
Speaker 2: cut around a lot of his stuff. Who's awesome Forcot okay,

726
00:36:19,960 --> 00:36:22,200
Speaker 2: because we can't afford to have him in the game either.

727
00:36:22,280 --> 00:36:25,960
Speaker 2: He's like super litigious like we Actually I'm hesitant to

728
00:36:25,960 --> 00:36:27,680
Speaker 2: even bring him up on the show because he sued

729
00:36:27,760 --> 00:36:30,040
Speaker 2: us over a pro version where we used a recording.

730
00:36:29,760 --> 00:36:35,480
Speaker 3: Of him fucked up, right, Yeah, I mean that you

731
00:36:35,680 --> 00:36:37,719
Speaker 3: used and authorized recording is fucked up.

732
00:36:37,800 --> 00:36:42,400
Speaker 2: Yes, you well in the state of California.

733
00:36:42,480 --> 00:36:46,799
Speaker 3: I want to be really clear here in nothing you

734
00:36:46,880 --> 00:36:50,240
Speaker 3: have described in any of these anecdotes, are you the victim?

735
00:36:51,080 --> 00:36:53,480
Speaker 2: Uh, none of them.

736
00:36:53,880 --> 00:36:56,920
Speaker 3: All of these anecdotes, you have done something wrong and

737
00:36:57,000 --> 00:36:59,160
Speaker 3: are being punished accordingly.

738
00:36:59,560 --> 00:37:04,680
Speaker 2: Right, Yeah, even where they usually expelled the guy's name wrong.

739
00:37:04,719 --> 00:37:07,400
Speaker 2: In the credits of the movie, and now I'm number

740
00:37:07,400 --> 00:37:10,960
Speaker 2: two on SAB Now that's his fault. Come on, but

741
00:37:11,040 --> 00:37:14,440
Speaker 2: you can change that. You can know. I've tried. I

742
00:37:14,560 --> 00:37:17,239
Speaker 2: emailed HIMPP they said I have to be number two,

743
00:37:17,400 --> 00:37:20,279
Speaker 2: even though there's not actually a guy with the same name.

744
00:37:24,200 --> 00:37:26,080
Speaker 3: Oh, I'm sorry, I'm sorry to hit that. You're right

745
00:37:26,320 --> 00:37:28,279
Speaker 3: and that story you are the victim.

746
00:37:28,040 --> 00:37:30,400
Speaker 2: Thank you, though I somehow so then that kind of

747
00:37:30,440 --> 00:37:33,080
Speaker 2: explains a lot of the other actions I've taken where

748
00:37:33,120 --> 00:37:34,560
Speaker 2: I'm lashing out over that.

749
00:37:34,840 --> 00:37:36,640
Speaker 3: You guys have a dog in the studio who just

750
00:37:36,680 --> 00:37:40,160
Speaker 3: gave up from this story. The dog laid down.

751
00:37:40,280 --> 00:37:42,600
Speaker 2: He knows what time it is time.

752
00:37:42,719 --> 00:37:45,239
Speaker 1: We do have to wrap up the game soon, because

753
00:37:45,560 --> 00:37:48,719
Speaker 1: you have to wrap up the games well, because when

754
00:37:48,719 --> 00:37:51,440
Speaker 1: the Coward, when the Lion wors three times, that's pretty

755
00:37:51,440 --> 00:37:55,120
Speaker 1: close to the end of the movie. Mostly he's not

756
00:37:55,360 --> 00:37:59,080
Speaker 1: roaring until the d and so we only have a

757
00:37:59,120 --> 00:38:03,120
Speaker 1: little running room in the Wizard of Ohe to like

758
00:38:03,880 --> 00:38:07,839
Speaker 1: have an entire game in so we already have Ryan

759
00:38:07,880 --> 00:38:11,440
Speaker 1: Reynolds jump, get the smash box, get the coin. He

760
00:38:12,680 --> 00:38:16,080
Speaker 1: talks to Osif gets the coffee power up.

761
00:38:16,360 --> 00:38:21,799
Speaker 2: Yes, enter Angry Birds, Yes, Ossif says, we go. We

762
00:38:21,800 --> 00:38:23,960
Speaker 2: don't have the angry birds as if we couldn't cut

763
00:38:24,000 --> 00:38:27,600
Speaker 2: that out because there's like overlapping tracks. Right, he gets

764
00:38:27,640 --> 00:38:30,759
Speaker 2: the coffee power up, Sander bullet comes in.

765
00:38:31,000 --> 00:38:33,040
Speaker 1: And so now this is where this is where we

766
00:38:33,080 --> 00:38:35,239
Speaker 1: need you for is like just to this is it?

767
00:38:35,520 --> 00:38:39,520
Speaker 1: How to have this be like the final boss battle

768
00:38:39,560 --> 00:38:43,440
Speaker 1: basically where he is sort of battling his boss in

769
00:38:43,520 --> 00:38:48,960
Speaker 1: like a sort of flirtatious bantery way, so it's almost

770
00:38:49,040 --> 00:38:50,360
Speaker 1: like a roast battle.

771
00:38:50,480 --> 00:38:52,920
Speaker 3: You need dialogue trees, is what you're saying. You need

772
00:38:52,960 --> 00:38:55,680
Speaker 3: dialogue trees. So what that means? First off, I'd like

773
00:38:55,719 --> 00:38:59,240
Speaker 3: to clarify your game is jump over a box, crush

774
00:38:59,320 --> 00:39:03,960
Speaker 3: the box, get a coin, walk to somebody and get coffee,

775
00:39:03,960 --> 00:39:05,440
Speaker 3: and then you're the final battle.

776
00:39:05,719 --> 00:39:07,560
Speaker 2: I have a joke. If you want to have dialogue

777
00:39:07,560 --> 00:39:12,920
Speaker 2: about trees, maybe talk to Gabrison Matt Besser. They're smoking trees.

778
00:39:13,040 --> 00:39:17,799
Speaker 1: Yeah, no, you clear smoke trees every day.

779
00:39:18,760 --> 00:39:21,759
Speaker 3: A dialogue tree is when you you think taught you

780
00:39:21,800 --> 00:39:22,600
Speaker 3: to smoke trees?

781
00:39:22,840 --> 00:39:25,560
Speaker 2: Who? What? Who you think taught you to smoke trees?

782
00:39:25,760 --> 00:39:26,560
Speaker 3: Is that a reference?

783
00:39:27,239 --> 00:39:32,160
Speaker 1: See this game stuff doesn't know who you to smoke trees?

784
00:39:32,680 --> 00:39:35,839
Speaker 1: I mean i know, okay, you know doctor Mario. Yes,

785
00:39:37,080 --> 00:39:40,880
Speaker 1: this is another kind of doctor who I believe was

786
00:39:40,920 --> 00:39:44,200
Speaker 1: in a fighting game. There was like a deaf jam

787
00:39:44,280 --> 00:39:47,480
Speaker 1: Vandetta fighting Gabe. But I think this guy.

788
00:39:47,360 --> 00:39:50,160
Speaker 3: Is unbelievable that you know that reference.

789
00:39:50,400 --> 00:39:53,320
Speaker 1: Well, I mean this is how I learned to smoke trees.

790
00:39:54,560 --> 00:39:56,560
Speaker 2: Yeah, doctor Dre taught you.

791
00:39:56,800 --> 00:39:58,640
Speaker 3: Okay, I know, okay, great.

792
00:39:58,640 --> 00:40:02,960
Speaker 1: So we need to just need to figure out how

793
00:40:03,000 --> 00:40:08,080
Speaker 1: to program Final Boss Battle where Ryan Reynolds and the

794
00:40:08,080 --> 00:40:12,200
Speaker 1: Boss are fighting but like getting also getting married and

795
00:40:12,280 --> 00:40:14,760
Speaker 1: falling love. They are not in love at the beginning

796
00:40:14,760 --> 00:40:17,160
Speaker 1: of this battle, but they need to be in love

797
00:40:17,520 --> 00:40:18,560
Speaker 1: by the end for real.

798
00:40:18,800 --> 00:40:23,400
Speaker 3: Here's what I would recommend is single button QuickTime events

799
00:40:23,560 --> 00:40:27,160
Speaker 3: where you just have what you described play out and

800
00:40:27,200 --> 00:40:28,320
Speaker 3: if you don't press.

801
00:40:28,080 --> 00:40:30,880
Speaker 2: QuickTime events, yeah, that's where you like just an MV

802
00:40:31,080 --> 00:40:33,200
Speaker 2: file and then we don't have to worry about.

803
00:40:32,960 --> 00:40:36,319
Speaker 3: It exactly like you just keep pressing A or go

804
00:40:36,800 --> 00:40:39,280
Speaker 3: or whatever you want it to be, and that sequence

805
00:40:39,320 --> 00:40:42,200
Speaker 3: will play out where they're fighting, they're flirting, and then.

806
00:40:42,360 --> 00:40:44,080
Speaker 2: You can wait, wait, wait, wait.

807
00:40:43,920 --> 00:40:46,719
Speaker 1: Wait, I am loving this. Ok great, great, Just have

808
00:40:46,800 --> 00:40:51,480
Speaker 1: the entire movie, the proposal and a QuickTime file and

809
00:40:51,480 --> 00:40:55,839
Speaker 1: then give people a controller, they will they will get

810
00:40:55,840 --> 00:40:57,600
Speaker 1: their making the gate.

811
00:40:57,719 --> 00:40:59,080
Speaker 3: Okay, I know what I meant.

812
00:40:59,120 --> 00:41:05,640
Speaker 2: By QuickTime, we actually then have made several games. Yeah,

813
00:41:05,680 --> 00:41:08,960
Speaker 2: in that case, we have an enormous library of games

814
00:41:08,960 --> 00:41:13,560
Speaker 2: that are completed. I effectively, I'm just handing you a

815
00:41:13,600 --> 00:41:15,719
Speaker 2: controller putting on literally any movie.

816
00:41:16,120 --> 00:41:19,799
Speaker 3: Yeah, I mean it's yes. I feel like that would

817
00:41:19,840 --> 00:41:22,880
Speaker 3: actually if you can get the rights to those movies,

818
00:41:23,000 --> 00:41:24,680
Speaker 3: then that would help you make money.

819
00:41:24,840 --> 00:41:27,800
Speaker 2: Hey, I'm not gonna tell anybody.

820
00:41:28,560 --> 00:41:32,400
Speaker 3: No, but the again, you're setting yourself up to be

821
00:41:32,560 --> 00:41:34,240
Speaker 3: legally chastised.

822
00:41:34,719 --> 00:41:37,760
Speaker 1: Well, uh, well, as you just heard, Scott Ackerman already

823
00:41:38,320 --> 00:41:40,879
Speaker 1: sued us, and you can only be sued one time

824
00:41:40,960 --> 00:41:43,040
Speaker 1: in a year, one lawsuit per year.

825
00:41:43,120 --> 00:41:45,720
Speaker 3: First off, you do know his name, but didn't correct

826
00:41:45,760 --> 00:41:46,239
Speaker 3: him when he.

827
00:41:46,200 --> 00:41:48,760
Speaker 1: Says you have to come Scott Ackerman now because Anchorman

828
00:41:48,920 --> 00:41:50,120
Speaker 1: is doing a podcast.

829
00:41:50,680 --> 00:41:51,520
Speaker 2: Unfortunately.

830
00:41:51,760 --> 00:41:55,360
Speaker 1: Yes, that was when we That was our twenty seventy lawsuit.

831
00:41:56,320 --> 00:42:01,760
Speaker 3: Yes, you guys get sued once a year, and yeah.

832
00:42:01,600 --> 00:42:05,239
Speaker 2: We max out yeah maximum, we got to use it.

833
00:42:05,280 --> 00:42:08,480
Speaker 2: If you don't use it in that year, it carries over. Yeah,

834
00:42:08,560 --> 00:42:10,760
Speaker 2: so then you can next year you can get suit twice.

835
00:42:11,200 --> 00:42:14,799
Speaker 2: So we do try to get sued. Every year in

836
00:42:14,800 --> 00:42:19,320
Speaker 2: the state of California, they have what's called rollover minutes

837
00:42:19,320 --> 00:42:22,719
Speaker 2: for your lawsuits. And so if you don't use your life,

838
00:42:22,760 --> 00:42:25,279
Speaker 2: like if you've never been sued, then you're looking at

839
00:42:25,360 --> 00:42:29,560
Speaker 2: literally hundreds bunches Yeah, bunch of bunches of suits that

840
00:42:29,640 --> 00:42:30,200
Speaker 2: can come up.

841
00:42:30,640 --> 00:42:33,439
Speaker 1: So we just need one piece of dialogue for from you.

842
00:42:33,560 --> 00:42:38,680
Speaker 1: For as if from crossing Bryan Reynolds a weapon in

843
00:42:38,719 --> 00:42:40,319
Speaker 1: this boss battle.

844
00:42:40,080 --> 00:42:41,520
Speaker 3: You need me to record that right now?

845
00:42:41,920 --> 00:42:46,160
Speaker 2: Yes, okay, that's good, but can you also say.

846
00:42:46,080 --> 00:42:51,480
Speaker 1: I need something more specific after like after he says well,

847
00:42:51,520 --> 00:42:55,759
Speaker 1: after he says hayes Man, could you say and his buddy?

848
00:42:55,960 --> 00:42:58,520
Speaker 2: So like when Alsif is saying hayes Man, or when

849
00:42:58,600 --> 00:43:01,319
Speaker 2: Ryan Reynolds is saying hayes Man, I would love it

850
00:43:01,320 --> 00:43:04,480
Speaker 2: if he could go and his buddy, But well she's

851
00:43:04,560 --> 00:43:07,400
Speaker 2: recording as that's you have to take that up of

852
00:43:07,480 --> 00:43:15,160
Speaker 2: Ryan engineer Ryan, Yeah all right, so to have him program. Okay,

853
00:43:15,160 --> 00:43:19,600
Speaker 2: so first pick a weapon. But then if you could

854
00:43:19,640 --> 00:43:22,360
Speaker 2: just even just generally, as like the voice of God

855
00:43:22,480 --> 00:43:24,879
Speaker 2: say like it's okay for Hazes buddy to play this game,

856
00:43:28,840 --> 00:43:31,040
Speaker 2: could be could make me feel a little more comfortable.

857
00:43:31,120 --> 00:43:34,560
Speaker 3: So you're saying that you want you've let's say you've

858
00:43:34,560 --> 00:43:38,560
Speaker 3: played this game for all five minutes of its total playtime.

859
00:43:38,800 --> 00:43:40,759
Speaker 3: You're at the final boss battle. You want to be

860
00:43:40,800 --> 00:43:46,080
Speaker 3: reassured that you are allowed to do what you're doing. Yeah, okay,

861
00:43:46,200 --> 00:43:47,319
Speaker 3: I can, Yeah.

862
00:43:47,040 --> 00:43:47,480
Speaker 2: Thank you.

863
00:43:47,560 --> 00:43:52,360
Speaker 3: It's okay. Hey, hayes Man and your buddy, it's okay

864
00:43:52,360 --> 00:43:53,359
Speaker 3: that you're playing this game.

865
00:43:53,400 --> 00:43:56,200
Speaker 2: Well, okay, is that what you God? Sounds a lot

866
00:43:56,239 --> 00:44:01,040
Speaker 2: like you interesting? Oh boy, wow, somebody got opinion to themselves.

867
00:44:01,120 --> 00:44:01,919
Speaker 1: That is not.

868
00:44:04,840 --> 00:44:09,839
Speaker 2: Okay. We are having awsof say he so? Do they hear?

869
00:44:09,920 --> 00:44:12,960
Speaker 1: Take this again? And like it's like an intense boss battle.

870
00:44:13,040 --> 00:44:17,319
Speaker 1: So he's not a pretty bored okay. His best friend

871
00:44:17,360 --> 00:44:20,200
Speaker 1: and his boss are fighting and getting married and falling

872
00:44:20,200 --> 00:44:21,640
Speaker 1: in love right here.

873
00:44:22,080 --> 00:44:24,440
Speaker 2: You know, it's like, oh, thank you for the note

874
00:44:24,440 --> 00:44:27,480
Speaker 2: and maybe say what he's giving.

875
00:44:27,239 --> 00:44:29,719
Speaker 1: Him, okay, Or we can get a bunch of loose

876
00:44:29,760 --> 00:44:31,600
Speaker 1: so do the here take this and then a bunch

877
00:44:31,680 --> 00:44:33,960
Speaker 1: of loose weapons? Does that work down here?

878
00:44:34,560 --> 00:44:37,040
Speaker 3: Are you sure that you want me? Because you're going

879
00:44:37,120 --> 00:44:39,480
Speaker 3: to be locked into whatever this is. You don't want

880
00:44:39,480 --> 00:44:39,960
Speaker 3: to have a count.

881
00:44:40,160 --> 00:44:44,480
Speaker 1: This is awesome asking Ryan Reynolds if he's sure he

882
00:44:44,560 --> 00:44:45,400
Speaker 1: wants a weapon.

883
00:44:45,560 --> 00:44:51,000
Speaker 6: Okay, yeah, okay, so so just here take this or

884
00:44:51,320 --> 00:44:56,120
Speaker 6: here take this pen, or here take this knife.

885
00:44:56,560 --> 00:45:01,040
Speaker 2: Uh he's a knife at the office. Yeah, jeez, that

886
00:45:01,239 --> 00:45:09,239
Speaker 2: makes sense. Pen works great. So you've got Peopler. He

887
00:45:09,320 --> 00:45:11,640
Speaker 2: goes on a run about his swing line. Stapler.

888
00:45:11,960 --> 00:45:14,839
Speaker 3: You know, I've done a video game voiceover before and

889
00:45:14,880 --> 00:45:15,880
Speaker 3: they give you a script.

890
00:45:16,160 --> 00:45:18,560
Speaker 1: What's what's a what's the line that you did for it?

891
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Speaker 3: Yeah, I honestly don't remember. It was years.

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Speaker 1: Ago, so it's freaking memento Guy Bye

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Speaker 3: That it felt like being in a car ground