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Speaker 1: Who needs a clap or an action?

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Speaker 2: Look at you now doing don't even don't even need

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Speaker 2: a clap.

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Speaker 1: I don't.

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Speaker 2: I just you're ready to go.

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Speaker 1: We say that and then watch me screw.

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Speaker 2: And then we get shy. But no, we were what

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Speaker 2: we were talking about.

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Speaker 1: We are recording. Okay, so we are recording.

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Speaker 2: Sorry, we were talking about the legendary funeral files.

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Speaker 1: This is such a good idea.

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Speaker 2: Why And then I was like, why are we not

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Speaker 2: recording this for our pre show chatter?

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Speaker 1: Because so we held we held it, and now we're

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Speaker 1: we're talking.

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Speaker 2: We held it, and now, so would you like to

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Speaker 2: explain exactly what a funeral file is?

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Speaker 1: Yes, this is really smart planning. And I got this

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Speaker 1: idea from my brother Darren. Shout out to Darren. He's

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Speaker 1: a very accomplished lawyer who does wills and trusts, so

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Speaker 1: that probably explains why he's like, wow planning.

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Speaker 2: When you hear what his thing is, all of that

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Speaker 2: now makes perfect sense.

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Speaker 1: It all makes sense. So shout out to Darren. And yeah,

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Speaker 1: so he started a funeral file for each one of

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Speaker 1: us kids, and my dad and my mom, and so

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Speaker 1: he thought, you know what, such funny things happen funny anecdotes,

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Speaker 1: funny stories, funny things that we say all throughout the years,

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Speaker 1: and he wants to keep track of them so that

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Speaker 1: when we die and we have a funeral and your

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Speaker 1: grief stricken and you're sad and you're you know, you're

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Speaker 1: so stressed out trying to plan a bunch of things,

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Speaker 1: you're not going to remember all of these funny anecdotes.

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Speaker 1: So he's like, I'm just going to start a funeral

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Speaker 1: file and add all of these funny stories to the

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Speaker 1: funeral file and then just pull it out when you

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Speaker 1: die and use it at the funeral. It's brilliant.

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Speaker 2: And not only that, but like I mean, you, I'm

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Speaker 2: sure you can't possibly use all of the stories that

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Speaker 2: are in there, but what a great way to remember

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Speaker 2: someone and tell all of the stories about them or

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Speaker 2: what you know, Like, oh, yeah, it's just.

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Speaker 1: It's such a great idea. So we started one, like

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Speaker 1: I started one for you, and I started one for Canvas.

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Speaker 2: This was like, fo they now have fine funeral files.

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Speaker 2: And we started it when we were doing the show

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Speaker 2: for just all the random, stupid stories and things. And

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Speaker 2: I would say that I can't wait to hear them.

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Speaker 2: But I think that I think whoever it is that

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Speaker 2: they're about misses them, you know what I mean. Yeah, yeah,

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Speaker 2: that's the bummer, But up a good point.

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Speaker 1: We do need a like we don't know who's going

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Speaker 1: to go first, so we need a central filing system.

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Speaker 2: We need a central funeral filing system. I'm sure Darren

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Speaker 2: could help us with this, but I'm sure we need

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Speaker 2: a central funeral filing system so that we can all

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Speaker 2: access depending on you know, who needs what.

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Speaker 1: Well, I think I have it on like a Google

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Speaker 1: drive or something that's shareable, so I can just share

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Speaker 1: it with you.

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Speaker 2: So organized, Yeah, there you go.

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Speaker 1: There, that way, all three she wolves have them, and

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Speaker 1: so whoever crope first, Like, We've all got all of it.

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Speaker 2: And I'm welcome everyone to show. Uh. I don't know

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Speaker 2: why we were discussing this or oh we were talking

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Speaker 2: about some stupid story and you said put it in

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Speaker 2: the funeral file or whatever, and that was how that

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Speaker 2: was how we started this. And then I was like,

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Speaker 2: I feel like the audience needs to know that we

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Speaker 2: have these going for each other.

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Speaker 1: Yeah yeah, no, I mean it's brilliant where you watch us,

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Speaker 1: We're going to start a trend funeral files across across America,

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Speaker 1: across the world.

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Speaker 2: I I don't know how I feel about that. It's

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Speaker 2: a great idea, it's it is a great idea. It's

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Speaker 2: a great idea. It's just it's it's basically like funny

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Speaker 2: story scrapbooking instead of pictures, like the funny little anecdotes

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Speaker 2: or stories. Yeah, which your mom and your family are

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Speaker 2: always so good at writing all of that stuff.

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Speaker 1: Endless, it's endless. Yes, And we need we do need

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Speaker 1: to add some pictures, some particular pictures.

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Speaker 2: Yeah.

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Speaker 1: Yeah, you can't be named on.

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Speaker 2: Articular pictures that we'll be going in the funeral file. Yeah, yeah, no,

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Speaker 2: I it's I can't. I mean, I would say I

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Speaker 2: can't wait, but that I don't think that's the intended emotion.

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Speaker 1: I can, but better worry. There's a better phrase.

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Speaker 2: Yeah, there's a better way to say it, which of

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Speaker 2: course is not how I'm going to say it, because

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Speaker 2: that would make no sense.

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Speaker 1: Love the start. Thank you Darren for this idea. And

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Speaker 1: if anyone needs a will and a trust done or

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Speaker 1: a funeral files, go see my brother heel very happy

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Speaker 1: to take care of. Brought to you Darren w Barber,

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Speaker 1: Wills and trusts. Oh wow, goodness, Well, well you're coming

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Speaker 1: off a big weekend.

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Speaker 2: Oh my goodness, a very big weekend. It was Zoe's

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Speaker 2: sweet sixteen. She turned sixteen this past weekend, and so

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Speaker 2: she and I went to Disneyland, just the two of us,

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Speaker 2: and especially, Oh my gosh, it was such an incredible experience.

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Speaker 2: We had the best time. We stayed at the Grand Californian,

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Speaker 2: and we did you know, both parks on Saturday, rode

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Speaker 2: all the new rides of the Star Wars and stuff.

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Speaker 2: Just incredibly, incredibly grateful to have gotten to experience that

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Speaker 2: with Zoe and we Uncle Jay set us up for

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Speaker 2: a very special dinner. Yeah, oh that's thirty three.

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Speaker 1: Wow, that is so special and so rare, so awesome.

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Speaker 1: I was.

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Speaker 2: Yeah, that was a like a lifelong one for me.

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Speaker 2: Was to go into Club thirty three.

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Speaker 1: So what's the deal. And you have to have an invite.

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Speaker 2: Or a car, You have to you have to be

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Speaker 2: a member, a member of Club thirty three. It's a

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Speaker 2: members only club, and I believe a member can make

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Speaker 2: you dinner reservations for the Grand Salon, which there is

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Speaker 2: another section that is members you know only, But okay,

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Speaker 2: oh cool, But but but for certain very particular exceptions,

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Speaker 2: they will they will allow someone to to infiltrate the club.

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Speaker 2: And we were allowed and it was lovely and the

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Speaker 2: meal was delicious and so and I just had the

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Speaker 2: best time and like really got to out and it

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Speaker 2: was so nice. You know, I'm sure all the parents

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Speaker 2: out there can relate to feeling like all you do

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Speaker 2: with your kids sometimes is just nag and yeah, yell

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Speaker 2: and argue about grades and room and laundry and attitude.

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Speaker 2: And it was a really nice weekend to go and

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Speaker 2: remember that we actually like each other and have fun together.

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Speaker 2: But yeah, it was great. And then we went to

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Speaker 2: the SPA on Sunday, my parents came out for brunch.

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Speaker 2: We did we had done. We did dinner last week

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Speaker 2: with her dad and grandma on his side and her

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Speaker 2: boyfriend and Be and Mescal and I. So, yeah, she's

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Speaker 2: stretched the birthday out for like three or four days. Nice,

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Speaker 2: but she has certainly enjoyed it. And the Disneyland trip

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Speaker 2: was a highlight for both of us. I mean, really

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Speaker 2: it was her birthday, but I definitely benefited from the experience.

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Speaker 1: Absolutely, Like it's so rare to get your teenager to

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Speaker 1: want to spend time with you. Yeah, especially like a

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Speaker 1: whole weekend.

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Speaker 2: The whole weekend. Yeah, it was really really great.

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Speaker 1: That's a gift for you.

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Speaker 2: We laughed and we had so much fun, and it

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Speaker 2: will be something that I remember for a very long time.

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Speaker 2: Because her her fifth birthday, we did at Disney Disneyland.

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Speaker 2: She did the whole Bibody Bobby boutique thing and all

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Speaker 2: of that stuff. So yeah, Disney has always been a

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Speaker 2: fun and special place. I mean I had my thirteenth

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Speaker 2: birthday there.

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Speaker 1: Yeah, I remember that.

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Speaker 2: I was at the Disneyland Hotel.

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Speaker 1: Yeah, so cool.

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Speaker 2: John and I were trying to meet up on Sunday,

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Speaker 2: he and Caitlin and Billy I believe were at the

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Speaker 2: park on Sunday during the day, but it just our

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Speaker 2: timing didn't work out with brunch with my parents and everything.

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Speaker 2: But yeah, a huge, huge thank you to him for that.

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Speaker 1: It really was.

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Speaker 2: It was like a special experience to have with Zoe

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Speaker 2: and I. So it was fun. As a lifelong Disney kid,

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Speaker 2: I'm I mean, I'm not Disney nerd level John, but

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Speaker 2: I don't think nobody he's pretty I think he's pretty

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Speaker 2: alone in his status.

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Speaker 1: He's in a his own category.

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Speaker 2: He's in his own category for sure. Well, yeah it

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Speaker 2: was great.

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Speaker 1: I have to ask, were you princess for a day

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Speaker 1: or still? No?

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Speaker 2: No, here's like, well, I will tell you. We started

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Speaker 2: off the day well, we were talking with our guide

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Speaker 2: about how for her fifth birthday we'd done the bibty

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Speaker 2: bobity boutique and she turned to Zoe and said, well,

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Speaker 2: you know, you could still start your day off with

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Speaker 2: some fairy dust from there if you'd like, And Zoe

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Speaker 2: was like, oh can we? And so we did get

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Speaker 2: the little sprinkling of glitter, uh and the bibity bobbedy

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Speaker 2: blessing thing. Oh so yeah, it was we started our

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Speaker 2: day off with glitter and then you know, of course

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Speaker 2: glitter was there all day.

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Speaker 1: Yeah. Still it's probably still there still, Yeah, you'll never

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Speaker 1: get rid of it. Yeah, it'll be there for her

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Speaker 1: twenty first birthday too.

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Speaker 2: Yeah, it'll be here forever.

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Speaker 1: So but yeah, especially we did.

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Speaker 2: I did get to be princess, but I really really

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Speaker 2: is her birthday she was the princess.

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Speaker 1: Oh yeah, so yeah, oh that was special. That's so great.

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Speaker 2: But yeah, we uh we I'm now exhausted. I just

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Speaker 2: I feel like I haven't gotten my voice back, my

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Speaker 2: energy back, okay, my allergies. I'm I just feel like

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Speaker 2: I'm wrapped in paullin.

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Speaker 1: It's yeah, well I woke up with a sore throat,

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Speaker 1: so I've got the little sexy phone operator voice going

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Speaker 1: on here. So we're gonna be a great pair. Yeah,

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Speaker 1: we're gonna like this is sorry listeners that you have

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Speaker 1: to be subjected to our voices today. But I do.

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Speaker 1: I have my tea, I have my cough drops, So

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Speaker 1: I am right, I'm ready. We're gonna We're gonna be

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Speaker 1: a recap.

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Speaker 2: Oh right?

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Speaker 1: Are you ready? Shall we?

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Speaker 2: Speaking of let's recap?

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Speaker 1: Let's get into it? Hi, everybody, welcome back to How

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Speaker 1: Rude tan Ritos. I am Andrea Barber and I'm Jodie Sweeten,

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Speaker 1: and today we are discussing season two, episode seventeen, entitled

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Speaker 1: El Problema Grande de dj.

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Speaker 2: You're our rolling there was lovely.

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Speaker 1: Well it's not Pero, but we'll get to Pero, oh

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Speaker 1: will we? It originally aired on March tenth, nineteen eighty nine,

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Speaker 1: and it originally and it goes a little something like this,

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Speaker 1: I'm already struggling. I haven't even done this, I said, we're.

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Speaker 2: Doing We're killing it today.

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Speaker 1: I feel it already.

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Speaker 2: The energy is just peaced.

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Speaker 1: I'm hanging on by a thread.

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Speaker 2: If we could do this show laying down on our floors,

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Speaker 2: I think we would have today. And I don't mean

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Speaker 2: that in like a negative way, like we don't want to,

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Speaker 2: but we're just I don't know what it is.

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Speaker 1: We're both like just, yeah, my head feels like it's

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Speaker 1: one hundred pounds. Yeah, exactly, Okay, And it goes a

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Speaker 1: little something like this. DJ is embarrassed when Danny kisses

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Speaker 1: her Spanish teacher in front of her classmates. Jesse and

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Speaker 1: Joey make Michelle the star of a commercial, and Stephanie

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Speaker 1: gives us silent treatment for ninety five percent of the episode.

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Speaker 2: The hardest thing I've ever done in my entire acting career.

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Speaker 2: I wonder everyone who listens to his show will be like, yeah,

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Speaker 2: I know, she doesn't shut up.

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Speaker 1: Sorry, this was a little too true to life. This episode.

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Speaker 2: This was right, This was exactly true to life. And

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Speaker 2: I have a story about actually talking too much in

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Speaker 2: class and something that my mom said as a joke,

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Speaker 2: oh that I took deathly seriously.

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Speaker 1: All Right, can't wait to hear that one. Yeah, this

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Speaker 1: episode was directed by Billy Foster. Couffe coffy coffee.

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Speaker 2: If Billy Foster was I'll translate thank you one. Billy

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Speaker 2: Foster was a director that we had who had this

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Speaker 2: really gravelly voice.

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Speaker 3: He probably smoked about three packs of cigarettes a day,

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Speaker 3: and he just talked like this, and it's very New York.

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Speaker 3: And he always wanted coffee, coffee, coffee, coffee, and that's

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Speaker 3: what he would say, It's coffee, coffee, coffee.

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Speaker 2: He was hilarious and he was a wonderful human. And

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Speaker 2: he directed a bunch of our episodes, some of the

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Speaker 2: city direct our Hawaii episode.

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Speaker 1: Oh I think he did.

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Speaker 2: I think he directed Hawaii. Yeah, him yelling into a

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Speaker 2: into a megaphone over a beach, just with his yeah.

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Speaker 2: But anyway, Billy.

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Speaker 1: Foster, Well, that's okay. So that's why our voices sound

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Speaker 1: like this. It's a tribute. That's there.

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Speaker 2: We go.

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Speaker 1: That's the reason that that's.

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Speaker 2: The reason, that's it's commitment to our show. This is it.

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Speaker 1: We're just living a full house episode your.

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Speaker 2: Method on this one. Yeah.

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Speaker 1: This episode was written by Rob Dames and Bob Fraser,

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Speaker 1: and we have a bunch of guest stars. We have

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Speaker 1: Ivon Wilder returning as Irene Kutzoppolis, Nick returning as Nick Kuzopolis,

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Speaker 1: James Hampton returning as mister Maltesta, and we have Lydia

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Speaker 1: Cornell as Signorita Moseley. And listen to this. This is

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Speaker 1: the start of her mini bio on IMDb. Lydia Cornell

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Speaker 1: a woman and children's advocate whose great great grandmother was

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Speaker 1: Harriet Beecher Stowe. What is also an award winning director, writer, actor,

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Speaker 1: and recovery speaker with twenty nine years of sobriety. Like

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Speaker 1: that's how her mini bio starts. Like it's incredible. She

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Speaker 1: was a fantastic human being.

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Speaker 2: Look at her.

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Speaker 1: She's best known for her starring role on Too Close

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Speaker 1: for Comfort as Ted Knight's daughter Sarah. That's why she

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Speaker 1: looks so familiar.

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Speaker 2: That's why she looked so familiar. I used to weirdly

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Speaker 2: watch Too Close for Comfort as a kid, and why hey,

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Speaker 2: you know it's it's a show. I loved uh, I

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Speaker 2: loved uh. Who was Jim Jim j Bullock? Oh?

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Speaker 1: Yes, he was great, right, he was great? He was fantastic. Yeah,

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Speaker 1: I definitely recognize her. I think her hair is a

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Speaker 1: different color. Yeah, he's definitely full house, So that's maybe

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Speaker 1: what what threw me off. But yeah, but she had

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Speaker 1: like big eyes, very big beautiful eyes. Yeah yeah, and

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Speaker 1: I remember that. Oh yeah, she's absolutely gorgeous. She's also

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Speaker 1: for The Love Boat where she played Jackie, and she's

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Speaker 1: done guest appearances on night Rider, Dukes of Hazzard, and

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Speaker 1: Fantasy Island, plus a guilt gazillion other things.

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Speaker 2: Three Top three seventies, you know what I mean, Like,

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Speaker 2: that's basically the the that's all of them.

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Speaker 1: Yeah, love Boat, Dukes of Hazzard, Fantasy Island. Yeah, it

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Speaker 1: doesn't get mad, that's it. Yeah, No, I mean she

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Speaker 1: has night Rider.

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Speaker 2: Yeah.

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Speaker 1: Well, honestly, this woman is she.

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Speaker 2: I mean, if she would have been on Magnum p I,

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Speaker 2: I think she would have completed the late seventies to

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Speaker 2: early eighties.

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Speaker 1: The top hits. Yeah yeah, yeah, Oh she's great. Everybody

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Speaker 1: go go read her bio on IMDb because it's just

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Speaker 1: it's very extensive. I know, she's fantastic. Maybe we should

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Speaker 1: get her on the podcast. Let's try to find her

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Speaker 1: because she would be so interesting to talk to you,

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Speaker 1: just like about fifty different topics.

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Speaker 2: Yeah, okay, So, although I have some thoughts about this

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Speaker 2: this episode as well that I've would like.

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Speaker 1: To question about Lydia Cornell's Senyory tams.

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Speaker 2: About her personally, just about what her how she.

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Speaker 1: Feels about this episode. Oh yeah, oh yeah, it's it's

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Speaker 1: it's it's a little controversial in my opinion. So but

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Speaker 1: we'll get there. We'll get there. Okay. We open with

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Speaker 1: our teaser in the living room. Stephan DJ are seated

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Speaker 1: on the floor doing their homework. They both reach for

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Speaker 1: a cookie in between them simultaneously. That's mine, you already

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Speaker 1: had to. DJ says, one of mine was broken. It

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Speaker 1: didn't count. Steph argues, Yeah, DJ gets snappy. Listen, Stephanie, Judith.

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Speaker 1: Steph doesn't back down. I'm listening to Donna, Joe, Margaret.

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Speaker 2: Except when, you know, when DJ and Steph bust out

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Speaker 2: the middle names, like that's the equivalent of like the

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Speaker 2: ear rings getting taken out, Like it's they're about to

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Speaker 2: just trade some verbal bars.

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Speaker 1: Oh they're gonna throw down. Yeah, it's my favorite. I

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Speaker 1: never get tired of using the middle names as an insult. Yeah.

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Speaker 1: So Michelle walks in between them and tells them to

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Speaker 1: stop it be nice and they like this toddler has

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Speaker 1: an amazing amount of power, right.

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Speaker 2: She was like, wow, she's just sisters that listen to

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Speaker 2: the little one. That's strange.

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Speaker 1: Yeah, Michelle's just commanding the whole room here. Yeah, stephan

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Speaker 1: DJ both give in letting the other have the cookie,

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Speaker 1: but since neither takes it, Michelle interjects my cookie. She

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Speaker 1: takes the cookie and runs away with it. DJ looks

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Speaker 1: at Steph and admits, you know who, she reminds me

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Speaker 1: of you. Stephanie glares back, and we see Michelle happily

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Speaker 1: eating the cookie in the kitchen doorway. Adorable.

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Speaker 2: I felt like this was a missed how rude opportunity.

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Speaker 1: Yeah, oh you know what, it is a missed opportunity

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Speaker 1: for that. I felt like it was a very missed

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Speaker 1: how rude opera that would have been the perfect little

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Speaker 1: button on that scene too. But I think the teasers

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Speaker 1: were always sort of Michelle centric and ended on her

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Speaker 1: and not and so that maybe that's.

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Speaker 2: Why they didn't do it.

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Speaker 1: There. It doesn't cold.

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Speaker 2: There was there was another moment in here too that

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Speaker 2: I felt in this episode that I felt like, do

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Speaker 2: you put it out of could have had how rude.

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Speaker 2: We didn't.

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Speaker 1: Is there a how rude?

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Speaker 2: Isn't there how rude? Later?

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Speaker 1: Maybe not?

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Speaker 2: I don't know there is, but there was. I think

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Speaker 2: earlier than that. I was like, oh, wait, that would

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Speaker 2: have been, but there is at least one.

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Speaker 1: Well, yeah, because you're getting insulted left and right in

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Speaker 1: this episode, people are shut up, Stephanie. I would be

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Speaker 1: all rooted out too.

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Speaker 2: Just really, it's really true and really upset.

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Speaker 1: A little too uh, a little too close to Yeah, it.

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Speaker 2: Was a little it definitely hit a little close to home.

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Speaker 1: But yeah. So next we're in the kitchen and Danny, Jesse,

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Speaker 1: and Joey are unloading groceries in the kitchen two gallons

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Speaker 1: of milk, one can of tomato juice, and a smushed

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Speaker 1: loaf of bread from the bottom of the bag.

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Speaker 2: Why does he put the can of tomato juice in

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Speaker 2: the refrigerator?

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Speaker 1: Oh, you're right. Why does he has it already been opened?

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Speaker 1: I don't, I don't think so.

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Speaker 2: I was like, who is putting gigantic canned goods in

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Speaker 2: the refrigerator? It's unless it's already been I just it

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Speaker 2: was a question to me that I was like, that's

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Speaker 2: poor use of space in a refrigerator because you've got

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Speaker 2: to pack food for seven people in there.

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Speaker 1: Well, it's why's John Stamos, who maybe had never put

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Speaker 1: away groceries at that point. I don't know.

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Speaker 2: He's just.

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Speaker 1: Right, that's a very good catch. I didn't.

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Speaker 2: Maybe they like chilled canned tomatoes.

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Speaker 1: Oh yeah, there's nothing like a fresh you know, chill

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Speaker 1: can ofto right just right out of the the can.

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Speaker 1: It makes the pasta sauce that much better. I don't know. Okay,

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Speaker 1: So Stephanie excitedly bursts through the back door, saying, break

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Speaker 1: out the root beer boys. My report card is awesome.

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Speaker 1: She's got three a's, one B and one B minus.

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Speaker 1: Jesse tells her, wish I got grades like that. Stayed

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Speaker 1: after school so often people at school thought I was

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Speaker 1: the janitor. Ha ha. Danny is so proud of her

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Speaker 1: forgetting terrific grades. But there's a note from her teacher.

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Speaker 1: It reads, Stephanie is a wonderful student, but she needs

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Speaker 1: to control her talking in class.

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Speaker 2: Oh literally, if I could have this, this this should

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Speaker 2: be my tombstone. Is is uh pleasure to have around?

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Speaker 2: Talks too much and I can't write talks too much

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Speaker 2: in class? Talks too much. We're not supposed to do.

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Speaker 1: Yeah, it's life. How many times did Janice receive a note?

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Speaker 2: Just every time? And now guess who gets the notes?

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Speaker 2: Me about my kids because both of my kids. Both

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Speaker 2: of my kids talk too much in class.

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Speaker 1: Wow that is hereditary, Yeah, very well.

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Speaker 2: Yeah.

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Speaker 1: Yeah, the genes the sweetened jeans run.

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Speaker 2: Yeah. We we are. Yeah, just a little neuro spicy

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Speaker 2: and talkative. So it is what it is.

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Speaker 1: I love it. That's what makes you special and smart

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Speaker 1: and sassy. I love it.

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Speaker 2: Yeah. Teachers don't always love it, though, They're.

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Speaker 1: Like okay and enough like and be quiet, right.

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Speaker 2: And yeah, and it was so The story that I

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Speaker 2: was going to tell, oh yeah about my mom was

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Speaker 2: one time I was getting in trouble for talking in class.

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Speaker 2: It was like second second grade, third third grade, and

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Speaker 2: my teacher didn't she was kind of kind of mean,

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Speaker 2: really strict or whatever. Anyway, I got in trouble yet again,

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Speaker 2: and my mom that morning, as I was getting out

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Speaker 2: of the car, set, if you get your name on

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Speaker 2: the board one more time for talking, that's it. You

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Speaker 2: are grounded for life. Like I'm done.

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Speaker 1: Wow, Okay, she was, you know, she was just really

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Speaker 1: frust she's done. Yeah.

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Speaker 2: I literally thought I was going to be grounded for life.

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Speaker 2: So when I got my name on the board, because

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Speaker 2: we knew that that was happening, When I got my

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Speaker 2: name on the board within short order that morning, I

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Speaker 2: just burst into I was like, oh my god, I'm

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Speaker 2: gonna be grounded for I thought that's it. I am,

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Speaker 2: I'm living out the rest of my days in my room.

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Speaker 2: I totally took it to be true. And so the

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Speaker 2: teacher called my mom and was like, why would you

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Speaker 2: say that? And my mom was like I was joking,

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Speaker 2: Like I literally thought I wasn't even being serious, but

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Speaker 2: I just I was like, no, that it's obviously true.

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Speaker 1: Like you know, now you lose.

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Speaker 2: Parents and then your kids are like, right, yeah, you listen.

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Speaker 2: Now you listen one time. So anyways, needless to say,

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Speaker 2: I'm doing this podcast from my bedroom, grounded, right, my

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Speaker 2: childhood bedroom. I've never been let out, and here I am.

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Speaker 1: But I can relate so much to Janice, where you

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Speaker 1: just reach your breaking point where you're just like, oh

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Speaker 1: my gosh, why can't you listen?

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Speaker 2: I've all done that with Yeah, exactly, so so relatable.

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Speaker 2: I'm I'm glad this was one of those storylines that

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Speaker 2: Jeff was like, ah, yeah, we're just gonna write that in.

438
00:21:33,840 --> 00:21:35,520
Speaker 1: Well it was great. Yeah. You you didn't have any

439
00:21:35,520 --> 00:21:37,080
Speaker 1: lines until like the very end of the show, and

440
00:21:37,119 --> 00:21:38,879
Speaker 1: then you had all of the lines at the end

441
00:21:38,880 --> 00:21:41,760
Speaker 1: of the show. Right, Yeah, it was it was perfect. Yeah.

442
00:21:41,840 --> 00:21:44,840
Speaker 1: So Stephanie claims that it's not her fault. People are

443
00:21:44,840 --> 00:21:48,439
Speaker 1: always asking her for help, and she proudly adds, and

444
00:21:48,480 --> 00:21:51,800
Speaker 1: who can blame them? Check out these grades And you

445
00:21:51,800 --> 00:21:54,560
Speaker 1: have the cutest expression on your face. You had such

446
00:21:54,560 --> 00:21:56,439
Speaker 1: great range at a young age. You've got like the

447
00:21:56,480 --> 00:21:59,400
Speaker 1: subtle slight of brow and like a shifty eye. It's

448
00:21:59,480 --> 00:22:03,440
Speaker 1: just so so subtle but so perfect. I just really

449
00:22:03,480 --> 00:22:06,960
Speaker 1: appreciate that now he as an adult. Yes, very good, Jody.

450
00:22:07,680 --> 00:22:11,000
Speaker 1: So Joey chimes in, saying Steph might miss something during

451
00:22:11,040 --> 00:22:15,240
Speaker 1: class if she's always talking. Jesse jokes, yeah, like recess.

452
00:22:16,200 --> 00:22:18,600
Speaker 1: Danny warns her that she has to stop being such

453
00:22:18,640 --> 00:22:23,639
Speaker 1: a chatterbox, which infuriates Steph. So my own family thinks

454
00:22:23,640 --> 00:22:29,000
Speaker 1: I'm a chatterbox. How rude? Okay, there's one that deserve.

455
00:22:29,640 --> 00:22:30,240
Speaker 2: Do we have any.

456
00:22:30,119 --> 00:22:33,120
Speaker 1: Official tally of how rudes? I haven't been keeping track.

457
00:22:33,160 --> 00:22:37,320
Speaker 1: I wonder if any of our listeners total over over

458
00:22:37,520 --> 00:22:40,080
Speaker 1: the entire yeah, all episodes.

459
00:22:40,240 --> 00:22:40,760
Speaker 2: I don't know.

460
00:22:40,880 --> 00:22:42,399
Speaker 1: I thought of that last night, and I'm like, oh,

461
00:22:42,400 --> 00:22:44,240
Speaker 1: I should go back and watch and keep track. And

462
00:22:44,280 --> 00:22:45,840
Speaker 1: I'm like, no, I don't. I don't want to go

463
00:22:45,840 --> 00:22:49,800
Speaker 1: back and rewatch all of the rights and a half. Okay,

464
00:22:50,880 --> 00:22:54,439
Speaker 1: so Steph continues from now on. This little chatterbox is

465
00:22:54,520 --> 00:22:58,520
Speaker 1: all locked up. She zips her mouth shut, locks it

466
00:22:58,520 --> 00:23:01,919
Speaker 1: with a key, and tosses it away. DJ and Kimmy

467
00:23:01,960 --> 00:23:04,520
Speaker 1: walk in, and this might be the worst my hair

468
00:23:04,520 --> 00:23:09,119
Speaker 1: has ever looked. This helmet hair, you know what it was.

469
00:23:09,920 --> 00:23:17,040
Speaker 2: It was giving like mid seventies Mick Jagger is what

470
00:23:17,119 --> 00:23:20,159
Speaker 2: it was like. I know I've seen a picture of

471
00:23:20,240 --> 00:23:24,880
Speaker 2: Mick Jagger's hair looking very similarly, uh, sort of feathered

472
00:23:25,000 --> 00:23:28,000
Speaker 2: like that without a shirt on and like singing in

473
00:23:28,040 --> 00:23:31,200
Speaker 2: like leather pants or something. And I need to find

474
00:23:31,240 --> 00:23:34,159
Speaker 2: that picture because that's exactly what I think this haircut was.

475
00:23:34,240 --> 00:23:37,119
Speaker 1: That's a great analogy I wrote down. This is what

476
00:23:37,160 --> 00:23:39,800
Speaker 1: I wrote. It looks like if Wolfman and Patrick Swayzey

477
00:23:39,840 --> 00:23:42,240
Speaker 1: had a son, and then that Sun dressed in drag

478
00:23:42,280 --> 00:23:44,480
Speaker 1: every night to report the nightly news. On Channel five,

479
00:23:45,080 --> 00:23:46,320
Speaker 1: cause it's sort of it's like.

480
00:23:46,280 --> 00:23:48,720
Speaker 2: It's like anchor woman hair, but no, you know what

481
00:23:48,760 --> 00:23:51,080
Speaker 2: it is. It's a little bit it's a little like

482
00:23:51,119 --> 00:23:53,359
Speaker 2: a little mob wife aesthetics, you know what I mean,

483
00:23:53,520 --> 00:23:55,800
Speaker 2: Like just very big, very big.

484
00:23:56,160 --> 00:23:59,480
Speaker 1: It just gets bigger and bigger every episode. Real well,

485
00:23:59,680 --> 00:24:01,239
Speaker 1: all right, well we're trying to get one of our

486
00:24:01,280 --> 00:24:05,399
Speaker 1: hairstylists on the show to discuss the hairstyles of nineteen

487
00:24:05,400 --> 00:24:05,840
Speaker 1: eighty nine.

488
00:24:06,000 --> 00:24:10,679
Speaker 2: Yeah, I don't I wonder like what happened to it

489
00:24:10,720 --> 00:24:15,120
Speaker 2: without hairspray, Like was that just was it just like

490
00:24:15,320 --> 00:24:16,800
Speaker 2: springing out of your head.

491
00:24:16,680 --> 00:24:19,000
Speaker 1: Like it natural or was it product.

492
00:24:18,800 --> 00:24:22,520
Speaker 2: Or was it like teased and hairsprayed to achieve that

493
00:24:22,680 --> 00:24:24,480
Speaker 2: form or were you just one of those people that

494
00:24:24,560 --> 00:24:26,880
Speaker 2: had like hair that just sort of like went bing

495
00:24:27,080 --> 00:24:27,520
Speaker 2: And then.

496
00:24:27,880 --> 00:24:29,879
Speaker 1: I really hope it was product. I hope it was

497
00:24:30,160 --> 00:24:33,000
Speaker 1: a whole lot of aquinet And because if that was

498
00:24:33,000 --> 00:24:36,280
Speaker 1: how my hair naturally looked as it grew and as

499
00:24:36,320 --> 00:24:38,760
Speaker 1: I woke up out of bed in the morning, that's firy.

500
00:24:38,840 --> 00:24:39,400
Speaker 1: That's scary.

501
00:24:40,280 --> 00:24:40,840
Speaker 2: Yeah, I don't know.

502
00:24:41,160 --> 00:24:43,080
Speaker 1: All right, well, it's very distracting, but let's get back

503
00:24:43,119 --> 00:24:48,000
Speaker 1: to the show. DJ immediately complains about how unfair her

504
00:24:48,040 --> 00:24:53,040
Speaker 1: report card is. She reads it a A A A

505
00:24:53,040 --> 00:24:56,040
Speaker 1: A and Joey interrupts her, how dare they? This is

506
00:24:56,080 --> 00:25:00,240
Speaker 1: an outrage? But then she gets to her Spanish grade.

507
00:25:01,520 --> 00:25:06,080
Speaker 1: Joey asks Kate pasa which is what happened? And Danny

508
00:25:06,200 --> 00:25:08,960
Speaker 1: grabs a report card out of her hand. Dj tells

509
00:25:09,000 --> 00:25:12,720
Speaker 1: them that Senorita Mosley hates her and she doesn't know why.

510
00:25:13,600 --> 00:25:17,280
Speaker 1: Kimmy blurts out, she loves me. I gotta see. I

511
00:25:17,440 --> 00:25:20,359
Speaker 1: never wanted to smack myself so like my own self

512
00:25:20,520 --> 00:25:23,000
Speaker 1: so much like why rub that in? Kimmy?

513
00:25:23,400 --> 00:25:24,920
Speaker 2: It was like, what is this the time?

514
00:25:25,080 --> 00:25:25,960
Speaker 1: Is this really the time?

515
00:25:26,160 --> 00:25:27,440
Speaker 2: This is? This is not the time.

516
00:25:27,440 --> 00:25:28,040
Speaker 1: It's not the time.

517
00:25:28,040 --> 00:25:30,280
Speaker 2: But Kimmy never really and I believe and I believe

518
00:25:31,240 --> 00:25:34,760
Speaker 2: just as a quick Spanish note, isn't k pasa? Don't

519
00:25:34,840 --> 00:25:38,320
Speaker 2: Kate pasa and k passa mean two different things depending

520
00:25:38,359 --> 00:25:39,680
Speaker 2: on the they think they.

521
00:25:39,600 --> 00:25:42,879
Speaker 1: Do, probably, and I don't remember how k pasa is

522
00:25:42,920 --> 00:25:45,840
Speaker 1: what's up? K is what's up? How did Dave say it?

523
00:25:45,920 --> 00:25:48,080
Speaker 2: No? No, no, no? K pasa is something else?

524
00:25:48,119 --> 00:25:48,760
Speaker 1: Oh it's something else?

525
00:25:48,760 --> 00:25:49,840
Speaker 2: Pasa is what's up?

526
00:25:50,080 --> 00:25:52,639
Speaker 1: Okay? We need we need a translator on the show.

527
00:25:53,440 --> 00:25:55,879
Speaker 1: I need a dialogue, coach. Where's Brian Kle I need

528
00:25:55,920 --> 00:25:56,440
Speaker 1: her dialogue?

529
00:25:56,560 --> 00:25:58,280
Speaker 2: I just seem to remember that from my Spanish cut.

530
00:25:58,280 --> 00:26:00,200
Speaker 2: I don't know what it is, but I hopefully it's

531
00:26:00,200 --> 00:26:01,760
Speaker 2: not something really terribly inapprop.

532
00:26:02,080 --> 00:26:06,760
Speaker 1: Yeah, well speaking audience. If it is, sorry, apologies to

533
00:26:06,800 --> 00:26:11,359
Speaker 1: everyone everywhere. So Jesse tells Kimmy to hold it before

534
00:26:11,400 --> 00:26:14,159
Speaker 1: she leaves. He asks her how she got a C

535
00:26:14,560 --> 00:26:18,080
Speaker 1: and DJ got a D. Kimmy defends herself, Hey man,

536
00:26:18,240 --> 00:26:21,280
Speaker 1: I saw la bomba five times. Kimmy leaves and Jesse

537
00:26:21,359 --> 00:26:25,760
Speaker 1: firmly locks the door behind her. Great movie. Also, I

538
00:26:25,800 --> 00:26:29,119
Speaker 1: love Jesse locking the door. He's finally the door is

539
00:26:29,160 --> 00:26:31,520
Speaker 1: no longer open, like for one of the first times.

540
00:26:32,960 --> 00:26:36,920
Speaker 1: So Danny continues to review DJ's report card. He recognizes

541
00:26:36,960 --> 00:26:39,240
Speaker 1: that something is wrong and says he will have a

542
00:26:39,280 --> 00:26:41,639
Speaker 1: talk with her teacher. She thanks him and gives him

543
00:26:41,640 --> 00:26:44,560
Speaker 1: a kiss on the cheek. Joey tells her one day,

544
00:26:44,600 --> 00:26:46,879
Speaker 1: you're going to be very happy you could speak a

545
00:26:46,920 --> 00:26:50,800
Speaker 1: second language. It always comes in handy. Jesse gives him

546
00:26:50,840 --> 00:26:54,560
Speaker 1: a side eye and scoffs, well, excuse me, mister Burlitz.

547
00:26:54,720 --> 00:26:58,159
Speaker 1: What other languages. Do you speak? Joey tells him he speaks,

548
00:26:58,320 --> 00:27:02,280
Speaker 1: he speaks several, hates Kermit the Frog, saying I'm a

549
00:27:02,280 --> 00:27:06,240
Speaker 1: fluent and frog. He imitates Bullwinkle, saying he's studied Moose,

550
00:27:06,640 --> 00:27:10,000
Speaker 1: and then he imitates Popeye saying he also speaks sailor.

551
00:27:10,880 --> 00:27:13,520
Speaker 1: Do we think there was a contract a clause in

552
00:27:13,600 --> 00:27:16,080
Speaker 1: Dave's contract that he had to do a minimum of

553
00:27:16,080 --> 00:27:18,199
Speaker 1: three voices in every single episode.

554
00:27:18,600 --> 00:27:21,320
Speaker 2: Does I feel like, uh, you know, it's yeah, I

555
00:27:21,359 --> 00:27:24,360
Speaker 2: mean it seems that way. I don't know if it was,

556
00:27:24,480 --> 00:27:27,199
Speaker 2: but it certainly appears as though it was.

557
00:27:27,400 --> 00:27:29,960
Speaker 1: Or the writers were just so smitten with his impact.

558
00:27:30,040 --> 00:27:32,919
Speaker 2: The writers they write, they were like, do the do

559
00:27:33,000 --> 00:27:35,080
Speaker 2: the thing, do the voice thing? Yeah, and yeah, yeah,

560
00:27:35,119 --> 00:27:36,360
Speaker 2: and so they would write it.

561
00:27:36,480 --> 00:27:38,560
Speaker 1: You know that's true, Like even today, like I'll be

562
00:27:38,640 --> 00:27:40,199
Speaker 1: like Dave, Dave, can you do this voice right?

563
00:27:40,240 --> 00:27:42,359
Speaker 2: You know, and he'll never gets tired of it. And

564
00:27:42,480 --> 00:27:45,600
Speaker 2: also I'm sure like our audience loved it. You know

565
00:27:45,920 --> 00:27:48,240
Speaker 2: it was and at the time he, you know it,

566
00:27:48,400 --> 00:27:50,520
Speaker 2: Muppet Babies was on and all that kind of stuff.

567
00:27:50,560 --> 00:27:52,520
Speaker 2: So and he was doing the voices for Kermie and

568
00:27:52,800 --> 00:27:56,600
Speaker 2: and you know, Bullwinkle was was still quite popular, so you.

569
00:27:56,560 --> 00:27:59,000
Speaker 1: Know, true, it was very timely, very apart.

570
00:27:59,040 --> 00:28:01,160
Speaker 2: These days, I feel like or like that those are

571
00:28:01,160 --> 00:28:03,920
Speaker 2: like outdated references, but at the time it was.

572
00:28:04,000 --> 00:28:05,000
Speaker 1: Very in time.

573
00:28:05,080 --> 00:28:09,399
Speaker 2: It was very Yeah, it was very uh on point

574
00:28:09,600 --> 00:28:10,280
Speaker 2: or yeah.

575
00:28:10,200 --> 00:28:13,680
Speaker 1: One point on trend on whatever. Yeah, there we go. Yes,

576
00:28:13,720 --> 00:28:24,879
Speaker 1: and Dave did his voices very very well. So next

577
00:28:24,920 --> 00:28:27,119
Speaker 1: we are in the living room where the doorbell rings

578
00:28:27,160 --> 00:28:30,800
Speaker 1: and Stephanie gets it. It's mister Mala Testa, and I'm

579
00:28:30,800 --> 00:28:33,440
Speaker 1: impressed he knows your name, like he calls you Stephanie

580
00:28:33,480 --> 00:28:34,840
Speaker 1: before he even walks in the door.

581
00:28:35,200 --> 00:28:38,600
Speaker 2: He first of all, mister Mala Testa is way all

582
00:28:38,680 --> 00:28:41,120
Speaker 2: up in everybody's business in this house, it really is,

583
00:28:41,400 --> 00:28:46,040
Speaker 2: and just seems rather comfortable stopping.

584
00:28:45,680 --> 00:28:50,200
Speaker 1: By right talking to the child, the six year old.

585
00:28:49,040 --> 00:28:52,800
Speaker 2: D right, just walking in the house. If I arrived

586
00:28:52,800 --> 00:28:54,840
Speaker 2: at a house and a child opened the door, I

587
00:28:54,960 --> 00:28:58,840
Speaker 2: would and also and didn't speak. I would be like,

588
00:29:00,040 --> 00:29:03,080
Speaker 2: where's what's where's going on? Are you blink for? Like

589
00:29:03,320 --> 00:29:07,400
Speaker 2: do you need to escape? What's happening? Why aren't you speaking? Instead,

590
00:29:07,560 --> 00:29:10,720
Speaker 2: he's thrilled and uh really is more worried about me

591
00:29:10,840 --> 00:29:14,360
Speaker 2: becoming a street mime which is a valid concern. I

592
00:29:14,400 --> 00:29:17,720
Speaker 2: think we should there's always a concern, uh for for

593
00:29:17,960 --> 00:29:19,280
Speaker 2: street mind, you know.

594
00:29:19,600 --> 00:29:21,680
Speaker 1: This is a good point. Yeah, he has a right

595
00:29:21,800 --> 00:29:25,880
Speaker 1: need more of those, Yes, but it's all of it.

596
00:29:25,960 --> 00:29:29,800
Speaker 2: I was like, that's and holding a bag of marshmallows,

597
00:29:29,920 --> 00:29:35,600
Speaker 2: as though you need the marshmallows in order to talk

598
00:29:35,640 --> 00:29:39,840
Speaker 2: about the talk about what marshmallows are. I guess maybe

599
00:29:39,840 --> 00:29:40,080
Speaker 2: you do.

600
00:29:40,600 --> 00:29:42,480
Speaker 1: Well, the joke has to work. Michelle has to eat

601
00:29:42,520 --> 00:29:45,000
Speaker 1: them so she can you know, you can see how

602
00:29:45,000 --> 00:29:47,560
Speaker 1: cute she is when she eats them. So wait, joke

603
00:29:47,680 --> 00:29:48,400
Speaker 1: has to work.

604
00:29:48,520 --> 00:29:51,240
Speaker 2: Wait what I'm just kidding. Oh we haven't gotten to

605
00:29:51,240 --> 00:29:52,000
Speaker 2: that part of the show yet.

606
00:29:52,000 --> 00:29:56,480
Speaker 1: Oh yeah, So Stephanie lets mister Mellow test in. He

607
00:29:56,520 --> 00:29:58,640
Speaker 1: says he's looking for the boys, so Stuff points him

608
00:29:58,680 --> 00:30:01,440
Speaker 1: where he needs to go and gives him wordless directions

609
00:30:01,480 --> 00:30:02,280
Speaker 1: to their office.

610
00:30:03,360 --> 00:30:05,760
Speaker 2: Assuming that Stephanie knows who this person is and she's

611
00:30:05,800 --> 00:30:10,040
Speaker 2: not just just I mean, I guess we're mine. I

612
00:30:10,120 --> 00:30:13,240
Speaker 2: assume that we're buying that they have somehow. I think

613
00:30:13,240 --> 00:30:13,840
Speaker 2: I feel like the.

614
00:30:13,800 --> 00:30:17,600
Speaker 1: Family went to mister Mellotsta's office with the great view

615
00:30:17,760 --> 00:30:20,720
Speaker 1: of the brand. Maybe they met in that one moment

616
00:30:20,760 --> 00:30:24,560
Speaker 1: and just connected. They had immediate connection. There we go,

617
00:30:24,640 --> 00:30:27,400
Speaker 1: I guess I don't know. So mister Mellotesta heads towards

618
00:30:27,440 --> 00:30:29,280
Speaker 1: the kitchen and comments, just what we need in San

619
00:30:29,320 --> 00:30:30,680
Speaker 1: Francisco another mime.

620
00:30:31,680 --> 00:30:35,440
Speaker 2: Apparently there was a mime explosion in the late eighties in.

621
00:30:35,400 --> 00:30:38,160
Speaker 1: San Francisco because they were everywhere. It was such a

622
00:30:38,160 --> 00:30:41,440
Speaker 1: great line. Yeah, So we cut to Joey's room where

623
00:30:41,480 --> 00:30:44,720
Speaker 1: Joey's laying under his covers playing Peek a Boo with Michelle.

624
00:30:45,080 --> 00:30:47,840
Speaker 1: Jesse crawls in from around the corner playing Peekaboo with

625
00:30:47,880 --> 00:30:51,520
Speaker 1: Michelle two, and John's jaw line is like so amazing

626
00:30:51,720 --> 00:30:53,920
Speaker 1: in this angle, like it's like you could cut glass

627
00:30:53,920 --> 00:30:56,200
Speaker 1: with it. I always had that those strong Greek jeans,

628
00:30:56,240 --> 00:30:58,200
Speaker 1: but I was just really distracted by.

629
00:30:58,080 --> 00:31:00,160
Speaker 2: His jaw killer John line really does.

630
00:31:00,120 --> 00:31:03,080
Speaker 1: Still, does you know at age sixty? Course, yes, absolutely,

631
00:31:03,200 --> 00:31:06,480
Speaker 1: I'm so jealous. So Jesse pokes Michelle on the nose

632
00:31:06,520 --> 00:31:09,920
Speaker 1: and says, I see you, and mister Mella Testa sneaks

633
00:31:09,960 --> 00:31:12,200
Speaker 1: up behind Jesse and says, I see you too.

634
00:31:13,360 --> 00:31:16,000
Speaker 2: Can you imagine if your boss just popped up in

635
00:31:16,160 --> 00:31:20,720
Speaker 2: your bedroom, your work from a home spot. Can you imagine.

636
00:31:21,200 --> 00:31:25,720
Speaker 2: I mean, well, you're playing peekaboo with your niece, like right, Like, sir,

637
00:31:27,320 --> 00:31:29,520
Speaker 2: how do you you walked in here? How do you

638
00:31:29,520 --> 00:31:30,560
Speaker 2: know what I'm doing down here?

639
00:31:30,640 --> 00:31:31,320
Speaker 1: Yeah, they didn't even know.

640
00:31:31,360 --> 00:31:32,000
Speaker 2: He didn't know there.

641
00:31:32,160 --> 00:31:34,560
Speaker 1: He didn't knock, like he's just yours.

642
00:31:34,840 --> 00:31:40,160
Speaker 2: He just appeared in the home of his workers. I mean,

643
00:31:40,600 --> 00:31:43,760
Speaker 2: this feels like HR should be alerted some sort of

644
00:31:43,760 --> 00:31:46,239
Speaker 2: This is some sort of union needs to know this,

645
00:31:47,000 --> 00:31:48,360
Speaker 2: the jingle writers Union.

646
00:31:49,040 --> 00:31:52,560
Speaker 1: Jingle Writers Union. Yeah, yeah, band together.

647
00:31:52,680 --> 00:31:56,719
Speaker 2: This is a complete overreach of corporate America. Here when

648
00:31:56,880 --> 00:31:59,120
Speaker 2: when your boss just pops into your bedroom like that,

649
00:31:59,280 --> 00:32:00,640
Speaker 2: I highly disagree.

650
00:32:00,720 --> 00:32:02,959
Speaker 1: But you know what, for full House, this is so normal.

651
00:32:03,040 --> 00:32:03,960
Speaker 1: Like I didn't even blame.

652
00:32:04,120 --> 00:32:05,880
Speaker 2: I was just like, oh, yeah, of course, I was like, right,

653
00:32:05,920 --> 00:32:08,479
Speaker 2: but that's it's We're just gonna go along with all

654
00:32:08,520 --> 00:32:10,080
Speaker 2: of it, right, Oh.

655
00:32:10,120 --> 00:32:12,959
Speaker 1: Full House. You know this is just another.

656
00:32:12,480 --> 00:32:15,560
Speaker 2: Teddy sitcom, right right, You just have It's the suspension

657
00:32:15,560 --> 00:32:17,720
Speaker 2: of disbelief for you to be like anything could happen.

658
00:32:18,320 --> 00:32:20,640
Speaker 2: A horse could walk up the steps of a San

659
00:32:20,640 --> 00:32:24,160
Speaker 2: Francisco townhouse, you know, you just have I'm on his back,

660
00:32:24,240 --> 00:32:28,360
Speaker 2: you know, And Fabyan could ride a skateboard. It's a

661
00:32:28,480 --> 00:32:29,480
Speaker 2: land of wonders.

662
00:32:30,720 --> 00:32:32,080
Speaker 1: I love that amphibian.

663
00:32:32,600 --> 00:32:33,280
Speaker 2: Oh yeah.

664
00:32:33,360 --> 00:32:35,800
Speaker 1: So Jesse is startled, and he quickly gives Joey the

665
00:32:35,840 --> 00:32:40,720
Speaker 1: heads up that they have company. Mister Mellotesta sarcastically tells them,

666
00:32:41,080 --> 00:32:43,920
Speaker 1: now I know why you fellas work at home. It's

667
00:32:43,960 --> 00:32:46,040
Speaker 1: so hard to get up a good game of Peekaboo

668
00:32:46,240 --> 00:32:51,640
Speaker 1: at the agency. Okay, mister Mellotesta, they all laugh.

669
00:32:51,760 --> 00:32:54,080
Speaker 2: You bro, you walked into my room. Don't about when

670
00:32:54,080 --> 00:32:56,719
Speaker 2: I'm playing peekaboo. Get the job done.

671
00:32:57,400 --> 00:32:59,800
Speaker 1: As long as they get their work done, why doesn't matter.

672
00:33:00,160 --> 00:33:03,720
Speaker 1: This is their private time. So Jesse goes to make

673
00:33:03,720 --> 00:33:08,960
Speaker 1: coffee and Joey says, I'll make the bed. Awkwardly, mister

674
00:33:09,000 --> 00:33:12,480
Speaker 1: Melotesta gives them the urgent news that they're having trouble

675
00:33:12,600 --> 00:33:16,479
Speaker 1: with the Mister Marshmallow account. They need a new slogan,

676
00:33:16,560 --> 00:33:19,320
Speaker 1: and they need it now, Michelle says.

677
00:33:19,120 --> 00:33:22,400
Speaker 2: And all of the homing pigeons at the office were occupied,

678
00:33:22,440 --> 00:33:24,360
Speaker 2: so they couldn't send a message.

679
00:33:24,760 --> 00:33:26,840
Speaker 1: He had to show up personal. Oh yeah, at the

680
00:33:27,080 --> 00:33:29,560
Speaker 1: because the phones don't room at the home.

681
00:33:29,800 --> 00:33:30,600
Speaker 2: I can't even talk.

682
00:33:31,080 --> 00:33:35,320
Speaker 1: Yeah yeah, this was so urgent it needed a personal

683
00:33:35,880 --> 00:33:39,320
Speaker 1: appearance by mister Malotesta in the full House right right,

684
00:33:40,400 --> 00:33:43,480
Speaker 1: So Michelle says peek a boo, and Joey breaks it

685
00:33:43,520 --> 00:33:45,960
Speaker 1: to her that now isn't a good time. He sets

686
00:33:45,960 --> 00:33:48,400
Speaker 1: the bag of marshmallows down next to her and she

687
00:33:48,480 --> 00:33:54,040
Speaker 1: puts one in her mouth, exclaiming yummy. Mister Malatesta likes yummy,

688
00:33:54,120 --> 00:33:57,880
Speaker 1: but it needs something more. Joey sits next to Michelle

689
00:33:57,880 --> 00:34:01,120
Speaker 1: and asks her, Hey, what else you got? Jesse suggests

690
00:34:01,400 --> 00:34:05,840
Speaker 1: yummy in the tummy, and Michelle repeats after him with enthusiasm.

691
00:34:06,240 --> 00:34:10,080
Speaker 1: Mister Malatesta loves this slogan, especially when it's coming from

692
00:34:10,120 --> 00:34:13,480
Speaker 1: a cute little baby. Jesse sets up his vision for

693
00:34:13,560 --> 00:34:17,279
Speaker 1: mister Malatesta, and mister Melitesta loves it. Now they just

694
00:34:17,320 --> 00:34:19,719
Speaker 1: have to find the most adorable baby in San Francisco.

695
00:34:21,160 --> 00:34:23,960
Speaker 1: Jesse and Joey hint at Michelle clearing their throats to

696
00:34:23,960 --> 00:34:27,680
Speaker 1: get mister Malatesta's attention. Michelle mimics them and clears her

697
00:34:27,719 --> 00:34:33,279
Speaker 1: throat as well, which is so funny, so cute. Mister

698
00:34:33,320 --> 00:34:36,719
Speaker 1: Melitesta admits that she's cute, but wonders if they should

699
00:34:36,840 --> 00:34:41,399
Speaker 1: use a professional baby. Yeah, you think like there's child

700
00:34:41,480 --> 00:34:44,840
Speaker 1: labor laws, sir.

701
00:34:43,080 --> 00:34:46,759
Speaker 2: Y right, they're not even her legal guardians, they're not.

702
00:34:47,080 --> 00:34:50,359
Speaker 2: They just live here, you know, Like I mean, yes,

703
00:34:50,440 --> 00:34:53,640
Speaker 2: the one's her uncle and you know they are in but.

704
00:34:53,680 --> 00:34:57,920
Speaker 1: Like she has a father, a legal myological foot they're.

705
00:34:57,760 --> 00:35:01,800
Speaker 2: Just offering up the baby for job. You know, that's

706
00:35:01,840 --> 00:35:02,640
Speaker 2: you can't do that.

707
00:35:03,000 --> 00:35:06,200
Speaker 1: It's just there's so many boundaries being crossed here.

708
00:35:06,200 --> 00:35:10,320
Speaker 2: It's just it's right, not a boundary to be found

709
00:35:10,440 --> 00:35:13,759
Speaker 2: in all of San Francisco. In this scene between mister

710
00:35:13,840 --> 00:35:17,840
Speaker 2: Mala Testa, them and the kid, the kid just ripping

711
00:35:17,880 --> 00:35:20,760
Speaker 2: into the bag. I mean, everyone in this it's there's.

712
00:35:20,719 --> 00:35:23,719
Speaker 1: Yeah, anything goes. It's anarchy in the full house.

713
00:35:23,760 --> 00:35:26,839
Speaker 2: It is complete, complete anarchy with the marshmallows.

714
00:35:26,920 --> 00:35:31,120
Speaker 1: Yeah, so Jesse points out that Michelle has two years

715
00:35:31,160 --> 00:35:34,239
Speaker 1: of experience as a baby. He whispers to her to

716
00:35:34,280 --> 00:35:38,080
Speaker 1: give mister Mela Testa a kiss, which again is just.

717
00:35:38,080 --> 00:35:41,200
Speaker 2: Not a boundaries no problematic, right, so problematic.

718
00:35:41,960 --> 00:35:45,320
Speaker 1: So no, stop using baby, like Jesse's done this before,

719
00:35:45,640 --> 00:35:49,440
Speaker 1: like on the set, and yeah, he's just like, come on, stop.

720
00:35:49,280 --> 00:35:51,960
Speaker 2: Using the baby, right, stop to stop stop.

721
00:35:52,920 --> 00:35:55,839
Speaker 1: Mister Melotesta finally gives in and says Okay, you got

722
00:35:55,840 --> 00:35:59,760
Speaker 1: the job, but you better be good, and Michelle responds,

723
00:35:59,760 --> 00:36:03,000
Speaker 1: don't worby be happy. And she really is cute in

724
00:36:03,040 --> 00:36:04,279
Speaker 1: this scene. She's very cute.

725
00:36:04,520 --> 00:36:07,960
Speaker 2: And yeah, the Bobby mcferrine song was also quite popular.

726
00:36:08,000 --> 00:36:10,920
Speaker 1: Oh yeah, that was a big, big hit in nineteen

727
00:36:10,960 --> 00:36:12,640
Speaker 1: eighty nine. I know that song.

728
00:36:13,200 --> 00:36:17,800
Speaker 2: Lives in my head. It was just like reat right, yeah,

729
00:36:18,040 --> 00:36:20,440
Speaker 2: now I'm not gonna stop hearing it all that.

730
00:36:20,600 --> 00:36:23,719
Speaker 1: Oh great, just sing the full house theme song metal

731
00:36:24,239 --> 00:36:25,080
Speaker 1: curio of that.

732
00:36:25,760 --> 00:36:28,440
Speaker 2: Right, yes, out of the frying pan and into the

733
00:36:28,440 --> 00:36:31,200
Speaker 2: fire as I say. Yeah.

734
00:36:31,520 --> 00:36:34,680
Speaker 1: So in the next scene, we are at DJ's school.

735
00:36:35,040 --> 00:36:37,799
Speaker 1: DJ has Danny in her arm as she directs him

736
00:36:37,880 --> 00:36:41,160
Speaker 1: to her Spanish class, and we have a reappearance of

737
00:36:41,200 --> 00:36:44,759
Speaker 1: the shirt, the Janet Jackson Rhythm Nation shirt. Yes we

738
00:36:44,800 --> 00:36:45,759
Speaker 1: do wear.

739
00:36:46,040 --> 00:36:49,640
Speaker 2: Oh, there we go, DJ, Lieutenant DJ's here. She's ready

740
00:36:49,719 --> 00:36:53,960
Speaker 2: to rally the troops should things go awry in Spanish class.

741
00:36:54,400 --> 00:36:58,280
Speaker 1: She is ready. Yeah, yeah, oh man, she loved that shirt,

742
00:36:58,360 --> 00:37:00,279
Speaker 1: like we just saw that a couple episodes ago. She's

743
00:37:00,320 --> 00:37:03,600
Speaker 1: already re wearing it. I love it. So DJ reminds

744
00:37:03,640 --> 00:37:06,799
Speaker 1: Danny how unfair her grade was, and Danny assures her

745
00:37:06,840 --> 00:37:10,040
Speaker 1: that he is on her side. Steph walks by them

746
00:37:10,040 --> 00:37:12,520
Speaker 1: in the hall and Danny asks her how it's going.

747
00:37:13,000 --> 00:37:16,400
Speaker 1: She responds wordlessly by giving him a thumbs up, and

748
00:37:16,440 --> 00:37:17,080
Speaker 1: then she leaves.

749
00:37:18,360 --> 00:37:18,640
Speaker 2: Was it.

750
00:37:18,719 --> 00:37:19,120
Speaker 1: That's it?

751
00:37:19,680 --> 00:37:20,600
Speaker 2: Easiest scene I did.

752
00:37:20,640 --> 00:37:25,000
Speaker 1: That's awesome? Danny asks DJ. Do you think she's carrying this?

753
00:37:25,480 --> 00:37:28,680
Speaker 1: I'm not a chatterbox thing a little too far? DJ

754
00:37:28,760 --> 00:37:31,560
Speaker 1: says personally, I find it a refreshing change of pace,

755
00:37:32,719 --> 00:37:36,080
Speaker 1: spoken like a true sister. Hey, yep, oh yeah. So

756
00:37:36,200 --> 00:37:39,000
Speaker 1: Kimmy walks up to Danny and DJ wearing hideous stripes,

757
00:37:39,239 --> 00:37:43,080
Speaker 1: which I think is also a repeat outfit. Unfortunately it was,

758
00:37:43,680 --> 00:37:47,560
Speaker 1: but it was, it was, Yeah, it was.

759
00:37:47,640 --> 00:37:48,680
Speaker 2: It was an impressive outfit.

760
00:37:51,000 --> 00:37:54,640
Speaker 1: That and the wo hair, it's it's a combination almost

761
00:37:54,960 --> 00:37:58,799
Speaker 1: wears Waldo. Yeah yeah, no, Kimmy, but I.

762
00:37:58,840 --> 00:37:59,520
Speaker 2: Knew right where you were.

763
00:37:59,640 --> 00:38:04,160
Speaker 1: Kimmy's making some bold, bold choices in her oh yeahh

764
00:38:04,200 --> 00:38:05,280
Speaker 1: and her hairstyles.

765
00:38:05,560 --> 00:38:07,440
Speaker 2: Well, I look like I have a just a wisp

766
00:38:07,480 --> 00:38:10,000
Speaker 2: of straw stuck to my head in this episode. It's

767
00:38:10,040 --> 00:38:12,920
Speaker 2: like just like a cotton ball, it's been picked apart

768
00:38:13,000 --> 00:38:13,480
Speaker 2: to nothing.

769
00:38:13,520 --> 00:38:16,960
Speaker 1: And then it does, Yeah, that perm that perm is

770
00:38:16,960 --> 00:38:18,280
Speaker 1: hanging off for dear life.

771
00:38:18,400 --> 00:38:21,600
Speaker 2: Yeap my one yeah, one hair follicle is just doing

772
00:38:21,640 --> 00:38:22,399
Speaker 2: all the work there.

773
00:38:23,920 --> 00:38:27,200
Speaker 1: So Kimmy asks Danny, did you get DJ's grade changed?

774
00:38:27,280 --> 00:38:30,280
Speaker 1: Did you yell at miss did you yell at Senorita Mosley?

775
00:38:30,480 --> 00:38:33,719
Speaker 1: Did you make her cry? DJ tells her that he

776
00:38:33,800 --> 00:38:39,520
Speaker 1: hasn't gone in yet, and she asks chicken again, Kimmy,

777
00:38:39,719 --> 00:38:44,280
Speaker 1: be quiet. Danny places his hand on her shoulder. Kimmy,

778
00:38:44,440 --> 00:38:46,880
Speaker 1: you're doing so well in Spanish you ever think of

779
00:38:46,960 --> 00:38:51,600
Speaker 1: moving to Mexico out? I mean, Kimmy, Kimmy is an

780
00:38:51,680 --> 00:38:54,760
Speaker 1: idiot and insensitive, but that was a little harsh.

781
00:38:54,960 --> 00:38:58,440
Speaker 2: Saying that to one of your kid's annoying friends.

782
00:38:58,600 --> 00:39:00,400
Speaker 1: No, I would never. I mean I was say that

783
00:39:00,440 --> 00:39:03,160
Speaker 1: to you about my kids annoying friend, but never say

784
00:39:03,160 --> 00:39:04,760
Speaker 1: that to the annoying.

785
00:39:04,160 --> 00:39:07,560
Speaker 2: To the other parent, Yeah, but not to the kid themselves.

786
00:39:07,760 --> 00:39:10,799
Speaker 1: Oh yeah, this is a problem for seasons to come

787
00:39:10,880 --> 00:39:13,560
Speaker 1: where the Tanners are always saying these things in front

788
00:39:13,560 --> 00:39:13,919
Speaker 1: of Jimmy.

789
00:39:14,000 --> 00:39:18,759
Speaker 2: Really again going back to our our whole you know

790
00:39:18,840 --> 00:39:20,200
Speaker 2: conspiracy theory episode.

791
00:39:20,800 --> 00:39:24,680
Speaker 1: Oh yeah, oh man, I you know that has haunted

792
00:39:24,719 --> 00:39:25,960
Speaker 1: me since we talked about it.

793
00:39:26,440 --> 00:39:27,120
Speaker 2: Yeah.

794
00:39:27,160 --> 00:39:29,279
Speaker 1: So DJ pulls him away, telling him it's time to

795
00:39:29,320 --> 00:39:31,839
Speaker 1: talk to the teacher. Danny assures her that he will

796
00:39:31,880 --> 00:39:35,799
Speaker 1: be totally cool, which means he's not going to be

797
00:39:35,920 --> 00:39:39,320
Speaker 1: totally cool. He walks into the classroom as signory to

798
00:39:39,400 --> 00:39:42,080
Speaker 1: Moseley is writing on the chalkboard. He gets her attention

799
00:39:42,200 --> 00:39:45,840
Speaker 1: and she turns around. Danny Tanner, she asks, Then she

800
00:39:45,880 --> 00:39:50,200
Speaker 1: corrects herself, mister Tanner. She admits that she loves his

801
00:39:50,280 --> 00:39:52,400
Speaker 1: talk show and watches it all the time.

802
00:39:52,960 --> 00:39:55,440
Speaker 2: She is she watching a morning talk show when she's

803
00:39:55,520 --> 00:39:56,240
Speaker 2: teaching school?

804
00:39:56,280 --> 00:39:59,640
Speaker 1: Oh yeah, because there weren't. There was no streaming. I

805
00:39:59,640 --> 00:40:02,040
Speaker 1: don't even no did we have vc We have VCRs, but.

806
00:40:02,120 --> 00:40:05,200
Speaker 2: We have VCRs. But but yeah, that's a morning I

807
00:40:05,239 --> 00:40:07,600
Speaker 2: didn't that was I was like, how does she teach

808
00:40:07,640 --> 00:40:10,440
Speaker 2: and watch a wake up morning show that's presumably on

809
00:40:10,480 --> 00:40:11,600
Speaker 2: at eight or nine o'clock in the morning.

810
00:40:11,719 --> 00:40:15,080
Speaker 1: That's a good question. Maybe she skipped the first period

811
00:40:15,760 --> 00:40:16,560
Speaker 1: and watches.

812
00:40:16,800 --> 00:40:19,239
Speaker 2: Maybe she's weirdly obsessed with Danny, and this is how

813
00:40:19,239 --> 00:40:19,799
Speaker 2: we find out.

814
00:40:21,280 --> 00:40:23,800
Speaker 1: Gook, here we go. I can feel a theory brewing

815
00:40:24,120 --> 00:40:28,000
Speaker 1: right now. Oh boy, so she compliments him. Oh you're

816
00:40:28,000 --> 00:40:30,440
Speaker 1: taller than I thought you would be, and he jokes

817
00:40:30,440 --> 00:40:35,080
Speaker 1: that on TV. He's only this big. Sinory to Mosley

818
00:40:35,120 --> 00:40:37,520
Speaker 1: says she loved the episode where Danny learned how to

819
00:40:37,560 --> 00:40:41,000
Speaker 1: make pizza dough. He pounds his fist against his open

820
00:40:41,080 --> 00:40:44,120
Speaker 1: palm to show her how he makes the dough. The

821
00:40:44,160 --> 00:40:47,000
Speaker 1: students are watching from outside the door. In DJ comments, wow,

822
00:40:47,160 --> 00:40:48,520
Speaker 1: Dad has really given.

823
00:40:48,360 --> 00:40:51,200
Speaker 2: It to her now, Oh yeah.

824
00:40:51,320 --> 00:40:54,160
Speaker 1: Sinory to Mosley continues to flirt with him, calling him

825
00:40:54,280 --> 00:41:00,399
Speaker 1: a big star. This woman is a knockout doubt, she's

826
00:41:00,440 --> 00:41:01,800
Speaker 1: agress retap.

827
00:41:02,040 --> 00:41:05,040
Speaker 2: Mostly this is a parent coming to.

828
00:41:05,000 --> 00:41:09,080
Speaker 1: Speak to you, yes, and see him that they do you.

829
00:41:09,320 --> 00:41:10,040
Speaker 2: I mean, like.

830
00:41:12,840 --> 00:41:15,000
Speaker 1: She's and I feel like, I mean, this might be

831
00:41:15,080 --> 00:41:16,759
Speaker 1: rude to say, no offense to Bob, but she's kind

832
00:41:16,760 --> 00:41:19,080
Speaker 1: of out of Danny Tanner's league. Like this woman is wow,

833
00:41:19,880 --> 00:41:23,759
Speaker 1: well wait wait, I'm just saying he's just like this

834
00:41:23,920 --> 00:41:25,560
Speaker 1: nerdy dude that's like stubborn.

835
00:41:25,640 --> 00:41:28,520
Speaker 2: But she's but he's a big star, and you know.

836
00:41:28,840 --> 00:41:32,759
Speaker 1: So she's like she's fascinated by his celebrity or maybe

837
00:41:32,760 --> 00:41:34,680
Speaker 1: she just thinks he's hot. Maybe she wants to jump

838
00:41:34,680 --> 00:41:36,960
Speaker 1: his bud. Yeah I don't know.

839
00:41:37,360 --> 00:41:40,840
Speaker 2: Yeah, but look, look I don't know what what she

840
00:41:40,960 --> 00:41:43,520
Speaker 2: was thinking or why all I know is is she

841
00:41:43,680 --> 00:41:48,280
Speaker 2: really said a lot for just saying hello to a

842
00:41:48,320 --> 00:41:50,040
Speaker 2: parent that she's meeting in her classroom.

843
00:41:50,120 --> 00:41:51,960
Speaker 1: Yeah, Like, I was like, wow, lady, I want to

844
00:41:51,960 --> 00:41:54,040
Speaker 1: see how she interacts with other parents too, Like, is

845
00:41:54,080 --> 00:41:54,959
Speaker 1: this That's.

846
00:41:54,640 --> 00:41:56,640
Speaker 2: What I'm saying?

847
00:41:55,520 --> 00:41:55,640
Speaker 1: Is this?

848
00:41:57,200 --> 00:41:59,960
Speaker 2: Yeah, she's could be problematic.

849
00:41:59,680 --> 00:42:03,680
Speaker 1: Again, no boundaries, no boundaries in sight here with Sinorita Moseley.

850
00:42:04,560 --> 00:42:07,600
Speaker 1: So Danny gets flustered. He starts to walk away, forgetting

851
00:42:07,640 --> 00:42:09,880
Speaker 1: why he was there in the first place, but then

852
00:42:09,920 --> 00:42:13,800
Speaker 1: he sees DJ through the door. He backtracks and tells

853
00:42:13,880 --> 00:42:17,719
Speaker 1: Senorita Mosley he came here to talk about DJ's grade.

854
00:42:17,800 --> 00:42:21,279
Speaker 1: Senorita Mosley takes a deep breath and explains how as

855
00:42:21,320 --> 00:42:25,720
Speaker 1: the work got harder, DJ got discouraged and stopped trying.

856
00:42:26,760 --> 00:42:30,200
Speaker 1: The school bell cuts off their conversation. Senorita Mosley says

857
00:42:30,200 --> 00:42:32,040
Speaker 1: she would be more than happy to come by after

858
00:42:32,080 --> 00:42:36,560
Speaker 1: school to help DJ with her Spanish at home. This

859
00:42:36,680 --> 00:42:38,880
Speaker 1: is going above and beyond. You know, teachers are not

860
00:42:38,920 --> 00:42:41,359
Speaker 1: paid enough for this at all.

861
00:42:41,600 --> 00:42:43,560
Speaker 2: This woman is like, Hey, want me to come to

862
00:42:43,640 --> 00:42:49,160
Speaker 2: your house and tutor your kid here? Well, yeah, you know,

863
00:42:49,600 --> 00:42:51,080
Speaker 2: no boundaries on this, lady either.

864
00:42:51,160 --> 00:42:54,799
Speaker 1: No, but Danny, of course, is thrilled that she suggested this,

865
00:42:54,960 --> 00:42:58,160
Speaker 1: and he thanks her. They shake hands, and when neither

866
00:42:58,239 --> 00:43:01,480
Speaker 1: of them seem to want to drop the handshake, she

867
00:43:01,560 --> 00:43:07,799
Speaker 1: says a sultry asta luego and Danny responds, el loco

868
00:43:08,400 --> 00:43:11,400
Speaker 1: see like, yes, she's out of his leag He responded

869
00:43:11,400 --> 00:43:14,279
Speaker 1: with loco, come on like this, get this guy has

870
00:43:14,320 --> 00:43:15,880
Speaker 1: no game like well.

871
00:43:16,560 --> 00:43:19,200
Speaker 2: I mean he has no game in Spanish for sure?

872
00:43:19,280 --> 00:43:20,040
Speaker 1: Say that for sure?

873
00:43:20,239 --> 00:43:24,720
Speaker 2: Yeah, I believe it's what the kids would call riz.

874
00:43:25,000 --> 00:43:26,560
Speaker 2: He has he has no riz?

875
00:43:26,600 --> 00:43:27,400
Speaker 1: Wait? What's riz?

876
00:43:28,440 --> 00:43:31,600
Speaker 2: Riz is like your like, your charm, your game, your

877
00:43:31,760 --> 00:43:35,040
Speaker 2: you know, he's gotten a riz like middle schoolers would

878
00:43:35,040 --> 00:43:38,480
Speaker 2: call it what skibbitty riz or skibbity toilet riz or

879
00:43:38,480 --> 00:43:39,759
Speaker 2: something that's what That's what they'd call it.

880
00:43:39,800 --> 00:43:41,920
Speaker 1: I've never heard these words in my life and.

881
00:43:41,880 --> 00:43:44,000
Speaker 2: I have don't even know. I don't even know why

882
00:43:44,000 --> 00:43:45,839
Speaker 2: I brought it up. Never mind, but yeah, Danny has

883
00:43:45,880 --> 00:43:46,239
Speaker 2: no risks.

884
00:43:46,280 --> 00:43:48,440
Speaker 1: Okay, Danny has no riz. If I say this to

885
00:43:48,520 --> 00:43:50,200
Speaker 1: my kid later, am I gonna I feel like I'm

886
00:43:50,200 --> 00:43:50,799
Speaker 1: gonna mess it up.

887
00:43:50,800 --> 00:43:52,880
Speaker 2: They're gonna laugh at you, but also they're gonna know

888
00:43:52,920 --> 00:43:53,480
Speaker 2: what you mean.

889
00:43:53,480 --> 00:43:55,320
Speaker 1: Okay, okay, I'm gonna try it. I'm gonna try it.

890
00:43:55,360 --> 00:43:58,840
Speaker 1: I'll report back to you. Okay, So the students Russian

891
00:43:59,480 --> 00:44:03,920
Speaker 1: DJ excitedly asks Danny what her new grade is. He sighs,

892
00:44:03,920 --> 00:44:08,359
Speaker 1: telling her it's still a d DJ's surprised, commenting, I

893
00:44:08,360 --> 00:44:11,200
Speaker 1: thought you were on my side. Danny tells her that

894
00:44:11,239 --> 00:44:15,000
Speaker 1: Sinorita Mosley thinks she can help improve DJ's grade. He

895
00:44:15,080 --> 00:44:17,080
Speaker 1: kisses her on the cheek, saying they'll talk about it

896
00:44:17,120 --> 00:44:17,680
Speaker 1: after school.

897
00:44:18,520 --> 00:44:20,360
Speaker 2: I mean, does DJ just want her dad to change?

898
00:44:20,360 --> 00:44:23,000
Speaker 2: Like she she's not doing the work, and she admits

899
00:44:23,000 --> 00:44:24,680
Speaker 2: to knowing that, but she just wants Danny to like

900
00:44:24,760 --> 00:44:25,120
Speaker 2: change it.

901
00:44:25,400 --> 00:44:27,319
Speaker 1: Like it's a little entitled, you know, but I mean

902
00:44:27,360 --> 00:44:30,319
Speaker 1: she's twelve thirteen, you know, this is how kids act.

903
00:44:30,400 --> 00:44:32,799
Speaker 1: That's but yeah, it's I think she just expected him

904
00:44:32,840 --> 00:44:35,600
Speaker 1: to just, yeah, just make it happen, make it happen.

905
00:44:36,040 --> 00:44:38,040
Speaker 2: Well he did, but not the grade.

906
00:44:41,320 --> 00:44:43,440
Speaker 1: What you made it happen.

907
00:44:43,800 --> 00:44:44,759
Speaker 2: She's coming over the house.

908
00:44:44,800 --> 00:44:49,000
Speaker 1: Oh that part, I took this a totally wrong way. Sorry.

909
00:44:49,120 --> 00:44:51,719
Speaker 1: It's the cold medicine. It's the cold medicine. That's what

910
00:44:51,760 --> 00:44:52,080
Speaker 1: it is.

911
00:44:52,120 --> 00:44:56,319
Speaker 2: Oh that's yeah, that's explains a lot about our show.

912
00:44:56,840 --> 00:45:00,560
Speaker 2: So between my yeah, between my allergy meds and your cold.

913
00:45:01,040 --> 00:45:03,680
Speaker 1: Yes, this is we we have no riz. That's the

914
00:45:04,280 --> 00:45:07,120
Speaker 1: that's the TLDR here. Okay, So we are now in

915
00:45:07,160 --> 00:45:11,560
Speaker 1: the living room. Michelle is practicing saying yummy in my tummy,

916
00:45:12,120 --> 00:45:14,440
Speaker 1: and she's wearing this adorable sailor dress that fits right

917
00:45:14,480 --> 00:45:16,879
Speaker 1: in with this nautical theme that the Tanners can't seem

918
00:45:16,920 --> 00:45:21,399
Speaker 1: to give up. Michelle can't quite get yummy in the

919
00:45:21,520 --> 00:45:25,160
Speaker 1: tummy to Joey's liking. So Jesse begins to worry, Joey,

920
00:45:25,239 --> 00:45:28,040
Speaker 1: what are you doing. You're turning my sweet little Michelle

921
00:45:28,080 --> 00:45:32,360
Speaker 1: into Sam Kinnison. Okay, is this that Sam Kinnison is

922
00:45:32,360 --> 00:45:33,880
Speaker 1: the is the is the comedian?

923
00:45:34,440 --> 00:45:36,000
Speaker 2: Is the comedian? Yeah?

924
00:45:35,880 --> 00:45:37,120
Speaker 1: Who who uh?

925
00:45:38,239 --> 00:45:40,600
Speaker 2: Quite a while back, but he was the comedian that

926
00:45:40,680 --> 00:45:45,279
Speaker 2: was always yelling the yell Yeah. He his comedy would

927
00:45:45,320 --> 00:45:47,239
Speaker 2: kind of start one place and then like eventually work

928
00:45:47,320 --> 00:45:49,080
Speaker 2: up to where he was always yelling about the thing.

929
00:45:49,120 --> 00:45:51,719
Speaker 1: He was really okay, So this is okay. I was

930
00:45:51,719 --> 00:45:53,680
Speaker 1: trying to make him like, what where's the connection here?

931
00:45:53,719 --> 00:45:56,400
Speaker 1: It's the get Michelle is yelling, and then Jesse compares

932
00:45:56,400 --> 00:45:59,600
Speaker 1: it to Sam Kinnison got it, So Joey tells Michelle

933
00:45:59,640 --> 00:46:02,880
Speaker 1: to grab her wardrobe, saying, you're gonna make that Gerber

934
00:46:02,880 --> 00:46:05,759
Speaker 1: baby want to hang up her booties. Michelle grabs her

935
00:46:05,840 --> 00:46:09,040
Speaker 1: dress and they head for the door. Before they leave,

936
00:46:09,160 --> 00:46:13,200
Speaker 1: Danny and Senorita Mosley enter from the kitchen. Senorita Mosley

937
00:46:13,280 --> 00:46:16,560
Speaker 1: is hanging paper objects all around the house with Spanish

938
00:46:16,600 --> 00:46:20,480
Speaker 1: translations written on them. Jesse says goodbye to them, and

939
00:46:20,840 --> 00:46:26,879
Speaker 1: Senorita Mosley responds Algusto Smeal. He smiles back right back

940
00:46:26,920 --> 00:46:27,160
Speaker 1: at you.

941
00:46:28,760 --> 00:46:31,680
Speaker 2: Dan's still in shock that this teachers over the house.

942
00:46:31,920 --> 00:46:34,480
Speaker 1: Yeah, putting up flash cards all around that. Yeah, she's

943
00:46:34,560 --> 00:46:37,160
Speaker 1: she's very committed. She's committed to something. I don't quite

944
00:46:37,160 --> 00:46:38,759
Speaker 1: know what yet, because she's a committed.

945
00:46:38,960 --> 00:46:41,239
Speaker 2: Middle school teachers just got all the time in the

946
00:46:41,239 --> 00:46:42,760
Speaker 2: work right, lots of times.

947
00:46:43,080 --> 00:46:45,440
Speaker 1: Yeah, yeah, they just want to work for free and

948
00:46:45,640 --> 00:46:50,320
Speaker 1: just yeah, this is this is a stretch. So Danny

949
00:46:50,440 --> 00:46:52,880
Speaker 1: rushes over to wish Michelle good luck, and he says,

950
00:46:52,880 --> 00:46:55,920
Speaker 1: when you're a big star, remember who changed your diapers

951
00:46:55,960 --> 00:47:00,319
Speaker 1: all those years. Jesse and Joey both say me, referring

952
00:47:00,400 --> 00:47:05,359
Speaker 1: to themselves. Senny Rita Mosley continues to hang Spanish translations

953
00:47:05,400 --> 00:47:07,960
Speaker 1: around her house, and she places one on the couch

954
00:47:08,040 --> 00:47:14,000
Speaker 1: that reads el sofa. Danny asks, the sofa is l sofa.

955
00:47:14,440 --> 00:47:17,200
Speaker 1: How could she get a D in this language? It's

956
00:47:17,239 --> 00:47:18,279
Speaker 1: actually pretty funny joke.

957
00:47:18,600 --> 00:47:20,360
Speaker 2: That is definitely one of the easier.

958
00:47:21,960 --> 00:47:24,520
Speaker 1: She assures him that not every word is that easy

959
00:47:24,880 --> 00:47:29,799
Speaker 1: and holds up a sign that reads pero Danny's tongue.

960
00:47:29,880 --> 00:47:32,000
Speaker 2: There you go, tongueirl impressive.

961
00:47:32,040 --> 00:47:34,439
Speaker 1: I'll mess it up at some point, that's right. Danny

962
00:47:34,480 --> 00:47:38,040
Speaker 1: assumes it means two of something. He jokes, as in,

963
00:47:38,200 --> 00:47:42,120
Speaker 1: you have a lovely paro eyes. They both laugh and

964
00:47:42,160 --> 00:47:44,920
Speaker 1: she says, no, it means dog. She then goes on

965
00:47:44,960 --> 00:47:48,040
Speaker 1: to instruct Danny on the pronunciation and the rolling of

966
00:47:48,120 --> 00:47:51,640
Speaker 1: the rs in Spanish. He can't get it, and so

967
00:47:51,680 --> 00:47:57,600
Speaker 1: she encourages him to read her lips. After much practice,

968
00:47:57,760 --> 00:48:02,320
Speaker 1: Sinorita Moseley leans in for a kiss. Send your rita

969
00:48:02,680 --> 00:48:05,719
Speaker 1: mostly Oh, I'm cringing like I'm Cranny Jean.

970
00:48:06,320 --> 00:48:09,400
Speaker 2: I was like, no, don't do it, don't do it.

971
00:48:09,520 --> 00:48:15,680
Speaker 1: Oh, why this is the least sexy scenario environment. There's

972
00:48:15,840 --> 00:48:19,040
Speaker 1: there's children lurking around every corner like please.

973
00:48:18,719 --> 00:48:21,080
Speaker 2: Well, I mean we know that that doesn't stop anybody

974
00:48:21,120 --> 00:48:25,680
Speaker 2: from making out in his house. Cares but still again,

975
00:48:25,880 --> 00:48:28,360
Speaker 2: I'm just still this woman, this teacher is at the

976
00:48:28,360 --> 00:48:31,759
Speaker 2: house making out with the dad. This is so all

977
00:48:31,800 --> 00:48:36,040
Speaker 2: sorts of inappropriate Danny, What are you, Danny?

978
00:48:36,280 --> 00:48:38,520
Speaker 1: Danny's just thrilled to this hot woman, is like, hey,

979
00:48:38,880 --> 00:48:39,680
Speaker 1: you want to make out?

980
00:48:39,760 --> 00:48:42,200
Speaker 2: Yeah, but still he should be like no.

981
00:48:42,440 --> 00:48:48,600
Speaker 1: They both need boundaries. They both need boundaries. So when

982
00:48:48,640 --> 00:48:52,080
Speaker 1: they break the kiss apart, Danny is stunned and musters

983
00:48:52,080 --> 00:48:55,800
Speaker 1: out kramba, which is a which was a funny delivery.

984
00:48:55,960 --> 00:49:00,359
Speaker 1: It made all that awkward pero flirting payoff finally, Yes,

985
00:49:01,239 --> 00:49:04,600
Speaker 1: so Senny Rita Mosley apologizes. Danny tells her not to

986
00:49:04,680 --> 00:49:10,759
Speaker 1: be sorry. He says it felt nice. This is like

987
00:49:10,960 --> 00:49:13,120
Speaker 1: my fate. My face is hot and it's not it's

988
00:49:13,160 --> 00:49:16,360
Speaker 1: not my cold medicine. It's like, I'm I'm so embarrassed

989
00:49:16,400 --> 00:49:19,600
Speaker 1: for everyone in this scene, like I'm everywhere's top to

990
00:49:19,640 --> 00:49:26,720
Speaker 1: bottom everyone. They begin kissing again why and then of course,

991
00:49:27,000 --> 00:49:29,920
Speaker 1: right on cue DJ and friends walk right in and

992
00:49:30,480 --> 00:49:34,400
Speaker 1: Jimmy shouts whoa baby? Which is our first? Whoa baby?

993
00:49:34,520 --> 00:49:39,200
Speaker 1: By the way, Oh yeah, DJ is hurt, thinking that

994
00:49:39,320 --> 00:49:43,800
Speaker 1: this is why he took Senorita Mosley's side. She shouts,

995
00:49:43,880 --> 00:49:45,799
Speaker 1: thanks for sticking up for me, dad, and then she

996
00:49:45,960 --> 00:49:49,920
Speaker 1: storms off. Oh oh this is while.

997
00:49:49,760 --> 00:49:52,000
Speaker 2: The teacher's still in the middle of the living room, Like.

998
00:49:52,239 --> 00:49:56,279
Speaker 1: Yeah, why, Like, guys, like there's somebody taking kids?

999
00:49:56,280 --> 00:49:59,880
Speaker 2: Are there? Speaking of the kids, did you see h

1000
00:50:00,040 --> 00:50:06,719
Speaker 2: uh Christina Gina Traconis's daughter. Oh yes, somebody else's daughter too.

1001
00:50:06,840 --> 00:50:09,480
Speaker 1: There was well, Candace's cousin, Megan was there.

1002
00:50:10,000 --> 00:50:11,120
Speaker 2: That's right, she's the lot.

1003
00:50:11,120 --> 00:50:14,120
Speaker 1: She's the tall blonde's right, and she's in the classroom

1004
00:50:14,160 --> 00:50:14,879
Speaker 1: scenes too, but.

1005
00:50:15,160 --> 00:50:18,160
Speaker 2: Right, you're right. And then yeah, She'sina Traconis was the

1006
00:50:18,160 --> 00:50:20,520
Speaker 2: one with the dark hair. Oh, Gina's daughter.

1007
00:50:20,560 --> 00:50:22,480
Speaker 1: That's so cool. I love I just love that, you know.

1008
00:50:22,520 --> 00:50:27,279
Speaker 1: It's like just yeah, insta friends right there. But oh yeah,

1009
00:50:27,320 --> 00:50:29,399
Speaker 1: but this scene, like, thank god we're past this scene

1010
00:50:29,440 --> 00:50:33,160
Speaker 1: because it was so awkward to watch, awkward to recap.

1011
00:50:33,760 --> 00:50:34,839
Speaker 1: It's all sorts of wrong.

1012
00:50:35,160 --> 00:50:40,480
Speaker 2: That's literally what I wrote. It just so effing awkward. Yeah.

1013
00:50:40,520 --> 00:50:43,000
Speaker 1: Well, I just I feel so bad for DJ because,

1014
00:50:43,120 --> 00:50:46,759
Speaker 1: like I know, like, in what world do you want

1015
00:50:46,800 --> 00:50:49,200
Speaker 1: to see your parent making out with your T shirt?

1016
00:50:49,200 --> 00:50:53,120
Speaker 1: I don't care how old you are never no, never,

1017
00:50:53,239 --> 00:50:54,719
Speaker 1: never like.

1018
00:50:55,600 --> 00:50:59,400
Speaker 2: And and not only did you see your parent making

1019
00:50:59,400 --> 00:51:01,560
Speaker 2: out with your tea, but so did your friends.

1020
00:51:01,600 --> 00:51:04,719
Speaker 1: Oh man, it just gets worse and worse and worse.

1021
00:51:05,360 --> 00:51:08,400
Speaker 2: The layers of awful layers.

1022
00:51:08,440 --> 00:51:09,879
Speaker 1: It's layers of cringe.

1023
00:51:10,200 --> 00:51:12,799
Speaker 2: Oh, it's a seven layer dip of cringe. It's just

1024
00:51:14,080 --> 00:51:14,839
Speaker 2: it's just bad.

1025
00:51:15,040 --> 00:51:17,879
Speaker 1: That should have been the name of the episode.

1026
00:51:17,520 --> 00:51:20,120
Speaker 2: Of the episode. A seven layer Yeah, seven layer dip

1027
00:51:20,160 --> 00:51:24,359
Speaker 2: of cringe is exactly what this is. Every every storyline,

1028
00:51:24,480 --> 00:51:29,080
Speaker 2: every thing. Yeah, that's why I said nothing the whole show.

1029
00:51:29,080 --> 00:51:31,880
Speaker 2: I'm like, I can't even I just and Steph was like,

1030
00:51:32,040 --> 00:51:33,920
Speaker 2: I got none to say.

1031
00:51:32,920 --> 00:51:36,600
Speaker 1: Yeah. Can you imagine if Steph was talking and in

1032
00:51:36,640 --> 00:51:38,359
Speaker 1: this scene, can you imagine what she would have said

1033
00:51:38,400 --> 00:51:40,359
Speaker 1: to about this? I mean, Steph's really the only one

1034
00:51:40,400 --> 00:51:44,960
Speaker 1: with perspective in the whole house. So it's very true. Wow. Okay,

1035
00:51:45,000 --> 00:51:48,000
Speaker 1: so we Yeah, we cut to a sad commercial break,

1036
00:51:48,920 --> 00:51:49,560
Speaker 1: and when we come.

1037
00:51:49,480 --> 00:51:51,240
Speaker 2: Back, an uncomfortable commercial breaks.

1038
00:51:51,360 --> 00:51:53,960
Speaker 1: It's a tent, it's tense, it's awkward, it's cringe, and

1039
00:51:54,000 --> 00:52:05,440
Speaker 1: it's sad. When we come back, we are in stephan

1040
00:52:05,520 --> 00:52:09,040
Speaker 1: DJ's room. DJ's reading on her bed when Danny walks in,

1041
00:52:09,239 --> 00:52:13,120
Speaker 1: hoping to talk to her. Wow, she's still upset. Imagine that.

1042
00:52:14,000 --> 00:52:16,520
Speaker 1: She says, right, there's.

1043
00:52:16,440 --> 00:52:20,200
Speaker 2: Yeah, we need to talk, but don't even right now.

1044
00:52:20,600 --> 00:52:23,560
Speaker 1: Yeah, Danny, leave her alone, let her cool off. There's

1045
00:52:23,640 --> 00:52:26,680
Speaker 1: nothing you can say that would will justify this behavior.

1046
00:52:28,200 --> 00:52:30,160
Speaker 1: So she tells him there's nothing to talk about. You

1047
00:52:30,239 --> 00:52:31,160
Speaker 1: kissed my teacher.

1048
00:52:32,040 --> 00:52:32,360
Speaker 2: Yeah.

1049
00:52:32,560 --> 00:52:37,280
Speaker 1: Stephanie hears this conversation and asks, you kissed mister Zambruski.

1050
00:52:38,200 --> 00:52:41,680
Speaker 1: Danny says no, it was Senorita Moseley, like that's better,

1051
00:52:42,320 --> 00:52:45,239
Speaker 1: and steph is grossed out that he kissed.

1052
00:52:44,920 --> 00:52:48,400
Speaker 2: At till the only one with any damn sense.

1053
00:52:49,719 --> 00:52:52,640
Speaker 1: At age six. Just she knows why this whole.

1054
00:52:52,440 --> 00:52:55,920
Speaker 2: Episode, she was like, ew, I'm leaving, I'm out, I can't.

1055
00:52:56,239 --> 00:52:57,719
Speaker 1: Yeah, yep, yep.

1056
00:52:57,760 --> 00:52:59,920
Speaker 2: See relocks her mouth, throws away the keys. I have

1057
00:53:00,080 --> 00:53:00,719
Speaker 2: nothing good to see.

1058
00:53:00,840 --> 00:53:02,960
Speaker 1: She's done. I'm going to go back to silence because

1059
00:53:03,160 --> 00:53:03,759
Speaker 1: that is.

1060
00:53:03,920 --> 00:53:05,839
Speaker 2: Where I'm stunned into it.

1061
00:53:06,080 --> 00:53:08,520
Speaker 1: Yeah, and she walks out that was your entire, your

1062
00:53:08,640 --> 00:53:10,319
Speaker 1: entire bit and that whole scene.

1063
00:53:10,400 --> 00:53:11,239
Speaker 2: Yeah, yep.

1064
00:53:12,000 --> 00:53:14,800
Speaker 1: DJ can't believe that Danny sold out his own daughter

1065
00:53:14,960 --> 00:53:19,200
Speaker 1: for a kiss. Danny attempts to tell DJ on what happened. Yeah, Mike,

1066
00:53:19,880 --> 00:53:22,520
Speaker 1: he says, my kissing sinery to Mosley had nothing to

1067
00:53:22,560 --> 00:53:25,640
Speaker 1: do with you. Kissing her was a mistake and it

1068
00:53:25,680 --> 00:53:28,239
Speaker 1: will never happen again. But that has nothing to do

1069
00:53:28,320 --> 00:53:34,160
Speaker 1: with your d in Spanish.

1070
00:53:32,160 --> 00:53:36,720
Speaker 2: Like not just focus on one thing at a time. Yeah, Yeah,

1071
00:53:36,719 --> 00:53:38,759
Speaker 2: Like you know, he's stuck on now, he's stuck on.

1072
00:53:38,719 --> 00:53:40,760
Speaker 1: The grade, and I'm like, no, no, you've got bigger problems.

1073
00:53:41,120 --> 00:53:43,240
Speaker 2: You gotta yeah, you gotta, you gotta let the grade

1074
00:53:43,239 --> 00:53:47,080
Speaker 2: thing go right now, because you you and and again

1075
00:53:47,960 --> 00:53:52,080
Speaker 2: he's right, parents make mistakes and sometimes they make big

1076
00:53:52,080 --> 00:53:54,719
Speaker 2: ones and they're you know, true. But and he's there,

1077
00:53:54,800 --> 00:53:57,319
Speaker 2: but he needs to just really focus on remedying that.

1078
00:53:57,800 --> 00:53:59,960
Speaker 1: Yeah, at the moment, he's got to make up for this.

1079
00:54:00,320 --> 00:54:01,759
Speaker 2: It feels a little bit like he's just kind of

1080
00:54:01,760 --> 00:54:03,600
Speaker 2: trying to throw it back on DJ.

1081
00:54:03,960 --> 00:54:05,959
Speaker 1: Yeah, he's it's like he's trying to, you know, shove

1082
00:54:06,000 --> 00:54:07,480
Speaker 1: this under the rug and be like, wait, let's talk

1083
00:54:07,480 --> 00:54:10,320
Speaker 1: about your mistake. DJ. It's like, no, no, wait, back up, Danny,

1084
00:54:10,520 --> 00:54:14,640
Speaker 1: we got to tackle your mistake first, right, And DJ

1085
00:54:14,680 --> 00:54:16,640
Speaker 1: tells him that she says, I don't care about my grade.

1086
00:54:17,360 --> 00:54:20,000
Speaker 1: She's bothered that Danny kissed her teacher and that all

1087
00:54:20,040 --> 00:54:26,480
Speaker 1: of her friends saw it. Yeah, right, right, Yeah, Danny

1088
00:54:26,520 --> 00:54:28,880
Speaker 1: doesn't know what else to say other than it was

1089
00:54:29,000 --> 00:54:29,600
Speaker 1: a mistake.

1090
00:54:31,120 --> 00:54:31,960
Speaker 2: You only said it once.

1091
00:54:32,080 --> 00:54:34,959
Speaker 1: Keep going, keep going, keep trying, keep going. He tells

1092
00:54:35,040 --> 00:54:37,759
Speaker 1: DJ that she's just going to have to accept his apology.

1093
00:54:38,440 --> 00:54:40,040
Speaker 1: What why why? Yeah?

1094
00:54:40,080 --> 00:54:42,759
Speaker 2: When he said that, I said no, mm hmmm.

1095
00:54:43,719 --> 00:54:46,440
Speaker 1: No, he's expecting her to get over it and forgive

1096
00:54:46,520 --> 00:54:50,360
Speaker 1: him immediately, and it's like, no, let her process her emotions.

1097
00:54:50,440 --> 00:54:53,640
Speaker 2: Yeah, and tell somebody, you're just gonna have to accept

1098
00:54:53,640 --> 00:54:54,280
Speaker 2: my apology.

1099
00:54:54,360 --> 00:54:55,240
Speaker 1: That made me mad.

1100
00:54:55,560 --> 00:54:58,400
Speaker 2: That made me mad. I was like, oh don't.

1101
00:54:58,200 --> 00:55:00,839
Speaker 1: You And I love Dan. I think he's a fact.

1102
00:55:01,680 --> 00:55:04,120
Speaker 2: But this, Oh you know what's interesting is this? I

1103
00:55:04,160 --> 00:55:10,440
Speaker 2: think it was It had like an it just there

1104
00:55:10,520 --> 00:55:14,359
Speaker 2: was it was obvious that like this was coming from

1105
00:55:14,400 --> 00:55:18,200
Speaker 2: a perspective of people who maybe don't always like know

1106
00:55:18,239 --> 00:55:20,800
Speaker 2: how to talk through emotions, and that like you know

1107
00:55:20,840 --> 00:55:22,640
Speaker 2: what I mean, and that like Dad is always kind

1108
00:55:22,640 --> 00:55:24,880
Speaker 2: of right, like that's sort of what it felt like, right,

1109
00:55:25,600 --> 00:55:27,799
Speaker 2: And that was I think a little bit more you know,

1110
00:55:27,840 --> 00:55:30,680
Speaker 2: the case back then. But yeah, it was no, Danny,

1111
00:55:30,960 --> 00:55:34,239
Speaker 2: it's not you don't have to just accept my apology,

1112
00:55:34,280 --> 00:55:36,759
Speaker 2: and we have to. This is yeah, we're still talking

1113
00:55:36,760 --> 00:55:37,880
Speaker 2: about This is a little out.

1114
00:55:37,719 --> 00:55:39,360
Speaker 1: Of character for Danny because I feel like he's the

1115
00:55:39,360 --> 00:55:41,680
Speaker 1: one that gives the big dad speeches, He's the one

1116
00:55:41,800 --> 00:55:45,800
Speaker 1: that's understanding. This feels more like a Jesse type of character.

1117
00:55:46,040 --> 00:55:50,440
Speaker 2: Yeah, this felt very I was. I was very confused

1118
00:55:50,480 --> 00:55:54,640
Speaker 2: by Danny's reaction to this, although I felt like maybe

1119
00:55:54,640 --> 00:55:56,560
Speaker 2: he was like, yeah, I really I really screwed up.

1120
00:55:57,080 --> 00:56:00,160
Speaker 2: I don't you're just you know, sometimes get Yeah, it's

1121
00:56:00,160 --> 00:56:02,719
Speaker 2: a little defensive, but Danny's not defensive like that. It

1122
00:56:02,760 --> 00:56:04,239
Speaker 2: doesn't usually seem to be that tight.

1123
00:56:04,320 --> 00:56:06,839
Speaker 1: But maybe he's in denial of like just how big

1124
00:56:06,920 --> 00:56:09,280
Speaker 1: he screwed up here, or just he can't place himself

1125
00:56:09,320 --> 00:56:12,279
Speaker 1: in DJ's shoes and understand where a thirteen year old

1126
00:56:12,320 --> 00:56:13,799
Speaker 1: girl is coming from. I don't know.

1127
00:56:14,040 --> 00:56:15,520
Speaker 2: I yeah, I don't know.

1128
00:56:15,680 --> 00:56:18,319
Speaker 1: I don't know. It's a mystery. But yeah, I really

1129
00:56:18,320 --> 00:56:18,919
Speaker 1: felt for DJ.

1130
00:56:19,200 --> 00:56:22,040
Speaker 2: And that's yeah, I felt for DJ. And and nobody's

1131
00:56:22,160 --> 00:56:24,880
Speaker 2: not gonna have to accept nothing so exactly. You're just

1132
00:56:24,920 --> 00:56:25,880
Speaker 2: gonna have to wait, Danny.

1133
00:56:27,080 --> 00:56:29,080
Speaker 1: Thankfully we're out of that scene and now we are

1134
00:56:29,520 --> 00:56:32,080
Speaker 1: on the commercial set for mister Marshmallow.

1135
00:56:33,440 --> 00:56:37,440
Speaker 2: Jesse with Jesse is the entire crew for this commercial.

1136
00:56:37,680 --> 00:56:41,239
Speaker 2: I've never this is a shoe string budget of a commercial. Right,

1137
00:56:41,360 --> 00:56:45,839
Speaker 2: there is one camera, no director, one lighting guy who

1138
00:56:45,840 --> 00:56:48,560
Speaker 2: you never see again. It's just Jesse and Joey.

1139
00:56:48,680 --> 00:56:50,239
Speaker 1: That's it. They're running the whole dang show.

1140
00:56:50,280 --> 00:56:51,640
Speaker 2: They're running the entire show.

1141
00:56:51,719 --> 00:56:54,000
Speaker 1: Yeah, usually you have a crew of two hundred people

1142
00:56:54,480 --> 00:56:55,440
Speaker 1: to do a commercial.

1143
00:56:55,520 --> 00:57:00,120
Speaker 2: Right to so many people and the ad people it

1144
00:57:00,160 --> 00:57:04,239
Speaker 2: wrote the thing like they would be there but not touching.

1145
00:57:04,600 --> 00:57:06,480
Speaker 1: Right, they wouldn't be running the shoot.

1146
00:57:06,800 --> 00:57:11,120
Speaker 2: No, this is again there's some serious union rules here

1147
00:57:11,160 --> 00:57:15,520
Speaker 2: that are being violated. Mister Mellotesta is just he is.

1148
00:57:15,880 --> 00:57:19,120
Speaker 2: He's not obviously not working with any sort of you

1149
00:57:19,160 --> 00:57:23,520
Speaker 2: know Iatzi union or I mean like you've got you know,

1150
00:57:23,800 --> 00:57:27,720
Speaker 2: Jesse's doing camera op and and and we've got lighting department. No,

1151
00:57:27,720 --> 00:57:30,720
Speaker 2: none of this is this is yes, and in the

1152
00:57:30,760 --> 00:57:34,680
Speaker 2: real there doing wardrobe, you can't costume like you're not

1153
00:57:34,680 --> 00:57:38,280
Speaker 2: supposed to cross those lines, like if you're if you're

1154
00:57:38,320 --> 00:57:39,440
Speaker 2: a wardrobe person, you.

1155
00:57:39,440 --> 00:57:41,520
Speaker 1: Can't you know, help with the makeup, Like you're supposed

1156
00:57:41,520 --> 00:57:42,680
Speaker 1: to stay in your zone.

1157
00:57:42,840 --> 00:57:46,280
Speaker 2: You stay in your zone obviously a non union commercial.

1158
00:57:46,680 --> 00:57:49,200
Speaker 1: Yeah, but it's low budget, non union, Like this has

1159
00:57:49,280 --> 00:57:54,000
Speaker 1: just got disaster written all over it. Yeah. Yeah, So

1160
00:57:54,120 --> 00:57:56,680
Speaker 1: Jesse tells the lighting guy to turn down the lights

1161
00:57:56,760 --> 00:58:00,360
Speaker 1: because they're starting to toast his marshmallows.

1162
00:58:00,240 --> 00:58:02,280
Speaker 2: Right, because dim lighting is what you want when you're

1163
00:58:02,280 --> 00:58:03,160
Speaker 2: shooting a commercial.

1164
00:58:04,680 --> 00:58:07,360
Speaker 1: Right. Then Jesse's parents arrive on set to see their

1165
00:58:07,360 --> 00:58:10,480
Speaker 1: son in action. Of course, why not two more.

1166
00:58:10,280 --> 00:58:13,919
Speaker 2: People with not a boundary to be found in this episode,

1167
00:58:14,600 --> 00:58:16,120
Speaker 2: Like it's how did.

1168
00:58:16,000 --> 00:58:18,440
Speaker 1: They get on the stage, Like isn't there security? Like

1169
00:58:18,480 --> 00:58:20,560
Speaker 1: where where? Like where are they shooting this in like

1170
00:58:20,600 --> 00:58:21,280
Speaker 1: a eighties?

1171
00:58:22,160 --> 00:58:23,960
Speaker 2: Here's the eighties. You can still walk into an airport

1172
00:58:23,960 --> 00:58:27,120
Speaker 2: if you want to just hang out, you know, true but.

1173
00:58:27,200 --> 00:58:32,840
Speaker 1: Very true, but still yeah, Irene, Irene do struggle with

1174
00:58:32,880 --> 00:58:34,440
Speaker 1: boundaries in this episode.

1175
00:58:34,520 --> 00:58:36,760
Speaker 2: You know, That's what I'm saying. This whole episode, everyone

1176
00:58:37,000 --> 00:58:40,320
Speaker 2: is just the behavior is shocking, truly.

1177
00:58:40,960 --> 00:58:44,240
Speaker 1: Irene says, it seems just like yesterday, I diaper this

1178
00:58:44,440 --> 00:58:47,480
Speaker 1: little tushie and she grabs his butt once again.

1179
00:58:48,240 --> 00:58:52,040
Speaker 2: The case in points my mom and I love I

1180
00:58:53,480 --> 00:58:56,280
Speaker 2: love Irene too, but stop it, I che stop it

1181
00:58:56,320 --> 00:58:56,880
Speaker 2: in Irene.

1182
00:58:56,920 --> 00:58:59,080
Speaker 1: But yeah, she needs to stop grabbing his butt. That's

1183
00:58:59,120 --> 00:59:00,960
Speaker 1: embarrassing and an appropriate.

1184
00:59:00,480 --> 00:59:03,480
Speaker 2: Embarrassing weird stop it.

1185
00:59:03,640 --> 00:59:06,000
Speaker 1: So Jesse tells them that they are two hours early

1186
00:59:06,080 --> 00:59:09,200
Speaker 1: to pick up Michelle, and Irene pretends that she didn't

1187
00:59:09,200 --> 00:59:12,680
Speaker 1: know that. Nick points out, Irene, you have a camera

1188
00:59:12,800 --> 00:59:16,600
Speaker 1: around your neck. You're not fooling anybody. She finally admits

1189
00:59:16,600 --> 00:59:20,840
Speaker 1: that they came to see Michelle. Joey announces Michelle's arrival.

1190
00:59:21,240 --> 00:59:25,320
Speaker 1: Step aside, please make way for miss Tanner. She strolls

1191
00:59:25,320 --> 00:59:27,960
Speaker 1: in wearing white sunglasses and a little blue dress, and

1192
00:59:28,000 --> 00:59:30,320
Speaker 1: she says, hey, babe, this.

1193
00:59:30,440 --> 00:59:31,440
Speaker 2: Is super cute.

1194
00:59:31,720 --> 00:59:32,800
Speaker 1: I believe that was Ashley.

1195
00:59:33,000 --> 00:59:36,200
Speaker 2: Such a cute delivery. Yeah, it looks very adorable in

1196
00:59:36,240 --> 00:59:36,960
Speaker 2: this little outfit.

1197
00:59:37,040 --> 00:59:40,760
Speaker 1: She's selling it, man, Yeah, she really is. Joey picks

1198
00:59:40,760 --> 00:59:43,760
Speaker 1: her up and says, no, please, no autographs. Miss Tanner

1199
00:59:43,840 --> 00:59:48,200
Speaker 1: can't write. Nick admires her cuteness, comparing her to the

1200
00:59:48,240 --> 00:59:52,120
Speaker 1: redhead he likes on Gilligan's Island, Tina Lilies. Yeah, why

1201
00:59:52,160 --> 00:59:55,919
Speaker 1: where did that come from? So weird because she's kind

1202
00:59:55,920 --> 00:59:59,800
Speaker 1: of like the sexy one on on on Gilligan's Island. Right,

1203
01:00:00,320 --> 01:00:03,680
Speaker 1: She's not cute. The cute one is the Mary Mary right,

1204
01:00:03,800 --> 01:00:07,680
Speaker 1: So is this a what? What did he.

1205
01:00:07,640 --> 01:00:10,960
Speaker 2: Get the wrong character? I don't understand what does this mean?

1206
01:00:11,520 --> 01:00:14,760
Speaker 1: I don't know, Like Michelle doesn't have red hair, like

1207
01:00:14,800 --> 01:00:16,720
Speaker 1: none of none of this connects for me.

1208
01:00:16,880 --> 01:00:20,360
Speaker 2: That she's cute but like but cute, And yeah, it was,

1209
01:00:20,800 --> 01:00:24,840
Speaker 2: it was. It was strange just to stretch. I didn't

1210
01:00:24,880 --> 01:00:27,520
Speaker 2: know what they were going for or why, or if

1211
01:00:28,280 --> 01:00:30,480
Speaker 2: I just couldn't see why. That was the conclusion.

1212
01:00:31,200 --> 01:00:34,720
Speaker 1: Yeah, this was. This was a miss, a rare miss

1213
01:00:34,760 --> 01:00:38,760
Speaker 1: by one of the writers. Uh so, Irene grabs Michelle's tushy,

1214
01:00:38,840 --> 01:00:42,640
Speaker 1: and Jesse exclaims, mother, do you have to grab everyone's tushy?

1215
01:00:43,080 --> 01:00:47,720
Speaker 2: Seriously? Irene boundaries consent, Please stop grabbing people's butts.

1216
01:00:48,640 --> 01:00:52,040
Speaker 1: Jesse places Michelle on the marshmallow scene as he instructs

1217
01:00:52,040 --> 01:00:55,080
Speaker 1: her what she'll be doing. Irene is close by taking

1218
01:00:55,120 --> 01:00:56,040
Speaker 1: pictures of the whole thing.

1219
01:00:56,520 --> 01:00:59,640
Speaker 2: Well just their camera. Op, he's doing it all right.

1220
01:01:00,360 --> 01:01:03,320
Speaker 1: Urges Irene to stop, and she backs off after getting

1221
01:01:03,440 --> 01:01:07,280
Speaker 1: just one more picture. Mister Malatesta walks in, announcing, stand

1222
01:01:07,320 --> 01:01:11,000
Speaker 1: by everyone, we're almost ready to make a marshmallow magic.

1223
01:01:11,160 --> 01:01:13,960
Speaker 2: Oh well, mister Malatesta is obviously the first ad because

1224
01:01:14,240 --> 01:01:18,120
Speaker 2: again this is he's the one that's telling everyone to

1225
01:01:18,160 --> 01:01:19,520
Speaker 2: stand by, and then we're gonna start rolling.

1226
01:01:19,560 --> 01:01:21,320
Speaker 1: Okay, so we have an AD and then we have

1227
01:01:21,480 --> 01:01:24,480
Speaker 1: Jesse like that's really yeah, and Joey is what Joey's

1228
01:01:24,520 --> 01:01:28,080
Speaker 1: just the handler, like Michelle's assistant or something like what

1229
01:01:28,120 --> 01:01:28,640
Speaker 1: I don't.

1230
01:01:28,640 --> 01:01:32,160
Speaker 2: Yeah, I don't know, I mean, and forget having you know,

1231
01:01:32,240 --> 01:01:35,760
Speaker 2: a social worker there or or yeah, we don't guardian

1232
01:01:35,840 --> 01:01:38,680
Speaker 2: and a legal guardian. Yeah, no, it's fine. It's not

1233
01:01:38,840 --> 01:01:44,160
Speaker 2: this lady over here just taking pictures. You know. It's

1234
01:01:44,240 --> 01:01:45,640
Speaker 2: going great. It's going great.

1235
01:01:45,720 --> 01:01:49,920
Speaker 1: Guy is going so well. Joey hands Michelle marshmallow and

1236
01:01:49,960 --> 01:01:53,280
Speaker 1: tells her to do just as they practiced. She takes

1237
01:01:53,280 --> 01:01:56,640
Speaker 1: the marshmallow and throws it on the floor, saying no more.

1238
01:01:57,640 --> 01:01:59,920
Speaker 1: Joey nervously laughs and says that this is how she

1239
01:02:00,160 --> 01:02:05,120
Speaker 1: warms up. Jesse adds, oh, Meryl Street, same technique. Joey

1240
01:02:05,160 --> 01:02:08,280
Speaker 1: answer another marshmallow. For the second attempt, she throws it

1241
01:02:08,320 --> 01:02:11,680
Speaker 1: on the floor again and says yucky. She follows that

1242
01:02:11,800 --> 01:02:16,200
Speaker 1: by saying her tummy is full. Jesse explains that Michelle

1243
01:02:16,200 --> 01:02:18,479
Speaker 1: has been rehearsing all day, so she ended up going

1244
01:02:18,560 --> 01:02:23,440
Speaker 1: through a whole bag of marshmallows. Mister Malatesta laughs and

1245
01:02:23,440 --> 01:02:28,080
Speaker 1: says he understands, but they have to dump the baby. Wow.

1246
01:02:28,120 --> 01:02:30,520
Speaker 1: He walks out, going to retrieve another baby from a

1247
01:02:30,600 --> 01:02:33,040
Speaker 1: dog food commercial. You know, but this is you know,

1248
01:02:33,120 --> 01:02:35,200
Speaker 1: time is money. I mean, maybe not in this particular.

1249
01:02:37,680 --> 01:02:39,640
Speaker 2: You need you know, this is why you need some

1250
01:02:39,680 --> 01:02:42,400
Speaker 2: sort of welfare worker. This is why you need a parent.

1251
01:02:43,000 --> 01:02:45,320
Speaker 1: This is why you need twin babies to pull this off,

1252
01:02:45,320 --> 01:02:47,160
Speaker 1: because when one is too full, you'll bring in the

1253
01:02:47,200 --> 01:02:47,800
Speaker 1: next one.

1254
01:02:47,880 --> 01:02:50,480
Speaker 2: They'd never shoot a commercial with one baby. Yeah, an

1255
01:02:50,560 --> 01:02:51,560
Speaker 2: untested baby.

1256
01:02:51,960 --> 01:02:53,760
Speaker 1: No, no, no, this would never happen.

1257
01:02:54,640 --> 01:02:55,040
Speaker 2: Uh.

1258
01:02:55,120 --> 01:02:58,320
Speaker 1: Nick and Irene storm out follow mister Malatesta, and Jesse

1259
01:02:58,480 --> 01:03:02,320
Speaker 1: panics and says, mother, that's my boss. Don't touch his tushy. Hm.

1260
01:03:03,160 --> 01:03:06,200
Speaker 1: Joey picks Michelle up concern Yeah at this point, yeah,

1261
01:03:06,200 --> 01:03:08,760
Speaker 1: you know, you don't know where Irene's hands are gonna go.

1262
01:03:09,840 --> 01:03:13,040
Speaker 1: Joey picks Michelle up and tells her how perfect she was,

1263
01:03:13,600 --> 01:03:16,120
Speaker 1: but he breaks it to her, now, don't take this personally.

1264
01:03:16,360 --> 01:03:20,760
Speaker 1: You're fired. Michelle giggles and points at Joey's lips. You're fired.

1265
01:03:21,400 --> 01:03:23,600
Speaker 1: They go back and forth and Joey insists that she

1266
01:03:23,680 --> 01:03:26,360
Speaker 1: gives him a kiss. She does, and then he tells her,

1267
01:03:26,720 --> 01:03:31,800
Speaker 1: you're still fired. Super cute interaction between those two. Oh yes.

1268
01:03:32,120 --> 01:03:34,840
Speaker 1: So Next in the kitchen, Steph walks in and Joey

1269
01:03:34,840 --> 01:03:37,360
Speaker 1: tells her that they have made her favorite lunch of

1270
01:03:37,400 --> 01:03:41,920
Speaker 1: all time, peanut butter, jelly and banana. M that was

1271
01:03:42,080 --> 01:03:43,280
Speaker 1: my favorite as a kid.

1272
01:03:43,920 --> 01:03:45,520
Speaker 2: I'm just a peanut butter and banana.

1273
01:03:46,240 --> 01:03:48,160
Speaker 1: I'll go through a stretch where like.

1274
01:03:48,240 --> 01:03:50,479
Speaker 2: Peanut, peanut butter and banana on toast will be it.

1275
01:03:50,440 --> 01:03:54,800
Speaker 1: So so delicious? Nothing like it. Steph accepts the lunch

1276
01:03:54,880 --> 01:03:58,800
Speaker 1: and gives him a chef's kiss. Jesse tells Joey, we

1277
01:03:58,880 --> 01:04:01,520
Speaker 1: gotta get that kid to talk. I have no idea

1278
01:04:01,560 --> 01:04:04,240
Speaker 1: what's going on in the first grade? And did you

1279
01:04:04,280 --> 01:04:06,680
Speaker 1: notice Jesse's shirt in this scene?

1280
01:04:07,040 --> 01:04:09,920
Speaker 2: This line I literally wrote down wearing DJ's shirt.

1281
01:04:10,000 --> 01:04:12,680
Speaker 1: It looks like DJ's shirt the shirt.

1282
01:04:12,800 --> 01:04:15,120
Speaker 2: Yeah, is he wearing DJ's shirt from the day before.

1283
01:04:15,240 --> 01:04:18,360
Speaker 1: It's the same color, blocking in the same colors, just

1284
01:04:18,520 --> 01:04:22,280
Speaker 1: is just missing some of the like military regalia, the

1285
01:04:22,320 --> 01:04:23,280
Speaker 1: stars or whatever.

1286
01:04:23,440 --> 01:04:26,680
Speaker 2: Yeah, yeah, like why I thought the same exact thing was.

1287
01:04:26,760 --> 01:04:29,240
Speaker 2: I was like, wow, this is a popular style.

1288
01:04:29,320 --> 01:04:31,000
Speaker 1: Did they just buy an extra shirt? Was it a

1289
01:04:31,000 --> 01:04:33,720
Speaker 1: two for one sale? Like? What? This is amazing?

1290
01:04:34,000 --> 01:04:37,360
Speaker 2: Adult and child sizes, I guess, I guess.

1291
01:04:37,400 --> 01:04:40,120
Speaker 1: I guess it was just I was like, wow, that's

1292
01:04:40,160 --> 01:04:43,680
Speaker 1: in the same episode. That was mind boggling. So DJ

1293
01:04:43,800 --> 01:04:46,640
Speaker 1: comes down shortly after and tells Joey she doesn't want

1294
01:04:46,680 --> 01:04:49,880
Speaker 1: to go to school because she feels sick. Joey believes

1295
01:04:49,960 --> 01:04:52,560
Speaker 1: DJ is actually just worried that the kids are going

1296
01:04:52,640 --> 01:04:55,400
Speaker 1: to tease her about her dad kissing their teacher.

1297
01:04:56,280 --> 01:04:56,960
Speaker 2: Didn't you think?

1298
01:04:57,040 --> 01:05:01,439
Speaker 1: Yeah? Right? And even DJ says oh yeah. Joey tells

1299
01:05:01,480 --> 01:05:03,120
Speaker 1: her the best way to handle it is to tell

1300
01:05:03,160 --> 01:05:05,600
Speaker 1: a bunch of jokes about the situation so that she's

1301
01:05:05,640 --> 01:05:09,040
Speaker 1: able to beat them all to the punchline. But DJ

1302
01:05:09,080 --> 01:05:11,400
Speaker 1: doesn't know any jokes, so Joey offers to help her

1303
01:05:11,440 --> 01:05:15,360
Speaker 1: write some. Jesse attempts to ease DJ and tells the

1304
01:05:15,400 --> 01:05:17,240
Speaker 1: story of when he had a bunch of zits in

1305
01:05:17,280 --> 01:05:20,360
Speaker 1: the sixth grade and to avoid being teased, he just

1306
01:05:20,440 --> 01:05:22,200
Speaker 1: beat up the first guy that made fun of him

1307
01:05:22,200 --> 01:05:25,000
Speaker 1: for it. He realizes that she should probably go with

1308
01:05:25,080 --> 01:05:26,560
Speaker 1: Joey's plan on this instead.

1309
01:05:27,360 --> 01:05:32,880
Speaker 2: Yes things like Jesse's emotional capability of handling things, you know.

1310
01:05:33,560 --> 01:05:36,240
Speaker 1: Yeah, this is on brand for his character, no doubt.

1311
01:05:37,240 --> 01:05:39,640
Speaker 1: So now we are back in Sinory to Mosley's classroom.

1312
01:05:40,080 --> 01:05:42,400
Speaker 1: Danny is pacing in front of her desk as he

1313
01:05:42,480 --> 01:05:46,080
Speaker 1: tries to explain why it's inappropriate for them to date

1314
01:05:46,280 --> 01:05:48,040
Speaker 1: while she is DJ's teacher.

1315
01:05:49,400 --> 01:05:52,520
Speaker 2: Yese have to explain that to the teacher at the time.

1316
01:05:53,560 --> 01:05:57,080
Speaker 1: Then, yeah, you got a bigger problem. Sinory to Mosley agrees,

1317
01:05:57,360 --> 01:05:59,800
Speaker 1: questioning why she would kiss him and do such a

1318
01:06:00,040 --> 01:06:03,880
Speaker 1: horrible thing in the first place. Danny takes a beat

1319
01:06:03,920 --> 01:06:06,280
Speaker 1: and responds, well, I just said it was inappropriate. I

1320
01:06:06,280 --> 01:06:10,520
Speaker 1: didn't think it was repulsive. She corrects herself to say

1321
01:06:10,560 --> 01:06:13,360
Speaker 1: that she should not have involved herself with a parent.

1322
01:06:14,600 --> 01:06:18,720
Speaker 2: Correct, thank you, thank you. Someone has some sense.

1323
01:06:19,560 --> 01:06:22,240
Speaker 1: But she adds she will only be DJ's teacher for

1324
01:06:22,280 --> 01:06:25,800
Speaker 1: three more months. Danny quickly says, we'll have dinner the

1325
01:06:25,880 --> 01:06:26,840
Speaker 1: day she graduates.

1326
01:06:27,680 --> 01:06:34,880
Speaker 2: Okay, eager beaver like, settle down again, Senorita Mosley, Come on,

1327
01:06:35,040 --> 01:06:35,840
Speaker 2: come on, lady.

1328
01:06:36,280 --> 01:06:38,760
Speaker 1: The school bell rings and Danny tries to slip out

1329
01:06:38,760 --> 01:06:41,280
Speaker 1: the back door, but he ends up rushing into the

1330
01:06:41,320 --> 01:06:47,240
Speaker 1: closet instead. Senorita Moseley greets the incoming students, including Kimmy,

1331
01:06:47,240 --> 01:06:49,440
Speaker 1: who's wearing what looks like a white outfit that has

1332
01:06:49,520 --> 01:06:51,960
Speaker 1: been dumped onto a Picasso painting.

1333
01:06:53,120 --> 01:06:57,000
Speaker 2: Yeah, yeah, it was a choice.

1334
01:06:57,040 --> 01:06:58,720
Speaker 1: It was a choice. I loved it. That was bright.

1335
01:06:58,800 --> 01:07:01,320
Speaker 2: It was very kimmyesque. Well it was, but in its

1336
01:07:01,440 --> 01:07:02,160
Speaker 2: very Kimmi.

1337
01:07:02,280 --> 01:07:06,160
Speaker 1: Okay, true, yes it's actually tame for Kimmy. But you know, yeah,

1338
01:07:06,600 --> 01:07:09,640
Speaker 1: that plus the hair, that is a choice. So Danny

1339
01:07:09,640 --> 01:07:11,880
Speaker 1: pokes his head out of the closet and he realizes

1340
01:07:11,920 --> 01:07:15,600
Speaker 1: his mistake. Sineory to Moseley tells her students that they'll

1341
01:07:15,600 --> 01:07:17,880
Speaker 1: be taking a trip to the cafeteria to learn the

1342
01:07:17,920 --> 01:07:22,360
Speaker 1: Spanish words for knife, fork, and mystery meat. DJ walks

1343
01:07:22,400 --> 01:07:25,160
Speaker 1: into class late and all the students turn their heads

1344
01:07:25,240 --> 01:07:31,320
Speaker 1: saying ooooooooooo. Sinory to Moseley reprimands them, but DJ deflects

1345
01:07:31,360 --> 01:07:34,840
Speaker 1: the reaction by saying, ooh, that's the best you can do.

1346
01:07:35,160 --> 01:07:38,240
Speaker 1: You guys need some help. Uh how about this? She

1347
01:07:38,320 --> 01:07:41,560
Speaker 1: starts a joke, talking to Kimmy knock knock, who's there?

1348
01:07:42,120 --> 01:07:46,160
Speaker 1: Diejdech who died? Do you see my father? Kiss the

1349
01:07:46,200 --> 01:07:49,280
Speaker 1: teacher and all the students laugh with her.

1350
01:07:49,480 --> 01:07:52,160
Speaker 2: That was actually was I like that?

1351
01:07:52,320 --> 01:07:54,600
Speaker 1: That was a good one. Yeah, that was a really

1352
01:07:54,600 --> 01:07:57,720
Speaker 1: good one. And Joey was right, she's deflecting all of

1353
01:07:57,760 --> 01:08:01,400
Speaker 1: this awkwardness. That was actually a great suggestion, Joey, yep.

1354
01:08:01,600 --> 01:08:04,240
Speaker 1: So Senory to Moseley tries to prevent her from continuing,

1355
01:08:04,320 --> 01:08:07,680
Speaker 1: but DJ tells another joke. Why does my father wear

1356
01:08:07,880 --> 01:08:12,280
Speaker 1: I love? Senory to Moseley suspenders to keep my grades up.

1357
01:08:12,640 --> 01:08:17,080
Speaker 1: As Senory to Moseley tells the class it's time to

1358
01:08:17,080 --> 01:08:19,840
Speaker 1: go to the cafeteria, DJ opens the closet door to

1359
01:08:19,880 --> 01:08:24,240
Speaker 1: hang up her coat. Oh hi, DJ says Danny, and

1360
01:08:24,320 --> 01:08:29,320
Speaker 1: DJ stares at him. What did I ever do to you? Okay, No,

1361
01:08:29,439 --> 01:08:31,640
Speaker 1: this is the most unbelievable thing in the series. A

1362
01:08:31,680 --> 01:08:35,160
Speaker 1: coat closet, a coat in a classroom, and a student

1363
01:08:35,240 --> 01:08:39,000
Speaker 1: hangs The most unbelievable thing is that a sixth grader

1364
01:08:39,120 --> 01:08:40,240
Speaker 1: or seventh grader would.

1365
01:08:40,080 --> 01:08:43,559
Speaker 2: Go and hang up a coat, right, But those then

1366
01:08:43,640 --> 01:08:45,599
Speaker 2: they are on the floor. They don't even know they

1367
01:08:45,640 --> 01:08:48,559
Speaker 2: have them. First of all, they don't have them. I

1368
01:08:48,600 --> 01:08:50,559
Speaker 2: would be shocked that any of them brought one with

1369
01:08:50,640 --> 01:08:51,400
Speaker 2: them in the first place.

1370
01:08:51,479 --> 01:08:52,160
Speaker 1: Exactly.

1371
01:08:52,920 --> 01:08:56,200
Speaker 2: Kids are very anti absolutely unnecessary in a class.

1372
01:08:55,960 --> 01:08:58,040
Speaker 1: That is a waste of space. You do not need

1373
01:08:58,040 --> 01:08:58,759
Speaker 1: a coat closet.

1374
01:08:58,840 --> 01:09:02,479
Speaker 2: No, no, it would be so full of pinatas and

1375
01:09:02,680 --> 01:09:08,280
Speaker 2: all manner of like Spanish teaching Accoutrell that there would

1376
01:09:08,280 --> 01:09:09,360
Speaker 2: be no room for Danny in there.

1377
01:09:09,640 --> 01:09:12,599
Speaker 1: No or a coat, no, narry a coat to be found.

1378
01:09:12,920 --> 01:09:15,320
Speaker 2: Yeah, no, no, not a coat, not a parent nothing.

1379
01:09:16,560 --> 01:09:18,840
Speaker 1: So Seny read to Moseley tells the class it isn't

1380
01:09:18,840 --> 01:09:22,559
Speaker 1: what they think. Danny swoops in and says, that's right.

1381
01:09:22,720 --> 01:09:25,640
Speaker 1: We're doing a special on great closets in San Francisco.

1382
01:09:27,080 --> 01:09:30,080
Speaker 1: Kimmy asks when will that special be airing, mister Tanner,

1383
01:09:30,680 --> 01:09:33,519
Speaker 1: and Danny tells her that he'll let her know. And

1384
01:09:33,560 --> 01:09:35,640
Speaker 1: Bob's delivery of this line is so good, like he

1385
01:09:35,720 --> 01:09:39,280
Speaker 1: takes a beat before he tells Kimmy, Yeah, and it's

1386
01:09:39,320 --> 01:09:42,160
Speaker 1: just so funny, like he's so irritated at her. I

1387
01:09:42,240 --> 01:09:46,120
Speaker 1: just I relish this. It's so funny. So as Danny leaves,

1388
01:09:46,160 --> 01:09:49,840
Speaker 1: DJ tells the class, amazing, that guy looks just like

1389
01:09:49,920 --> 01:09:52,960
Speaker 1: my dad. Gosh, way to make things worse, you know, like,

1390
01:09:53,200 --> 01:09:56,000
Speaker 1: just when I thought they were getting it together right now,

1391
01:09:56,040 --> 01:09:58,759
Speaker 1: we're just have Danny coming out of the closet, making

1392
01:09:58,800 --> 01:10:02,880
Speaker 1: things a mess. So next we're in the kitchen. DJ

1393
01:10:03,040 --> 01:10:05,519
Speaker 1: is sitting on the kitchen counter and asks Danny why

1394
01:10:05,560 --> 01:10:09,360
Speaker 1: he hid in the closet. It's the first place everyone looks.

1395
01:10:09,880 --> 01:10:12,679
Speaker 1: He tells her he wasn't hiding, he was trying to leave.

1396
01:10:13,520 --> 01:10:15,200
Speaker 1: Danny takes a seat next to her on the counter

1397
01:10:15,320 --> 01:10:19,560
Speaker 1: and asks if she remembers him talking about parents making mistakes.

1398
01:10:20,400 --> 01:10:22,920
Speaker 1: He asks if she wants to hear the speech again,

1399
01:10:22,960 --> 01:10:27,000
Speaker 1: and she shakes her her head no. Danny tells DJ

1400
01:10:27,120 --> 01:10:29,840
Speaker 1: he's not going to see miss Sydneyrina Mosley while she

1401
01:10:30,000 --> 01:10:35,479
Speaker 1: is her teacher, and apologizes again for embarrassing her twice. Good,

1402
01:10:35,640 --> 01:10:39,360
Speaker 1: thank you, Danny, that's what thank you seventeen minutes ago. Yeah,

1403
01:10:39,439 --> 01:10:41,960
Speaker 1: you know, just an apology, admit you were wrong.

1404
01:10:41,760 --> 01:10:44,840
Speaker 2: Yeah, and right leave. So have you ever opened a

1405
01:10:44,840 --> 01:10:47,960
Speaker 2: closet and walked so far in in mistake that you

1406
01:10:47,960 --> 01:10:49,840
Speaker 2: thought you were walking into an exit and then you

1407
01:10:49,880 --> 01:10:52,240
Speaker 2: realized you were in a closet, Because if you don't

1408
01:10:52,280 --> 01:10:54,800
Speaker 2: open a closet and immediately go, that's a closet, And.

1409
01:10:55,680 --> 01:10:59,679
Speaker 1: Yeah, you got bigger problems, you know. Yeah. Yeah, he yeah, Danny, man,

1410
01:11:00,080 --> 01:11:02,880
Speaker 1: he's he's just digging himself a bigger and bigger hole here.

1411
01:11:03,200 --> 01:11:03,879
Speaker 2: It's true.

1412
01:11:04,160 --> 01:11:06,800
Speaker 1: Then, of course, Danny circles back to her grades and says,

1413
01:11:07,080 --> 01:11:11,800
Speaker 1: you know that you deserved that d DJ size and

1414
01:11:11,880 --> 01:11:14,720
Speaker 1: admits that she sort of gave up because she's no

1415
01:11:14,840 --> 01:11:19,080
Speaker 1: good at Spanish. Danny tells her, well, I understand it's frustrating.

1416
01:11:19,520 --> 01:11:22,360
Speaker 1: So many things come so easily to you, but not

1417
01:11:22,560 --> 01:11:25,320
Speaker 1: everything well. And if you give up on something just

1418
01:11:25,360 --> 01:11:27,840
Speaker 1: because it's difficult, you're going to miss out on a

1419
01:11:27,880 --> 01:11:31,960
Speaker 1: lot that's valuable. There's no better feeling than conquering something

1420
01:11:32,040 --> 01:11:35,439
Speaker 1: that's really hard for you. Okay, Now this is the

1421
01:11:35,520 --> 01:11:38,559
Speaker 1: Danny we know in love, the dad's speech, the good advice.

1422
01:11:39,400 --> 01:11:42,599
Speaker 2: Now I feel like we're back on track. We are finally, Danny.

1423
01:11:42,960 --> 01:11:44,559
Speaker 2: He had a momentary lapse in judgment.

1424
01:11:45,080 --> 01:11:46,679
Speaker 1: You know, it happens. I forgive him.

1425
01:11:47,160 --> 01:11:49,040
Speaker 2: You know, he's you know, at the end of the day. Look,

1426
01:11:49,040 --> 01:11:51,560
Speaker 2: he's still a widower. Still, he's still going through some stuff.

1427
01:11:51,400 --> 01:11:53,680
Speaker 1: And he's still trying to figure out Yeah, his his

1428
01:11:53,920 --> 01:11:56,960
Speaker 1: post widow dating life. Like you know, he's gonna make

1429
01:11:56,960 --> 01:11:57,400
Speaker 1: some mistake.

1430
01:11:57,479 --> 01:12:00,479
Speaker 2: And Senor Rida Mosley was also really flirtatious, and you

1431
01:12:00,520 --> 01:12:04,760
Speaker 2: know it was nobody. Nobody said. Nobody really thought things

1432
01:12:04,760 --> 01:12:05,519
Speaker 2: through in this situation.

1433
01:12:05,640 --> 01:12:09,080
Speaker 1: So right, it's glad. I'm glad we're back. I'm glad

1434
01:12:09,120 --> 01:12:12,519
Speaker 1: we're back on track here. DJ understands what he's saying,

1435
01:12:12,840 --> 01:12:15,920
Speaker 1: but she's worried about working as hard as possible and

1436
01:12:16,040 --> 01:12:19,240
Speaker 1: still not being able to get an a. Jenny tells

1437
01:12:19,280 --> 01:12:21,160
Speaker 1: her he will be proud of her for working as

1438
01:12:21,160 --> 01:12:25,120
Speaker 1: hard as she can. She smiles and says she will try.

1439
01:12:25,240 --> 01:12:30,000
Speaker 1: He says thanks, and DJ begins to practice already, that's grassius,

1440
01:12:30,360 --> 01:12:34,599
Speaker 1: you're a padre moui bueno. He says, huh, and DJ

1441
01:12:34,720 --> 01:12:39,719
Speaker 1: explains you're a great dad. Steph walks into the kitchen,

1442
01:12:39,760 --> 01:12:44,000
Speaker 1: followed by Jesse and Joey. Jesse begs, please, I miss

1443
01:12:44,080 --> 01:12:48,519
Speaker 1: the old chatterbox. Steph asks if they're sure, and Danny

1444
01:12:48,520 --> 01:12:51,120
Speaker 1: admits that they want to hear everything that happened today.

1445
01:12:51,800 --> 01:12:53,719
Speaker 1: DJ decides it's time to go work on her Spanish

1446
01:12:53,760 --> 01:12:59,040
Speaker 1: homework and Steph begins, okay, boys, have a seat. Stephanie

1447
01:12:59,080 --> 01:13:02,519
Speaker 1: starts this incredible monologue, starting with Joey telling him that

1448
01:13:02,520 --> 01:13:05,120
Speaker 1: mister Gibbler ran over a garbage can this morning. Spilling

1449
01:13:05,120 --> 01:13:07,200
Speaker 1: TV dinners all over the street. Then she moves on

1450
01:13:07,240 --> 01:13:09,160
Speaker 1: to Jesse, telling him she saw a dog that looked

1451
01:13:09,200 --> 01:13:11,439
Speaker 1: just like a lion. When Danny questions her, she shouts,

1452
01:13:11,560 --> 01:13:16,280
Speaker 1: would I make that up? This is just so great. Finally,

1453
01:13:16,320 --> 01:13:17,600
Speaker 1: she goes up to Danny and tells him that a

1454
01:13:17,640 --> 01:13:20,639
Speaker 1: classmate got five dollars for a single tooth. She questions,

1455
01:13:20,680 --> 01:13:22,519
Speaker 1: are my teeth too small? Or do I have a

1456
01:13:22,600 --> 01:13:27,000
Speaker 1: cheap tooth? Fairy? This is incredible, Like did you memorize

1457
01:13:27,040 --> 01:13:29,280
Speaker 1: this or were you making it? Yeah, like this is

1458
01:13:29,360 --> 01:13:33,760
Speaker 1: a long speech for you to memorize. I was so impressed.

1459
01:13:34,200 --> 01:13:37,599
Speaker 2: Why, thank you? Yeah, thank you? Yeah it was. It

1460
01:13:37,640 --> 01:13:41,040
Speaker 2: was a very funny stuff moment that she just had

1461
01:13:41,080 --> 01:13:43,599
Speaker 2: so much to report on and you couldn't contain herself.

1462
01:13:43,600 --> 01:13:46,200
Speaker 1: Oh, she was ready to explode. She had been saving

1463
01:13:46,240 --> 01:13:48,120
Speaker 1: it all up for I don't know how many dance.

1464
01:13:48,000 --> 01:13:50,519
Speaker 2: She was like, I'm literally going to explode. I don't

1465
01:13:50,520 --> 01:13:50,960
Speaker 2: get this out.

1466
01:13:51,000 --> 01:13:53,400
Speaker 1: So yeah, it was brilliant. It was a perfect way

1467
01:13:53,400 --> 01:13:56,719
Speaker 1: I say end this episode, and that is our show.

1468
01:13:57,120 --> 01:13:58,480
Speaker 2: It was Donna.

1469
01:13:59,280 --> 01:14:02,280
Speaker 1: Yep, oh loved it. That was That was a great,

1470
01:14:02,720 --> 01:14:04,960
Speaker 1: great episode, you know, I was.

1471
01:14:05,400 --> 01:14:09,160
Speaker 2: It was a great episode. Once we finally rained everybody

1472
01:14:09,200 --> 01:14:12,280
Speaker 2: in a little bit. Once once everybody, once they came

1473
01:14:12,320 --> 01:14:14,320
Speaker 2: to their senses, I realized that they were kind of

1474
01:14:14,360 --> 01:14:19,240
Speaker 2: being a little crazy. Yeah and boundaryless. Yeah, you know,

1475
01:14:19,439 --> 01:14:20,840
Speaker 2: now it felt better by the.

1476
01:14:20,880 --> 01:14:24,440
Speaker 1: End, totally, totally everyone came to their senses. Danny apologized,

1477
01:14:24,520 --> 01:14:28,400
Speaker 1: step Stephanie started talking again. You know, yes, yes, I agree.

1478
01:14:28,280 --> 01:14:33,439
Speaker 2: It was. It was a very funny episode, and I yeah, God,

1479
01:14:33,520 --> 01:14:37,400
Speaker 2: I just can't imagine that actually happening in how embarrassed

1480
01:14:37,439 --> 01:14:42,439
Speaker 2: for DJ would be. I mean, you'd never live that down. No, never, never, never, never.

1481
01:14:43,000 --> 01:14:46,040
Speaker 1: Oh man. You know, when I when I was in

1482
01:14:46,120 --> 01:14:49,000
Speaker 1: high school taking Spanish and I was on full house,

1483
01:14:49,560 --> 01:14:52,040
Speaker 1: I actually got a bad grade in my Spanish class,

1484
01:14:53,000 --> 01:14:54,320
Speaker 1: so I can kind of relate to this. I mean,

1485
01:14:54,320 --> 01:14:56,120
Speaker 1: my dad wasn't making out with my teacher or anything,

1486
01:14:56,160 --> 01:14:59,400
Speaker 1: but I thank god, but I got I don't know

1487
01:14:59,400 --> 01:15:01,600
Speaker 1: if it was a C, a D. But it's because

1488
01:15:01,840 --> 01:15:05,920
Speaker 1: she downgraded me for my participation grade because I wasn't

1489
01:15:05,960 --> 01:15:09,920
Speaker 1: in class to participate. And I'm like, you know, I

1490
01:15:09,920 --> 01:15:12,960
Speaker 1: got a full time job. I'm under contract with ABC

1491
01:15:13,280 --> 01:15:16,680
Speaker 1: and Warner Brothers, and I you know, at least was

1492
01:15:16,680 --> 01:15:21,920
Speaker 1: my teacher at that point she was slow in Spanish.

1493
01:15:19,200 --> 01:15:23,320
Speaker 2: Yes, so I was so.

1494
01:15:23,360 --> 01:15:26,599
Speaker 1: Upset that I got knocked down for my participation grade

1495
01:15:27,160 --> 01:15:29,519
Speaker 1: just because I wasn't physically in the classroom. And my

1496
01:15:29,600 --> 01:15:32,519
Speaker 1: teacher never really understood that. And so I'm still I'm

1497
01:15:32,560 --> 01:15:33,920
Speaker 1: a little better still to this day.

1498
01:15:34,040 --> 01:15:37,759
Speaker 2: Yeah, teachers would do that. Sometimes we're like well, and you're.

1499
01:15:37,600 --> 01:15:40,200
Speaker 1: Like yeah, and I'm like, but I'm on TV and

1500
01:15:40,240 --> 01:15:42,040
Speaker 1: she's like, well that was your choice. You're not here

1501
01:15:42,040 --> 01:15:42,840
Speaker 1: in glass and those like.

1502
01:15:43,720 --> 01:15:48,840
Speaker 2: Yeah, okay, yeah, you know, well you should have gotten

1503
01:15:48,880 --> 01:15:51,880
Speaker 2: an A or an E or whatever they give you

1504
01:15:51,920 --> 01:15:52,600
Speaker 2: for participation.

1505
01:15:52,680 --> 01:15:54,719
Speaker 1: Oh, I agree, excellent, I agree because I was speaking

1506
01:15:54,720 --> 01:15:58,360
Speaker 1: in Spanish all the time. Yeah, at least my dad

1507
01:15:58,479 --> 01:16:01,519
Speaker 1: was not making out with my teacher. You know, I

1508
01:16:01,520 --> 01:16:03,759
Speaker 1: should count my blessings. I guess that's the lesson.

1509
01:16:04,640 --> 01:16:08,120
Speaker 2: Yeah, that's uh. That was That was a lot. And

1510
01:16:08,120 --> 01:16:10,960
Speaker 2: and you know, I will say to the the kids

1511
01:16:10,960 --> 01:16:14,160
Speaker 2: in this house, just keep getting commercials and yeah, you

1512
01:16:14,200 --> 01:16:16,680
Speaker 2: know there's a lot of guest appearances on their on

1513
01:16:16,760 --> 01:16:19,240
Speaker 2: their aunts morning talk shows.

1514
01:16:19,439 --> 01:16:24,400
Speaker 1: Oh yeah, there's a lot of the nepeties. Mister h yeah, yeah,

1515
01:16:24,439 --> 01:16:26,479
Speaker 1: this is yeah, well, it's going to be a running

1516
01:16:26,520 --> 01:16:27,600
Speaker 1: theme I think throughout.

1517
01:16:27,360 --> 01:16:30,120
Speaker 2: The the nepotism is strong in this family. But that's okay,

1518
01:16:30,400 --> 01:16:30,840
Speaker 2: we love it.

1519
01:16:31,160 --> 01:16:31,880
Speaker 1: We're here for it.

1520
01:16:31,880 --> 01:16:33,599
Speaker 2: It's well, the jokes have got to work, and you've

1521
01:16:33,600 --> 01:16:36,679
Speaker 2: got to keep the you've got to keep the jobs

1522
01:16:36,760 --> 01:16:37,280
Speaker 2: in the set.

1523
01:16:37,600 --> 01:16:41,280
Speaker 1: Yes, yes you do. Did you have any everywhere you looks?

1524
01:16:43,320 --> 01:16:47,080
Speaker 2: I did? Actually everywhere you look. That comes in the

1525
01:16:47,160 --> 01:16:51,760
Speaker 2: very first scene. Okay, uh, as the three guys are

1526
01:16:51,800 --> 01:16:56,120
Speaker 2: sitting at the table, do you notice what they're having?

1527
01:16:56,560 --> 01:17:01,599
Speaker 1: Yes, on a plate legs legs of cold fried chicken,

1528
01:17:02,160 --> 01:17:03,839
Speaker 1: cold fried chicken.

1529
01:17:04,439 --> 01:17:06,880
Speaker 2: Yep. That they just well they took that out of

1530
01:17:06,880 --> 01:17:08,960
Speaker 2: the fridge to make room for the giant can of

1531
01:17:09,479 --> 01:17:12,920
Speaker 2: tomato sauce, right or whatever. Right, And so they were like, well,

1532
01:17:12,920 --> 01:17:14,760
Speaker 2: we better move this cold fried chicken out so we

1533
01:17:14,760 --> 01:17:17,160
Speaker 2: can put a giant can of tomato sauce in there.

1534
01:17:17,400 --> 01:17:20,240
Speaker 1: Yes, the fridge is very full. The house is full,

1535
01:17:20,280 --> 01:17:22,559
Speaker 1: and the fridge is full, so yeah, cold fried chicken

1536
01:17:22,600 --> 01:17:24,679
Speaker 1: is very full. Better eat it up. That's so great.

1537
01:17:24,680 --> 01:17:27,160
Speaker 2: I just but yeah, that was my that was my

1538
01:17:27,160 --> 01:17:27,920
Speaker 2: my everywhere you look.

1539
01:17:27,920 --> 01:17:29,880
Speaker 1: Oh, that's a good one. That's a really good one. Yep.

1540
01:17:29,920 --> 01:17:33,360
Speaker 1: I love I never like took note of that at

1541
01:17:33,400 --> 01:17:36,000
Speaker 1: the time we were filming this, But now I'm I

1542
01:17:36,040 --> 01:17:37,920
Speaker 1: love it. I just I love every time they have

1543
01:17:37,960 --> 01:17:38,760
Speaker 1: fried chicken.

1544
01:17:38,560 --> 01:17:41,880
Speaker 2: Kind of always being there, but not as often as

1545
01:17:41,920 --> 01:17:42,439
Speaker 2: like this is.

1546
01:17:42,680 --> 01:17:45,240
Speaker 1: Yeah, it's like a it's like a recurring character at

1547
01:17:45,280 --> 01:17:48,080
Speaker 1: this point. Yes, it needs a title credit. At the

1548
01:17:48,160 --> 01:17:50,920
Speaker 1: beginning of the episode, the cold fried Chicken, The cold

1549
01:17:50,960 --> 01:17:51,519
Speaker 1: fried chicken.

1550
01:17:52,240 --> 01:17:54,280
Speaker 2: Yeah, did you have any ms?

1551
01:17:54,360 --> 01:17:56,320
Speaker 1: Let me look, we might have already talked about them. Okay.

1552
01:17:56,360 --> 01:18:01,400
Speaker 1: The Kansas's cousin Megan is in the episode. It's always

1553
01:18:01,439 --> 01:18:03,880
Speaker 1: great to see our stage wall, like our real stage

1554
01:18:03,880 --> 01:18:07,519
Speaker 1: walls in the comer of the marshmallow commercial scene. And

1555
01:18:07,560 --> 01:18:08,519
Speaker 1: then this is what that was.

1556
01:18:08,560 --> 01:18:11,439
Speaker 2: The only real thing about that, The only real thing, yes,

1557
01:18:11,840 --> 01:18:14,280
Speaker 2: was the wall behind it. Yeah, not the wall on

1558
01:18:14,320 --> 01:18:15,439
Speaker 2: the set, the wall behind it, the.

1559
01:18:15,439 --> 01:18:18,880
Speaker 1: Wall behind it. Yes. And then there's one I'm not

1560
01:18:18,880 --> 01:18:22,600
Speaker 1: sure about. Okay, Okay, it's at eleven minutes and fifteen

1561
01:18:22,720 --> 01:18:26,120
Speaker 1: seconds in the living room. It's I'm very specific. Okay,

1562
01:18:26,200 --> 01:18:28,439
Speaker 1: now that's all right, when Danny is saying goodbye to

1563
01:18:28,479 --> 01:18:30,680
Speaker 1: Michelle in the living room before she goes off to

1564
01:18:30,680 --> 01:18:34,839
Speaker 1: do the marshmallow commercial. Okay, walks okay, and I swear

1565
01:18:35,000 --> 01:18:39,040
Speaker 1: I hear a clicker like the director's clicker, which doesn't

1566
01:18:39,040 --> 01:18:41,120
Speaker 1: make sense because the director is up in the bleachers,

1567
01:18:41,160 --> 01:18:44,000
Speaker 1: But I swear like I had an immediate, like a

1568
01:18:44,200 --> 01:18:46,160
Speaker 1: like a reaction. I was like, Oh, that's a clicker,

1569
01:18:46,200 --> 01:18:46,799
Speaker 1: that's the clicker.

1570
01:18:47,640 --> 01:18:50,960
Speaker 2: Well, do you remember didn't they use the clickers to

1571
01:18:51,040 --> 01:18:54,040
Speaker 2: get didn't they didn't? Didn't. Wasn't there a clicker that

1572
01:18:54,040 --> 01:18:56,160
Speaker 2: they used for Ashley and Mary Kate or something or no?

1573
01:18:56,200 --> 01:18:59,400
Speaker 1: But that was Oh no, that was that was the director.

1574
01:18:59,000 --> 01:19:00,920
Speaker 2: And the and the had a clicker.

1575
01:19:01,040 --> 01:19:02,439
Speaker 1: We didn't have a dog had a clicker, but there's

1576
01:19:02,479 --> 01:19:03,120
Speaker 1: no dog in this.

1577
01:19:03,200 --> 01:19:04,000
Speaker 2: We didn't have the dog yet.

1578
01:19:04,000 --> 01:19:05,880
Speaker 1: I mean maybe, well, I'm have to go back and

1579
01:19:05,880 --> 01:19:08,280
Speaker 1: watch again, but I swear here is something that's that's

1580
01:19:08,320 --> 01:19:10,960
Speaker 1: that double that you know, that click click? Yeah, And

1581
01:19:11,000 --> 01:19:12,680
Speaker 1: I'm like, that's got to be the director's clicker or

1582
01:19:12,840 --> 01:19:14,760
Speaker 1: was that just a I mean, I don't know. Did

1583
01:19:14,800 --> 01:19:15,640
Speaker 1: Billy Foster have it?

1584
01:19:15,800 --> 01:19:17,880
Speaker 2: Joel was Yeah, No, Joel was the one that had

1585
01:19:17,880 --> 01:19:19,719
Speaker 2: a little clicker. I don't think Billy had a clicker.

1586
01:19:19,720 --> 01:19:21,880
Speaker 1: Okay, so maybe I'm making it up. Maybe I'm here, maybe, but.

1587
01:19:21,880 --> 01:19:23,920
Speaker 2: He might have because one because Joel was saying that

1588
01:19:23,920 --> 01:19:25,559
Speaker 2: that there were a lot of directors that did that.

1589
01:19:25,640 --> 01:19:28,080
Speaker 2: But I don't know. I don't know. But now I'm

1590
01:19:28,080 --> 01:19:29,360
Speaker 2: gonna have to go back and listen for it.

1591
01:19:29,400 --> 01:19:31,840
Speaker 1: Go back and listen for it. And I could be

1592
01:19:32,000 --> 01:19:33,920
Speaker 1: very wrong. I could be very off base, but it

1593
01:19:33,960 --> 01:19:35,920
Speaker 1: did jog a memory. I was like, Oh, there's the clicker.

1594
01:19:36,080 --> 01:19:38,160
Speaker 2: Huh So okay, yeah, well.

1595
01:19:37,960 --> 01:19:40,519
Speaker 1: Everybody comes to it. If you're watching on Hulu, go

1596
01:19:40,560 --> 01:19:44,240
Speaker 1: to eleven minutes and fifteen seconds, okay, and tell me see,

1597
01:19:44,479 --> 01:19:46,639
Speaker 1: do you hear this as well? Do you hear this?

1598
01:19:46,840 --> 01:19:49,759
Speaker 1: Or has my cold medicine really taken effect?

1599
01:19:49,960 --> 01:19:52,479
Speaker 2: Has it really thing's really gone wild?

1600
01:19:52,640 --> 01:19:53,000
Speaker 1: Yes?

1601
01:19:53,439 --> 01:19:57,200
Speaker 2: Well, thank you everybody for joining us for another really fun,

1602
01:19:57,600 --> 01:20:01,760
Speaker 2: although bautdteryless episode of House as always, but we really

1603
01:20:01,880 --> 01:20:03,920
Speaker 2: enjoyed breaking it down with you guys, so thank you

1604
01:20:04,000 --> 01:20:06,320
Speaker 2: for joining us. If you want to follow us on Instagram,

1605
01:20:06,360 --> 01:20:09,360
Speaker 2: make sure that you're following at how Rude Podcast. You

1606
01:20:09,400 --> 01:20:12,600
Speaker 2: can also email us at howarudpodcast at gmail dot com.

1607
01:20:12,680 --> 01:20:15,280
Speaker 2: Make sure that you're listening and subscribing to the podcast

1608
01:20:15,360 --> 01:20:18,280
Speaker 2: wherever you're listening to it, whether it's on Apple or

1609
01:20:18,320 --> 01:20:21,720
Speaker 2: Spotify or whatever. It is like and subscribe so that

1610
01:20:21,800 --> 01:20:24,400
Speaker 2: you can get all the newest episodes right when they drop.

1611
01:20:25,800 --> 01:20:28,719
Speaker 2: And uh yeah, we just we love our fan ritos.

1612
01:20:28,720 --> 01:20:31,120
Speaker 2: So thanks for joining us for another episode. We will

1613
01:20:31,160 --> 01:20:35,200
Speaker 2: see you next time for season two episode eighteen. Goodbye

1614
01:20:35,400 --> 01:20:36,040
Speaker 2: mister Bear.

1615
01:20:36,200 --> 01:20:38,920
Speaker 1: Oh no no, I didn't know that was coming up.

1616
01:20:38,960 --> 01:20:41,200
Speaker 2: Next Tragedy strong.

1617
01:20:41,000 --> 01:20:42,559
Speaker 1: Man for this.

1618
01:20:42,680 --> 01:20:44,600
Speaker 2: We will see you next time for that episode. And

1619
01:20:44,640 --> 01:20:49,400
Speaker 2: in the meantime, remember the world is small, but the

1620
01:20:49,439 --> 01:20:53,639
Speaker 2: house is full brilliant of cans of tomato juice.

1621
01:20:55,800 --> 01:20:58,080
Speaker 1: And the house is not full of boundaries.

1622
01:20:57,920 --> 01:21:00,400
Speaker 2: And not forget lacking in boundaries and full of cancer

1623
01:21:00,439 --> 01:21:01,240
Speaker 2: dimitter juice.

1624
01:21:02,800 --> 01:21:04,640
Speaker 1: I love this show.

1625
01:21:04,840 --> 01:21:06,960
Speaker 2: I love this Amphibian