WEBVTT - 9021-Hello Season 7!

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<v Speaker 1>It's nine o Gene Engine with Jenny Garth and Tory Spelling. Welcome,

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<v Speaker 1>Welcome to season seven.

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<v Speaker 2>Did you ever think we'd be around this long? We did,

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<v Speaker 2>I mean the first time I now.

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<v Speaker 1>This, but neither. I don't think Alvira around this long ever.

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<v Speaker 3>Again, we really needed season seven, like we needed freshness

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<v Speaker 3>as we needed Like six was amazing. I love six,

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<v Speaker 3>but it dragged. It started to drag. Well, it was

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<v Speaker 3>so freaking long.

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<v Speaker 1>Thirty three episodes is too long for one season.

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<v Speaker 3>Yeah, yeah, we're ready for new but I guess everything

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<v Speaker 3>then people had more patience or didn't have anything else

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<v Speaker 3>to do.

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<v Speaker 1>I don't know.

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<v Speaker 3>I think they were excited for it to be a

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<v Speaker 3>week because yeah, I think people back then were like, yeah,

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<v Speaker 3>they get to watch it every week. They were happy,

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<v Speaker 3>they were happy.

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<v Speaker 2>The simpler time will drags a little bit.

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<v Speaker 1>Simpler times dragsically drags. This episode was again a few

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<v Speaker 1>different episodes, yes, connective tissue.

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<v Speaker 2>Very different shows all in one. A lot of backstory

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<v Speaker 2>of what happened this se I know he did this summer.

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<v Speaker 1>We always had to do that, like kind of like

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<v Speaker 1>wrap up the summer, so everybody caught up with it.

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<v Speaker 3>I was fine with that, Tonally, Tonally, if I'm going

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<v Speaker 3>to use a fancy word. The storylines were so different

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<v Speaker 3>because you're dealing with Brandon's storyline that is quite serious,

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<v Speaker 3>and then the sort of three's company episode that was

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<v Speaker 3>Steve and and Claire. Yeah but I like that, which

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<v Speaker 3>was Donna.

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<v Speaker 1>Okay, can we just start there's just Season seven, Episode one,

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<v Speaker 1>Remember the Alamo, aired August twenty first, nineteen ninety six.

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<v Speaker 2>Synopsis. Season seven kicks off with a geographically challenged friend

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<v Speaker 2>group Steve Steve ditches is let me start all that over? Synopsis.

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<v Speaker 2>Season seven kicks off with a geographically challenged friend group.

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<v Speaker 2>Steve ditches his buddy Brandon in Texas. Claire comes back

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<v Speaker 2>from Switzerland but has to San Antonio, while Steve is

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<v Speaker 2>Strandon Houston. Meanwhile, Brandon meets a local librarian with big

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<v Speaker 2>city dreams. Donna and David are learning never to mix

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<v Speaker 2>business with pleasure. Valerie meets a sexy CPA and a

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<v Speaker 2>billy Idle want to be named Taz wants Kelly to

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<v Speaker 2>keep him company.

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<v Speaker 1>Directed by James Widmore Junior, written by Larry Mullin.

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<v Speaker 3>Where to begin? Where to even begin?

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<v Speaker 1>Wait?

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<v Speaker 3>Well, look, I don't know either. I.

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<v Speaker 2>I would like to announce to both of you right

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<v Speaker 2>now that I will no longer be watching this show.

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<v Speaker 2>Remember when I couldn't watch myself, but then as an apoint,

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<v Speaker 2>I was very excited and I was like, I've accepted myself.

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<v Speaker 2>Now I feel more confident. I can watch myself with

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<v Speaker 2>this new hair color and do I am no longer

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<v Speaker 2>watching myself.

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<v Speaker 3>You can't do it.

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<v Speaker 2>I'm out better, Tori.

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<v Speaker 3>Your hair got better when it was straight. When you

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<v Speaker 3>straightened it, I'm in the middle of Okay.

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<v Speaker 1>First of all, your hair is brown, like a mousey brown.

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<v Speaker 1>I've never seen on you again.

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<v Speaker 2>So the back story of the page boycut. How Jen

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<v Speaker 2>and I always talk about we never took a vacation.

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<v Speaker 2>When we had time off, we did movies. So we

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<v Speaker 2>had our summer break. I did a TV movie, Mother

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<v Speaker 2>My Sleep with Danger, and then I was very excited

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<v Speaker 2>to do my first feature film and it was called

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<v Speaker 2>House of Yes, and I had to be like a

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<v Speaker 2>Midwest girl and they wanted her very like plain, plain Jane,

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<v Speaker 2>So they dyed my hair and then I went right

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<v Speaker 2>back into this should have gone back?

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<v Speaker 3>Which TV movie was it? It was a big one.

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<v Speaker 2>Mother Might Sleep with Danger and then House of Yes

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<v Speaker 2>was movie.

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<v Speaker 3>Who was in Mother May Sleep with Danger? That was

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<v Speaker 3>like a big one, right that?

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<v Speaker 2>It was a big one.

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<v Speaker 3>Yeah, it was. It was the biggest one I think

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<v Speaker 3>you did since you did the one Cheerleader one.

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<v Speaker 1>Yes, Who was the mother? Who was the mother when

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<v Speaker 1>you're saying.

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<v Speaker 2>Mother bains and she passed away this past year two?

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<v Speaker 3>I know Ivan Serge was in that one too, a

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<v Speaker 3>young Ivan.

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<v Speaker 1>We have a lot of new players in this episode.

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<v Speaker 1>We we have to. We have a cameo Lora Gaines

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<v Speaker 1>as the as the singer songwriter and the blues guitarist.

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<v Speaker 3>James Francco was in it.

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<v Speaker 2>James Franco, we're talking about your movie, not the show.

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<v Speaker 3>Got it? Okay?

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<v Speaker 2>Sorry?

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<v Speaker 3>Sorry?

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<v Speaker 2>He did the remake, the routing, the reimagining for a

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<v Speaker 2>lifetime that I then played the last time.

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<v Speaker 3>Okay, Oh got it? I gotta got it? Okay, I

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<v Speaker 3>so sorry. Keep go back to nine to two on now.

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<v Speaker 1>Okay, So, uh, Roy Gaines was in it, made a cameo.

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<v Speaker 1>He just passed.

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<v Speaker 3>Away to Roy Gains blues.

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<v Speaker 1>Guitar, singer songwriter.

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<v Speaker 3>That was cool, really cool, it says.

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<v Speaker 1>The accountant was played by actors singer Joseph Geon, who

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<v Speaker 1>was best known for playing Detective Tom Ryan in nots

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<v Speaker 1>Landing No Way.

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<v Speaker 2>He was super hot, but I have a whole flag

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<v Speaker 2>where I recognized him from I couldn't.

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<v Speaker 1>It says he's gonna be here for nine episodes.

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<v Speaker 2>You guys, I remember, this character is sticking around, and

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<v Speaker 2>I feel like he turns out something bad.

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<v Speaker 3>Bad, there's nothing good. Super hot and charming, but yet

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<v Speaker 3>he's okay, he's super hot and charming, but it's so great,

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<v Speaker 3>like what's the word swarmie? Ye? Icky?

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<v Speaker 1>He made me feel icky.

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<v Speaker 3>Me too, because first of all, it's so appropriate, like

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<v Speaker 3>you were so attractive or whatever.

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<v Speaker 2>When Valerie walks in the Jim Walsh didn't tell him that.

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<v Speaker 3>Jim Walsh referred you this business, yes, and it seems

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<v Speaker 3>like a no go to flirt with the client.

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<v Speaker 1>I don't think he has any screuples.

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<v Speaker 3>It's so creepy. It's really creepy.

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<v Speaker 1>He's scrupulous, although.

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<v Speaker 3>He's hot, And if Jim Walsh hadn't referred him, it

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<v Speaker 3>was still aggressive, like right off the bat, I mean,

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<v Speaker 3>I get it. Maybe well Jim referral.

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<v Speaker 1>Yeah, he's he's shook. Yeah, we also have Mariah, who

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<v Speaker 1>was played by actress Maya Campbell, best known for her

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<v Speaker 1>role in a sitcom in the House.

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<v Speaker 3>She was great. I love him, It's really great.

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<v Speaker 1>And Taz was played by Randall Slaven, a famous photographer

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<v Speaker 1>who also did small roles in TV shows.

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<v Speaker 2>Now I remember him, you do?

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<v Speaker 1>Yeah, a friend of mine.

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<v Speaker 2>Oh, I was gonna say, he's photographed us.

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<v Speaker 3>He's a really great photographer. Amazing. Okay, wait, Billie Idle

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<v Speaker 3>guy is still your friend. That's amazing.

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<v Speaker 1>Yeah, he's a big la photographer.

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<v Speaker 3>He loves to shoot.

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<v Speaker 1>He's shot all millions of actors and actresses, a list people.

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<v Speaker 1>But he loves to shoot hot models too. So it

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<v Speaker 1>all works with this character.

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<v Speaker 3>All really worked for him. So can I throw a

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<v Speaker 3>crazy theory out there? Oh?

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<v Speaker 2>Wait? Can I ask me? I know, I'm real quick

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<v Speaker 2>while we're just while we're on this topic, I don't.

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<v Speaker 2>She doesn't seem credited here, But did I see Jason

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<v Speaker 2>Bateman's wife.

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<v Speaker 3>Amanda Anka and living in this season? Though she comes,

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<v Speaker 3>she comes for more episodes. You're kidding me?

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<v Speaker 1>Amanda Anka is in this show?

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<v Speaker 3>Yes, yes, our show. She does multiple episodes.

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<v Speaker 2>One line in this episode, but killing me right now.

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<v Speaker 3>I know her. Our kids are friends.

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<v Speaker 1>They've gone to school together since they were in kindergarten,

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<v Speaker 1>and so I would see her all the time at

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<v Speaker 1>school and never, ever, ever, ever made the connection.

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<v Speaker 3>Yeah, she does a bunch of episodes. I think she

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<v Speaker 3>does like five. I'm looking it up five or six.

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<v Speaker 1>I am I am a terrible memory person.

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<v Speaker 2>She plays Barber on the show.

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<v Speaker 3>Either she plays Barbara. She's definitely in Remember the Alamo,

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<v Speaker 3>but I think she's in more. I just don't know

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<v Speaker 3>for sure. Maybe people can check that, but I think

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<v Speaker 3>she does a few more. Well should we start where

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<v Speaker 3>was she the first scene? Was she in.

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<v Speaker 2>On the beach during the video?

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<v Speaker 3>She was in the video?

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<v Speaker 2>No, it was like behind the scenes. She came up

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<v Speaker 2>and talked to David and Donna.

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<v Speaker 1>Oh my gosh.

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<v Speaker 3>I think she does a couple more.

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<v Speaker 1>I didn't clock her.

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<v Speaker 2>Sorry, theory.

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<v Speaker 3>My theory, and I don't know if people will agree

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<v Speaker 3>or not. But so you know how I always say

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<v Speaker 3>the show jumped the shark. Yes, we are aware. I

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<v Speaker 3>just don't love when I say that. I think there's

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<v Speaker 3>a possibility that watching it now, it jumps the shark

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<v Speaker 3>less Like I'm sort of enjoying the later seasons. Dare

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<v Speaker 3>I say, now with these eyes than when I was young,

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<v Speaker 3>I find that early early seasons to be a little

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<v Speaker 3>bit more boring.

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<v Speaker 2>Now that's under later seasons, and that can happen. Have

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<v Speaker 2>you ever watched a movie you loved, like, like, for instance,

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<v Speaker 2>I'll take movies from the eighties or something that were

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<v Speaker 2>everything to me and watch it now with my kids

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<v Speaker 2>and I'm like, oh boy, little slow, Like so it

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<v Speaker 2>can go both ways.

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<v Speaker 3>Yeah, so, I think because it gets so over the top,

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<v Speaker 3>it's kind of more of an enjoyable watch. Like this

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<v Speaker 3>episode for me jammed, Like I loved it. It jammed.

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<v Speaker 3>It was ridiculous in parts, but I'm like, I, I'm

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<v Speaker 3>enjoying the whole thing. This is great.

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<v Speaker 1>I think people really wanted to say the show jumped

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<v Speaker 1>the Shark because Shannon wasn't there, Luke wasn't there. Now,

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<v Speaker 1>Brandon's leaving soon, isn't he.

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<v Speaker 3>End of this year?

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<v Speaker 2>Oh?

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<v Speaker 1>End of the season seven? I feel like people wanted

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<v Speaker 1>to make that the narrative, but.

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<v Speaker 3>I don't know that the show ever did.

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<v Speaker 2>I'm really yeah, and deliver back in time.

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<v Speaker 3>Yeah, we only have we must be the Shark season

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<v Speaker 3>eight has no Brandon and no Luke or no Dylan.

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<v Speaker 3>But then Doc, I can see that eight maybe was

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<v Speaker 3>a rough one, but then otherwise it kind.

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<v Speaker 1>Of well, we'll see. But this is episode one, you guys. Okay,

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<v Speaker 1>let's talk about the There are how many storylines?

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<v Speaker 3>One, two, three, four? There's kind of four, there's four?

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<v Speaker 1>What should we start with? What do you want to

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<v Speaker 1>start with?

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<v Speaker 3>Claire? Claire? Okay, you got it? She looked great, looked great.

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<v Speaker 1>Claire tears heart for three Yeah, they've been apart for

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<v Speaker 1>three weeks, so they decide to surprise each other but

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<v Speaker 1>end up on opposite and they end up in opposite states.

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<v Speaker 3>It's sort of a take on that, like do you

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<v Speaker 3>guys know that story? Like something of the Magi She

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<v Speaker 3>sells her books to buy him something, and then he

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<v Speaker 3>sells her something to buy her a bookmark. It's something

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<v Speaker 3>like that, like the lock of hair and yeah, yeah,

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<v Speaker 3>it was cute. We're kind some of the shot.

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<v Speaker 1>In her little dress with the suitcase when they found it.

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<v Speaker 3>Was just very campy. So like, first of all, Steve's naked,

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<v Speaker 3>Can we talk about that? I always love that in

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<v Speaker 3>the shower and then when he comes out, remember he

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<v Speaker 3>like his naked just holds something over his private so cute.

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<v Speaker 1>He loved to be naked.

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<v Speaker 2>Got mom died.

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<v Speaker 1>He did you notice too, Like he came out he

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<v Speaker 1>had it Santa Beard with the foam and then he

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<v Speaker 1>came out of the shower and they were like, oh, he.

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<v Speaker 3>Had foam in his ears. We still have that in

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<v Speaker 3>the bedroom. So then when they're out of the.

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<v Speaker 1>Bathroom and it's like clearly later in the day and

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<v Speaker 1>they're filming that scene with him and val in the bed. Yeah,

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<v Speaker 1>it's so obvious that they were like, put some here

0:12:17.080 --> 0:12:19.200
<v Speaker 1>and put them here and make it and then one

0:12:19.240 --> 0:12:20.160
<v Speaker 1>shot it wasn't there.

0:12:20.280 --> 0:12:21.320
<v Speaker 3>One shot it was there.

0:12:22.960 --> 0:12:23.600
<v Speaker 1>It made me laugh.

0:12:23.679 --> 0:12:25.480
<v Speaker 3>I think it was a little nuts that she that

0:12:25.880 --> 0:12:28.920
<v Speaker 3>Valerie like runs into the bathroom and he's in the shower.

0:12:28.960 --> 0:12:30.480
<v Speaker 3>But I mean, I guess she was super excited to

0:12:30.520 --> 0:12:32.000
<v Speaker 3>see him. She's super excited.

0:12:33.200 --> 0:12:37.520
<v Speaker 2>She's super lonely, so lonely, she's hitting the weed again.

0:12:38.160 --> 0:12:40.560
<v Speaker 3>Yeah, I can't wait to talk about her, right, but

0:12:41.440 --> 0:12:44.360
<v Speaker 3>so long? So did you guys find it? You know,

0:12:44.400 --> 0:12:46.160
<v Speaker 3>they go to the airport and they're both on the

0:12:46.240 --> 0:12:49.680
<v Speaker 3>pay phones right there, but they don't see each other.

0:12:50.120 --> 0:12:52.720
<v Speaker 3>And this happens, and this happens, and they left it,

0:12:52.800 --> 0:12:53.360
<v Speaker 3>and then.

0:12:53.520 --> 0:12:57.000
<v Speaker 1>I felt like I was watching Harry like a Harry

0:12:57.000 --> 0:12:58.720
<v Speaker 1>met Sally kind of rum come.

0:12:59.240 --> 0:13:01.679
<v Speaker 2>So I liked that, and I didn't feel like it

0:13:01.760 --> 0:13:05.040
<v Speaker 2>was I mean, it shouldn't be Zany, but we've had

0:13:05.120 --> 0:13:06.240
<v Speaker 2>Zanier the little Zany.

0:13:06.760 --> 0:13:07.200
<v Speaker 3>Yeah. Yeah.

0:13:07.200 --> 0:13:09.400
<v Speaker 1>I love when he was running though you guys and

0:13:09.559 --> 0:13:10.760
<v Speaker 1>leaping over people.

0:13:11.920 --> 0:13:14.440
<v Speaker 3>It's like a dream sequence.

0:13:14.520 --> 0:13:14.640
<v Speaker 1>All.

0:13:15.640 --> 0:13:18.520
<v Speaker 3>I liked that it was a little Three's Company for me,

0:13:19.559 --> 0:13:21.280
<v Speaker 3>misunderstanding missing each other.

0:13:21.480 --> 0:13:23.600
<v Speaker 1>But you know what, I don't see how that could

0:13:23.640 --> 0:13:24.959
<v Speaker 1>even be a problem like that.

0:13:25.720 --> 0:13:29.520
<v Speaker 3>If it was Three's Company, you'd be like, ten, Yeah,

0:13:29.679 --> 0:13:30.319
<v Speaker 3>best show ever.

0:13:30.440 --> 0:13:32.800
<v Speaker 2>Hello, And you're like, oh, did Jason direct this one?

0:13:32.840 --> 0:13:35.400
<v Speaker 2>This was like three Stooges. You're like, didn't you all

0:13:35.600 --> 0:13:39.440
<v Speaker 2>like that? And now this you're not into She didn't say.

0:13:39.320 --> 0:13:42.760
<v Speaker 3>I'm not into it. I'm just saying Tonally. For me,

0:13:43.360 --> 0:13:46.280
<v Speaker 3>it was very like, there's just a lot of different

0:13:46.360 --> 0:13:51.480
<v Speaker 3>it's like so many different things happening that he pulled

0:13:51.480 --> 0:13:52.720
<v Speaker 3>this on us all the time.

0:13:52.800 --> 0:13:54.840
<v Speaker 2>Though, Yeah, I'm not mad at it.

0:13:54.880 --> 0:13:56.600
<v Speaker 3>I'm just calling it out. I'm not mad at it.

0:13:56.640 --> 0:13:59.400
<v Speaker 1>I'm just acknowledging it fair well, anyway, they get a

0:13:59.400 --> 0:14:01.679
<v Speaker 1>hotel room somewhere in Texas and they're good to go.

0:14:01.720 --> 0:14:04.040
<v Speaker 2>Oh my god, you know the iron at it this line,

0:14:04.240 --> 0:14:04.920
<v Speaker 2>you know what it is?

0:14:05.160 --> 0:14:09.720
<v Speaker 3>Stress up day? How many times did you hear that?

0:14:10.760 --> 0:14:14.240
<v Speaker 1>When you He got to get into that.

0:14:14.280 --> 0:14:18.640
<v Speaker 3>But here's what I was confused about. He goes home,

0:14:20.120 --> 0:14:24.680
<v Speaker 3>she flies to Texas. He gets back to Texas, but

0:14:24.800 --> 0:14:29.280
<v Speaker 3>thinks she's now flown home. Where were they Texas?

0:14:30.280 --> 0:14:31.080
<v Speaker 1>They were in Texas.

0:14:31.080 --> 0:14:31.920
<v Speaker 3>They were in Texas.

0:14:32.200 --> 0:14:35.840
<v Speaker 2>She was in Houston and he was in San Antonio. Different.

0:14:36.600 --> 0:14:38.720
<v Speaker 3>No, they were both in the same They somehow ended up.

0:14:39.200 --> 0:14:42.520
<v Speaker 2>Eventually, but she was confused Houston.

0:14:42.760 --> 0:14:45.080
<v Speaker 3>It was super confusing. It was so he ended up

0:14:45.120 --> 0:14:48.280
<v Speaker 3>being on two flights. She ended up being on the

0:14:48.280 --> 0:14:50.000
<v Speaker 3>flight there and couldn't get back.

0:14:49.920 --> 0:14:50.800
<v Speaker 1>And got stuck there.

0:14:52.960 --> 0:14:58.040
<v Speaker 2>Choices this season, I'm crazy like the open shirt.

0:14:58.640 --> 0:14:59.520
<v Speaker 3>I like the white shirt.

0:15:00.000 --> 0:15:03.040
<v Speaker 2>Okay with that. It was the opening shot with him

0:15:03.040 --> 0:15:05.400
<v Speaker 2>and Jason, Oh.

0:15:05.280 --> 0:15:07.840
<v Speaker 3>Yeah, that it was. He was on a road trip though,

0:15:08.040 --> 0:15:10.840
<v Speaker 3>like the top Atlanta Atlas were ball.

0:15:10.720 --> 0:15:14.120
<v Speaker 2>Huggers, like they were. I was like, oh, I painted

0:15:14.160 --> 0:15:15.520
<v Speaker 2>on long shorts.

0:15:16.720 --> 0:15:19.400
<v Speaker 3>It was interesting how they had to mention multiple times

0:15:19.440 --> 0:15:23.680
<v Speaker 3>the Olympics. He's got the Atlanta because it was nineteen

0:15:23.720 --> 0:15:27.560
<v Speaker 3>ninety six, so it was the Atlanta Olympics. And then

0:15:27.560 --> 0:15:30.640
<v Speaker 3>there's another mention of the Olympics, like there's a couple

0:15:30.760 --> 0:15:36.440
<v Speaker 3>real with a like Olympics mentions. I mean, fine, we don't.

0:15:36.440 --> 0:15:51.040
<v Speaker 1>I don't have no idea why. Okay, let's talk about

0:15:51.120 --> 0:15:55.920
<v Speaker 1>Valerie and that handsome CPA recommended by Jim Walsh.

0:15:56.800 --> 0:16:00.040
<v Speaker 3>First, can we talk about her kind of weirdly a

0:16:00.040 --> 0:16:02.560
<v Speaker 3>blirting with Brandon on the phone, like I missed you

0:16:02.600 --> 0:16:04.360
<v Speaker 3>come home and he's like, are you playing the bills?

0:16:04.960 --> 0:16:06.680
<v Speaker 3>And then she's smoke in the pot and she's so,

0:16:07.160 --> 0:16:09.360
<v Speaker 3>you know, debrassed or whatever. I don't feel like she was.

0:16:09.280 --> 0:16:12.640
<v Speaker 1>Flirting with him. I just feel like, oh, those.

0:16:12.560 --> 0:16:17.160
<v Speaker 2>Cousins, if you know what I mean, wink weink kissing cousins.

0:16:18.480 --> 0:16:20.640
<v Speaker 2>I know, like part of me kind of when she

0:16:20.720 --> 0:16:22.680
<v Speaker 2>like ran to that bathroom, wanted it to be branded,

0:16:22.760 --> 0:16:23.600
<v Speaker 2>they just start making it.

0:16:23.680 --> 0:16:28.760
<v Speaker 3>I don't know, no, I know, I know the nail

0:16:28.880 --> 0:16:31.600
<v Speaker 3>salon scene when you're all at the nail salon and

0:16:31.640 --> 0:16:32.200
<v Speaker 3>then you at.

0:16:32.080 --> 0:16:34.000
<v Speaker 2>The salon, why does she show up?

0:16:34.880 --> 0:16:36.800
<v Speaker 3>First of all, why did she show up? And also

0:16:36.840 --> 0:16:38.920
<v Speaker 3>when she says, I'll just see who you date next,

0:16:38.960 --> 0:16:39.800
<v Speaker 3>and then I'll date them.

0:16:39.920 --> 0:16:41.800
<v Speaker 2>That was my favorite line of the episode, though.

0:16:42.800 --> 0:16:45.400
<v Speaker 1>It's always fun when those two are sparring like that.

0:16:47.040 --> 0:16:49.920
<v Speaker 3>Oh have you guys gone to a nail salon before?

0:16:49.960 --> 0:16:52.520
<v Speaker 3>That seemed like there's not going to be a new

0:16:52.560 --> 0:16:52.920
<v Speaker 3>I was like.

0:16:53.000 --> 0:16:55.320
<v Speaker 1>Us, Yeah, I don't mean that was a one and

0:16:55.440 --> 0:16:56.520
<v Speaker 1>done kind of situation.

0:16:56.920 --> 0:16:58.560
<v Speaker 3>It's like, I wouldn't mind all.

0:16:58.400 --> 0:17:01.160
<v Speaker 1>The nail salons and all love Los Angeles.

0:17:01.960 --> 0:17:05.639
<v Speaker 3>You're all three at the same joint. Yeah, I wouldn't

0:17:05.640 --> 0:17:07.199
<v Speaker 3>have minded if there was sort of a peach pit

0:17:07.359 --> 0:17:08.800
<v Speaker 3>version of a nail salon, because we.

0:17:08.800 --> 0:17:10.879
<v Speaker 2>Can sort of been a good thing to start.

0:17:10.880 --> 0:17:13.240
<v Speaker 3>It's been a good trope, you know, like kind of

0:17:13.280 --> 0:17:14.000
<v Speaker 3>gossip beach.

0:17:14.280 --> 0:17:17.919
<v Speaker 1>Yeah, that would have been a good Yeah, it doesn't

0:17:17.920 --> 0:17:19.440
<v Speaker 1>happen good Yeah.

0:17:20.480 --> 0:17:25.080
<v Speaker 3>Okay, So this guy that he who is he played by? Again?

0:17:25.119 --> 0:17:26.359
<v Speaker 1>What's this actor's name?

0:17:27.880 --> 0:17:29.800
<v Speaker 3>He's from not Landing m hm.

0:17:30.080 --> 0:17:33.720
<v Speaker 2>So you think he worked with Joe Geon he was

0:17:34.200 --> 0:17:35.359
<v Speaker 2>something else after this?

0:17:35.560 --> 0:17:40.040
<v Speaker 1>Correct as Ken? No, sorry, Kenny Kenny, call me Kenny.

0:17:40.040 --> 0:17:43.840
<v Speaker 2>Ken and Barbie reference very ahead of its time, just

0:17:43.880 --> 0:17:46.760
<v Speaker 2>because I feel like during the nineties Barbie wasn't really

0:17:46.800 --> 0:17:47.960
<v Speaker 2>in and now it's having like a.

0:17:47.920 --> 0:17:51.240
<v Speaker 3>Research so it's like rewatching it. It's like, oh, I

0:17:51.400 --> 0:17:53.639
<v Speaker 3>totally had a had a thought on that that it

0:17:53.720 --> 0:17:56.160
<v Speaker 3>was like, oh, really ahead of its time. The whole

0:17:56.160 --> 0:17:58.600
<v Speaker 3>show is ahead of its time and yet very in

0:17:58.640 --> 0:18:01.720
<v Speaker 3>its time. That's why new take on it. Very ahead

0:18:01.720 --> 0:18:04.760
<v Speaker 3>of its time with a lot of the things that addresses,

0:18:05.040 --> 0:18:09.119
<v Speaker 3>and then yet with the weird overtly sexual stuff, so

0:18:09.440 --> 0:18:10.160
<v Speaker 3>in its time.

0:18:10.840 --> 0:18:19.240
<v Speaker 1>Yeah, appropriate comments and sexualization of Yes, yes, I mean

0:18:19.359 --> 0:18:21.560
<v Speaker 1>he's right out the game, very familiar with it.

0:18:22.320 --> 0:18:25.119
<v Speaker 3>Yeah, he's like, you're hot, basically right when she walks in.

0:18:25.520 --> 0:18:27.960
<v Speaker 3>But she loves that she's in too. I mean she's

0:18:28.000 --> 0:18:31.240
<v Speaker 3>so in. I feel like he's got game. He's got

0:18:31.320 --> 0:18:34.720
<v Speaker 3>pretty good game. It's just weird that he's totally going

0:18:34.720 --> 0:18:37.480
<v Speaker 3>for like his partner's kid basically.

0:18:37.600 --> 0:18:40.240
<v Speaker 1>So, I'm sorry, but did you guys notice the picture

0:18:40.280 --> 0:18:43.040
<v Speaker 1>of him and his family as he picks up the phone?

0:18:43.359 --> 0:18:47.040
<v Speaker 2>Okay, yes, so I was about to Okay, I don't

0:18:47.040 --> 0:18:52.439
<v Speaker 2>want to spoil go say it. He's married, he has

0:18:52.440 --> 0:18:53.040
<v Speaker 2>a whole family.

0:18:53.880 --> 0:18:55.880
<v Speaker 3>Yeah, well I know that too.

0:18:55.920 --> 0:18:59.560
<v Speaker 1>I thought like it's foreshadowing, I guess, But Yeah, he made.

0:18:59.359 --> 0:19:03.040
<v Speaker 3>It pretty obvious. I was looking for the photo and

0:19:03.119 --> 0:19:05.320
<v Speaker 3>I couldn't because I kind of knew, but I couldn't

0:19:05.320 --> 0:19:08.760
<v Speaker 3>find it. So maybe we can screenshot where the photo

0:19:08.920 --> 0:19:10.560
<v Speaker 3>is because I was trying to see it and then

0:19:10.560 --> 0:19:14.800
<v Speaker 3>I couldn't find it. So wasn't super aggressively showing it

0:19:14.920 --> 0:19:19.080
<v Speaker 3>just like a keen eye. Yeah, that's what it is.

0:19:19.359 --> 0:19:22.760
<v Speaker 1>Amy, You gotta have a keen eye on the show.

0:19:24.520 --> 0:19:27.040
<v Speaker 3>Gotta see all a little easter eggs. It's a good

0:19:27.119 --> 0:19:30.639
<v Speaker 3>easter egg. It's actually was subtle for nine O two one, oh,

0:19:30.760 --> 0:19:34.600
<v Speaker 3>which I'm pleased that's true. For one. Yeah, tends to

0:19:34.680 --> 0:19:36.600
<v Speaker 3>like really try to put it in your face, and

0:19:36.640 --> 0:19:39.680
<v Speaker 3>this was subtle. Well.

0:19:39.760 --> 0:19:44.000
<v Speaker 2>He was also a singer in real singer. I'm looking

0:19:44.040 --> 0:19:47.520
<v Speaker 2>him up, Joseph Geon. He's sixty one years sixty three

0:19:47.560 --> 0:19:48.000
<v Speaker 2>years old.

0:19:48.000 --> 0:19:50.320
<v Speaker 1>Now you know who he reminds me of. He reminded

0:19:50.400 --> 0:19:53.439
<v Speaker 1>me of the guy that Brooke Burke used to be

0:19:53.480 --> 0:19:56.960
<v Speaker 1>married to, David David Jarvey. Yeah, I thought that was

0:19:57.040 --> 0:19:57.639
<v Speaker 1>David Charvey.

0:19:58.560 --> 0:20:00.560
<v Speaker 3>I liked everything about his face. His hair was a

0:20:00.600 --> 0:20:02.160
<v Speaker 3>little bit nineties for me. It was just a little

0:20:02.160 --> 0:20:02.800
<v Speaker 3>bit weird hair.

0:20:02.960 --> 0:20:04.359
<v Speaker 2>Yeah, he has like all these songs.

0:20:04.440 --> 0:20:06.639
<v Speaker 3>You guys, he is a singer and.

0:20:06.720 --> 0:20:10.800
<v Speaker 2>Now here I am val was too so flirty with

0:20:10.880 --> 0:20:14.440
<v Speaker 2>him too. She's like that with everyone. She can't control herself.

0:20:14.480 --> 0:20:17.119
<v Speaker 2>It's how she sells herself. Even though she's very smart.

0:20:17.600 --> 0:20:22.600
<v Speaker 1>She uses her feminine wiles to make it happen. And

0:20:22.640 --> 0:20:24.840
<v Speaker 1>I don't have a problem with that. I'm sorry, like

0:20:25.640 --> 0:20:27.680
<v Speaker 1>men have been doing it for a million years and

0:20:28.080 --> 0:20:29.200
<v Speaker 1>let her do her thing.

0:20:29.280 --> 0:20:34.280
<v Speaker 3>Completely fine with the whole thing, except for the Jim part.

0:20:34.880 --> 0:20:41.280
<v Speaker 3>That's the part where I'm like, that seems weird, right, Yeah,

0:20:41.280 --> 0:20:44.560
<v Speaker 3>it seems like he's about to get fired. It seems

0:20:44.600 --> 0:20:46.840
<v Speaker 3>like I'm good with it if he was not, Like say,

0:20:46.840 --> 0:20:49.639
<v Speaker 3>she just hired a random CPA and he wants to

0:20:49.640 --> 0:20:51.760
<v Speaker 3>be flirty. Fine, and he's married and he's still doing

0:20:51.760 --> 0:20:54.560
<v Speaker 3>it and she's going for it. Fine. It's that Jim

0:20:54.720 --> 0:20:58.359
<v Speaker 3>is the big wig partner. Okay, so let's wait, let's

0:20:58.359 --> 0:21:00.680
<v Speaker 3>ask her. I'm true, that is it's weird.

0:21:01.520 --> 0:21:05.760
<v Speaker 2>So we don't know what's coming up. You might it's

0:21:06.040 --> 0:21:08.520
<v Speaker 2>Jim because you could have done it without the gym

0:21:09.160 --> 0:21:13.200
<v Speaker 2>reference mentioned at all. We could have it could have been. Yeah,

0:21:13.240 --> 0:21:15.879
<v Speaker 2>So is there a reason is that the way. She

0:21:15.920 --> 0:21:17.720
<v Speaker 2>finds out later on that he is a family from

0:21:17.800 --> 0:21:22.639
<v Speaker 2>Jim I'm I don't remember, Okay, then yeah, so they

0:21:22.640 --> 0:21:23.600
<v Speaker 2>creeped us out for nothing.

0:21:23.720 --> 0:21:27.400
<v Speaker 3>Then have a bridge too far for me? Like if somebody,

0:21:27.720 --> 0:21:30.480
<v Speaker 3>like say, in my world, was like, can you help

0:21:30.560 --> 0:21:36.520
<v Speaker 3>my son with a job or whatever? And then I

0:21:36.560 --> 0:21:38.000
<v Speaker 3>flirt with him. It's weird.

0:21:38.840 --> 0:21:40.760
<v Speaker 2>Well, he's married anywhere with the family should have been

0:21:40.800 --> 0:21:42.240
<v Speaker 2>doing it, so he has no morals.

0:21:43.080 --> 0:21:44.679
<v Speaker 1>Yeah, but you're young and hot and not on a

0:21:44.720 --> 0:21:49.120
<v Speaker 1>TV show, so why not? Yeah, well, can we please

0:21:49.160 --> 0:21:52.760
<v Speaker 1>talk about uh? When they go to the Alamo please?

0:21:52.880 --> 0:21:56.480
<v Speaker 1>I love the storyline. I love this town. So they

0:21:56.520 --> 0:21:59.680
<v Speaker 1>show this apparently in Piru, California.

0:22:00.040 --> 0:22:00.520
<v Speaker 3>Where is that?

0:22:01.680 --> 0:22:04.960
<v Speaker 2>Oh yeah, where's Piru?

0:22:05.520 --> 0:22:09.920
<v Speaker 1>Piru is north, maybe by above Santa Clarida.

0:22:09.960 --> 0:22:10.800
<v Speaker 3>In guessing.

0:22:12.040 --> 0:22:13.960
<v Speaker 1>Okay, good, I'm not too good with that. But it

0:22:14.040 --> 0:22:18.680
<v Speaker 1>sounds because there's a lake Piru up there, a small lake. Okay,

0:22:20.359 --> 0:22:21.720
<v Speaker 1>so I'm thinking it's a little north.

0:22:22.880 --> 0:22:23.240
<v Speaker 3>It did.

0:22:23.720 --> 0:22:24.720
<v Speaker 2>It's all great.

0:22:25.119 --> 0:22:30.159
<v Speaker 3>It did look greating me too, But what what this?

0:22:30.320 --> 0:22:34.959
<v Speaker 1>Okay, so this is nineteen ninety six and this is

0:22:35.040 --> 0:22:39.119
<v Speaker 1>how what's happening? But that this wasn't supposed to be

0:22:39.200 --> 0:22:41.760
<v Speaker 1>in California. This was in Texas, so right, this is

0:22:41.880 --> 0:22:45.160
<v Speaker 1>what they're spens at that time in Texas, this kind

0:22:45.160 --> 0:22:45.919
<v Speaker 1>and it looks.

0:22:45.680 --> 0:22:51.639
<v Speaker 3>Like California pretending to be Texas. It's an interesting there's

0:22:51.720 --> 0:22:57.639
<v Speaker 3>there's two things that are addressed, because there is a

0:22:57.960 --> 0:23:05.080
<v Speaker 3>definite like homophobe storyline too with this. Yeah, right out

0:23:05.119 --> 0:23:08.240
<v Speaker 3>the gate, it's your hit in the face and you're like, whoa,

0:23:09.440 --> 0:23:14.840
<v Speaker 3>this is serious. It's hard to sort of know if

0:23:14.840 --> 0:23:17.840
<v Speaker 3>that was how that how it was then or because

0:23:17.840 --> 0:23:22.200
<v Speaker 3>the writers are a little older, are they writing about

0:23:22.520 --> 0:23:26.399
<v Speaker 3>do you know what I'm saying? Yes, are they writing

0:23:26.480 --> 0:23:29.280
<v Speaker 3>about it? Because I feel like it was so prevalent

0:23:29.359 --> 0:23:30.360
<v Speaker 3>as they were coming up.

0:23:31.240 --> 0:23:34.840
<v Speaker 1>I feel like it's prevalent today.

0:23:34.880 --> 0:23:36.119
<v Speaker 3>This is yeah.

0:23:36.240 --> 0:23:40.640
<v Speaker 1>I mean, we live in Los Angeles. We are much

0:23:41.119 --> 0:23:44.800
<v Speaker 1>you know, we think differently, and our city is much

0:23:44.880 --> 0:23:46.840
<v Speaker 1>wired so much differently. But I think this is going

0:23:46.840 --> 0:23:52.520
<v Speaker 1>on in small towns around our great United States of

0:23:52.520 --> 0:23:55.600
<v Speaker 1>America still to this day.

0:23:55.640 --> 0:23:59.680
<v Speaker 2>Sure, my dad was from Dallas, Texas, and he would

0:23:59.720 --> 0:24:01.720
<v Speaker 2>always not that this is related, but I'm sure it

0:24:01.760 --> 0:24:03.920
<v Speaker 2>came up as they were writing the storyline, I'm sure,

0:24:04.800 --> 0:24:08.919
<v Speaker 2>and he would talk all the time how in Texas

0:24:08.960 --> 0:24:11.119
<v Speaker 2>growing up, they were so anti Semitic and it was

0:24:11.240 --> 0:24:16.120
<v Speaker 2>very hard for him as a young Jewish boy, and

0:24:16.359 --> 0:24:21.320
<v Speaker 2>how it was very racist everywhere in homophobic. So I

0:24:21.400 --> 0:24:26.840
<v Speaker 2>wonder that was instrumental, and wish asked Larry Mullen.

0:24:27.960 --> 0:24:31.560
<v Speaker 3>It seems that to have the conversation that we're having,

0:24:31.760 --> 0:24:34.800
<v Speaker 3>they had to make it a bit more. I know,

0:24:34.800 --> 0:24:37.120
<v Speaker 3>I used this word already in this podcast overt right,

0:24:37.520 --> 0:24:41.080
<v Speaker 3>they really had to because we only have forty four minutes, right,

0:24:41.160 --> 0:24:44.720
<v Speaker 3>and this storyline is probably only let's say sixteen of

0:24:44.720 --> 0:24:48.040
<v Speaker 3>those forty four minutes, so they it feels a bit

0:24:48.680 --> 0:24:52.000
<v Speaker 3>heavy handed. Yeah, yeah, heavy handed, that's the right word.

0:24:52.200 --> 0:24:55.040
<v Speaker 3>But I get why, because they really wanted to address

0:24:55.080 --> 0:24:58.680
<v Speaker 3>this and they have to do it quickly. So that's why,

0:24:58.800 --> 0:25:00.800
<v Speaker 3>right out the gate you get that line, and you

0:25:00.840 --> 0:25:06.439
<v Speaker 3>get Brandon's sort of very aggressive comeback, yeah, kind of

0:25:06.440 --> 0:25:09.719
<v Speaker 3>basically shutting down these guys. And then you, I mean,

0:25:09.760 --> 0:25:10.400
<v Speaker 3>they because they.

0:25:10.280 --> 0:25:15.320
<v Speaker 4>Are overurntly racist, and so it's like, I guess it's

0:25:15.359 --> 0:25:18.199
<v Speaker 4>because we have only sixteen minutes to truly address it,

0:25:18.480 --> 0:25:20.440
<v Speaker 4>and it is tied up in a very pretty bow

0:25:20.480 --> 0:25:21.399
<v Speaker 4>way too quickly too.

0:25:22.080 --> 0:25:24.480
<v Speaker 3>Oh okay, But I'm going to leave this town and

0:25:24.560 --> 0:25:28.240
<v Speaker 3>head to New York City where this doesn't exist.

0:25:28.280 --> 0:25:34.120
<v Speaker 1>Well, I'm so excited she's leaving Hadley City though. Yeah,

0:25:34.240 --> 0:25:36.640
<v Speaker 1>it sounds like this is like something that this kind

0:25:36.720 --> 0:25:39.439
<v Speaker 1>of treatment and this kind of environment has become the

0:25:39.920 --> 0:25:41.200
<v Speaker 1>normal and okay for her.

0:25:41.640 --> 0:25:45.719
<v Speaker 3>Well, and aren't we to understand that the librarian, so

0:25:45.800 --> 0:25:47.440
<v Speaker 3>this was my interpretive.

0:25:46.920 --> 0:25:50.840
<v Speaker 1>Face, she's a professional pinchy face.

0:25:51.600 --> 0:25:55.560
<v Speaker 3>Yeah, that that way was like an expert, So I understood.

0:25:55.600 --> 0:25:59.399
<v Speaker 3>The way I interpreted it is that the librarian cuts

0:25:59.440 --> 0:26:02.200
<v Speaker 3>her off not because she's flirting, but because she's flirting

0:26:02.200 --> 0:26:05.879
<v Speaker 3>with a white guy. And you're like, right out of

0:26:05.880 --> 0:26:08.200
<v Speaker 3>the gate, like, oh so it's not just these two

0:26:08.680 --> 0:26:13.720
<v Speaker 3>bozo's at the mechanic shop, but it's also the librarian

0:26:15.080 --> 0:26:18.080
<v Speaker 3>and it's also her boyfriend.

0:26:18.960 --> 0:26:20.560
<v Speaker 1>Mm hmm he's racist as well.

0:26:21.359 --> 0:26:24.920
<v Speaker 3>Because yeah, so it's very it's very You were hitting

0:26:24.920 --> 0:26:28.240
<v Speaker 3>the face with it a lot of times, but it was.

0:26:29.640 --> 0:26:33.240
<v Speaker 2>Did you feel like no saying like overtly like with

0:26:33.359 --> 0:26:36.239
<v Speaker 2>the dialogue about the storyline, I felt like in this

0:26:36.320 --> 0:26:39.439
<v Speaker 2>particular storyline, the wardrobe spoke to that as well, like

0:26:39.520 --> 0:26:42.800
<v Speaker 2>a little over in your face, exactly who the people

0:26:42.800 --> 0:26:47.000
<v Speaker 2>were correct very do you know what I mean? Stereotypical

0:26:47.040 --> 0:26:49.440
<v Speaker 2>wardrobe beyond and it was.

0:26:49.359 --> 0:26:57.119
<v Speaker 3>Like, okay, what was it? This like the part that

0:26:57.200 --> 0:27:02.160
<v Speaker 3>I found very compelling and intentional that I actually really thought, oh,

0:27:02.160 --> 0:27:05.880
<v Speaker 3>now that was an interesting choice. Is that junior, who

0:27:06.000 --> 0:27:12.879
<v Speaker 3>was extraordinarily inappropriate racist the father was not. And they

0:27:12.920 --> 0:27:17.560
<v Speaker 3>addressed it and they say, oh, skips a generation like

0:27:17.720 --> 0:27:21.200
<v Speaker 3>that was like where I'm like, WHOA interesting that this

0:27:21.720 --> 0:27:26.200
<v Speaker 3>son of the guy who you know is the town

0:27:26.240 --> 0:27:29.040
<v Speaker 3>mechanic that seemed his dad.

0:27:28.960 --> 0:27:33.840
<v Speaker 1>Actually probably set him straight though correct, especially if he's

0:27:33.880 --> 0:27:36.560
<v Speaker 1>one of his employees at the garage.

0:27:36.680 --> 0:27:38.720
<v Speaker 3>And they and we get it in the blues bar too,

0:27:38.760 --> 0:27:43.480
<v Speaker 3>where it was like whoa they really again? It was

0:27:43.800 --> 0:27:46.800
<v Speaker 3>very in your face it was, and it's almost like

0:27:46.960 --> 0:27:49.800
<v Speaker 3>for sure, yeah, and it seems like okay, I'm not sure.

0:27:51.160 --> 0:27:57.399
<v Speaker 3>I'm not sure it was written portrays quite as maybe.

0:27:57.560 --> 0:28:01.440
<v Speaker 1>It almost felt like it was like I was watching

0:28:01.720 --> 0:28:09.159
<v Speaker 1>an episode of Happy Days meets what other episode? I

0:28:09.200 --> 0:28:11.240
<v Speaker 1>can't think of one other show, but it felt like

0:28:11.280 --> 0:28:15.560
<v Speaker 1>a mixture of like old timey TV shows that it did.

0:28:15.760 --> 0:28:19.040
<v Speaker 1>It really did Little House on the Prairie meets Yeah,

0:28:19.600 --> 0:28:22.800
<v Speaker 1>Happy Days meets those two guys with the car.

0:28:23.400 --> 0:28:27.080
<v Speaker 3>What would Howard? What was his first? But were we

0:28:27.240 --> 0:28:33.080
<v Speaker 3>played America Opie? Yeah, oh Andy Griffiths show. It felt Yeah,

0:28:33.119 --> 0:28:35.080
<v Speaker 3>it felt very I like that you're calling it sort

0:28:35.080 --> 0:28:37.640
<v Speaker 3>of sit calmy, because you go, we're going to address

0:28:37.680 --> 0:28:42.320
<v Speaker 3>the biggest problem in society and we're going to really

0:28:42.880 --> 0:28:46.680
<v Speaker 3>shove it down your throat in both directions. All good,

0:28:46.920 --> 0:28:49.760
<v Speaker 3>it's all good, and here's the big kiss in your

0:28:49.840 --> 0:28:52.920
<v Speaker 3>face and off she good and it's just like, oh

0:28:52.960 --> 0:28:56.120
<v Speaker 3>she was so we just saw racism in seventeen minutes.

0:28:56.640 --> 0:28:58.800
<v Speaker 1>I really wanted them to become a couple. They were

0:28:58.840 --> 0:28:59.360
<v Speaker 1>cute together.

0:28:59.400 --> 0:29:02.640
<v Speaker 3>I know, did she come back of her I don't

0:29:02.640 --> 0:29:04.680
<v Speaker 3>think so. But do you know why I liked her

0:29:04.720 --> 0:29:08.160
<v Speaker 3>because she was so underplaying it and everything else was

0:29:08.240 --> 0:29:11.960
<v Speaker 3>so over the top in it, and she was so

0:29:12.800 --> 0:29:15.360
<v Speaker 3>like a She had a beautiful subtlety to her.

0:29:15.400 --> 0:29:20.080
<v Speaker 2>And Jason Priestley is very hot and looks I was

0:29:20.160 --> 0:29:23.120
<v Speaker 2>just about to say season seven, Oh he starts real strong,

0:29:23.520 --> 0:29:25.360
<v Speaker 2>he's he looks great.

0:29:25.960 --> 0:29:26.560
<v Speaker 3>I love this.

0:29:26.680 --> 0:29:28.440
<v Speaker 1>I can't do it because I don't have pick jeans

0:29:28.440 --> 0:29:30.640
<v Speaker 1>on right now. But like when he walks, he's got

0:29:30.640 --> 0:29:33.360
<v Speaker 1>one hand here in his back pocket and hand hair

0:29:33.360 --> 0:29:37.600
<v Speaker 1>in his front pocket. Did you see he does so cute?

0:29:37.920 --> 0:29:40.240
<v Speaker 3>They do. Let y'all wear sunglasses now remember how in

0:29:40.240 --> 0:29:41.040
<v Speaker 3>the early season.

0:29:42.360 --> 0:29:44.280
<v Speaker 2>Oh no, no sunglasses, but now we.

0:29:44.280 --> 0:29:47.160
<v Speaker 3>Definitely get sunglasses.

0:29:47.560 --> 0:29:49.680
<v Speaker 1>Okay, can we talk now about Donna and David please?

0:29:50.160 --> 0:29:54.520
<v Speaker 3>Yeah? Why do we start it off? So? Why is

0:29:54.560 --> 0:29:57.160
<v Speaker 3>he so aggressive? Because he's back to get.

0:29:56.960 --> 0:29:59.040
<v Speaker 2>I know why, he's back to getting no sex?

0:29:59.080 --> 0:30:01.320
<v Speaker 1>See right, he's angry, he's comfortable.

0:30:02.080 --> 0:30:04.440
<v Speaker 3>Wait, it's too much for me. He's not going to

0:30:04.520 --> 0:30:05.160
<v Speaker 3>act like that.

0:30:05.400 --> 0:30:08.000
<v Speaker 1>He treats you like that and you let him for

0:30:08.040 --> 0:30:10.920
<v Speaker 1>a while, and I was like, stop being so nice

0:30:11.000 --> 0:30:13.120
<v Speaker 1>and like sweet to him.

0:30:13.160 --> 0:30:16.320
<v Speaker 3>He doesn't deserve it.

0:30:16.320 --> 0:30:18.280
<v Speaker 2>It kind of bummed me out that we didn't see

0:30:18.800 --> 0:30:21.200
<v Speaker 2>We go from seeing them, Oh yeah, they're back together,

0:30:21.360 --> 0:30:24.000
<v Speaker 2>and then they're like this old married couple and he's

0:30:24.440 --> 0:30:26.680
<v Speaker 2>really angry and aggressive towards her, and I was just like,

0:30:26.720 --> 0:30:29.160
<v Speaker 2>thank you, we don't see any of the like I

0:30:29.320 --> 0:30:33.040
<v Speaker 2>want to see them reuniting and finding like love again.

0:30:33.920 --> 0:30:35.240
<v Speaker 3>That I just do not think.

0:30:35.360 --> 0:30:39.240
<v Speaker 2>In the second episode, David is too too aggressive.

0:30:39.280 --> 0:30:41.320
<v Speaker 3>It doesn't track. He's not going to be like that.

0:30:41.720 --> 0:30:44.000
<v Speaker 2>So I don't know why when he was on drugs,

0:30:44.320 --> 0:30:45.320
<v Speaker 2>but he's not on dust.

0:30:45.320 --> 0:30:47.000
<v Speaker 1>I felt like he might be on drugs again, like

0:30:47.040 --> 0:30:49.840
<v Speaker 1>that was how he was acting. He's very angry, angry,

0:30:50.720 --> 0:30:54.200
<v Speaker 1>and you're very like I'll take it. I'll take being

0:30:54.200 --> 0:30:56.760
<v Speaker 1>treated by him again so easily.

0:30:57.400 --> 0:30:59.200
<v Speaker 3>And then she says, why did they do this?

0:30:59.320 --> 0:31:02.560
<v Speaker 2>Why did they do this so fast? And like episode one,

0:31:02.840 --> 0:31:05.880
<v Speaker 2>I don't know, Well, i'd be angry too if my

0:31:05.960 --> 0:31:08.560
<v Speaker 2>girlfriend had brown poop hair and looked like a poodle.

0:31:08.680 --> 0:31:10.480
<v Speaker 2>So you know what, that's why he's aggressive.

0:31:11.480 --> 0:31:14.600
<v Speaker 3>I think he's too okay, So they kind of show

0:31:14.680 --> 0:31:16.719
<v Speaker 3>us this in his character when he is on the drugs,

0:31:16.720 --> 0:31:19.800
<v Speaker 3>Like it does very reminiscent of that. And also like

0:31:19.840 --> 0:31:22.520
<v Speaker 3>when he was in the limo with you know, the

0:31:22.560 --> 0:31:25.280
<v Speaker 3>record label lady, it kind of reminded me of sort

0:31:25.280 --> 0:31:26.280
<v Speaker 3>of that behavior.

0:31:27.000 --> 0:31:30.520
<v Speaker 2>But I also was like, like defensive, David, we've gotten

0:31:30.560 --> 0:31:34.520
<v Speaker 2>to now, like they're kind of like reverting back, and

0:31:34.560 --> 0:31:34.960
<v Speaker 2>it's like.

0:31:36.440 --> 0:31:38.840
<v Speaker 3>And I don't know, he's so stressed about the job,

0:31:38.920 --> 0:31:42.360
<v Speaker 3>and it's like, dude, you're adultlage. Yeah it's going and

0:31:42.360 --> 0:31:43.120
<v Speaker 3>he's laid back.

0:31:43.200 --> 0:31:48.400
<v Speaker 2>That's not it's not it's uncharacteristic. It's not I'm surprised

0:31:48.440 --> 0:31:52.320
<v Speaker 2>at this point in the game season seven that I

0:31:52.320 --> 0:31:54.080
<v Speaker 2>feel like we had more freedom, right Jen, like we

0:31:54.120 --> 0:31:55.240
<v Speaker 2>could speak up if we.

0:31:57.040 --> 0:31:57.200
<v Speaker 3>Ish.

0:31:57.280 --> 0:32:01.640
<v Speaker 2>I guess, yeah, ish. I don't know, Like, I'm surprised

0:32:01.680 --> 0:32:03.880
<v Speaker 2>the brand wasn't like, hey, wait, that just feels too

0:32:04.000 --> 0:32:04.640
<v Speaker 2>much too soon.

0:32:06.600 --> 0:32:08.960
<v Speaker 3>We don't know where it's going, so maybe it's where's.

0:32:08.680 --> 0:32:14.040
<v Speaker 2>It going somewhere again with another Oh maybe Indian drugs again, Amy,

0:32:14.040 --> 0:32:14.640
<v Speaker 2>where's it going?

0:32:15.320 --> 0:32:18.480
<v Speaker 3>I actually don't totally remember all of it yet. He

0:32:18.640 --> 0:32:21.840
<v Speaker 3>just is mean. I didn't like it because it doesn't

0:32:21.840 --> 0:32:24.040
<v Speaker 3>feel like David to me. I'm like, I don't think

0:32:24.120 --> 0:32:26.120
<v Speaker 3>that that's what he's going to do right now.

0:32:26.400 --> 0:32:28.040
<v Speaker 1>Well, I feel like there's got to be a reason

0:32:28.080 --> 0:32:29.040
<v Speaker 1>for him acting like this.

0:32:30.000 --> 0:32:32.280
<v Speaker 3>We saw dabbles of it at the end of season

0:32:32.320 --> 0:32:34.880
<v Speaker 3>six when you guys were working together, so it's like,

0:32:35.080 --> 0:32:37.160
<v Speaker 3>but definitely.

0:32:38.200 --> 0:32:42.840
<v Speaker 2>Donna's trigger word since season one is stupid. Stupid, Like

0:32:42.880 --> 0:32:46.440
<v Speaker 2>she like just like goes Hulk, like she can you

0:32:46.440 --> 0:32:53.160
<v Speaker 2>can do just stupid. You can do anything, but don't

0:32:53.200 --> 0:32:54.040
<v Speaker 2>call her stupid.

0:32:56.080 --> 0:32:59.840
<v Speaker 1>Shure down the stairs, that's okay, but just don't call

0:32:59.840 --> 0:33:00.480
<v Speaker 1>her stupid.

0:33:00.800 --> 0:33:03.400
<v Speaker 3>He was pretty tough in the end though I was

0:33:03.440 --> 0:33:11.000
<v Speaker 3>like happy about the Oh yeah, that whole thing. Oh

0:33:11.080 --> 0:33:24.720
<v Speaker 3>my god, what about Jazz?

0:33:24.840 --> 0:33:27.600
<v Speaker 1>He was funny, he's sleeping, you let him sleep in

0:33:27.640 --> 0:33:33.240
<v Speaker 1>your bed. Also, that's disgusting, you're gross. Yeah, no, you're

0:33:33.240 --> 0:33:35.240
<v Speaker 1>gonna have to wash that whole situation.

0:33:35.800 --> 0:33:38.280
<v Speaker 3>Him with the two twins. I was like, oh my god.

0:33:38.960 --> 0:33:41.680
<v Speaker 1>Yeah, he's rather video time with the twins. Then he

0:33:41.760 --> 0:33:46.760
<v Speaker 1>would talk to somebody who's going to volunteer at the

0:33:46.800 --> 0:33:47.480
<v Speaker 1>age center.

0:33:47.880 --> 0:33:51.880
<v Speaker 3>Definitely foreshadowing or I don't even know if it's foreshadowing.

0:33:51.920 --> 0:33:55.680
<v Speaker 3>This is where nine was so like, again over, sorry

0:33:55.720 --> 0:33:58.680
<v Speaker 3>to keep using the same word. They're really gonna let

0:33:58.760 --> 0:34:01.000
<v Speaker 3>us know that you're gonna go work at the care center,

0:34:01.760 --> 0:34:04.880
<v Speaker 3>the aid's hospice. Even if I think they say no,

0:34:05.520 --> 0:34:08.759
<v Speaker 3>it's like they're really telling us about.

0:34:08.440 --> 0:34:11.040
<v Speaker 2>That, because what's going to happen.

0:34:11.880 --> 0:34:14.040
<v Speaker 3>I think I'm not going to tell you. Kelly goes

0:34:14.080 --> 0:34:15.640
<v Speaker 3>to work there, that's all I know. And the guy

0:34:15.760 --> 0:34:19.520
<v Speaker 3>from Blossom I think works there too, joe older brother

0:34:19.560 --> 0:34:24.759
<v Speaker 3>from Blossom, Blossom. I think it's the old No, not

0:34:24.840 --> 0:34:28.759
<v Speaker 3>David Lasher, not Joey Lawrence, the other guy from Blossom,

0:34:29.239 --> 0:34:30.040
<v Speaker 3>the older brother.

0:34:30.320 --> 0:34:33.680
<v Speaker 2>Yeah, he looks a little bit how Donnie Wahlberg looked

0:34:33.719 --> 0:34:34.600
<v Speaker 2>in the sixth sense.

0:34:35.760 --> 0:34:36.799
<v Speaker 1>Okay, I got, I got.

0:34:36.800 --> 0:34:42.080
<v Speaker 3>No, you might be and he has HIV. This is

0:34:42.120 --> 0:34:47.279
<v Speaker 3>a whole storyline. Do they date? We shall see. So

0:34:48.200 --> 0:34:54.439
<v Speaker 3>it's Michael Stoyanov. Yes, I'm pretty sure Michael Stoyanov works

0:34:54.480 --> 0:34:56.600
<v Speaker 3>at the thing. No, you guys don't remember? Am I

0:34:56.640 --> 0:35:00.000
<v Speaker 3>making this up? I think you get somehow? You get exposed?

0:35:00.920 --> 0:35:04.560
<v Speaker 3>What am I making this up? Did you watch it?

0:35:04.719 --> 0:35:06.160
<v Speaker 3>Had dreams? Wait?

0:35:06.160 --> 0:35:07.440
<v Speaker 2>Wait, wait, don't tell you.

0:35:07.520 --> 0:35:10.680
<v Speaker 3>Did you watch ahead? No, I'm just remembering.

0:35:11.160 --> 0:35:12.360
<v Speaker 1>Wow, you're good.

0:35:13.239 --> 0:35:16.239
<v Speaker 3>I'm trying, am I. But it's splotchy and I could

0:35:16.320 --> 0:35:17.200
<v Speaker 3>be totally wrong.

0:35:17.200 --> 0:35:19.399
<v Speaker 2>I have gone that far.

0:35:20.760 --> 0:35:23.280
<v Speaker 1>Wait a second. I read on the on the remember

0:35:23.320 --> 0:35:25.319
<v Speaker 1>when I was picking the episode I was looking at

0:35:25.440 --> 0:35:27.520
<v Speaker 1>for on Paramount Plus and have like the rundown of

0:35:27.560 --> 0:35:30.440
<v Speaker 1>the next episode. Yes, I saw something about pricks her

0:35:30.480 --> 0:35:32.080
<v Speaker 1>finger Kenny pricks her fingers?

0:35:32.360 --> 0:35:34.040
<v Speaker 3>Yeah, yeah, yeah, I got it right, I got it right.

0:35:34.480 --> 0:35:40.960
<v Speaker 3>Yeah she cuts herself with Jimmy's Yeah, I'm right. I

0:35:40.960 --> 0:35:43.600
<v Speaker 3>thought it was a needle, which is weird. It's not

0:35:43.640 --> 0:35:45.600
<v Speaker 3>a needle. I don't know why I pictured it like

0:35:45.719 --> 0:35:46.360
<v Speaker 3>they're sharing.

0:35:46.920 --> 0:35:50.480
<v Speaker 2>I thought it meant, and I was like, Kelly Taylor's always.

0:35:50.280 --> 0:35:52.040
<v Speaker 3>No, no, no, it's a there's some sort of a

0:35:52.440 --> 0:35:56.480
<v Speaker 3>like incident at the at the AIDS. Okay, okay, some

0:35:56.640 --> 0:35:57.120
<v Speaker 3>care center.

0:35:57.239 --> 0:35:59.520
<v Speaker 1>Can I ask a question? Did you feel like the

0:35:59.719 --> 0:36:04.600
<v Speaker 1>light was different in this episode or when you looked

0:36:04.600 --> 0:36:08.799
<v Speaker 1>at us and how we looked on camera felt very

0:36:08.840 --> 0:36:11.680
<v Speaker 1>different than how we ended last season?

0:36:13.480 --> 0:36:14.560
<v Speaker 3>What I Okay?

0:36:15.320 --> 0:36:17.880
<v Speaker 2>I didn't know what I was thinking, but I kept

0:36:18.000 --> 0:36:19.759
<v Speaker 2>I was like, God, to my I'm sorry, I'm talking

0:36:19.760 --> 0:36:22.400
<v Speaker 2>about myself, but I'm like, did my skin get even worse?

0:36:22.480 --> 0:36:24.160
<v Speaker 2>Like I feel like I never saw all the.

0:36:24.160 --> 0:36:26.719
<v Speaker 1>Zones shadows a lot more?

0:36:27.320 --> 0:36:28.640
<v Speaker 2>Is this when.

0:36:30.680 --> 0:36:35.800
<v Speaker 3>There's I feel like this changing which there were a

0:36:35.840 --> 0:36:39.440
<v Speaker 3>lot of new names and sort of like as executive producers.

0:36:39.520 --> 0:36:42.120
<v Speaker 3>I noticed in the opening credits, you guys got to

0:36:42.120 --> 0:36:44.080
<v Speaker 3>look at those names. See if you know any of

0:36:44.080 --> 0:36:46.360
<v Speaker 3>those people I'd be curious to. You don't have to

0:36:46.480 --> 0:36:47.880
<v Speaker 3>right now. I bet you're right.

0:36:47.920 --> 0:36:53.600
<v Speaker 2>That's exactly when the deep TP. I think we're talking

0:36:53.600 --> 0:36:56.799
<v Speaker 2>about deep penetration direct your photographer.

0:36:57.040 --> 0:37:01.640
<v Speaker 3>I didn't really think. I don't think one person thought

0:37:01.680 --> 0:37:03.600
<v Speaker 3>that she did.

0:37:06.360 --> 0:37:11.600
<v Speaker 1>Oh yeah, because we is that when we went from

0:37:11.800 --> 0:37:16.520
<v Speaker 1>the guy with the dark hair mustache too. Yeah, what's

0:37:16.520 --> 0:37:17.000
<v Speaker 1>his name?

0:37:17.600 --> 0:37:21.120
<v Speaker 2>To Steve Randare, to Steve.

0:37:20.920 --> 0:37:24.480
<v Speaker 1>Randolph, Randolph was the guy.

0:37:24.520 --> 0:37:26.759
<v Speaker 3>First guy, to Steve Randolph, tell me what's going on?

0:37:27.560 --> 0:37:32.319
<v Speaker 3>What's happening here? We're trying to talk to and so

0:37:32.520 --> 0:37:34.520
<v Speaker 3>did you like, let let's just cut to the chase.

0:37:34.520 --> 0:37:37.000
<v Speaker 3>Did you like this new look? Do you like?

0:37:37.080 --> 0:37:38.359
<v Speaker 1>I did not care for the light.

0:37:38.440 --> 0:37:41.680
<v Speaker 2>I did not. I was just harshing on myself. I

0:37:41.680 --> 0:37:42.799
<v Speaker 2>thought you looked good though.

0:37:42.880 --> 0:37:45.840
<v Speaker 1>I thought it was like me, and I thought Kathleen

0:37:45.880 --> 0:37:47.160
<v Speaker 1>looked different. I looked different.

0:37:47.239 --> 0:37:53.320
<v Speaker 2>Okay, it was as female friendly the light no, no, oh,

0:37:53.480 --> 0:37:54.600
<v Speaker 2>harsh hush lighting.

0:37:54.719 --> 0:37:58.520
<v Speaker 3>Yeah, but maybe the style was changing, you know, like maybe.

0:37:58.280 --> 0:38:03.320
<v Speaker 1>The the style of cinematography was changing and lighting a

0:38:03.360 --> 0:38:07.319
<v Speaker 1>little bit at that moment. Maybe this was of the times.

0:38:07.719 --> 0:38:09.439
<v Speaker 2>Well that's not good for us.

0:38:09.600 --> 0:38:14.279
<v Speaker 1>No, I mean, look what happened with HD. None of

0:38:14.280 --> 0:38:18.600
<v Speaker 1>this is working in our favor. Yeah, anyway, you had

0:38:18.640 --> 0:38:21.400
<v Speaker 1>to sleep in your bed nuts, gross, Now you have bugs.

0:38:21.760 --> 0:38:26.480
<v Speaker 3>And then he's so into Kelly. Obviously he remembers your

0:38:26.920 --> 0:38:31.760
<v Speaker 3>cover teen vote that was kind of cute seventeen magazine.

0:38:31.760 --> 0:38:34.200
<v Speaker 3>Sorry you were in seventeen magazine vote issue.

0:38:34.560 --> 0:38:37.719
<v Speaker 1>This also happened to me recently. Guys, this is a

0:38:37.760 --> 0:38:42.320
<v Speaker 1>problem I'm really seeing developing. I'm not that long ago.

0:38:42.800 --> 0:38:47.840
<v Speaker 1>Was with Randall Slavin for some little tiny photo shoot

0:38:47.880 --> 0:38:51.759
<v Speaker 1>thing that he did for me, and he refreshed my

0:38:51.840 --> 0:38:56.080
<v Speaker 1>memory that he was on the show and forgot forgot,

0:38:56.400 --> 0:38:58.400
<v Speaker 1>and I had no idea what character he played, And

0:38:58.480 --> 0:39:00.799
<v Speaker 1>now I'm seeing it, and I would you would think

0:39:00.840 --> 0:39:04.120
<v Speaker 1>this would stick in my mind. This is a great character,

0:39:04.320 --> 0:39:05.640
<v Speaker 1>very rememborable character.

0:39:05.719 --> 0:39:08.480
<v Speaker 3>But I didn't seems like you guys would remember the

0:39:08.480 --> 0:39:12.680
<v Speaker 3>shoot on the beach. Nope, I do. I do that shoot.

0:39:13.080 --> 0:39:16.720
<v Speaker 2>I'm the good But my question is does he stay?

0:39:16.760 --> 0:39:18.520
<v Speaker 2>Is he going to be at the peach pit after dark?

0:39:18.600 --> 0:39:21.240
<v Speaker 2>Like he's recurring Randall.

0:39:21.840 --> 0:39:22.239
<v Speaker 1>I don't know.

0:39:22.280 --> 0:39:24.040
<v Speaker 3>It does not sound familiar to me.

0:39:24.440 --> 0:39:26.000
<v Speaker 2>No, Okay, that could be wrong.

0:39:26.280 --> 0:39:29.160
<v Speaker 1>I know I remember hanging out with Randall after work

0:39:29.640 --> 0:39:30.920
<v Speaker 1>like we became friends.

0:39:31.040 --> 0:39:33.560
<v Speaker 2>Oh yeah, that's refreshing my memory now.

0:39:33.640 --> 0:39:37.120
<v Speaker 1>Yes, yes, and but I don't remember how long he

0:39:37.160 --> 0:39:38.719
<v Speaker 1>was around. It feels like it must have been more

0:39:38.760 --> 0:39:39.440
<v Speaker 1>than one.

0:39:39.520 --> 0:39:42.080
<v Speaker 3>So maybe he comes back. I think it's interesting too

0:39:42.120 --> 0:39:43.960
<v Speaker 3>that we didn't have any streaming issues even with all

0:39:43.960 --> 0:39:46.239
<v Speaker 3>the music. I was so happy. I was like, oh,

0:39:46.280 --> 0:39:46.920
<v Speaker 3>thank goodness.

0:39:47.040 --> 0:39:49.400
<v Speaker 1>You think that music's got some sort of license.

0:39:49.640 --> 0:39:51.600
<v Speaker 3>I feel like maybe at season seven they started to

0:39:51.600 --> 0:39:57.279
<v Speaker 3>figure it out, like hey, get together music too, and

0:39:57.320 --> 0:40:00.000
<v Speaker 3>it was all on streaming, or maybe they were creating music.

0:40:00.239 --> 0:40:00.719
<v Speaker 3>I feel like it.

0:40:02.160 --> 0:40:05.840
<v Speaker 2>That's what I think that the blues music.

0:40:05.920 --> 0:40:11.040
<v Speaker 1>His lyrics were something about a girl with a book, okay,

0:40:11.160 --> 0:40:13.960
<v Speaker 1>and so that played into that storyline.

0:40:14.680 --> 0:40:17.840
<v Speaker 2>What about the nine o two one oh soundtrack? We

0:40:17.920 --> 0:40:20.479
<v Speaker 2>went on to have many of them. Do you remember

0:40:20.800 --> 0:40:21.719
<v Speaker 2>track I.

0:40:21.840 --> 0:40:24.560
<v Speaker 1>Forgot about just then? Opening song?

0:40:25.040 --> 0:40:28.680
<v Speaker 2>No, like, wait, can we look this up?

0:40:29.040 --> 0:40:30.040
<v Speaker 3>They're working it up now.

0:40:30.280 --> 0:40:35.600
<v Speaker 2>Yeah, so maybe they started to create their own to

0:40:35.640 --> 0:40:38.120
<v Speaker 2>go with the soundtrack were That's what I would think

0:40:40.360 --> 0:40:42.600
<v Speaker 2>smart and it definitely exists. True, another piece of the

0:40:42.600 --> 0:40:46.080
<v Speaker 2>pie we probably didn't get. But you know, nope, nope.

0:40:46.600 --> 0:40:48.440
<v Speaker 3>We were doing our job, they were doing their There

0:40:48.480 --> 0:40:50.799
<v Speaker 3>definitely was music of Beverly Hills nine o two one,

0:40:52.239 --> 0:40:58.319
<v Speaker 3>several albums, Yeah, Paula Abdul, Yeah, but it seems like

0:40:58.360 --> 0:41:00.480
<v Speaker 3>it had to color me bad. But the right kind

0:41:00.520 --> 0:41:04.240
<v Speaker 3>of love Jeremy Jordan, Oh love is remember Vanessa Williams

0:41:04.239 --> 0:41:07.000
<v Speaker 3>and Brian McKnight. That was sort of a jam. I

0:41:07.080 --> 0:41:08.359
<v Speaker 3>kind of like it, and he came on the show

0:41:08.400 --> 0:41:11.160
<v Speaker 3>and maybe forever for you, Shenise, But I don't know.

0:41:13.320 --> 0:41:15.840
<v Speaker 2>Only one album came out in nineteen ninety two, so

0:41:15.880 --> 0:41:20.080
<v Speaker 2>that was like, oh, an, only one original cast.

0:41:19.840 --> 0:41:23.160
<v Speaker 3>Is on the cover. I don't know. I'm looking at that.

0:41:23.400 --> 0:41:26.279
<v Speaker 3>They put that out with other people's because you just

0:41:26.320 --> 0:41:28.160
<v Speaker 3>license the music and they get a piece of it

0:41:28.320 --> 0:41:30.880
<v Speaker 3>because the show is so popular. Okay, okay, you know

0:41:30.960 --> 0:41:32.760
<v Speaker 3>what I mean. The show is so popular that people

0:41:32.760 --> 0:41:34.160
<v Speaker 3>were like, yeah, I'll make money off that.

0:41:34.640 --> 0:41:37.960
<v Speaker 1>So at the end of this whole storyline, are we

0:41:38.080 --> 0:41:41.239
<v Speaker 1>to understand that Donna and David are not going to

0:41:41.239 --> 0:41:43.880
<v Speaker 1>be working for Eric Budman anymore in the record label.

0:41:44.200 --> 0:41:47.040
<v Speaker 3>Well, I'm wondering if they're together. I think they broke up. No,

0:41:48.320 --> 0:41:53.040
<v Speaker 3>Eric got laid chills. Yeah, that's random. Assistant comes out.

0:41:54.080 --> 0:41:58.480
<v Speaker 1>And then you say, basically, I'd rather be where we

0:41:58.520 --> 0:42:00.479
<v Speaker 1>are and not have to worry about where we're going

0:42:00.560 --> 0:42:01.200
<v Speaker 1>right now.

0:42:01.440 --> 0:42:04.320
<v Speaker 2>Right And he's like in every area, and she's like, yeah, basically,

0:42:04.600 --> 0:42:05.520
<v Speaker 2>So I don't want.

0:42:05.400 --> 0:42:08.640
<v Speaker 3>I do appreciate. I do appreciate that they let me

0:42:08.680 --> 0:42:12.600
<v Speaker 3>know Eric got fired, and that the FBI got. I got,

0:42:13.360 --> 0:42:16.840
<v Speaker 3>you know, jiggered to the put.

0:42:18.760 --> 0:42:23.240
<v Speaker 2>Because I was I'm like, where is he and in jail?

0:42:23.280 --> 0:42:24.120
<v Speaker 2>And we didn't.

0:42:24.160 --> 0:42:26.000
<v Speaker 3>They did not, they did.

0:42:26.120 --> 0:42:28.479
<v Speaker 2>Didn't hear that you missed that part? You were looking

0:42:28.520 --> 0:42:29.120
<v Speaker 2>up at the boom?

0:42:31.960 --> 0:42:32.640
<v Speaker 3>Oh my god?

0:42:32.840 --> 0:42:34.560
<v Speaker 1>And what's her name's gone?

0:42:34.920 --> 0:42:38.000
<v Speaker 3>You're excusing branding kind of acknowledges. I don't know if

0:42:38.000 --> 0:42:40.799
<v Speaker 3>I want to work at the paper, which I'm like, well,

0:42:40.800 --> 0:42:43.040
<v Speaker 3>the girl is gone, so who cares?

0:42:43.719 --> 0:42:45.319
<v Speaker 1>Yeah, he'd work somewhere else.

0:42:45.320 --> 0:42:46.200
<v Speaker 3>I'm that bad.

0:42:48.840 --> 0:42:51.080
<v Speaker 1>Okay, So the only other one we have left is no,

0:42:51.239 --> 0:42:53.279
<v Speaker 1>that's it. We've covered all storylines, you guys.

0:42:54.200 --> 0:42:56.719
<v Speaker 3>We got a little of Nat and the wife, the

0:42:56.760 --> 0:43:00.360
<v Speaker 3>pregnant girlfriend. She they're getting married soon. We acknowled the

0:43:00.360 --> 0:43:01.279
<v Speaker 3>wedding's coming up.

0:43:01.680 --> 0:43:05.240
<v Speaker 1>I'm sorry, but are those two guys, those two gonna

0:43:05.280 --> 0:43:09.920
<v Speaker 1>really go to an after party for a video shoot

0:43:10.000 --> 0:43:13.359
<v Speaker 1>on the beach at night. I'm like, they they've got

0:43:13.360 --> 0:43:16.200
<v Speaker 1>to be older than I am right now, and I

0:43:16.280 --> 0:43:18.560
<v Speaker 1>know that I would be staying home, Like, there's no

0:43:18.560 --> 0:43:20.160
<v Speaker 1>way you could get me to go to the after party.

0:43:20.280 --> 0:43:23.840
<v Speaker 2>Barely survive a two day stay on the Queen Mary,

0:43:24.200 --> 0:43:26.920
<v Speaker 2>how is she up at doing that an after party?

0:43:27.040 --> 0:43:27.120
<v Speaker 1>Like?

0:43:27.200 --> 0:43:27.520
<v Speaker 2>Come on?

0:43:28.320 --> 0:43:31.120
<v Speaker 1>She said? She also just so weird that they were there.

0:43:31.239 --> 0:43:33.759
<v Speaker 2>Didn't was there nowhere else they could put them in? Oh?

0:43:33.760 --> 0:43:35.399
<v Speaker 2>I guess not? No?

0:43:37.800 --> 0:43:40.400
<v Speaker 3>Who shows way too late last night? Is this the

0:43:40.440 --> 0:43:45.160
<v Speaker 3>show where people dancing at the after party? Slow table

0:43:46.040 --> 0:43:52.600
<v Speaker 3>dancing dance slow dancing? Gross? Who do people still slow dance?

0:43:52.680 --> 0:43:53.000
<v Speaker 4>I'm not.

0:43:53.600 --> 0:43:55.799
<v Speaker 3>I'd love to bring it back. I would love to

0:43:55.800 --> 0:43:59.240
<v Speaker 3>bring it back, like the awkward slow dance I from side.

0:44:00.080 --> 0:44:02.279
<v Speaker 2>Yeah, because at least you got to like put your

0:44:02.360 --> 0:44:04.880
<v Speaker 2>arm around, like being near the boy and no like

0:44:04.960 --> 0:44:08.120
<v Speaker 2>pressure to like have to dance like yeah, but sometimes it.

0:44:08.160 --> 0:44:11.160
<v Speaker 1>Was too a little too close body parts.

0:44:12.160 --> 0:44:16.920
<v Speaker 3>I'd love to shwing. Yeah what you never have?

0:44:17.080 --> 0:44:18.400
<v Speaker 2>You slow down me?

0:44:20.160 --> 0:44:20.399
<v Speaker 3>Yeah?

0:44:20.480 --> 0:44:28.720
<v Speaker 1>Okay, I'm gonna stop now. I think I'm red, Okay.

0:44:28.600 --> 0:44:31.719
<v Speaker 3>Get me. Think it's such a great episode. It really is.

0:44:31.840 --> 0:44:32.640
<v Speaker 1>I'm excited to.

0:44:32.640 --> 0:44:35.880
<v Speaker 3>See Randon into the Mustang and drives off.

0:44:36.239 --> 0:44:38.319
<v Speaker 1>I feel like there's a lot that's gonna happen with

0:44:38.360 --> 0:44:42.359
<v Speaker 1>these characters this season, and I'm so here for it.

0:44:42.520 --> 0:44:44.960
<v Speaker 2>You know what, I kind of want a great scene

0:44:44.960 --> 0:44:48.080
<v Speaker 2>to be though. I wanted him to be like arriving

0:44:48.120 --> 0:44:50.239
<v Speaker 2>home and something with him and Kelly. That was just

0:44:50.239 --> 0:44:51.400
<v Speaker 2>my gut instinct.

0:44:51.920 --> 0:44:53.920
<v Speaker 3>Me too. But I feel like they've got it.

0:44:53.920 --> 0:44:56.680
<v Speaker 1>They're gonna be Is it gonna happen this season?

0:44:57.200 --> 0:44:57.600
<v Speaker 3>This season?

0:44:57.640 --> 0:44:59.640
<v Speaker 2>Will has to he leaves, Oh my god, it has

0:44:59.719 --> 0:45:00.160
<v Speaker 2>to wait?

0:45:00.239 --> 0:45:02.040
<v Speaker 3>How do they get together? And then he leaves? It

0:45:02.040 --> 0:45:05.239
<v Speaker 3>has Yeah, he leaves, you don't remember any gosh.

0:45:05.120 --> 0:45:06.160
<v Speaker 2>Oh what wait?

0:45:06.239 --> 0:45:08.440
<v Speaker 3>They get to do together and then he leaves. We're

0:45:08.480 --> 0:45:09.920
<v Speaker 3>not going to talk about it right now. We've got

0:45:09.920 --> 0:45:11.560
<v Speaker 3>a whole season that you're gonna learn as you go.

0:45:11.960 --> 0:45:14.360
<v Speaker 3>The thing that I like about this episode is that

0:45:14.440 --> 0:45:17.319
<v Speaker 3>it's it's the new nine O two one oh right,

0:45:17.400 --> 0:45:22.520
<v Speaker 3>Like it's new, it's the it's it's not the original

0:45:22.600 --> 0:45:26.080
<v Speaker 3>original first like three four years right, right, maybe first three.

0:45:26.840 --> 0:45:31.200
<v Speaker 3>But it also doesn't need all that hashtag trying too hard, right,

0:45:31.280 --> 0:45:33.120
<v Speaker 3>like with the chase scene, and like the way the

0:45:33.160 --> 0:45:35.200
<v Speaker 3>finale was sort of getting I'm like, I don't need

0:45:35.360 --> 0:45:38.279
<v Speaker 3>all that. I just need these core characters. And I

0:45:38.280 --> 0:45:40.880
<v Speaker 3>think that's what I liked about it is that it's like,

0:45:41.360 --> 0:45:45.640
<v Speaker 3>I'm back to the core characters, which includes Claire and

0:45:45.719 --> 0:45:49.839
<v Speaker 3>includes Valerie. I don't have this sort of extraneous things

0:45:49.880 --> 0:45:52.400
<v Speaker 3>that I'm trying to deal with Colin and Susan, and

0:45:52.800 --> 0:45:55.239
<v Speaker 3>I've got the core characters and I'm just following them

0:45:55.480 --> 0:46:02.040
<v Speaker 3>because I'm really following you. You both Steve and Brandon, Brandon,

0:46:03.440 --> 0:46:06.879
<v Speaker 3>and maybe a dabble of Valerie. But yeah, but yeah,

0:46:07.000 --> 0:46:09.920
<v Speaker 3>David's with you, even though Steve's with Claire. Still got Steve,

0:46:10.200 --> 0:46:13.120
<v Speaker 3>Brandon is with this new character, but I got Brandon.

0:46:13.480 --> 0:46:16.000
<v Speaker 3>So it's like I've got just all core people that

0:46:16.040 --> 0:46:18.799
<v Speaker 3>I actually care about the right and like they're doing.

0:46:19.760 --> 0:46:22.080
<v Speaker 3>That's why I think that's why I sort of feel like, oh,

0:46:22.320 --> 0:46:25.480
<v Speaker 3>I'm back in season four or five totally with you.

0:46:25.719 --> 0:46:28.440
<v Speaker 1>And also I feel like this show is, like, you

0:46:28.480 --> 0:46:31.600
<v Speaker 1>know what, We're going to keep on trucking. This show

0:46:31.680 --> 0:46:34.400
<v Speaker 1>is bigger than any one person, and it's it's going

0:46:34.520 --> 0:46:38.239
<v Speaker 1>to continue forward. And I felt like some sort of

0:46:38.280 --> 0:46:40.040
<v Speaker 1>strength behind it in that respect.

0:46:40.280 --> 0:46:41.080
<v Speaker 3>Yeah.

0:46:41.440 --> 0:46:47.600
<v Speaker 1>Yeah, well it's very exciting because you guys, it's only

0:46:47.600 --> 0:46:48.440
<v Speaker 1>the first episode.

0:46:48.600 --> 0:46:49.359
<v Speaker 3>Yeah, and we have.

0:46:49.560 --> 0:46:50.479
<v Speaker 1>What do we have next week?

0:46:50.520 --> 0:46:51.840
<v Speaker 2>What's our episode?

0:46:51.920 --> 0:46:52.160
<v Speaker 3>Two?

0:46:52.360 --> 0:46:54.759
<v Speaker 2>Here we go again, Here we go?

0:46:55.400 --> 0:46:55.640
<v Speaker 3>Wait?

0:46:55.760 --> 0:46:56.480
<v Speaker 1>What song is that?

0:46:58.880 --> 0:46:59.399
<v Speaker 2>Which one?

0:46:59.640 --> 0:47:03.880
<v Speaker 1>I just started to sing Jane's Got a Gun, but

0:47:04.000 --> 0:47:07.120
<v Speaker 1>with the words here we go again. I don't know

0:47:07.160 --> 0:47:08.839
<v Speaker 1>what's happening in my brain. You guys, I need to go.

0:47:10.000 --> 0:47:12.040
<v Speaker 3>Let's wrap this up. What do you give it? What

0:47:12.080 --> 0:47:12.919
<v Speaker 3>do you give it?

0:47:13.360 --> 0:47:13.600
<v Speaker 2>Ten?

0:47:14.360 --> 0:47:15.200
<v Speaker 3>No? Nine?

0:47:15.719 --> 0:47:18.319
<v Speaker 2>I give it a nine nine, nine point five for me.

0:47:18.760 --> 0:47:22.560
<v Speaker 3>Yeah, I love it.

0:47:22.760 --> 0:47:24.960
<v Speaker 2>The season off strong, thought.

0:47:24.719 --> 0:47:27.799
<v Speaker 3>I wouldn't be excited about this, but I am.

0:47:28.080 --> 0:47:30.319
<v Speaker 2>I hope my hair gets better. See you next week.

0:47:30.800 --> 0:47:31.320
<v Speaker 1>By Buddy