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Speaker 1: It's nine o Gene Engine with Jenny Garth and Tory Spelling. Welcome,

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Speaker 1: Welcome to season seven.

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Speaker 2: Did you ever think we'd be around this long? We did,

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Speaker 2: I mean the first time I now.

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Speaker 1: This, but neither. I don't think Alvira around this long ever.

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Speaker 3: Again, we really needed season seven, like we needed freshness

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Speaker 3: as we needed Like six was amazing. I love six,

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Speaker 3: but it dragged. It started to drag. Well, it was

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Speaker 3: so freaking long.

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Speaker 1: Thirty three episodes is too long for one season.

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Speaker 3: Yeah, yeah, we're ready for new but I guess everything

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Speaker 3: then people had more patience or didn't have anything else

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Speaker 3: to do.

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Speaker 1: I don't know.

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Speaker 3: I think they were excited for it to be a

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Speaker 3: week because yeah, I think people back then were like, yeah,

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Speaker 3: they get to watch it every week. They were happy,

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Speaker 3: they were happy.

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Speaker 2: The simpler time will drags a little bit.

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Speaker 1: Simpler times dragsically drags. This episode was again a few

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Speaker 1: different episodes, yes, connective tissue.

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Speaker 2: Very different shows all in one. A lot of backstory

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Speaker 2: of what happened this se I know he did this summer.

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Speaker 1: We always had to do that, like kind of like

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Speaker 1: wrap up the summer, so everybody caught up with it.

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Speaker 3: I was fine with that, Tonally, Tonally, if I'm going

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Speaker 3: to use a fancy word. The storylines were so different

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Speaker 3: because you're dealing with Brandon's storyline that is quite serious,

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Speaker 3: and then the sort of three's company episode that was

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Speaker 3: Steve and and Claire. Yeah but I like that, which

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Speaker 3: was Donna.

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Speaker 1: Okay, can we just start there's just Season seven, Episode one,

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Speaker 1: Remember the Alamo, aired August twenty first, nineteen ninety six.

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Speaker 2: Synopsis. Season seven kicks off with a geographically challenged friend

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Speaker 2: group Steve Steve ditches is let me start all that over? Synopsis.

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Speaker 2: Season seven kicks off with a geographically challenged friend group.

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Speaker 2: Steve ditches his buddy Brandon in Texas. Claire comes back

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Speaker 2: from Switzerland but has to San Antonio, while Steve is

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Speaker 2: Strandon Houston. Meanwhile, Brandon meets a local librarian with big

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Speaker 2: city dreams. Donna and David are learning never to mix

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Speaker 2: business with pleasure. Valerie meets a sexy CPA and a

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Speaker 2: billy Idle want to be named Taz wants Kelly to

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Speaker 2: keep him company.

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Speaker 1: Directed by James Widmore Junior, written by Larry Mullin.

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Speaker 3: Where to begin? Where to even begin?

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Speaker 1: Wait?

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Speaker 3: Well, look, I don't know either. I.

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Speaker 2: I would like to announce to both of you right

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Speaker 2: now that I will no longer be watching this show.

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Speaker 2: Remember when I couldn't watch myself, but then as an apoint,

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Speaker 2: I was very excited and I was like, I've accepted myself.

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Speaker 2: Now I feel more confident. I can watch myself with

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Speaker 2: this new hair color and do I am no longer

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Speaker 2: watching myself.

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Speaker 3: You can't do it.

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Speaker 2: I'm out better, Tori.

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Speaker 3: Your hair got better when it was straight. When you

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Speaker 3: straightened it, I'm in the middle of Okay.

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Speaker 1: First of all, your hair is brown, like a mousey brown.

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Speaker 1: I've never seen on you again.

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Speaker 2: So the back story of the page boycut. How Jen

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Speaker 2: and I always talk about we never took a vacation.

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Speaker 2: When we had time off, we did movies. So we

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Speaker 2: had our summer break. I did a TV movie, Mother

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Speaker 2: My Sleep with Danger, and then I was very excited

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Speaker 2: to do my first feature film and it was called

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Speaker 2: House of Yes, and I had to be like a

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Speaker 2: Midwest girl and they wanted her very like plain, plain Jane,

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Speaker 2: So they dyed my hair and then I went right

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Speaker 2: back into this should have gone back?

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Speaker 3: Which TV movie was it? It was a big one.

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Speaker 2: Mother Might Sleep with Danger and then House of Yes

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Speaker 2: was movie.

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Speaker 3: Who was in Mother May Sleep with Danger? That was

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Speaker 3: like a big one, right that?

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Speaker 2: It was a big one.

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Speaker 3: Yeah, it was. It was the biggest one I think

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Speaker 3: you did since you did the one Cheerleader one.

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Speaker 1: Yes, Who was the mother? Who was the mother when

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Speaker 1: you're saying.

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Speaker 2: Mother bains and she passed away this past year two?

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Speaker 3: I know Ivan Serge was in that one too, a

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Speaker 3: young Ivan.

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Speaker 1: We have a lot of new players in this episode.

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Speaker 1: We we have to. We have a cameo Lora Gaines

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Speaker 1: as the as the singer songwriter and the blues guitarist.

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Speaker 3: James Francco was in it.

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Speaker 2: James Franco, we're talking about your movie, not the show.

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Speaker 3: Got it? Okay?

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Speaker 2: Sorry?

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Speaker 3: Sorry?

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Speaker 2: He did the remake, the routing, the reimagining for a

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Speaker 2: lifetime that I then played the last time.

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Speaker 3: Okay, Oh got it? I gotta got it? Okay, I

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Speaker 3: so sorry. Keep go back to nine to two on now.

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Speaker 1: Okay, So, uh, Roy Gaines was in it, made a cameo.

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Speaker 1: He just passed.

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Speaker 3: Away to Roy Gains blues.

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Speaker 1: Guitar, singer songwriter.

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Speaker 3: That was cool, really cool, it says.

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Speaker 1: The accountant was played by actors singer Joseph Geon, who

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Speaker 1: was best known for playing Detective Tom Ryan in nots

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Speaker 1: Landing No Way.

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Speaker 2: He was super hot, but I have a whole flag

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Speaker 2: where I recognized him from I couldn't.

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Speaker 1: It says he's gonna be here for nine episodes.

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Speaker 2: You guys, I remember, this character is sticking around, and

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Speaker 2: I feel like he turns out something bad.

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Speaker 3: Bad, there's nothing good. Super hot and charming, but yet

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Speaker 3: he's okay, he's super hot and charming, but it's so great,

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Speaker 3: like what's the word swarmie? Ye? Icky?

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Speaker 1: He made me feel icky.

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Speaker 3: Me too, because first of all, it's so appropriate, like

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Speaker 3: you were so attractive or whatever.

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Speaker 2: When Valerie walks in the Jim Walsh didn't tell him that.

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Speaker 3: Jim Walsh referred you this business, yes, and it seems

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Speaker 3: like a no go to flirt with the client.

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Speaker 1: I don't think he has any screuples.

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Speaker 3: It's so creepy. It's really creepy.

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Speaker 1: He's scrupulous, although.

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Speaker 3: He's hot, And if Jim Walsh hadn't referred him, it

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Speaker 3: was still aggressive, like right off the bat, I mean,

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Speaker 3: I get it. Maybe well Jim referral.

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Speaker 1: Yeah, he's he's shook. Yeah, we also have Mariah, who

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Speaker 1: was played by actress Maya Campbell, best known for her

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Speaker 1: role in a sitcom in the House.

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Speaker 3: She was great. I love him, It's really great.

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Speaker 1: And Taz was played by Randall Slaven, a famous photographer

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Speaker 1: who also did small roles in TV shows.

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Speaker 2: Now I remember him, you do?

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Speaker 1: Yeah, a friend of mine.

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Speaker 2: Oh, I was gonna say, he's photographed us.

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Speaker 3: He's a really great photographer. Amazing. Okay, wait, Billie Idle

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Speaker 3: guy is still your friend. That's amazing.

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Speaker 1: Yeah, he's a big la photographer.

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Speaker 3: He loves to shoot.

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Speaker 1: He's shot all millions of actors and actresses, a list people.

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Speaker 1: But he loves to shoot hot models too. So it

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Speaker 1: all works with this character.

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Speaker 3: All really worked for him. So can I throw a

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Speaker 3: crazy theory out there? Oh?

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Speaker 2: Wait? Can I ask me? I know, I'm real quick

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Speaker 2: while we're just while we're on this topic, I don't.

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Speaker 2: She doesn't seem credited here, But did I see Jason

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Speaker 2: Bateman's wife.

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Speaker 3: Amanda Anka and living in this season? Though she comes,

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Speaker 3: she comes for more episodes. You're kidding me?

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Speaker 1: Amanda Anka is in this show?

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Speaker 3: Yes, yes, our show. She does multiple episodes.

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Speaker 2: One line in this episode, but killing me right now.

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Speaker 3: I know her. Our kids are friends.

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Speaker 1: They've gone to school together since they were in kindergarten,

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Speaker 1: and so I would see her all the time at

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Speaker 1: school and never, ever, ever, ever made the connection.

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Speaker 3: Yeah, she does a bunch of episodes. I think she

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Speaker 3: does like five. I'm looking it up five or six.

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Speaker 1: I am I am a terrible memory person.

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Speaker 2: She plays Barber on the show.

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Speaker 3: Either she plays Barbara. She's definitely in Remember the Alamo,

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Speaker 3: but I think she's in more. I just don't know

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Speaker 3: for sure. Maybe people can check that, but I think

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Speaker 3: she does a few more. Well should we start where

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Speaker 3: was she the first scene? Was she in.

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Speaker 2: On the beach during the video?

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Speaker 3: She was in the video?

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Speaker 2: No, it was like behind the scenes. She came up

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Speaker 2: and talked to David and Donna.

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Speaker 1: Oh my gosh.

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Speaker 3: I think she does a couple more.

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Speaker 1: I didn't clock her.

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Speaker 2: Sorry, theory.

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Speaker 3: My theory, and I don't know if people will agree

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Speaker 3: or not. But so you know how I always say

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Speaker 3: the show jumped the shark. Yes, we are aware. I

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Speaker 3: just don't love when I say that. I think there's

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Speaker 3: a possibility that watching it now, it jumps the shark

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Speaker 3: less Like I'm sort of enjoying the later seasons. Dare

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Speaker 3: I say, now with these eyes than when I was young,

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Speaker 3: I find that early early seasons to be a little

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Speaker 3: bit more boring.

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Speaker 2: Now that's under later seasons, and that can happen. Have

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Speaker 2: you ever watched a movie you loved, like, like, for instance,

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Speaker 2: I'll take movies from the eighties or something that were

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Speaker 2: everything to me and watch it now with my kids

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Speaker 2: and I'm like, oh boy, little slow, Like so it

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Speaker 2: can go both ways.

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Speaker 3: Yeah, so, I think because it gets so over the top,

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Speaker 3: it's kind of more of an enjoyable watch. Like this

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Speaker 3: episode for me jammed, Like I loved it. It jammed.

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Speaker 3: It was ridiculous in parts, but I'm like, I, I'm

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Speaker 3: enjoying the whole thing. This is great.

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Speaker 1: I think people really wanted to say the show jumped

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Speaker 1: the Shark because Shannon wasn't there, Luke wasn't there. Now,

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Speaker 1: Brandon's leaving soon, isn't he.

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Speaker 3: End of this year?

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Speaker 2: Oh?

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Speaker 1: End of the season seven? I feel like people wanted

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Speaker 1: to make that the narrative, but.

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Speaker 3: I don't know that the show ever did.

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Speaker 2: I'm really yeah, and deliver back in time.

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Speaker 3: Yeah, we only have we must be the Shark season

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Speaker 3: eight has no Brandon and no Luke or no Dylan.

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Speaker 3: But then Doc, I can see that eight maybe was

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Speaker 3: a rough one, but then otherwise it kind.

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Speaker 1: Of well, we'll see. But this is episode one, you guys. Okay,

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Speaker 1: let's talk about the There are how many storylines?

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Speaker 3: One, two, three, four? There's kind of four, there's four?

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Speaker 1: What should we start with? What do you want to

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Speaker 1: start with?

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Speaker 3: Claire? Claire? Okay, you got it? She looked great, looked great.

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Speaker 1: Claire tears heart for three Yeah, they've been apart for

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Speaker 1: three weeks, so they decide to surprise each other but

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Speaker 1: end up on opposite and they end up in opposite states.

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Speaker 3: It's sort of a take on that, like do you

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Speaker 3: guys know that story? Like something of the Magi She

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Speaker 3: sells her books to buy him something, and then he

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Speaker 3: sells her something to buy her a bookmark. It's something

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Speaker 3: like that, like the lock of hair and yeah, yeah,

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Speaker 3: it was cute. We're kind some of the shot.

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Speaker 1: In her little dress with the suitcase when they found it.

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Speaker 3: Was just very campy. So like, first of all, Steve's naked,

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Speaker 3: Can we talk about that? I always love that in

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Speaker 3: the shower and then when he comes out, remember he

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Speaker 3: like his naked just holds something over his private so cute.

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Speaker 1: He loved to be naked.

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Speaker 2: Got mom died.

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Speaker 1: He did you notice too, Like he came out he

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Speaker 1: had it Santa Beard with the foam and then he

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Speaker 1: came out of the shower and they were like, oh, he.

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Speaker 3: Had foam in his ears. We still have that in

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Speaker 3: the bedroom. So then when they're out of the.

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Speaker 1: Bathroom and it's like clearly later in the day and

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Speaker 1: they're filming that scene with him and val in the bed. Yeah,

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Speaker 1: it's so obvious that they were like, put some here

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Speaker 1: and put them here and make it and then one

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Speaker 1: shot it wasn't there.

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Speaker 3: One shot it was there.

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Speaker 1: It made me laugh.

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Speaker 3: I think it was a little nuts that she that

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Speaker 3: Valerie like runs into the bathroom and he's in the shower.

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Speaker 3: But I mean, I guess she was super excited to

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Speaker 3: see him. She's super excited.

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Speaker 2: She's super lonely, so lonely, she's hitting the weed again.

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Speaker 3: Yeah, I can't wait to talk about her, right, but

245
00:12:41,440 --> 00:12:44,360
Speaker 3: so long? So did you guys find it? You know,

246
00:12:44,400 --> 00:12:46,160
Speaker 3: they go to the airport and they're both on the

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Speaker 3: pay phones right there, but they don't see each other.

248
00:12:50,120 --> 00:12:52,720
Speaker 3: And this happens, and this happens, and they left it,

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Speaker 3: and then.

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Speaker 1: I felt like I was watching Harry like a Harry

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Speaker 1: met Sally kind of rum come.

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Speaker 2: So I liked that, and I didn't feel like it

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Speaker 2: was I mean, it shouldn't be Zany, but we've had

254
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Speaker 2: Zanier the little Zany.

255
00:13:06,760 --> 00:13:07,200
Speaker 3: Yeah. Yeah.

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Speaker 1: I love when he was running though you guys and

257
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Speaker 1: leaping over people.

258
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Speaker 3: It's like a dream sequence.

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Speaker 1: All.

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Speaker 3: I liked that it was a little Three's Company for me,

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Speaker 3: misunderstanding missing each other.

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Speaker 1: But you know what, I don't see how that could

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Speaker 1: even be a problem like that.

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Speaker 3: If it was Three's Company, you'd be like, ten, Yeah,

265
00:13:29,679 --> 00:13:30,319
Speaker 3: best show ever.

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Speaker 2: Hello, And you're like, oh, did Jason direct this one?

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00:13:32,840 --> 00:13:35,400
Speaker 2: This was like three Stooges. You're like, didn't you all

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Speaker 2: like that? And now this you're not into She didn't say.

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Speaker 3: I'm not into it. I'm just saying Tonally. For me,

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00:13:43,360 --> 00:13:46,280
Speaker 3: it was very like, there's just a lot of different

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Speaker 3: it's like so many different things happening that he pulled

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Speaker 3: this on us all the time.

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Speaker 2: Though, Yeah, I'm not mad at it.

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Speaker 3: I'm just calling it out. I'm not mad at it.

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Speaker 1: I'm just acknowledging it fair well, anyway, they get a

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Speaker 1: hotel room somewhere in Texas and they're good to go.

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Speaker 2: Oh my god, you know the iron at it this line,

278
00:14:04,240 --> 00:14:04,920
Speaker 2: you know what it is?

279
00:14:05,160 --> 00:14:09,720
Speaker 3: Stress up day? How many times did you hear that?

280
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Speaker 1: When you He got to get into that.

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00:14:14,280 --> 00:14:18,640
Speaker 3: But here's what I was confused about. He goes home,

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00:14:20,120 --> 00:14:24,680
Speaker 3: she flies to Texas. He gets back to Texas, but

283
00:14:24,800 --> 00:14:29,280
Speaker 3: thinks she's now flown home. Where were they Texas?

284
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Speaker 1: They were in Texas.

285
00:14:31,080 --> 00:14:31,920
Speaker 3: They were in Texas.

286
00:14:32,200 --> 00:14:35,840
Speaker 2: She was in Houston and he was in San Antonio. Different.

287
00:14:36,600 --> 00:14:38,720
Speaker 3: No, they were both in the same They somehow ended up.

288
00:14:39,200 --> 00:14:42,520
Speaker 2: Eventually, but she was confused Houston.

289
00:14:42,760 --> 00:14:45,080
Speaker 3: It was super confusing. It was so he ended up

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Speaker 3: being on two flights. She ended up being on the

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Speaker 3: flight there and couldn't get back.

292
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Speaker 1: And got stuck there.

293
00:14:52,960 --> 00:14:58,040
Speaker 2: Choices this season, I'm crazy like the open shirt.

294
00:14:58,640 --> 00:14:59,520
Speaker 3: I like the white shirt.

295
00:15:00,000 --> 00:15:03,040
Speaker 2: Okay with that. It was the opening shot with him

296
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Speaker 2: and Jason, Oh.

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00:15:05,280 --> 00:15:07,840
Speaker 3: Yeah, that it was. He was on a road trip though,

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00:15:08,040 --> 00:15:10,840
Speaker 3: like the top Atlanta Atlas were ball.

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00:15:10,720 --> 00:15:14,120
Speaker 2: Huggers, like they were. I was like, oh, I painted

300
00:15:14,160 --> 00:15:15,520
Speaker 2: on long shorts.

301
00:15:16,720 --> 00:15:19,400
Speaker 3: It was interesting how they had to mention multiple times

302
00:15:19,440 --> 00:15:23,680
Speaker 3: the Olympics. He's got the Atlanta because it was nineteen

303
00:15:23,720 --> 00:15:27,560
Speaker 3: ninety six, so it was the Atlanta Olympics. And then

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00:15:27,560 --> 00:15:30,640
Speaker 3: there's another mention of the Olympics, like there's a couple

305
00:15:30,760 --> 00:15:36,440
Speaker 3: real with a like Olympics mentions. I mean, fine, we don't.

306
00:15:36,440 --> 00:15:51,040
Speaker 1: I don't have no idea why. Okay, let's talk about

307
00:15:51,120 --> 00:15:55,920
Speaker 1: Valerie and that handsome CPA recommended by Jim Walsh.

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00:15:56,800 --> 00:16:00,040
Speaker 3: First, can we talk about her kind of weirdly a

309
00:16:00,040 --> 00:16:02,560
Speaker 3: blirting with Brandon on the phone, like I missed you

310
00:16:02,600 --> 00:16:04,360
Speaker 3: come home and he's like, are you playing the bills?

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Speaker 3: And then she's smoke in the pot and she's so,

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00:16:07,160 --> 00:16:09,360
Speaker 3: you know, debrassed or whatever. I don't feel like she was.

313
00:16:09,280 --> 00:16:12,640
Speaker 1: Flirting with him. I just feel like, oh, those.

314
00:16:12,560 --> 00:16:17,160
Speaker 2: Cousins, if you know what I mean, wink weink kissing cousins.

315
00:16:18,480 --> 00:16:20,640
Speaker 2: I know, like part of me kind of when she

316
00:16:20,720 --> 00:16:22,680
Speaker 2: like ran to that bathroom, wanted it to be branded,

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00:16:22,760 --> 00:16:23,600
Speaker 2: they just start making it.

318
00:16:23,680 --> 00:16:28,760
Speaker 3: I don't know, no, I know, I know the nail

319
00:16:28,880 --> 00:16:31,600
Speaker 3: salon scene when you're all at the nail salon and

320
00:16:31,640 --> 00:16:32,200
Speaker 3: then you at.

321
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Speaker 2: The salon, why does she show up?

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00:16:34,880 --> 00:16:36,800
Speaker 3: First of all, why did she show up? And also

323
00:16:36,840 --> 00:16:38,920
Speaker 3: when she says, I'll just see who you date next,

324
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Speaker 3: and then I'll date them.

325
00:16:39,920 --> 00:16:41,800
Speaker 2: That was my favorite line of the episode, though.

326
00:16:42,800 --> 00:16:45,400
Speaker 1: It's always fun when those two are sparring like that.

327
00:16:47,040 --> 00:16:49,920
Speaker 3: Oh have you guys gone to a nail salon before?

328
00:16:49,960 --> 00:16:52,520
Speaker 3: That seemed like there's not going to be a new

329
00:16:52,560 --> 00:16:52,920
Speaker 3: I was like.

330
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Speaker 1: Us, Yeah, I don't mean that was a one and

331
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Speaker 1: done kind of situation.

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Speaker 3: It's like, I wouldn't mind all.

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00:16:58,400 --> 00:17:01,160
Speaker 1: The nail salons and all love Los Angeles.

334
00:17:01,960 --> 00:17:05,639
Speaker 3: You're all three at the same joint. Yeah, I wouldn't

335
00:17:05,640 --> 00:17:07,199
Speaker 3: have minded if there was sort of a peach pit

336
00:17:07,359 --> 00:17:08,800
Speaker 3: version of a nail salon, because we.

337
00:17:08,800 --> 00:17:10,879
Speaker 2: Can sort of been a good thing to start.

338
00:17:10,880 --> 00:17:13,240
Speaker 3: It's been a good trope, you know, like kind of

339
00:17:13,280 --> 00:17:14,000
Speaker 3: gossip beach.

340
00:17:14,280 --> 00:17:17,919
Speaker 1: Yeah, that would have been a good Yeah, it doesn't

341
00:17:17,920 --> 00:17:19,440
Speaker 1: happen good Yeah.

342
00:17:20,480 --> 00:17:25,080
Speaker 3: Okay, So this guy that he who is he played by? Again?

343
00:17:25,119 --> 00:17:26,359
Speaker 1: What's this actor's name?

344
00:17:27,880 --> 00:17:29,800
Speaker 3: He's from not Landing m hm.

345
00:17:30,080 --> 00:17:33,720
Speaker 2: So you think he worked with Joe Geon he was

346
00:17:34,200 --> 00:17:35,359
Speaker 2: something else after this?

347
00:17:35,560 --> 00:17:40,040
Speaker 1: Correct as Ken? No, sorry, Kenny Kenny, call me Kenny.

348
00:17:40,040 --> 00:17:43,840
Speaker 2: Ken and Barbie reference very ahead of its time, just

349
00:17:43,880 --> 00:17:46,760
Speaker 2: because I feel like during the nineties Barbie wasn't really

350
00:17:46,800 --> 00:17:47,960
Speaker 2: in and now it's having like a.

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Speaker 3: Research so it's like rewatching it. It's like, oh, I

352
00:17:51,400 --> 00:17:53,639
Speaker 3: totally had a had a thought on that that it

353
00:17:53,720 --> 00:17:56,160
Speaker 3: was like, oh, really ahead of its time. The whole

354
00:17:56,160 --> 00:17:58,600
Speaker 3: show is ahead of its time and yet very in

355
00:17:58,640 --> 00:18:01,720
Speaker 3: its time. That's why new take on it. Very ahead

356
00:18:01,720 --> 00:18:04,760
Speaker 3: of its time with a lot of the things that addresses,

357
00:18:05,040 --> 00:18:09,119
Speaker 3: and then yet with the weird overtly sexual stuff, so

358
00:18:09,440 --> 00:18:10,160
Speaker 3: in its time.

359
00:18:10,840 --> 00:18:19,240
Speaker 1: Yeah, appropriate comments and sexualization of Yes, yes, I mean

360
00:18:19,359 --> 00:18:21,560
Speaker 1: he's right out the game, very familiar with it.

361
00:18:22,320 --> 00:18:25,119
Speaker 3: Yeah, he's like, you're hot, basically right when she walks in.

362
00:18:25,520 --> 00:18:27,960
Speaker 3: But she loves that she's in too. I mean she's

363
00:18:28,000 --> 00:18:31,240
Speaker 3: so in. I feel like he's got game. He's got

364
00:18:31,320 --> 00:18:34,720
Speaker 3: pretty good game. It's just weird that he's totally going

365
00:18:34,720 --> 00:18:37,480
Speaker 3: for like his partner's kid basically.

366
00:18:37,600 --> 00:18:40,240
Speaker 1: So, I'm sorry, but did you guys notice the picture

367
00:18:40,280 --> 00:18:43,040
Speaker 1: of him and his family as he picks up the phone?

368
00:18:43,359 --> 00:18:47,040
Speaker 2: Okay, yes, so I was about to Okay, I don't

369
00:18:47,040 --> 00:18:52,439
Speaker 2: want to spoil go say it. He's married, he has

370
00:18:52,440 --> 00:18:53,040
Speaker 2: a whole family.

371
00:18:53,880 --> 00:18:55,880
Speaker 3: Yeah, well I know that too.

372
00:18:55,920 --> 00:18:59,560
Speaker 1: I thought like it's foreshadowing, I guess, But Yeah, he made.

373
00:18:59,359 --> 00:19:03,040
Speaker 3: It pretty obvious. I was looking for the photo and

374
00:19:03,119 --> 00:19:05,320
Speaker 3: I couldn't because I kind of knew, but I couldn't

375
00:19:05,320 --> 00:19:08,760
Speaker 3: find it. So maybe we can screenshot where the photo

376
00:19:08,920 --> 00:19:10,560
Speaker 3: is because I was trying to see it and then

377
00:19:10,560 --> 00:19:14,800
Speaker 3: I couldn't find it. So wasn't super aggressively showing it

378
00:19:14,920 --> 00:19:19,080
Speaker 3: just like a keen eye. Yeah, that's what it is.

379
00:19:19,359 --> 00:19:22,760
Speaker 1: Amy, You gotta have a keen eye on the show.

380
00:19:24,520 --> 00:19:27,040
Speaker 3: Gotta see all a little easter eggs. It's a good

381
00:19:27,119 --> 00:19:30,639
Speaker 3: easter egg. It's actually was subtle for nine O two one, oh,

382
00:19:30,760 --> 00:19:34,600
Speaker 3: which I'm pleased that's true. For one. Yeah, tends to

383
00:19:34,680 --> 00:19:36,600
Speaker 3: like really try to put it in your face, and

384
00:19:36,640 --> 00:19:39,680
Speaker 3: this was subtle. Well.

385
00:19:39,760 --> 00:19:44,000
Speaker 2: He was also a singer in real singer. I'm looking

386
00:19:44,040 --> 00:19:47,520
Speaker 2: him up, Joseph Geon. He's sixty one years sixty three

387
00:19:47,560 --> 00:19:48,000
Speaker 2: years old.

388
00:19:48,000 --> 00:19:50,320
Speaker 1: Now you know who he reminds me of. He reminded

389
00:19:50,400 --> 00:19:53,439
Speaker 1: me of the guy that Brooke Burke used to be

390
00:19:53,480 --> 00:19:56,960
Speaker 1: married to, David David Jarvey. Yeah, I thought that was

391
00:19:57,040 --> 00:19:57,639
Speaker 1: David Charvey.

392
00:19:58,560 --> 00:20:00,560
Speaker 3: I liked everything about his face. His hair was a

393
00:20:00,600 --> 00:20:02,160
Speaker 3: little bit nineties for me. It was just a little

394
00:20:02,160 --> 00:20:02,800
Speaker 3: bit weird hair.

395
00:20:02,960 --> 00:20:04,359
Speaker 2: Yeah, he has like all these songs.

396
00:20:04,440 --> 00:20:06,639
Speaker 3: You guys, he is a singer and.

397
00:20:06,720 --> 00:20:10,800
Speaker 2: Now here I am val was too so flirty with

398
00:20:10,880 --> 00:20:14,440
Speaker 2: him too. She's like that with everyone. She can't control herself.

399
00:20:14,480 --> 00:20:17,119
Speaker 2: It's how she sells herself. Even though she's very smart.

400
00:20:17,600 --> 00:20:22,600
Speaker 1: She uses her feminine wiles to make it happen. And

401
00:20:22,640 --> 00:20:24,840
Speaker 1: I don't have a problem with that. I'm sorry, like

402
00:20:25,640 --> 00:20:27,680
Speaker 1: men have been doing it for a million years and

403
00:20:28,080 --> 00:20:29,200
Speaker 1: let her do her thing.

404
00:20:29,280 --> 00:20:34,280
Speaker 3: Completely fine with the whole thing, except for the Jim part.

405
00:20:34,880 --> 00:20:41,280
Speaker 3: That's the part where I'm like, that seems weird, right, Yeah,

406
00:20:41,280 --> 00:20:44,560
Speaker 3: it seems like he's about to get fired. It seems

407
00:20:44,600 --> 00:20:46,840
Speaker 3: like I'm good with it if he was not, Like say,

408
00:20:46,840 --> 00:20:49,639
Speaker 3: she just hired a random CPA and he wants to

409
00:20:49,640 --> 00:20:51,760
Speaker 3: be flirty. Fine, and he's married and he's still doing

410
00:20:51,760 --> 00:20:54,560
Speaker 3: it and she's going for it. Fine. It's that Jim

411
00:20:54,720 --> 00:20:58,359
Speaker 3: is the big wig partner. Okay, so let's wait, let's

412
00:20:58,359 --> 00:21:00,680
Speaker 3: ask her. I'm true, that is it's weird.

413
00:21:01,520 --> 00:21:05,760
Speaker 2: So we don't know what's coming up. You might it's

414
00:21:06,040 --> 00:21:08,520
Speaker 2: Jim because you could have done it without the gym

415
00:21:09,160 --> 00:21:13,200
Speaker 2: reference mentioned at all. We could have it could have been. Yeah,

416
00:21:13,240 --> 00:21:15,879
Speaker 2: So is there a reason is that the way. She

417
00:21:15,920 --> 00:21:17,720
Speaker 2: finds out later on that he is a family from

418
00:21:17,800 --> 00:21:22,639
Speaker 2: Jim I'm I don't remember, Okay, then yeah, so they

419
00:21:22,640 --> 00:21:23,600
Speaker 2: creeped us out for nothing.

420
00:21:23,720 --> 00:21:27,400
Speaker 3: Then have a bridge too far for me? Like if somebody,

421
00:21:27,720 --> 00:21:30,480
Speaker 3: like say, in my world, was like, can you help

422
00:21:30,560 --> 00:21:36,520
Speaker 3: my son with a job or whatever? And then I

423
00:21:36,560 --> 00:21:38,000
Speaker 3: flirt with him. It's weird.

424
00:21:38,840 --> 00:21:40,760
Speaker 2: Well, he's married anywhere with the family should have been

425
00:21:40,800 --> 00:21:42,240
Speaker 2: doing it, so he has no morals.

426
00:21:43,080 --> 00:21:44,679
Speaker 1: Yeah, but you're young and hot and not on a

427
00:21:44,720 --> 00:21:49,120
Speaker 1: TV show, so why not? Yeah, well, can we please

428
00:21:49,160 --> 00:21:52,760
Speaker 1: talk about uh? When they go to the Alamo please?

429
00:21:52,880 --> 00:21:56,480
Speaker 1: I love the storyline. I love this town. So they

430
00:21:56,520 --> 00:21:59,680
Speaker 1: show this apparently in Piru, California.

431
00:22:00,040 --> 00:22:00,520
Speaker 3: Where is that?

432
00:22:01,680 --> 00:22:04,960
Speaker 2: Oh yeah, where's Piru?

433
00:22:05,520 --> 00:22:09,920
Speaker 1: Piru is north, maybe by above Santa Clarida.

434
00:22:09,960 --> 00:22:10,800
Speaker 3: In guessing.

435
00:22:12,040 --> 00:22:13,960
Speaker 1: Okay, good, I'm not too good with that. But it

436
00:22:14,040 --> 00:22:18,680
Speaker 1: sounds because there's a lake Piru up there, a small lake. Okay,

437
00:22:20,359 --> 00:22:21,720
Speaker 1: so I'm thinking it's a little north.

438
00:22:22,880 --> 00:22:23,240
Speaker 3: It did.

439
00:22:23,720 --> 00:22:24,720
Speaker 2: It's all great.

440
00:22:25,119 --> 00:22:30,159
Speaker 3: It did look greating me too, But what what this?

441
00:22:30,320 --> 00:22:34,959
Speaker 1: Okay, so this is nineteen ninety six and this is

442
00:22:35,040 --> 00:22:39,119
Speaker 1: how what's happening? But that this wasn't supposed to be

443
00:22:39,200 --> 00:22:41,760
Speaker 1: in California. This was in Texas, so right, this is

444
00:22:41,880 --> 00:22:45,160
Speaker 1: what they're spens at that time in Texas, this kind

445
00:22:45,160 --> 00:22:45,919
Speaker 1: and it looks.

446
00:22:45,680 --> 00:22:51,639
Speaker 3: Like California pretending to be Texas. It's an interesting there's

447
00:22:51,720 --> 00:22:57,639
Speaker 3: there's two things that are addressed, because there is a

448
00:22:57,960 --> 00:23:05,080
Speaker 3: definite like homophobe storyline too with this. Yeah, right out

449
00:23:05,119 --> 00:23:08,240
Speaker 3: the gate, it's your hit in the face and you're like, whoa,

450
00:23:09,440 --> 00:23:14,840
Speaker 3: this is serious. It's hard to sort of know if

451
00:23:14,840 --> 00:23:17,840
Speaker 3: that was how that how it was then or because

452
00:23:17,840 --> 00:23:22,200
Speaker 3: the writers are a little older, are they writing about

453
00:23:22,520 --> 00:23:26,399
Speaker 3: do you know what I'm saying? Yes, are they writing

454
00:23:26,480 --> 00:23:29,280
Speaker 3: about it? Because I feel like it was so prevalent

455
00:23:29,359 --> 00:23:30,360
Speaker 3: as they were coming up.

456
00:23:31,240 --> 00:23:34,840
Speaker 1: I feel like it's prevalent today.

457
00:23:34,880 --> 00:23:36,119
Speaker 3: This is yeah.

458
00:23:36,240 --> 00:23:40,640
Speaker 1: I mean, we live in Los Angeles. We are much

459
00:23:41,119 --> 00:23:44,800
Speaker 1: you know, we think differently, and our city is much

460
00:23:44,880 --> 00:23:46,840
Speaker 1: wired so much differently. But I think this is going

461
00:23:46,840 --> 00:23:52,520
Speaker 1: on in small towns around our great United States of

462
00:23:52,520 --> 00:23:55,600
Speaker 1: America still to this day.

463
00:23:55,640 --> 00:23:59,680
Speaker 2: Sure, my dad was from Dallas, Texas, and he would

464
00:23:59,720 --> 00:24:01,720
Speaker 2: always not that this is related, but I'm sure it

465
00:24:01,760 --> 00:24:03,920
Speaker 2: came up as they were writing the storyline, I'm sure,

466
00:24:04,800 --> 00:24:08,919
Speaker 2: and he would talk all the time how in Texas

467
00:24:08,960 --> 00:24:11,119
Speaker 2: growing up, they were so anti Semitic and it was

468
00:24:11,240 --> 00:24:16,120
Speaker 2: very hard for him as a young Jewish boy, and

469
00:24:16,359 --> 00:24:21,320
Speaker 2: how it was very racist everywhere in homophobic. So I

470
00:24:21,400 --> 00:24:26,840
Speaker 2: wonder that was instrumental, and wish asked Larry Mullen.

471
00:24:27,960 --> 00:24:31,560
Speaker 3: It seems that to have the conversation that we're having,

472
00:24:31,760 --> 00:24:34,800
Speaker 3: they had to make it a bit more. I know,

473
00:24:34,800 --> 00:24:37,120
Speaker 3: I used this word already in this podcast overt right,

474
00:24:37,520 --> 00:24:41,080
Speaker 3: they really had to because we only have forty four minutes, right,

475
00:24:41,160 --> 00:24:44,720
Speaker 3: and this storyline is probably only let's say sixteen of

476
00:24:44,720 --> 00:24:48,040
Speaker 3: those forty four minutes, so they it feels a bit

477
00:24:48,680 --> 00:24:52,000
Speaker 3: heavy handed. Yeah, yeah, heavy handed, that's the right word.

478
00:24:52,200 --> 00:24:55,040
Speaker 3: But I get why, because they really wanted to address

479
00:24:55,080 --> 00:24:58,680
Speaker 3: this and they have to do it quickly. So that's why,

480
00:24:58,800 --> 00:25:00,800
Speaker 3: right out the gate you get that line, and you

481
00:25:00,840 --> 00:25:06,439
Speaker 3: get Brandon's sort of very aggressive comeback, yeah, kind of

482
00:25:06,440 --> 00:25:09,719
Speaker 3: basically shutting down these guys. And then you, I mean,

483
00:25:09,760 --> 00:25:10,400
Speaker 3: they because they.

484
00:25:10,280 --> 00:25:15,320
Speaker 4: Are overurntly racist, and so it's like, I guess it's

485
00:25:15,359 --> 00:25:18,199
Speaker 4: because we have only sixteen minutes to truly address it,

486
00:25:18,480 --> 00:25:20,440
Speaker 4: and it is tied up in a very pretty bow

487
00:25:20,480 --> 00:25:21,399
Speaker 4: way too quickly too.

488
00:25:22,080 --> 00:25:24,480
Speaker 3: Oh okay, But I'm going to leave this town and

489
00:25:24,560 --> 00:25:28,240
Speaker 3: head to New York City where this doesn't exist.

490
00:25:28,280 --> 00:25:34,120
Speaker 1: Well, I'm so excited she's leaving Hadley City though. Yeah,

491
00:25:34,240 --> 00:25:36,640
Speaker 1: it sounds like this is like something that this kind

492
00:25:36,720 --> 00:25:39,439
Speaker 1: of treatment and this kind of environment has become the

493
00:25:39,920 --> 00:25:41,200
Speaker 1: normal and okay for her.

494
00:25:41,640 --> 00:25:45,719
Speaker 3: Well, and aren't we to understand that the librarian, so

495
00:25:45,800 --> 00:25:47,440
Speaker 3: this was my interpretive.

496
00:25:46,920 --> 00:25:50,840
Speaker 1: Face, she's a professional pinchy face.

497
00:25:51,600 --> 00:25:55,560
Speaker 3: Yeah, that that way was like an expert, So I understood.

498
00:25:55,600 --> 00:25:59,399
Speaker 3: The way I interpreted it is that the librarian cuts

499
00:25:59,440 --> 00:26:02,200
Speaker 3: her off not because she's flirting, but because she's flirting

500
00:26:02,200 --> 00:26:05,879
Speaker 3: with a white guy. And you're like, right out of

501
00:26:05,880 --> 00:26:08,200
Speaker 3: the gate, like, oh so it's not just these two

502
00:26:08,680 --> 00:26:13,720
Speaker 3: bozo's at the mechanic shop, but it's also the librarian

503
00:26:15,080 --> 00:26:18,080
Speaker 3: and it's also her boyfriend.

504
00:26:18,960 --> 00:26:20,560
Speaker 1: Mm hmm he's racist as well.

505
00:26:21,359 --> 00:26:24,920
Speaker 3: Because yeah, so it's very it's very You were hitting

506
00:26:24,920 --> 00:26:28,240
Speaker 3: the face with it a lot of times, but it was.

507
00:26:29,640 --> 00:26:33,240
Speaker 2: Did you feel like no saying like overtly like with

508
00:26:33,359 --> 00:26:36,239
Speaker 2: the dialogue about the storyline, I felt like in this

509
00:26:36,320 --> 00:26:39,439
Speaker 2: particular storyline, the wardrobe spoke to that as well, like

510
00:26:39,520 --> 00:26:42,800
Speaker 2: a little over in your face, exactly who the people

511
00:26:42,800 --> 00:26:47,000
Speaker 2: were correct very do you know what I mean? Stereotypical

512
00:26:47,040 --> 00:26:49,440
Speaker 2: wardrobe beyond and it was.

513
00:26:49,359 --> 00:26:57,119
Speaker 3: Like, okay, what was it? This like the part that

514
00:26:57,200 --> 00:27:02,160
Speaker 3: I found very compelling and intentional that I actually really thought, oh,

515
00:27:02,160 --> 00:27:05,880
Speaker 3: now that was an interesting choice. Is that junior, who

516
00:27:06,000 --> 00:27:12,879
Speaker 3: was extraordinarily inappropriate racist the father was not. And they

517
00:27:12,920 --> 00:27:17,560
Speaker 3: addressed it and they say, oh, skips a generation like

518
00:27:17,720 --> 00:27:21,200
Speaker 3: that was like where I'm like, WHOA interesting that this

519
00:27:21,720 --> 00:27:26,200
Speaker 3: son of the guy who you know is the town

520
00:27:26,240 --> 00:27:29,040
Speaker 3: mechanic that seemed his dad.

521
00:27:28,960 --> 00:27:33,840
Speaker 1: Actually probably set him straight though correct, especially if he's

522
00:27:33,880 --> 00:27:36,560
Speaker 1: one of his employees at the garage.

523
00:27:36,680 --> 00:27:38,720
Speaker 3: And they and we get it in the blues bar too,

524
00:27:38,760 --> 00:27:43,480
Speaker 3: where it was like whoa they really again? It was

525
00:27:43,800 --> 00:27:46,800
Speaker 3: very in your face it was, and it's almost like

526
00:27:46,960 --> 00:27:49,800
Speaker 3: for sure, yeah, and it seems like okay, I'm not sure.

527
00:27:51,160 --> 00:27:57,399
Speaker 3: I'm not sure it was written portrays quite as maybe.

528
00:27:57,560 --> 00:28:01,440
Speaker 1: It almost felt like it was like I was watching

529
00:28:01,720 --> 00:28:09,159
Speaker 1: an episode of Happy Days meets what other episode? I

530
00:28:09,200 --> 00:28:11,240
Speaker 1: can't think of one other show, but it felt like

531
00:28:11,280 --> 00:28:15,560
Speaker 1: a mixture of like old timey TV shows that it did.

532
00:28:15,760 --> 00:28:19,040
Speaker 1: It really did Little House on the Prairie meets Yeah,

533
00:28:19,600 --> 00:28:22,800
Speaker 1: Happy Days meets those two guys with the car.

534
00:28:23,400 --> 00:28:27,080
Speaker 3: What would Howard? What was his first? But were we

535
00:28:27,240 --> 00:28:33,080
Speaker 3: played America Opie? Yeah, oh Andy Griffiths show. It felt Yeah,

536
00:28:33,119 --> 00:28:35,080
Speaker 3: it felt very I like that you're calling it sort

537
00:28:35,080 --> 00:28:37,640
Speaker 3: of sit calmy, because you go, we're going to address

538
00:28:37,680 --> 00:28:42,320
Speaker 3: the biggest problem in society and we're going to really

539
00:28:42,880 --> 00:28:46,680
Speaker 3: shove it down your throat in both directions. All good,

540
00:28:46,920 --> 00:28:49,760
Speaker 3: it's all good, and here's the big kiss in your

541
00:28:49,840 --> 00:28:52,920
Speaker 3: face and off she good and it's just like, oh

542
00:28:52,960 --> 00:28:56,120
Speaker 3: she was so we just saw racism in seventeen minutes.

543
00:28:56,640 --> 00:28:58,800
Speaker 1: I really wanted them to become a couple. They were

544
00:28:58,840 --> 00:28:59,360
Speaker 1: cute together.

545
00:28:59,400 --> 00:29:02,640
Speaker 3: I know, did she come back of her I don't

546
00:29:02,640 --> 00:29:04,680
Speaker 3: think so. But do you know why I liked her

547
00:29:04,720 --> 00:29:08,160
Speaker 3: because she was so underplaying it and everything else was

548
00:29:08,240 --> 00:29:11,960
Speaker 3: so over the top in it, and she was so

549
00:29:12,800 --> 00:29:15,360
Speaker 3: like a She had a beautiful subtlety to her.

550
00:29:15,400 --> 00:29:20,080
Speaker 2: And Jason Priestley is very hot and looks I was

551
00:29:20,160 --> 00:29:23,120
Speaker 2: just about to say season seven, Oh he starts real strong,

552
00:29:23,520 --> 00:29:25,360
Speaker 2: he's he looks great.

553
00:29:25,960 --> 00:29:26,560
Speaker 3: I love this.

554
00:29:26,680 --> 00:29:28,440
Speaker 1: I can't do it because I don't have pick jeans

555
00:29:28,440 --> 00:29:30,640
Speaker 1: on right now. But like when he walks, he's got

556
00:29:30,640 --> 00:29:33,360
Speaker 1: one hand here in his back pocket and hand hair

557
00:29:33,360 --> 00:29:37,600
Speaker 1: in his front pocket. Did you see he does so cute?

558
00:29:37,920 --> 00:29:40,240
Speaker 3: They do. Let y'all wear sunglasses now remember how in

559
00:29:40,240 --> 00:29:41,040
Speaker 3: the early season.

560
00:29:42,360 --> 00:29:44,280
Speaker 2: Oh no, no sunglasses, but now we.

561
00:29:44,280 --> 00:29:47,160
Speaker 3: Definitely get sunglasses.

562
00:29:47,560 --> 00:29:49,680
Speaker 1: Okay, can we talk now about Donna and David please?

563
00:29:50,160 --> 00:29:54,520
Speaker 3: Yeah? Why do we start it off? So? Why is

564
00:29:54,560 --> 00:29:57,160
Speaker 3: he so aggressive? Because he's back to get.

565
00:29:56,960 --> 00:29:59,040
Speaker 2: I know why, he's back to getting no sex?

566
00:29:59,080 --> 00:30:01,320
Speaker 1: See right, he's angry, he's comfortable.

567
00:30:02,080 --> 00:30:04,440
Speaker 3: Wait, it's too much for me. He's not going to

568
00:30:04,520 --> 00:30:05,160
Speaker 3: act like that.

569
00:30:05,400 --> 00:30:08,000
Speaker 1: He treats you like that and you let him for

570
00:30:08,040 --> 00:30:10,920
Speaker 1: a while, and I was like, stop being so nice

571
00:30:11,000 --> 00:30:13,120
Speaker 1: and like sweet to him.

572
00:30:13,160 --> 00:30:16,320
Speaker 3: He doesn't deserve it.

573
00:30:16,320 --> 00:30:18,280
Speaker 2: It kind of bummed me out that we didn't see

574
00:30:18,800 --> 00:30:21,200
Speaker 2: We go from seeing them, Oh yeah, they're back together,

575
00:30:21,360 --> 00:30:24,000
Speaker 2: and then they're like this old married couple and he's

576
00:30:24,440 --> 00:30:26,680
Speaker 2: really angry and aggressive towards her, and I was just like,

577
00:30:26,720 --> 00:30:29,160
Speaker 2: thank you, we don't see any of the like I

578
00:30:29,320 --> 00:30:33,040
Speaker 2: want to see them reuniting and finding like love again.

579
00:30:33,920 --> 00:30:35,240
Speaker 3: That I just do not think.

580
00:30:35,360 --> 00:30:39,240
Speaker 2: In the second episode, David is too too aggressive.

581
00:30:39,280 --> 00:30:41,320
Speaker 3: It doesn't track. He's not going to be like that.

582
00:30:41,720 --> 00:30:44,000
Speaker 2: So I don't know why when he was on drugs,

583
00:30:44,320 --> 00:30:45,320
Speaker 2: but he's not on dust.

584
00:30:45,320 --> 00:30:47,000
Speaker 1: I felt like he might be on drugs again, like

585
00:30:47,040 --> 00:30:49,840
Speaker 1: that was how he was acting. He's very angry, angry,

586
00:30:50,720 --> 00:30:54,200
Speaker 1: and you're very like I'll take it. I'll take being

587
00:30:54,200 --> 00:30:56,760
Speaker 1: treated by him again so easily.

588
00:30:57,400 --> 00:30:59,200
Speaker 3: And then she says, why did they do this?

589
00:30:59,320 --> 00:31:02,560
Speaker 2: Why did they do this so fast? And like episode one,

590
00:31:02,840 --> 00:31:05,880
Speaker 2: I don't know, Well, i'd be angry too if my

591
00:31:05,960 --> 00:31:08,560
Speaker 2: girlfriend had brown poop hair and looked like a poodle.

592
00:31:08,680 --> 00:31:10,480
Speaker 2: So you know what, that's why he's aggressive.

593
00:31:11,480 --> 00:31:14,600
Speaker 3: I think he's too okay, So they kind of show

594
00:31:14,680 --> 00:31:16,719
Speaker 3: us this in his character when he is on the drugs,

595
00:31:16,720 --> 00:31:19,800
Speaker 3: Like it does very reminiscent of that. And also like

596
00:31:19,840 --> 00:31:22,520
Speaker 3: when he was in the limo with you know, the

597
00:31:22,560 --> 00:31:25,280
Speaker 3: record label lady, it kind of reminded me of sort

598
00:31:25,280 --> 00:31:26,280
Speaker 3: of that behavior.

599
00:31:27,000 --> 00:31:30,520
Speaker 2: But I also was like, like defensive, David, we've gotten

600
00:31:30,560 --> 00:31:34,520
Speaker 2: to now, like they're kind of like reverting back, and

601
00:31:34,560 --> 00:31:34,960
Speaker 2: it's like.

602
00:31:36,440 --> 00:31:38,840
Speaker 3: And I don't know, he's so stressed about the job,

603
00:31:38,920 --> 00:31:42,360
Speaker 3: and it's like, dude, you're adultlage. Yeah it's going and

604
00:31:42,360 --> 00:31:43,120
Speaker 3: he's laid back.

605
00:31:43,200 --> 00:31:48,400
Speaker 2: That's not it's not it's uncharacteristic. It's not I'm surprised

606
00:31:48,440 --> 00:31:52,320
Speaker 2: at this point in the game season seven that I

607
00:31:52,320 --> 00:31:54,080
Speaker 2: feel like we had more freedom, right Jen, like we

608
00:31:54,120 --> 00:31:55,240
Speaker 2: could speak up if we.

609
00:31:57,040 --> 00:31:57,200
Speaker 3: Ish.

610
00:31:57,280 --> 00:32:01,640
Speaker 2: I guess, yeah, ish. I don't know, Like, I'm surprised

611
00:32:01,680 --> 00:32:03,880
Speaker 2: the brand wasn't like, hey, wait, that just feels too

612
00:32:04,000 --> 00:32:04,640
Speaker 2: much too soon.

613
00:32:06,600 --> 00:32:08,960
Speaker 3: We don't know where it's going, so maybe it's where's.

614
00:32:08,680 --> 00:32:14,040
Speaker 2: It going somewhere again with another Oh maybe Indian drugs again, Amy,

615
00:32:14,040 --> 00:32:14,640
Speaker 2: where's it going?

616
00:32:15,320 --> 00:32:18,480
Speaker 3: I actually don't totally remember all of it yet. He

617
00:32:18,640 --> 00:32:21,840
Speaker 3: just is mean. I didn't like it because it doesn't

618
00:32:21,840 --> 00:32:24,040
Speaker 3: feel like David to me. I'm like, I don't think

619
00:32:24,120 --> 00:32:26,120
Speaker 3: that that's what he's going to do right now.

620
00:32:26,400 --> 00:32:28,040
Speaker 1: Well, I feel like there's got to be a reason

621
00:32:28,080 --> 00:32:29,040
Speaker 1: for him acting like this.

622
00:32:30,000 --> 00:32:32,280
Speaker 3: We saw dabbles of it at the end of season

623
00:32:32,320 --> 00:32:34,880
Speaker 3: six when you guys were working together, so it's like,

624
00:32:35,080 --> 00:32:37,160
Speaker 3: but definitely.

625
00:32:38,200 --> 00:32:42,840
Speaker 2: Donna's trigger word since season one is stupid. Stupid, Like

626
00:32:42,880 --> 00:32:46,440
Speaker 2: she like just like goes Hulk, like she can you

627
00:32:46,440 --> 00:32:53,160
Speaker 2: can do just stupid. You can do anything, but don't

628
00:32:53,200 --> 00:32:54,040
Speaker 2: call her stupid.

629
00:32:56,080 --> 00:32:59,840
Speaker 1: Shure down the stairs, that's okay, but just don't call

630
00:32:59,840 --> 00:33:00,480
Speaker 1: her stupid.

631
00:33:00,800 --> 00:33:03,400
Speaker 3: He was pretty tough in the end though I was

632
00:33:03,440 --> 00:33:11,000
Speaker 3: like happy about the Oh yeah, that whole thing. Oh

633
00:33:11,080 --> 00:33:24,720
Speaker 3: my god, what about Jazz?

634
00:33:24,840 --> 00:33:27,600
Speaker 1: He was funny, he's sleeping, you let him sleep in

635
00:33:27,640 --> 00:33:33,240
Speaker 1: your bed. Also, that's disgusting, you're gross. Yeah, no, you're

636
00:33:33,240 --> 00:33:35,240
Speaker 1: gonna have to wash that whole situation.

637
00:33:35,800 --> 00:33:38,280
Speaker 3: Him with the two twins. I was like, oh my god.

638
00:33:38,960 --> 00:33:41,680
Speaker 1: Yeah, he's rather video time with the twins. Then he

639
00:33:41,760 --> 00:33:46,760
Speaker 1: would talk to somebody who's going to volunteer at the

640
00:33:46,800 --> 00:33:47,480
Speaker 1: age center.

641
00:33:47,880 --> 00:33:51,880
Speaker 3: Definitely foreshadowing or I don't even know if it's foreshadowing.

642
00:33:51,920 --> 00:33:55,680
Speaker 3: This is where nine was so like, again over, sorry

643
00:33:55,720 --> 00:33:58,680
Speaker 3: to keep using the same word. They're really gonna let

644
00:33:58,760 --> 00:34:01,000
Speaker 3: us know that you're gonna go work at the care center,

645
00:34:01,760 --> 00:34:04,880
Speaker 3: the aid's hospice. Even if I think they say no,

646
00:34:05,520 --> 00:34:08,759
Speaker 3: it's like they're really telling us about.

647
00:34:08,440 --> 00:34:11,040
Speaker 2: That, because what's going to happen.

648
00:34:11,880 --> 00:34:14,040
Speaker 3: I think I'm not going to tell you. Kelly goes

649
00:34:14,080 --> 00:34:15,640
Speaker 3: to work there, that's all I know. And the guy

650
00:34:15,760 --> 00:34:19,520
Speaker 3: from Blossom I think works there too, joe older brother

651
00:34:19,560 --> 00:34:24,759
Speaker 3: from Blossom, Blossom. I think it's the old No, not

652
00:34:24,840 --> 00:34:28,759
Speaker 3: David Lasher, not Joey Lawrence, the other guy from Blossom,

653
00:34:29,239 --> 00:34:30,040
Speaker 3: the older brother.

654
00:34:30,320 --> 00:34:33,680
Speaker 2: Yeah, he looks a little bit how Donnie Wahlberg looked

655
00:34:33,719 --> 00:34:34,600
Speaker 2: in the sixth sense.

656
00:34:35,760 --> 00:34:36,799
Speaker 1: Okay, I got, I got.

657
00:34:36,800 --> 00:34:42,080
Speaker 3: No, you might be and he has HIV. This is

658
00:34:42,120 --> 00:34:47,279
Speaker 3: a whole storyline. Do they date? We shall see. So

659
00:34:48,200 --> 00:34:54,439
Speaker 3: it's Michael Stoyanov. Yes, I'm pretty sure Michael Stoyanov works

660
00:34:54,480 --> 00:34:56,600
Speaker 3: at the thing. No, you guys don't remember? Am I

661
00:34:56,640 --> 00:35:00,000
Speaker 3: making this up? I think you get somehow? You get exposed?

662
00:35:00,920 --> 00:35:04,560
Speaker 3: What am I making this up? Did you watch it?

663
00:35:04,719 --> 00:35:06,160
Speaker 3: Had dreams? Wait?

664
00:35:06,160 --> 00:35:07,440
Speaker 2: Wait, wait, don't tell you.

665
00:35:07,520 --> 00:35:10,680
Speaker 3: Did you watch ahead? No, I'm just remembering.

666
00:35:11,160 --> 00:35:12,360
Speaker 1: Wow, you're good.

667
00:35:13,239 --> 00:35:16,239
Speaker 3: I'm trying, am I. But it's splotchy and I could

668
00:35:16,320 --> 00:35:17,200
Speaker 3: be totally wrong.

669
00:35:17,200 --> 00:35:19,399
Speaker 2: I have gone that far.

670
00:35:20,760 --> 00:35:23,280
Speaker 1: Wait a second. I read on the on the remember

671
00:35:23,320 --> 00:35:25,319
Speaker 1: when I was picking the episode I was looking at

672
00:35:25,440 --> 00:35:27,520
Speaker 1: for on Paramount Plus and have like the rundown of

673
00:35:27,560 --> 00:35:30,440
Speaker 1: the next episode. Yes, I saw something about pricks her

674
00:35:30,480 --> 00:35:32,080
Speaker 1: finger Kenny pricks her fingers?

675
00:35:32,360 --> 00:35:34,040
Speaker 3: Yeah, yeah, yeah, I got it right, I got it right.

676
00:35:34,480 --> 00:35:40,960
Speaker 3: Yeah she cuts herself with Jimmy's Yeah, I'm right. I

677
00:35:40,960 --> 00:35:43,600
Speaker 3: thought it was a needle, which is weird. It's not

678
00:35:43,640 --> 00:35:45,600
Speaker 3: a needle. I don't know why I pictured it like

679
00:35:45,719 --> 00:35:46,360
Speaker 3: they're sharing.

680
00:35:46,920 --> 00:35:50,480
Speaker 2: I thought it meant, and I was like, Kelly Taylor's always.

681
00:35:50,280 --> 00:35:52,040
Speaker 3: No, no, no, it's a there's some sort of a

682
00:35:52,440 --> 00:35:56,480
Speaker 3: like incident at the at the AIDS. Okay, okay, some

683
00:35:56,640 --> 00:35:57,120
Speaker 3: care center.

684
00:35:57,239 --> 00:35:59,520
Speaker 1: Can I ask a question? Did you feel like the

685
00:35:59,719 --> 00:36:04,600
Speaker 1: light was different in this episode or when you looked

686
00:36:04,600 --> 00:36:08,799
Speaker 1: at us and how we looked on camera felt very

687
00:36:08,840 --> 00:36:11,680
Speaker 1: different than how we ended last season?

688
00:36:13,480 --> 00:36:14,560
Speaker 3: What I Okay?

689
00:36:15,320 --> 00:36:17,880
Speaker 2: I didn't know what I was thinking, but I kept

690
00:36:18,000 --> 00:36:19,759
Speaker 2: I was like, God, to my I'm sorry, I'm talking

691
00:36:19,760 --> 00:36:22,400
Speaker 2: about myself, but I'm like, did my skin get even worse?

692
00:36:22,480 --> 00:36:24,160
Speaker 2: Like I feel like I never saw all the.

693
00:36:24,160 --> 00:36:26,719
Speaker 1: Zones shadows a lot more?

694
00:36:27,320 --> 00:36:28,640
Speaker 2: Is this when.

695
00:36:30,680 --> 00:36:35,800
Speaker 3: There's I feel like this changing which there were a

696
00:36:35,840 --> 00:36:39,440
Speaker 3: lot of new names and sort of like as executive producers.

697
00:36:39,520 --> 00:36:42,120
Speaker 3: I noticed in the opening credits, you guys got to

698
00:36:42,120 --> 00:36:44,080
Speaker 3: look at those names. See if you know any of

699
00:36:44,080 --> 00:36:46,360
Speaker 3: those people I'd be curious to. You don't have to

700
00:36:46,480 --> 00:36:47,880
Speaker 3: right now. I bet you're right.

701
00:36:47,920 --> 00:36:53,600
Speaker 2: That's exactly when the deep TP. I think we're talking

702
00:36:53,600 --> 00:36:56,799
Speaker 2: about deep penetration direct your photographer.

703
00:36:57,040 --> 00:37:01,640
Speaker 3: I didn't really think. I don't think one person thought

704
00:37:01,680 --> 00:37:03,600
Speaker 3: that she did.

705
00:37:06,360 --> 00:37:11,600
Speaker 1: Oh yeah, because we is that when we went from

706
00:37:11,800 --> 00:37:16,520
Speaker 1: the guy with the dark hair mustache too. Yeah, what's

707
00:37:16,520 --> 00:37:17,000
Speaker 1: his name?

708
00:37:17,600 --> 00:37:21,120
Speaker 2: To Steve Randare, to Steve.

709
00:37:20,920 --> 00:37:24,480
Speaker 1: Randolph, Randolph was the guy.

710
00:37:24,520 --> 00:37:26,759
Speaker 3: First guy, to Steve Randolph, tell me what's going on?

711
00:37:27,560 --> 00:37:32,319
Speaker 3: What's happening here? We're trying to talk to and so

712
00:37:32,520 --> 00:37:34,520
Speaker 3: did you like, let let's just cut to the chase.

713
00:37:34,520 --> 00:37:37,000
Speaker 3: Did you like this new look? Do you like?

714
00:37:37,080 --> 00:37:38,359
Speaker 1: I did not care for the light.

715
00:37:38,440 --> 00:37:41,680
Speaker 2: I did not. I was just harshing on myself. I

716
00:37:41,680 --> 00:37:42,799
Speaker 2: thought you looked good though.

717
00:37:42,880 --> 00:37:45,840
Speaker 1: I thought it was like me, and I thought Kathleen

718
00:37:45,880 --> 00:37:47,160
Speaker 1: looked different. I looked different.

719
00:37:47,239 --> 00:37:53,320
Speaker 2: Okay, it was as female friendly the light no, no, oh,

720
00:37:53,480 --> 00:37:54,600
Speaker 2: harsh hush lighting.

721
00:37:54,719 --> 00:37:58,520
Speaker 3: Yeah, but maybe the style was changing, you know, like maybe.

722
00:37:58,280 --> 00:38:03,320
Speaker 1: The the style of cinematography was changing and lighting a

723
00:38:03,360 --> 00:38:07,319
Speaker 1: little bit at that moment. Maybe this was of the times.

724
00:38:07,719 --> 00:38:09,439
Speaker 2: Well that's not good for us.

725
00:38:09,600 --> 00:38:14,279
Speaker 1: No, I mean, look what happened with HD. None of

726
00:38:14,280 --> 00:38:18,600
Speaker 1: this is working in our favor. Yeah, anyway, you had

727
00:38:18,640 --> 00:38:21,400
Speaker 1: to sleep in your bed nuts, gross, Now you have bugs.

728
00:38:21,760 --> 00:38:26,480
Speaker 3: And then he's so into Kelly. Obviously he remembers your

729
00:38:26,920 --> 00:38:31,760
Speaker 3: cover teen vote that was kind of cute seventeen magazine.

730
00:38:31,760 --> 00:38:34,200
Speaker 3: Sorry you were in seventeen magazine vote issue.

731
00:38:34,560 --> 00:38:37,719
Speaker 1: This also happened to me recently. Guys, this is a

732
00:38:37,760 --> 00:38:42,320
Speaker 1: problem I'm really seeing developing. I'm not that long ago.

733
00:38:42,800 --> 00:38:47,840
Speaker 1: Was with Randall Slavin for some little tiny photo shoot

734
00:38:47,880 --> 00:38:51,759
Speaker 1: thing that he did for me, and he refreshed my

735
00:38:51,840 --> 00:38:56,080
Speaker 1: memory that he was on the show and forgot forgot,

736
00:38:56,400 --> 00:38:58,400
Speaker 1: and I had no idea what character he played, And

737
00:38:58,480 --> 00:39:00,799
Speaker 1: now I'm seeing it, and I would you would think

738
00:39:00,840 --> 00:39:04,120
Speaker 1: this would stick in my mind. This is a great character,

739
00:39:04,320 --> 00:39:05,640
Speaker 1: very rememborable character.

740
00:39:05,719 --> 00:39:08,480
Speaker 3: But I didn't seems like you guys would remember the

741
00:39:08,480 --> 00:39:12,680
Speaker 3: shoot on the beach. Nope, I do. I do that shoot.

742
00:39:13,080 --> 00:39:16,720
Speaker 2: I'm the good But my question is does he stay?

743
00:39:16,760 --> 00:39:18,520
Speaker 2: Is he going to be at the peach pit after dark?

744
00:39:18,600 --> 00:39:21,240
Speaker 2: Like he's recurring Randall.

745
00:39:21,840 --> 00:39:22,239
Speaker 1: I don't know.

746
00:39:22,280 --> 00:39:24,040
Speaker 3: It does not sound familiar to me.

747
00:39:24,440 --> 00:39:26,000
Speaker 2: No, Okay, that could be wrong.

748
00:39:26,280 --> 00:39:29,160
Speaker 1: I know I remember hanging out with Randall after work

749
00:39:29,640 --> 00:39:30,920
Speaker 1: like we became friends.

750
00:39:31,040 --> 00:39:33,560
Speaker 2: Oh yeah, that's refreshing my memory now.

751
00:39:33,640 --> 00:39:37,120
Speaker 1: Yes, yes, and but I don't remember how long he

752
00:39:37,160 --> 00:39:38,719
Speaker 1: was around. It feels like it must have been more

753
00:39:38,760 --> 00:39:39,440
Speaker 1: than one.

754
00:39:39,520 --> 00:39:42,080
Speaker 3: So maybe he comes back. I think it's interesting too

755
00:39:42,120 --> 00:39:43,960
Speaker 3: that we didn't have any streaming issues even with all

756
00:39:43,960 --> 00:39:46,239
Speaker 3: the music. I was so happy. I was like, oh,

757
00:39:46,280 --> 00:39:46,920
Speaker 3: thank goodness.

758
00:39:47,040 --> 00:39:49,400
Speaker 1: You think that music's got some sort of license.

759
00:39:49,640 --> 00:39:51,600
Speaker 3: I feel like maybe at season seven they started to

760
00:39:51,600 --> 00:39:57,279
Speaker 3: figure it out, like hey, get together music too, and

761
00:39:57,320 --> 00:40:00,000
Speaker 3: it was all on streaming, or maybe they were creating music.

762
00:40:00,239 --> 00:40:00,719
Speaker 3: I feel like it.

763
00:40:02,160 --> 00:40:05,840
Speaker 2: That's what I think that the blues music.

764
00:40:05,920 --> 00:40:11,040
Speaker 1: His lyrics were something about a girl with a book, okay,

765
00:40:11,160 --> 00:40:13,960
Speaker 1: and so that played into that storyline.

766
00:40:14,680 --> 00:40:17,840
Speaker 2: What about the nine o two one oh soundtrack? We

767
00:40:17,920 --> 00:40:20,479
Speaker 2: went on to have many of them. Do you remember

768
00:40:20,800 --> 00:40:21,719
Speaker 2: track I.

769
00:40:21,840 --> 00:40:24,560
Speaker 1: Forgot about just then? Opening song?

770
00:40:25,040 --> 00:40:28,680
Speaker 2: No, like, wait, can we look this up?

771
00:40:29,040 --> 00:40:30,040
Speaker 3: They're working it up now.

772
00:40:30,280 --> 00:40:35,600
Speaker 2: Yeah, so maybe they started to create their own to

773
00:40:35,640 --> 00:40:38,120
Speaker 2: go with the soundtrack were That's what I would think

774
00:40:40,360 --> 00:40:42,600
Speaker 2: smart and it definitely exists. True, another piece of the

775
00:40:42,600 --> 00:40:46,080
Speaker 2: pie we probably didn't get. But you know, nope, nope.

776
00:40:46,600 --> 00:40:48,440
Speaker 3: We were doing our job, they were doing their There

777
00:40:48,480 --> 00:40:50,799
Speaker 3: definitely was music of Beverly Hills nine o two one,

778
00:40:52,239 --> 00:40:58,319
Speaker 3: several albums, Yeah, Paula Abdul, Yeah, but it seems like

779
00:40:58,360 --> 00:41:00,480
Speaker 3: it had to color me bad. But the right kind

780
00:41:00,520 --> 00:41:04,240
Speaker 3: of love Jeremy Jordan, Oh love is remember Vanessa Williams

781
00:41:04,239 --> 00:41:07,000
Speaker 3: and Brian McKnight. That was sort of a jam. I

782
00:41:07,080 --> 00:41:08,359
Speaker 3: kind of like it, and he came on the show

783
00:41:08,400 --> 00:41:11,160
Speaker 3: and maybe forever for you, Shenise, But I don't know.

784
00:41:13,320 --> 00:41:15,840
Speaker 2: Only one album came out in nineteen ninety two, so

785
00:41:15,880 --> 00:41:20,080
Speaker 2: that was like, oh, an, only one original cast.

786
00:41:19,840 --> 00:41:23,160
Speaker 3: Is on the cover. I don't know. I'm looking at that.

787
00:41:23,400 --> 00:41:26,279
Speaker 3: They put that out with other people's because you just

788
00:41:26,320 --> 00:41:28,160
Speaker 3: license the music and they get a piece of it

789
00:41:28,320 --> 00:41:30,880
Speaker 3: because the show is so popular. Okay, okay, you know

790
00:41:30,960 --> 00:41:32,760
Speaker 3: what I mean. The show is so popular that people

791
00:41:32,760 --> 00:41:34,160
Speaker 3: were like, yeah, I'll make money off that.

792
00:41:34,640 --> 00:41:37,960
Speaker 1: So at the end of this whole storyline, are we

793
00:41:38,080 --> 00:41:41,239
Speaker 1: to understand that Donna and David are not going to

794
00:41:41,239 --> 00:41:43,880
Speaker 1: be working for Eric Budman anymore in the record label.

795
00:41:44,200 --> 00:41:47,040
Speaker 3: Well, I'm wondering if they're together. I think they broke up. No,

796
00:41:48,320 --> 00:41:53,040
Speaker 3: Eric got laid chills. Yeah, that's random. Assistant comes out.

797
00:41:54,080 --> 00:41:58,480
Speaker 1: And then you say, basically, I'd rather be where we

798
00:41:58,520 --> 00:42:00,479
Speaker 1: are and not have to worry about where we're going

799
00:42:00,560 --> 00:42:01,200
Speaker 1: right now.

800
00:42:01,440 --> 00:42:04,320
Speaker 2: Right And he's like in every area, and she's like, yeah, basically,

801
00:42:04,600 --> 00:42:05,520
Speaker 2: So I don't want.

802
00:42:05,400 --> 00:42:08,640
Speaker 3: I do appreciate. I do appreciate that they let me

803
00:42:08,680 --> 00:42:12,600
Speaker 3: know Eric got fired, and that the FBI got. I got,

804
00:42:13,360 --> 00:42:16,840
Speaker 3: you know, jiggered to the put.

805
00:42:18,760 --> 00:42:23,240
Speaker 2: Because I was I'm like, where is he and in jail?

806
00:42:23,280 --> 00:42:24,120
Speaker 2: And we didn't.

807
00:42:24,160 --> 00:42:26,000
Speaker 3: They did not, they did.

808
00:42:26,120 --> 00:42:28,479
Speaker 2: Didn't hear that you missed that part? You were looking

809
00:42:28,520 --> 00:42:29,120
Speaker 2: up at the boom?

810
00:42:31,960 --> 00:42:32,640
Speaker 3: Oh my god?

811
00:42:32,840 --> 00:42:34,560
Speaker 1: And what's her name's gone?

812
00:42:34,920 --> 00:42:38,000
Speaker 3: You're excusing branding kind of acknowledges. I don't know if

813
00:42:38,000 --> 00:42:40,799
Speaker 3: I want to work at the paper, which I'm like, well,

814
00:42:40,800 --> 00:42:43,040
Speaker 3: the girl is gone, so who cares?

815
00:42:43,719 --> 00:42:45,319
Speaker 1: Yeah, he'd work somewhere else.

816
00:42:45,320 --> 00:42:46,200
Speaker 3: I'm that bad.

817
00:42:48,840 --> 00:42:51,080
Speaker 1: Okay, So the only other one we have left is no,

818
00:42:51,239 --> 00:42:53,279
Speaker 1: that's it. We've covered all storylines, you guys.

819
00:42:54,200 --> 00:42:56,719
Speaker 3: We got a little of Nat and the wife, the

820
00:42:56,760 --> 00:43:00,360
Speaker 3: pregnant girlfriend. She they're getting married soon. We acknowled the

821
00:43:00,360 --> 00:43:01,279
Speaker 3: wedding's coming up.

822
00:43:01,680 --> 00:43:05,240
Speaker 1: I'm sorry, but are those two guys, those two gonna

823
00:43:05,280 --> 00:43:09,920
Speaker 1: really go to an after party for a video shoot

824
00:43:10,000 --> 00:43:13,359
Speaker 1: on the beach at night. I'm like, they they've got

825
00:43:13,360 --> 00:43:16,200
Speaker 1: to be older than I am right now, and I

826
00:43:16,280 --> 00:43:18,560
Speaker 1: know that I would be staying home, Like, there's no

827
00:43:18,560 --> 00:43:20,160
Speaker 1: way you could get me to go to the after party.

828
00:43:20,280 --> 00:43:23,840
Speaker 2: Barely survive a two day stay on the Queen Mary,

829
00:43:24,200 --> 00:43:26,920
Speaker 2: how is she up at doing that an after party?

830
00:43:27,040 --> 00:43:27,120
Speaker 1: Like?

831
00:43:27,200 --> 00:43:27,520
Speaker 2: Come on?

832
00:43:28,320 --> 00:43:31,120
Speaker 1: She said? She also just so weird that they were there.

833
00:43:31,239 --> 00:43:33,759
Speaker 2: Didn't was there nowhere else they could put them in? Oh?

834
00:43:33,760 --> 00:43:35,399
Speaker 2: I guess not? No?

835
00:43:37,800 --> 00:43:40,400
Speaker 3: Who shows way too late last night? Is this the

836
00:43:40,440 --> 00:43:45,160
Speaker 3: show where people dancing at the after party? Slow table

837
00:43:46,040 --> 00:43:52,600
Speaker 3: dancing dance slow dancing? Gross? Who do people still slow dance?

838
00:43:52,680 --> 00:43:53,000
Speaker 4: I'm not.

839
00:43:53,600 --> 00:43:55,799
Speaker 3: I'd love to bring it back. I would love to

840
00:43:55,800 --> 00:43:59,240
Speaker 3: bring it back, like the awkward slow dance I from side.

841
00:44:00,080 --> 00:44:02,279
Speaker 2: Yeah, because at least you got to like put your

842
00:44:02,360 --> 00:44:04,880
Speaker 2: arm around, like being near the boy and no like

843
00:44:04,960 --> 00:44:08,120
Speaker 2: pressure to like have to dance like yeah, but sometimes it.

844
00:44:08,160 --> 00:44:11,160
Speaker 1: Was too a little too close body parts.

845
00:44:12,160 --> 00:44:16,920
Speaker 3: I'd love to shwing. Yeah what you never have?

846
00:44:17,080 --> 00:44:18,400
Speaker 2: You slow down me?

847
00:44:20,160 --> 00:44:20,399
Speaker 3: Yeah?

848
00:44:20,480 --> 00:44:28,720
Speaker 1: Okay, I'm gonna stop now. I think I'm red, Okay.

849
00:44:28,600 --> 00:44:31,719
Speaker 3: Get me. Think it's such a great episode. It really is.

850
00:44:31,840 --> 00:44:32,640
Speaker 1: I'm excited to.

851
00:44:32,640 --> 00:44:35,880
Speaker 3: See Randon into the Mustang and drives off.

852
00:44:36,239 --> 00:44:38,319
Speaker 1: I feel like there's a lot that's gonna happen with

853
00:44:38,360 --> 00:44:42,359
Speaker 1: these characters this season, and I'm so here for it.

854
00:44:42,520 --> 00:44:44,960
Speaker 2: You know what, I kind of want a great scene

855
00:44:44,960 --> 00:44:48,080
Speaker 2: to be though. I wanted him to be like arriving

856
00:44:48,120 --> 00:44:50,239
Speaker 2: home and something with him and Kelly. That was just

857
00:44:50,239 --> 00:44:51,400
Speaker 2: my gut instinct.

858
00:44:51,920 --> 00:44:53,920
Speaker 3: Me too. But I feel like they've got it.

859
00:44:53,920 --> 00:44:56,680
Speaker 1: They're gonna be Is it gonna happen this season?

860
00:44:57,200 --> 00:44:57,600
Speaker 3: This season?

861
00:44:57,640 --> 00:44:59,640
Speaker 2: Will has to he leaves, Oh my god, it has

862
00:44:59,719 --> 00:45:00,160
Speaker 2: to wait?

863
00:45:00,239 --> 00:45:02,040
Speaker 3: How do they get together? And then he leaves? It

864
00:45:02,040 --> 00:45:05,239
Speaker 3: has Yeah, he leaves, you don't remember any gosh.

865
00:45:05,120 --> 00:45:06,160
Speaker 2: Oh what wait?

866
00:45:06,239 --> 00:45:08,440
Speaker 3: They get to do together and then he leaves. We're

867
00:45:08,480 --> 00:45:09,920
Speaker 3: not going to talk about it right now. We've got

868
00:45:09,920 --> 00:45:11,560
Speaker 3: a whole season that you're gonna learn as you go.

869
00:45:11,960 --> 00:45:14,360
Speaker 3: The thing that I like about this episode is that

870
00:45:14,440 --> 00:45:17,319
Speaker 3: it's it's the new nine O two one oh right,

871
00:45:17,400 --> 00:45:22,520
Speaker 3: Like it's new, it's the it's it's not the original

872
00:45:22,600 --> 00:45:26,080
Speaker 3: original first like three four years right, right, maybe first three.

873
00:45:26,840 --> 00:45:31,200
Speaker 3: But it also doesn't need all that hashtag trying too hard, right,

874
00:45:31,280 --> 00:45:33,120
Speaker 3: like with the chase scene, and like the way the

875
00:45:33,160 --> 00:45:35,200
Speaker 3: finale was sort of getting I'm like, I don't need

876
00:45:35,360 --> 00:45:38,279
Speaker 3: all that. I just need these core characters. And I

877
00:45:38,280 --> 00:45:40,880
Speaker 3: think that's what I liked about it is that it's like,

878
00:45:41,360 --> 00:45:45,640
Speaker 3: I'm back to the core characters, which includes Claire and

879
00:45:45,719 --> 00:45:49,839
Speaker 3: includes Valerie. I don't have this sort of extraneous things

880
00:45:49,880 --> 00:45:52,400
Speaker 3: that I'm trying to deal with Colin and Susan, and

881
00:45:52,800 --> 00:45:55,239
Speaker 3: I've got the core characters and I'm just following them

882
00:45:55,480 --> 00:46:02,040
Speaker 3: because I'm really following you. You both Steve and Brandon, Brandon,

883
00:46:03,440 --> 00:46:06,879
Speaker 3: and maybe a dabble of Valerie. But yeah, but yeah,

884
00:46:07,000 --> 00:46:09,920
Speaker 3: David's with you, even though Steve's with Claire. Still got Steve,

885
00:46:10,200 --> 00:46:13,120
Speaker 3: Brandon is with this new character, but I got Brandon.

886
00:46:13,480 --> 00:46:16,000
Speaker 3: So it's like I've got just all core people that

887
00:46:16,040 --> 00:46:18,799
Speaker 3: I actually care about the right and like they're doing.

888
00:46:19,760 --> 00:46:22,080
Speaker 3: That's why I think that's why I sort of feel like, oh,

889
00:46:22,320 --> 00:46:25,480
Speaker 3: I'm back in season four or five totally with you.

890
00:46:25,719 --> 00:46:28,440
Speaker 1: And also I feel like this show is, like, you

891
00:46:28,480 --> 00:46:31,600
Speaker 1: know what, We're going to keep on trucking. This show

892
00:46:31,680 --> 00:46:34,400
Speaker 1: is bigger than any one person, and it's it's going

893
00:46:34,520 --> 00:46:38,239
Speaker 1: to continue forward. And I felt like some sort of

894
00:46:38,280 --> 00:46:40,040
Speaker 1: strength behind it in that respect.

895
00:46:40,280 --> 00:46:41,080
Speaker 3: Yeah.

896
00:46:41,440 --> 00:46:47,600
Speaker 1: Yeah, well it's very exciting because you guys, it's only

897
00:46:47,600 --> 00:46:48,440
Speaker 1: the first episode.

898
00:46:48,600 --> 00:46:49,359
Speaker 3: Yeah, and we have.

899
00:46:49,560 --> 00:46:50,479
Speaker 1: What do we have next week?

900
00:46:50,520 --> 00:46:51,840
Speaker 2: What's our episode?

901
00:46:51,920 --> 00:46:52,160
Speaker 3: Two?

902
00:46:52,360 --> 00:46:54,759
Speaker 2: Here we go again, Here we go?

903
00:46:55,400 --> 00:46:55,640
Speaker 3: Wait?

904
00:46:55,760 --> 00:46:56,480
Speaker 1: What song is that?

905
00:46:58,880 --> 00:46:59,399
Speaker 2: Which one?

906
00:46:59,640 --> 00:47:03,880
Speaker 1: I just started to sing Jane's Got a Gun, but

907
00:47:04,000 --> 00:47:07,120
Speaker 1: with the words here we go again. I don't know

908
00:47:07,160 --> 00:47:08,839
Speaker 1: what's happening in my brain. You guys, I need to go.

909
00:47:10,000 --> 00:47:12,040
Speaker 3: Let's wrap this up. What do you give it? What

910
00:47:12,080 --> 00:47:12,919
Speaker 3: do you give it?

911
00:47:13,360 --> 00:47:13,600
Speaker 2: Ten?

912
00:47:14,360 --> 00:47:15,200
Speaker 3: No? Nine?

913
00:47:15,719 --> 00:47:18,319
Speaker 2: I give it a nine nine, nine point five for me.

914
00:47:18,760 --> 00:47:22,560
Speaker 3: Yeah, I love it.

915
00:47:22,760 --> 00:47:24,960
Speaker 2: The season off strong, thought.

916
00:47:24,719 --> 00:47:27,799
Speaker 3: I wouldn't be excited about this, but I am.

917
00:47:28,080 --> 00:47:30,319
Speaker 2: I hope my hair gets better. See you next week.

918
00:47:30,800 --> 00:47:31,320
Speaker 1: By Buddy