1 00:00:00,560 --> 00:00:02,760 Speaker 1: Ridiculous Crime is a production of iHeartRadio. 2 00:00:03,840 --> 00:00:06,520 Speaker 2: Zaren Elizabeth, what's up? How you doing? Girl? 3 00:00:06,559 --> 00:00:07,760 Speaker 3: Good? You know it's ridiculous? 4 00:00:07,880 --> 00:00:11,120 Speaker 2: Ah, yes, do I You ever heard of Betty Penrose? No, 5 00:00:11,360 --> 00:00:14,360 Speaker 2: she was a secretary. Her boss was a lawyer in Oakland, Okay, 6 00:00:14,360 --> 00:00:17,079 Speaker 2: in her hometown. He filed a lawsuit on behalf of 7 00:00:17,120 --> 00:00:22,439 Speaker 2: his secretary. And that's how Betty Penrose sued God. Why God, Elizabeth? 8 00:00:22,520 --> 00:00:25,280 Speaker 2: Because God had struck her house with lightning nine years earlier, 9 00:00:25,320 --> 00:00:28,400 Speaker 2: and so Betty Penrose sued God for quote negligence. She 10 00:00:28,480 --> 00:00:31,160 Speaker 2: filed her lawsuit in a California court, even though the 11 00:00:31,240 --> 00:00:33,120 Speaker 2: lightning strike had occurred in Arizona. 12 00:00:33,200 --> 00:00:34,400 Speaker 3: I was gonna say, we don't have a lot of 13 00:00:34,440 --> 00:00:35,040 Speaker 3: lightning strikes. 14 00:00:35,040 --> 00:00:39,040 Speaker 2: Exactly why California? Well, why a California court in particular, 15 00:00:39,080 --> 00:00:43,800 Speaker 2: in particular, Elizabeth, nineteen sixty nine, Sonoma County? Why there? 16 00:00:43,960 --> 00:00:47,760 Speaker 2: Why in the middle of your peak California? Great question, Elizabeth, 17 00:00:48,120 --> 00:00:52,839 Speaker 2: this woman, why would she sue God? Well in California? No? Less? Well? 18 00:00:53,200 --> 00:00:55,760 Speaker 2: These important possibly, I'll tell you this much. Two words 19 00:00:55,800 --> 00:00:58,840 Speaker 2: answer our question? What two words? Lou Gottlieb. If you 20 00:00:58,840 --> 00:01:01,120 Speaker 2: don't know Lou Gottlieb. He was a former singer and 21 00:01:01,120 --> 00:01:05,320 Speaker 2: bass player from the folk trio The Limelighters. Anyway, one 22 00:01:05,360 --> 00:01:08,200 Speaker 2: week earlier than the lawsuit was filed, Lou Gottlieb had 23 00:01:08,240 --> 00:01:12,120 Speaker 2: transferred the deed to his Morning Star ranch over to God. Okay, 24 00:01:12,360 --> 00:01:15,200 Speaker 2: that legally made the Almighty a property owner in the 25 00:01:15,240 --> 00:01:19,120 Speaker 2: state of California, and thus God could now be sued. So, 26 00:01:19,240 --> 00:01:21,880 Speaker 2: according to the news story I found in the Indianapolis 27 00:01:21,880 --> 00:01:24,760 Speaker 2: Star from May fifteenth, nineteen sixty nine, quote, the Sonoma 28 00:01:24,800 --> 00:01:27,280 Speaker 2: County Clerk issued a summons for the deity and returned 29 00:01:27,280 --> 00:01:29,680 Speaker 2: it to the attorney for service. So basically they were like, here, 30 00:01:29,720 --> 00:01:32,400 Speaker 2: go find God, and you find the usubpoena the architect 31 00:01:32,440 --> 00:01:35,000 Speaker 2: of the universe. Thank God. So, the news story goes on, 32 00:01:35,120 --> 00:01:37,600 Speaker 2: is as plaintiff is informed and believes that defendant God, 33 00:01:37,640 --> 00:01:40,360 Speaker 2: at all times mentioned herein is responsible for the maintenance 34 00:01:40,400 --> 00:01:43,000 Speaker 2: and operation of the universe, including the weather in and 35 00:01:43,200 --> 00:01:45,560 Speaker 2: upon the state of the Arizona, and that on or 36 00:01:45,600 --> 00:01:48,840 Speaker 2: about August seventeenth, nineteen sixty Defendant so maintained and controlled 37 00:01:48,840 --> 00:01:51,720 Speaker 2: the weather in or around or upon Phoenix, Arizona, in 38 00:01:51,720 --> 00:01:54,520 Speaker 2: such careless and negligent manner as it caused lightning to 39 00:01:54,520 --> 00:01:57,440 Speaker 2: strike the plaintiff's house, setting it on fire and startling, 40 00:01:57,520 --> 00:02:00,720 Speaker 2: frightening and shocking the plaintiff. So they're saying that God's fault. 41 00:02:00,800 --> 00:02:02,880 Speaker 2: So then this story, which is good because we had 42 00:02:02,920 --> 00:02:05,240 Speaker 2: this like you know, this crazy folk trio that've left 43 00:02:05,240 --> 00:02:07,240 Speaker 2: their land to God and this lady's got her like 44 00:02:07,320 --> 00:02:11,240 Speaker 2: Oakland lawyer enter our next Kouk a dude in Kenya, 45 00:02:11,400 --> 00:02:14,840 Speaker 2: Joseph and Juwey. He steps forward. He's read this story. 46 00:02:15,160 --> 00:02:17,679 Speaker 2: He says, I will defend God in this lawsuit, this 47 00:02:17,720 --> 00:02:20,680 Speaker 2: one hundred thousand dollars lawsuit. How dare you? So he's 48 00:02:20,720 --> 00:02:23,800 Speaker 2: there in Nairobi and he writes the letter because this 49 00:02:23,880 --> 00:02:26,160 Speaker 2: is from the Arizona Republic because they also reported on 50 00:02:26,200 --> 00:02:28,919 Speaker 2: it May twenty second, nineteen sixty nine. They quote from 51 00:02:28,919 --> 00:02:31,600 Speaker 2: in Juey's letter to the Attorney General of the United 52 00:02:31,600 --> 00:02:36,239 Speaker 2: States of Arizona. As I understand you have signed the summons, 53 00:02:36,280 --> 00:02:38,240 Speaker 2: I would request you kindly to hold this case until 54 00:02:38,240 --> 00:02:40,200 Speaker 2: I try and get enough finances to come there and 55 00:02:40,240 --> 00:02:43,160 Speaker 2: defend God in court without appealing in person. I can 56 00:02:43,200 --> 00:02:45,119 Speaker 2: be called in the court after the change has been read. 57 00:02:45,240 --> 00:02:47,679 Speaker 2: The plea of not guilty, must be endorsed. So he's like, 58 00:02:47,760 --> 00:02:49,880 Speaker 2: let me go and fight and defend God. So this 59 00:02:49,919 --> 00:02:52,240 Speaker 2: offer was kind, noble, we all have to agree, right, 60 00:02:52,280 --> 00:02:56,800 Speaker 2: but ultimately unnecessary because Betty Penrose lost her lawsuit on 61 00:02:56,880 --> 00:03:00,120 Speaker 2: a technicality. God was never able to take possession of 62 00:03:00,200 --> 00:03:03,280 Speaker 2: land since the Almighty did not execute control of the 63 00:03:03,320 --> 00:03:06,560 Speaker 2: deeded land. As The Indianapolis Star later reported, the deed 64 00:03:06,639 --> 00:03:09,320 Speaker 2: filed quote last week conveying the hippie ranch to God 65 00:03:09,600 --> 00:03:13,280 Speaker 2: was quote deemed invalid. So Betty Parsons lawsuit against God 66 00:03:13,360 --> 00:03:15,320 Speaker 2: was thrown out. And so just like God, she no 67 00:03:15,400 --> 00:03:18,240 Speaker 2: longer had any illegal grounds to stand on. So I 68 00:03:18,240 --> 00:03:20,000 Speaker 2: love about this. In nineteen sixty nine and everything, there's 69 00:03:20,040 --> 00:03:22,000 Speaker 2: all this mad stuff going on, and what is Betty 70 00:03:22,000 --> 00:03:23,800 Speaker 2: Parsons doing. She's like, I'm a sue God. 71 00:03:24,840 --> 00:03:28,639 Speaker 3: I was wondering, like, how would God pay the property taxes? 72 00:03:29,280 --> 00:03:32,640 Speaker 3: So many method just like manna from heaven. 73 00:03:32,760 --> 00:03:34,680 Speaker 2: Yeah, and also the whole idea that like if you 74 00:03:34,720 --> 00:03:37,920 Speaker 2: are the you know, totally omniscient and all powerful, then 75 00:03:37,960 --> 00:03:39,960 Speaker 2: you've already taken possession of the land, right you don't 76 00:03:39,960 --> 00:03:44,600 Speaker 2: really have to exquest him that it makes sense the ridiculous, 77 00:03:44,680 --> 00:03:45,400 Speaker 2: very ridiculous. 78 00:03:45,480 --> 00:03:45,960 Speaker 3: I like that. 79 00:03:46,120 --> 00:03:46,480 Speaker 2: Thank you. 80 00:03:46,840 --> 00:03:48,720 Speaker 3: You want to know what else is ridiculous? I'm here 81 00:03:48,720 --> 00:03:50,040 Speaker 3: for it, Secret Rooms. 82 00:03:50,320 --> 00:04:11,160 Speaker 2: What this is? 83 00:04:11,280 --> 00:04:15,680 Speaker 3: Ridiculous Crime A podcast about absurd and outrageous capers, heists, 84 00:04:15,720 --> 00:04:19,280 Speaker 3: and cons. It's always ninety nine percent murder free and 85 00:04:19,320 --> 00:04:23,160 Speaker 3: one hundred percent ridiculous. I heard that I have for 86 00:04:23,200 --> 00:04:27,039 Speaker 3: you today, sir. Another one of my top shelf cutis 87 00:04:27,720 --> 00:04:32,920 Speaker 3: it's an art crime and a forgery. Hello man alive. 88 00:04:32,960 --> 00:04:36,480 Speaker 3: I love these I love art. I'm a terrible artist. 89 00:04:37,000 --> 00:04:40,160 Speaker 3: My only medium is words. Really, yeah, I can't draw 90 00:04:40,320 --> 00:04:41,520 Speaker 3: or paint to save my life. 91 00:04:41,600 --> 00:04:42,680 Speaker 2: Can you dance? No? 92 00:04:43,800 --> 00:04:47,039 Speaker 3: I'm fascinated by those who can draw and paint. 93 00:04:46,920 --> 00:04:50,120 Speaker 2: And even more people, Oh you're not me, so go on. 94 00:04:50,520 --> 00:04:53,719 Speaker 3: So what I find even more fascinating is when someone 95 00:04:53,720 --> 00:04:56,800 Speaker 3: who has a great skill doesn't use it to create 96 00:04:56,839 --> 00:04:59,839 Speaker 3: their own work. That fascinates me. We've talked about that before, 97 00:05:00,040 --> 00:05:01,240 Speaker 3: artists versus draftsman. 98 00:05:01,360 --> 00:05:03,680 Speaker 2: Basically, oh yes, okay, the artist artisan? Yeah yeah. 99 00:05:03,720 --> 00:05:05,919 Speaker 3: So you can't call yourself an artist if you require 100 00:05:06,000 --> 00:05:09,400 Speaker 3: direction to create something. That's my hot take, unpopular opinion. 101 00:05:10,480 --> 00:05:12,920 Speaker 3: But oh how I love these forgers. I love their 102 00:05:12,960 --> 00:05:15,960 Speaker 3: wily ways, but they break my heart by misusing all 103 00:05:16,000 --> 00:05:20,279 Speaker 3: that talent. Okay, anyway, let me give you a quote 104 00:05:20,320 --> 00:05:24,640 Speaker 3: from today's cat Please. Forgery was fun, like a challenging 105 00:05:24,720 --> 00:05:28,440 Speaker 3: puzzle or riddle to solve. I love figuring out intriguing 106 00:05:28,440 --> 00:05:32,679 Speaker 3: ways to make an artwork plausible. I loved doing everything perfect, 107 00:05:33,000 --> 00:05:36,680 Speaker 3: leaving little hints that only the most knowledgeable experts would appreciate. 108 00:05:37,200 --> 00:05:40,640 Speaker 3: It's strange to say, but half the fun was imagining 109 00:05:40,680 --> 00:05:43,159 Speaker 3: the oohs and ahs I would get and the little 110 00:05:43,200 --> 00:05:47,120 Speaker 3: nods of appreciation I might receive. Without that art forgery, 111 00:05:47,160 --> 00:05:48,400 Speaker 3: would it just been another job? 112 00:05:49,320 --> 00:05:52,120 Speaker 2: Yeah? I mean act totally relate. You make your work 113 00:05:52,240 --> 00:05:54,679 Speaker 2: entertaining to you. Yeah, it's not the work that's entertaining. 114 00:05:54,760 --> 00:05:55,600 Speaker 3: So who is this guy? 115 00:05:55,720 --> 00:05:56,320 Speaker 2: Who is this guy? 116 00:05:56,360 --> 00:06:01,360 Speaker 3: Elizabeth Anthony gen Tetro, Anthony gen Tetra, Tony Tetro, Tony Tetro. 117 00:06:01,440 --> 00:06:03,240 Speaker 2: Good. Yeah, that's a great one, right. 118 00:06:03,360 --> 00:06:06,039 Speaker 3: He's a serious character. He was born in nineteen fifty 119 00:06:06,120 --> 00:06:09,159 Speaker 3: in Fulton, New York, to Beatrice and James Tetro. 120 00:06:09,360 --> 00:06:11,400 Speaker 2: Also haven't heard of them? Run a three to three. 121 00:06:11,160 --> 00:06:15,760 Speaker 3: Exactly, James House painter like you, I'm into that developed 122 00:06:15,800 --> 00:06:21,559 Speaker 3: a special process for coating water towers. Innovator. Beatrice's claim 123 00:06:21,600 --> 00:06:23,320 Speaker 3: to fame was that when she was a little girl, 124 00:06:23,839 --> 00:06:27,159 Speaker 3: she saw Amelia Earhart land her plane on the family pasture. 125 00:06:27,520 --> 00:06:28,960 Speaker 2: Oh dope, that's pretty cool. 126 00:06:29,720 --> 00:06:32,880 Speaker 3: These are like good, honest folk who have like cool little. 127 00:06:32,600 --> 00:06:35,000 Speaker 2: Things living Americana. 128 00:06:34,680 --> 00:06:36,360 Speaker 3: And they created a wild child. 129 00:06:37,040 --> 00:06:37,520 Speaker 2: Yeah. 130 00:06:37,600 --> 00:06:40,000 Speaker 3: So Tetro he was an ultra boy. Were you an 131 00:06:40,040 --> 00:06:40,800 Speaker 3: ultra boy? No? 132 00:06:40,800 --> 00:06:43,640 Speaker 2: No, I always resisted all of my Catholic indoctrinations. So 133 00:06:43,720 --> 00:06:45,120 Speaker 2: like I mean not like, I don't mean to sound 134 00:06:45,160 --> 00:06:46,800 Speaker 2: like a jerk, but like a lot of my friends, 135 00:06:46,920 --> 00:06:49,200 Speaker 2: like best friends, are ultra boys, like you should do 136 00:06:49,200 --> 00:06:50,599 Speaker 2: it to be fun. I'm like, are you kidding me? 137 00:06:50,640 --> 00:06:52,240 Speaker 2: I already have to get up into a paper route. 138 00:06:52,279 --> 00:06:54,120 Speaker 2: I'm not doing this. So no, I was not an alto. 139 00:06:54,279 --> 00:06:56,599 Speaker 3: So Tetro ultra boy is a good kid. But like 140 00:06:56,640 --> 00:06:59,640 Speaker 3: most altar boys, he had a mischievous streak. That's just 141 00:06:59,640 --> 00:07:03,560 Speaker 3: a tree that is. He had no formal art training. 142 00:07:04,080 --> 00:07:06,960 Speaker 3: All of his skills were innate or self taught. When 143 00:07:07,000 --> 00:07:09,279 Speaker 3: he was in elementary school, he made his first piece 144 00:07:09,279 --> 00:07:12,560 Speaker 3: of art. Quote, I drew a picture of one of 145 00:07:12,600 --> 00:07:16,520 Speaker 3: the nuns. Sister Antonio I did this beautiful Vargas picture 146 00:07:16,520 --> 00:07:19,520 Speaker 3: of her, but pruney faced and in a habit. She 147 00:07:19,720 --> 00:07:21,280 Speaker 3: whacked me and took me to the priest. 148 00:07:21,360 --> 00:07:25,000 Speaker 2: He chuckled, Wait a var like a Vargas girl. So 149 00:07:25,040 --> 00:07:27,320 Speaker 2: he did her like a pin up with a prony face. 150 00:07:27,640 --> 00:07:32,320 Speaker 3: That's yeah, so who is he? Let's stell, let's deal further. 151 00:07:33,560 --> 00:07:37,680 Speaker 3: According to Ira Reiner, an LA district attorney, Tetro was 152 00:07:37,760 --> 00:07:41,720 Speaker 3: quote the single largest forger of artworks in America. 153 00:07:42,120 --> 00:07:43,920 Speaker 2: Really yeah, I don't think I've ever heard of it. 154 00:07:44,000 --> 00:07:48,080 Speaker 3: And according to Gary Helton, the district attorney's investigator, quote, 155 00:07:48,280 --> 00:07:50,920 Speaker 3: I consider mister Tetro to be one of the two 156 00:07:51,000 --> 00:07:54,160 Speaker 3: major art forgers in the United States. It's like he 157 00:07:54,200 --> 00:07:56,400 Speaker 3: gets first and then he gets a tie for first. 158 00:07:56,600 --> 00:07:59,760 Speaker 2: He's like I would put an Asterix steroid era forgers 159 00:07:59,800 --> 00:08:00,720 Speaker 2: came to come in. 160 00:08:01,560 --> 00:08:05,440 Speaker 3: Tom Binder, president of Tom Binder Fine Arts in Venice, California. 161 00:08:05,520 --> 00:08:06,800 Speaker 2: Tom Binder Fine Arts. 162 00:08:06,800 --> 00:08:11,720 Speaker 3: Maybe it's Bender whatever, you know who cares. 163 00:08:10,680 --> 00:08:12,080 Speaker 2: Got a binder full of benders. 164 00:08:11,760 --> 00:08:14,440 Speaker 3: He said, quote, but you know what the bottom. 165 00:08:14,200 --> 00:08:15,960 Speaker 2: Line is the bottom blind guy. 166 00:08:15,880 --> 00:08:19,239 Speaker 3: Was just a brilliant mind that went astray. A Frankenstein. 167 00:08:19,760 --> 00:08:22,160 Speaker 3: All I know is that guy's a genius. 168 00:08:22,480 --> 00:08:25,240 Speaker 2: So he actually used Frankenstein correctly. He made it the 169 00:08:25,320 --> 00:08:28,720 Speaker 2: doctor Frankenstein mad. You know, he went mad, not the monster. 170 00:08:28,760 --> 00:08:33,079 Speaker 3: Exact way to buy that one bender so good. How 171 00:08:33,120 --> 00:08:35,000 Speaker 3: did he get there? How did Tony get there? When 172 00:08:35,000 --> 00:08:37,920 Speaker 3: he was sixteen, he married his pregnant high school girlfriend. 173 00:08:38,559 --> 00:08:41,599 Speaker 3: He was a father at seventeen. He moved to California 174 00:08:41,640 --> 00:08:44,480 Speaker 3: at nineteen, and then he was divorced by twenty three. 175 00:08:45,000 --> 00:08:45,880 Speaker 2: Really Russian life. 176 00:08:46,000 --> 00:08:49,200 Speaker 3: So he just moved five years exactly and then took 177 00:08:49,200 --> 00:08:51,760 Speaker 3: his show over to the West coast and there you go. 178 00:08:52,080 --> 00:08:54,480 Speaker 3: So he began studying art on his own. He went 179 00:08:54,480 --> 00:08:58,720 Speaker 3: to museums all the time, like practiced. He experimented with 180 00:08:58,800 --> 00:09:02,200 Speaker 3: paints and formal the for a baking process so that 181 00:09:02,240 --> 00:09:03,760 Speaker 3: he could create krakolure. 182 00:09:04,960 --> 00:09:06,800 Speaker 2: That's a really cool pattern. You have to do that 183 00:09:06,800 --> 00:09:08,920 Speaker 2: a blaze. You put down one glaze and you put 184 00:09:08,920 --> 00:09:10,760 Speaker 2: another on top of it. As it dries, it separates. 185 00:09:10,840 --> 00:09:12,800 Speaker 3: Yeah, and it makes it look old and it creates. 186 00:09:12,679 --> 00:09:15,200 Speaker 2: It literally cracks like old desert earth. Right. 187 00:09:15,640 --> 00:09:19,200 Speaker 3: So Tetro he was working at the Broadway Department store 188 00:09:19,240 --> 00:09:22,160 Speaker 3: in the furniture department. Oh and one day, he picked 189 00:09:22,240 --> 00:09:25,800 Speaker 3: up a book. I know, right, isn't that come on department? 190 00:09:26,480 --> 00:09:29,080 Speaker 3: Oh he picked up a book Sarin. 191 00:09:28,880 --> 00:09:30,640 Speaker 2: Oh strong man, Okay, showing up. 192 00:09:30,960 --> 00:09:32,160 Speaker 3: Well, you know what book that was. 193 00:09:31,960 --> 00:09:35,080 Speaker 2: It was the book take a Guess how to win 194 00:09:35,120 --> 00:09:36,400 Speaker 2: friends and influence people. 195 00:09:36,240 --> 00:09:41,559 Speaker 3: Close Fake by Clifford or You're bron Elmirdhoy Biography. 196 00:09:41,679 --> 00:09:43,160 Speaker 2: I would not have guessed that he read. 197 00:09:43,280 --> 00:09:45,120 Speaker 3: He picks that up, he reads it. This is how 198 00:09:45,120 --> 00:09:48,000 Speaker 3: he described it. Quote. When I read that book, that 199 00:09:48,160 --> 00:09:50,280 Speaker 3: was really the beginning of this for me. The more 200 00:09:50,320 --> 00:09:52,760 Speaker 3: I read, the more I said to myself, I could 201 00:09:52,760 --> 00:09:53,040 Speaker 3: do this. 202 00:09:53,240 --> 00:09:54,720 Speaker 2: I think Elma would be so tickled by that. 203 00:09:54,920 --> 00:09:58,000 Speaker 3: Isn't that the greatest? It's like an instruction menial for him. 204 00:09:58,040 --> 00:10:00,520 Speaker 2: Full anarchist manifesto for art for Yeah. 205 00:10:00,520 --> 00:10:04,000 Speaker 3: Here's what Tetro said about Dhore quote. I saw his paintings. 206 00:10:04,040 --> 00:10:06,360 Speaker 3: He was in Los Angeles. I went to the galleries, 207 00:10:06,440 --> 00:10:08,480 Speaker 3: talked to people who knew him. He was here in 208 00:10:08,559 --> 00:10:11,319 Speaker 3: Los Angeles and sold a lot of paintings to celebrities 209 00:10:11,480 --> 00:10:13,960 Speaker 3: and he signed them horri I think he was really 210 00:10:14,000 --> 00:10:16,480 Speaker 3: good in creating fake art. I was impressed by him. 211 00:10:16,840 --> 00:10:19,440 Speaker 3: So this is like he's got this mentor, and like 212 00:10:19,480 --> 00:10:24,040 Speaker 3: an unassuming mentor. So so Tetro he began making reproductions 213 00:10:24,040 --> 00:10:27,160 Speaker 3: of pieces. One of his first attempts at selling a 214 00:10:27,160 --> 00:10:28,880 Speaker 3: faked piece was a copy of a copy. 215 00:10:29,480 --> 00:10:31,839 Speaker 2: He wanted to do a copy of a forged. 216 00:10:31,720 --> 00:10:36,280 Speaker 3: We talked about that with elmird Hori. Tetro copied a 217 00:10:36,360 --> 00:10:38,320 Speaker 3: Dhoy copy of Chagall. 218 00:10:38,679 --> 00:10:41,079 Speaker 2: So somebody wanted to They wanted their own Dehoy or 219 00:10:41,160 --> 00:10:43,840 Speaker 2: so I wanted their own horri version of Chagall, And 220 00:10:43,840 --> 00:10:46,840 Speaker 2: they were like, hey, Tetro, can you do that? Correct? 221 00:10:47,160 --> 00:10:49,720 Speaker 3: So Tetro he brings the piece to try and sell 222 00:10:49,760 --> 00:10:52,840 Speaker 3: it at a gallery and Vincent Price happened to be 223 00:10:52,880 --> 00:10:57,040 Speaker 3: there at the time. Yeah, no price art connoisseurtion. Yeah, 224 00:10:57,120 --> 00:10:57,640 Speaker 3: he knew his. 225 00:10:57,640 --> 00:10:58,880 Speaker 2: Stuff, really great art. 226 00:10:59,000 --> 00:11:02,240 Speaker 3: So he sees Tetro's piece and he says, I don't 227 00:11:02,320 --> 00:11:06,640 Speaker 3: like him pointing at Elmuir's name, and I don't like 228 00:11:06,720 --> 00:11:10,640 Speaker 3: him pointing to Shagall's name. So he's just like, get. 229 00:11:10,600 --> 00:11:11,760 Speaker 2: This out of here. Here. 230 00:11:12,080 --> 00:11:14,360 Speaker 3: Here's a fun fact. Did you know that if someone 231 00:11:14,440 --> 00:11:18,040 Speaker 3: sends a Chagall painting to be authenticated by the Committee Chagall, 232 00:11:18,600 --> 00:11:21,560 Speaker 3: it'll be destroyed under French law if it's determined to 233 00:11:21,559 --> 00:11:21,920 Speaker 3: be fake. 234 00:11:22,640 --> 00:11:24,040 Speaker 2: So I did not fair warning. 235 00:11:24,120 --> 00:11:27,840 Speaker 3: Now, you know, back to Tetro undeterred, undeterred by all 236 00:11:27,880 --> 00:11:29,280 Speaker 3: the insults from Vincent Price. 237 00:11:29,440 --> 00:11:31,000 Speaker 2: So there's no appealing in that process. 238 00:11:31,120 --> 00:11:32,920 Speaker 3: No, they're just like toss it in the fire, speak 239 00:11:32,960 --> 00:11:36,080 Speaker 3: to the dust. So Tetro starts selling his pieces at 240 00:11:36,240 --> 00:11:39,720 Speaker 3: art fairs, and he was up front that these were copies. 241 00:11:40,040 --> 00:11:42,120 Speaker 3: But what he found is that people cared more about 242 00:11:42,120 --> 00:11:45,000 Speaker 3: the art matching their decor than they did having some 243 00:11:45,040 --> 00:11:46,360 Speaker 3: sort of like authentic piece. 244 00:11:47,240 --> 00:11:48,959 Speaker 2: So they just want the effect, the feel. 245 00:11:49,080 --> 00:11:51,440 Speaker 3: Yeah, this is why he put it. I would do 246 00:11:51,480 --> 00:11:54,240 Speaker 3: a Rembrandt or a Renoir, and I only earned a 247 00:11:54,240 --> 00:11:57,000 Speaker 3: few hundred dollars for it. I sold only a few paintings, 248 00:11:57,040 --> 00:12:00,040 Speaker 3: maybe twenty I sold. Nobody wanted a Rembrandt because I 249 00:12:00,080 --> 00:12:02,199 Speaker 3: figured if you put a rem brand over your fireplace, 250 00:12:02,200 --> 00:12:04,480 Speaker 3: somebody's gonna think it's a print. I sold them for 251 00:12:04,480 --> 00:12:07,400 Speaker 3: about three hundred dollars in an Aaron Brothers frame, although 252 00:12:07,400 --> 00:12:10,120 Speaker 3: I didn't sell many, which is like a good point, 253 00:12:10,280 --> 00:12:12,040 Speaker 3: you know, like if you're just living in like a 254 00:12:12,120 --> 00:12:18,960 Speaker 3: ranch house in like Demas. Yeah, he started copying photographs then. Quote, 255 00:12:19,400 --> 00:12:23,960 Speaker 3: I did portraits of many people judges FBI agents. I 256 00:12:24,000 --> 00:12:27,280 Speaker 3: did Herb Huffif, and it's hanging in his office right now. 257 00:12:27,600 --> 00:12:30,880 Speaker 3: Like FBI agent portraits is so good. So Herb Huffif. 258 00:12:31,200 --> 00:12:34,480 Speaker 3: He's a trial lawyer in Claremont, California, which is like 259 00:12:34,520 --> 00:12:37,560 Speaker 3: a postable suburb of La right foot of the San 260 00:12:37,640 --> 00:12:41,240 Speaker 3: Gabriel Mountains. Hafif said the portrait was a Christmas gift 261 00:12:41,280 --> 00:12:44,360 Speaker 3: from his employees. Quote those who claim it to be 262 00:12:44,559 --> 00:12:47,920 Speaker 3: a wonderful likeness I consider to be my friends. The 263 00:12:47,960 --> 00:12:51,560 Speaker 3: portrait forever memorializes me as a person in his early forties. 264 00:12:53,600 --> 00:12:55,520 Speaker 2: The vasculinity of that jut out. 265 00:12:55,760 --> 00:12:57,000 Speaker 3: So then, Tetro, it's like. 266 00:12:56,960 --> 00:12:59,400 Speaker 2: The author photos. Just take one of the forties. You'll 267 00:12:59,440 --> 00:13:00,640 Speaker 2: never see a updated. 268 00:13:01,040 --> 00:13:05,120 Speaker 3: Tetro sold a Modigliani drawing for sixteen hundred dollars at 269 00:13:05,160 --> 00:13:08,120 Speaker 3: an auction house in Santa Anna, but he got caught. 270 00:13:08,360 --> 00:13:08,720 Speaker 2: Okay. 271 00:13:08,920 --> 00:13:11,920 Speaker 3: Tetro was asked if it was known by everyone at 272 00:13:11,960 --> 00:13:14,480 Speaker 3: the gallery that the Modigliani was fake, and this is 273 00:13:14,520 --> 00:13:17,520 Speaker 3: how he said it, and this is I love quoting 274 00:13:17,559 --> 00:13:20,400 Speaker 3: him because it's so meandering and bizarre. Okay, so here 275 00:13:20,400 --> 00:13:24,360 Speaker 3: it is. Quote, oh no, I showed it to another guy. 276 00:13:24,360 --> 00:13:26,400 Speaker 3: Before that, and I told him that I did it. 277 00:13:26,679 --> 00:13:29,600 Speaker 3: He was having an affair with Jack Warner's mistress, Jack 278 00:13:29,640 --> 00:13:32,559 Speaker 3: Warner of Warner Brothers, and she left a diamond ring 279 00:13:32,600 --> 00:13:35,080 Speaker 3: at the auction house that Jack Warner had given her. 280 00:13:35,320 --> 00:13:37,920 Speaker 3: It was a twenty four carrot d flawless, a very 281 00:13:38,000 --> 00:13:41,360 Speaker 3: valuable ring. And so he said to her, i'll sell it. 282 00:13:41,400 --> 00:13:43,800 Speaker 3: I'll give you five thousand dollars now, and he gave 283 00:13:43,840 --> 00:13:46,480 Speaker 3: her a bracelet and quote, I'll give you the rest 284 00:13:46,480 --> 00:13:47,200 Speaker 3: when I sell it. 285 00:13:47,400 --> 00:13:47,559 Speaker 2: Now. 286 00:13:47,559 --> 00:13:50,040 Speaker 3: This guy was a thief, this guy at the auction house, 287 00:13:50,080 --> 00:13:52,280 Speaker 3: and she never got a dime. This was worth at 288 00:13:52,360 --> 00:13:54,640 Speaker 3: least a quarter of a million dollars, this ring. And 289 00:13:54,640 --> 00:13:56,800 Speaker 3: that's how he did everything. He would tell an old 290 00:13:56,880 --> 00:13:59,360 Speaker 3: lady who'd bring in a Tiffany lamp, oh, here's one 291 00:13:59,400 --> 00:14:01,680 Speaker 3: hundred dollars. I'll give you the rest. The lamp would 292 00:14:01,720 --> 00:14:04,480 Speaker 3: be worth ten thousand dollars, but she'd never see another penny. 293 00:14:04,640 --> 00:14:06,720 Speaker 3: That's how he did things, and he got away with it. 294 00:14:06,800 --> 00:14:08,720 Speaker 3: I didn't know any of this. When I walked into 295 00:14:08,760 --> 00:14:10,920 Speaker 3: the auction house. He got mad at a guy. He 296 00:14:10,960 --> 00:14:13,760 Speaker 3: saw my Adigliani drawing and he said, oh, that's fake 297 00:14:13,960 --> 00:14:16,240 Speaker 3: and I told him my transmission broke and I needed 298 00:14:16,240 --> 00:14:18,640 Speaker 3: the money. The guy called me. He got a hold 299 00:14:18,640 --> 00:14:20,480 Speaker 3: of me, and he said, either you paint for me 300 00:14:20,840 --> 00:14:22,920 Speaker 3: or I'll break your hands. I'll cut your hands off. 301 00:14:23,680 --> 00:14:25,840 Speaker 2: He's like an eight year old telling his story. We know, 302 00:14:25,880 --> 00:14:27,400 Speaker 2: I was supposed to go to the partment. I went 303 00:14:27,440 --> 00:14:29,600 Speaker 2: to the part you know Billy's his father got divorced, 304 00:14:29,600 --> 00:14:31,040 Speaker 2: and that his new mom was over there. But she 305 00:14:31,080 --> 00:14:32,680 Speaker 2: told me it was a cold, so we went to McDonald's. 306 00:14:32,720 --> 00:14:35,600 Speaker 3: But then he yes or no, she just like was fake. 307 00:14:36,240 --> 00:14:38,560 Speaker 2: Okay, let me talk by Jack Warner's mistress. All right, 308 00:14:38,680 --> 00:14:41,000 Speaker 2: First and foremost, I can't answer this question until we 309 00:14:41,040 --> 00:14:41,480 Speaker 2: get down to. 310 00:14:41,760 --> 00:14:44,240 Speaker 3: He says, I painted for him so we wouldn't break 311 00:14:44,280 --> 00:14:46,560 Speaker 3: my hands. I did a lot of Robert Wood paintings 312 00:14:46,560 --> 00:14:49,480 Speaker 3: for him. Most people don't even know who Robert Wood was. Uh, 313 00:14:49,800 --> 00:14:55,800 Speaker 3: not Robert Woods, the Houston, Texas Texans wide receiver Robert Wood. 314 00:14:55,680 --> 00:14:58,960 Speaker 2: Now, but Robert Woods Johnson, the MPR donor. 315 00:15:00,240 --> 00:15:04,720 Speaker 3: He was an American landscape painter. So the Palm Springs 316 00:15:04,760 --> 00:15:09,080 Speaker 3: auction house owner had him make about thirty Robert Wood 317 00:15:09,160 --> 00:15:11,800 Speaker 3: knockoffs over a period of about two years under the 318 00:15:11,840 --> 00:15:15,080 Speaker 3: threat of I'll break your hands, and the guy also 319 00:15:15,120 --> 00:15:17,240 Speaker 3: had him sit in on auctions as a shill to 320 00:15:17,320 --> 00:15:18,080 Speaker 3: drive the price up. 321 00:15:18,120 --> 00:15:19,200 Speaker 2: Of course, yeah good. 322 00:15:19,280 --> 00:15:23,840 Speaker 3: So Tetro. He learned that the copies of Originals were 323 00:15:23,920 --> 00:15:26,360 Speaker 3: quote very marketable, and I was told that a lot 324 00:15:26,400 --> 00:15:28,400 Speaker 3: of these paintings were going to be sold as excellent 325 00:15:28,440 --> 00:15:31,800 Speaker 3: copies for people who couldn't afford Originals. Many people hang 326 00:15:31,880 --> 00:15:34,040 Speaker 3: reproductions in their homes and try to pass them off 327 00:15:34,040 --> 00:15:37,240 Speaker 3: as reel to their friends. It's snob appeal, which is 328 00:15:37,280 --> 00:15:39,560 Speaker 3: in the United States probably the number one reason people 329 00:15:39,560 --> 00:15:44,440 Speaker 3: by art who at the end, so he's like taking 330 00:15:44,480 --> 00:15:47,160 Speaker 3: it down or not. She's not doing rembrands, but he's 331 00:15:47,160 --> 00:15:49,840 Speaker 3: doing something that is more plausible for people. One of 332 00:15:49,880 --> 00:15:53,960 Speaker 3: his clients was James Stunt, a bon vivon and the 333 00:15:54,040 --> 00:15:57,480 Speaker 3: ex husband of Aris Petra Ecclestone, which. 334 00:15:57,320 --> 00:15:58,640 Speaker 2: Why don't I know the name ecclestone. 335 00:15:58,800 --> 00:16:02,840 Speaker 3: Well, she legitimately, as an aside, has that plastic surgery 336 00:16:02,880 --> 00:16:05,440 Speaker 3: face like no cap God bless. That looks like a 337 00:16:05,480 --> 00:16:07,080 Speaker 3: new kind of species. 338 00:16:06,760 --> 00:16:08,479 Speaker 2: Given the Santa Monica. 339 00:16:08,360 --> 00:16:11,360 Speaker 3: Clips the cheeks. Yeah it's wild, so Ecclestone. She was 340 00:16:11,360 --> 00:16:14,320 Speaker 3: born in London in nineteen eighty eight. She's the daughter 341 00:16:14,560 --> 00:16:19,880 Speaker 3: of model Slavica Raditch and English Formula one billionaire Bernie ecclestone. 342 00:16:20,320 --> 00:16:24,160 Speaker 3: That's how you know. So Petra and James they bought 343 00:16:24,160 --> 00:16:26,080 Speaker 3: the Aaron Spelling mansion in La. 344 00:16:26,160 --> 00:16:27,440 Speaker 2: Oh with a gift wrapper. 345 00:16:27,520 --> 00:16:29,680 Speaker 3: I was gonna say, that's the one with candy spellings 346 00:16:29,720 --> 00:16:30,280 Speaker 3: gift wrapping. 347 00:16:31,000 --> 00:16:32,600 Speaker 2: How do we all remember that? 348 00:16:32,680 --> 00:16:33,240 Speaker 3: All I remember? 349 00:16:33,280 --> 00:16:35,120 Speaker 2: I couldn't tell you anything about that house but other 350 00:16:35,160 --> 00:16:37,080 Speaker 2: than it has a gift wrapping exctly. 351 00:16:37,440 --> 00:16:40,160 Speaker 3: So what did James Stunt do for a living? He 352 00:16:40,280 --> 00:16:44,200 Speaker 3: was a gold bullion dealer, that's not hanky, and he 353 00:16:44,280 --> 00:16:47,040 Speaker 3: got he got all that like plastic surgery thing going 354 00:16:47,080 --> 00:16:50,800 Speaker 3: on to but his has that like slightly like melting 355 00:16:50,840 --> 00:16:55,360 Speaker 3: silly putty thing going God bless. I wish him the best, godless, 356 00:16:55,360 --> 00:16:59,360 Speaker 3: except not really. Because Stunt the gold bullion dealer. He 357 00:16:59,480 --> 00:17:02,320 Speaker 3: was one of a defendants in the biggest money laundering 358 00:17:02,360 --> 00:17:05,080 Speaker 3: trial in British criminal history. Oh good for it was 359 00:17:05,080 --> 00:17:08,720 Speaker 3: a pretty sophisticated two hundred and sixty six million pound operation. 360 00:17:09,480 --> 00:17:13,479 Speaker 3: Criminal cash was deposited in a bank account of a 361 00:17:13,600 --> 00:17:18,320 Speaker 3: Bradford gold dealer named Fowler Oldfield. Okay, right, So the 362 00:17:18,359 --> 00:17:20,840 Speaker 3: prosecutor said that they were eight defendants. They were all 363 00:17:20,880 --> 00:17:23,440 Speaker 3: part of a scheme to turn the proceeds of crime 364 00:17:23,520 --> 00:17:27,040 Speaker 3: into untraceable gold. Of course, so cash gets brought in 365 00:17:27,080 --> 00:17:29,919 Speaker 3: from all over the UK, goes to Fowler, Oldfield and 366 00:17:30,040 --> 00:17:34,560 Speaker 3: Stunt's business. They were business partners twenty fourteen to twenty sixteen, 367 00:17:35,359 --> 00:17:38,320 Speaker 3: and the defendants hid the money's origin by laundering it 368 00:17:38,359 --> 00:17:40,920 Speaker 3: through a company bank account and using the proceeds to 369 00:17:40,960 --> 00:17:44,440 Speaker 3: buy gold which was shipped to Dubai. Says all of the. 370 00:17:44,400 --> 00:17:47,600 Speaker 2: Elements because is always on. Yeah, so that you know 371 00:17:48,240 --> 00:17:49,640 Speaker 2: right away. 372 00:17:49,760 --> 00:17:53,479 Speaker 3: Yeah, So Stunt gets indicted. He puts his Tony Tetro 373 00:17:53,680 --> 00:17:58,840 Speaker 3: fakes into the collection of Prince now King Charles and 374 00:17:59,200 --> 00:18:01,359 Speaker 3: led him to believe He led the now King to 375 00:18:01,400 --> 00:18:04,240 Speaker 3: believe that they were authentic, and then he turned around 376 00:18:04,280 --> 00:18:06,439 Speaker 3: and he used those paintings as collateral to get a 377 00:18:06,520 --> 00:18:07,200 Speaker 3: massive loan. 378 00:18:07,680 --> 00:18:11,480 Speaker 2: So he duped the sitting head of the UK, like correct, 379 00:18:11,520 --> 00:18:14,240 Speaker 2: the King Charles, that cat that guy and then use 380 00:18:14,320 --> 00:18:15,960 Speaker 2: that to finance a massive loan. 381 00:18:16,080 --> 00:18:18,520 Speaker 3: Right, and Tony Tetro makes it really clear that he 382 00:18:18,560 --> 00:18:20,199 Speaker 3: wasn't aware of any of this stuff. 383 00:18:20,280 --> 00:18:21,119 Speaker 2: I didn't know. 384 00:18:21,200 --> 00:18:24,640 Speaker 3: So a portrait painted by Tetro. Would you usually sell 385 00:18:24,680 --> 00:18:25,439 Speaker 3: for like five k? 386 00:18:25,520 --> 00:18:26,879 Speaker 2: Dude? The pairs on these people. 387 00:18:26,960 --> 00:18:30,200 Speaker 3: I know, a reproduction of a Shagall, for example, would 388 00:18:30,200 --> 00:18:33,160 Speaker 3: be like two thousand, okay, and a small watercolor would 389 00:18:33,160 --> 00:18:35,520 Speaker 3: go for like three hundred bucks. 390 00:18:35,520 --> 00:18:37,000 Speaker 2: I do think his time would be worth more. 391 00:18:37,440 --> 00:18:40,720 Speaker 3: Tetro said, for three hundred For that, you get a Yamagatta, 392 00:18:41,160 --> 00:18:44,159 Speaker 3: and he's talking about hero Yamagatta. Japanese artists based in 393 00:18:44,280 --> 00:18:49,119 Speaker 3: La does like really vivid beautiful. So Tetro's forgery business expanded. 394 00:18:49,800 --> 00:18:51,879 Speaker 3: This is how he said quote. As time passed, I 395 00:18:51,960 --> 00:18:54,320 Speaker 3: became better, but I got so much more work that 396 00:18:54,400 --> 00:18:56,400 Speaker 3: I hired four people to work in the studio. 397 00:18:56,640 --> 00:18:57,720 Speaker 2: I was just about to ask. 398 00:18:57,840 --> 00:18:59,920 Speaker 3: Each of us had a different palette. We did parts 399 00:19:00,040 --> 00:19:01,919 Speaker 3: of the painting, each with his own part, and it 400 00:19:01,960 --> 00:19:05,040 Speaker 3: worked out well. We did ninety five paintings big old 401 00:19:05,080 --> 00:19:08,240 Speaker 3: Masters for a Texas billionaire. It took five or six years. 402 00:19:08,440 --> 00:19:10,479 Speaker 3: But now I have a new customer, a friend of his, 403 00:19:10,560 --> 00:19:13,080 Speaker 3: another billionaire, and that's why I was working today the 404 00:19:13,080 --> 00:19:13,520 Speaker 3: whole day. 405 00:19:13,680 --> 00:19:16,640 Speaker 2: So he became like the Candy Wiley or the Picassos, 406 00:19:16,720 --> 00:19:17,400 Speaker 2: like I've got my. 407 00:19:17,359 --> 00:19:21,119 Speaker 3: Studio turn these out let's take a break. When we 408 00:19:21,160 --> 00:19:23,720 Speaker 3: come back, we'll see what forgeries old Tony had cooking 409 00:19:23,760 --> 00:19:45,440 Speaker 3: out zarin. 410 00:19:45,800 --> 00:19:46,359 Speaker 2: Yes. 411 00:19:46,440 --> 00:19:51,120 Speaker 3: Hello. When we left off, Tony Tetro was churning out 412 00:19:51,160 --> 00:19:54,439 Speaker 3: fake masters, selling them to random millionaires and billionaires and 413 00:19:54,480 --> 00:19:55,880 Speaker 3: auction houses. 414 00:19:55,600 --> 00:19:57,240 Speaker 2: Fast as a butter maker makes butter. 415 00:19:57,280 --> 00:19:59,879 Speaker 3: Exactly. I want to go to these Texas billionaires houses 416 00:20:00,040 --> 00:20:02,120 Speaker 3: and find out if they've got that. You know, First 417 00:20:02,160 --> 00:20:02,960 Speaker 3: of all, I really don't. 418 00:20:03,119 --> 00:20:05,320 Speaker 2: I was just about to say, you said that sentence. 419 00:20:05,840 --> 00:20:07,760 Speaker 2: But anyway, you are a bunch of SAPs, So I 420 00:20:07,760 --> 00:20:09,200 Speaker 2: would want to see if I wouldn't want. 421 00:20:09,119 --> 00:20:11,000 Speaker 3: To see, like where the how they brag about it 422 00:20:11,040 --> 00:20:13,919 Speaker 3: and what anyway, So one of the auction houses that 423 00:20:13,960 --> 00:20:16,800 Speaker 3: he sold to was in Sherman Oaks, California, and it 424 00:20:16,880 --> 00:20:20,680 Speaker 3: was owned by Marc Henry Sowiki. March of eighty nine, 425 00:20:21,160 --> 00:20:24,080 Speaker 3: Siwiki gets charged with ten counts of grand theft and 426 00:20:24,240 --> 00:20:27,880 Speaker 3: art forgery. We a whack bubba ba busted. He made 427 00:20:27,880 --> 00:20:31,320 Speaker 3: a plea bargain in exchange for three years probation, a 428 00:20:31,480 --> 00:20:34,920 Speaker 3: thousand hours of community service, and seventy eight thousand dollars 429 00:20:34,960 --> 00:20:38,600 Speaker 3: in restitution. Siwiki agreed to wear a wire in an 430 00:20:38,600 --> 00:20:43,359 Speaker 3: effort to catch Tetro. Oh, so siwiki he arranged a 431 00:20:43,359 --> 00:20:47,920 Speaker 3: meeting with Tetro at Tetro's condo. They chatted about mutual friends, 432 00:20:48,280 --> 00:20:52,679 Speaker 3: art debts, gossip, what have you. Siwiki got Tetro on 433 00:20:52,800 --> 00:20:57,040 Speaker 3: tape talking about he quote did a chagole. When siwiki 434 00:20:57,160 --> 00:21:00,920 Speaker 3: asked if other Chagall paintings were in the works, Tetro said, yeah, 435 00:21:00,920 --> 00:21:04,440 Speaker 3: it's all on tape. Yeah, in an interview. This is 436 00:21:04,480 --> 00:21:07,080 Speaker 3: how Tetro put it. It's a sad thing to say, 437 00:21:07,119 --> 00:21:10,119 Speaker 3: but I learned of Chagall's death because all the messages 438 00:21:10,119 --> 00:21:12,600 Speaker 3: on my answering machine were from art dealers trying to 439 00:21:12,640 --> 00:21:16,520 Speaker 3: contact me requesting Chagall paintings and lithographs. That's when I 440 00:21:16,600 --> 00:21:18,840 Speaker 3: knew I could do very successful in this. In fact, 441 00:21:19,119 --> 00:21:21,680 Speaker 3: I bought a Rolls Royce. The next day. Everybody got 442 00:21:21,720 --> 00:21:24,960 Speaker 3: mad at me because I doubled my prices. So He's 443 00:21:25,000 --> 00:21:27,520 Speaker 3: just like, yeah, he asked me for a Shagall. Let 444 00:21:27,520 --> 00:21:29,639 Speaker 3: me tell you why, because I'm the best at it. 445 00:21:29,640 --> 00:21:31,320 Speaker 2: Shagall dropped and all of a sudden, I was like, whoa, 446 00:21:31,359 --> 00:21:32,639 Speaker 2: I'm daddy about to make money. 447 00:21:33,160 --> 00:21:37,280 Speaker 3: So siwiki, he testified that he saw Tetro practicing the 448 00:21:37,320 --> 00:21:40,720 Speaker 3: signatures of the original artists on scrap paper and notepads 449 00:21:40,960 --> 00:21:43,360 Speaker 3: and then like on the backs of damaged artwork. 450 00:21:44,040 --> 00:21:46,080 Speaker 2: But he doesn't do that. I mean my dark chest 451 00:21:46,160 --> 00:21:47,640 Speaker 2: Brock is work. 452 00:21:49,240 --> 00:21:51,800 Speaker 3: So siwiki. He told authorities that he did about one 453 00:21:51,880 --> 00:21:55,920 Speaker 3: hundred thousand dollars of business with Tetro between eighty four 454 00:21:55,920 --> 00:21:59,240 Speaker 3: and eighty nine. He sold hundreds of works by Tetro 455 00:21:59,320 --> 00:22:03,960 Speaker 3: passed off his Ali Mirro Yamagatta. So he's just churning. 456 00:22:03,840 --> 00:22:04,720 Speaker 2: Smart market though. 457 00:22:04,880 --> 00:22:07,760 Speaker 3: Yeah. Well, as a result of this recording, though, Tetro's 458 00:22:07,800 --> 00:22:12,080 Speaker 3: condo was raided by county investigators. He was arrested and 459 00:22:12,160 --> 00:22:15,639 Speaker 3: charged with thirty eight felony counts of forging lithographs of 460 00:22:15,640 --> 00:22:19,920 Speaker 3: paintings by Mark Schagal Mirro Rockwell. 461 00:22:20,280 --> 00:22:23,240 Speaker 2: He's doing Norman Rockwells singer rock Well. 462 00:22:25,080 --> 00:22:29,399 Speaker 3: Someone was watching him, twenty nine counts of forging Hero Yamagata. 463 00:22:30,760 --> 00:22:34,920 Speaker 3: Remember Gary Helton, the La County District Attorney's investigators. Yeah, 464 00:22:34,920 --> 00:22:38,480 Speaker 3: a little call back. He conducted a sixteen person raid 465 00:22:38,560 --> 00:22:42,720 Speaker 3: on the condo. Tetro's lithographs and paintings were loaded into 466 00:22:42,760 --> 00:22:45,800 Speaker 3: one van and a steakbed truck, just like there were 467 00:22:45,840 --> 00:22:49,280 Speaker 3: so many this like this condo was like three levels. 468 00:22:49,440 --> 00:22:51,840 Speaker 2: When you said steakbed truck for a moment, because it 469 00:22:51,960 --> 00:22:54,240 Speaker 2: was you saying it, I had to picture a truck 470 00:22:54,320 --> 00:22:56,080 Speaker 2: with a bed that was a stake. 471 00:22:55,960 --> 00:22:58,720 Speaker 3: With a giant curtains, the wooden fence. 472 00:22:58,880 --> 00:23:00,840 Speaker 2: Did you pull out No, total. 473 00:23:00,640 --> 00:23:03,439 Speaker 3: That the truck of the bed at the bed of 474 00:23:03,480 --> 00:23:08,680 Speaker 3: the truck. But it's a cartoon stake. 475 00:23:08,800 --> 00:23:11,440 Speaker 2: Cartoons steak. There was a cartoon wolf looking at it 476 00:23:11,560 --> 00:23:12,280 Speaker 2: like I'm gonna. 477 00:23:12,119 --> 00:23:15,920 Speaker 3: Eat Yeah, So yeah, they just throw it. They threw 478 00:23:15,960 --> 00:23:19,760 Speaker 3: it on a comically large cartoon steak. Helton said he 479 00:23:19,800 --> 00:23:23,280 Speaker 3: found Tetro's pieces on display at the Carol Lawrence Galleries 480 00:23:23,320 --> 00:23:26,000 Speaker 3: in Beverly Hills, Studio forty seven in New York, and 481 00:23:26,040 --> 00:23:28,640 Speaker 3: at galleries in Japan. So he's like, I have scoured 482 00:23:28,640 --> 00:23:33,240 Speaker 3: the earth during the raid Cleveland. Some of Tetro's Yamagotta 483 00:23:33,280 --> 00:23:37,960 Speaker 3: pieces were overlooked, weren't h Tetro turned around and sold 484 00:23:37,960 --> 00:23:41,200 Speaker 3: those to old friends, including Ken Kettner, a mortgage bank. 485 00:23:42,000 --> 00:23:43,760 Speaker 3: What are you gonna get right? Here's what Ketner had 486 00:23:43,800 --> 00:23:46,159 Speaker 3: to say. I have a couple of real chagalls and 487 00:23:46,200 --> 00:23:48,520 Speaker 3: some of Tony's chagalls, and I have a lot of 488 00:23:48,560 --> 00:23:51,119 Speaker 3: fun with them. No one can tell the difference. I 489 00:23:51,200 --> 00:23:53,840 Speaker 3: also have a genuine Yamagatda that cost me seventy five 490 00:23:53,920 --> 00:23:56,879 Speaker 3: hundred dollars. After his arrest, Tony sold me five or 491 00:23:56,920 --> 00:23:59,159 Speaker 3: six of his Yama goddas for one thousand dollars. For 492 00:23:59,240 --> 00:24:02,280 Speaker 3: all of them aren't bad and they were definitely purchased 493 00:24:02,320 --> 00:24:04,360 Speaker 3: as tetros cat nern. 494 00:24:04,480 --> 00:24:06,320 Speaker 2: Just sounds like that guy's a liar. 495 00:24:06,480 --> 00:24:07,480 Speaker 3: I have a lot of fun with it. 496 00:24:08,280 --> 00:24:10,600 Speaker 2: I'm sorry, fun with it. I just lay down on 497 00:24:10,680 --> 00:24:13,160 Speaker 2: my bed. I cover myself with them on paintings. 498 00:24:13,240 --> 00:24:18,720 Speaker 3: Giggles. Why were some of the pieces overlooked? You're wondering, Well. 499 00:24:19,160 --> 00:24:21,600 Speaker 2: Were some of the pieces over Let me refer to 500 00:24:21,680 --> 00:24:22,200 Speaker 2: I'm wondering. 501 00:24:22,480 --> 00:24:25,880 Speaker 3: Let me refer you to one of your favorite Reddit posts. 502 00:24:26,080 --> 00:24:28,159 Speaker 2: Oh of course, please the one where the. 503 00:24:28,240 --> 00:24:30,600 Speaker 3: Person is living with their girlfriend in a house that 504 00:24:30,760 --> 00:24:33,119 Speaker 3: the girlfriend owns, and they find out the girlfriend has 505 00:24:33,160 --> 00:24:34,000 Speaker 3: a secret room. 506 00:24:34,320 --> 00:24:35,560 Speaker 2: Actually my. 507 00:24:38,800 --> 00:24:42,320 Speaker 3: Secret room, living together for three years. Didn't know about 508 00:24:42,359 --> 00:24:43,160 Speaker 3: the secret room. 509 00:24:43,400 --> 00:24:45,240 Speaker 2: How I love it? 510 00:24:45,400 --> 00:24:46,080 Speaker 3: I know you do well. 511 00:24:46,960 --> 00:24:52,040 Speaker 2: That in the beans and these are my favorites. So 512 00:24:52,320 --> 00:24:55,000 Speaker 2: you ask, is it my birthday? 513 00:24:56,119 --> 00:24:59,360 Speaker 3: I want you to picture it? You are an official 514 00:24:59,560 --> 00:25:03,920 Speaker 3: Tony Tetro copy of a Salvador Dolli piece. You've been 515 00:25:04,000 --> 00:25:06,880 Speaker 3: in this dark, secret room in Tetro's house for a while. 516 00:25:07,359 --> 00:25:10,400 Speaker 3: You normally hear laughter and funky disco music coming through 517 00:25:10,440 --> 00:25:13,520 Speaker 3: the walls. Not lately. The other day you heard a 518 00:25:13,680 --> 00:25:17,560 Speaker 3: terrible racket, a bunch of heavy footsteps, drawers being opened 519 00:25:17,600 --> 00:25:20,480 Speaker 3: and slammed, piles of stuff being pushed off a desk 520 00:25:20,560 --> 00:25:24,840 Speaker 3: to the ground, breaking glass, wallpaper being torn from the walls. 521 00:25:25,119 --> 00:25:28,880 Speaker 3: You were terrified. After what seemed like forever, the noise stopped. 522 00:25:29,160 --> 00:25:31,520 Speaker 3: A couple of days went by. Then you heard it, 523 00:25:32,000 --> 00:25:36,040 Speaker 3: the sound of Tony Tetro's feet, your papa. You hear 524 00:25:36,119 --> 00:25:38,119 Speaker 3: him push the button to open the door to his 525 00:25:38,200 --> 00:25:40,800 Speaker 3: secret room, where you and your scores of other fakes 526 00:25:41,119 --> 00:25:43,960 Speaker 3: rest quietly on the walls and stack neatly on the floor. 527 00:25:44,480 --> 00:25:47,800 Speaker 3: The door creaks opened, and there's Tony Tetro. He and 528 00:25:47,880 --> 00:25:50,520 Speaker 3: a friend and a crew of six day laborers rush 529 00:25:50,560 --> 00:25:53,120 Speaker 3: into the room and scoop up the paintings you included. 530 00:25:53,720 --> 00:25:58,160 Speaker 3: Tony Tetro grabs you himself. You try to whisper to him, 531 00:25:58,440 --> 00:26:02,920 Speaker 3: I least you dann whisper at zaren whisper, I missed you, daddy, 532 00:26:02,960 --> 00:26:03,159 Speaker 3: do it? 533 00:26:03,359 --> 00:26:04,399 Speaker 2: I missed you daddy. 534 00:26:04,480 --> 00:26:08,159 Speaker 3: There it is uh, you go unheard. But as you 535 00:26:08,320 --> 00:26:10,560 Speaker 3: as you get tossed into a truck and you peel 536 00:26:10,640 --> 00:26:12,960 Speaker 3: out into the cool night, you know you are safe. 537 00:26:13,880 --> 00:26:18,879 Speaker 3: Yama Goatta thought Tetro's copies weren't that bad quote. I 538 00:26:19,080 --> 00:26:21,840 Speaker 3: just don't know why he doesn't establish his own way. 539 00:26:22,440 --> 00:26:25,359 Speaker 3: Having talent to paint in general is one thing, but 540 00:26:25,600 --> 00:26:29,320 Speaker 3: artists must also have a passion for creation before painting exists. 541 00:26:29,840 --> 00:26:32,960 Speaker 3: I paint a very tranquil image. It represents my feelings, 542 00:26:33,080 --> 00:26:36,400 Speaker 3: my senses, my memories, and you can't just copy those. 543 00:26:36,920 --> 00:26:39,359 Speaker 3: Not being able to copy my passion and my energy 544 00:26:39,760 --> 00:26:43,320 Speaker 3: means people buyers can't find it in his copies. Yes, 545 00:26:43,480 --> 00:26:47,520 Speaker 3: hero Yamagata, I'm right there with you. That's my feeling. 546 00:26:48,119 --> 00:26:49,720 Speaker 2: As a copy I have to dig it. 547 00:26:51,000 --> 00:26:55,160 Speaker 3: So according to Tetro quote, I enjoyed doing a renoir 548 00:26:55,359 --> 00:26:58,560 Speaker 3: and using his pastel colors, learning how he would fuse 549 00:26:58,640 --> 00:27:01,639 Speaker 3: everything around the subject until everything was blurred except the 550 00:27:01,720 --> 00:27:04,720 Speaker 3: subject's face. Then he'd put a splash of color over here, 551 00:27:05,200 --> 00:27:08,000 Speaker 3: and I'd understand why he did it. I didn't understand 552 00:27:08,000 --> 00:27:10,000 Speaker 3: why he did it just by looking at it. I 553 00:27:10,080 --> 00:27:12,800 Speaker 3: never really had a tremendous desire to be a famous artist, 554 00:27:13,160 --> 00:27:16,800 Speaker 3: but I enjoyed painting and I enjoyed copying. Yeah, there 555 00:27:16,840 --> 00:27:17,040 Speaker 3: it is. 556 00:27:17,040 --> 00:27:19,640 Speaker 2: I mean, you can't really argue with his logic. Look, 557 00:27:19,640 --> 00:27:21,159 Speaker 2: I didn't want to be at the top of the mountain. 558 00:27:21,240 --> 00:27:21,880 Speaker 2: I just like walking. 559 00:27:21,920 --> 00:27:24,480 Speaker 3: He didn't like being called a forger though, Well, yeah, 560 00:27:24,680 --> 00:27:28,560 Speaker 3: he said quote forgery indicates an intent to defraud. And 561 00:27:28,680 --> 00:27:33,200 Speaker 3: I never sold anything as real. I prefer the term reproductions. 562 00:27:33,520 --> 00:27:36,600 Speaker 3: In my definition, an exact copy as close to original 563 00:27:36,680 --> 00:27:39,160 Speaker 3: as you can do. Every one of my friends knew 564 00:27:39,200 --> 00:27:41,240 Speaker 3: what I did. You know, what do you do for 565 00:27:41,280 --> 00:27:44,800 Speaker 3: a living? I copy masters. I even had business cards 566 00:27:44,840 --> 00:27:48,399 Speaker 3: which said Anthony tetro Art reproductions. I sold them as 567 00:27:48,440 --> 00:27:51,680 Speaker 3: reproductions or emulations done by me. I was very specific 568 00:27:51,720 --> 00:27:52,040 Speaker 3: about it. 569 00:27:52,960 --> 00:27:53,720 Speaker 2: I don't believe that. 570 00:27:54,000 --> 00:27:54,720 Speaker 3: I don't need that. 571 00:27:54,880 --> 00:27:56,960 Speaker 2: I'm like, okay, so your friends know this. Do your 572 00:27:57,160 --> 00:27:59,399 Speaker 2: clients notice the ones who are paying the money. I 573 00:27:59,520 --> 00:28:01,200 Speaker 2: understand that you got word around. 574 00:28:01,280 --> 00:28:04,480 Speaker 3: It could be discovered in the Grand tradition. 575 00:28:04,640 --> 00:28:06,240 Speaker 2: Are you lying by a mission? Sirs? 576 00:28:06,520 --> 00:28:11,000 Speaker 3: Question of all of our rude rude criminals on this show. 577 00:28:11,840 --> 00:28:14,560 Speaker 2: He wrote a memoir, of course, the most literate group 578 00:28:14,640 --> 00:28:15,600 Speaker 2: in the world, by. 579 00:28:15,480 --> 00:28:18,560 Speaker 3: The way, and of course it's called con Slash Artist, 580 00:28:18,800 --> 00:28:22,240 Speaker 3: The Life and Crimes of the World's Greatest Art Forger. Now, 581 00:28:22,320 --> 00:28:24,240 Speaker 3: this man just said he's not a forger, but he 582 00:28:24,359 --> 00:28:24,919 Speaker 3: titled his. 583 00:28:27,000 --> 00:28:27,119 Speaker 2: Right. 584 00:28:27,600 --> 00:28:31,359 Speaker 3: It was co written by gi Imperio Ambrosi, which is 585 00:28:31,400 --> 00:28:32,040 Speaker 3: a great name. 586 00:28:32,160 --> 00:28:34,960 Speaker 2: Totally, I'm all about that. I come across Jimpero. 587 00:28:34,720 --> 00:28:38,920 Speaker 3: Ambrosi said, quote, you always think of the forger duping 588 00:28:39,000 --> 00:28:41,600 Speaker 3: the client, but in this case the client was the dealer, 589 00:28:42,040 --> 00:28:44,680 Speaker 3: and the dealer would commission him to do it. They 590 00:28:44,840 --> 00:28:47,680 Speaker 3: just say, hey, I need fifty picassos, give me twenty moros. 591 00:28:47,760 --> 00:28:48,760 Speaker 3: I need ten dollis. 592 00:28:49,320 --> 00:28:51,200 Speaker 2: So the client was the dupe. 593 00:28:51,440 --> 00:28:53,200 Speaker 3: Yeah, he was saying that it's all on the all 594 00:28:53,280 --> 00:28:56,600 Speaker 3: on the art dealers. This is Tetro said. I started 595 00:28:56,640 --> 00:28:59,400 Speaker 3: making a lot of lithographs of some other artists whose 596 00:28:59,480 --> 00:29:02,040 Speaker 3: name I can't say. I made so many of his 597 00:29:02,200 --> 00:29:04,560 Speaker 3: lithographs and I sold them to this big art dealer. 598 00:29:04,960 --> 00:29:07,080 Speaker 3: He sold them to galleries all over the place, and 599 00:29:07,120 --> 00:29:09,560 Speaker 3: then he the original artist, found out I did them. 600 00:29:09,960 --> 00:29:12,160 Speaker 3: He went to all the art dealers and galleries and 601 00:29:12,240 --> 00:29:13,840 Speaker 3: went out of his way to tell them to watch 602 00:29:13,920 --> 00:29:16,200 Speaker 3: out for me. Then they contact me and wanted me 603 00:29:16,280 --> 00:29:18,040 Speaker 3: to work for them. That's how it really started. 604 00:29:18,320 --> 00:29:19,560 Speaker 2: And why would Banksy do that? 605 00:29:20,560 --> 00:29:22,600 Speaker 3: I love that he won't tell them, you know, to 606 00:29:22,720 --> 00:29:23,560 Speaker 3: remain nameless. 607 00:29:23,680 --> 00:29:26,280 Speaker 2: Yeah, now I'm curious who that is so much. 608 00:29:26,560 --> 00:29:30,480 Speaker 3: Tetro a fixture in La. He cruises around and either 609 00:29:30,600 --> 00:29:33,720 Speaker 3: is Rolls Royce Silver Spirit or he's Tutelin and one 610 00:29:33,760 --> 00:29:36,240 Speaker 3: of the two Ferraris he owned. He had a Lamborghini. 611 00:29:36,600 --> 00:29:39,080 Speaker 2: Does he live? Do we know anything about the identifying 612 00:29:39,120 --> 00:29:40,000 Speaker 2: aspects of these cars? 613 00:29:40,240 --> 00:29:43,520 Speaker 3: Well he is a little bit. So he owned multiple 614 00:29:43,720 --> 00:29:47,000 Speaker 3: exotic cars. He lived in that custom decorated tri level 615 00:29:47,080 --> 00:29:50,040 Speaker 3: condo in Claremont. He whisked away all the time to 616 00:29:50,240 --> 00:29:54,240 Speaker 3: roam Paris, money Carlo. It wasn't really the life of an. 617 00:29:54,320 --> 00:29:57,240 Speaker 2: Art forger No or like Robin Leech. 618 00:29:57,400 --> 00:29:59,480 Speaker 3: There's money in it, but not that much money. So 619 00:29:59,640 --> 00:30:04,360 Speaker 3: rumor starts circulating that he's a drug dealer. This is how. 620 00:30:05,920 --> 00:30:06,520 Speaker 2: Talk. 621 00:30:06,680 --> 00:30:11,040 Speaker 3: It's funds to it. So he said, quote, I even 622 00:30:11,120 --> 00:30:13,480 Speaker 3: had a friend, this girl, one of my friends would say, 623 00:30:13,560 --> 00:30:15,680 Speaker 3: oh yeah, I get all my drugs from Tony, and 624 00:30:15,760 --> 00:30:17,920 Speaker 3: I'd go, why the hell would you say something like that? 625 00:30:18,400 --> 00:30:20,640 Speaker 3: Then I'd get people calling me for cocaine and I'd 626 00:30:20,680 --> 00:30:22,960 Speaker 3: be all, why are you calling me? I don't deal drugs, 627 00:30:23,200 --> 00:30:25,120 Speaker 3: and they'd go, oh yeah, and then click they'd hang 628 00:30:25,200 --> 00:30:27,440 Speaker 3: up and be mad at me. This one time, this big, 629 00:30:27,680 --> 00:30:30,320 Speaker 3: big drug dealer, we were in a bar and this 630 00:30:30,480 --> 00:30:33,120 Speaker 3: is called Magnolia's Peach and where we walked out and 631 00:30:33,200 --> 00:30:35,240 Speaker 3: he says, Tony, I want to show you something, and 632 00:30:35,320 --> 00:30:37,560 Speaker 3: he opened up the trunk of his Toyota Tursell. I 633 00:30:37,600 --> 00:30:39,920 Speaker 3: think it was the first time they made the Toyota Trussell. 634 00:30:40,120 --> 00:30:42,000 Speaker 3: Do they still make them? I don't know, but it 635 00:30:42,120 --> 00:30:44,920 Speaker 3: was the most inexpensive Toyota ever made, I don't know, 636 00:30:45,480 --> 00:30:47,800 Speaker 3: and it was small. He opened up the trunk and 637 00:30:47,840 --> 00:30:49,800 Speaker 3: there was nothing but bricks of cocaine in there in 638 00:30:49,880 --> 00:30:52,160 Speaker 3: a car that costs five thousand and seven thousand, And 639 00:30:52,280 --> 00:30:54,160 Speaker 3: I go, why are you showing this to me? And 640 00:30:54,280 --> 00:30:57,440 Speaker 3: he goes and he goes, oh, I don't know. I 641 00:30:57,480 --> 00:30:59,080 Speaker 3: thought you might like it. By the way, if I 642 00:30:59,120 --> 00:31:01,880 Speaker 3: don't make it home, you're dead. Why would I say 643 00:31:01,920 --> 00:31:03,720 Speaker 3: a word? But they got a kick out of it 644 00:31:03,800 --> 00:31:06,480 Speaker 3: because I got all the heat, just going. 645 00:31:06,360 --> 00:31:08,240 Speaker 2: Through the world. Why are you asking him? Why are 646 00:31:08,320 --> 00:31:10,120 Speaker 2: you Why is this happening here? 647 00:31:10,360 --> 00:31:12,040 Speaker 3: He's so unhinged to me, you start. 648 00:31:11,880 --> 00:31:13,440 Speaker 2: Making the Toyota Choseell, by the way, was that. 649 00:31:15,200 --> 00:31:18,160 Speaker 3: He had no visible source of interest, A naive. 650 00:31:18,080 --> 00:31:20,200 Speaker 2: Child wandering innocently through the world. 651 00:31:20,080 --> 00:31:23,520 Speaker 3: No inheritance, no apparent career. He's not a lot of winner, 652 00:31:24,480 --> 00:31:27,960 Speaker 3: so he just has questions. I would automatically assume drugs, 653 00:31:28,600 --> 00:31:30,760 Speaker 3: and I feel like saying that all your friends call 654 00:31:30,840 --> 00:31:32,440 Speaker 3: you asking for drugs. 655 00:31:32,200 --> 00:31:33,160 Speaker 2: Could they be a jiggowe? 656 00:31:33,280 --> 00:31:35,200 Speaker 3: But you don't have them. It's a cover for when 657 00:31:35,240 --> 00:31:38,640 Speaker 3: you get busted completely. It's like his paintings. They're reproductions. 658 00:31:38,680 --> 00:31:40,080 Speaker 3: People are calling me by accident, and. 659 00:31:40,080 --> 00:31:42,520 Speaker 2: Its happened to always be at the junction of crime. 660 00:31:42,680 --> 00:31:45,040 Speaker 2: There are two crimes tending together. What happened to be there? 661 00:31:45,120 --> 00:31:47,520 Speaker 3: I didn't want that guy to drive a terceill of 662 00:31:47,640 --> 00:31:48,800 Speaker 3: coke tiles like me. 663 00:31:49,120 --> 00:31:51,480 Speaker 2: He just showed up. I barely knew the guy his. 664 00:31:51,720 --> 00:31:55,080 Speaker 3: Okay, So for this is a Tetris says again. For 665 00:31:55,200 --> 00:31:58,160 Speaker 3: well over ten years, every cop in this valley and 666 00:31:58,400 --> 00:32:01,320 Speaker 3: many people who didn't know me person, we're certain I 667 00:32:01,400 --> 00:32:03,520 Speaker 3: was a drug dealer. I must have heard it myself 668 00:32:03,640 --> 00:32:07,440 Speaker 3: conservatively three hundred times. And the more I defended myself, 669 00:32:07,520 --> 00:32:09,960 Speaker 3: the more I wasn't believed. Drive down the street in 670 00:32:10,000 --> 00:32:12,360 Speaker 3: a Ferrari and a cop is certain you're a drug dealer, 671 00:32:12,560 --> 00:32:16,640 Speaker 3: and you're constantly harassed, constantly getting tickets for nothing, constantly 672 00:32:16,680 --> 00:32:19,720 Speaker 3: getting your car searched. So there was some satisfaction, even 673 00:32:19,800 --> 00:32:22,880 Speaker 3: some pride when I was arrested that they finally, these 674 00:32:22,960 --> 00:32:28,000 Speaker 3: idiots knew that I was an artist. Final I got 675 00:32:28,120 --> 00:32:32,400 Speaker 3: fosted for the right thing. Enter Mark Manning, chief press 676 00:32:32,440 --> 00:32:37,760 Speaker 3: agent for Exclusive News Relations of Los Angeles. Quote, we 677 00:32:37,880 --> 00:32:42,160 Speaker 3: specialize in celebrity repositioning people who have been misunderstood by 678 00:32:42,240 --> 00:32:43,320 Speaker 3: the public and the media. 679 00:32:43,520 --> 00:32:44,400 Speaker 2: I'm a spin doctor. 680 00:32:44,600 --> 00:32:47,400 Speaker 3: So they repped Tetro. But there was a fee, of course, 681 00:32:47,440 --> 00:32:50,240 Speaker 3: of course he paid them with an oil of Winston Churchill. 682 00:32:50,600 --> 00:32:54,000 Speaker 3: Wait what, and then a percentage of the proceeds from 683 00:32:54,040 --> 00:32:56,239 Speaker 3: the sale of a replica of a nineteen fifty eight 684 00:32:56,320 --> 00:33:00,720 Speaker 3: Ferrari Testosa racecar that Tetro spent six years and several 685 00:33:00,800 --> 00:33:01,800 Speaker 3: thousand dollars building. 686 00:33:02,040 --> 00:33:05,320 Speaker 2: So he not only makes fake paintings, he also replicates 687 00:33:05,480 --> 00:33:06,719 Speaker 2: ferraris exactly. 688 00:33:06,840 --> 00:33:10,280 Speaker 3: So there were only two TR fifty eights built and 689 00:33:10,480 --> 00:33:14,040 Speaker 3: neither of them survived racing. So Tetro he purchased an 690 00:33:14,080 --> 00:33:17,120 Speaker 3: old Ferrari streetcar to get the chassis, the engine and 691 00:33:17,160 --> 00:33:20,400 Speaker 3: the transmission. Then he shortened and narrowed the frame and 692 00:33:20,520 --> 00:33:22,920 Speaker 3: restored the engine to racing conditions. This is how he 693 00:33:23,000 --> 00:33:26,440 Speaker 3: said it quote. I went to finite detail in recreating 694 00:33:26,680 --> 00:33:29,680 Speaker 3: everything exactly the way it was originally. It is a 695 00:33:29,840 --> 00:33:33,600 Speaker 3: perfect recreation. So, like you're saying, just like his paintings, 696 00:33:33,760 --> 00:33:37,800 Speaker 3: he fakes a Ferrari. Yeah, so he sold that and 697 00:33:37,880 --> 00:33:41,200 Speaker 3: that's how he paid for the press agent back. You know, 698 00:33:41,320 --> 00:33:45,400 Speaker 3: we get back there. Tetro pleads not guilty to conspiracy 699 00:33:45,560 --> 00:33:48,720 Speaker 3: and forgery at a preliminary hearing where the siwiki tape 700 00:33:48,800 --> 00:33:51,600 Speaker 3: was played. We can make it wat yep. On June seventh, 701 00:33:51,760 --> 00:33:55,560 Speaker 3: nineteen ninety one, mistrial was declared after the jurors of 702 00:33:55,600 --> 00:33:58,760 Speaker 3: the LA Superior Court said to Judge John Henny that 703 00:33:58,840 --> 00:34:01,000 Speaker 3: there was a deadlock and they were unable to reach 704 00:34:01,040 --> 00:34:03,400 Speaker 3: a verdict. So the trial gone on for a month 705 00:34:03,560 --> 00:34:08,000 Speaker 3: and they deliberated for seventeen hours. According to Deputy District 706 00:34:08,040 --> 00:34:11,800 Speaker 3: Attorney Riva Getz quote. Obviously, I'm very sorry that the 707 00:34:11,920 --> 00:34:14,600 Speaker 3: jurors could not agree on a verdict, but my confidence 708 00:34:14,680 --> 00:34:15,640 Speaker 3: in the case remains. 709 00:34:15,960 --> 00:34:16,759 Speaker 2: That's why they call me. 710 00:34:18,440 --> 00:34:19,960 Speaker 3: Oh and then went on to say that some of 711 00:34:20,000 --> 00:34:22,319 Speaker 3: the jurors quote felt the tape was not as clear 712 00:34:22,360 --> 00:34:25,120 Speaker 3: as they would have liked. H So the Suwiki tape 713 00:34:25,160 --> 00:34:28,680 Speaker 3: didn't bring what they thought it would. As for Tetro quote, 714 00:34:29,320 --> 00:34:32,360 Speaker 3: the prosecution would put ads in the paper looking for victims. 715 00:34:32,600 --> 00:34:34,640 Speaker 3: Did you buy a fake Schagal? Did you buy a 716 00:34:34,680 --> 00:34:37,200 Speaker 3: fake Dolly? Did you buy a fake Moro? Did you 717 00:34:37,360 --> 00:34:39,480 Speaker 3: buy a fake Rembrand? Did you buy fake anything? 718 00:34:39,719 --> 00:34:40,040 Speaker 2: Sucker? 719 00:34:40,239 --> 00:34:42,440 Speaker 3: And so we expected like five to ten people to 720 00:34:42,520 --> 00:34:45,359 Speaker 3: come forward grieving. Nobody came. I had a hung jury. 721 00:34:45,840 --> 00:34:46,239 Speaker 2: Oh wow. 722 00:34:46,520 --> 00:34:48,239 Speaker 3: So he may have had a hung jury then, but 723 00:34:48,400 --> 00:34:51,279 Speaker 3: his legal woes were far from over. Let's take a 724 00:34:51,400 --> 00:34:55,400 Speaker 3: break and let these ads soothe our souls. When we 725 00:34:55,480 --> 00:34:57,600 Speaker 3: come back, I'll tell you what happens next. For old Tone, 726 00:34:57,680 --> 00:35:22,880 Speaker 3: look welcome. Hey, what's it so Tony Tetrom He got 727 00:35:22,920 --> 00:35:25,719 Speaker 3: a hung jury, but the prosecutors wouldn't give up. They 728 00:35:25,840 --> 00:35:29,120 Speaker 3: retried him. He was released on ten thousand dollars bail 729 00:35:29,239 --> 00:35:31,759 Speaker 3: with orders to return to court on July first for 730 00:35:31,880 --> 00:35:35,680 Speaker 3: further motions. So in that time he just liquidates his 731 00:35:35,800 --> 00:35:38,920 Speaker 3: assets in order to fund his defense. He sold the 732 00:35:39,000 --> 00:35:42,879 Speaker 3: exotic cars, he sold the tri level condo. He moved 733 00:35:42,920 --> 00:35:45,880 Speaker 3: to an apartment in Upland, California, which is maybe not 734 00:35:45,960 --> 00:35:51,160 Speaker 3: as pascious. Clear he started he started driving a Honda Civic. Oh, 735 00:35:51,920 --> 00:35:53,560 Speaker 3: life was different, a little bit different. 736 00:35:53,719 --> 00:35:57,200 Speaker 2: Was this like a recreated Honda Ci to the details? 737 00:35:58,400 --> 00:36:02,840 Speaker 3: It was on like you know, a Hugo's train. So 738 00:36:03,080 --> 00:36:04,719 Speaker 3: here's what Tetra said about this time. 739 00:36:04,880 --> 00:36:05,839 Speaker 2: Oh my god, so good. 740 00:36:06,000 --> 00:36:09,560 Speaker 3: Quote. Robert Shapiro was my attorney. Oh yes, I was 741 00:36:09,640 --> 00:36:12,880 Speaker 3: his client. Just before oj I canned him, he wanted 742 00:36:12,920 --> 00:36:14,640 Speaker 3: to just plea me to the judge. I said, no, 743 00:36:14,800 --> 00:36:16,800 Speaker 3: I want my day in court. I'll tell you a 744 00:36:16,840 --> 00:36:18,880 Speaker 3: tidbit of info that you'd probably never get in the 745 00:36:18,920 --> 00:36:23,800 Speaker 3: Australian press. Bob Shapiro, he never ever ever went to trial. 746 00:36:24,000 --> 00:36:26,759 Speaker 3: His thing. All over the US, every attorney knew that 747 00:36:26,920 --> 00:36:29,600 Speaker 3: Bob's thing was he would plea bargain his clients. That 748 00:36:29,719 --> 00:36:32,840 Speaker 3: was his thing. Oj originally went to Howard Wiseman, the 749 00:36:32,920 --> 00:36:35,080 Speaker 3: best attorney in LA. He's the one who got Bob 750 00:36:35,120 --> 00:36:37,719 Speaker 3: Dolorian off, the guy who made cars. Then OJ went 751 00:36:37,760 --> 00:36:40,480 Speaker 3: to Bob Shapiro, and Shapiro smelled fame and fortune and 752 00:36:40,560 --> 00:36:42,440 Speaker 3: got his dream team together and they went to trial. 753 00:36:42,680 --> 00:36:44,160 Speaker 3: But he wasn't going to go to trial for me. 754 00:36:44,640 --> 00:36:47,080 Speaker 3: I wanted my day in court. But anyway, they charged 755 00:36:47,160 --> 00:36:51,120 Speaker 3: me for everything. Two thousand dollars for incomplete telephone calls, incomplete, 756 00:36:51,520 --> 00:36:54,520 Speaker 3: not counting the completed calls. I spent thousands of dollars 757 00:36:54,600 --> 00:36:57,040 Speaker 3: for parking to go to court, and they just hosed me. 758 00:36:57,360 --> 00:36:59,239 Speaker 3: I didn't make a penny for four and a half years. 759 00:36:59,280 --> 00:37:02,040 Speaker 3: All I did was spend, spend, spend. They'd say, Oh, 760 00:37:02,080 --> 00:37:04,640 Speaker 3: I need another twenty thousand dollars, I need another thirty 761 00:37:04,680 --> 00:37:07,160 Speaker 3: thousand dollars for this and this. So half a million 762 00:37:07,200 --> 00:37:09,719 Speaker 3: dollars later, I'm sitting there. I have a hung jury 763 00:37:09,800 --> 00:37:11,759 Speaker 3: and they're going to try me again. I got no money, 764 00:37:11,800 --> 00:37:13,759 Speaker 3: I have no work. So they offered me a year. 765 00:37:13,840 --> 00:37:16,960 Speaker 3: I said I'll take it. If i'd have gone with Shapiro, 766 00:37:17,040 --> 00:37:18,359 Speaker 3: he would have gotten me a year and a half. 767 00:37:18,440 --> 00:37:20,240 Speaker 3: I should have done that. I would have kept everything. 768 00:37:20,800 --> 00:37:21,120 Speaker 2: Wow. 769 00:37:21,280 --> 00:37:23,040 Speaker 3: So he never listened to Bob Shapiro. 770 00:37:24,200 --> 00:37:26,759 Speaker 2: What a weird assessment of the American legals. I know, 771 00:37:27,200 --> 00:37:29,880 Speaker 2: I know, I can't argue with them, but totally so. 772 00:37:30,320 --> 00:37:32,919 Speaker 3: He may have been living in Upland and tootling around 773 00:37:33,000 --> 00:37:35,759 Speaker 3: in a Honda, but he kept his home decor game tight. 774 00:37:37,120 --> 00:37:40,680 Speaker 3: He had a large framed paper sculpture, an original by 775 00:37:40,760 --> 00:37:43,319 Speaker 3: Bill Mack, over his sofa. Have you heard of Bill Mack? 776 00:37:43,400 --> 00:37:43,920 Speaker 2: No, I don't think so. 777 00:37:44,120 --> 00:37:46,680 Speaker 3: I hadn't either, So I checked out his website and 778 00:37:46,800 --> 00:37:51,080 Speaker 3: I just can't. I can't build Mac. Here's this about 779 00:37:51,160 --> 00:37:54,279 Speaker 3: me on the home page of his website. Bill Mack 780 00:37:54,400 --> 00:37:57,319 Speaker 3: has no mentors. There is nowhere to go to learn 781 00:37:57,400 --> 00:38:02,040 Speaker 3: his sculpture techniques. No one teaches his sculpture technique. Sculptor 782 00:38:02,120 --> 00:38:04,880 Speaker 3: Bill Mack works in such a rare art form that 783 00:38:05,000 --> 00:38:07,319 Speaker 3: coming up with a name to describe it has been 784 00:38:07,360 --> 00:38:11,279 Speaker 3: only slightly less arduous than creating the art itself. Bill 785 00:38:11,480 --> 00:38:15,719 Speaker 3: Mack Sculpture, simply put, is emotional elegance defined in sculpture. 786 00:38:16,080 --> 00:38:18,920 Speaker 2: Emotional please emotional. 787 00:38:19,680 --> 00:38:22,880 Speaker 3: Please go look at Bill Max's website. Emotional, Yeah, look 788 00:38:22,920 --> 00:38:23,440 Speaker 3: at his website. 789 00:38:23,560 --> 00:38:25,879 Speaker 2: I handle this much emotional, can't. It's going to blow 790 00:38:25,920 --> 00:38:29,279 Speaker 2: your hands like inelegant emotion it's just like, I. 791 00:38:29,600 --> 00:38:33,640 Speaker 3: Just can't just screaming, Tetro. Could He had him over 792 00:38:33,719 --> 00:38:40,000 Speaker 3: the a permit. He also had a faux lalique crystal sculpture. Yeah, 793 00:38:40,000 --> 00:38:42,759 Speaker 3: he had recast bronzes that he had traded for one 794 00:38:42,800 --> 00:38:45,440 Speaker 3: of his chagalls. And he had a lithograph that had 795 00:38:45,480 --> 00:38:49,760 Speaker 3: a genuine John Lennon autograph on it. All right, so Tetro. 796 00:38:50,120 --> 00:38:53,120 Speaker 3: He also had an enormous painting of the Death of 797 00:38:53,480 --> 00:38:55,880 Speaker 3: d'Artagnan that he paid one thousand dollars for. 798 00:38:56,760 --> 00:38:59,080 Speaker 2: Huh, the Death of d'Artagnan. Why does you assigned to 799 00:38:59,160 --> 00:38:59,920 Speaker 2: the Fourth Musketeer. 800 00:39:00,080 --> 00:39:02,759 Speaker 3: Well, no, he didn't want the painting. He wanted the 801 00:39:02,920 --> 00:39:06,520 Speaker 3: canvas because he said he was going to pay he 802 00:39:06,600 --> 00:39:08,560 Speaker 3: was going to paint a version of Rembrandts The Night 803 00:39:08,640 --> 00:39:09,239 Speaker 3: Watch over it. 804 00:39:09,480 --> 00:39:11,760 Speaker 2: Oh wow, so good, so Tetro. 805 00:39:11,880 --> 00:39:15,719 Speaker 3: He also had Dolly's Nuclear Disintegration of the Head of 806 00:39:15,760 --> 00:39:19,080 Speaker 3: a Virgin And despite the agent look of the piece 807 00:39:19,239 --> 00:39:22,200 Speaker 3: like it had a Dolly signature, a plaque that gives 808 00:39:22,239 --> 00:39:24,320 Speaker 3: the date of the creation of the painting is nineteen 809 00:39:24,360 --> 00:39:29,759 Speaker 3: fifty three. It's actually a Tetrod. Yeah, he said, it's 810 00:39:29,840 --> 00:39:33,640 Speaker 3: not a copy of Dolly's work, but an emulation. Quote. 811 00:39:33,680 --> 00:39:37,720 Speaker 3: I prefer doing emulations more than copying. When asked about 812 00:39:37,719 --> 00:39:40,920 Speaker 3: the plaque that had Dolly's name in nineteen fifty three 813 00:39:41,000 --> 00:39:44,560 Speaker 3: on it, he said, quote, job worth doing is worth doing? 814 00:39:44,640 --> 00:39:47,239 Speaker 2: Well, you say that all the time. I do so. 815 00:39:47,480 --> 00:39:50,360 Speaker 3: According to Tetro, quote, I think we are going to 816 00:39:50,400 --> 00:39:53,200 Speaker 3: show in essence that I painted and other people did 817 00:39:53,239 --> 00:39:56,239 Speaker 3: the crime. I never represented them as real. Other people 818 00:39:56,360 --> 00:39:57,319 Speaker 3: sold My stuff is real. 819 00:39:57,480 --> 00:39:59,200 Speaker 2: What are you okay? You looked into this guy? You 820 00:39:59,400 --> 00:40:02,920 Speaker 2: tell me this st It seems like he's positioned himself 821 00:40:03,000 --> 00:40:05,120 Speaker 2: at the crossroads of crimes and acting like I'm just 822 00:40:05,280 --> 00:40:08,800 Speaker 2: happy I'm here directing traffic and innocent cop. Are you 823 00:40:08,920 --> 00:40:10,960 Speaker 2: mad at the cop when there's a crocity, I'm. 824 00:40:10,880 --> 00:40:13,279 Speaker 3: Up front there, the crooked one. Do you believe it? No? 825 00:40:13,520 --> 00:40:13,759 Speaker 2: Okay? 826 00:40:13,840 --> 00:40:17,080 Speaker 3: But I love it. I love it. So Tetro's attorney 827 00:40:17,160 --> 00:40:19,320 Speaker 3: not Robert Shapiro. I think he had a public defender 828 00:40:19,320 --> 00:40:21,920 Speaker 3: at this point. I bet he said. Tetro was obviously 829 00:40:22,120 --> 00:40:24,920 Speaker 3: not trying to sell his pieces as authentic. Just look 830 00:40:24,960 --> 00:40:27,360 Speaker 3: at the prices, because he would sell the pieces to 831 00:40:27,480 --> 00:40:31,320 Speaker 3: Suwiki for three hundred dollars five hundred dollars and SWICKI 832 00:40:31,320 --> 00:40:33,120 Speaker 3: would then turn around and sell the pieces in his 833 00:40:33,239 --> 00:40:36,080 Speaker 3: gallery for anywhere between fifteen hundred and seventy five hundred. 834 00:40:36,160 --> 00:40:37,560 Speaker 2: Yeah, so clearly there's the markup. 835 00:40:37,640 --> 00:40:40,200 Speaker 3: Yeah, here's what Tetro said about that. I want to 836 00:40:40,280 --> 00:40:42,520 Speaker 3: also emphasize that most of the work that I do 837 00:40:42,800 --> 00:40:45,240 Speaker 3: was not for the art industry at all. Art brokers 838 00:40:45,320 --> 00:40:47,520 Speaker 3: contacted me. They came to me because they found that 839 00:40:47,600 --> 00:40:50,520 Speaker 3: I could copy anything and emulate anything, and they said 840 00:40:50,560 --> 00:40:53,040 Speaker 3: there's a market for excellent copies. So I started doing 841 00:40:53,120 --> 00:40:56,160 Speaker 3: them and in fact developed a printing method that is unique, 842 00:40:56,239 --> 00:41:00,680 Speaker 3: and I did colored lithographs Chagall, dalis Moreau. How is 843 00:41:00,719 --> 00:41:03,080 Speaker 3: that not for the art industry if you're doing this 844 00:41:03,520 --> 00:41:03,960 Speaker 3: for the art. 845 00:41:04,560 --> 00:41:07,279 Speaker 2: Yeah. Also, I mean, like I'm gonna put these criminal terms, 846 00:41:07,360 --> 00:41:09,879 Speaker 2: I can very well understand if you're looking to get 847 00:41:09,920 --> 00:41:13,320 Speaker 2: busted in say pot right, pot growers are easy to 848 00:41:13,400 --> 00:41:16,040 Speaker 2: bust because one, they make for great headlines. Well, we 849 00:41:16,120 --> 00:41:18,319 Speaker 2: went right to the source. They have to sit put, 850 00:41:18,400 --> 00:41:20,360 Speaker 2: you know what their habits are going to be. Everybody 851 00:41:20,440 --> 00:41:23,000 Speaker 2: else is hard moving targets to hit. So he is 852 00:41:23,120 --> 00:41:25,040 Speaker 2: the one. I'm like, these dealers, you got to prove that, 853 00:41:25,239 --> 00:41:27,359 Speaker 2: you got to audit all their stuff. It's so much 854 00:41:27,400 --> 00:41:29,319 Speaker 2: more work. Nobody wants to do that. You get him. 855 00:41:29,360 --> 00:41:31,600 Speaker 2: You're like, look, welcome what we did. Yeah, right up 856 00:41:31,600 --> 00:41:33,839 Speaker 2: the headlines. Exactly Why does he not get that? That's 857 00:41:33,880 --> 00:41:36,520 Speaker 2: what I know. Otherwise he may just be lying and 858 00:41:36,600 --> 00:41:38,439 Speaker 2: pretending like he doesn't get anything. Yeah. 859 00:41:38,520 --> 00:41:41,680 Speaker 3: But still so he was up against an eight year sentence. Yeah, 860 00:41:41,840 --> 00:41:46,839 Speaker 3: and the prosecutor, Deputy District Attorney Reva gets quote, gets 861 00:41:46,880 --> 00:41:49,640 Speaker 3: her man, he has taken the work of these artists 862 00:41:49,760 --> 00:41:52,840 Speaker 3: and made the market unreliable and thrown into question for 863 00:41:52,960 --> 00:41:56,280 Speaker 3: most people, the viability of the entire graphics market. 864 00:41:56,840 --> 00:41:58,799 Speaker 2: A little bit of that lady. 865 00:41:58,960 --> 00:42:01,800 Speaker 3: So in eighty nine he gets convicted for conspiracy and 866 00:42:01,960 --> 00:42:05,600 Speaker 3: sixty seven counts of art forgery. He did an interview 867 00:42:05,840 --> 00:42:08,520 Speaker 3: in ninety one and he said, quote, I would like 868 00:42:08,640 --> 00:42:10,920 Speaker 3: to say to you right now that I'm never going 869 00:42:11,000 --> 00:42:13,560 Speaker 3: to paint again for a living. Yet I can't say that. 870 00:42:14,200 --> 00:42:16,480 Speaker 3: I can't yet, I can't say that to be truthful. 871 00:42:17,200 --> 00:42:20,319 Speaker 3: I would like to you want you can bet I'd 872 00:42:20,360 --> 00:42:23,600 Speaker 3: stamp copy or reproduction or emulation all over the back 873 00:42:23,680 --> 00:42:27,359 Speaker 3: of it. He's not going to stop. February ninety three, 874 00:42:27,480 --> 00:42:30,280 Speaker 3: he pleads no contest to one count of attempted theft, 875 00:42:30,560 --> 00:42:34,200 Speaker 3: account of conspiracy, six counts of forgery. He gets released 876 00:42:34,239 --> 00:42:37,160 Speaker 3: from jail in ninety four, and his sentence included two 877 00:42:37,239 --> 00:42:40,319 Speaker 3: hundred hours of community service six months in a work 878 00:42:40,360 --> 00:42:44,200 Speaker 3: release program to paint prototypes for traffic safety manuals. It 879 00:42:44,320 --> 00:42:47,279 Speaker 3: is five years of probation. And in order to paint 880 00:42:47,360 --> 00:42:50,680 Speaker 3: a mural on a public building, They're like, let's put 881 00:42:50,680 --> 00:42:51,120 Speaker 3: this to work. 882 00:42:51,239 --> 00:42:53,480 Speaker 2: Let's make this work for us, those civic improvement. 883 00:42:53,680 --> 00:42:56,319 Speaker 3: He also has to obey a court order to sign 884 00:42:56,480 --> 00:42:59,279 Speaker 3: all of his works with his name only. And this 885 00:42:59,440 --> 00:43:02,040 Speaker 3: is how he's like loving this quote all of them 886 00:43:02,239 --> 00:43:04,319 Speaker 3: asked to not put my stamp on the back. Oh 887 00:43:04,640 --> 00:43:07,319 Speaker 3: my stamp. I have to put that on everything. I'm 888 00:43:07,360 --> 00:43:09,520 Speaker 3: the only person in the United States that has to. 889 00:43:09,920 --> 00:43:12,520 Speaker 3: I'm ordered by the courts. I put three big stamps 890 00:43:12,560 --> 00:43:14,680 Speaker 3: on them so they don't get go into commerce. 891 00:43:15,800 --> 00:43:17,279 Speaker 2: Yes, he's like a court guy. 892 00:43:17,680 --> 00:43:20,320 Speaker 3: Yeah. None of the art dealers that he worked with 893 00:43:20,560 --> 00:43:24,279 Speaker 3: had any charges pressed against them. When Tetro was asked 894 00:43:24,280 --> 00:43:26,799 Speaker 3: what happened to them, he said, quote nothing. They all 895 00:43:26,920 --> 00:43:29,359 Speaker 3: lawyered up, waiting for me to rat or drop a dime, 896 00:43:29,440 --> 00:43:32,360 Speaker 3: and they all lawyered up in nothing, and they certainly 897 00:43:32,400 --> 00:43:34,920 Speaker 3: wouldn't commission me to do any work. When I got 898 00:43:34,960 --> 00:43:36,839 Speaker 3: out of jail, they wouldn't talk to me. And then 899 00:43:36,880 --> 00:43:39,040 Speaker 3: about ten years after there were only two of them 900 00:43:39,080 --> 00:43:40,880 Speaker 3: that I talked to. One of them bought me a 901 00:43:40,920 --> 00:43:42,319 Speaker 3: new Mercedes. I didn't have a car. 902 00:43:43,200 --> 00:43:47,520 Speaker 2: Like, what story? Do you always do cocaine before you 903 00:43:47,600 --> 00:43:50,799 Speaker 2: tell a story? Is that? Okay? 904 00:43:50,920 --> 00:43:54,080 Speaker 3: Now go well? He never lost the support of his friends. 905 00:43:54,320 --> 00:43:57,040 Speaker 3: Do you remember mortgage banker Ken Kettner? This is it 906 00:43:57,120 --> 00:43:59,480 Speaker 3: has a little fun with it. He said. I like 907 00:43:59,560 --> 00:44:02,200 Speaker 3: Tony very much, a gracious guy who's always been there 908 00:44:02,280 --> 00:44:05,720 Speaker 3: when you need him. And it went beyond Ken. Seven 909 00:44:05,880 --> 00:44:09,920 Speaker 3: hundred of Tetro's friends came together for a birthday celebration 910 00:44:10,040 --> 00:44:12,799 Speaker 3: in an upscale hotel with a birthday cake that had 911 00:44:12,840 --> 00:44:17,480 Speaker 3: a one eyed Tetro painting a Picasso. Okay, so he 912 00:44:17,640 --> 00:44:20,680 Speaker 3: currently Tetro currently creates master copies for a list of 913 00:44:20,800 --> 00:44:24,480 Speaker 3: exclusive clients from his studio in southern California. Good for 914 00:44:24,680 --> 00:44:28,839 Speaker 3: Him Focus, a BBC Science and Technology magazine, produced an 915 00:44:28,920 --> 00:44:32,840 Speaker 3: article instructing people how to create their own fake pieces 916 00:44:33,000 --> 00:44:38,480 Speaker 3: using Tetro's techniques like how to Wow twenty ten, he 917 00:44:38,680 --> 00:44:43,520 Speaker 3: legally changed his name to Antonio Montana Tetro. 918 00:44:43,920 --> 00:44:44,719 Speaker 2: Why Montana? 919 00:44:44,840 --> 00:44:47,719 Speaker 3: Because he went to Costa Rica and when he got there, 920 00:44:47,840 --> 00:44:51,080 Speaker 3: all of his friends said, Hey, Tony Montana's in town. 921 00:44:52,360 --> 00:44:54,040 Speaker 3: Tony Montana from Scarface. 922 00:44:54,120 --> 00:44:55,960 Speaker 2: Oh got it, and so he wanted to add it. 923 00:44:56,040 --> 00:44:57,319 Speaker 2: He's like, I gotta put that in there. 924 00:44:58,400 --> 00:45:00,719 Speaker 3: I'm not a drug dealer. I'm just gonna changed my 925 00:45:00,840 --> 00:45:02,319 Speaker 3: name to Tony to Montana, the. 926 00:45:02,360 --> 00:45:06,000 Speaker 2: Greatest fictional drug dealer ever represented on films? What in 927 00:45:06,080 --> 00:45:06,200 Speaker 2: the what? 928 00:45:06,520 --> 00:45:10,280 Speaker 3: What even is this? Twenty eleven, there was a competition 929 00:45:10,360 --> 00:45:14,359 Speaker 3: announced the Australian Art series. Hotel Group had this thing 930 00:45:14,480 --> 00:45:16,719 Speaker 3: for guests, like they could they could get a chance 931 00:45:16,800 --> 00:45:20,040 Speaker 3: to pick an original Warhol valued at like twenty thousand 932 00:45:20,040 --> 00:45:22,719 Speaker 3: dollars from a row of fakes produced by quote the 933 00:45:22,800 --> 00:45:26,880 Speaker 3: world's greatest living art forger. So whoever picked the original 934 00:45:26,960 --> 00:45:30,279 Speaker 3: Warhol could keep it. But if you chose incorrectly, you 935 00:45:30,280 --> 00:45:32,560 Speaker 3: would win that Warhol by Tony Tetro. 936 00:45:32,920 --> 00:45:34,759 Speaker 2: Did you get to buy it? Did again? 937 00:45:34,800 --> 00:45:38,080 Speaker 3: Twenty grand Well, the contest was controversial. Yeah, it sounds 938 00:45:38,120 --> 00:45:41,240 Speaker 3: like so Will Dieg, the chief executive of the Art series. 939 00:45:41,320 --> 00:45:45,400 Speaker 3: Hotel claimed that the contest was endorsed by the Warhol Foundation, 940 00:45:45,880 --> 00:45:47,520 Speaker 3: and what do they care about that? They said, as 941 00:45:47,600 --> 00:45:50,840 Speaker 3: long as the advertising material doesn't use any Warhol images, 942 00:45:50,920 --> 00:45:52,360 Speaker 3: go for it, which, wow, do. 943 00:45:52,560 --> 00:45:53,719 Speaker 2: Keep that relevant? We don't care. 944 00:45:53,840 --> 00:45:57,200 Speaker 3: Yeah, but the Warhol Foundation said they were quote appalled 945 00:45:57,239 --> 00:45:59,080 Speaker 3: to learn that a hotel would think it wise to 946 00:45:59,120 --> 00:46:02,080 Speaker 3: commission forgery in an attempt to market its services. 947 00:46:03,040 --> 00:46:03,200 Speaker 2: Come. 948 00:46:03,400 --> 00:46:04,960 Speaker 3: So they probably made it like you could win a 949 00:46:05,040 --> 00:46:08,080 Speaker 3: Warhol and they're not gonna say, surrounded by faking Tetro's. 950 00:46:08,760 --> 00:46:12,359 Speaker 3: So Tetros still hustling. That memoir was twenty twenty two. 951 00:46:12,600 --> 00:46:13,640 Speaker 2: Every day I'm hustling. 952 00:46:14,640 --> 00:46:17,279 Speaker 3: I'm going to add con slash artists to the book 953 00:46:17,320 --> 00:46:21,960 Speaker 3: club for sure, staying even more relevant. Twenty twenty three, 954 00:46:22,440 --> 00:46:23,640 Speaker 3: he started a Reddit. 955 00:46:23,440 --> 00:46:24,759 Speaker 2: Thread dija twenty twenty three. 956 00:46:24,840 --> 00:46:27,279 Speaker 3: This year, Yeah, this year he started a Reddit thread 957 00:46:27,280 --> 00:46:29,640 Speaker 3: where he announced a documentary about his life called The 958 00:46:29,719 --> 00:46:30,400 Speaker 3: Royal Stunt. 959 00:46:30,800 --> 00:46:31,680 Speaker 2: I don't believe it exists. 960 00:46:31,719 --> 00:46:35,160 Speaker 3: Yeah, me neither. So right, what are our final words 961 00:46:35,200 --> 00:46:36,520 Speaker 3: from old Tony Tetroeh? 962 00:46:36,560 --> 00:46:38,840 Speaker 2: Please quote today? 963 00:46:39,040 --> 00:46:42,280 Speaker 3: I'm no longer a criminal. Today on my criminal record 964 00:46:42,360 --> 00:46:45,440 Speaker 3: it says not guilty and I have nothing on my record. 965 00:46:45,800 --> 00:46:48,600 Speaker 3: I was so lily white. I can't stand myself. I've 966 00:46:48,680 --> 00:46:49,520 Speaker 3: done nothing wrong. 967 00:46:50,600 --> 00:46:50,960 Speaker 2: There you go. 968 00:46:51,200 --> 00:46:52,719 Speaker 3: What's your ridiculous takeaways? Aaron? 969 00:46:52,960 --> 00:46:57,520 Speaker 2: I believe it was once said I knew John Kennedy. 970 00:46:57,680 --> 00:46:59,759 Speaker 2: John Kennedy was a friend of mine, and you, sir, 971 00:47:00,040 --> 00:47:02,440 Speaker 2: are no John Kennedy. I would like to say that 972 00:47:02,600 --> 00:47:06,360 Speaker 2: about Elmer de Hory. I once heard a great story 973 00:47:06,400 --> 00:47:09,560 Speaker 2: about Elmer d'hoy and now I've heard a story about you, sir, 974 00:47:09,800 --> 00:47:11,800 Speaker 2: and you are no Elmer de'hory. 975 00:47:12,080 --> 00:47:13,960 Speaker 3: That's beautiful, excellent. 976 00:47:14,160 --> 00:47:16,239 Speaker 2: What's yours? Elizabeth? Easy? This is you know, he just 977 00:47:16,360 --> 00:47:17,439 Speaker 2: flows out of the mouth. 978 00:47:17,640 --> 00:47:20,520 Speaker 3: Yes. I love when we have these threads that lead 979 00:47:20,600 --> 00:47:22,719 Speaker 3: to I'm looking for what's going to spin off of 980 00:47:22,800 --> 00:47:27,040 Speaker 3: Tony Tetro Because we had Clifford Irving totally Elmire de horri. 981 00:47:28,040 --> 00:47:30,440 Speaker 3: Now we got Tony Tetro connected like I kind of 982 00:47:30,480 --> 00:47:32,040 Speaker 3: feel like it's going to be the Ecclestone thing. 983 00:47:32,280 --> 00:47:34,320 Speaker 2: Probably you got a three people to look into that. 984 00:47:34,520 --> 00:47:36,840 Speaker 3: Yeah. So I love these chains that they create. 985 00:47:37,400 --> 00:47:39,920 Speaker 2: That's it. Maybe Kent Kenter maybe dig into him. 986 00:47:40,080 --> 00:47:42,400 Speaker 3: Can He's so fun. I just have fun with him. 987 00:47:42,400 --> 00:47:43,440 Speaker 3: It's fun painting it. 988 00:47:43,480 --> 00:47:46,560 Speaker 2: Turns out he's like something crazy for it, like done 989 00:47:46,600 --> 00:47:47,840 Speaker 2: something horrific we can't even. 990 00:47:47,719 --> 00:47:49,440 Speaker 3: Talk about, just like we have to bleep out his 991 00:47:49,560 --> 00:47:52,360 Speaker 3: name on Future Anyway, That's all I have. Okay, you 992 00:47:52,440 --> 00:47:56,320 Speaker 3: can find us online at ridiculous crime dot com. There's merch. 993 00:47:56,760 --> 00:47:59,320 Speaker 3: I think I've got some T shirt ideas. 994 00:47:59,480 --> 00:48:00,880 Speaker 2: Oh you got a new one? 995 00:48:01,200 --> 00:48:01,440 Speaker 1: Do it? 996 00:48:01,719 --> 00:48:02,000 Speaker 2: Do it. 997 00:48:02,719 --> 00:48:05,879 Speaker 3: We're also at ridiculous Crime on Is Twitter still a thing? 998 00:48:05,920 --> 00:48:08,040 Speaker 3: Does it exist? It's called x No I'm saying, but 999 00:48:08,160 --> 00:48:09,360 Speaker 3: just in general, is it still up? 1000 00:48:09,600 --> 00:48:11,440 Speaker 2: Yeah? I know it's still there if you want to 1001 00:48:11,520 --> 00:48:13,000 Speaker 2: go get like a horrific Yeah. 1002 00:48:13,080 --> 00:48:15,479 Speaker 3: I deactivated. I deactivated Twitter. 1003 00:48:15,520 --> 00:48:16,360 Speaker 2: I'm not on there anymore. 1004 00:48:16,880 --> 00:48:20,440 Speaker 3: Give us. We're on Instagram. I think we're on threads. 1005 00:48:21,000 --> 00:48:22,040 Speaker 2: I don't know. I don't go on any of this. 1006 00:48:23,440 --> 00:48:26,680 Speaker 3: Don't email us at ridiculous Crime at gmail dot com. 1007 00:48:27,239 --> 00:48:29,880 Speaker 3: Do leave a talk back on iHeart app. We've been 1008 00:48:29,920 --> 00:48:40,560 Speaker 3: getting some good totally. Yeah, there you go. Ridiculous Crime 1009 00:48:40,640 --> 00:48:43,360 Speaker 3: is hosted by Elizabeth Dutton and Zaren Burnette, produced and 1010 00:48:43,520 --> 00:48:47,320 Speaker 3: edited by Dave Tonio Montana Cousten. Research is by Marissa 1011 00:48:47,400 --> 00:48:50,760 Speaker 3: Brown and Andrea Song Sharpen Tear, co authors of research 1012 00:48:50,960 --> 00:48:54,000 Speaker 3: my life learning about these chuckleheads. The theme song is 1013 00:48:54,040 --> 00:48:56,920 Speaker 3: by Thomas quit Plan On my Phone, Lee and Travis 1014 00:48:57,040 --> 00:49:00,560 Speaker 3: want to buy a Toyota Tursel Dutton. Executive producers are 1015 00:49:00,600 --> 00:49:04,640 Speaker 3: Plea Bargain expert Ben Bolin and Kincaid authenticator Noel Brown. 1016 00:49:09,920 --> 00:49:15,560 Speaker 2: Ridicous Crime Say It One More Timequeous Crime. 1017 00:49:16,680 --> 00:49:20,000 Speaker 1: Ridiculous Crime is a production of iHeartRadio. Four more podcasts 1018 00:49:20,040 --> 00:49:23,160 Speaker 1: from my heart Radio. Visit the iHeartRadio app, Apple Podcasts, 1019 00:49:23,280 --> 00:49:25,080 Speaker 1: or wherever you listen to your favorite shows.