1
00:00:07,720 --> 00:00:13,280
Speaker 1: So we're uh burning the Midnight Oil. It's coming down

2
00:00:13,280 --> 00:00:14,640
Speaker 1: to the wire and.

3
00:00:14,920 --> 00:00:15,400
Speaker 2: I love it.

4
00:00:15,680 --> 00:00:19,599
Speaker 1: December thirty first, and we need to have it ready

5
00:00:19,840 --> 00:00:22,000
Speaker 1: for the new year by tomorrow. I'm in there with

6
00:00:22,280 --> 00:00:27,560
Speaker 1: Lil Rel and he and I are going to debut

7
00:00:27,840 --> 00:00:29,880
Speaker 1: the new toothpaste flavors.

8
00:00:31,040 --> 00:00:32,160
Speaker 2: January first.

9
00:00:32,280 --> 00:00:35,479
Speaker 1: January first, the new toothpaste flavors come out, and.

10
00:00:35,440 --> 00:00:38,680
Speaker 2: Everybody lines up the friggin toothpaste.

11
00:00:38,080 --> 00:00:43,120
Speaker 1: Heighte beast, Oh believe me, around the blocks, screaming, pounding

12
00:00:43,159 --> 00:00:43,640
Speaker 1: on doors.

13
00:00:43,680 --> 00:00:44,519
Speaker 3: What is it?

14
00:00:44,640 --> 00:00:54,760
Speaker 1: What is it? And we're obviously mister bubble Yump is

15
00:00:54,760 --> 00:00:55,840
Speaker 1: in the room as well.

16
00:00:56,280 --> 00:01:01,320
Speaker 3: The guy the little bubble bubble Gum bubble Yum.

17
00:01:01,400 --> 00:01:04,080
Speaker 2: Yeah, mister bubble Yum is in there.

18
00:01:04,760 --> 00:01:07,640
Speaker 1: He's fucking pissed because we were supposed to do this

19
00:01:08,360 --> 00:01:11,720
Speaker 1: like six months ago, but Little Roll was on tour.

20
00:01:12,840 --> 00:01:14,360
Speaker 1: You know, he's blowing up a little bit.

21
00:01:14,520 --> 00:01:17,120
Speaker 2: He is having something a moment.

22
00:01:18,720 --> 00:01:24,640
Speaker 1: And I'm like pitching, but I know they're not pitches.

23
00:01:24,840 --> 00:01:26,199
Speaker 2: Okay, what there are some of these?

24
00:01:27,480 --> 00:01:31,720
Speaker 1: Uh? I feel free to this part if you have

25
00:01:31,800 --> 00:01:35,160
Speaker 1: any bubble gum flavor ideas because this is coming up

26
00:01:35,160 --> 00:01:36,080
Speaker 1: for me again in like a.

27
00:01:36,040 --> 00:01:38,640
Speaker 2: Wee Initially it was toothpaste.

28
00:01:39,280 --> 00:01:45,200
Speaker 4: Is it that cleans your teeth? You're talking a crossover episode.

29
00:01:44,680 --> 00:01:48,360
Speaker 1: Of this is maybe the problem this okay, this is sorry,

30
00:01:48,480 --> 00:01:53,000
Speaker 1: that's where we landed. Can we just chew toothpaste? Because

31
00:01:53,000 --> 00:01:55,200
Speaker 1: this seems to me like it's going to solve two problems.

32
00:01:55,240 --> 00:01:58,840
Speaker 1: One gum is necessarily great for your teeth, yeah, two

33
00:02:00,160 --> 00:02:01,800
Speaker 1: toothpaste isn't really that fun.

34
00:02:02,640 --> 00:02:05,400
Speaker 4: I have a friend who confessed she eats toothpaste.

35
00:02:05,880 --> 00:02:07,160
Speaker 1: Okay, we've done that on the show.

36
00:02:07,520 --> 00:02:08,000
Speaker 2: On the show.

37
00:02:08,080 --> 00:02:10,400
Speaker 1: We've done it on the show possible that it's us.

38
00:02:11,960 --> 00:02:14,520
Speaker 4: You guys texted me and were like, I eat toothpastees.

39
00:02:14,520 --> 00:02:15,320
Speaker 2: Okay, got it.

40
00:02:16,480 --> 00:02:19,280
Speaker 1: I thought I was gonna I thought bubble gum was

41
00:02:19,320 --> 00:02:22,320
Speaker 1: what we did. Now you're telling me I said tootha.

42
00:02:22,080 --> 00:02:24,360
Speaker 4: You started with toothpaste hard Well.

43
00:02:24,520 --> 00:02:29,639
Speaker 1: It was toothpaste, but bubble gum ultimately. But but the

44
00:02:29,680 --> 00:02:32,680
Speaker 1: pitches that we're gonna need for this coming like in

45
00:02:32,720 --> 00:02:35,760
Speaker 1: like two weeks, this comes up again, and I don't

46
00:02:35,800 --> 00:02:37,640
Speaker 1: think I could do the same thing again. In fact,

47
00:02:37,680 --> 00:02:43,440
Speaker 1: they told me not to. So if you guys have ideas, I.

48
00:02:43,080 --> 00:02:45,880
Speaker 4: I don't love an organic toothpaste. I don't think it

49
00:02:45,960 --> 00:02:49,359
Speaker 4: works like a baking soda baste toothpaste. I want it

50
00:02:49,400 --> 00:02:50,520
Speaker 4: as fake as possible.

51
00:02:50,600 --> 00:02:54,400
Speaker 1: But gum wise, Oh, if we're just doing gum, I

52
00:02:54,400 --> 00:02:57,480
Speaker 1: don't want to baking soda gum. Don't baking soda gum?

53
00:02:57,520 --> 00:02:59,240
Speaker 1: All right, wells be.

54
00:02:59,240 --> 00:03:01,799
Speaker 2: Helpful to me to sort of wean me off of

55
00:03:01,840 --> 00:03:02,400
Speaker 2: this stuff.

56
00:03:03,080 --> 00:03:12,760
Speaker 3: Is like chaw flavored bubble gumaw dip o snooze, big

57
00:03:12,800 --> 00:03:17,280
Speaker 3: old wat of friggin turbacky. And then if I could

58
00:03:17,320 --> 00:03:22,600
Speaker 3: take a piece of gum that is flavored.

59
00:03:22,080 --> 00:03:24,959
Speaker 1: Like with little bits of fiberglass.

60
00:03:25,120 --> 00:03:32,399
Speaker 2: Yes, slices of gum liquid are going inside my bloods dream.

61
00:03:34,120 --> 00:03:38,280
Speaker 4: Gusher style, backy explosion. Do you put it in the

62
00:03:38,680 --> 00:03:39,440
Speaker 4: Are we putting it there?

63
00:03:40,360 --> 00:03:40,680
Speaker 2: Packet?

64
00:03:41,280 --> 00:03:42,400
Speaker 1: I'll pack it anywhere.

65
00:03:43,160 --> 00:03:45,600
Speaker 2: I have a little appliance to me. It's a little bare.

66
00:03:46,160 --> 00:03:48,560
Speaker 1: It's sort of pass to packet right in the front

67
00:03:48,600 --> 00:03:52,560
Speaker 1: lip there. Do you ever package keep it for later? Oh?

68
00:03:53,160 --> 00:03:57,280
Speaker 1: Quite off. This is a thing you guys, Well, yeah,

69
00:03:57,320 --> 00:04:01,119
Speaker 1: and I have. It's almost like an ear piece. It's

70
00:04:01,160 --> 00:04:03,320
Speaker 1: like it's like the ear pods that go around your ears.

71
00:04:03,360 --> 00:04:05,960
Speaker 1: But it's a little cup and I can just and

72
00:04:06,000 --> 00:04:07,480
Speaker 1: I'll just put it in the cup on top.

73
00:04:08,200 --> 00:04:09,800
Speaker 2: Yeah, and it's just I'm comfortable.

74
00:04:09,840 --> 00:04:11,720
Speaker 1: I can move around, you know, as long as I

75
00:04:11,760 --> 00:04:12,640
Speaker 1: don't do a handstand.

76
00:04:12,680 --> 00:04:13,120
Speaker 2: I'm okay.

77
00:04:13,160 --> 00:04:15,880
Speaker 4: It doesn't impede hearing or anything or hmmm.

78
00:04:17,440 --> 00:04:18,080
Speaker 2: You know it does.

79
00:04:19,520 --> 00:04:21,880
Speaker 1: As you say that, I realize I've been missing out

80
00:04:21,920 --> 00:04:22,680
Speaker 1: on hearing a lot.

81
00:04:22,520 --> 00:04:23,520
Speaker 2: Of stuff when I'm wearing this.

82
00:04:24,880 --> 00:04:25,679
Speaker 1: It's a big cup.

83
00:04:25,920 --> 00:04:27,440
Speaker 2: Yeah, it's a really big cup.

84
00:04:27,520 --> 00:04:30,600
Speaker 1: It's a cup over your ear well and the lid

85
00:04:30,680 --> 00:04:36,800
Speaker 1: for the cup as well as pretty bulky. Yeah, no,

86
00:04:36,839 --> 00:04:38,920
Speaker 1: it's not great. But at any rate, if you guys

87
00:04:38,920 --> 00:04:43,440
Speaker 1: have an idea, please send them to Well. You pitch

88
00:04:43,520 --> 00:04:47,440
Speaker 1: the tobacco thing and you said not baking soda, which

89
00:04:47,960 --> 00:04:50,560
Speaker 1: so a little rule we have in the bubblegum business

90
00:04:50,839 --> 00:04:53,359
Speaker 1: is we don't necessarily shoot down an idea.

91
00:04:53,400 --> 00:04:56,719
Speaker 2: And actually, amazing, I don't like that.

92
00:04:56,760 --> 00:04:59,120
Speaker 3: It's not as I'm thinking about it, that would be

93
00:04:59,160 --> 00:05:00,760
Speaker 3: amazing going for a for the show, And I'm so

94
00:05:00,760 --> 00:05:05,160
Speaker 3: glad we're having this conversation now instead of like afterwards.

95
00:05:05,160 --> 00:05:07,840
Speaker 1: This will help you as an actor because when you

96
00:05:07,960 --> 00:05:10,359
Speaker 1: show up and you have a script and you go,

97
00:05:10,480 --> 00:05:13,960
Speaker 1: not this line, that's not helpful. But if you go,

98
00:05:14,160 --> 00:05:16,960
Speaker 1: what if instead of this line, and I hit you

99
00:05:17,000 --> 00:05:20,200
Speaker 1: with one of the yes yes, and you've got something right.

100
00:05:20,400 --> 00:05:26,000
Speaker 1: So what if instead of baking soda, it was that

101
00:05:26,640 --> 00:05:31,000
Speaker 1: and now we have synergy tching.

102
00:05:31,200 --> 00:05:35,400
Speaker 2: I welcome to Hollywood Handbook. But this is an insider's guide.

103
00:05:35,120 --> 00:05:40,839
Speaker 1: To names and the red carpet lineback hallways, industry called showbiz.

104
00:05:40,880 --> 00:05:41,560
Speaker 2: What up? What up?

105
00:05:43,480 --> 00:05:49,239
Speaker 1: So the show is for fun, it's for friends, it's

106
00:05:49,400 --> 00:05:53,800
Speaker 1: for hanging out, it's for education, and sometimes it's to

107
00:05:53,920 --> 00:05:54,960
Speaker 1: show off, isn't it.

108
00:05:55,320 --> 00:05:57,440
Speaker 4: I love showing off. It's innate to me.

109
00:05:58,360 --> 00:06:00,480
Speaker 1: Yes, and it's and how else which a lot of

110
00:06:00,880 --> 00:06:04,440
Speaker 1: business is going and being a little show showing off.

111
00:06:04,480 --> 00:06:06,159
Speaker 1: Look at me, I know my line. Look at me.

112
00:06:06,360 --> 00:06:08,719
Speaker 4: I know how to say these words in an order. Yeah,

113
00:06:08,760 --> 00:06:09,840
Speaker 4: I can say I'm with intention.

114
00:06:10,040 --> 00:06:11,760
Speaker 1: Look at me over here, I'm on, I'm in front

115
00:06:11,800 --> 00:06:12,479
Speaker 1: of a camera.

116
00:06:12,560 --> 00:06:14,960
Speaker 4: Yeah, you're sitting on this mark. I hit it without

117
00:06:15,000 --> 00:06:17,880
Speaker 4: even looking. Sometimes you sometimes you hit it without looking.

118
00:06:18,080 --> 00:06:21,080
Speaker 4: Sometimes you sometimes you have to glance down just slightly

119
00:06:21,080 --> 00:06:23,640
Speaker 4: over your own nose just to feel it, like.

120
00:06:23,640 --> 00:06:28,200
Speaker 3: Freaking neo neo, just wandering over to the mark.

121
00:06:28,440 --> 00:06:33,560
Speaker 1: So many Matrix actors have backgrounds as mascots and It's

122
00:06:33,600 --> 00:06:36,760
Speaker 1: important because you do learn in those big mascot costumes.

123
00:06:36,800 --> 00:06:38,360
Speaker 2: As we all know, we've all.

124
00:06:38,200 --> 00:06:42,880
Speaker 1: Worked to the park circuits, to move without being able

125
00:06:42,920 --> 00:06:45,280
Speaker 1: to see your feet very well totally, and to look

126
00:06:45,320 --> 00:06:49,000
Speaker 1: only straight ahead, and to vomit and be okay with it. Okay,

127
00:06:49,080 --> 00:06:52,800
Speaker 1: vomiting in your suit. Yeah, that's fine.

128
00:06:52,920 --> 00:06:54,320
Speaker 2: That was from a show that did that.

129
00:06:55,880 --> 00:06:59,360
Speaker 4: From a show yeh, in the show this show, No.

130
00:06:59,400 --> 00:06:59,960
Speaker 2: A different show.

131
00:07:00,960 --> 00:07:06,160
Speaker 3: Isn't that success that happened?

132
00:07:06,200 --> 00:07:07,920
Speaker 1: I've seen that episode and that's real.

133
00:07:08,040 --> 00:07:08,679
Speaker 2: It can happen.

134
00:07:09,080 --> 00:07:10,640
Speaker 4: It can because how many.

135
00:07:10,440 --> 00:07:11,640
Speaker 2: Times do you do comedy bank bank?

136
00:07:11,760 --> 00:07:13,560
Speaker 1: How many times? For five?

137
00:07:14,760 --> 00:07:16,080
Speaker 2: Throw that all away?

138
00:07:16,320 --> 00:07:19,440
Speaker 1: Forget everything? You forget it learned? Never, I would never

139
00:07:20,080 --> 00:07:21,400
Speaker 1: never go back to that show.

140
00:07:22,080 --> 00:07:23,040
Speaker 2: This show is fun.

141
00:07:24,120 --> 00:07:28,200
Speaker 3: This show is like for just like hanging out Everyone's next.

142
00:07:28,200 --> 00:07:29,040
Speaker 2: Where that show is?

143
00:07:29,520 --> 00:07:33,400
Speaker 1: This show for only five years? Only five?

144
00:07:33,560 --> 00:07:38,480
Speaker 2: Yeah? Where that show is about like career building and connections?

145
00:07:38,600 --> 00:07:41,880
Speaker 1: Yes, exactly, it's all marketing. It's a marketing bullshit.

146
00:07:41,960 --> 00:07:44,080
Speaker 4: You know who's a real bullshit artist is Paul F.

147
00:07:44,120 --> 00:07:46,760
Speaker 4: Tompkins the sleaziest.

148
00:07:47,160 --> 00:07:49,640
Speaker 1: Yeah, the F stands for phony.

149
00:07:49,920 --> 00:07:53,280
Speaker 3: Every one of these like career day events in Hollywood.

150
00:07:53,400 --> 00:07:55,800
Speaker 3: You see him there. It goes to every single booth. Yeah,

151
00:07:56,400 --> 00:07:59,840
Speaker 3: cuts me a line. The Paul stands for politics.

152
00:08:00,120 --> 00:08:04,160
Speaker 2: Yes, he'll always ask you what the F stands for?

153
00:08:04,360 --> 00:08:07,600
Speaker 2: But nobody politics at Tompkins.

154
00:08:08,160 --> 00:08:11,040
Speaker 1: It's it's disgusting. He's disgusting.

155
00:08:11,400 --> 00:08:13,040
Speaker 2: He grossed me out.

156
00:08:13,520 --> 00:08:17,200
Speaker 1: He makes me sick. I am now going back to

157
00:08:17,240 --> 00:08:19,640
Speaker 1: my mascot days again because I'm about to throw up

158
00:08:19,640 --> 00:08:22,960
Speaker 1: in the suit that is this show, thinking about politics,

159
00:08:22,960 --> 00:08:27,640
Speaker 1: fake Tompkins and all of his Oh and I meant

160
00:08:27,640 --> 00:08:30,160
Speaker 1: to say phony, I guess, but I like fake. I

161
00:08:30,200 --> 00:08:31,440
Speaker 1: think I think we can react.

162
00:08:31,480 --> 00:08:32,840
Speaker 2: You know what the F could be for?

163
00:08:32,920 --> 00:08:39,640
Speaker 1: Fake and phony? All of his disgusting behavior. It's all

164
00:08:39,679 --> 00:08:41,840
Speaker 1: big timing me, and it's all trying to make me

165
00:08:41,880 --> 00:08:43,920
Speaker 1: feel small because why.

166
00:08:44,960 --> 00:08:46,000
Speaker 4: Because he feels small.

167
00:08:46,120 --> 00:08:47,560
Speaker 2: Yeah, I think that brings you down.

168
00:08:48,679 --> 00:08:50,920
Speaker 4: I think it's a mirror thing he's seeing in you,

169
00:08:51,080 --> 00:08:53,360
Speaker 4: something that he feels he's lacking.

170
00:08:53,760 --> 00:08:55,960
Speaker 1: Uh, do you know what I mean? No, we only

171
00:08:56,000 --> 00:08:58,679
Speaker 1: truly hate that which we recognize in ourselves.

172
00:08:59,160 --> 00:09:06,400
Speaker 3: Yeah, Kevin's friend is here, Ah Chris, Speaking of which, Chris.

173
00:09:06,160 --> 00:09:08,640
Speaker 2: Hey, Crisp, Crisp is here.

174
00:09:09,040 --> 00:09:12,520
Speaker 3: He's not on mic Kevin's whole Vibe today, with Crisp

175
00:09:12,600 --> 00:09:14,920
Speaker 3: is like, see, I told you.

176
00:09:15,080 --> 00:09:16,559
Speaker 4: I got this buddy named Chris.

177
00:09:16,640 --> 00:09:20,760
Speaker 3: Yeah, I told you I had my friend Chris.

178
00:09:21,400 --> 00:09:25,280
Speaker 1: Thank you for having me Chris talk about You're sure

179
00:09:25,400 --> 00:09:28,720
Speaker 1: that says suffocation that you wore to a nice podcast.

180
00:09:29,679 --> 00:09:31,040
Speaker 1: One of my favorite bands.

181
00:09:32,000 --> 00:09:33,559
Speaker 4: It's not the lyric from.

182
00:09:36,360 --> 00:09:39,320
Speaker 2: You're Confused. That is not the name. Actually that's not

183
00:09:39,400 --> 00:09:43,920
Speaker 2: the name of the band. Just because they say that.

184
00:09:42,679 --> 00:09:45,559
Speaker 3: That is just a word that they're singing in the song.

185
00:09:45,679 --> 00:09:50,320
Speaker 3: The name is different. So it's okay. You go back

186
00:09:50,320 --> 00:09:50,560
Speaker 3: to the.

187
00:09:50,640 --> 00:09:54,600
Speaker 1: Lab, find out the name of the actual band actually,

188
00:09:55,520 --> 00:09:57,280
Speaker 1: Papa Roach or whoever it is.

189
00:09:57,320 --> 00:09:59,480
Speaker 2: And maybe that T shirt comes in next TI.

190
00:10:00,559 --> 00:10:01,840
Speaker 5: You know, but I.

191
00:10:01,800 --> 00:10:02,760
Speaker 1: Had that album.

192
00:10:03,240 --> 00:10:06,120
Speaker 2: I still have a little had a real cockroad Cockroach.

193
00:10:06,160 --> 00:10:08,480
Speaker 2: I had a real one that was a real one

194
00:10:08,520 --> 00:10:09,200
Speaker 2: that they did.

195
00:10:09,440 --> 00:10:11,320
Speaker 1: How did they get it? How did they get it?

196
00:10:11,760 --> 00:10:15,200
Speaker 2: That is why I like, yes, how are they getting this?

197
00:10:15,679 --> 00:10:15,839
Speaker 5: They?

198
00:10:16,000 --> 00:10:18,840
Speaker 3: I mean, they see them and they are going crazy

199
00:10:18,960 --> 00:10:21,640
Speaker 3: all the time, Papa, no offense to you. Well those

200
00:10:21,640 --> 00:10:23,520
Speaker 3: guys as well, and so maybe that's why.

201
00:10:23,720 --> 00:10:26,600
Speaker 1: But but no offense to you. But dream guess Papa Roach.

202
00:10:26,760 --> 00:10:28,640
Speaker 1: We could interview them about how they got the right

203
00:10:29,160 --> 00:10:31,120
Speaker 1: to tell you this is the next best thing. Wait

204
00:10:32,600 --> 00:10:37,439
Speaker 1: I am When I was like, how did they do that?

205
00:10:37,679 --> 00:10:43,760
Speaker 2: And they're like, holy shit, so bad.

206
00:10:44,760 --> 00:10:50,320
Speaker 4: The PAPA stands for fucking Paul Left Tompkins.

207
00:10:50,880 --> 00:10:57,400
Speaker 1: Wow, well we have you here. Obviously you've done dramatic work.

208
00:10:57,520 --> 00:11:00,200
Speaker 1: Obviously we uh a.

209
00:11:02,040 --> 00:11:02,959
Speaker 4: Morphin black.

210
00:11:04,080 --> 00:11:09,200
Speaker 2: Yeah, and it really is what you're doing, orphing from

211
00:11:09,200 --> 00:11:09,880
Speaker 2: one to the other.

212
00:11:10,080 --> 00:11:14,000
Speaker 4: It was an animalph sort of situation where instead of animals,

213
00:11:14,160 --> 00:11:15,000
Speaker 4: it was other women.

214
00:11:15,880 --> 00:11:19,360
Speaker 1: People are admitting well and people are animals, the human animals,

215
00:11:19,360 --> 00:11:22,040
Speaker 1: and you're transitioning between these different guys where you like

216
00:11:22,080 --> 00:11:24,040
Speaker 1: to get down on your haunches and.

217
00:11:26,240 --> 00:11:26,720
Speaker 2: Change.

218
00:11:27,720 --> 00:11:30,600
Speaker 4: I had to do a public changing between each character.

219
00:11:31,160 --> 00:11:33,679
Speaker 4: So I put I squat like you said, there is

220
00:11:33,720 --> 00:11:37,440
Speaker 4: footage of this squad to a deep squad. I screamed,

221
00:11:37,640 --> 00:11:40,400
Speaker 4: belly scream, because you got to get down into the crotch.

222
00:11:41,240 --> 00:11:48,280
Speaker 4: As an actor, you get get way into the crotch.

223
00:11:49,160 --> 00:11:52,600
Speaker 4: Belly scream. Tell everyone, look everyone. I had to look

224
00:11:52,760 --> 00:11:54,440
Speaker 4: every crew member in the.

225
00:11:54,360 --> 00:11:56,840
Speaker 1: Eye to stop ask for help.

226
00:11:56,920 --> 00:11:59,400
Speaker 2: They ask for help, ask for help, beg for help.

227
00:11:59,440 --> 00:12:02,120
Speaker 1: They were cutting crew members at a certain point just

228
00:12:02,160 --> 00:12:02,800
Speaker 1: to make the day.

229
00:12:03,480 --> 00:12:10,360
Speaker 4: Because yeah, and then eventually I'd feel ready to would

230
00:12:10,360 --> 00:12:12,640
Speaker 4: strip down in front of them and be ready to

231
00:12:12,640 --> 00:12:15,800
Speaker 4: put the new clothes on, stick on that wig glewe

232
00:12:15,800 --> 00:12:20,920
Speaker 4: it down and become and become a lady.

233
00:12:21,160 --> 00:12:31,040
Speaker 1: Whatever the stuff, the goof, the goof babe, the possum,

234
00:12:31,160 --> 00:12:32,760
Speaker 1: and the pasta lady as well.

235
00:12:33,160 --> 00:12:36,640
Speaker 4: Pasta lady. Posta lady was the hardest for me to

236
00:12:36,679 --> 00:12:40,200
Speaker 4: get into. That's tough to I've just never had it.

237
00:12:40,760 --> 00:12:41,920
Speaker 1: You can't find it where.

238
00:12:42,080 --> 00:12:44,200
Speaker 2: Actually it is hard pasta.

239
00:12:44,600 --> 00:12:45,600
Speaker 4: I have no idea.

240
00:12:45,880 --> 00:12:49,720
Speaker 2: I don't know how you would be able to about.

241
00:12:50,400 --> 00:12:51,280
Speaker 2: I'm dying to try.

242
00:12:51,760 --> 00:12:51,960
Speaker 1: Seen.

243
00:12:52,840 --> 00:12:56,120
Speaker 4: It looks great. I have nothing against people who eat it.

244
00:12:56,360 --> 00:13:00,400
Speaker 2: I won't even go that far. It looks interesting like

245
00:13:00,920 --> 00:13:03,800
Speaker 2: it could. Yeah, I'm curious.

246
00:13:04,120 --> 00:13:06,400
Speaker 1: How did it go from definitely one soft? You know

247
00:13:06,440 --> 00:13:06,880
Speaker 1: what I mean?

248
00:13:07,240 --> 00:13:08,160
Speaker 2: Yes, how do we know it?

249
00:13:08,280 --> 00:13:13,559
Speaker 1: Because I seen both and it's starting when you're seeing it.

250
00:13:13,960 --> 00:13:17,040
Speaker 1: The guy's holding it and it looked like a freaking stick.

251
00:13:17,200 --> 00:13:20,640
Speaker 4: Also, who's this guy who is holding pasta?

252
00:13:20,800 --> 00:13:24,400
Speaker 1: Yes, holding hard pasta. But that's but you had to

253
00:13:24,440 --> 00:13:26,920
Speaker 1: become that guy basically for the character, or at least

254
00:13:26,920 --> 00:13:28,320
Speaker 1: his wife. I read a lot.

255
00:13:28,640 --> 00:13:31,439
Speaker 2: I read a lot, Okay, Jesus.

256
00:13:31,080 --> 00:13:32,839
Speaker 1: I read a lot, guys. I know how to read.

257
00:13:34,040 --> 00:13:35,760
Speaker 2: What's one, what's one? What's one?

258
00:13:35,800 --> 00:13:39,080
Speaker 1: What's yeah? If you're reading, you just said it, so

259
00:13:39,120 --> 00:13:39,840
Speaker 1: you opered it up.

260
00:13:39,920 --> 00:13:44,120
Speaker 4: Yeah, I read. I read one, say one. The Dominion

261
00:13:44,760 --> 00:13:49,959
Speaker 4: by Locus Brown Dan Brown. It's one of his side projects.

262
00:13:50,960 --> 00:13:57,000
Speaker 4: It's one that's a pop roach. So the Dominion by Logan.

263
00:13:57,400 --> 00:13:58,559
Speaker 2: Favorite something.

264
00:14:00,120 --> 00:14:00,840
Speaker 1: Locus.

265
00:14:01,880 --> 00:14:04,360
Speaker 4: He's gonna come in tomorrow with the shirt that says

266
00:14:04,360 --> 00:14:05,880
Speaker 4: the Dominion Locus.

267
00:14:06,240 --> 00:14:12,800
Speaker 3: We talk about dramatic practice. We talk about you. I know,

268
00:14:12,960 --> 00:14:16,120
Speaker 3: like to say that you live for the drama, and

269
00:14:16,200 --> 00:14:17,800
Speaker 3: I think that's so funny.

270
00:14:18,040 --> 00:14:18,960
Speaker 4: Making it where I go.

271
00:14:19,840 --> 00:14:25,000
Speaker 1: You are so much drama. Yeah mm hmm. We obviously

272
00:14:25,040 --> 00:14:29,800
Speaker 1: on this show famous for doing funny shit, pulling.

273
00:14:29,520 --> 00:14:31,920
Speaker 2: Off some of the funniest shit that has ever even

274
00:14:31,960 --> 00:14:32,560
Speaker 2: been attempted.

275
00:14:32,600 --> 00:14:35,840
Speaker 1: Little One executed Brett talk about laughing your fucking whole

276
00:14:35,880 --> 00:14:37,520
Speaker 1: ass off whenever we do the show.

277
00:14:37,600 --> 00:14:38,280
Speaker 2: Brett is here.

278
00:14:38,840 --> 00:14:40,880
Speaker 6: I've just been wheezing this entire time. It's why you

279
00:14:40,880 --> 00:14:43,560
Speaker 6: haven't heard from me. Just caught my breath.

280
00:14:43,600 --> 00:14:46,800
Speaker 2: Brett's famous death Ratt'll laugh.

281
00:14:48,480 --> 00:14:50,960
Speaker 6: Suffocation is a good band, by the way. I'll stick

282
00:14:51,040 --> 00:14:51,840
Speaker 6: up for them.

283
00:14:52,040 --> 00:14:53,720
Speaker 4: They're not a band, it's a lyric.

284
00:15:00,080 --> 00:15:00,640
Speaker 2: Over o laugh.

285
00:15:07,280 --> 00:15:12,200
Speaker 1: So so uh yeah, go ahead doing funny ship, yeah, uh,

286
00:15:12,240 --> 00:15:14,160
Speaker 1: cracking people up. I guess that's all you guys do.

287
00:15:14,280 --> 00:15:16,800
Speaker 1: Huh oh, what are you going to possibly do with

288
00:15:16,880 --> 00:15:21,840
Speaker 1: someone who is morphin black and dramatic? How could you

289
00:15:22,840 --> 00:15:25,400
Speaker 1: hold up to that when actually it's been proven time

290
00:15:25,520 --> 00:15:31,120
Speaker 1: and time and time again that funny comedic actors actually

291
00:15:31,200 --> 00:15:34,600
Speaker 1: make the best dramatic actors in the world. Boom examples,

292
00:15:35,040 --> 00:15:39,400
Speaker 1: Rob Williams, Yes, Yes, Bob.

293
00:15:38,360 --> 00:15:41,160
Speaker 2: Bobby, Bill, Bob brought home the hardware.

294
00:15:41,200 --> 00:15:48,280
Speaker 4: As I recall many many times, bellyroll, we're talking Jim James.

295
00:15:47,920 --> 00:15:50,040
Speaker 1: Carrey, James Carrie.

296
00:15:50,560 --> 00:15:53,680
Speaker 4: Did anybody see his amazing process where he was just

297
00:15:53,720 --> 00:15:56,960
Speaker 4: an asshold of people for a long time on set, treat.

298
00:15:56,760 --> 00:15:57,440
Speaker 1: Everyone like shit?

299
00:15:57,560 --> 00:15:57,760
Speaker 2: Yeah?

300
00:15:57,800 --> 00:16:01,800
Speaker 1: Yeah, that. I couldn't believe what a good actor I

301
00:16:01,840 --> 00:16:07,680
Speaker 1: was to seem unpleasant and difficult for the entire process

302
00:16:07,720 --> 00:16:10,560
Speaker 1: of making the movie. That must have been so hard

303
00:16:10,600 --> 00:16:12,880
Speaker 1: for him. A guy who is fun to hang with.

304
00:16:13,120 --> 00:16:14,640
Speaker 4: Yeah, he's such a joy, but.

305
00:16:14,560 --> 00:16:15,880
Speaker 2: That's only on the dramatic one.

306
00:16:15,920 --> 00:16:19,200
Speaker 3: If you see the liar liar and credits, he is

307
00:16:19,240 --> 00:16:21,000
Speaker 3: like cracking everyone's whole ship up.

308
00:16:21,680 --> 00:16:21,880
Speaker 2: Yeah.

309
00:16:22,200 --> 00:16:26,720
Speaker 3: Uh, he actually turned this document that he's supposed to

310
00:16:26,760 --> 00:16:27,320
Speaker 3: be reading.

311
00:16:27,960 --> 00:16:30,240
Speaker 2: He like crumpled it up and he turned it into

312
00:16:30,440 --> 00:16:35,440
Speaker 2: a freaking goose goose. Whoa, I'm thinking of something else.

313
00:16:35,560 --> 00:16:40,200
Speaker 3: The entire crew is laughing, not out of fear, out

314
00:16:40,200 --> 00:16:41,520
Speaker 3: of pleasure and joy.

315
00:16:41,280 --> 00:16:43,840
Speaker 1: Because they knew he was They knew he was having

316
00:16:43,840 --> 00:16:44,080
Speaker 1: a lot.

317
00:16:44,320 --> 00:16:48,200
Speaker 3: Yes, son, yes, but when it's time to do drama

318
00:16:48,200 --> 00:16:49,880
Speaker 3: and then of course yes, you have to heal and

319
00:16:49,920 --> 00:16:50,800
Speaker 3: scream at everybody.

320
00:16:50,880 --> 00:16:53,440
Speaker 4: Yeah, he'd never be making a goose. Yes, you never

321
00:16:53,480 --> 00:16:54,000
Speaker 4: see a goose.

322
00:16:54,080 --> 00:16:55,680
Speaker 2: None a gun.

323
00:16:55,880 --> 00:16:58,960
Speaker 4: Maybe again, the document is possibly becoming a document can

324
00:16:59,000 --> 00:17:02,760
Speaker 4: become a gun mm hmm and shoot paper wasp byt you.

325
00:17:03,600 --> 00:17:11,960
Speaker 6: But he pants too. He pants, He pants, He pants good,

326
00:17:12,000 --> 00:17:16,560
Speaker 6: like George Bush. You see that one he pants to

327
00:17:16,640 --> 00:17:17,480
Speaker 6: him it's like.

328
00:17:18,400 --> 00:17:18,880
Speaker 2: And like.

329
00:17:20,480 --> 00:17:21,680
Speaker 6: It's hard word to say.

330
00:17:21,800 --> 00:17:22,760
Speaker 1: He's just desperate.

331
00:17:22,880 --> 00:17:25,080
Speaker 4: I feel like he just put two words together that.

332
00:17:25,119 --> 00:17:28,560
Speaker 6: Don't he pants them, you know with the brush on.

333
00:17:28,800 --> 00:17:31,040
Speaker 2: Refuses to leave his politics at home.

334
00:17:32,520 --> 00:17:33,880
Speaker 1: He so right wing.

335
00:17:34,440 --> 00:17:37,600
Speaker 2: Yes, he will not just leave it.

336
00:17:37,600 --> 00:17:41,840
Speaker 6: It was a nice portrait of a nice man.

337
00:17:41,960 --> 00:17:45,919
Speaker 1: I'm not saying positive or negative. I would like well

338
00:17:46,000 --> 00:17:49,400
Speaker 1: actually at all. But we just leave it at home.

339
00:17:50,119 --> 00:17:52,679
Speaker 1: We don't come in and go. When am I going

340
00:17:52,760 --> 00:17:55,160
Speaker 1: to be able to wedge in there and force everyone

341
00:17:55,240 --> 00:17:59,440
Speaker 1: to deal with my George W Bush ideas? What is

342
00:17:59,480 --> 00:18:00,399
Speaker 1: the W stand for?

343
00:18:01,240 --> 00:18:04,920
Speaker 2: Oh? Well to do no Bratt, it's not well to do.

344
00:18:06,880 --> 00:18:09,320
Speaker 4: Winner in Brett's mind.

345
00:18:09,480 --> 00:18:14,439
Speaker 1: Uh, he loves loves Bush. This is frustrating. But what

346
00:18:14,600 --> 00:18:16,680
Speaker 1: with the point I'm trying to make? And we've seen

347
00:18:16,720 --> 00:18:22,160
Speaker 1: it again this just this year with The Joker. When

348
00:18:22,200 --> 00:18:25,560
Speaker 1: it comes to dramatic work, comedic actors just be hitting different,

349
00:18:25,600 --> 00:18:26,320
Speaker 1: don't they.

350
00:18:26,680 --> 00:18:28,639
Speaker 4: What did who was funny in the Joker?

351
00:18:29,000 --> 00:18:29,200
Speaker 2: Huh?

352
00:18:29,280 --> 00:18:33,840
Speaker 1: I didn't see it. He's Oh, this guy is a

353
00:18:33,880 --> 00:18:36,720
Speaker 1: clown but doing some of the most dramatic things. That

354
00:18:36,880 --> 00:18:39,760
Speaker 1: is a total goof. Isn't he make up on a

355
00:18:39,960 --> 00:18:47,160
Speaker 1: corn ball? He is jokes, corny ass fucking wild clown goofer.

356
00:18:47,320 --> 00:18:52,200
Speaker 1: You say he's always on, Well, no, I wouldn't actually,

357
00:18:52,240 --> 00:18:55,000
Speaker 1: And this is where you know a little bit your

358
00:18:55,040 --> 00:19:00,720
Speaker 1: ignorance is showing from having not he in fact is

359
00:19:00,760 --> 00:19:06,480
Speaker 1: not always on. He starts out on a lot and

360
00:19:06,520 --> 00:19:09,040
Speaker 1: then as we move into the more dramatic side of

361
00:19:09,040 --> 00:19:11,720
Speaker 1: the piece, he's not on.

362
00:19:12,160 --> 00:19:14,520
Speaker 2: I would say he's actually he actually becomes slightly off.

363
00:19:15,560 --> 00:19:19,119
Speaker 4: Yes, would you say that there's like a little disturbed disturbed,

364
00:19:19,160 --> 00:19:23,080
Speaker 4: that's the transition always disturbs.

365
00:19:22,440 --> 00:19:24,080
Speaker 2: Like, oh my god, they're not disturbed.

366
00:19:24,520 --> 00:19:25,320
Speaker 1: I love that band.

367
00:19:25,480 --> 00:19:26,960
Speaker 2: I could see him. I can't hear him, but I

368
00:19:26,960 --> 00:19:29,480
Speaker 2: can see him on the other side. Gunk.

369
00:19:29,560 --> 00:19:32,800
Speaker 4: Oh, which I don't know.

370
00:19:32,880 --> 00:19:35,719
Speaker 2: I don't I'm not even sure that's them.

371
00:19:35,800 --> 00:19:41,280
Speaker 4: Who I think it is? That stained No, no, no, no,

372
00:19:41,080 --> 00:19:42,359
Speaker 4: no ignorance.

373
00:19:42,760 --> 00:19:44,760
Speaker 1: No way, it's gonna be so pantera.

374
00:19:45,640 --> 00:19:48,679
Speaker 3: Uh. And you have Robert de Niro in this movie,

375
00:19:49,480 --> 00:19:52,120
Speaker 3: proving that he could have been a late night talk

376
00:19:52,160 --> 00:19:58,000
Speaker 3: show host and still could be tomorrow disappearing into this role.

377
00:19:58,400 --> 00:20:03,840
Speaker 4: M you're talking about the Irishman, Yes, and he like, yeah.

378
00:20:03,760 --> 00:20:06,280
Speaker 1: He is the Irishman as well. He's he's both.

379
00:20:06,480 --> 00:20:08,560
Speaker 2: He's the Irish doing monolog a lot.

380
00:20:08,720 --> 00:20:16,640
Speaker 1: Yes, he's a first became so young baby. Where does

381
00:20:16,680 --> 00:20:20,200
Speaker 1: he get the energy as well? Robert to I mean

382
00:20:20,320 --> 00:20:24,280
Speaker 1: to play this insanely charismatic talk show host that we all.

383
00:20:24,440 --> 00:20:27,160
Speaker 1: I mean, you see him on screen, you go. Of course,

384
00:20:27,160 --> 00:20:29,760
Speaker 1: people invite this man into their home every night to

385
00:20:30,119 --> 00:20:34,760
Speaker 1: just laugh and relax. And then in the irishman. I

386
00:20:34,760 --> 00:20:40,680
Speaker 1: mean the athleticism that he's displaying just facially. I go,

387
00:20:41,720 --> 00:20:46,560
Speaker 1: this dude is still fucking hitting different, is it?

388
00:20:46,880 --> 00:20:49,720
Speaker 4: Because this is the thing with that when you play young.

389
00:20:50,560 --> 00:20:55,440
Speaker 1: You can talk about this because you played You're babies guys.

390
00:20:55,480 --> 00:20:57,840
Speaker 4: When I was twenty three, I played a thirteen year old,

391
00:20:59,400 --> 00:21:02,320
Speaker 4: and what I had to do was actually I had

392
00:21:02,359 --> 00:21:04,960
Speaker 4: to regress. I had to go through a hypnosis process

393
00:21:05,680 --> 00:21:08,480
Speaker 4: with my therapist where she took me back and we

394
00:21:08,520 --> 00:21:11,400
Speaker 4: were enacting what is it to be thirteen?

395
00:21:11,960 --> 00:21:16,000
Speaker 1: Who am I at thirteen? What do I want to

396
00:21:16,080 --> 00:21:16,440
Speaker 1: sturn it?

397
00:21:16,960 --> 00:21:21,560
Speaker 4: And what I discovered that thirteen means that your face

398
00:21:21,680 --> 00:21:26,119
Speaker 4: is much softer, your eyes are bigger, you more wonder

399
00:21:26,160 --> 00:21:31,200
Speaker 4: about the world, and you eat candy all the time. Yes,

400
00:21:31,480 --> 00:21:34,360
Speaker 4: talk about this well, and I chewed tobacco.

401
00:21:34,760 --> 00:21:36,399
Speaker 2: I choose. Well, that's why I thought you meant when

402
00:21:36,440 --> 00:21:37,000
Speaker 2: you said candy.

403
00:21:37,200 --> 00:21:39,280
Speaker 4: Yeah, yeah, I'm talking about that sweet sweet.

404
00:21:41,000 --> 00:21:42,280
Speaker 2: The rush.

405
00:21:42,359 --> 00:21:44,760
Speaker 4: I love that rush when it just cuts the cuts

406
00:21:44,800 --> 00:21:45,120
Speaker 4: the lip.

407
00:21:45,560 --> 00:21:51,840
Speaker 1: H That took me on a journey. But we don't

408
00:21:51,880 --> 00:21:53,320
Speaker 1: have to do that shit.

409
00:21:53,800 --> 00:21:54,119
Speaker 2: Uh.

410
00:21:54,920 --> 00:22:00,880
Speaker 1: What we're going to do is actually prove that Hayes

411
00:22:00,920 --> 00:22:03,160
Speaker 1: and I are just as good of dramatic actors as

412
00:22:03,200 --> 00:22:04,440
Speaker 1: any of these freaking.

413
00:22:06,000 --> 00:22:07,800
Speaker 3: And we couldn't even know what the column and we

414
00:22:07,840 --> 00:22:10,119
Speaker 3: could do it, but it's uh could have done it.

415
00:22:10,520 --> 00:22:12,439
Speaker 2: These things are too easy to even attempt to do.

416
00:22:12,560 --> 00:22:21,000
Speaker 1: Yeah, it's almost embarrassing, right comedies hard dying sucks.

417
00:22:19,280 --> 00:22:20,240
Speaker 2: It sucks.

418
00:22:20,400 --> 00:22:22,040
Speaker 1: We're all going to do it, you guys. I have

419
00:22:22,119 --> 00:22:27,760
Speaker 1: to tell you I technically I am not. I will

420
00:22:27,760 --> 00:22:28,959
Speaker 1: be loaded into a computer.

421
00:22:29,160 --> 00:22:32,400
Speaker 4: Are you going to be Robert de Niro style youngified?

422
00:22:33,000 --> 00:22:35,320
Speaker 4: But like in body, the organs are going.

423
00:22:35,280 --> 00:22:38,159
Speaker 3: To be Basically, people are going to be able to

424
00:22:38,200 --> 00:22:41,639
Speaker 3: recreate my entire personality from the content I've produced in

425
00:22:41,840 --> 00:22:42,720
Speaker 3: podcast form.

426
00:22:42,840 --> 00:22:45,560
Speaker 4: You're talking to James Dean Resurrection.

427
00:22:45,880 --> 00:22:48,480
Speaker 3: Yes, clause I have put so much content and so

428
00:22:48,520 --> 00:22:51,879
Speaker 3: many ideas out into the world that scientists will be

429
00:22:51,960 --> 00:22:56,600
Speaker 3: able to recreate my entire brain and personality and put

430
00:22:56,640 --> 00:23:03,200
Speaker 3: it into a uh bodybuilders like like host.

431
00:23:03,000 --> 00:23:04,920
Speaker 1: Strong body, similar to your own body.

432
00:23:05,080 --> 00:23:08,679
Speaker 3: Yes, to sort of a little smaller, just a little softer,

433
00:23:09,200 --> 00:23:10,120
Speaker 3: softer on the edges.

434
00:23:10,359 --> 00:23:13,360
Speaker 1: But yeah, essentially this is a quoting project, this entire

435
00:23:13,400 --> 00:23:16,080
Speaker 1: pot Okay, okay, I know all about this, that we

436
00:23:16,200 --> 00:23:20,320
Speaker 1: are uploading our personalities onto the.

437
00:23:20,680 --> 00:23:22,639
Speaker 2: What you did was fake faking when you say you

438
00:23:22,680 --> 00:23:23,720
Speaker 2: know about it, you're sort.

439
00:23:23,520 --> 00:23:26,080
Speaker 1: Of making fun of it in your thing. We're actually

440
00:23:26,080 --> 00:23:29,320
Speaker 1: doing it from doing a little bit. It's a little winch,

441
00:23:30,840 --> 00:23:35,680
Speaker 1: and I think it didn't happen. Yeah, we're actually uploading

442
00:23:35,680 --> 00:23:39,920
Speaker 1: our personalities onto the worldwide we and we are doing

443
00:23:39,920 --> 00:23:43,879
Speaker 1: it via podcast. And so later a thousand years from now,

444
00:23:43,920 --> 00:23:46,520
Speaker 1: a million years from now, a bodybuilder will be able

445
00:23:46,560 --> 00:23:49,120
Speaker 1: to walk in, start talking about toothpaste, change to talk

446
00:23:49,119 --> 00:23:54,520
Speaker 1: about bubble cup, be confused when people ask him about toothpaste,

447
00:23:55,560 --> 00:23:59,119
Speaker 1: and then just sort of never recover for the next

448
00:23:59,160 --> 00:24:04,080
Speaker 1: forty five minutes. It was highly disturbing, wasn't it.

449
00:24:06,040 --> 00:24:08,679
Speaker 3: Uh So we have to do some scenes. We have

450
00:24:08,760 --> 00:24:13,560
Speaker 3: to get some of these on wacks today. So what's

451
00:24:13,640 --> 00:24:16,359
Speaker 3: like a thing that happens in real life? What's the

452
00:24:16,359 --> 00:24:18,120
Speaker 3: most dramatic thing you could imagine?

453
00:24:18,240 --> 00:24:20,919
Speaker 4: Well, so for me, for me, it's the simple things.

454
00:24:21,280 --> 00:24:26,840
Speaker 4: It's the tiny interactions. It's like a moment miss stoppery little.

455
00:24:27,320 --> 00:24:32,480
Speaker 4: It's like the movie Little starring Tom Hanks. It's it's uh,

456
00:24:32,600 --> 00:24:35,399
Speaker 4: it's a cup of coffee passed to your best friend

457
00:24:36,040 --> 00:24:37,560
Speaker 4: and you just share that. You know what I mean,

458
00:24:38,080 --> 00:24:40,000
Speaker 4: but there's layers under it sounds.

459
00:24:39,680 --> 00:24:44,280
Speaker 1: Like a commercial. Yeah, to me, you're describing a commercial.

460
00:24:44,440 --> 00:24:45,280
Speaker 2: Well, this coffee.

461
00:24:45,440 --> 00:24:47,800
Speaker 4: How I see my scripts? I break them down into Okay,

462
00:24:47,880 --> 00:24:49,200
Speaker 4: what am I selling?

463
00:24:50,240 --> 00:24:50,440
Speaker 2: Three?

464
00:24:51,800 --> 00:24:52,240
Speaker 1: Yeah?

465
00:24:52,440 --> 00:24:56,600
Speaker 4: So this commercial now is is about a breakup, but

466
00:24:56,880 --> 00:24:59,879
Speaker 4: it's actually we're actually selling this lamp that's up to

467
00:24:59,880 --> 00:25:02,439
Speaker 4: the side. So I kind of put my energy towards

468
00:25:02,480 --> 00:25:04,719
Speaker 4: the lamp even though I'm breaking up with my partner

469
00:25:04,760 --> 00:25:05,240
Speaker 4: on screen.

470
00:25:05,680 --> 00:25:07,880
Speaker 1: Do you know what I mean? So you're so you

471
00:25:07,960 --> 00:25:16,800
Speaker 1: love lamp? What's that? Uh huh huh, I'm asking you

472
00:25:16,880 --> 00:25:17,520
Speaker 1: love lamp?

473
00:25:18,040 --> 00:25:21,199
Speaker 4: I don't Yeah, I mean sure you could say that.

474
00:25:21,520 --> 00:25:24,879
Speaker 1: Yeah, you said that. Somebody stopped me.

475
00:25:25,920 --> 00:25:33,320
Speaker 3: Whoollywood hamp bug, Whoollywood hamp bug. What you are describing

476
00:25:33,359 --> 00:25:39,720
Speaker 3: as essentially a marriage story, isn't it where the relatable

477
00:25:39,800 --> 00:25:44,560
Speaker 3: experience is put on screen of a guy who could

478
00:25:44,600 --> 00:25:45,520
Speaker 3: have fucked anyone.

479
00:25:46,320 --> 00:25:47,840
Speaker 1: Yeah, he was in his twenties.

480
00:25:47,880 --> 00:25:49,040
Speaker 2: He was in his twenties.

481
00:25:49,040 --> 00:25:50,800
Speaker 4: Guys, I don't know if you know what that means,

482
00:25:50,920 --> 00:25:53,480
Speaker 4: but he was in his twenties and he.

483
00:25:53,480 --> 00:25:55,760
Speaker 2: Could have fucked anyone. I did it.

484
00:25:55,960 --> 00:25:57,760
Speaker 1: He's a fucking machine and he could have been drilling

485
00:25:57,800 --> 00:25:58,840
Speaker 1: through the entire town.

486
00:25:59,800 --> 00:26:01,960
Speaker 4: He chose not to.

487
00:26:02,600 --> 00:26:05,600
Speaker 2: Yeah, and that's the story of marriage.

488
00:26:05,160 --> 00:26:11,280
Speaker 1: When when a marriage is a man who could literally

489
00:26:11,320 --> 00:26:16,320
Speaker 1: pound anything he sees picking one incredibly hot chick to just.

490
00:26:16,359 --> 00:26:22,040
Speaker 4: Drill down anybody, and he's settled for scarlet.

491
00:26:22,560 --> 00:26:28,720
Speaker 1: So that is obviously very sad, powerful story. I'd say

492
00:26:28,720 --> 00:26:30,520
Speaker 1: it's a bit of a Jesus story.

493
00:26:30,640 --> 00:26:35,200
Speaker 2: Really, it's a lot and he did it Jesus well.

494
00:26:35,200 --> 00:26:40,280
Speaker 1: He basically nailed his way to the cross, basically stuck

495
00:26:40,320 --> 00:26:40,880
Speaker 1: a little she.

496
00:26:41,119 --> 00:26:44,120
Speaker 2: He's up there yelling down. I could have fucked anybody

497
00:26:44,160 --> 00:26:44,840
Speaker 2: in this town.

498
00:26:44,920 --> 00:26:47,480
Speaker 1: He could have been dropping a communion wafers on everybody.

499
00:26:47,520 --> 00:26:55,080
Speaker 1: But so let's so let's turn this into a dramatic scene.

500
00:26:55,760 --> 00:26:58,760
Speaker 2: Hayes, would you like to play the fun machine? Yeah?

501
00:26:58,800 --> 00:26:59,320
Speaker 1: I can't wait.

502
00:27:00,680 --> 00:27:04,399
Speaker 2: I'll try. I'll be the waiter.

503
00:27:04,960 --> 00:27:08,919
Speaker 1: Okay, Ta Gianna.

504
00:27:09,000 --> 00:27:10,240
Speaker 2: Do you want to be the lamp?

505
00:27:10,840 --> 00:27:17,480
Speaker 1: I'd love to be the lamp. Okay, Brett, any ideas?

506
00:27:19,520 --> 00:27:19,760
Speaker 6: Lead?

507
00:27:20,440 --> 00:27:25,800
Speaker 1: You want to be the lea? I know what you're okay, Okay, no,

508
00:27:25,880 --> 00:27:26,720
Speaker 1: I don't know.

509
00:27:26,800 --> 00:27:28,720
Speaker 2: It's okay, Brett is the lead actor.

510
00:27:29,080 --> 00:27:35,000
Speaker 6: Okay, you never appointed a lead so just okay.

511
00:27:34,600 --> 00:27:37,280
Speaker 2: It's He's right, he's right. We forgot to appoint the lead.

512
00:27:37,520 --> 00:27:38,840
Speaker 2: It's true, It's true.

513
00:27:38,960 --> 00:27:45,679
Speaker 1: Okay, Oh, can we get some score? Okay, maybe some

514
00:27:45,840 --> 00:27:49,960
Speaker 1: romantic Italian feeling music Italian Italian restaurant.

515
00:27:50,440 --> 00:27:52,400
Speaker 4: This is where it's going to be difficult, though, because.

516
00:27:52,240 --> 00:27:53,720
Speaker 1: Of the pasta.

517
00:27:54,200 --> 00:27:58,080
Speaker 6: If we could I have pasta though you have, yeah, ship.

518
00:27:58,040 --> 00:27:59,320
Speaker 2: Brett, where it can come from?

519
00:27:59,400 --> 00:28:00,760
Speaker 6: I can all back on that.

520
00:28:01,480 --> 00:28:04,480
Speaker 1: Duh, mister.

521
00:28:05,840 --> 00:28:13,800
Speaker 3: Mister bread is an union, you know, just constantly unfolding.

522
00:28:14,520 --> 00:28:15,159
Speaker 2: Than the last.

523
00:28:17,000 --> 00:28:19,680
Speaker 4: And he'll absorb all the microbes in your fridge.

524
00:28:20,520 --> 00:28:20,920
Speaker 2: Mm hmm.

525
00:28:22,720 --> 00:28:23,680
Speaker 1: Can I ask a question?

526
00:28:24,040 --> 00:28:27,200
Speaker 4: No, just for clarity, please, please, I beg you.

527
00:28:27,280 --> 00:28:29,160
Speaker 1: I want to ask a single question. No, you didn't

528
00:28:29,200 --> 00:28:29,760
Speaker 1: let me finish?

529
00:28:29,880 --> 00:28:30,080
Speaker 3: No?

530
00:28:30,280 --> 00:28:32,120
Speaker 2: Please? Do you even why?

531
00:28:32,119 --> 00:28:36,280
Speaker 1: Why would you think you couldn't? Just shy guys shy

532
00:28:36,280 --> 00:28:37,840
Speaker 1: about asking question me?

533
00:28:38,200 --> 00:28:42,080
Speaker 4: Okay, So in this restaurant are these lamps attached to

534
00:28:42,120 --> 00:28:44,840
Speaker 4: the table? Is it one of those situations?

535
00:28:44,880 --> 00:28:52,440
Speaker 7: Are they question? Thank you great, great question. I can't

536
00:28:52,440 --> 00:28:55,480
Speaker 7: see the lamp from where I am. Oh, it's way back.

537
00:28:55,920 --> 00:28:59,920
Speaker 4: It's is this a set lamp? This is actually a

538
00:29:00,040 --> 00:29:01,400
Speaker 4: lamp that's lighting the scene.

539
00:29:01,960 --> 00:29:05,520
Speaker 2: It's like practical, it's not. It's not lighting the scene

540
00:29:05,520 --> 00:29:07,440
Speaker 2: but the script.

541
00:29:07,760 --> 00:29:13,560
Speaker 3: Yeah, yes, it's it's the lamp on the script supervisor,

542
00:29:13,600 --> 00:29:15,440
Speaker 3: which is what we you know, call her.

543
00:29:15,520 --> 00:29:17,000
Speaker 2: I don't I know, Maybe you don't get to know.

544
00:29:17,320 --> 00:29:18,400
Speaker 1: We know it's a her too.

545
00:29:20,000 --> 00:29:21,680
Speaker 2: Yes, that's right, always.

546
00:29:21,320 --> 00:29:21,760
Speaker 3: A her.

547
00:29:23,120 --> 00:29:26,040
Speaker 2: Script. Did you find something?

548
00:29:30,720 --> 00:29:37,120
Speaker 3: Okay?

549
00:29:38,640 --> 00:29:40,640
Speaker 2: Excuse me? Excuse me? Waiter?

550
00:29:41,880 --> 00:29:42,200
Speaker 1: Huh?

551
00:29:42,640 --> 00:29:46,560
Speaker 2: Could I have the main pasta? Please?

552
00:29:46,640 --> 00:29:52,480
Speaker 1: One second? Sorry, got my buds in, Sorry, couldn't hear

553
00:29:52,520 --> 00:29:54,040
Speaker 1: you was listening.

554
00:29:54,560 --> 00:29:55,080
Speaker 2: That's okay.

555
00:29:55,120 --> 00:29:56,720
Speaker 3: I was just hoping to have some of the main

556
00:29:56,840 --> 00:29:59,000
Speaker 3: pasta at the restaurant.

557
00:29:58,520 --> 00:30:01,160
Speaker 1: The main pasta, yes right away, sir.

558
00:30:01,400 --> 00:30:04,280
Speaker 3: And I just want you to know then, the fact

559
00:30:04,320 --> 00:30:08,200
Speaker 3: that that's all I'm asking for right now, that all

560
00:30:08,280 --> 00:30:11,280
Speaker 3: I want is pasta when I could have.

561
00:30:12,760 --> 00:30:13,640
Speaker 2: So much more.

562
00:30:13,880 --> 00:30:16,000
Speaker 1: I'm sorry I put my buds back in. What the

563
00:30:16,520 --> 00:30:18,560
Speaker 1: last thing I heard was main pasta?

564
00:30:18,880 --> 00:30:24,520
Speaker 3: I'm a young, hot shot director. You think pasta is

565
00:30:24,560 --> 00:30:28,640
Speaker 3: the best I could do? But that's all I need

566
00:30:28,760 --> 00:30:32,080
Speaker 3: right now. That's all I need for you. I'll only

567
00:30:32,160 --> 00:30:36,280
Speaker 3: have this pasta. Now, how do I Where is it?

568
00:30:37,560 --> 00:30:37,960
Speaker 2: Sorry?

569
00:30:38,160 --> 00:30:40,880
Speaker 1: Sorry? Sorry I took one out to hear you. But

570
00:30:41,000 --> 00:30:44,640
Speaker 1: I also I'm listening to comedy bang bag in one

571
00:30:44,680 --> 00:30:49,560
Speaker 1: of these things. Shit, man, some of the word play

572
00:30:49,640 --> 00:30:53,960
Speaker 1: these guys are coming up with, Like literally, they'll hear

573
00:30:54,040 --> 00:30:58,920
Speaker 1: a word, say it back, totally different pronunciation, and then

574
00:30:59,040 --> 00:31:01,600
Speaker 1: do just a whole new thing on that.

575
00:31:01,600 --> 00:31:07,040
Speaker 2: That's ten fifteen minutes of the show. Oh, that sounds

576
00:31:07,040 --> 00:31:09,560
Speaker 2: like some pretty funny ship anyway.

577
00:31:09,640 --> 00:31:13,480
Speaker 3: Yeah, surely it's too old to be popular.

578
00:31:14,440 --> 00:31:17,160
Speaker 1: That's oh man, I would have thought the same thing,

579
00:31:17,240 --> 00:31:22,560
Speaker 1: because it's it's out there weirdo shit man, I mean,

580
00:31:22,600 --> 00:31:26,040
Speaker 1: I'm telling you this is some outer space comedy shit.

581
00:31:26,720 --> 00:31:31,080
Speaker 1: So here, say a word here. You've been talking about pasta, right, yeah,

582
00:31:31,080 --> 00:31:34,760
Speaker 1: they'll go like pasta rosta man.

583
00:31:36,000 --> 00:31:38,840
Speaker 2: And that's fifteen minutes of the show. I think didn't

584
00:31:38,840 --> 00:31:42,200
Speaker 2: another show do that exact bit?

585
00:31:42,640 --> 00:31:46,800
Speaker 1: Hey, man, if you can think of the show, I'll

586
00:31:46,880 --> 00:31:49,160
Speaker 1: listen to that too, because this ship has got.

587
00:31:49,080 --> 00:31:54,320
Speaker 2: Me pasta man who was like rosta Italian chef. I

588
00:31:54,320 --> 00:31:57,000
Speaker 2: thought i'd heard something about this. I don't know, great vault.

589
00:31:58,120 --> 00:32:00,440
Speaker 2: Oh yeah, yeah, I've been wanting to get Vulture.

590
00:32:00,520 --> 00:32:01,200
Speaker 1: Where is that?

591
00:32:01,600 --> 00:32:04,120
Speaker 2: Sorry, it's so dark in here.

592
00:32:04,160 --> 00:32:06,800
Speaker 3: Is there any like is there a lamper or something

593
00:32:06,880 --> 00:32:08,920
Speaker 3: that you can bring out?

594
00:32:09,120 --> 00:32:11,840
Speaker 2: Okay, maybe check him like the back or something like that.

595
00:32:14,080 --> 00:32:15,720
Speaker 1: And that was the lamp going on.

596
00:32:16,400 --> 00:32:20,000
Speaker 2: So really good scene, guys.

597
00:32:20,040 --> 00:32:22,920
Speaker 1: I loved that. I have a few notes, a few

598
00:32:23,000 --> 00:32:28,560
Speaker 1: comments please yeah, yeah, no, they're not notes, there's soft notes.

599
00:32:29,240 --> 00:32:31,280
Speaker 1: What I loved about it. I love that you guys

600
00:32:31,360 --> 00:32:32,200
Speaker 1: talked over each other.

601
00:32:32,440 --> 00:32:32,640
Speaker 2: Yeah.

602
00:32:32,680 --> 00:32:35,520
Speaker 4: I love that there is a looseness to it. I

603
00:32:35,600 --> 00:32:39,040
Speaker 4: love that we went from him not being able to

604
00:32:39,040 --> 00:32:39,440
Speaker 4: hear him.

605
00:32:39,520 --> 00:32:39,680
Speaker 7: Uh.

606
00:32:40,760 --> 00:32:43,680
Speaker 4: And I believed that, Yeah, I really believed. I don't

607
00:32:43,720 --> 00:32:46,760
Speaker 4: know if you did have headphones in like that you

608
00:32:46,800 --> 00:32:48,200
Speaker 4: were actually listening underneath?

609
00:32:48,280 --> 00:32:50,200
Speaker 1: Yeah you did, Oh you did.

610
00:32:50,600 --> 00:32:56,760
Speaker 4: You weren't creating method, Okay, love that. I love that

611
00:32:56,840 --> 00:33:00,840
Speaker 4: when you said Maine pasta you emphasized me mm hmm.

612
00:33:01,640 --> 00:33:04,960
Speaker 2: And I love I didn't even notice that I was

613
00:33:05,000 --> 00:33:05,360
Speaker 2: doing that.

614
00:33:05,520 --> 00:33:07,680
Speaker 4: No, it was, you could, But it's because it was

615
00:33:08,000 --> 00:33:10,040
Speaker 4: real because you really wanted it.

616
00:33:10,160 --> 00:33:11,640
Speaker 1: That's so cool, all natural.

617
00:33:11,920 --> 00:33:13,800
Speaker 4: And I like that the scene just sort of ended

618
00:33:13,880 --> 00:33:18,440
Speaker 4: up being about something completely different from where it started. Yes,

619
00:33:18,560 --> 00:33:20,800
Speaker 4: you know, and that you guys just want the journey.

620
00:33:20,480 --> 00:33:23,040
Speaker 3: That ended up being if you noticed, like we u

621
00:33:23,320 --> 00:33:26,680
Speaker 3: there was like it ended up being the podcast comedy

622
00:33:26,720 --> 00:33:29,120
Speaker 3: Bang Big, if you notice that.

623
00:33:29,080 --> 00:33:32,280
Speaker 1: Which was it's in there that's in there. It's subtle,

624
00:33:32,320 --> 00:33:34,880
Speaker 1: but it is in there. It's threaded in a little bit.

625
00:33:35,000 --> 00:33:36,640
Speaker 3: And for those who would say that Brett was the

626
00:33:36,720 --> 00:33:40,480
Speaker 3: lead and actually did nothing, he if you were in here,

627
00:33:40,520 --> 00:33:42,440
Speaker 3: you would know that he was smoldered.

628
00:33:42,720 --> 00:33:43,600
Speaker 2: Yes, oh the.

629
00:33:45,440 --> 00:33:47,800
Speaker 4: Scene, Yes, I think it was the breath work. He

630
00:33:47,880 --> 00:33:48,880
Speaker 4: was breathing quite low.

631
00:33:49,600 --> 00:33:54,000
Speaker 1: As a give myself as just as a from a

632
00:33:54,040 --> 00:33:56,600
Speaker 1: casting perspective, Tatiana, I think you may have been under

633
00:33:56,720 --> 00:33:59,600
Speaker 1: used by making you be the lamp when you're by

634
00:33:59,640 --> 00:34:02,880
Speaker 1: all ounce there's one of the bigger guests we've ever

635
00:34:02,960 --> 00:34:05,760
Speaker 1: had on the show, and then we did what that

636
00:34:05,800 --> 00:34:07,280
Speaker 1: scene must have been seven or eight minutes.

637
00:34:07,320 --> 00:34:10,399
Speaker 4: Here's the thing, there are no this is just something

638
00:34:10,480 --> 00:34:11,040
Speaker 4: I came up with.

639
00:34:11,440 --> 00:34:12,680
Speaker 1: Uh huh.

640
00:34:12,719 --> 00:34:13,879
Speaker 4: It's something I like to say.

641
00:34:14,920 --> 00:34:18,160
Speaker 1: There are no small parts, okay.

642
00:34:18,200 --> 00:34:19,279
Speaker 4: And I love lamp.

643
00:34:19,480 --> 00:34:21,319
Speaker 1: That's another thing I love to say. You came up

644
00:34:21,320 --> 00:34:21,960
Speaker 1: with it as well.

645
00:34:22,600 --> 00:34:25,080
Speaker 2: Yeah, I said it before you did, if you actually.

646
00:34:24,760 --> 00:34:27,920
Speaker 4: Remember, yeah, because I coined it.

647
00:34:28,000 --> 00:34:30,560
Speaker 3: I thought we were maybe going to like a scene

648
00:34:30,560 --> 00:34:33,040
Speaker 3: where the waiter would we be going back and like

649
00:34:33,200 --> 00:34:35,239
Speaker 3: getting a lamp out of the back room, which would

650
00:34:35,239 --> 00:34:37,440
Speaker 3: be an opportunity for the lamp.

651
00:34:37,239 --> 00:34:38,640
Speaker 1: We did, and then the lamp turned on. If you

652
00:34:38,680 --> 00:34:41,720
Speaker 1: heard the click noise that she made, yeah, it was subtle.

653
00:34:42,200 --> 00:34:43,239
Speaker 1: I don't know if you missed it.

654
00:34:43,520 --> 00:34:43,960
Speaker 2: No, I did.

655
00:34:44,000 --> 00:34:45,719
Speaker 1: Its subtle, but it's in there. The coming big bang

656
00:34:45,760 --> 00:34:48,160
Speaker 1: thread was subtle. And then the lamp sound was a

657
00:34:48,200 --> 00:34:50,960
Speaker 1: lot of do we want to do another scene?

658
00:34:51,080 --> 00:34:53,600
Speaker 2: Now? Maybe you shouldn't be la be able to suggest

659
00:34:53,719 --> 00:34:55,400
Speaker 2: like something like from his own.

660
00:34:55,320 --> 00:34:57,320
Speaker 1: Chris, what's the most dramatic ship that ever happened?

661
00:34:57,400 --> 00:35:01,720
Speaker 2: You don't say, clearly experienced at my playing a character

662
00:35:06,640 --> 00:35:09,640
Speaker 2: Ken the show.

663
00:35:09,760 --> 00:35:14,320
Speaker 1: Probably meeting Chef Kevin for the first time. That's dramatic. Okay,

664
00:35:14,760 --> 00:35:18,240
Speaker 1: does anybody in here have the chops to play Chef Kevin?

665
00:35:19,760 --> 00:35:21,560
Speaker 2: This is maybe where we use.

666
00:35:23,000 --> 00:35:23,560
Speaker 1: I can do this.

667
00:35:23,760 --> 00:35:27,399
Speaker 2: Yes, you got it? All right, I'm watching him.

668
00:35:27,600 --> 00:35:31,440
Speaker 4: I'm just taking him in right now. There's a kindness there.

669
00:35:31,920 --> 00:35:35,800
Speaker 1: Okay, So I'll be crisp. You could be Chef Kevin.

670
00:35:38,080 --> 00:35:39,680
Speaker 1: What would you like to play in the seed?

671
00:35:39,840 --> 00:35:40,960
Speaker 2: I could be the lamp?

672
00:35:41,080 --> 00:35:43,520
Speaker 1: Okay? Practical?

673
00:35:43,920 --> 00:35:46,280
Speaker 4: Or are you you off camera?

674
00:35:46,320 --> 00:35:46,720
Speaker 2: On camera?

675
00:35:46,760 --> 00:35:47,520
Speaker 1: What are we talking about?

676
00:35:48,040 --> 00:35:53,080
Speaker 3: I am outside your heat lamp, yes, because it's cold. Yes,

677
00:35:53,320 --> 00:35:58,799
Speaker 3: I'm outside at the restaurant. And I am blasting. You

678
00:35:58,840 --> 00:35:59,440
Speaker 3: can hear me.

679
00:35:59,560 --> 00:36:01,440
Speaker 2: I'm going so well that.

680
00:36:01,560 --> 00:36:04,759
Speaker 1: Propane and can we get some music.

681
00:36:06,840 --> 00:36:09,520
Speaker 2: Maybe like a thank you mine exactly?

682
00:36:19,200 --> 00:36:23,239
Speaker 1: Ship chef's chef, Kevin, what do you want? I just

683
00:36:23,800 --> 00:36:26,200
Speaker 1: I saw you banging on them Get out of my

684
00:36:26,320 --> 00:36:31,040
Speaker 1: get out of my face. I got these pastas to bake. Sorry, sorry,

685
00:36:31,200 --> 00:36:33,680
Speaker 1: I don't want to bother you, But just I saw

686
00:36:33,719 --> 00:36:37,000
Speaker 1: you on stage banging on them skins, and man, you

687
00:36:37,040 --> 00:36:39,279
Speaker 1: can really wail. It reminded me of some of my

688
00:36:39,320 --> 00:36:43,720
Speaker 1: favorite bands, Suffocation, and talk.

689
00:36:43,600 --> 00:36:47,439
Speaker 4: To me about suffocation. Suffocation is a lyric. You don't

690
00:36:47,480 --> 00:36:48,000
Speaker 4: know nothing.

691
00:36:48,440 --> 00:36:49,560
Speaker 1: Get out of my face, but.

692
00:36:51,360 --> 00:36:52,759
Speaker 2: I made this shirt.

693
00:36:53,680 --> 00:36:56,080
Speaker 4: Wait a second, what's your name again?

694
00:36:56,840 --> 00:36:57,280
Speaker 2: Crisp?

695
00:36:57,960 --> 00:37:02,840
Speaker 4: Crisp, Crisp me that pot you're gonna get, You're gonna

696
00:37:02,920 --> 00:37:07,440
Speaker 4: you're gonna work for me today. O, sir, you are

697
00:37:07,480 --> 00:37:09,960
Speaker 4: gonna become a skin. You're gonna become the skins that

698
00:37:10,000 --> 00:37:10,600
Speaker 4: I'm pounding.

699
00:37:10,680 --> 00:37:10,919
Speaker 2: Sir.

700
00:37:11,560 --> 00:37:12,560
Speaker 1: I'm about to flay you.

701
00:37:14,600 --> 00:37:15,600
Speaker 2: Oh thank you, sir.

702
00:37:15,680 --> 00:37:16,640
Speaker 1: I'm gonna feel that.

703
00:37:16,560 --> 00:37:19,800
Speaker 4: First layer of skin off your body, my friend, you

704
00:37:19,920 --> 00:37:21,600
Speaker 4: got that sweet, sweet supple skin.

705
00:37:21,760 --> 00:37:24,200
Speaker 1: Oh my god, get over here.

706
00:37:24,719 --> 00:37:26,239
Speaker 2: This is so scary.

707
00:37:31,920 --> 00:37:39,000
Speaker 1: Ah oh god, thank you. That's okay.

708
00:37:40,200 --> 00:37:43,360
Speaker 4: It's so dark here, Chef Keven's right here, it's.

709
00:37:43,239 --> 00:37:45,320
Speaker 2: So dark I can't see anything.

710
00:37:48,800 --> 00:37:56,319
Speaker 4: Oh, Chris, oh your skin is your skin is gonna

711
00:37:56,360 --> 00:37:58,319
Speaker 4: make some nice drums there, my sweet.

712
00:38:01,560 --> 00:38:10,880
Speaker 2: Would the lead click? Okay?

713
00:38:11,360 --> 00:38:15,040
Speaker 1: Okay, So guys, who should give notes on this one?

714
00:38:16,719 --> 00:38:18,240
Speaker 3: I mean we can just sort of do a round

715
00:38:18,280 --> 00:38:21,000
Speaker 3: table like conversation about just like how it felt being

716
00:38:21,080 --> 00:38:25,720
Speaker 3: seen partners through that. I really liked how Chef Kevin

717
00:38:25,840 --> 00:38:32,480
Speaker 3: was calling his subordinate sir. The guy who was very

718
00:38:32,520 --> 00:38:34,640
Speaker 3: scared of it, who you just met, was he was

719
00:38:34,680 --> 00:38:35,720
Speaker 3: referred to his sirt.

720
00:38:36,320 --> 00:38:39,160
Speaker 4: Well, this is what the complexity of Chef Kevin is

721
00:38:39,160 --> 00:38:43,239
Speaker 4: that a war mind. Yeah, he's a warped he's a

722
00:38:43,280 --> 00:38:46,520
Speaker 4: warped soul. And he sees, you know, he sees vulnerability

723
00:38:46,520 --> 00:38:49,480
Speaker 4: in this guy. He wants to build him up as

724
00:38:49,520 --> 00:38:51,000
Speaker 4: much as he wants to peel his skin off. At

725
00:38:51,000 --> 00:38:53,360
Speaker 4: the same time, you don't have to make drums to

726
00:38:53,400 --> 00:38:54,240
Speaker 4: make those drums.

727
00:38:55,719 --> 00:38:56,480
Speaker 2: And this is a thing.

728
00:38:56,560 --> 00:39:00,160
Speaker 3: And and a lot of like dramatic stories, is kissing

729
00:39:00,719 --> 00:39:03,960
Speaker 3: like they are so often comes up. They are doing

730
00:39:04,000 --> 00:39:05,720
Speaker 3: this a lot in these movies.

731
00:39:07,520 --> 00:39:07,759
Speaker 1: Story.

732
00:39:07,920 --> 00:39:10,919
Speaker 2: Yes, they they have that in there.

733
00:39:11,880 --> 00:39:15,279
Speaker 1: Kissing is often played for laughs, but it could be

734
00:39:15,360 --> 00:39:20,040
Speaker 1: dramatic as well, especially when it is someone who is

735
00:39:20,760 --> 00:39:22,880
Speaker 1: getting their skin peeled to be made into a drum

736
00:39:23,000 --> 00:39:32,040
Speaker 1: by a pasta baker who they've just met. I felt

737
00:39:32,800 --> 00:39:35,839
Speaker 1: very scared doing the scene, and I think I should have.

738
00:39:36,719 --> 00:39:39,880
Speaker 1: I think that's where you were bringing me well.

739
00:39:39,760 --> 00:39:41,400
Speaker 4: That you want to see a partner who's going to

740
00:39:41,440 --> 00:39:44,200
Speaker 4: take you take you there, so to speak like feel

741
00:39:44,239 --> 00:39:47,359
Speaker 4: like you're make you feel like your skin is is

742
00:39:48,040 --> 00:39:50,399
Speaker 4: vulnerable to being removed? Do you know what I mean?

743
00:39:50,440 --> 00:39:50,520
Speaker 6: Like?

744
00:39:50,719 --> 00:39:54,040
Speaker 1: No, yes, now I do. Have you asked me yesterday?

745
00:39:54,080 --> 00:39:55,040
Speaker 1: Do you know what I mean? You know what I

746
00:39:55,080 --> 00:39:55,640
Speaker 1: would have said?

747
00:39:55,840 --> 00:39:56,040
Speaker 3: What?

748
00:39:57,360 --> 00:39:59,880
Speaker 2: No fucking way right?

749
00:40:00,719 --> 00:40:03,520
Speaker 3: But you were laughing. And isn't that interesting that like

750
00:40:03,640 --> 00:40:07,439
Speaker 3: your response to that being nervous, to like being scared, Yeah,

751
00:40:07,680 --> 00:40:08,320
Speaker 3: was to laugh.

752
00:40:08,480 --> 00:40:11,959
Speaker 1: I guess Chris laughs. I guess Chris laughs to look

753
00:40:12,080 --> 00:40:15,960
Speaker 1: brave and to look strong even when he's pissing his

754
00:40:16,000 --> 00:40:17,600
Speaker 1: little pennies and there did.

755
00:40:17,480 --> 00:40:20,080
Speaker 4: You know that before coming into this scene?

756
00:40:20,320 --> 00:40:23,000
Speaker 1: Were you like, that's that's a I discovered that you

757
00:40:23,080 --> 00:40:26,839
Speaker 1: discovered I discovered that I love that. I really love that.

758
00:40:27,120 --> 00:40:28,440
Speaker 1: I can feel you finding that.

759
00:40:30,040 --> 00:40:30,440
Speaker 2: Thank you.

760
00:40:30,560 --> 00:40:31,960
Speaker 4: I you know what I do.

761
00:40:32,040 --> 00:40:37,440
Speaker 1: Honor you. I honor you deeply. You me thank you, God,

762
00:40:37,480 --> 00:40:41,080
Speaker 1: bless you be with you, God.

763
00:40:40,880 --> 00:40:49,279
Speaker 3: Bless and Brett talk about your how you felt entering

764
00:40:49,320 --> 00:40:51,640
Speaker 3: the scene when you did, it's sort of the climactic moment.

765
00:40:53,040 --> 00:40:53,920
Speaker 6: Well, really, I.

766
00:40:53,960 --> 00:40:59,480
Speaker 3: Was shouldering the birden that the lead, that is the leads.

767
00:40:59,560 --> 00:41:02,400
Speaker 6: Well, we never really discussed that I would be lead again.

768
00:41:02,760 --> 00:41:05,680
Speaker 2: You didn't have to just lead stays the lead.

769
00:41:05,840 --> 00:41:10,239
Speaker 6: Okay, So we've also never really discussed like, okay, this

770
00:41:10,320 --> 00:41:10,840
Speaker 6: is possible.

771
00:41:10,880 --> 00:41:13,200
Speaker 3: Five now, Okay, now let's have a big meeting about

772
00:41:13,239 --> 00:41:15,879
Speaker 3: who is gonna be the star of this movie.

773
00:41:16,400 --> 00:41:20,600
Speaker 2: Let's spend the entire day being like, okay, who is Yeah?

774
00:41:21,000 --> 00:41:22,359
Speaker 2: Ving Raims the lead this time.

775
00:41:23,360 --> 00:41:28,799
Speaker 6: But I felt I felt that I was. I didn't

776
00:41:28,840 --> 00:41:31,280
Speaker 6: want to step on the scene. I wanted you to shine.

777
00:41:32,200 --> 00:41:35,239
Speaker 6: Literally yeah, literally, wow.

778
00:41:35,320 --> 00:41:36,920
Speaker 2: See what I did. That's really funny.

779
00:41:37,040 --> 00:41:38,200
Speaker 6: I think that's.

780
00:41:38,040 --> 00:41:39,080
Speaker 1: So funny, man.

781
00:41:39,239 --> 00:41:40,080
Speaker 6: And you could give it up.

782
00:41:40,360 --> 00:41:42,520
Speaker 1: And even in dramatic work, you can't get some of

783
00:41:42,560 --> 00:41:45,200
Speaker 1: your biggest laughs because it's unexpected to hear Brett make

784
00:41:45,920 --> 00:41:47,640
Speaker 1: the funniest fucking joke I've ever heard.

785
00:41:48,120 --> 00:41:49,360
Speaker 2: Yeah, and Brett in the middle of.

786
00:41:49,320 --> 00:41:54,799
Speaker 1: A pretty serious discussion. Okay, right and Brad, I.

787
00:41:54,760 --> 00:41:57,319
Speaker 3: Absolutely have to give it up once again. And I

788
00:41:57,400 --> 00:41:59,040
Speaker 3: honored you?

789
00:42:00,040 --> 00:42:03,600
Speaker 1: Are you God bless you? Want with you, speak on you.

790
00:42:04,560 --> 00:42:05,560
Speaker 2: Sam is in there.

791
00:42:06,600 --> 00:42:12,640
Speaker 3: These creeps turn off the turning out the light if

792
00:42:12,640 --> 00:42:14,359
Speaker 3: its like he can't be seen when the.

793
00:42:14,280 --> 00:42:14,959
Speaker 2: Light is off.

794
00:42:15,440 --> 00:42:19,800
Speaker 1: Sampire lamp business engeer s Empire? What's a sampire?

795
00:42:20,360 --> 00:42:25,360
Speaker 2: This vampire? Sam? Sam? Vampire? Do we have we gathered

796
00:42:25,360 --> 00:42:27,840
Speaker 2: all these questions for Tatiana? Should we ask her one question?

797
00:42:27,960 --> 00:42:29,920
Speaker 1: Come on, Kevin, hit us with the questions.

798
00:42:31,120 --> 00:42:34,680
Speaker 8: Okay, this comes from Brendan j what's the bit that

799
00:42:34,760 --> 00:42:37,480
Speaker 8: you regret most in the old HH archives?

800
00:42:37,920 --> 00:42:38,560
Speaker 2: This is not.

801
00:42:39,200 --> 00:42:42,360
Speaker 4: Stands for terrible question, Joe, Joe question.

802
00:42:42,800 --> 00:42:45,799
Speaker 2: Okay, who should host the Oscars? Thank you, thank you.

803
00:42:46,200 --> 00:42:47,000
Speaker 2: This is a good question.

804
00:42:47,080 --> 00:42:48,880
Speaker 1: That's a great now question.

805
00:42:49,640 --> 00:42:52,000
Speaker 4: Now are we talking currently or in the past.

806
00:42:53,160 --> 00:42:56,840
Speaker 2: M that's a really good question. That's really interesting.

807
00:42:56,840 --> 00:42:59,480
Speaker 6: It doesn't figured it was the nineteen seventy four Oscars?

808
00:42:59,520 --> 00:43:02,520
Speaker 2: Okay? Who should host the Oscars in the past? Now?

809
00:43:02,560 --> 00:43:04,560
Speaker 4: I think they should just have a series of children

810
00:43:05,520 --> 00:43:09,279
Speaker 4: coming out dressed in in little well outfits.

811
00:43:09,640 --> 00:43:10,640
Speaker 1: You want them in outfits?

812
00:43:10,800 --> 00:43:14,239
Speaker 4: I want them in outfits and I want them. I

813
00:43:14,280 --> 00:43:18,719
Speaker 4: want them laughing, singing, dancing. I want to keep it light.

814
00:43:19,080 --> 00:43:21,759
Speaker 4: It's getting so heavy out there. I want a bunch

815
00:43:21,760 --> 00:43:22,840
Speaker 4: of babies on stage.

816
00:43:22,920 --> 00:43:27,080
Speaker 1: It's so negative, isn't it. It's so and I think

817
00:43:27,120 --> 00:43:28,520
Speaker 1: that's going to be one of the legacies of the

818
00:43:28,560 --> 00:43:33,160
Speaker 1: decade negative. I think that, I think that is going

819
00:43:33,200 --> 00:43:36,520
Speaker 1: to be one of our lessons of the decade. Is

820
00:43:37,440 --> 00:43:40,200
Speaker 1: it's been pretty negative lately? Yeah, it's been tough.

821
00:43:41,560 --> 00:43:44,160
Speaker 2: So so who is it?

822
00:43:44,239 --> 00:43:44,319
Speaker 6: Like?

823
00:43:44,400 --> 00:43:46,719
Speaker 2: Who? Like? Who can do this?

824
00:43:46,840 --> 00:43:46,880
Speaker 4: Like?

825
00:43:46,920 --> 00:43:48,840
Speaker 2: Who can I think bring everyone together?

826
00:43:48,960 --> 00:43:53,719
Speaker 1: Obviously answer Ricky Gervais. You know, there's a reason that

827
00:43:53,760 --> 00:43:56,759
Speaker 1: the Golden Globes are kicking the Oscars ass every year

828
00:43:56,960 --> 00:44:01,080
Speaker 1: in terms of just fucking awesome comedy and great hosting

829
00:44:02,640 --> 00:44:08,000
Speaker 1: and just really taking no prisoners and being so fucking cheeky. Yeah.

830
00:44:08,440 --> 00:44:10,680
Speaker 4: I mean, he's a cheeky He's a cheeky monkey.

831
00:44:10,719 --> 00:44:13,520
Speaker 2: It's unreal real.

832
00:44:14,480 --> 00:44:21,760
Speaker 1: He is taking so much of the piss out of cheeky. No, nobody, nobody.

833
00:44:21,440 --> 00:44:23,000
Speaker 2: Is safe, No piss remains.

834
00:44:23,600 --> 00:44:23,799
Speaker 1: No.

835
00:44:24,280 --> 00:44:27,000
Speaker 4: Do you think he apologizes to people afterwards? I think

836
00:44:27,040 --> 00:44:29,120
Speaker 4: goes up to them and just says, I'm so sorry.

837
00:44:29,120 --> 00:44:30,359
Speaker 4: I'm just totally joke.

838
00:44:30,480 --> 00:44:40,600
Speaker 9: I was joking, dude, you of course, dude, I was

839
00:44:40,600 --> 00:44:41,319
Speaker 9: like the whole time.

840
00:44:41,360 --> 00:44:44,080
Speaker 2: I was like, that was the funniest to me of anyone.

841
00:44:44,120 --> 00:44:44,880
Speaker 2: Are you kidding me?

842
00:44:47,040 --> 00:44:48,080
Speaker 1: He apologized to you.

843
00:44:48,920 --> 00:44:51,120
Speaker 2: Yeah, and I was like, dude, are you kidding me?

844
00:44:53,239 --> 00:44:56,239
Speaker 2: That kind of ship is my favorite? Like that's my

845
00:44:56,239 --> 00:44:58,160
Speaker 2: favorite kind of ship. That's what I did. That's what

846
00:44:58,200 --> 00:44:58,560
Speaker 2: I did to you.

847
00:44:59,800 --> 00:44:59,960
Speaker 1: Yeah.

848
00:45:00,280 --> 00:45:02,719
Speaker 3: Laugh. Oh, so maybe this is like, maybe we do this?

849
00:45:02,760 --> 00:45:05,080
Speaker 3: Can we get little music for this?

850
00:45:05,080 --> 00:45:06,000
Speaker 1: This is the apology?

851
00:45:06,520 --> 00:45:09,680
Speaker 3: Yeah, I mean you've been in these yes, you like

852
00:45:09,719 --> 00:45:14,919
Speaker 3: to say like taking home a words hardware like whoa yeah,

853
00:45:15,160 --> 00:45:19,240
Speaker 3: you know. And so let's like you can be backstage

854
00:45:20,280 --> 00:45:23,000
Speaker 3: and Ricky Gervais is apologizing to you for a joke

855
00:45:23,040 --> 00:45:25,400
Speaker 3: he made about morphine black.

856
00:45:25,280 --> 00:45:33,719
Speaker 4: And I'm holding my slammy yes, oh my god, oh

857
00:45:33,760 --> 00:45:34,160
Speaker 4: my god.

858
00:45:34,680 --> 00:45:37,040
Speaker 1: Oh yeah I didn't, you know, just taking.

859
00:45:41,160 --> 00:45:43,040
Speaker 7: You know, the reason I even dude talk about you

860
00:45:43,160 --> 00:45:45,040
Speaker 7: because humor.

861
00:45:45,719 --> 00:45:48,200
Speaker 4: I take it as a compliment, Ricky. I take it

862
00:45:48,200 --> 00:45:49,120
Speaker 4: as a compliment.

863
00:45:49,440 --> 00:45:50,560
Speaker 2: God doesn't exist here.

864
00:45:52,520 --> 00:45:54,640
Speaker 1: Just laugh, Ricky.

865
00:45:54,680 --> 00:45:59,040
Speaker 4: Your skin fallen off, Oh my god, your skin, yeah,

866
00:45:59,200 --> 00:46:01,000
Speaker 4: falling off soft.

867
00:46:00,920 --> 00:46:03,479
Speaker 2: Yeah, falling off the skin coming off.

868
00:46:07,120 --> 00:46:10,960
Speaker 4: You know how sharp is really all those two little

869
00:46:11,040 --> 00:46:11,760
Speaker 4: sharp hands?

870
00:46:11,920 --> 00:46:21,400
Speaker 2: Oh no, oh god, no becoming drums.

871
00:46:21,440 --> 00:46:24,560
Speaker 4: And then I put his skin onto my body and

872
00:46:24,600 --> 00:46:26,680
Speaker 4: then I host the Emmys or whatever.

873
00:46:29,520 --> 00:46:36,279
Speaker 2: Oh wow, whoa you did? This is your signature, like

874
00:46:36,640 --> 00:46:37,680
Speaker 2: dag move.

875
00:46:39,960 --> 00:46:44,239
Speaker 1: It's so important to brand, and people are comfortable when

876
00:46:44,280 --> 00:46:46,439
Speaker 1: they see you. They're waiting when is she gonna peel

877
00:46:46,440 --> 00:46:47,080
Speaker 1: guy's skin off?

878
00:46:47,320 --> 00:46:50,400
Speaker 4: And he's getting played? How long is it gonna take? Yeah,

879
00:46:50,560 --> 00:46:52,960
Speaker 4: she's gonna kiss before, after, during.

880
00:46:53,440 --> 00:46:54,399
Speaker 1: Kiss and take the skin.

881
00:46:54,480 --> 00:46:59,360
Speaker 3: Your characters are constantly being like and now I'm in charge.

882
00:47:00,400 --> 00:47:05,799
Speaker 4: It's because I'm so sick of men being the ones

883
00:47:05,840 --> 00:47:06,800
Speaker 4: who play the women.

884
00:47:07,040 --> 00:47:08,640
Speaker 1: Yes, I want to play the men.

885
00:47:08,960 --> 00:47:09,600
Speaker 4: Do you know what I mean?

886
00:47:09,640 --> 00:47:17,840
Speaker 1: That's for them, the men flaying some women doing the flame.

887
00:47:18,280 --> 00:47:22,800
Speaker 1: Please enough Bobby Flay, how about Bobby Sue Flay?

888
00:47:23,960 --> 00:47:29,080
Speaker 2: Yes, Kevin? Any other question?

889
00:47:29,560 --> 00:47:32,239
Speaker 8: This is from Nick Curious what your favorite cameo in

890
00:47:32,280 --> 00:47:33,359
Speaker 8: a project has been?

891
00:47:33,520 --> 00:47:34,840
Speaker 1: This is from Nick Crall.

892
00:47:35,640 --> 00:47:39,719
Speaker 4: Yeah, my favorite famous cameo in a project has.

893
00:47:39,520 --> 00:47:42,719
Speaker 2: Been Are you on cameo? By the way?

894
00:47:42,920 --> 00:47:43,560
Speaker 1: Yeah?

895
00:47:43,560 --> 00:47:47,840
Speaker 4: Fifty bucks on that price.

896
00:47:47,960 --> 00:47:50,399
Speaker 3: Yeah, you gotta find that sweet spot where you can

897
00:47:50,520 --> 00:47:57,400
Speaker 3: still be like like in rarefied air, like still be expensive,

898
00:47:57,680 --> 00:48:01,560
Speaker 3: but people are also like paying for your cameos.

899
00:48:01,680 --> 00:48:02,319
Speaker 1: Yeah, you know.

900
00:48:02,640 --> 00:48:03,879
Speaker 4: How many cameos have you bought?

901
00:48:05,360 --> 00:48:07,360
Speaker 1: Boy for a friend for a friend.

902
00:48:07,640 --> 00:48:09,880
Speaker 2: I am saving up for Brian Baumgardner.

903
00:48:11,320 --> 00:48:15,160
Speaker 1: I don't know who that is so a character.

904
00:48:14,920 --> 00:48:19,959
Speaker 3: That's so funny. He is okay time his fake character.

905
00:48:20,000 --> 00:48:24,640
Speaker 3: It's Kevin from the Office, who is like the guy?

906
00:48:24,840 --> 00:48:28,120
Speaker 4: How about show guys, I only watched the UK Office.

907
00:48:28,960 --> 00:48:32,239
Speaker 2: Oh okay, have you heard Ricky?

908
00:48:32,560 --> 00:48:33,800
Speaker 6: Have you heard the British Office?

909
00:48:33,840 --> 00:48:34,200
Speaker 2: Ladies?

910
00:48:35,400 --> 00:48:40,000
Speaker 6: So much better than that than the American I know.

911
00:48:40,960 --> 00:48:41,919
Speaker 2: It's a great joke.

912
00:48:44,960 --> 00:48:50,560
Speaker 5: It's a worrying you actually have become the lead because

913
00:48:50,920 --> 00:48:56,160
Speaker 5: this is now the third joke, each one funnier than

914
00:48:56,200 --> 00:48:56,720
Speaker 5: the last.

915
00:48:56,920 --> 00:49:00,840
Speaker 6: To save the pro tools, what happened?

916
00:49:02,719 --> 00:49:03,400
Speaker 1: Kind a glimpse?

917
00:49:03,480 --> 00:49:05,080
Speaker 2: Oh what was on your screen?

918
00:49:05,520 --> 00:49:06,759
Speaker 6: I don't know what she's laughing at.

919
00:49:06,920 --> 00:49:07,240
Speaker 1: Nothing.

920
00:49:08,160 --> 00:49:12,120
Speaker 4: You'll find out soon enough. Everyone's getting played.

921
00:49:13,800 --> 00:49:17,479
Speaker 6: To see me, just like all the chess pieces being

922
00:49:18,440 --> 00:49:19,040
Speaker 6: put together.

923
00:49:19,280 --> 00:49:21,600
Speaker 1: You guys don't even know what's happening behind the scenes.

924
00:49:21,640 --> 00:49:25,799
Speaker 2: Did you, like, did you research that joke before doing it?

925
00:49:27,200 --> 00:49:29,320
Speaker 6: I kind of let all of you along the whole

926
00:49:29,440 --> 00:49:31,120
Speaker 6: episode until that.

927
00:49:31,200 --> 00:49:35,959
Speaker 1: Moment, there's just a document on your screen of Blake

928
00:49:36,120 --> 00:49:39,279
Speaker 1: document there's the words British Office ladies and then like

929
00:49:39,320 --> 00:49:41,000
Speaker 1: a timestamp under it that's like.

930
00:49:42,719 --> 00:49:44,720
Speaker 2: Last night at ten pm or something.

931
00:49:46,280 --> 00:49:50,480
Speaker 1: Brett I honor you, bless you, Brett I honder you,

932
00:49:50,520 --> 00:49:56,279
Speaker 1: God bless you. So okay, so you're on cameo. But

933
00:49:56,400 --> 00:49:59,719
Speaker 1: you were talking about a famous famous No.

934
00:49:59,760 --> 00:50:02,760
Speaker 3: It was the favorite cameo that's in a movie, right, Kevin.

935
00:50:02,760 --> 00:50:05,000
Speaker 1: But but she said my famous cameo.

936
00:50:05,120 --> 00:50:07,360
Speaker 2: But you did, yeah, okay, and.

937
00:50:08,600 --> 00:50:11,839
Speaker 4: I interrupted subtle, it's subtle, but it's but it's deep.

938
00:50:11,880 --> 00:50:12,520
Speaker 2: But it's in there.

939
00:50:12,640 --> 00:50:13,280
Speaker 1: It's in there.

940
00:50:13,920 --> 00:50:21,080
Speaker 4: In the back of of Sam Raimi's Spider Man, Sam

941
00:50:21,320 --> 00:50:26,000
Speaker 4: Sam himself, I I was a guy who I was

942
00:50:26,000 --> 00:50:26,319
Speaker 4: a guy.

943
00:50:26,400 --> 00:50:27,080
Speaker 1: I played a guy.

944
00:50:27,160 --> 00:50:29,719
Speaker 4: I was looking up and I sort of pointed up.

945
00:50:30,680 --> 00:50:33,400
Speaker 4: And I took that part because I hadn't done a

946
00:50:33,400 --> 00:50:36,279
Speaker 4: lot of point like there's been very people.

947
00:50:36,000 --> 00:50:40,720
Speaker 1: Thought of you as your fingers doos downs.

948
00:50:41,000 --> 00:50:44,480
Speaker 4: Yeah, And there was something about extending up that was

949
00:50:44,560 --> 00:50:48,000
Speaker 4: quite a like artistic kind of It was a necessary

950
00:50:48,000 --> 00:50:51,840
Speaker 4: thing for me to explore on camera publicly.

951
00:50:53,000 --> 00:50:56,520
Speaker 3: Because I remember back then sort of being like, who

952
00:50:56,560 --> 00:50:56,719
Speaker 3: is that?

953
00:50:56,800 --> 00:50:59,279
Speaker 2: Whose face is kind of saying like, hey, this is

954
00:50:59,400 --> 00:50:59,920
Speaker 2: New York.

955
00:51:00,120 --> 00:51:01,879
Speaker 1: Yeah, we don't thank you.

956
00:51:02,000 --> 00:51:05,200
Speaker 3: We don't let goblins just come in here, and hey,

957
00:51:05,280 --> 00:51:08,320
Speaker 3: you get off of this freaking train, you goblin.

958
00:51:08,560 --> 00:51:12,120
Speaker 2: Yeah, this is our town.

959
00:51:12,680 --> 00:51:15,560
Speaker 4: I did a lot of prep work on just the

960
00:51:15,600 --> 00:51:17,680
Speaker 4: concept of like, what what is a goblin?

961
00:51:18,480 --> 00:51:19,280
Speaker 1: What is a goblin?

962
00:51:19,360 --> 00:51:19,640
Speaker 3: To me?

963
00:51:20,320 --> 00:51:21,800
Speaker 1: You know not it's not a goblin?

964
00:51:21,840 --> 00:51:22,520
Speaker 2: Where'd you land?

965
00:51:23,080 --> 00:51:23,680
Speaker 4: Where do I land?

966
00:51:23,719 --> 00:51:23,879
Speaker 8: On?

967
00:51:24,440 --> 00:51:26,680
Speaker 1: What a goblin is? I think people love to hear this.

968
00:51:26,800 --> 00:51:30,160
Speaker 4: Goblin's sort of like a stand in for like racism,

969
00:51:30,400 --> 00:51:32,080
Speaker 4: and and.

970
00:51:32,480 --> 00:51:34,080
Speaker 2: You know what I mean, that is what I'm doing

971
00:51:34,120 --> 00:51:35,000
Speaker 2: at dinner time.

972
00:51:36,200 --> 00:51:41,760
Speaker 5: And he's now Brett's rubbing off on himl and I.

973
00:51:41,040 --> 00:51:47,640
Speaker 1: Honor you, Hayes, God bless you, and also with you.

974
00:51:49,480 --> 00:51:50,400
Speaker 2: God.

975
00:51:50,719 --> 00:51:57,520
Speaker 1: So but goblin obviously is what you do thanks Giving time, turkey,

976
00:51:58,000 --> 00:52:00,640
Speaker 1: and it is also racism, sexism.

977
00:52:00,880 --> 00:52:04,200
Speaker 2: Yes, no, it's serious.

978
00:52:04,360 --> 00:52:06,279
Speaker 1: It's goblin in the room, so to speak.

979
00:52:06,320 --> 00:52:09,200
Speaker 4: I'm punting up at it and yeah, sort of drawing

980
00:52:09,200 --> 00:52:09,960
Speaker 4: people's attention.

981
00:52:11,080 --> 00:52:12,880
Speaker 3: And you're saying, this is New York, Like, we do

982
00:52:13,000 --> 00:52:17,480
Speaker 3: not do sexism here. Yeah, we do not do racism.

983
00:52:17,480 --> 00:52:19,680
Speaker 4: And I could have sucked anybody, do you know what

984
00:52:19,680 --> 00:52:20,759
Speaker 4: I mean that is.

985
00:52:21,440 --> 00:52:23,680
Speaker 1: Able to fuck whoever, because at the time you're in

986
00:52:23,680 --> 00:52:24,440
Speaker 1: your twenties.

987
00:52:24,200 --> 00:52:27,160
Speaker 4: You're in your twenties, you can fuck anybody.

988
00:52:29,120 --> 00:52:34,200
Speaker 1: No you honestly, when you're in your twenties, and people

989
00:52:34,280 --> 00:52:38,680
Speaker 1: know this, but I'll say it, you could be wielding

990
00:52:38,719 --> 00:52:41,799
Speaker 1: your pork sword dislay so many clam dragons.

991
00:52:41,880 --> 00:52:42,879
Speaker 2: And the.

992
00:52:44,960 --> 00:52:48,000
Speaker 1: And the sad truth is in a story that is

993
00:52:48,320 --> 00:52:49,560
Speaker 1: a marriage story.

994
00:52:49,760 --> 00:52:53,040
Speaker 2: Yeah, it's really about.

995
00:52:52,160 --> 00:53:00,120
Speaker 1: Sheathing your pork sword and letting it rest dormant and

996
00:53:00,160 --> 00:53:07,320
Speaker 1: it's scabbard, which is a heartbreaking truth. But it's something

997
00:53:07,320 --> 00:53:09,919
Speaker 1: we do have to deal with cinematically. It's very real.

998
00:53:10,680 --> 00:53:12,000
Speaker 4: It's a very real issue.

999
00:53:12,880 --> 00:53:16,080
Speaker 1: Now in your thirties and your forties. It gives it

1000
00:53:16,320 --> 00:53:17,920
Speaker 1: you know, you're unfuckable.

1001
00:53:17,360 --> 00:53:19,040
Speaker 4: You can't fuck nobody.

1002
00:53:19,000 --> 00:53:22,520
Speaker 3: Yeah, and go to the theater. You're lucky this kind

1003
00:53:22,520 --> 00:53:24,800
Speaker 3: of stuff. See this kind of stuff in the theater.

1004
00:53:26,400 --> 00:53:29,800
Speaker 4: Thirties and forties are for jacking off if you're lucky twenties.

1005
00:53:30,280 --> 00:53:37,200
Speaker 1: Lucky twenties. And it's absolutely summer time. Yeah, it's blasting time.

1006
00:53:38,160 --> 00:53:40,799
Speaker 3: So we'll just talk about the power of cinema for

1007
00:53:40,840 --> 00:53:43,400
Speaker 3: like just one second, and then we can like get out.

1008
00:53:43,400 --> 00:53:45,560
Speaker 2: Just discuss the power of cinema. Yeah, go ahead.

1009
00:53:46,560 --> 00:53:49,920
Speaker 4: I mean transportative. You know, we're in a different world,

1010
00:53:50,320 --> 00:53:54,000
Speaker 4: We're going somewhere else, we're escaping our lives. And yeah,

1011
00:53:54,000 --> 00:53:58,200
Speaker 4: I did say escapes, and yeah, I say expresso. It's transformatory,

1012
00:53:59,080 --> 00:54:03,959
Speaker 4: it's transports moreh I mean, it's more audience as much

1013
00:54:04,000 --> 00:54:09,359
Speaker 4: as it is morph and black. Yeah, that's just what

1014
00:54:09,440 --> 00:54:10,319
Speaker 4: I feel about it.

1015
00:54:13,480 --> 00:54:14,600
Speaker 1: Hollywood, Hamburg,