WEBVTT - Best of Part 2

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<v Speaker 1>Welcome to River Cafe Table four, a production of iHeartRadio

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<v Speaker 1>and Adam II Studios.

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<v Speaker 2>Over the last year, I've been lucky enough to sit

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<v Speaker 2>down with forty six guests at River Cafe Table four.

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<v Speaker 2>We've talked about food and family, taste and memory. We've

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<v Speaker 2>read recipes and swaps stories of dining out around the world,

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<v Speaker 2>from the grandest Michelin start restaurants to canteens, bars and

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<v Speaker 2>market cafes. The restaurant I know best is, of course,

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<v Speaker 2>the River Cafe, and so to begin this episode, I'm

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<v Speaker 2>stepping behind the pass to talk to executive chefs Sean

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<v Speaker 2>Winowen and Joseph Travelli, friends and colleagues. We've been cooking

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<v Speaker 2>together for over twenty years. This is just about how

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<v Speaker 2>immediate your performance is judged in a restaurant.

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<v Speaker 3>Chef's a judge as soon as they walk into the kitchen.

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<v Speaker 3>Judge a chef by the chef's trousers they wear even

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<v Speaker 3>or if they come in a jacket that's not clean

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<v Speaker 3>or tied neatly, And how you present yourself before you've

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<v Speaker 3>even picked up your knife, which people are judging you

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<v Speaker 3>by your knife quietly even though I don't believe in

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<v Speaker 3>the what your knife says about you, per se. But

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<v Speaker 3>a lot of chefs will just have a little look

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<v Speaker 3>at someone's knife before they've even chopped anything.

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<v Speaker 2>When a new chef comes. When you've interviewed someone, and

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<v Speaker 2>you know, I always used to say, what books do

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<v Speaker 2>you read? Michelle Rue used to say, make me an omelet,

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<v Speaker 2>But what do you look for in terms of somebody

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<v Speaker 2>coming for a job here?

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<v Speaker 3>If we interview people together, that we try and put

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<v Speaker 3>them off because some people come with they have maybe

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<v Speaker 3>a law degree or they've done a degree in dark

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<v Speaker 3>medicine y we have, and we're like, okay, so you know,

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<v Speaker 3>you have to stand up for a living. You know,

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<v Speaker 3>you have to work nights, you have to work weekends.

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<v Speaker 3>It's shift work. If you love cooking, you can always

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<v Speaker 3>cook at home. And then if you're really, really, really

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<v Speaker 3>really really set on it, then you know, because some

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<v Speaker 3>people think, my god, you could earn a fortune being

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<v Speaker 3>a lawyer. I look for people that I think will

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<v Speaker 3>fit into the team because if someone wants to learn,

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<v Speaker 3>we can teach anyone to cook.

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<v Speaker 2>We also talked about Rose Gray. We founded the River

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<v Speaker 2>Cafe together in nineteen eighty seven. She was my closest

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<v Speaker 2>friend and a brilliant cook.

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<v Speaker 3>I remember meeting Rose on my first day and she

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<v Speaker 3>said something I always quote still said, I'll teach you

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<v Speaker 3>to slice a piece of preciuto the perfect thickness. I'll

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<v Speaker 3>teach you to cook pilotti beans perfectly. I'll teach you

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<v Speaker 3>the art are simple cooking. And I remember thinking that

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<v Speaker 3>sounds easy, but actually that is the essence of the

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<v Speaker 3>River Cafe, isn't it. Simplicity and the understanding of simplicity, which,

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<v Speaker 3>as I've worked with Ruthie over the years, I've never

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<v Speaker 3>understood it more than watching you and how you take

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<v Speaker 3>one thing more away.

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<v Speaker 2>I remember one time we'd had a huge lunch in Tuscany,

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<v Speaker 2>and then we drove to Piermonte and we went out

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<v Speaker 2>to dinner and there was I remember there was again

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<v Speaker 2>a grand dinner and I sat next to it, and

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<v Speaker 2>I remember when the fifth course came out, I just

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<v Speaker 2>started to cry. I literally started, I can't take this anymore.

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<v Speaker 2>That's too much, and she was just, you know, there

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<v Speaker 2>she was, come on, Rogers, Rogerina, she used to call me.

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<v Speaker 4>Next.

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<v Speaker 2>She was very much her own person, I think in

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<v Speaker 2>terms of what she chose to do and fiercely loyal

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<v Speaker 2>and fiercely proud.

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<v Speaker 5>I was.

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<v Speaker 2>You know, we used to get into a taxi in

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<v Speaker 2>Paddington in the early early days and she just said

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<v Speaker 2>to the driver River Cafe, and I say, I hope

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<v Speaker 2>this guy knows where the River Cafe those days going

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<v Speaker 2>to be rude, and she was.

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<v Speaker 6>Really, she's such a character.

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<v Speaker 7>I met Rose Gray in New York Tracy in the eighties,

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<v Speaker 7>and I remember going to Nell's Campbell, who's friend of mine,

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<v Speaker 7>Australian knock at her nightclub, and about three in the morning,

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<v Speaker 7>she said, Darling Litsky Row, are you hungry? And you

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<v Speaker 7>think three in the morning, but yes, of course I

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<v Speaker 7>am nell Lytsky. This is wonderful. Lady's gonna make us

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<v Speaker 7>something to eat. And Rose was so quiet, and she

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<v Speaker 7>started bringing out these little samples of things that were

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<v Speaker 7>so divine.

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<v Speaker 8>I'm like, wow, Rose, amazing.

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<v Speaker 7>And we just all sat and talked and you know,

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<v Speaker 7>were saying those things like you should have your own

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<v Speaker 7>restaurant here, You're brilliant.

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<v Speaker 2>That's how it all started. She was with Nell and

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<v Speaker 2>it Nell's in New York, and then when Rose decided

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<v Speaker 2>to come back, that's when we started the River Cafe.

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<v Speaker 2>I called her up and said, I think there's this

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<v Speaker 2>little site in the middle of nowhere. She would go

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<v Speaker 2>have a look, and we did and the rest is

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<v Speaker 2>ton of history. Over the forty eight episodes of River

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<v Speaker 2>Cafe Table Before, many guests have also shared memories of

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<v Speaker 2>eating at the River Cafe. Here are too. Edwin nfil

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<v Speaker 2>editor of British Folk, but first film director and actor

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<v Speaker 2>Maggie Gillanol.

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<v Speaker 9>I kept texting you and saying, oh, could one more

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<v Speaker 9>person come? Oh, could just one more person come? Could

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<v Speaker 9>I you know, and don't you always kind of want

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<v Speaker 9>to say yes, right, like yes, like of course you

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<v Speaker 9>can bring your boyfriend. This is interesting.

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<v Speaker 7>It was.

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<v Speaker 9>It really was a special night. And then I remember

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<v Speaker 9>like we weren't sure. We're like, oh, is this enough past?

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<v Speaker 9>And I was like, no, no, no, it's not. Let's

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<v Speaker 9>get another two podta.

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<v Speaker 7>You know.

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<v Speaker 2>I remember that night that you were there, and I

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<v Speaker 2>remember the feeling of it that you were. You know,

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<v Speaker 2>you were so happy and you were so wanting to give.

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<v Speaker 9>We were there to do press for the lost daughter.

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<v Speaker 9>We all had to wake up at like six o'clock

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<v Speaker 9>in the morning the next day and go do press

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<v Speaker 9>all day and then go to the opening night and

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<v Speaker 9>we had all eaten all this food, drank tons of

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<v Speaker 9>wine and champagne and chocolate cake. And I was thinking

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<v Speaker 9>the next day about like consequences, what's worth it and

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<v Speaker 9>what isn't you know? And I was like, this feeling

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<v Speaker 9>I have today is totally worth it. I'm not blindly

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<v Speaker 9>having this dinner and drinking wine and you know, eating

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<v Speaker 9>all this delicious food. I understand that I will sacrifice

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<v Speaker 9>something the next day. If I'd gone to sleep at

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<v Speaker 9>nine and had green juice or something, I would feel different.

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<v Speaker 9>But what it gives me in exchange, I felt it

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<v Speaker 9>was worth it.

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<v Speaker 10>It was a really muchical, even one of my one

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<v Speaker 10>of the truly much cold evenings of my life, because

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<v Speaker 10>remember the issue came out. It was a love story

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<v Speaker 10>really to Great Britain, the country that sort of took

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<v Speaker 10>my family and took me in, and we celebrated everybody

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<v Speaker 10>from Naomi Campbell to Steve McQueen to Cake Moss and

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<v Speaker 10>we had a duel on the cover.

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<v Speaker 2>It was a beautiful night and I think people, you know, again,

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<v Speaker 2>over food overhind the food you wanted to be sharing plates,

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<v Speaker 2>you wanted people to have antipasti. I remember something about

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<v Speaker 2>that night, which was we were talking about whether we

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<v Speaker 2>could do ravioli as a premi, and there was a

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<v Speaker 2>conversation saying, well, you know, fashion people don't eat carps,

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<v Speaker 2>they won't eat pasta. Nobody's going to eat the ravioli.

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<v Speaker 2>Not only did they eat it, they had seconds, gongs,

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<v Speaker 2>and thirds and put on more ravioli on the plate.

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<v Speaker 2>Every conversation of River Cafe Table for ended with the

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<v Speaker 2>same question, what is your comfort food? Food is susten

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<v Speaker 2>it's politics, culture, a journey of discovery. It is also

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<v Speaker 2>comfort in love. Here is Jude Law on food family life,

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<v Speaker 2>and they art feeding your children.

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<v Speaker 5>I enjoyed giving the love of it. I enjoyed looking

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<v Speaker 5>after them. I always say this to friends who are

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<v Speaker 5>expecting children, that you know, the satisfaction you get when

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<v Speaker 5>you're about to go to bed and your kids all eaten,

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<v Speaker 5>they're washed, they're in bed, they're safe. It's just such

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<v Speaker 5>a fantastic feeling. It's a greatest sense of satisfaction and

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<v Speaker 5>contentment that you've got there another day and they're all right.

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<v Speaker 5>You've eaten all of that. And that was an important

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<v Speaker 5>part of bringing them up to me and the adventurousness.

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<v Speaker 5>I suppose, because again it reflects I don't know.

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<v Speaker 4>You know, people go oh, no, I don't.

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<v Speaker 5>Like that, and you think, well, have you tried it?

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<v Speaker 5>You know, that was always that's always the first question

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<v Speaker 5>to the kids. And you think, no, just try it,

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<v Speaker 5>you know, and you see them suddenly thinking, oh, actually, yeah,

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<v Speaker 5>it's an octopus. You think, yeah, go and try a

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<v Speaker 5>little bit.

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<v Speaker 7>It's really good.

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<v Speaker 2>Food also means joy and celebration. Austin Butler is the

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<v Speaker 2>star of Baz Luhrmann's film Elvis.

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<v Speaker 6>There's a small group of us and it was the

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<v Speaker 6>night that we wrapped and we we just we danced

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<v Speaker 6>until the sun came up. We just put on vinyl

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<v Speaker 6>records and we just danced and we ate oysters and

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<v Speaker 6>we just we just lived life. It was like this

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<v Speaker 6>feeling of letting our hair down. And then the sun

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<v Speaker 6>started to come up and Baz looked out and he

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<v Speaker 6>lived across the street from the sea, and he said,

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<v Speaker 6>should we go swim in the ocean right now? And

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<v Speaker 6>it's like five in the morning now, and we swam

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<v Speaker 6>in the ocean and so the sun's rising. And I

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<v Speaker 6>was gonna not go that night as well, and I said,

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<v Speaker 6>I said, Baz, I can't believe I was gonna go

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<v Speaker 6>to sleep tonight. And he started singing nessa dorm and

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<v Speaker 6>he goes no sleep tonight and he went back to

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<v Speaker 6>the shore, and I kind of took a second from

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<v Speaker 6>myself in the ocean where it's just me, and as

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<v Speaker 6>I sort of slowly walked back the shore, I look

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<v Speaker 6>at Baz and he's holding a speaker above his head

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<v Speaker 6>like John Cusack can say anything, and he's playing nessa doortermont,

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<v Speaker 6>the Pavaratti version, and it's blaring at like five point

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<v Speaker 6>thirty in the morning now on the beaches of the

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<v Speaker 6>Gold Coast. And then we made breakfast.

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<v Speaker 4>What was that we made?

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<v Speaker 6>We looked in the refrigerator and we thought, okay, we

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<v Speaker 6>got eggs, we got asparagus, we got some spinach there,

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<v Speaker 6>we got some tomatoes, we got some parmesan cheese. What

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<v Speaker 6>can we do? And so we kind of just made

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<v Speaker 6>this breakfast. And that's one of the most glorious memories

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<v Speaker 6>of my life, was like after we finished this thing

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<v Speaker 6>that was so terrifying and daunting, and that we gave

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<v Speaker 6>it everything we could. And then then we just sat

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<v Speaker 6>there and as the morning sun sort of laid down

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<v Speaker 6>on us and ate that breakfast, and it was so glorious.

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<v Speaker 11>Don't tell anybody I told you this.

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<v Speaker 2>Yeah, this is Speaker of the House Nancy Pelosi, with

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<v Speaker 2>memories of a college ice cream heist and food as

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<v Speaker 2>an act of rebellion. We used to go at night.

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<v Speaker 11>They know now years later they know, but we used

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<v Speaker 11>to go, like in the middle of the night, down

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<v Speaker 11>to the dining room and break into the freezer to

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<v Speaker 11>get ice cream. Now they was locked, so you can

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<v Speaker 11>only lift it a little bit and put the scooper

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<v Speaker 11>in there and pull it out.

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<v Speaker 2>We better not tell certain members of the house about

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<v Speaker 2>this exactly.

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<v Speaker 11>It's hard to tell a flavor and the dark and

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<v Speaker 11>the dark, and you could tell if it's chocolate or not,

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<v Speaker 11>but peach, strawberry and the rest of that kind of

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<v Speaker 11>comes together. And sometimes we would order pizza so that

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<v Speaker 11>the guard, we'd say the guard, somebody would go talk

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<v Speaker 11>to the garden, said I ordered pizza. I'm waiting here

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<v Speaker 11>for the pizza wall. We would go down and steal

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<v Speaker 11>the ice screams, steal the ice cream.

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<v Speaker 2>And so your college days were spent stealing ice stealing

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<v Speaker 2>ice cream, icically, but food isn't only a subject for

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<v Speaker 2>funny stories. On many episodes of River Cafe Tape before,

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<v Speaker 2>we also heard about the politics of food inequality and

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<v Speaker 2>the desperation of hunger. Christian Amanpor told me about her

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<v Speaker 2>experience of reporting from Sarajevo in the nineteen nineties.

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<v Speaker 12>The very very first winter under siege, and it sounds

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<v Speaker 12>like a cliche, and I didn't even believe it till

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<v Speaker 12>I saw it, But literally, people were foraging, honestly, trying

0:12:23.559 --> 0:12:27.240
<v Speaker 12>to get dandelion leaves and brasses and things like that

0:12:27.240 --> 0:12:30.280
<v Speaker 12>that they might be able to boil up into something.

0:12:30.520 --> 0:12:32.800
<v Speaker 12>Some of them may have had little vegetable gardens with

0:12:32.920 --> 0:12:36.840
<v Speaker 12>lettuce or spinach or whatever it was, but there was

0:12:36.880 --> 0:12:41.800
<v Speaker 12>no real protein. They could make bread because flower was

0:12:41.840 --> 0:12:45.920
<v Speaker 12>coming in eventually by the UN, but it was basic.

0:12:46.040 --> 0:12:48.680
<v Speaker 12>And you know, I just remember living in the holiday

0:12:48.679 --> 0:12:51.840
<v Speaker 12>in with all the press there. I didn't realize until

0:12:51.880 --> 0:12:55.640
<v Speaker 12>afterwards the managers had to pretty much bribe the besiegers

0:12:55.880 --> 0:12:59.080
<v Speaker 12>and some of the UN peacekeeping forces who came in

0:12:59.520 --> 0:13:04.040
<v Speaker 12>to get things like eggs. There wasn't potatoes or tomatoes

0:13:04.240 --> 0:13:08.520
<v Speaker 12>or anything because all the farming, all the all the

0:13:09.559 --> 0:13:12.320
<v Speaker 12>just like now in Ukraine when it's bombed all the

0:13:12.320 --> 0:13:14.920
<v Speaker 12>time and there's a scorched earth policy.

0:13:14.400 --> 0:13:17.239
<v Speaker 2>And the people of the city, yes.

0:13:17.400 --> 0:13:20.720
<v Speaker 12>Yes, they were mostly grateful for us to tell their story,

0:13:20.760 --> 0:13:23.560
<v Speaker 12>but and I have to say it is important, they

0:13:23.559 --> 0:13:27.480
<v Speaker 12>did begin to get angry. I remember them saying, you know,

0:13:27.920 --> 0:13:31.160
<v Speaker 12>turn your cameras away from us. This isn't the Sarajevo Safari.

0:13:31.440 --> 0:13:34.120
<v Speaker 12>You keep telling our stories and the world doesn't intervene,

0:13:34.200 --> 0:13:37.440
<v Speaker 12>doesn't help us. And those were very painful moments because

0:13:37.480 --> 0:13:40.200
<v Speaker 12>you did realize that they were telling the truth, that yeah,

0:13:40.240 --> 0:13:43.040
<v Speaker 12>we could go to them, talk to them, get their experiences,

0:13:43.160 --> 0:13:45.040
<v Speaker 12>see what they were trying to cook for their families,

0:13:45.040 --> 0:13:48.319
<v Speaker 12>which was pretty much nothing in their little kitchens, and

0:13:48.360 --> 0:13:51.960
<v Speaker 12>trying to survive this war, and nothing was happening to

0:13:52.000 --> 0:13:53.959
<v Speaker 12>help them. So then they would take it out on

0:13:54.040 --> 0:13:56.440
<v Speaker 12>us because we were the closest for them. Yeah, and

0:13:56.480 --> 0:13:59.520
<v Speaker 12>it was painful. That was painful. So I have no

0:13:59.679 --> 0:14:02.880
<v Speaker 12>ellue usion that we are welcomed with open arms and

0:14:02.920 --> 0:14:05.600
<v Speaker 12>we're the great saviors at all. At all.

0:14:05.880 --> 0:14:07.000
<v Speaker 1>We do a job.

0:14:08.360 --> 0:14:10.880
<v Speaker 12>If we're lucky, we tell the truth and the truth

0:14:10.920 --> 0:14:15.360
<v Speaker 12>gets out. And if we're very very lucky, it causes intervention.

0:14:16.840 --> 0:14:20.240
<v Speaker 13>It my love of food, my desire to know more

0:14:20.280 --> 0:14:22.120
<v Speaker 13>about it, has just grown.

0:14:22.920 --> 0:14:24.360
<v Speaker 2>This is Stanley Tucci.

0:14:24.880 --> 0:14:28.040
<v Speaker 13>So it's sort of all I think about, and it's

0:14:28.200 --> 0:14:30.160
<v Speaker 13>very much how I spend my time now.

0:14:30.560 --> 0:14:36.520
<v Speaker 2>We think about food and hunger, and it's also mental health,

0:14:36.560 --> 0:14:39.960
<v Speaker 2>and it's also physical health. And we refer just now

0:14:40.000 --> 0:14:41.760
<v Speaker 2>to the fact that you had cancer and that your

0:14:41.760 --> 0:14:45.920
<v Speaker 2>wife died of cancer. How did you see illness and

0:14:46.040 --> 0:14:48.800
<v Speaker 2>how did illness affect food for you?

0:14:50.120 --> 0:14:54.160
<v Speaker 13>Well, Kate went through so many different treatments, and you know,

0:14:54.560 --> 0:14:57.360
<v Speaker 13>going through chemo and radiation and all that stuff made

0:14:57.400 --> 0:15:00.760
<v Speaker 13>her very nauseous and she couldn't eat a lot at times,

0:15:00.760 --> 0:15:03.560
<v Speaker 13>and then she would recover, and then cancer would present

0:15:03.640 --> 0:15:06.400
<v Speaker 13>itself again, and then she'd go through the process again.

0:15:06.480 --> 0:15:10.840
<v Speaker 13>It was horrible when I went through mine because it

0:15:10.880 --> 0:15:14.680
<v Speaker 13>was an oral cancer. All the treatment was focused on

0:15:14.840 --> 0:15:18.200
<v Speaker 13>my mouth, so I lost everything. You don't only lose

0:15:18.240 --> 0:15:22.760
<v Speaker 13>your sense of taste. Your sense of taste is destroyed

0:15:22.880 --> 0:15:28.000
<v Speaker 13>and perverted so that everything tastes like you know what

0:15:29.600 --> 0:15:33.480
<v Speaker 13>for months and plus your mouth is so compromised and

0:15:33.600 --> 0:15:37.560
<v Speaker 13>so much pain. You're on pain medications and all that stuff,

0:15:38.080 --> 0:15:41.320
<v Speaker 13>and you have a feeding tube. You're trying to put

0:15:41.320 --> 0:15:45.960
<v Speaker 13>protein drinks through your feeding tube, which are disgusting, and

0:15:46.160 --> 0:15:48.520
<v Speaker 13>not that you're tasting them, but they're upsetting your stomach.

0:15:48.600 --> 0:15:52.520
<v Speaker 13>And then there's morphine you're putting through. It's just as

0:15:52.560 --> 0:15:54.800
<v Speaker 13>a nightmare. And for me, it was a real nightmare

0:15:54.840 --> 0:15:59.040
<v Speaker 13>because food is everything to me. It's now how most

0:15:59.080 --> 0:16:03.400
<v Speaker 13>of my life. And not to be able to eat properly,

0:16:03.560 --> 0:16:07.440
<v Speaker 13>not to be able to everything smelled horrible, tasted horrible,

0:16:08.360 --> 0:16:10.000
<v Speaker 13>and not to be able to sit and eat with

0:16:10.000 --> 0:16:12.960
<v Speaker 13>my friends and drink with my friends and cook for

0:16:13.040 --> 0:16:14.640
<v Speaker 13>my family, it was really really hard.

0:16:14.880 --> 0:16:17.840
<v Speaker 2>And did that come back? Obviously came back, But how

0:16:18.000 --> 0:16:20.400
<v Speaker 2>did it just come back and you embraced it? Or

0:16:20.480 --> 0:16:21.120
<v Speaker 2>was it slow?

0:16:21.240 --> 0:16:24.760
<v Speaker 13>It's very slow. It's still not I'm almost four years

0:16:25.040 --> 0:16:31.320
<v Speaker 13>out from finishing my treatments and I still last night

0:16:31.320 --> 0:16:33.760
<v Speaker 13>I made lamb chops. I didn't really eat them. I

0:16:33.800 --> 0:16:37.600
<v Speaker 13>can't really because you lose your saliva, so I don't

0:16:37.600 --> 0:16:40.320
<v Speaker 13>have all of my saliva. So if you don't have

0:16:40.400 --> 0:16:45.040
<v Speaker 13>your saliva, it's very hard to break things down. So

0:16:45.200 --> 0:16:48.240
<v Speaker 13>I eat a lot of pasta. But that's fine, That's

0:16:48.320 --> 0:16:50.200
<v Speaker 13>just the way it is. I'm probably at the point

0:16:50.200 --> 0:16:52.160
<v Speaker 13>now where this is about where I'm going to be.

0:16:52.240 --> 0:16:57.080
<v Speaker 13>I don't know how much more I will recover, But

0:16:57.320 --> 0:17:02.040
<v Speaker 13>it's fine. I can eat most things. I can drink wine,

0:17:02.080 --> 0:17:07.240
<v Speaker 13>I can have a martini slowly. It's fine. Nicroni negroni

0:17:07.280 --> 0:17:07.560
<v Speaker 13>is yet.

0:17:07.840 --> 0:17:13.640
<v Speaker 2>Yeah, you know about the nigronie. As the climate emergency deepens,

0:17:14.080 --> 0:17:17.240
<v Speaker 2>what we eat and how and where food is grown

0:17:17.600 --> 0:17:22.199
<v Speaker 2>has become crucial to our survival. Former Vice President of

0:17:22.240 --> 0:17:25.480
<v Speaker 2>the United States Al Gore is, as we all know,

0:17:25.760 --> 0:17:29.000
<v Speaker 2>passionate about food, farming and the environment.

0:17:29.920 --> 0:17:35.800
<v Speaker 14>Well, agriculture can be one of the biggest solutions to

0:17:35.920 --> 0:17:41.080
<v Speaker 14>the climate crisis. People talk about planting trees to pull

0:17:41.840 --> 0:17:44.840
<v Speaker 14>CO two back out of the atmosphere, and it's something

0:17:45.080 --> 0:17:49.240
<v Speaker 14>we certainly need to do, but we also need to

0:17:49.280 --> 0:17:52.280
<v Speaker 14>remember that if you look at all of the carbon

0:17:52.359 --> 0:17:55.960
<v Speaker 14>and every tree in the world, plus every plant in

0:17:56.040 --> 0:17:59.600
<v Speaker 14>the world, there's three times that much carbon in the

0:17:59.640 --> 0:18:04.360
<v Speaker 14>first ten centimeters of top soils around the world. And

0:18:04.760 --> 0:18:11.000
<v Speaker 14>by sharply reducing the amount of plowing and using natural

0:18:11.200 --> 0:18:17.119
<v Speaker 14>fertilizing techniques and natural pest control techniques and using cover

0:18:17.200 --> 0:18:20.439
<v Speaker 14>crops always keep roots in the soil don't let it

0:18:21.040 --> 0:18:25.919
<v Speaker 14>lie loose. Use perennials where you can use rotational grazing

0:18:26.800 --> 0:18:32.919
<v Speaker 14>agro forestry. These techniques can reverse the flow of global

0:18:32.920 --> 0:18:37.240
<v Speaker 14>warming pollution out of the soil and actually put a

0:18:37.520 --> 0:18:41.480
<v Speaker 14>large amount of CO two back in the soil. So

0:18:41.600 --> 0:18:47.760
<v Speaker 14>regenerative agriculture not only produces healthier foods and healthier communities,

0:18:48.400 --> 0:18:52.720
<v Speaker 14>but it also contributes to a healthier planet by becoming

0:18:52.760 --> 0:19:07.760
<v Speaker 14>a key part of our arsenal in combating the climate crisis.

0:19:07.800 --> 0:19:11.800
<v Speaker 2>For Paul McCartney, the politics of food, particularly animal welfare,

0:19:11.920 --> 0:19:14.960
<v Speaker 2>is also key. He told me about a moment he

0:19:15.040 --> 0:19:16.879
<v Speaker 2>shared with his first wife Linda.

0:19:17.800 --> 0:19:20.800
<v Speaker 15>We were on the farm in Scotland. We had a

0:19:20.840 --> 0:19:24.840
<v Speaker 15>farm in a place called Campbelltown, which is south down

0:19:24.880 --> 0:19:29.080
<v Speaker 15>the Argyle Peninsula, south of Glasgow, so we spent quite

0:19:29.080 --> 0:19:32.400
<v Speaker 15>a bit of time there. The Beatles break up got

0:19:32.400 --> 0:19:35.720
<v Speaker 15>a bit heavy in the business scene and you just

0:19:35.760 --> 0:19:38.600
<v Speaker 15>couldn't deal with it, so we decided to just elope,

0:19:39.119 --> 0:19:42.119
<v Speaker 15>even though we were married. We just escaped there and

0:19:42.200 --> 0:19:45.040
<v Speaker 15>it was just a sheep farm. We were looking out

0:19:45.040 --> 0:19:48.439
<v Speaker 15>of the kitchen window one day and there were lambs.

0:19:48.480 --> 0:19:51.760
<v Speaker 15>It was lambing season early in spring, and the lambs

0:19:51.800 --> 0:19:56.119
<v Speaker 15>were gambling around so full of life, and it was like, wow,

0:19:56.160 --> 0:19:59.159
<v Speaker 15>this is really cool. And I always say that what

0:19:59.240 --> 0:20:01.280
<v Speaker 15>they seemed like they were doing, it would be about

0:20:01.359 --> 0:20:03.840
<v Speaker 15>twenty of them. They'd start at one end of the

0:20:03.880 --> 0:20:07.120
<v Speaker 15>field and then it'd be as if someone said let's

0:20:07.119 --> 0:20:10.240
<v Speaker 15>go and they all go and run to the other

0:20:10.280 --> 0:20:15.280
<v Speaker 15>side of the field. Let's go back. So they were

0:20:15.359 --> 0:20:18.119
<v Speaker 15>just running up and down, gambling and jumping and everything

0:20:18.160 --> 0:20:21.399
<v Speaker 15>were going. It's cute and great. Then we suddenly realized

0:20:21.440 --> 0:20:24.520
<v Speaker 15>we were eating leg of lamb. So that was when

0:20:24.560 --> 0:20:28.480
<v Speaker 15>the penny dropped and it was like yeah, yeah, leg

0:20:28.520 --> 0:20:31.199
<v Speaker 15>of lamb. Then it was just we said, you know what,

0:20:31.400 --> 0:20:34.399
<v Speaker 15>do we try and not eat meat? We try and

0:20:34.440 --> 0:20:36.760
<v Speaker 15>go veggie and in those days, of course, it was

0:20:36.800 --> 0:20:41.600
<v Speaker 15>actually difficult, but we decided that we'd make it a challenge.

0:20:41.680 --> 0:20:45.199
<v Speaker 15>It just became a fun challenge. Okay, what do you do?

0:20:45.840 --> 0:20:49.600
<v Speaker 15>So we gradually begun filling the hole in the middle

0:20:49.640 --> 0:20:52.920
<v Speaker 15>of the plate. We'd keep everything else and then we'd

0:20:52.960 --> 0:20:56.320
<v Speaker 15>just work on things to take the place of where

0:20:56.359 --> 0:20:57.000
<v Speaker 15>the meat had been.

0:20:57.400 --> 0:20:59.760
<v Speaker 16>It's funny because the very early years were actually in

0:20:59.760 --> 0:21:03.520
<v Speaker 16>Scotland and so we had a tiny little vegetable patch.

0:21:03.280 --> 0:21:07.800
<v Speaker 2>There Paul and Linda's daughter. The fashion design is Stella McCartney,

0:21:08.040 --> 0:21:09.800
<v Speaker 2>who was also a vegetarian.

0:21:10.040 --> 0:21:12.240
<v Speaker 16>And I remember we'd always get into trouble because me

0:21:12.320 --> 0:21:14.920
<v Speaker 16>and Mary would go down and pick There were always

0:21:14.920 --> 0:21:18.239
<v Speaker 16>like sugar snaps and carrots and we would always kind

0:21:18.240 --> 0:21:20.280
<v Speaker 16>of nick them and eat them before you could yield

0:21:20.400 --> 0:21:23.000
<v Speaker 16>any kind of crop off it. And then when we

0:21:23.080 --> 0:21:25.120
<v Speaker 16>got a bit older, we got the farm in East

0:21:25.119 --> 0:21:27.240
<v Speaker 16>Sussex and then we had like a proper vegetable patch.

0:21:27.440 --> 0:21:29.600
<v Speaker 2>Well, it's very touching that you say that you and

0:21:29.640 --> 0:21:32.040
<v Speaker 2>your sister would go and get a sugar snappy and

0:21:32.119 --> 0:21:35.240
<v Speaker 2>a carrot as rather the way somebody might take sweets

0:21:35.280 --> 0:21:37.840
<v Speaker 2>from the sweet cub. Know that you actually went to

0:21:37.840 --> 0:21:38.120
<v Speaker 2>the vest.

0:21:38.119 --> 0:21:40.320
<v Speaker 16>And also we had horses, so we had you know,

0:21:40.359 --> 0:21:42.119
<v Speaker 16>we were always with horses, so it would always be

0:21:42.280 --> 0:21:45.120
<v Speaker 16>right Willie the carrot and the carrot heads. So the

0:21:45.200 --> 0:21:48.760
<v Speaker 16>for the horses, you'd always have this journey between picking it,

0:21:48.880 --> 0:21:52.040
<v Speaker 16>the soil, the smell that you know, your dirty fingernails,

0:21:52.359 --> 0:21:55.520
<v Speaker 16>that kind of adventure to go out and have that process,

0:21:55.520 --> 0:21:57.720
<v Speaker 16>and then you'd take it up and give the you know,

0:21:57.760 --> 0:21:59.359
<v Speaker 16>the carrot heads to the horse and that would be

0:21:59.359 --> 0:22:01.359
<v Speaker 16>like horse slow bree all over your hands, and like

0:22:01.760 --> 0:22:04.040
<v Speaker 16>so many different smells as well. I mean, I've worked

0:22:04.119 --> 0:22:08.160
<v Speaker 16>on creating perfumes, and it's so interesting how smell has

0:22:08.320 --> 0:22:11.280
<v Speaker 16>really been inspired by food for a lot of the

0:22:11.320 --> 0:22:14.159
<v Speaker 16>things that I've created. I mean, I, for example, one thing,

0:22:14.200 --> 0:22:17.560
<v Speaker 16>when you're a vegetarian, there's so few moments of kind

0:22:17.600 --> 0:22:21.920
<v Speaker 16>of extravagance, whereas with meat is so associated with kind

0:22:21.920 --> 0:22:24.920
<v Speaker 16>of well cost or you know, there's such a kind

0:22:24.960 --> 0:22:27.840
<v Speaker 16>of different kind of relationship, and when you're a vegetarian,

0:22:27.880 --> 0:22:30.439
<v Speaker 16>it's literally only truffle season that you're like, right, okay,

0:22:30.680 --> 0:22:33.439
<v Speaker 16>this is like, oh, this is this moment. And so

0:22:33.560 --> 0:22:36.399
<v Speaker 16>I did a perfume with truffle in it because I

0:22:36.520 --> 0:22:38.600
<v Speaker 16>just always found that smell. It was so it kind

0:22:38.640 --> 0:22:41.280
<v Speaker 16>of reminded me always of a time of year, and

0:22:41.440 --> 0:22:44.440
<v Speaker 16>just everything associated with it seems so kind of sexy

0:22:44.600 --> 0:22:48.919
<v Speaker 16>and mysterious and incredible. So I think the between this

0:22:49.200 --> 0:22:51.040
<v Speaker 16>food and smell is interesting.

0:22:52.000 --> 0:22:55.720
<v Speaker 2>Edward Enifel, editor of British Folk, What do you feel

0:22:55.760 --> 0:22:59.040
<v Speaker 2>about food and fashion? Is the idea that in order

0:22:59.119 --> 0:23:01.280
<v Speaker 2>to look good and clothes you have to be thin,

0:23:01.520 --> 0:23:03.760
<v Speaker 2>or you have to look elegant. You have to be

0:23:03.800 --> 0:23:06.560
<v Speaker 2>a certain look or models have to look a certain way,

0:23:06.920 --> 0:23:09.760
<v Speaker 2>and that would mean denial of food. It would say,

0:23:10.080 --> 0:23:12.480
<v Speaker 2>in order to look that way, don't eat. Yeah, what's

0:23:12.480 --> 0:23:12.879
<v Speaker 2>that strong.

0:23:13.000 --> 0:23:17.359
<v Speaker 10>Historically, those that you know to be fashionable, when you

0:23:17.400 --> 0:23:22.560
<v Speaker 10>look at at least my Vogue anyway, it's everybody's welcome,

0:23:23.440 --> 0:23:27.239
<v Speaker 10>you know, all shapes, all sizes or colors. And what

0:23:27.320 --> 0:23:30.320
<v Speaker 10>I love now is three years later when you look

0:23:30.320 --> 0:23:33.840
<v Speaker 10>in all the other magazines, everybody's also welcoming in all

0:23:33.880 --> 0:23:37.320
<v Speaker 10>the other magazines. That that strict thing of or not

0:23:37.359 --> 0:23:41.080
<v Speaker 10>being able to be a certain size, being sized zero

0:23:41.280 --> 0:23:43.960
<v Speaker 10>is the perfect that doesn't exist anymore. Even the idea

0:23:43.960 --> 0:23:47.520
<v Speaker 10>of being a model has changed. How you can be short,

0:23:47.640 --> 0:23:51.439
<v Speaker 10>you can be curvey, you can be you know, you

0:23:51.480 --> 0:23:57.359
<v Speaker 10>can be disabled. Literally, to watch that industry change, for me,

0:23:57.400 --> 0:23:59.680
<v Speaker 10>it's one of the great things about you know, doing

0:23:59.680 --> 0:24:00.880
<v Speaker 10>my You make.

0:24:00.800 --> 0:24:04.240
<v Speaker 2>It sound rather seamless that this is what's happened another

0:24:04.560 --> 0:24:08.600
<v Speaker 2>But it hasn't been a struggle for stores or for designers.

0:24:09.000 --> 0:24:13.080
<v Speaker 10>I mean designers now know that they've missed out on

0:24:13.080 --> 0:24:17.040
<v Speaker 10>a whole market from size forteen to sixty. They've missed out.

0:24:17.640 --> 0:24:20.000
<v Speaker 10>Why would you want to miss out on a section

0:24:20.040 --> 0:24:23.560
<v Speaker 10>of a population that can make your business even better.

0:24:23.920 --> 0:24:26.399
<v Speaker 10>So now designers have really sort of like, oh my god,

0:24:26.680 --> 0:24:31.520
<v Speaker 10>they've wisened up. Okay, I just knew that the world

0:24:31.640 --> 0:24:36.280
<v Speaker 10>we lived in just wasn't that Just wasn't that world anymore?

0:24:36.680 --> 0:24:38.760
<v Speaker 10>You know, you have to be a certain size, yeah,

0:24:39.640 --> 0:24:43.240
<v Speaker 10>or a certain color or yeah. The conversations that I

0:24:43.240 --> 0:24:46.119
<v Speaker 10>have been had now never would have been had. About

0:24:46.119 --> 0:24:49.120
<v Speaker 10>ten years ago.

0:24:49.160 --> 0:24:53.520
<v Speaker 2>The artist and film director Steve McQueen talked movingly about

0:24:53.560 --> 0:24:56.280
<v Speaker 2>the London street markets where he shopped with his mother,

0:24:56.840 --> 0:25:00.360
<v Speaker 2>the comfort of home cooking, and the harsh reality is

0:25:00.400 --> 0:25:01.720
<v Speaker 2>a food inequality.

0:25:02.480 --> 0:25:04.520
<v Speaker 4>One thing I was very shocked by when I was

0:25:04.760 --> 0:25:09.480
<v Speaker 4>shooting in Chicago, shooting Widows was how I didn't see

0:25:09.480 --> 0:25:13.679
<v Speaker 4>a grocery store in a black neighborhood. I didn't see

0:25:13.720 --> 0:25:17.080
<v Speaker 4>any greens in a black neighbor You know, there wasn't

0:25:17.440 --> 0:25:20.080
<v Speaker 4>a green grocer's, but there was always some sort of

0:25:20.119 --> 0:25:23.159
<v Speaker 4>fast food place where people eat. So people are losing

0:25:23.200 --> 0:25:25.800
<v Speaker 4>this sort of heritage of food. People are not aware

0:25:25.880 --> 0:25:29.520
<v Speaker 4>of food and nourishment and possibilities within food and food

0:25:29.560 --> 0:25:34.520
<v Speaker 4>is politics in a way. It reverts back to what

0:25:34.560 --> 0:25:37.960
<v Speaker 4>we were talking about right at the beginning of a conversation.

0:25:38.359 --> 0:25:42.080
<v Speaker 4>It starts with like, in a way markets because markets,

0:25:42.119 --> 0:25:43.520
<v Speaker 4>a lot of markets are on the threat, a lot

0:25:43.560 --> 0:25:47.400
<v Speaker 4>of markets have closed. So this sense of community, sense

0:25:47.440 --> 0:25:51.119
<v Speaker 4>of comaraderie, a sense of sort of love of food

0:25:51.240 --> 0:25:54.720
<v Speaker 4>and love of each other is being sort of erased

0:25:54.760 --> 0:25:58.119
<v Speaker 4>in the sort of you know, working class areas. I mean,

0:25:58.160 --> 0:26:01.600
<v Speaker 4>you get these markets, but they're so become like posh markets,

0:26:01.600 --> 0:26:03.760
<v Speaker 4>aren't they They're sort of farmers' markets, they call them.

0:26:03.760 --> 0:26:07.479
<v Speaker 4>And you know, the food is so expensive, so and

0:26:07.560 --> 0:26:11.119
<v Speaker 4>I can I feel that they're they're becoming kind of

0:26:11.160 --> 0:26:13.639
<v Speaker 4>food deserts in a way where kids are growing up

0:26:13.680 --> 0:26:16.320
<v Speaker 4>on fast food and not being introduced to sort of

0:26:16.840 --> 0:26:20.600
<v Speaker 4>love food in a way. So that's that's something which

0:26:20.640 --> 0:26:22.560
<v Speaker 4>I'm a bit sort of concerned about.

0:26:23.359 --> 0:26:27.760
<v Speaker 2>Yeah, food is a connection, and food is a memory,

0:26:28.520 --> 0:26:31.760
<v Speaker 2>and food is giving and sharing, and food is political

0:26:31.840 --> 0:26:36.199
<v Speaker 2>and social, and it's also comfort. It's something that we

0:26:36.280 --> 0:26:39.400
<v Speaker 2>go to and we need comfort. And so I suppose

0:26:39.440 --> 0:26:43.520
<v Speaker 2>Steve McQueen, what would you say is the food you

0:26:43.560 --> 0:26:45.720
<v Speaker 2>would go to if you needed comfort?

0:26:46.119 --> 0:26:49.120
<v Speaker 4>To me, the comfort food that I very much love

0:26:49.160 --> 0:26:53.040
<v Speaker 4>and I appreciate. Is often the cold day, you know,

0:26:53.119 --> 0:26:55.679
<v Speaker 4>and you come in and it's my mum's chicken soups

0:26:55.760 --> 0:26:58.080
<v Speaker 4>West Indian chicken soup, which has the bones in it

0:26:58.119 --> 0:26:59.879
<v Speaker 4>and stuff, you know, you suck on the bones, and

0:27:00.560 --> 0:27:03.160
<v Speaker 4>it's the sort of you know, it's the time. It's

0:27:03.200 --> 0:27:05.240
<v Speaker 4>the garlic. It's all kinds of stuff for you know,

0:27:05.600 --> 0:27:07.720
<v Speaker 4>the sugred ingredient which she wants, you still want atomic,

0:27:07.920 --> 0:27:10.520
<v Speaker 4>the dumplings, a bit of potatoes, a bit of peas.

0:27:10.560 --> 0:27:12.560
<v Speaker 4>It's wonderful. So those are the kind of things I

0:27:12.600 --> 0:27:15.840
<v Speaker 4>really love. Yeah, and I could hear my dad sucking

0:27:15.880 --> 0:27:20.520
<v Speaker 4>the bones right now in my head. Yeah, it was.

0:27:20.520 --> 0:27:23.399
<v Speaker 4>It was a wonderful, you know, having those dinners together

0:27:24.480 --> 0:27:27.480
<v Speaker 4>on those cold days. I remember it was. It was beautiful.

0:27:27.560 --> 0:27:29.440
<v Speaker 4>It was beautiful and lots of great memories.

0:27:31.200 --> 0:27:32.600
<v Speaker 12>What's my comfort food?

0:27:34.119 --> 0:27:40.320
<v Speaker 7>I love chocolate. I love really good eighty percent chocolate.

0:27:40.920 --> 0:27:44.359
<v Speaker 2>My close friend Tracy Allman, who is a chocolate lover,

0:27:44.600 --> 0:27:47.600
<v Speaker 2>say at the party we have to celebrate thirty years

0:27:47.600 --> 0:27:48.760
<v Speaker 2>of the River Cafe.

0:27:49.359 --> 0:27:52.680
<v Speaker 7>I put my chocolate in the freezer and I break

0:27:52.720 --> 0:27:55.960
<v Speaker 7>off one square every day, and I think it's very

0:27:55.960 --> 0:27:59.800
<v Speaker 7>good for female brains and I can eat a piece

0:27:59.800 --> 0:28:01.919
<v Speaker 7>of chocolate and then I can write and write.

0:28:02.160 --> 0:28:03.560
<v Speaker 2>Okay, well that's it.

0:28:03.720 --> 0:28:06.880
<v Speaker 7>That's beautiful answer why I love chocolate Nemesis.

0:28:07.720 --> 0:28:09.800
<v Speaker 2>The chocolate Nemesis so I can get the word is

0:28:09.880 --> 0:28:10.439
<v Speaker 2>so funny.

0:28:10.640 --> 0:28:15.400
<v Speaker 7>Maybe always goes Nemesis Nemesis, and everything goes like Marston

0:28:15.480 --> 0:28:19.359
<v Speaker 7>Scorsese film, you know, when they're taking drugs and goodfellas Nemesis.

0:28:21.680 --> 0:28:25.240
<v Speaker 2>It's ridiculous, Thank you, Jasey. The other thing we could

0:28:25.280 --> 0:28:28.160
<v Speaker 2>do before we say goodbye and go have a piece

0:28:28.200 --> 0:28:31.520
<v Speaker 2>of chocolate Nemesis is to sing a song. And would

0:28:31.560 --> 0:28:33.240
<v Speaker 2>you like to sing your song?

0:28:33.359 --> 0:28:35.360
<v Speaker 7>I think our listeners should know. I had a very

0:28:35.520 --> 0:28:38.600
<v Speaker 7>very brief career as a pop singer in the early eighties.

0:28:38.640 --> 0:28:41.080
<v Speaker 7>I had a wonderful song called they Don't Know About Us,

0:28:41.080 --> 0:28:42.959
<v Speaker 7>written by the late great Kirsty McColl.

0:28:43.720 --> 0:28:43.800
<v Speaker 8>So.

0:28:43.920 --> 0:28:48.040
<v Speaker 7>I sing sort of like Mini Mouse, You've taken Helius.

0:28:48.400 --> 0:28:50.640
<v Speaker 7>I know you were so sweet and you rang me

0:28:50.720 --> 0:28:52.680
<v Speaker 7>up and you said for your thirtieth And I.

0:28:52.680 --> 0:28:53.880
<v Speaker 2>Said, would I sing?

0:28:53.920 --> 0:28:55.800
<v Speaker 7>And I thought, why would Ruth ask me to sing?

0:28:56.400 --> 0:28:58.880
<v Speaker 7>And I was so flattered, and I said, Watchles sing,

0:28:58.880 --> 0:29:00.320
<v Speaker 7>and you went, do you know the song?

0:29:00.360 --> 0:29:00.640
<v Speaker 12>I like?

0:29:00.720 --> 0:29:01.440
<v Speaker 7>You were on the phone.

0:29:01.480 --> 0:29:05.560
<v Speaker 8>You went, It's very clear our.

0:29:05.320 --> 0:29:09.240
<v Speaker 7>Love is here to stay, not.

0:29:09.520 --> 0:29:19.000
<v Speaker 8>For forever and a day. The radio and the telephone

0:29:19.120 --> 0:29:23.240
<v Speaker 8>and the movies that we know may just be passing

0:29:23.360 --> 0:29:28.320
<v Speaker 8>fancies and in time may go, But oh my dear,

0:29:29.680 --> 0:29:37.000
<v Speaker 8>our love is here to stay together. Weird going a

0:29:37.120 --> 0:29:44.800
<v Speaker 8>long long way in time. Hi, rockies may crumble, just

0:29:44.800 --> 0:29:49.640
<v Speaker 8>brought to me tumble, They're only made of clay. But

0:29:50.280 --> 0:29:56.280
<v Speaker 8>I sang, oh is here to stay.

0:29:57.480 --> 0:29:59.440
<v Speaker 10>I love the.

0:30:01.600 --> 0:30:10.240
<v Speaker 2>Cathe and we love you Teresa almy, thank you.

0:30:09.080 --> 0:30:11.480
<v Speaker 7>Very enough so love me to do this in path.

0:30:14.920 --> 0:30:17.680
<v Speaker 2>And that's a wrap for season one. But we will

0:30:17.680 --> 0:30:22.240
<v Speaker 2>be back in September with a new name, Ruthy's Table four.

0:30:23.000 --> 0:30:27.320
<v Speaker 2>Gwadneth Paltrow, Wolfgang Puck, mel Brooks and more great guests

0:30:27.360 --> 0:30:35.720
<v Speaker 2>will be joining us. Have a good summer. To visit

0:30:35.760 --> 0:30:39.240
<v Speaker 2>the online shop of the River Cafe go to shop

0:30:39.280 --> 0:30:43.200
<v Speaker 2>Therivercafe dot co dot UK.

0:30:45.160 --> 0:30:48.000
<v Speaker 1>River Cafe Table four is a production of iHeartRadio and

0:30:48.040 --> 0:30:53.240
<v Speaker 1>Adamized Studios. For more podcasts from iHeartRadio, visit the iHeartRadio app,

0:30:53.360 --> 0:30:56.360
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.