WEBVTT - SYSK Selects: Subways: HUH! What are they good for?

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<v Speaker 1>Happy Friday afternoon, everybody. This is Chuck here with this

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<v Speaker 1>week's Stuff you Should Know selects, Select Sean. It's called subways, Colin, Huh,

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<v Speaker 1>what are they good for? I can't remember if I

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<v Speaker 1>came up with that silly fun name or if Josh did. Uh.

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<v Speaker 1>I think it was me, But at any rate, this

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<v Speaker 1>is from septem two thousand twelve, and this is just

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<v Speaker 1>a great episode. It's just a classic stuff you should know. Um.

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<v Speaker 1>I'm fascinated by subways and we kind of hit on

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<v Speaker 1>all cylinders on this one, from the creation, invention, and

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<v Speaker 1>history of subways to how they're built today. They're just

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<v Speaker 1>really a pretty remarkable form of transportation and you should

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<v Speaker 1>know more about it. So enjoy subways. Huh what are

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<v Speaker 1>they good for? Right now, welcome to Stuff you Should

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<v Speaker 1>Know from House Stuff Works dot com. Hey, welcome to

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<v Speaker 1>the podcast. I'm Josh Clark. There's Charles W. Chuck Bright. Uh,

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<v Speaker 1>just sitting there normally right. Yeah, I'm not doing anything unusually.

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<v Speaker 1>I think we should have started this with taking the

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<v Speaker 1>A train. I think we should have changed up our music.

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<v Speaker 1>Well let's do that. Okay, how about this all right?

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<v Speaker 1>How we how we are we? Train to find the

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<v Speaker 1>quickest way to get long. Um we did, okay, thanks

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<v Speaker 1>thanks to the magic of post production, we did and

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<v Speaker 1>said that was taking the A Train. Who made that song? Boy,

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<v Speaker 1>I don't know who originally composed it, to be honest, Well,

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<v Speaker 1>I think I think we should find out. Well who

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<v Speaker 1>who just performed it? Well, there's many versions. Well what's

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<v Speaker 1>the one you selected, like a week from now? Uh,

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<v Speaker 1>I don't know. Did they do A train? Now it's

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<v Speaker 1>a jazz tune? Oh? John Coltrane? Did he do it?

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<v Speaker 1>Let's go with Coltrane? Man, maybe I should just do

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<v Speaker 1>it and that that that then? Oh? Is that that song? Yeah?

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<v Speaker 1>Thinking the A Train. That's a good song. Is it

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<v Speaker 1>instrumental because you know a lot of those instrumentals actually

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<v Speaker 1>have lyrics? What the old jazz tunes? Yeah? Really they

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<v Speaker 1>in the train? That's it? That? You're right? Okay, let's

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<v Speaker 1>go with Duke Ellington's version. Duke Ellington did the A

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<v Speaker 1>Train at the beginning of this episode. I hoped everyone

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<v Speaker 1>liked it. The Duke. We haven't heard it yet, that's right. Um,

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<v Speaker 1>So Chuck, I know that you know what a subway

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<v Speaker 1>is because we've been on the subway together. Yeah. Do

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<v Speaker 1>you remember when we were in New York. Um. I

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<v Speaker 1>believe it was for ABC Go, our first little opportunity there,

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<v Speaker 1>and we were going to meet you me. Oh yeah,

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<v Speaker 1>and I remember I met you me. Uh that was

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<v Speaker 1>that where in that bar? Afterwards? Well, I mean I

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<v Speaker 1>worked with her, but then I was like, that was

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<v Speaker 1>the first time you ever hung up? Yeah? Exactly. Um.

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<v Speaker 1>So we were we were going and that was my

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<v Speaker 1>first time in the New York subway and I remember

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<v Speaker 1>we were looking at the subway and um, the the

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<v Speaker 1>whole thing just turned into like this series of confusing

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<v Speaker 1>lines to me and like suddenly I was blind and

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<v Speaker 1>like holding your arm and I turned. I had the

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<v Speaker 1>mind of a child, and not even like a really

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<v Speaker 1>bright child either. It was just kind of like what

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<v Speaker 1>does it say? Um? And I can report after being

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<v Speaker 1>back in New York with you me several times that

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<v Speaker 1>I do that to her still, that we're enabling you

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<v Speaker 1>was what's going on? I think it is. I think

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<v Speaker 1>if you guys had thrown me in and be like

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<v Speaker 1>you figured it out, figure it out, I could have,

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<v Speaker 1>but I don't have to. Um, and uh, it's kind

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<v Speaker 1>of nice because it's really confusing. So when you go

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<v Speaker 1>to New York, you just kind of like just go

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<v Speaker 1>with Umi's wind wherever she blows kind of but the

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<v Speaker 1>wind is coming from her heavy size. That she's the

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<v Speaker 1>one who has to like read the subway map. Yeah. Um,

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<v Speaker 1>But now that I've read this article how subways work,

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<v Speaker 1>I don't understand the New York subway system any more

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<v Speaker 1>than I did before I read this article. But I

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<v Speaker 1>can tell you that the rails are made of thirty

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<v Speaker 1>five ft long pieces of carbon steel that are five

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<v Speaker 1>and a half inches tall and one and a half

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<v Speaker 1>inches wide, And you could run any train, any train

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<v Speaker 1>on the world, in the world on those rails, not

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<v Speaker 1>in the world, but at least in New York, because

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<v Speaker 1>I guess there's different cages, but there is. The New

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<v Speaker 1>York subway system was designed so that you could just

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<v Speaker 1>kind of if you wanted to, like go to Cleveland

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<v Speaker 1>on a subway train, you could, Yeah, that's I was designed. Yeah,

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<v Speaker 1>they could put it on just a regular railway track

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<v Speaker 1>and go to Cleveland. And then you get to Cleveland

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<v Speaker 1>and go, jeez, I want to go back to New York.

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<v Speaker 1>Cleveland's where the first stoplight in the country was. Did

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<v Speaker 1>you know that really I like Cleveland. I'm just kidding.

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<v Speaker 1>It's where my home away from home is now. Oh yeah,

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<v Speaker 1>so it was. Now they're an acron, but it's a

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<v Speaker 1>suburb of Cleveland. I never realized that. And I'm from

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<v Speaker 1>Ohio and I didn't realize that it was a suburb.

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<v Speaker 1>It's like half hour or so. I always thought Acro

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<v Speaker 1>was more towards Dayton. Yeah, alright, so Dayton, let's talk

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<v Speaker 1>about it, all right, let's talk about subways. The Metro

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<v Speaker 1>and France. Five hundred forty seven yards every five forty

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<v Speaker 1>seven yards, you're gonna find a subway station that's pretty good. No,

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<v Speaker 1>not even there. There's no building in Paris that's more

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<v Speaker 1>than five A botch that one. No, but it really

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<v Speaker 1>you helped build up the drama. Okay, Um, the Tube

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<v Speaker 1>in London, mind the gap everyone, Um, two hundred and

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<v Speaker 1>seventy five stations and our dear beloved New York subway

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<v Speaker 1>system four D and sixty eight as of now packed

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<v Speaker 1>into like two hundred and sixty square miles, which is

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<v Speaker 1>that's pretty impressive. And that's why the New York subway

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<v Speaker 1>system looks like a play of spaghetti. Man. It's really

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<v Speaker 1>tough to read it's not just me. It can't just

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<v Speaker 1>be it's not. You just have to zero in on

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<v Speaker 1>your area. And then you're like, oh, just you gotta

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<v Speaker 1>blur your eyes and block out everything else. And then

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<v Speaker 1>everyone behind you was looking at you like tourists. Yeah, exactly,

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<v Speaker 1>he's got his eyes crossed. And why why is does

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<v Speaker 1>that guy next to him look like Ronnie millsap all

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<v Speaker 1>of a sudden because I saw him walk down here.

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<v Speaker 1>Just the London Underground is the oldest open in eighteen

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<v Speaker 1>sixty three, The Metro was next in nine hundred, and

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<v Speaker 1>New York not far behind in nineteen o four. And Tracy,

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<v Speaker 1>who wrote a very thorough article this is a Tracy V.

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<v Speaker 1>Wilson Joy. Yeah, you know it's gonna be good. Um.

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<v Speaker 1>She points out that this they all kind of happened

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<v Speaker 1>within pretty dense space of time. Because the Industrial Revolution,

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<v Speaker 1>people are outing farming and and they're like, screw this,

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<v Speaker 1>I need a decent egg roll. Ye, I'm gonna move

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<v Speaker 1>into the city where I can get a job in

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<v Speaker 1>a factory. Well yeah, and before that there weren't jobs

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<v Speaker 1>and factories because there weren't factories. Part of the Industrial

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<v Speaker 1>Revolution was the rise of factories, everybody threw down their

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<v Speaker 1>grarian tools like scithes, forget this, how I'm out of

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<v Speaker 1>here right right? Clever word play, thank you. Um. And

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<v Speaker 1>they moved to the cities. And when they moved to

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<v Speaker 1>the cities, all of a sudden there was a lot

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<v Speaker 1>of people who needed to move about and they didn't

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<v Speaker 1>have cars, partially because cars hadn't been invented yet, that

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<v Speaker 1>was one reason, but also even beyond that, like not

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<v Speaker 1>everybody could afford a horse, but they still need to

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<v Speaker 1>get someplace. So it's a good point. City fathers in

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<v Speaker 1>these areas Paris London, London first and then Um because

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<v Speaker 1>I think it was the birthplace of the Industrial Revolution,

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<v Speaker 1>and then and then New York. Um said all right,

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<v Speaker 1>we need to figure out how to move up bunch

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<v Speaker 1>of these people at once. And what they came up

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<v Speaker 1>with was mass transit, but it was all above ground

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<v Speaker 1>mass transit, and it involved horses. Remember the wing Cries

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<v Speaker 1>Typhoid Merry episode. One horse produces twenty pounds of poop

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<v Speaker 1>per day, and New York had like a hundred thousand

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<v Speaker 1>horses or something like that walking around. Yeah, you know

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<v Speaker 1>how much poopa subway train produces zero there's probably a

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<v Speaker 1>couple of guys pooping on the train, but that attribute

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<v Speaker 1>that to the guy on the train. That's not really

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<v Speaker 1>the subway. That's true. It is not exhaust as you

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<v Speaker 1>as you would call horses poop um, I wouldn't call it.

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<v Speaker 1>So you're right. They had horse drawn carriages and these

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<v Speaker 1>cool things called omnibusses, which were longer horse drawn carriages.

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<v Speaker 1>Now they're known by their slang term bus. Oh yeah,

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<v Speaker 1>that's what that's what a bus. I'm glad you brought

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<v Speaker 1>that up people in New York. Tourists in New York.

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<v Speaker 1>If you're in New York, you got it all figured out.

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<v Speaker 1>But tourist in New York, I would recommend that you

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<v Speaker 1>occasionally take a bus trip. Don't be afraid of the

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<v Speaker 1>bus like a regular bus or a tourist bus double.

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<v Speaker 1>Don't take those. No, a regular bus, you're you're a

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<v Speaker 1>little metro card. You might even know this if you've

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<v Speaker 1>just been in New York like once. It works on

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<v Speaker 1>the buses so as well as the subways. And a

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<v Speaker 1>lot of times if you're like uptown at the park,

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<v Speaker 1>you're like, man, I can't find a subway stop near me.

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<v Speaker 1>I need to get downtown, just walk to the edge

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<v Speaker 1>and chances are you going to see a bus with

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<v Speaker 1>its own little lane. It's just going south and you

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<v Speaker 1>get a nice views of everything you're out out and

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<v Speaker 1>about up above ground. And that's just my advice of tours.

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<v Speaker 1>Don't be afraid of the busses in New York. It

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<v Speaker 1>could be a great way to get around. There's also cabs,

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<v Speaker 1>you know. Yeah, but you know those are expensive, man. Yeah, yeah,

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<v Speaker 1>I mean not one Discovery Channel. When I'm there on

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<v Speaker 1>my own dime, I take a lot of buses and

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<v Speaker 1>subway yeah sure, and it's subway yeah yeah, But I

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<v Speaker 1>didn't realize you took the bus. Yeah, buses are great.

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<v Speaker 1>I I had no idea. So you take the bus

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<v Speaker 1>and you know where your local elector lives. That's right,

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<v Speaker 1>that's pretty impressive, Chuck. So what happened with these buses though?

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<v Speaker 1>And with all the horse poop? As they said, this

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<v Speaker 1>is getting out of hand. Um, we need to go

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<v Speaker 1>underground because there's no more room up here. Yeah. We

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<v Speaker 1>we'd love to build trains, but we can't because there's

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<v Speaker 1>too many people, so too many bagel shops. So London

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<v Speaker 1>did it first, right eighteen sixty three is when it opened. Yeah,

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<v Speaker 1>god knows when they started construction. Look at someone knows

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<v Speaker 1>God besides God. Um and uh, then within forty years,

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<v Speaker 1>I guess paris open. There is because it was such

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<v Speaker 1>a huge success, and I mean it was just brilliant.

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<v Speaker 1>The problem is it was also like planning wise, it

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<v Speaker 1>was a brilliant move, but um, construction wise, it like

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<v Speaker 1>makes almost no sense whatsoever. It's like, Hey, where's the

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<v Speaker 1>hardest place we can put this mass transit system. I've

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<v Speaker 1>got it. Yeah, through a river like under bedrock, right, um,

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<v Speaker 1>and basically through every obstacle that we can create that

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<v Speaker 1>we've already created. Yeah, that's a good point. Talk about this.

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<v Speaker 1>These days, they have this really cool machine called the

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<v Speaker 1>tunnel boring machine. Yeah did you see these? Yeah, it

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<v Speaker 1>looks awesome. It's basically like a tremor worm, Yeah, but

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<v Speaker 1>a mechanized one that won't turn on you. Um. And

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<v Speaker 1>I hope people caught that little reference. Which one. So

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<v Speaker 1>this TVM tunnel boring machine um, has discs and scrapers,

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<v Speaker 1>crushes rock into into pebbles and sand. It has like

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<v Speaker 1>a conveyor belt that comes out the back. So it

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<v Speaker 1>is kind of likes it and then dudes get rid

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<v Speaker 1>of that stuff and it actually supports the tunnel as

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<v Speaker 1>it digs and does a really really great job. But um,

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<v Speaker 1>we all love the TV. They're fairly new though. They

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<v Speaker 1>didn't have these back in the day. Um So back

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<v Speaker 1>in the A they had to do it by hand

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<v Speaker 1>and picks, shovel dynamite yeah or TNT, depending on where

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<v Speaker 1>your preferences lie. Um. Yeah, So this was kind of

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<v Speaker 1>a problem in that you didn't have a conveyor belt.

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<v Speaker 1>You had to use pick. You frequently ran into rock,

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<v Speaker 1>and sometimes you had to dig into the bedrock, which

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<v Speaker 1>you know, bedrock that's just like that's the actual Earth's surface.

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<v Speaker 1>Everything else like mudd and dirt that's just like runoff.

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<v Speaker 1>Did you realize that? Yeah, I just recently realized that

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<v Speaker 1>I've done that for years. But that bedrock, it's kind

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<v Speaker 1>of tough to get through. Yeah. New York City alone,

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<v Speaker 1>um had eight thousand laborers to work on this project,

0:12:43.640 --> 0:12:47.800
<v Speaker 1>about sixty of which died and I don't even know

0:12:47.840 --> 0:12:50.280
<v Speaker 1>if they have account on the injury sustained. Yeah, I'm

0:12:50.280 --> 0:12:54.280
<v Speaker 1>sure it was like sixty a day injured. Do you

0:12:54.320 --> 0:12:58.760
<v Speaker 1>think I don't know, thousands of injuries. Let's just say that, Um,

0:12:58.800 --> 0:13:01.920
<v Speaker 1>did you look up the New Austrian tunneling method? Did

0:13:02.280 --> 0:13:03.679
<v Speaker 1>I want to know about this? I didn't have a

0:13:03.760 --> 0:13:06.480
<v Speaker 1>chance to. I don't. I can't tell you. Please tell

0:13:06.520 --> 0:13:10.640
<v Speaker 1>me it is. It had like eight different tenants. So

0:13:10.720 --> 0:13:12.840
<v Speaker 1>it's not so much a method of digging as it

0:13:12.920 --> 0:13:16.000
<v Speaker 1>is a, as Tracy points out, a collection of techniques

0:13:16.080 --> 0:13:19.200
<v Speaker 1>for digging and finding out where to dig. Yeah, where

0:13:19.200 --> 0:13:21.640
<v Speaker 1>to dig and how to dig? Um? So like what

0:13:21.720 --> 0:13:28.000
<v Speaker 1>are they like? No, they're not random like that. But

0:13:28.800 --> 0:13:30.560
<v Speaker 1>you know, we should do an article on tunneling period,

0:13:30.559 --> 0:13:33.480
<v Speaker 1>because it's pretty amazing. And the reason they called it

0:13:33.520 --> 0:13:36.600
<v Speaker 1>the New Austrian method was to distinguish it from the

0:13:36.600 --> 0:13:41.160
<v Speaker 1>old Austrian I guess that they must be the king

0:13:41.200 --> 0:13:46.280
<v Speaker 1>tunnel ers like Charles Bunsen. Is he Austrian? Uh no,

0:13:46.480 --> 0:13:48.480
<v Speaker 1>but he was the tunnel or in the Great Escape,

0:13:49.120 --> 0:13:54.120
<v Speaker 1>but he was the tunnel expert. Um. So that that's

0:13:54.240 --> 0:13:56.439
<v Speaker 1>that was from a reservoir dogs. That was a line.

0:13:57.360 --> 0:13:59.720
<v Speaker 1>At one point someone says, he's like Charles Bronson and

0:14:00.040 --> 0:14:04.440
<v Speaker 1>Great Escape, he was digging tunnels. How did they miss

0:14:04.520 --> 0:14:07.480
<v Speaker 1>that line? I don't know. Well, so you just referenced

0:14:07.480 --> 0:14:12.040
<v Speaker 1>the reference of a movie. The method that they use

0:14:12.160 --> 0:14:14.920
<v Speaker 1>for a long time, um was the cut and cover method,

0:14:14.920 --> 0:14:19.320
<v Speaker 1>which this is crazy. They like literally rip up a street,

0:14:20.120 --> 0:14:22.360
<v Speaker 1>put a subway there, and then build the street back

0:14:22.360 --> 0:14:24.880
<v Speaker 1>on top. It makes uttering complete sense for a couple

0:14:24.880 --> 0:14:28.000
<v Speaker 1>of routes. Number one, subways are meant to serve like

0:14:28.160 --> 0:14:32.360
<v Speaker 1>areas streets, right, It's basically like a street that happens

0:14:32.400 --> 0:14:35.320
<v Speaker 1>to be underground that moves a bunch of people at once. Yeah, okay,

0:14:35.440 --> 0:14:38.240
<v Speaker 1>so following a street makes a lot of sense, especially

0:14:38.280 --> 0:14:42.880
<v Speaker 1>if you're a planner. Um. The problem is you are

0:14:43.200 --> 0:14:47.280
<v Speaker 1>completely ripping up a street temporarily because you're what you're

0:14:47.280 --> 0:14:51.280
<v Speaker 1>doing is you're digging a trench and then rebuilding the

0:14:51.320 --> 0:14:53.800
<v Speaker 1>earth above it. But the good thing is is you

0:14:53.800 --> 0:14:56.280
<v Speaker 1>can rebuild the earth above it even stronger. It's like

0:14:56.320 --> 0:14:59.120
<v Speaker 1>Steve Austin or something like that. Right, Yeah, Like you

0:14:59.200 --> 0:15:01.600
<v Speaker 1>dig a trench as far down as you want your

0:15:01.600 --> 0:15:06.120
<v Speaker 1>subway to be, and you put him pilings, you drive

0:15:06.160 --> 0:15:09.600
<v Speaker 1>them down preferably into bedrock if you can, and then

0:15:09.640 --> 0:15:13.000
<v Speaker 1>you put like tresses and beams over those nice buttress

0:15:13.000 --> 0:15:15.800
<v Speaker 1>every now and then, yeah, and then you can rebuild

0:15:15.840 --> 0:15:19.040
<v Speaker 1>the ground in the road up above it. You can

0:15:19.080 --> 0:15:23.640
<v Speaker 1>also reroute any um sewer lines, any power lines, any

0:15:23.680 --> 0:15:27.440
<v Speaker 1>anything through these tresses and beings. Frankly, I'm a cut

0:15:27.440 --> 0:15:30.960
<v Speaker 1>and cover method guy. Yeah. Well, it also makes sense

0:15:31.000 --> 0:15:34.280
<v Speaker 1>because the streets are probably not gonna You're probably not

0:15:34.320 --> 0:15:38.000
<v Speaker 1>gonna run into as many obstacles. Um, like a basement

0:15:38.040 --> 0:15:40.320
<v Speaker 1>of a major building. Yeah, exactly, because there wouldn't be

0:15:40.320 --> 0:15:42.080
<v Speaker 1>a major building in the middle of the street. There

0:15:42.160 --> 0:15:44.600
<v Speaker 1>was a cool part in The Devil in the White City.

0:15:45.040 --> 0:15:47.600
<v Speaker 1>Did you ever read that man that's on the list?

0:15:47.640 --> 0:15:50.160
<v Speaker 1>Do you like it a lot um where they're talking

0:15:50.200 --> 0:15:56.000
<v Speaker 1>about how Chicago built the first skyscrapers. Yeah, yeah, and um,

0:15:56.040 --> 0:16:01.480
<v Speaker 1>basically they figured out how to float the foundations of

0:16:01.520 --> 0:16:04.440
<v Speaker 1>the building above the bedrock because the bedrock was really

0:16:04.480 --> 0:16:07.560
<v Speaker 1>far down and there was like the sandy shifting soil.

0:16:08.360 --> 0:16:10.880
<v Speaker 1>And I can't remember it specifically, but it's like, Wow,

0:16:10.920 --> 0:16:14.880
<v Speaker 1>I'm I'm riveted by this description of an architectural technique,

0:16:15.240 --> 0:16:17.840
<v Speaker 1>a building technique that they figured out so you didn't

0:16:17.840 --> 0:16:24.280
<v Speaker 1>even need the murders. I found them superfluous. It was

0:16:24.320 --> 0:16:27.760
<v Speaker 1>a good book, and I'm not one for like popular

0:16:27.800 --> 0:16:33.600
<v Speaker 1>fiction like that popular semi fiction, historical fiction. Yeah, it's good.

0:16:33.720 --> 0:16:36.840
<v Speaker 1>I like it. Um. So we're talking about obstacles, and

0:16:37.080 --> 0:16:39.480
<v Speaker 1>that is a big problem when you're when you're digging tunnels,

0:16:39.600 --> 0:16:44.840
<v Speaker 1>especially under a city that's already has an infrastructure in place. Um,

0:16:44.880 --> 0:16:48.680
<v Speaker 1>you're going to run into things that you can move. Sometimes,

0:16:49.000 --> 0:16:51.400
<v Speaker 1>you're gonna run into things that you can't move sometimes

0:16:51.840 --> 0:16:54.040
<v Speaker 1>that you have to move around. So like, have you

0:16:54.120 --> 0:16:57.840
<v Speaker 1>ever been in a subway, especially New York that really

0:16:57.880 --> 0:17:00.920
<v Speaker 1>slows down and takes one of those hard turns. It

0:17:01.080 --> 0:17:04.280
<v Speaker 1>maybe because you know that's the direction you need to

0:17:04.280 --> 0:17:06.760
<v Speaker 1>start going now, but more than likely it's because they

0:17:06.760 --> 0:17:10.119
<v Speaker 1>had to reroute it. Um, especially if it's an old

0:17:10.240 --> 0:17:13.040
<v Speaker 1>section of the subway. Very true, because now you can

0:17:13.119 --> 0:17:15.200
<v Speaker 1>just put the TVM on that thing and it's like

0:17:15.320 --> 0:17:18.280
<v Speaker 1>whatever you need, guys all go get it. Well, yeah,

0:17:18.280 --> 0:17:21.160
<v Speaker 1>but I'm talking more along lines of man made obstructions

0:17:21.200 --> 0:17:25.639
<v Speaker 1>like gas lines, thematic lines. But with with those like

0:17:25.880 --> 0:17:28.480
<v Speaker 1>water lines are probably very tough, but all of those

0:17:28.520 --> 0:17:32.880
<v Speaker 1>can be rerouted. You can basically reroute the line rather

0:17:32.920 --> 0:17:35.400
<v Speaker 1>than reroute the subway line. It probably depends on which

0:17:35.440 --> 0:17:38.160
<v Speaker 1>one is more cost effective, is what they go with. UM.

0:17:38.200 --> 0:17:40.080
<v Speaker 1>You can also Like I said, if you're doing a

0:17:40.160 --> 0:17:44.040
<v Speaker 1>cut and cover method, you can, um, you can basically

0:17:44.520 --> 0:17:47.439
<v Speaker 1>hang those same lines from these you can use the

0:17:47.480 --> 0:17:50.879
<v Speaker 1>beams and tresses as support for those same lines. That's true,

0:17:51.040 --> 0:18:23.040
<v Speaker 1>that makes sense. Uh. Sometimes, as Tracy pointed out, you

0:18:23.119 --> 0:18:25.880
<v Speaker 1>see lines that aren't on any blueprints. You're like, wait

0:18:25.880 --> 0:18:28.520
<v Speaker 1>a minute, what's this big pipe doing here? It doesn't

0:18:28.520 --> 0:18:32.919
<v Speaker 1>show up on any registry that we have for the city. Uh,

0:18:33.520 --> 0:18:35.080
<v Speaker 1>we gotta find out what this is to see if

0:18:35.119 --> 0:18:38.040
<v Speaker 1>we can move it. Yeah, maybe it's old and unused

0:18:38.040 --> 0:18:41.000
<v Speaker 1>and you can throw it away, that'd be great. Maybe

0:18:41.040 --> 0:18:44.720
<v Speaker 1>it's full of dangerous gases, which is not great, or

0:18:44.760 --> 0:18:47.640
<v Speaker 1>full of water, or maybe you hit an aquifer. Yeah,

0:18:47.720 --> 0:18:49.879
<v Speaker 1>water is a big one. Yeah. If you hit an aquifer,

0:18:49.960 --> 0:18:52.200
<v Speaker 1>well you know what that is. That's just a bunch

0:18:52.200 --> 0:18:54.960
<v Speaker 1>of water pooled on top of the bedrock, right, which

0:18:55.000 --> 0:18:59.520
<v Speaker 1>is really the surface of the earth. Um, you can

0:18:59.600 --> 0:19:02.360
<v Speaker 1>hit it, quefer. You might have to say across the river,

0:19:02.520 --> 0:19:05.240
<v Speaker 1>like the East River. Um. And when you do that,

0:19:05.480 --> 0:19:09.160
<v Speaker 1>you have to generally tunnel under it, which is extremely

0:19:09.240 --> 0:19:11.760
<v Speaker 1>dangerous because then not only you don't just have a

0:19:11.800 --> 0:19:13.679
<v Speaker 1>street that can collapse on top of you, you have

0:19:13.720 --> 0:19:15.560
<v Speaker 1>a river that can collapse on top of you, and

0:19:15.680 --> 0:19:18.359
<v Speaker 1>rivers tend to weigh more than streets. Yeah, and you

0:19:18.400 --> 0:19:21.600
<v Speaker 1>can drown and a river you can't drown in a street. Right,

0:19:21.880 --> 0:19:24.800
<v Speaker 1>that's it's full of water. Um. I thought this was

0:19:24.840 --> 0:19:27.800
<v Speaker 1>pretty clever. How they how was it Paris in the

0:19:27.840 --> 0:19:31.439
<v Speaker 1>Seine before we're drowning? So they basically put down like

0:19:31.680 --> 0:19:36.159
<v Speaker 1>pods and then sent compressed air into the pod and

0:19:36.200 --> 0:19:39.440
<v Speaker 1>blew all the water out. And then men went into

0:19:39.480 --> 0:19:42.480
<v Speaker 1>these pods and worked. And they use the same thing

0:19:42.800 --> 0:19:47.760
<v Speaker 1>or a similar technique in Um building the Brooklyn Bridge pylons.

0:19:48.320 --> 0:19:50.240
<v Speaker 1>But the problem was like people would come up and

0:19:50.280 --> 0:19:54.520
<v Speaker 1>get the bends from working beneath the water surface but

0:19:54.640 --> 0:19:58.280
<v Speaker 1>in a dry like area compressed air because they were

0:19:58.320 --> 0:20:00.720
<v Speaker 1>down so far and they just come up without thinking

0:20:00.760 --> 0:20:03.280
<v Speaker 1>about it and get the bends. Well, the good news

0:20:03.400 --> 0:20:05.680
<v Speaker 1>is if you're working under the water like that, you're

0:20:05.680 --> 0:20:08.440
<v Speaker 1>probably gonna get a little pay bump like hazard pay

0:20:08.480 --> 0:20:11.119
<v Speaker 1>as they call it. UM. And the other cool thing

0:20:11.200 --> 0:20:14.399
<v Speaker 1>they did in Paris too was they found that um,

0:20:14.480 --> 0:20:20.520
<v Speaker 1>some of this mud and like wet dirt which is mine,

0:20:20.880 --> 0:20:23.080
<v Speaker 1>was too hard to deal with, so they froze it

0:20:23.119 --> 0:20:26.000
<v Speaker 1>with calcium chloride, and all of a sudden they removed

0:20:26.040 --> 0:20:28.000
<v Speaker 1>it like it was a big chunk of clay. Yeah,

0:20:28.119 --> 0:20:30.440
<v Speaker 1>pretty neat. It was very clever. And that was old

0:20:30.480 --> 0:20:33.200
<v Speaker 1>timing construction too. I was that back in the day,

0:20:33.240 --> 0:20:35.760
<v Speaker 1>I believe, so I didn't realize that they were that

0:20:35.840 --> 0:20:39.280
<v Speaker 1>clever back then. It's pretty smart. Um. You can also

0:20:40.240 --> 0:20:44.359
<v Speaker 1>basically use the cut and cover method and uh, your

0:20:44.400 --> 0:20:46.439
<v Speaker 1>pick on that. And I love that. I'm gonna make

0:20:46.440 --> 0:20:49.240
<v Speaker 1>your t shirt this is cut and cover. I wouldn't

0:20:49.240 --> 0:20:53.240
<v Speaker 1>wear that. It just makes sense to me, Yeah, it does. Um.

0:20:53.600 --> 0:20:56.400
<v Speaker 1>You can use the cut and cover method across the river.

0:20:56.560 --> 0:20:59.560
<v Speaker 1>That's what they did in the San Francisco Bay. Um.

0:21:00.119 --> 0:21:04.399
<v Speaker 1>They basically just cut the tunnel they wanted and prefabricated

0:21:04.440 --> 0:21:08.320
<v Speaker 1>the um sections of the subway tunnel and put it

0:21:08.400 --> 0:21:11.080
<v Speaker 1>in the trench and then just cover it back up

0:21:11.880 --> 0:21:13.800
<v Speaker 1>and I guess like waiting for the water to leak

0:21:13.840 --> 0:21:19.000
<v Speaker 1>out over the course of several decades. UM. In the

0:21:19.119 --> 0:21:21.320
<v Speaker 1>very old cities like Paris, they have also uncovered some

0:21:21.359 --> 0:21:29.320
<v Speaker 1>pretty interesting things, um, like catacombs full of human bones. Yeah,

0:21:29.560 --> 0:21:34.359
<v Speaker 1>there's a whole documentary on that. Yeah, cans quarries very

0:21:34.400 --> 0:21:36.000
<v Speaker 1>deep quarries. This is kind of cool. I thought this

0:21:36.040 --> 0:21:38.240
<v Speaker 1>was very cool. Some of the quarries in Paris were

0:21:38.680 --> 0:21:42.879
<v Speaker 1>so deep that they had to actually build bridges, underground

0:21:42.960 --> 0:21:45.680
<v Speaker 1>bridges for the subway to get across. It's an elevated

0:21:45.720 --> 0:21:50.119
<v Speaker 1>train underground. Yeah, and nuts across ancient Roman quarries. Man,

0:21:50.640 --> 0:21:54.280
<v Speaker 1>I mean that's crazy. Yeah. Um, there's a lot of

0:21:54.280 --> 0:21:59.160
<v Speaker 1>like cool stuff like that, um, like abandoned subway stations. Yeah,

0:21:59.240 --> 0:22:00.919
<v Speaker 1>if you're into that kind of thing, and I know

0:22:01.000 --> 0:22:02.840
<v Speaker 1>a lot of people who listen to us are. There's

0:22:02.920 --> 0:22:07.480
<v Speaker 1>a website called um NYC subway dot org and they

0:22:07.520 --> 0:22:12.440
<v Speaker 1>have like little reports on like stations when they were built,

0:22:12.440 --> 0:22:15.920
<v Speaker 1>when they were decommissioned, why, photos taken of them after

0:22:15.960 --> 0:22:19.879
<v Speaker 1>they were abandoned. And there's actually a little trick, chuck

0:22:20.119 --> 0:22:23.440
<v Speaker 1>um where if you were on the six train and

0:22:23.480 --> 0:22:25.600
<v Speaker 1>now you're talking about do you I think so the

0:22:25.600 --> 0:22:28.560
<v Speaker 1>City Hall stop. Yeah. So if you're on the six

0:22:28.640 --> 0:22:31.679
<v Speaker 1>train and you're headed towards the Brooklyn Bridge stop and

0:22:31.800 --> 0:22:36.280
<v Speaker 1>you stay on right, the train will actually go around

0:22:36.320 --> 0:22:38.440
<v Speaker 1>a loop to turn around and go the other way.

0:22:38.680 --> 0:22:42.879
<v Speaker 1>That loop goes through an old abandoned um metro stop

0:22:43.440 --> 0:22:48.840
<v Speaker 1>or m T a stop, and um, it's this incredible

0:22:48.920 --> 0:22:53.560
<v Speaker 1>stained glass architecture, like preserved turn of the century subway

0:22:53.600 --> 0:22:56.520
<v Speaker 1>station that's just like frozen in time. It was in

0:22:56.680 --> 0:23:00.440
<v Speaker 1>operation from like nineteen and they used to make everybody

0:23:00.440 --> 0:23:03.000
<v Speaker 1>get off at Brooklyn Bridge, but now they'll let people

0:23:03.040 --> 0:23:05.600
<v Speaker 1>stay on and do they y Because I couldn't find

0:23:05.680 --> 0:23:08.200
<v Speaker 1>recent information. I saw an article today that said they

0:23:08.200 --> 0:23:10.480
<v Speaker 1>did that for a while. A Noo, they're not, and

0:23:10.480 --> 0:23:14.200
<v Speaker 1>then I saw another one that said, no, you can. Um,

0:23:14.240 --> 0:23:17.320
<v Speaker 1>I wonder if it's just arbitrary, like depending on I

0:23:17.359 --> 0:23:19.440
<v Speaker 1>know that they cleaned it up in two thousand four

0:23:19.480 --> 0:23:21.280
<v Speaker 1>and made it like kind of I don't think they

0:23:21.359 --> 0:23:23.879
<v Speaker 1>like put tons of money towards restoration, but they cleaned

0:23:23.880 --> 0:23:26.199
<v Speaker 1>it up really nice and allowed like light to come

0:23:26.200 --> 0:23:28.439
<v Speaker 1>through the stained glass and for a little while they

0:23:28.520 --> 0:23:30.399
<v Speaker 1>let people stop and get off and kind of tour it.

0:23:31.119 --> 0:23:33.280
<v Speaker 1>But I know they shut that down. Yeah, because the

0:23:33.320 --> 0:23:35.200
<v Speaker 1>whole reason, well, one of the big reasons they showed

0:23:35.200 --> 0:23:38.320
<v Speaker 1>it done because there's such a tight curve that the um,

0:23:38.560 --> 0:23:42.280
<v Speaker 1>the modern subway cars can't sit flush up against the platform,

0:23:42.640 --> 0:23:44.719
<v Speaker 1>so there's a pretty big gap that people would have

0:23:44.760 --> 0:23:47.199
<v Speaker 1>to jump over to get off. So I can imagine

0:23:47.280 --> 0:23:49.000
<v Speaker 1>you can't get off, but from what I saw it

0:23:49.119 --> 0:23:53.200
<v Speaker 1>was a two article it said you can stay on. Now. Well,

0:23:53.240 --> 0:23:55.240
<v Speaker 1>I've been meaning to check that out. I'm going in November.

0:23:55.280 --> 0:23:57.680
<v Speaker 1>I'll check it out. Yeah, dude, let me know, report back.

0:23:57.880 --> 0:24:03.199
<v Speaker 1>I will report back. Okay. Um, So, rolling stock or

0:24:03.240 --> 0:24:06.440
<v Speaker 1>what these trains are actually called. And in some cities

0:24:06.520 --> 0:24:11.200
<v Speaker 1>the rolling stock is automated, like Denmark. The one they're

0:24:11.200 --> 0:24:14.160
<v Speaker 1>building now doesn't have drivers, which is kind of neat.

0:24:15.000 --> 0:24:18.560
<v Speaker 1>They have like you know, laser beams and uh and

0:24:18.920 --> 0:24:23.560
<v Speaker 1>all these crazy surveillance systems to drive the train. The

0:24:23.840 --> 0:24:31.280
<v Speaker 1>computerized what no, what they do and um, they navigate it.

0:24:31.359 --> 0:24:34.880
<v Speaker 1>They use break heat to generate power. They will even

0:24:34.920 --> 0:24:37.760
<v Speaker 1>let you know, someone stuck in the door. Um yeah,

0:24:37.840 --> 0:24:40.399
<v Speaker 1>we'll open the door back up and did not drive away?

0:24:40.520 --> 0:24:43.360
<v Speaker 1>Not drive away while someone stuck. In New York, they're

0:24:43.359 --> 0:24:46.720
<v Speaker 1>actually trying out some of these now too. Actually yeah,

0:24:47.680 --> 0:24:50.400
<v Speaker 1>I didn't see when this article was written, but they were.

0:24:50.560 --> 0:24:55.560
<v Speaker 1>They were. Tracy made mention of the um the addition

0:24:55.680 --> 0:24:57.959
<v Speaker 1>that's being made to Long Island. Is this going on

0:24:58.080 --> 0:25:03.120
<v Speaker 1>still and like just this e vamping that's going on constant, Well,

0:25:03.160 --> 0:25:05.600
<v Speaker 1>the revamping I think it was a seventeen billion dollar

0:25:05.680 --> 0:25:09.960
<v Speaker 1>bid in ninety four and there adding new lines or

0:25:09.960 --> 0:25:12.199
<v Speaker 1>trying to spruce up the trains and like you know,

0:25:12.280 --> 0:25:16.920
<v Speaker 1>replace the old cars. They're improving the air circulation, which

0:25:16.920 --> 0:25:20.840
<v Speaker 1>she points out like just because it's open up top

0:25:20.960 --> 0:25:22.640
<v Speaker 1>and a little bit of air can get in, doesn't

0:25:22.640 --> 0:25:24.160
<v Speaker 1>mean you don't have to have like a massive air

0:25:24.200 --> 0:25:27.480
<v Speaker 1>circulation system. If you've ever been like deep within the

0:25:27.520 --> 0:25:30.920
<v Speaker 1>bowels of the subway system, then you might be wondering

0:25:31.040 --> 0:25:35.280
<v Speaker 1>if it's working properly. But it is, or you'd be dead. Yeah,

0:25:35.320 --> 0:25:39.200
<v Speaker 1>you'd die. Yeah, Yeah, they're the It takes a tremendous

0:25:39.200 --> 0:25:41.879
<v Speaker 1>amount of air to be recirculated to allow humans to

0:25:41.920 --> 0:25:46.320
<v Speaker 1>live underground. I think she said something was six thousand

0:25:46.320 --> 0:25:49.359
<v Speaker 1>cubic feet of fresh air per minute. Is what is

0:25:49.400 --> 0:25:51.359
<v Speaker 1>what they're shooting for. I don't think it's there now,

0:25:51.440 --> 0:25:55.600
<v Speaker 1>but that's their goal. Should we talk about some of

0:25:55.640 --> 0:26:01.000
<v Speaker 1>the signals, Yeah, train signals. Yeah, so um before a

0:26:01.000 --> 0:26:05.119
<v Speaker 1>long long time ago, when a driver reached a stoplight

0:26:05.200 --> 0:26:07.199
<v Speaker 1>and had to come to a stop, they had to

0:26:07.200 --> 0:26:09.320
<v Speaker 1>put a key in and turn it to reset the

0:26:09.320 --> 0:26:12.360
<v Speaker 1>stoplight and be able to drive. And there's a term

0:26:12.400 --> 0:26:15.679
<v Speaker 1>called keing buy that they still use, so they do

0:26:15.760 --> 0:26:19.639
<v Speaker 1>still use it. Now it's much more automated. Um, but

0:26:19.880 --> 0:26:22.840
<v Speaker 1>there's there's still a set of signals where it's like stop,

0:26:23.280 --> 0:26:27.040
<v Speaker 1>proceed with caution, green light, you know, just go as

0:26:27.080 --> 0:26:29.679
<v Speaker 1>fast as you can. They do a speed limits. Yeah,

0:26:29.880 --> 0:26:33.800
<v Speaker 1>of course. Yeah, they're posted too, aren't they. Uh yeah,

0:26:34.240 --> 0:26:38.439
<v Speaker 1>I mean the driver can see them at least imagine

0:26:38.440 --> 0:26:40.000
<v Speaker 1>if you were looking and you're up front, you could

0:26:40.000 --> 0:26:42.359
<v Speaker 1>probably see him and to have the drive around the

0:26:42.359 --> 0:26:45.240
<v Speaker 1>shoulder and be like we're going way faster than that. Yeah.

0:26:45.240 --> 0:26:47.320
<v Speaker 1>I mean Marta here in Atlanta, which is sort of

0:26:47.320 --> 0:26:50.040
<v Speaker 1>a subway, you can, um, I mean you can ride

0:26:50.040 --> 0:26:52.200
<v Speaker 1>it right up front by the the person. And I've

0:26:52.240 --> 0:26:53.960
<v Speaker 1>done this many times and just kind of spide in

0:26:54.040 --> 0:26:56.719
<v Speaker 1>on how you drive the Marta train, and every time

0:26:56.760 --> 0:26:58.440
<v Speaker 1>I look, I'm like, I could totally drive this thing

0:26:58.520 --> 0:27:01.840
<v Speaker 1>right now. Yeah. Yeah, dude. It's just like it's got

0:27:01.880 --> 0:27:04.920
<v Speaker 1>a little forward lever and a neutral and a reverse

0:27:05.400 --> 0:27:08.400
<v Speaker 1>and a break and then that's pretty much it. Yeah,

0:27:08.440 --> 0:27:10.000
<v Speaker 1>I could go do it right now. You can drive

0:27:10.080 --> 0:27:13.920
<v Speaker 1>it through arms costs, right Mark, have you seen it's

0:27:13.960 --> 0:27:16.480
<v Speaker 1>been going around Facebook? The Marta map compared to the

0:27:16.520 --> 0:27:21.399
<v Speaker 1>rest of the world's Facebook. Oh, it's like New York, London, Paris,

0:27:21.400 --> 0:27:22.800
<v Speaker 1>and they all look like a play a spaghetti And

0:27:22.840 --> 0:27:25.639
<v Speaker 1>then it's Atlanta with its little plus sign plus sign

0:27:26.080 --> 0:27:30.360
<v Speaker 1>it's got two branches. But I will argue that, I mean,

0:27:30.440 --> 0:27:32.800
<v Speaker 1>it does suck in a way. But I will argue

0:27:32.800 --> 0:27:36.240
<v Speaker 1>that Atlanta didn't build its subway in eighteen sixty three.

0:27:36.480 --> 0:27:40.840
<v Speaker 1>They built it in like nineteen seventies something, and but yeah,

0:27:40.880 --> 0:27:42.960
<v Speaker 1>it stopped. Okay, I was gonna say this isn't a

0:27:42.960 --> 0:27:45.800
<v Speaker 1>work in progress. No, they've added some stuff since. Yeah,

0:27:45.840 --> 0:27:48.440
<v Speaker 1>a little bit, but really it's pretty bad. It does

0:27:48.480 --> 0:27:51.359
<v Speaker 1>suck in every way. I mean it's it's great if

0:27:51.400 --> 0:27:53.119
<v Speaker 1>it goes from the one place you need to go

0:27:53.200 --> 0:27:56.119
<v Speaker 1>to the other place you need to go. And chances

0:27:56.160 --> 0:27:59.240
<v Speaker 1>are that's not the case, and it sometimes it does though,

0:27:59.440 --> 0:28:02.080
<v Speaker 1>especially if you live near a rail line. But even still,

0:28:02.160 --> 0:28:05.760
<v Speaker 1>you make one big l Yeah, I mean it's great

0:28:05.800 --> 0:28:08.640
<v Speaker 1>for me. I'm like Falcon's game day, you know, hop

0:28:09.000 --> 0:28:12.520
<v Speaker 1>right down the street, hop on there, my brown bag,

0:28:13.119 --> 0:28:15.680
<v Speaker 1>hop off them right at the stadium. Yeah, it's nice.

0:28:16.000 --> 0:28:21.080
<v Speaker 1>You're brown bag, so you know for hyperventilation right in

0:28:21.080 --> 0:28:23.520
<v Speaker 1>case something bad goes down in case the six hundred

0:28:23.600 --> 0:28:26.800
<v Speaker 1>thousand cubic leaders of errors that moved through that most

0:28:26.800 --> 0:28:29.560
<v Speaker 1>of Atlanta is above groundway. Really, that's what I'm saying.

0:28:29.560 --> 0:28:32.359
<v Speaker 1>It sucks in every way. Uh, these things run on

0:28:32.359 --> 0:28:36.200
<v Speaker 1>electricity these days, not like the old steam train days. Yeah.

0:28:36.600 --> 0:28:39.560
<v Speaker 1>I don't even know that was worth mentioning. Well, I

0:28:39.600 --> 0:28:41.960
<v Speaker 1>think so because you have the third rail that everyone

0:28:41.960 --> 0:28:45.560
<v Speaker 1>knows is very dangerous. Yeah, six volts in New York

0:28:46.080 --> 0:28:48.280
<v Speaker 1>and you have a hundred and twenty coming into your house.

0:28:48.680 --> 0:28:53.080
<v Speaker 1>Really yeah, oh wow, so it'll get you. It'll fry

0:28:53.080 --> 0:28:56.160
<v Speaker 1>a rap. They're not kidding. Sometimes the third rail is

0:28:56.200 --> 0:28:58.800
<v Speaker 1>between the two tracks. Sometimes it's on the outside, and

0:28:58.840 --> 0:29:01.920
<v Speaker 1>then you generally have a a brush or a shoe

0:29:02.040 --> 0:29:06.080
<v Speaker 1>sliding shoe or a wheel that connects to that and

0:29:06.120 --> 0:29:10.400
<v Speaker 1>that supplies power to the train. And um, they used

0:29:10.440 --> 0:29:13.280
<v Speaker 1>to have its own power plant to run the subway

0:29:13.320 --> 0:29:16.960
<v Speaker 1>system in New York. I guess these days they just

0:29:17.160 --> 0:29:20.720
<v Speaker 1>mooch it from everyone. You know, if you follow a

0:29:20.880 --> 0:29:24.360
<v Speaker 1>chord in the subway, it's actually going into somebody's living room.

0:29:24.400 --> 0:29:58.600
<v Speaker 1>It's coming through the window. All right. I think the

0:29:58.640 --> 0:30:01.080
<v Speaker 1>fact of the podcast, I'll give it to you, But

0:30:01.160 --> 0:30:04.800
<v Speaker 1>to me, it's the geometry train. Yeah. I've seen these before,

0:30:04.840 --> 0:30:08.920
<v Speaker 1>but um you have I've seen ones that were just there.

0:30:08.920 --> 0:30:11.360
<v Speaker 1>It looks like a little platform or something like that

0:30:11.920 --> 0:30:18.360
<v Speaker 1>going to buy. Yeah, well, or I've dreamt one. Uh yeah,

0:30:18.400 --> 0:30:22.680
<v Speaker 1>this one in the diagrams like full of computers and people.

0:30:22.760 --> 0:30:25.960
<v Speaker 1>I haven't seen that. But basically a geometry train, like

0:30:26.160 --> 0:30:30.400
<v Speaker 1>if you have you know, hundreds and thousands and millions

0:30:30.440 --> 0:30:33.520
<v Speaker 1>of miles of subway track and some of it dates

0:30:33.560 --> 0:30:38.479
<v Speaker 1>back a hundred years um thanks to seismic activity, fire

0:30:39.320 --> 0:30:44.560
<v Speaker 1>um weather people. Yes, all this stuff is going to

0:30:44.760 --> 0:30:47.720
<v Speaker 1>basically pull your tracks out of alignment, and tracks need

0:30:47.760 --> 0:30:50.200
<v Speaker 1>to be fairly precise to keep trains from like hopping

0:30:50.240 --> 0:30:55.200
<v Speaker 1>off right so to um, to basically keep or find

0:30:55.280 --> 0:30:58.040
<v Speaker 1>i should say, the rails that are out of alignment.

0:30:58.080 --> 0:31:00.360
<v Speaker 1>They have this thing called the geometry train, which have

0:31:00.600 --> 0:31:03.680
<v Speaker 1>your lasers, say you're so fond of and uh. It

0:31:03.760 --> 0:31:06.360
<v Speaker 1>basically just goes down the track every track. And these

0:31:06.360 --> 0:31:08.280
<v Speaker 1>things are running like twenty four hours a day, seven

0:31:08.320 --> 0:31:10.160
<v Speaker 1>days a week. Um. Yeah, the one in New York

0:31:10.240 --> 0:31:13.240
<v Speaker 1>runs at all times and uh, and you would think

0:31:13.240 --> 0:31:15.800
<v Speaker 1>it would have to I wonder how long it takes

0:31:15.800 --> 0:31:19.840
<v Speaker 1>for a geometry train to hit every Yeah, man, that's

0:31:19.840 --> 0:31:22.760
<v Speaker 1>a good question. It's gotta take years. But anyway, it

0:31:22.880 --> 0:31:26.720
<v Speaker 1>just rides along and takes precise measurements of the alignment

0:31:26.760 --> 0:31:29.440
<v Speaker 1>of the tracks, and anything that's over one point to

0:31:29.640 --> 0:31:32.880
<v Speaker 1>five inches out of alignment, there's a report that's filed

0:31:32.920 --> 0:31:35.720
<v Speaker 1>and says, go fix that track. And they also, just

0:31:35.800 --> 0:31:39.800
<v Speaker 1>as an added bonus, the geometry train finds hot spots

0:31:39.880 --> 0:31:43.520
<v Speaker 1>using heat centers and shoots them with fire extinguishers. Like

0:31:43.560 --> 0:31:46.120
<v Speaker 1>if there's something flammable near the track that could uh

0:31:46.680 --> 0:31:50.760
<v Speaker 1>combusta whether it's like a Derrito's bag, a cool ranch

0:31:50.840 --> 0:31:55.760
<v Speaker 1>Derrito's bag, Uh, any kind of Derrito's bag. Well, the

0:31:55.840 --> 0:31:59.040
<v Speaker 1>dude probably already toast. Anyway, he's on the third rail,

0:31:59.080 --> 0:32:01.640
<v Speaker 1>he is, And uh, that's a good reference for our

0:32:01.680 --> 0:32:06.440
<v Speaker 1>spontaneous combustion podcasts. In New York City and in many cities,

0:32:06.480 --> 0:32:09.120
<v Speaker 1>the fair does not cover the costs of running this

0:32:09.200 --> 0:32:13.760
<v Speaker 1>massive system about half yeah in New York. So um,

0:32:13.880 --> 0:32:16.160
<v Speaker 1>if you're complaining about the price of a subway New York,

0:32:16.280 --> 0:32:19.080
<v Speaker 1>just remember it could be double yeah if they were

0:32:19.160 --> 0:32:22.600
<v Speaker 1>to cover all the costs. So counter blessings New Yorkers. Yeah,

0:32:22.720 --> 0:32:25.520
<v Speaker 1>don't complain to me and thank New York for big government.

0:32:27.040 --> 0:32:32.480
<v Speaker 1>Do you like the subway? Uh? Tracy points out that

0:32:32.600 --> 0:32:36.360
<v Speaker 1>the subways and at least the tunnels over the years

0:32:36.360 --> 0:32:41.600
<v Speaker 1>have been the site of refuge and terror. That was

0:32:41.640 --> 0:32:44.560
<v Speaker 1>a great setup. That's true though, Oh yeah, it is

0:32:44.720 --> 0:32:49.520
<v Speaker 1>um during World War one and two in London and Paris.

0:32:49.560 --> 0:32:54.560
<v Speaker 1>I believe people saw cover against air raids um in

0:32:55.080 --> 0:32:57.880
<v Speaker 1>the subways. And but world War one it was like

0:32:57.920 --> 0:33:01.400
<v Speaker 1>that's when they were dropping bricks on each other, Like really,

0:33:01.440 --> 0:33:03.320
<v Speaker 1>that's how you would take down a plane. You fly

0:33:03.480 --> 0:33:06.040
<v Speaker 1>over another airplane and drop a brick and just go

0:33:06.200 --> 0:33:09.520
<v Speaker 1>right through a wing, and that was that for the plane. Yeah.

0:33:09.840 --> 0:33:12.200
<v Speaker 1>I thought they at least had the little tube like

0:33:12.280 --> 0:33:15.800
<v Speaker 1>the and it would shoot something like this somewhere mortar,

0:33:15.840 --> 0:33:19.200
<v Speaker 1>but that's ground based, that's those are mortars. Yeah. Well, yeah,

0:33:19.240 --> 0:33:21.480
<v Speaker 1>I guess you would still need to take refuge against

0:33:21.520 --> 0:33:23.960
<v Speaker 1>the mortar. Doesn't have to be a plane, and a

0:33:24.040 --> 0:33:27.840
<v Speaker 1>mortar comes through an air So yeah, air raid if

0:33:27.880 --> 0:33:31.160
<v Speaker 1>you want to get technical. But yes, world War two

0:33:31.200 --> 0:33:35.320
<v Speaker 1>for sure, Yes, during the blitz um of London. There

0:33:35.360 --> 0:33:38.800
<v Speaker 1>are a lot of people underground in the tube seeking

0:33:39.080 --> 0:33:42.440
<v Speaker 1>help and shelter. That's right, as are the mold people. Um,

0:33:42.480 --> 0:33:45.600
<v Speaker 1>if you haven't seen the documentary Dark Days highly recommended,

0:33:45.720 --> 0:33:48.320
<v Speaker 1>is that about the mold people? Or this is like

0:33:48.440 --> 0:33:50.400
<v Speaker 1>the there's a it's a group of homeless people. They

0:33:50.440 --> 0:33:53.360
<v Speaker 1>don't identify themselves as mold. Mold people is one of

0:33:53.400 --> 0:33:57.360
<v Speaker 1>those terms that you know, the people above ground made up? Uh,

0:33:57.520 --> 0:34:00.680
<v Speaker 1>somewhat sensational. But there are people live underground. Some I

0:34:00.760 --> 0:34:03.160
<v Speaker 1>haven't been up in a long long time. In this

0:34:03.240 --> 0:34:06.040
<v Speaker 1>dude made the documentary. I think he actually went underground

0:34:06.040 --> 0:34:08.520
<v Speaker 1>and lived there for a couple of years to do this. Yeah. Yeah,

0:34:08.520 --> 0:34:11.000
<v Speaker 1>so he wasn't like, you know, I'll be down there

0:34:11.000 --> 0:34:13.640
<v Speaker 1>for a few hours on Wednesday, but then I everybody

0:34:13.680 --> 0:34:15.799
<v Speaker 1>lost appointment after that, so I need to get back

0:34:15.840 --> 0:34:22.520
<v Speaker 1>above ground. Um. And then everyone remembers the Tokyo sarin

0:34:22.560 --> 0:34:28.360
<v Speaker 1>gas episode killed twelve people. Sure that was incredibly frightening, Um,

0:34:28.440 --> 0:34:36.719
<v Speaker 1>London thousand and five seven seven it was July. Oh yeah,

0:34:37.120 --> 0:34:39.719
<v Speaker 1>was that significant or no? That's just how they refer

0:34:39.800 --> 0:34:41.480
<v Speaker 1>to it, like we referred to nine eleven is nine

0:34:41.520 --> 0:34:46.719
<v Speaker 1>eleven seven interesting? And then in our own nine eleven Um,

0:34:46.760 --> 0:34:50.200
<v Speaker 1>it destroyed subway station and damaged some of the track.

0:34:50.600 --> 0:34:53.239
<v Speaker 1>I think we talked about that in the UM nine

0:34:53.280 --> 0:34:56.279
<v Speaker 1>eleven memorial episode. I think you're right, and didn't they

0:34:56.280 --> 0:34:59.200
<v Speaker 1>preserve it somehow? Like they're one of the trains is

0:34:59.239 --> 0:35:02.080
<v Speaker 1>going to be in the museum. I think so, because

0:35:02.120 --> 0:35:03.800
<v Speaker 1>that rang a bell to me. I'm gonna hit that

0:35:03.880 --> 0:35:06.200
<v Speaker 1>up in November as well. Oh man, I can't wait

0:35:06.280 --> 0:35:09.520
<v Speaker 1>to go to that. It's going to be something else. Um.

0:35:09.640 --> 0:35:13.640
<v Speaker 1>Originally you had tickets, then that became coins. These days

0:35:14.120 --> 0:35:16.919
<v Speaker 1>you might have an R F I D ticket. Um.

0:35:16.960 --> 0:35:19.040
<v Speaker 1>I think I was. I was in Switzerland. It was

0:35:19.080 --> 0:35:23.279
<v Speaker 1>like an honor system thing. Really. Yeah. I remember being

0:35:23.280 --> 0:35:25.920
<v Speaker 1>there and looking around like I don't see like where

0:35:25.960 --> 0:35:28.399
<v Speaker 1>you put the ticket in or anything. I think it's

0:35:28.440 --> 0:35:30.880
<v Speaker 1>just on our system. It was either Switzerland or Sweden.

0:35:31.520 --> 0:35:33.759
<v Speaker 1>I think it's Switzerland. And I just remember thinking these

0:35:33.760 --> 0:35:38.080
<v Speaker 1>people are crazy, Like, so you just didn't pay a

0:35:38.120 --> 0:35:41.040
<v Speaker 1>cent just to teach them a lesson? Yeah, no, I

0:35:41.040 --> 0:35:45.680
<v Speaker 1>paid my fare, so chuck, train car, if you are

0:35:46.040 --> 0:35:50.279
<v Speaker 1>a train car, how how many axles are you going

0:35:50.360 --> 0:35:52.200
<v Speaker 1>to go through? If you're in New York, if you're

0:35:52.239 --> 0:35:55.400
<v Speaker 1>part of their system in your lifetime, well, you're gonna

0:35:55.400 --> 0:35:59.640
<v Speaker 1>live about forty to fifty years. Um, you will go

0:35:59.680 --> 0:36:03.320
<v Speaker 1>through twenty four axles and twenty four motors over the span,

0:36:03.440 --> 0:36:06.640
<v Speaker 1>So that'll be two years. You're gonna get gussied up

0:36:06.640 --> 0:36:10.120
<v Speaker 1>a little. You're gonna get forty eight wheels over that time. Yeah,

0:36:10.280 --> 0:36:12.680
<v Speaker 1>not bad, not at once. And at the end of

0:36:12.719 --> 0:36:15.600
<v Speaker 1>your lifespan, they will dumpy in the ocean off the

0:36:15.640 --> 0:36:18.319
<v Speaker 1>coast of South Carolina. Have you seen pictures of that? Yeah? Yeah,

0:36:19.200 --> 0:36:21.920
<v Speaker 1>I found a whole little gallery. It's only like ten pictures.

0:36:21.920 --> 0:36:26.560
<v Speaker 1>But um on fast Code design um dot com they

0:36:26.560 --> 0:36:30.440
<v Speaker 1>have it's called surreal photos of subway cars being thrown

0:36:30.440 --> 0:36:33.319
<v Speaker 1>into the ocean. It is surreal. It's really because you

0:36:33.360 --> 0:36:35.600
<v Speaker 1>look at that and you're like, no, how get you? Yeah?

0:36:35.719 --> 0:36:39.239
<v Speaker 1>And then oh it's good for the environment somehow, right,

0:36:39.960 --> 0:36:41.920
<v Speaker 1>as long as they take the gas out first in

0:36:41.960 --> 0:36:44.279
<v Speaker 1>the oil. All right. So I got some more little

0:36:44.320 --> 0:36:48.360
<v Speaker 1>fun things. Uh. The overhaul and repair shop on Coney

0:36:48.400 --> 0:36:51.640
<v Speaker 1>Island is where it all goes down. Um. They have

0:36:52.280 --> 0:36:57.279
<v Speaker 1>over one to three over five thousand square feet of

0:36:57.280 --> 0:37:01.080
<v Speaker 1>shop space. We just counted that fast. I just you know,

0:37:03.080 --> 0:37:08.080
<v Speaker 1>five what was it kind of each square foot? Um?

0:37:08.120 --> 0:37:10.120
<v Speaker 1>And this is where everything goes to get worked one

0:37:10.239 --> 0:37:14.239
<v Speaker 1>in New York. Everything they can even work on regular trains. UM.

0:37:14.320 --> 0:37:17.719
<v Speaker 1>They can store eighteen hundred subway cars there and they

0:37:17.719 --> 0:37:28.440
<v Speaker 1>have a car wash that UM Subway car wash. It

0:37:28.520 --> 0:37:32.120
<v Speaker 1>cleans the exteriors of over one thousand cars once a week,

0:37:32.600 --> 0:37:35.799
<v Speaker 1>and that's fifty thousand washes in a year. It's a

0:37:35.800 --> 0:37:38.440
<v Speaker 1>lot of washes. Then they just came out with the

0:37:38.480 --> 0:37:41.319
<v Speaker 1>new UM survey on the New York subway system and

0:37:41.360 --> 0:37:44.160
<v Speaker 1>the Q line was ranked the number one line. Which

0:37:44.239 --> 0:37:49.280
<v Speaker 1>where is that, I'm not sure. So Q runs between

0:37:49.280 --> 0:37:52.560
<v Speaker 1>Coney Island still all Avenue in Brooklyn and Astoria did

0:37:52.640 --> 0:37:57.120
<v Speaker 1>miz Bolevard and Queens So in other words, that's the

0:37:57.160 --> 0:38:00.879
<v Speaker 1>one no one takes. So it's very clean. It's very clean.

0:38:01.160 --> 0:38:02.440
<v Speaker 1>And for the fourth year in a row, the Sea

0:38:02.480 --> 0:38:05.920
<v Speaker 1>train was ranked as the worst UM. It failed an

0:38:05.920 --> 0:38:09.960
<v Speaker 1>all four measures amount of scheduled service delays caused by

0:38:10.040 --> 0:38:15.600
<v Speaker 1>mechanical breakdowns, cleanliness, and announcements UM. Whether or not the

0:38:15.600 --> 0:38:19.919
<v Speaker 1>announcements like or even something you can hear makes sense,

0:38:19.960 --> 0:38:22.360
<v Speaker 1>or whether it's just garbled mess. Get see this is

0:38:22.360 --> 0:38:27.040
<v Speaker 1>why I can't like I can't do it by myself. Yeah,

0:38:27.040 --> 0:38:28.920
<v Speaker 1>well you certainly don't get any help most of the

0:38:28.960 --> 0:38:35.320
<v Speaker 1>time from the the conductor. Yeah, driver, Yeah, we should

0:38:35.320 --> 0:38:39.440
<v Speaker 1>we should know this. I would think conductor, ticket taker,

0:38:39.680 --> 0:38:43.160
<v Speaker 1>ticket taker. Uh. And then New York ranks number seven

0:38:43.200 --> 0:38:48.360
<v Speaker 1>and ridership in the world. Tokyo was first, Moscow, Beijing, Shanghai,

0:38:48.440 --> 0:38:55.719
<v Speaker 1>soul Ah Quangs. How where's that China is it? I

0:38:55.760 --> 0:38:59.120
<v Speaker 1>would imagine, Well, I mean that's a Chinese word. I

0:38:59.239 --> 0:39:03.000
<v Speaker 1>just haven't heard of a Paris, Mexico city in Hong Kong.

0:39:03.280 --> 0:39:05.759
<v Speaker 1>London is not even in the top ten, and that's

0:39:05.800 --> 0:39:10.680
<v Speaker 1>the number one. Um. But you know why, because World

0:39:10.760 --> 0:39:14.279
<v Speaker 1>War two happened and everybody got cars afterwards. Yeah, that's true,

0:39:14.400 --> 0:39:16.279
<v Speaker 1>and a lot of subway lines just kind of fell

0:39:16.320 --> 0:39:19.680
<v Speaker 1>into disrepair, and like a whole generation was raised without

0:39:19.719 --> 0:39:22.880
<v Speaker 1>really using subways. Yeah, and black cabs are so roomy

0:39:22.960 --> 0:39:26.560
<v Speaker 1>and private. But not just in London, in UM, the

0:39:26.719 --> 0:39:29.759
<v Speaker 1>in the United States especially. That's true. Yeah, because we

0:39:29.800 --> 0:39:32.440
<v Speaker 1>talked about the l A H and why the cars

0:39:32.640 --> 0:39:37.080
<v Speaker 1>become the predominant form of transportation um number of miles

0:39:37.080 --> 0:39:41.480
<v Speaker 1>traveled by an average subway car um in between repairs

0:39:41.520 --> 0:39:45.040
<v Speaker 1>in New York that was seven thousand, two thousand, eleven

0:39:45.200 --> 0:39:48.759
<v Speaker 1>hundred and seventy two. But I think that means they're

0:39:49.120 --> 0:39:52.320
<v Speaker 1>taking better care of them, not that they're just chirking

0:39:52.320 --> 0:39:56.480
<v Speaker 1>the responsibilities New York. In two thousand eleven, all the

0:39:56.520 --> 0:40:00.280
<v Speaker 1>subways combined traveled three hundred forty two million miles else

0:40:01.600 --> 0:40:04.960
<v Speaker 1>and in total, New York's four d and sixty eight

0:40:05.040 --> 0:40:08.480
<v Speaker 1>stations are only sixty fewer than the rest of the

0:40:08.520 --> 0:40:12.479
<v Speaker 1>subway systems in the United States combined. Wow, pretty cool.

0:40:13.200 --> 0:40:15.719
<v Speaker 1>That's my favorite for sure. And end to end they

0:40:15.760 --> 0:40:17.839
<v Speaker 1>always have these. If you laid the tracks end to end,

0:40:19.000 --> 0:40:21.520
<v Speaker 1>New York cities would go from New York to Chicago.

0:40:22.000 --> 0:40:25.840
<v Speaker 1>That's it, I thought for sure or something. Now just

0:40:25.880 --> 0:40:29.719
<v Speaker 1>New York to Chicago. Yeah, I'm a little disappointed in

0:40:29.760 --> 0:40:31.920
<v Speaker 1>the lowest station. If you've ever felt a little weird

0:40:32.080 --> 0:40:35.600
<v Speaker 1>is a hundred ninety first Street in Manhattan. That's because

0:40:35.640 --> 0:40:40.520
<v Speaker 1>you are hundred and eighty feet below ground. Crazy. Probably

0:40:40.680 --> 0:40:44.120
<v Speaker 1>shift it ran into a shift problem, the ready to

0:40:44.200 --> 0:40:46.239
<v Speaker 1>go down. You should tell people what that is. Well,

0:40:46.280 --> 0:40:49.120
<v Speaker 1>it's very hard rock. It's a metamorphic rock. It sends

0:40:49.200 --> 0:40:52.719
<v Speaker 1>the flake rather than break, so it's very hard to

0:40:52.800 --> 0:40:56.279
<v Speaker 1>get through that's my motto, flake don't break. Right. We

0:40:56.400 --> 0:40:59.080
<v Speaker 1>came up with like three mottos and catchphrases in this

0:40:59.239 --> 0:41:02.680
<v Speaker 1>one cut and cover, flake don't break. And I guess

0:41:02.800 --> 0:41:06.560
<v Speaker 1>don't take the C train? Is that maybe? And the

0:41:06.640 --> 0:41:09.080
<v Speaker 1>C train is like it's insult to injury because I

0:41:09.160 --> 0:41:11.520
<v Speaker 1>think the A, C and E or like the Blue line,

0:41:12.360 --> 0:41:14.200
<v Speaker 1>and the A and the E are doing pretty well.

0:41:14.560 --> 0:41:16.919
<v Speaker 1>And the Sea is like the ugly step child where

0:41:17.680 --> 0:41:20.120
<v Speaker 1>where oh it goes all over like you can get

0:41:20.160 --> 0:41:22.479
<v Speaker 1>it down in the West village and then I believe

0:41:22.560 --> 0:41:25.200
<v Speaker 1>it goes north and then cuts over somewhere around Midtown,

0:41:25.239 --> 0:41:27.719
<v Speaker 1>then goes up the east side. I think it doesn't

0:41:27.719 --> 0:41:31.320
<v Speaker 1>go into Brooklyn. I don't think so is it the

0:41:31.480 --> 0:41:35.279
<v Speaker 1>L train. I don't remember you know more than I.

0:41:36.000 --> 0:41:37.440
<v Speaker 1>I just I missed the old and I guess they

0:41:37.480 --> 0:41:40.000
<v Speaker 1>still have some. But the old red like the seven

0:41:40.040 --> 0:41:42.080
<v Speaker 1>train I remember had those old red trains that look

0:41:42.160 --> 0:41:46.160
<v Speaker 1>like trains. They didn't look like subways, and I don't

0:41:46.280 --> 0:41:48.719
<v Speaker 1>they look like regular locomotives. To me, I like my

0:41:48.840 --> 0:41:52.080
<v Speaker 1>subways to look like subways. Trains should look like trains.

0:41:52.760 --> 0:41:56.600
<v Speaker 1>Smells like poop gum, Apparently in New York the gum

0:41:56.719 --> 0:41:58.480
<v Speaker 1>is so bad and some that you can lose your shoe.

0:41:59.280 --> 0:42:01.840
<v Speaker 1>I can see that you can actually get mired in

0:42:01.920 --> 0:42:06.360
<v Speaker 1>the gum. Um you got anything else? Give up your

0:42:06.360 --> 0:42:08.279
<v Speaker 1>seat for the ladies. That's what I gotta say. That's

0:42:08.320 --> 0:42:12.920
<v Speaker 1>a big one. Um. Yeah, good going, Chuck. That's a

0:42:13.040 --> 0:42:15.720
<v Speaker 1>fine ending. If you want to learn more about subway

0:42:15.760 --> 0:42:19.840
<v Speaker 1>etiquette and the tunnel boring machine and the cover method,

0:42:20.200 --> 0:42:22.640
<v Speaker 1>you can type in subways su beat W A Y

0:42:22.880 --> 0:42:24.680
<v Speaker 1>S into the search bar at how stuff works dot

0:42:24.719 --> 0:42:28.759
<v Speaker 1>com and it'll bring up this fine article by Tracy V. Wilson. Uh.

0:42:28.920 --> 0:42:31.800
<v Speaker 1>And since I said, uh, search bar, it's time for

0:42:32.040 --> 0:42:37.160
<v Speaker 1>listening to them. Uh. This one was an anniversary of

0:42:37.360 --> 0:42:42.239
<v Speaker 1>um two two young people in love. We had something

0:42:42.239 --> 0:42:45.399
<v Speaker 1>to do with that. Okay, guys have never written in before.

0:42:45.400 --> 0:42:47.480
<v Speaker 1>I just thought I would be appropriate. Uh, seeing as

0:42:47.560 --> 0:42:50.560
<v Speaker 1>my boyfriend and I are celebrating our three year anniversary.

0:42:51.200 --> 0:42:53.520
<v Speaker 1>Is partly due to you, guys. A few years back,

0:42:53.920 --> 0:42:56.640
<v Speaker 1>Nathan was trying and failing to win over my heart,

0:42:57.280 --> 0:42:59.800
<v Speaker 1>and then he began striking up conversations about the weirdest

0:42:59.840 --> 0:43:03.759
<v Speaker 1>thing is like abandoned cities, blood pressure, and robots. I

0:43:03.800 --> 0:43:06.439
<v Speaker 1>found this odd at first, but then began to love

0:43:06.760 --> 0:43:09.480
<v Speaker 1>this quirk of his. It's like she's been in love

0:43:09.520 --> 0:43:12.120
<v Speaker 1>with us. Let's get real. Yeah, but Nathan, he brought

0:43:12.160 --> 0:43:15.399
<v Speaker 1>up the blood pressure episode. Well that's what she says.

0:43:16.360 --> 0:43:20.520
<v Speaker 1>That's what she said. Uh, long story short, he ended

0:43:20.600 --> 0:43:22.640
<v Speaker 1>up winning me over. Not long ago, I was poking

0:43:22.680 --> 0:43:26.640
<v Speaker 1>around his iTunes library. Oh yeah, that's dangerous, uh, and

0:43:26.719 --> 0:43:30.040
<v Speaker 1>discovered the source of his information YouTube. We both love

0:43:30.080 --> 0:43:31.960
<v Speaker 1>the show now and sometimes sneak out of our houses

0:43:32.400 --> 0:43:35.520
<v Speaker 1>to make spontaneous midnight trips to McDonald's and listen to

0:43:35.560 --> 0:43:38.120
<v Speaker 1>your show while eating Big Max in the car. Young

0:43:38.200 --> 0:43:42.239
<v Speaker 1>love so sweet like that sweet and terrible for your ardors. Uh.

0:43:42.560 --> 0:43:44.920
<v Speaker 1>From time to time, I'll make him pancakes for dinner,

0:43:46.080 --> 0:43:49.400
<v Speaker 1>uh and we'll listen. I love that and we'll listen

0:43:49.600 --> 0:43:53.160
<v Speaker 1>as we really, I do all the cooking he does. However,

0:43:53.200 --> 0:43:55.880
<v Speaker 1>get at agitated whenever I mentioned that Chuck has a

0:43:55.960 --> 0:43:58.960
<v Speaker 1>sexy voice. I can't to see him like throwing his

0:43:59.080 --> 0:44:05.680
<v Speaker 1>pancakes and open around the apartment. Josh is sexy And

0:44:05.760 --> 0:44:10.120
<v Speaker 1>that is from Monique in California, And um, congratulations Monique

0:44:10.800 --> 0:44:14.200
<v Speaker 1>and Nathan pancakes for dinner. It's right a couple of

0:44:14.280 --> 0:44:18.120
<v Speaker 1>that listens to s Y s K together stays together exactly. UM,

0:44:18.360 --> 0:44:20.680
<v Speaker 1>let's see if we brought you together. I want to

0:44:20.719 --> 0:44:23.360
<v Speaker 1>hear about that, right sure? Um, if we brought you

0:44:23.440 --> 0:44:25.759
<v Speaker 1>in a loved one together or it strange to you

0:44:25.920 --> 0:44:28.560
<v Speaker 1>from your family, Either way, UM, we want to know

0:44:28.600 --> 0:44:30.440
<v Speaker 1>about it. You can tweet to us at s Y

0:44:30.640 --> 0:44:34.000
<v Speaker 1>s K Podcast. You can join us on Facebook dot

0:44:34.040 --> 0:44:41.920
<v Speaker 1>com slash stuff you should go for more on this

0:44:42.080 --> 0:44:44.600
<v Speaker 1>and thousands of other topics. Is it how stuff Works

0:44:44.600 --> 0:44:50.560
<v Speaker 1>dot com m