WEBVTT - David Koechner

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<v Speaker 1>Have you ever felt depressed about work only to have

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<v Speaker 1>your dad be like, why you're so down? So you

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<v Speaker 1>told him you hate your job and he said, well,

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<v Speaker 1>you better talk yourself out of it. And then you thought, hmm,

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<v Speaker 1>I love to talk. I could host a podcast. And

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<v Speaker 1>then you went to Speaker from my Heart and started

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<v Speaker 1>a podcast and got good at it, then monetized it,

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<v Speaker 1>then quit your boring job and told your dad thanks

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<v Speaker 1>for the advice. And he was like, well, that's not

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<v Speaker 1>what I meant and I don't understand what a podcast is,

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<v Speaker 1>but you seem happy, So that's great, kiddo. You ever

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<v Speaker 1>do that? Well, you could at speaker dot com. That's

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<v Speaker 1>spr E A K E R. Ask your dad you

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<v Speaker 1>actually don't. Hi. I'm Arden Marine from Insatiable and will

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<v Speaker 1>you accept this rose podcast? And I'm Julianne Robinson and

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<v Speaker 1>Emmy nominated director of Bridgeton and we are the hosts

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<v Speaker 1>of Lady of the Road, a funny and inspiring podcast

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<v Speaker 1>where we have conversations with influential women about their lives

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<v Speaker 1>and we get self health advice because we are always

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<v Speaker 1>looking to improve ourselves. Sure story, we talk about money, health, relationships,

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<v Speaker 1>you name it from inspiring women like Joan Jet, Nicole Buyer,

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<v Speaker 1>Lauren Laptez Retta and more. Listen and subscribe to Lady

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<v Speaker 1>the Road on the I Heart Radio app, Apple podcast,

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<v Speaker 1>sole wherever you get your podcasts. Hi. I'm Hillary Clinton

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<v Speaker 1>and I'm so excited to be back with a third

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<v Speaker 1>season of You and Me Both. When I started this podcast,

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<v Speaker 1>we were going through some tough times, and let's face it,

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<v Speaker 1>we still are. And here's what I know. We cannot

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<v Speaker 1>get through this alone. So please join me for more

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<v Speaker 1>conversations with people who will make you think, make you laugh,

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<v Speaker 1>and help us find a path forward. This season, I'll

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<v Speaker 1>be talking about the state of our democracy with experts

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<v Speaker 1>and with people organizing on the ground. Will draw inspiration

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<v Speaker 1>from some amazing people like Olympic star Alison Felix and

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<v Speaker 1>Grammy Award winner Brandy Carlisle. And we'll get into the

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<v Speaker 1>hard stuff with writer Cheryl Strait and my dear friend

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<v Speaker 1>and colleague, Juma Aberdeen. So join us. Listen to You

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<v Speaker 1>and Me both on the I Heart Radio app, Apple

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<v Speaker 1>podcast or where where you get your podcast. Hi, gang,

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<v Speaker 1>my name is David Kecker. I'm Todd Packer from the

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<v Speaker 1>office The pac Man what's up, my nerds? He Hello again, everybody.

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<v Speaker 1>Welcome to another episode of the Office Deep Dive. Buckle up.

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<v Speaker 1>It's gonna be a bumpy ride today, that's all I'll

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<v Speaker 1>tell you. I am, as always your host, Brian baum Gartner,

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<v Speaker 1>and I've got some exciting news. As you know, I

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<v Speaker 1>am soon going to be transitioning into my new podcast,

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<v Speaker 1>Off the Beat, which is going to take what we

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<v Speaker 1>do here at the Office Deep Dive and expand it

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<v Speaker 1>to more of your favorite guests and shows. So we

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<v Speaker 1>will still be talking to folks associated with the Office,

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<v Speaker 1>but so much more. And so today you're gonna get

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<v Speaker 1>a little sneak peek of what you can expect in

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<v Speaker 1>Off the Beat as we bring in a very special guest,

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<v Speaker 1>one of my good friends and one of the funniest

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<v Speaker 1>guys that I know, David Keckner. Now you may know

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<v Speaker 1>him as Todd Packer from the Office, the pac Man himself.

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<v Speaker 1>But today we're gonna go deep, that's what she said.

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<v Speaker 1>We're gonna go into his full career, starting with his

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<v Speaker 1>early days at Second City and Improv Olympic to s

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<v Speaker 1>n L where he got his start alongside Will Ferrell,

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<v Speaker 1>his move out to l A, which led to his

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<v Speaker 1>big break as champ Kind on Anchorman, and well the

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<v Speaker 1>longstanding friendship he's had with both Steve Carrell and Nancy

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<v Speaker 1>Walls Correll, which is how he landed his guest starring

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<v Speaker 1>role on the Office as the man we all understandably

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<v Speaker 1>love to hate. So let's dive in right now. The

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<v Speaker 1>man who brought everyone in the world of the Office

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<v Speaker 1>down is here today to lift us up. David Keckner. Everybody,

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<v Speaker 1>Bubble and Squeak. I love it, Bubble and squeak on

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<v Speaker 1>Bubble and Squeaker cooking at every month, left over from

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<v Speaker 1>the nubb before. Hey, well what do I see but

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<v Speaker 1>double b he's looking at me? How are you, buddy?

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<v Speaker 1>Always I'm great. Always with the hat I need I

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<v Speaker 1>need lessons from you in hat wear. Well, you know,

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<v Speaker 1>it's just it's the sun for me unfair. So I

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<v Speaker 1>for me, it's it's more like, um, it's not necessarily fashioned.

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<v Speaker 1>It's a necessity of like I gotta keep the sun off. No,

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<v Speaker 1>but I do that. But I just wear baseball hats,

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<v Speaker 1>and I go into hat stores to try to find

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<v Speaker 1>something just a little bit more fashionable. I can't. I

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<v Speaker 1>don't know it's my head shape or something. See how

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<v Speaker 1>I have a small head too. So um, but it's

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<v Speaker 1>really Brian, I gotta say, I've always thought this. It's

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<v Speaker 1>all a decision about I can wear that. Really, I

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<v Speaker 1>just need to have confidence. That's that's what I think.

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<v Speaker 1>You just go yep, I can wear that, and then

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<v Speaker 1>you do because I can work for For us, it's

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<v Speaker 1>the larger forehead, the superior forehead that we have. But

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<v Speaker 1>it's for me it's the ears I gotta watch out for,

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<v Speaker 1>you know, because the ball cap doesn't do those. So, Babe,

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<v Speaker 1>do you sunscreen? I do, sure, Okay, yeah, I don't

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<v Speaker 1>religiously sunscreen, So I got it. That's this is the

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<v Speaker 1>lazy sunscreen for me. Lazy sunscreen, but fashionable, way more

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<v Speaker 1>fashionable as well. Well, thank you for saying so. And

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<v Speaker 1>you're right, Yeah, I am right. I'm right, Dave. You

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<v Speaker 1>are one of the funniest people I've ever met. Um

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<v Speaker 1>that that almost goes with without let's stop there. That

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<v Speaker 1>was the episode, and I am now fully stated I

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<v Speaker 1>want to go back with you because there's a lot

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<v Speaker 1>about your life that I don't know. I know obviously. Well,

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<v Speaker 1>we'll talk about the chiefs later. On in Kansas City.

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<v Speaker 1>But you were born in Tipton, Missouri, and I assume

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<v Speaker 1>your family was in in farming, right, your dad manufactured

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<v Speaker 1>chicken turkey coops, turkey coops. I always start with saying

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<v Speaker 1>he manufactured livestock trailers, so then people get at least

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<v Speaker 1>a vision of it's on a trailer. Then I add

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<v Speaker 1>coops to it so they know it's on a trailer.

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<v Speaker 1>Because every time I say it, people go oh fors,

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<v Speaker 1>like something in your backyard, Like, well, um, that's condescending,

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<v Speaker 1>And you're also ignorant and not interested because it seems

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<v Speaker 1>to me like when they go, oh for your backyard,

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<v Speaker 1>I've never seen a turkey coop in someone's backyard. I've

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<v Speaker 1>seen chicken coops. But to me, like, oh like your backyard, Like, oh,

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<v Speaker 1>so you don't want to hear the rest of the story.

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<v Speaker 1>That's what I take away from it. Um, so, no,

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<v Speaker 1>they were. There were forty foot trailers and uh large

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<v Speaker 1>racks that are built for transferring turkeys from the farm

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<v Speaker 1>to the processing plant, so from their home to uh

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<v Speaker 1>their death, yes, their uh to our mouths. So my

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<v Speaker 1>dad was a manufacturer. He built a lot of different

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<v Speaker 1>other farm inpluments like hey, bail forks uh pharaohing crates,

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<v Speaker 1>which is another thing that's too long to get into,

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<v Speaker 1>gas barrel stands, picnic table frames. But the biggest part

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<v Speaker 1>of the business was turkey coops. And yeah, so from

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<v Speaker 1>Tipton it's right dead center of Missouri and from north

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<v Speaker 1>southeast west it's like right in the middle on Highway

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<v Speaker 1>fifty between Jefferson City, the state capital, and Saidelia, which

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<v Speaker 1>is where the Missouri State Fair was held every year.

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<v Speaker 1>That is a very special place in my heart. And

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<v Speaker 1>so yeah, that's where I grew up. Town to two

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<v Speaker 1>thousand people. Wow, And now, when did you start thinking

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<v Speaker 1>about being a performer? And I'm gonna get I'm gonna

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<v Speaker 1>use the word performer generally now because I want to

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<v Speaker 1>talk about that a little bit later, about what you

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<v Speaker 1>consider yourself. But when did you start thinking, oh, this

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<v Speaker 1>may be something that I want to do. Well. I've

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<v Speaker 1>said this before. I'm one of six kids, and so

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<v Speaker 1>when I was ten, I have a distinct memory of

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<v Speaker 1>walking around the west side of my house by myself,

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<v Speaker 1>being very contemplative and thinking, I gotta get out of here.

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<v Speaker 1>I have to I have to live in a city

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<v Speaker 1>I I don't know where I'm gonna go. I'm gonna

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<v Speaker 1>miss my family and friends, but I know I've got

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<v Speaker 1>to go. And then when I was thirteen was the

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<v Speaker 1>year for Saturday at Live, and I knew my parents

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<v Speaker 1>wouldn't let me watch it because they wouldn't let me

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<v Speaker 1>watch like laugh In or a lot of shows, you know,

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<v Speaker 1>like A Room twenty two or stuff like that was

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<v Speaker 1>too racy. But they leased to go out dancing every

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<v Speaker 1>weekend to the local Farmers and Sportsmen's Club, and I

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<v Speaker 1>had a babysit my three younger siblings, and I knew

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<v Speaker 1>they weren't to be there, so I didn't say anything.

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<v Speaker 1>I didn't ask permission because I knew they would have

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<v Speaker 1>said no, So I didn't say anything, so I didn't

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<v Speaker 1>have to lie. I just wouldn't mention because I don't

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<v Speaker 1>know if you remember, you're a little bit younger than me,

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<v Speaker 1>but they would do. They were doing some live commercials

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<v Speaker 1>promoting Saturday Live. I was like, this is brand news,

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<v Speaker 1>this is a live show, and it's comedy. It looks

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<v Speaker 1>like something that I've never seen before. And so my

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<v Speaker 1>parents were gone and so SNL, let's see it aired

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<v Speaker 1>at ten thirty in the Midwest, and I remember watching

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<v Speaker 1>it and through that first year I was like, I

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<v Speaker 1>want to do that. I want to be on that show. Now.

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<v Speaker 1>Then you don't don't tell people because you're in a

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<v Speaker 1>small town. Small small towns don't really embrace dreams. And again,

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<v Speaker 1>this is before the internet. So I had no that's

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<v Speaker 1>the title of your new book. Yeah, I like you

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<v Speaker 1>said new book, as if I've written many, um. But

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<v Speaker 1>so that was in my head and I didn't tell people.

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<v Speaker 1>I didn't tell anyone. And again, there's no performance opportunity

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<v Speaker 1>or stage opportunity in Tipton. None except once a year

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<v Speaker 1>there was the high school play, and you couldn't do

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<v Speaker 1>that into your junior so there was no opportunity. This

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<v Speaker 1>is pre internet. There's not a ton of books. I'd

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<v Speaker 1>never met an actor. I didn't know how it worked.

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<v Speaker 1>So that's that's that's when I knew, though. You just

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<v Speaker 1>you've watched SNL and you were like, I want to

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<v Speaker 1>do that. That's what I want to do. Yeo. So

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<v Speaker 1>what was your process then, of of leaving Tipton. I

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<v Speaker 1>know you went to Chicago. How did you decide that

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<v Speaker 1>was the place or go about getting there? Well, I

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<v Speaker 1>went to college first and I was a political science major. Again,

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<v Speaker 1>that's surprising to me. That's the most surprising thing you've

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<v Speaker 1>said so far. Really, that's funny. The thing was, the

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<v Speaker 1>thing is because I'm very political. Uh, I didn't even

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<v Speaker 1>have a thought that I should be a theater major.

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<v Speaker 1>That didn't come up. I thought, you go to college

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<v Speaker 1>for something that is dedicated to a pursuit, a career,

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<v Speaker 1>a profession. So I thought, well, I'm going to be

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<v Speaker 1>in politics. And I really, looking back on it, I

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<v Speaker 1>think that was my desire to seek a stage. But

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<v Speaker 1>I also had this altruistic streak where I thought a

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<v Speaker 1>politician their job was to help people. So I did

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<v Speaker 1>that for three years, and then I started realizing that

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<v Speaker 1>this isn't no one's talking about the you know, how

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<v Speaker 1>you use power or or the process or politics to

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<v Speaker 1>really help people. It was us about this machinations of

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<v Speaker 1>things going on. The third year was kind of getting

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<v Speaker 1>to the more dry aspects of politics and the administrative

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<v Speaker 1>end of it. And I remember thinking, well, shoot, I've

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<v Speaker 1>met so many bright people in this pursuit. And I thought, well,

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<v Speaker 1>the people in politics are either from a political family

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<v Speaker 1>or they are very wealthy, or they're the smartest person

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<v Speaker 1>in any room they walk into, and I was none

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<v Speaker 1>of those things. So I just quit going to my

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<v Speaker 1>classes because I remember thinking, I don't want to be

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<v Speaker 1>a lawyer. I don't want to just work for a senator,

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<v Speaker 1>and that doesn't seem like these people are really committed

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<v Speaker 1>to just helping people. So I quit going to all

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<v Speaker 1>my classes. So as you know, if that happens, you're

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<v Speaker 1>what they call academically ineligible, which is my way of punting.

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<v Speaker 1>It really was. And my dad said, well, Dave, I

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<v Speaker 1>don't know what you want to do, but I don't

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<v Speaker 1>think you want to go to school. And for me

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<v Speaker 1>that was a relief. I didn't there was no punishment,

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<v Speaker 1>but for him as a relief because it's like, Okay,

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<v Speaker 1>this kid's off my doll I don't. So he sold

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<v Speaker 1>me the car I was driving. It was a god,

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<v Speaker 1>what year was that thing? It was a nineteen probably

0:13:08.640 --> 0:13:14.520
<v Speaker 1>a nineteen seventy seven Plymouth Grand Fury. Uh. He sold

0:13:14.520 --> 0:13:17.080
<v Speaker 1>me that car for four hundred dollars. And then I

0:13:17.120 --> 0:13:19.559
<v Speaker 1>was there in Clymie, Missouri. I was working three different

0:13:19.640 --> 0:13:21.439
<v Speaker 1>jobs just to make it, you know, paying for your

0:13:21.440 --> 0:13:23.600
<v Speaker 1>rent and all that stuff, and then a buddy of

0:13:23.640 --> 0:13:26.400
<v Speaker 1>mine and I. By this point, Brian, I had read

0:13:26.840 --> 0:13:29.520
<v Speaker 1>a bunch of books about Saturday Live, like there's a

0:13:29.520 --> 0:13:32.160
<v Speaker 1>smaller book called Backstage at Saturday Night Live. Then I

0:13:32.200 --> 0:13:34.640
<v Speaker 1>was starting to read books about Second City, and I'd

0:13:34.640 --> 0:13:37.719
<v Speaker 1>read the book about John Belushi Wired, and everything that

0:13:37.840 --> 0:13:40.080
<v Speaker 1>kept coming up was like, Oh, they're all from Second City.

0:13:40.600 --> 0:13:42.560
<v Speaker 1>So a buddy of mine and I we drove up

0:13:42.600 --> 0:13:46.800
<v Speaker 1>to Chicago and we saw a show at Second City

0:13:46.800 --> 0:13:48.720
<v Speaker 1>and I was like, oh my god, Oh my god.

0:13:49.320 --> 0:13:50.920
<v Speaker 1>You know, sitting there in the whole time, was like, God,

0:13:50.960 --> 0:13:53.040
<v Speaker 1>this is what I want, This is what I want.

0:13:53.480 --> 0:13:56.120
<v Speaker 1>And then on the way out, so actually on the

0:13:56.240 --> 0:13:58.720
<v Speaker 1>second level, they're the big, big room and Second City.

0:13:58.840 --> 0:14:02.160
<v Speaker 1>Go downstairs and there's a big poster and it was

0:14:02.320 --> 0:14:05.360
<v Speaker 1>advertising classes. I was like, oh my god, that's oh

0:14:05.520 --> 0:14:08.000
<v Speaker 1>that's how that's how they do it. And I had

0:14:08.000 --> 0:14:10.880
<v Speaker 1>a matchbook and a golf pencil, because back then you

0:14:10.880 --> 0:14:13.880
<v Speaker 1>would fill out a piece of paper for your mainly address.

0:14:13.920 --> 0:14:16.719
<v Speaker 1>They wanted people's just like now they want your information.

0:14:17.520 --> 0:14:21.000
<v Speaker 1>And so I surreptitiously wrote down the number for classes

0:14:21.560 --> 0:14:25.040
<v Speaker 1>on that matchbook. Because I'm from Tipton, I expected someone

0:14:25.040 --> 0:14:27.200
<v Speaker 1>to tap on my shoulder and say, what are you

0:14:27.200 --> 0:14:30.200
<v Speaker 1>writing that down for? You can't do that. That's the

0:14:30.280 --> 0:14:32.200
<v Speaker 1>kind of narrative you come from a small town, like

0:14:32.560 --> 0:14:35.040
<v Speaker 1>you don't, don't you have? You can't do that. And

0:14:35.120 --> 0:14:38.040
<v Speaker 1>so then I went back to Columbia, Missouri, and I

0:14:38.120 --> 0:14:41.080
<v Speaker 1>called and I found out that they taught very different

0:14:41.160 --> 0:14:43.000
<v Speaker 1>levels of classes. And then I saved my money so

0:14:43.080 --> 0:14:45.200
<v Speaker 1>that summer I came up and took a two week

0:14:45.280 --> 0:14:48.920
<v Speaker 1>concentrated course for what was called Player's Workshop. And then

0:14:48.960 --> 0:14:51.480
<v Speaker 1>I went home and like, that's it, I'm doing this.

0:14:51.720 --> 0:14:54.400
<v Speaker 1>Went home. It took another year to save money and

0:14:54.520 --> 0:14:57.040
<v Speaker 1>come back. And then I moved to Chicago when I

0:14:57.080 --> 0:15:01.080
<v Speaker 1>was twenty four. Wow, and and you, because I know

0:15:01.120 --> 0:15:03.800
<v Speaker 1>you worked at Improv Olympic as well. Were you doing

0:15:03.880 --> 0:15:07.200
<v Speaker 1>both of those things simultaneously or once I got to town,

0:15:07.520 --> 0:15:10.320
<v Speaker 1>I made the mistake of thinking I had to be

0:15:10.360 --> 0:15:14.680
<v Speaker 1>in restaurant management to uh to afford living in Chicago,

0:15:14.720 --> 0:15:17.560
<v Speaker 1>which I didn't realize. I made less money there than

0:15:17.600 --> 0:15:19.880
<v Speaker 1>I would have if I was waiting tables. It took

0:15:19.920 --> 0:15:22.840
<v Speaker 1>six months there. So I just kept all these things

0:15:22.840 --> 0:15:26.560
<v Speaker 1>that happened happened for a reason, like I didn't move

0:15:26.640 --> 0:15:29.400
<v Speaker 1>to Chicago to La twenty four, and I didn't start

0:15:29.480 --> 0:15:31.880
<v Speaker 1>right away. And then when I was ready to start,

0:15:31.920 --> 0:15:34.880
<v Speaker 1>and I quit working as a restaurant manager, I got

0:15:34.960 --> 0:15:37.720
<v Speaker 1>a job waiting tables and I opened up the Chicago

0:15:37.760 --> 0:15:40.960
<v Speaker 1>Tribune in the Sunday section had an article about Dell

0:15:41.040 --> 0:15:43.720
<v Speaker 1>Close and Sharna helping from the Improv Olympic and about

0:15:43.720 --> 0:15:45.120
<v Speaker 1>what they were doing, and they were going to have

0:15:45.160 --> 0:15:47.680
<v Speaker 1>their own television show, and I like, this is the

0:15:47.680 --> 0:15:50.880
<v Speaker 1>place to go. So I started first at the Improv Olympic,

0:15:50.960 --> 0:15:53.640
<v Speaker 1>which was a blessing, Like all these things lined up

0:15:53.640 --> 0:15:55.440
<v Speaker 1>and sent me to the right direction every time. And

0:15:55.480 --> 0:15:57.360
<v Speaker 1>it was a delay in a sense, but it is

0:15:57.400 --> 0:16:00.520
<v Speaker 1>the right time because at that point, all these other

0:16:00.560 --> 0:16:03.920
<v Speaker 1>people were moving to town and starting classes, and they

0:16:03.920 --> 0:16:06.440
<v Speaker 1>had all been fans of sun Life the same relative

0:16:06.480 --> 0:16:08.560
<v Speaker 1>age that I had been, and we're all happened to

0:16:08.600 --> 0:16:11.120
<v Speaker 1>be there. But everybody wanted to be good. It wasn't

0:16:11.120 --> 0:16:14.440
<v Speaker 1>about being famous or successful. Is about you wanted to

0:16:14.480 --> 0:16:16.920
<v Speaker 1>go there and do this thing and create that then

0:16:16.960 --> 0:16:19.880
<v Speaker 1>find a way to do that magic you had been

0:16:19.920 --> 0:16:22.480
<v Speaker 1>witnessing and be part of that type of thing. And

0:16:22.520 --> 0:16:25.240
<v Speaker 1>it just so happens. So I started the probalymic first,

0:16:25.560 --> 0:16:28.560
<v Speaker 1>and then I started taking classes at Second City simultaneously,

0:16:28.560 --> 0:16:31.360
<v Speaker 1>so I was taken both classes. So about that time

0:16:31.400 --> 0:16:36.000
<v Speaker 1>I was probably doing at least four nights of classes

0:16:36.200 --> 0:16:38.480
<v Speaker 1>a week, and then within a year then I would

0:16:38.520 --> 0:16:42.800
<v Speaker 1>be doing four nights of classes and or performance every

0:16:42.840 --> 0:16:45.880
<v Speaker 1>week for my entire time in Chicago. And then years

0:16:45.960 --> 0:16:49.200
<v Speaker 1>later you read the book Outliers by Malcolm Gladwell and

0:16:49.320 --> 0:16:52.160
<v Speaker 1>they talked about the ten thousand hours theory and I

0:16:52.160 --> 0:16:54.280
<v Speaker 1>looked back like, oh wow, I did it. I put

0:16:54.360 --> 0:16:57.400
<v Speaker 1>that time in and that's the thing. So that's how

0:16:57.600 --> 0:16:59.960
<v Speaker 1>that's how it happened. And for people who don't know

0:17:00.080 --> 0:17:04.680
<v Speaker 1>Dell Close, this is a legendary comedy teacher in Chicago

0:17:04.880 --> 0:17:08.320
<v Speaker 1>who was there at the same time with you. Well,

0:17:08.320 --> 0:17:11.040
<v Speaker 1>when I was there, Chris Farley and I started. Actually

0:17:11.119 --> 0:17:14.800
<v Speaker 1>Chris Farley started I think six months later than me,

0:17:14.920 --> 0:17:20.680
<v Speaker 1>but Chris Farley, Pat Finn, Pete Halley, Neil Flynn, Mike Coleman. Then,

0:17:21.080 --> 0:17:24.760
<v Speaker 1>uh so this is at Second City that it's Dave Rasowski,

0:17:25.280 --> 0:17:29.000
<v Speaker 1>Dave Pasquasy. A lot of these people are legends that

0:17:29.080 --> 0:17:31.520
<v Speaker 1>you might not be household names, but trust me. These

0:17:31.520 --> 0:17:35.760
<v Speaker 1>are legendary and prop performers. Tim Madows was there, Joel

0:17:35.840 --> 0:17:39.320
<v Speaker 1>Murray was there, and then over the Second City side

0:17:39.320 --> 0:17:43.200
<v Speaker 1>at the same time was Stephen Colbert, Steve Carrell, Richard

0:17:43.280 --> 0:17:46.439
<v Speaker 1>Kind had Jeff left town. But the list of the

0:17:46.480 --> 0:17:49.840
<v Speaker 1>people that I ended up working with in Chicago is

0:17:49.880 --> 0:17:53.560
<v Speaker 1>a who's who of people who eventually became amazing. So

0:17:53.600 --> 0:17:58.120
<v Speaker 1>then just behind me was Matt Besser, Amy Poehler, Ian Roberts,

0:17:58.280 --> 0:18:03.560
<v Speaker 1>Matt Walsh, tina A, Rachel Dratch, Ratio Sayings, Adam McKay

0:18:03.800 --> 0:18:07.120
<v Speaker 1>and other other names. Now these are writers John Glazer,

0:18:07.680 --> 0:18:12.120
<v Speaker 1>Brian McCann, Brian Stack, Kevin Dorff. The list goes on

0:18:12.240 --> 0:18:16.200
<v Speaker 1>and on, and Tommy, Andy Richter. It just goes on,

0:18:16.600 --> 0:18:19.679
<v Speaker 1>and you realize that this was just happened to be

0:18:19.720 --> 0:18:21.960
<v Speaker 1>an amazing time. And before I left town, I got

0:18:21.960 --> 0:18:25.080
<v Speaker 1>Saturday Live after a couple of years, after many years

0:18:25.600 --> 0:18:28.880
<v Speaker 1>working there. But um I met with a guy named

0:18:28.880 --> 0:18:31.640
<v Speaker 1>Bernie Sillons is one of the persons that started Second City,

0:18:32.720 --> 0:18:35.000
<v Speaker 1>and he and I had lunch and he said he

0:18:35.040 --> 0:18:38.120
<v Speaker 1>had never seen such a confluence of talent as had

0:18:38.160 --> 0:18:41.000
<v Speaker 1>been there in this past ten years. And I look

0:18:41.040 --> 0:18:43.960
<v Speaker 1>at it now and like that has never happened again.

0:18:44.600 --> 0:18:46.960
<v Speaker 1>Like this group of people that all came through at

0:18:46.960 --> 0:18:50.440
<v Speaker 1>this particular time in history, and all of them made

0:18:50.440 --> 0:18:56.400
<v Speaker 1>a big impact in show business or in media. I guess,

0:18:56.720 --> 0:18:59.800
<v Speaker 1>well you were there. I know Nancy Walls was also

0:18:59.840 --> 0:19:02.240
<v Speaker 1>the this Nancy. Sorry I forgot to mention. Nancy and

0:19:02.280 --> 0:19:05.239
<v Speaker 1>I were on Saturday and Live together. Nancy Correll had

0:19:05.280 --> 0:19:08.840
<v Speaker 1>been dating, Yes, she'd been dating Steve Carrell. So Nancy

0:19:08.840 --> 0:19:11.439
<v Speaker 1>and I actually were in the same company at Second City,

0:19:11.720 --> 0:19:14.280
<v Speaker 1>and then we both got hired on Saturday Live at

0:19:14.280 --> 0:19:16.520
<v Speaker 1>the same time, and then we both got let go

0:19:16.680 --> 0:19:19.919
<v Speaker 1>from Saturday Night Live at the same time. Nancy and

0:19:19.920 --> 0:19:22.639
<v Speaker 1>Steve got married this summer she and I got hired,

0:19:22.840 --> 0:19:24.639
<v Speaker 1>and uh, I was at their wedding and we were

0:19:24.640 --> 0:19:27.320
<v Speaker 1>out there, you know, and Steve audition for SNL. I

0:19:27.320 --> 0:19:29.679
<v Speaker 1>mean that can be to be believed, like they didn't

0:19:29.960 --> 0:19:34.000
<v Speaker 1>recognize like Steve Carrell's specialness. Um, I guess I guess

0:19:34.000 --> 0:19:35.840
<v Speaker 1>I had to say thank God because then I probably

0:19:35.880 --> 0:19:38.600
<v Speaker 1>wouldn't have gotten hired. But so, yeah, they got married

0:19:38.680 --> 0:19:41.679
<v Speaker 1>right before we started doing SNL that first season. Nancy

0:19:41.680 --> 0:19:44.880
<v Speaker 1>and I and then I think Steve was doing a play.

0:19:45.119 --> 0:19:47.040
<v Speaker 1>He had been at Second City for a long time,

0:19:47.080 --> 0:19:48.920
<v Speaker 1>and I was a huge fan of his back then.

0:19:49.640 --> 0:19:51.600
<v Speaker 1>And he then went and did a play at the

0:19:51.600 --> 0:19:55.359
<v Speaker 1>Goodman called Picasso at the Lapino Gil which was a

0:19:55.400 --> 0:19:58.000
<v Speaker 1>stim Martin play, and then he ended up, I think,

0:19:58.040 --> 0:20:00.719
<v Speaker 1>doing it at a Broadway theater in New York, so

0:20:00.760 --> 0:20:03.960
<v Speaker 1>they were there at the same time. Too interesting. I

0:20:03.960 --> 0:20:08.880
<v Speaker 1>didn't know did he play Einstein? Remember, I don't never

0:20:09.200 --> 0:20:12.040
<v Speaker 1>saw the play. Yeah, how arrogant is that that? I

0:20:12.040 --> 0:20:14.680
<v Speaker 1>didn't think, oh shit, you know, it's one of those things.

0:20:14.840 --> 0:20:18.159
<v Speaker 1>Back then, I probably would have said he's done something stupid,

0:20:18.200 --> 0:20:20.240
<v Speaker 1>like I'd like to see her play in such a

0:20:20.240 --> 0:20:22.399
<v Speaker 1>way that meant like, fuck you, you know what I

0:20:22.440 --> 0:20:24.280
<v Speaker 1>mean that I would have thought, you want to see

0:20:24.320 --> 0:20:26.800
<v Speaker 1>my play? Oh, how good of you to come down

0:20:26.880 --> 0:20:30.639
<v Speaker 1>to see my play. But you know, you're busy thinking

0:20:30.640 --> 0:20:33.320
<v Speaker 1>about yourself and doing a million other things. But I

0:20:33.359 --> 0:20:34.960
<v Speaker 1>never did get it. I didn't have a chance to

0:20:35.000 --> 0:20:36.800
<v Speaker 1>see it in Chicago and then in New York. I

0:20:36.840 --> 0:20:38.680
<v Speaker 1>forget when the run was, but I didn't. I didn't

0:20:38.680 --> 0:20:47.879
<v Speaker 1>get a chance to see it. It's a hard time

0:20:48.240 --> 0:20:51.639
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<v Speaker 1>day doctor King was shot, the all black security detail

0:22:29.240 --> 0:22:32.880
<v Speaker 1>normally assigned to him was called off. They're the ones

0:22:33.320 --> 0:22:36.520
<v Speaker 1>who would not allow him to stay at any hotel

0:22:36.920 --> 0:22:42.399
<v Speaker 1>with balconies. That security union was reassigned. That was a

0:22:42.400 --> 0:22:51.080
<v Speaker 1>man there. And did you know that on the day

0:22:51.119 --> 0:22:54.320
<v Speaker 1>doctor King was shot, two black firemen stationed across the

0:22:54.359 --> 0:22:57.600
<v Speaker 1>street and one black police detective who was surveiling King.

0:22:58.000 --> 0:23:01.320
<v Speaker 1>We're all taken off the job. What was the emergency

0:23:01.359 --> 0:23:12.520
<v Speaker 1>that caused? Did you ever asked what this was all about?

0:23:13.960 --> 0:23:17.280
<v Speaker 1>This is the MLK tapes. The first episodes are available

0:23:17.320 --> 0:23:20.840
<v Speaker 1>now listen on the I Heart Radio app, Apple Podcasts,

0:23:21.000 --> 0:23:27.080
<v Speaker 1>or wherever you get your podcasts. Hey, this is Paris Hilton.

0:23:28.080 --> 0:23:30.359
<v Speaker 1>Last year I revealed the story of my abuse at

0:23:30.400 --> 0:23:35.439
<v Speaker 1>Provo Canyon School. Since then, thousands of survivors have come forward.

0:23:36.359 --> 0:23:38.720
<v Speaker 1>Now I'm on a mission to expose the truth of

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<v Speaker 1>the entire industry. In this weekly investigative podcast me and

0:23:43.840 --> 0:23:48.040
<v Speaker 1>my host Rebecca Mellinger and Caroline Cole. We'll examine one

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<v Speaker 1>infamous team treatment facility each season. First up, Provo Canyon School.

0:23:54.880 --> 0:23:58.280
<v Speaker 1>This one is personal. When you first get there, you

0:23:58.359 --> 0:24:06.560
<v Speaker 1>have to experience girls screaming, locked up, peeing themselves in

0:24:06.640 --> 0:24:13.639
<v Speaker 1>the hallway, sleeping, and you're like, where am I? Holy heck,

0:24:14.119 --> 0:24:18.800
<v Speaker 1>this is not what I expected. Listen to Trapped and

0:24:18.840 --> 0:24:22.520
<v Speaker 1>Treatment on the I Heart Radio app, Apple Podcast or

0:24:22.560 --> 0:24:37.720
<v Speaker 1>wherever you get your podcasts. Were you still at Second

0:24:37.720 --> 0:24:40.720
<v Speaker 1>City when you auditioned for S and L. Yeah? Yeah,

0:24:40.840 --> 0:24:43.840
<v Speaker 1>so that was why you left Second Yeah? That. I

0:24:43.880 --> 0:24:45.879
<v Speaker 1>always thought to myself, I'm not going to go to

0:24:45.960 --> 0:24:48.639
<v Speaker 1>New York or Los Angeles without a job, like I

0:24:48.800 --> 0:24:52.440
<v Speaker 1>would see people leave Chicago and go to l A.

0:24:52.880 --> 0:24:55.960
<v Speaker 1>But I always thought to myself, go when a job

0:24:56.000 --> 0:24:58.199
<v Speaker 1>takes you there. And I was fortunate enough that a

0:24:58.280 --> 0:25:02.560
<v Speaker 1>job took me away. Tell me about that audition experience.

0:25:02.560 --> 0:25:06.480
<v Speaker 1>I've heard so many amazing stories. Did you audition for Lauren? Yeah?

0:25:06.720 --> 0:25:11.920
<v Speaker 1>I tell you I had. It's weird and it sounds arrogant,

0:25:12.200 --> 0:25:14.719
<v Speaker 1>but I knew I was going to get it because

0:25:14.720 --> 0:25:17.480
<v Speaker 1>when I was thirteen as I told you, I decided

0:25:17.680 --> 0:25:20.359
<v Speaker 1>I'm going to be on that show. And it wasn't

0:25:20.440 --> 0:25:25.160
<v Speaker 1>a feeling of hubrists or ego. It was just kind

0:25:25.160 --> 0:25:27.320
<v Speaker 1>of this knowing, well, I'm going to be on that show.

0:25:28.200 --> 0:25:31.160
<v Speaker 1>And so when I got asked to audition, I kind

0:25:31.160 --> 0:25:33.720
<v Speaker 1>of heard other people had talked and some of the

0:25:33.760 --> 0:25:35.959
<v Speaker 1>scouts had come through, and I knew they really liked me,

0:25:36.720 --> 0:25:39.480
<v Speaker 1>and I heard from other people that Lauren really thought

0:25:39.600 --> 0:25:42.840
<v Speaker 1>highly of me. So this is before I went out

0:25:42.880 --> 0:25:46.639
<v Speaker 1>to audition, So I really I felt at ease. And

0:25:46.720 --> 0:25:49.280
<v Speaker 1>so my first audition, you had to come in with

0:25:49.400 --> 0:25:53.200
<v Speaker 1>a an original character, and then you had to do

0:25:53.520 --> 0:25:56.159
<v Speaker 1>a political impression, and then you had to do a

0:25:56.320 --> 0:26:00.119
<v Speaker 1>celebrity impression. So I did at Buchanan because he has

0:26:00.160 --> 0:26:03.200
<v Speaker 1>got a grave, gravelly voice like I do. Pat Buchanan

0:26:03.320 --> 0:26:07.240
<v Speaker 1>is this right wing commentator on on back then it

0:26:07.280 --> 0:26:10.399
<v Speaker 1>was CNN because there wasn't Fox News yet, but he

0:26:10.440 --> 0:26:11.800
<v Speaker 1>was a right wing guy who was one of the

0:26:11.800 --> 0:26:15.160
<v Speaker 1>first guys talking about building a wall. And then I

0:26:15.200 --> 0:26:18.480
<v Speaker 1>did Jack Lemon and Jim Carey doing a buddy movie

0:26:18.640 --> 0:26:22.000
<v Speaker 1>and they were arguing about whose trailer was bigger, and

0:26:22.240 --> 0:26:27.000
<v Speaker 1>Brian I improvised the entire thing, just off the top

0:26:27.040 --> 0:26:28.959
<v Speaker 1>of your head. YEP. I had some thoughts, you know, how,

0:26:29.000 --> 0:26:33.000
<v Speaker 1>you think because I was I was at the I OH.

0:26:33.560 --> 0:26:36.840
<v Speaker 1>There's such a purity to improvisation, Like you don't decide

0:26:36.880 --> 0:26:39.639
<v Speaker 1>what you're doing ahead of time. Now that is a

0:26:39.640 --> 0:26:42.720
<v Speaker 1>blessing and a curse. And you never repeat yourself at

0:26:42.720 --> 0:26:45.080
<v Speaker 1>the I OH, Like if you did the same character

0:26:45.440 --> 0:26:47.840
<v Speaker 1>week after week, people look like, what what are you doing?

0:26:48.160 --> 0:26:51.800
<v Speaker 1>That's kind of like cheating. So after the first audition,

0:26:52.320 --> 0:26:55.600
<v Speaker 1>which I just improvised, I wrote the second audition. The

0:26:55.640 --> 0:26:58.920
<v Speaker 1>second audition, can't remember exactly. It may have been just

0:26:59.119 --> 0:27:02.280
<v Speaker 1>go do your aracters, or it may have been do

0:27:02.440 --> 0:27:05.080
<v Speaker 1>the political impression and whatever characters you want to do.

0:27:05.119 --> 0:27:08.399
<v Speaker 1>I remember I didn't have to do celebrities anymore, so

0:27:08.440 --> 0:27:11.439
<v Speaker 1>I think I may have done Pat Buchanan again. And

0:27:11.480 --> 0:27:13.879
<v Speaker 1>then I'd written this little piece which is almost a

0:27:13.880 --> 0:27:16.720
<v Speaker 1>one man show of just characters, because I love to

0:27:16.760 --> 0:27:19.960
<v Speaker 1>do characters back in Chicago too, and so I had

0:27:20.000 --> 0:27:21.560
<v Speaker 1>all these little things I was going to do. It's

0:27:21.560 --> 0:27:25.520
<v Speaker 1>almost like they blended together, and it's studio eight h.

0:27:25.600 --> 0:27:28.920
<v Speaker 1>There's no audience and no one's laughing, and there's no warmth,

0:27:29.000 --> 0:27:31.679
<v Speaker 1>and it's a bit cold, and there's cameras. Now I

0:27:31.720 --> 0:27:35.600
<v Speaker 1>didn't know, and thankfully I didn't know. The cameras are

0:27:35.640 --> 0:27:40.760
<v Speaker 1>a live feed. There's people all over NBC, all over

0:27:40.800 --> 0:27:43.719
<v Speaker 1>the building, watching all over the building and on the

0:27:43.720 --> 0:27:46.520
<v Speaker 1>West coast. You don't know that you have a very

0:27:46.680 --> 0:27:50.280
<v Speaker 1>large audience of people. You don't know that until later,

0:27:50.359 --> 0:27:52.920
<v Speaker 1>And thankfully you don't know, because that would have probably

0:27:53.480 --> 0:27:57.680
<v Speaker 1>been more anxiety inducing than anything else. But again, that

0:27:57.720 --> 0:27:59.960
<v Speaker 1>doesn't exist unless you let it come into your head.

0:28:00.320 --> 0:28:03.240
<v Speaker 1>And I had this sense of calm and peace that

0:28:03.320 --> 0:28:05.800
<v Speaker 1>I knew, I knew what I was doing, and I

0:28:06.280 --> 0:28:09.120
<v Speaker 1>in myself, I knew that what I was gonna do

0:28:09.480 --> 0:28:13.200
<v Speaker 1>was gonna be satisfactory to me and that this is

0:28:13.240 --> 0:28:15.119
<v Speaker 1>what I have, and there was no worry to it.

0:28:15.440 --> 0:28:17.960
<v Speaker 1>And I did it and I felt very good about it.

0:28:18.080 --> 0:28:20.760
<v Speaker 1>I don't remember if there was a laugh at all,

0:28:20.880 --> 0:28:23.720
<v Speaker 1>because no one gives it up. And then you wait

0:28:24.080 --> 0:28:27.560
<v Speaker 1>another week or two, and then you get called back again.

0:28:28.040 --> 0:28:29.960
<v Speaker 1>And you're getting called back and they don't tell you

0:28:30.000 --> 0:28:32.680
<v Speaker 1>to prep or anything like that. You're just getting called

0:28:32.720 --> 0:28:35.119
<v Speaker 1>back for a meeting and you don't know what it is,

0:28:35.160 --> 0:28:37.280
<v Speaker 1>so you go to a meeting and it's Lauren Michaels

0:28:37.320 --> 0:28:39.560
<v Speaker 1>is in there, and Steve Higgins was the head writer.

0:28:40.120 --> 0:28:42.479
<v Speaker 1>And then Lauren talks to you, and it's really weird

0:28:42.920 --> 0:28:45.960
<v Speaker 1>because he talks about this or that. He talks about baseball,

0:28:45.960 --> 0:28:47.960
<v Speaker 1>and I'm like, funk, I don't know a thing about baseball.

0:28:48.840 --> 0:28:52.040
<v Speaker 1>And then in Chicago that summer, five people had died

0:28:52.080 --> 0:28:54.520
<v Speaker 1>from the heat, and for whatever reason, that was on

0:28:54.560 --> 0:28:56.280
<v Speaker 1>my mind because it's just been a headline that's talking

0:28:56.320 --> 0:28:59.400
<v Speaker 1>about that, and I remember Lauren Lauren saying we're done

0:28:59.440 --> 0:29:02.920
<v Speaker 1>talking about that now to kind of prompt me that okay,

0:29:03.480 --> 0:29:06.040
<v Speaker 1>either he doesn't want to hear about this story or whatever.

0:29:06.440 --> 0:29:08.880
<v Speaker 1>And so then it goes on I don't know, five

0:29:08.920 --> 0:29:12.120
<v Speaker 1>ten minutes, and then at some point Steve leans Ummer

0:29:12.160 --> 0:29:17.240
<v Speaker 1>goes congratulations, you're hired. They're like, oh, okay, because you're like, what.

0:29:17.360 --> 0:29:19.920
<v Speaker 1>It doesn't seem to be structured to this meeting, but

0:29:20.000 --> 0:29:22.400
<v Speaker 1>I do. I think the final meeting is just to

0:29:22.480 --> 0:29:24.600
<v Speaker 1>check out if you're if you've got a screw loose,

0:29:24.720 --> 0:29:27.360
<v Speaker 1>or you're a nut job or something, or you're just

0:29:27.400 --> 0:29:29.400
<v Speaker 1>not ready, if you're too green or something. It would

0:29:29.400 --> 0:29:31.880
<v Speaker 1>be pretty evident at that point, there was one guy,

0:29:31.960 --> 0:29:33.480
<v Speaker 1>and I don't know where he was from, and I

0:29:33.520 --> 0:29:35.920
<v Speaker 1>don't know what his name was, but I do know

0:29:36.000 --> 0:29:38.800
<v Speaker 1>that in the previous two auditions everyone thought he was

0:29:38.840 --> 0:29:41.480
<v Speaker 1>British because all he did was speaking of British accent,

0:29:41.840 --> 0:29:43.560
<v Speaker 1>and we're all from America. We don't know if it's

0:29:43.560 --> 0:29:46.520
<v Speaker 1>a real one or not. It seemed fine, It did

0:29:46.600 --> 0:29:48.480
<v Speaker 1>seem I didn't get to know him. It seemed a

0:29:48.480 --> 0:29:51.960
<v Speaker 1>bit presentational to me. But then apparently at his meeting

0:29:52.040 --> 0:29:54.480
<v Speaker 1>it came out like, oh, I'm not really British, but

0:29:54.560 --> 0:29:58.400
<v Speaker 1>he'd always been doing everything. It's like, okay, fella, there

0:29:58.400 --> 0:30:01.400
<v Speaker 1>seems to be a p sential problem with you. And

0:30:01.440 --> 0:30:03.720
<v Speaker 1>then he didn't make use. Everyone's like, probably that guy's

0:30:03.720 --> 0:30:05.960
<v Speaker 1>gonna make it, but he was gone. So I think

0:30:06.000 --> 0:30:09.520
<v Speaker 1>that's what that final meeting is, to find out, Hey,

0:30:09.560 --> 0:30:11.680
<v Speaker 1>what do we got here? Now we're just one on one,

0:30:11.680 --> 0:30:14.880
<v Speaker 1>there's no performance. Who are you? So? Yes, Will Farrell

0:30:14.920 --> 0:30:16.720
<v Speaker 1>and I were hired the same day, and then Will

0:30:16.760 --> 0:30:19.760
<v Speaker 1>and I went to a baseball game that night and

0:30:19.760 --> 0:30:22.280
<v Speaker 1>a limo pulls up and myself and Will and Steve

0:30:22.320 --> 0:30:24.880
<v Speaker 1>Higgins sat in the fourth row behind home plate. Their

0:30:24.920 --> 0:30:27.160
<v Speaker 1>Laurence seats Born didn't sit with us. He sat with

0:30:27.240 --> 0:30:29.880
<v Speaker 1>Jim Silly, who did all the films, the short films

0:30:30.360 --> 0:30:32.840
<v Speaker 1>about eighteen rows back. And we're like, so we're at

0:30:32.840 --> 0:30:34.320
<v Speaker 1>the game with Lauren. This is how a game with

0:30:34.400 --> 0:30:38.880
<v Speaker 1>Lauren works. And before that, Lauren had mentioned to me, Um,

0:30:39.320 --> 0:30:42.400
<v Speaker 1>Dave at the meeting, that's right, Dave. You know, this

0:30:42.480 --> 0:30:45.560
<v Speaker 1>is your first time that people see you on television,

0:30:45.880 --> 0:30:47.880
<v Speaker 1>so it's up to you. Do you want to have

0:30:47.960 --> 0:30:51.560
<v Speaker 1>hair or not? I was like what? And he told

0:30:51.560 --> 0:30:53.400
<v Speaker 1>me all the people that had wigs and all the

0:30:53.440 --> 0:30:56.040
<v Speaker 1>people that had plugs, and I'm not gonna tell you,

0:30:56.240 --> 0:30:59.840
<v Speaker 1>but it was a list. You're thinking like, oh, yeah,

0:30:59.880 --> 0:31:01.800
<v Speaker 1>I can see that. I can see. I think to

0:31:01.880 --> 0:31:04.280
<v Speaker 1>myself like, is he telling me I have to get

0:31:04.320 --> 0:31:06.920
<v Speaker 1>it too pay? Is he telling me I have to

0:31:06.920 --> 0:31:09.280
<v Speaker 1>get hair plugs? I was like, oh fun, because I

0:31:09.320 --> 0:31:12.480
<v Speaker 1>was thinking there's no way I could ever live it

0:31:12.560 --> 0:31:15.960
<v Speaker 1>down with my buddies from Chicago if I show up

0:31:16.160 --> 0:31:20.120
<v Speaker 1>on TV with hair, because they'd be like, the fuck

0:31:20.200 --> 0:31:23.800
<v Speaker 1>are you? Or my family would just probably go, oh,

0:31:23.840 --> 0:31:28.000
<v Speaker 1>this is sad. And then I remember later, Lauren, you know,

0:31:28.040 --> 0:31:31.240
<v Speaker 1>because I could, I assume he could clearly see. I

0:31:31.320 --> 0:31:33.720
<v Speaker 1>was struggling with it. And I remember after the game

0:31:33.760 --> 0:31:36.880
<v Speaker 1>he said, Dave about the hair, Fuck, it doesn't matter

0:31:37.000 --> 0:31:39.880
<v Speaker 1>to you. You be you like, Oh, thank god. So

0:31:39.960 --> 0:31:42.600
<v Speaker 1>that was that. I may have been like the first

0:31:42.800 --> 0:31:46.520
<v Speaker 1>bald guy on the show. Maybe not that it matters, right,

0:31:47.520 --> 0:31:52.640
<v Speaker 1>That is so interesting, So you know that's how it happened. Yeah,

0:31:52.760 --> 0:31:54.760
<v Speaker 1>And there's a bunch of new people with me as

0:31:54.840 --> 0:31:58.200
<v Speaker 1>Me and Will Ferrell and CHERRYO Terry and Jim Brewer

0:31:58.480 --> 0:32:03.800
<v Speaker 1>and Darryl Hamm and and Nancy Walls and Molly Shannon's

0:32:03.880 --> 0:32:08.680
<v Speaker 1>second year, McDonald's third year, Spades fifth year, uh, Tim

0:32:08.680 --> 0:32:12.400
<v Speaker 1>Meadows fifth year. Then Chris Cantan came on halfway through

0:32:12.400 --> 0:32:17.280
<v Speaker 1>the season. God, they're there's a whole picture over there. Oh,

0:32:17.640 --> 0:32:22.320
<v Speaker 1>Mark McKinney's second year. I think that's all of this. Wow,

0:32:22.880 --> 0:32:26.240
<v Speaker 1>that's amazing. I love that and I love that you, you

0:32:25.160 --> 0:32:30.000
<v Speaker 1>you know, sitting at home and Tipton said that's what

0:32:30.040 --> 0:32:33.440
<v Speaker 1>I'm gonna do, and then you did, and then that

0:32:33.520 --> 0:32:37.680
<v Speaker 1>brought you calm later on. Yeah, I tell you, Brian.

0:32:37.760 --> 0:32:40.440
<v Speaker 1>And when I got the show, I already decided my mind,

0:32:40.520 --> 0:32:42.920
<v Speaker 1>I'm not staying. You get a six year contract, and

0:32:42.960 --> 0:32:46.080
<v Speaker 1>I already decided I'm not staying six years because I

0:32:46.280 --> 0:32:48.360
<v Speaker 1>was felt there's some people that stayed too long here

0:32:48.520 --> 0:32:50.640
<v Speaker 1>and I'm not going to be one of them. And

0:32:50.680 --> 0:32:52.880
<v Speaker 1>I thought, I'm gonna be here three years, and whether

0:32:52.920 --> 0:32:56.280
<v Speaker 1>you believe in manifesting things or not, after the first year,

0:32:57.040 --> 0:32:59.680
<v Speaker 1>I wasn't invited back, and I was shocked because I

0:32:59.720 --> 0:33:02.920
<v Speaker 1>had a great first year, but apparently some people on

0:33:02.960 --> 0:33:06.760
<v Speaker 1>the West Coast didn't dig what I was doing. And

0:33:06.960 --> 0:33:10.280
<v Speaker 1>I like that. I'm Irish Catholic, and as a person

0:33:10.440 --> 0:33:12.720
<v Speaker 1>from Second City and a teacher there had once told

0:33:12.720 --> 0:33:14.920
<v Speaker 1>me because he was Irish too, he was you know,

0:33:14.960 --> 0:33:19.040
<v Speaker 1>we Irish, we don't suffer fools gladly, and I certainly didn't.

0:33:19.680 --> 0:33:21.960
<v Speaker 1>And I had very strong opinions about what should and

0:33:22.000 --> 0:33:23.800
<v Speaker 1>shouldn't be on the show, and I think I was

0:33:23.800 --> 0:33:25.920
<v Speaker 1>pretty loud in my opinions, and no one gave me

0:33:26.000 --> 0:33:28.640
<v Speaker 1>fuck because you know, you're you're not running the show, boy,

0:33:28.800 --> 0:33:31.400
<v Speaker 1>You're on the show. Do anything to get on the show.

0:33:31.680 --> 0:33:33.719
<v Speaker 1>And it's been suggested to me that I do this

0:33:33.760 --> 0:33:35.640
<v Speaker 1>one character as a talk show, and I thought that

0:33:35.720 --> 0:33:38.160
<v Speaker 1>was the dumbest idea I've heard, and I told them

0:33:38.160 --> 0:33:40.840
<v Speaker 1>that that I realized after I wasn't asked. BacT, they

0:33:40.840 --> 0:33:45.040
<v Speaker 1>weren't asking me. They were telling me do this. But

0:33:45.160 --> 0:33:46.880
<v Speaker 1>they were nice to know how about this as a

0:33:46.920 --> 0:33:49.440
<v Speaker 1>talk show, And I would say, that's what's wrong with

0:33:49.480 --> 0:33:51.240
<v Speaker 1>this show. We have too many talk shows. We need

0:33:51.280 --> 0:33:56.120
<v Speaker 1>more scenes. No one cares what you think. But you know,

0:33:56.240 --> 0:33:58.920
<v Speaker 1>it was a blessing, I guess, because you know, I

0:33:58.960 --> 0:34:01.280
<v Speaker 1>moved out to l as a fortunate to start working

0:34:01.360 --> 0:34:03.920
<v Speaker 1>right away. I had a development deal within three months

0:34:03.960 --> 0:34:06.320
<v Speaker 1>that I moved out here. So I've been very fortunate.

0:34:06.800 --> 0:34:09.239
<v Speaker 1>That's awesome. I want to mention really quickly. I know

0:34:09.280 --> 0:34:12.080
<v Speaker 1>you did stuff with Conan O'Brien before you left New

0:34:12.160 --> 0:34:16.880
<v Speaker 1>York right a little bit, Lauren Lauren felt bad. Lauren

0:34:16.920 --> 0:34:19.200
<v Speaker 1>did not want to fire me. Lauren wanted to keep me.

0:34:20.040 --> 0:34:22.480
<v Speaker 1>But this the year that I was on SNL is

0:34:22.520 --> 0:34:24.480
<v Speaker 1>the first year that mad TV came on the air,

0:34:24.760 --> 0:34:27.279
<v Speaker 1>and then Howard Stern had a late night show, so

0:34:27.320 --> 0:34:29.680
<v Speaker 1>that they had competition in that hour for the first time,

0:34:30.080 --> 0:34:32.520
<v Speaker 1>and so West Coast had a little bit more leverage

0:34:32.600 --> 0:34:34.919
<v Speaker 1>on Lauren. Of course, there's a different politics that's going

0:34:34.960 --> 0:34:38.239
<v Speaker 1>on there, and so they said we want changes, but

0:34:38.320 --> 0:34:40.920
<v Speaker 1>Lauren wanted to keep me, and an effort to keep me,

0:34:41.080 --> 0:34:44.560
<v Speaker 1>he said, maybe you can become a regular player on

0:34:44.800 --> 0:34:49.960
<v Speaker 1>Conan show, which they didn't have that position. So I

0:34:50.000 --> 0:34:53.439
<v Speaker 1>remember going to someone's birthday party and Conan was there,

0:34:53.880 --> 0:34:56.799
<v Speaker 1>and I think Lauren had mentioned to Conan, you know,

0:34:56.880 --> 0:34:59.400
<v Speaker 1>why don't you make Kettner a regular player on your show?

0:35:00.120 --> 0:35:02.239
<v Speaker 1>And Conor was was kind of like He's like, I

0:35:02.320 --> 0:35:05.640
<v Speaker 1>love you, but to be honest, that doesn't exist here.

0:35:06.120 --> 0:35:08.640
<v Speaker 1>And we don't have the money. This is pretty early

0:35:08.640 --> 0:35:10.239
<v Speaker 1>in their show, like they didn't have a budget for

0:35:10.520 --> 0:35:13.600
<v Speaker 1>because every dollars accounted for, so if if you had

0:35:13.640 --> 0:35:16.560
<v Speaker 1>more money for talent, it would be you'd get another writer.

0:35:17.239 --> 0:35:20.640
<v Speaker 1>And so they weren't hiring me as a writer. Uh,

0:35:20.680 --> 0:35:22.239
<v Speaker 1>it would have been a great education for me to

0:35:22.280 --> 0:35:23.680
<v Speaker 1>be a writer, because I'm sure it would have had

0:35:23.680 --> 0:35:25.680
<v Speaker 1>plenty of ideas. I sure I probably could have made

0:35:25.680 --> 0:35:28.400
<v Speaker 1>it work. But the the idea of hiring an actor

0:35:28.560 --> 0:35:30.239
<v Speaker 1>is to come on and be on the show. And

0:35:30.280 --> 0:35:32.080
<v Speaker 1>he kind of let me down jannily like that doesn't

0:35:32.080 --> 0:35:33.799
<v Speaker 1>exist year and I thought I didn't really want to

0:35:33.800 --> 0:35:35.840
<v Speaker 1>do that either, because I didn't want to stay in

0:35:35.840 --> 0:35:38.520
<v Speaker 1>the same building. Was like, Hey, you're back in the

0:35:38.520 --> 0:35:40.680
<v Speaker 1>minor leagues, in the same building, on the same station

0:35:40.719 --> 0:35:42.239
<v Speaker 1>at the same time, but not on the time you

0:35:42.239 --> 0:35:44.640
<v Speaker 1>want to be there. So it was like, yeah, I

0:35:44.680 --> 0:35:47.640
<v Speaker 1>wasn't fighting for us that. Yeah, it hurt like hell, man,

0:35:47.719 --> 0:35:50.560
<v Speaker 1>it hurt like hell, But yeah, I moved to l A.

0:35:50.760 --> 0:35:53.839
<v Speaker 1>Then that next year, that September, when you know they're

0:35:53.880 --> 0:35:56.560
<v Speaker 1>going back to work, I packed up all my stuff

0:35:56.600 --> 0:35:58.480
<v Speaker 1>in a U haul and drove out to l A.

0:36:00.080 --> 0:36:03.160
<v Speaker 1>Did you meet Gruber? Oh? Gruber. The first time I

0:36:03.200 --> 0:36:05.839
<v Speaker 1>met him, he guest wrote on the show for two

0:36:05.880 --> 0:36:11.360
<v Speaker 1>weeks in January of nineties six, and I had put Gerald.

0:36:11.440 --> 0:36:14.160
<v Speaker 1>I got a sketch of Gerald Tibbins on the air,

0:36:14.239 --> 0:36:17.040
<v Speaker 1>and he always liked that character. And Dave. Dave's from

0:36:17.120 --> 0:36:19.280
<v Speaker 1>uh he had spent a lot of time in Iowa.

0:36:19.400 --> 0:36:22.440
<v Speaker 1>So he's from Midwest, and so am I. Dave Gruber

0:36:22.480 --> 0:36:25.239
<v Speaker 1>Allen is a legendary comedy figure, and he and I

0:36:25.320 --> 0:36:27.640
<v Speaker 1>eventually did this show called The Naked Trucker and t Bones,

0:36:28.239 --> 0:36:30.080
<v Speaker 1>and so he and I both got cast in this

0:36:30.120 --> 0:36:32.920
<v Speaker 1>movie called dil Scallion, directed by Jordan Brady, who has

0:36:32.960 --> 0:36:36.799
<v Speaker 1>now become a huge commercial director, and so I got

0:36:36.800 --> 0:36:39.400
<v Speaker 1>cast in that and groupers in the show too, and

0:36:39.440 --> 0:36:42.000
<v Speaker 1>he was doing a late night show at Largo. The

0:36:42.040 --> 0:36:44.399
<v Speaker 1>old Largo is a smaller club now it's his big

0:36:44.440 --> 0:36:46.640
<v Speaker 1>theater in in l A or mid mid size theater

0:36:46.680 --> 0:36:48.120
<v Speaker 1>in l A where they do a lot of comedy.

0:36:48.560 --> 0:36:50.600
<v Speaker 1>And he said, hey, I'm doing the show called The

0:36:50.640 --> 0:36:53.160
<v Speaker 1>Naked Truckers shows you come by and do a guest

0:36:53.200 --> 0:36:56.640
<v Speaker 1>spot as your t bones character. So after we've wrapped

0:36:56.640 --> 0:36:58.600
<v Speaker 1>the film, I came by and I did I think

0:36:58.840 --> 0:37:01.960
<v Speaker 1>ten minutes of his show, and he did like forty minutes,

0:37:02.640 --> 0:37:04.239
<v Speaker 1>and then he invited me back the next week, and

0:37:04.280 --> 0:37:06.600
<v Speaker 1>I think I did fifteen minutes, and then the same

0:37:06.640 --> 0:37:08.880
<v Speaker 1>thing the next week, and then I said, hey, why

0:37:08.920 --> 0:37:10.480
<v Speaker 1>don't I just stay up for the whole show because

0:37:10.480 --> 0:37:13.040
<v Speaker 1>it was working and he and I were just improvising this.

0:37:13.440 --> 0:37:15.560
<v Speaker 1>It was a really weird thing. So the Naked Trucker

0:37:15.680 --> 0:37:17.920
<v Speaker 1>sings songs about being on the road and they're just

0:37:18.200 --> 0:37:21.920
<v Speaker 1>really absurd comedy songs, and he would tell stories and

0:37:21.960 --> 0:37:24.799
<v Speaker 1>then here I come with this character that's a ne'er

0:37:24.800 --> 0:37:29.520
<v Speaker 1>do weel carny slash hobo who can quote Chaucer and

0:37:29.680 --> 0:37:34.240
<v Speaker 1>Noam Chomsky, so he's kind of like an intellectual Carny,

0:37:34.320 --> 0:37:39.200
<v Speaker 1>and so the chemistry was just perfect, and the partnership

0:37:39.400 --> 0:37:43.560
<v Speaker 1>was just incredible, and so he and I together was

0:37:43.800 --> 0:37:47.080
<v Speaker 1>just magic. And we did that show for seven years

0:37:47.120 --> 0:37:49.120
<v Speaker 1>in l A. And I'd say to this day it's

0:37:49.120 --> 0:37:52.600
<v Speaker 1>probably one of my my fondest memories of performing ever,

0:37:52.880 --> 0:37:57.520
<v Speaker 1>because man, it was just fantastic and the greatest compliment

0:37:57.560 --> 0:38:00.640
<v Speaker 1>I'd ever heard in doing that shows alive. Then we

0:38:00.719 --> 0:38:03.920
<v Speaker 1>became a headliner there twice a month. But the greatest

0:38:03.920 --> 0:38:06.520
<v Speaker 1>complin I ever got was from some writers, because a

0:38:06.520 --> 0:38:08.680
<v Speaker 1>lot of Hollywood writers would come to the show, like

0:38:08.719 --> 0:38:11.880
<v Speaker 1>every Hollywood person came to the show, and some Hollywood

0:38:11.880 --> 0:38:14.839
<v Speaker 1>writers had said, um, we come to this show for

0:38:14.880 --> 0:38:17.919
<v Speaker 1>inspiration to realize that great comedy can still be done

0:38:17.920 --> 0:38:21.759
<v Speaker 1>in this town. I was like, Wow, I didn't you know.

0:38:21.800 --> 0:38:25.839
<v Speaker 1>I've never been a guy that's big on seeking advantage

0:38:25.920 --> 0:38:29.759
<v Speaker 1>or trying to not really understanding how to leverage what

0:38:29.840 --> 0:38:33.800
<v Speaker 1>I have into something bigger. I just always assumed something

0:38:34.120 --> 0:38:36.200
<v Speaker 1>bigger and the right thing is going to come along.

0:38:36.239 --> 0:38:38.400
<v Speaker 1>It doesn't work that way. You've really got to be

0:38:38.640 --> 0:38:41.799
<v Speaker 1>very specific and determined about exactly what you want to

0:38:41.800 --> 0:38:45.399
<v Speaker 1>turn this thing into. And um, it turned into a

0:38:45.520 --> 0:38:50.080
<v Speaker 1>very compromised show on Comedy Central in one season, and

0:38:50.120 --> 0:38:52.000
<v Speaker 1>it's there and I haven't looked at it in years.

0:38:52.040 --> 0:38:53.680
<v Speaker 1>There's a lot of great stuff we had. But it's

0:38:53.719 --> 0:38:58.560
<v Speaker 1>really confusing because the success Comedy Central had in comedy

0:38:58.600 --> 0:39:02.800
<v Speaker 1>shows was Chappelle and men Siah and that the format

0:39:02.840 --> 0:39:05.279
<v Speaker 1>for that was the comic comes out and talks and

0:39:05.280 --> 0:39:08.160
<v Speaker 1>then throws to a sketch. We weren't a sketch duo,

0:39:08.719 --> 0:39:12.160
<v Speaker 1>and so the format they forced us into was counterintuitive

0:39:12.200 --> 0:39:14.600
<v Speaker 1>to what we should have been doing. But I didn't

0:39:14.640 --> 0:39:17.920
<v Speaker 1>have the right people around me to be able to

0:39:17.960 --> 0:39:20.359
<v Speaker 1>force Comedy Central's hand and say no, no, we're gonna

0:39:20.360 --> 0:39:22.000
<v Speaker 1>do the show that we want to do, and so

0:39:22.040 --> 0:39:23.800
<v Speaker 1>I just went along with it. And you know, it

0:39:23.880 --> 0:39:25.520
<v Speaker 1>was great. We had our own show. I've got to

0:39:25.560 --> 0:39:27.360
<v Speaker 1>dig through all the tapes and start putting that stuff

0:39:27.400 --> 0:39:29.759
<v Speaker 1>online and see what it was. Maybe it was one

0:39:29.760 --> 0:39:31.239
<v Speaker 1>of those things like probably a little bit ahead of

0:39:31.239 --> 0:39:33.200
<v Speaker 1>his time, and I don't say that ego wise. It

0:39:33.280 --> 0:39:37.160
<v Speaker 1>was just kind of confusing for people. And they promoted it.

0:39:37.280 --> 0:39:39.880
<v Speaker 1>I said, don't you ever promote this is blue collar

0:39:39.920 --> 0:39:42.000
<v Speaker 1>comedy because it's not that's not the crowd for this.

0:39:42.560 --> 0:39:45.760
<v Speaker 1>I said, we're more of a daily show crowd. Um.

0:39:45.800 --> 0:39:49.200
<v Speaker 1>And so they came up and started calling it roadhouse comedy,

0:39:50.239 --> 0:39:52.759
<v Speaker 1>like we we didn't call it. We call our comedy.

0:39:52.800 --> 0:39:57.480
<v Speaker 1>But you know, what the fuck is roadhouse comedy? Like

0:39:57.560 --> 0:40:01.080
<v Speaker 1>it's you know, they would say it's smart, Like, don't

0:40:01.200 --> 0:40:03.880
<v Speaker 1>fucking ever say dumb when you're referring to my comedy,

0:40:04.040 --> 0:40:06.960
<v Speaker 1>because it tells me that you don't get it at all. Anyway.

0:40:07.719 --> 0:40:09.359
<v Speaker 1>Is that network? You're still in there? And I mean

0:40:09.360 --> 0:40:12.480
<v Speaker 1>that in all seriousness, good, good, whatever. I think that's

0:40:12.480 --> 0:40:15.640
<v Speaker 1>shitty because that's ego based. But they made a lot

0:40:15.640 --> 0:40:18.799
<v Speaker 1>of mistakes, and my mistake was letting them do it right.

0:40:19.320 --> 0:40:22.640
<v Speaker 1>What what would you consider yourself? Are you? And I

0:40:22.680 --> 0:40:25.719
<v Speaker 1>brought this up earlier. Are you a stand up? Are you?

0:40:25.960 --> 0:40:29.480
<v Speaker 1>Are you an improviser? Are you an actor? I know

0:40:29.560 --> 0:40:31.839
<v Speaker 1>you're all you do all of those things. How do

0:40:31.920 --> 0:40:36.680
<v Speaker 1>you view yourself? And it doesn't really matter, it's just curious,

0:40:37.120 --> 0:40:39.440
<v Speaker 1>but from between you and me, like we we do

0:40:39.560 --> 0:40:42.360
<v Speaker 1>delineate between those types of things. But you said a performer,

0:40:42.719 --> 0:40:45.080
<v Speaker 1>and I think that's probably the closest thing. That's a

0:40:45.120 --> 0:40:48.080
<v Speaker 1>catch all for what I am. I love performing, whether

0:40:48.120 --> 0:40:51.879
<v Speaker 1>it's with just two people or a thousand, so there's

0:40:51.880 --> 0:40:54.239
<v Speaker 1>a performance. So I guess the other part would be

0:40:54.239 --> 0:40:57.280
<v Speaker 1>I'm an entertainer. So I didn't do stand up until

0:40:57.560 --> 0:41:00.920
<v Speaker 1>I had my fifth child, because at that point it's

0:41:00.960 --> 0:41:03.359
<v Speaker 1>like I can never have a down month, like I

0:41:03.400 --> 0:41:06.839
<v Speaker 1>can't rely on anybody else to bring income. And if

0:41:06.840 --> 0:41:09.040
<v Speaker 1>you're a stand up you do have some independence, like

0:41:09.120 --> 0:41:10.719
<v Speaker 1>you can just go out and get it. That's the

0:41:10.760 --> 0:41:12.759
<v Speaker 1>best part. And the other thing is that at this

0:41:12.800 --> 0:41:15.360
<v Speaker 1>point in my career, I could start as a headliner,

0:41:15.719 --> 0:41:17.319
<v Speaker 1>which is a bit of a cheap because you know,

0:41:17.360 --> 0:41:20.239
<v Speaker 1>in the stand up world you pay your dues, but

0:41:20.360 --> 0:41:23.120
<v Speaker 1>I had paid my dues on other stages, and I've

0:41:23.200 --> 0:41:27.120
<v Speaker 1>never stopped performing live, so I've always performed live in Chicago,

0:41:27.480 --> 0:41:30.160
<v Speaker 1>always performed in l A all the time. So I

0:41:30.200 --> 0:41:32.040
<v Speaker 1>would do the take a Trucker show or else I

0:41:32.080 --> 0:41:35.759
<v Speaker 1>would do sketch character pieces on stand up shows because

0:41:35.760 --> 0:41:38.239
<v Speaker 1>there's a variety of entertainment being done, all kinds of

0:41:38.280 --> 0:41:41.520
<v Speaker 1>alternative rooms, so it's always a place to go perform live.

0:41:42.080 --> 0:41:44.120
<v Speaker 1>So when I started doing stand up was kind of

0:41:44.160 --> 0:41:46.000
<v Speaker 1>like me doing a one man show, because I would

0:41:46.040 --> 0:41:49.560
<v Speaker 1>do character pieces. In fact, my first hour I had

0:41:49.640 --> 0:41:53.560
<v Speaker 1>like I had Brian, I had changes on stage in

0:41:53.680 --> 0:41:56.080
<v Speaker 1>comedy clubs, and I think people were wanting, like, what

0:41:56.200 --> 0:42:00.759
<v Speaker 1>the fuck is going on here? Um, because it's not

0:42:00.880 --> 0:42:03.080
<v Speaker 1>it's not the natural rhythm that they're used to, like

0:42:03.160 --> 0:42:05.200
<v Speaker 1>bought it up, bout it up, Bob, and there's this guy.

0:42:05.360 --> 0:42:08.400
<v Speaker 1>Let this added to the entire show by anyway, So

0:42:08.440 --> 0:42:11.279
<v Speaker 1>that was very interesting. But at the same time, to me,

0:42:11.320 --> 0:42:13.480
<v Speaker 1>I'm like, I'm doing an hour of entertainment. You call

0:42:13.560 --> 0:42:15.840
<v Speaker 1>it stand up, call it whatever you want. The stand

0:42:15.880 --> 0:42:18.560
<v Speaker 1>up aspect is one person in front of a microphone

0:42:18.680 --> 0:42:21.960
<v Speaker 1>standing up there. That's it. So you can't tell me, oh,

0:42:22.000 --> 0:42:24.160
<v Speaker 1>I'm not doing it the way you do it. Like

0:42:24.200 --> 0:42:25.640
<v Speaker 1>I'm gonna do it the way I do it, and

0:42:25.640 --> 0:42:28.320
<v Speaker 1>I'm getting the same result that audience full of people

0:42:28.440 --> 0:42:31.080
<v Speaker 1>is laughing. So I think I think what you said

0:42:31.080 --> 0:42:34.960
<v Speaker 1>performers correct, because there's performance when you're acting, and there's

0:42:35.000 --> 0:42:37.400
<v Speaker 1>performance who are doing stand up or your sketch or whatever.

0:42:37.440 --> 0:42:47.759
<v Speaker 1>So yeah, hello, hello, Hi, Oh my god, I want

0:42:47.760 --> 0:42:54.440
<v Speaker 1>to come through the screen and hug you. Hey, everybody

0:42:54.680 --> 0:42:58.000
<v Speaker 1>Jessica's or here also known as Vanessa Abrams on Gossip Girl.

0:42:58.520 --> 0:43:00.719
<v Speaker 1>I am so excited to share my new podcast with

0:43:00.760 --> 0:43:03.480
<v Speaker 1>you guys. It's called XO XO and it's a walkdown

0:43:03.480 --> 0:43:05.920
<v Speaker 1>memory lane all about Gossip Girl. I'll chat with some

0:43:05.960 --> 0:43:08.600
<v Speaker 1>of the cast crew fans of the show, and I'm

0:43:08.640 --> 0:43:10.120
<v Speaker 1>just so pumped for you guys to go on this

0:43:10.200 --> 0:43:13.080
<v Speaker 1>journey with me. All Right, I made Westwick. I played

0:43:13.280 --> 0:43:16.040
<v Speaker 1>Chuck Bass. I just can't believe that I did that

0:43:16.120 --> 0:43:19.799
<v Speaker 1>with my life, Jay, we had like the most amazing time.

0:43:20.040 --> 0:43:22.399
<v Speaker 1>Listen to XO XO on the I Heart Radio app,

0:43:22.520 --> 0:43:31.040
<v Speaker 1>Apple Podcasts, or wherever you get your podcasts. I'm Jake Halbern,

0:43:31.280 --> 0:43:34.320
<v Speaker 1>host of deep Cover. Our new season is about a

0:43:34.400 --> 0:43:38.480
<v Speaker 1>lawyer who helped the mob run Chicago. We controlled the courts,

0:43:38.600 --> 0:43:43.120
<v Speaker 1>we controlled absolutely everything. He bribed judges and even helped

0:43:43.120 --> 0:43:46.160
<v Speaker 1>a hit man walk free, until one day when he

0:43:46.200 --> 0:43:49.560
<v Speaker 1>started talking with the FBI and promised that he could

0:43:49.560 --> 0:43:52.680
<v Speaker 1>take the mob down. I've spent the past year trying

0:43:52.680 --> 0:43:54.759
<v Speaker 1>to figure out why he flipped and what he was

0:43:54.800 --> 0:43:58.000
<v Speaker 1>really after. From my perspective, Bob was too good to

0:43:58.040 --> 0:44:00.759
<v Speaker 1>be true. There's gotta be something wrong with this. I

0:44:00.800 --> 0:44:03.560
<v Speaker 1>wouldn't trust that guy. He looks like a little scum,

0:44:03.640 --> 0:44:06.080
<v Speaker 1>big liar stool Bidgeon. He looked like what he was

0:44:06.200 --> 0:44:09.040
<v Speaker 1>or at. I can say with all certainty I think

0:44:09.080 --> 0:44:11.000
<v Speaker 1>he's a hero because he didn't have to do what

0:44:11.080 --> 0:44:13.239
<v Speaker 1>he did, and he did it anyway. The moment I

0:44:13.280 --> 0:44:16.319
<v Speaker 1>put the wire around the first time, my life was over.

0:44:16.880 --> 0:44:18.960
<v Speaker 1>If it ever got out, they would kill me. In

0:44:19.000 --> 0:44:22.080
<v Speaker 1>the heartbeat, listen to deep Cover on the I Heart

0:44:22.120 --> 0:44:25.600
<v Speaker 1>Radio app, Apple podcasts or wherever you get your podcasts.

0:44:27.760 --> 0:44:30.480
<v Speaker 1>Give us the over attention. We need everything you've got fast.

0:44:30.520 --> 0:44:34.040
<v Speaker 1>Waiting on Reparations would beat the podcast. Tune in every

0:44:34.040 --> 0:44:37.320
<v Speaker 1>Thursday politics and wordplay. We fight for the people because

0:44:37.320 --> 0:44:39.760
<v Speaker 1>they got us in the worst way, from the Hill Cooper,

0:44:39.880 --> 0:44:42.839
<v Speaker 1>the Bomb Bay, to Cant from the left on Clay

0:44:42.960 --> 0:44:46.000
<v Speaker 1>to what the neo kan say every Thursday, the heavy

0:44:46.080 --> 0:44:48.279
<v Speaker 1>conversation and to break us off with some break because

0:44:48.280 --> 0:44:52.640
<v Speaker 1>we're waiting repas. Listen to Waiting on Reparations on the

0:44:52.640 --> 0:44:55.640
<v Speaker 1>I Heart Radio app, Apple podcasts or wherever you get

0:44:55.719 --> 0:45:12.799
<v Speaker 1>your podcasts. When did you meet Greg Daniels? I met

0:45:12.800 --> 0:45:15.200
<v Speaker 1>Greg Daniels the first time when I was writing a

0:45:15.320 --> 0:45:21.640
<v Speaker 1>pilot with a writer from King of the Hill, John Callier,

0:45:21.800 --> 0:45:26.839
<v Speaker 1>Jesus Christ Kicker, John Callier, amazing man, amazing writer. So

0:45:26.880 --> 0:45:29.840
<v Speaker 1>we wrote a pilot for the for the Gerald character.

0:45:29.920 --> 0:45:33.600
<v Speaker 1>This is before the Naked Trucker, and it was really good,

0:45:33.719 --> 0:45:37.000
<v Speaker 1>but they didn't understand it at all. They liked it,

0:45:37.040 --> 0:45:39.040
<v Speaker 1>but it never went to pilots. So we wrote the

0:45:39.040 --> 0:45:41.680
<v Speaker 1>script and so Greg would come around. Then say, I

0:45:41.719 --> 0:45:43.640
<v Speaker 1>was a friend of Norm his cock from Saturday Live.

0:45:43.800 --> 0:45:45.959
<v Speaker 1>He was a writer on Saturday Live, Canadian wright who's

0:45:46.160 --> 0:45:48.640
<v Speaker 1>head writing for Kids in the Hall, and so I

0:45:48.680 --> 0:45:50.479
<v Speaker 1>wanted Normal to do it. Norm was too busy because

0:45:50.480 --> 0:45:51.640
<v Speaker 1>he was writing on the King of the Hill and

0:45:51.680 --> 0:45:53.840
<v Speaker 1>doing something else. And then John and I wrote the pilot.

0:45:53.920 --> 0:45:56.480
<v Speaker 1>He was He was fantastic. But anyway, that's when I

0:45:56.520 --> 0:45:58.040
<v Speaker 1>met Greg for the first time, and Norm and I

0:45:58.080 --> 0:46:00.320
<v Speaker 1>were friends, and then Norm and I wrote bunch of

0:46:00.360 --> 0:46:04.640
<v Speaker 1>stuff together. We wrote several scripts for two movie scripts

0:46:04.680 --> 0:46:08.359
<v Speaker 1>for Gerald. They got close and then didn't get made.

0:46:09.040 --> 0:46:10.880
<v Speaker 1>And then Norm was one of the head writers for

0:46:10.920 --> 0:46:13.839
<v Speaker 1>the Naked Trigger and TBone show on Comedy Central. So

0:46:13.880 --> 0:46:16.880
<v Speaker 1>but that's how I met Greg. Yeah. Yeah, So the

0:46:17.280 --> 0:46:21.960
<v Speaker 1>story goes, you're shooting snakes on a plane in Canada.

0:46:22.239 --> 0:46:26.560
<v Speaker 1>In Canada, and you you get a call about coming

0:46:26.560 --> 0:46:30.040
<v Speaker 1>on and appearing on this television show The Office. Now

0:46:30.120 --> 0:46:33.840
<v Speaker 1>I had I had auditioned. You had auditioned for Michael Scott.

0:46:34.200 --> 0:46:36.360
<v Speaker 1>But I was a huge fan of The British Office,

0:46:36.480 --> 0:46:39.480
<v Speaker 1>and as you remember, the pilot episode for the American

0:46:39.520 --> 0:46:43.680
<v Speaker 1>Office borrowed heavily from the pilot episode of the British Office.

0:46:44.080 --> 0:46:47.719
<v Speaker 1>And I couldn't get Ricky gervais rhythms out of my head.

0:46:47.760 --> 0:46:50.000
<v Speaker 1>I couldn't audition because I was like, well, here's how

0:46:50.000 --> 0:46:52.799
<v Speaker 1>he says it. How else would anyone say it? Because

0:46:52.800 --> 0:46:55.680
<v Speaker 1>the way he does it's perfect. So I couldn't. I auditioned,

0:46:55.719 --> 0:46:58.280
<v Speaker 1>but it was neither here nor there because I didn't

0:46:58.280 --> 0:47:00.840
<v Speaker 1>have a take other than what he did. That's so

0:47:00.960 --> 0:47:05.439
<v Speaker 1>interesting because you know, Steve didn't know Ricky Gervais's version

0:47:05.480 --> 0:47:07.840
<v Speaker 1>of the Office, so when he went in he didn't

0:47:07.920 --> 0:47:11.280
<v Speaker 1>have that reference. That's fascinating. So you had met Greg

0:47:11.360 --> 0:47:15.320
<v Speaker 1>then auditioning for Michael, and then they called you about Packer.

0:47:15.560 --> 0:47:18.319
<v Speaker 1>Is that what happened? Yes, As like you said, as

0:47:18.360 --> 0:47:22.279
<v Speaker 1>the story goes, you'd had a wonderful actor who was

0:47:22.360 --> 0:47:25.319
<v Speaker 1>quite capable, but I think he was struggling with it

0:47:25.400 --> 0:47:28.120
<v Speaker 1>for whatever reason and it just wasn't working. And I

0:47:28.120 --> 0:47:30.560
<v Speaker 1>think they all agreed like, oh, this doesn't this isn't

0:47:30.600 --> 0:47:33.480
<v Speaker 1>quite there. So the new guys went on to shoot

0:47:33.520 --> 0:47:36.320
<v Speaker 1>the next episode. I think it might have been episode four,

0:47:36.400 --> 0:47:39.000
<v Speaker 1>and I think this was episode three when Packer comes

0:47:39.640 --> 0:47:43.319
<v Speaker 1>and so Steve. They were, I guess, still auditioning, and

0:47:43.400 --> 0:47:46.120
<v Speaker 1>Steve apparently had said to Greg Daniels, how about Keckner

0:47:46.360 --> 0:47:49.520
<v Speaker 1>for Packer? And I'm sure Gregg was thinking, yeah, he's

0:47:49.560 --> 0:47:53.200
<v Speaker 1>awful um as a human being, let's bring him as

0:47:53.400 --> 0:47:56.359
<v Speaker 1>But no. So with that, you know, I had had

0:47:56.360 --> 0:47:58.960
<v Speaker 1>a pretty good career going. We'd already done Anchorman, so

0:47:59.040 --> 0:48:02.680
<v Speaker 1>you know, you've got the comp pence and you know yourself.

0:48:02.760 --> 0:48:05.640
<v Speaker 1>You know, Packer. To me, it was like, oh my lord,

0:48:06.120 --> 0:48:08.560
<v Speaker 1>you come in and say these awful things to people

0:48:08.760 --> 0:48:12.280
<v Speaker 1>and get away with it. Fun. Plus it's my buddy Steve,

0:48:12.760 --> 0:48:15.440
<v Speaker 1>all right, you know, there's no pressure. Really, I'm just

0:48:15.440 --> 0:48:17.960
<v Speaker 1>gonna come in and do it. Okay. Now, had I

0:48:18.000 --> 0:48:20.520
<v Speaker 1>had to audition for it, it would have been different

0:48:20.640 --> 0:48:24.360
<v Speaker 1>because then you're trying rather than like like I said before,

0:48:24.719 --> 0:48:26.600
<v Speaker 1>on s and L. I just went and did what

0:48:26.680 --> 0:48:29.240
<v Speaker 1>I do and it worked, and you get the job.

0:48:29.360 --> 0:48:31.320
<v Speaker 1>You just go do what you do. When you're audition

0:48:31.440 --> 0:48:33.880
<v Speaker 1>for it, you're doing what in your there's part of

0:48:33.920 --> 0:48:36.600
<v Speaker 1>your mind that goes, I'm I'm doing what I hope

0:48:36.640 --> 0:48:40.520
<v Speaker 1>they want. Doesn't help it. It is so smart. That

0:48:40.680 --> 0:48:44.839
<v Speaker 1>is just so smart, because you're right, of course, no

0:48:44.880 --> 0:48:46.920
<v Speaker 1>matter what you're auditioning for, and you know what, what

0:48:46.960 --> 0:48:48.840
<v Speaker 1>did they tell you all the time? Right, make it

0:48:48.920 --> 0:48:51.600
<v Speaker 1>your own, just do your version of it. But no,

0:48:51.760 --> 0:48:53.920
<v Speaker 1>there's always still a place in the back of your

0:48:53.960 --> 0:48:57.640
<v Speaker 1>mind that's going like, oh, well, they must want this

0:48:57.840 --> 0:49:01.920
<v Speaker 1>version of me or that at her that it's that

0:49:02.120 --> 0:49:05.840
<v Speaker 1>is so free, that's so true. I've never told this before,

0:49:05.920 --> 0:49:12.160
<v Speaker 1>but I I borrowed from you and Robin Williams, actually

0:49:12.239 --> 0:49:15.319
<v Speaker 1>the two of you who I started working with. I

0:49:15.360 --> 0:49:18.640
<v Speaker 1>did a few projects with him right around the same time,

0:49:18.760 --> 0:49:22.839
<v Speaker 1>maybe a little bit after. And I'll tell you you.

0:49:23.520 --> 0:49:26.759
<v Speaker 1>I mean to say like Dave was packer all the

0:49:26.800 --> 0:49:29.680
<v Speaker 1>time on set, That's an inaccurate statement. But what I

0:49:29.800 --> 0:49:36.360
<v Speaker 1>mean is is that you were so free and fun

0:49:37.280 --> 0:49:43.040
<v Speaker 1>and brought just an amazing energy to the set every

0:49:43.080 --> 0:49:45.160
<v Speaker 1>single time. You were there and now, whether it was

0:49:45.239 --> 0:49:48.239
<v Speaker 1>because of your confidence or your relationship with Steve and

0:49:48.280 --> 0:49:50.680
<v Speaker 1>you had known Greg and you were like, well, they're

0:49:50.680 --> 0:49:54.359
<v Speaker 1>not gonna fire me or whatever it was, but you know,

0:49:54.600 --> 0:49:57.719
<v Speaker 1>but I just mean, you just came in and it

0:49:57.840 --> 0:50:03.120
<v Speaker 1>was immediately like, we're not doing brain surgery here, guys.

0:50:03.200 --> 0:50:07.239
<v Speaker 1>We're making comedy television and let's make it fun and

0:50:07.400 --> 0:50:12.279
<v Speaker 1>keep the atmosphere light. And I always respected you for that,

0:50:12.360 --> 0:50:15.799
<v Speaker 1>and Robin was the same way on set, just like

0:50:15.880 --> 0:50:20.200
<v Speaker 1>we're not going to take this too seriously, and um, yeah,

0:50:20.200 --> 0:50:23.359
<v Speaker 1>I just I always I always respected you for that

0:50:23.440 --> 0:50:26.799
<v Speaker 1>and feel like I learned from you about that. I've

0:50:26.840 --> 0:50:30.759
<v Speaker 1>taken to other projects to be like, let's let's keep

0:50:30.800 --> 0:50:34.320
<v Speaker 1>this loose, let's keep this light, because ultimately that energy

0:50:34.400 --> 0:50:39.880
<v Speaker 1>is just way more helpful to creating comedy television. Right. Yeah.

0:50:40.120 --> 0:50:42.640
<v Speaker 1>There's a great improv teacher and he runs the Annoyance

0:50:42.640 --> 0:50:45.360
<v Speaker 1>Theater in Chicago, and he's one of my peers in Chicago.

0:50:45.400 --> 0:50:48.319
<v Speaker 1>Guy named Mick Napier, and he's legendary at this point now,

0:50:49.239 --> 0:50:52.520
<v Speaker 1>but he had written a one man show at the

0:50:52.520 --> 0:50:56.200
<v Speaker 1>Annoyance for himself and it was called sex Boy because

0:50:56.920 --> 0:50:59.840
<v Speaker 1>Nick was going through his life and transition of whatever

0:51:00.200 --> 0:51:02.680
<v Speaker 1>he felt his sexuality was, so that was part of it.

0:51:02.719 --> 0:51:05.040
<v Speaker 1>He grew up in a small town in Indiana, and

0:51:05.080 --> 0:51:07.200
<v Speaker 1>you know, I think he may have been buy or whatever,

0:51:07.239 --> 0:51:09.600
<v Speaker 1>but just figuring that whole thing out and putting it

0:51:09.600 --> 0:51:11.360
<v Speaker 1>out on stage. But he had a preamble in his

0:51:11.560 --> 0:51:13.800
<v Speaker 1>program and he said, and I don't know if he

0:51:13.880 --> 0:51:16.520
<v Speaker 1>borrowed it from somewhere else, but he said, it's called

0:51:16.520 --> 0:51:19.440
<v Speaker 1>a play. It's not called a bore or a trial

0:51:19.600 --> 0:51:23.120
<v Speaker 1>or a suffering. It's called a play. So let us

0:51:23.239 --> 0:51:25.880
<v Speaker 1>do that. And I always thought, yes, it's called a play.

0:51:25.960 --> 0:51:30.000
<v Speaker 1>It's called a teleplay, it's called a screenplay. But the

0:51:30.080 --> 0:51:34.400
<v Speaker 1>operative word is to play. And our job is to

0:51:34.480 --> 0:51:37.640
<v Speaker 1>go out and play. And for me, if i'm the

0:51:37.760 --> 0:51:40.960
<v Speaker 1>best day ever is when you've got a job in

0:51:41.040 --> 0:51:45.080
<v Speaker 1>show business. So for me, I'm gonna pay witness to that.

0:51:45.200 --> 0:51:47.400
<v Speaker 1>Today we get to do the thing we wanted to

0:51:47.440 --> 0:51:51.319
<v Speaker 1>do when thousands and thousands and thousands of people who

0:51:51.320 --> 0:51:53.359
<v Speaker 1>want to do what we get to do don't get

0:51:53.400 --> 0:51:56.279
<v Speaker 1>to do it. So let's play and celebrate it. That's

0:51:56.360 --> 0:52:02.000
<v Speaker 1>my attitude, like, let's go have some fun. Yeah, that's

0:52:02.000 --> 0:52:05.120
<v Speaker 1>awesome did you feel because again they said come and

0:52:05.160 --> 0:52:08.080
<v Speaker 1>do what you do, that you felt the freedom to

0:52:08.280 --> 0:52:11.560
<v Speaker 1>just do what you do. There was no judgment, there

0:52:11.640 --> 0:52:15.200
<v Speaker 1>was no restraint. So yeah, I didn't. I didn't put

0:52:15.239 --> 0:52:18.120
<v Speaker 1>any guardrails or parameters on what I was gonna do,

0:52:18.960 --> 0:52:21.400
<v Speaker 1>and you never did. Yes. And plus the other thing,

0:52:21.440 --> 0:52:25.440
<v Speaker 1>I knew the characters based on Finchy from the original Office,

0:52:25.480 --> 0:52:30.040
<v Speaker 1>and Finchy was fucking crazy and awful. He's not as

0:52:30.120 --> 0:52:33.600
<v Speaker 1>bad as Finchy. Who remember Finchy takes one of the

0:52:33.640 --> 0:52:36.080
<v Speaker 1>girls from the office and he has sex with her

0:52:36.600 --> 0:52:39.440
<v Speaker 1>in the alleyway and the look on his face is

0:52:39.600 --> 0:52:47.279
<v Speaker 1>just priceless. Yeah, although you did, you know, poop in

0:52:47.360 --> 0:52:53.640
<v Speaker 1>Michael's office and serve laced cupcakes, which actually I thank

0:52:53.680 --> 0:52:56.480
<v Speaker 1>you for that because that was one of my most

0:52:56.800 --> 0:52:59.920
<v Speaker 1>favorite I mean, people talk about the chili or the

0:53:00.120 --> 0:53:03.880
<v Speaker 1>this or that, but one of my most favorite physical

0:53:03.960 --> 0:53:06.759
<v Speaker 1>comedy scenes that I was able to do was like

0:53:06.800 --> 0:53:11.920
<v Speaker 1>the flashback scene with Andy slash ed Helms and I

0:53:12.239 --> 0:53:15.960
<v Speaker 1>after we got dosed up on your cupcakes, maybe my favorite.

0:53:16.520 --> 0:53:21.080
<v Speaker 1>But I feel like your role is a real manifestation

0:53:21.200 --> 0:53:23.640
<v Speaker 1>of what ended up being a central part of the show,

0:53:23.719 --> 0:53:27.000
<v Speaker 1>which was Michael's journey right from I mean clearly a

0:53:27.040 --> 0:53:30.840
<v Speaker 1>friend of yours from early on, or at least wanted

0:53:30.920 --> 0:53:33.920
<v Speaker 1>to seem cool, to be a friend of yours, to

0:53:34.120 --> 0:53:37.759
<v Speaker 1>ultimately sort of, you know, shedding the shackles of you

0:53:37.840 --> 0:53:41.280
<v Speaker 1>and being able to sort of evolve as a human being. Exactly.

0:53:41.280 --> 0:53:45.799
<v Speaker 1>It's the representation of stunted adolescence, right. There are men

0:53:46.040 --> 0:53:48.279
<v Speaker 1>that never grow, and then then they don't when you

0:53:48.320 --> 0:53:50.880
<v Speaker 1>don't care to grow, when you won't take a signal,

0:53:51.360 --> 0:53:54.759
<v Speaker 1>or there's no desire to be a better human, or

0:53:54.800 --> 0:53:57.319
<v Speaker 1>if there's someone suggests that you don't hear it, and

0:53:57.360 --> 0:53:59.960
<v Speaker 1>in fact you try to defeat it, you would chat

0:54:00.080 --> 0:54:04.400
<v Speaker 1>lenge it. And you know, it's just that absolute stubbornness

0:54:04.440 --> 0:54:08.040
<v Speaker 1>that I'm fine, but it's also pain, right, I am

0:54:08.160 --> 0:54:10.759
<v Speaker 1>resolute in my pain, and I won't look at it.

0:54:11.400 --> 0:54:13.880
<v Speaker 1>I will only drown it. I'll drown it with alcohol,

0:54:14.040 --> 0:54:15.799
<v Speaker 1>I'll drown it with my noise, I'll drown it with

0:54:15.840 --> 0:54:18.759
<v Speaker 1>my terrible behavior. And and and then you find out you're

0:54:18.800 --> 0:54:22.319
<v Speaker 1>given license. When you're that horrible, no one dares to

0:54:23.040 --> 0:54:25.200
<v Speaker 1>challenge you because they don't want to be bear the

0:54:25.280 --> 0:54:27.680
<v Speaker 1>brunt of whatever you're gonna bring. They're just like, this

0:54:27.719 --> 0:54:29.680
<v Speaker 1>is a storm that's coming in. Because Packer is not

0:54:29.719 --> 0:54:32.640
<v Speaker 1>there all the time. It's a storm. I'll weather the storm,

0:54:32.680 --> 0:54:35.800
<v Speaker 1>battened down the hashes and wait for it to go away.

0:54:36.000 --> 0:54:38.520
<v Speaker 1>So that's what happens, right, And he's an emotional hand

0:54:38.560 --> 0:54:41.000
<v Speaker 1>grenade and he's a terrible storm. I've never thought of

0:54:41.000 --> 0:54:43.760
<v Speaker 1>that before, but that's exactly what happens. He's a storm

0:54:43.800 --> 0:54:45.600
<v Speaker 1>coming through and I was like, just let it go.

0:54:46.400 --> 0:54:49.080
<v Speaker 1>Let it go, because he's got this Ally and Michael,

0:54:49.640 --> 0:54:52.480
<v Speaker 1>until there are strong women that come into his life

0:54:52.680 --> 0:54:57.120
<v Speaker 1>and say no, no, that's not okay, that's interesting. Now.

0:54:57.160 --> 0:55:00.520
<v Speaker 1>I have you ever run across anyone that this point, Brian,

0:55:00.560 --> 0:55:02.719
<v Speaker 1>And you know this phenomenon as well as I do,

0:55:02.880 --> 0:55:05.080
<v Speaker 1>and it's something I can't quite wrap my head around.

0:55:05.480 --> 0:55:09.799
<v Speaker 1>The phenomenon that is The Office is unlike any television

0:55:09.800 --> 0:55:12.640
<v Speaker 1>show I would say in the history of television. It's

0:55:12.680 --> 0:55:16.160
<v Speaker 1>beyond compare. I've never been part of something this incredible.

0:55:16.440 --> 0:55:19.040
<v Speaker 1>I'm imagining the people from The Sopranos and Game of

0:55:19.080 --> 0:55:21.880
<v Speaker 1>Thrones have the same thing. But the difference is because

0:55:21.920 --> 0:55:24.520
<v Speaker 1>it's The Office and it's a comedy and it brings

0:55:24.560 --> 0:55:27.840
<v Speaker 1>something else to everybody's life. It's so important to people's

0:55:27.920 --> 0:55:32.600
<v Speaker 1>lives and their devotion to it. It changes people's lives

0:55:33.160 --> 0:55:36.560
<v Speaker 1>and it's it's it's a real deep part of their lives.

0:55:36.560 --> 0:55:39.240
<v Speaker 1>And you've heard people say it got me through cancer,

0:55:39.400 --> 0:55:41.680
<v Speaker 1>or it got me through this breakup, or it got

0:55:41.800 --> 0:55:45.280
<v Speaker 1>us together, and it's unlike anything else. Have you ever

0:55:45.320 --> 0:55:48.880
<v Speaker 1>heard anyone who has written a dissertation or their college

0:55:48.920 --> 0:55:52.800
<v Speaker 1>thesis on the office. Oh yeah, well there's first college

0:55:52.840 --> 0:55:57.399
<v Speaker 1>classes now that are to the show. Well, I think

0:55:57.440 --> 0:55:59.480
<v Speaker 1>I think the thing that is, and you know, it's

0:55:59.560 --> 0:56:02.240
<v Speaker 1>part of it. I've been exploring over the last couple

0:56:02.239 --> 0:56:05.000
<v Speaker 1>of years, which I think, as you say, it makes

0:56:05.040 --> 0:56:08.279
<v Speaker 1>it wholly unique from even the shows that you mentioned,

0:56:08.920 --> 0:56:13.240
<v Speaker 1>which was that seven eight years after we filmed anything,

0:56:14.040 --> 0:56:16.520
<v Speaker 1>it was bigger than it was when we were on

0:56:17.040 --> 0:56:20.960
<v Speaker 1>like it continues to expand and grow. Do you have

0:56:21.040 --> 0:56:24.640
<v Speaker 1>an idea of why that is? Here's the way I

0:56:24.680 --> 0:56:26.960
<v Speaker 1>look at it, and what I look at is why

0:56:27.000 --> 0:56:29.600
<v Speaker 1>it appeals to a twelve year old all the way

0:56:29.640 --> 0:56:31.920
<v Speaker 1>to a fifty year old. And beyond the way I

0:56:31.960 --> 0:56:34.080
<v Speaker 1>look at it is when they come to it at twelve,

0:56:34.719 --> 0:56:38.080
<v Speaker 1>they're exploring what they think is adult humor for the

0:56:38.080 --> 0:56:40.160
<v Speaker 1>first time, and they get it and they understand it

0:56:40.200 --> 0:56:43.080
<v Speaker 1>because it's so sharply written, like, oh, jokes can be

0:56:43.160 --> 0:56:46.200
<v Speaker 1>subtle and smart and big and broad and done at

0:56:46.239 --> 0:56:49.200
<v Speaker 1>the same time. So they're starting to see the tapestry

0:56:49.320 --> 0:56:53.839
<v Speaker 1>of humor. And then in high school it's kind of

0:56:53.840 --> 0:56:58.040
<v Speaker 1>like you get that shared communion of you get the

0:56:58.080 --> 0:57:00.880
<v Speaker 1>joke the way I get the joke. Yeah, it's a

0:57:00.960 --> 0:57:03.920
<v Speaker 1>hip show. There's hip humor in it too. There's the

0:57:03.960 --> 0:57:06.520
<v Speaker 1>obvious stuff, but then there's a saddle stuff, so there's

0:57:06.520 --> 0:57:10.520
<v Speaker 1>another thing. Then in college, I believe it gives you

0:57:10.600 --> 0:57:13.480
<v Speaker 1>that that security blanket of well, I'm gonna have to

0:57:13.480 --> 0:57:15.600
<v Speaker 1>go out in the world and work, but it's not

0:57:15.680 --> 0:57:19.160
<v Speaker 1>so scary because those buffoons on the office seem to

0:57:19.160 --> 0:57:22.760
<v Speaker 1>make it work and so it can't be that scarier place.

0:57:23.080 --> 0:57:26.000
<v Speaker 1>And then when you get into the workplace, you go, oh,

0:57:26.040 --> 0:57:29.160
<v Speaker 1>that's right, Well, at least it's not. Our place is

0:57:29.200 --> 0:57:31.040
<v Speaker 1>better than that place. But there are some people at

0:57:31.040 --> 0:57:32.680
<v Speaker 1>the work in this place that I like that place,

0:57:32.880 --> 0:57:35.720
<v Speaker 1>And as you're gone, then you embrace like where the office.

0:57:36.240 --> 0:57:38.640
<v Speaker 1>So that's why I think there's this thread that runs

0:57:38.640 --> 0:57:44.240
<v Speaker 1>through all of those things. The deep psychological impact. I

0:57:44.840 --> 0:57:47.760
<v Speaker 1>haven't broken that down, but that's the only threat. I

0:57:47.800 --> 0:57:50.040
<v Speaker 1>feel like I kind of have a beat on why

0:57:50.120 --> 0:57:53.880
<v Speaker 1>it's got that appeal from twelve to ninety. But the

0:57:54.000 --> 0:57:57.800
<v Speaker 1>psychological and the psychological thing I probably breaks down to

0:57:57.840 --> 0:58:00.720
<v Speaker 1>a bunch of different categories. And you know what Comedia

0:58:00.760 --> 0:58:03.200
<v Speaker 1>dell artein is and for the for your listeners, I

0:58:03.200 --> 0:58:05.800
<v Speaker 1>don't know if you talked about it. Comedia dell arte is.

0:58:06.120 --> 0:58:09.360
<v Speaker 1>It's an Italian art form and they based their characters there.

0:58:09.440 --> 0:58:14.040
<v Speaker 1>They had eleven archetypes based on these representations of what

0:58:14.360 --> 0:58:17.360
<v Speaker 1>humans were, from low class to high class, but all

0:58:17.360 --> 0:58:20.000
<v Speaker 1>of them were lampooned. And so I know we don't

0:58:20.000 --> 0:58:21.919
<v Speaker 1>have time to break it down, but if you look

0:58:21.920 --> 0:58:24.560
<v Speaker 1>at the office, they are all represented by one of

0:58:24.600 --> 0:58:29.000
<v Speaker 1>the comedy archetypes from Comedia dell arte as our most sitcoms,

0:58:29.640 --> 0:58:32.720
<v Speaker 1>and we're really just making fun of ourselves. And what

0:58:32.760 --> 0:58:35.800
<v Speaker 1>we do is we see ourselves represented on the screen

0:58:35.880 --> 0:58:38.880
<v Speaker 1>in those characters, and it gives us comfort and worth

0:58:39.240 --> 0:58:42.400
<v Speaker 1>and the ability to go on because I belong I'm

0:58:42.440 --> 0:58:45.480
<v Speaker 1>part of something larger than me, and I'm represented here

0:58:45.480 --> 0:58:47.440
<v Speaker 1>and that's me and that person is someone else I

0:58:47.520 --> 0:58:49.880
<v Speaker 1>love and you know, enjoy, or that person is a

0:58:49.920 --> 0:58:53.520
<v Speaker 1>caution and everyone recognizes that that's the worst person. We

0:58:53.600 --> 0:59:00.280
<v Speaker 1>all agree on that is terrible right now. I think

0:59:00.320 --> 0:59:04.000
<v Speaker 1>you're exactly right, you know. I mean, people talk about,

0:59:04.840 --> 0:59:07.120
<v Speaker 1>you know, Michael Scott, the character of Michael Scott, and

0:59:07.200 --> 0:59:11.080
<v Speaker 1>he says inappropriate things, and he says misguided things, but

0:59:11.200 --> 0:59:15.360
<v Speaker 1>I think that throughout the show, you really get to

0:59:15.400 --> 0:59:19.800
<v Speaker 1>know these people, and as mean as he is or

0:59:19.880 --> 0:59:23.560
<v Speaker 1>misguided as he is at times, he has a tremendous

0:59:23.600 --> 0:59:25.840
<v Speaker 1>amount of heart. And all of the characters have a

0:59:25.840 --> 0:59:29.320
<v Speaker 1>tremendous amount of heart, which I think brings comfort. I

0:59:29.360 --> 0:59:32.000
<v Speaker 1>don't know, but that's I think. I think you're absolutely right.

0:59:32.080 --> 0:59:35.080
<v Speaker 1>Every all the regular players on the show, you know,

0:59:35.840 --> 0:59:39.000
<v Speaker 1>we identify was struggle, and so everyone's struggling, but they

0:59:39.040 --> 0:59:41.160
<v Speaker 1>all succeed and they get through, and the best way

0:59:41.200 --> 0:59:45.080
<v Speaker 1>to get through is to have heart and to identify

0:59:45.200 --> 0:59:48.840
<v Speaker 1>with what kindness is and make the better choice. And

0:59:48.880 --> 0:59:53.640
<v Speaker 1>it might take someone several times to make the better choice,

0:59:53.840 --> 0:59:56.560
<v Speaker 1>but you're rooting for them, like, don't do that make

0:59:56.640 --> 0:59:59.000
<v Speaker 1>the right choice please this time? But you know you

0:59:59.080 --> 1:00:00.760
<v Speaker 1>have to not make that right choice a long time

1:00:00.800 --> 1:00:11.280
<v Speaker 1>because it's comedy. R look for your children's eyes to

1:00:11.360 --> 1:00:14.880
<v Speaker 1>see the true magic of a forest. It's a storybook

1:00:14.920 --> 1:00:18.000
<v Speaker 1>world for them. You look and see a tree. They

1:00:18.080 --> 1:00:21.400
<v Speaker 1>see the wrinkled face of a wizard with arms outstretched

1:00:21.440 --> 1:00:24.760
<v Speaker 1>to the sky. They see treasure in pebbles, They see

1:00:24.800 --> 1:00:27.880
<v Speaker 1>a windy path that could lead to adventure, and they

1:00:27.960 --> 1:00:32.520
<v Speaker 1>see you. They're fearless. Guide is this fascinating world? Find

1:00:32.560 --> 1:00:35.280
<v Speaker 1>a forest near you and start exploring and discover the

1:00:35.280 --> 1:00:37.720
<v Speaker 1>forest dot Org. Brought to you by the United States

1:00:37.800 --> 1:00:42.560
<v Speaker 1>Forest Service and the ad Council. From the creator of

1:00:42.560 --> 1:00:45.480
<v Speaker 1>The Bright Sessions, comes a new fiction podcast for all ages.

1:00:46.360 --> 1:00:49.400
<v Speaker 1>Jump back to and follow maxim Miles as she starts

1:00:49.480 --> 1:00:51.960
<v Speaker 1>high school in the picturest town of Hastings, New Hampshire.

1:00:52.720 --> 1:00:55.120
<v Speaker 1>Fall is the season in which this small town shines

1:00:55.720 --> 1:00:59.880
<v Speaker 1>apple cider, pumpkin patches farmers markets. It's idyllic for adults

1:01:00.040 --> 1:01:04.400
<v Speaker 1>and boring for Max. But suddenly Max's school year starts

1:01:04.400 --> 1:01:06.920
<v Speaker 1>to look a bit more interesting when a fellow student vanishes.

1:01:07.600 --> 1:01:10.240
<v Speaker 1>With the help of her misanthrop, the classmate Ross, Max

1:01:10.280 --> 1:01:13.480
<v Speaker 1>starts to look into the disappearance. Her investigation draws her

1:01:13.480 --> 1:01:16.360
<v Speaker 1>deep into the dark woods around Hastings, and even deeper

1:01:16.400 --> 1:01:18.800
<v Speaker 1>into the secrets and lies the course of the veins

1:01:18.800 --> 1:01:22.040
<v Speaker 1>of this sleepy town, This New Y A mystery from

1:01:22.080 --> 1:01:24.439
<v Speaker 1>writer director Lorn Chipping, is an audio drama with heart

1:01:24.520 --> 1:01:26.800
<v Speaker 1>and wit that involves the audience in a way no

1:01:26.880 --> 1:01:31.200
<v Speaker 1>fiction podcast ever has. Listen to Max and Miles and

1:01:31.240 --> 1:01:33.480
<v Speaker 1>the I Heart Radio app, Apple Podcasts or wherever you

1:01:33.560 --> 1:01:43.600
<v Speaker 1>get your favorite shows. What grows in the forest trees? Sure,

1:01:44.000 --> 1:01:47.120
<v Speaker 1>no one else grows in the forest. Our imagination, our

1:01:47.240 --> 1:01:50.760
<v Speaker 1>sense of wonder, and our family bonds grow too, because

1:01:50.760 --> 1:01:57.080
<v Speaker 1>when we disconnect from this and connect with this, we

1:01:57.160 --> 1:02:00.400
<v Speaker 1>reconnect with each other. The forest is else the thing

1:02:00.480 --> 1:02:03.840
<v Speaker 1>you think. Find a forest near you and start exploring.

1:02:03.960 --> 1:02:06.520
<v Speaker 1>I discover the fourth dot Org brought to you by

1:02:06.520 --> 1:02:21.240
<v Speaker 1>the United States Fourth Service and the AD Council. You

1:02:21.280 --> 1:02:24.680
<v Speaker 1>were on SNL. We haven't even talked about, but obviously

1:02:25.200 --> 1:02:31.240
<v Speaker 1>you know huge classic now all time comedy movies. Anchorman

1:02:31.960 --> 1:02:36.040
<v Speaker 1>champ Kind. What is the role now that you have

1:02:36.160 --> 1:02:38.640
<v Speaker 1>done throughout your career that you would say that you

1:02:38.680 --> 1:02:42.600
<v Speaker 1>are are most recognized for. Oh, well, it's Todd Packer

1:02:43.160 --> 1:02:46.600
<v Speaker 1>hands down, and then champ Kind second. It was a

1:02:46.640 --> 1:02:51.360
<v Speaker 1>puzzle to me because after three years of being on,

1:02:51.520 --> 1:02:54.760
<v Speaker 1>just two episodes of season of the Office, when you'd

1:02:54.760 --> 1:02:57.720
<v Speaker 1>see your name in print David Kicker from the Office

1:02:57.760 --> 1:03:01.640
<v Speaker 1>and Anchorman like, wait, no, it's Ackerman in the Office.

1:03:01.640 --> 1:03:05.040
<v Speaker 1>I'm not I'm not on the Office. I'm barely on

1:03:05.080 --> 1:03:08.280
<v Speaker 1>the Office. But I think the thing about Packer is

1:03:08.320 --> 1:03:11.920
<v Speaker 1>he was referenced a lot in the show, even when

1:03:11.960 --> 1:03:15.480
<v Speaker 1>he's not there, or I think people would feel there's like,

1:03:15.640 --> 1:03:20.160
<v Speaker 1>oh shit, something's going on, things are bad. Is Packer coming?

1:03:20.600 --> 1:03:24.560
<v Speaker 1>I think there's a pervasive feeling like it any is

1:03:24.560 --> 1:03:27.560
<v Speaker 1>a storm on its way? Can we avoid the storm?

1:03:28.000 --> 1:03:30.800
<v Speaker 1>Or just an episode where Packer is gonna show up

1:03:30.800 --> 1:03:33.760
<v Speaker 1>and it's always this loathsome feel like, oh, I don't

1:03:33.760 --> 1:03:37.040
<v Speaker 1>want I don't want the ghosts, the horrible ghost to

1:03:37.440 --> 1:03:43.480
<v Speaker 1>visit tonight. Yes, well, if Packer is coming, there's no

1:03:43.520 --> 1:03:46.480
<v Speaker 1>way to avoid them. Let's just be clear about that. There.

1:03:46.560 --> 1:03:49.040
<v Speaker 1>You might batten down the hatches, but you can't. You

1:03:49.080 --> 1:03:53.280
<v Speaker 1>can't protect yourself. Yes, things are gonna be overturned. I

1:03:53.320 --> 1:03:58.520
<v Speaker 1>do want to mention obviously, you are still incredibly busy

1:03:58.600 --> 1:04:03.280
<v Speaker 1>and successful, and I know right now you're on tour.

1:04:03.640 --> 1:04:04.920
<v Speaker 1>And by the way, I do have to say that,

1:04:05.200 --> 1:04:07.280
<v Speaker 1>I do have to tell you this. People ask me

1:04:07.400 --> 1:04:09.680
<v Speaker 1>now all the time, you know, I say, oh, I'm

1:04:09.720 --> 1:04:12.320
<v Speaker 1>going to this college or I'm going here there, and

1:04:12.320 --> 1:04:15.760
<v Speaker 1>they're like, oh, you know, stand up and I for me,

1:04:16.360 --> 1:04:18.920
<v Speaker 1>you you mentioned sort of this before. I can't even

1:04:19.080 --> 1:04:22.880
<v Speaker 1>call myself a stand up because I feel like it's

1:04:22.960 --> 1:04:27.560
<v Speaker 1>cheating because I didn't go through that before. It's cheating now.

1:04:28.320 --> 1:04:32.880
<v Speaker 1>But you're doing a live show, David Keckner dot com.

1:04:33.040 --> 1:04:35.880
<v Speaker 1>You can grab tickets there. You're going everywhere, right all

1:04:35.920 --> 1:04:38.200
<v Speaker 1>around the country. Yeah, this is the I'm doing more

1:04:38.280 --> 1:04:40.360
<v Speaker 1>dates this year than I ever had before because I'm

1:04:40.400 --> 1:04:42.480
<v Speaker 1>writing a new show and I will be doing a

1:04:42.560 --> 1:04:46.320
<v Speaker 1>special before the end of the year. Yeah. And you know,

1:04:46.360 --> 1:04:48.560
<v Speaker 1>it takes a long time to become a stand up,

1:04:48.560 --> 1:04:50.360
<v Speaker 1>and they say, and I've been doing it long enough

1:04:50.400 --> 1:04:53.480
<v Speaker 1>now that I feel like i can call myself one. Okay,

1:04:53.560 --> 1:04:56.360
<v Speaker 1>But you know, rather than trying to do what everybody

1:04:56.400 --> 1:04:59.280
<v Speaker 1>else is doing, I finally like, no, no, David, You've

1:04:59.320 --> 1:05:01.920
<v Speaker 1>got to embrace the thing that you do and do

1:05:02.000 --> 1:05:04.800
<v Speaker 1>more of that because there's so many great stand ups

1:05:04.800 --> 1:05:08.040
<v Speaker 1>that do so many different things well like that, do

1:05:08.120 --> 1:05:10.840
<v Speaker 1>what you do well, Dave, don't try and be a

1:05:10.840 --> 1:05:12.400
<v Speaker 1>little bit of this and a little bit of that before.

1:05:12.440 --> 1:05:13.760
<v Speaker 1>I think a lot of my show has been a

1:05:13.760 --> 1:05:15.120
<v Speaker 1>little bit of this, a little bit of that, like

1:05:15.600 --> 1:05:19.240
<v Speaker 1>compared to a lot of different influences that we've all had.

1:05:19.840 --> 1:05:22.080
<v Speaker 1>But then at some point you're like, well, what's your

1:05:22.080 --> 1:05:25.040
<v Speaker 1>thing do You're just an hour of just your thing

1:05:25.120 --> 1:05:26.800
<v Speaker 1>the way you want to do it, and they'll come

1:05:27.120 --> 1:05:30.360
<v Speaker 1>good for you to see that. There are moments sometimes

1:05:30.360 --> 1:05:33.000
<v Speaker 1>in shows if I'm doing a character piece where someone

1:05:33.240 --> 1:05:35.640
<v Speaker 1>who's used to the rhythm of the stand up going

1:05:35.720 --> 1:05:38.160
<v Speaker 1>from this joke to another. Now I'm in a character

1:05:38.280 --> 1:05:40.680
<v Speaker 1>like what and you know the thing that I have

1:05:40.720 --> 1:05:43.440
<v Speaker 1>and you have too, is like you've got to say

1:05:43.480 --> 1:05:45.920
<v Speaker 1>the stuff from the office and anchorman because that's what

1:05:46.040 --> 1:05:48.040
<v Speaker 1>got me here. So I do have to do that

1:05:48.080 --> 1:05:51.200
<v Speaker 1>in my show, and I recognize that. So once that's done, like, okay, guys,

1:05:51.400 --> 1:05:56.080
<v Speaker 1>we're done with that. Now comes my turn. I struggle

1:05:56.160 --> 1:05:58.640
<v Speaker 1>with whether to make them wait for it or just

1:05:58.640 --> 1:06:02.120
<v Speaker 1>getting off off the bats. I don't know. I'm the

1:06:02.160 --> 1:06:05.160
<v Speaker 1>same way. I don't There's not an answer. Okay, there's

1:06:05.440 --> 1:06:07.919
<v Speaker 1>you know, it's up to you. I think what I've done,

1:06:07.920 --> 1:06:11.000
<v Speaker 1>I've done both. I've done where I do it right away,

1:06:11.080 --> 1:06:13.520
<v Speaker 1>and I've done where I do it halfway through. And

1:06:13.560 --> 1:06:17.400
<v Speaker 1>I sometimes will do it when they yell right. You know,

1:06:17.840 --> 1:06:21.920
<v Speaker 1>after fifteen minutes, someone will yell whammy, and I know

1:06:22.040 --> 1:06:25.160
<v Speaker 1>they can't even pay attention to my show until they

1:06:25.240 --> 1:06:28.880
<v Speaker 1>hear whammy. It's almost like, Okay, I'll give you a whammy.

1:06:28.880 --> 1:06:31.080
<v Speaker 1>It's almost like a kid, all Right, you're gonna get

1:06:31.120 --> 1:06:34.560
<v Speaker 1>one cookie and then we're gonna you know, then we're

1:06:34.600 --> 1:06:36.720
<v Speaker 1>going home or whatever they We're gonna settle in and

1:06:36.720 --> 1:06:39.320
<v Speaker 1>watch the movie. Yes, you get popcorn and soda pop.

1:06:39.360 --> 1:06:41.720
<v Speaker 1>Then you've gotta be quiet for the whole movie. But

1:06:41.800 --> 1:06:44.200
<v Speaker 1>there is that because there's people who just can't stand it.

1:06:44.680 --> 1:06:47.800
<v Speaker 1>When's he gonna say whammy? What's he gonna say? What's up?

1:06:47.840 --> 1:06:50.520
<v Speaker 1>My nerds? I can't to hear you say what's up?

1:06:50.560 --> 1:06:55.800
<v Speaker 1>My nerds? I get it you and I can't run

1:06:55.840 --> 1:06:58.040
<v Speaker 1>from this. It's it's what got them in the seats

1:06:58.040 --> 1:07:02.520
<v Speaker 1>in the first places. That is through. I can't leave

1:07:02.640 --> 1:07:08.400
<v Speaker 1>you without talking about the Kansas City Chiefs. Maybe the

1:07:08.560 --> 1:07:14.120
<v Speaker 1>greatest game in the history of the NFL, the Buffalo

1:07:14.160 --> 1:07:19.120
<v Speaker 1>Bills losing somehow with thirteen seconds left on the clock

1:07:19.280 --> 1:07:24.080
<v Speaker 1>and Kansas City coming through. What your experience watching the

1:07:24.200 --> 1:07:29.160
<v Speaker 1>last thirteen plus seconds of that game, Well, I'd be

1:07:29.200 --> 1:07:33.320
<v Speaker 1>a liar if I didn't say I had availed myself

1:07:33.360 --> 1:07:36.520
<v Speaker 1>to the idea that it's okay, okay, it's okay. I

1:07:36.600 --> 1:07:39.680
<v Speaker 1>knew we were playing the best other team in my

1:07:39.840 --> 1:07:43.440
<v Speaker 1>estimation in the game this year. I knew that the

1:07:43.480 --> 1:07:46.160
<v Speaker 1>Buffalo Bills would be our toughest opponent of the year.

1:07:46.560 --> 1:07:48.880
<v Speaker 1>We've got so many weapons, You've got so much hope,

1:07:49.080 --> 1:07:51.360
<v Speaker 1>and we've got my homes and all of them. You

1:07:51.400 --> 1:07:53.400
<v Speaker 1>don't just say we've got my homes. We've got my

1:07:53.520 --> 1:07:57.360
<v Speaker 1>homes and Kelsey and Hill and Pringle and everybody you know,

1:07:57.440 --> 1:08:01.280
<v Speaker 1>and Williams and Edwards Hilaire on that front line. We've

1:08:01.280 --> 1:08:04.040
<v Speaker 1>got everything. But there is something about the magic of

1:08:04.120 --> 1:08:07.840
<v Speaker 1>these two quarterbacks, Alan and Mahomes, and they both kept

1:08:07.880 --> 1:08:11.160
<v Speaker 1>doing it, and it's you know, it's only about the time,

1:08:11.400 --> 1:08:15.280
<v Speaker 1>because they would have come back and scored, yeah, back

1:08:15.320 --> 1:08:18.000
<v Speaker 1>and forth all night. Yeah, we just happened to have

1:08:18.000 --> 1:08:22.240
<v Speaker 1>the ball. Alan played an absolutely perfect game and lost

1:08:22.760 --> 1:08:26.679
<v Speaker 1>and lost. Um so I was willing. I was willing

1:08:26.760 --> 1:08:32.040
<v Speaker 1>to accept defeat. I wasn't defeated. I was willing to go, Okay,

1:08:32.160 --> 1:08:34.200
<v Speaker 1>well we put it all out there too, and I

1:08:34.240 --> 1:08:37.160
<v Speaker 1>can't believe they came back after what we just did.

1:08:37.640 --> 1:08:41.479
<v Speaker 1>And there there's never because there's always talking about time

1:08:41.520 --> 1:08:44.559
<v Speaker 1>management and football. You left him too much time? You like,

1:08:44.560 --> 1:08:46.760
<v Speaker 1>you're like, what, you left him too much time? There's

1:08:46.760 --> 1:08:52.320
<v Speaker 1>thirteen seconds. Then you know you can't second guess their coach. Right,

1:08:52.400 --> 1:08:56.639
<v Speaker 1>let's put him deep on. Everyone could say you should

1:08:56.640 --> 1:08:58.920
<v Speaker 1>have swibbed it. You should have kicked an on side kick.

1:08:59.000 --> 1:09:02.120
<v Speaker 1>You shaid it, well, the should should and then how

1:09:02.160 --> 1:09:05.519
<v Speaker 1>are you gonna go? You know seventy yards that's not

1:09:05.560 --> 1:09:08.800
<v Speaker 1>going to happen. Well, yeah, well the special team it

1:09:08.840 --> 1:09:10.800
<v Speaker 1>does and it's okay, and you've got to be part

1:09:10.800 --> 1:09:13.320
<v Speaker 1>of a special game. And I felt too, was like, god,

1:09:13.360 --> 1:09:15.720
<v Speaker 1>do we start saying this is the greatest game. I

1:09:15.840 --> 1:09:19.120
<v Speaker 1>was at the Colosseum when the Chiefs and the Rams

1:09:19.120 --> 1:09:22.599
<v Speaker 1>scored a hundred and nine points and kept going back

1:09:22.600 --> 1:09:25.320
<v Speaker 1>and forth. That was an amazing game. We lost that one,

1:09:25.680 --> 1:09:28.320
<v Speaker 1>but the lesson was we were right there. We could

1:09:28.360 --> 1:09:32.360
<v Speaker 1>do it. We scored forty summer fifty points, right, like

1:09:32.439 --> 1:09:35.720
<v Speaker 1>we can do it. So yeah, it to be part

1:09:35.720 --> 1:09:39.000
<v Speaker 1>of a great game is something else. Yeah, it was amazing.

1:09:39.439 --> 1:09:42.800
<v Speaker 1>If you are playing in the super Bowl, good luck,

1:09:43.560 --> 1:09:47.040
<v Speaker 1>and if you're not, well you won. I think the

1:09:47.080 --> 1:09:50.439
<v Speaker 1>greatest game in the NFL history, the best game I've

1:09:50.479 --> 1:09:53.760
<v Speaker 1>ever seen. Yeah, I don't see how we're not there.

1:09:54.040 --> 1:09:58.040
<v Speaker 1>I'm pretty confident. But you know, one game, one day

1:09:58.040 --> 1:10:00.759
<v Speaker 1>at a time, and I know you and Aaron are close,

1:10:01.040 --> 1:10:05.840
<v Speaker 1>and uh, that's tough. Yeah, that was not as fun.

1:10:06.280 --> 1:10:09.200
<v Speaker 1>I'll be honest. I was hoping. I was hoping it

1:10:09.280 --> 1:10:12.080
<v Speaker 1>was going to be uh, the Chiefs and the Packers.

1:10:12.680 --> 1:10:14.720
<v Speaker 1>I thought it was going to be. I did too.

1:10:14.760 --> 1:10:17.080
<v Speaker 1>I thought I was pretty sure that's that's and I

1:10:17.120 --> 1:10:19.360
<v Speaker 1>thought that's going to be an incredible game because we

1:10:19.400 --> 1:10:22.920
<v Speaker 1>didn't play the Packers. We played the Packers without Aaron Rodgers.

1:10:22.960 --> 1:10:25.760
<v Speaker 1>Earlier in the season. We didn't beat the Packers. We

1:10:25.880 --> 1:10:31.800
<v Speaker 1>beat the Packers without Aaron Rodgers. That's not the Packers, right. Yeah, Well,

1:10:32.120 --> 1:10:36.000
<v Speaker 1>good luck, enjoy enjoy it, and Dave, thank you so

1:10:36.080 --> 1:10:40.479
<v Speaker 1>much for coming on. Pleasure, appreciate you so much and

1:10:40.920 --> 1:10:44.599
<v Speaker 1>sharing well you're inside about the office but also I

1:10:44.640 --> 1:10:48.280
<v Speaker 1>think some amazing words for for anyone who not only

1:10:48.560 --> 1:10:51.200
<v Speaker 1>has a dream of being an entertainer or in this business,

1:10:51.240 --> 1:10:54.479
<v Speaker 1>but but really any business. So thank you, my friend.

1:10:54.840 --> 1:10:57.360
<v Speaker 1>I appreciate you as well. Double be great to spend

1:10:57.439 --> 1:11:00.640
<v Speaker 1>time with you. Thank God for chechno aology so we

1:11:00.680 --> 1:11:05.240
<v Speaker 1>can hang out and it's wonderful. All my brother, best

1:11:05.320 --> 1:11:22.160
<v Speaker 1>your family, have a great day. That was amazing, David,

1:11:22.680 --> 1:11:27.120
<v Speaker 1>Thank you so much for stopping by. Funny I expected

1:11:28.040 --> 1:11:33.719
<v Speaker 1>Deep I did not, but hey, I loved it. All

1:11:33.760 --> 1:11:37.040
<v Speaker 1>of you out there listening, that was great, right, I

1:11:37.080 --> 1:11:40.200
<v Speaker 1>hope you enjoyed it. Off the Beat is going to

1:11:40.320 --> 1:11:45.519
<v Speaker 1>be freaking awesome. I'm so excited. I'm gonna be back

1:11:45.600 --> 1:11:49.200
<v Speaker 1>next week here with the man who brought the Office

1:11:49.400 --> 1:11:53.040
<v Speaker 1>to the States once again, Ben Silverman. It's gonna be

1:11:53.040 --> 1:11:56.559
<v Speaker 1>a bitter sweet episode, but I cannot wait to go

1:11:57.200 --> 1:12:00.559
<v Speaker 1>off the Beat with all of you. I'll see you then.

1:12:07.960 --> 1:12:11.240
<v Speaker 1>The Office. Deep Dive is hosted and executive produced by

1:12:11.280 --> 1:12:16.800
<v Speaker 1>me Brian Baumgartner, alongside our executive producer Langley. Our producers

1:12:16.840 --> 1:12:21.000
<v Speaker 1>are Liz Hayes and Diego Tapia. Our theme song Bubble

1:12:21.080 --> 1:12:24.479
<v Speaker 1>and Squeak, performed by my great friend Creed Bratton, and

1:12:24.520 --> 1:12:44.320
<v Speaker 1>the episode was mixed by Seth Olandsky. I'm Sarah Wendell

1:12:44.439 --> 1:12:47.040
<v Speaker 1>and for close to twenty years, I've been a wildly

1:12:47.080 --> 1:12:50.559
<v Speaker 1>recognized expert in the world of romance. And I'm Alicia Ry,

1:12:50.720 --> 1:12:54.280
<v Speaker 1>best selling author of over twenty romance novels. Introducing I

1:12:54.400 --> 1:12:58.160
<v Speaker 1>Heart's new romance podcast, love Struck Daily. Every day we

1:12:58.280 --> 1:13:01.679
<v Speaker 1>deliver a new love stories straight to your headphones. Real

1:13:01.800 --> 1:13:06.479
<v Speaker 1>life love stories guaranteed to bring all the fields, a

1:13:06.560 --> 1:13:09.120
<v Speaker 1>little bit of sexy, a little bit of danger, and

1:13:09.280 --> 1:13:12.040
<v Speaker 1>a lot of heart. Who doesn't need more love like this?

1:13:12.680 --> 1:13:14.640
<v Speaker 1>Who wants to go on a first date with me?

1:13:14.680 --> 1:13:18.519
<v Speaker 1>On Instagram Live? Are you serious? Real life fairy tale?

1:13:18.640 --> 1:13:23.080
<v Speaker 1>Right there? Badass Lady Pirate Mary takes her shirt off.

1:13:23.400 --> 1:13:29.360
<v Speaker 1>Let me show you pirate style and it's just and

1:13:29.479 --> 1:13:33.760
<v Speaker 1>for goodness sakes, just kiss already. Listen to love stock

1:13:33.840 --> 1:13:37.000
<v Speaker 1>Daily on the I Heart Radio app, Apple Podcasts, or

1:13:37.120 --> 1:13:41.679
<v Speaker 1>wherever you get your podcasts. I'm in love with you.