1 00:00:03,360 --> 00:00:06,399 Speaker 1: Welcome to Stuff to Blow Your Mind, a production of iHeartRadio. 2 00:00:10,000 --> 00:00:12,200 Speaker 2: Hi, my name is Robert Lamb and this is the 3 00:00:12,280 --> 00:00:15,080 Speaker 2: Monster Fact, a short form series from Stuff to Blow 4 00:00:15,080 --> 00:00:19,560 Speaker 2: Your Mind, focusing in non mythical creatures, ideas and monsters. 5 00:00:19,600 --> 00:00:26,759 Speaker 2: In time, I have a special omnibus episode for you 6 00:00:26,840 --> 00:00:31,360 Speaker 2: this week, once more, collecting four past episodes, this time 7 00:00:31,640 --> 00:00:39,239 Speaker 2: regarding vampires upbursts. Let's consider a possible Irish origin for 8 00:00:39,360 --> 00:00:47,479 Speaker 2: Count Dracula. Count Dracula was Irish, or at least that's 9 00:00:47,520 --> 00:00:52,400 Speaker 2: the case made by various historians and folklors. Now certainly 10 00:00:52,440 --> 00:00:56,560 Speaker 2: to be sure, the eighteen ninety seven novel Dracula places 11 00:00:56,600 --> 00:01:01,240 Speaker 2: the character's origins firmly in Transylvania, famously draws on the 12 00:01:01,280 --> 00:01:05,600 Speaker 2: legacy of historical fifteenth century Wallachian ruler Vlad the Impaler. 13 00:01:06,480 --> 00:01:10,520 Speaker 2: But on the other hand, Dracula's author, Bron Stoker, was 14 00:01:10,600 --> 00:01:14,679 Speaker 2: himself an Irishman. As pointed out by Celtic historian Bob 15 00:01:14,800 --> 00:01:18,520 Speaker 2: Curran in was Dracula an Irishmen published in the Journal 16 00:01:18,600 --> 00:01:22,679 Speaker 2: History Ireland in two thousand. Stoker never visited Eastern Europe, 17 00:01:23,080 --> 00:01:25,960 Speaker 2: but he certainly would have been exposed to various Irish 18 00:01:26,080 --> 00:01:31,000 Speaker 2: legends of evil blood drinking kings and chieftains, including tales 19 00:01:31,040 --> 00:01:35,440 Speaker 2: of Irish vampire king Aertuck. As is often the case 20 00:01:35,480 --> 00:01:38,840 Speaker 2: with such tales, the details of our Tuck's evil varies 21 00:01:38,840 --> 00:01:41,760 Speaker 2: from telling to telling. It may be more accurate to 22 00:01:41,760 --> 00:01:44,280 Speaker 2: think of him as a tribal chieftain rather than a king. 23 00:01:44,880 --> 00:01:47,280 Speaker 2: He would have reigned in the fifth or sixth century 24 00:01:47,400 --> 00:01:51,560 Speaker 2: CE in the district of Glenullin in Northern Ireland. He 25 00:01:51,640 --> 00:01:54,400 Speaker 2: is often described as a dwarf, or as possessing a 26 00:01:54,400 --> 00:01:57,960 Speaker 2: physical deformity that sets him apart from other men. He 27 00:01:58,120 --> 00:02:01,760 Speaker 2: was also a powerful and evil wizard, so when life 28 00:02:01,880 --> 00:02:06,480 Speaker 2: finally managed to kill him, undeath was the natural next step. 29 00:02:07,160 --> 00:02:10,880 Speaker 2: Some accounts say that Aurtuk fell to his death while 30 00:02:10,960 --> 00:02:14,919 Speaker 2: jealously creeping about the ledges of his castle's towers, trying 31 00:02:14,960 --> 00:02:18,280 Speaker 2: to spy and his own wife. In other accounts, his 32 00:02:18,360 --> 00:02:22,400 Speaker 2: people were so terrified of the chieftain's evil that they 33 00:02:22,440 --> 00:02:27,639 Speaker 2: convinced or hired a rival chieftain, Kathan, to assassinate him. 34 00:02:28,000 --> 00:02:33,200 Speaker 2: Either way, once dead, his people buried Aartuk upright in 35 00:02:33,320 --> 00:02:36,400 Speaker 2: his grave, as was befitting a man of his rank. 36 00:02:37,680 --> 00:02:41,480 Speaker 2: But you know what happened next, Aurtuk returned from the grave, 37 00:02:41,880 --> 00:02:45,120 Speaker 2: and with a thirst for blood, he demanded his people 38 00:02:45,200 --> 00:02:49,240 Speaker 2: bleed for him, filling a great drinking bowl. Horrified by 39 00:02:49,240 --> 00:02:53,560 Speaker 2: his return, Aurtuk's people had him murdered or re murdered, 40 00:02:53,760 --> 00:02:57,760 Speaker 2: depending on the telling by a hero, rival or assassin. 41 00:02:58,440 --> 00:03:01,680 Speaker 2: They buried him, and once more he returned for blood. 42 00:03:02,520 --> 00:03:07,440 Speaker 2: This cycle repeated itself, and finally the would be slayer 43 00:03:07,600 --> 00:03:11,200 Speaker 2: consulted with a local druid or priest and learned the 44 00:03:11,240 --> 00:03:16,679 Speaker 2: secret of what must be done to keep Auertuck dead. First, 45 00:03:17,040 --> 00:03:20,720 Speaker 2: skewer the undead creature's heart with a u wood sword, 46 00:03:21,320 --> 00:03:25,280 Speaker 2: then bury them upside down in the grave, head toward hell, 47 00:03:25,639 --> 00:03:29,160 Speaker 2: and cap the grave with thorns, ash twigs, and a 48 00:03:29,200 --> 00:03:32,920 Speaker 2: great stone. And so it was done. But if the 49 00:03:32,960 --> 00:03:37,160 Speaker 2: stone were ever removed, we are told this blood drinking dwarf, 50 00:03:37,200 --> 00:03:40,680 Speaker 2: more than a millennium dead, would once more rise to 51 00:03:40,800 --> 00:03:45,320 Speaker 2: quench his evil thirst. As Karan explains in his article, 52 00:03:45,520 --> 00:03:48,640 Speaker 2: there are other tales of Irish vampires, and several stand 53 00:03:48,680 --> 00:03:54,120 Speaker 2: out tales involve blood drinking nobles. Uniquely Irish spins on 54 00:03:54,160 --> 00:03:57,840 Speaker 2: the global vampire myth often entail the mixture of blood 55 00:03:57,840 --> 00:04:01,360 Speaker 2: and oats, a reference to famine air are recipes, as 56 00:04:01,400 --> 00:04:05,800 Speaker 2: well as traditional Celtic venerations of the dead. These various 57 00:04:05,840 --> 00:04:09,680 Speaker 2: tales would have likely been known to Bromstoker, infusing his 58 00:04:09,960 --> 00:04:14,560 Speaker 2: iconic vampire lord with Irish traditions of the undead. Even 59 00:04:14,600 --> 00:04:19,280 Speaker 2: the name Dracula calls to mind the Irish word dracola, 60 00:04:19,560 --> 00:04:25,480 Speaker 2: which means bad or tainted blood. Now let's turn to 61 00:04:25,520 --> 00:04:28,120 Speaker 2: the world of video games and one of the more 62 00:04:28,240 --> 00:04:34,159 Speaker 2: popular vampires to emerge from that realm in recent years. 63 00:04:36,200 --> 00:04:40,279 Speaker 2: In the twenty twenty one Capcom survival horror video game 64 00:04:40,440 --> 00:04:45,880 Speaker 2: Resident Evil Village, the character Ethan Winters finds himself beset 65 00:04:45,960 --> 00:04:50,960 Speaker 2: by werewolves, vampires, and other creatures of darkness in an 66 00:04:51,000 --> 00:04:57,200 Speaker 2: unnamed Eastern European rural location. Particular village is governed by 67 00:04:57,320 --> 00:05:01,080 Speaker 2: four lords, but the most impressive of these strange rulers 68 00:05:01,600 --> 00:05:07,359 Speaker 2: is Lady Dimitrescu of Castle Dimitrescu. Her lordship might otherwise 69 00:05:07,400 --> 00:05:11,560 Speaker 2: be mistaken for any other Gothic fem fatale figure, resplendent 70 00:05:11,680 --> 00:05:16,800 Speaker 2: with classic vampiric qualities and a stylish ensemble, but she 71 00:05:16,839 --> 00:05:20,480 Speaker 2: also stands well over nine feet tall and is forced 72 00:05:20,480 --> 00:05:24,360 Speaker 2: to duck as she moves through doorways in her otherwise 73 00:05:24,560 --> 00:05:29,800 Speaker 2: high ceilinged castle. While she often employs brute giant strength 74 00:05:29,880 --> 00:05:34,039 Speaker 2: and dispatching her enemies, she can also manifest scimitar like 75 00:05:34,160 --> 00:05:38,200 Speaker 2: claws to cut them limb from limb. She is arrogant 76 00:05:38,200 --> 00:05:42,839 Speaker 2: in vain, but also highly protective of her three vampiric daughters. 77 00:05:43,400 --> 00:05:46,880 Speaker 2: The character has proven highly popular, quickly joining the likes 78 00:05:46,920 --> 00:05:50,360 Speaker 2: of pyramid Head and Nemesis in the pantheon of great 79 00:05:50,680 --> 00:05:56,479 Speaker 2: memorable horror video game monsters. In dissecting the influences that 80 00:05:56,560 --> 00:05:59,240 Speaker 2: brought this character together, we of course have to give 81 00:05:59,360 --> 00:06:04,040 Speaker 2: a proper nod to both Dracula and Countess Elizabeth Bathory. 82 00:06:04,680 --> 00:06:08,120 Speaker 2: But many commentators have also pointed to the modern Japanese 83 00:06:08,240 --> 00:06:12,440 Speaker 2: yuri or yokai known as Miss eight foot Tall or 84 00:06:12,920 --> 00:06:16,360 Speaker 2: Hashaku Sama, who is depicted in a wide brimmed hat, 85 00:06:16,440 --> 00:06:21,400 Speaker 2: much like the Lady Demetrescu. According to Haiki Issohani in 86 00:06:21,400 --> 00:06:25,720 Speaker 2: a twenty eighteen thesis paper titled Mythology Marches to Modernity 87 00:06:26,080 --> 00:06:30,520 Speaker 2: Yokai in contemporary Japan, this spirit seems to have originated 88 00:06:30,560 --> 00:06:34,279 Speaker 2: in a Japanese internet forum in two thousand and eight. However, 89 00:06:34,520 --> 00:06:39,720 Speaker 2: the author stresses that Hasakusama's origins might actually extend back 90 00:06:40,080 --> 00:06:45,360 Speaker 2: much further to an older yokai named taka Ona literally 91 00:06:45,440 --> 00:06:49,320 Speaker 2: tall Woman, briefly mentioned in the Illustrated Night Parade of 92 00:06:49,320 --> 00:06:55,040 Speaker 2: one Hundred Demons, published in seventeen seventy six. However, the 93 00:06:55,080 --> 00:06:59,240 Speaker 2: idea of a fearsome giantess is far older than any 94 00:06:59,320 --> 00:07:03,920 Speaker 2: of these exams. Some variations of the Irish and Scottish 95 00:07:03,960 --> 00:07:08,640 Speaker 2: winter Hag and deity Kiligak are described as a giant 96 00:07:08,640 --> 00:07:12,320 Speaker 2: test and she is credited with kidnapping the spirit of Summer. 97 00:07:13,200 --> 00:07:17,080 Speaker 2: Other legendary hags are also given giant proportions from time 98 00:07:17,120 --> 00:07:22,000 Speaker 2: to time, including the Baba Yaga. There's also Zunuqua of 99 00:07:22,040 --> 00:07:26,000 Speaker 2: the Quakutel people of British Columbia, who hunts the children 100 00:07:26,040 --> 00:07:29,520 Speaker 2: of Man. Multiple giant testes of varying temperaments can be 101 00:07:29,600 --> 00:07:33,000 Speaker 2: found in Norse mythology, and these are often described as 102 00:07:33,040 --> 00:07:37,720 Speaker 2: beautiful to behold, and in Hindu traditions, the demon giant 103 00:07:37,720 --> 00:07:42,200 Speaker 2: tests Putana attempts to kill the infant Krishna by taking 104 00:07:42,240 --> 00:07:47,840 Speaker 2: on a human appearance and breastfeeding him poisoned milk baby Krishna, however, 105 00:07:47,960 --> 00:07:51,840 Speaker 2: turns the tables on the demon by draining her of 106 00:07:51,880 --> 00:07:56,320 Speaker 2: all her milk and her life essence. Suffice to say, 107 00:07:56,440 --> 00:07:59,640 Speaker 2: Lady Demetrescu is but the latest in a long line 108 00:07:59,720 --> 00:08:05,680 Speaker 2: of an intriguing fictional giantesses employed to express varying ideas 109 00:08:05,920 --> 00:08:12,520 Speaker 2: about feminine power. Her ancestors run the gamut of hads, demons, heroes, 110 00:08:12,880 --> 00:08:33,520 Speaker 2: and goddesses. Now let us consider a vampire from Chinese folklore, 111 00:08:34,440 --> 00:08:41,080 Speaker 2: the Jiangshi. Imagine yourself out on the road, so frustratingly 112 00:08:41,160 --> 00:08:44,200 Speaker 2: close to the walls of the city you've been traveling too, 113 00:08:44,320 --> 00:08:47,840 Speaker 2: and yet night is falling, the mist is rolling in, 114 00:08:48,280 --> 00:08:51,440 Speaker 2: and then up ahead you see several figures in the gloom, 115 00:08:52,000 --> 00:08:56,160 Speaker 2: fellow travelers, a patrol of guards from the city. You 116 00:08:56,320 --> 00:09:00,360 Speaker 2: entertain the possibility that they are bandits, and then they 117 00:09:00,400 --> 00:09:05,400 Speaker 2: do something quite unnatural. They hop like a creature whose 118 00:09:05,480 --> 00:09:09,840 Speaker 2: legs are bound or stiff with rigamortis, or perhaps even 119 00:09:09,920 --> 00:09:15,520 Speaker 2: forgetfull of proper bipedal locomotion, and forced to lunge itself 120 00:09:15,600 --> 00:09:20,360 Speaker 2: forward through physical space like a great writhing worm. The 121 00:09:20,400 --> 00:09:24,520 Speaker 2: creatures hop and hop again, ever closer to you, and 122 00:09:24,559 --> 00:09:28,040 Speaker 2: as they get closer you see that they are undead horrors, 123 00:09:28,440 --> 00:09:33,000 Speaker 2: dressed in robes from the Ching dynasty, decayed corpses, burning 124 00:09:33,040 --> 00:09:37,280 Speaker 2: with unnatural life. As they hop they reach out towards 125 00:09:37,320 --> 00:09:42,559 Speaker 2: you with elongated fingernails, they gasp with bloody fang toothed jaws, 126 00:09:42,600 --> 00:09:45,480 Speaker 2: and if they catch you, they will drain every last 127 00:09:45,559 --> 00:09:50,720 Speaker 2: ounce of precious chi from your body. In some ways 128 00:09:50,760 --> 00:09:55,559 Speaker 2: relatable to Western concepts of the zombie and the vampire, 129 00:09:56,120 --> 00:09:59,640 Speaker 2: this is the jiang shi. And while Chinese mythology and 130 00:09:59,679 --> 00:10:02,920 Speaker 2: focal or is filled with various ghosts and monsters, this 131 00:10:03,040 --> 00:10:08,040 Speaker 2: particular horror seems to emerge from a Qing dynasty crisis 132 00:10:08,240 --> 00:10:13,640 Speaker 2: concerning the burial of the dead. According to the Afterlife Corpses, 133 00:10:13,720 --> 00:10:17,720 Speaker 2: A Social History of Unburied dead Bodies in Chengina sixteen 134 00:10:17,760 --> 00:10:22,120 Speaker 2: forty four through nineteen eleven by historian Johi Su, numerous 135 00:10:22,160 --> 00:10:25,360 Speaker 2: records from the eighteenth to nineteenth century discussed the problem 136 00:10:25,440 --> 00:10:29,280 Speaker 2: of unburied bodies left upon the ground without proper burial. 137 00:10:29,920 --> 00:10:32,640 Speaker 2: These were not exclusively the victims of war, famine, or 138 00:10:32,679 --> 00:10:36,640 Speaker 2: disaster either. They were seemingly, for the most part, individuals 139 00:10:36,640 --> 00:10:41,320 Speaker 2: who simply had no permanent grave. This Sioux rites was 140 00:10:41,400 --> 00:10:45,720 Speaker 2: due to changing socioeconomic structure and the resulting imbalance between 141 00:10:45,840 --> 00:10:49,880 Speaker 2: population and arable land. A family would need to secure 142 00:10:50,000 --> 00:10:53,040 Speaker 2: claim to the land in order to bury deceased loved ones. 143 00:10:53,559 --> 00:10:56,120 Speaker 2: If a grave could not be obtained, they were left 144 00:10:56,200 --> 00:11:00,720 Speaker 2: out and often abandoned or lost. While jong Yan was 145 00:11:00,760 --> 00:11:04,400 Speaker 2: the region most impacted by this, it became an empire 146 00:11:04,480 --> 00:11:07,880 Speaker 2: wide crisis because it wasn't just about the dead, but 147 00:11:07,920 --> 00:11:12,360 Speaker 2: a perceived cultural decline in funeral custom and even devotion 148 00:11:12,520 --> 00:11:16,520 Speaker 2: to one's ancestors. While solutions finally emerged, such as public 149 00:11:16,520 --> 00:11:20,800 Speaker 2: cemeteries and coffin homes, the specter of the jiangxi remained 150 00:11:21,080 --> 00:11:25,200 Speaker 2: in the Chinese imagination, a specter of the abandoned and 151 00:11:25,400 --> 00:11:30,200 Speaker 2: vengeful dead. These beliefs, along with other records Sue writes quote, 152 00:11:30,440 --> 00:11:35,720 Speaker 2: demonstrate unburied dead bodies as highly abnormal and deeply problematic, 153 00:11:36,040 --> 00:11:42,800 Speaker 2: representing a dysfunctional aspect of popular death custom. Jiangxi famously 154 00:11:42,840 --> 00:11:46,319 Speaker 2: play a role in an entire subgenre of Chinese supernatural 155 00:11:46,360 --> 00:11:50,800 Speaker 2: horror and comedy films, including nineteen eighty five's Mister Vampire, 156 00:11:50,920 --> 00:11:54,360 Speaker 2: which we watched on Weird House Cinema last year. They're 157 00:11:54,360 --> 00:11:58,000 Speaker 2: also now featured in Dungeons and Dragons, listed in twenty 158 00:11:58,080 --> 00:12:01,800 Speaker 2: twenty one's Van Richton's Guide to Ravenloft as a challenge 159 00:12:01,960 --> 00:12:06,200 Speaker 2: level nine monster capable of changing shape and of course, 160 00:12:06,480 --> 00:12:10,920 Speaker 2: draining the energy of its victims. While sometimes played for comedy, 161 00:12:11,160 --> 00:12:14,239 Speaker 2: there is a deep and unnatural horror to the Jangshi, 162 00:12:14,760 --> 00:12:19,360 Speaker 2: and it absolutely demands a place in your nightmares and 163 00:12:19,840 --> 00:12:28,800 Speaker 2: at your gaming table. Finally, let's discuss a particular vampire 164 00:12:28,960 --> 00:12:35,120 Speaker 2: from the world of Doom and Stoner Rock. The two 165 00:12:35,120 --> 00:12:39,079 Speaker 2: thousand and seven track The Satanic Rites of Drugula by 166 00:12:39,160 --> 00:12:43,160 Speaker 2: Electric Wizard paints exactly the sort of picture you might 167 00:12:43,200 --> 00:12:47,920 Speaker 2: expect from this horror obsessed doom metal in Stoner Rock mainstay. 168 00:12:48,559 --> 00:12:52,079 Speaker 2: While the vampires of old thirsted only for human blood, 169 00:12:52,440 --> 00:12:56,240 Speaker 2: the lyrics to this song speak of quote dope laced 170 00:12:56,280 --> 00:13:00,520 Speaker 2: blood that has only served to introduce the vampiric hordes 171 00:13:00,920 --> 00:13:05,120 Speaker 2: and its dark prints to new hives. Now, we are 172 00:13:05,160 --> 00:13:08,280 Speaker 2: not here to question the wisdom of these lyrics, but 173 00:13:08,360 --> 00:13:11,640 Speaker 2: we might well wonder how this dark tale of dope 174 00:13:11,640 --> 00:13:17,080 Speaker 2: smoke matches up to the realities of the natural world. Now. Historically, 175 00:13:17,080 --> 00:13:20,800 Speaker 2: the concept of blood drinking monsters being in any way 176 00:13:20,920 --> 00:13:25,520 Speaker 2: drawn to cannabis is interesting in part because of cannabis's 177 00:13:25,800 --> 00:13:31,360 Speaker 2: historical associations with the treatment and prevention of parasites. In 178 00:13:31,800 --> 00:13:35,000 Speaker 2: the medical use of cannabis among the Greeks and Romans 179 00:13:35,440 --> 00:13:39,760 Speaker 2: by James L. Buttrica, the author points to Greek writings 180 00:13:39,760 --> 00:13:43,800 Speaker 2: in which cannabis seeds were prescribed in the treatment of tapeworms. 181 00:13:44,360 --> 00:13:49,840 Speaker 2: Interestingly enough, fifth century CE Greek physician Atius described the 182 00:13:49,960 --> 00:13:53,000 Speaker 2: use of cannabis seeds as a means of drying up 183 00:13:53,000 --> 00:13:57,560 Speaker 2: the semen and preventing nocturnal emissions as well. Buttrica also 184 00:13:57,600 --> 00:14:00,680 Speaker 2: writes that an ancient Greek work on far a test 185 00:14:00,720 --> 00:14:03,000 Speaker 2: to the use of cannabis is a deterrent to blood 186 00:14:03,080 --> 00:14:07,760 Speaker 2: drinking mosquitoes. By spreading cannabis below your bed or leaving 187 00:14:07,800 --> 00:14:12,000 Speaker 2: a quote blooming sprig of fresh cannabis by your bedside, 188 00:14:12,440 --> 00:14:17,000 Speaker 2: your blood might be protected from the nefarious thirst of mosquitoes. 189 00:14:17,760 --> 00:14:21,520 Speaker 2: Now why these notions don't sound encouraging for Count Drugula 190 00:14:21,600 --> 00:14:24,280 Speaker 2: and his spawn. It's also worth noting that the Greek 191 00:14:24,280 --> 00:14:28,440 Speaker 2: physician Galen wrote of the alleged blood purifying properties of 192 00:14:28,480 --> 00:14:31,920 Speaker 2: cannabis seeds, and that sounds like something of interest to 193 00:14:31,960 --> 00:14:36,800 Speaker 2: the vampiric children of the night. The study of bat 194 00:14:36,800 --> 00:14:40,640 Speaker 2: biology offers few answers, but it's worth considering that common 195 00:14:40,760 --> 00:14:45,160 Speaker 2: vampire bats do not learn taste diversions, as explored by 196 00:14:45,320 --> 00:14:47,760 Speaker 2: Ratcliffe at all. In a two thousand and three study 197 00:14:47,800 --> 00:14:51,400 Speaker 2: in animal behavior, the bats did not seem to quote 198 00:14:51,480 --> 00:14:56,280 Speaker 2: learn to associate a novel flavor with averse gastro intestinal events. 199 00:14:56,520 --> 00:14:59,560 Speaker 2: In other words, they're not capable of associating the symptoms 200 00:14:59,560 --> 00:15:03,080 Speaker 2: caused by a toxic, spoiled, or poisonous substance with a 201 00:15:03,120 --> 00:15:07,400 Speaker 2: particular taste. On the other hand, they're certainly susceptible to 202 00:15:07,480 --> 00:15:10,760 Speaker 2: some of the effects of various human drugs, but with 203 00:15:10,960 --> 00:15:15,760 Speaker 2: these effects pass on through their blood to a parasitic 204 00:15:15,800 --> 00:15:19,920 Speaker 2: consumer well. Randal Monroe explored a similar topic on the 205 00:15:20,000 --> 00:15:22,960 Speaker 2: what iff website and found that a human being would 206 00:15:23,000 --> 00:15:25,920 Speaker 2: have to consume an absurd amount of human blood to 207 00:15:25,920 --> 00:15:30,680 Speaker 2: become drunk on the blood's alcohol content. We can apply 208 00:15:30,760 --> 00:15:34,040 Speaker 2: a similar line of thinking to other substances in the blood, 209 00:15:34,440 --> 00:15:38,920 Speaker 2: but that need not dissuade count drugula. After all, he 210 00:15:39,040 --> 00:15:42,480 Speaker 2: is clearly an immortal, undead being, and perhaps he does 211 00:15:42,600 --> 00:15:46,480 Speaker 2: consume the copious amounts of rockstone or blood required to 212 00:15:46,560 --> 00:15:50,120 Speaker 2: attain this level of high. But our story does not 213 00:15:50,320 --> 00:15:54,040 Speaker 2: end here. Perhaps Count Drugula would be interested to know 214 00:15:54,480 --> 00:15:58,720 Speaker 2: that a stroke medication dubbed draculin has been derived from 215 00:15:58,720 --> 00:16:05,960 Speaker 2: the anticoagulant protys of vampire bat saliva. Arise, Arise, Count 216 00:16:06,000 --> 00:16:13,160 Speaker 2: Drugula a Rise. Tune in for additional episodes of the 217 00:16:13,240 --> 00:16:17,840 Speaker 2: Monster Fact each week, and periodically we'll bust out an 218 00:16:17,840 --> 00:16:22,440 Speaker 2: omnibus episode to collect some related episodes of the Monster 219 00:16:22,520 --> 00:16:25,960 Speaker 2: Fact or even the Artifact. As always, you can email 220 00:16:26,080 --> 00:16:36,280 Speaker 2: us at contact at stuff to Blow your Mind dot com. 221 00:16:36,360 --> 00:16:39,320 Speaker 1: Stuff to Blow Your Mind is production of iHeartRadio. For 222 00:16:39,400 --> 00:16:42,200 Speaker 1: more podcasts from my Heart Radio, visit the iHeartRadio app, 223 00:16:42,360 --> 00:16:45,120 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows,