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Speaker 1: M.

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Speaker 2: Danielle will appreciate this. I love I love anything.

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Speaker 3: So that's nice to set it up that I'm gonna

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Speaker 3: hate it already.

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Speaker 2: No.

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Speaker 1: No, So my friend had dinner with Charlotte Wells, who

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Speaker 1: directed Aftersun. Yes, and I haven't talked to her yet.

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Speaker 1: But my friend was so nervous because it was like

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Speaker 1: her favorite favorite movie.

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Speaker 2: And she was like, and she never meet your heros.

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Speaker 1: Exactly, She like completely fangirled out, like met her at

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Speaker 1: some party and then like was is working in New

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Speaker 1: York right now?

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Speaker 2: And was like, I'm gonna I'm gonna track her down.

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Speaker 1: I'm gonna you know, And this is a friend who

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Speaker 1: should not be nervous about like this, This is a

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Speaker 1: This is a very successful.

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Speaker 2: Tellus who the friend is?

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Speaker 1: Why are you being Tom Cruise my friends? Tom?

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Speaker 2: Okay, I knew you were. Why you're hiding it? So Tom,

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Speaker 2: is you know.

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Speaker 4: You guys are in scientology together, you're the most you're

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Speaker 4: the most likely to be a scientologist.

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Speaker 2: Yeah, so this is my friend.

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Speaker 1: No, but but she but she was so nervous and

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Speaker 1: then you're.

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Speaker 2: Like we were like texting. I was like, how to

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Speaker 2: go You're really not going to tell us who you're friend. No,

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Speaker 2: I don't want to, don't you know? No, it's not important.

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Speaker 1: The point that the important part is she was so

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Speaker 1: nervous about, you know, meeting her hero like meeting somebody who,

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Speaker 1: and so got me thinking about the times when I've

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Speaker 1: I think I've brought most of them up on the

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Speaker 1: show that I've lost the ability to speak when meeting somebody.

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Speaker 1: Stacy Keenan, right, yes, right, Uh, I'm and Richard Dreyfus

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Speaker 1: for you, Daniel for me.

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Speaker 2: I had to I wanted to.

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Speaker 1: Know, have you guys, Okay, let me put it this way,

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Speaker 1: have you had an awkward encounter with somebody that you

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Speaker 1: just because you were such a huge fan, or is

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Speaker 1: there somebody who you know you would be awful if

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Speaker 1: you actually ever met them, like you would just lose

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Speaker 1: the ability to speak or have a horrible time.

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Speaker 5: Definitely.

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Speaker 3: First of all, the way you started this conversation for me,

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Speaker 3: you might as well have said, hey, my friend Race,

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Speaker 3: you know my friend met Ray Shrewsbury, director of Tingle House,

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Speaker 3: Like I didn't know anything of the Pingle House or

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Speaker 3: whatever you're talking about nominated and that meant.

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Speaker 4: You need wait, well you've heard writer and I talk

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Speaker 4: about Aftersun.

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Speaker 2: It's the movie that then when writer told me, oh,

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Speaker 2: you guys cried for like a Yes, we cried for

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Speaker 2: like a week after it. And by the way, it

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Speaker 2: was so funny.

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Speaker 5: The best felt the same thing with him.

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Speaker 4: You know, I don't see a lot of movies, and

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Speaker 4: when when I do, it's because Jensen has usually very

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Speaker 4: like He's very good at curating what he thinks I'm

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Speaker 4: gonna like. And as you know, I think I've talked

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Speaker 4: about it. I can tell whether or not I'm going

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Speaker 4: a movie is going to be good by one just

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Speaker 4: the billboard, the photo they pick. I can tell you

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Speaker 4: whether or not it's a good movie.

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Speaker 5: You are literally judging a book by its cover.

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Speaker 2: I like it, and I'm great at it.

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Speaker 4: There was one time he said to me this He's

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Speaker 4: He's like, we're gonna go see this movie. It has

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Speaker 4: like ninety seven percent on Rotten Tomatoes. Everyone loves it.

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Speaker 4: A friend of ours is someone we like, not a

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Speaker 4: friend adjacent is in it. I think it's gonna be

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Speaker 4: I think you're going to love it. And we got

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Speaker 4: there and in the first five minutes I said, this

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Speaker 4: movie is going to be horrible, and he was like, no,

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Speaker 4: it's not. I promise you it's not. And it was horrible.

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Speaker 4: We ended up having a great time in it. I

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Speaker 4: don't remember the name of it.

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Speaker 2: Because I don't remember a single thing about the movie.

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Speaker 2: It was called.

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Speaker 1: Searching, Searching, Looking, Finding, Finding. You're the one where the

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Speaker 1: guy lost his daughter.

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Speaker 2: Familiar Johnson said, yes, yes, yes, it's all. That's a

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Speaker 2: great little movie. How could you do that?

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Speaker 4: We had a great We had a great time in

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Speaker 4: the movie, but it was because the whole theater was

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Speaker 4: kind of like laughing with it and pointing out problems

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Speaker 4: and being like.

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Speaker 2: What what is it?

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Speaker 4: So we ended up enjoying the movie going experience, but

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Speaker 4: didn't love the movie anyway.

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Speaker 2: How did we gets on that topic?

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Speaker 5: Oh, the celebrities, But I mean mine again, my super

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Speaker 5: easy Alan.

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Speaker 2: You never met him. If you did, you would fall apart.

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Speaker 5: Right, Michael J. Fox.

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Speaker 3: I've now met a couple of times, but I still

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Speaker 3: would probably be a little bit tongue tied. And I

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Speaker 3: was that way with buzz Aldrin when I when I'm

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Speaker 3: when I met buzz Aldron.

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Speaker 5: Like, there's twelve people in the history of the world,

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Speaker 5: did you walk?

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Speaker 3: I met buzz Aldrin at a Disney event because he

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Speaker 3: was the inspiration for buzz light Year, so he was

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Speaker 3: there at one thing. And I've only asked for autographs

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Speaker 3: from two people in my entire life, and one was

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Speaker 3: buzz Aldrin, the other was Tony Hawk. Tony Hawk signed

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Speaker 3: my my Tony Hawk CD, my game Tony Hawk.

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Speaker 1: I never would have guessed that.

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Speaker 5: Yeah, I was a huge.

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Speaker 3: Fan of Tony Hawk video all the time, so I

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Speaker 3: brought my video game and then I got to One

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Speaker 3: of the coolest things was I then did Tony Hawk

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Speaker 3: American Wasteland. I was the voice of the quote unquote

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Speaker 3: you care so everybody who could build the character to

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Speaker 3: look like how they wanted it.

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Speaker 5: Was it was my voice.

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Speaker 2: That's so cool.

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Speaker 3: When I finished, the guy who was coordinate and said,

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Speaker 3: do you realize you're literally the only person in the

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Speaker 3: world that can make the avatar look like you?

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Speaker 5: And it's you're you're playing the Tony Hawks.

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Speaker 3: So it was it was very very cool. So that

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Speaker 3: those are my answers that that, yeah, that's who I would.

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Speaker 2: Have you ever seen the video of buzz Aldron punching

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Speaker 2: that guy?

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Speaker 5: Great, great video, awesome have you seen I'm just not

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Speaker 5: taking it. It's like, I'm not even gonna discuss this

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Speaker 5: with you.

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Speaker 2: So this moon moon landing conspiracy theorist approaches buzz Aldront

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Speaker 2: and just.

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Speaker 1: Like, admit it, you didn't go to the moon. But

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Speaker 1: like what he like harasses the poor guy.

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Speaker 2: Buzz al is old, yeah, very nice guy.

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Speaker 1: And like you could see him like trying to avoid

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Speaker 1: this guy, and this guy is like cracking him down,

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Speaker 1: following him through a hotel lobby and then buzz altered

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Speaker 1: and he just find what does he call He calls

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Speaker 1: him a coward. That's what he calls balls a buzz

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Speaker 1: Aldron a coward and buzz Aldrin boom right in the mouth.

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Speaker 1: Is it's so a deense You're like, oh god, you're

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Speaker 1: like this seventy five year old dude just took this

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Speaker 1: other guy out.

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Speaker 2: It was great.

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Speaker 4: Not not not actors or directors. Musicians I have, Like

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Speaker 4: I have some musicians that that I would you know,

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Speaker 4: you guys know.

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Speaker 5: These musicians I would, I would know the names?

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Speaker 2: Will what you would? You would?

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Speaker 4: Because most of them are hip hop artists and you're

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Speaker 4: a big hip hop guy hip hop I know. I

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Speaker 4: mean you did name at least four of the Wu

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Speaker 4: Tang members and.

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Speaker 2: I was impressed with you most of the klan you had.

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Speaker 4: But yeah, so like I did meet doctor Dre once

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Speaker 4: and that was doctor I know that was that was

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Speaker 4: really cool. I still have not met Lil Wayne, and

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Speaker 4: I love Wayne. I would probably I don't know that

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Speaker 4: I would be speechless, but it would be like it

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Speaker 4: would be one of those moments where I would regularly

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Speaker 4: have to remind myself, like this is actually happening right now?

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Speaker 2: Is there? I'm sorry, is there just a Wayne?

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Speaker 1: No, they're all litl Okay. I was curious if there's

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Speaker 1: a big or just a regular size.

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Speaker 3: Wayne, and then there's a littl Wayne, like Wayne Junior,

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Speaker 3: without there being a Wayne.

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Speaker 2: Big Wayne, mid Wayne, Lil Wayne.

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Speaker 5: Okay, go Ja.

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Speaker 2: Tara just said you went home early in Vegas and

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Speaker 2: missed Wayne. Yeah, because I need my sleep.

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Speaker 5: That's what's more important.

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Speaker 4: I mean, I think basically based on knowing that about me,

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Speaker 4: you understand that not really, there aren't really too many

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Speaker 4: people I would go out of my way.

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Speaker 5: You're speechless with your pillow every night. That's what you love. Yes,

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Speaker 5: totally speechless love it.

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Speaker 2: Welcome to Pod meets World. I'm Danielle Fischel.

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Speaker 5: I'm right or Strong, and I'm Wilfordell. Here is a

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Speaker 5: big Pod Meets World tour announcement.

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Speaker 4: The three shows that we had to postpone at the

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Speaker 4: end of last year because one of us caught COVID rude, they.

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Speaker 1: Have brand new dates. We are so high to be

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Speaker 1: making good on these shows and coming to say hello

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Speaker 1: to you listeners.

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Speaker 4: And really thank you for being so patient while we

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Speaker 4: work this out.

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Speaker 5: So we will be in Durham, North Carolina at the

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Speaker 5: Carolina Theater on June nineteenth.

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Speaker 1: Then Atlanta at the Tabernacle on June twentieth.

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Speaker 4: And finally in the Big Easy, New Orleans on Friday night,

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Speaker 4: June twenty first, at the Civic Theater, which is our

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Speaker 4: most intimate venue yet.

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Speaker 3: If you have tickets from old dates, those will work

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Speaker 3: to get you in, and if you have any issues,

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Speaker 3: please do contact the venue and they will work it out.

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Speaker 1: And tickets including VIP meet and greets, are still available

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Speaker 1: for all three of these dates, so go to Podmeetsworldshow

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Speaker 1: dot com to purchase.

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Speaker 4: Durham on June nineteenth, Atlanta on June twentieth, and New

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Speaker 4: Orleans on June twenty first.

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Speaker 5: Podmeetsworld Show dot com for tickets and we'll see you there,

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Speaker 5: hopefully in costu.

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Speaker 6: So.

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Speaker 4: Today's recap is season four, episode nine, sixteen Candles and

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Speaker 4: four hundred pound Men. It originally aired November fifteenth, nineteen

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Speaker 4: ninety six. The synopsis is that Corey and Shawn try

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Speaker 4: to help Frankie with his father's wrestling match while also

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Speaker 4: simultaneously attending to Pega's sixteenth birthday party. It was directed

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Speaker 4: by Jeff McCracken. It was written by Matthew Nelson, which

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Speaker 4: is shocking to me that this was not a Mark

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Speaker 4: Bluman script.

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Speaker 3: Yeah, it sounds like one that he probably pitched, because

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Speaker 3: I think the reason this happened is because he was

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Speaker 3: really good friends with somebody. But Blutman, Yeah, really good

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Speaker 3: friends with somebody at the WWA.

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Speaker 1: Usually all the wrestling stuff as butt mean, Yes, that's interesting.

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Speaker 2: You're right, it was like Matt Nelson. This is kind

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Speaker 2: of a.

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Speaker 1: Departure for Yeah, it also kind of doesn't feel like

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Speaker 1: of Matt Nelson.

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Speaker 2: That's what I'm saying.

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Speaker 4: Yeah, it was, but you're right, I met it was

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Speaker 4: a I think this year Mark Bluman and Buskang were

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Speaker 4: kind of helping to run the broom and so it's

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Speaker 4: possible they pitched this idea and gate and it ended

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Speaker 4: up being a Matt Nelson script.

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Speaker 1: Well, considering they wrote like fifteen scripts and C two

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Speaker 1: three three, Like, yeah, they were writing so much. I

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Speaker 1: have a feeling, you know, and I also remember, like

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Speaker 1: you know, everybody, especially because it wasn't their show, right

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Speaker 1: boy Me Towards wasn't their show, They were probably looking

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Speaker 1: for other jobs, you know, like everybody always had one

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Speaker 1: foot out the door of like how long is this

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Speaker 1: show gonna last? Can I use this to get, you know,

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Speaker 1: another gig, And they probably wanted to create.

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Speaker 2: Their own shows, which you know they went on to do.

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Speaker 2: Were they helping on any of Michael's other shows?

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Speaker 5: I know he would bring people to other stuff. Did they?

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Speaker 1: I don't think Bluman and bus Gang were no, because

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Speaker 1: I know Sherman went to do You Wish? Yeah, but

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Speaker 1: I think Bludman and bus Gang were no. I feel

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Speaker 1: like and I feel like Mark talked about this, like

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Speaker 1: wanting to do more grown up shows like feeling pigeonholed

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Speaker 1: and kids television at the time and how now he

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Speaker 1: thinks that that's kind of ridiculous, but at the time

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Speaker 1: he felt the desire, So I think he and bus

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Speaker 1: Gang were trying to get onto like adult shows.

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Speaker 4: Yeah, that would make sense. So a guest stars Ethan

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Speaker 4: Supper returning is Frankie Stachino. Leon White aka Big Bad

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Speaker 4: Vader is back as Frankie Stacchino Senior. E j De

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Speaker 4: Lapagna is also back as Little Hermann Stacchino, and the

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Speaker 4: legendary Jake Roberts plays himself. He was WWF superstar Jake

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Speaker 4: the Snake Roberts, who after years of personal struggles and battles,

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Speaker 4: is back in wrestling at all Elite.

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Speaker 2: Wrestling as a manager.

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Speaker 5: That's cool.

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Speaker 4: And then WWF producer and writer Bruce Pritchard appears as

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Speaker 4: brother Love and announcer. He is still at the now

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Speaker 4: named WWE as a head executive in creative.

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Speaker 5: That might be Blutman's friend.

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Speaker 2: Yes it is.

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Speaker 5: Bruce.

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Speaker 4: Pritchard and Mark know each other very well, okay, And

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Speaker 4: he's Bruce's a great guy from everything I've heard, people

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Speaker 4: really like him.

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Speaker 2: And Earl Hebner is the referee.

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Speaker 4: He's the most legendary of WWE referees from the eighties

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Speaker 4: and nineties and he is now retired.

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Speaker 2: So what were your all overall thoughts on the episode.

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Speaker 5: Do you want me to start?

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Speaker 2: Sure?

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Speaker 3: This was an interesting episode for me because it was

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Speaker 3: really fun to sit back and watch one that I.

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Speaker 1: Wasn't in because I got it in a single scene. No, no,

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Speaker 1: they we weren't in this episode.

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Speaker 3: The family had nothing to do with the episode, so

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Speaker 3: it was fun to sit back and just kind of

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Speaker 3: let it wash over me.

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Speaker 5: I obviously wasn't there, so I have no memories of

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Speaker 5: the week. I just got to watch the off. Yeah Michael,

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Speaker 5: Oh no, I know I did, because.

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Speaker 3: This this happened four or five times maybe, and Michael

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Speaker 3: would always come over to me and go, hey, come here,

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Speaker 3: come here.

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Speaker 5: We wrote the script next week, You're not in it.

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Speaker 5: You got a vacation. See it two weeks and I go, oh, okay,

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Speaker 5: and now and that was it. I'd see you in

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Speaker 5: two weeks.

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Speaker 1: Wow. So it was fun. And again it's absurd. Yeah,

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Speaker 1: it doesn't make a whole lot of sense, but it

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Speaker 1: was really nice to see Corey driving the story again.

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Speaker 3: Uh you know, Danielle, you're adorable and your sweet sixteen

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Speaker 3: outfit and everything going.

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Speaker 2: So it was I had fun again.

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Speaker 3: I think I was so able to dissect myself from

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Speaker 3: the episode because I wasn't in it that. I was

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Speaker 3: just watching a wacky nineties episode of TV that I'm

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Speaker 3: not sure I've ever seen before.

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Speaker 2: Don't you kind of wish Eric was in it?

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Speaker 1: Though, No, I think it was Eric.

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Speaker 2: I don't know.

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Speaker 1: I think it was just I think it was I

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Speaker 1: think again, they're they're rotating the Matthews.

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Speaker 3: Living room now with everybody else's living room, so we

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Speaker 3: get Sean's living room and now we're getting Vader's living room.

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Speaker 3: So it's you know, I get what they're doing, and

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Speaker 3: I'm now.

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Speaker 5: Just allowing it to happen. You know, it's like wash

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Speaker 5: over me, crazy wrestling thing.

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Speaker 3: I'm gonna forget all the stuff that doesn't make any sense,

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Speaker 3: and I just sit there and kind of watch you

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Speaker 3: guys play. And I also know all the stories that

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Speaker 3: you've told me about how crazy it was, so I'm

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Speaker 3: like pointing things out to Sue as or watch like oh,

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Speaker 3: they were all yelling like yeah, So.

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Speaker 5: That was fun for me.

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Speaker 1: So yeah, I mean it was an enjoyable twenty two

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Speaker 1: minutes writer. Not for me, Yeah enough for me. I mean,

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Speaker 1: you know, I think similar to to Disney World, it's

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Speaker 1: it's larger than life, right. It has this quality about

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Speaker 1: it that makes it super memorable, like the fact that

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Speaker 1: we're wrestling in the ring, the like I think the

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Speaker 1: Flintstones thing is funny like that.

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Speaker 2: I love it.

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Speaker 1: Scene, but I guess I guess, like especially coming off

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Speaker 1: of the absurdity of the.

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Speaker 2: Like the what was the hospital episode? A couple episodes

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Speaker 2: backed out in the hospital there was.

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Speaker 1: Something just genuinely funny, like in Beat for Beat in

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Speaker 1: that one that was like, even though it's absurd, I'm laughing,

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Speaker 1: this one just wasn't super funny, and it also didn't

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Speaker 1: have like it kept trying for heart, but it didn't

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Speaker 1: quite land for me, like between Vader and his son,

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Speaker 1: like I was like, oh, yeah, I see where this

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Speaker 1: is going and and I guess it kind of wraps

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Speaker 1: it up.

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Speaker 2: But it didn't.

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Speaker 1: I don't know, none, none of the actual like scenes

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Speaker 1: landed for me. So it ends up being like a

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Speaker 1: whole big set piece episode, which yes, is a big

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Speaker 1: set beast episode, and we can forgive it all its things,

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Speaker 1: but actually I'm like, no, I think they could have

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Speaker 1: used a rewrite and a little more I could have

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Speaker 1: been better, Like I don't know, there's just could have

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Speaker 1: been some stuff going on, like it just it was

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Speaker 1: kind of me for me. So it's a little bit

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Speaker 1: of a bummer because I know, I'm sure people there

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Speaker 1: are some people for whom this is their favorite episode,

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Speaker 1: but I think it's just like the Disney World episode.

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Speaker 1: It's mostly because of the set piece, like it's so

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Speaker 1: great and like you know, the idea of like Corey

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Speaker 1: and Tapanga dancing in the ring, like.

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Speaker 2: That's so cool.

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Speaker 1: But when I actually watched that scene, especially the tag,

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Speaker 1: I'm like, ugh, something's awkward, something's off. It's not landing

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Speaker 1: for me. So unfortunately, no, I'm a no on this episode.

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Speaker 4: That's a no for me dog as a as a

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Speaker 4: wrestling fan and as somebody who has you know, participated

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Speaker 4: in wrestling events and all that stuff. I see why

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00:15:53,360 --> 00:15:57,400
Speaker 4: this episode lands and really resonates with people who are

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Speaker 4: also wrestling fans, because, like you said, the set piece

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00:16:01,320 --> 00:16:06,000
Speaker 4: of it all is so incredible, and to see Corey

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00:16:06,080 --> 00:16:11,760
Speaker 4: and Sean and Frankie in a real arena and to

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Speaker 4: see the real fans the kind of background you could

364
00:16:15,600 --> 00:16:18,480
Speaker 4: never pay for. It would never look like that, no

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00:16:18,480 --> 00:16:20,680
Speaker 4: matter if it were, if it had been done to

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Speaker 4: try and look real. It never would have looked like that,

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00:16:23,880 --> 00:16:26,720
Speaker 4: so to see it really happening. And the fact that

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00:16:26,760 --> 00:16:30,400
Speaker 4: we used some WWF footage like that opening shot is

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00:16:30,400 --> 00:16:33,440
Speaker 4: like their cameras, not even our footage, So like that's

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Speaker 4: all crazy and super cool. As far as it being

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Speaker 4: an episode of boy Meet's World. For me, exactly what

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Speaker 4: you said was missing is the actual heart we have

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Speaker 4: to fall into very quickly, the conceit that Frankie's in

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Speaker 4: love with his dad and his dad doesn't really love him,

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Speaker 4: and we have to care about that very much, even

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Speaker 4: though we just learned it.

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Speaker 2: And to be honest, in a lot.

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00:16:57,760 --> 00:17:00,920
Speaker 4: Of ways, Frankie's dad is very open and recce to things.

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00:17:00,960 --> 00:17:03,800
Speaker 4: Frankie says right off the bat, and don't I don't

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Speaker 4: really see I don't really feel.

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Speaker 2: Like I don't know anyway. I didn't really buy that

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Speaker 2: a whole lot.

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Speaker 4: And then Corey doesn't really care too much about Tapanga

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Speaker 4: Sweet sixteen. He doesn't care about being there, he doesn't

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00:17:15,040 --> 00:17:17,720
Speaker 4: care really about the dance. He does only because he

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Speaker 4: knows it's important to her, and even then he's trying

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Speaker 4: to find other ways to fit other It's just what

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00:17:24,400 --> 00:17:27,160
Speaker 4: was missing in that last scene is a real sense

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Speaker 4: of oh man, that's so sweet.

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Speaker 2: I didn't feel that way. I just felt right all right.

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Speaker 2: Had she had the I guess the guy.

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Speaker 3: Only caring because the girl cares is a very real

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Speaker 3: thing that happens all where.

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Speaker 5: It's just like, I don't care about this at all,

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Speaker 5: but it's important to.

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Speaker 2: Her, right.

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Speaker 1: But what would have been nice is if it does

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Speaker 1: end up meaning something for Corey, right, like all of it. Yeah,

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00:17:48,960 --> 00:17:52,119
Speaker 1: because even just hearing you give that synopsis, I was thinking, like, wow,

400
00:17:52,320 --> 00:17:56,120
Speaker 1: Vader never like he never adjusts his approach to his son.

401
00:17:56,520 --> 00:17:58,400
Speaker 1: He just his Frankie just gives him what he wants.

402
00:17:58,480 --> 00:18:01,080
Speaker 1: Frankie cares about wrestling, and he doesn't, like ever care

403
00:18:01,119 --> 00:18:02,600
Speaker 1: about poetry or regrets.

404
00:18:03,240 --> 00:18:03,440
Speaker 5: Arent.

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00:18:03,800 --> 00:18:08,560
Speaker 4: We know it's your job as a parent, period to

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00:18:08,840 --> 00:18:10,879
Speaker 4: try and connect to your children about the things that

407
00:18:10,960 --> 00:18:14,040
Speaker 4: interest them. It is never their job to connect with

408
00:18:14,160 --> 00:18:16,159
Speaker 4: you about the things that mean something to you.

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Speaker 2: And that would have been a nice little twist if

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00:18:18,560 --> 00:18:19,800
Speaker 2: he was like I don't care about you.

411
00:18:19,760 --> 00:18:23,840
Speaker 4: Know, or if somehow something from poetry helps give his dad.

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Speaker 1: That's what I kept waiting for.

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00:18:25,600 --> 00:18:27,640
Speaker 4: I kept waiting for there to be something that Dad

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00:18:27,680 --> 00:18:29,680
Speaker 4: the reason I did. This is because of a poem

415
00:18:29,720 --> 00:18:31,240
Speaker 4: that I learned, something I learned in a b.

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00:18:33,119 --> 00:18:36,080
Speaker 1: At the side of the he had just recited a

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Speaker 1: poem or to inspire his dad or said something and

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Speaker 1: his dad said, that was so poetic.

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Speaker 2: I'm going to go win now. And it doesn't. I

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00:18:42,600 --> 00:18:43,600
Speaker 2: was like waiting for the line.

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00:18:44,560 --> 00:18:46,640
Speaker 5: You're waiting for the rage against the dying of the light.

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00:18:47,119 --> 00:18:48,440
Speaker 2: Yes, yes, exactly.

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00:18:48,640 --> 00:18:48,840
Speaker 5: Yeah.

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00:18:49,160 --> 00:18:50,800
Speaker 2: I mean the episode opened with a poem.

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00:18:50,840 --> 00:18:52,960
Speaker 1: You kind of think it's going to come back around,

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00:18:53,160 --> 00:18:56,320
Speaker 1: but yeah.

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00:18:54,920 --> 00:18:56,959
Speaker 4: All right, well there you go. So jumping into our recap,

428
00:18:56,960 --> 00:18:59,200
Speaker 4: he start in Turner's classroom. Corey's at the front of

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Speaker 4: the class, passionately reading poetry.

430
00:19:01,560 --> 00:19:05,159
Speaker 2: Do you guys, is this a poem that Corey wrote? No,

431
00:19:05,200 --> 00:19:06,680
Speaker 2: he's reading from a book. What is he read? I

432
00:19:06,680 --> 00:19:08,800
Speaker 2: actually didn't. We didn't look it up. No, I don't

433
00:19:08,840 --> 00:19:10,600
Speaker 2: know what it is and it made me It made

434
00:19:10,600 --> 00:19:13,520
Speaker 2: me f but I didn't know.

435
00:19:14,040 --> 00:19:15,480
Speaker 4: I don't know what it is, and they don't mention it.

436
00:19:15,560 --> 00:19:17,200
Speaker 4: And it's not on the boat board. It just says

437
00:19:17,400 --> 00:19:21,360
Speaker 4: like on the back like poetry reading and poetry, poetry

438
00:19:21,359 --> 00:19:25,280
Speaker 4: reading poetry And you guys noticed hair, Oh yeah, fresh

439
00:19:25,320 --> 00:19:27,240
Speaker 4: new haircut rest the bullet.

440
00:19:27,480 --> 00:19:29,560
Speaker 2: Yeah, remember, because he had to go get another draft.

441
00:19:29,600 --> 00:19:31,520
Speaker 3: He was go getting other jobs and trying to audition,

442
00:19:31,600 --> 00:19:33,040
Speaker 3: so he had to cut off all his hair. Yeah,

443
00:19:33,160 --> 00:19:34,520
Speaker 3: that's the first thing I saw, and I noticed that. It

444
00:19:34,560 --> 00:19:36,440
Speaker 3: was like, oh, that's right. Now, Tony knows he wasn't

445
00:19:36,440 --> 00:19:36,800
Speaker 3: part of the.

446
00:19:36,720 --> 00:19:41,760
Speaker 4: Show exactly, so sad so uh. Mister Turner applauds Corey's

447
00:19:41,800 --> 00:19:43,800
Speaker 4: reading and then yells over to Sean, and it's revealed

448
00:19:43,800 --> 00:19:46,000
Speaker 4: that he's splayed across two desks.

449
00:19:45,600 --> 00:19:46,320
Speaker 2: Fast asleep.

450
00:19:46,640 --> 00:19:48,480
Speaker 4: Turner tries to wake him up, and Sean responds, I

451
00:19:48,480 --> 00:19:51,000
Speaker 4: don't want to go to school, daddy, Corey's reading poetry.

452
00:19:51,160 --> 00:19:53,199
Speaker 4: Turner yells back, you get your butt out of that

453
00:19:53,200 --> 00:19:55,800
Speaker 4: bed and get to class. Sean springs up and walks

454
00:19:55,800 --> 00:19:58,520
Speaker 4: out of the classroom. Frankie says he found himself very

455
00:19:58,560 --> 00:20:01,000
Speaker 4: moved by Corey's piece, and Corey he returns the compliment

456
00:20:01,040 --> 00:20:04,640
Speaker 4: with a little salute and a hey. Frankie continues, Sometimes

457
00:20:04,640 --> 00:20:06,520
Speaker 4: we love, and though it seems the object of our

458
00:20:06,520 --> 00:20:09,080
Speaker 4: love is within reach, it does not reciprocate, and so

459
00:20:09,240 --> 00:20:12,400
Speaker 4: we must keep reaching. Corey is shocked, it's not about

460
00:20:12,400 --> 00:20:15,000
Speaker 4: a doggy. The Pega puts her finger on Corey's mouth

461
00:20:15,040 --> 00:20:15,760
Speaker 4: to shush him.

462
00:20:15,960 --> 00:20:18,480
Speaker 2: Honey, don't speak, Okay, so hold on.

463
00:20:18,520 --> 00:20:20,320
Speaker 1: First of all, I was like, why is Frankie in

464
00:20:20,320 --> 00:20:20,960
Speaker 1: class with him?

465
00:20:21,520 --> 00:20:23,800
Speaker 5: That made no sense. He's been thirteen years.

466
00:20:24,280 --> 00:20:26,560
Speaker 2: All of a sudden, Eric is graduated.

467
00:20:27,119 --> 00:20:32,000
Speaker 1: Yes, and it's just poetry class, Like when I think

468
00:20:32,040 --> 00:20:36,480
Speaker 1: it's English and they're doing poetry reads in English. Frankie

469
00:20:36,560 --> 00:20:38,760
Speaker 1: is like three grades ahead of them at least.

470
00:20:39,359 --> 00:20:41,080
Speaker 3: But I think maybe they're alluding to the fact that

471
00:20:41,119 --> 00:20:43,800
Speaker 3: he's not that he's been a junior for six years

472
00:20:43,880 --> 00:20:46,840
Speaker 3: kind of thing, right, everybody else, even Harley, Well he

473
00:20:46,840 --> 00:20:50,879
Speaker 3: flunked out, but Joey's gone, so.

474
00:20:50,720 --> 00:20:53,080
Speaker 2: He went to the reform school or whatever. Right, Yeah,

475
00:20:53,160 --> 00:20:55,400
Speaker 2: so yeah, to set this.

476
00:20:55,400 --> 00:20:57,560
Speaker 1: Up, it's like you know, and of course Sean being

477
00:20:57,600 --> 00:20:59,560
Speaker 1: like anti poetry and like over it.

478
00:20:59,600 --> 00:21:01,040
Speaker 2: I was like, come on, this is.

479
00:21:01,040 --> 00:21:01,720
Speaker 1: Gonna be a thing.

480
00:21:01,760 --> 00:21:03,800
Speaker 2: Why are we? Yeah, our show.

481
00:21:03,680 --> 00:21:09,320
Speaker 4: Was very Yeah, the continuity in this area, but especially

482
00:21:09,320 --> 00:21:12,280
Speaker 4: it's especially annoying with character continuity.

483
00:21:12,440 --> 00:21:14,200
Speaker 1: Well, but here's the irony for me is that there's

484
00:21:14,359 --> 00:21:17,560
Speaker 1: there's continuity in the fact that like poetry keeps coming up,

485
00:21:17,800 --> 00:21:21,000
Speaker 1: like there's like there's like clearly our writers liked the

486
00:21:21,080 --> 00:21:24,760
Speaker 1: issue of poetry, and it's like, okay, cool, And we've

487
00:21:24,920 --> 00:21:27,879
Speaker 1: used Frankie and the issue of poetry to be a

488
00:21:28,000 --> 00:21:31,960
Speaker 1: thing before, and Sean and poetry is a thing, like

489
00:21:32,000 --> 00:21:35,199
Speaker 1: we've had multiple references to do. So if you're going

490
00:21:35,320 --> 00:21:38,040
Speaker 1: to keep bringing up, at least reference the fact that

491
00:21:38,080 --> 00:21:40,440
Speaker 1: you've done this before, that you've talked I mean, this

492
00:21:40,480 --> 00:21:42,600
Speaker 1: whole setup. I'm so glad it turns out to be

493
00:21:42,680 --> 00:21:44,879
Speaker 1: his dad, but this whole setup, I was like, we

494
00:21:45,080 --> 00:21:46,840
Speaker 1: did this, we did this, I know, like the whole

495
00:21:47,680 --> 00:21:51,800
Speaker 1: of Frankie to a girl thing is two seasons ago,

496
00:21:51,880 --> 00:21:54,399
Speaker 1: Like why are we doing this again? And so you know,

497
00:21:54,520 --> 00:21:57,840
Speaker 1: luckily it's slightly revised, But also I don't know, So

498
00:21:57,880 --> 00:21:59,760
Speaker 1: I just wanted a little bit of recognition, like, oh,

499
00:22:00,080 --> 00:22:02,440
Speaker 1: here we go again with Frankie and poetry, or here

500
00:22:02,440 --> 00:22:04,480
Speaker 1: we go again with Frankie and needing help in his

501
00:22:04,520 --> 00:22:05,840
Speaker 1: love life, any of that.

502
00:22:05,960 --> 00:22:07,440
Speaker 2: Just a little nod to the fact.

503
00:22:07,200 --> 00:22:08,960
Speaker 1: That this has happened before would have been nice.

504
00:22:09,080 --> 00:22:11,639
Speaker 2: Yeah, I agree. I agree.

505
00:22:11,720 --> 00:22:13,199
Speaker 4: I thought the exact same thing, and I have it

506
00:22:13,280 --> 00:22:15,080
Speaker 4: later in the scene where it's all revealed that they're

507
00:22:15,080 --> 00:22:15,320
Speaker 4: going to.

508
00:22:15,359 --> 00:22:18,479
Speaker 2: Do a deal. We'll help you, and you help up,

509
00:22:18,840 --> 00:22:20,520
Speaker 2: and I was like, wow, the only the.

510
00:22:20,560 --> 00:22:24,399
Speaker 4: Third time in four seasons. Huh, we can't believe it.

511
00:22:26,240 --> 00:22:30,080
Speaker 4: So Turner applauds Frankie's thoughtful response. The bell rings, prompting

512
00:22:30,080 --> 00:22:32,679
Speaker 4: everyone to leave, but Frankie stays seated. Corey walks up

513
00:22:32,680 --> 00:22:35,399
Speaker 4: and asks why the sad puss so king of poetry?

514
00:22:35,640 --> 00:22:38,320
Speaker 4: Frankie begins, so at least they referenced he's the king

515
00:22:38,359 --> 00:22:42,040
Speaker 4: of poetry. Okay, they've acknowledged that. Frankie begins, I'm afraid

516
00:22:42,080 --> 00:22:46,080
Speaker 4: the poem you so eloquently read. Cory salutes again. Hey, Hey,

517
00:22:46,880 --> 00:22:48,359
Speaker 4: the poem hits too close.

518
00:22:48,080 --> 00:22:49,080
Speaker 2: To home for Frankie.

519
00:22:49,160 --> 00:22:52,960
Speaker 4: Corey excitedly asks Francis Albert I was gonna say, Alberto.

520
00:22:53,040 --> 00:22:54,640
Speaker 4: I don't know why I was gonna say that. Francis

521
00:22:54,680 --> 00:22:58,760
Speaker 4: Albert s Tacchino. Have you been struck by Kilberto? Suddenly

522
00:22:58,920 --> 00:23:06,000
Speaker 4: I would have actually been really, have you been struck

523
00:23:06,040 --> 00:23:06,520
Speaker 4: by Cupid?

524
00:23:06,640 --> 00:23:06,880
Speaker 2: Zero?

525
00:23:07,160 --> 00:23:10,280
Speaker 4: Frankie says, alas, there are deep and turbulent waters within

526
00:23:10,320 --> 00:23:13,040
Speaker 4: my soul. Sean then walks into the classroom wearing his

527
00:23:13,160 --> 00:23:16,400
Speaker 4: Sean Hart shirt. Get You Now at Pod Meets Worldshow Dot.

528
00:23:16,160 --> 00:23:18,879
Speaker 1: Com and a bunch of bracelets.

529
00:23:18,960 --> 00:23:22,040
Speaker 4: Oh yeah, you're you were the originator of the Taylor

530
00:23:22,080 --> 00:23:23,040
Speaker 4: Swift friendship bracelet.

531
00:23:23,200 --> 00:23:25,440
Speaker 1: I guess I'm wearing it. I mean, but I also

532
00:23:25,440 --> 00:23:27,320
Speaker 1: have like a watch on I don't. I was freeze,

533
00:23:27,320 --> 00:23:29,120
Speaker 1: fram was like, what is that I'm wearing? I've never

534
00:23:29,119 --> 00:23:33,879
Speaker 1: seen this before and wearing amazing. I definitely I thought

535
00:23:34,200 --> 00:23:36,359
Speaker 1: first season I wore a friendship bracelet, a bunch that

536
00:23:36,440 --> 00:23:39,399
Speaker 1: somebody had made me. But like, Yeaharon Ryder, we are.

537
00:23:39,280 --> 00:23:41,240
Speaker 5: Never ever ever getting back together.

538
00:23:41,480 --> 00:23:46,880
Speaker 4: Oh wow, throw Swift. That's a Taylor Swift lyric. Right, writers,

539
00:23:47,000 --> 00:23:51,120
Speaker 4: very musical, musical savvy. But but no, but only only

540
00:23:51,119 --> 00:23:51,879
Speaker 4: about a very.

541
00:23:51,840 --> 00:23:56,439
Speaker 5: Very narrow Yes, he knows everything about nine people.

542
00:23:56,480 --> 00:23:58,280
Speaker 4: I thought of you the other day when I looked

543
00:23:58,320 --> 00:24:01,400
Speaker 4: up Bob Bob Dylan lyrics and reading them.

544
00:24:01,480 --> 00:24:06,760
Speaker 2: I hate you so much they love We're in the car.

545
00:24:06,920 --> 00:24:09,200
Speaker 1: She's like, there's nobody I hate more than.

546
00:24:11,960 --> 00:24:14,800
Speaker 2: Dylan can make me gag.

547
00:24:17,280 --> 00:24:26,359
Speaker 1: Yeah, it's not, it's.

548
00:24:26,400 --> 00:24:28,000
Speaker 5: I mean, the lyrics are the best writer.

549
00:24:28,160 --> 00:24:30,240
Speaker 1: The voices the voice of unbelievable.

550
00:24:30,359 --> 00:24:31,440
Speaker 2: You guys have no idea.

551
00:24:32,400 --> 00:24:36,080
Speaker 5: You can't believe that voices that you can't believe the voice.

552
00:24:36,119 --> 00:24:38,760
Speaker 1: It is unlis why it's been imitated time and time

553
00:24:38,800 --> 00:24:39,680
Speaker 1: again everybody.

554
00:24:39,680 --> 00:24:42,560
Speaker 2: It's like he changed the course. You can't.

555
00:24:43,000 --> 00:24:45,840
Speaker 1: Yes, he's an incredible vocal stylist.

556
00:24:45,920 --> 00:24:48,560
Speaker 2: You cannot not. No, no, I'm not gonna call him

557
00:24:48,560 --> 00:24:49,840
Speaker 2: a vocal stylist.

558
00:24:50,080 --> 00:24:53,840
Speaker 1: That is. That's what being a singer is. If you

559
00:24:53,920 --> 00:24:56,520
Speaker 1: have a voice, you sing, you emote, you find an

560
00:24:56,560 --> 00:25:00,240
Speaker 1: expressive like lane for your voice. Nobody does that better

561
00:25:00,280 --> 00:25:03,560
Speaker 1: than him, Like he naturally he doesn't have like some

562
00:25:03,760 --> 00:25:07,960
Speaker 1: gifted beautiful instrument, but what he does with his voice, nobody,

563
00:25:08,040 --> 00:25:10,320
Speaker 1: I mean like that is undeniably like one of the

564
00:25:10,359 --> 00:25:13,199
Speaker 1: greatest styles of American music.

565
00:25:13,280 --> 00:25:15,040
Speaker 2: Like I can't know think about it.

566
00:25:15,080 --> 00:25:17,760
Speaker 1: Nobody in rock and roll post Dylan hasn't made reference

567
00:25:17,800 --> 00:25:20,480
Speaker 1: to Dylan with their voice Like it's just he's the vocalist.

568
00:25:21,480 --> 00:25:23,200
Speaker 5: Yes, all right, So.

569
00:25:25,840 --> 00:25:27,560
Speaker 2: I love some of the lyrics. Love him just for

570
00:25:27,600 --> 00:25:30,320
Speaker 2: what it's worth. Read him as a poetry book, truly incredible.

571
00:25:31,040 --> 00:25:31,760
Speaker 7: Don't ever want to hear.

572
00:25:32,640 --> 00:25:36,560
Speaker 1: If you actually read his poems lyrics fantast lyics great.

573
00:25:36,600 --> 00:25:41,199
Speaker 3: What about Frankie's poetry to show you?

574
00:25:41,400 --> 00:25:41,680
Speaker 7: Wow?

575
00:25:41,760 --> 00:25:42,320
Speaker 1: Wow? Wow?

576
00:25:42,400 --> 00:25:58,040
Speaker 4: Okay, So Turner compliments Frankie on doing an outstanding job

577
00:25:58,040 --> 00:25:59,800
Speaker 4: in class, asking if he can save Corey and s

578
00:26:00,040 --> 00:26:00,920
Speaker 4: On who are struggling.

579
00:26:01,160 --> 00:26:03,879
Speaker 2: This gives Corey a plan for a negotiation.

580
00:26:04,320 --> 00:26:08,520
Speaker 4: Hah, What if Frankie helps them with poetry and in

581
00:26:08,560 --> 00:26:12,320
Speaker 4: return they help him with his love situation? Never seen

582
00:26:12,320 --> 00:26:16,719
Speaker 4: this before, Frankie responds, let me consider then. Immediately one

583
00:26:16,760 --> 00:26:19,600
Speaker 4: second later says okay, Sean asks, so who's the girl

584
00:26:19,640 --> 00:26:22,800
Speaker 4: that's doing the damage. Frankie mysteriously answers, I will tell you,

585
00:26:22,840 --> 00:26:24,160
Speaker 4: but not here and not now.

586
00:26:24,480 --> 00:26:25,800
Speaker 2: And then we've.

587
00:26:25,600 --> 00:26:28,119
Speaker 4: Now officially kicked off the third time we've told this

588
00:26:28,160 --> 00:26:32,239
Speaker 4: story on Boy Meets World in three seasons, yes, season two,

589
00:26:32,960 --> 00:26:33,399
Speaker 4: No four.

590
00:26:33,359 --> 00:26:34,399
Speaker 2: Which I guess is fine.

591
00:26:34,640 --> 00:26:37,720
Speaker 1: You know, we probably just could have done it quicker

592
00:26:37,720 --> 00:26:40,399
Speaker 1: and simpler, like let's do this again, Frankie, Okay, you know.

593
00:26:40,359 --> 00:26:41,840
Speaker 2: What I mean, Like, never how well it worked out

594
00:26:41,880 --> 00:26:44,800
Speaker 2: last time, Let's do it again. Yeah, I know.

595
00:26:45,320 --> 00:26:49,159
Speaker 1: Any the poetry thing never pays off. That's like it's like,

596
00:26:49,440 --> 00:26:51,320
Speaker 1: usually when you make a deal like this in a show,

597
00:26:51,480 --> 00:26:54,200
Speaker 1: it also reflects something that's going on in Corey's life

598
00:26:54,280 --> 00:26:56,680
Speaker 1: or Shawn's life, or the poetry.

599
00:26:56,800 --> 00:26:59,280
Speaker 2: Pays off in any way. But instead it just becomes.

600
00:26:59,160 --> 00:27:01,000
Speaker 4: We never even find out if you guys get better

601
00:27:01,040 --> 00:27:01,960
Speaker 4: at your gripetry.

602
00:27:02,040 --> 00:27:02,520
Speaker 2: That's what I mean.

603
00:27:02,600 --> 00:27:04,960
Speaker 1: We were sitting with poetry books and like the other

604
00:27:05,040 --> 00:27:08,760
Speaker 1: scene and the trailer and that's it and never, yeah.

605
00:27:08,200 --> 00:27:08,520
Speaker 5: I never.

606
00:27:08,560 --> 00:27:11,240
Speaker 3: That's one thing I didn't understand is why Corey needed

607
00:27:11,240 --> 00:27:14,080
Speaker 3: the remedial poetry help, because it starts with him passionately

608
00:27:14,119 --> 00:27:17,200
Speaker 3: reading a poem and Turner going that, Matthew.

609
00:27:16,960 --> 00:27:17,760
Speaker 2: That was good. Yeah, great.

610
00:27:17,800 --> 00:27:19,720
Speaker 5: So it's like, why that I didn't get. There's a

611
00:27:19,760 --> 00:27:20,600
Speaker 5: lot that didn't make sense.

612
00:27:20,640 --> 00:27:22,160
Speaker 2: But again I wasn't in it, so I didn't care.

613
00:27:22,359 --> 00:27:24,120
Speaker 4: Let's just they're just going get to the wrestling. Get

614
00:27:24,119 --> 00:27:26,320
Speaker 4: to the wrestling, right, how quickly can we get to

615
00:27:26,320 --> 00:27:26,760
Speaker 4: the wrestling?

616
00:27:27,320 --> 00:27:28,800
Speaker 2: So then we have a new settler.

617
00:27:28,880 --> 00:27:34,200
Speaker 4: The Stacchino's trailer, there are so many trophies and wrestling belts,

618
00:27:34,280 --> 00:27:37,720
Speaker 4: pictures of Vader from Slam magazine on the wall again.

619
00:27:38,080 --> 00:27:41,800
Speaker 4: Set decoration and the detail they go into to make

620
00:27:41,840 --> 00:27:44,919
Speaker 4: it look and feel real is so great.

621
00:27:45,320 --> 00:27:47,360
Speaker 5: Trophies and lava lamps.

622
00:27:47,800 --> 00:27:51,760
Speaker 8: Oh so it's like trophies in the seventies, like Trophy

623
00:27:51,840 --> 00:27:55,280
Speaker 8: room in the seventies, apparently, because yes, yes, this this

624
00:27:55,440 --> 00:28:00,560
Speaker 8: uh set had three things in abundance, trophies, the lamps

625
00:28:00,600 --> 00:28:02,240
Speaker 8: and boom mics, which.

626
00:28:05,840 --> 00:28:07,960
Speaker 1: I only caught one like up in the upper left corner.

627
00:28:07,960 --> 00:28:08,280
Speaker 2: I think.

628
00:28:10,320 --> 00:28:12,399
Speaker 1: Time it's a next trailer stamp. Yeah it was.

629
00:28:14,240 --> 00:28:16,000
Speaker 2: That's so funny, we all noticed it.

630
00:28:16,080 --> 00:28:19,680
Speaker 4: So mister Staquino aka Leon White, also known as Vader,

631
00:28:20,160 --> 00:28:21,320
Speaker 4: barges into the trailer.

632
00:28:21,400 --> 00:28:21,960
Speaker 2: He's home.

633
00:28:22,119 --> 00:28:24,520
Speaker 4: Frankie's happy to see his dad and asks, may I

634
00:28:24,560 --> 00:28:27,040
Speaker 4: show you my most recent addition to the Norton Anthology

635
00:28:27,040 --> 00:28:30,000
Speaker 4: collection of modern poetry. We see the back of Frankie

636
00:28:30,000 --> 00:28:33,359
Speaker 4: Senior's head, which is showing off a very unusual haircut.

637
00:28:33,440 --> 00:28:34,800
Speaker 2: Did you guys notice his haircut?

638
00:28:35,600 --> 00:28:38,840
Speaker 4: The is it the it looks like yeah, it's like

639
00:28:39,240 --> 00:28:41,280
Speaker 4: like his his hair over here that looked like a

640
00:28:41,280 --> 00:28:46,920
Speaker 4: battering rams like something something, at least on one side.

641
00:28:46,920 --> 00:28:50,959
Speaker 4: It's it's very cool. It's also very unusual. He's disappointed.

642
00:28:51,000 --> 00:28:52,560
Speaker 4: You could have been somebody. You could have been a

643
00:28:52,640 --> 00:28:54,720
Speaker 4: sumo Me and your brother, Herman were at the gym

644
00:28:54,720 --> 00:28:56,400
Speaker 4: and he's going to be a wrestler like his father,

645
00:28:56,640 --> 00:28:59,720
Speaker 4: And then he does his famous Vader bark. Little Herman

646
00:28:59,760 --> 00:29:01,200
Speaker 4: return to boy meets World.

647
00:29:00,960 --> 00:29:03,120
Speaker 2: And proudly states, I will carry on the.

648
00:29:03,120 --> 00:29:07,080
Speaker 4: Stacchino wrestling tradition, although my barking must improve, and then

649
00:29:07,120 --> 00:29:11,240
Speaker 4: he lets out the cutest, most unintimidating poodle like woof, woof,

650
00:29:11,600 --> 00:29:16,240
Speaker 4: it's adorable. Frankie Senior recognizes Corey from his son's poetry class.

651
00:29:16,320 --> 00:29:17,400
Speaker 2: He's a bad influence.

652
00:29:17,600 --> 00:29:19,640
Speaker 4: He threatens, I should crush you like garlic and put

653
00:29:19,680 --> 00:29:22,320
Speaker 4: you in my spaghetti. Corey recalls that's what he said

654
00:29:22,320 --> 00:29:24,720
Speaker 4: to Psycho sid during a wrestling match before he power

655
00:29:24,760 --> 00:29:30,320
Speaker 4: bombed him through the mat, And yes, exactly, and it's

656
00:29:30,320 --> 00:29:33,720
Speaker 4: a real wrestling reference and that had to have come

657
00:29:33,760 --> 00:29:34,880
Speaker 4: directly from Mark Bluman.

658
00:29:36,720 --> 00:29:38,080
Speaker 2: It's an actual real thing.

659
00:29:38,560 --> 00:29:40,920
Speaker 1: And so does it make sense that Corey's into wrestling.

660
00:29:41,440 --> 00:29:43,959
Speaker 2: I mean, he's never talked about it before.

661
00:29:44,200 --> 00:29:46,880
Speaker 1: It also just doesn't seem like Corey does it, right,

662
00:29:47,360 --> 00:29:50,200
Speaker 1: Like Sean being into wrestling kind of makes sense that

663
00:29:50,600 --> 00:29:53,480
Speaker 1: like fits Sean's character, But like Cory.

664
00:29:53,520 --> 00:29:55,080
Speaker 2: I know, yeah, it doesn't really.

665
00:29:55,680 --> 00:29:58,040
Speaker 5: Yeah, it's weird and a lot of different wrestling fans

666
00:29:58,040 --> 00:29:59,640
Speaker 5: so you never know. I mean, wrestling is one of

667
00:29:59,680 --> 00:30:00,959
Speaker 5: those things you meet, like Danielle.

668
00:30:01,000 --> 00:30:03,040
Speaker 3: If you met Danielle on the street, you would never

669
00:30:03,080 --> 00:30:06,600
Speaker 3: think Danielle was a huge wrestling fan, right, So it's

670
00:30:06,640 --> 00:30:08,560
Speaker 3: I mean, that's kind of the thing that can be

671
00:30:08,600 --> 00:30:10,440
Speaker 3: fun about wrestling is you never know who all of

672
00:30:10,480 --> 00:30:12,480
Speaker 3: a sudden you're like, oh, Jake the snake is that.

673
00:30:12,560 --> 00:30:14,360
Speaker 5: I mean, it's like, oh, really, you're you're wrestling.

674
00:30:14,360 --> 00:30:16,320
Speaker 4: So what I think is interesting about it is more

675
00:30:16,400 --> 00:30:19,240
Speaker 4: that why isn't it something that Corey and Sean do together?

676
00:30:19,440 --> 00:30:22,000
Speaker 4: Like I could see I would totally buy the conceit

677
00:30:22,440 --> 00:30:25,400
Speaker 4: that Corey and Shawn on weekends or whatever.

678
00:30:25,400 --> 00:30:27,840
Speaker 2: Totally wrestling staff and.

679
00:30:27,840 --> 00:30:30,360
Speaker 4: Talk about it with each other, and it's it's like

680
00:30:30,400 --> 00:30:32,800
Speaker 4: a comic book thing something they share together, or like

681
00:30:32,840 --> 00:30:34,800
Speaker 4: a baseball I could see it.

682
00:30:35,040 --> 00:30:36,520
Speaker 2: But it is weird that they very.

683
00:30:36,400 --> 00:30:40,320
Speaker 4: Much were Like I guess they have to because if

684
00:30:40,360 --> 00:30:41,480
Speaker 4: you were also into it.

685
00:30:41,360 --> 00:30:43,320
Speaker 2: Corey could go to the birthday party and you can

686
00:30:44,480 --> 00:30:46,640
Speaker 2: and as the whole story. So you have to know

687
00:30:46,800 --> 00:30:47,560
Speaker 2: nothing about it.

688
00:30:47,680 --> 00:30:48,720
Speaker 1: Yeah, exactly.

689
00:30:49,080 --> 00:30:52,400
Speaker 2: Yeah, So that's why that's why it doesn't sit right,

690
00:30:52,480 --> 00:30:58,400
Speaker 2: very convenient, very all around. Uh So, Frankie Senior lights up,

691
00:30:58,680 --> 00:31:01,040
Speaker 2: Corey is a fan. He never misses a match.

692
00:31:01,200 --> 00:31:03,880
Speaker 4: Frankie Senior exclaims, I like this boy, Why can't you

693
00:31:03,960 --> 00:31:06,520
Speaker 4: be this boy? He woofs his way past the boys,

694
00:31:06,520 --> 00:31:09,920
Speaker 4: with Herman following behind, yipping like a puppy. Frankie looks

695
00:31:09,920 --> 00:31:12,200
Speaker 4: off into the distance and mutters, and yet I love

696
00:31:12,240 --> 00:31:16,000
Speaker 4: you father. Shawn's eyes get wide. He realizes who Frankie

697
00:31:16,040 --> 00:31:18,600
Speaker 4: loves that doesn't love him back. Corey says he's had

698
00:31:18,600 --> 00:31:22,680
Speaker 4: the same realization. Sean blurts Amy Lee Reynolds.

699
00:31:22,200 --> 00:31:25,959
Speaker 1: Yeah, great, this is pretty much the only read I

700
00:31:26,040 --> 00:31:34,280
Speaker 1: liked from Me Are You episode Hysterics. So I did

701
00:31:34,480 --> 00:31:36,520
Speaker 1: not like it so funny. I thought it was so

702
00:31:37,080 --> 00:31:40,040
Speaker 1: such a missed opportunity. I felt like I was off.

703
00:31:40,240 --> 00:31:41,520
Speaker 1: But this beat I was loving.

704
00:31:41,600 --> 00:31:43,800
Speaker 2: I was like, that's funny. This is very funny.

705
00:31:43,880 --> 00:31:45,600
Speaker 1: Yeah, and the commitment that I brought to it, I

706
00:31:45,640 --> 00:31:47,680
Speaker 1: was like, yeah, all right, it is a little writer.

707
00:31:47,840 --> 00:31:50,600
Speaker 1: But no, I thought the Flintstone scene was a disaster.

708
00:31:51,080 --> 00:31:51,680
Speaker 1: Oh my god.

709
00:31:51,920 --> 00:31:54,160
Speaker 5: Yeah, Oh, I thought it was great. I was laughing

710
00:31:54,160 --> 00:31:55,800
Speaker 5: out loud. I thought you were both awesome. I thought

711
00:31:55,800 --> 00:31:57,480
Speaker 5: the writing was good. I thought the acting was good.

712
00:31:57,680 --> 00:31:58,920
Speaker 5: I thought that was definitely a good scene.

713
00:31:59,040 --> 00:32:00,720
Speaker 2: Okay, well, we'll talk about it when we get to it.

714
00:32:01,000 --> 00:32:03,000
Speaker 4: Corey tells Sean to get closer, and he flicks him

715
00:32:03,000 --> 00:32:05,120
Speaker 4: in the head, pointing out the obvious it's his father.

716
00:32:05,600 --> 00:32:07,080
Speaker 4: And then we go to commercial break, and then we

717
00:32:07,080 --> 00:32:08,920
Speaker 4: come back. We're in the school hallway. Corey is with

718
00:32:08,960 --> 00:32:12,480
Speaker 4: Tapanga reading a card aloud. Someone is turning sweet sixteen

719
00:32:12,520 --> 00:32:14,480
Speaker 4: and if you could be there, it would be Keen.

720
00:32:14,880 --> 00:32:17,200
Speaker 4: Topanga is embarrassed. My mom wrote that at silly it's tom.

721
00:32:17,240 --> 00:32:18,440
Speaker 4: I'm sorry you have to read this.

722
00:32:18,400 --> 00:32:21,080
Speaker 2: Poetry does come back for him? There you go rhymes.

723
00:32:22,640 --> 00:32:23,000
Speaker 7: Uh.

724
00:32:23,080 --> 00:32:26,200
Speaker 4: Corey calmly responds, slow down, honey, separate your words. She

725
00:32:26,280 --> 00:32:28,360
Speaker 4: tries again, please come to my sweet sixteen. It doesn't

726
00:32:28,360 --> 00:32:29,560
Speaker 4: mean a lot to me, but it means a lot

727
00:32:29,600 --> 00:32:32,080
Speaker 4: to my mom. Corey asks, am I your boyfriend? She

728
00:32:32,080 --> 00:32:34,120
Speaker 4: says yes, and in turn he ensures that he will

729
00:32:34,120 --> 00:32:35,640
Speaker 4: be there to Pega kisses him.

730
00:32:35,640 --> 00:32:38,760
Speaker 1: You're the best sortest scene in the history of boy

731
00:32:38,800 --> 00:32:42,120
Speaker 1: bats world with the seas so well, we have to

732
00:32:42,240 --> 00:32:45,200
Speaker 1: establish that it's the party, I know, but it's kind

733
00:32:45,280 --> 00:32:46,040
Speaker 1: and gets you wrestling.

734
00:32:46,520 --> 00:32:47,200
Speaker 2: Yeah, exactly.

735
00:32:47,400 --> 00:32:50,800
Speaker 1: And I think this is the weakness right here. You know.

736
00:32:50,840 --> 00:32:53,200
Speaker 1: It's like if this, if they could have raised the

737
00:32:53,240 --> 00:32:56,280
Speaker 1: stakes in some way that he does need to be

738
00:32:56,320 --> 00:32:59,560
Speaker 1: at this part instead, it's just to Panga wants him there,

739
00:32:59,760 --> 00:33:01,520
Speaker 1: but she kind of also doesn't care.

740
00:33:01,960 --> 00:33:04,080
Speaker 2: It's it's just this.

741
00:33:04,080 --> 00:33:06,040
Speaker 1: This is where I think the episode could have used

742
00:33:06,200 --> 00:33:08,200
Speaker 1: a little punch up in the script. And when the

743
00:33:08,240 --> 00:33:10,200
Speaker 1: scene ended, I was like, that's it. There's no whether

744
00:33:10,520 --> 00:33:13,080
Speaker 1: conflict any He just resolves it but just says I'll

745
00:33:13,080 --> 00:33:14,640
Speaker 1: be there. He's all confident.

746
00:33:14,680 --> 00:33:17,080
Speaker 2: I'm like, well, it's also a little odd to me.

747
00:33:17,680 --> 00:33:20,640
Speaker 4: Why did they have to make it that Tapega doesn't

748
00:33:20,640 --> 00:33:23,640
Speaker 4: want to be honest about her sweet sixteen makings making

749
00:33:23,840 --> 00:33:26,680
Speaker 4: like feeling important to her. It's part of what made

750
00:33:26,680 --> 00:33:29,560
Speaker 4: me feel like there was no heart in it. Where Yeah,

751
00:33:30,120 --> 00:33:32,120
Speaker 4: it's like, why didn't she just write from the beginning

752
00:33:32,200 --> 00:33:35,080
Speaker 4: say I know it's I know it's sappy and it's weird,

753
00:33:35,400 --> 00:33:38,080
Speaker 4: but my parents dance, Like right from the beginning, my

754
00:33:38,200 --> 00:33:41,200
Speaker 4: parents were together at their sweet sixteen and they danced.

755
00:33:41,320 --> 00:33:43,400
Speaker 4: And by the way, I was actually thrilled because I

756
00:33:43,400 --> 00:33:47,000
Speaker 4: don't remember. I don't remember much, but I do know

757
00:33:47,040 --> 00:33:49,840
Speaker 4: that later Tapanga has like a meltdown about her parents

758
00:33:49,920 --> 00:33:56,320
Speaker 4: divorce and the fact that this was planted in season four,

759
00:33:56,720 --> 00:33:59,720
Speaker 4: that her parents have been together since they were very young,

760
00:34:00,200 --> 00:34:03,800
Speaker 4: and that Tapanga would somehow hold her parents' marriage up

761
00:34:04,240 --> 00:34:06,640
Speaker 4: to this idea that that's what her relationship is going

762
00:34:06,680 --> 00:34:09,160
Speaker 4: to be. That then makes me already feel like, well,

763
00:34:09,160 --> 00:34:11,480
Speaker 4: they laid a foundation for Tapega's meltown in the future

764
00:34:11,480 --> 00:34:15,200
Speaker 4: about her parents divorce a long time ago, and it

765
00:34:15,280 --> 00:34:17,319
Speaker 4: makes me wonder how much of it was taken from

766
00:34:17,440 --> 00:34:20,800
Speaker 4: Danielle's real life, because, as you guys know, my parents

767
00:34:20,840 --> 00:34:23,960
Speaker 4: met at fifteen and got married at twenty one and

768
00:34:23,960 --> 00:34:27,359
Speaker 4: were married for twenty years or thirty years, twenty thirty years.

769
00:34:27,200 --> 00:34:27,600
Speaker 5: And so.

770
00:34:29,120 --> 00:34:30,880
Speaker 4: I was like, you know, I wonder how much of

771
00:34:30,920 --> 00:34:34,440
Speaker 4: that little Topanga aspect was something maybe they took from

772
00:34:34,520 --> 00:34:35,880
Speaker 4: Danielle's real life.

773
00:34:36,120 --> 00:34:39,400
Speaker 3: Maybe it's possibly they We've already established that they're definitely

774
00:34:39,400 --> 00:34:40,840
Speaker 3: doing that with other people.

775
00:34:40,960 --> 00:34:43,040
Speaker 2: So are you going to keep referring to yourself in

776
00:34:43,080 --> 00:34:43,640
Speaker 2: third person?

777
00:34:43,760 --> 00:34:44,520
Speaker 5: I kind of like it.

778
00:34:45,800 --> 00:34:47,239
Speaker 2: I took it from Danielle's.

779
00:34:47,719 --> 00:34:50,160
Speaker 1: Yes, I like to Penga and Danielle as a kid.

780
00:34:50,239 --> 00:34:52,640
Speaker 2: I wonder if Danielle.

781
00:34:52,680 --> 00:34:55,120
Speaker 3: Don't kill it, do you think do you think Tapega

782
00:34:55,160 --> 00:34:58,040
Speaker 3: one of the reasons panga parents got divorced is because

783
00:34:58,040 --> 00:34:59,640
Speaker 3: they woke up as completely different people.

784
00:35:02,520 --> 00:35:06,160
Speaker 1: Second, only one at a time. It was first changed,

785
00:35:06,880 --> 00:35:09,120
Speaker 1: jed change. It's like I don't even know you anything.

786
00:35:10,440 --> 00:35:13,320
Speaker 2: That's like I'm looking at a different a different actor.

787
00:35:14,200 --> 00:35:17,520
Speaker 3: So yeah, no, it's also it's this is this is

788
00:35:17,560 --> 00:35:20,399
Speaker 3: when I really noticed. I mean, obviously I noticed the change,

789
00:35:20,440 --> 00:35:21,759
Speaker 3: and I knew I wasn't in the episode. But then

790
00:35:21,800 --> 00:35:25,920
Speaker 3: I was like, oh wait, like Bill wasn't in the episode.

791
00:35:25,960 --> 00:35:30,200
Speaker 5: There's parents all.

792
00:35:28,960 --> 00:35:33,680
Speaker 1: None of us, and it's interesting to me. That is

793
00:35:34,120 --> 00:35:37,640
Speaker 1: what doesn't take up this whole episode is just that's

794
00:35:37,680 --> 00:35:39,240
Speaker 1: the thing of actual time.

795
00:35:39,480 --> 00:35:42,000
Speaker 4: That is actually the thing that bum bums me out

796
00:35:42,040 --> 00:35:45,120
Speaker 4: the most about this episode is that the entirety of

797
00:35:45,360 --> 00:35:50,480
Speaker 4: time is lost in the time of running back and forth.

798
00:35:51,400 --> 00:35:54,319
Speaker 4: So much of the episode is wasted with we have

799
00:35:54,400 --> 00:35:56,640
Speaker 4: to go right now and then see and then a

800
00:35:56,640 --> 00:35:58,480
Speaker 4: lot of running and then showing up and being like

801
00:35:58,880 --> 00:36:03,160
Speaker 4: I'm running. It's like, so we lost so many opportunities

802
00:36:03,200 --> 00:36:10,520
Speaker 4: for real story. But there was a wrestling event. So

803
00:36:10,640 --> 00:36:15,640
Speaker 4: as as Topanga or Danielle walks away, Corey slyly remarks

804
00:36:15,760 --> 00:36:17,759
Speaker 4: when I'm on my game, no one can touch me.

805
00:36:19,080 --> 00:36:21,840
Speaker 2: Imagine if he didn't go to his girlfriend sweet sixteen,

806
00:36:22,280 --> 00:36:23,680
Speaker 2: like or.

807
00:36:23,760 --> 00:36:25,960
Speaker 5: Just told her what was actually happening.

808
00:36:26,200 --> 00:36:28,279
Speaker 1: Is she thinking it's okay for him not to come?

809
00:36:28,560 --> 00:36:29,239
Speaker 2: That's what I'm saying.

810
00:36:29,280 --> 00:36:31,279
Speaker 4: Why is any Why is she even presenting this like

811
00:36:31,320 --> 00:36:33,759
Speaker 4: a will you come to.

812
00:36:33,680 --> 00:36:35,840
Speaker 5: My party party Saturday.

813
00:36:36,200 --> 00:36:39,320
Speaker 1: I think our writers were just trying to because if

814
00:36:39,400 --> 00:36:42,760
Speaker 1: ta Pega had walked in, writer thinks, if to Pega

815
00:36:42,800 --> 00:36:45,520
Speaker 1: walked in, Will need you to stop.

816
00:36:47,440 --> 00:36:48,839
Speaker 2: Loves it. Danielle loves it.

817
00:36:51,200 --> 00:36:52,320
Speaker 5: Welcome to third person.

818
00:36:54,840 --> 00:36:56,960
Speaker 1: It's such a red flag to me. If somebody were like,

819
00:36:56,960 --> 00:36:58,759
Speaker 1: if you ever watched a reality show and they refer

820
00:36:58,840 --> 00:37:01,360
Speaker 1: to themselves in third person, You're like, that person sucks.

821
00:37:01,560 --> 00:37:07,439
Speaker 4: Is this the first red flag of mine you'd flag?

822
00:37:07,480 --> 00:37:13,920
Speaker 4: I mean, I am nothing but a redells right?

823
00:37:14,080 --> 00:37:16,040
Speaker 5: Will thinks right and Danielle both have read.

824
00:37:18,520 --> 00:37:22,920
Speaker 1: Okay. I think our writers probably just didn't want to.

825
00:37:23,440 --> 00:37:26,239
Speaker 1: They wanted to avoid Tapanga being too one note right,

826
00:37:26,280 --> 00:37:28,840
Speaker 1: like Topanga can't just be all right? See am I

827
00:37:28,840 --> 00:37:32,160
Speaker 1: sweet sixteen? I hope you know so to have. I

828
00:37:32,160 --> 00:37:35,440
Speaker 1: think they were trying to add nuance in complexity. It

829
00:37:35,560 --> 00:37:37,719
Speaker 1: just isn't that great, and I don't know if it's

830
00:37:37,719 --> 00:37:39,759
Speaker 1: worth it like it would have been, it would have

831
00:37:39,760 --> 00:37:42,560
Speaker 1: been way better. You alluded to this earlier, Danielle, It

832
00:37:42,600 --> 00:37:44,359
Speaker 1: would have been way better to just give her a

833
00:37:44,440 --> 00:37:47,480
Speaker 1: really good reason. The sill sixteen is important to her,

834
00:37:47,560 --> 00:37:49,880
Speaker 1: like her parents had a great one or she had

835
00:37:49,920 --> 00:37:52,080
Speaker 1: an awful fifteenth birthday, and this is gonna make up

836
00:37:52,120 --> 00:37:54,480
Speaker 1: for it, you know, whatever it is. It's like and

837
00:37:54,560 --> 00:37:56,719
Speaker 1: all she's been waiting for is this moment, and it's

838
00:37:56,800 --> 00:37:58,399
Speaker 1: you know, that would have been enough. You just set

839
00:37:58,440 --> 00:38:01,040
Speaker 1: it up with the real personal store in real steaks.

840
00:38:01,320 --> 00:38:13,520
Speaker 7: Yeah.

841
00:38:13,560 --> 00:38:15,640
Speaker 2: So, back at the Stacchinos trailer, Frankie Jr.

842
00:38:15,680 --> 00:38:17,640
Speaker 4: Is trying his best to explain poetry to Sean and

843
00:38:17,680 --> 00:38:20,640
Speaker 4: Corey while they sit in obvious boredom. Writer, you are

844
00:38:21,160 --> 00:38:22,680
Speaker 4: pulling on your lip.

845
00:38:22,760 --> 00:38:25,719
Speaker 2: Did you notice this? Yes, it's so funny. It's never

846
00:38:25,800 --> 00:38:30,040
Speaker 2: mentioned what you're doing. Or you're just literally tugging on

847
00:38:30,080 --> 00:38:30,920
Speaker 2: your lower lip.

848
00:38:31,920 --> 00:38:32,759
Speaker 1: Frank no idea.

849
00:38:32,760 --> 00:38:35,680
Speaker 2: If that's something I came up that looks.

850
00:38:35,480 --> 00:38:37,640
Speaker 5: Like a youth's choice, that's your choice.

851
00:38:37,640 --> 00:38:38,799
Speaker 2: It's a choice writer made.

852
00:38:38,920 --> 00:38:42,799
Speaker 4: Yeah, Frankie Senior bursts through the door. It's time, It's time,

853
00:38:42,840 --> 00:38:46,040
Speaker 4: It's Vader time. This was his real wrestling catchphrase. In

854
00:38:46,080 --> 00:38:48,960
Speaker 4: case you didn't know, I got my rematch with Jake,

855
00:38:49,000 --> 00:38:52,040
Speaker 4: the Snake and the chumps going down. Whoof Frankie Junior

856
00:38:52,040 --> 00:38:54,640
Speaker 4: Hardley bats an eye and continues with his lecture, see

857
00:38:54,640 --> 00:38:57,319
Speaker 4: what the poet sees, feel what the poet feels. Cory

858
00:38:57,360 --> 00:38:59,640
Speaker 4: butts in telling Frankie he should do that with his father,

859
00:39:00,160 --> 00:39:02,799
Speaker 4: and that's where you see the boom mic very clearly.

860
00:39:04,160 --> 00:39:04,440
Speaker 2: Corner.

861
00:39:05,200 --> 00:39:07,600
Speaker 5: It's a character in the scene. For God's sake, I know.

862
00:39:07,600 --> 00:39:08,560
Speaker 2: It's so funny.

863
00:39:08,880 --> 00:39:11,000
Speaker 4: My father is not a poet. He is a professional

864
00:39:11,040 --> 00:39:14,360
Speaker 4: professional wrestler villain category with the World Wrestling Federation.

865
00:39:15,200 --> 00:39:16,120
Speaker 9: Uh.

866
00:39:16,160 --> 00:39:18,719
Speaker 4: I love that they actually get to use all the

867
00:39:18,760 --> 00:39:20,920
Speaker 4: real w w F stuff and it doesn't have to

868
00:39:20,960 --> 00:39:22,120
Speaker 4: just be like generic.

869
00:39:22,239 --> 00:39:23,359
Speaker 2: They get to say that.

870
00:39:24,400 --> 00:39:26,759
Speaker 5: Because you know the stuff in the wrestling world.

871
00:39:27,040 --> 00:39:31,560
Speaker 3: If you're a decent, well known wrestler like Vader was

872
00:39:31,560 --> 00:39:33,040
Speaker 3: at the time, because he's playing himself.

873
00:39:33,560 --> 00:39:37,240
Speaker 2: Did they make a good living? Yeah, I think they've

874
00:39:37,280 --> 00:39:39,960
Speaker 2: always been pretty well played. Yeah, they've been well paid.

875
00:39:40,000 --> 00:39:44,480
Speaker 5: But your body gets this doesn't have him in the

876
00:39:44,480 --> 00:39:45,200
Speaker 5: trailer park.

877
00:39:45,600 --> 00:39:47,800
Speaker 1: I mean, that's that's that's supposed to be a trailer

878
00:39:47,840 --> 00:39:52,600
Speaker 1: Have you seen the wrestler? But but he's not in

879
00:39:52,640 --> 00:39:54,759
Speaker 1: a trailer. I think in that likes he's not.

880
00:39:54,840 --> 00:39:58,239
Speaker 3: Supposed to be in the w w F and like

881
00:39:58,400 --> 00:40:01,319
Speaker 3: one of their key stars, right, didn't they are one

882
00:40:01,320 --> 00:40:02,520
Speaker 3: of their key stars?

883
00:40:02,840 --> 00:40:06,600
Speaker 4: Yeah they Yeah, Yeah, you're right that it doesn't actually

884
00:40:06,680 --> 00:40:09,000
Speaker 4: track that if he is as big of it, as

885
00:40:09,040 --> 00:40:12,040
Speaker 4: big of a character as he really was in the WWF,

886
00:40:12,120 --> 00:40:14,520
Speaker 4: he would not need to be working mom.

887
00:40:14,800 --> 00:40:16,920
Speaker 2: Right, she took him, She took him for all, she

888
00:40:18,280 --> 00:40:20,680
Speaker 2: drove away, and he had to take that.

889
00:40:20,760 --> 00:40:23,680
Speaker 4: Actually know that the best types of women are men,

890
00:40:23,840 --> 00:40:26,160
Speaker 4: and so she was probably one of the other types,

891
00:40:26,239 --> 00:40:31,040
Speaker 4: a nag or a hot bikini wearing one, or someone

892
00:40:31,040 --> 00:40:36,120
Speaker 4: who a mom who abandons her family.

893
00:40:35,920 --> 00:40:37,160
Speaker 5: Bands entire family. Okay.

894
00:40:37,200 --> 00:40:38,640
Speaker 3: I was just wondering about that because I didn't know

895
00:40:38,640 --> 00:40:39,840
Speaker 3: if this was one of those things where it's like, no,

896
00:40:39,960 --> 00:40:43,439
Speaker 3: even some of the top wrestlers don't make that big

897
00:40:43,920 --> 00:40:45,719
Speaker 3: make that much money, which which happens in a lot

898
00:40:45,719 --> 00:40:48,120
Speaker 3: of places where you you think somebody makes a ton

899
00:40:48,120 --> 00:40:49,440
Speaker 3: of money and then you find out what they actually

900
00:40:49,480 --> 00:40:51,840
Speaker 3: make and it's like, oh, well you don't you really.

901
00:40:51,680 --> 00:40:54,319
Speaker 4: I would say that they don't make as much money

902
00:40:54,400 --> 00:40:59,240
Speaker 4: as they probably deserve, considering they ruined their they ruined

903
00:40:59,320 --> 00:41:00,879
Speaker 4: their body and they're you.

904
00:41:00,760 --> 00:41:04,120
Speaker 2: Know, the CTE stuff is very very real.

905
00:41:04,520 --> 00:41:06,600
Speaker 4: But like if you think of like whole Cogan, like

906
00:41:06,640 --> 00:41:08,320
Speaker 4: Hule Cogan was very wealthy.

907
00:41:08,600 --> 00:41:11,000
Speaker 1: Yeah, I think that's that's the exception that proves the

908
00:41:11,080 --> 00:41:13,239
Speaker 1: rule though, right, it's like a lot of Yeah, it's

909
00:41:13,239 --> 00:41:16,280
Speaker 1: like if you make it to the top ten of wrestlers,

910
00:41:16,320 --> 00:41:19,399
Speaker 1: you're fine, but otherwise you're struggling in a sea of

911
00:41:19,480 --> 00:41:22,320
Speaker 1: like wrestlers to stand out. And I think it's actually

912
00:41:22,400 --> 00:41:24,960
Speaker 1: pretty rough. I mean I think it's it's like people

913
00:41:25,120 --> 00:41:27,279
Speaker 1: people commit to it and don't make as much money

914
00:41:27,320 --> 00:41:30,520
Speaker 1: because they believe in the sport and the entertainment. You know.

915
00:41:30,520 --> 00:41:32,400
Speaker 1: It's like actors. It's like, yeah, how many out of

916
00:41:32,400 --> 00:41:34,319
Speaker 1: work actor like your average actor, Like you know the

917
00:41:34,400 --> 00:41:37,799
Speaker 1: SAG statistics of like how many people within SAG make

918
00:41:37,880 --> 00:41:40,320
Speaker 1: more than twenty thousand dollars a year, it's like, oh, yeah,

919
00:41:40,360 --> 00:41:41,319
Speaker 1: ten percent or something.

920
00:41:41,320 --> 00:41:43,560
Speaker 5: Really, I don't think it's ten. I think it's like

921
00:41:43,680 --> 00:41:44,479
Speaker 5: one or two.

922
00:41:45,239 --> 00:41:46,600
Speaker 2: Really over twenty thousand.

923
00:41:46,640 --> 00:41:49,160
Speaker 1: I thought like a living wage within SAG, like twenty

924
00:41:49,680 --> 00:41:52,200
Speaker 1: living I don't know. I just know that like most

925
00:41:52,200 --> 00:41:55,520
Speaker 1: people who call themselves actors don't make a living by.

926
00:41:55,800 --> 00:41:57,879
Speaker 2: Justin out the cannect and it's the same, I think.

927
00:41:58,040 --> 00:41:59,799
Speaker 1: But they do it because they love it, right, They

928
00:42:00,120 --> 00:42:01,400
Speaker 1: so industry they love.

929
00:42:01,800 --> 00:42:04,399
Speaker 2: Very similarly to actors. There are a lot of ups

930
00:42:04,440 --> 00:42:04,880
Speaker 2: and downs.

931
00:42:04,960 --> 00:42:07,319
Speaker 4: You may have a great year where you're a huge

932
00:42:07,360 --> 00:42:09,400
Speaker 4: star and you're getting paid very well, but then the

933
00:42:09,400 --> 00:42:12,400
Speaker 4: next person comes in, or there's a storyline changing and

934
00:42:12,400 --> 00:42:16,120
Speaker 4: you're exactly and so. So you could have a great year,

935
00:42:16,160 --> 00:42:17,680
Speaker 4: but it doesn't mean you're going to be set for life.

936
00:42:17,760 --> 00:42:21,960
Speaker 2: So Vader has not had a good year, no two years.

937
00:42:22,120 --> 00:42:24,319
Speaker 3: Because Leon he would tell us when he was there,

938
00:42:24,440 --> 00:42:26,600
Speaker 3: he was broken by the time he was Oh yeah,

939
00:42:26,600 --> 00:42:28,080
Speaker 3: I mean he was. The stuff he was doing in

940
00:42:28,080 --> 00:42:29,719
Speaker 3: the ring was incredible because he would sit there and

941
00:42:29,760 --> 00:42:30,759
Speaker 3: tell us my shoulders are.

942
00:42:30,680 --> 00:42:33,560
Speaker 5: Gone, my knees are going back. He was frusted by that.

943
00:42:33,640 --> 00:42:37,719
Speaker 4: I mean mc foley, you know too. So Sewn instructs

944
00:42:37,719 --> 00:42:39,800
Speaker 4: Frankie to talk to his father about what he loves.

945
00:42:40,080 --> 00:42:42,919
Speaker 4: Frankie asks, you mean my brother Herman, and my heart

946
00:42:42,960 --> 00:42:46,040
Speaker 4: broke a little bit to hear him say that. Sean

947
00:42:46,120 --> 00:42:48,239
Speaker 4: was actually talking about wrestling, and Corey says he'll help

948
00:42:48,280 --> 00:42:50,960
Speaker 4: by coaching Frankie Junior for a first attempt at connecting

949
00:42:50,960 --> 00:42:53,560
Speaker 4: with his father, so he encourages Frankie to point out

950
00:42:53,560 --> 00:42:55,799
Speaker 4: that his dad is setting up the Vader Bomb his

951
00:42:55,880 --> 00:42:59,439
Speaker 4: signature finisher, too slowly, and so as Vader is leaving

952
00:42:59,480 --> 00:43:01,640
Speaker 4: the trailer and he tells him he has a wrestling notion,

953
00:43:01,920 --> 00:43:04,279
Speaker 4: his dad says, bring it on, and he pair its

954
00:43:04,320 --> 00:43:07,080
Speaker 4: Corey the Vader Bomb would be best achieved if and

955
00:43:07,120 --> 00:43:09,640
Speaker 4: he quickly leans into Corey asking what the answer is quicker.

956
00:43:10,040 --> 00:43:12,399
Speaker 4: His dad ponders this, admitting he knew something was wrong

957
00:43:12,440 --> 00:43:14,839
Speaker 4: with the bomb. You keep those tips coming. I want

958
00:43:14,880 --> 00:43:17,080
Speaker 4: to see you ring side at the fight. He squeezes

959
00:43:17,120 --> 00:43:18,799
Speaker 4: his son's cheek, telling him he's a good boy.

960
00:43:18,920 --> 00:43:20,960
Speaker 2: He's already got the love. He did.

961
00:43:21,280 --> 00:43:25,359
Speaker 1: He did it episode over exactly what I thought there.

962
00:43:25,400 --> 00:43:25,799
Speaker 2: It was.

963
00:43:26,080 --> 00:43:28,520
Speaker 4: I thought for sure he was gonna say you you

964
00:43:28,560 --> 00:43:29,640
Speaker 4: were gonna tell me how.

965
00:43:29,760 --> 00:43:31,160
Speaker 2: I thought he was going to respond like.

966
00:43:31,160 --> 00:43:33,120
Speaker 1: We're just make it a little more challenging, like, okay,

967
00:43:33,440 --> 00:43:34,720
Speaker 1: I'll see if it works.

968
00:43:35,719 --> 00:43:38,480
Speaker 9: Yeah, I know, I thought the SA same thing. I

969
00:43:38,520 --> 00:43:45,120
Speaker 9: was like, well there, episode well there, well there going

970
00:43:45,640 --> 00:43:47,520
Speaker 9: some notes handed to Frankie and then go to the

971
00:43:47,560 --> 00:43:48,200
Speaker 9: Sweet sixteen.

972
00:43:48,920 --> 00:43:51,600
Speaker 2: You're fine, So a happy Frankie.

973
00:43:51,640 --> 00:43:53,759
Speaker 4: Junior asks if he can hug Corey and Sean, and

974
00:43:53,760 --> 00:43:55,480
Speaker 4: then they all go in for a group hug.

975
00:43:55,960 --> 00:43:59,080
Speaker 2: I do really like this trio of friends. I'm true.

976
00:43:59,320 --> 00:44:02,200
Speaker 4: I wish that was a way that Frankie could have

977
00:44:02,280 --> 00:44:06,040
Speaker 4: been more involved in their friendship without it always needing

978
00:44:06,080 --> 00:44:09,000
Speaker 4: to be a setup of well, let's only do this

979
00:44:09,040 --> 00:44:10,759
Speaker 4: because we're both gonna benefit from it.

980
00:44:11,040 --> 00:44:13,960
Speaker 2: I just like there being more of a we're friends.

981
00:44:14,040 --> 00:44:16,160
Speaker 1: Yeah, gosh, that's really interesting.

982
00:44:16,200 --> 00:44:19,400
Speaker 3: You're right, it is always a tit for tat with

983
00:44:19,480 --> 00:44:20,239
Speaker 3: their relationship.

984
00:44:20,360 --> 00:44:23,719
Speaker 1: Yeah, a Frankie, Well, in a weird way, Frankie is

985
00:44:23,840 --> 00:44:27,080
Speaker 1: just because even the way it did get to me.

986
00:44:27,480 --> 00:44:29,600
Speaker 1: You know, we've talked about how likes he's like this

987
00:44:29,760 --> 00:44:32,520
Speaker 1: literal speaker, you know, like he says everything literally and

988
00:44:32,920 --> 00:44:35,960
Speaker 1: poetically and describe, and I felt it too much in

989
00:44:36,000 --> 00:44:40,000
Speaker 1: this episode, like he's living in his own universe, like

990
00:44:40,080 --> 00:44:43,359
Speaker 1: as a character with his own language and is Yeah,

991
00:44:43,360 --> 00:44:46,080
Speaker 1: and it's I think they just went a little too far,

992
00:44:46,239 --> 00:44:48,480
Speaker 1: Like if they had relaxed that a little bit, let

993
00:44:48,560 --> 00:44:50,320
Speaker 1: him be more of a human being, because like it

994
00:44:50,360 --> 00:44:52,400
Speaker 1: wouldn't work right. I love this too, Like when we

995
00:44:52,480 --> 00:44:54,680
Speaker 1: hug I was like, oh, I know, I kind of

996
00:44:54,840 --> 00:44:57,440
Speaker 1: I think like we couldn't just be in the cafeteria

997
00:44:57,520 --> 00:44:59,600
Speaker 1: hanging out with with Frankie because of the way he's

998
00:44:59,719 --> 00:45:03,400
Speaker 1: very You're right, right. The actual dialogue itself is like

999
00:45:03,680 --> 00:45:04,759
Speaker 1: so stylized.

1000
00:45:04,960 --> 00:45:07,320
Speaker 2: He's such a he's such a character, I guess is

1001
00:45:07,360 --> 00:45:09,040
Speaker 2: the point like he's just he's cranked up to.

1002
00:45:09,000 --> 00:45:12,440
Speaker 4: Ten and yeah, Well, it's funny you say that, because

1003
00:45:12,480 --> 00:45:14,560
Speaker 4: it's one of the things we mentioned sometimes in our

1004
00:45:14,640 --> 00:45:17,080
Speaker 4: Q and as it's one of the reasons I think

1005
00:45:17,080 --> 00:45:19,520
Speaker 4: Topanga had to change as a character too. If you

1006
00:45:19,560 --> 00:45:22,439
Speaker 4: look at some of that first season to Pega, her

1007
00:45:22,560 --> 00:45:26,239
Speaker 4: channeling and doing voices and on her head doing yoga.

1008
00:45:26,360 --> 00:45:27,920
Speaker 2: She's on a bit of an island.

1009
00:45:28,280 --> 00:45:31,360
Speaker 4: Yeah, and you try to then bring that character in

1010
00:45:31,400 --> 00:45:34,960
Speaker 4: to mainstream day to day, and they're always going to

1011
00:45:35,040 --> 00:45:36,320
Speaker 4: have that one note.

1012
00:45:36,360 --> 00:45:38,400
Speaker 2: It's going to be hard to So.

1013
00:45:38,680 --> 00:45:43,000
Speaker 5: It is a difference between character and caricature, right, And.

1014
00:45:42,920 --> 00:45:46,080
Speaker 3: That's what that's what those were. They were kind of

1015
00:45:46,200 --> 00:45:47,080
Speaker 3: you know, caricatures.

1016
00:45:47,160 --> 00:45:48,920
Speaker 1: Yeah, And I think maybe that's a problem with this

1017
00:45:49,000 --> 00:45:51,920
Speaker 1: episode in general, is that Frankie's too much of a caricature,

1018
00:45:52,000 --> 00:45:54,560
Speaker 1: Like it's yeah, it's if he was more allowed to

1019
00:45:54,600 --> 00:45:57,600
Speaker 1: be more of a character. I mean, he does that

1020
00:45:57,640 --> 00:46:00,239
Speaker 1: scene when he's dancing and smiling in the hallway coming up,

1021
00:46:00,360 --> 00:46:01,640
Speaker 1: I just I know.

1022
00:46:02,000 --> 00:46:04,560
Speaker 4: Then we're in the school hallway moment we talked about.

1023
00:46:04,560 --> 00:46:07,240
Speaker 4: Frankie Sachet's up to Corey and Sean adding a little

1024
00:46:07,320 --> 00:46:09,360
Speaker 4: dance move at the end. He's got a spring in

1025
00:46:09,440 --> 00:46:11,200
Speaker 4: his step and it's all thanks to the two of them.

1026
00:46:11,520 --> 00:46:13,799
Speaker 4: He's starting to win the love of his father, even

1027
00:46:13,840 --> 00:46:17,680
Speaker 4: though they only talk about wrestling. At least they're talking again.

1028
00:46:18,120 --> 00:46:20,280
Speaker 4: Sad commentary on parenting.

1029
00:46:21,120 --> 00:46:25,640
Speaker 1: I love his dancing like his It's so cute. It

1030
00:46:25,760 --> 00:46:28,560
Speaker 1: was so nice to see Ethan be able to like

1031
00:46:28,600 --> 00:46:32,600
Speaker 1: have some personality because this like monotone again, the caricature

1032
00:46:32,680 --> 00:46:36,759
Speaker 1: thing is actually a little oppressive, you know this is And.

1033
00:46:36,719 --> 00:46:38,840
Speaker 3: They double down with his little brother talking exactly the

1034
00:46:38,880 --> 00:46:41,839
Speaker 3: same way. But Leon doesn't speak like that at all,

1035
00:46:42,000 --> 00:46:45,600
Speaker 3: so you wonder where they both mom learned that Cadence

1036
00:46:45,680 --> 00:46:51,520
Speaker 3: must have been and taking the in a bikini in

1037
00:46:51,560 --> 00:46:53,960
Speaker 3: a bikini and.

1038
00:46:53,960 --> 00:46:56,080
Speaker 2: A leather jacket. Uh.

1039
00:46:56,160 --> 00:46:58,200
Speaker 4: Frankie says he'll see Corey and Sean tomorrow night, and

1040
00:46:58,200 --> 00:47:00,880
Speaker 4: Corey agrees. Sean tells Corey, you don't have tomorrow night.

1041
00:47:01,120 --> 00:47:01,560
Speaker 2: Uh oh.

1042
00:47:01,640 --> 00:47:04,760
Speaker 4: Corey frantically rushes over to Frankie. What's tomorrow night exactly?

1043
00:47:05,000 --> 00:47:07,040
Speaker 4: Frankie states, the most important night of my life.

1044
00:47:07,120 --> 00:47:09,680
Speaker 2: See then, Shawn Butt in what is what is it?

1045
00:47:09,760 --> 00:47:13,240
Speaker 4: Specifically? Frankie explains it's his father's fight against Shake the Snake.

1046
00:47:13,440 --> 00:47:14,880
Speaker 4: The winner is in line for a shot at the

1047
00:47:14,880 --> 00:47:19,279
Speaker 4: belt against Sean Michaels at Madison Square Garden. There's Blutman's

1048
00:47:19,320 --> 00:47:23,720
Speaker 4: knowledge again. Frankie Senior wants his son ringside for tips,

1049
00:47:23,880 --> 00:47:25,720
Speaker 4: and so he needs someone like Corey to be feeding

1050
00:47:25,760 --> 00:47:28,640
Speaker 4: him those tips. Corey explains that Frankie just needs someone

1051
00:47:28,840 --> 00:47:31,480
Speaker 4: like him, not exactly him, because see, it's to Pang

1052
00:47:31,520 --> 00:47:33,480
Speaker 4: his birthday party, which means nothing at all to her

1053
00:47:33,600 --> 00:47:36,200
Speaker 4: except everything in the world if you listen closely. He

1054
00:47:36,200 --> 00:47:38,200
Speaker 4: can't make it to the fight. Frankie looks to Sean,

1055
00:47:38,200 --> 00:47:40,880
Speaker 4: who admits he knows very little about wrestling, except when

1056
00:47:40,920 --> 00:47:45,320
Speaker 4: he's playing twister with the McClusky Triplets Klusky Triplets.

1057
00:47:45,840 --> 00:47:50,640
Speaker 1: Eh dt you elf tgf tf triplet.

1058
00:47:51,719 --> 00:47:56,239
Speaker 3: I will bet you that one of the caveats for

1059
00:47:56,320 --> 00:47:58,799
Speaker 3: doing this wrestling show was it had to stay on

1060
00:47:59,040 --> 00:48:02,560
Speaker 3: message for the ww F. So I'll bet it really

1061
00:48:02,760 --> 00:48:05,879
Speaker 3: was a title shot against Shawn Michaels for whoever won

1062
00:48:05,960 --> 00:48:07,960
Speaker 3: this fight, because they had to.

1063
00:48:08,400 --> 00:48:10,120
Speaker 5: They didn't make up this this.

1064
00:48:10,120 --> 00:48:13,560
Speaker 3: Wrestling match for boy mets World, so we wrote ourselves

1065
00:48:13,600 --> 00:48:16,640
Speaker 3: into their storyline post the other way around. So I'm

1066
00:48:16,640 --> 00:48:19,480
Speaker 3: guessing there really was a match between Vader and Sean.

1067
00:48:19,280 --> 00:48:21,400
Speaker 2: Because it was a real match. Yeah, I remember that,

1068
00:48:22,040 --> 00:48:23,319
Speaker 2: You're right, maybe out of the whole.

1069
00:48:23,680 --> 00:48:24,680
Speaker 5: Yeah.

1070
00:48:24,719 --> 00:48:27,879
Speaker 4: So Frankie sulks, reciting a glum poem that states he's

1071
00:48:27,880 --> 00:48:30,520
Speaker 4: alone without a father. Corey finally gives in he'll be

1072
00:48:30,560 --> 00:48:32,600
Speaker 4: at the fight. Frankie says he knows. You want to

1073
00:48:32,600 --> 00:48:35,000
Speaker 4: know why I know, and Corey guesses, because I want

1074
00:48:35,040 --> 00:48:37,799
Speaker 4: everyone to love me. Frankie responds, I've noticed that.

1075
00:48:38,200 --> 00:48:40,480
Speaker 2: I know I do too. I love that we realize

1076
00:48:40,480 --> 00:48:41,560
Speaker 2: that he's a people pleaser.

1077
00:48:41,680 --> 00:48:44,200
Speaker 4: Yeah, Frankie responds, I've noticed that, but I was going

1078
00:48:44,239 --> 00:48:46,040
Speaker 4: to say it's because you have a good heart. As

1079
00:48:46,040 --> 00:48:48,880
Speaker 4: Frankie walks away, Sean states the obvious to Panga is

1080
00:48:48,920 --> 00:48:51,800
Speaker 4: going to kill you. Corey thinks he's underestimating to Panga,

1081
00:48:51,800 --> 00:48:54,240
Speaker 4: but Shawn doubles down. She wants you at that party.

1082
00:48:54,320 --> 00:48:59,560
Speaker 4: Women aren't forgiving about this kind of thing, true, Sean says.

1083
00:48:59,400 --> 00:49:03,319
Speaker 1: Yeah, but a guy with boobs.

1084
00:49:02,000 --> 00:49:08,239
Speaker 4: The best kind of women. Sean says he'll bet a

1085
00:49:08,239 --> 00:49:11,040
Speaker 4: buck that she flips out. Corey confidently states it's your money, Leroy,

1086
00:49:11,080 --> 00:49:13,360
Speaker 4: and walks over to Tepanga, who's wearing an adorable sweater

1087
00:49:13,480 --> 00:49:15,880
Speaker 4: one I loved so much. I had wardrobe by a

1088
00:49:16,000 --> 00:49:17,799
Speaker 4: second one for me, and I wore it in my

1089
00:49:17,880 --> 00:49:21,040
Speaker 4: personal closet, and he casually tells her there might be

1090
00:49:21,040 --> 00:49:23,400
Speaker 4: a slight chance I won't be able to come. Tapanga

1091
00:49:23,440 --> 00:49:25,480
Speaker 4: immediately cuts him off and freaks out, I'll just die.

1092
00:49:25,680 --> 00:49:25,880
Speaker 5: I know.

1093
00:49:25,960 --> 00:49:28,040
Speaker 4: I said it's not important, but it means everything. I

1094
00:49:28,080 --> 00:49:30,040
Speaker 4: only turn sixteen once. You have to be there. We

1095
00:49:30,080 --> 00:49:32,439
Speaker 4: have to dance at the party together. My parents dance

1096
00:49:32,520 --> 00:49:35,120
Speaker 4: together at her sweet sixteen, and so we have to too.

1097
00:49:35,640 --> 00:49:36,799
Speaker 1: There we go, there, it is.

1098
00:49:38,160 --> 00:49:39,160
Speaker 2: There's the important.

1099
00:49:39,239 --> 00:49:40,560
Speaker 1: That's the whole steaks right there.

1100
00:49:40,560 --> 00:49:42,080
Speaker 3: But see, I guess, and I guess they need the

1101
00:49:42,120 --> 00:49:44,799
Speaker 3: stakes because you're now been in a relationship so long

1102
00:49:44,960 --> 00:49:47,120
Speaker 3: and they've done it so many different times that I

1103
00:49:47,200 --> 00:49:48,759
Speaker 3: was really waiting for Corey to be like, all right,

1104
00:49:48,800 --> 00:49:50,560
Speaker 3: look I will be there to dance with you, but

1105
00:49:50,600 --> 00:49:52,799
Speaker 3: I'm gonna have to pop in and out because but

1106
00:49:53,080 --> 00:49:54,720
Speaker 3: obviously it destroys the entire episode.

1107
00:49:54,719 --> 00:49:56,799
Speaker 5: But you I was waiting for that where it's.

1108
00:49:56,719 --> 00:49:59,360
Speaker 1: Like, yeah, just tell her, But also what do we

1109
00:49:59,440 --> 00:50:00,480
Speaker 1: need this up?

1110
00:50:00,520 --> 00:50:01,239
Speaker 2: Like we could have just.

1111
00:50:01,239 --> 00:50:04,560
Speaker 1: Had her saying sweet sixteen be there. It's really important

1112
00:50:04,560 --> 00:50:07,719
Speaker 1: to me two scenes ago and then and then the

1113
00:50:07,840 --> 00:50:09,400
Speaker 1: end of this scene is how are we going to

1114
00:50:09,440 --> 00:50:11,040
Speaker 1: do it? But instead it's like we add all this

1115
00:50:11,160 --> 00:50:13,680
Speaker 1: extra mileage to like, yes, yeah, it's.

1116
00:50:13,320 --> 00:50:14,880
Speaker 2: A weird, it's just a bummer.

1117
00:50:15,040 --> 00:50:17,400
Speaker 4: Yeah, I think we could have gotten We know that

1118
00:50:17,440 --> 00:50:18,880
Speaker 4: the whole point is get to the wrestling, Get to

1119
00:50:18,920 --> 00:50:20,919
Speaker 4: the wrestling, and it feels like they took too long

1120
00:50:20,920 --> 00:50:21,520
Speaker 4: to get to it.

1121
00:50:21,760 --> 00:50:23,560
Speaker 2: Just get to it. Just get to it.

1122
00:50:23,600 --> 00:50:25,840
Speaker 4: That's what this whole episode is about. We could have

1123
00:50:25,840 --> 00:50:28,040
Speaker 4: had more of it if we had just gotten there

1124
00:50:28,040 --> 00:50:30,160
Speaker 4: a little bit faster. So Corey stares at her, Am

1125
00:50:30,160 --> 00:50:32,040
Speaker 4: I your boyfriend? She says yes, and he states, then

1126
00:50:32,040 --> 00:50:34,160
Speaker 4: I'll be there. She smiles and says she knows want

1127
00:50:34,160 --> 00:50:36,480
Speaker 4: to know why Corey's heard this before, because I have

1128
00:50:36,520 --> 00:50:38,279
Speaker 4: a good heart. She admits, I was going to say

1129
00:50:38,280 --> 00:50:40,200
Speaker 4: because you want everyone to love you. But yeah, because

1130
00:50:40,239 --> 00:50:42,080
Speaker 4: you have a good heart. She kisses Corey and he

1131
00:50:42,120 --> 00:50:44,040
Speaker 4: reaches into his pocket and pulls out a dollar bill,

1132
00:50:44,080 --> 00:50:47,040
Speaker 4: handing it to Sean who's behind him. And then we're

1133
00:50:47,080 --> 00:50:50,280
Speaker 4: at the Matthews house. Corey stomps in with Sean. Finally

1134
00:50:50,360 --> 00:50:51,279
Speaker 4: at the house, I know.

1135
00:50:51,360 --> 00:50:53,880
Speaker 2: I was like, where is everybody? Oh, we're all gone right.

1136
00:50:57,719 --> 00:50:59,600
Speaker 4: Corey wants to know why these things always happened to

1137
00:50:59,640 --> 00:51:02,600
Speaker 4: him and explains, these things happen to good guys. Corey ads,

1138
00:51:02,640 --> 00:51:04,400
Speaker 4: I'd better be real good to be in two places

1139
00:51:04,400 --> 00:51:06,600
Speaker 4: at once. Shawn assures him it will be done. He

1140
00:51:06,640 --> 00:51:08,799
Speaker 4: reaches into his backpack and pulls out a VHS tape

1141
00:51:08,840 --> 00:51:10,719
Speaker 4: explaining the need to be at two places at wance

1142
00:51:10,840 --> 00:51:12,400
Speaker 4: dates back thousands of years.

1143
00:51:12,760 --> 00:51:14,319
Speaker 5: HS, Baby, I love it.

1144
00:51:14,680 --> 00:51:15,759
Speaker 2: Corey asks, what's this?

1145
00:51:15,880 --> 00:51:18,959
Speaker 4: An instructional Deepak chopra Venus in mars By real Estate,

1146
00:51:19,000 --> 00:51:21,879
Speaker 4: no money down ad producer Juice Tiger kind of thing,

1147
00:51:21,920 --> 00:51:26,480
Speaker 4: which is every infomercial YEP of the nineties, and Sean.

1148
00:51:26,239 --> 00:51:27,719
Speaker 2: Corrects him it's the Flintstones.

1149
00:51:28,040 --> 00:51:30,239
Speaker 4: Sean does a little synopsis of the episode with a

1150
00:51:30,239 --> 00:51:33,000
Speaker 4: pointer while the cartoon plays. Fred has to be at

1151
00:51:33,000 --> 00:51:35,239
Speaker 4: Pebble's birthday party and the big bash at the Water

1152
00:51:35,280 --> 00:51:37,879
Speaker 4: Buffalo Lodge on the same night. Corey remembers being very

1153
00:51:37,880 --> 00:51:40,440
Speaker 4: nervous during this episode. Shawn agrees it was quite the

1154
00:51:40,440 --> 00:51:43,719
Speaker 4: dilemma for their prehistoric friend. Sean points to Fred Flintstone,

1155
00:51:43,800 --> 00:51:46,759
Speaker 4: nice guy, big feet, just like you. Cory points out, yeah,

1156
00:51:46,760 --> 00:51:49,160
Speaker 4: it's so cute. Corey points out Fred has a good

1157
00:51:49,200 --> 00:51:52,960
Speaker 4: best friend too. Sean nods, yep, he is Barney, Sean.

1158
00:51:53,120 --> 00:51:54,480
Speaker 2: This same worked for you, guys.

1159
00:51:54,560 --> 00:51:55,320
Speaker 5: I love it.

1160
00:51:56,360 --> 00:51:57,759
Speaker 2: It's my favorite scene in the whole show.

1161
00:52:00,200 --> 00:52:03,080
Speaker 1: This is the best written scene by far, Like this

1162
00:52:03,120 --> 00:52:05,279
Speaker 1: is the scene that makes the episode right. It's like

1163
00:52:06,160 --> 00:52:09,120
Speaker 1: this is I could just you know, our writers loved this,

1164
00:52:09,280 --> 00:52:10,960
Speaker 1: and like once you come up with something like this,

1165
00:52:11,120 --> 00:52:11,520
Speaker 1: it's great.

1166
00:52:11,760 --> 00:52:13,279
Speaker 2: It's just the staging.

1167
00:52:13,719 --> 00:52:17,320
Speaker 1: You can't We're pointing to an episode that can't see

1168
00:52:17,640 --> 00:52:21,920
Speaker 1: and on television the size of like you know, my butt,

1169
00:52:22,040 --> 00:52:23,240
Speaker 1: it's like so lame.

1170
00:52:23,600 --> 00:52:26,160
Speaker 2: It's just like, like it's a reference. I wanted it

1171
00:52:26,200 --> 00:52:26,440
Speaker 2: to be.

1172
00:52:26,680 --> 00:52:29,520
Speaker 1: Remember the Corey's Alternative Friends when Ben and I with

1173
00:52:29,560 --> 00:52:32,879
Speaker 1: the pointers, and you want it to be like look

1174
00:52:32,920 --> 00:52:34,879
Speaker 1: at this, I look at this, but you can't show

1175
00:52:34,920 --> 00:52:36,920
Speaker 1: Flintstones because you don't have the rights right, So we're

1176
00:52:36,920 --> 00:52:40,200
Speaker 1: talking about something we can't see. We're sitting down the

1177
00:52:40,239 --> 00:52:43,200
Speaker 1: whole time, so we're just like sucking all the energy.

1178
00:52:43,320 --> 00:52:45,520
Speaker 4: It would have been funny if Sean had had drawings

1179
00:52:45,800 --> 00:52:48,920
Speaker 4: and it's like on a big thing diagrammed anything.

1180
00:52:49,080 --> 00:52:51,919
Speaker 1: Yeah, watching the episode, but I have maps laid out

1181
00:52:51,920 --> 00:52:54,799
Speaker 1: and I'm doing big but we need the energy up.

1182
00:52:54,880 --> 00:52:56,280
Speaker 2: It's so just dead.

1183
00:52:56,440 --> 00:52:58,000
Speaker 1: I just everything died.

1184
00:52:58,920 --> 00:53:01,440
Speaker 3: I would rather have add the rest of the episode

1185
00:53:01,560 --> 00:53:05,160
Speaker 3: this energy, then bring this up to eleven, like the wrestling,

1186
00:53:05,760 --> 00:53:08,400
Speaker 3: because this was Corey and Sean back and forth.

1187
00:53:08,840 --> 00:53:11,000
Speaker 5: Big feet, just like you. He had a best friend

1188
00:53:11,080 --> 00:53:12,320
Speaker 5: and I'm here for blah blah blah.

1189
00:53:12,880 --> 00:53:15,719
Speaker 1: I think the writing is top notch. I think I

1190
00:53:15,760 --> 00:53:19,000
Speaker 1: am horrible in this. You guys notice me not being

1191
00:53:19,000 --> 00:53:20,759
Speaker 1: able to get a coiner out of my pocket? Yes

1192
00:53:20,840 --> 00:53:25,239
Speaker 1: that I saw, Geez find another take, guys. I'm like,

1193
00:53:25,480 --> 00:53:29,080
Speaker 1: it's like so all of our energy, all of our focus,

1194
00:53:29,200 --> 00:53:31,520
Speaker 1: like the attire all of America is watching right or

1195
00:53:31,560 --> 00:53:34,840
Speaker 1: Strong struggle with the pointer in his pocket.

1196
00:53:34,880 --> 00:53:37,960
Speaker 2: It's like Jesus, get another take. Why was that? Okay?

1197
00:53:38,440 --> 00:53:41,080
Speaker 2: I know, yeah I did, I did notice that, of course,

1198
00:53:41,280 --> 00:53:42,360
Speaker 2: that's that part sucks.

1199
00:53:44,080 --> 00:53:46,319
Speaker 4: Sean goes frame by frame showing Corey exactly what he

1200
00:53:46,480 --> 00:53:49,440
Speaker 4: needs to do, a simple costume change, and Fred was

1201
00:53:49,480 --> 00:53:52,440
Speaker 4: able to fool everyone. Sean has calculated the distances between

1202
00:53:52,480 --> 00:53:55,279
Speaker 4: both places, and the Flintstone scenario is totally doable in

1203
00:53:55,320 --> 00:53:59,000
Speaker 4: Corey's case. Corey assumes Sean has a fallback plan, and

1204
00:53:59,040 --> 00:54:01,360
Speaker 4: Sean admits. Johnny quest but then you would need Haji

1205
00:54:01,400 --> 00:54:02,160
Speaker 4: in a hovercraft.

1206
00:54:02,239 --> 00:54:05,720
Speaker 2: Great line, perfectly delivered lines so well delivered.

1207
00:54:05,800 --> 00:54:09,000
Speaker 5: Yes, fast, and yeah.

1208
00:54:08,800 --> 00:54:10,600
Speaker 2: I'm like swallowing. I don't know, I just didn't have

1209
00:54:10,680 --> 00:54:13,200
Speaker 2: energy this episode. You know I've talked about this is

1210
00:54:13,200 --> 00:54:13,960
Speaker 2: a vocal.

1211
00:54:13,760 --> 00:54:16,719
Speaker 1: Energy thing, Like I just have a tendency to swallow

1212
00:54:16,800 --> 00:54:19,759
Speaker 1: things or to play things down, and I felt it

1213
00:54:19,800 --> 00:54:21,520
Speaker 1: in this. It's like, oh, get the jokes.

1214
00:54:21,680 --> 00:54:23,880
Speaker 4: Maybe you maybe you wasted all your energy getting that

1215
00:54:23,880 --> 00:54:25,400
Speaker 4: pointer out of your pocket that could have been in

1216
00:54:26,239 --> 00:54:30,920
Speaker 4: so Sean. Sean emphasizes that Fred never spent more than

1217
00:54:30,960 --> 00:54:34,160
Speaker 4: seventy five seconds at either location, so they'll need to

1218
00:54:34,239 --> 00:54:35,800
Speaker 4: time everything out, Corey.

1219
00:54:36,400 --> 00:54:44,480
Speaker 1: Point of fatigue happens to everybody.

1220
00:54:44,600 --> 00:54:45,560
Speaker 2: It's happened no matter how.

1221
00:54:45,520 --> 00:54:47,600
Speaker 5: Much you reach in your pocket and play around. There's

1222
00:54:47,640 --> 00:54:49,000
Speaker 5: point of this point of.

1223
00:54:51,280 --> 00:54:53,800
Speaker 4: Corey points out that in a cartoon, time is compressed.

1224
00:54:54,000 --> 00:54:56,280
Speaker 4: Sean with a slight meta pause, As sure as Corey,

1225
00:54:56,400 --> 00:54:59,160
Speaker 4: it's the same thing. Corey explains, a television show can

1226
00:54:59,160 --> 00:55:02,480
Speaker 4: cover many days only one half hour program. Sean raderates,

1227
00:55:02,480 --> 00:55:04,960
Speaker 4: doubling down with an unseen week. Trust me, it's the

1228
00:55:04,960 --> 00:55:05,319
Speaker 4: same thing.

1229
00:55:05,400 --> 00:55:06,720
Speaker 2: It's great. Great.

1230
00:55:07,160 --> 00:55:09,160
Speaker 1: I think somewhere in here we missed a huh.

1231
00:55:12,120 --> 00:55:12,480
Speaker 2: He does?

1232
00:55:12,520 --> 00:55:14,400
Speaker 4: He does a great Corey, ha, add that to the

1233
00:55:14,400 --> 00:55:17,160
Speaker 4: little ticker counter or titeam whatever we're out there.

1234
00:55:17,719 --> 00:55:18,240
Speaker 2: Very meta.

1235
00:55:18,360 --> 00:55:21,080
Speaker 4: I love all of it. Sean reveals how Fred got

1236
00:55:21,080 --> 00:55:22,920
Speaker 4: caught trying to be two places at once. He was

1237
00:55:22,960 --> 00:55:26,200
Speaker 4: accidentally wearing his water buffalo helmet to Pebble's birthday party,

1238
00:55:26,239 --> 00:55:27,719
Speaker 4: and his wife then hit him on the head with

1239
00:55:27,760 --> 00:55:30,840
Speaker 4: a frying pan. Corey states, we can't let that happen, Barney.

1240
00:55:30,880 --> 00:55:33,040
Speaker 4: They shake hands. I'm here for you, Fred.

1241
00:55:33,560 --> 00:55:35,000
Speaker 2: Cute love little scene.

1242
00:55:35,080 --> 00:55:35,319
Speaker 5: Great.

1243
00:55:36,239 --> 00:55:38,560
Speaker 4: I know you didn't like it, and to be fair,

1244
00:55:38,600 --> 00:55:40,279
Speaker 4: writer Jensen didn't love it either.

1245
00:55:40,840 --> 00:55:44,040
Speaker 2: Thanks Jensen. So you've got a partner there because you feel.

1246
00:55:43,880 --> 00:55:47,440
Speaker 1: The potential for it to be brilliant and it's the writing,

1247
00:55:47,520 --> 00:55:50,360
Speaker 1: it's all. It's it's it's all in the actual execution.

1248
00:55:50,440 --> 00:55:51,520
Speaker 1: I think the writing's fine.

1249
00:55:51,760 --> 00:55:55,080
Speaker 2: Yeah. So the wrestling match, this is the Kia Forum,

1250
00:55:55,320 --> 00:55:57,839
Speaker 2: Then it was the Great Western Forum in la is

1251
00:55:57,840 --> 00:55:59,160
Speaker 2: flipping between WWF.

1252
00:55:59,400 --> 00:56:01,680
Speaker 1: Yes, I thought we were at the Mighty Ducks.

1253
00:56:02,320 --> 00:56:03,480
Speaker 5: No, that was definitely the Forum.

1254
00:56:03,719 --> 00:56:04,600
Speaker 2: Yep, that's the Forum.

1255
00:56:05,280 --> 00:56:07,040
Speaker 1: Huh, all my life.

1256
00:56:07,080 --> 00:56:14,280
Speaker 2: I thought I was at least the outside the Ducks.

1257
00:56:14,520 --> 00:56:16,839
Speaker 5: Okay, then they probably they just used the static.

1258
00:56:16,480 --> 00:56:21,360
Speaker 6: Footage us interesting, you want to it's because that shot

1259
00:56:21,360 --> 00:56:24,120
Speaker 6: of the Forum there's no writing of any kind, whereas

1260
00:56:24,520 --> 00:56:27,680
Speaker 6: the Anaheim Stadium probably has ducks and stuff all over it.

1261
00:56:27,719 --> 00:56:30,520
Speaker 1: So you're right, yeah, but Disney had bought the Mighty Ducks,

1262
00:56:30,520 --> 00:56:32,839
Speaker 1: so that's why we were in there, right, Yeah.

1263
00:56:33,400 --> 00:56:35,440
Speaker 4: So Jake the Snake Roberts is in the ring as

1264
00:56:35,440 --> 00:56:38,440
Speaker 4: the announcer Brother Love, a red faced reverend character played

1265
00:56:38,440 --> 00:56:41,200
Speaker 4: by w w F writer and producer Bruce Pritchard. He

1266
00:56:41,280 --> 00:56:43,520
Speaker 4: yells into the mic he is the best he is.

1267
00:56:43,680 --> 00:56:46,759
Speaker 4: Vader Vader enters the arena in a cloud of fog,

1268
00:56:46,840 --> 00:56:48,959
Speaker 4: wearing a singlet that says Vader time.

1269
00:56:49,480 --> 00:56:52,360
Speaker 1: Okay, now, did the audio strike you guys, it's just

1270
00:56:52,560 --> 00:56:57,680
Speaker 1: so weird. Well it's it's echoey, but it's also it

1271
00:56:57,760 --> 00:57:00,839
Speaker 1: sounds like you either dubbed a bunch of stuff or

1272
00:57:00,880 --> 00:57:04,200
Speaker 1: that because it's so loud in there that they might

1273
00:57:04,200 --> 00:57:06,279
Speaker 1: have had you ad r some stuff or they might

1274
00:57:06,320 --> 00:57:09,440
Speaker 1: have taken a track. And his announcer voice is super low.

1275
00:57:10,040 --> 00:57:12,680
Speaker 1: I thought the whole thing from here on, I was like,

1276
00:57:12,800 --> 00:57:14,920
Speaker 1: what is going on? And like, I just felt like

1277
00:57:15,280 --> 00:57:16,400
Speaker 1: it's audio.

1278
00:57:16,600 --> 00:57:19,640
Speaker 2: It's actual footage from WWF.

1279
00:57:19,160 --> 00:57:22,640
Speaker 1: Right, which I guess if you watch WWF, that audio

1280
00:57:22,720 --> 00:57:25,320
Speaker 1: makes sense. But like when he throws the chair into

1281
00:57:25,320 --> 00:57:27,360
Speaker 1: the ring and you don't hear it, I was like,

1282
00:57:27,480 --> 00:57:28,880
Speaker 1: what is going on exactly?

1283
00:57:28,880 --> 00:57:31,480
Speaker 2: And that's because that's real footage.

1284
00:57:30,920 --> 00:57:34,920
Speaker 1: Right, And that's so weird. Was the was the announcer?

1285
00:57:35,240 --> 00:57:37,920
Speaker 1: Could you hear the announcer when you were there? I

1286
00:57:37,960 --> 00:57:40,120
Speaker 1: have no recollection, okay, so I'm wondering.

1287
00:57:39,920 --> 00:57:41,000
Speaker 2: Was the announce cannot right?

1288
00:57:41,160 --> 00:57:41,480
Speaker 5: Okay?

1289
00:57:41,600 --> 00:57:44,080
Speaker 3: Because I was wondering if the announcer is actually saying

1290
00:57:44,120 --> 00:57:47,520
Speaker 3: boy meets World things or if you recorded that later he.

1291
00:57:47,560 --> 00:57:48,120
Speaker 2: Could have been.

1292
00:57:48,200 --> 00:57:51,240
Speaker 4: But it's only for the broadcast. It's what's on it's

1293
00:57:51,240 --> 00:57:51,880
Speaker 4: what's on TV.

1294
00:57:52,040 --> 00:57:52,720
Speaker 2: You don't hear it.

1295
00:57:53,080 --> 00:57:55,800
Speaker 4: No live, you don't hear what that guy is saying.

1296
00:57:55,800 --> 00:57:58,760
Speaker 4: He's speaking into a mic that goes to the TV broadcast.

1297
00:57:58,480 --> 00:58:00,560
Speaker 1: Because I was wondering if he's announcing like and that's

1298
00:58:00,600 --> 00:58:02,640
Speaker 1: his son, then he's here with his son's friend, like

1299
00:58:02,680 --> 00:58:04,800
Speaker 1: people actually heard that, or if that was actually part

1300
00:58:04,800 --> 00:58:06,600
Speaker 1: of the ww A.

1301
00:58:06,760 --> 00:58:08,440
Speaker 2: It was actual chaos.

1302
00:58:08,840 --> 00:58:13,200
Speaker 1: It was just here chaos. No one knew what was happening.

1303
00:58:13,200 --> 00:58:15,080
Speaker 1: No one knew what was going on. We couldn't hear

1304
00:58:15,120 --> 00:58:17,880
Speaker 1: each other, we couldn't hear our crew. It was Michael

1305
00:58:17,920 --> 00:58:19,800
Speaker 1: Shay was like having a heart attack.

1306
00:58:19,920 --> 00:58:21,760
Speaker 2: It was it was.

1307
00:58:21,920 --> 00:58:25,680
Speaker 4: I could tell that it was chaos and that you

1308
00:58:25,720 --> 00:58:26,880
Speaker 4: guys didn't know what to do.

1309
00:58:27,000 --> 00:58:29,800
Speaker 2: And do you know how I did? You know, maybe

1310
00:58:30,040 --> 00:58:32,600
Speaker 2: we all have the same thing. Do you know why?

1311
00:58:32,680 --> 00:58:34,840
Speaker 2: I know you guys had no idea what was going on.

1312
00:58:35,800 --> 00:58:37,800
Speaker 1: The moment when Ben and I get into the ring

1313
00:58:38,080 --> 00:58:40,280
Speaker 1: and we like, is that what we do?

1314
00:58:40,520 --> 00:58:41,360
Speaker 5: Yees do?

1315
00:58:41,880 --> 00:58:45,280
Speaker 4: Ben doesn't have no idea why we are there, and

1316
00:58:45,800 --> 00:58:48,959
Speaker 4: you know, he's literally just going, don't know what I'm doing.

1317
00:58:49,040 --> 00:58:51,400
Speaker 1: I got like an Egyptian, Yet I do the same thing.

1318
00:58:51,440 --> 00:58:54,080
Speaker 1: I go like, I do this weird like and it's

1319
00:58:54,120 --> 00:58:56,680
Speaker 1: so obvious that the two of us are panicking and

1320
00:58:56,760 --> 00:58:59,760
Speaker 1: thrown in front of thousands and thousands of people and

1321
00:59:00,080 --> 00:59:01,880
Speaker 1: are like, are we supposed to just be here in

1322
00:59:01,920 --> 00:59:02,280
Speaker 1: the ram?

1323
00:59:02,320 --> 00:59:06,520
Speaker 2: What's happening? Ben's dance is for me the dead giveaway?

1324
00:59:08,640 --> 00:59:11,640
Speaker 1: What's going on that I was in Okay, I obviously

1325
00:59:11,800 --> 00:59:15,360
Speaker 1: remembered being in a Jake this There was a snake python.

1326
00:59:15,560 --> 00:59:17,880
Speaker 2: I saw that too. I was like, wait, he's in the.

1327
00:59:17,920 --> 00:59:22,560
Speaker 1: Ring with Jake. I didn't I've heard of Jake the

1328
00:59:22,640 --> 00:59:25,520
Speaker 1: snake in in reality somewhere, but I didn't know. I

1329
00:59:25,640 --> 00:59:28,080
Speaker 1: met the guy, I met the snake.

1330
00:59:28,400 --> 00:59:29,800
Speaker 2: Of you almost wrestled him.

1331
00:59:29,840 --> 00:59:32,680
Speaker 1: Also, the snake was already out, and then later in

1332
00:59:32,680 --> 00:59:35,120
Speaker 1: the episode we talked about, oh the snake's coming out

1333
00:59:35,440 --> 00:59:36,560
Speaker 1: is that snake comes back?

1334
00:59:36,920 --> 00:59:39,360
Speaker 5: It comes back when he's gonna win Snake.

1335
00:59:39,440 --> 00:59:42,080
Speaker 1: He brings the snake on us right in the beginning,

1336
00:59:42,080 --> 00:59:42,520
Speaker 1: and it's like that.

1337
00:59:42,560 --> 00:59:44,960
Speaker 3: But that's he he starts the match that they put

1338
00:59:45,000 --> 00:59:46,720
Speaker 3: it away and then it's going to beat the guy.

1339
00:59:46,760 --> 00:59:48,080
Speaker 3: Then he brings the snake back out, I think, and

1340
00:59:48,120 --> 00:59:53,680
Speaker 3: lays it on the dude, right yeah, okay.

1341
00:59:54,720 --> 00:59:57,280
Speaker 4: Brother Love also points out that he's accompanied by Corey

1342
00:59:57,320 --> 00:59:59,360
Speaker 4: Sean and Frankie Junior, who were acting as a special

1343
00:59:59,400 --> 01:00:02,080
Speaker 4: advisers for this matchup because if Vader is victorious, it

1344
01:00:02,120 --> 01:00:05,040
Speaker 4: puts them in line for a title shot. Vader throws

1345
01:00:05,080 --> 01:00:07,200
Speaker 4: a chair at the ring, barely missing the ref earl.

1346
01:00:07,720 --> 01:00:10,040
Speaker 4: No sound, Oh yeah, I know that, but yeah.

1347
01:00:10,000 --> 01:00:10,760
Speaker 2: Couldn't get over it.

1348
01:00:10,800 --> 01:00:13,040
Speaker 1: Sound is just made just ruin the rest of the

1349
01:00:13,080 --> 01:00:16,560
Speaker 1: episode for me, what did No? No, I don't because

1350
01:00:16,560 --> 01:00:19,120
Speaker 1: if you're used to wrestling, you're used to like this

1351
01:00:19,760 --> 01:00:23,439
Speaker 1: sound universe. But the transition from regular boy meets world

1352
01:00:23,480 --> 01:00:25,040
Speaker 1: sound to this was just so jarring.

1353
01:00:25,080 --> 01:00:25,840
Speaker 2: I couldn't get over it.

1354
01:00:25,760 --> 01:00:26,920
Speaker 1: It's like, what is happening?

1355
01:00:27,240 --> 01:00:29,280
Speaker 4: Yeah, I mean the back and forth between the real

1356
01:00:29,280 --> 01:00:32,200
Speaker 4: footage and the yeah, and the cameras are also different,

1357
01:00:32,200 --> 01:00:34,720
Speaker 4: so it has a different even different look, different sound.

1358
01:00:36,720 --> 01:00:40,040
Speaker 4: So uh, the announcer continues, he is here to impress

1359
01:00:40,040 --> 01:00:40,960
Speaker 4: his son Frankie.

1360
01:00:41,000 --> 01:00:42,320
Speaker 2: He has something to prove tonight.

1361
01:00:42,600 --> 01:00:45,240
Speaker 4: Frankie, Sean, and Corey all enter the wrestling ring basking,

1362
01:00:45,240 --> 01:00:48,880
Speaker 4: and the jeers from real fans those are all none

1363
01:00:48,880 --> 01:00:51,080
Speaker 4: of those are background it.

1364
01:00:51,760 --> 01:00:54,720
Speaker 1: Although later they try and give us five like when

1365
01:00:54,720 --> 01:00:56,360
Speaker 1: Ben and I are running back, they're like holding their

1366
01:00:56,400 --> 01:00:57,800
Speaker 1: hands out to get high fives from us.

1367
01:00:57,800 --> 01:01:00,920
Speaker 4: I was like, oh, oh yeah, well they'll do even

1368
01:01:00,960 --> 01:01:01,880
Speaker 4: if they don't hate you.

1369
01:01:01,960 --> 01:01:03,000
Speaker 2: Yeah. Yeah.

1370
01:01:03,240 --> 01:01:06,760
Speaker 4: So Jake grabs a real python from his bag and

1371
01:01:06,840 --> 01:01:09,320
Speaker 4: walks toward the boys with it. They're fearful, leaving the

1372
01:01:09,400 --> 01:01:13,280
Speaker 4: ring and allowing Vader to enter. The fight begins. As

1373
01:01:13,320 --> 01:01:15,520
Speaker 4: they grapple, Sean points to his watch to Corey it's

1374
01:01:15,560 --> 01:01:18,160
Speaker 4: time to leave. Frankie asks where they're going going, and

1375
01:01:18,240 --> 01:01:21,360
Speaker 4: Corey stutters, they forgot to buy programs. Sean emphasizes, you

1376
01:01:21,360 --> 01:01:24,080
Speaker 4: can't tell the players apart without a program. Frankie looks

1377
01:01:24,080 --> 01:01:26,240
Speaker 4: into the ring and points at each wrestler. My father,

1378
01:01:26,680 --> 01:01:27,320
Speaker 4: not my father?

1379
01:01:27,440 --> 01:01:32,160
Speaker 2: How hard can this be? And no laugh? No, no laugh?

1380
01:01:32,240 --> 01:01:35,480
Speaker 1: Track that I have audio is so jarring to me. Yeah,

1381
01:01:35,520 --> 01:01:39,200
Speaker 1: but so all of the scenes with dialogue next to

1382
01:01:39,200 --> 01:01:41,200
Speaker 1: the ring, we had to shoot, yeah, ahead of time,

1383
01:01:41,440 --> 01:01:42,880
Speaker 1: And that's why you never see any of.

1384
01:01:42,880 --> 01:01:44,200
Speaker 2: The audience crowd exactly.

1385
01:01:44,280 --> 01:01:47,280
Speaker 1: You can always you know, it's like a super Yeah,

1386
01:01:47,520 --> 01:01:48,120
Speaker 1: it's a bummer.

1387
01:01:49,440 --> 01:01:52,080
Speaker 2: So, by the way, seventy five seconds.

1388
01:01:52,640 --> 01:01:55,600
Speaker 4: Anyone who's ever been to the Forum unless Tapanga's birthday

1389
01:01:55,600 --> 01:01:58,360
Speaker 4: party is at the Forum Club, which is then.

1390
01:01:58,240 --> 01:02:01,160
Speaker 2: Even if you'd have to be in row g to

1391
01:02:01,280 --> 01:02:02,120
Speaker 2: have the party there.

1392
01:02:02,160 --> 01:02:04,080
Speaker 3: To me, you're not even gonna make the Forum Club

1393
01:02:04,120 --> 01:02:05,200
Speaker 3: in seventy five seconds.

1394
01:02:05,320 --> 01:02:07,760
Speaker 4: You might get the Forum Club in seventy five cents seconds.

1395
01:02:07,760 --> 01:02:10,320
Speaker 4: I can I have it's a TV show the right cake.

1396
01:02:10,600 --> 01:02:14,760
Speaker 4: They have great cake in the Forum Club. Fine, if

1397
01:02:14,760 --> 01:02:16,880
Speaker 4: there's cake, I can get there in seventy five seconds.

1398
01:02:16,880 --> 01:02:18,920
Speaker 2: Okay, writer, We'll relax and I'm the.

1399
01:02:18,880 --> 01:02:20,240
Speaker 5: Only one who relax and had fun.

1400
01:02:20,280 --> 01:02:21,960
Speaker 2: You guys are we and.

1401
01:02:21,920 --> 01:02:24,240
Speaker 1: Sean are running in a car with no wheels? We

1402
01:02:24,280 --> 01:02:28,360
Speaker 1: have to run, right, That would have been a great

1403
01:02:28,560 --> 01:02:30,200
Speaker 1: thing if we had just like showed up in.

1404
01:02:30,240 --> 01:02:31,680
Speaker 2: Like a rock wires.

1405
01:02:32,000 --> 01:02:34,800
Speaker 1: Yes, if we had like pulled up and ran and

1406
01:02:35,040 --> 01:02:38,240
Speaker 1: holding a car around us, that would your feet your

1407
01:02:38,240 --> 01:02:40,640
Speaker 1: feet smoking, And then we always there, We always do

1408
01:02:40,720 --> 01:02:43,320
Speaker 1: the sound, the sound.

1409
01:02:44,240 --> 01:02:47,400
Speaker 2: And then they came running in. We're smoking? That was

1410
01:02:48,760 --> 01:02:49,880
Speaker 2: where were you? If?

1411
01:02:49,880 --> 01:02:50,160
Speaker 5: That was?

1412
01:02:50,560 --> 01:02:51,800
Speaker 1: Oh, that's so funny.

1413
01:02:52,000 --> 01:02:54,439
Speaker 2: You see you had been there that week? You miss

1414
01:02:54,800 --> 01:03:00,520
Speaker 2: having will around? Yes, So then we're at Topanga Sweets sixteen.

1415
01:03:00,600 --> 01:03:02,800
Speaker 4: It appears to be a cute little events base and

1416
01:03:02,840 --> 01:03:05,560
Speaker 4: there's lots of people there. Corey and Sean rush in,

1417
01:03:05,600 --> 01:03:07,840
Speaker 4: barely getting their suit jackets on in time. He walks

1418
01:03:07,920 --> 01:03:10,200
Speaker 4: up to Tapanga, who's in a bright red dress. There

1419
01:03:10,240 --> 01:03:12,400
Speaker 4: you are. I've been looking for you everywhere. I've been

1420
01:03:12,400 --> 01:03:13,920
Speaker 4: here for twenty minutes. I couldn't find you because of

1421
01:03:13,960 --> 01:03:16,160
Speaker 4: the size of this turnout, He says, he's running his

1422
01:03:16,200 --> 01:03:17,960
Speaker 4: mouth for too long, keeping her from mingling with the

1423
01:03:18,000 --> 01:03:20,880
Speaker 4: rest of her interesting guests. He pushes her to do

1424
01:03:20,920 --> 01:03:23,400
Speaker 4: a lap while Sean hides behind a tree. He's already

1425
01:03:23,440 --> 01:03:25,160
Speaker 4: hit his seventy five seconds.

1426
01:03:24,880 --> 01:03:28,360
Speaker 2: To mention Sean hiding. I know, why isn't Sean just there?

1427
01:03:29,080 --> 01:03:30,640
Speaker 1: He wasn't, but that was That was the thing that

1428
01:03:30,680 --> 01:03:33,600
Speaker 1: was really interesting is they never even allude to the

1429
01:03:33,600 --> 01:03:36,480
Speaker 1: fact that Sean was invited to the party. Well, no,

1430
01:03:36,640 --> 01:03:38,720
Speaker 1: never even like there's no allegation for him.

1431
01:03:38,800 --> 01:03:39,439
Speaker 2: Nothing there.

1432
01:03:39,800 --> 01:03:42,600
Speaker 4: I will say, for for as much of this episode

1433
01:03:42,600 --> 01:03:45,880
Speaker 4: as like, oh it's Tapanga Sweet sixteen, it is so

1434
01:03:46,320 --> 01:03:48,760
Speaker 4: not at all about Tapanga, there's not.

1435
01:03:49,320 --> 01:03:52,520
Speaker 2: It's like I have a very small part in it.

1436
01:03:52,520 --> 01:03:55,280
Speaker 2: It's not. It doesn't feel I don't know, but the.

1437
01:03:55,200 --> 01:04:00,000
Speaker 1: Easiest Sewan stays at the party. No, Sean has no

1438
01:04:00,200 --> 01:04:01,520
Speaker 1: need to be at the wrestling.

1439
01:04:01,360 --> 01:04:04,200
Speaker 2: So Sean's gonna with Penga with.

1440
01:04:04,320 --> 01:04:08,080
Speaker 1: Panga distracts her the whole night keeps, you know, and

1441
01:04:08,120 --> 01:04:11,800
Speaker 1: then yeah, or Sean goes to the wrestling match.

1442
01:04:11,640 --> 01:04:17,480
Speaker 2: With a walkie talkie, I think, come on the thing,

1443
01:04:17,560 --> 01:04:17,880
Speaker 2: and then you do.

1444
01:04:18,960 --> 01:04:19,840
Speaker 1: But they didn't exist.

1445
01:04:20,000 --> 01:04:22,120
Speaker 3: No, you do this thing where you're getting the wrong way,

1446
01:04:22,800 --> 01:04:25,320
Speaker 3: you're hearing the wrong thing, so you're saying the wrong thing.

1447
01:04:25,600 --> 01:04:28,360
Speaker 5: Your coach's still a bunch of stuff. Yeah.

1448
01:04:28,400 --> 01:04:31,600
Speaker 3: Also, I think they missed a good opportunity to have

1449
01:04:31,880 --> 01:04:34,640
Speaker 3: Feenie at the Sweet sixteen watching all this stuff happen,

1450
01:04:35,480 --> 01:04:37,400
Speaker 3: would totally invited to her.

1451
01:04:38,280 --> 01:04:42,120
Speaker 4: Even better to Penga is a huge Vader fan, and

1452
01:04:42,160 --> 01:04:44,760
Speaker 4: he's in the audience with a Vader mask on.

1453
01:04:45,280 --> 01:04:49,200
Speaker 2: Oh God, after a salad day.

1454
01:04:49,240 --> 01:04:53,680
Speaker 4: You know, we know that that Vader Leslie is part

1455
01:04:53,720 --> 01:04:56,920
Speaker 4: of the PTA meetings. Yeah, so they could have known.

1456
01:04:57,080 --> 01:04:59,200
Speaker 4: They could know each other very well. He could have

1457
01:04:59,240 --> 01:05:01,919
Speaker 4: been there. I we Yeah, they gave every they paid

1458
01:05:01,920 --> 01:05:04,480
Speaker 4: everybody and gave everybody a week off, and they could

1459
01:05:04,520 --> 01:05:07,560
Speaker 4: have had some some people. Tepega mentions the dance that

1460
01:05:07,600 --> 01:05:09,760
Speaker 4: the two of them will have tonight, and though Cory

1461
01:05:09,880 --> 01:05:12,240
Speaker 4: agrees about the importance of it, he has Sean whisper

1462
01:05:12,320 --> 01:05:14,520
Speaker 4: yelling at him to yell to wrap it up. Corey

1463
01:05:14,560 --> 01:05:16,600
Speaker 4: starts to run away, and t Peg asks where he's going.

1464
01:05:16,760 --> 01:05:18,960
Speaker 4: Corey lies, your aunt Ruthie. She's over there, and for

1465
01:05:19,040 --> 01:05:21,680
Speaker 4: how long no one knows. He walks her over to Ruthie.

1466
01:05:21,680 --> 01:05:23,280
Speaker 4: In fact, no one knows how long any of us

1467
01:05:23,280 --> 01:05:24,720
Speaker 4: will be there. He runs over to Sean.

1468
01:05:24,800 --> 01:05:25,440
Speaker 2: That was crazy.

1469
01:05:25,640 --> 01:05:27,520
Speaker 4: Corey responds, I don't even know what I said. Sean

1470
01:05:27,560 --> 01:05:29,480
Speaker 4: pulls out their shirts and masks for the wrestling match

1471
01:05:29,480 --> 01:05:30,080
Speaker 4: and they sprint time.

1472
01:05:30,120 --> 01:05:31,120
Speaker 1: Here's how I know I'm old.

1473
01:05:31,400 --> 01:05:34,520
Speaker 2: I was like, Ruthie's not that old. I know the

1474
01:05:34,560 --> 01:05:41,200
Speaker 2: same Ruthie. I'm like, she's just like my age, maybe

1475
01:05:41,200 --> 01:05:44,920
Speaker 2: in fifties. Calm down, dude, And then we're.

1476
01:05:44,800 --> 01:05:46,680
Speaker 4: Back at the wrestling match. Jake the Snake is throwing

1477
01:05:46,760 --> 01:05:49,040
Speaker 4: some punches at Vader, knocking him onto the mat. Corey

1478
01:05:49,040 --> 01:05:50,320
Speaker 4: and Sean make it back to Frankie.

1479
01:05:50,400 --> 01:05:51,840
Speaker 2: Where have you been? Frankie asks.

1480
01:05:52,000 --> 01:05:54,800
Speaker 4: Corey starts to talk about Frankie's aunt Ruthie, before getting

1481
01:05:54,800 --> 01:05:56,840
Speaker 4: cut off by Sean. He's talking about the other place.

1482
01:05:57,120 --> 01:05:59,640
Speaker 4: Either way, Frankie needs some tips from Corey. Vader is

1483
01:05:59,640 --> 01:06:02,520
Speaker 4: strugg Corey advises to look out for the DDT and

1484
01:06:02,520 --> 01:06:05,320
Speaker 4: Frankie passes along the info. This allows his dad to

1485
01:06:05,320 --> 01:06:08,520
Speaker 4: successfully avoid a big attack, and then Sean taps his

1486
01:06:08,560 --> 01:06:09,520
Speaker 4: watch seventy five.

1487
01:06:09,680 --> 01:06:10,360
Speaker 2: They need to leave.

1488
01:06:10,600 --> 01:06:13,040
Speaker 4: Frankie again asks where they're going, and Corey can't think

1489
01:06:13,040 --> 01:06:15,160
Speaker 4: of a lie in time, telling Frankie the end before

1490
01:06:15,240 --> 01:06:15,720
Speaker 4: running off.

1491
01:06:27,720 --> 01:06:28,080
Speaker 2: All right.

1492
01:06:28,120 --> 01:06:29,960
Speaker 4: Now, Back at Ta Pega Sweet sixteen, Corey and shown

1493
01:06:30,000 --> 01:06:32,920
Speaker 4: Bolton's side, still wearing their wrestling masks. Corey's getting cocky,

1494
01:06:32,960 --> 01:06:35,640
Speaker 4: bragging about how easy this is. Sean is very clearly

1495
01:06:35,680 --> 01:06:38,080
Speaker 4: looking at Corey, who is still wearing his wrestling mask,

1496
01:06:38,200 --> 01:06:40,360
Speaker 4: but he completely disregards it at first, and then at

1497
01:06:40,360 --> 01:06:42,880
Speaker 4: the last last second he says, your mask.

1498
01:06:43,200 --> 01:06:45,480
Speaker 2: Whew. Corey walks over to Tapanga again.

1499
01:06:45,480 --> 01:06:47,840
Speaker 1: It's a classic rider. Could have I could have played

1500
01:06:47,880 --> 01:06:50,880
Speaker 1: that joke better. Really, Yes, I'm like, I don't know.

1501
01:06:50,920 --> 01:06:53,360
Speaker 1: It's like because I was waiting for the like does

1502
01:06:53,520 --> 01:06:56,480
Speaker 1: you know of course you're watching it going you notice that?

1503
01:06:56,520 --> 01:06:59,080
Speaker 1: Are you going to? And like I just barrel through it.

1504
01:06:59,080 --> 01:06:59,960
Speaker 1: I'm just like take off them.

1505
01:07:00,400 --> 01:07:03,040
Speaker 2: I'm like, that's a joke. I don't know. I was like,

1506
01:07:03,120 --> 01:07:04,080
Speaker 2: come on, that's.

1507
01:07:03,880 --> 01:07:10,000
Speaker 4: Funny play it writer, time machine getting our moments.

1508
01:07:10,200 --> 01:07:11,160
Speaker 2: Yeah.

1509
01:07:11,240 --> 01:07:13,960
Speaker 4: Corey walks over to Tapanga again, saying where have you been?

1510
01:07:14,040 --> 01:07:15,959
Speaker 4: I've been back and forth across this room about twenty

1511
01:07:16,000 --> 01:07:18,720
Speaker 4: times looking for you. Tobanga worriedly points out that he's

1512
01:07:18,760 --> 01:07:21,000
Speaker 4: out of breath, and Corey explains he can breathe easy

1513
01:07:21,000 --> 01:07:23,320
Speaker 4: now that he's found her. To Banka apologizes and Corey

1514
01:07:23,360 --> 01:07:25,440
Speaker 4: says accepted, see you later. He tries to run off,

1515
01:07:25,440 --> 01:07:27,919
Speaker 4: but to Panga stops him. Where are you going? Corey says, nowhere.

1516
01:07:27,960 --> 01:07:29,920
Speaker 2: There's still the matter of that special dance that's so

1517
01:07:29,960 --> 01:07:31,840
Speaker 2: important to you me us.

1518
01:07:32,200 --> 01:07:34,560
Speaker 4: Topanga smiles. She's happy to hear this means something to

1519
01:07:34,600 --> 01:07:36,840
Speaker 4: Corey too. She walks off to go tell the DJ,

1520
01:07:37,080 --> 01:07:39,640
Speaker 4: who appears to be named Larry by the sign.

1521
01:07:39,400 --> 01:07:46,360
Speaker 1: And is by Larry Yeah, yeah, no, Larry.

1522
01:07:46,600 --> 01:07:47,280
Speaker 2: Ben has a lot.

1523
01:07:47,360 --> 01:07:49,200
Speaker 1: I wrote this note and I'm trying to Ben has

1524
01:07:49,200 --> 01:07:52,320
Speaker 1: this line where he says, huh do you guys know what.

1525
01:07:52,240 --> 01:07:54,000
Speaker 2: I'm talking about? Non?

1526
01:07:55,520 --> 01:07:57,200
Speaker 1: It was like one of the most rare. I was like,

1527
01:07:57,280 --> 01:07:58,720
Speaker 1: is this a reference to something?

1528
01:07:58,880 --> 01:08:00,760
Speaker 2: I wish I could pull up? The episod? So all right, well,

1529
01:08:00,840 --> 01:08:01,640
Speaker 2: where does he say?

1530
01:08:01,720 --> 01:08:03,760
Speaker 1: Puh in this scene, I don't know I wrote down

1531
01:08:03,840 --> 01:08:06,320
Speaker 1: puh question mark because I think he's like trying to

1532
01:08:06,320 --> 01:08:08,360
Speaker 1: distract you or something. He just says like, puh.

1533
01:08:08,680 --> 01:08:09,960
Speaker 2: I don't know what it is, but I was.

1534
01:08:09,880 --> 01:08:12,480
Speaker 1: Like, what is this a reference to? All right, well,

1535
01:08:12,480 --> 01:08:14,680
Speaker 1: if you guys didn't notice it, then you don't have

1536
01:08:14,680 --> 01:08:15,520
Speaker 1: it in your notes.

1537
01:08:15,560 --> 01:08:19,240
Speaker 4: Right now, so Sean, well, she's gone. Sean sees his chance.

1538
01:08:19,280 --> 01:08:21,320
Speaker 4: He points to Vader's wrestling match on a nearby TV.

1539
01:08:21,720 --> 01:08:23,639
Speaker 4: Jake is taking the snake out of the bag, which

1540
01:08:23,640 --> 01:08:26,920
Speaker 4: means Vader is history. Corey frantically agrees they can get

1541
01:08:26,920 --> 01:08:28,639
Speaker 4: there and back, but if they're not at the Sweet

1542
01:08:28,640 --> 01:08:32,200
Speaker 4: sixteen before the slow song starts, Corey's history, the boys

1543
01:08:32,280 --> 01:08:34,280
Speaker 4: run out just as Topanga walks from the DJ booth

1544
01:08:34,320 --> 01:08:37,000
Speaker 4: and the slow dance song starts. She searches for Corey

1545
01:08:37,040 --> 01:08:39,719
Speaker 4: as all the other guests couple up and start to dance,

1546
01:08:40,479 --> 01:08:42,960
Speaker 4: and they all look at her in absolute disgust, and

1547
01:08:43,000 --> 01:08:46,639
Speaker 4: one of the background actors says, Oh, my god, really

1548
01:08:47,520 --> 01:08:48,120
Speaker 4: like you look.

1549
01:08:48,479 --> 01:08:53,600
Speaker 1: It's like you look so sad and dejected just by yourself.

1550
01:08:53,160 --> 01:08:55,160
Speaker 5: Holding your own hands up your party.

1551
01:08:55,200 --> 01:08:56,160
Speaker 2: Is this a real song?

1552
01:08:56,280 --> 01:08:57,679
Speaker 1: Or did we write this song.

1553
01:08:57,560 --> 01:08:59,400
Speaker 2: I have no idea. It's a weird take on a

1554
01:08:59,439 --> 01:09:00,519
Speaker 2: happy bird song.

1555
01:09:00,640 --> 01:09:03,960
Speaker 1: Yeah, after the day you're sixteen.

1556
01:09:05,240 --> 01:09:09,840
Speaker 10: You're wearing red and I look down and literally the

1557
01:09:09,920 --> 01:09:13,120
Speaker 10: background actor that's right over my right shoulder and camera

1558
01:09:13,200 --> 01:09:16,439
Speaker 10: left side goes, oh my.

1559
01:09:15,880 --> 01:09:19,720
Speaker 2: God, oh great. I thought the same thing.

1560
01:09:19,720 --> 01:09:21,880
Speaker 3: I'm like, oh, that's a that's an interesting shot, just

1561
01:09:22,240 --> 01:09:24,960
Speaker 3: to Panga by yourself, just abject.

1562
01:09:24,439 --> 01:09:26,200
Speaker 4: Horror, like oh no, by the way, these are all

1563
01:09:26,200 --> 01:09:28,120
Speaker 4: supposed to the friends of mine, and everyone.

1564
01:09:27,960 --> 01:09:34,120
Speaker 2: Just like, what good there? Sixteen.

1565
01:09:35,640 --> 01:09:37,679
Speaker 1: You also spent quite a bit of money on the party,

1566
01:09:37,720 --> 01:09:41,880
Speaker 1: if you notice you got the gold Shafari chairs, folding chair,

1567
01:09:42,560 --> 01:09:43,679
Speaker 1: and you went for Larry.

1568
01:09:43,720 --> 01:09:47,240
Speaker 5: Everybody does like if they go cheap, So that was impressive.

1569
01:09:47,439 --> 01:09:49,920
Speaker 1: And you got a TV that's playing the wrestling metage.

1570
01:09:49,960 --> 01:09:51,880
Speaker 2: I mean, it was a big deal. Watch it was

1571
01:09:51,920 --> 01:09:53,639
Speaker 2: a short party, but a big deal.

1572
01:09:53,840 --> 01:09:57,240
Speaker 1: And you commissioned your own sweet sixteen song apparently.

1573
01:09:59,680 --> 01:10:03,639
Speaker 2: Ver Court. So we return to the wrestling match.

1574
01:10:03,680 --> 01:10:06,040
Speaker 4: Corey and Sewn run up to a now disgruntled Frankie

1575
01:10:06,040 --> 01:10:09,200
Speaker 4: Corey's Corey's tips aren't working. Vader is gonna lose the match,

1576
01:10:09,280 --> 01:10:11,400
Speaker 4: Corey assures him the match will turn around any second.

1577
01:10:11,600 --> 01:10:13,559
Speaker 4: Vader is pushed out of the ring over the top rope,

1578
01:10:13,640 --> 01:10:16,040
Speaker 4: landing on the floor near the boys. Frankie rushes up,

1579
01:10:16,040 --> 01:10:18,960
Speaker 4: asking if he's okay. Vader breathlessly tells his son, I've

1580
01:10:18,960 --> 01:10:21,240
Speaker 4: got nothing, boy. This is where the beatnut fighter looks

1581
01:10:21,280 --> 01:10:22,920
Speaker 4: in the crowd at the one person who can give

1582
01:10:23,000 --> 01:10:25,519
Speaker 4: him the inspiration to go on. He asks Frankie what

1583
01:10:25,640 --> 01:10:27,840
Speaker 4: he's got, and Frankie turns to Corey with the same question.

1584
01:10:28,160 --> 01:10:30,639
Speaker 4: Corey admits he's a lot of ideas. Frankie turns back

1585
01:10:30,640 --> 01:10:32,679
Speaker 4: to his father and admits he has no tips about

1586
01:10:32,720 --> 01:10:35,479
Speaker 4: pile drivers or scoop slams. All he has is the

1587
01:10:35,560 --> 01:10:38,200
Speaker 4: love of a son for his father. Frankie assures his

1588
01:10:38,280 --> 01:10:40,200
Speaker 4: dad that no matter the outcome of this match, Vader

1589
01:10:40,240 --> 01:10:42,160
Speaker 4: will always be a champion in his heart.

1590
01:10:42,600 --> 01:10:45,920
Speaker 2: Vader asks, would have been nice here? Yep?

1591
01:10:46,280 --> 01:10:48,120
Speaker 4: Vader asks if it would be okay if he won,

1592
01:10:48,200 --> 01:10:50,000
Speaker 4: and Frankie admits, my friends did come.

1593
01:10:49,880 --> 01:10:50,479
Speaker 2: All this way.

1594
01:10:50,720 --> 01:10:52,920
Speaker 4: Vader gets up and yells to his opponent, this one's

1595
01:10:52,920 --> 01:10:54,920
Speaker 4: for my son. He gets back into the ring and

1596
01:10:54,960 --> 01:10:57,639
Speaker 4: destroys Jake the Snake, finishing him off with a Vader bomb,

1597
01:10:57,720 --> 01:11:00,160
Speaker 4: which is a backwards belly flop off the ropes to

1598
01:11:00,200 --> 01:11:00,960
Speaker 4: win the match.

1599
01:11:01,080 --> 01:11:01,839
Speaker 2: Pretty impressive.

1600
01:11:02,320 --> 01:11:03,879
Speaker 1: Yeah, he was hugely athletic.

1601
01:11:04,040 --> 01:11:05,320
Speaker 2: Yeah, amazing.

1602
01:11:05,800 --> 01:11:08,200
Speaker 4: So Frankie, Corey, and Sean rush into the ring, cheering

1603
01:11:08,200 --> 01:11:10,240
Speaker 4: for Vader and giving him a huge group hug. They

1604
01:11:10,280 --> 01:11:12,600
Speaker 4: all cheer an excitement, and Corey admits, this is like

1605
01:11:12,680 --> 01:11:15,160
Speaker 4: the greatest moment of my life. Sean looks at his

1606
01:11:15,200 --> 01:11:17,400
Speaker 4: watch and breaks the news, No, it's not. They run

1607
01:11:17,439 --> 01:11:18,840
Speaker 4: out of the ring, hoping to make it back to

1608
01:11:18,880 --> 01:11:21,160
Speaker 4: Ta Panga's party in time. But we're back at to

1609
01:11:21,200 --> 01:11:22,160
Speaker 4: pangas Sweet sixty back.

1610
01:11:22,479 --> 01:11:24,720
Speaker 1: If I remember, that's the moment that we did have

1611
01:11:24,760 --> 01:11:26,960
Speaker 1: to actually save those lines in front of the audience,

1612
01:11:27,000 --> 01:11:29,240
Speaker 1: Like we had to cheer the ring and then be

1613
01:11:29,360 --> 01:11:33,200
Speaker 1: in the ring to say no right yeah, And we

1614
01:11:33,240 --> 01:11:35,880
Speaker 1: had to do it twice and that was awful and

1615
01:11:36,000 --> 01:11:38,680
Speaker 1: it was it was then and I ran to the

1616
01:11:38,680 --> 01:11:41,479
Speaker 1: locker rooms like exiting, and then we get there and

1617
01:11:41,479 --> 01:11:44,200
Speaker 1: Michael Shade is screaming at us get back out there

1618
01:11:45,760 --> 01:11:49,640
Speaker 1: because we because the match had ended and we had

1619
01:11:49,640 --> 01:11:51,760
Speaker 1: already done the scene, but they needed another take because

1620
01:11:51,760 --> 01:11:53,479
Speaker 1: I hadn't gotten the right angle or something.

1621
01:11:53,560 --> 01:11:54,439
Speaker 2: So we had to keep going.

1622
01:11:54,479 --> 01:11:56,640
Speaker 1: But there was a real wrestling show going on, so

1623
01:11:56,680 --> 01:11:59,960
Speaker 1: the audience was waiting for whatever whoever was next up.

1624
01:12:00,120 --> 01:12:02,320
Speaker 1: There was multiple wrestlers, so they had to keep the

1625
01:12:02,439 --> 01:12:04,400
Speaker 1: cheering going as if the wrestling match had just ended.

1626
01:12:04,439 --> 01:12:07,280
Speaker 1: We ran back, got back into the ring, re enacted

1627
01:12:07,320 --> 01:12:09,040
Speaker 1: what we had just done to save these lines.

1628
01:12:09,080 --> 01:12:09,439
Speaker 2: Again.

1629
01:12:09,800 --> 01:12:11,880
Speaker 1: It was awful and Ben and I were terrified.

1630
01:12:12,280 --> 01:12:13,600
Speaker 2: Oh it's the worst.

1631
01:12:14,439 --> 01:12:17,080
Speaker 4: So Corey runs back in to find Topanga sitting alone

1632
01:12:17,120 --> 01:12:19,639
Speaker 4: with no one left at the party. She nonchalantly asks,

1633
01:12:19,880 --> 01:12:21,960
Speaker 4: how's the fight going. Corey asks how she knew, and

1634
01:12:22,040 --> 01:12:24,200
Speaker 4: she points to the TV that's currently showing the replay

1635
01:12:24,240 --> 01:12:26,040
Speaker 4: of the three boys in the ring with Vader pumping

1636
01:12:26,040 --> 01:12:29,760
Speaker 4: their arms in victory. Corey tries making an excuse, and just.

1637
01:12:30,080 --> 01:12:32,400
Speaker 5: To make sense of the Yep, it's not love, but

1638
01:12:32,479 --> 01:12:36,480
Speaker 5: this sick. So you party is in full swing.

1639
01:12:37,360 --> 01:12:38,960
Speaker 2: Yeah, seventy five seconds ago.

1640
01:12:39,080 --> 01:12:41,720
Speaker 5: And then it's and then it's empty. Everybody's left by

1641
01:12:41,760 --> 01:12:42,080
Speaker 5: this point.

1642
01:12:42,160 --> 01:12:44,479
Speaker 1: Well, and when you do a replay, you play replay

1643
01:12:44,520 --> 01:12:46,719
Speaker 1: of the people cheering, right.

1644
01:12:46,640 --> 01:12:49,960
Speaker 5: Yeah, that's what you reflect seventy five seconds ago.

1645
01:12:51,439 --> 01:12:54,040
Speaker 4: So Corey tries making an excuse, but Tepega yells over

1646
01:12:54,080 --> 01:12:54,479
Speaker 4: to the tree.

1647
01:12:54,560 --> 01:12:55,040
Speaker 2: Hi, Sean.

1648
01:12:55,280 --> 01:12:57,640
Speaker 4: He sheepishly responds behind the tree, I had a very

1649
01:12:57,720 --> 01:13:02,200
Speaker 4: nice time. Thank you for inviting me here, asks Cory.

1650
01:13:02,280 --> 01:13:03,800
Speaker 4: How could you do this to me? You knew how

1651
01:13:03,800 --> 01:13:06,360
Speaker 4: important this was. Corey says he's sorry he ruined her

1652
01:13:06,360 --> 01:13:08,400
Speaker 4: party and she'll never forgive him. I guess this is

1653
01:13:08,400 --> 01:13:10,080
Speaker 4: where I get hit on the head with the frying pan.

1654
01:13:10,479 --> 01:13:13,480
Speaker 4: Tapanga asks what he's talking about, and Sean mentions the Flintstones,

1655
01:13:13,520 --> 01:13:16,439
Speaker 4: and she knows the episode they're talking about, immediately prompting

1656
01:13:16,439 --> 01:13:18,719
Speaker 4: Corey to say, and you wonder why I love this girl?

1657
01:13:18,880 --> 01:13:19,599
Speaker 1: I love that.

1658
01:13:19,600 --> 01:13:21,600
Speaker 3: That's a real thing to me, because Sue and I

1659
01:13:21,640 --> 01:13:23,080
Speaker 3: do that all the time, where she'll say one thing

1660
01:13:23,080 --> 01:13:24,280
Speaker 3: and I'll be like, and I just fell in love

1661
01:13:24,320 --> 01:13:25,400
Speaker 3: with you, o guy. Like you know, she'll make a

1662
01:13:25,439 --> 01:13:27,240
Speaker 3: Star Wars reference or something. It's like boom, there you

1663
01:13:27,280 --> 01:13:28,920
Speaker 3: go again.

1664
01:13:29,120 --> 01:13:31,120
Speaker 4: Well we all know the best woman is a woman

1665
01:13:31,120 --> 01:13:32,320
Speaker 4: who's into man things.

1666
01:13:32,439 --> 01:13:35,639
Speaker 5: Hell, yes, that's exactly.

1667
01:13:35,640 --> 01:13:36,920
Speaker 2: Star Wars is not man things.

1668
01:13:37,160 --> 01:13:40,000
Speaker 1: You're watching it wrong. This is such a cheap. It's

1669
01:13:40,040 --> 01:13:41,920
Speaker 1: so like you like the things I like.

1670
01:13:42,080 --> 01:13:46,320
Speaker 2: Therefore, therefore I love you. Therefore you don't want.

1671
01:13:46,160 --> 01:13:47,759
Speaker 1: To you don't want to be with somebody who shares

1672
01:13:47,800 --> 01:13:51,760
Speaker 1: your interests ridiculous, of course, but I that's not why.

1673
01:13:52,000 --> 01:13:53,720
Speaker 1: I mean no, I feel that this is not.

1674
01:13:53,800 --> 01:13:54,439
Speaker 2: What you do.

1675
01:13:54,560 --> 01:13:56,760
Speaker 1: Really, Oh god, I just feel like it's such a

1676
01:13:56,840 --> 01:13:59,800
Speaker 1: cheat in a storytelling context to be like, this is

1677
01:13:59,800 --> 01:14:02,519
Speaker 1: why I like you, because like, this is why I

1678
01:14:02,640 --> 01:14:02,840
Speaker 1: like you.

1679
01:14:02,920 --> 01:14:04,920
Speaker 5: He just said, Oh god, this is you know, this

1680
01:14:04,960 --> 01:14:06,120
Speaker 5: is again, this is why.

1681
01:14:06,160 --> 01:14:07,600
Speaker 3: One of the reasons I love this woman is like

1682
01:14:07,760 --> 01:14:10,439
Speaker 3: she knew exactly the Flintstones episode he's talking about.

1683
01:14:10,720 --> 01:14:13,280
Speaker 1: But he didn't know the episode. Sean knew the episode.

1684
01:14:13,439 --> 01:14:15,120
Speaker 2: That's but again, that's what's so cool about it.

1685
01:14:15,120 --> 01:14:16,960
Speaker 1: It's like you get a mash reference or something from

1686
01:14:16,960 --> 01:14:18,880
Speaker 1: somebody you're hanging out with, somebody you love, and it's like,

1687
01:14:19,600 --> 01:14:22,760
Speaker 1: take for you, man, I'm telling you, oh god, not

1688
01:14:22,760 --> 01:14:24,439
Speaker 1: not going against shared interest.

1689
01:14:24,560 --> 01:14:28,000
Speaker 3: That's an interesting one for you.

1690
01:14:28,240 --> 01:14:32,760
Speaker 1: Shared I'm saying, like, that's not like exactly, I don't know,

1691
01:14:32,800 --> 01:14:34,720
Speaker 1: it's it to me. It's it's a cheat in this

1692
01:14:34,840 --> 01:14:37,680
Speaker 1: context to be like, here's why Corey and Tabang are

1693
01:14:37,720 --> 01:14:40,320
Speaker 1: good for each other because she likes the thing. I

1694
01:14:40,320 --> 01:14:42,479
Speaker 1: don't think they're saying that I think it's another layer

1695
01:14:42,520 --> 01:14:45,080
Speaker 1: of the relationship, which happens in relationships all the time,

1696
01:14:45,080 --> 01:14:46,280
Speaker 1: where you hear something and it's.

1697
01:14:46,120 --> 01:14:49,440
Speaker 5: Like, wow, you just made a lightsaber reference. That's incredible,

1698
01:14:49,439 --> 01:14:51,439
Speaker 5: Like it's just it's nice.

1699
01:14:51,760 --> 01:14:52,759
Speaker 1: It's just nice.

1700
01:14:53,640 --> 01:14:57,799
Speaker 5: That's why you hate it.

1701
01:14:58,400 --> 01:15:00,240
Speaker 2: This is why we can't have nice things. That's how

1702
01:15:00,280 --> 01:15:00,560
Speaker 2: they get you.

1703
01:15:00,800 --> 01:15:01,960
Speaker 5: Have nice things. That's how they get you.

1704
01:15:02,040 --> 01:15:04,360
Speaker 4: Tapega explains, I've been sitting here since everyone left, and

1705
01:15:04,400 --> 01:15:06,280
Speaker 4: I've been wrestling too, wrestling with how you could have

1706
01:15:06,320 --> 01:15:08,519
Speaker 4: possibly left me here alone. And I know you, and

1707
01:15:08,560 --> 01:15:10,360
Speaker 4: I know you have a good reason, So tell me

1708
01:15:10,360 --> 01:15:12,880
Speaker 4: your good reason. He tells her, I was helping Frankie

1709
01:15:12,920 --> 01:15:15,120
Speaker 4: get closer with his dad. They both look at the TV.

1710
01:15:15,240 --> 01:15:17,679
Speaker 4: Frankie and his dad are in the wrestling rings, celebrating together.

1711
01:15:17,960 --> 01:15:21,000
Speaker 4: Tapanga acknowledges it looks like he was successful. Corey emphasizes

1712
01:15:21,040 --> 01:15:23,400
Speaker 4: he would never hurt her. He apologizes for not being

1713
01:15:23,400 --> 01:15:25,639
Speaker 4: able to dance together in front of everyone, to Panga

1714
01:15:25,640 --> 01:15:28,040
Speaker 4: admits in front of everyone didn't matter. It was just

1715
01:15:28,080 --> 01:15:30,000
Speaker 4: a special dance and she wanted it to be with him.

1716
01:15:30,280 --> 01:15:33,560
Speaker 4: Shawn attempts of Barney impersonation, saying, Heyvrette if it's a

1717
01:15:33,560 --> 01:15:35,799
Speaker 4: special dance you want, Frankie does owe you a favor,

1718
01:15:36,200 --> 01:15:38,639
Speaker 4: and then we quickly cut back to a new empty

1719
01:15:38,680 --> 01:15:41,679
Speaker 4: wrestling arena. Corey and Tapega are standing in a spotlight

1720
01:15:41,680 --> 01:15:43,680
Speaker 4: in the middle of the ring, slow dancing to the

1721
01:15:43,840 --> 01:15:46,719
Speaker 4: Very on the Nose song about your sweet sixteen.

1722
01:15:46,920 --> 01:15:48,880
Speaker 5: You're also eighth grade slow dancing.

1723
01:15:49,240 --> 01:15:49,439
Speaker 1: Ie.

1724
01:15:49,520 --> 01:15:51,400
Speaker 3: It's like, you know, the holding each other far apart

1725
01:15:51,439 --> 01:15:53,040
Speaker 3: and doing this kind of dancing.

1726
01:15:53,080 --> 01:15:54,440
Speaker 5: It's not like you've been together.

1727
01:15:54,160 --> 01:15:55,040
Speaker 1: For years dancing.

1728
01:15:55,760 --> 01:15:58,679
Speaker 4: We reveal Sean and Frankie sitting front row eating popcorn.

1729
01:15:58,800 --> 01:16:00,280
Speaker 4: Shawn comments poetry and ocean.

1730
01:16:00,400 --> 01:16:02,679
Speaker 2: Huh, Frankie. Frankie smiles. I see you have the first

1731
01:16:02,720 --> 01:16:04,439
Speaker 2: time Sean eat a while.

1732
01:16:05,200 --> 01:16:09,439
Speaker 1: Okay, it's been like since first season, and I'm awkwardly eating.

1733
01:16:09,479 --> 01:16:12,960
Speaker 1: I'm not good eating on camera, like totally covering my

1734
01:16:13,040 --> 01:16:13,640
Speaker 1: face and like.

1735
01:16:15,920 --> 01:16:18,480
Speaker 2: You think it was a good David Comb's impersonation.

1736
01:16:18,720 --> 01:16:22,479
Speaker 1: Oh yeah, that's good, but.

1737
01:16:22,360 --> 01:16:24,320
Speaker 2: It doesn't ever look like it's like you can't.

1738
01:16:24,320 --> 01:16:26,799
Speaker 1: I don't know, just I couldn't eat on camera.

1739
01:16:26,960 --> 01:16:30,200
Speaker 2: It's not not a skill. I learned the limits to

1740
01:16:30,280 --> 01:16:31,120
Speaker 2: your criticisms.

1741
01:16:31,240 --> 01:16:34,720
Speaker 4: I know no bounds you just there's not a thing

1742
01:16:34,840 --> 01:16:37,919
Speaker 4: you can find. You can find anything to criticize about yourself,

1743
01:16:37,960 --> 01:16:39,880
Speaker 4: even the way you eat on camera.

1744
01:16:40,120 --> 01:16:43,200
Speaker 2: Yes, gosh, it's so hard on yourself.

1745
01:16:43,680 --> 01:16:45,840
Speaker 4: So Sean says, those two in the row, Frankie says,

1746
01:16:45,840 --> 01:16:47,479
Speaker 4: those two in the ring, how many rounds you think

1747
01:16:47,479 --> 01:16:50,360
Speaker 4: they'll go. Sean smiles and responds, those two they're going

1748
01:16:50,439 --> 01:16:53,000
Speaker 4: to go the distance. And then we have our tag.

1749
01:16:53,360 --> 01:16:56,160
Speaker 4: We're in the wrestling area arena continuing. It's still empty,

1750
01:16:56,160 --> 01:16:57,880
Speaker 4: but now Vader is in the ring with his son.

1751
01:16:58,240 --> 01:17:00,840
Speaker 4: Vader pats Frankie on the shoulder. I accept the fact

1752
01:17:00,840 --> 01:17:02,759
Speaker 4: that you don't want to be a wrestler like your pappy.

1753
01:17:03,000 --> 01:17:04,960
Speaker 4: Frankie admits he's just happy to be there to watch

1754
01:17:04,960 --> 01:17:07,599
Speaker 4: his dad work out. Frankie Senior excitedly mentions he's got

1755
01:17:07,600 --> 01:17:09,080
Speaker 4: a shot at the belt now and he's been working

1756
01:17:09,080 --> 01:17:11,799
Speaker 4: on this new move. It's called the Vader Salt. Frankie

1757
01:17:11,840 --> 01:17:13,599
Speaker 4: Junior wants to see it, and his dad is more

1758
01:17:13,600 --> 01:17:15,920
Speaker 4: than happy to show him. Meanwhile, Corey and Penga are

1759
01:17:15,960 --> 01:17:18,160
Speaker 4: still dancing in the ring, and she tells him, when

1760
01:17:18,200 --> 01:17:20,360
Speaker 4: we dance close like this and you're holding me, I

1761
01:17:20,439 --> 01:17:23,800
Speaker 4: feel safe, like nothing could ever happen to me. Corey

1762
01:17:23,800 --> 01:17:26,080
Speaker 4: assures her he would never let anything happen to her.

1763
01:17:27,000 --> 01:17:28,840
Speaker 4: Just then he looks up and tells her to move

1764
01:17:28,840 --> 01:17:31,080
Speaker 4: one step to her left. They move just in time

1765
01:17:31,080 --> 01:17:33,920
Speaker 4: to dodge Vader's new Vader Salt a flip of sorts

1766
01:17:33,960 --> 01:17:36,760
Speaker 4: again off the ropes. Frankie cheers for his dad, and

1767
01:17:36,800 --> 01:17:39,559
Speaker 4: his dad happily pumps his fist to Pega and Corey

1768
01:17:39,560 --> 01:17:42,200
Speaker 4: continue dancing in the background like they didn't just witness

1769
01:17:42,240 --> 01:17:46,000
Speaker 4: a huge man backflipping towards their heads, almost dying.

1770
01:17:46,080 --> 01:17:49,840
Speaker 2: And that's our episode. Sam's onto the ground, I mean,

1771
01:17:49,920 --> 01:17:51,439
Speaker 2: like the backflip.

1772
01:17:50,920 --> 01:17:54,240
Speaker 5: Onto his own stomach, onto the My god, that's kind

1773
01:17:54,240 --> 01:17:54,599
Speaker 5: of hurt.

1774
01:17:54,720 --> 01:17:54,880
Speaker 1: Man.

1775
01:17:56,400 --> 01:17:59,840
Speaker 4: It is so athletic, I mean, yeah, but that's pain

1776
01:18:00,640 --> 01:18:04,200
Speaker 4: I can only imagine. So thank you for joining us

1777
01:18:04,200 --> 01:18:07,760
Speaker 4: for this episode recap. Our next episode will be season four,

1778
01:18:07,880 --> 01:18:11,880
Speaker 4: episode ten, Turkey Day. It originally aired November twenty second,

1779
01:18:12,080 --> 01:18:16,760
Speaker 4: nineteen ninety six. Yeah you remember it, Thanksgiving the.

1780
01:18:16,680 --> 01:18:20,679
Speaker 1: Show another Ethan Franky, Yeah, Frank's family.

1781
01:18:21,120 --> 01:18:23,400
Speaker 2: Interesting. I vaguely remember here.

1782
01:18:23,280 --> 01:18:29,040
Speaker 1: Two in theis remember Oh yes, that is it?

1783
01:18:29,080 --> 01:18:34,280
Speaker 2: Really? Oh man? Okays, yeah, okay, can't wait.

1784
01:18:34,760 --> 01:18:36,479
Speaker 4: Thank you all for joining us as always. You can

1785
01:18:36,479 --> 01:18:38,880
Speaker 4: follow us on Instagram pod Meets World Show. You can

1786
01:18:38,880 --> 01:18:40,960
Speaker 4: send us your emails pod Meets World Show at gmail

1787
01:18:41,000 --> 01:18:41,719
Speaker 4: dot com.

1788
01:18:41,760 --> 01:18:45,040
Speaker 2: And we have merch, will want you to get merch.

1789
01:18:48,000 --> 01:18:51,519
Speaker 2: Pod Meets Worldshow dot com will send us out.

1790
01:18:52,040 --> 01:18:56,280
Speaker 5: We love you all, pod dismissed. Podmets World is nheart

1791
01:18:56,360 --> 01:18:59,719
Speaker 5: podcast produce and hosted by Danielle Fischel, Wilfredell and Ryder

1792
01:18:59,760 --> 01:19:03,720
Speaker 5: Strong executive producers, Jensen Carp and Amy Sugarman, Executive in

1793
01:19:03,800 --> 01:19:08,479
Speaker 5: charge of production, Danielle Romo, producer and editor, Tara sudbachsch producer,

1794
01:19:08,560 --> 01:19:11,759
Speaker 5: Maddy Moore engineer and Boy Meets World super fan Easton Allen.

1795
01:19:12,000 --> 01:19:14,160
Speaker 5: Our theme song is by Kyle Morton of Typhoon and

1796
01:19:14,200 --> 01:19:16,639
Speaker 5: you can follow us on Instagram at Podmeets World Show

1797
01:19:16,920 --> 01:19:21,519
Speaker 5: or email us at Podmets Worldshow at gmail dot com