1 00:00:00,080 --> 00:00:13,640 Speaker 1: Yes, Brandon Bang and I Am Rapports Stereo Podcast is here. 2 00:00:13,480 --> 00:00:16,239 Speaker 1: Hett have no Fear. On today's I Am rapp Reports 3 00:00:16,280 --> 00:00:19,079 Speaker 1: Stereo Podcasts. He's back, The young Shooter is Whitney and 4 00:00:19,120 --> 00:00:23,239 Speaker 1: we are breaking down oh so much. We're talking about 5 00:00:23,239 --> 00:00:27,120 Speaker 1: the Shannon Sharp incident at the Lakers game, the hell 6 00:00:27,280 --> 00:00:32,360 Speaker 1: that is the Orlando Airport and we play Mary Fuck Kill, 7 00:00:32,479 --> 00:00:37,280 Speaker 1: we played married Fuck Kill, Jim Carrey, Adam Sandler and 8 00:00:37,440 --> 00:00:43,000 Speaker 1: Will Farrell. We're asking the hard hitting questions waiting for 9 00:00:43,320 --> 00:00:46,239 Speaker 1: the answers all that morning. Fantastic museum quality. I am 10 00:00:46,320 --> 00:00:49,960 Speaker 1: Rapports Stereo podcats coming up right now, Miles JOI the 11 00:00:50,000 --> 00:00:52,520 Speaker 1: bleach Mother. Started puppy off with something real nice. Start 12 00:00:52,560 --> 00:00:54,520 Speaker 1: to puppy off with something real lot, but most importantly 13 00:00:54,960 --> 00:00:57,240 Speaker 1: turn it up a little bit. It start this puppy 14 00:00:57,280 --> 00:01:00,280 Speaker 1: off something real funky t I am Rapports Stereo pox. 15 00:01:01,120 --> 00:01:16,280 Speaker 1: Let's fucking go Boom Brandon Beg and Iron Rapports Stereo 16 00:01:16,360 --> 00:01:20,160 Speaker 1: Podcast is here. I Have No fear. Welcome to the 17 00:01:20,200 --> 00:01:23,839 Speaker 1: Iron Dome of Disruption. Welcome to the Zigity Zone of Disruption. 18 00:01:25,280 --> 00:01:27,839 Speaker 1: The name is Michael Rappaport a k. The Gringo Man. 19 00:01:27,920 --> 00:01:32,360 Speaker 1: Dingo a k a. The Sultan of Sniff a k. 20 00:01:32,600 --> 00:01:37,280 Speaker 1: The Inflamed Oshkenazi a k A. The Jewish Jaiku Lamata 21 00:01:37,800 --> 00:01:41,040 Speaker 1: a k A. The Disruptive Warrior a k A. Mr. 22 00:01:41,120 --> 00:01:43,960 Speaker 1: New York Iron rapp Warts stereo podcast coming live and 23 00:01:44,040 --> 00:01:51,640 Speaker 1: direct from New Orleans, Louisiana and Parts unknown. Because He's back, 24 00:01:52,160 --> 00:01:57,080 Speaker 1: Boom Back, The Young Shooter is with me. The Part 25 00:01:57,120 --> 00:02:03,559 Speaker 1: Times Sometime co host with the Most is rocking in Succasta. 26 00:02:03,680 --> 00:02:07,560 Speaker 1: The Young Shooter is back with me. Dean Collins a 27 00:02:07,760 --> 00:02:12,079 Speaker 1: k A. Deuced Pacino a k A. Deuce Cuddles a k. 28 00:02:12,360 --> 00:02:17,400 Speaker 1: Deuce Valentine, be ready because Valentine's Day is It's almost here, 29 00:02:18,280 --> 00:02:21,000 Speaker 1: and Deuce Valentine has it all figured out for your 30 00:02:21,080 --> 00:02:25,400 Speaker 1: Valentine's Day coming up in just a couple of weeks. Deuce, 31 00:02:26,160 --> 00:02:30,000 Speaker 1: Dean Young Shooter, how are you, my friend? I'm doing 32 00:02:30,040 --> 00:02:32,760 Speaker 1: good man. I'm happy to be on it. I feel 33 00:02:32,760 --> 00:02:34,840 Speaker 1: like I haven't been on the podcast, and like I 34 00:02:34,840 --> 00:02:36,720 Speaker 1: don't feel like I haven't been on the podcast in 35 00:02:36,760 --> 00:02:39,320 Speaker 1: like two weeks. We kind of keep each other and 36 00:02:39,440 --> 00:02:41,840 Speaker 1: it's not my choice. So it's obviously not a choice 37 00:02:42,240 --> 00:02:45,040 Speaker 1: that you're doing. It's not my doing. I know you 38 00:02:45,160 --> 00:02:46,680 Speaker 1: like to pin it all on me. I'm happy to 39 00:02:46,680 --> 00:02:49,000 Speaker 1: be here. I always want to be here. UM never 40 00:02:49,080 --> 00:02:51,359 Speaker 1: not want to be here. So I guess we just 41 00:02:51,440 --> 00:02:53,840 Speaker 1: keep missing each other. It's just some miscommunication going on. 42 00:02:54,520 --> 00:02:56,799 Speaker 1: It's not about it's not about not wanting to be here. 43 00:02:56,800 --> 00:02:59,320 Speaker 1: We know you always want to be here. Uh. You 44 00:02:59,400 --> 00:03:02,839 Speaker 1: bring joy to the people, you bring joy to the podcast. 45 00:03:03,440 --> 00:03:07,760 Speaker 1: You bring a perspective that is unmatched. But it's like 46 00:03:07,800 --> 00:03:12,200 Speaker 1: one of your nicknames should be Prince Prince Collins because 47 00:03:12,280 --> 00:03:15,640 Speaker 1: you act like like a little prince. You're like some 48 00:03:15,720 --> 00:03:22,680 Speaker 1: sort of deranged, sick, twisted thirty two year old prince 49 00:03:23,000 --> 00:03:26,359 Speaker 1: in a nineteen year old body. Like before we did 50 00:03:26,400 --> 00:03:29,680 Speaker 1: this podcast, we're recording, it's gonna be a great episode. 51 00:03:30,000 --> 00:03:31,320 Speaker 1: But I hit you. I go, you want to start 52 00:03:31,320 --> 00:03:34,120 Speaker 1: a little early, and you go, I'm eating. It's like, 53 00:03:34,160 --> 00:03:36,520 Speaker 1: oh we we were you getting a manicure and a 54 00:03:36,520 --> 00:03:39,360 Speaker 1: pedicure when you were when you were eating, I just 55 00:03:39,360 --> 00:03:41,160 Speaker 1: didn't have anything to eat today. I was just enjoying 56 00:03:41,160 --> 00:03:43,240 Speaker 1: my salad. I'm happy. I'm not going to go down 57 00:03:43,240 --> 00:03:44,960 Speaker 1: this road with you because I feel like we we 58 00:03:45,000 --> 00:03:46,960 Speaker 1: tend to go down this road every time we like, 59 00:03:47,000 --> 00:03:49,040 Speaker 1: I feel like there's a lot of built up a 60 00:03:49,160 --> 00:03:51,080 Speaker 1: tension between us or something. I don't know if like 61 00:03:51,400 --> 00:03:53,320 Speaker 1: if it's coming on your end or if it's a 62 00:03:53,360 --> 00:03:56,480 Speaker 1: my end. It's just something I'm feeling like. You sound 63 00:03:56,480 --> 00:03:58,640 Speaker 1: like you have a lot of thoughts about me, about 64 00:03:58,640 --> 00:04:00,200 Speaker 1: me being a prince and all that stuff, and so 65 00:04:00,360 --> 00:04:02,640 Speaker 1: let's just not go not many, not many thoughts. It 66 00:04:02,720 --> 00:04:05,200 Speaker 1: was just that, I mean, it's just that's just the 67 00:04:05,280 --> 00:04:09,440 Speaker 1: general sort of thing. It's Prince Collins is when he's ready, 68 00:04:09,440 --> 00:04:12,640 Speaker 1: when the sun sets and the wind stops blowing and 69 00:04:12,800 --> 00:04:15,440 Speaker 1: you know, it gets to a certain you know temperature, 70 00:04:15,680 --> 00:04:19,280 Speaker 1: Prince Collins will will come, you know, jaunting in uh 71 00:04:19,320 --> 00:04:21,320 Speaker 1: and he'll be ready to he'll be ready to bless 72 00:04:21,360 --> 00:04:24,120 Speaker 1: the airways of the iron wrap before stereos and and 73 00:04:24,160 --> 00:04:26,880 Speaker 1: when and when Prince Collins comes, we're all happy. It's 74 00:04:26,880 --> 00:04:29,640 Speaker 1: not like you're not happy. All right. Well, listen, man, 75 00:04:29,680 --> 00:04:31,680 Speaker 1: I'm in a great mood today. You don't think you're 76 00:04:31,680 --> 00:04:33,240 Speaker 1: in a great mood. And that's like a lot of 77 00:04:33,240 --> 00:04:37,880 Speaker 1: people wonder what you're like before we hit record. You know, 78 00:04:37,960 --> 00:04:39,920 Speaker 1: like if I were listening to you, I would be like, 79 00:04:40,200 --> 00:04:43,080 Speaker 1: what was he doing before this, Like was he like 80 00:04:43,200 --> 00:04:45,599 Speaker 1: in like a chill mood? Like did he shower? What 81 00:04:45,680 --> 00:04:47,479 Speaker 1: did he eat? And because you come in like hot 82 00:04:47,520 --> 00:04:50,320 Speaker 1: like on the podcast, and you bring that energy you 83 00:04:50,360 --> 00:04:53,040 Speaker 1: always do. You always bring your a game. There's no 84 00:04:53,080 --> 00:04:56,320 Speaker 1: doubt about that. But we did speak, like you said, 85 00:04:56,320 --> 00:04:59,080 Speaker 1: we had some communication. Like that's just a little behind 86 00:04:59,120 --> 00:05:01,600 Speaker 1: the scenes as to what goes on before we start recording. 87 00:05:01,880 --> 00:05:04,120 Speaker 1: I you're right, you did. You outed me there. I 88 00:05:04,480 --> 00:05:07,080 Speaker 1: was hungry, I was eating. I couldn't do the podcast 89 00:05:07,240 --> 00:05:09,680 Speaker 1: right away, and and I asked you how you doing, bro, 90 00:05:09,800 --> 00:05:13,480 Speaker 1: and you said, I'm gonna ship mood. I don't know 91 00:05:13,520 --> 00:05:15,760 Speaker 1: what happened, but I've been in a ship mood. And 92 00:05:15,920 --> 00:05:17,919 Speaker 1: I spoke to you maybe twenty minutes before that, and 93 00:05:17,960 --> 00:05:19,800 Speaker 1: you were like in a fantastic mood. So I don't 94 00:05:19,800 --> 00:05:23,520 Speaker 1: know what happened between that time and twenty minutes later, 95 00:05:23,560 --> 00:05:25,720 Speaker 1: but I did speak to you before we hit record, 96 00:05:25,760 --> 00:05:28,080 Speaker 1: and you were like, let's let's just do this. Like 97 00:05:28,120 --> 00:05:31,039 Speaker 1: I'm not in the best mood, so I just like, 98 00:05:31,080 --> 00:05:33,920 Speaker 1: would you like to talk about that. I'm feeling good 99 00:05:34,040 --> 00:05:37,080 Speaker 1: right now. I'm feeling Don't don't lie, no, don't lie, 100 00:05:37,240 --> 00:05:42,279 Speaker 1: don't lie because excuse me, No, excuse me, there's no lying. 101 00:05:43,320 --> 00:05:45,080 Speaker 1: You're the one who's like, it's like, what did you have? 102 00:05:45,160 --> 00:05:50,000 Speaker 1: You had a salad? Are we eating healthy this week? No? Man, 103 00:05:50,000 --> 00:05:51,839 Speaker 1: I've been like stuffing my face was so much for 104 00:05:52,200 --> 00:05:54,440 Speaker 1: like fruit by the foot, for roll ups, like for 105 00:05:54,480 --> 00:05:56,719 Speaker 1: the people that are listening, like I am looking for 106 00:05:56,720 --> 00:05:59,120 Speaker 1: a nutritionist or a dietitian because I do have a 107 00:05:59,120 --> 00:06:01,520 Speaker 1: palette of a seven year old and I really have 108 00:06:01,560 --> 00:06:04,120 Speaker 1: been enjoying my goldfish fruit by the foot, gushers on 109 00:06:04,240 --> 00:06:06,839 Speaker 1: crustables like and so I thought, fuck it, I'm gonna 110 00:06:07,240 --> 00:06:09,400 Speaker 1: I'm gonna go for a Mediterranean salad like like what 111 00:06:09,480 --> 00:06:12,279 Speaker 1: a thirty two year old should be eating, right, you know, 112 00:06:12,320 --> 00:06:14,640 Speaker 1: But let me tell you something. You don't need a nutritionist. 113 00:06:15,440 --> 00:06:17,920 Speaker 1: You know what to eat and not what to eat. 114 00:06:18,400 --> 00:06:22,960 Speaker 1: Like you know, they don't sell cigarettes to people under 115 00:06:22,960 --> 00:06:26,719 Speaker 1: what is it twenty one or eighteen? Right, they should 116 00:06:26,960 --> 00:06:30,360 Speaker 1: sell fruit roll ups and gushers to somebody over the 117 00:06:30,400 --> 00:06:33,400 Speaker 1: age of thirty. Well, you see that's and I have 118 00:06:33,480 --> 00:06:36,680 Speaker 1: a technique, like because you know, the self checkout isn't 119 00:06:36,680 --> 00:06:39,360 Speaker 1: always available and like that's like I thrive in the 120 00:06:39,400 --> 00:06:41,680 Speaker 1: self checkout because I can get whatever I want, no judgment. 121 00:06:41,839 --> 00:06:44,599 Speaker 1: But when that self checkout is closed and you have 122 00:06:44,680 --> 00:06:47,279 Speaker 1: to put your ship on the conveyor belt, I feel 123 00:06:47,320 --> 00:06:49,680 Speaker 1: so naked on that conveyor belt because it's like, you 124 00:06:49,680 --> 00:06:52,440 Speaker 1: see what everyone's I mean, you should see when I 125 00:06:52,480 --> 00:06:54,280 Speaker 1: put that on the conveyor belt and it's fruit by 126 00:06:54,279 --> 00:06:56,960 Speaker 1: the foot on crustables. I have to have a conversation 127 00:06:57,040 --> 00:07:00,280 Speaker 1: with the clerk and say, oh, I'm just how's your going. 128 00:07:00,320 --> 00:07:02,640 Speaker 1: I'm just picking some things up from my my nephew 129 00:07:02,720 --> 00:07:05,320 Speaker 1: who's five, Like I have to. I feel like I 130 00:07:05,320 --> 00:07:08,000 Speaker 1: have to say that because they should. They should. They 131 00:07:08,000 --> 00:07:11,360 Speaker 1: should make you bring the nephew in there. That's not right. 132 00:07:11,480 --> 00:07:14,600 Speaker 1: And you know what sometimes like the kid's menu is 133 00:07:14,680 --> 00:07:16,800 Speaker 1: better than the adult menu. Like if you go to 134 00:07:16,880 --> 00:07:22,280 Speaker 1: restaurant pasta with butter, just plain with butter, what do 135 00:07:22,360 --> 00:07:25,560 Speaker 1: you chicken fingers? Like yeah? Talking about yeah, like dude, 136 00:07:25,680 --> 00:07:28,560 Speaker 1: chicken fingers and grilled cheese and all those kind of things. 137 00:07:28,560 --> 00:07:32,160 Speaker 1: Like like macaroni, Like it's not like high falute macaroni 138 00:07:32,240 --> 00:07:34,040 Speaker 1: like off the adult menu. It's what you want. It's 139 00:07:34,120 --> 00:07:36,600 Speaker 1: craft macaroni. It's like it's easy mac and that's what 140 00:07:36,680 --> 00:07:39,200 Speaker 1: I want and so I I don't know, I'm just 141 00:07:39,240 --> 00:07:41,080 Speaker 1: so sick of people shaming me for like wanting to 142 00:07:41,160 --> 00:07:43,520 Speaker 1: order off the kids menu, and and like it's and 143 00:07:43,560 --> 00:07:45,960 Speaker 1: you know what, other people are other people shaming you 144 00:07:46,000 --> 00:07:48,280 Speaker 1: about this, like who are your your family? When you're 145 00:07:48,280 --> 00:07:51,320 Speaker 1: with your family, there must be like Jesus Christ. Well, 146 00:07:51,400 --> 00:07:53,760 Speaker 1: it's like an ongoing thing because every time I'm like 147 00:07:53,880 --> 00:07:56,400 Speaker 1: at a restaurant everyone's ordering a glass of wine or 148 00:07:56,480 --> 00:07:59,200 Speaker 1: ordering a beer or ordering a diet coke, they all 149 00:07:59,240 --> 00:08:01,960 Speaker 1: turned to me and go, Dean's gonna he'll have a 150 00:08:02,000 --> 00:08:04,440 Speaker 1: Shirley Temple. And it's like, why is that so bad? 151 00:08:04,480 --> 00:08:08,040 Speaker 1: Like I like you Shirley temple with with extra cherries. Yeah, 152 00:08:08,080 --> 00:08:09,640 Speaker 1: and you know what, And it's like if you don't 153 00:08:09,720 --> 00:08:11,920 Speaker 1: bring if you don't put cherries in the Shirley temple, 154 00:08:12,000 --> 00:08:15,040 Speaker 1: don't bring it. Don't don't bring It's like it's like 155 00:08:15,080 --> 00:08:17,080 Speaker 1: getting a like a bloody Mary and like you're not 156 00:08:17,080 --> 00:08:19,320 Speaker 1: gonna have it with a celery stick. Don't bring me 157 00:08:19,360 --> 00:08:21,880 Speaker 1: a Shirley temple unless it has a few cherries in there, 158 00:08:21,920 --> 00:08:24,480 Speaker 1: and don't bring it at all. See that that's the 159 00:08:24,520 --> 00:08:28,080 Speaker 1: Prince Collin's attitude that so you talk about behind the scenes. 160 00:08:28,520 --> 00:08:33,760 Speaker 1: That's just a little glimpse into the Prince Collin's attitude 161 00:08:33,760 --> 00:08:35,600 Speaker 1: that I was mentioning because you tried to say I said, 162 00:08:35,600 --> 00:08:39,600 Speaker 1: oh my shit, attitude pop up up. That's the Prince 163 00:08:39,640 --> 00:08:43,240 Speaker 1: Collin's attitude that we you know. It's like, if you 164 00:08:43,400 --> 00:08:46,440 Speaker 1: listen carefully, guys, you you'll you'll pick up on on 165 00:08:46,520 --> 00:08:53,000 Speaker 1: the little the little bread comes of of of Prince Collins, like, man, um, anyway, 166 00:08:53,160 --> 00:08:55,680 Speaker 1: how are you doing? You're in New Orleans and I 167 00:08:55,720 --> 00:08:58,440 Speaker 1: know you've been saying New Orleans, New Orleans, Like what 168 00:08:58,440 --> 00:09:01,320 Speaker 1: what is it? By the way, what is it New Orleans? 169 00:09:02,200 --> 00:09:05,840 Speaker 1: I don't think so it's New Orleans. Okay, Well, how 170 00:09:05,920 --> 00:09:07,400 Speaker 1: is it out there? What are you doing out there? 171 00:09:07,440 --> 00:09:09,199 Speaker 1: We we know you're shooting something right now. Can we 172 00:09:09,240 --> 00:09:11,920 Speaker 1: talk about what you're shooting? Yes, I'm shooting season two 173 00:09:11,960 --> 00:09:15,600 Speaker 1: of Life and Beth with Amy Schumer, Michael Sarah. We 174 00:09:15,800 --> 00:09:20,199 Speaker 1: just started. I am staying in a ridiculous I mean, 175 00:09:20,240 --> 00:09:24,240 Speaker 1: I fucking can't stand hotel rooms. And I was prepared 176 00:09:24,280 --> 00:09:26,080 Speaker 1: to be in a hotel room. I ain't in a 177 00:09:26,120 --> 00:09:28,360 Speaker 1: hotel room. I'm pretty much in like an apartment and 178 00:09:28,440 --> 00:09:32,960 Speaker 1: it's funky it's cool. It's dope. It's got a balcony 179 00:09:33,000 --> 00:09:37,000 Speaker 1: that you could see the whole city. So, um, it's dope. 180 00:09:37,040 --> 00:09:39,680 Speaker 1: I'm happy about that. Um. I'm happy to be in 181 00:09:39,720 --> 00:09:44,319 Speaker 1: New Orleans. Um, comfortable, rested. I had a great time 182 00:09:44,440 --> 00:09:48,199 Speaker 1: in Orlando. The shows were awesome. Shout out to everybody 183 00:09:48,200 --> 00:09:50,960 Speaker 1: that came to the shows in Orlando, Florida. They were great. 184 00:09:51,280 --> 00:09:54,000 Speaker 1: I have to tell you, And this is for anybody. 185 00:09:54,640 --> 00:09:57,480 Speaker 1: This is a p s A for anybody that is 186 00:09:57,559 --> 00:10:02,400 Speaker 1: going to Orlando or flying out of Orlando, whether you're 187 00:10:02,400 --> 00:10:05,520 Speaker 1: going there for family, whether you're going there for Disney World, 188 00:10:06,000 --> 00:10:12,160 Speaker 1: whether you're going there for business. The Orlando airport is 189 00:10:14,040 --> 00:10:22,599 Speaker 1: a haven of mistakes and regrets and everything wacky, wonderful 190 00:10:22,880 --> 00:10:26,040 Speaker 1: and totally fucked up with the United States of America. 191 00:10:26,960 --> 00:10:28,960 Speaker 1: It is like, you know, when you get off the 192 00:10:29,000 --> 00:10:33,040 Speaker 1: plane in Vegas, It's like I was just gonna It's 193 00:10:33,040 --> 00:10:37,560 Speaker 1: like Vegas except for its parents with small children, and 194 00:10:37,600 --> 00:10:41,520 Speaker 1: you you get off the plane and in the airport 195 00:10:41,559 --> 00:10:45,600 Speaker 1: in Orlando, there's people that are leaving Disneyland, Disney World. Sorry, 196 00:10:46,160 --> 00:10:50,800 Speaker 1: big fucking difficult cares. And the looks on these parents 197 00:10:50,840 --> 00:10:53,959 Speaker 1: faces after being in Disney World traveling there for I 198 00:10:53,960 --> 00:10:56,760 Speaker 1: don't know how long somebody could withstand going to Disney 199 00:10:56,760 --> 00:11:00,200 Speaker 1: World one day to day, three day, God, for they 200 00:11:00,240 --> 00:11:05,280 Speaker 1: stay more than two days. They have such regret, they 201 00:11:05,360 --> 00:11:08,960 Speaker 1: have such like you could see the regret, like what 202 00:11:09,040 --> 00:11:11,440 Speaker 1: have I done with my life? Why do I have 203 00:11:11,520 --> 00:11:15,040 Speaker 1: these fucking kids? Um, they're beaten to the bone, to 204 00:11:15,160 --> 00:11:19,600 Speaker 1: the core. They haven't showered, they haven't cleaned themselves. The 205 00:11:19,679 --> 00:11:23,320 Speaker 1: kids haven't showered, they haven't cleaned themselves. And what I 206 00:11:23,360 --> 00:11:26,000 Speaker 1: am looking to do is open a business at the 207 00:11:26,120 --> 00:11:28,920 Speaker 1: Orlando Airport. And you tell me if you want to 208 00:11:28,920 --> 00:11:31,200 Speaker 1: get involved with this, you tell me your assessment of 209 00:11:31,240 --> 00:11:36,000 Speaker 1: this business. I want to open an adoption agency in 210 00:11:36,040 --> 00:11:43,160 Speaker 1: the Orlando Airport because parents want to get rid of 211 00:11:43,200 --> 00:11:46,920 Speaker 1: their kids after a couple of days in Disney World. 212 00:11:47,600 --> 00:11:49,400 Speaker 1: And I think it will be a big business. What 213 00:11:49,520 --> 00:11:52,199 Speaker 1: we'll do with these little fucking kids, I have no idea. 214 00:11:53,000 --> 00:11:55,440 Speaker 1: I haven't figured that part out, but I think I 215 00:11:55,480 --> 00:11:57,719 Speaker 1: could charge people a lot of money. I'll take these 216 00:11:57,720 --> 00:12:01,600 Speaker 1: little motherfucker's off your hands for good. And uh, you know, 217 00:12:01,760 --> 00:12:03,640 Speaker 1: we I don't know, we could open up I don't know, 218 00:12:03,920 --> 00:12:06,200 Speaker 1: like some sort of sweatshop with these little put these 219 00:12:06,240 --> 00:12:10,640 Speaker 1: motherfucker's to work, okay, because I am telling you, these 220 00:12:10,640 --> 00:12:13,520 Speaker 1: people are beaten to the core. And then when you 221 00:12:13,760 --> 00:12:16,600 Speaker 1: leave the Orlando Airport. So I was leaving the Orlando 222 00:12:16,679 --> 00:12:19,680 Speaker 1: Airport after a great weekend of shows at the Orlando 223 00:12:19,720 --> 00:12:23,560 Speaker 1: improv I've never seen anything like this. This is a fact. 224 00:12:24,480 --> 00:12:27,120 Speaker 1: In the terminal that I left from which I was 225 00:12:27,120 --> 00:12:32,679 Speaker 1: flying Southwest air from Orlando to New Orleans, there's a 226 00:12:32,800 --> 00:12:39,719 Speaker 1: hotel in the airport and you could look out your 227 00:12:39,760 --> 00:12:45,440 Speaker 1: hotel room into the people checking in. That sounds horrible, 228 00:12:46,240 --> 00:12:48,840 Speaker 1: That's what I'm talking. I was like this, this's gotta 229 00:12:48,840 --> 00:12:50,480 Speaker 1: be a mirrage, Like this has gotta be like some 230 00:12:50,520 --> 00:12:53,840 Speaker 1: sort of green screen, Like can you imagine you save 231 00:12:53,920 --> 00:12:56,520 Speaker 1: your money up and you're like, I'm gonna go to 232 00:12:56,559 --> 00:13:01,119 Speaker 1: Disneyland or Disneyland whatever, and your hotel is in the airport, 233 00:13:01,440 --> 00:13:03,560 Speaker 1: and and one of your views, I'm sure there's other 234 00:13:03,640 --> 00:13:06,760 Speaker 1: views and other places to look. One of your views 235 00:13:07,160 --> 00:13:12,000 Speaker 1: is the Southwest terminal of the Orlando Airport. But you 236 00:13:12,040 --> 00:13:15,240 Speaker 1: know what, like if that could potentially be a great view, 237 00:13:15,240 --> 00:13:17,440 Speaker 1: Because when I think of Orlando and that airport, I 238 00:13:17,480 --> 00:13:20,079 Speaker 1: think of just all the viral videos of people like 239 00:13:20,360 --> 00:13:24,760 Speaker 1: throwing ship and understand why now I hear you, But 240 00:13:24,840 --> 00:13:27,480 Speaker 1: that could be like an amazing vantage point. That could 241 00:13:27,480 --> 00:13:29,000 Speaker 1: be a great perspective to be like in a hotel 242 00:13:29,080 --> 00:13:30,800 Speaker 1: room and look out and see the at the ticket 243 00:13:30,840 --> 00:13:34,000 Speaker 1: counter and someone going through like a viral meltdown like that. 244 00:13:34,240 --> 00:13:36,160 Speaker 1: That's better than like going to Vegas or staying like 245 00:13:36,400 --> 00:13:38,880 Speaker 1: at like the Venetian or wherever. I mean for just 246 00:13:38,960 --> 00:13:43,160 Speaker 1: great people watching great entertainment. I totally understand why people 247 00:13:43,960 --> 00:13:47,400 Speaker 1: are ready to go nuts in a Florida airport, particularly 248 00:13:47,400 --> 00:13:50,800 Speaker 1: on Orlando Airport, because you want out. So I was 249 00:13:50,840 --> 00:13:53,560 Speaker 1: in the clear line, t s a clear pre check 250 00:13:54,400 --> 00:13:57,240 Speaker 1: and that ship took fifteen minutes, and people probably, oh, 251 00:13:57,320 --> 00:14:01,280 Speaker 1: Mike rip, it's only fifteen minutes. That's my point. Fifteen 252 00:14:01,320 --> 00:14:05,360 Speaker 1: minutes in clear is literally like two hours for regular 253 00:14:05,360 --> 00:14:08,840 Speaker 1: passengers like clear as usually there's no line. I've never 254 00:14:08,840 --> 00:14:12,120 Speaker 1: seen a line. I've never had to win the Orlando airport. 255 00:14:12,120 --> 00:14:14,480 Speaker 1: And then the plane was filled with just like I'm saying, 256 00:14:14,760 --> 00:14:18,520 Speaker 1: more parents with their fucking kids run down to the 257 00:14:18,520 --> 00:14:21,360 Speaker 1: white meat of the bone there at the bone marrow 258 00:14:21,440 --> 00:14:23,440 Speaker 1: of being a parent, Like why did I do this? 259 00:14:24,200 --> 00:14:27,000 Speaker 1: Why have I taken this turn because it just shows 260 00:14:27,040 --> 00:14:33,360 Speaker 1: the the amount of stress and patience and tolerance and 261 00:14:33,440 --> 00:14:37,360 Speaker 1: just the threshold that man and woman could be pushed 262 00:14:37,400 --> 00:14:41,280 Speaker 1: to to have small kids going through a weekend or 263 00:14:41,320 --> 00:14:45,120 Speaker 1: a week or a few days of Disney World in Orlando. Uh, 264 00:14:45,160 --> 00:14:47,840 Speaker 1: it was unbelievable. But I made it back. I made 265 00:14:47,840 --> 00:14:51,080 Speaker 1: it safe. Like I said, I'm in New Orleans, and um, 266 00:14:51,160 --> 00:14:53,160 Speaker 1: you know, I'm happy to be here, man, I'm happy 267 00:14:53,320 --> 00:14:57,760 Speaker 1: to I'm happy to be here. Brother. Well your I mean, listen, 268 00:14:57,800 --> 00:15:01,320 Speaker 1: your your business ideas fantas stick. I think you could 269 00:15:01,320 --> 00:15:02,880 Speaker 1: take that on Shark Tank, and I think a lot 270 00:15:02,880 --> 00:15:04,800 Speaker 1: of people would want to invest in something like that. 271 00:15:04,960 --> 00:15:06,600 Speaker 1: I thought you were gonna say, you know, you wanted 272 00:15:06,640 --> 00:15:11,320 Speaker 1: to start a nanny service or kids at camp. You know, 273 00:15:11,480 --> 00:15:14,280 Speaker 1: I want to get bye bye forever, straight to the 274 00:15:14,280 --> 00:15:17,080 Speaker 1: adoption like foster care. At that point, I understand what 275 00:15:17,160 --> 00:15:19,920 Speaker 1: you're saying. Put him right in the fucking system. Put 276 00:15:19,960 --> 00:15:22,680 Speaker 1: I mean the system, fingerprint, sent him over to the 277 00:15:22,720 --> 00:15:24,880 Speaker 1: adoption agency. I think it's a great idea, though, man, 278 00:15:24,880 --> 00:15:26,880 Speaker 1: because I think that a lot of people feel that way, 279 00:15:26,920 --> 00:15:28,760 Speaker 1: and I think a lot of people have that like 280 00:15:28,800 --> 00:15:30,640 Speaker 1: instant regret when they get to the airport of like, 281 00:15:30,760 --> 00:15:32,480 Speaker 1: shouldn't have done this, shouldn't have had kids, should have 282 00:15:32,520 --> 00:15:35,000 Speaker 1: wrapped it up, and uh, I don't know. I I 283 00:15:35,560 --> 00:15:37,480 Speaker 1: do like your idea. I like where your brain is 284 00:15:37,520 --> 00:15:41,320 Speaker 1: like going, brother, it's really smart and and could you 285 00:15:41,360 --> 00:15:44,760 Speaker 1: ever see yourself being one of those crazy people that 286 00:15:44,840 --> 00:15:50,920 Speaker 1: has a meltdown in an airport on camera And I'm 287 00:15:50,960 --> 00:15:53,640 Speaker 1: kind of shocked that that hasn't happened yet where someone's 288 00:15:53,680 --> 00:15:55,520 Speaker 1: kind of caught you on some ship and I'm like, 289 00:15:55,720 --> 00:15:57,680 Speaker 1: you could be that person that like winds up on 290 00:15:57,720 --> 00:16:01,600 Speaker 1: Reddit front page like using it, like Michael Rappaport has 291 00:16:01,600 --> 00:16:06,600 Speaker 1: a full blown meltdown at Southwest Airlines in Orlando, Like 292 00:16:06,640 --> 00:16:09,160 Speaker 1: I could see that you you saw me one time. 293 00:16:09,160 --> 00:16:10,880 Speaker 1: There was one time me and you were flying I 294 00:16:11,120 --> 00:16:14,280 Speaker 1: think it was to Canada or from Canada. There was 295 00:16:14,400 --> 00:16:16,640 Speaker 1: one time where I saw you look at me like 296 00:16:16,760 --> 00:16:19,320 Speaker 1: oh no, they like it could have this could be 297 00:16:19,360 --> 00:16:21,800 Speaker 1: the moment like I remember I don't remember where we 298 00:16:21,840 --> 00:16:24,160 Speaker 1: were going or what, but I remember we were like 299 00:16:24,960 --> 00:16:27,800 Speaker 1: I think it was because you drove to I can't remember. 300 00:16:27,840 --> 00:16:29,440 Speaker 1: Maybe we're going to say I don't remember, but there 301 00:16:29,480 --> 00:16:34,960 Speaker 1: was one time where I even ye yes, yes, yes 302 00:16:35,040 --> 00:16:37,640 Speaker 1: you I'm trying to I think it was Canada, but 303 00:16:37,960 --> 00:16:40,120 Speaker 1: um funk man. And you know what, I remember in 304 00:16:40,160 --> 00:16:42,880 Speaker 1: that moment thinking this, this might be fucked up, But 305 00:16:42,960 --> 00:16:44,480 Speaker 1: I think I might be the one to take out 306 00:16:44,520 --> 00:16:46,400 Speaker 1: my camera and film you and be the person to 307 00:16:46,480 --> 00:16:49,080 Speaker 1: upload it onto Reddit myself. I don't know if that's 308 00:16:49,080 --> 00:16:52,720 Speaker 1: like a bad friend or this is why we fucking 309 00:16:52,760 --> 00:16:56,040 Speaker 1: like you brother. It did cross my mind we bring 310 00:16:56,120 --> 00:17:00,840 Speaker 1: you on the podcast. This is this is this is 311 00:17:00,840 --> 00:17:04,720 Speaker 1: the greatness of the shooter. You don't you know. It's 312 00:17:04,760 --> 00:17:06,960 Speaker 1: like we do have such a special friendship and are 313 00:17:07,040 --> 00:17:09,600 Speaker 1: person that's been like my mentor for you know, and 314 00:17:09,680 --> 00:17:11,680 Speaker 1: I consider you a mentor. But like if you did 315 00:17:11,760 --> 00:17:14,440 Speaker 1: have that meltdown, I don't know if I would hesitate 316 00:17:14,560 --> 00:17:17,800 Speaker 1: to whip out that phone and start recording and upload 317 00:17:17,800 --> 00:17:19,960 Speaker 1: it because I don't know. I think that the world 318 00:17:19,960 --> 00:17:22,000 Speaker 1: should see something like that, and maybe it should come 319 00:17:22,000 --> 00:17:24,320 Speaker 1: from me, But you know, I don't want I don't 320 00:17:24,359 --> 00:17:25,600 Speaker 1: wish that on you. I don't want you to be 321 00:17:25,600 --> 00:17:27,240 Speaker 1: on like a no fly list or anything like that. 322 00:17:27,280 --> 00:17:29,439 Speaker 1: But I do see that happening at some point in 323 00:17:29,440 --> 00:17:31,200 Speaker 1: your life, and I hope it I hope it doesn't. 324 00:17:31,240 --> 00:17:33,800 Speaker 1: I hope it doesn't. I I hope it doesn't either. 325 00:17:33,960 --> 00:17:35,679 Speaker 1: And I feel like I have good self control. I 326 00:17:35,680 --> 00:17:38,480 Speaker 1: feel like if I ever did that, there would be 327 00:17:38,480 --> 00:17:41,560 Speaker 1: something seriously wrong with me, because I I know had 328 00:17:41,800 --> 00:17:43,520 Speaker 1: Like if I if I lose my temper, I know 329 00:17:43,640 --> 00:17:46,080 Speaker 1: had a curb it or is it curb it or 330 00:17:46,119 --> 00:17:49,639 Speaker 1: curb it? Curb it? Curb it? Curb curb yeah, like 331 00:17:49,680 --> 00:17:52,160 Speaker 1: curb your anger. Yeah, I had a curb. But even 332 00:17:52,160 --> 00:17:54,720 Speaker 1: if I seem out of control, like I would never 333 00:17:54,720 --> 00:17:58,800 Speaker 1: take things to another please thank you, because because then 334 00:17:58,840 --> 00:18:00,560 Speaker 1: you have to be on the appall lergy tour for 335 00:18:00,600 --> 00:18:03,479 Speaker 1: your stand up. Oh no, but I will say this, 336 00:18:03,720 --> 00:18:09,080 Speaker 1: if I ever do freak out, please film it, because 337 00:18:09,200 --> 00:18:11,440 Speaker 1: at least we'll own the rights to the to the 338 00:18:11,520 --> 00:18:14,280 Speaker 1: video footage. I mean we gotta, like, yeah, we gotta 339 00:18:14,320 --> 00:18:16,439 Speaker 1: make something. Maybe we make some money. Maybe maybe I 340 00:18:16,480 --> 00:18:17,960 Speaker 1: make some money off of you in that way. I 341 00:18:17,960 --> 00:18:19,480 Speaker 1: don't know, but you're right, like we want to own 342 00:18:19,520 --> 00:18:22,800 Speaker 1: the rights to your full blown meltdown. Um that will 343 00:18:22,840 --> 00:18:25,480 Speaker 1: probably you know, have you end up in therapy, And 344 00:18:25,520 --> 00:18:29,119 Speaker 1: then at least we could color correct me, like release, 345 00:18:31,720 --> 00:18:33,600 Speaker 1: you could color correct me a little bit. You can 346 00:18:33,640 --> 00:18:35,680 Speaker 1: bring this like like you know, like a little contrast 347 00:18:36,119 --> 00:18:38,280 Speaker 1: a little, but you can't like get the fat off, 348 00:18:38,560 --> 00:18:41,280 Speaker 1: you know what I mean, Like you can't slim you down. 349 00:18:41,480 --> 00:18:43,400 Speaker 1: You know what I'm saying, Like, there's only so much 350 00:18:43,400 --> 00:18:47,000 Speaker 1: like that's c G I at that point, I'm sorry. 351 00:18:47,320 --> 00:18:51,760 Speaker 1: See this is see this is where things again, where 352 00:18:51,760 --> 00:18:54,879 Speaker 1: they could take a fucking left turn because I was 353 00:18:54,920 --> 00:18:57,080 Speaker 1: just saying, good fuck, I'm not the one who had 354 00:18:57,119 --> 00:19:00,800 Speaker 1: a Mediterranean salad for lunch. I know what, did you 355 00:19:00,800 --> 00:19:04,360 Speaker 1: have a hot dog or what did you have? Excuse me, 356 00:19:04,400 --> 00:19:10,480 Speaker 1: I had the Mediterranean talent. Oh man, it's just too good. 357 00:19:10,720 --> 00:19:33,400 Speaker 1: It's just too good. Podcast. Did you see the Shannon 358 00:19:33,520 --> 00:19:38,080 Speaker 1: Sharp incident at the Laker game the other night? Are 359 00:19:38,080 --> 00:19:40,439 Speaker 1: you aware of it? I'm not even aware of it. 360 00:19:41,240 --> 00:19:43,159 Speaker 1: You're not even aware of the Shannon Sharp incident. I 361 00:19:43,160 --> 00:19:45,639 Speaker 1: didn't see anything trending. I love Shannon Sharp. What happened 362 00:19:45,640 --> 00:19:50,080 Speaker 1: at the Laker game? Okay, so Shannon Sharp, who doesn't 363 00:19:50,119 --> 00:19:53,879 Speaker 1: go too many Laker games, but he's made a public 364 00:19:53,920 --> 00:19:58,160 Speaker 1: appearance to Laker games twice in the last few weeks. 365 00:19:58,600 --> 00:20:01,440 Speaker 1: And obviously we know that Shannon Sharp is a huge 366 00:20:01,520 --> 00:20:04,720 Speaker 1: Lebron James fan. I love Shannon Sharp, I love skipping Shannon. 367 00:20:04,760 --> 00:20:08,720 Speaker 1: I love undisputed Um. He's a great dude. Hall of 368 00:20:08,720 --> 00:20:11,960 Speaker 1: Famer needs no introduction. He was at the Laker game 369 00:20:12,000 --> 00:20:16,040 Speaker 1: at Staples Center or what is it call now, Crypto Crypto, 370 00:20:16,119 --> 00:20:19,840 Speaker 1: Crypto Current Arena, whatever the funk it is. Yeah, the 371 00:20:19,960 --> 00:20:22,120 Speaker 1: Lakers were playing the Grizzlies, who are a young team 372 00:20:22,160 --> 00:20:24,520 Speaker 1: that likes to talk ship. Although they haven't won anything. 373 00:20:25,240 --> 00:20:30,719 Speaker 1: They literally act like they're the Chicago Bulls, like they 374 00:20:30,760 --> 00:20:34,800 Speaker 1: act like they're doing something they've done nothing. That being said, 375 00:20:34,880 --> 00:20:38,320 Speaker 1: Lebron James was being guarded by a player named Dylon Brooks. 376 00:20:38,320 --> 00:20:41,399 Speaker 1: Diylon Brooks is a hard nos tough player, good player, 377 00:20:42,560 --> 00:20:47,760 Speaker 1: and allegedly Shannon Sharp said to Dylon Brooks, you're too 378 00:20:47,760 --> 00:20:50,080 Speaker 1: small to guard him. And then Dylan Brooks, the player 379 00:20:50,080 --> 00:20:52,080 Speaker 1: for the Grizzlies, who was about twenty four years old, 380 00:20:52,440 --> 00:20:55,280 Speaker 1: said to Shannon Sharp, fuck you. And then Shannon Sharp 381 00:20:55,359 --> 00:20:58,960 Speaker 1: said fuck you, and then they basically went in. They 382 00:20:58,960 --> 00:21:02,240 Speaker 1: got into it like a whole and security got involved 383 00:21:02,359 --> 00:21:06,080 Speaker 1: and it was like it was like a whole online incident. 384 00:21:06,880 --> 00:21:09,760 Speaker 1: And one of the players on the Memphis Curzl drama 385 00:21:09,800 --> 00:21:13,080 Speaker 1: rant his father came over, and Steven Adams, the goon 386 00:21:13,560 --> 00:21:17,159 Speaker 1: who's like looks like Aquaman, he came over, and you know, 387 00:21:17,240 --> 00:21:20,439 Speaker 1: cooler hair's heads prevailed. But it turned into a whole thing. 388 00:21:20,440 --> 00:21:24,040 Speaker 1: And then inevitably, Shannon Sharp apologized, like I knew he would, 389 00:21:24,040 --> 00:21:26,479 Speaker 1: because I'm sure he probably felt bad, probably felt stupid, 390 00:21:26,520 --> 00:21:29,000 Speaker 1: and probably regretted the whole thing because he's a really 391 00:21:29,000 --> 00:21:32,240 Speaker 1: good guy and I know he's well intentioned, and you know, 392 00:21:32,320 --> 00:21:35,560 Speaker 1: it's just probably like some ego, maybe a little red wine, 393 00:21:35,640 --> 00:21:38,639 Speaker 1: who the fuck knows. Yeah, but he's he's he could 394 00:21:38,680 --> 00:21:40,600 Speaker 1: say that if he wanted to know what Dylan Brooks 395 00:21:40,600 --> 00:21:42,399 Speaker 1: is gonna beat up Shannon Sharp. I mean, like the 396 00:21:42,400 --> 00:21:45,199 Speaker 1: most likable guy out there. Like, okay, so what you 397 00:21:45,200 --> 00:21:47,240 Speaker 1: talked a little shit? As a fan, you're not as 398 00:21:47,240 --> 00:21:49,800 Speaker 1: a player, You're not supposed to be like engaging back 399 00:21:49,880 --> 00:21:52,520 Speaker 1: like that that. But the thing is is as a fan, 400 00:21:52,880 --> 00:21:58,040 Speaker 1: as a celebrity fan, when you are a ship talker 401 00:21:58,200 --> 00:22:01,879 Speaker 1: on the sports channels like in and Sharp, you you 402 00:22:01,960 --> 00:22:05,919 Speaker 1: can't do that. You gotta separate it. You gotta go 403 00:22:05,960 --> 00:22:08,520 Speaker 1: to the games and not say anything. And I thought 404 00:22:08,520 --> 00:22:11,720 Speaker 1: about this for a couple of reasons because my reputation 405 00:22:11,960 --> 00:22:16,960 Speaker 1: as a let's just say, a wild cowboy, unhinged um, 406 00:22:17,080 --> 00:22:21,560 Speaker 1: somebody who's kind of like a loose cannon, unpredictable. When 407 00:22:21,600 --> 00:22:26,040 Speaker 1: I go to games, I never say anything to the players. 408 00:22:26,560 --> 00:22:29,600 Speaker 1: I never have, except for one time at a Miami 409 00:22:29,720 --> 00:22:33,320 Speaker 1: Heat Utah Jazz game in Miami. But it wasn't anything disrespectful. 410 00:22:33,320 --> 00:22:35,639 Speaker 1: It was just general ship talking. But this is in 411 00:22:35,760 --> 00:22:40,359 Speaker 1: like nine. But my reputation is a ship talk or 412 00:22:40,359 --> 00:22:43,000 Speaker 1: my reputation is this that in the third um, I 413 00:22:43,040 --> 00:22:45,320 Speaker 1: don't say anything. But the reason why I was saying 414 00:22:45,320 --> 00:22:48,680 Speaker 1: Shannon can't say anything is because it's loaded. When it's 415 00:22:48,680 --> 00:22:51,640 Speaker 1: Shannon Sharp, he's not a regular fan. And not only 416 00:22:51,680 --> 00:22:54,479 Speaker 1: is he not a regular fan, he's not a regular 417 00:22:54,520 --> 00:22:58,679 Speaker 1: celebrity when it comes to basketball, particularly Lakers, particularly Lebron James. 418 00:22:59,359 --> 00:23:02,720 Speaker 1: Everybody knows how he feels. So if he starts talking 419 00:23:02,760 --> 00:23:06,720 Speaker 1: ship to a player, it's gonna incite a little bit. 420 00:23:06,720 --> 00:23:10,640 Speaker 1: More so if the players says fuck you to Shannon Sharp, 421 00:23:10,680 --> 00:23:13,920 Speaker 1: and then Shannon, you have to just eat that you you. 422 00:23:14,160 --> 00:23:16,520 Speaker 1: That's why you shouldn't say anything. You shouldn't antagonize the 423 00:23:16,520 --> 00:23:19,320 Speaker 1: players because number one, year fifty four, Number two it's 424 00:23:19,359 --> 00:23:22,040 Speaker 1: not your night number three. You have to know that 425 00:23:22,520 --> 00:23:25,399 Speaker 1: if you're talking ship, it's not just anonymous fan. It's 426 00:23:25,440 --> 00:23:28,720 Speaker 1: Shannon Sharp, who we know is the biggest Lebron James 427 00:23:28,760 --> 00:23:31,840 Speaker 1: fan in the world. And it could escalate, as it did. 428 00:23:32,320 --> 00:23:35,520 Speaker 1: Unfortunately it didn't go beyond that. And uh, you know, 429 00:23:35,600 --> 00:23:37,880 Speaker 1: Shannon acknowledged that he you know, he had sucked up 430 00:23:38,200 --> 00:23:41,119 Speaker 1: blah blah blah blah blah. But the point being about 431 00:23:41,160 --> 00:23:47,080 Speaker 1: me being unhinged, me being got that right. Sorry, sorry 432 00:23:48,640 --> 00:23:50,960 Speaker 1: saying you said unhinged. I said, you got that right. 433 00:23:51,520 --> 00:23:54,560 Speaker 1: And and and I and I have a different perspective 434 00:23:54,560 --> 00:23:56,520 Speaker 1: as to why you don't say anything at the games. 435 00:23:56,560 --> 00:23:58,879 Speaker 1: I don't think it has to do with respect and 436 00:23:58,880 --> 00:24:02,000 Speaker 1: and you can separate the two personalities. I think that 437 00:24:02,359 --> 00:24:04,679 Speaker 1: it's it might be, you know, maybe easier for you 438 00:24:04,760 --> 00:24:07,120 Speaker 1: to say certain things behind the phone, behind the computer, 439 00:24:07,760 --> 00:24:10,560 Speaker 1: versus going into the stadium and being there. I don't 440 00:24:10,560 --> 00:24:12,200 Speaker 1: I think that there you might be a little threatened. 441 00:24:12,240 --> 00:24:13,800 Speaker 1: I think that you might be a little scared to 442 00:24:13,800 --> 00:24:17,760 Speaker 1: say that. Excuse me, asshole. It's just a take. It's 443 00:24:17,800 --> 00:24:22,920 Speaker 1: just excuse me, excuse me. That's your take, that's my 444 00:24:23,240 --> 00:24:27,440 Speaker 1: that's my first take, that's your take. That's my take. 445 00:24:27,520 --> 00:24:30,080 Speaker 1: Maybe you don't say anything because you're a little nervous 446 00:24:30,080 --> 00:24:33,280 Speaker 1: in personal Really, I brought I brought a fucking broom 447 00:24:33,480 --> 00:24:36,960 Speaker 1: into the arena in Cleveland. That's true. That is that 448 00:24:37,080 --> 00:24:40,199 Speaker 1: is true, that that I brought a broom into the 449 00:24:40,240 --> 00:24:46,159 Speaker 1: arena and paraded around with it in enemy territory. Okay, 450 00:24:46,160 --> 00:24:49,600 Speaker 1: you're right, I I take it back. Okay, so take 451 00:24:50,240 --> 00:24:53,480 Speaker 1: and shove it up your keys to bro Okay, Okay, 452 00:24:53,480 --> 00:24:55,720 Speaker 1: I just I'm just like playing Devil's advocate here. I 453 00:24:55,720 --> 00:24:57,560 Speaker 1: thought maybe other people might have that take, but I'm 454 00:24:57,560 --> 00:24:59,879 Speaker 1: glad was it that wasn't your your take, and you 455 00:25:00,000 --> 00:25:03,439 Speaker 1: weren't playing Devil's advocate. You were trying to antagonize me. 456 00:25:03,640 --> 00:25:07,080 Speaker 1: See you, I think what you want secretly is I 457 00:25:07,119 --> 00:25:10,960 Speaker 1: think you want me unhinged. I think you want me 458 00:25:11,440 --> 00:25:14,320 Speaker 1: off the fucking rails. So that's how we like that footage. 459 00:25:14,359 --> 00:25:18,000 Speaker 1: And then what are you gonna sell it to TMZ? 460 00:25:18,160 --> 00:25:20,160 Speaker 1: You fuck listen. I mean, if I'm in a bind, 461 00:25:20,200 --> 00:25:22,040 Speaker 1: who knows what the funk I'm gonna do. But you 462 00:25:22,080 --> 00:25:24,639 Speaker 1: know I'm not in that position right now. But you know, 463 00:25:24,720 --> 00:25:29,439 Speaker 1: we do like we like Michael Rappaport, unhinged, unpredictable. We 464 00:25:29,560 --> 00:25:31,320 Speaker 1: like that version of you. I don't think, you know, 465 00:25:31,359 --> 00:25:33,240 Speaker 1: It's like, I know you've tried to rebrand yourself and 466 00:25:33,280 --> 00:25:35,439 Speaker 1: all that ship, but like I don't love you with 467 00:25:35,480 --> 00:25:38,080 Speaker 1: the puppies and all that stuff. I like you like nuts. 468 00:25:38,320 --> 00:25:40,960 Speaker 1: I think we all like you nuts because you are nuts. 469 00:25:41,000 --> 00:25:43,359 Speaker 1: And people ask me, is he nuts? Like off the podcast, 470 00:25:43,520 --> 00:25:45,800 Speaker 1: like what's it like like working with him? And I'm 471 00:25:45,800 --> 00:25:48,119 Speaker 1: like I and I told you. I used to say, oh, 472 00:25:48,200 --> 00:25:51,480 Speaker 1: it's a character. He plays a character. It's a version 473 00:25:51,560 --> 00:25:53,840 Speaker 1: of him, you know. It's like it's like Sasha Baron Cohen, 474 00:25:53,960 --> 00:25:56,200 Speaker 1: Larry David. It's a version of him. And now when 475 00:25:56,200 --> 00:25:58,560 Speaker 1: people ask me over the years, I say, yeah, you know, 476 00:25:58,600 --> 00:26:00,439 Speaker 1: I thought it was a character. I thought it was 477 00:26:00,480 --> 00:26:02,520 Speaker 1: a different version of him. But I'm starting to realize, 478 00:26:02,520 --> 00:26:04,840 Speaker 1: like over text message at like midnight, when we're talking 479 00:26:05,240 --> 00:26:07,600 Speaker 1: when there's not a camera on us or anything, like, 480 00:26:07,760 --> 00:26:10,119 Speaker 1: you are that you kind of are that crazy, You 481 00:26:10,160 --> 00:26:12,480 Speaker 1: kind of are that guy, and it's nothing wrong with that. 482 00:26:12,640 --> 00:26:14,399 Speaker 1: It's like you own that and I think that's I 483 00:26:14,400 --> 00:26:17,479 Speaker 1: think that's great. You are yourself and you should be yourself, 484 00:26:17,520 --> 00:26:19,800 Speaker 1: which is fucking nuts. Now, let me ask you a 485 00:26:19,840 --> 00:26:27,520 Speaker 1: serious question here. Okay, I have I just recorded coincidentally 486 00:26:28,960 --> 00:26:33,560 Speaker 1: Alec Baldwin on the im Wrap Reports Stereo podcast. That's 487 00:26:33,600 --> 00:26:39,359 Speaker 1: wild now a couple of days after we recorded Alec 488 00:26:39,359 --> 00:26:41,679 Speaker 1: Baldwin on the irom Wrap Reports Stereo podcast, and I 489 00:26:41,680 --> 00:26:48,000 Speaker 1: am telling you it is an excellent episode. We talked 490 00:26:48,080 --> 00:26:51,639 Speaker 1: all about acting, about movies, about other actors, about directors, 491 00:26:52,040 --> 00:26:55,439 Speaker 1: and all that stuff from an acting podcast point of view. 492 00:26:55,480 --> 00:26:57,199 Speaker 1: I mean, we talked about the minutia of being on 493 00:26:57,240 --> 00:26:59,960 Speaker 1: a set, the minutia of you know, take one versus 494 00:27:00,080 --> 00:27:03,639 Speaker 1: Take seven, and all that stuff. And then last week 495 00:27:04,680 --> 00:27:09,000 Speaker 1: eight came out that he was going to be charged 496 00:27:09,640 --> 00:27:14,040 Speaker 1: with involuntary manslaughter for that terrible, terrible situation that happened 497 00:27:14,080 --> 00:27:17,520 Speaker 1: on the set of that movie. So my question for you, 498 00:27:17,520 --> 00:27:19,480 Speaker 1: young Shooter and the fans you could d m you 499 00:27:19,520 --> 00:27:21,080 Speaker 1: could let me know, is what do I do with 500 00:27:21,119 --> 00:27:26,280 Speaker 1: this episode? What do I do with the Alec Baldwin episode? 501 00:27:26,280 --> 00:27:30,080 Speaker 1: Because I'm not I didn't talk to him obviously about 502 00:27:30,280 --> 00:27:34,320 Speaker 1: this situation because it hadn't come up, and you know, 503 00:27:34,400 --> 00:27:37,040 Speaker 1: as far as you know, I knew it was something 504 00:27:37,080 --> 00:27:42,720 Speaker 1: that was a terrible terrible, terrible fucking accident, a tragedy, 505 00:27:42,720 --> 00:27:45,679 Speaker 1: which you know it is, and the fact that this 506 00:27:45,720 --> 00:27:48,960 Speaker 1: woman was you know, a parent, and this woman was 507 00:27:49,000 --> 00:27:52,040 Speaker 1: a obviously a friend and a daughter and uh, you know, 508 00:27:52,080 --> 00:27:54,760 Speaker 1: a mother and and a wife is the really the 509 00:27:54,840 --> 00:27:58,879 Speaker 1: real terrible thing. But because of in my opinion, Alec 510 00:27:58,880 --> 00:28:03,200 Speaker 1: Baldwin being such an out spoken political sort of juggernut, 511 00:28:03,840 --> 00:28:07,439 Speaker 1: I think that this is carrying on into something um 512 00:28:07,480 --> 00:28:10,560 Speaker 1: bigger than it would be if it was just a terrible, 513 00:28:10,640 --> 00:28:13,760 Speaker 1: terrole accident with an anonymous actor. So my question for you, 514 00:28:13,760 --> 00:28:16,240 Speaker 1: young Shooter and the fans of the Iron Rapports Stereo podcast, 515 00:28:16,880 --> 00:28:19,280 Speaker 1: what should I do with that episode of the Iron 516 00:28:19,320 --> 00:28:22,480 Speaker 1: rapp Reports Stereo podcast with Alc Baldwin. I think that 517 00:28:22,520 --> 00:28:24,680 Speaker 1: you should absolutely put the episode out. It's not like 518 00:28:24,720 --> 00:28:27,520 Speaker 1: you're coming from an angle being like, hey, everybody, like 519 00:28:27,680 --> 00:28:30,720 Speaker 1: Alec Baldwin talks about the shooting on the Rust set, 520 00:28:30,840 --> 00:28:33,840 Speaker 1: you know, like tune in to hear what he says 521 00:28:33,880 --> 00:28:35,960 Speaker 1: about it, Like you guys aren't talking about that. First 522 00:28:35,960 --> 00:28:38,920 Speaker 1: of all, I think it speaks volumes about your character 523 00:28:39,120 --> 00:28:42,760 Speaker 1: that you didn't bring that up in the podcast, like, 524 00:28:43,320 --> 00:28:44,880 Speaker 1: you know, I think that would be kind of slimy 525 00:28:45,000 --> 00:28:46,920 Speaker 1: to have him on and to try and get that 526 00:28:46,960 --> 00:28:50,040 Speaker 1: out of him. And you know, he's like he did 527 00:28:50,080 --> 00:28:51,800 Speaker 1: the podcast, what does he think like and if and 528 00:28:51,800 --> 00:28:54,040 Speaker 1: if he had a problem with whatever you guys talked 529 00:28:54,040 --> 00:28:56,280 Speaker 1: about on the podcast, he'd reach out to you and say, 530 00:28:56,320 --> 00:28:59,160 Speaker 1: don't put that podcast out, especially with everything going on. 531 00:28:59,240 --> 00:29:02,560 Speaker 1: But he's active on Instagram. He's making posts on Instagram, 532 00:29:02,640 --> 00:29:06,640 Speaker 1: like you recorded the podcast. It's you know, interesting timing. 533 00:29:06,720 --> 00:29:10,680 Speaker 1: But like I think everybody as a fan, even me, 534 00:29:10,800 --> 00:29:13,800 Speaker 1: I'm not thinking about that incident with him. I would 535 00:29:13,880 --> 00:29:15,800 Speaker 1: love to hear about all of his experiences as an 536 00:29:15,920 --> 00:29:19,320 Speaker 1: iconic actor and you guys being two actors talking about 537 00:29:19,800 --> 00:29:22,360 Speaker 1: what happens on the seventh take versus the first take, 538 00:29:22,440 --> 00:29:25,480 Speaker 1: and hearing about all the iconic movies that he's done. Like, 539 00:29:25,680 --> 00:29:28,880 Speaker 1: I want to see or hear that interview. And I 540 00:29:28,880 --> 00:29:30,600 Speaker 1: don't think I think it would be one thing if 541 00:29:30,640 --> 00:29:33,360 Speaker 1: you marketed it where it's like I got Alec Baldwin 542 00:29:33,440 --> 00:29:36,800 Speaker 1: in on the podcast and like you were like doing 543 00:29:36,800 --> 00:29:38,200 Speaker 1: it from that angle. I think there's a lot of 544 00:29:38,560 --> 00:29:42,040 Speaker 1: podcast hosts that do that. I mean, you don't have 545 00:29:42,080 --> 00:29:44,200 Speaker 1: to agree with me on this. I whatever this is 546 00:29:44,240 --> 00:29:45,920 Speaker 1: my take. You don't have to say anything about it. 547 00:29:45,960 --> 00:29:49,080 Speaker 1: But like I think Adam twenty two No Jumper is 548 00:29:49,160 --> 00:29:51,560 Speaker 1: kind of the king at like exploiting. UM. I don't 549 00:29:51,600 --> 00:29:53,200 Speaker 1: have a I don't have a problem with his podcast 550 00:29:53,280 --> 00:29:55,520 Speaker 1: and whatever, but like I think that when people die, 551 00:29:56,200 --> 00:30:00,440 Speaker 1: like Aaron Carr, he doesn't he'll start black asking the 552 00:30:00,480 --> 00:30:03,760 Speaker 1: clips of their interview. And I think that that's kind 553 00:30:03,760 --> 00:30:07,400 Speaker 1: of a kind of that's a slimy, disgusting move um 554 00:30:07,440 --> 00:30:09,120 Speaker 1: to get views and clicks and all that. And I 555 00:30:09,160 --> 00:30:11,760 Speaker 1: just don't think that you're that person. So I think 556 00:30:11,760 --> 00:30:14,040 Speaker 1: that you should release that interview. We I would love 557 00:30:14,040 --> 00:30:17,120 Speaker 1: to see that. Oh thanks, thanks, Young Shooter. Thanks for 558 00:30:17,160 --> 00:30:37,240 Speaker 1: that thoughtful insight. I appreciate that podcast. Young Shooter. What 559 00:30:37,320 --> 00:30:39,800 Speaker 1: have you been up to? What's going on in your world? Well, 560 00:30:40,000 --> 00:30:42,760 Speaker 1: enough about me, what's going on in the young shooters world. 561 00:30:42,800 --> 00:30:45,760 Speaker 1: That's what everybody really wants to know, is what's happening 562 00:30:45,800 --> 00:30:48,160 Speaker 1: with the young Everybody, excuse me, what's happening with the 563 00:30:48,200 --> 00:30:51,160 Speaker 1: young shooter? I mean, I don't know if I don't 564 00:30:51,160 --> 00:30:53,000 Speaker 1: think that's like, you know, people are going to sleep 565 00:30:53,040 --> 00:30:55,239 Speaker 1: like it's the last thing they're thinking about, you know, 566 00:30:55,560 --> 00:31:00,400 Speaker 1: at the end of the day, but not surprised. Okay, okay, 567 00:31:00,480 --> 00:31:02,640 Speaker 1: well no, I mean there's been a lot of birthdays 568 00:31:02,720 --> 00:31:04,520 Speaker 1: this month for me, a lot like my you know whatever, 569 00:31:04,560 --> 00:31:06,080 Speaker 1: that's all boring. Ship. There's been a lot of ship. 570 00:31:06,360 --> 00:31:09,160 Speaker 1: But I have been like watching, Um, I've been like 571 00:31:09,280 --> 00:31:11,720 Speaker 1: going kind of down the rabbit hole again with like 572 00:31:11,880 --> 00:31:16,320 Speaker 1: nineties thrillers, exotic thrillers, um, that kind of stuff like 573 00:31:16,360 --> 00:31:18,040 Speaker 1: I remember, like we talked about on the podcast, like 574 00:31:18,040 --> 00:31:20,760 Speaker 1: I you know, I think I started. I watched Basic Instinct, 575 00:31:20,800 --> 00:31:23,600 Speaker 1: and that led me to Fatal Attraction, to single White Female, 576 00:31:23,760 --> 00:31:28,520 Speaker 1: to Sleeping with the Enemy, to all the Michael Douglas classics, 577 00:31:28,840 --> 00:31:32,200 Speaker 1: a perfect Murder, all these fucking movies that he started. 578 00:31:33,160 --> 00:31:38,120 Speaker 1: I've realized I love romantic thrillers, like exotic thrillers, and 579 00:31:38,160 --> 00:31:40,760 Speaker 1: I don't know why they're not making movies like that anymore. 580 00:31:40,800 --> 00:31:42,560 Speaker 1: Like I mean, you think about like fifty Shades of 581 00:31:42,600 --> 00:31:44,560 Speaker 1: Gray or something like that, Like I never saw that, 582 00:31:44,640 --> 00:31:47,680 Speaker 1: but I miss the nineties when they would make those, 583 00:31:47,960 --> 00:31:50,640 Speaker 1: Like Fatal Attraction to me is the godfather of all 584 00:31:50,840 --> 00:31:53,240 Speaker 1: of those fucking movies. If you haven't seen Fatal Attraction 585 00:31:53,520 --> 00:31:56,440 Speaker 1: with Glenn Close and Michael Douglas. That is such a 586 00:31:56,440 --> 00:31:59,000 Speaker 1: fucking great movie. It still holds up. But there were 587 00:31:59,040 --> 00:32:01,080 Speaker 1: a few that I had in scenes, So I did 588 00:32:01,120 --> 00:32:04,920 Speaker 1: watch what did I watch? It was not good. I've 589 00:32:04,960 --> 00:32:08,240 Speaker 1: heard about it so many times. I watched Indecent Proposal 590 00:32:08,320 --> 00:32:13,960 Speaker 1: the other night, like no, it's it's Demi Moore and 591 00:32:14,000 --> 00:32:20,160 Speaker 1: Woody Harrelson and and Robert Redford's like in Vegas, like 592 00:32:20,680 --> 00:32:22,959 Speaker 1: they like lose all their money, Like what Woody Harrelson 593 00:32:23,040 --> 00:32:25,600 Speaker 1: and Demi Moore and then Robert Redford's like, I'll offer 594 00:32:25,640 --> 00:32:27,720 Speaker 1: you a million dollars to like sleep with your wife 595 00:32:27,760 --> 00:32:29,840 Speaker 1: tonight or whatever and take your wife out, and like 596 00:32:29,920 --> 00:32:32,560 Speaker 1: it is such a weird movie, but it's very fun. 597 00:32:33,000 --> 00:32:38,080 Speaker 1: And um that led me to watching Jodie Foster movie 598 00:32:38,120 --> 00:32:40,760 Speaker 1: which she won Best Actress for her first Best Actress, 599 00:32:40,760 --> 00:32:45,320 Speaker 1: which was The Accused. Saw The Accused. I mean, honestly, 600 00:32:45,320 --> 00:32:48,200 Speaker 1: I had to forward through a lot of like the 601 00:32:48,280 --> 00:32:50,360 Speaker 1: rape stuff, Like there is like a chunk of it 602 00:32:50,400 --> 00:32:52,040 Speaker 1: where I mean, I know that's the movie. She gets 603 00:32:52,160 --> 00:32:54,800 Speaker 1: gang raped in a bar and all that stuff, and 604 00:32:54,840 --> 00:32:58,040 Speaker 1: like there is some very disturbing scenes in there. It's 605 00:32:58,080 --> 00:33:01,480 Speaker 1: really fucked up, and you know, they're on trial and 606 00:33:01,480 --> 00:33:03,880 Speaker 1: and all this stuff. And it actually had me thinking, 607 00:33:03,920 --> 00:33:06,800 Speaker 1: because you know, there's a lot of like the jury 608 00:33:06,840 --> 00:33:09,680 Speaker 1: in that movie and all sorts of ship and I 609 00:33:09,760 --> 00:33:12,160 Speaker 1: ended up like, after watching that movie. Funnily enough, I 610 00:33:12,200 --> 00:33:14,600 Speaker 1: went to go check my mailbox and I got summons, 611 00:33:15,160 --> 00:33:18,080 Speaker 1: uh for jury duty, and they gave me the juror badge, 612 00:33:18,080 --> 00:33:20,080 Speaker 1: and I really don't want to do it, and it 613 00:33:20,160 --> 00:33:21,720 Speaker 1: took me back. And I don't know if I told 614 00:33:21,720 --> 00:33:24,440 Speaker 1: you this, but years ago I did end up doing 615 00:33:24,520 --> 00:33:27,480 Speaker 1: jury duty, and it's kind of been in my world now. 616 00:33:27,480 --> 00:33:30,000 Speaker 1: Like I watched The Accused like the jurors, and I 617 00:33:30,040 --> 00:33:31,479 Speaker 1: was like, Okay, this is kind of interesting. And then 618 00:33:31,520 --> 00:33:33,840 Speaker 1: I got summons for jury duty. But I don't know 619 00:33:33,880 --> 00:33:35,920 Speaker 1: if I told you, Like years ago, I got jury 620 00:33:35,960 --> 00:33:39,600 Speaker 1: duty and I ended up going and they selected me 621 00:33:39,720 --> 00:33:43,360 Speaker 1: as an alternate juror. I wasn't one of the main jurors. 622 00:33:43,400 --> 00:33:45,600 Speaker 1: As twelve jurors. I was an alternate that if one 623 00:33:45,600 --> 00:33:48,280 Speaker 1: of them got sick, I'd step in. But I still 624 00:33:48,360 --> 00:33:51,680 Speaker 1: had to be on this case for two weeks with everybody. 625 00:33:52,000 --> 00:33:55,240 Speaker 1: I couldn't jot down any notes. I wasn't actually going 626 00:33:55,280 --> 00:33:57,400 Speaker 1: to be in the deliberations. At the very end of 627 00:33:57,400 --> 00:33:59,440 Speaker 1: the trial, they would kick me out and be like 628 00:33:59,480 --> 00:34:02,560 Speaker 1: you're good to oh like, which sucked, But I did 629 00:34:02,640 --> 00:34:06,400 Speaker 1: get selected for jury duty and it wasn't It was 630 00:34:06,440 --> 00:34:10,960 Speaker 1: a criminal case, and it was a crazy fucking case. 631 00:34:11,120 --> 00:34:15,800 Speaker 1: This guy was like getting charged with going to someone's 632 00:34:15,840 --> 00:34:18,160 Speaker 1: apartment and holding them up a gun point with like 633 00:34:18,280 --> 00:34:22,359 Speaker 1: a semi automatic rifle and tying this guy and his 634 00:34:22,440 --> 00:34:25,759 Speaker 1: wife up with rope while he like stole all of 635 00:34:25,800 --> 00:34:28,719 Speaker 1: their ship in the in their apartment, all their money, 636 00:34:28,760 --> 00:34:30,719 Speaker 1: like they had witnesses coming in. This guy was in 637 00:34:30,719 --> 00:34:33,920 Speaker 1: a wheelchair, and I was tripping out by this, Like 638 00:34:34,000 --> 00:34:36,600 Speaker 1: I was in the juror box while this guy was there, 639 00:34:36,760 --> 00:34:38,680 Speaker 1: and they'd have this lawyer come up and be like, 640 00:34:39,080 --> 00:34:45,680 Speaker 1: this is the semi automatic rifle that it was crazy, 641 00:34:45,800 --> 00:34:47,960 Speaker 1: and they were like this is the gun that he 642 00:34:48,080 --> 00:34:50,920 Speaker 1: used to hold them up at gunpoint and and scare 643 00:34:51,000 --> 00:34:52,799 Speaker 1: them into all this stuff. And I would turn to 644 00:34:52,840 --> 00:34:56,080 Speaker 1: the other jurors and go, holy sh it, this is crazy. 645 00:34:56,239 --> 00:34:58,080 Speaker 1: Oh my god, are you like? And I would turn 646 00:34:58,160 --> 00:35:00,680 Speaker 1: to them and they were not amused, Like I was 647 00:35:00,719 --> 00:35:02,600 Speaker 1: like tripping out. I was like, oh my god, Like 648 00:35:02,640 --> 00:35:05,000 Speaker 1: can you believe We're like watching this like this is 649 00:35:05,160 --> 00:35:07,200 Speaker 1: this is crazy, Like that's the gun that they used. 650 00:35:07,200 --> 00:35:09,560 Speaker 1: That's insane. And then they would be like here's the 651 00:35:09,640 --> 00:35:12,640 Speaker 1: rope that like bound this person's hands. And I was like, 652 00:35:12,680 --> 00:35:14,880 Speaker 1: oh my god, this is the rope and the jurors 653 00:35:14,920 --> 00:35:16,640 Speaker 1: like looked at me like, dude, shut the funk up, 654 00:35:16,719 --> 00:35:18,960 Speaker 1: like you can't like have any reactions. And I was 655 00:35:19,000 --> 00:35:20,920 Speaker 1: so excited by it because I was like, this was 656 00:35:20,960 --> 00:35:23,239 Speaker 1: like true crime. This was like everything I wanted to see. 657 00:35:23,440 --> 00:35:27,600 Speaker 1: And after that had happened, I was making reactions and 658 00:35:27,640 --> 00:35:29,520 Speaker 1: no one had told me not to do that, and 659 00:35:29,560 --> 00:35:31,319 Speaker 1: the jurors like didn't want to. Like we would go 660 00:35:31,360 --> 00:35:33,200 Speaker 1: like they'd be like, okay, it's recess now, and I'd 661 00:35:33,440 --> 00:35:35,000 Speaker 1: I'd leave with all them like in the in the 662 00:35:35,000 --> 00:35:37,120 Speaker 1: courtroom and I'd be like, so, like where we getting lunch? Guys, 663 00:35:37,160 --> 00:35:39,239 Speaker 1: Like are you guys don't like cafeteria And they'd be 664 00:35:39,280 --> 00:35:42,920 Speaker 1: like they would like have their crew and like exclude me, 665 00:35:43,040 --> 00:35:45,200 Speaker 1: Like I would like what they want you around? You 666 00:35:45,200 --> 00:35:49,000 Speaker 1: were like a disruptive juror. I did. I thought that 667 00:35:49,040 --> 00:35:50,799 Speaker 1: they were like how did they even how did you 668 00:35:50,800 --> 00:35:53,240 Speaker 1: even get that far? Like if I was a judge. 669 00:35:53,239 --> 00:35:56,319 Speaker 1: I'd be like, no, I just looks like a funk up. 670 00:35:56,360 --> 00:35:58,719 Speaker 1: He looks like he's not gonna take it seriously. I 671 00:35:58,880 --> 00:36:02,880 Speaker 1: have no an idea, but it was so crazy and 672 00:36:02,880 --> 00:36:05,919 Speaker 1: and I was making these reactions and honest to god, 673 00:36:05,960 --> 00:36:07,719 Speaker 1: this is like all my life. The guy who was 674 00:36:07,719 --> 00:36:09,759 Speaker 1: in the wheelchair, I don't know what happened to him, 675 00:36:09,800 --> 00:36:11,280 Speaker 1: Like he was like he was like a gang member, 676 00:36:11,320 --> 00:36:14,880 Speaker 1: like and he like got shot or something like barely 677 00:36:14,880 --> 00:36:17,399 Speaker 1: stand trial for this thing. He started staring at me. 678 00:36:17,760 --> 00:36:20,799 Speaker 1: The whole rest of the trial was staring at me. 679 00:36:21,080 --> 00:36:22,640 Speaker 1: So they would be doing the whole thing and he 680 00:36:22,680 --> 00:36:25,319 Speaker 1: would just be looking right at me, not in any 681 00:36:25,360 --> 00:36:28,040 Speaker 1: other jurors, right at me, and I would be like swallowing, 682 00:36:28,080 --> 00:36:30,200 Speaker 1: like looking at the other guys like oh my god, 683 00:36:30,280 --> 00:36:32,680 Speaker 1: like is he staring at me? Or is he staring 684 00:36:32,680 --> 00:36:35,440 Speaker 1: at all of us? And they'd be like staring no seriously, 685 00:36:35,480 --> 00:36:37,480 Speaker 1: and maybe like I think he's staring at you. And 686 00:36:37,520 --> 00:36:40,520 Speaker 1: so they took a recess and I had to inform 687 00:36:40,560 --> 00:36:42,960 Speaker 1: the judge like, hey, like he's been staring at me 688 00:36:43,000 --> 00:36:45,480 Speaker 1: a lot, like ever since I ever since. I was 689 00:36:45,520 --> 00:36:47,680 Speaker 1: like making certain reactions about like, you know, the whole 690 00:36:47,680 --> 00:36:50,000 Speaker 1: like holding him up at gunpoint and all that stuff 691 00:36:50,040 --> 00:36:53,360 Speaker 1: because whatever. So like the judge ended up having to 692 00:36:53,400 --> 00:36:55,520 Speaker 1: talk to him on a on a break and be 693 00:36:55,600 --> 00:37:00,200 Speaker 1: like stop staring at the alternate juror stopped staring at him. 694 00:37:00,239 --> 00:37:02,520 Speaker 1: He stopped after a certain point. But I was kind 695 00:37:02,520 --> 00:37:04,080 Speaker 1: of like I was scared. I was thinking about my 696 00:37:04,120 --> 00:37:05,799 Speaker 1: family after I would go home and all that kind 697 00:37:05,800 --> 00:37:07,160 Speaker 1: of stuff, like I don't know who he has on 698 00:37:07,200 --> 00:37:11,520 Speaker 1: the outside, but I was like a very excited, enthusiastic juror. 699 00:37:11,600 --> 00:37:13,359 Speaker 1: And I mean, if you ever get on a criminal case, 700 00:37:14,719 --> 00:37:17,279 Speaker 1: it was crazy, man. So I am when you go 701 00:37:17,320 --> 00:37:19,680 Speaker 1: back to jury duty. Now you need to tell this 702 00:37:19,760 --> 00:37:21,759 Speaker 1: to the judge and they'll go bye bye, and I 703 00:37:21,920 --> 00:37:24,000 Speaker 1: say bye bye. And not only was it bye bye 704 00:37:24,000 --> 00:37:27,040 Speaker 1: this time, we're never going to contact you again. I 705 00:37:27,600 --> 00:37:29,400 Speaker 1: think that that might be a win win because like 706 00:37:29,400 --> 00:37:30,560 Speaker 1: like I got it and I was like, oh, I 707 00:37:30,560 --> 00:37:32,040 Speaker 1: don't want to do this, But then it did bring 708 00:37:32,040 --> 00:37:33,840 Speaker 1: back those memories to being like you know what, that 709 00:37:33,920 --> 00:37:35,560 Speaker 1: was like a great two weeks in my life, and 710 00:37:35,719 --> 00:37:37,840 Speaker 1: that was really exciting. It's it really was like watching 711 00:37:37,840 --> 00:37:40,960 Speaker 1: True crime in person, being in the courtroom and watching 712 00:37:40,960 --> 00:37:43,520 Speaker 1: the accused kind of brought those memories back of like, 713 00:37:43,600 --> 00:37:45,320 Speaker 1: I was like, because all those people and the accused, 714 00:37:45,360 --> 00:37:48,200 Speaker 1: the jurors or stone faced, no one's like reacting and 715 00:37:48,520 --> 00:37:50,840 Speaker 1: I was so excited by it. So well, I I 716 00:37:51,280 --> 00:37:54,960 Speaker 1: didn't know that story. That's a good story. Thanks. What 717 00:37:55,040 --> 00:37:57,880 Speaker 1: else has been going on? You've seeing anything? You're doing anything? Like? 718 00:37:57,920 --> 00:38:00,440 Speaker 1: What else can you share with the people? Young shooter? 719 00:38:00,920 --> 00:38:04,400 Speaker 1: We're doing? Uh, we're doing a lot of like outside 720 00:38:04,440 --> 00:38:06,799 Speaker 1: of Michael, we're doing of Michael, believe it or not. 721 00:38:06,880 --> 00:38:09,960 Speaker 1: I have things going on um on my end, and 722 00:38:10,239 --> 00:38:12,279 Speaker 1: I've been doing a lot of videography, a lot of 723 00:38:12,320 --> 00:38:14,759 Speaker 1: behind the scenes work. I started a company with one 724 00:38:14,760 --> 00:38:17,520 Speaker 1: of my friends from college. We've been doing We've been 725 00:38:17,520 --> 00:38:20,120 Speaker 1: doing it behind the scenes production company where you know, 726 00:38:20,160 --> 00:38:22,439 Speaker 1: we can get on movies and TV shows like doing 727 00:38:22,480 --> 00:38:25,400 Speaker 1: like the making of the cast, interviews and things like that. 728 00:38:25,480 --> 00:38:29,960 Speaker 1: So we ended up doing something actually last week at 729 00:38:30,040 --> 00:38:33,120 Speaker 1: the Largo Um, which is kind of like a comedy 730 00:38:33,320 --> 00:38:38,600 Speaker 1: music venue in on Las Aneaga, where we shot Judd 731 00:38:38,600 --> 00:38:42,560 Speaker 1: Apatow's comedy. We got contacted to do Judd Apatow's comedy show, 732 00:38:42,640 --> 00:38:44,840 Speaker 1: and so we filmed his comedy show and he brought 733 00:38:44,840 --> 00:38:49,239 Speaker 1: out Adam Sandler and Ship, and then Adam Sandler brought 734 00:38:49,239 --> 00:38:53,000 Speaker 1: out Steve Boushemy and it was really fucking cool. And 735 00:38:53,000 --> 00:38:55,120 Speaker 1: so we were like, we got to film all that, 736 00:38:55,280 --> 00:38:57,359 Speaker 1: and so we're just trying to like, you know, get 737 00:38:57,400 --> 00:38:59,760 Speaker 1: onto our next projects and get in that sting world. 738 00:38:59,800 --> 00:39:02,000 Speaker 1: And how is Sandler? What was he? Did? He do 739 00:39:02,200 --> 00:39:05,120 Speaker 1: stand up? He did stand up, He brought his guitar out, 740 00:39:05,160 --> 00:39:08,200 Speaker 1: he did like seven or eight different songs. He was like, 741 00:39:08,280 --> 00:39:11,680 Speaker 1: everything I'm doing is brand new. I haven't done any 742 00:39:11,680 --> 00:39:13,160 Speaker 1: of this stuff. I really want to do it here. 743 00:39:13,200 --> 00:39:15,719 Speaker 1: Because he's used to doing like big arena shows obviously, 744 00:39:15,760 --> 00:39:17,960 Speaker 1: and the Largo is very intimate. And so he came 745 00:39:17,960 --> 00:39:20,040 Speaker 1: out doing a bunch of songs, a bunch of new 746 00:39:20,080 --> 00:39:21,239 Speaker 1: stand up, and he was like, you know, it might 747 00:39:21,280 --> 00:39:23,879 Speaker 1: be terrible, it might be horrible, Like I'm gonna try 748 00:39:23,960 --> 00:39:26,879 Speaker 1: it whatever. Um. He seemed kind of like intimidated by 749 00:39:26,960 --> 00:39:29,520 Speaker 1: trying all the new ship, but he was so fucking funny. 750 00:39:29,600 --> 00:39:32,960 Speaker 1: He came up on stage with those stupid blue shorts 751 00:39:33,520 --> 00:39:36,560 Speaker 1: and uh, it's it's time to like just get some 752 00:39:36,640 --> 00:39:38,400 Speaker 1: jeans and a T shirt, Like you don't have to 753 00:39:38,480 --> 00:39:41,839 Speaker 1: dress up, but it's it's time, Like you're like, you're not, 754 00:39:42,080 --> 00:39:44,520 Speaker 1: it's ridiculous, and you're like a billionaire at this point, 755 00:39:44,560 --> 00:39:48,160 Speaker 1: Like it's about money. It's like you're fifty something years old. 756 00:39:48,160 --> 00:39:50,279 Speaker 1: Just put on a pair of jeans and a T shirt. 757 00:39:50,480 --> 00:39:52,440 Speaker 1: You could even wear a pair of jeans and a hoodie, 758 00:39:52,840 --> 00:39:55,120 Speaker 1: Like you can wear jeans, a hoodie and his sneakers. 759 00:39:55,160 --> 00:39:59,160 Speaker 1: But the fucking baggy shorts is that it's ridiculous at 760 00:39:59,160 --> 00:40:03,480 Speaker 1: this point, and everybody fucks with Sandler, but it's nighttime. 761 00:40:03,960 --> 00:40:06,480 Speaker 1: Put it's a put on a pair of fucking jeans. Man, 762 00:40:06,640 --> 00:40:10,520 Speaker 1: It's like nobody's wearing these baggy shorts anymore. Nobody, nobody. 763 00:40:10,840 --> 00:40:13,480 Speaker 1: It's so weird. But it was really iconic being able 764 00:40:13,520 --> 00:40:15,319 Speaker 1: to shoot him and seeing him do his thing, and 765 00:40:15,320 --> 00:40:17,719 Speaker 1: and Steve BOUSHEMI up there and they're talking about like 766 00:40:18,120 --> 00:40:21,279 Speaker 1: all their fucking movies together and all that. It was 767 00:40:21,360 --> 00:40:23,279 Speaker 1: really really cool to you and I do the best 768 00:40:23,320 --> 00:40:25,680 Speaker 1: Saidler movies, like didn't we did a podcast where you 769 00:40:25,760 --> 00:40:29,520 Speaker 1: broke down? Yeah? And I think it was because for 770 00:40:29,600 --> 00:40:34,080 Speaker 1: me growing up, there's two people period for like comedy legends. 771 00:40:34,160 --> 00:40:37,440 Speaker 1: I mean, and I would say they're very similar, but 772 00:40:37,520 --> 00:40:39,600 Speaker 1: it is kind of a toss up is who you 773 00:40:39,640 --> 00:40:42,399 Speaker 1: like more, what movies you connect to more. But Jim 774 00:40:42,440 --> 00:40:45,960 Speaker 1: Carrey and Adam Sandler, those are the two most iconic 775 00:40:46,440 --> 00:40:49,680 Speaker 1: comedic actors. For me. My number one will always be 776 00:40:49,760 --> 00:40:52,680 Speaker 1: Jim Carrey. Everything that I do is because of Jim Carey. 777 00:40:52,760 --> 00:40:54,880 Speaker 1: I love everything that he does, all of his movies. 778 00:40:55,000 --> 00:40:57,560 Speaker 1: But Adam Sandler's roster of movies, I mean, you got 779 00:40:57,560 --> 00:40:59,680 Speaker 1: to look at both of them, like both of them together. 780 00:40:59,719 --> 00:41:02,080 Speaker 1: But we did. We broke down Adam Sandler's movies, and 781 00:41:02,120 --> 00:41:03,840 Speaker 1: I think that we ended up being like on a 782 00:41:03,880 --> 00:41:08,640 Speaker 1: desert island if you had to what would be on replay? 783 00:41:08,719 --> 00:41:11,080 Speaker 1: And we narrowed it down to two movies, which was 784 00:41:11,320 --> 00:41:14,640 Speaker 1: The water Boy or The Wedding. Singer chose the Wedding. 785 00:41:16,120 --> 00:41:22,480 Speaker 1: I'm gonna throw this at you. YEA marry fuck kill. Now, 786 00:41:22,640 --> 00:41:25,600 Speaker 1: not outside of the homo erotic nous of it. YEA, 787 00:41:27,000 --> 00:41:36,120 Speaker 1: marry fuck kill. Adam Sandler, Jim Carrey, and Will Farrell 788 00:41:36,440 --> 00:41:39,920 Speaker 1: marry fuck kill. So one of them you have to marry. 789 00:41:40,040 --> 00:41:41,640 Speaker 1: One of them you're gonna be with the rest of 790 00:41:41,640 --> 00:41:44,080 Speaker 1: your life. One of them you just get to spend, 791 00:41:44,120 --> 00:41:46,080 Speaker 1: like you know, a weekend in Vegas with and the 792 00:41:46,120 --> 00:41:48,200 Speaker 1: other one you have to kill with your own bare hands. 793 00:41:49,280 --> 00:41:54,600 Speaker 1: Mary fuck kill Adam Sandler, Jim Carrey or ill Will 794 00:41:54,880 --> 00:41:57,439 Speaker 1: Farrell as I can tell you what I'm gonna do. Yeah, 795 00:41:57,560 --> 00:41:59,560 Speaker 1: I need you to go first. So that's really that 796 00:41:59,680 --> 00:42:01,479 Speaker 1: I know you're gonna kill Jim. I think you're gonna 797 00:42:01,520 --> 00:42:03,680 Speaker 1: kill Jim Carrey. Can I guess? Because I think you're 798 00:42:03,719 --> 00:42:05,520 Speaker 1: I think Jim Carrey is gonna be too much to 799 00:42:05,600 --> 00:42:08,080 Speaker 1: deal with as a person. That's how I would feel. 800 00:42:08,080 --> 00:42:10,560 Speaker 1: As much as I love him, I think if we're talking, 801 00:42:10,600 --> 00:42:13,080 Speaker 1: just like living with him, do you want to do 802 00:42:13,120 --> 00:42:15,759 Speaker 1: you want to see Jim Carrey's paintings the rest of 803 00:42:15,760 --> 00:42:17,560 Speaker 1: your life? Do you want like Jim Carrey coming in 804 00:42:18,000 --> 00:42:21,560 Speaker 1: like you're essentially your roommates. You're together for the rest 805 00:42:21,600 --> 00:42:23,520 Speaker 1: of your life. You're not married like in a sexual way, 806 00:42:23,560 --> 00:42:27,280 Speaker 1: but you're married. Do you want to deal with Jim 807 00:42:27,320 --> 00:42:32,160 Speaker 1: Carrey going, hey, Dean, look at my new painting? Just 808 00:42:32,320 --> 00:42:34,719 Speaker 1: that alone, I'm duct taping him and throwing him in 809 00:42:34,760 --> 00:42:38,040 Speaker 1: the fucking ocean. But I can't. I can't kill him 810 00:42:38,120 --> 00:42:40,799 Speaker 1: off of my list because of my I mean, you're 811 00:42:40,800 --> 00:42:45,359 Speaker 1: gonna kill Jim Carrey and you're going to I think 812 00:42:45,400 --> 00:42:48,440 Speaker 1: you're gonna kill Jim Carrey, You're gonna funk Adam Sandler, 813 00:42:48,719 --> 00:42:52,120 Speaker 1: and you're gonna marry Will Farrell. No, I'm gonna kill 814 00:42:52,200 --> 00:42:56,279 Speaker 1: Jim Carrey. I am going to fuck Will Farrell, and 815 00:42:56,280 --> 00:43:00,160 Speaker 1: I'm gonna marry Adam Sandler because Adam Sandler see was 816 00:43:00,239 --> 00:43:02,400 Speaker 1: like like you could live with him and it wouldn't 817 00:43:02,440 --> 00:43:05,799 Speaker 1: be too like. He seems chill. He doesn't seem like 818 00:43:05,800 --> 00:43:08,240 Speaker 1: he's on all the time. But then again, Will Ferrell 819 00:43:08,280 --> 00:43:09,920 Speaker 1: doesn't seem like he's on all the time. He seems 820 00:43:09,920 --> 00:43:12,920 Speaker 1: like very probably like normal and very chill to live 821 00:43:12,960 --> 00:43:15,160 Speaker 1: with for the rest of your life. That's why I 822 00:43:15,200 --> 00:43:17,920 Speaker 1: think I'm gonna marry Adam Sandler, because I feel like 823 00:43:17,920 --> 00:43:21,640 Speaker 1: Will Farrell in real life for that long almost might 824 00:43:21,680 --> 00:43:24,279 Speaker 1: be a little bit like Okay, like you know, I 825 00:43:24,280 --> 00:43:26,480 Speaker 1: don't want to be entertaining Will Farrell like you'r Will 826 00:43:26,520 --> 00:43:29,279 Speaker 1: Farrell like you You should be the funny one in 827 00:43:29,320 --> 00:43:35,160 Speaker 1: real life, funk, I might have to uh h, I 828 00:43:35,160 --> 00:43:38,160 Speaker 1: mean the only things I would potentially yeah, I think 829 00:43:38,160 --> 00:43:40,360 Speaker 1: the only thing is that potentially swapped would be either 830 00:43:40,440 --> 00:43:43,759 Speaker 1: fuck Jim Carrey and kill Will Farrell or fuck Will 831 00:43:43,800 --> 00:43:46,960 Speaker 1: Ferrell and kill Jim Carey. I don't know, but well, no, no, no, 832 00:43:47,000 --> 00:43:50,720 Speaker 1: there's not I don't know. There's You're gonna make a decision, 833 00:43:50,719 --> 00:43:53,600 Speaker 1: and you're gonna make a decision right now. That's what's 834 00:43:53,600 --> 00:43:56,000 Speaker 1: gonna happen. I'd have I have to, then I would 835 00:43:56,040 --> 00:43:58,920 Speaker 1: have to. I I would say, Mary Adam Sandler, fuck 836 00:43:59,040 --> 00:44:02,799 Speaker 1: Jim Carey and kill Will Farrell. Wow, you're fucked up, man, 837 00:44:03,120 --> 00:44:05,239 Speaker 1: I have to. I can't do that. Jim Carrey and 838 00:44:05,239 --> 00:44:07,200 Speaker 1: I I just would love to meet him. I would 839 00:44:07,200 --> 00:44:09,640 Speaker 1: love to hang out with him, And Damn I can't. 840 00:44:09,680 --> 00:44:11,800 Speaker 1: And I love Will Fred. You're you're talking like three 841 00:44:11,840 --> 00:44:16,880 Speaker 1: of I mean those really those three are I don't know. 842 00:44:17,000 --> 00:44:19,640 Speaker 1: That's really difficult. I hear the regret in your voice 843 00:44:19,680 --> 00:44:21,839 Speaker 1: about killing Will Farrell and and you haven't even had 844 00:44:21,840 --> 00:44:25,399 Speaker 1: to actually like would how would you kill him? I'd 845 00:44:25,400 --> 00:44:27,759 Speaker 1: probably do what he didn't Stepbrothers to John c Riley. 846 00:44:28,080 --> 00:44:30,279 Speaker 1: I'd hit him over ahead with a shovel and then 847 00:44:30,280 --> 00:44:32,600 Speaker 1: I'd start digging a hole and he'd be like, what 848 00:44:32,640 --> 00:44:34,120 Speaker 1: are you doing, Dean, what are you doing? And I'd 849 00:44:34,160 --> 00:44:36,640 Speaker 1: be like, I'm burying you. And he's like I'm alive. 850 00:44:36,719 --> 00:44:39,040 Speaker 1: I'm alive, and I'm like, shut up, you're awaking the neighbors. 851 00:44:39,160 --> 00:44:40,959 Speaker 1: That's how I would kill him. I would like bury 852 00:44:41,040 --> 00:44:47,560 Speaker 1: him alive. You made the answers, you answered the hard questions, 853 00:44:48,320 --> 00:44:50,799 Speaker 1: and uh, I respect it. And I can hear the 854 00:44:50,880 --> 00:44:54,879 Speaker 1: trembling in your voice, like this shook you up. These 855 00:44:55,000 --> 00:44:59,640 Speaker 1: questions shook you to your fucking core. It's a great question. 856 00:45:00,280 --> 00:45:06,319 Speaker 1: Thank you came Saw disrupt that. I know you want more. 857 00:45:07,160 --> 00:45:10,040 Speaker 1: There's old episodes, there's new episodes. I know you want 858 00:45:10,080 --> 00:45:12,759 Speaker 1: more because it's just that good came Saw Disrupted with 859 00:45:12,800 --> 00:45:16,680 Speaker 1: The Young Shooter. Remember I will be in Phoenix the second, third, 860 00:45:16,880 --> 00:45:20,680 Speaker 1: and the fourth. I will be in Phoenix the second, third, 861 00:45:20,760 --> 00:45:24,880 Speaker 1: and the fourth of February. I had to reschedule my 862 00:45:24,960 --> 00:45:29,960 Speaker 1: Denver shows, so they are no longer taking place in February. Uh. 863 00:45:30,040 --> 00:45:32,120 Speaker 1: My next shows are in Phoenix, the second, third, and 864 00:45:32,120 --> 00:45:35,520 Speaker 1: the fourth. Ticks are available at Michael Rapport Comedy dot com. 865 00:45:35,560 --> 00:45:39,759 Speaker 1: The Young Shooter, Miles Jordan's, The Bleach Brothers, the Dust Brothers. 866 00:45:39,800 --> 00:45:42,239 Speaker 1: Take us out here with something real nice, Take us 867 00:45:42,239 --> 00:45:44,880 Speaker 1: out here with something real loud, but most importantly in 868 00:45:45,040 --> 00:45:48,320 Speaker 1: this museum quality I am Raport stereo podcast with something 869 00:45:48,960 --> 00:45:51,359 Speaker 1: real funky. I am wrap Port stereo podcasts. I'm out. 870 00:46:04,480 --> 00:46:21,680 Speaker 1: She she f she she