WEBVTT - Ricky Martin

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<v Speaker 1>This is he said Aya Vijo with Eric Winter and

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<v Speaker 1>Rosalind Fantaz.

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<v Speaker 2>Hello, Hello, Hello, morning, morning after buen dia mihin the

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<v Speaker 2>ODA met today, I am excited to welcome a dear

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<v Speaker 2>friend to the show.

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<v Speaker 3>I'm excited too.

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<v Speaker 2>Yes, he really doesn't need an introduction. We're going to

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<v Speaker 2>do it anyways, right because he is huge, a musician, philanthropist,

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<v Speaker 2>a dad, an inspiration and currently starring in Apple TV

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<v Speaker 2>Palm Royale. Do you understand Eric Winter that he has

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<v Speaker 2>sold more than sixty million albums worldwide as a solo artist.

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<v Speaker 2>Began acting in TV commercials at the age of six.

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<v Speaker 2>Nu Though he was Menuro in nineteen eighty four, and

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<v Speaker 2>then he left the band in nineteen eighty nine, joined

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<v Speaker 2>the cast of the Mexican tele NOVELA al cansar UNEs Treja.

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<v Speaker 3>Why he was on General Hospital too. Let's not forget

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<v Speaker 3>that he did.

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<v Speaker 2>He won Premiolo Nuiz Through. He's done Broadway Limiss in

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<v Speaker 2>nineteen ninety six, che also in Broadway twenty twelve, a Vita.

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<v Speaker 2>He has a foundation, the Ricky Martin Foundation, many campaigns

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<v Speaker 2>against human trafficking.

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<v Speaker 4>Let's not forget outstanding Emmy supporting Actor nomination for Versace.

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<v Speaker 2>You're absolutely right. Do you know what's his actual name?

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<v Speaker 2>His real name, I don't Enrique Jose Martin moralist, Okay,

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<v Speaker 2>I don't know. Yes, Enrique Jose. And as a kid,

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<v Speaker 2>they call him Kiki.

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<v Speaker 3>Can't wait to chat with him. That's gonna be great.

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<v Speaker 1>Hey, what's going on?

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<v Speaker 2>Hey, Kelly there?

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<v Speaker 3>I love that art in your background. That's so cool.

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<v Speaker 1>I have I have visited. I have, Yeah, she came

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<v Speaker 1>to visit and yeah, and she's only eating apple And.

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<v Speaker 2>Where are you notcalist in your house?

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<v Speaker 1>Not modeling my house? So we rented a house in

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<v Speaker 1>the meantime. It's one of those things because of the

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<v Speaker 1>floods we got. It got really flooded. No from here,

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<v Speaker 1>because yeah, come yeah, So we took advantage. I said, okay,

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<v Speaker 1>let's clean it all up. Let's take advantage of this.

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<v Speaker 1>And it's working up fine.

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<v Speaker 2>So that's good.

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<v Speaker 1>That's good.

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<v Speaker 2>But listen, going through remodels and building, it's it's it's

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<v Speaker 2>stressful because we've done it twice already and it's been

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<v Speaker 2>a nightmare.

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<v Speaker 1>And they tell you three months and it takes seven.

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<v Speaker 4>Yeah, I've yet to see a contractor beyond time. With

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<v Speaker 4>any part of any construction.

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<v Speaker 2>You want to hear something, you know, something crazy. We

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<v Speaker 2>had a problem with our house or we had to

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<v Speaker 2>do the same thing we were. We were like basically

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<v Speaker 2>building back the house, and we had to rent and

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<v Speaker 2>I kept and I got pregnant during the rental with Dylan,

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<v Speaker 2>my second the second one, and the whole thing was

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<v Speaker 2>telling the contractor, please, I don't want to deliver. I

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<v Speaker 2>have to be at the rental. I want to be

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<v Speaker 2>back home, so make sure you have ten months that

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<v Speaker 2>I just meet out. I had my baby and six

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<v Speaker 2>months later the house was ready. It took a year

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<v Speaker 2>and a half.

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<v Speaker 1>That's where it goes. It is incredible and it doesn't

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<v Speaker 1>matter if it's in La Puerto Rico. It really doesn't matter.

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<v Speaker 2>It's just how I know it's crazy. But anyways, listen away.

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<v Speaker 2>We are so excited to have you with us. Thank you, Brook.

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<v Speaker 2>It's been a while, like we've been dreaming about having Riki,

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<v Speaker 2>So thank you so much for taking the time of

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<v Speaker 2>doing this.

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<v Speaker 1>Much, for inviting me. Please are you kidding me? Congratulations

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<v Speaker 1>and all the success and everything and light and many

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<v Speaker 1>more to comfortfully.

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<v Speaker 2>Oh as well.

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<v Speaker 4>I mean, you're always busy You're always doing incredible things,

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<v Speaker 4>not just with work but with philanthropy and everything else

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<v Speaker 4>that you do. You're always making a huge impact. But

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<v Speaker 4>with your latest project now Palmrele this is I mean,

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<v Speaker 4>this's been a lot of fun.

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<v Speaker 3>We really enjoy.

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<v Speaker 1>The sunes, this music ears.

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<v Speaker 3>Man, How what was that like? I mean, what's what

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<v Speaker 3>was the filming experience like for you? Like TV it

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<v Speaker 3>was a tax singe.

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<v Speaker 4>I mean, a lot heavy hitters in this in this

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<v Speaker 4>show with you, right, like you've done that many times.

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<v Speaker 1>But you always have to bring your A game to

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<v Speaker 1>the scene, obviously, because I'm so lucky to be surrounded

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<v Speaker 1>by such amazing actors. I mean, where do I start.

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<v Speaker 1>I mean, let's start dropping names. You know, Carol Burnett,

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<v Speaker 1>it's Laura Dern, It's the one and only Kristen Wigg.

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<v Speaker 1>You know. It's like we can keep going because it's uh,

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<v Speaker 1>it's it's it's like a dream team of like I said,

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<v Speaker 1>wonderful actresses. And then the story is so wonderful and

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<v Speaker 1>it's so brilliantly written. And Apple TV plus was they

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<v Speaker 1>were so generous because it's I can you can see that,

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<v Speaker 1>you can see the love.

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<v Speaker 3>And for sure you can tell it's expensive expense on

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<v Speaker 3>that shows.

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<v Speaker 2>Can but I want to know about the process before

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<v Speaker 2>Ricky was this? Uh? Was this an offer that you

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<v Speaker 2>have to ca mystery? Read like, how did it go

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<v Speaker 2>down for you to? Did you read the material and

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<v Speaker 2>you call your people saying you know what I want in?

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<v Speaker 2>How did that go?

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<v Speaker 1>You know? So it all started in a in a

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<v Speaker 1>in an after party in an Oscar night after party

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<v Speaker 1>where I was just dancing and and the creator of

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<v Speaker 1>the show, the One and Only Ape Sylvia, was there

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<v Speaker 1>and he just he said he went to my agent

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<v Speaker 1>who was with me, and he said, is what is

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<v Speaker 1>he doing now? And my agent goes, He's ready, He's ready.

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<v Speaker 1>He goes, let's talk. Let's talk. Two weeks later they

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<v Speaker 1>sent me the script and uh, two weeks two weeks later,

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<v Speaker 1>I was flying to LA to meet with the director,

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<v Speaker 1>Tate Taylor, who was someone that you know, I love

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<v Speaker 1>and he's been wonderful and and and and obviously you

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<v Speaker 1>know the typical question, who's attached to it? You know?

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<v Speaker 1>And and they just started dropping in. I'm like, I

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<v Speaker 1>don't even need to read this, let's jump in. I

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<v Speaker 1>meant get ready. Obviously, I I met with Tate and

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<v Speaker 1>and you know, I read all my scenes and I'm like,

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<v Speaker 1>I'm ready, let's read. I'm ready to audition. And he

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<v Speaker 1>goes like, no, I know what you can bring to

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<v Speaker 1>the table, don't worry, see you on set. That's great,

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<v Speaker 1>and let's do it. So it was wonderful and but

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<v Speaker 1>it's it's it was challenging. It was comedy. It was

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<v Speaker 1>the first time, you know, I did comedy. I'm lucky

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<v Speaker 1>to say that I was, you know, I was you know,

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<v Speaker 1>someone like Carol Burnette was holding my hand in the process,

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<v Speaker 1>and she taught me the wonders of of just forgetting

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<v Speaker 1>forgetting the script. You know, just leave your script on

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<v Speaker 1>your trailer and and let's walk and let's have fun

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<v Speaker 1>and whatever whatever happens between cut, between action and cut

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<v Speaker 1>is is. It's about having fun. So it's it was

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<v Speaker 1>a very beautiful experience where I felt I felt free.

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<v Speaker 1>You know. The other projects that I've done were about

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<v Speaker 1>telling someone's story and not in this case. This was

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<v Speaker 1>a novel of soap opera album. I'm sorry, and you

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<v Speaker 1>could just add to it. And to have the writers,

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<v Speaker 1>you know, behind the camera taking notes of what we

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<v Speaker 1>were coming up with. Wow, we were giving and as

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<v Speaker 1>you know, and so we helped develop the characters a

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<v Speaker 1>little bit. So it was it was the most amazing experience.

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<v Speaker 2>And so did you.

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<v Speaker 4>So you did get to improvise quite a bit with

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<v Speaker 4>a lot on the scenes. I want to say a lot,

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<v Speaker 4>but they gave you freedom.

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<v Speaker 1>For me, it was a lot, and and Kristin would

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<v Speaker 1>say it wasn't that much, and I'm like, okay, perfect,

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<v Speaker 1>you know, but but but but but I wasn't a

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<v Speaker 1>slave to the script. It where you know, if you

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<v Speaker 1>don't say the right words, we can get sued, which

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<v Speaker 1>was another case that I worked with in the past

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<v Speaker 1>with another production, and so so we were free. It

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<v Speaker 1>was the freedom of the liberty that I felt in

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<v Speaker 1>this project just to jump in and come up with

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<v Speaker 1>things and and I improvise on stuff that later on

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<v Speaker 1>were brought to different scenes because they were so effective

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<v Speaker 1>and and it was it was very special.

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<v Speaker 4>Now I imagine something like, I mean, you were nominated

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<v Speaker 4>for an Emmy with Versace, right, So you're going from

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<v Speaker 4>drama drama, huge rhyme, Murphy right, like, very specific style

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<v Speaker 4>of storytelling into something like this. Was there a lot

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<v Speaker 4>of freedom in comparison like I with comedy, I find

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<v Speaker 4>that you often get a bit more freedom to dive

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<v Speaker 4>into the character and how you want to build out

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<v Speaker 4>the comedy with the dialogue. In a show like Versace

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<v Speaker 4>or a series like Versace that was that far different,

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<v Speaker 4>was ryan very particular on dialogue.

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<v Speaker 1>We were not allowed to improvise at all because we

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<v Speaker 1>were telling someone's story. Yeah, and whenever we said we

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<v Speaker 1>chose another word, we would have the legal department show

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<v Speaker 1>up and say, wow, you cannot do this. You have

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<v Speaker 1>to go back to what is specifically on the script.

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<v Speaker 1>And it's understandable because we were telling the story of

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<v Speaker 1>the genre in this case and say it's a novel.

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<v Speaker 1>We were a little bit more more, a little bit

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<v Speaker 1>more now. We were great to to bring to bring

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<v Speaker 1>our Jews to the to the picture. And uh, I

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<v Speaker 1>mean there's magic in both. Obviously, you know, we're telling

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<v Speaker 1>the responsibility of telling the story of someone as iconic

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<v Speaker 1>as also it was wonderful, it was beautiful. But but

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<v Speaker 1>but it's it's incredible the darkness that you deal with

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<v Speaker 1>when you're when you're working with comedy. Right in order

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<v Speaker 1>for it to be effective, there there has to be

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<v Speaker 1>this darkness behind it, and and and I was dealing

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<v Speaker 1>with secrets that everyone had secrets in this palm real situation,

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<v Speaker 1>and and and we were able to to create our

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<v Speaker 1>own secrets that later on hopefully will become something else.

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<v Speaker 1>I I I was, I don't know. I'm still I'm

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<v Speaker 1>still floating over this. I saw the last episode and

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<v Speaker 1>I've been dealing with this script for two years, and

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<v Speaker 1>I was still in shock of how how what happened?

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<v Speaker 1>You know? And so there's been nothing but a wonderful experience.

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<v Speaker 1>And I'm very lucky.

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<v Speaker 2>And that's fantastic. Did they announce a second season, Ricky

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<v Speaker 2>or not yet? You guys don't know. You're not supposed

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<v Speaker 2>to say anything.

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<v Speaker 1>Now, I'm like, come on, apple to you plus bring

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<v Speaker 1>it on and come.

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<v Speaker 2>On so you will be off for it because I

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<v Speaker 2>know the last episode with something tragic happens to you.

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<v Speaker 2>So you we don't know what's what's going to happen.

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<v Speaker 2>If there's a second season, you're more than happy to

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<v Speaker 2>come back.

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<v Speaker 1>Course, I listen, I am. I love music and music

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<v Speaker 1>will always be there and music, obviously, what music has

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<v Speaker 1>has brought to my life is something that I will

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<v Speaker 1>always be very thankful and grateful. And we cannot deny

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<v Speaker 1>that part of that wonderful, that wonderful aspect of storytelling.

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<v Speaker 1>The first time I was in front of the camera

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<v Speaker 1>telling a story as an actor, I was fifteen years old.

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<v Speaker 1>With Manul, we moved to Argentina and we did a

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<v Speaker 1>TV series in Argentina. And at that moment when I

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<v Speaker 1>heard action for the first time, and I started telling

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<v Speaker 1>my story of this kid that was abandoned by his

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<v Speaker 1>father and he had a single mother. In the darkness

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<v Speaker 1>and the crying and the long it was something that

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<v Speaker 1>hooked me to acting right. And then obviously music came

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<v Speaker 1>into my life and did its thing, and I couldn't

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<v Speaker 1>just push it away. It was magical what was happening.

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<v Speaker 1>Once again, it's about storytelling. If it's through music that

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<v Speaker 1>I write or music that I don't write, if it's

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<v Speaker 1>about a script, it's about storytelling. I had the honor

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<v Speaker 1>to be on Broadway. I've worked. I did Glee, and

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<v Speaker 1>then I did the Assassination of Danni VERSACEI and then

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<v Speaker 1>I went back to Broadway and then and now this

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<v Speaker 1>this is something that I that I that I want

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<v Speaker 1>to get ready for. I've been getting ready for many years,

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<v Speaker 1>but with a lot of respect and passion. Whatever I

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<v Speaker 1>do in this is because some ways, somehow people are

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<v Speaker 1>feeling some kind of of of of It's because it's

0:12:13.840 --> 0:12:19.360
<v Speaker 1>thought provoking and we're telling are are making people think

0:12:19.400 --> 0:12:22.560
<v Speaker 1>some way somehow and maybe changing the way they think

0:12:22.559 --> 0:12:26.400
<v Speaker 1>about life. And because of that, it's about storytelling. We

0:12:26.440 --> 0:12:32.439
<v Speaker 1>go back to that aspect of the fluidity of entertaining.

0:12:32.559 --> 0:12:46.960
<v Speaker 2>Right, have you ever thought about developing something for you, recky,

0:12:47.160 --> 0:12:49.679
<v Speaker 2>Like is there a TV show or a movie or

0:12:49.720 --> 0:12:50.760
<v Speaker 2>a limited series?

0:12:51.080 --> 0:12:51.160
<v Speaker 1>Like?

0:12:51.240 --> 0:12:53.160
<v Speaker 2>Have you ever thought about you know what? I love

0:12:53.160 --> 0:12:58.200
<v Speaker 2>acting clearly very good at this. It's about storytelling. Do

0:12:58.280 --> 0:13:00.640
<v Speaker 2>you think that you will develop something that you have

0:13:00.720 --> 0:13:01.320
<v Speaker 2>more control?

0:13:01.760 --> 0:13:05.559
<v Speaker 1>My agent is constantly telling, constantly telling me, bring the book.

0:13:05.600 --> 0:13:07.480
<v Speaker 3>Bringing that that book.

0:13:07.679 --> 0:13:09.640
<v Speaker 1>If you find that book, let's make it happen. And

0:13:09.679 --> 0:13:12.920
<v Speaker 1>there are some really interesting things that I that I'm

0:13:12.960 --> 0:13:16.120
<v Speaker 1>going through right now that I am that I would

0:13:16.120 --> 0:13:19.720
<v Speaker 1>love to bring into life. You know, it takes five years.

0:13:19.880 --> 0:13:21.400
<v Speaker 1>The first time I said, you know, I want to

0:13:21.440 --> 0:13:23.120
<v Speaker 1>do Broadway. I want to go back to Broadway, and

0:13:23.200 --> 0:13:25.520
<v Speaker 1>I want to do a Vita. It literally took five

0:13:25.559 --> 0:13:32.840
<v Speaker 1>years from that thought until we started production. So I,

0:13:32.880 --> 0:13:35.680
<v Speaker 1>you know, I just I turned fifty two years old,

0:13:35.800 --> 0:13:38.000
<v Speaker 1>and I think I am in a very special place

0:13:38.000 --> 0:13:42.080
<v Speaker 1>in my life where I can where I don't have

0:13:42.160 --> 0:13:44.920
<v Speaker 1>to prove anything to everybody. I just feel very comfortable

0:13:44.920 --> 0:13:48.720
<v Speaker 1>with my emotions where I'm at spiritually, physically, and and

0:13:48.720 --> 0:13:53.480
<v Speaker 1>and I don't, I don't. I just have to. I

0:13:53.559 --> 0:13:57.080
<v Speaker 1>just have to be grounded and vulnerable enough without fear

0:13:57.840 --> 0:14:02.440
<v Speaker 1>in to to to talk about things that I am

0:14:02.520 --> 0:14:06.440
<v Speaker 1>really concerned about through acting like I've done with music

0:14:06.559 --> 0:14:11.960
<v Speaker 1>some way, somehow, And then also very lucky to say

0:14:11.960 --> 0:14:14.640
<v Speaker 1>that people around me are inspiring me as well, and

0:14:15.000 --> 0:14:19.280
<v Speaker 1>the team that I've encounter in this journey has been wonderful.

0:14:19.360 --> 0:14:21.320
<v Speaker 1>So we'll see what happens.

0:14:21.880 --> 0:14:23.400
<v Speaker 4>This is something I've always wanted to know, and you're

0:14:23.440 --> 0:14:27.120
<v Speaker 4>the perfect person to ask because an entertainer that has

0:14:27.160 --> 0:14:31.520
<v Speaker 4>reached so many different mediums in entertainment, right, I know

0:14:31.560 --> 0:14:34.120
<v Speaker 4>what the feelings like when you dive into a great

0:14:34.200 --> 0:14:36.680
<v Speaker 4>character and that rush that you get when you finally

0:14:36.680 --> 0:14:38.800
<v Speaker 4>connect to the character and you see it through, whether

0:14:38.840 --> 0:14:40.800
<v Speaker 4>it's a series or a movie, whatever it is. Right,

0:14:40.880 --> 0:14:44.640
<v Speaker 4>you've done Broadway as well, but you've also sold out

0:14:45.160 --> 0:14:51.280
<v Speaker 4>massive arenas with people singing your music. What's the biggest

0:14:51.320 --> 0:14:55.240
<v Speaker 4>adrenaline rush as an entertainer or that feeling that's just

0:14:55.280 --> 0:14:58.600
<v Speaker 4>like you're out of body, you're out of body experience

0:14:58.640 --> 0:15:00.600
<v Speaker 4>in a way, because to now it has to be

0:15:01.280 --> 0:15:02.840
<v Speaker 4>it has to be that. But I mean, I want

0:15:02.880 --> 0:15:04.920
<v Speaker 4>to hear from you what is because it's all different.

0:15:04.960 --> 0:15:05.160
<v Speaker 1>They have.

0:15:05.240 --> 0:15:06.880
<v Speaker 3>You know, you've done Broadways. You're still in front of

0:15:06.880 --> 0:15:08.000
<v Speaker 3>a crowd, and the.

0:15:08.400 --> 0:15:13.320
<v Speaker 1>Power, the power of the crowd doesn't comper to anything

0:15:13.360 --> 0:15:18.360
<v Speaker 1>because you know you have twenty thousand people giving you

0:15:18.760 --> 0:15:22.240
<v Speaker 1>energy right there, right that's at that moment when you say,

0:15:22.240 --> 0:15:28.520
<v Speaker 1>everybody put your hands together and your music a huge

0:15:28.520 --> 0:15:32.160
<v Speaker 1>arena to a song that you created, you know, I

0:15:32.160 --> 0:15:34.760
<v Speaker 1>don't know years ago, and it is really beautiful. And

0:15:34.800 --> 0:15:38.320
<v Speaker 1>Broadway you have that, and Broadway on Broadway, I haven't.

0:15:38.400 --> 0:15:40.280
<v Speaker 1>I had a moment where you know you're working on

0:15:40.360 --> 0:15:43.000
<v Speaker 1>actuals because I was. I was doing the miss and

0:15:43.080 --> 0:15:46.640
<v Speaker 1>I was I was playing Marius right and and there's

0:15:46.640 --> 0:15:49.680
<v Speaker 1>a moment where this character dies in my arms and

0:15:49.720 --> 0:15:53.480
<v Speaker 1>it's very wonderful moment, very sad, very dramatic, and all

0:15:53.520 --> 0:15:56.360
<v Speaker 1>of a sudden, from the last road, I hear someone

0:15:56.440 --> 0:15:58.640
<v Speaker 1>say freaky.

0:15:58.280 --> 0:16:06.040
<v Speaker 3>I love Yeah, Oh, my god, So you know it

0:16:06.160 --> 0:16:08.680
<v Speaker 3>makes you break character or did you just stay? You stay?

0:16:08.720 --> 0:16:10.480
<v Speaker 2>You were like I didn't hear I didn't hear it.

0:16:10.960 --> 0:16:13.240
<v Speaker 1>She resurrected. I was like, yes, they right there.

0:16:16.400 --> 0:16:18.040
<v Speaker 2>Do you know that I went through I saw you

0:16:18.080 --> 0:16:22.240
<v Speaker 2>when you're did li miss? Oh that went to see you?

0:16:22.360 --> 0:16:25.480
<v Speaker 2>I went to Broadway? Yes, I saw him do the miss.

0:16:25.520 --> 0:16:27.480
<v Speaker 2>It was because I love Broadway and we love you.

0:16:27.560 --> 0:16:29.280
<v Speaker 2>So I was like, oh my god, what an incredible

0:16:29.680 --> 0:16:32.520
<v Speaker 2>Let me let me ask you something and this is

0:16:32.600 --> 0:16:35.360
<v Speaker 2>just me here tripping, you know, like because you have

0:16:35.680 --> 0:16:42.600
<v Speaker 2>you have accomplished so much. Do you take moments that

0:16:42.680 --> 0:16:45.200
<v Speaker 2>you're in the bathroom, you're in the sauna, like you're

0:16:45.200 --> 0:16:48.320
<v Speaker 2>by yourself, and let's say that it's a difficult time

0:16:48.360 --> 0:16:53.000
<v Speaker 2>in your life. Do you think and did you say

0:16:53.080 --> 0:16:55.840
<v Speaker 2>thank you? And those moments of greatness like you're in

0:16:55.840 --> 0:17:01.560
<v Speaker 2>a stadium with twenty five thousand people adoring you. How

0:17:01.560 --> 0:17:03.680
<v Speaker 2>does it make you feel reaky? You know, like, do

0:17:04.000 --> 0:17:08.040
<v Speaker 2>you go to God, I've been so freaking blessed? Or

0:17:08.080 --> 0:17:11.959
<v Speaker 2>does it feel lonely? Does it feel amazing knowing that

0:17:12.200 --> 0:17:13.640
<v Speaker 2>you're it?

0:17:14.600 --> 0:17:19.159
<v Speaker 1>All of the above. Russell I started when I was

0:17:19.200 --> 0:17:21.720
<v Speaker 1>twelve years old. Like I said, I'm fifty two, and

0:17:23.040 --> 0:17:25.760
<v Speaker 1>I've had moments of joy, and I've had moments of

0:17:26.440 --> 0:17:30.240
<v Speaker 1>deep sadness and moments that are dark where I feel

0:17:30.280 --> 0:17:35.000
<v Speaker 1>lonely even though I'm surrounded by you know, one hundred

0:17:35.000 --> 0:17:37.320
<v Speaker 1>and fifteen people, people that travel with me when I'm

0:17:37.359 --> 0:17:39.480
<v Speaker 1>on the road. We could be like one hundred and

0:17:39.480 --> 0:17:45.960
<v Speaker 1>fifteen people, right, and that becomes your family. And sometimes

0:17:46.760 --> 0:17:50.679
<v Speaker 1>you feel the adrenaline of, like I said, the crowd

0:17:50.840 --> 0:17:53.359
<v Speaker 1>twenty thousand and thirty thousand people singing and dancing to

0:17:53.400 --> 0:17:55.720
<v Speaker 1>your music, and then the silence of when you go

0:17:55.840 --> 0:17:59.679
<v Speaker 1>back to your room, you gotta be careful because the

0:17:59.720 --> 0:18:04.719
<v Speaker 1>crowd could be a bit painful. So I'm just a

0:18:04.760 --> 0:18:08.199
<v Speaker 1>survival I am. I am so lucky. I don't know

0:18:08.280 --> 0:18:12.520
<v Speaker 1>it's because if it's because of my spirituality or because

0:18:16.440 --> 0:18:19.919
<v Speaker 1>it's it's been it's been really sad at times, you know.

0:18:20.200 --> 0:18:23.000
<v Speaker 1>And and uh and but like I said, I I

0:18:23.040 --> 0:18:26.240
<v Speaker 1>have people around me that they hold my hand, they

0:18:26.880 --> 0:18:29.200
<v Speaker 1>at my back, and they said, let's let's keep doing

0:18:29.240 --> 0:18:31.520
<v Speaker 1>this because you were born for this. For sure, this

0:18:31.680 --> 0:18:33.280
<v Speaker 1>is it, this is your life. Why do you want

0:18:33.320 --> 0:18:35.879
<v Speaker 1>to quit that? We can quit, We can quit for

0:18:35.880 --> 0:18:37.960
<v Speaker 1>a minute and then you're gonna say, Okay, I want

0:18:37.960 --> 0:18:41.560
<v Speaker 1>it again. In there, I said once I was in

0:18:41.560 --> 0:18:45.080
<v Speaker 1>Australia and I said, it's either my mental health or

0:18:45.400 --> 0:18:48.280
<v Speaker 1>the next three shows that I have. So I want

0:18:48.280 --> 0:18:50.879
<v Speaker 1>to go back home because my mental health. I feel weird.

0:18:50.920 --> 0:18:54.760
<v Speaker 1>I don't. I am not comfortable today. And I left.

0:18:54.800 --> 0:18:57.240
<v Speaker 1>I counseled. Everybody was like, what are you doing, Rickist,

0:18:57.760 --> 0:18:59.879
<v Speaker 1>It's three more shows, come on, we can do this.

0:19:00.040 --> 0:19:04.040
<v Speaker 1>And I'm like, well, I want to be home. And

0:19:04.080 --> 0:19:07.000
<v Speaker 1>I went home, and that's all I wanted. I want

0:19:07.000 --> 0:19:09.280
<v Speaker 1>to be home. I wanted to be home with my dogs.

0:19:09.960 --> 0:19:13.040
<v Speaker 1>I wanted to jump in the ocean. You know, you know,

0:19:13.119 --> 0:19:16.000
<v Speaker 1>our little island has that thing in the ocean that

0:19:16.359 --> 0:19:21.080
<v Speaker 1>it fixes everything. So all I wanted. This is like

0:19:21.119 --> 0:19:23.240
<v Speaker 1>twenty something years ago. By the way, this is many

0:19:23.280 --> 0:19:25.640
<v Speaker 1>many years ago, but this is the living la vida

0:19:25.720 --> 0:19:29.800
<v Speaker 1>loca moment where I was high fiving God in so

0:19:29.920 --> 0:19:33.359
<v Speaker 1>many ways. But at the same time, I didn't know

0:19:33.400 --> 0:19:36.280
<v Speaker 1>who I was. I was I was being pressured to

0:19:37.720 --> 0:19:39.920
<v Speaker 1>come out as a gay man when I was not ready,

0:19:40.280 --> 0:19:42.800
<v Speaker 1>you know, I was, you know, but then I had

0:19:42.800 --> 0:19:44.600
<v Speaker 1>the pressure of but you were a sex symbol. You

0:19:44.640 --> 0:19:47.360
<v Speaker 1>got to shake those hips because they're dancing and they're

0:19:47.560 --> 0:19:49.560
<v Speaker 1>screaming when you do it. And I'm like, okay, I

0:19:49.560 --> 0:19:52.200
<v Speaker 1>can do this. I've been trained to do this since

0:19:52.240 --> 0:19:55.320
<v Speaker 1>I was on an Ulu. You know. This is this

0:19:55.359 --> 0:19:59.320
<v Speaker 1>is this is my entertaining mask that I wear. But

0:19:59.320 --> 0:20:02.359
<v Speaker 1>I said, but I don't want wear masks. But wait,

0:20:02.359 --> 0:20:05.600
<v Speaker 1>hold on a second. So I was lucky enough to say, Okay,

0:20:05.640 --> 0:20:08.840
<v Speaker 1>I'm gonna stop. And I took my sabbatical and I

0:20:08.920 --> 0:20:12.320
<v Speaker 1>just went to India and I went into ashrams and

0:20:12.359 --> 0:20:14.800
<v Speaker 1>I meditated, and I became a Buddhist.

0:20:14.960 --> 0:20:18.840
<v Speaker 2>And by yourself, you had a family with you, you

0:20:18.880 --> 0:20:21.199
<v Speaker 2>have a you had some people with you along for

0:20:21.240 --> 0:20:21.640
<v Speaker 2>the ride.

0:20:22.119 --> 0:20:22.680
<v Speaker 3>That time.

0:20:22.800 --> 0:20:25.760
<v Speaker 1>I went to India because I met this Puerto Rican

0:20:25.840 --> 0:20:30.440
<v Speaker 1>monk in Thailand and really, wow, Puerto Rican Buddhist monk

0:20:30.440 --> 0:20:32.320
<v Speaker 1>in Thailand. And I'm like, who are you? Yes, I'm

0:20:32.359 --> 0:20:36.399
<v Speaker 1>Puerto Rican. And I'm like, oh yeah, and so what

0:20:36.400 --> 0:20:38.600
<v Speaker 1>are you doing? Well? I was. I was a Puerto Rican.

0:20:38.800 --> 0:20:41.400
<v Speaker 1>I was a monk, Buddhist monk up in the mountains

0:20:41.400 --> 0:20:44.800
<v Speaker 1>of Thailand. And I'm like, oh, we need to talk brother. Okay,

0:20:44.600 --> 0:20:47.879
<v Speaker 1>there going story short guys. I three weeks later we

0:20:47.880 --> 0:20:53.040
<v Speaker 1>were hiking the Himalayas and then and then you know,

0:20:53.080 --> 0:20:55.520
<v Speaker 1>I was, I was in touch with this other philosophy

0:20:55.640 --> 0:20:58.320
<v Speaker 1>is that heeled me. I grew up as an boy

0:20:58.440 --> 0:21:00.760
<v Speaker 1>in Puerto Rico. We went to the same cool rustling

0:21:01.520 --> 0:21:03.720
<v Speaker 1>I would. You know, every Friday, we would go to

0:21:03.800 --> 0:21:06.439
<v Speaker 1>Mass and I was to the priest and I was

0:21:07.400 --> 0:21:10.159
<v Speaker 1>and it was beautiful. And I have that foundation, you know,

0:21:10.240 --> 0:21:13.320
<v Speaker 1>of spiritual foundation who's very solid. But I needed more.

0:21:13.359 --> 0:21:15.359
<v Speaker 1>I needed more because what I had was not enough,

0:21:16.240 --> 0:21:18.320
<v Speaker 1>and I was it was scary. It was scary. So

0:21:18.560 --> 0:21:22.040
<v Speaker 1>I went to India and I did my yoga deep yoga,

0:21:22.240 --> 0:21:27.520
<v Speaker 1>and I and I went into heavy mantras and Buddhism

0:21:26.920 --> 0:21:31.480
<v Speaker 1>and and now I keep searching. I keep searching. I'm

0:21:31.480 --> 0:21:33.920
<v Speaker 1>always looking for more when it comes to spirituality. And

0:21:33.960 --> 0:21:36.040
<v Speaker 1>at the end of the day, this is helping me today.

0:21:36.520 --> 0:21:43.320
<v Speaker 1>I of I guess I've in my mind, I draw

0:21:43.480 --> 0:21:46.199
<v Speaker 1>an ideal of what I want my life to be.

0:21:46.400 --> 0:21:49.359
<v Speaker 1>And I just be healthy for my kids because I

0:21:49.400 --> 0:21:54.080
<v Speaker 1>have four kids, three book one girl that are my inspiration.

0:21:54.760 --> 0:22:00.560
<v Speaker 1>And I am healthy. I love what I do and

0:22:00.920 --> 0:22:03.800
<v Speaker 1>what I do today is giving me the same emotions

0:22:03.800 --> 0:22:06.920
<v Speaker 1>of what I was feeling when I was twelve, thirteen,

0:22:06.960 --> 0:22:09.400
<v Speaker 1>fourteen years old, of what I'm feeling in the beginning

0:22:09.440 --> 0:22:13.119
<v Speaker 1>of my career. And that's why I say that I

0:22:13.160 --> 0:22:15.280
<v Speaker 1>feel like this is a new beginning. You know, it's

0:22:15.359 --> 0:22:18.240
<v Speaker 1>like a when you close cycles to open new ones.

0:22:18.280 --> 0:22:20.440
<v Speaker 1>It doesn't matter how old you are, you just got

0:22:20.440 --> 0:22:20.720
<v Speaker 1>to go.

0:22:29.840 --> 0:22:33.480
<v Speaker 2>What else do you think you have to accomplish? Is

0:22:33.520 --> 0:22:36.840
<v Speaker 2>there one thing and it doesn't have to be within

0:22:36.920 --> 0:22:39.240
<v Speaker 2>the entertainment business? Is there one thing that you're like,

0:22:39.240 --> 0:22:41.320
<v Speaker 2>you know what, I have lived an incredible life. I

0:22:41.359 --> 0:22:43.879
<v Speaker 2>have traveled the world. I've done it all. But I

0:22:43.880 --> 0:22:46.200
<v Speaker 2>don't want to die until this happens.

0:22:46.440 --> 0:22:49.520
<v Speaker 1>Oh well, let me talk a little bit about entertainment business.

0:22:49.560 --> 0:22:51.199
<v Speaker 1>Say I need to do film. I've never been in

0:22:51.200 --> 0:22:53.280
<v Speaker 1>front of the camera as an actor doing film.

0:22:53.760 --> 0:22:55.280
<v Speaker 3>I want to think, is you have wait?

0:22:55.359 --> 0:23:01.640
<v Speaker 1>No, only once in Mexico and it was so vague,

0:23:02.600 --> 0:23:08.400
<v Speaker 1>so vague that it counts, But it doesn't. At this

0:23:09.000 --> 0:23:12.119
<v Speaker 1>stage of my life. I need to tell a story

0:23:12.119 --> 0:23:12.800
<v Speaker 1>in the big screen.

0:23:14.320 --> 0:23:16.280
<v Speaker 3>That's gonna be your personal project. That's the buck you're

0:23:16.280 --> 0:23:16.680
<v Speaker 3>gonna get.

0:23:17.600 --> 0:23:19.080
<v Speaker 1>It really needs to happen.

0:23:19.320 --> 0:23:21.479
<v Speaker 2>But wait, but I'm assuming you get a lot of offers,

0:23:21.520 --> 0:23:22.840
<v Speaker 2>they call you to do a lot of film, but

0:23:22.880 --> 0:23:25.159
<v Speaker 2>you're just not not don't You don't respond to the material,

0:23:25.200 --> 0:23:28.480
<v Speaker 2>You're not available. It's not because of lack of opportunity.

0:23:29.600 --> 0:23:33.560
<v Speaker 1>I've gotten I've gotten offers, and you're like, no, it

0:23:33.760 --> 0:23:38.600
<v Speaker 1>just has to hit you a certain way. And uh

0:23:38.960 --> 0:23:41.960
<v Speaker 1>and and I know it's coming, it's coming, It's it'll

0:23:42.000 --> 0:23:43.760
<v Speaker 1>be there. I know on wood.

0:23:43.920 --> 0:23:46.560
<v Speaker 2>Oh, I got no way, no way.

0:23:47.200 --> 0:23:51.600
<v Speaker 1>It'll be amazing. And and I think that my dreams

0:23:51.680 --> 0:23:54.080
<v Speaker 1>right now, mind you, I am. I am super thankful

0:23:54.119 --> 0:23:57.600
<v Speaker 1>for everything that I've been through and and where I'm

0:23:57.600 --> 0:24:02.080
<v Speaker 1>at right now. But also my dreams transfer to my kids.

0:24:03.800 --> 0:24:08.080
<v Speaker 1>I have two teenage twin boys that are a fifteen

0:24:08.160 --> 0:24:11.320
<v Speaker 1>year old now, and now I can you can see

0:24:11.400 --> 0:24:13.960
<v Speaker 1>where they're at and what their passion is, and you

0:24:14.080 --> 0:24:16.439
<v Speaker 1>kind of see more or less what their future is

0:24:17.080 --> 0:24:19.400
<v Speaker 1>a little bit because of the decision that they are

0:24:19.560 --> 0:24:25.320
<v Speaker 1>independently making at this point. One of them loves computers

0:24:25.359 --> 0:24:28.440
<v Speaker 1>and he is coding and decoding and heat and it's

0:24:28.560 --> 0:24:32.760
<v Speaker 1>just like he's a he's like genius, like brilliant, and

0:24:32.760 --> 0:24:35.480
<v Speaker 1>you see it in his eyes and sometimes you go, okay,

0:24:35.600 --> 0:24:37.840
<v Speaker 1>but you cannot spend so long in front of the computer.

0:24:37.920 --> 0:24:41.840
<v Speaker 1>But he's just he's doing some really interesting things. And

0:24:41.880 --> 0:24:48.400
<v Speaker 1>then this other guy's he's so passionate about film. Oh wow,

0:24:49.400 --> 0:24:53.120
<v Speaker 1>super passionate. But he also is wonderful in sports. And

0:24:53.160 --> 0:24:56.080
<v Speaker 1>now he's not in one, he's in two baseball teams.

0:24:57.240 --> 0:24:59.159
<v Speaker 1>And he goes like, Dad, Yeah, all I want is

0:24:59.200 --> 0:25:01.159
<v Speaker 1>do really good in sports so I can get a

0:25:01.200 --> 0:25:03.840
<v Speaker 1>really good scholarship so I can go study film.

0:25:05.080 --> 0:25:06.639
<v Speaker 2>So he's pretty clear.

0:25:06.680 --> 0:25:10.399
<v Speaker 1>He's pretty pretty clear, and it's so cool to witness.

0:25:10.400 --> 0:25:14.040
<v Speaker 1>So that's why I said that my desires kind of

0:25:15.520 --> 0:25:18.960
<v Speaker 1>they morphed into the desires of my children. And I'm

0:25:18.960 --> 0:25:21.080
<v Speaker 1>sure you can relate. It's one of those things that

0:25:21.119 --> 0:25:24.199
<v Speaker 1>it's weird that you you still have a lot to

0:25:24.240 --> 0:25:27.439
<v Speaker 1>do and you still want to do more. Obviously you

0:25:27.440 --> 0:25:30.600
<v Speaker 1>want to do more, but it's it's in conjunction with

0:25:30.840 --> 0:25:32.159
<v Speaker 1>the desires of your children.

0:25:32.240 --> 0:25:33.840
<v Speaker 2>So what about the little girl and the little boy

0:25:34.520 --> 0:25:36.400
<v Speaker 2>still too young to know what's happening there?

0:25:36.760 --> 0:25:40.840
<v Speaker 1>The little girl is five, she's the only girl and

0:25:40.920 --> 0:25:44.920
<v Speaker 1>this you know, two daddies, three brothers, and she knows it,

0:25:48.240 --> 0:25:49.520
<v Speaker 1>and it's a wonderful thing.

0:25:50.000 --> 0:25:51.160
<v Speaker 2>She's like half fun.

0:25:52.680 --> 0:25:58.840
<v Speaker 1>Yeah, he's like m early girly girl is so beautiful.

0:25:58.880 --> 0:26:01.640
<v Speaker 1>And then Wren, who's or he's I call him rn

0:26:01.840 --> 0:26:04.879
<v Speaker 1>Zen because he's so chill. He has he has an

0:26:04.920 --> 0:26:06.960
<v Speaker 1>older sister and he knows it. If you know, what

0:26:07.000 --> 0:26:09.639
<v Speaker 1>I said is all right, whatever she said, it's okay,

0:26:09.720 --> 0:26:12.600
<v Speaker 1>I'm good, I'm good. Sometimes he has to like, you know,

0:26:12.680 --> 0:26:15.120
<v Speaker 1>stump his feet so he can be heard.

0:26:15.040 --> 0:26:18.119
<v Speaker 2>You know, yeah, you know parenthood rick As you know

0:26:18.200 --> 0:26:20.560
<v Speaker 2>we have too. It's so it's such a wild ride.

0:26:20.600 --> 0:26:20.800
<v Speaker 1>You know.

0:26:20.840 --> 0:26:22.880
<v Speaker 2>We have this girl, soabell as you's twelve years old,

0:26:23.240 --> 0:26:25.000
<v Speaker 2>and Sabbie is an athlete as well. You know, she

0:26:25.040 --> 0:26:28.960
<v Speaker 2>plays tennis. She's an avid tennis player. And we thought,

0:26:29.080 --> 0:26:30.919
<v Speaker 2>this is it. This is her career path, you know,

0:26:30.960 --> 0:26:33.880
<v Speaker 2>and she's really good at it. And the whole thing.

0:26:33.960 --> 0:26:36.720
<v Speaker 2>It's a scholarship, you know, hopefully she got a scholarship.

0:26:36.720 --> 0:26:38.480
<v Speaker 2>Maybe she's Sometimes she's like, I want to go pro.

0:26:38.960 --> 0:26:41.240
<v Speaker 2>It's a very difficult life. It's a lot of discipline.

0:26:41.440 --> 0:26:44.480
<v Speaker 2>It's life changing for the entire family. The mid that

0:26:44.840 --> 0:26:48.000
<v Speaker 2>when you have a professional athlete. But then yesterday and

0:26:48.040 --> 0:26:49.720
<v Speaker 2>I was in part of this conversation. It was just

0:26:49.800 --> 0:26:52.400
<v Speaker 2>I see them. Eric is in her bedroom and it's

0:26:52.400 --> 0:26:55.080
<v Speaker 2>like forty five minutes and just here that they're talking,

0:26:55.119 --> 0:26:57.040
<v Speaker 2>I'm going, what is going on? So I goes, what

0:26:57.040 --> 0:26:59.119
<v Speaker 2>are you guys talking about? And Eric is I We're

0:26:59.160 --> 0:27:02.000
<v Speaker 2>in the middle of a conversation here, So there's so

0:27:02.040 --> 0:27:07.120
<v Speaker 2>basically I'm going, I just want to know what's happening.

0:27:07.480 --> 0:27:10.000
<v Speaker 2>And I guess the girl said, you know, Dad, I

0:27:10.040 --> 0:27:11.800
<v Speaker 2>love tennis and I want to continue playing tennis, but

0:27:11.840 --> 0:27:13.840
<v Speaker 2>I want to do other things. I think I want

0:27:13.840 --> 0:27:15.800
<v Speaker 2>to act and model, and we're like, oh.

0:27:15.720 --> 0:27:17.600
<v Speaker 3>Jesus, look, yeah.

0:27:18.119 --> 0:27:20.800
<v Speaker 4>The funny thing about that is that she used to

0:27:20.840 --> 0:27:23.880
<v Speaker 4>completely be not annoyed, but like embarrassed by the fact

0:27:23.920 --> 0:27:26.159
<v Speaker 4>that we were in entertainment or people would stop us

0:27:26.160 --> 0:27:27.520
<v Speaker 4>and she'd be like, oh God, here we go.

0:27:27.720 --> 0:27:27.800
<v Speaker 1>Ye.

0:27:28.080 --> 0:27:31.480
<v Speaker 4>Now she's starting to appreciate it more and like be

0:27:31.760 --> 0:27:32.879
<v Speaker 4>fascinated by the fact.

0:27:33.520 --> 0:27:36.160
<v Speaker 3>But at the same time she thinks it's just so easy.

0:27:36.840 --> 0:27:39.640
<v Speaker 4>And I tell her, I said, Sabella, if you think

0:27:39.720 --> 0:27:43.000
<v Speaker 4>trying to accomplish tennis, even at your young age is hard,

0:27:44.040 --> 0:27:48.120
<v Speaker 4>entertainment our world, there is zero guarantee. I come from

0:27:48.119 --> 0:27:51.520
<v Speaker 4>a background of sports my whole life. If you work hard,

0:27:51.840 --> 0:27:55.440
<v Speaker 4>you get better. You will most likely accomplish some part

0:27:55.480 --> 0:27:57.199
<v Speaker 4>of your goal. Maybe you won't be a pro, but

0:27:57.240 --> 0:27:59.200
<v Speaker 4>you might get a schollar. If you work that hard,

0:27:59.560 --> 0:28:02.120
<v Speaker 4>good thing will come. I say it all the time.

0:28:02.119 --> 0:28:04.359
<v Speaker 4>In entertainment, you could be the best actor in the

0:28:04.400 --> 0:28:06.960
<v Speaker 4>world and never get hired in a in a movie,

0:28:07.080 --> 0:28:09.960
<v Speaker 4>a TV show. You just be doing you know, student

0:28:10.000 --> 0:28:12.800
<v Speaker 4>films or whatever. You could be a phenomenal actor, and

0:28:12.800 --> 0:28:15.760
<v Speaker 4>you could be an average actor and be a movie star.

0:28:16.160 --> 0:28:19.640
<v Speaker 4>It's like there's no you know, correlation to hard work

0:28:19.720 --> 0:28:22.840
<v Speaker 4>and success in our business, especially as this a business.

0:28:22.880 --> 0:28:23.760
<v Speaker 3>As this business has.

0:28:23.680 --> 0:28:27.240
<v Speaker 4>Evolved, it's changed so much and it's becoming more challenging.

0:28:27.520 --> 0:28:28.800
<v Speaker 4>So I said, well, if you want to do this,

0:28:28.800 --> 0:28:30.960
<v Speaker 4>we'll support you. But like it's not We're not not

0:28:31.000 --> 0:28:32.520
<v Speaker 4>going to help you be in something. You're gonna go

0:28:32.560 --> 0:28:33.560
<v Speaker 4>take actor classes.

0:28:34.720 --> 0:28:37.160
<v Speaker 2>That is not a TV show. I'll do that. I'll

0:28:37.160 --> 0:28:39.120
<v Speaker 2>do the show. And doesn't work like that. You know

0:28:39.160 --> 0:28:40.640
<v Speaker 2>what I mean is that you're gonna have to audition.

0:28:40.720 --> 0:28:43.120
<v Speaker 2>Daddy can say this is my daughter, and that's gonna

0:28:43.120 --> 0:28:44.440
<v Speaker 2>be the extent of it. You know what I mean,

0:28:44.440 --> 0:28:47.360
<v Speaker 2>It's on you and I don't think she comprehend. She

0:28:47.360 --> 0:28:49.200
<v Speaker 2>doesn't comprehend that right now. She said, what do you mean?

0:28:49.480 --> 0:28:51.640
<v Speaker 1>My acting coach told me because I told him, listen,

0:28:51.680 --> 0:28:54.480
<v Speaker 1>I have this guy who's who's in love with with

0:28:54.920 --> 0:28:58.040
<v Speaker 1>he loves film. He wants no no, because this is

0:28:58.080 --> 0:29:01.480
<v Speaker 1>before he said he wants to be an act My kid.

0:29:01.520 --> 0:29:02.880
<v Speaker 1>He said, oh, Dad, I think I want to act.

0:29:03.720 --> 0:29:04.320
<v Speaker 3>Do you want to act?

0:29:04.320 --> 0:29:06.720
<v Speaker 1>And he's like, yeah, that I think so. And okay,

0:29:06.880 --> 0:29:08.720
<v Speaker 1>So I talked to my acting coach and I'm like, listen,

0:29:08.760 --> 0:29:10.320
<v Speaker 1>my son wants to act. What do you think. He

0:29:10.360 --> 0:29:14.040
<v Speaker 1>goes like, oh, he's he's a kid. Don't don't don't

0:29:14.080 --> 0:29:17.840
<v Speaker 1>break because you know he's he's It was it's business

0:29:17.840 --> 0:29:19.720
<v Speaker 1>for my acting coach where he goes like, no, don't

0:29:19.720 --> 0:29:22.840
<v Speaker 1>bring him to me. Get him a camera. Get him

0:29:22.880 --> 0:29:26.239
<v Speaker 1>a camera, because the moment he starts filming, even if

0:29:26.280 --> 0:29:28.680
<v Speaker 1>it's a flower, and he can start doing his own

0:29:28.720 --> 0:29:34.320
<v Speaker 1>little movies, he'll get a better understanding of cinema. Acting

0:29:34.360 --> 0:29:37.520
<v Speaker 1>will come on its own. Don't bring them to me.

0:29:37.840 --> 0:29:40.880
<v Speaker 1>And that's what I told And now my son is

0:29:40.920 --> 0:29:44.680
<v Speaker 1>obsessed with cinema and and eventually acting will come. If

0:29:44.720 --> 0:29:48.200
<v Speaker 1>maybe that's what he wants because advice, he goes that,

0:29:48.360 --> 0:29:51.600
<v Speaker 1>I understand what you're acting, coach said, And yes, I

0:29:52.200 --> 0:29:54.400
<v Speaker 1>love the idea of doing cinema. And now you sit

0:29:54.520 --> 0:29:58.000
<v Speaker 1>with my son to watch the Oscars, and it's amazing

0:29:58.040 --> 0:29:59.840
<v Speaker 1>to see him say, go, I know that director he

0:30:00.000 --> 0:30:02.520
<v Speaker 1>did this, and that his first oscar was in nineteen something,

0:30:02.520 --> 0:30:03.480
<v Speaker 1>blah blah blah blah blah.

0:30:03.480 --> 0:30:05.440
<v Speaker 2>And he loves it. He loves it.

0:30:05.560 --> 0:30:08.080
<v Speaker 1>Oh my god, oh my god. I'm like, okay, dude,

0:30:08.080 --> 0:30:11.360
<v Speaker 1>do you know this? Yeah, you know, it's it's beautiful

0:30:11.360 --> 0:30:13.520
<v Speaker 1>to see. So it's one of those things.

0:30:13.600 --> 0:30:16.480
<v Speaker 2>Yeah, and you support it. If that's what he wants

0:30:16.520 --> 0:30:17.760
<v Speaker 2>to do, let's go all out.

0:30:18.160 --> 0:30:20.720
<v Speaker 1>I'm here because my father supported me. My father is

0:30:20.760 --> 0:30:23.960
<v Speaker 1>a psychologist, my mom is an accountant like she. They

0:30:24.200 --> 0:30:26.240
<v Speaker 1>had nothing to do with the business, you know, and

0:30:26.480 --> 0:30:29.160
<v Speaker 1>and but they saw my passion. They saw that I

0:30:29.320 --> 0:30:32.720
<v Speaker 1>really wanted to be a minudo because for my generation,

0:30:32.840 --> 0:30:35.400
<v Speaker 1>that was the way out right. So I would I

0:30:35.400 --> 0:30:39.200
<v Speaker 1>would say, Dad, they're auditioning in three weeks, let's go.

0:30:39.360 --> 0:30:42.880
<v Speaker 1>And my dad would be like, okay, you know, not

0:30:43.000 --> 0:30:46.080
<v Speaker 1>the father that pushes you to be I was being

0:30:46.320 --> 0:30:48.320
<v Speaker 1>he was being pulled by me, like, come take me

0:30:48.360 --> 0:30:52.440
<v Speaker 1>there tomorrow before is the audition, So I will definitely

0:30:52.440 --> 0:30:53.560
<v Speaker 1>support them.

0:30:53.800 --> 0:30:57.760
<v Speaker 2>Yeah, that's fantastic. Oh my goodness. We're gonna let you go,

0:30:58.560 --> 0:31:00.800
<v Speaker 2>but I have one last question for you, Ricky, what

0:31:00.920 --> 0:31:05.560
<v Speaker 2>has been the craziest or funniest fun interaction that you

0:31:05.600 --> 0:31:07.840
<v Speaker 2>can remember that was just like completely off the charts.

0:31:08.200 --> 0:31:12.360
<v Speaker 3>He's like which one? He's like, I can't give you one.

0:31:13.400 --> 0:31:15.640
<v Speaker 2>Like I was in Japan and this kid, like, what

0:31:15.720 --> 0:31:16.000
<v Speaker 2>was it?

0:31:16.840 --> 0:31:18.840
<v Speaker 1>I have a few, but this one was really funny.

0:31:18.880 --> 0:31:21.080
<v Speaker 1>I don't know if it translated very well, but I was,

0:31:21.280 --> 0:31:23.520
<v Speaker 1>you know, driving from the airport to the hotel, and

0:31:23.560 --> 0:31:27.280
<v Speaker 1>there were fans following me with their cars or in taxis,

0:31:27.320 --> 0:31:31.080
<v Speaker 1>and there was this one girl that said, Ricky, let me.

0:31:31.120 --> 0:31:38.960
<v Speaker 3>Pull your hair so you can whip me with it. Oh,

0:31:39.000 --> 0:31:39.960
<v Speaker 3>oh my god.

0:31:40.080 --> 0:31:44.600
<v Speaker 1>This is to let me pull your hair so you

0:31:44.680 --> 0:31:45.479
<v Speaker 1>can't whip me.

0:31:45.640 --> 0:31:49.880
<v Speaker 2>Oh my god, Oh my god.

0:31:50.760 --> 0:31:54.600
<v Speaker 4>And that's one of many stories are probably infinite crazy,

0:31:54.920 --> 0:31:56.240
<v Speaker 4>Oh my god.

0:31:56.520 --> 0:31:58.560
<v Speaker 1>It's funny, funny girls, You know.

0:31:58.680 --> 0:32:02.240
<v Speaker 2>Always, we love you so much and we appreciate your time,

0:32:02.560 --> 0:32:05.840
<v Speaker 2>and you know how much you mean to me and

0:32:05.920 --> 0:32:09.000
<v Speaker 2>to Puerto Rico. Onto every girl with a dream, you know,

0:32:09.040 --> 0:32:11.360
<v Speaker 2>and every boy with a dream. You're like the North,

0:32:11.520 --> 0:32:14.160
<v Speaker 2>You're like you know who to follow. So we we

0:32:14.280 --> 0:32:14.920
<v Speaker 2>thank you for that.

0:32:15.280 --> 0:32:17.280
<v Speaker 1>Thank you so much, Thank you so much for inviting

0:32:17.320 --> 0:32:22.000
<v Speaker 1>me to talk to your audience. And once again, all

0:32:22.040 --> 0:32:25.040
<v Speaker 1>the luck and everything you do well, luck is relative, right,

0:32:25.520 --> 0:32:29.840
<v Speaker 1>all the success for everything and anything you do, and

0:32:29.840 --> 0:32:32.160
<v Speaker 1>and once again, thank you. And I think we need

0:32:32.200 --> 0:32:34.240
<v Speaker 1>to together and have dinner or something.

0:32:34.280 --> 0:32:36.440
<v Speaker 2>So we always say that we don't make it happen.

0:32:37.280 --> 0:32:40.360
<v Speaker 3>Let's do it while you're here, while you're renovating.

0:32:39.880 --> 0:32:42.440
<v Speaker 2>Your trapped here with the six children.

0:32:44.240 --> 0:32:45.680
<v Speaker 1>It's bringing together for sure.

0:32:46.080 --> 0:32:49.640
<v Speaker 3>We just do it all night in the US. I

0:32:49.640 --> 0:32:54.080
<v Speaker 3>think we'll have a lot of fun. Let's plan something

0:32:54.520 --> 0:32:54.920
<v Speaker 3>for sure.

0:32:57.160 --> 0:32:57.480
<v Speaker 1>Honest.

0:33:00.800 --> 0:33:02.000
<v Speaker 3>So great.

0:33:02.160 --> 0:33:03.840
<v Speaker 2>How incredible is Ricky?

0:33:03.960 --> 0:33:05.720
<v Speaker 3>He's amazing. I mean, I know he's been somebody so

0:33:05.760 --> 0:33:07.600
<v Speaker 3>special to your whole life. Since we first met.

0:33:07.640 --> 0:33:11.040
<v Speaker 4>You've always talked about Ricky Martin, Ricky Martin, and I

0:33:11.200 --> 0:33:13.080
<v Speaker 4>was fortunate enough to be able to meet him through you.

0:33:13.200 --> 0:33:17.000
<v Speaker 4>And he's such a class act, just such a great.

0:33:16.840 --> 0:33:19.440
<v Speaker 2>Human, exactly right, class acts.

0:33:19.120 --> 0:33:21.400
<v Speaker 4>And just incredibly successful and one of those people that

0:33:21.440 --> 0:33:24.480
<v Speaker 4>you go you know, what you deserve, every ounce of it.

0:33:24.560 --> 0:33:28.040
<v Speaker 4>You work incredibly hard, You're so grateful for everything to accomplished.

0:33:28.280 --> 0:33:30.800
<v Speaker 4>Amazing family man, I mean not. We couldn't say enough

0:33:30.840 --> 0:33:34.320
<v Speaker 4>positive things about him. He's just he's incredible, so.

0:33:33.840 --> 0:33:38.320
<v Speaker 2>So his whole team. Listen, his brother, his parents, he's

0:33:38.960 --> 0:33:43.000
<v Speaker 2>he's core. You know, his family. Joselo which has been

0:33:43.080 --> 0:33:46.160
<v Speaker 2>his started as his choreographer in Menudo, then became his

0:33:46.320 --> 0:33:49.040
<v Speaker 2>right hand and now it is like his second dad.

0:33:49.200 --> 0:33:52.360
<v Speaker 2>You know this, This is the thing about Ricky, Ricky

0:33:52.480 --> 0:33:55.920
<v Speaker 2>has it's been consistency and when it comes to his circle,

0:33:56.040 --> 0:33:58.040
<v Speaker 2>you know, it's like once you work for Ricky or

0:33:58.040 --> 0:34:00.160
<v Speaker 2>you're with Ricky, you're with him for life. Yep, you

0:34:00.240 --> 0:34:02.320
<v Speaker 2>know you a lot of artists is like a revolving

0:34:02.360 --> 0:34:05.200
<v Speaker 2>door totally. You know, he's very loyal to his to

0:34:05.320 --> 0:34:06.640
<v Speaker 2>his people and that's beautiful.

0:34:07.120 --> 0:34:07.280
<v Speaker 1>One.

0:34:08.000 --> 0:34:10.839
<v Speaker 4>Well, everyone, if you haven't seen it yet, check out

0:34:10.880 --> 0:34:15.560
<v Speaker 4>Palm Royale, Apple TV. It's streaming now and again, Ricky,

0:34:15.600 --> 0:34:17.320
<v Speaker 4>thank you so much until next time.

0:34:17.239 --> 0:34:20.040
<v Speaker 3>Love you, thanks for listening. Don't forget to write us

0:34:20.040 --> 0:34:21.399
<v Speaker 3>a review and tell us what you think.

0:34:21.440 --> 0:34:23.480
<v Speaker 2>If you want to follow us on Instagram, check us

0:34:23.520 --> 0:34:26.480
<v Speaker 2>out at he said, ajav Orson is an email Eric

0:34:26.520 --> 0:34:30.160
<v Speaker 2>and Ross at iHeartRadio dot com. He said. Ajabo is

0:34:30.200 --> 0:34:33.280
<v Speaker 2>part of iHeartRadio's Mike Wulduda podcast network.

0:34:33.400 --> 0:34:34.520
<v Speaker 3>See you next time, ye