1 00:00:18,880 --> 00:00:20,840 Speaker 1: You don't go to any chain red none. 2 00:00:20,920 --> 00:00:23,080 Speaker 2: There's in a single chain restaurant where you're like, hey, man, 3 00:00:23,200 --> 00:00:26,079 Speaker 2: the whatever the appsent TGI Fridays, I go like once 4 00:00:26,079 --> 00:00:27,160 Speaker 2: a month, like there's nothing. 5 00:00:28,080 --> 00:00:30,960 Speaker 3: So Alex likes those kinds of plays, like she likes 6 00:00:30,960 --> 00:00:34,280 Speaker 3: the big fancy you know, I'm trying to remember what 7 00:00:34,360 --> 00:00:35,199 Speaker 3: which ones she likes. 8 00:00:35,240 --> 00:00:38,960 Speaker 1: I feel like we always go TGI Fridays. Was fancy. 9 00:00:39,720 --> 00:00:41,920 Speaker 4: I don't know, I just remember. 10 00:00:42,040 --> 00:00:44,400 Speaker 3: I just always I walk into these places and Alex 11 00:00:44,440 --> 00:00:46,479 Speaker 3: will be so happy. And the menu is like four 12 00:00:46,560 --> 00:00:50,239 Speaker 3: hundred pages long. Everything on it is like four thousand, 13 00:00:50,320 --> 00:00:53,800 Speaker 3: five hundred calories per like surveme. And I'm like, I, 14 00:00:54,160 --> 00:00:57,200 Speaker 3: you know, and I always feel awful afterwards. You eat 15 00:00:57,240 --> 00:01:00,639 Speaker 3: these giant meals and it like tastes fun, but then 16 00:01:00,640 --> 00:01:04,080 Speaker 3: you're like, okay, it's all slathered in sauces and I 17 00:01:04,080 --> 00:01:07,000 Speaker 3: don't know, man, And then I'm like, I don't even yeah, 18 00:01:07,040 --> 00:01:07,920 Speaker 3: so I'm not a fan. 19 00:01:08,120 --> 00:01:11,360 Speaker 2: Like what you're thinking of the one with the thick 20 00:01:11,440 --> 00:01:13,399 Speaker 2: menu is what's the one that has the menu that's 21 00:01:13,440 --> 00:01:16,840 Speaker 2: nine hundred pages long that every cheese cake factory, cheesecake factory, 22 00:01:16,920 --> 00:01:19,280 Speaker 2: thank you, yes, And it's like done in chapters and 23 00:01:19,319 --> 00:01:22,679 Speaker 2: you're looking at certain menu items, going, does anyone ever 24 00:01:22,920 --> 00:01:23,880 Speaker 2: order this ever? 25 00:01:24,160 --> 00:01:26,920 Speaker 1: On page thirty eight of the menu? Like, yeah, I. 26 00:01:26,920 --> 00:01:29,600 Speaker 3: Remember going one time. We went with Alex and some 27 00:01:29,680 --> 00:01:31,560 Speaker 3: friends and we ended up doing like an all you 28 00:01:31,600 --> 00:01:35,160 Speaker 3: can eat pasta option in one of these places, and 29 00:01:35,240 --> 00:01:38,320 Speaker 3: it was so disgusting, like garnt of food that was 30 00:01:38,360 --> 00:01:41,200 Speaker 3: certain and like everybody was feeling, you know, like you 31 00:01:41,240 --> 00:01:44,240 Speaker 3: feel obligated to keep eating, take advantage of what you 32 00:01:44,280 --> 00:01:44,720 Speaker 3: paid for. 33 00:01:44,880 --> 00:01:47,600 Speaker 1: And then it was just like oh oh and the garlic. 34 00:01:47,319 --> 00:01:49,559 Speaker 3: Bread and no dessert. I'm just like I can't. 35 00:01:49,640 --> 00:01:50,160 Speaker 5: I can't. 36 00:01:50,600 --> 00:01:55,080 Speaker 6: I like buffets because I like to have a little 37 00:01:55,120 --> 00:01:58,400 Speaker 6: tiny bit of a lot of things. That's why I 38 00:01:58,440 --> 00:02:01,720 Speaker 6: loved soup plantations, like them for different Like how I 39 00:02:01,760 --> 00:02:04,160 Speaker 6: like I have a lot of stuff things. 40 00:02:04,280 --> 00:02:05,080 Speaker 1: Yeah, well, you just. 41 00:02:05,040 --> 00:02:06,760 Speaker 3: Have to go on a cruise, man, you just like 42 00:02:06,920 --> 00:02:09,399 Speaker 3: you do love it. It's like your dream come tract. 43 00:02:09,480 --> 00:02:11,720 Speaker 3: Can cannot believe you haven't done it. Like if you 44 00:02:11,760 --> 00:02:14,080 Speaker 3: go on like a really nice cruise, you will be 45 00:02:14,280 --> 00:02:15,359 Speaker 3: in heaven and you're not. 46 00:02:15,840 --> 00:02:17,560 Speaker 2: So much food that the boat would be like this 47 00:02:17,760 --> 00:02:20,800 Speaker 2: at the end. 48 00:02:18,320 --> 00:02:24,360 Speaker 3: If the food's already on the boat, so you eating 49 00:02:25,080 --> 00:02:25,840 Speaker 3: change the way they. 50 00:02:25,840 --> 00:02:28,160 Speaker 1: Have to airlift in new food, the entire way. 51 00:02:31,000 --> 00:02:33,720 Speaker 3: No, but don't you guys, don't you have those experiences? 52 00:02:33,800 --> 00:02:40,040 Speaker 3: And then like kind of to me, a unique experience 53 00:02:40,200 --> 00:02:42,680 Speaker 3: is like part of why you go out to eat, 54 00:02:42,800 --> 00:02:44,720 Speaker 3: Like the idea of going out to eat and eating 55 00:02:44,800 --> 00:02:48,000 Speaker 3: the same thing I've had before, and then also the 56 00:02:48,120 --> 00:02:50,920 Speaker 3: experience looking exactly like every other restaurant. 57 00:02:50,960 --> 00:02:54,919 Speaker 2: I've been like, that's not why to go, but that 58 00:02:54,960 --> 00:02:56,480 Speaker 2: you love so much that you're like, I have to 59 00:02:56,560 --> 00:02:58,079 Speaker 2: go to this place and get this thing. 60 00:02:58,680 --> 00:03:02,120 Speaker 3: I've had that in life, but it's usually because it's 61 00:03:02,160 --> 00:03:05,120 Speaker 3: an independent restaurant, Like if it's a chain, it doesn't 62 00:03:05,200 --> 00:03:08,079 Speaker 3: feel that special. I might like the food, but it's 63 00:03:08,160 --> 00:03:10,280 Speaker 3: like I'm not going to choose to go out and 64 00:03:10,360 --> 00:03:10,920 Speaker 3: get it again. 65 00:03:11,200 --> 00:03:13,040 Speaker 1: This is somebody who's never had a Ruby's Burger. This 66 00:03:13,160 --> 00:03:14,720 Speaker 1: is being spoken by someone who's never had a real 67 00:03:14,919 --> 00:03:15,640 Speaker 1: I mean, that's true. 68 00:03:15,800 --> 00:03:18,000 Speaker 4: This is this also feels like a personal attack. 69 00:03:18,360 --> 00:03:21,400 Speaker 1: It does a little bit. I'm sure all we all. 70 00:03:21,360 --> 00:03:26,600 Speaker 4: We do eat it changed, he'll attacked. 71 00:03:26,840 --> 00:03:30,320 Speaker 6: But it's also you know, I mean, this is this 72 00:03:30,639 --> 00:03:34,800 Speaker 6: is not surprising coming from someone whose ideal vacation is 73 00:03:35,400 --> 00:03:39,120 Speaker 6: in a camper van experiencing something new every single day. 74 00:03:39,200 --> 00:03:42,120 Speaker 6: Whereas for me, one of the things I like about 75 00:03:42,160 --> 00:03:45,080 Speaker 6: finding things I like is that knowing what to expect 76 00:03:45,240 --> 00:03:48,800 Speaker 6: and the comfort, the that type of like that brings 77 00:03:48,880 --> 00:03:52,280 Speaker 6: me when I'm feeling whether it's like I'm hungry and 78 00:03:52,360 --> 00:03:55,760 Speaker 6: I know exactly what's going to make me feel satiated. 79 00:03:55,880 --> 00:04:02,440 Speaker 6: It's that Ruby's burger or you know, yes, I actually anxiety. 80 00:04:02,000 --> 00:04:04,160 Speaker 2: Thing probably a little bit too, because that's like this 81 00:04:04,480 --> 00:04:06,119 Speaker 2: that why people watch the same show like I watched 82 00:04:06,160 --> 00:04:07,800 Speaker 2: mash over and over. I mean, if you read about it, 83 00:04:07,880 --> 00:04:09,480 Speaker 2: that's it's a straight up anxiety thing. 84 00:04:09,960 --> 00:04:11,640 Speaker 4: So you know what to expect, when to expect it, 85 00:04:11,680 --> 00:04:13,160 Speaker 4: where are, what the jokes are. 86 00:04:13,440 --> 00:04:15,280 Speaker 2: There's a comfort to it, and I think there's I 87 00:04:15,360 --> 00:04:17,520 Speaker 2: think that also goes with some of the chain restaurants, 88 00:04:17,839 --> 00:04:20,560 Speaker 2: but there's also you mix. I mean, at the end 89 00:04:20,560 --> 00:04:23,159 Speaker 2: of the day, Islands has the most amazing French fries 90 00:04:23,200 --> 00:04:23,600 Speaker 2: you ever. 91 00:04:23,680 --> 00:04:26,880 Speaker 4: Now have so time for Red Robin fries, I don't. 92 00:04:26,960 --> 00:04:29,479 Speaker 1: I've never had Red Robin in my life. 93 00:04:29,960 --> 00:04:33,520 Speaker 6: Will for I know, I know, never knowing me for 94 00:04:33,720 --> 00:04:37,560 Speaker 6: thirty years and I've never taken you to a Red Robin. 95 00:04:37,920 --> 00:04:40,400 Speaker 3: Nope, No, they ever been to a Red Robin either. 96 00:04:40,960 --> 00:04:42,040 Speaker 3: Maybe I have and I just don't. 97 00:04:42,120 --> 00:04:42,840 Speaker 1: Daniel just got it. 98 00:04:43,160 --> 00:04:44,320 Speaker 4: I got it, I got it right away. 99 00:04:44,400 --> 00:04:44,760 Speaker 5: I love it. 100 00:04:45,160 --> 00:04:47,080 Speaker 4: I mean they have their own happy birthday song. 101 00:04:47,200 --> 00:04:49,680 Speaker 6: Happy birthday, Have a happy birthday, Happy birthday, have a 102 00:04:49,720 --> 00:04:50,120 Speaker 6: happy day. 103 00:04:50,160 --> 00:04:51,400 Speaker 4: Hey do we have a birthday here? Just we have 104 00:04:51,400 --> 00:04:54,560 Speaker 4: a birthday here? Birthday? Wear by ear whoa happy birthday? 105 00:04:54,640 --> 00:04:55,440 Speaker 4: Have happy birthday. 106 00:04:56,880 --> 00:04:59,720 Speaker 3: If you travel somewhere, if you go somewhere new in 107 00:04:59,760 --> 00:05:03,440 Speaker 3: a America, some city, some town you've never been used 108 00:05:03,440 --> 00:05:06,880 Speaker 3: to go to the Starbucks or the McDonald's or the island. 109 00:05:06,560 --> 00:05:09,920 Speaker 6: I agree with you there. When I travel, I do 110 00:05:10,080 --> 00:05:13,560 Speaker 6: not think of where are the chain restaurants? When I travel, 111 00:05:13,680 --> 00:05:15,800 Speaker 6: all think, well, I'm only going to be here for 112 00:05:16,120 --> 00:05:18,800 Speaker 6: a couple of days. Let's look up some local places 113 00:05:18,920 --> 00:05:21,560 Speaker 6: there are. And what's so depressing is that those are 114 00:05:21,640 --> 00:05:24,400 Speaker 6: harder and harder to find. Like if you drive across 115 00:05:24,480 --> 00:05:27,280 Speaker 6: the country, which I do every year, it's like if 116 00:05:27,560 --> 00:05:30,320 Speaker 6: you are on the freeway, all your options are the 117 00:05:30,440 --> 00:05:33,919 Speaker 6: same places you go, and it's awful you can't find 118 00:05:34,760 --> 00:05:35,919 Speaker 6: a unique experience. 119 00:05:35,960 --> 00:05:37,800 Speaker 3: And so it's like, what's the point of traveling. It's 120 00:05:37,800 --> 00:05:40,200 Speaker 3: like America's just replicated itself over and over and over 121 00:05:40,240 --> 00:05:43,320 Speaker 3: again from city to city, and like that's not good, 122 00:05:43,600 --> 00:05:45,920 Speaker 3: Like that's really bad for culture. It's really bad for 123 00:05:46,000 --> 00:05:47,039 Speaker 3: individual experience. 124 00:05:47,120 --> 00:05:50,239 Speaker 1: It's like, no, I think I still find those places 125 00:05:50,360 --> 00:05:51,599 Speaker 1: you just there there you have to. 126 00:05:51,640 --> 00:05:54,240 Speaker 3: Hunt for they struggle, man, Like they don't stay open, 127 00:05:54,400 --> 00:05:54,640 Speaker 3: you know. 128 00:05:54,920 --> 00:05:56,039 Speaker 5: Like they don't. You can't. 129 00:05:56,160 --> 00:05:58,320 Speaker 3: I mean, you know, to do a really obvious example, 130 00:05:58,600 --> 00:06:00,640 Speaker 3: you're not going to find a local bookstore anymore, right 131 00:06:00,640 --> 00:06:03,680 Speaker 3: because everybody's just you just amazon it. You don't so 132 00:06:04,040 --> 00:06:06,440 Speaker 3: there's no need for And that's a bummer because like 133 00:06:06,560 --> 00:06:09,200 Speaker 3: if you're looking to that great bookstore in Sebastopol. 134 00:06:09,240 --> 00:06:11,240 Speaker 1: We've been a couple in in San. 135 00:06:11,120 --> 00:06:15,039 Speaker 2: Francisco, there's there's still you can still find bookstore our bank. 136 00:06:15,160 --> 00:06:16,920 Speaker 1: Yeah, so I mean you can still find it. 137 00:06:17,000 --> 00:06:19,840 Speaker 3: But yes, they are they are dying, yeah, I mean 138 00:06:19,920 --> 00:06:23,200 Speaker 3: compared to like even when we're when we were teenagers, 139 00:06:23,360 --> 00:06:27,680 Speaker 3: like bookstores every neighborhood of every city had a bookstore 140 00:06:27,720 --> 00:06:30,000 Speaker 3: and that was like a or video store, you know, 141 00:06:30,600 --> 00:06:31,440 Speaker 3: cultural centers. 142 00:06:31,440 --> 00:06:33,680 Speaker 1: I mean it's like, I can't these are stores taking 143 00:06:33,720 --> 00:06:34,320 Speaker 1: it out of Target. 144 00:06:34,400 --> 00:06:35,960 Speaker 2: My favorite part about Target is I would go, I 145 00:06:36,000 --> 00:06:38,040 Speaker 2: would buy all my clothes for the next five years, 146 00:06:38,600 --> 00:06:41,120 Speaker 2: and then there'd be the stack of DVDs and it's 147 00:06:41,160 --> 00:06:43,599 Speaker 2: like what came out? What kind of because Blockbuster is gone, 148 00:06:43,640 --> 00:06:46,000 Speaker 2: which was the greatest thing in the world, and so yeah, 149 00:06:46,000 --> 00:06:46,440 Speaker 2: it sucks with. 150 00:06:46,520 --> 00:06:50,080 Speaker 6: Jensen finds a way. Jensen finds a way. I know 151 00:06:50,320 --> 00:06:53,200 Speaker 6: physical media will never die in our house. 152 00:06:53,200 --> 00:06:55,960 Speaker 1: Thank God, thank god that we have. 153 00:06:56,080 --> 00:06:59,360 Speaker 4: Anytime you guys need to rent a movie, you can come. 154 00:06:59,240 --> 00:07:01,880 Speaker 2: To a little Jensen card that you have to swipe 155 00:07:01,920 --> 00:07:03,400 Speaker 2: and then it's like, as you're checking. 156 00:07:03,200 --> 00:07:05,760 Speaker 4: Out, it's like, oh, there, you guys have your own 157 00:07:05,960 --> 00:07:06,919 Speaker 4: VIP card. 158 00:07:07,080 --> 00:07:11,480 Speaker 1: Yeah, at Daniel's house, I could. 159 00:07:11,640 --> 00:07:12,880 Speaker 6: I could have it in the house as long as 160 00:07:12,920 --> 00:07:16,040 Speaker 6: nobody's eating it next to me, just stay in its container. 161 00:07:16,680 --> 00:07:18,760 Speaker 1: I can't wait to take Rider to Red Robin because 162 00:07:19,400 --> 00:07:19,960 Speaker 1: it'll be great. 163 00:07:20,400 --> 00:07:20,680 Speaker 5: We'll go. 164 00:07:20,840 --> 00:07:23,000 Speaker 4: My birthday is coming up, I mean in like three months, 165 00:07:23,040 --> 00:07:23,440 Speaker 4: but we'll go. 166 00:07:24,080 --> 00:07:25,920 Speaker 1: We'll go for my birthday counts. 167 00:07:26,360 --> 00:07:30,440 Speaker 3: We'll exchange Christmas gifts for your birthday. 168 00:07:31,760 --> 00:07:33,480 Speaker 4: That's a good idea. We do need to figure out 169 00:07:33,520 --> 00:07:35,320 Speaker 4: when are we doing our holiday dinner. 170 00:07:36,040 --> 00:07:38,200 Speaker 2: We should figure out soon because both your ponies are 171 00:07:38,320 --> 00:07:39,360 Speaker 2: seriously close today. 172 00:07:42,360 --> 00:07:43,280 Speaker 3: Both named Susie. 173 00:07:44,120 --> 00:07:46,600 Speaker 1: Both named Susie, and apparently they want to eat every day. 174 00:07:47,480 --> 00:07:49,880 Speaker 6: That's probably a bird, like you said, Mine's a bird 175 00:07:50,000 --> 00:07:51,240 Speaker 6: and Riders is another pony. 176 00:07:51,480 --> 00:07:54,600 Speaker 4: Be great, Welcome to Pod Meets the World. 177 00:07:54,640 --> 00:07:57,520 Speaker 1: I'm Daniel Fishal, I'm right strong, and I'm Wilfordell. 178 00:08:09,520 --> 00:08:12,200 Speaker 6: We are going to be doing these be kind rewind 179 00:08:12,280 --> 00:08:15,320 Speaker 6: shows and groups of three just in little pockets as 180 00:08:15,360 --> 00:08:18,840 Speaker 6: a pleasant surprise, and we are very excited about people 181 00:08:18,920 --> 00:08:22,200 Speaker 6: we have coming back next. So today we finish off 182 00:08:22,320 --> 00:08:25,120 Speaker 6: our first trio with an episode and a guest that 183 00:08:25,280 --> 00:08:30,200 Speaker 6: is guaranteed to take home the championship title. Our recent 184 00:08:30,320 --> 00:08:33,640 Speaker 6: podcast crossover with liv Morgan and Seat four c's big 185 00:08:33,760 --> 00:08:36,880 Speaker 6: Netflix debut should come as no surprise to. 186 00:08:36,880 --> 00:08:37,959 Speaker 4: Boy Meets World fans. 187 00:08:38,400 --> 00:08:41,520 Speaker 6: The show and the wonderful world of wrestling go back 188 00:08:41,679 --> 00:08:45,079 Speaker 6: like babies and pacifiers, from Vader to Jake the Snake, 189 00:08:45,160 --> 00:08:49,840 Speaker 6: Roberts to Brother Love to eventually Missus Foley's baby boy Mankind. 190 00:08:50,400 --> 00:08:52,679 Speaker 6: We had enough pro wrestling guest stars to book a 191 00:08:52,760 --> 00:08:55,839 Speaker 6: pretty impressive tag team match and the reason for this 192 00:08:56,040 --> 00:08:59,439 Speaker 6: unlikely marriage it's never been a secret to us, and 193 00:08:59,520 --> 00:09:02,319 Speaker 6: after we interviewed writer Mark Blutman back in season two 194 00:09:02,400 --> 00:09:05,240 Speaker 6: of the podcast We Let You In on That Secret Too, 195 00:09:05,880 --> 00:09:07,679 Speaker 6: And so now we have invited. 196 00:09:07,320 --> 00:09:10,160 Speaker 4: Back Crusher Comic to take another. 197 00:09:10,000 --> 00:09:12,720 Speaker 6: Look at an episode of his choosing and like hearing 198 00:09:12,880 --> 00:09:16,040 Speaker 6: the ominous gong from the beginning of Undertaker's theme. 199 00:09:16,000 --> 00:09:19,280 Speaker 4: Music, you know exactly what's gonna happen next. 200 00:09:19,960 --> 00:09:22,600 Speaker 6: It's one of the most fever dream scripts from the series, 201 00:09:22,640 --> 00:09:24,960 Speaker 6: with a group of cameos that could only be explained 202 00:09:25,000 --> 00:09:28,200 Speaker 6: as they called a bunch of people and filmed whoever 203 00:09:28,440 --> 00:09:32,720 Speaker 6: showed up. Hey, there's Robert Gulay. Is that Yasmine Bleith? 204 00:09:33,360 --> 00:09:35,760 Speaker 6: Does she know she's here? And I guess I was 205 00:09:35,800 --> 00:09:40,480 Speaker 6: there too, Adam Scott, Bully, Jocks Vader, body slamming Will, 206 00:09:40,840 --> 00:09:44,520 Speaker 6: Kelly Packard and Blake Senate in the singlet it has everything. 207 00:09:45,240 --> 00:09:47,679 Speaker 6: So it's time to welcome back the co writer of 208 00:09:47,800 --> 00:09:52,240 Speaker 6: this classic comedic romp. Watching season two episode twenty one, 209 00:09:52,679 --> 00:09:55,360 Speaker 6: Thrilla in Phila, it's Mark Blutman. 210 00:09:55,920 --> 00:10:01,000 Speaker 1: It's so weird to go back. Hey, hello, welcome. 211 00:10:01,800 --> 00:10:12,000 Speaker 5: Oh my gosh, it is always so cool. I'm here too, writer, Yeah, yeah, wow, 212 00:10:12,080 --> 00:10:14,520 Speaker 5: I'm like, who's the young intern exactly. 213 00:10:15,520 --> 00:10:18,400 Speaker 4: That's what we said. It's like having kid writers strong 214 00:10:18,480 --> 00:10:18,800 Speaker 4: with us. 215 00:10:19,240 --> 00:10:23,200 Speaker 5: We all we all go through these phases and stages 216 00:10:23,240 --> 00:10:31,160 Speaker 5: where we make change. Man, my thing was kind of organic. 217 00:10:31,320 --> 00:10:34,160 Speaker 5: I had like so few on my I was like 218 00:10:34,320 --> 00:10:38,079 Speaker 5: literally once in a restaurant and the next table like 219 00:10:38,160 --> 00:10:40,920 Speaker 5: a little kid with their parents is looking at me 220 00:10:41,160 --> 00:10:43,480 Speaker 5: doing this. I'm like, what, Oh, we're teaching them to 221 00:10:43,600 --> 00:10:48,480 Speaker 5: count with your hairs. I think it's time. 222 00:10:48,960 --> 00:10:50,800 Speaker 4: I think I can just get rid of it. 223 00:10:51,640 --> 00:10:56,880 Speaker 5: It's great. Everybody like, you guys are the best. This 224 00:10:57,080 --> 00:11:00,839 Speaker 5: is amazing. Congratulations what is this now? Like I remember 225 00:11:00,880 --> 00:11:02,840 Speaker 5: I was on one of the first, but you guys 226 00:11:02,960 --> 00:11:05,280 Speaker 5: must be at like one p fifty now somewhere. 227 00:11:05,480 --> 00:11:06,640 Speaker 4: How many episodes we've done? 228 00:11:07,360 --> 00:11:09,840 Speaker 5: No, think about it. Yeah, it's amazing. 229 00:11:10,600 --> 00:11:13,520 Speaker 2: Yeah, it's the episodes of this and we have a 230 00:11:13,559 --> 00:11:16,680 Speaker 2: Boy meets World. I think, yeah, you're probably at this point. 231 00:11:16,840 --> 00:11:17,760 Speaker 3: Yeah, we're at it. 232 00:11:17,920 --> 00:11:21,200 Speaker 5: I think we have. Yeah, let's syndicate this podcast. 233 00:11:21,600 --> 00:11:26,200 Speaker 6: Yeah, so Mark, before we jump into the episode, I'm 234 00:11:26,280 --> 00:11:28,800 Speaker 6: not sure if you have heard any of our get 235 00:11:28,960 --> 00:11:33,000 Speaker 6: Writer to wrestle Mania campaign, but we wanted to see 236 00:11:33,080 --> 00:11:35,800 Speaker 6: if you could give a little like small sales pitch 237 00:11:36,000 --> 00:11:39,640 Speaker 6: to writer about making a podcast trip to Vegas to 238 00:11:39,760 --> 00:11:42,800 Speaker 6: see the biggest night of them all in person. 239 00:11:43,880 --> 00:11:45,960 Speaker 5: Well, I'll do it as a wrestler. 240 00:11:46,400 --> 00:11:47,920 Speaker 4: Okay, a promo, give us a promo. 241 00:11:48,160 --> 00:11:52,840 Speaker 7: Yes, let me tell you something, mister Strong. It's about 242 00:11:52,960 --> 00:11:57,040 Speaker 7: time you got with the people. Everybody loves wrestling. You 243 00:11:57,520 --> 00:12:01,040 Speaker 7: started as a theater kid. There's no better feat then wrestling, 244 00:12:01,520 --> 00:12:08,320 Speaker 7: good versus evil, shield versus face, usually the face winning in. 245 00:12:08,400 --> 00:12:12,160 Speaker 5: The end because good will always triumph. It is the 246 00:12:12,320 --> 00:12:14,839 Speaker 5: finest story telling in the land. 247 00:12:15,200 --> 00:12:19,080 Speaker 7: It's about time got hip and got with your friends 248 00:12:19,200 --> 00:12:23,640 Speaker 7: Will and Danielle and made an appearance. And I guarantee 249 00:12:23,679 --> 00:12:26,920 Speaker 7: you no shape to you, mister Fredell, but they'll put 250 00:12:27,000 --> 00:12:28,320 Speaker 7: your name underneath your. 251 00:12:32,600 --> 00:12:33,040 Speaker 5: Thank you. 252 00:12:35,080 --> 00:12:36,600 Speaker 3: Competition between me and Will at. 253 00:12:36,559 --> 00:12:37,080 Speaker 5: The end there. 254 00:12:38,960 --> 00:12:42,920 Speaker 6: He saw that, saying it's the finest storytelling gotten and 255 00:12:43,040 --> 00:12:46,040 Speaker 6: then decided if I go for competition between you guys 256 00:12:46,760 --> 00:12:48,400 Speaker 6: guys right. 257 00:12:48,480 --> 00:12:50,800 Speaker 5: Just so Rider could flex for the rest of his 258 00:12:50,920 --> 00:12:52,960 Speaker 5: life going. I don't know, well they had my name 259 00:12:56,920 --> 00:12:58,719 Speaker 5: was it though? And I also, by the way I 260 00:12:58,840 --> 00:13:02,439 Speaker 5: heard the episode with Yeah, it was awesome and a 261 00:13:02,480 --> 00:13:05,360 Speaker 5: great episode. But for you Will, how was it like? 262 00:13:05,440 --> 00:13:07,959 Speaker 1: How amazing? Is truly amazing. I mean it was. 263 00:13:08,120 --> 00:13:13,160 Speaker 2: It was such high energy the because it's it's so 264 00:13:13,320 --> 00:13:16,920 Speaker 2: many different aspects that were incredible, from the storytelling to 265 00:13:17,160 --> 00:13:20,120 Speaker 2: the music, to just the fanfare, then to the athleticism 266 00:13:20,200 --> 00:13:22,480 Speaker 2: that you're watching go on. It was. 267 00:13:22,880 --> 00:13:25,400 Speaker 4: It was really fun. Yeah, he had a good fun 268 00:13:26,120 --> 00:13:29,400 Speaker 4: and I'm so looking and enjoyed it, which was this. 269 00:13:29,520 --> 00:13:32,640 Speaker 5: Is great, amazing And by the way, I saw her 270 00:13:32,800 --> 00:13:35,720 Speaker 5: on on Cameron they put her name under the awesome 271 00:13:36,280 --> 00:13:43,040 Speaker 5: mar Any of you see the Royal Rumble? 272 00:13:43,280 --> 00:13:45,199 Speaker 4: Oh yeah, I watched parts of the Royal Rumble. It 273 00:13:45,280 --> 00:13:47,040 Speaker 4: was it was pretty long, but we watched parts of it. 274 00:13:48,880 --> 00:13:51,360 Speaker 5: Good Speed took a bump, man, I mean that was 275 00:13:51,480 --> 00:13:52,160 Speaker 5: a that was. 276 00:13:52,200 --> 00:13:56,319 Speaker 4: An intense moment. I can't believe they hit him so hard, 277 00:13:56,800 --> 00:13:57,440 Speaker 4: so hard. 278 00:13:57,640 --> 00:13:59,800 Speaker 1: I'm like, I don't know, wow, but I love it. 279 00:14:00,280 --> 00:14:02,000 Speaker 5: Yeah, I'm like he didn't sell it. 280 00:14:02,200 --> 00:14:03,880 Speaker 1: He really was, He really did. 281 00:14:04,040 --> 00:14:05,520 Speaker 6: No, I know, there was no way of selling that. 282 00:14:05,760 --> 00:14:09,120 Speaker 6: I'm yeah, it was pretty crazy. There was a streamer 283 00:14:09,280 --> 00:14:13,280 Speaker 6: that jumped into the ring and took a hit. It 284 00:14:13,400 --> 00:14:15,760 Speaker 6: was pretty pretty crazy to watch. So Mark, you were 285 00:14:15,800 --> 00:14:18,679 Speaker 6: gracious enough to come back and have a more detailed 286 00:14:18,760 --> 00:14:21,880 Speaker 6: look at an episode of your choosing, and to no 287 00:14:22,040 --> 00:14:25,440 Speaker 6: one's surprised, you picked one of our two most famous 288 00:14:25,560 --> 00:14:28,480 Speaker 6: wrestling weeks, Thrilla and Phila. So we had you watch 289 00:14:28,520 --> 00:14:31,200 Speaker 6: it again now thirty years later. What were your feelings? 290 00:14:32,120 --> 00:14:36,920 Speaker 5: Honestly, I was somewhat horrified at first to like turn 291 00:14:37,040 --> 00:14:40,200 Speaker 5: it on and click it and all that stuff, because listen, 292 00:14:40,360 --> 00:14:43,000 Speaker 5: I get it, you know, and you guys do such 293 00:14:43,040 --> 00:14:47,200 Speaker 5: a graceful and in depth job looking at something from 294 00:14:47,320 --> 00:14:51,720 Speaker 5: thirty plus years abow, so there is context. I was horrified, 295 00:14:52,080 --> 00:14:57,000 Speaker 5: and I was pleasantly surprised. Great, great, and you know 296 00:14:57,200 --> 00:15:00,920 Speaker 5: just what made it so wonderful? Listen, it was ninety 297 00:15:01,000 --> 00:15:04,280 Speaker 5: three ninety four, and there's some things that I wish, 298 00:15:04,880 --> 00:15:07,440 Speaker 5: you know, maybe we didn't do, and we can get 299 00:15:07,480 --> 00:15:14,280 Speaker 5: to that, but everybody's performance was so much fun. Everybody 300 00:15:14,360 --> 00:15:19,600 Speaker 5: bought into it. You know, we weren't doing a serious 301 00:15:20,160 --> 00:15:23,880 Speaker 5: should to Panga go to Yale episode? Yea, it was 302 00:15:24,000 --> 00:15:26,600 Speaker 5: what it was. And I grew up on happy days. 303 00:15:27,200 --> 00:15:32,840 Speaker 5: And there were episodes that sometimes you know, we'll eventually 304 00:15:32,960 --> 00:15:33,720 Speaker 5: jump the shark. 305 00:15:33,880 --> 00:15:37,120 Speaker 1: Yeah, how about we want away? If not even jump 306 00:15:37,200 --> 00:15:37,480 Speaker 1: the shark. 307 00:15:37,600 --> 00:15:41,560 Speaker 2: This was more the Malatchie Crunch episode with pinky and 308 00:15:41,640 --> 00:15:45,960 Speaker 2: leather task. Yeah, so that's where this one was in 309 00:15:46,080 --> 00:15:48,200 Speaker 2: the in the television site geist, I think. 310 00:15:48,600 --> 00:15:50,960 Speaker 5: But it was always you know, and one of the 311 00:15:51,040 --> 00:15:54,800 Speaker 5: reasons why, you know, Howard and I had so much 312 00:15:54,840 --> 00:15:57,120 Speaker 5: success on the show is because we were able to 313 00:15:57,280 --> 00:16:01,880 Speaker 5: find those crazy story but always there was always a 314 00:16:01,960 --> 00:16:06,080 Speaker 5: little bit of heart. Yeah, you know, and at the 315 00:16:06,200 --> 00:16:08,240 Speaker 5: end of the day. Listen, I've said this before, maybe 316 00:16:08,320 --> 00:16:13,200 Speaker 5: said it on this pod. My biggest influence was John Hughes, 317 00:16:13,960 --> 00:16:18,000 Speaker 5: and John Hughes was all about coming of age. Right, 318 00:16:18,200 --> 00:16:21,760 Speaker 5: coming of age isn't just relationships between two people. It's 319 00:16:21,760 --> 00:16:27,720 Speaker 5: an individual's you know, journey to from childhood into adulthood. 320 00:16:28,320 --> 00:16:32,120 Speaker 5: But really it's all the mistakes along the way. Yeah. Sure, 321 00:16:32,240 --> 00:16:33,360 Speaker 5: that was Corey and Sean. 322 00:16:33,720 --> 00:16:37,360 Speaker 6: You know, this was your fifth episode of five in 323 00:16:37,480 --> 00:16:40,640 Speaker 6: your first season, so right out of the gate, writing 324 00:16:40,680 --> 00:16:43,120 Speaker 6: at a fevers pace, how long did it take you 325 00:16:43,920 --> 00:16:46,360 Speaker 6: to pitch your first wrestling storyline in the room? 326 00:16:47,320 --> 00:16:52,160 Speaker 5: You know, I think we had the story of Corey 327 00:16:52,400 --> 00:16:57,040 Speaker 5: wanting to become a jock, and then from there where 328 00:16:57,080 --> 00:17:00,600 Speaker 5: it evolved. It was a pretty interesting story and it's 329 00:17:00,680 --> 00:17:04,560 Speaker 5: been told many times by certain people, and and and 330 00:17:04,680 --> 00:17:08,639 Speaker 5: The accurate story is simply that we're sitting in the 331 00:17:08,800 --> 00:17:13,600 Speaker 5: room and we're saying, well, if the story is going 332 00:17:13,680 --> 00:17:16,720 Speaker 5: to take this direction and end up where Corey thinks 333 00:17:16,760 --> 00:17:20,720 Speaker 5: he's just going to do a collegiate wrestling story and 334 00:17:21,000 --> 00:17:25,840 Speaker 5: ends up in a professional wrestling match with all the 335 00:17:25,960 --> 00:17:29,680 Speaker 5: farts that goes with it, let's bring in a w 336 00:17:30,119 --> 00:17:34,000 Speaker 5: w F at the time. Yeah, wrestler. See that's by 337 00:17:34,040 --> 00:17:38,520 Speaker 5: the way, writer, when you go and meet people backstage, 338 00:17:38,960 --> 00:17:42,880 Speaker 5: don't say wrestler, say wrestler. That'll buy you street cred. 339 00:17:44,920 --> 00:17:47,320 Speaker 5: The it's old school wrestler. Wrestler. 340 00:17:47,359 --> 00:17:50,000 Speaker 1: But that's what needs is WWE street cred. 341 00:17:50,359 --> 00:17:52,560 Speaker 5: Yeah, that's what he's been looking for. 342 00:17:53,160 --> 00:17:56,520 Speaker 1: The wrestling name is the poet. It does not evoke 343 00:17:56,720 --> 00:17:58,040 Speaker 1: a lot of danger in the ring. 344 00:17:58,520 --> 00:18:01,440 Speaker 5: And by the way, you should say that back in 345 00:18:01,560 --> 00:18:06,240 Speaker 5: the day, Macho Man's real life brother was Lanny Poffo 346 00:18:06,720 --> 00:18:09,359 Speaker 5: that for about four years did a gimmick as the 347 00:18:09,520 --> 00:18:13,920 Speaker 5: poet laureate and he came into the ring, was introduced 348 00:18:13,960 --> 00:18:15,200 Speaker 5: and cited poetry. 349 00:18:15,400 --> 00:18:23,360 Speaker 1: Oh god, it's so awesome. 350 00:18:23,640 --> 00:18:25,960 Speaker 5: But anyway, so we're sitting in the room and I 351 00:18:26,119 --> 00:18:32,280 Speaker 5: said to Michael, we have an organic way to make 352 00:18:32,400 --> 00:18:37,000 Speaker 5: this work. Frankie's father, it makes sense that he has 353 00:18:37,040 --> 00:18:42,440 Speaker 5: a father that's a wrestler. Big dude, let's find a wrestler. 354 00:18:42,480 --> 00:18:45,960 Speaker 5: And there was an exec at Disney who has unfortunately 355 00:18:46,000 --> 00:18:48,720 Speaker 5: since passed away, but super nice guy he was on 356 00:18:48,840 --> 00:18:50,920 Speaker 5: the business side. His name was Mitch Ackerman. 357 00:18:51,320 --> 00:18:54,399 Speaker 1: Oh god, I remember Mitch right, long, black. 358 00:18:54,200 --> 00:18:57,240 Speaker 5: Hair, super super hip, and we were introduced to each 359 00:18:57,240 --> 00:19:00,399 Speaker 5: other and we would talk wrestling. In fact, there was 360 00:19:00,480 --> 00:19:04,359 Speaker 5: a famous match during a wrestle Mania that they called 361 00:19:04,440 --> 00:19:09,520 Speaker 5: the back Studio Lot Brawl, and it was gold Dust 362 00:19:09,560 --> 00:19:13,480 Speaker 5: against Roddy Piper and it was a huge, huge match 363 00:19:13,800 --> 00:19:18,119 Speaker 5: shown during Well Mitch had them pre taped the match 364 00:19:18,640 --> 00:19:23,600 Speaker 5: in the studio lot at Disney. So I went to 365 00:19:23,760 --> 00:19:26,200 Speaker 5: Mitch one day we got together for lunch. I said, 366 00:19:26,200 --> 00:19:29,440 Speaker 5: we want a wrestler on the show, and Mitch was 367 00:19:29,560 --> 00:19:34,160 Speaker 5: my introduction to the guys at WWF. I'm time. As 368 00:19:34,240 --> 00:19:38,240 Speaker 5: Danielle knows now, I have several friends who are wrestlers 369 00:19:38,320 --> 00:19:43,440 Speaker 5: with both WWE and ae W, and back then I 370 00:19:43,600 --> 00:19:45,480 Speaker 5: was just a fan. I've been a fan since I'm 371 00:19:45,520 --> 00:19:48,560 Speaker 5: six seven years old. Mitch said, I'll set up a call, 372 00:19:49,440 --> 00:19:52,200 Speaker 5: and he set up a call with myself and Bruce Pritchard, 373 00:19:52,200 --> 00:19:57,040 Speaker 5: who you guys had on Brother Love, Yes, who's one 374 00:19:57,080 --> 00:20:00,200 Speaker 5: of the brightest minds in the history of wrestling. He's 375 00:20:00,320 --> 00:20:05,120 Speaker 5: booked more great storylines and been on cameras great characters 376 00:20:05,200 --> 00:20:08,199 Speaker 5: and than almost anybody. You know. He's almost up there 377 00:20:08,240 --> 00:20:12,240 Speaker 5: with Hayman, who's a wrestling genius. But anyway, we started 378 00:20:12,280 --> 00:20:15,880 Speaker 5: throwing names out and once they said Vader, I went 379 00:20:16,080 --> 00:20:21,120 Speaker 5: on like, how does that not make sense to be Cranky, 380 00:20:21,440 --> 00:20:24,719 Speaker 5: zip Code, Stachinos, Pops, Yes, so much. 381 00:20:25,000 --> 00:20:26,920 Speaker 2: Can you remember any of the other names they threw 382 00:20:26,960 --> 00:20:29,639 Speaker 2: out to you at the as possible wrestlers? 383 00:20:29,880 --> 00:20:31,840 Speaker 5: Yeah, I mean they were throwing out all the top 384 00:20:31,960 --> 00:20:35,080 Speaker 5: stars then that you know, like Sean Michaels was big then, 385 00:20:35,200 --> 00:20:37,359 Speaker 5: and Jake Roberts, who we ended up using in the 386 00:20:37,440 --> 00:20:42,399 Speaker 5: episode anyway, Ted Dibiassi, the Million Dollar Man, all that, 387 00:20:42,680 --> 00:20:45,240 Speaker 5: but the only one that made sense. It was like 388 00:20:45,359 --> 00:20:49,840 Speaker 5: one of those things where the casting gods are like, yeah, 389 00:20:49,920 --> 00:20:52,960 Speaker 5: come on, it's asking god, this is it, this is it. 390 00:20:53,600 --> 00:20:54,720 Speaker 5: It just was perfect. 391 00:20:55,560 --> 00:20:55,720 Speaker 8: Well. 392 00:20:55,960 --> 00:20:59,920 Speaker 6: This episode also falls into the very small window that 393 00:21:00,200 --> 00:21:04,080 Speaker 6: is the Griff Hawkins era. What do you remember about 394 00:21:04,200 --> 00:21:07,480 Speaker 6: Adam Scott, who we think really shined and what is 395 00:21:07,680 --> 00:21:09,200 Speaker 6: kind of a tough acting predicament. 396 00:21:10,400 --> 00:21:12,760 Speaker 5: We all know the stuff. We all love Danny and 397 00:21:12,960 --> 00:21:16,200 Speaker 5: we all know the stuff you know that went on. 398 00:21:16,800 --> 00:21:20,480 Speaker 5: And I love Danny so much and his credity is 399 00:21:20,560 --> 00:21:26,280 Speaker 5: so open. Yeah, seeing his life and his journey. When 400 00:21:26,359 --> 00:21:30,119 Speaker 5: Adam Scott, you know, who was a relative unknown then 401 00:21:30,160 --> 00:21:32,720 Speaker 5: became available, I mean just at that table, we're like, 402 00:21:32,840 --> 00:21:34,399 Speaker 5: oh my gosh, this guy is magic. 403 00:21:34,720 --> 00:21:36,720 Speaker 1: Yeah, and you know it was. 404 00:21:37,160 --> 00:21:40,720 Speaker 5: He was what was great about the characters. He was 405 00:21:41,119 --> 00:21:46,639 Speaker 5: the anti Harley correct, Yeah, the exact he was. You know, 406 00:21:47,160 --> 00:21:51,600 Speaker 5: Harley was intimidation in very fifties, you know, happy Days, 407 00:21:51,680 --> 00:21:55,040 Speaker 5: Leather and Griff was all cerebral. 408 00:21:56,000 --> 00:21:59,480 Speaker 6: And was that an Adam Scott choice or was that 409 00:21:59,600 --> 00:22:02,160 Speaker 6: in the breakdown when you auditioned people. 410 00:22:02,240 --> 00:22:03,800 Speaker 4: Where did that distinction happen? 411 00:22:04,160 --> 00:22:08,040 Speaker 5: I'm pretty sure, again, you know, going back a fair 412 00:22:08,080 --> 00:22:10,880 Speaker 5: amount of time, but I'm pretty sure we set out 413 00:22:10,960 --> 00:22:13,879 Speaker 5: to create an opposite character, and then Adam brought so 414 00:22:14,040 --> 00:22:17,760 Speaker 5: much of his own to it. And again one of 415 00:22:17,840 --> 00:22:22,240 Speaker 5: those things where you know, first maybe not first table read, 416 00:22:22,280 --> 00:22:24,640 Speaker 5: but first run through, Like you know, we're back there 417 00:22:24,680 --> 00:22:28,200 Speaker 5: with our notes and scripts going, oh this kid's a star. Yeah, 418 00:22:28,720 --> 00:22:33,440 Speaker 5: you know, my only you know, and looking at the episode, 419 00:22:33,520 --> 00:22:40,040 Speaker 5: my only slightly cringe moment was the massage thing, having 420 00:22:40,119 --> 00:22:42,399 Speaker 5: the massage table. That was my only like, oh, I 421 00:22:42,520 --> 00:22:48,240 Speaker 5: wish you know, back then it was fine, you know whatever, 422 00:22:48,600 --> 00:22:53,360 Speaker 5: I guess, but now there's so many, you know, sexually 423 00:22:53,520 --> 00:22:57,200 Speaker 5: exploitive connotations with massage. I would have gone right to 424 00:22:57,280 --> 00:23:00,400 Speaker 5: the lobsters the boys coming back from the airport. That's 425 00:23:00,400 --> 00:23:03,439 Speaker 5: the only thing I maybe would change. But but Adam, 426 00:23:04,160 --> 00:23:08,440 Speaker 5: I mean, he just was magical and his storyline in 427 00:23:08,560 --> 00:23:12,560 Speaker 5: that episode, the fact that he had I'll use a 428 00:23:12,640 --> 00:23:15,680 Speaker 5: word that would have aptly fit back then, rolodex, that 429 00:23:15,800 --> 00:23:19,400 Speaker 5: his rolodex would have had both Bob Goulay and Yasmin 430 00:23:19,520 --> 00:23:21,640 Speaker 5: belief in it. Who never did the episode. 431 00:23:21,680 --> 00:23:24,720 Speaker 4: By the way, I know she wasn't there. 432 00:23:25,040 --> 00:23:27,680 Speaker 5: This is what people don't know in watching back the 433 00:23:27,760 --> 00:23:32,200 Speaker 5: episode when when she entered the gym, I was like, yeah, no, 434 00:23:32,359 --> 00:23:37,520 Speaker 5: even back in ninety four, AI was happy. I know. 435 00:23:37,720 --> 00:23:40,240 Speaker 6: We I've never seen that interview where she says or 436 00:23:40,240 --> 00:23:42,880 Speaker 6: I've never seen anything officially where she says she wasn't 437 00:23:43,400 --> 00:23:46,280 Speaker 6: on the show, but we've heard it, yeah. 438 00:23:46,720 --> 00:23:48,919 Speaker 5: Heard it, and I've heard it too, I've never actually 439 00:23:49,000 --> 00:23:49,320 Speaker 5: seen it. 440 00:23:49,520 --> 00:23:51,160 Speaker 4: Yeah, so maybe we need proof. 441 00:23:51,240 --> 00:23:53,159 Speaker 6: If you have a proof of her denying being on 442 00:23:53,200 --> 00:23:54,679 Speaker 6: Boy Meets World, please send it to us. 443 00:23:54,720 --> 00:23:55,119 Speaker 1: I'd love that. 444 00:23:55,200 --> 00:23:57,160 Speaker 4: Actually, it is a good story. 445 00:23:57,440 --> 00:24:01,360 Speaker 5: It's one step away from one of you, like we'll going. 446 00:24:01,480 --> 00:24:04,800 Speaker 5: I never did that show. I didn't. It was just 447 00:24:05,040 --> 00:24:08,560 Speaker 5: it was bizarre and the beauty what I think again 448 00:24:08,680 --> 00:24:11,400 Speaker 5: of that episode is part of our success and part 449 00:24:11,440 --> 00:24:14,640 Speaker 5: of why you guys are here, you know, thirty plus 450 00:24:14,760 --> 00:24:19,000 Speaker 5: years later and there's an audience loyal both new and old, 451 00:24:19,920 --> 00:24:23,440 Speaker 5: is because of the wide range of stories in episodes. 452 00:24:24,359 --> 00:24:27,040 Speaker 3: Yeah, you know, well it's so interesting to go back 453 00:24:27,080 --> 00:24:29,080 Speaker 3: to this one. You know now that we're like deep 454 00:24:29,160 --> 00:24:32,119 Speaker 3: in season well now we're not deep, like just started 455 00:24:32,160 --> 00:24:38,000 Speaker 3: season six, but like, uh, how much how many other 456 00:24:38,160 --> 00:24:40,560 Speaker 3: characters there are, like just the sheer amount of guest 457 00:24:40,600 --> 00:24:44,040 Speaker 3: stars and like storylines that have nothing to do with 458 00:24:44,600 --> 00:24:48,080 Speaker 3: Eric or Sean or Corey, even like Corey has like 459 00:24:48,160 --> 00:24:51,959 Speaker 3: his storyline, but his storyline involves so many other people. 460 00:24:52,119 --> 00:24:54,359 Speaker 3: It's like it's just not it's not something that we 461 00:24:54,920 --> 00:24:59,359 Speaker 3: did after season four really like basically season two and 462 00:24:59,480 --> 00:25:02,879 Speaker 3: three were we were still experimenting and handing off stuff. 463 00:25:03,040 --> 00:25:05,000 Speaker 3: And part of it has to do, I think with 464 00:25:05,080 --> 00:25:06,960 Speaker 3: the fact that we are in school so much like 465 00:25:07,760 --> 00:25:09,560 Speaker 3: you keep. You know, it's like the fact that, like 466 00:25:10,440 --> 00:25:13,520 Speaker 3: Ben and like Corey and Sean, even though we're like 467 00:25:13,600 --> 00:25:15,760 Speaker 3: the drivers of a sort, we actually have a small part. 468 00:25:15,840 --> 00:25:20,280 Speaker 3: There's still so many other actors taking over scenes and characters, 469 00:25:20,359 --> 00:25:23,199 Speaker 3: and it's like, right that part partly must have been 470 00:25:23,280 --> 00:25:25,840 Speaker 3: because they were over eighteen and you had. 471 00:25:25,800 --> 00:25:29,840 Speaker 5: More honestly, writer, yes, sometimes we would go, let's give 472 00:25:30,080 --> 00:25:33,160 Speaker 5: you know, David Combs or Wesley or whoever is time 473 00:25:34,600 --> 00:25:38,720 Speaker 5: like yeah, but more than that, and again there was 474 00:25:38,880 --> 00:25:42,680 Speaker 5: really a lot of Howard and I. We just thought, 475 00:25:43,359 --> 00:25:47,520 Speaker 5: like the Bed and Breakfast, like bringing these crazy people 476 00:25:47,760 --> 00:25:51,560 Speaker 5: and just it just we were a cout show. We 477 00:25:51,680 --> 00:25:54,960 Speaker 5: were not like Girl Meets World, which is a Disney 478 00:25:55,119 --> 00:25:59,080 Speaker 5: geared towards kids show. We were a family count show, right, 479 00:25:59,240 --> 00:26:01,800 Speaker 5: and so we wanted also to you know, make sure 480 00:26:01,840 --> 00:26:05,920 Speaker 5: the parents were enjoying the show. And that's why sometimes 481 00:26:06,000 --> 00:26:09,719 Speaker 5: we bring in these characters. But you know, in an 482 00:26:09,760 --> 00:26:13,119 Speaker 5: episode like that, there were still organic moments to who 483 00:26:13,160 --> 00:26:19,200 Speaker 5: everybody was. Will you as Eric were a loyal brother, sure, 484 00:26:19,600 --> 00:26:22,720 Speaker 5: and even when you just walked in because somebody sold 485 00:26:22,800 --> 00:26:24,680 Speaker 5: the ticket to see an idiot get beat. 486 00:26:24,600 --> 00:26:27,160 Speaker 1: Up, it's still discovered. 487 00:26:27,200 --> 00:26:29,159 Speaker 5: It was your brother you hop in the ring to 488 00:26:29,240 --> 00:26:33,720 Speaker 5: take on this behemoth. Yeah, you in that particular episode Rider, 489 00:26:34,119 --> 00:26:38,280 Speaker 5: strictly it was, you know, some comic relief. My favorite moment, 490 00:26:38,440 --> 00:26:41,680 Speaker 5: of course, is starting the match, ringing the bell, going 491 00:26:41,720 --> 00:26:42,080 Speaker 5: what does this? 492 00:26:42,280 --> 00:26:42,840 Speaker 1: What does this do? 493 00:26:43,359 --> 00:26:43,520 Speaker 5: Yeah? 494 00:26:43,560 --> 00:26:44,000 Speaker 1: That's great. 495 00:26:44,640 --> 00:26:47,800 Speaker 2: The thing I'm noticing more than ever now that we're, 496 00:26:48,000 --> 00:26:49,879 Speaker 2: like Wriders said, we just started season six and now 497 00:26:49,920 --> 00:26:52,000 Speaker 2: we're doing these throwback go backs. 498 00:26:52,040 --> 00:26:52,879 Speaker 1: What's the rhyme. 499 00:26:52,720 --> 00:26:54,320 Speaker 4: We're using behind rewind? 500 00:26:54,480 --> 00:26:56,560 Speaker 1: Thank you? Behind rewind episodes? 501 00:26:56,800 --> 00:26:59,800 Speaker 5: Shout out Blockbuster, they're out of business. 502 00:27:00,240 --> 00:27:03,480 Speaker 2: The first four seasons of Boy Mets World was four 503 00:27:03,560 --> 00:27:08,360 Speaker 2: different sitcoms. Yeah, I mean season one and season two 504 00:27:08,600 --> 00:27:12,280 Speaker 2: are two different sitcoms with the same cast. And so 505 00:27:12,680 --> 00:27:15,840 Speaker 2: the more I'm watching them now and then going back, 506 00:27:16,000 --> 00:27:18,040 Speaker 2: it's jarring to see how different. 507 00:27:18,440 --> 00:27:20,880 Speaker 1: Like you watch season two of Friends and season six 508 00:27:20,920 --> 00:27:23,000 Speaker 1: of Friends, they're kind of the same. 509 00:27:23,280 --> 00:27:23,760 Speaker 3: It's there. 510 00:27:23,880 --> 00:27:25,680 Speaker 1: The characters are similar. 511 00:27:25,760 --> 00:27:28,440 Speaker 2: They've grown a bit, maybe summer dating where others aren't, 512 00:27:28,480 --> 00:27:30,480 Speaker 2: but they're kind of the same. Show you go back 513 00:27:30,520 --> 00:27:32,200 Speaker 2: and you watch season one A Boy Mets World in 514 00:27:32,280 --> 00:27:34,639 Speaker 2: season five A Boy Mets World, it's two different shows. 515 00:27:35,080 --> 00:27:40,119 Speaker 5: Yeah, now, yes, And then you had the middle Howard 516 00:27:40,200 --> 00:27:42,440 Speaker 5: and I came on season two. We left in the 517 00:27:42,480 --> 00:27:43,520 Speaker 5: middle of season five. 518 00:27:44,280 --> 00:27:46,399 Speaker 1: Yeah, right right, So. 519 00:27:46,560 --> 00:27:53,359 Speaker 5: And there's a sensibility difference between Michael and us. Again, 520 00:27:54,560 --> 00:27:57,240 Speaker 5: Michael's a genius. He's brilliant at what he does. And 521 00:27:57,400 --> 00:28:00,680 Speaker 5: I learned a great deal. I'm I give Michael a 522 00:28:00,720 --> 00:28:02,840 Speaker 5: lot of credit and interviews. I'm as good as I 523 00:28:02,960 --> 00:28:06,200 Speaker 5: am working with young cast members on set with notes 524 00:28:06,560 --> 00:28:11,480 Speaker 5: because I watched him. Sure, I didn't yell, you know, 525 00:28:11,880 --> 00:28:15,200 Speaker 5: and I didn't become comfortable like I my style is 526 00:28:15,280 --> 00:28:18,600 Speaker 5: still my style. But I listened to him. He was 527 00:28:19,000 --> 00:28:24,399 Speaker 5: very good at getting wonderful performance in a very you know, 528 00:28:24,680 --> 00:28:28,000 Speaker 5: Michael came from theater and you know, studied theater he 529 00:28:28,080 --> 00:28:31,080 Speaker 5: loves and that's how he approached it. And so I 530 00:28:31,160 --> 00:28:37,840 Speaker 5: did learn a lot from from him. But yeah, it 531 00:28:37,960 --> 00:28:41,520 Speaker 5: was a different show in the middle. The one I 532 00:28:41,680 --> 00:28:46,040 Speaker 5: get the most, you know, constantly, is what happened to 533 00:28:46,040 --> 00:28:46,720 Speaker 5: Derek Eric. 534 00:28:46,880 --> 00:28:49,160 Speaker 1: Yeah, you get that a lot like Eric is different 535 00:28:49,720 --> 00:28:50,160 Speaker 1: than he was. 536 00:28:50,680 --> 00:28:52,800 Speaker 5: Partly Wilfredell's fault. 537 00:28:53,440 --> 00:28:56,000 Speaker 3: Yeah, I think that's true, and I'll tell you why. 538 00:28:57,200 --> 00:29:02,280 Speaker 5: Because you were a freaking comedically yeah, you were a 539 00:29:02,400 --> 00:29:04,320 Speaker 5: young Jim Carrey. I was the first to say it. 540 00:29:04,440 --> 00:29:06,560 Speaker 5: I said it one day. I don't remember the episode, 541 00:29:06,880 --> 00:29:09,640 Speaker 5: but after a run through, I said, this guy's a 542 00:29:09,680 --> 00:29:12,720 Speaker 5: young Jim Carrey. So we kept going. But the only 543 00:29:12,920 --> 00:29:18,720 Speaker 5: thing we made sure to justify your character is nobody 544 00:29:18,800 --> 00:29:19,920 Speaker 5: on the show had a bigger heart. 545 00:29:20,240 --> 00:29:22,920 Speaker 1: Yeah, yeah, yeah, Eric, that was always the same. 546 00:29:23,000 --> 00:29:25,680 Speaker 5: And we'd throw you in with Tommy, and we'd throw 547 00:29:25,720 --> 00:29:28,720 Speaker 5: you in with Bill in a scene, and and you 548 00:29:28,800 --> 00:29:32,360 Speaker 5: know you that's how we balanced it while we pushed 549 00:29:32,360 --> 00:29:35,760 Speaker 5: the envelope and you know yeah, I mean you know 550 00:29:36,000 --> 00:29:40,080 Speaker 5: you were investing in memorabilia played by Jeff Manel baggy 551 00:29:40,160 --> 00:29:42,160 Speaker 5: Bagwell of a guy who got hit in the head 552 00:29:42,200 --> 00:29:44,600 Speaker 5: by a pitch bagwell. 553 00:29:44,800 --> 00:29:48,840 Speaker 3: That see, like, for me going back watching this episode again, 554 00:29:50,000 --> 00:29:52,960 Speaker 3: it's it like, I know, first season and second season 555 00:29:53,000 --> 00:29:56,360 Speaker 3: are very different, but Corey's actually kind of the same 556 00:29:56,480 --> 00:29:58,840 Speaker 3: character as he was in the first season here in 557 00:29:58,960 --> 00:30:01,120 Speaker 3: a way that now Corey is not I don't know, 558 00:30:02,600 --> 00:30:05,720 Speaker 3: like this Cory who's sitting there going, you know, the 559 00:30:05,920 --> 00:30:07,680 Speaker 3: jocks and how do I get, you know, he's sort 560 00:30:07,720 --> 00:30:12,720 Speaker 3: of like this this Wise, like cracking wise, average guy 561 00:30:13,000 --> 00:30:15,400 Speaker 3: who just wants to be noticed and like stand out 562 00:30:15,440 --> 00:30:19,160 Speaker 3: for some reason. Get girls like that. By season the 563 00:30:19,280 --> 00:30:22,200 Speaker 3: end of season five, that Corey is so far gone 564 00:30:22,840 --> 00:30:24,280 Speaker 3: and like I miss him. 565 00:30:24,800 --> 00:30:27,520 Speaker 5: Watching again, I was like, let's be clear, which Cory 566 00:30:27,600 --> 00:30:28,000 Speaker 5: do you miss? 567 00:30:28,880 --> 00:30:33,520 Speaker 3: I miss the Wise cracking, like yeah, the Dennis the Menace, 568 00:30:33,760 --> 00:30:36,080 Speaker 3: sort of like I don't know what life is all about, 569 00:30:36,120 --> 00:30:38,560 Speaker 3: but I'm gonna. I know what I like and I 570 00:30:38,600 --> 00:30:39,480 Speaker 3: don't know where I fit in. 571 00:30:39,760 --> 00:30:45,280 Speaker 5: Like that was universal. John Hughes Storytellers totally, totally, totally. Again, 572 00:30:45,600 --> 00:30:49,040 Speaker 5: I'm not saying it because we left. He was an 573 00:30:49,120 --> 00:30:52,440 Speaker 5: angry dude in the Yes, that's the things a lot 574 00:30:52,480 --> 00:30:56,360 Speaker 5: of those episodes, and I there are episodes I've never seen, 575 00:30:56,480 --> 00:30:59,680 Speaker 5: and I get on the writing side, and David Kendall 576 00:30:59,720 --> 00:31:02,440 Speaker 5: says it all the time, there was no writer more 577 00:31:02,720 --> 00:31:06,360 Speaker 5: Boy Meets World than Bluntman. I lived and read that show. 578 00:31:06,480 --> 00:31:09,120 Speaker 5: I love that show. There are episodes I have not watched. 579 00:31:09,440 --> 00:31:12,479 Speaker 5: And again I'm not being it's very easy all these 580 00:31:12,560 --> 00:31:14,800 Speaker 5: years later to go I would have I'm not saying 581 00:31:14,800 --> 00:31:17,320 Speaker 5: I would have done better I'm saying I maybe would 582 00:31:17,320 --> 00:31:20,560 Speaker 5: have done different because the Corey I would see, like 583 00:31:20,720 --> 00:31:23,840 Speaker 5: you said, writer, he was just an angry guy, and 584 00:31:25,320 --> 00:31:28,120 Speaker 5: that was the guy that Tapanga wanted to, you know, 585 00:31:28,240 --> 00:31:31,240 Speaker 5: spend her life with, was a little I hope it's 586 00:31:31,240 --> 00:31:32,320 Speaker 5: okay that I'm saying this. 587 00:31:33,680 --> 00:31:35,520 Speaker 1: We've talked about the red flags. We've talked about the 588 00:31:35,560 --> 00:31:35,920 Speaker 1: red flags. 589 00:31:36,040 --> 00:31:39,000 Speaker 3: Well, I mean I think that it's it's it's there's 590 00:31:39,240 --> 00:31:42,280 Speaker 3: so much comedy that came out of Corey being sort 591 00:31:42,320 --> 00:31:46,560 Speaker 3: of neurotic and like anxious, and that ends up being 592 00:31:46,720 --> 00:31:49,360 Speaker 3: the source of a lot of his humor. And then 593 00:31:49,400 --> 00:31:52,720 Speaker 3: a lot of the drama comes from his his understanding 594 00:31:52,800 --> 00:31:55,080 Speaker 3: of the universe and his understanding of reality, and he 595 00:31:55,200 --> 00:31:58,120 Speaker 3: and to Panga and the struggles of that which becomes 596 00:31:58,200 --> 00:32:00,400 Speaker 3: kind of angry, whereas like back here, he has no 597 00:32:00,520 --> 00:32:03,080 Speaker 3: clue what's going on. And I feel like Corey from 598 00:32:03,120 --> 00:32:06,320 Speaker 3: week to week could find himself listening to Sean, listening 599 00:32:06,360 --> 00:32:09,160 Speaker 3: to Eric, listening to mister Feenie, listening to mister Turner, 600 00:32:09,320 --> 00:32:11,520 Speaker 3: and each one is going to spin him in a 601 00:32:11,560 --> 00:32:15,160 Speaker 3: completely different direction. And that is like way, It's just 602 00:32:15,240 --> 00:32:17,560 Speaker 3: more open, and it's kind of more fun. And I 603 00:32:17,640 --> 00:32:19,760 Speaker 3: miss that. Yeah, I miss that. Corey. 604 00:32:19,920 --> 00:32:22,160 Speaker 5: You know, you were the ultimate. You were the audience 605 00:32:22,240 --> 00:32:25,040 Speaker 5: surrogate in so many ways, the Sewan character. I mean, 606 00:32:25,160 --> 00:32:29,680 Speaker 5: you were the audience's window into this young innocent trying 607 00:32:30,080 --> 00:32:32,720 Speaker 5: his way. And then of course you had plenty of 608 00:32:32,800 --> 00:32:35,480 Speaker 5: moments where you were finding your way. But you again 609 00:32:36,000 --> 00:32:39,960 Speaker 5: street smart, you know. However you grew up. You were 610 00:32:40,040 --> 00:32:47,120 Speaker 5: a lot further advanced than Corey until you weren't right right, 611 00:32:48,600 --> 00:32:52,520 Speaker 5: But you know again, one of the cool things about 612 00:32:52,600 --> 00:32:56,560 Speaker 5: the Thriller in Phila, of course, named after the Thriller 613 00:32:56,680 --> 00:33:03,520 Speaker 5: in Manila in the seventies Muhammad Ali Joe Frazier. It 614 00:33:03,800 --> 00:33:08,200 Speaker 5: still talked about to this day so frequently, and when 615 00:33:08,240 --> 00:33:11,800 Speaker 5: I am backstage at a wrestling show, a young thirty 616 00:33:12,240 --> 00:33:15,920 Speaker 5: year old wrestler will say, oh, my favorite episode had 617 00:33:16,040 --> 00:33:20,760 Speaker 5: Vader on and all that, and when they you know, 618 00:33:20,880 --> 00:33:23,480 Speaker 5: he had passed away, but they inducted him into the 619 00:33:23,720 --> 00:33:28,360 Speaker 5: WWE Hall of Fame, and one of the clips was 620 00:33:28,440 --> 00:33:32,080 Speaker 5: from our show really that they showed in front of 621 00:33:32,160 --> 00:33:35,120 Speaker 5: thousands of people and on TV they you know, Invader's 622 00:33:35,160 --> 00:33:38,720 Speaker 5: induction of all his highlights there he has beaten Rick 623 00:33:38,840 --> 00:33:42,080 Speaker 5: Flair and fighting Hul Cogan and all these matches, and 624 00:33:42,160 --> 00:33:46,120 Speaker 5: there's the clip of him, you know, with all of 625 00:33:46,240 --> 00:33:50,560 Speaker 5: you guys. And you know, one of the things, I 626 00:33:50,600 --> 00:33:52,320 Speaker 5: don't know if you're going to ask me this, Danielle, 627 00:33:52,360 --> 00:33:55,960 Speaker 5: I know you you talk question about my single favorite 628 00:33:56,000 --> 00:33:58,640 Speaker 5: moment in that show, in that episode is okay? 629 00:33:58,720 --> 00:34:02,680 Speaker 4: I mean, go ahead, please, what's your favorite. 630 00:34:02,240 --> 00:34:04,200 Speaker 3: And most single favorite if you pick one. 631 00:34:04,240 --> 00:34:06,520 Speaker 4: You just had to pick one favorite moment from Thriller 632 00:34:06,560 --> 00:34:07,320 Speaker 4: in Fellow, what would it be? 633 00:34:07,440 --> 00:34:11,880 Speaker 5: Mark, I don't have to tell you. So it's so 634 00:34:12,200 --> 00:34:15,200 Speaker 5: simple and it's one of the greatest. Most if you 635 00:34:15,680 --> 00:34:19,120 Speaker 5: just steal a screenshot and send it out on the internet, 636 00:34:19,200 --> 00:34:20,920 Speaker 5: it goes crazy viral. People love it. 637 00:34:21,239 --> 00:34:25,760 Speaker 8: It's the fact that Bill Daniels William Daniels is acting 638 00:34:25,960 --> 00:34:31,440 Speaker 8: with Vader, yeah yeah, and jumping over the jump over. 639 00:34:31,360 --> 00:34:37,000 Speaker 5: The ropes and then going face to face. The guy 640 00:34:37,200 --> 00:34:39,799 Speaker 5: was in the Graduate. The guy was in seventeen seventy six. 641 00:34:39,960 --> 00:34:43,399 Speaker 5: The guy is one of you know, doctor Mark Craig 642 00:34:43,560 --> 00:34:45,720 Speaker 5: on sand The guy is one of the most accomplished 643 00:34:46,040 --> 00:34:50,000 Speaker 5: actors in the book world. And he's acting with Vader 644 00:34:51,760 --> 00:34:54,319 Speaker 5: to this behemoth wrestler and he went toe to toe 645 00:34:54,400 --> 00:34:59,120 Speaker 5: with him. And just the screenshot of Bill Daniels face 646 00:34:59,200 --> 00:34:59,880 Speaker 5: to face. 647 00:34:59,719 --> 00:35:03,000 Speaker 1: With for me is like the best. 648 00:35:03,360 --> 00:35:06,480 Speaker 5: I just look back on it so fondly, you know, 649 00:35:06,680 --> 00:35:09,120 Speaker 5: it just it makes me really really happy. 650 00:35:09,480 --> 00:35:12,719 Speaker 4: We also noticed there's a jock in the episode named Savage. 651 00:35:13,000 --> 00:35:15,200 Speaker 4: Was this a reference to Ben's last name? 652 00:35:15,560 --> 00:35:20,239 Speaker 5: Probably? Yeah, probably. And I'll tell you another person I'm 653 00:35:20,239 --> 00:35:22,959 Speaker 5: glad you're talking about the jocks and stuff that made 654 00:35:23,040 --> 00:35:25,240 Speaker 5: it work was Kelly Packard. 655 00:35:25,560 --> 00:35:26,479 Speaker 1: Oh, yes, she's great. 656 00:35:27,040 --> 00:35:30,759 Speaker 5: Most people would have, probably especially in the nineties, gone 657 00:35:30,880 --> 00:35:36,399 Speaker 5: with you know, trophy esque, not necessarily you know, maybe 658 00:35:36,880 --> 00:35:43,240 Speaker 5: stereotypical blonde or whatever. She was super smart and everything 659 00:35:43,320 --> 00:35:45,840 Speaker 5: she did was on her terms. She knew who she was, 660 00:35:46,160 --> 00:35:48,480 Speaker 5: and she knew what she wanted, and she played the 661 00:35:48,600 --> 00:35:51,280 Speaker 5: heck out of it. So shout out Kelly Packard because 662 00:35:51,360 --> 00:35:55,719 Speaker 5: she really really helped make that work and not fall 663 00:35:55,840 --> 00:35:58,759 Speaker 5: in these tropes and traps of the nineties. Yeah. 664 00:36:11,680 --> 00:36:13,080 Speaker 1: Now, I don't know if we talked about this the 665 00:36:13,160 --> 00:36:13,920 Speaker 1: last time you were here. 666 00:36:14,600 --> 00:36:18,440 Speaker 2: So Adam comes on, he's great, he kind of steals 667 00:36:18,480 --> 00:36:23,719 Speaker 2: the episode. He's wonderful. Why then, was all of a 668 00:36:23,760 --> 00:36:25,680 Speaker 2: sudden the bullies were kind of like, we're not gonna 669 00:36:25,680 --> 00:36:27,440 Speaker 2: We're not gonna go with the bullies anymore. It was 670 00:36:27,560 --> 00:36:29,440 Speaker 2: just like they were there and then they weren't. 671 00:36:30,320 --> 00:36:34,520 Speaker 5: Yeah, it's probably budget and stuff. It's okay, turn you know, 672 00:36:35,239 --> 00:36:39,480 Speaker 5: it's funny like sometimes I look at a company like 673 00:36:39,640 --> 00:36:43,799 Speaker 5: Disney and I'm like, I know what you're paying your CEOs. 674 00:36:44,000 --> 00:36:46,920 Speaker 5: Can we not have the thugs? Right? You know, you 675 00:36:47,000 --> 00:36:50,279 Speaker 5: got CEOs making twenty five thirty forty five million a year? 676 00:36:50,680 --> 00:36:53,399 Speaker 5: Can we have the thugs what they cost? 677 00:36:53,840 --> 00:36:53,880 Speaker 2: Like? 678 00:36:54,560 --> 00:36:59,040 Speaker 5: And it never made sense. And so you know, looking back, 679 00:36:59,200 --> 00:37:06,800 Speaker 5: simple regret's for me personally where Anthony for sure, even Alex, 680 00:37:06,920 --> 00:37:11,279 Speaker 5: but we never could service him he deserved, right, Yeah, 681 00:37:12,440 --> 00:37:15,800 Speaker 5: that was the problem and it was not intentional. It 682 00:37:16,000 --> 00:37:19,280 Speaker 5: was not you know, we just for whatever reason. Again, 683 00:37:19,320 --> 00:37:21,960 Speaker 5: as you guys all said, there were all of a sudden, 684 00:37:22,360 --> 00:37:24,080 Speaker 5: our world just kept expanding. 685 00:37:24,400 --> 00:37:28,200 Speaker 3: So you don't remember with Tony like any conversations about 686 00:37:28,280 --> 00:37:30,560 Speaker 3: oh now, we're definitely not bringing mister Turner back. 687 00:37:30,680 --> 00:37:33,480 Speaker 5: Like I mean, I just remember Michael coming down from 688 00:37:33,520 --> 00:37:36,760 Speaker 5: a meeting with the you know, was the suits going, 689 00:37:37,040 --> 00:37:41,600 Speaker 5: you know, no, like Tony's Tony's done just you know, 690 00:37:42,960 --> 00:37:46,800 Speaker 5: like he would to me, he was so important because 691 00:37:46,840 --> 00:37:50,520 Speaker 5: of that positive messaging of always walk with the motorcycle 692 00:37:50,600 --> 00:37:54,240 Speaker 5: helmet in case you fall. That's a very important message 693 00:37:54,280 --> 00:37:59,080 Speaker 5: for the kids. Always carry your out. Tony was great. 694 00:37:59,080 --> 00:38:00,560 Speaker 3: Always read your men too. 695 00:38:01,120 --> 00:38:03,400 Speaker 1: Yeah, because West Connecticut. 696 00:38:03,600 --> 00:38:05,239 Speaker 5: Because you don't know when it's going to be a 697 00:38:05,360 --> 00:38:07,520 Speaker 5: pop quiz on the comic book. 698 00:38:09,120 --> 00:38:11,400 Speaker 1: Recent over here, What's going on with you? 699 00:38:12,880 --> 00:38:16,640 Speaker 5: One of the reasons we had such success was because 700 00:38:16,719 --> 00:38:20,320 Speaker 5: you guys did create an off screen family and Tony 701 00:38:20,480 --> 00:38:22,880 Speaker 5: was a big part of that family, and seeing him 702 00:38:22,920 --> 00:38:26,400 Speaker 5: on set every day sucked. Yeah, And when I see him, like, 703 00:38:26,680 --> 00:38:31,200 Speaker 5: you know, a few months ago at Rider's place, we 704 00:38:31,320 --> 00:38:35,320 Speaker 5: did that little get together. We'll get together a party, 705 00:38:35,880 --> 00:38:36,719 Speaker 5: no no, no. 706 00:38:36,840 --> 00:38:37,280 Speaker 2: No kidding. 707 00:38:38,080 --> 00:38:39,319 Speaker 5: So many wrestlers there. 708 00:38:40,920 --> 00:38:42,080 Speaker 1: I was invited to. 709 00:38:42,760 --> 00:38:46,719 Speaker 5: I know you were, Although why was security told? I 710 00:38:46,800 --> 00:38:48,600 Speaker 5: don't out look at this guy. 711 00:38:50,360 --> 00:38:51,879 Speaker 1: Every time I go to Riders, I steal things. 712 00:38:51,920 --> 00:38:55,279 Speaker 5: It's fun seeing Tony there. I'm like, like, you know, 713 00:38:55,840 --> 00:38:59,200 Speaker 5: and it wasn't me, but you just feel a little 714 00:38:59,320 --> 00:39:02,879 Speaker 5: like remore going man. Of course, did you dirty? Yeah, yeah, 715 00:39:03,080 --> 00:39:05,960 Speaker 5: it's in some way or the network did you dirty? 716 00:39:06,120 --> 00:39:10,319 Speaker 5: Or the studio did. Like nobody could sit there and go, well, 717 00:39:10,360 --> 00:39:16,440 Speaker 5: he's not that good. Nobody can look at him and say, well, 718 00:39:16,600 --> 00:39:19,040 Speaker 5: he was a bad apple on the set and the 719 00:39:19,200 --> 00:39:23,800 Speaker 5: opposite he popped little out of golf Like, there's not 720 00:39:23,920 --> 00:39:25,800 Speaker 5: a bad word you could say about Tony and the 721 00:39:25,840 --> 00:39:28,640 Speaker 5: audience loved him. So what were what was that? And 722 00:39:28,760 --> 00:39:30,640 Speaker 5: as far as you know Ethan and. 723 00:39:31,160 --> 00:39:35,520 Speaker 1: And Blake and Danny, I you know it's all just budget. 724 00:39:35,600 --> 00:39:39,919 Speaker 5: Then it's budget. I mean you know they they would 725 00:39:39,920 --> 00:39:44,479 Speaker 5: have been great at the wedding. Yeah, yeah, And that's 726 00:39:44,680 --> 00:39:48,560 Speaker 5: what you do. You know, when you have these milestone 727 00:39:48,640 --> 00:39:52,480 Speaker 5: moments like we did on Girl, we had everybody there. 728 00:39:53,840 --> 00:39:57,279 Speaker 5: The audience loves that. Man, that's their gift. It's our 729 00:39:57,400 --> 00:40:01,600 Speaker 5: gift too, to be reunited. But when the audience sits 730 00:40:01,640 --> 00:40:04,759 Speaker 5: there and goes, oh, there's those guys from season three 731 00:40:04,840 --> 00:40:08,239 Speaker 5: and four who I love they're back. We owe our 732 00:40:08,280 --> 00:40:11,680 Speaker 5: audience those little gifts. Yeah, that was all part of 733 00:40:12,239 --> 00:40:15,320 Speaker 5: you know, television and Will as a historian, you know that, 734 00:40:15,719 --> 00:40:18,839 Speaker 5: I know, you know these moments of bringing characters back. 735 00:40:19,200 --> 00:40:22,120 Speaker 3: Do you remember when when Richie came back from from 736 00:40:22,320 --> 00:40:25,480 Speaker 3: unhappy days where you don't think he's going to be there, 737 00:40:25,520 --> 00:40:27,320 Speaker 3: and they go, I'm sorry, Richie couldn't come and he 738 00:40:27,560 --> 00:40:28,400 Speaker 3: runs in and goes. 739 00:40:28,320 --> 00:40:30,400 Speaker 1: Cause I was waiting for the cab and it's like, 740 00:40:30,520 --> 00:40:31,480 Speaker 1: oh my god, he's back. 741 00:40:31,600 --> 00:40:31,759 Speaker 5: Yeah. 742 00:40:31,800 --> 00:40:33,719 Speaker 1: These were huge moments in television. 743 00:40:33,800 --> 00:40:35,239 Speaker 5: Applause break, yep. 744 00:40:35,520 --> 00:40:38,719 Speaker 1: Yeah, absolutely, And now you. 745 00:40:38,800 --> 00:40:41,520 Speaker 5: Know, that kind of stuff is gone, and I do 746 00:40:41,800 --> 00:40:44,640 Speaker 5: think everything is cyclical, and I do think those kind 747 00:40:44,680 --> 00:40:46,440 Speaker 5: of things will come back. And they're all you know 748 00:40:46,560 --> 00:40:50,040 Speaker 5: some multi cams, Danielle, you know as you've directed, you know, 749 00:40:50,280 --> 00:40:54,000 Speaker 5: Tim Allen and all the other ones that they still work. 750 00:40:53,840 --> 00:40:55,400 Speaker 1: Don't they Yeah, yeah, they do. 751 00:40:55,600 --> 00:40:56,480 Speaker 4: The audience loves them. 752 00:40:56,480 --> 00:40:57,800 Speaker 6: I mean we have we're doing those in front of 753 00:40:57,800 --> 00:41:01,399 Speaker 6: a live studio audience and they're right along for every moment. 754 00:41:01,480 --> 00:41:06,600 Speaker 5: Yeah. Because and the disconnect I guess in the exacts 755 00:41:06,840 --> 00:41:11,440 Speaker 5: minds are that because of the Internet and social media, 756 00:41:12,560 --> 00:41:17,000 Speaker 5: there's no real boundary between fans and stars. They see 757 00:41:17,040 --> 00:41:20,799 Speaker 5: them every day online type thing. But you know, back 758 00:41:21,360 --> 00:41:26,040 Speaker 5: then when multiicam was so huge, when an audience got 759 00:41:26,120 --> 00:41:29,600 Speaker 5: to come in and sit there and see these people 760 00:41:29,840 --> 00:41:33,239 Speaker 5: up close and personal, that was magic for them. Yeah, 761 00:41:34,200 --> 00:41:36,840 Speaker 5: you know, but now it's a little different because everybody 762 00:41:36,920 --> 00:41:40,440 Speaker 5: feels like they know you guys because of the Internet 763 00:41:40,520 --> 00:41:41,359 Speaker 5: and social. 764 00:41:52,760 --> 00:41:54,080 Speaker 6: I was going to ask you why do you think 765 00:41:54,120 --> 00:41:58,839 Speaker 6: wrestlers make such good actors? From The Rock to Bautista 766 00:41:59,000 --> 00:42:01,680 Speaker 6: to John Cena, list goes on, what do you think 767 00:42:01,760 --> 00:42:03,080 Speaker 6: the correlation. 768 00:42:02,760 --> 00:42:08,239 Speaker 5: There is training? Every time they cut a promo, it's 769 00:42:08,280 --> 00:42:12,560 Speaker 5: an acting class. Yeah, and they weren't good. You know. 770 00:42:12,760 --> 00:42:16,759 Speaker 5: Andy Fickman, who is a director of producer I've been 771 00:42:16,800 --> 00:42:20,640 Speaker 5: friends with for a long time, started off The Rock 772 00:42:20,760 --> 00:42:24,279 Speaker 5: in a couple of his first movies and he you know, 773 00:42:24,640 --> 00:42:26,600 Speaker 5: The Rock was not The Rock back then. It was 774 00:42:26,719 --> 00:42:31,640 Speaker 5: like anything else. You know, you look back on your 775 00:42:31,719 --> 00:42:33,719 Speaker 5: early work, or even me as a writer, I look 776 00:42:33,760 --> 00:42:35,839 Speaker 5: back on my early work compared to my work now, 777 00:42:35,880 --> 00:42:38,000 Speaker 5: I'm like, there's a difference. So it's the same with 778 00:42:38,080 --> 00:42:42,080 Speaker 5: these guys, the big guys like Sina. By the way, 779 00:42:42,200 --> 00:42:44,760 Speaker 5: Sena has an incredible sense of comedic timing. 780 00:42:45,120 --> 00:42:46,680 Speaker 1: Oh yeah, yeah he does. 781 00:42:47,080 --> 00:42:50,759 Speaker 5: He's a funny dude. He is you know, Batista's who 782 00:42:50,840 --> 00:42:53,560 Speaker 5: he is, and The Rock is an action figure come 783 00:42:53,640 --> 00:42:57,000 Speaker 5: to life. But I think it's cutting their teeth on 784 00:42:57,120 --> 00:43:01,480 Speaker 5: those promos day in day out, grabbing that mic and 785 00:43:01,600 --> 00:43:05,759 Speaker 5: looking somebody in the eye and then looking into the 786 00:43:05,800 --> 00:43:09,000 Speaker 5: eyes of the audience. Millions and millions of people and 787 00:43:09,120 --> 00:43:12,600 Speaker 5: connecting with them. Yep, what what a better I mean, 788 00:43:12,719 --> 00:43:14,680 Speaker 5: I couldn't think of a better acting class. So that 789 00:43:14,719 --> 00:43:15,800 Speaker 5: would be my answer to that. 790 00:43:16,320 --> 00:43:20,120 Speaker 6: If you had to pick another wrestler, someone currently competing 791 00:43:20,200 --> 00:43:23,279 Speaker 6: in the modern day, to appear on Boy Meets World, Now, 792 00:43:23,480 --> 00:43:24,480 Speaker 6: who would. 793 00:43:24,239 --> 00:43:27,879 Speaker 5: You Pick's Live Morgan? Oh yeah, oh yeah, it's It's 794 00:43:27,920 --> 00:43:33,560 Speaker 5: absolutely live. I'll tell you it's funny. I mostly am, 795 00:43:35,280 --> 00:43:38,640 Speaker 5: you know, very like. My favorite wrestlers now are all 796 00:43:38,880 --> 00:43:42,680 Speaker 5: on the female side. I love britt as we've talked about. Danielle. 797 00:43:43,040 --> 00:43:44,120 Speaker 3: Yeah, I love. 798 00:43:45,680 --> 00:43:49,080 Speaker 5: Mariah May you know, she's playing that sultry character and 799 00:43:49,200 --> 00:43:53,400 Speaker 5: she plays the heck out of it Tony Storm. But 800 00:43:53,680 --> 00:43:56,759 Speaker 5: for me, it's Live because if we're doing coming of 801 00:43:56,920 --> 00:44:02,759 Speaker 5: age stories, Live is the girl next stoor that everybody, 802 00:44:03,920 --> 00:44:08,160 Speaker 5: every boy, every girl is going to fall for. She's 803 00:44:08,360 --> 00:44:14,719 Speaker 5: so likable, so accessible, she has such you know, and 804 00:44:15,200 --> 00:44:19,000 Speaker 5: any era kind of look. You can put her in 805 00:44:19,080 --> 00:44:21,160 Speaker 5: the fifties and buy it, you can put her in the. 806 00:44:21,560 --> 00:44:26,759 Speaker 1: So she's she's of the wrestling room absolutely. 807 00:44:27,280 --> 00:44:32,200 Speaker 5: And to further, you know, give Danielle her flowers. She 808 00:44:32,360 --> 00:44:37,800 Speaker 5: has this incredibly larger than life, bubbly personality and you 809 00:44:37,920 --> 00:44:41,040 Speaker 5: just want to hang out with her. You just want 810 00:44:41,160 --> 00:44:47,840 Speaker 5: to sew twelve thirteen fourteen year old Live Morgan or 811 00:44:48,280 --> 00:44:53,040 Speaker 5: sixteen for aar Matthews, you know whatever. All you guys 812 00:44:53,080 --> 00:44:57,759 Speaker 5: would want to know this person, be this person. I 813 00:44:57,880 --> 00:45:00,400 Speaker 5: think her likability meter is off the charts. 814 00:45:01,200 --> 00:45:04,319 Speaker 3: All right, I'm gonna ask you another hypothetical. It's season five, 815 00:45:04,400 --> 00:45:08,600 Speaker 3: A Boy Meets World. You're working on it. You now 816 00:45:09,040 --> 00:45:12,600 Speaker 3: take complete creative control season five onward? 817 00:45:12,840 --> 00:45:15,520 Speaker 5: What do you do? What would you do? So that's 818 00:45:15,560 --> 00:45:20,840 Speaker 5: a great question. Now, I I think we left halfway 819 00:45:20,920 --> 00:45:21,720 Speaker 5: through the season. 820 00:45:22,040 --> 00:45:24,600 Speaker 3: I think you guys left during the ski Lodge episode 821 00:45:24,640 --> 00:45:27,400 Speaker 3: if I read correct, right, so right around there, so 822 00:45:27,640 --> 00:45:32,919 Speaker 3: right around Corey Tapanga. We're not definitely getting married, we don't. Yeah, 823 00:45:33,000 --> 00:45:36,759 Speaker 3: So so here this is these are real com I 824 00:45:36,880 --> 00:45:37,600 Speaker 3: love this question. 825 00:45:37,760 --> 00:45:41,560 Speaker 5: This is amazing, right because, like I think I was 826 00:45:41,680 --> 00:45:44,440 Speaker 5: more careful the first time I was on, but now 827 00:45:44,560 --> 00:45:50,600 Speaker 5: it's like, you guys are all established. I had conversations 828 00:45:50,640 --> 00:45:52,800 Speaker 5: in the room with all of us and Michael. I 829 00:45:53,040 --> 00:45:55,719 Speaker 5: did not support them getting married. I did not. 830 00:45:56,520 --> 00:45:56,960 Speaker 1: I did not. 831 00:45:57,800 --> 00:46:01,160 Speaker 5: I just didn't think it was speaking to the generation 832 00:46:01,520 --> 00:46:06,560 Speaker 5: of where we were going. If in the other direction, sure, right. 833 00:46:06,719 --> 00:46:11,040 Speaker 5: You know my mom was twenty Yeah, my dad twenty 834 00:46:11,160 --> 00:46:14,680 Speaker 5: five when they got married. They stayed another sixty five years. 835 00:46:15,920 --> 00:46:18,879 Speaker 3: But even that would have been two years after season five. Yeah, 836 00:46:19,600 --> 00:46:21,040 Speaker 3: I mean that's what I mean, Like you're talking that 837 00:46:21,160 --> 00:46:24,720 Speaker 3: even that young, get getting married young still doesn't necessarily 838 00:46:24,760 --> 00:46:25,280 Speaker 3: mean eighteen. 839 00:46:25,440 --> 00:46:30,279 Speaker 5: So and again it's Michael show and his belief of 840 00:46:30,480 --> 00:46:36,160 Speaker 5: love and even in his own personal you know, journey 841 00:46:37,400 --> 00:46:41,040 Speaker 5: with his wonderful wife. They have hiccups along the way, but. 842 00:46:41,120 --> 00:46:45,000 Speaker 3: That was your one of your driving creative things. Should 843 00:46:45,040 --> 00:46:49,640 Speaker 3: not have Corey Tapanga like destined forever it should be, 844 00:46:49,920 --> 00:46:52,000 Speaker 3: But you wanted to Panga still be on the show. 845 00:46:52,280 --> 00:46:53,200 Speaker 3: You just wanted it to be. 846 00:46:53,719 --> 00:46:55,239 Speaker 4: If you want to try to kick me off the show, 847 00:46:55,360 --> 00:46:56,000 Speaker 4: or did you. 848 00:46:56,000 --> 00:46:58,640 Speaker 3: Get I get rid of that Danielle fishery my dog? 849 00:47:00,160 --> 00:47:05,880 Speaker 5: Oh of course I think that my reality. You know, Michael, 850 00:47:06,120 --> 00:47:09,680 Speaker 5: once he got you guys together, he knew he wanted 851 00:47:09,719 --> 00:47:13,160 Speaker 5: to marry you guys. He believed in destiny, he believed 852 00:47:13,200 --> 00:47:18,560 Speaker 5: in one love, he believed in all that stuff. I didn't. 853 00:47:19,120 --> 00:47:23,440 Speaker 5: And again, as forward thinking, and I don't know what 854 00:47:23,520 --> 00:47:25,400 Speaker 5: am I four years younger than Michael? I don't know 855 00:47:25,440 --> 00:47:30,439 Speaker 5: those five years whatever. I was the baby in the room. 856 00:47:30,960 --> 00:47:34,200 Speaker 5: But I just saw where we were going, and you know, 857 00:47:34,360 --> 00:47:39,960 Speaker 5: as society and I even with my own kids, Kristin 858 00:47:40,000 --> 00:47:43,239 Speaker 5: and I and we've been divorced for ten plus years now, 859 00:47:43,320 --> 00:47:46,480 Speaker 5: but you know, back when I was a kid, and 860 00:47:46,680 --> 00:47:50,640 Speaker 5: Michael has a very you know, maybe has a more idealistic, 861 00:47:50,719 --> 00:47:53,680 Speaker 5: old fashioned way because of how he grew up. Like 862 00:47:54,600 --> 00:47:58,120 Speaker 5: there were I didn't with our kids. We didn't say 863 00:47:58,440 --> 00:48:01,080 Speaker 5: at seventeen, you have to know what you want to 864 00:48:01,160 --> 00:48:03,520 Speaker 5: do for the rest of your life. You're going to 865 00:48:03,640 --> 00:48:07,479 Speaker 5: college to study that, then you will get a job 866 00:48:07,760 --> 00:48:09,920 Speaker 5: in that. We didn't raise our kids like that. That's 867 00:48:09,960 --> 00:48:14,120 Speaker 5: how I was raised. So for me also again nothing wrong, 868 00:48:14,239 --> 00:48:19,280 Speaker 5: I want to be very clear, nothing wrong with according 869 00:48:19,320 --> 00:48:23,000 Speaker 5: to pet getting married. That was Michael's wish and he 870 00:48:23,360 --> 00:48:26,279 Speaker 5: executed it. And I would say, what would you say, 871 00:48:26,719 --> 00:48:29,439 Speaker 5: more than half the fan base supports it, right, Yeah, 872 00:48:30,160 --> 00:48:30,440 Speaker 5: I don't know. 873 00:48:30,719 --> 00:48:32,840 Speaker 1: Yeah, they did a vote back in the day of 874 00:48:32,880 --> 00:48:34,719 Speaker 1: should they or shouldn't they? And should they want? 875 00:48:34,840 --> 00:48:35,040 Speaker 5: Yeah? 876 00:48:35,120 --> 00:48:36,800 Speaker 1: So yeah, they asked the audience. 877 00:48:36,880 --> 00:48:40,839 Speaker 5: Yeah, and that's great. And but I I I again 878 00:48:41,080 --> 00:48:45,360 Speaker 5: saw moving a different way, less pressure on kids to 879 00:48:45,640 --> 00:48:48,080 Speaker 5: know what they want to do less pressure on kids 880 00:48:48,200 --> 00:48:52,720 Speaker 5: to have to declare their profession when they leave freaking 881 00:48:52,840 --> 00:48:58,320 Speaker 5: high school. And that's you know, also and the marriage 882 00:48:58,360 --> 00:49:00,759 Speaker 5: thing aside. Now I'm talking about the kids, and back 883 00:49:00,800 --> 00:49:03,520 Speaker 5: in the day, the pressure, I think that's also partly 884 00:49:04,480 --> 00:49:06,400 Speaker 5: a root of a lot of mental health issues in 885 00:49:06,520 --> 00:49:09,800 Speaker 5: young people. It was that incredible pressure at seventeen eighteen 886 00:49:09,880 --> 00:49:12,480 Speaker 5: years old to know what the heck you're doing for 887 00:49:12,560 --> 00:49:13,359 Speaker 5: the rest of your life. 888 00:49:14,000 --> 00:49:17,080 Speaker 3: So that's interesting. So you're actually taking what I think 889 00:49:17,200 --> 00:49:20,680 Speaker 3: is a very specific example like the Cory Tapanga love 890 00:49:20,800 --> 00:49:23,520 Speaker 3: destiny marriage thing, but you're expanding it to all of 891 00:49:23,560 --> 00:49:25,439 Speaker 3: our characters in a way, and all of our world, 892 00:49:25,600 --> 00:49:29,720 Speaker 3: like the Boy Meets World world got very set season 893 00:49:29,800 --> 00:49:32,160 Speaker 3: five onward as far as like these characters are these 894 00:49:32,239 --> 00:49:34,600 Speaker 3: type of people doing this type of thing, and you're 895 00:49:34,640 --> 00:49:38,160 Speaker 3: advocating for more of a sort of general openness about 896 00:49:38,160 --> 00:49:41,359 Speaker 3: where yeah, growth like keeping basically we kind of came 897 00:49:41,440 --> 00:49:44,200 Speaker 3: of age by season five and then just played out 898 00:49:44,239 --> 00:49:46,520 Speaker 3: as those characters as opposed to keeping it. 899 00:49:46,800 --> 00:49:50,160 Speaker 5: Yeah, and what's the reality. You know, I'm sixty four 900 00:49:50,239 --> 00:49:54,080 Speaker 5: years old. I'm not done learning, right, I'm not done changing, 901 00:49:54,200 --> 00:49:58,800 Speaker 5: I'm not done rediscovering things that make me truly happy 902 00:49:59,680 --> 00:50:06,279 Speaker 5: and experiencing those things. So in my view, I just 903 00:50:06,400 --> 00:50:10,759 Speaker 5: think that you know, we all as humans continue to grow, 904 00:50:10,960 --> 00:50:15,160 Speaker 5: continue to evolve, continue to make we are never done 905 00:50:15,320 --> 00:50:19,439 Speaker 5: coming of age. And that's the truth. We're never done 906 00:50:19,520 --> 00:50:22,960 Speaker 5: coming of age. You know there are, which is why 907 00:50:23,360 --> 00:50:25,359 Speaker 5: like movies like The Big Chill back in the day, 908 00:50:25,360 --> 00:50:28,400 Speaker 5: I loved it was a bunch of adults coming of age. 909 00:50:28,560 --> 00:50:30,959 Speaker 1: Right, you know, around the death of a dear friend 910 00:50:31,920 --> 00:50:32,839 Speaker 1: Kevin Costner's arm. 911 00:50:35,320 --> 00:50:39,920 Speaker 4: I want to ask you about my yearbook quote in 912 00:50:40,000 --> 00:50:44,719 Speaker 4: the episode. Are you familiar with the gestalt prayer? A 913 00:50:44,800 --> 00:50:46,320 Speaker 4: gestalt prayer? Have you ever heard of that? 914 00:50:49,000 --> 00:50:52,719 Speaker 5: No? Okay, but I'm laughing because obviously you know I 915 00:50:54,239 --> 00:50:57,040 Speaker 5: that's not me, not from you, I know. I mean, 916 00:50:57,160 --> 00:51:00,239 Speaker 5: you guys know me well enough to know Bluckman not 917 00:51:00,400 --> 00:51:05,320 Speaker 5: going beautiful. 918 00:51:05,480 --> 00:51:07,920 Speaker 4: So the official quote from Tapanga is I do my 919 00:51:08,040 --> 00:51:09,040 Speaker 4: thing and you do your thing. 920 00:51:09,239 --> 00:51:09,680 Speaker 5: I am you. 921 00:51:10,960 --> 00:51:11,960 Speaker 4: I am I, and you are you. 922 00:51:12,239 --> 00:51:14,520 Speaker 6: If in the end we end up together, it's beautiful. 923 00:51:14,719 --> 00:51:19,080 Speaker 6: And I never knew where that came from or had 924 00:51:19,120 --> 00:51:21,520 Speaker 6: never just thought it was from our show. And then 925 00:51:21,960 --> 00:51:26,320 Speaker 6: a very smart listener revealed that it's actually from something 926 00:51:26,440 --> 00:51:28,200 Speaker 6: called a Gestalt prayer. 927 00:51:29,239 --> 00:51:32,200 Speaker 4: More like, is it like, let me pull up the 928 00:51:34,239 --> 00:51:35,879 Speaker 4: official Gestalt prayer because it's. 929 00:51:35,880 --> 00:51:38,680 Speaker 5: The way you look for writer, you can use that 930 00:51:38,960 --> 00:51:40,720 Speaker 5: with your poet wrestling character. 931 00:51:41,200 --> 00:51:45,799 Speaker 4: Yeah, Gstal Prayer by Fritz Pearls. I do my thing 932 00:51:45,840 --> 00:51:46,640 Speaker 4: and you do your thing. 933 00:51:46,840 --> 00:51:49,239 Speaker 6: I am not in this world to live up to 934 00:51:49,360 --> 00:51:52,239 Speaker 6: your expectations and you are not in this world to 935 00:51:52,360 --> 00:51:53,200 Speaker 6: live up to mine. 936 00:51:53,560 --> 00:51:55,600 Speaker 4: Go to you are you and I am I? And 937 00:51:55,719 --> 00:51:58,560 Speaker 4: if by chance we find each other, it's beautiful. 938 00:51:59,160 --> 00:52:00,759 Speaker 3: If not, don't have to get married. 939 00:52:00,880 --> 00:52:02,240 Speaker 4: It can't be helped. 940 00:52:03,120 --> 00:52:09,920 Speaker 3: Yes, so healthy watching this episode when we have that moment, Danielle, Like, 941 00:52:10,000 --> 00:52:11,719 Speaker 3: I know we talked about the first time when when 942 00:52:11,920 --> 00:52:14,719 Speaker 3: when Corey and when Sean and Topanga have the moment 943 00:52:14,800 --> 00:52:18,000 Speaker 3: at Chubby's where he's like, oh, you like him? It 944 00:52:18,160 --> 00:52:23,040 Speaker 3: is so fun because it's like, oh, they're discovering Corey 945 00:52:23,320 --> 00:52:28,600 Speaker 3: and Topanga, they're discovering this relationship and there's there's energy there, 946 00:52:28,640 --> 00:52:30,799 Speaker 3: and there's like real energy between the two of us. 947 00:52:30,880 --> 00:52:34,120 Speaker 3: And then the ending where you read this beautiful quote 948 00:52:34,880 --> 00:52:36,920 Speaker 3: also has energy. It's like, oh my god, there's the 949 00:52:37,000 --> 00:52:40,120 Speaker 3: potential and I just I miss that I missed the 950 00:52:40,320 --> 00:52:43,960 Speaker 3: like potential to be something. 951 00:52:43,760 --> 00:52:49,880 Speaker 6: And potential and unknowing and mystery and evolution for destiny 952 00:52:50,239 --> 00:52:51,960 Speaker 6: gotta be let's get it. 953 00:52:52,000 --> 00:52:54,200 Speaker 1: Doesn't matter that it's toxic stage. 954 00:52:55,760 --> 00:53:01,759 Speaker 5: Like what was being shown on camera with both of you, 955 00:53:02,520 --> 00:53:07,200 Speaker 5: I know, run away, make every viewer who is married go. 956 00:53:07,800 --> 00:53:13,920 Speaker 5: I think we should maybe rethink this. If we're gonna 957 00:53:14,080 --> 00:53:19,319 Speaker 5: espouse destiny and one true love, there should have been 958 00:53:19,440 --> 00:53:21,960 Speaker 5: a little the balance should have been a little more magic, 959 00:53:22,640 --> 00:53:26,520 Speaker 5: right and angry Cory, who is basically telling the world 960 00:53:26,640 --> 00:53:30,719 Speaker 5: and you, I don't really want this, right, I don't 961 00:53:30,760 --> 00:53:31,480 Speaker 5: know again. 962 00:53:31,520 --> 00:53:34,520 Speaker 3: Life is supposed to be miserable. Yeah, you can stay miserable. 963 00:53:36,280 --> 00:53:39,560 Speaker 4: Wonderful things, women throwing yourselves themselves. 964 00:53:40,239 --> 00:53:42,680 Speaker 1: It's just a world of temptation because you're Corey. 965 00:53:43,280 --> 00:53:45,239 Speaker 2: You're the kid who just wants to be someone but 966 00:53:45,360 --> 00:53:48,359 Speaker 2: is also somehow the most popular kid that's ever walked 967 00:53:48,440 --> 00:53:52,640 Speaker 2: the hallways of John Adamson and backge. 968 00:53:51,840 --> 00:53:58,560 Speaker 5: My parents, my parents' generation and before. How many people 969 00:53:59,360 --> 00:54:02,800 Speaker 5: got married and had kids because that's what you do. 970 00:54:03,200 --> 00:54:05,040 Speaker 2: Yep, of course, that's what you're supposed to do, and 971 00:54:05,160 --> 00:54:08,480 Speaker 2: stayed in pretty unhealthy marriages. A lot of them, not everyone, 972 00:54:08,520 --> 00:54:11,600 Speaker 2: of course, but some unhealthy marriages because you just this 973 00:54:11,800 --> 00:54:11,920 Speaker 2: is it. 974 00:54:12,120 --> 00:54:13,960 Speaker 1: You're married now? Yeah, write it out. 975 00:54:14,040 --> 00:54:18,239 Speaker 3: So, speaking of unhealthy marriages, we found must Gang. No, 976 00:54:19,920 --> 00:54:24,680 Speaker 3: we recently interviewed your writing partner, Howard Busgang. The episode 977 00:54:24,760 --> 00:54:27,080 Speaker 3: has not aired yet, but we did talk to him, 978 00:54:27,239 --> 00:54:29,800 Speaker 3: and one of the things that was so interesting is 979 00:54:29,840 --> 00:54:31,799 Speaker 3: like we didn't actually talk to him that much back 980 00:54:31,840 --> 00:54:34,759 Speaker 3: in the day, Like he was so much more subdued 981 00:54:35,040 --> 00:54:38,800 Speaker 3: and like behind the scenes than you, because like you 982 00:54:38,840 --> 00:54:39,840 Speaker 3: would just hang. 983 00:54:39,680 --> 00:54:40,080 Speaker 5: Out with us. 984 00:54:40,600 --> 00:54:43,360 Speaker 3: You're always talking to me. Yeah, we talk about music, 985 00:54:43,440 --> 00:54:46,759 Speaker 3: we talk about movies, like everything, whereas with bus Gang 986 00:54:46,840 --> 00:54:49,400 Speaker 3: we didn't get So tell us about that relationship. What 987 00:54:49,480 --> 00:54:51,440 Speaker 3: was it like working with him? What was the dynamic? 988 00:54:51,560 --> 00:54:54,680 Speaker 3: How did because you were much more present to us, 989 00:54:55,040 --> 00:54:57,960 Speaker 3: but talking to him, he's hysterical. We know that he 990 00:54:58,120 --> 00:55:01,640 Speaker 3: must have brought so much the to the relationship and 991 00:55:01,680 --> 00:55:03,840 Speaker 3: to the writing. So how did that work out for you? 992 00:55:05,360 --> 00:55:09,000 Speaker 5: Great question? Did not know that it would be asked, 993 00:55:09,760 --> 00:55:12,799 Speaker 5: but it so. Howard and I know each other since 994 00:55:12,920 --> 00:55:14,080 Speaker 5: nineteen seventy nine. 995 00:55:14,560 --> 00:55:17,080 Speaker 3: Oh wow, we grew up. 996 00:55:18,960 --> 00:55:24,160 Speaker 5: Two streets away from each other, two streets and are. 997 00:55:24,040 --> 00:55:26,640 Speaker 1: You proud Americans, so we can continue talking with you. 998 00:55:26,640 --> 00:55:28,840 Speaker 5: You grew up well, I was born in Jersey, so 999 00:55:29,960 --> 00:55:33,160 Speaker 5: I'm an actual American. I'm not a Canadian who was 1000 00:55:33,440 --> 00:55:37,359 Speaker 5: hoping that my country gets swallowed up by lords right 1001 00:55:38,160 --> 00:55:41,479 Speaker 5: in the Ultimate pac Man walka waka waka waka. 1002 00:55:44,080 --> 00:55:46,279 Speaker 3: No, let's goot shot, let's take it. 1003 00:55:49,000 --> 00:55:53,320 Speaker 5: But so Howard and I became friends, and then it 1004 00:55:53,600 --> 00:55:59,680 Speaker 5: was before Boy Meets World. Danny Jacobson a big show 1005 00:55:59,760 --> 00:56:03,680 Speaker 5: run her. He had a show, he had two shows. 1006 00:56:04,360 --> 00:56:06,799 Speaker 5: He came from the home improvement camp, but he had 1007 00:56:06,880 --> 00:56:14,160 Speaker 5: two shows, Good Advice and Matt About You. And had 1008 00:56:14,160 --> 00:56:17,640 Speaker 5: a friend who was an assistant at Sony TriStar, who 1009 00:56:17,719 --> 00:56:20,160 Speaker 5: said they want to hire a team. I said, well, 1010 00:56:20,200 --> 00:56:23,400 Speaker 5: I'm not a team. I write alone. And she said, 1011 00:56:23,880 --> 00:56:27,320 Speaker 5: I can probably say you'll have a good chance of 1012 00:56:27,360 --> 00:56:30,400 Speaker 5: getting this gig if you're a team. I spoke to 1013 00:56:30,480 --> 00:56:32,960 Speaker 5: Howard and said, hey, you know you want to do this, 1014 00:56:33,080 --> 00:56:35,279 Speaker 5: and we went for the meeting. Here's the funny story 1015 00:56:35,360 --> 00:56:39,800 Speaker 5: with that. We go in meet Danny Jacobson, notorious, super 1016 00:56:39,880 --> 00:56:43,600 Speaker 5: talented guy, but his focuses were back in the day 1017 00:56:43,680 --> 00:56:49,320 Speaker 5: were two things, the betting form, horses and pot. We 1018 00:56:49,600 --> 00:56:55,720 Speaker 5: walk into a cloud of smoke. He goes, you seem normal. 1019 00:56:56,160 --> 00:56:59,640 Speaker 5: He hands us two VHS tapes. Go watch these two shows, 1020 00:56:59,719 --> 00:57:02,799 Speaker 5: which ever one you want. I read your script. It's great. 1021 00:57:02,880 --> 00:57:06,400 Speaker 5: Whichever one you want, you could do, so we go watch. 1022 00:57:06,640 --> 00:57:11,600 Speaker 5: Good Advice was Shelley Long, the late Treat Williams, George Weiner, 1023 00:57:12,200 --> 00:57:16,920 Speaker 5: Juliet Lewis's brother, Lightfield Lewis. Estelle Harris later played George's 1024 00:57:16,960 --> 00:57:20,360 Speaker 5: mom like this incredible cast, and the concept was simple. 1025 00:57:20,480 --> 00:57:25,880 Speaker 5: She was a marriage therapist and Treat Williams character was 1026 00:57:25,960 --> 00:57:29,800 Speaker 5: a divorce attorney and they shared office space, so clearly 1027 00:57:29,880 --> 00:57:32,000 Speaker 5: they were going to have the same dance. We go, 1028 00:57:32,520 --> 00:57:34,440 Speaker 5: this show is going to run for ten years. 1029 00:57:35,120 --> 00:57:36,360 Speaker 1: And the others mad about you. 1030 00:57:36,600 --> 00:57:38,760 Speaker 5: The other was mad about you that we said too. 1031 00:57:39,400 --> 00:57:44,040 Speaker 5: Sonyaid no to mad about you, like what Good Advice 1032 00:57:44,160 --> 00:57:46,560 Speaker 5: ran one or two years. But so Howard and I are. 1033 00:57:46,680 --> 00:57:51,280 Speaker 5: Our dynamic was as you said, we were very different 1034 00:57:53,680 --> 00:58:00,760 Speaker 5: both personally and professionally. And what was under deniable is 1035 00:58:01,800 --> 00:58:06,760 Speaker 5: our work was really good, but we were a broken marriage. 1036 00:58:06,800 --> 00:58:13,200 Speaker 5: We were Correoto and we like you guys don't know this, 1037 00:58:13,360 --> 00:58:19,920 Speaker 5: but normally, normally the norm was writing teams share an office. 1038 00:58:21,800 --> 00:58:26,960 Speaker 5: By year three, Michael went to Karen McCain and said, 1039 00:58:27,040 --> 00:58:28,200 Speaker 5: get them their own offices. 1040 00:58:31,040 --> 00:58:32,320 Speaker 4: How long were you guys a team. 1041 00:58:34,000 --> 00:58:38,919 Speaker 5: Good Advice through ninety eight or ninety nine grown Ups 1042 00:58:38,960 --> 00:58:41,000 Speaker 5: with Juliel? I know, you guys had Julil White on 1043 00:58:41,640 --> 00:58:45,320 Speaker 5: and we did his show, so I'd say about eight 1044 00:58:45,440 --> 00:58:47,960 Speaker 5: nine years and that was it. Like people think that 1045 00:58:48,120 --> 00:58:51,560 Speaker 5: we were together forever. The work was always really good 1046 00:58:52,840 --> 00:58:57,440 Speaker 5: and the combination worked, and but you know, personally, it 1047 00:58:57,560 --> 00:58:59,760 Speaker 5: was just hard for both of us. Were very different. 1048 00:59:00,000 --> 00:59:03,360 Speaker 5: Love sports, you know, he loves Delhi. 1049 00:59:04,160 --> 00:59:07,120 Speaker 2: Yeah, he's going to name a sandwich after me, hopefully 1050 00:59:07,120 --> 00:59:09,000 Speaker 2: if I keep if I keep bugging about it, that's 1051 00:59:09,040 --> 00:59:09,400 Speaker 2: the plans. 1052 00:59:09,520 --> 00:59:11,160 Speaker 5: The make up for the wrestling, no names. 1053 00:59:11,440 --> 00:59:12,400 Speaker 1: I want my own sandwich. 1054 00:59:12,480 --> 00:59:17,200 Speaker 5: Yeah yeah, person next to Danielle Brisket sandwich works for me. 1055 00:59:19,040 --> 00:59:24,200 Speaker 5: But anyway, you know, we had a really great eight 1056 00:59:24,360 --> 00:59:28,160 Speaker 5: nine ten year run working together. He's super, super talented 1057 00:59:28,640 --> 00:59:31,040 Speaker 5: and I wish him nothing, but you know, love and 1058 00:59:31,760 --> 00:59:32,920 Speaker 5: success and happiness. 1059 00:59:33,560 --> 00:59:36,840 Speaker 6: Well, Mark, you were an integral part, as was Howard 1060 00:59:37,000 --> 00:59:38,600 Speaker 6: of Boy Meets World, and it. 1061 00:59:38,680 --> 00:59:41,000 Speaker 4: Is now a show. As writer mentioned, we've been watching. 1062 00:59:41,080 --> 00:59:43,280 Speaker 4: We've watched straight through five. 1063 00:59:43,320 --> 00:59:47,440 Speaker 6: Seasons and we see your mark, we feel your mark, 1064 00:59:47,720 --> 00:59:51,480 Speaker 6: and we love you, Mark, love so much. Thank you 1065 00:59:51,640 --> 00:59:53,680 Speaker 6: so much for coming back to reminisce with us and 1066 00:59:54,360 --> 00:59:57,000 Speaker 6: for talking about Boy Meets World. Without you, they're really 1067 00:59:57,120 --> 00:59:59,720 Speaker 6: there is no Boy Meets World. So thank you so 1068 00:59:59,840 --> 01:00:02,720 Speaker 6: much for your contributions over those years. And it's always 1069 01:00:02,720 --> 01:00:03,240 Speaker 6: great to have you. 1070 01:00:03,600 --> 01:00:05,680 Speaker 5: And shout out to all the fans, and thanks for 1071 01:00:05,800 --> 01:00:07,520 Speaker 5: supporting these guys. They deserve it. 1072 01:00:08,000 --> 01:00:10,520 Speaker 4: Yeah, thank thank you Mark. Good to see you Mark. 1073 01:00:10,880 --> 01:00:13,040 Speaker 1: Not soon by gosh. 1074 01:00:13,640 --> 01:00:16,720 Speaker 6: I don't obviously we didn't know any of the backstory, 1075 01:00:17,040 --> 01:00:21,439 Speaker 6: but I wonder, like, knowing both of them, I still 1076 01:00:21,480 --> 01:00:24,600 Speaker 6: find it hard to believe they needed separate offices, you know, 1077 01:00:24,920 --> 01:00:27,640 Speaker 6: like like I wonder what it was about even just 1078 01:00:27,760 --> 01:00:29,520 Speaker 6: being so different that like. 1079 01:00:29,880 --> 01:00:32,160 Speaker 4: They couldn't be in this, they couldn't share an office. 1080 01:00:32,960 --> 01:00:35,720 Speaker 1: Can you even imagine Howard raising his voice? 1081 01:00:36,920 --> 01:00:37,560 Speaker 5: Like even just the. 1082 01:00:39,040 --> 01:00:41,080 Speaker 3: Outward conflict, I think it would probably just be like 1083 01:00:41,120 --> 01:00:43,640 Speaker 3: they would get on each other's nerves. Yeah, we got 1084 01:00:43,720 --> 01:00:44,200 Speaker 3: to take a break. 1085 01:00:44,400 --> 01:00:46,640 Speaker 6: I mean, you know, but is there anybody who wouldn't 1086 01:00:46,680 --> 01:00:49,360 Speaker 6: get on someone anybody who wouldn't get on someone else's nerves? 1087 01:00:49,400 --> 01:00:51,480 Speaker 4: If you're like sharing an office. 1088 01:00:51,560 --> 01:00:56,000 Speaker 2: Twenty four and that writing staff there sometimes till three 1089 01:00:56,040 --> 01:00:59,720 Speaker 2: o'clock in the morning. They're doing everything. They're doing five 1090 01:00:59,800 --> 01:01:01,920 Speaker 2: or six scripts this season. I mean that's it's a 1091 01:01:02,000 --> 01:01:03,520 Speaker 2: lot of work. It's a to I mean, that's why 1092 01:01:03,560 --> 01:01:06,080 Speaker 2: it's magical when it when it works. Yeah, like when 1093 01:01:06,120 --> 01:01:07,160 Speaker 2: it when it's good, it's good. 1094 01:01:07,680 --> 01:01:10,520 Speaker 3: I've only known I've only known a few writers who 1095 01:01:10,560 --> 01:01:12,920 Speaker 3: are like just in love with their room, you know who. 1096 01:01:12,960 --> 01:01:14,920 Speaker 3: They were so happy most of the time. It's a 1097 01:01:15,000 --> 01:01:17,880 Speaker 3: lot of a lot of anxiety, a lot of competition, 1098 01:01:18,440 --> 01:01:21,240 Speaker 3: a lot of backstabbing. Less so nowadays. But I feel like, 1099 01:01:21,320 --> 01:01:23,120 Speaker 3: especially back in the day, it was it was all 1100 01:01:23,320 --> 01:01:25,720 Speaker 3: like just trying to get your name on that script, 1101 01:01:25,760 --> 01:01:26,840 Speaker 3: trying to get your joke in. 1102 01:01:27,240 --> 01:01:30,120 Speaker 1: And and that's a man forget. If you were a woman, 1103 01:01:30,200 --> 01:01:33,760 Speaker 1: it was a if you're even in there. It's an 1104 01:01:33,880 --> 01:01:34,800 Speaker 1: entirely different worlds. 1105 01:01:34,880 --> 01:01:38,760 Speaker 3: I think nowadays it is. I think it's you know, 1106 01:01:39,240 --> 01:01:42,960 Speaker 3: it's more accepting, it's more like of a safe space. 1107 01:01:43,680 --> 01:01:46,200 Speaker 3: But I also know that COVID took a big you know, 1108 01:01:46,480 --> 01:01:48,560 Speaker 3: it had a huge effect. Everybody was sort of suddenly 1109 01:01:48,600 --> 01:01:51,640 Speaker 3: having like zoom meeting writing rooms, and like, I think 1110 01:01:51,680 --> 01:01:54,880 Speaker 3: it's gone back in person a lot more. But it's 1111 01:01:54,880 --> 01:01:58,440 Speaker 3: a it's a it's an interesting culture. I've never really 1112 01:01:58,520 --> 01:02:01,040 Speaker 3: experienced it for firsthand, I know me neither. 1113 01:02:01,200 --> 01:02:03,680 Speaker 4: No mean, I've never I've never been in it. But yeah, 1114 01:02:03,720 --> 01:02:04,640 Speaker 4: you didn't like it at all. 1115 01:02:05,560 --> 01:02:07,480 Speaker 6: But if you think about what makes a really good 1116 01:02:07,520 --> 01:02:12,600 Speaker 6: writer's room, you're gonna need a lot of very unique povs. 1117 01:02:12,880 --> 01:02:16,600 Speaker 6: You're gonna want different people with different povs and different experiences. 1118 01:02:16,640 --> 01:02:17,960 Speaker 3: And then you think skill sets and. 1119 01:02:17,960 --> 01:02:21,640 Speaker 6: Different skill sets and different preferences and different and you know, 1120 01:02:21,840 --> 01:02:24,360 Speaker 6: maybe kind of their own niche, and so you're going 1121 01:02:24,440 --> 01:02:27,280 Speaker 6: to have people that are really different from you and 1122 01:02:27,960 --> 01:02:30,520 Speaker 6: that you know, Yeah, if you think about spending every 1123 01:02:30,640 --> 01:02:33,480 Speaker 6: single day, hours on end, you're gonna get annoyed. 1124 01:02:33,680 --> 01:02:35,439 Speaker 4: You're just it's going to it's gonna happen. 1125 01:02:35,760 --> 01:02:39,280 Speaker 2: I think it's also always depends too on the leadership 1126 01:02:39,320 --> 01:02:41,440 Speaker 2: in the room. I think evers leading the room is 1127 01:02:41,520 --> 01:02:44,160 Speaker 2: gonna is going to dictate what type of room it is. 1128 01:02:44,640 --> 01:02:44,840 Speaker 4: Yeah. 1129 01:02:45,320 --> 01:02:47,080 Speaker 2: So I mean when we had Barbie on, Barbie was 1130 01:02:47,080 --> 01:02:48,640 Speaker 2: talking about you know how she's like, oh my god, 1131 01:02:48,640 --> 01:02:49,880 Speaker 2: and one of the last shows I want it was 1132 01:02:49,880 --> 01:02:51,320 Speaker 2: all women, and I was one of the people in 1133 01:02:51,400 --> 01:02:53,080 Speaker 2: charge and it was the greatest thing in the world. 1134 01:02:53,280 --> 01:02:55,120 Speaker 1: I mean, you just you never know. It's it's all 1135 01:02:55,120 --> 01:02:57,080 Speaker 1: about who's kind of leading the room too. I think 1136 01:02:57,560 --> 01:02:58,040 Speaker 1: that's true. 1137 01:02:58,480 --> 01:03:00,360 Speaker 6: Yeah, well, thank you all for joining us for this 1138 01:03:00,440 --> 01:03:02,480 Speaker 6: episode of Podmeets World. As always, you can follow us 1139 01:03:02,520 --> 01:03:04,920 Speaker 6: on Instagram pod Meets World Show. You can send us 1140 01:03:04,920 --> 01:03:07,640 Speaker 6: your emails Podmeets World Show at gmail dot com. 1141 01:03:07,760 --> 01:03:12,880 Speaker 2: And we have merch fade in interior booth continuous, Danielle says, 1142 01:03:13,240 --> 01:03:16,680 Speaker 2: and we have merch cut to Will who says March 1143 01:03:17,440 --> 01:03:19,720 Speaker 2: writer and Danielle fake laugh, fade. 1144 01:03:19,520 --> 01:03:26,800 Speaker 4: Out Podmeetsworldshow dot com will send us out. 1145 01:03:27,440 --> 01:03:29,120 Speaker 1: We love you all, pod dismissed. 1146 01:03:30,360 --> 01:03:33,920 Speaker 2: Podmeets World is nheart podcast producer and hosted by Danielle Fischel, 1147 01:03:34,000 --> 01:03:38,240 Speaker 2: Wilfordell and Ryder Strong. Executive producers Jensen Karp and Amy Sugarman. 1148 01:03:38,520 --> 01:03:42,000 Speaker 2: Executive in charge of production, Danielle Romo, producer and editor, 1149 01:03:42,080 --> 01:03:45,880 Speaker 2: Tara sudbachsch producer, Maddie Moore, engineer and Boy Meets World 1150 01:03:45,920 --> 01:03:48,480 Speaker 2: super fan Easton Allen. Our theme song is by Kyle 1151 01:03:48,560 --> 01:03:50,800 Speaker 2: Morton of Typhoon, and you can follow us on Instagram 1152 01:03:50,880 --> 01:03:53,840 Speaker 2: at podmeets World Show, or email us at podmeets Worldshow 1153 01:03:53,920 --> 01:03:54,960 Speaker 2: at gmail dot com.