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Speaker 1: And That's what You Really Missed with Jenna.

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Speaker 2: And Kevin an iHeartRadio podcast.

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Speaker 1: Welcome to and That's what You Really Missed podcast. And

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Speaker 1: this is a quite the episode, quite the episode.

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Speaker 2: This is a memorable episode, an iconic episode.

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Speaker 1: For many reasons.

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Speaker 2: A couple reasons. And it is the third annual mashup

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Speaker 2: episode because this is the third season in a row

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Speaker 2: where the sixth episode of the season is centered around mashups.

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Speaker 1: No, we kind of talk about the mashups. I don't

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Speaker 1: know if that's weird or if it's just what it is.

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Speaker 2: I guess it is.

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Speaker 1: They're like, it's time for a mashup episode, and they're like, hmm,

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Speaker 1: that's funny. It was the sixth episode last year, right, Like, let's.

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Speaker 2: Just do it again. If it ain't broke.

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Speaker 1: Yeah.

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Speaker 2: However, I will say, after talking to Adam Anders, if

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Speaker 2: you haven't listened to it, go back and listen to it,

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Speaker 2: because he talks about the mashups, having had to create

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Speaker 2: all of them, and yes, some of these. I think

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Speaker 2: you run the gamut in this episode. I think we

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Speaker 2: have some of the worst mashups and then I think

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Speaker 2: we have the best mashup. Agreed in this episode, so

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Speaker 2: you agree we are complex.

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Speaker 1: Okay, this is mash mash Off and this is season three,

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Speaker 1: episode six in the air. Day is November fifteenth, two

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Speaker 1: thousand and eleven, and We Found Love is still number one.

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Speaker 2: I mean the best song of tens.

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Speaker 1: True and the number one movie was Immortals.

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Speaker 2: Glee News of the Week. On November eighteenth, actor Peter

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Speaker 2: Mayhew visited the set to film a cameo for the

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Speaker 2: episode we're filming at the time, which is the ninth

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Speaker 2: episode Extraordinary Merry Christmas as his Star Wars character Chewbacca,

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Speaker 2: like the the Chewye, the real Chewy and the real costume.

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Speaker 2: And it was a bit, as Joe Biden once said,

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Speaker 2: a big thing deal, honestly special. I got to see

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Speaker 2: in so many scenes with it. I felt like me

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Speaker 2: and Chewy.

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Speaker 1: You did just you want a lot to do in

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Speaker 1: that episode that's coming.

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Speaker 2: I couldn't believe it. It was there's a picture of us

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Speaker 2: and I don't know if you've seen it online, and

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Speaker 2: Matt Morrison was directing the episode and he and I

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Speaker 2: are sandwiching Chewbacca on the stage on our winter set,

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Speaker 2: and it was the crew was taking photos all day, like.

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Speaker 1: I have so many photos in my camera roll from

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Speaker 1: that day.

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Speaker 2: Same it was one of the most surreal things, and

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Speaker 2: also it was really epic. By that point, we had

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Speaker 2: guest stars, we had Britney Spears, we had people wanting

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Speaker 2: to come on the show, so we had sort of

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Speaker 2: adjusted that, like, Okay, we're meeting a lot of legendary people.

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Speaker 2: Having Chewbacca was not on that bucket list. Did not

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Speaker 2: think that was an option.

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Speaker 1: He's also really tall, very tall, like six over six feet, like, yeah,

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Speaker 1: on the high end of the six.

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Speaker 2: I just remember being very present that day and being

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Speaker 2: very yes, this is crazy, texting everyone I knew, mm hmm.

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Speaker 2: Thank you guys.

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Speaker 1: It was awesome. I have a lot of pictures of

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Speaker 1: you with Chewie actually and with them, so it's very good. Okay,

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Speaker 1: we're going to get to that episode, but right now

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Speaker 1: we're in mash I can't.

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Speaker 2: Wait for that episode yet.

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Speaker 1: Okay, Okay, there's a lot. There's a lot of tea

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Speaker 1: to spell that day.

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Speaker 2: There is something in that episode that I have never

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Speaker 2: said publicly, and I'm going to.

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Speaker 1: Oh my god, I can't wait.

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Speaker 2: Do you know what it is?

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Speaker 1: I don't, okay, I don't, okay, I can't wait. Okay.

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Speaker 1: This episode is directed by the One and the lyric

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Speaker 1: Stults and I have, and it's written by Michael Hitchcock,

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Speaker 1: our friend hitch I've got some good memories from this,

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Speaker 1: specific memories from specifically the musical numbers, because we're not

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Speaker 1: in a lot of the scenes. We were watching it

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Speaker 1: last night and David was like, oh my god, you're

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Speaker 1: in this episode. How does that feel. I was like,

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Speaker 1: you're funny, You're really funny. And we've got a Shelby

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Speaker 1: Corkord and still here. We've got a Dina who's gonna

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Speaker 1: play a big part in this episode. What songs do

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Speaker 1: we do in this episode?

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Speaker 2: We do hot for Teacher, You and I and you

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Speaker 2: and I, mash up, hit me with your best shot

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Speaker 2: one way or another, mashup, I can't go for that.

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Speaker 2: You make my dreams mash up? And rumor has It?

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Speaker 1: Someone like you Masha, which fun fact is the three

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Speaker 1: hundredth performance was rumor has It? So when they were

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Speaker 1: shooting it, the day they were shooting it, we all

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Speaker 1: went on to the stage, all the execs came, the

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Speaker 1: creators came, We got they got a plaque that said

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Speaker 1: three hundred on it. With all the songs named titled

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Speaker 1: in the background, and we had a little celebration and

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Speaker 1: a little press press moment. We had some photos online.

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Speaker 1: It was also the first song from the season to

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Speaker 1: reach number one on iTunes, which is crazy.

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Speaker 2: Yeah, we were a little rusty. I think the glow

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Speaker 2: and the newness of the show had fully worn off

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Speaker 2: by this point, and so the songs were starting to

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Speaker 2: struggle a little bit.

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Speaker 1: Mm hmmm.

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Speaker 2: I mean, like they were still in the top ten,

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Speaker 2: but we weren't getting number ones like we were every

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Speaker 2: single week before.

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Speaker 1: Right, And do you.

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Speaker 2: Remember what Adam said about the mashup too, about how

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Speaker 2: Adell didn't approve it.

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Speaker 1: Right and then he did it anyway, right.

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Speaker 2: Yeah, And then we recently just told Amber that because

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Speaker 2: she didn't know, oh she didn't know. No, she didn't know.

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Speaker 1: Well funny, other other fun fact, Amber said that on

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Speaker 1: Twitter that someone emailed her a video of Adele saying

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Speaker 1: that she wanted her to sing the song, and so

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Speaker 1: she emailed it to brad Ryan. Yes, and that is true.

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Speaker 1: That's that is a true statement.

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Speaker 2: It is because they became like email friends. They started

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Speaker 2: emailing each other, yes, yes, which.

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Speaker 1: Was She's like and I was like you get out

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Speaker 1: of here.

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Speaker 2: Yeah, we were in London. She's like, do you guys

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Speaker 2: want to go have dinner with the dough?

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Speaker 1: Like yeah, please, we didn't have dinner at the door

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Speaker 1: canceled about us yeah, which was awesome. Gat okay uh.

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Speaker 1: Other than rumor has it, which we will get to.

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Speaker 1: It actually was also the only song from season three

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Speaker 1: h heart in the UK at all? Is that right?

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Speaker 2: I mean it must be Also, just respect that mashup.

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Speaker 2: I mean also, you have two of the biggest songs

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Speaker 2: by the biggest artists in the world of the time, right,

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Speaker 2: and it's a great mashup. And it's also used the performance.

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Speaker 2: The song by itself is great. The performance is great.

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Speaker 2: And then also I think it's the power of what

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Speaker 2: Glee did best was using the song at the right

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Speaker 2: moment to further the storyline totally, which I think we

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Speaker 2: tended to get away from these things.

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Speaker 1: This was synergistic. There was a lot of synergy around

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Speaker 1: this number. You felt a lot. I felt a lot

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Speaker 1: in this number.

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Speaker 2: And I have to say the the few moments I

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Speaker 2: guess this episode to me is this number, right, Like

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Speaker 2: this was the vehicle to get this number seen and

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Speaker 2: heard totally, and Stoltz directed it in a way where

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Speaker 2: it wasn't just a musical number. There were those pauses,

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Speaker 2: the coverage of Nya's acting and that number are unreal

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Speaker 2: so good little looks and subtle and there's something about

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Speaker 2: the way Heather. There's this moving shot where Heather is

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Speaker 2: moving to the left of frame and Nya is moving

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Speaker 2: to the right of frame and Heather's fully dancing and

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Speaker 2: like looks up and makes eye contact with Nya, And

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Speaker 2: I was just like, way to go, Heather, Like this

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Speaker 2: is very much about what Santana's going through. But then

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Speaker 2: that look, because it's also how they were in real life,

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Speaker 2: Like that was true like relationship support, I'm here for you,

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Speaker 2: how are you doing? Checking in just with a glance,

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Speaker 2: And I thought it was really powerful.

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Speaker 1: It was very powerful. We're talking about the song, yeah,

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Speaker 1: just talking about then, all right.

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Speaker 2: Yeah, because we're just gonna have to do it. I

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Speaker 2: guess sorry, I can't stop thinking about it.

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Speaker 1: I mean it's okay. I watched it like three times and.

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Speaker 2: I've mentioned it before. How like Amber called me crying

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Speaker 2: after she recorded it because because she knew Adele wanted

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Speaker 2: her to do it, she wanted to do it justice

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Speaker 2: and then she wasn't singing with someone like.

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Speaker 1: You right right right, and.

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Speaker 2: She vocally really wanted to do that, That's what she

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Speaker 2: thought she was going to be doing. And so she

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Speaker 2: was upset and she called me and I remember like

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Speaker 2: where I was driving at the time, and I was like, Amber,

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Speaker 2: there was no way you didn't nail this. There's no

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Speaker 2: way you are not going to sound incredible on it.

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Speaker 2: And she I think it was just she puts so

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Speaker 2: much pressure on herself.

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Speaker 1: Well, of course, I mean, if you want your friend,

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Speaker 1: who is Adele saying, I want you to sing this song?

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Speaker 2: I think it's also just impressive to me. It's surprising

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Speaker 2: to me because I look at Amber and I'm like,

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Speaker 2: she can sing anything, and it all seems so easy

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Speaker 2: for her, and of course she's gonna sound great doing

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Speaker 2: whatever she does, and so and I think that can observationally,

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Speaker 2: like from the outside, look like, oh, someone could get

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Speaker 2: complacent doing that because everything is so easy for them.

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Speaker 2: Totally where Amber carrying that much three hundred numbers into

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Speaker 2: the show. Yeah, really was never placent, No, never, never, never.

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Speaker 2: It meant a lot to me as like a friend

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Speaker 2: and a coworker like I was like, oh, that's very

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Speaker 2: inspirational and aspirational to you know, keep yourself in check

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Speaker 2: like that, Like we're working here and we need to

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Speaker 2: do you know, this justice to whatever we're doing.

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Speaker 1: Yeah, no, I appreciate it. I mean they everybody obviously

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Speaker 1: pour their heart and soul into this number. Directing. Yeah,

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Speaker 1: I even like the girls. That is not a That

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Speaker 1: was a long number.

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Speaker 2: M hmm.

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Speaker 1: It was intricate. There are different parts and they all

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Speaker 1: like and some of them like we had never worked

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Speaker 1: with before because the trouble tones were all new.

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Speaker 2: And it's also I think a real feet of I

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Speaker 2: think this is on Stultz's part to not lose in

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Speaker 2: a number that long, that is so good, like you

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Speaker 2: just want to listen to it because it's it's delicious yep.

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Speaker 2: That you don't lose the story the entirety of that performance,

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Speaker 2: but it's also not so too storied out that you're

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Speaker 2: losing the entertainment of the performance. It is. Everything is

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Speaker 2: working and everything.

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Speaker 1: Lighting was really good. Oh my god, it's all really good.

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Speaker 2: All in black. It felt like they were mourning. It's

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Speaker 2: like she's now mourning sort of her.

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Speaker 1: Like pre life, yes exactly, is like adolescence. Oh my god,

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Speaker 1: it's really good. And then and then I mean the

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Speaker 1: slap too, like which fun fat that was not planned? Well,

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Speaker 1: it was planned because Eric's still it wasn't written. And

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Speaker 1: then Eric still whispered to Naya that she should slap

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Speaker 1: Corey and she was like scared and like nervous about it,

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Speaker 1: but she did it, and I'm glad she did. And

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Speaker 1: there's a really good BTS video yes about the slap

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Speaker 1: where Corey and her were talking about it, and I

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Speaker 1: was like, I was so scared that Corey was gonna

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Speaker 1: be mad. She's like, Eric made me do it. But

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Speaker 1: Eric would always do that. He would always like whisper

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Speaker 1: little secrets because he was an actor's director, so he

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Speaker 1: would just get things out of us that other people

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Speaker 1: like not couldn't, but he just he got more out

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Speaker 1: of us, and we respected him, so we did it.

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Speaker 2: And I feel like, if you're going to do it

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Speaker 2: to anybody, Corey he the perfect person to be on

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Speaker 2: the receiving end of it because he was also like

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Speaker 2: so serious about the acting that he would fully be

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Speaker 2: into it.

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Speaker 1: And I speak nervous though I would be scared to

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Speaker 1: slap Corey without him knowing absolutely, because he is so

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Speaker 1: serious about the acting of it. There's a part of

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Speaker 1: me that would be like, why didn't you tell me,

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Speaker 1: Like you know, there there's a but there's a trust factory.

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Speaker 1: I guess that that plays into it. So there's Eric,

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Speaker 1: we're in a safe space. It's Eric, it's Naya like

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Speaker 1: everybody cares, but like, I don't know, I would have

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Speaker 1: been I would have been scared anyway. The BTS video

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Speaker 1: is great and and the slap really worked. And then

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Speaker 1: Corey on his coverage so do it again? Yeah, and

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Speaker 1: it it was I mean, I like gassed when I

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Speaker 1: watched it again.

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Speaker 2: Because it's also not like it's not too soapy, it's

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Speaker 2: like just enough where it also feels real.

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Speaker 1: But iw's the stakes too, right, It really raised the

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Speaker 1: stakes for them. This whole storyline is crazy. I am crazy.

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Speaker 2: I always wondered how this storyline of Santana verbally assaulting

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Speaker 2: Finn for the entirety of this episode, like if Corey

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Speaker 2: took any of that on personally.

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Speaker 1: Well, I mean we could have all taken stuff on

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Speaker 1: personally though.

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Speaker 2: Well that's what and I know some people did, and

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Speaker 2: so I don't know the answer to this, but I

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00:14:22,480 --> 00:14:25,960
Speaker 2: because it was harsh. It was really harsh, and it

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Speaker 2: was a lot obviously proving a point like for the story,

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Speaker 2: but damn.

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Speaker 1: But I will also say, like, stay tuned for seasons

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Speaker 1: to follow, because like a lot of people get some

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Speaker 1: really bad digs coming up, because now we're getting comfortable,

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Speaker 1: now we really know who we are, and we're kind

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Speaker 1: of shifting, and like the actors are shifting. Everybody's shifting,

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Speaker 1: so some of them are pretty bad to come.

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Speaker 2: And I also think, I mean, to be honest, like

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Speaker 2: some of us starting in season two, when the episodes

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Speaker 2: did sort of address us personally, sometimes we weren't sure

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Speaker 2: if this was like the yeah, yeah, yeah, trying to

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Speaker 2: point things out to us or not.

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Speaker 1: M totally totally. I mean I think but if you asked,

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Speaker 1: they would have been like no, you know what I mean,

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Speaker 1: they would have lied anyway.

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Speaker 2: Yeah, So like we didn't ask, and then I think

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Speaker 2: in the back of our heads it's like, well, it's this,

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Speaker 2: Should I take this to heart? Do I need to

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Speaker 2: fix this thing or change this thing?

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Speaker 1: Right? No, totally, that's fair, that's fair. The comments were

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Speaker 1: also like Santana's, particularly to Finn in this episode, We're

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Speaker 1: very harsh. But we were just talking to our producer

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Speaker 1: Sam about this because I feel like in order to

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Speaker 1: justify what Finn does at the end of the episode

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Speaker 1: by outing her, which is not a small thing, Like

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Speaker 1: Santana is now a beloved character. Fans are really you know,

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Speaker 1: attaching themselves to her, and she's really resonating with Finn

283
00:16:00,720 --> 00:16:05,720
Speaker 1: is also really obviously beloved from the beginning. For Finn

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Speaker 1: to do something so villainizing, something so bad like this, yeah,

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Speaker 1: that could really be detrimental to Santana's future and the

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Speaker 1: way people look at Finn. It had to be that harsh, yeah,

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Speaker 1: you know.

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Speaker 2: Because it would take so much for him to do that,

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Speaker 2: because like all these characters are growing, right, and he

290
00:16:34,640 --> 00:16:40,960
Speaker 2: called Kurt the F word, right, Yeah, Yeah, he's sort

291
00:16:41,000 --> 00:16:45,760
Speaker 2: of I feel like our window into like the everyman

292
00:16:46,080 --> 00:16:49,720
Speaker 2: learning about these different types of people other than yourself totally,

293
00:16:50,120 --> 00:16:53,080
Speaker 2: and it's a two steps forward, one step back type

294
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Speaker 2: of situation, right, But I do think you're right, like

295
00:16:56,040 --> 00:17:01,080
Speaker 2: he had to be in a place there's nothing else

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00:17:01,160 --> 00:17:04,120
Speaker 2: to do. Obviously that should never be the response, but like.

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Speaker 1: So deeply hurt, right, so deeply hurt the other person

298
00:17:09,359 --> 00:17:13,800
Speaker 1: like that, Yeah, it also kind of made me think

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00:17:13,800 --> 00:17:18,760
Speaker 1: about being outed like that, not in the same way,

300
00:17:18,800 --> 00:17:23,800
Speaker 1: but like Chris as a person being outed with his

301
00:17:23,960 --> 00:17:27,439
Speaker 1: character so early on in the height of the like

302
00:17:28,000 --> 00:17:32,199
Speaker 1: throes of the rush of Glee. Yeah, anyway, it's just

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00:17:32,200 --> 00:17:40,159
Speaker 1: the thought should we get into, like the.

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Speaker 2: Episode, the rest of what this episode is? I mean,

305
00:17:41,040 --> 00:17:44,120
Speaker 2: I think, yeah, I think the reason like we start

306
00:17:44,160 --> 00:17:47,840
Speaker 2: off with all that is because that was like the

307
00:17:47,880 --> 00:17:50,280
Speaker 2: most memorable and the juiciest part and sort of like,

308
00:17:51,440 --> 00:17:53,320
Speaker 2: for lack of a better word, like the legacy of

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00:17:53,359 --> 00:17:54,639
Speaker 2: that episode.

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Speaker 1: Well, I mean, and it's such a cliffhanger. The way

311
00:17:57,040 --> 00:18:01,400
Speaker 1: that way to end that episode was just very powerful.

312
00:18:02,000 --> 00:18:07,720
Speaker 2: Naya really gave one of the craziest performances I think

313
00:18:08,000 --> 00:18:10,480
Speaker 2: in a single episode that anybody does the charity of

314
00:18:10,480 --> 00:18:13,040
Speaker 2: the series because you go from obviously it's all from

315
00:18:13,040 --> 00:18:16,919
Speaker 2: a place of like fear and anger and anxiety. But

316
00:18:17,600 --> 00:18:24,840
Speaker 2: she's funny, she's mean, she's emotional, she's broken. She does

317
00:18:24,880 --> 00:18:28,000
Speaker 2: all of that within like forty two minutes, and there's

318
00:18:28,040 --> 00:18:30,800
Speaker 2: a lot of other stuff happening in this episode. Yeah,

319
00:18:30,880 --> 00:18:35,440
Speaker 2: so every scene she's in she's doing heavy heavy lifting.

320
00:18:35,400 --> 00:18:40,119
Speaker 1: Totally totally and it doesn't like when you want to

321
00:18:40,119 --> 00:18:44,199
Speaker 1: look at it from your standpoint. She makes it look

322
00:18:44,280 --> 00:18:45,960
Speaker 1: very easy, kind of like Gamber makes her vocals.

323
00:18:46,440 --> 00:18:49,000
Speaker 2: But she did that in real life too. Yeah, that's true,

324
00:18:49,080 --> 00:18:52,439
Speaker 2: Like thinking about it, she never talked about it. She

325
00:18:52,600 --> 00:18:54,560
Speaker 2: never like if you and I had like a big

326
00:18:54,600 --> 00:18:56,840
Speaker 2: scene coming up or something like, I could visibly see

327
00:18:56,880 --> 00:18:58,760
Speaker 2: that you were anxious, but you could see that I

328
00:18:58,800 --> 00:19:01,240
Speaker 2: was anxious and like worried about it. We were working

329
00:19:01,280 --> 00:19:03,760
Speaker 2: on it. Yeah, she just showed up and did it.

330
00:19:04,000 --> 00:19:06,280
Speaker 1: I know, And then you'd watch the episode and be like,

331
00:19:06,400 --> 00:19:09,440
Speaker 1: oh damn, where where.

332
00:19:09,359 --> 00:19:13,480
Speaker 2: Was I used to ask her for acting tips. Oh yeah,

333
00:19:13,560 --> 00:19:16,560
Speaker 2: because sometimes it would be in scenes and I would

334
00:19:16,600 --> 00:19:19,880
Speaker 2: just be staring at her eyes and being like, what

335
00:19:20,000 --> 00:19:23,879
Speaker 2: is like, I'm in the scene mm hm, I was

336
00:19:23,920 --> 00:19:26,440
Speaker 2: like she which is probably not great because I should

337
00:19:26,480 --> 00:19:29,520
Speaker 2: be in the scene as well. But I'm watching her

338
00:19:30,119 --> 00:19:34,000
Speaker 2: and I can tell she is fully Santana. She's having

339
00:19:34,000 --> 00:19:36,720
Speaker 2: the Santana thoughts. She is seeing all the Santana images

340
00:19:37,560 --> 00:19:40,240
Speaker 2: as she's talking whatever it is, as small or big.

341
00:19:40,640 --> 00:19:41,080
Speaker 1: Yeah.

342
00:19:41,119 --> 00:19:43,480
Speaker 2: And I remember bringing that up a couple of times,

343
00:19:43,600 --> 00:19:46,280
Speaker 2: like when because think about what she would she could

344
00:19:46,320 --> 00:19:50,000
Speaker 2: convey with a look, total and that to me is

345
00:19:50,080 --> 00:19:53,480
Speaker 2: always the biggest mystery of like when you watch a

346
00:19:53,520 --> 00:19:56,719
Speaker 2: movie or TV show and there's stillness and silence and

347
00:19:56,760 --> 00:19:59,400
Speaker 2: it's just an actor by themselves and they're not speaking

348
00:19:59,720 --> 00:20:06,159
Speaker 2: and there able to convey, and yeah, I sort of

349
00:20:06,160 --> 00:20:07,679
Speaker 2: just to grill her about that. I'm like, what are

350
00:20:07,720 --> 00:20:10,760
Speaker 2: you thinking of? Because you are so good at it.

351
00:20:12,280 --> 00:20:16,960
Speaker 2: She's like, I'm just thinking what Shanna would be thinking, Like,

352
00:20:17,040 --> 00:20:19,680
Speaker 2: it's right, right, right, of course you are, of course

353
00:20:19,680 --> 00:20:22,680
Speaker 2: you are. I'm doing yeah, totally, yeah, yeah, I'm definitely

354
00:20:22,720 --> 00:20:26,240
Speaker 2: not overthinking it. But it was like watching her and

355
00:20:27,359 --> 00:20:30,480
Speaker 2: Chris work was similar because yes, they would be having

356
00:20:30,520 --> 00:20:33,919
Speaker 2: a conversation like this rolling, they would flip flip.

357
00:20:34,200 --> 00:20:36,960
Speaker 1: It's just wild to me in it wild. I cannot

358
00:20:37,000 --> 00:20:48,240
Speaker 1: do that. Sectionals is coming up. Oh my god, I

359
00:20:48,240 --> 00:20:53,399
Speaker 1: can't believe it. That's crazy. Will and Shelby have the

360
00:20:53,440 --> 00:20:59,359
Speaker 1: trouble Tones This is now a Troublestone podcast and the

361
00:20:59,400 --> 00:21:04,000
Speaker 1: new directions take part in a mash off competition unbknownst

362
00:21:04,080 --> 00:21:06,880
Speaker 1: to them until they show up and everybody's singing, and

363
00:21:09,520 --> 00:21:13,359
Speaker 1: Puck has a crash on Shelby and just trying to

364
00:21:13,359 --> 00:21:15,080
Speaker 1: figure out to do with it while Quinn is also

365
00:21:15,359 --> 00:21:17,800
Speaker 1: trying to win Beth back, but it kind of gets

366
00:21:17,840 --> 00:21:20,480
Speaker 1: pushed to the back burner. In this episode, Bert and

367
00:21:20,680 --> 00:21:26,159
Speaker 1: Sue's campaign heats up, gets real dirty, and the election

368
00:21:26,320 --> 00:21:31,480
Speaker 1: for Senior Class president also comes to a head. Well, yeah,

369
00:21:31,560 --> 00:21:33,400
Speaker 1: there's a lot that happens.

370
00:21:35,119 --> 00:21:36,960
Speaker 2: I would like to start off with the Shelby and

371
00:21:37,000 --> 00:21:39,200
Speaker 2: Puck and quick get out of the way.

372
00:21:39,400 --> 00:21:42,840
Speaker 1: Well again, are we done with this yet? I love

373
00:21:42,880 --> 00:21:45,919
Speaker 1: a Dina too. I know of fans, I'm but this

374
00:21:46,119 --> 00:21:49,320
Speaker 1: is I'm done. I'd rather see Adena do trouble tones.

375
00:21:49,520 --> 00:21:50,960
Speaker 1: Now let's move on.

376
00:21:51,240 --> 00:21:53,879
Speaker 2: Yeah, I mean I do think everyone is doing a

377
00:21:53,920 --> 00:21:56,399
Speaker 2: great They get no fault of anyone. Everyone's doing a

378
00:21:56,520 --> 00:22:00,879
Speaker 2: very good job. No, I just I don't doesn't sit me.

379
00:22:00,920 --> 00:22:02,199
Speaker 2: Are we the only ones who don't like this?

380
00:22:02,520 --> 00:22:04,840
Speaker 1: Oh? No, tell us, please tell us people, because I'm

381
00:22:04,880 --> 00:22:08,520
Speaker 1: over it. It just really like just feels the drawn

382
00:22:08,560 --> 00:22:11,399
Speaker 1: out because it's season one related, so and.

383
00:22:11,359 --> 00:22:13,920
Speaker 2: It also feels totally just like off with the rest

384
00:22:13,960 --> 00:22:14,320
Speaker 2: of the show.

385
00:22:14,359 --> 00:22:19,240
Speaker 1: I feel like, agreed, agreed, I don't know. It also

386
00:22:19,280 --> 00:22:21,840
Speaker 1: feels very vindictive of Quinn, and it just doesn't feel

387
00:22:21,880 --> 00:22:23,520
Speaker 1: like I don't know she's I know she is like

388
00:22:23,560 --> 00:22:24,959
Speaker 1: a little bit of the villain, but like we love

389
00:22:25,040 --> 00:22:27,399
Speaker 1: Quinn now, so it's just confusing to me.

390
00:22:27,920 --> 00:22:32,840
Speaker 2: It's also like the stakes, like what Quinn is doing

391
00:22:33,000 --> 00:22:36,600
Speaker 2: is so bad, Like the rest of it is all

392
00:22:36,640 --> 00:22:39,320
Speaker 2: like high school. We're even the political campaign where they're

393
00:22:39,359 --> 00:22:43,959
Speaker 2: messing with each other, right, it's high school. This is

394
00:22:44,000 --> 00:22:44,960
Speaker 2: some real shit.

395
00:22:45,960 --> 00:22:48,159
Speaker 1: Yeah, I mean that's why I just don't like it. It

396
00:22:48,119 --> 00:22:48,920
Speaker 1: doesn't feel good.

397
00:22:49,119 --> 00:22:51,520
Speaker 2: No, no, no, I don't know good. And everything else

398
00:22:51,600 --> 00:22:54,479
Speaker 2: is like even when people mess up, there's always sort

399
00:22:54,520 --> 00:22:56,320
Speaker 2: of a safety net. You have the people around you

400
00:22:56,359 --> 00:22:58,760
Speaker 2: to sort of like the characters have the safety net

401
00:22:58,880 --> 00:23:02,080
Speaker 2: of their friends or famis or teachers to sort of

402
00:23:02,240 --> 00:23:04,359
Speaker 2: get them back on track or in the right direction.

403
00:23:05,760 --> 00:23:09,760
Speaker 2: And this is so many episodes of like bad behavior,

404
00:23:10,800 --> 00:23:13,960
Speaker 2: like Quinn planting the stuff and now Shelby and Puck.

405
00:23:15,440 --> 00:23:18,440
Speaker 1: Says he's eighteen, which is not right? Was he left back?

406
00:23:18,560 --> 00:23:19,960
Speaker 1: Is that why you're justifying though?

407
00:23:20,000 --> 00:23:22,040
Speaker 2: I mean probably okay, whatever.

408
00:23:22,040 --> 00:23:29,760
Speaker 1: So Shelby's gonna find out about Quinn and she's not

409
00:23:29,800 --> 00:23:35,159
Speaker 1: gonna let her see Beth anymore. Rightfully, so justified, But

410
00:23:35,240 --> 00:23:37,960
Speaker 1: Quinn wants to be on the trouble tones, don't we all.

411
00:23:40,600 --> 00:23:43,720
Speaker 1: On the other side of it, Puck is having made

412
00:23:43,760 --> 00:23:48,520
Speaker 1: out with Shelby now wants to be a dad to

413
00:23:48,600 --> 00:23:53,320
Speaker 1: Beth with Shelby is having a teacher crush. Which teacher

414
00:23:53,320 --> 00:23:59,160
Speaker 1: crush is okay, harmless, innocent teacher crushes okay, Susie Pepper's

415
00:23:59,200 --> 00:24:05,080
Speaker 1: teacher crushes even okay, but this is not okay. And

416
00:24:05,119 --> 00:24:08,280
Speaker 1: then he sings the first song of the episode. Hot

417
00:24:08,280 --> 00:24:15,600
Speaker 1: for Teacher is a very strange number. I it was

418
00:24:16,080 --> 00:24:18,560
Speaker 1: wild and crazy, and I remember when they were shooting it,

419
00:24:18,640 --> 00:24:23,480
Speaker 1: everybody was like at one hundred and eighty, Like the

420
00:24:23,680 --> 00:24:28,520
Speaker 1: energy was just like Harry, you just meet Harry he

421
00:24:28,720 --> 00:24:35,320
Speaker 1: is It's kooky. It is goooky energy, and it was

422
00:24:35,400 --> 00:24:40,600
Speaker 1: weird like in I think maybe the whole storyline was inappropriate,

423
00:24:40,640 --> 00:24:42,480
Speaker 1: so they just went with that in the number, like

424
00:24:42,560 --> 00:24:44,800
Speaker 1: making the number inappropriate.

425
00:24:44,160 --> 00:24:50,359
Speaker 2: To you know, this is the first number that I

426
00:24:50,400 --> 00:24:54,080
Speaker 2: have zero memory of, oh of watching, and it sort

427
00:24:54,080 --> 00:24:56,119
Speaker 2: of makes me think maybe I've never seen this episode before.

428
00:24:57,200 --> 00:24:58,320
Speaker 1: Oh, like I.

429
00:24:58,760 --> 00:25:02,159
Speaker 2: Remember, but you were, yes, I was there, I remember

430
00:25:02,200 --> 00:25:06,800
Speaker 2: what so I remember the choir room got them doing

431
00:25:06,880 --> 00:25:11,000
Speaker 2: this number. Watching the opening of it, I felt like

432
00:25:11,080 --> 00:25:16,080
Speaker 2: I was having a medical problem totally. I don't remember

433
00:25:16,119 --> 00:25:20,000
Speaker 2: this at all totally because this episode to me is

434
00:25:20,400 --> 00:25:22,919
Speaker 2: rumor has it and I can't go for that. But

435
00:25:23,000 --> 00:25:23,680
Speaker 2: that's what I remember.

436
00:25:23,800 --> 00:25:26,119
Speaker 1: You just kind of skip over it, maybe, yeah, the

437
00:25:26,160 --> 00:25:30,359
Speaker 1: first number of the episode. You were tagging this to

438
00:25:30,480 --> 00:25:35,159
Speaker 1: a very specific number this episode, so maybe you just

439
00:25:35,280 --> 00:25:37,560
Speaker 1: kind of there's times I watched a movie over and

440
00:25:37,600 --> 00:25:40,879
Speaker 1: over again. I'm like, is this in scene? You know?

441
00:25:41,600 --> 00:25:43,680
Speaker 2: Yeah, so maybe that makes sense. I feel like, also

442
00:25:43,680 --> 00:25:46,080
Speaker 2: that may start happening a lot as we go on

443
00:25:46,160 --> 00:25:49,520
Speaker 2: in this series, or maybe I just don't remember.

444
00:25:49,119 --> 00:25:56,520
Speaker 1: It, and Puck is just I don't know, it's weird.

445
00:25:56,960 --> 00:25:59,919
Speaker 2: It's just weird, Like I think his stuff with her

446
00:26:00,080 --> 00:26:03,000
Speaker 2: at the school when he's like that's like funny and

447
00:26:03,640 --> 00:26:05,080
Speaker 2: seemingly innocent.

448
00:26:05,080 --> 00:26:06,720
Speaker 1: Right the lockers and everything.

449
00:26:07,000 --> 00:26:12,760
Speaker 2: Yeah, but yeah, I'm really enjoying a Dina though, Oh yes,

450
00:26:12,920 --> 00:26:13,320
Speaker 2: very much.

451
00:26:13,359 --> 00:26:17,000
Speaker 1: So. Yes, And I'm appreciating this cute little Rachel and

452
00:26:17,000 --> 00:26:21,800
Speaker 1: Shelby relationship. Yeah, given that you know, it was like

453
00:26:23,040 --> 00:26:28,920
Speaker 1: her mom's coming to down out of nowhere, we now

454
00:26:29,080 --> 00:26:32,600
Speaker 1: have like them actually kind of having this little relationship.

455
00:26:32,640 --> 00:26:35,040
Speaker 1: And Rachel asked Shelby to write her letter of recommendation

456
00:26:35,119 --> 00:26:37,680
Speaker 1: for Aniada so I thought that was very sweet.

457
00:26:38,280 --> 00:26:40,840
Speaker 2: Scene when we have met Morrison and I want to

458
00:26:40,840 --> 00:26:47,160
Speaker 2: ask him about about the having another teacher in there

459
00:26:47,359 --> 00:26:51,800
Speaker 2: is obviously then sort of taking away some time for

460
00:26:51,920 --> 00:26:54,119
Speaker 2: him as a teacher, but also adding in a new

461
00:26:54,200 --> 00:26:57,679
Speaker 2: dynamic of having another teacher to sort of compete or

462
00:26:57,720 --> 00:26:58,359
Speaker 2: be friends with.

463
00:26:58,840 --> 00:26:59,240
Speaker 1: Totally.

464
00:26:59,560 --> 00:27:02,480
Speaker 2: So just like you know, we had now Trouble Tones

465
00:27:02,560 --> 00:27:05,560
Speaker 2: to is you know the same thing for us, right,

466
00:27:05,680 --> 00:27:08,240
Speaker 2: I'd like to know his take on it, because more people,

467
00:27:08,280 --> 00:27:11,520
Speaker 2: you're splitting up more story and there's less screen time

468
00:27:11,520 --> 00:27:12,480
Speaker 2: for everybody.

469
00:27:12,800 --> 00:27:16,080
Speaker 1: Feeling Matt would be like, man, it's.

470
00:27:15,880 --> 00:27:18,200
Speaker 2: Fine, Yeah, I don't think I don't think you'd care.

471
00:27:19,880 --> 00:27:22,840
Speaker 1: Okay, So they do a number. They come together and

472
00:27:22,880 --> 00:27:24,600
Speaker 1: decide that they're going to do a mash out, that

473
00:27:24,720 --> 00:27:26,439
Speaker 1: New Directions and Trouble Toones are going to do a

474
00:27:26,440 --> 00:27:28,840
Speaker 1: mash off. And they come in and they sing on

475
00:27:28,920 --> 00:27:33,119
Speaker 1: the stage. It was a little jarring the entrance to me,

476
00:27:33,200 --> 00:27:37,119
Speaker 1: I didn't quite fit. But this mash up. What do

477
00:27:37,160 --> 00:27:38,120
Speaker 1: you think of this mashup?

478
00:27:40,480 --> 00:27:43,600
Speaker 2: I don't know if I can separate the song from

479
00:27:43,640 --> 00:27:47,119
Speaker 2: the performance. I think I had mixed felings about this

480
00:27:47,160 --> 00:27:50,000
Speaker 2: episode because I think this the back half of it

481
00:27:50,080 --> 00:27:53,959
Speaker 2: is so strong totally where these first two musical numbers

482
00:27:54,000 --> 00:27:58,320
Speaker 2: are so odd to me m M that I was like,

483
00:27:58,359 --> 00:28:02,440
Speaker 2: what like disjointed? Yeah, I didn't know what was happening,

484
00:28:03,119 --> 00:28:05,520
Speaker 2: and so I didn't. I love both of these songs

485
00:28:07,480 --> 00:28:09,919
Speaker 2: totally that are used in this number. You and I

486
00:28:10,040 --> 00:28:11,760
Speaker 2: is probably my favorite ARGA song.

487
00:28:12,200 --> 00:28:14,840
Speaker 1: Love You and I, But I was like, what is this?

488
00:28:15,760 --> 00:28:17,320
Speaker 2: I just not paparazzi, you know.

489
00:28:18,240 --> 00:28:20,280
Speaker 1: I also felt like when we were shooting it, I

490
00:28:20,320 --> 00:28:24,480
Speaker 1: remember shooting this and feeling like, why are we here?

491
00:28:24,720 --> 00:28:25,680
Speaker 2: Yes, we were all.

492
00:28:25,840 --> 00:28:29,119
Speaker 1: I remember all trying to attach it to the storyline

493
00:28:29,119 --> 00:28:30,760
Speaker 1: of what was going on, Not that we had a

494
00:28:30,800 --> 00:28:35,320
Speaker 1: ton of storyline in this episode, but like I was like,

495
00:28:35,400 --> 00:28:37,119
Speaker 1: what is happening?

496
00:28:37,480 --> 00:28:41,880
Speaker 2: Yes, around being like all right, this is the same weird.

497
00:28:43,680 --> 00:28:48,640
Speaker 1: And we're on the floor. But Eric makes it work, right,

498
00:28:48,680 --> 00:28:50,480
Speaker 1: We all have to make it work. That's the kind

499
00:28:50,480 --> 00:28:53,000
Speaker 1: of your jobs. You're like, You're like, okay, here we are.

500
00:28:53,240 --> 00:28:55,680
Speaker 1: This may not make sense to us, but we're doing it.

501
00:28:55,960 --> 00:28:58,640
Speaker 2: If anyone can make it work, Eric.

502
00:28:58,600 --> 00:29:01,200
Speaker 1: Can make it work, and Adena that can SELLID so,

503
00:29:02,520 --> 00:29:09,440
Speaker 1: But then but then we do another mashup. Hit me

504
00:29:09,440 --> 00:29:11,080
Speaker 1: with your best shot and in one way or another.

505
00:29:11,200 --> 00:29:13,720
Speaker 1: So we decided we're gonna play dodge ball.

506
00:29:14,200 --> 00:29:18,760
Speaker 2: Great mashup, great mashup. Yes, it's great.

507
00:29:19,160 --> 00:29:19,920
Speaker 1: Love this mashup.

508
00:29:19,960 --> 00:29:21,360
Speaker 2: Those songs are like meant to be together.

509
00:29:22,400 --> 00:29:30,840
Speaker 1: It's as if they were one do okay dodgeball.

510
00:29:31,400 --> 00:29:35,600
Speaker 2: Yeah, dodgeball was hard in a wheelchair.

511
00:29:35,600 --> 00:29:37,960
Speaker 1: You guys, well, you did a good job. You don't

512
00:29:38,040 --> 00:29:40,520
Speaker 1: see me in this number. You don't see Leah in

513
00:29:40,520 --> 00:29:43,000
Speaker 1: this number. We were hiding because we were scared of

514
00:29:43,080 --> 00:29:46,400
Speaker 1: the balls. Yep, I can't have balls playing at my face. Okay,

515
00:29:47,520 --> 00:29:51,680
Speaker 1: so you don't see me. I was literally hiding. Heather

516
00:29:51,880 --> 00:29:53,200
Speaker 1: was living.

517
00:29:54,600 --> 00:29:59,280
Speaker 2: That number, that little like move she did the dance herse.

518
00:30:00,080 --> 00:30:01,760
Speaker 1: I loved it doing it.

519
00:30:01,680 --> 00:30:04,880
Speaker 2: Like the campiest number turns into like a violent thing

520
00:30:05,080 --> 00:30:08,440
Speaker 2: so quickly. It's like what I mean, there are people

521
00:30:08,520 --> 00:30:09,560
Speaker 2: soaring through the air.

522
00:30:10,160 --> 00:30:12,200
Speaker 1: I know. And then it was weird because there was

523
00:30:12,240 --> 00:30:15,560
Speaker 1: no choreography, but like he had to get specific shots,

524
00:30:15,600 --> 00:30:17,720
Speaker 1: so like it was kind of like done in pieces.

525
00:30:17,760 --> 00:30:20,480
Speaker 1: So we had a lot of time during that number.

526
00:30:21,240 --> 00:30:23,200
Speaker 2: It was really fun though. We all had a great time.

527
00:30:23,480 --> 00:30:25,800
Speaker 1: I loved doing that number. We were in dodgeball fits.

528
00:30:25,840 --> 00:30:28,520
Speaker 1: It was Comfy. It was different. We were somewhere else,

529
00:30:28,600 --> 00:30:29,320
Speaker 1: we were in the gym.

530
00:30:29,440 --> 00:30:31,280
Speaker 2: I got like a welt on my face. Did you

531
00:30:31,320 --> 00:30:34,120
Speaker 2: see like the bts like I got because I had

532
00:30:34,160 --> 00:30:37,520
Speaker 2: glasses on and then the goggles over the glasses and

533
00:30:37,560 --> 00:30:40,480
Speaker 2: they got hit on the goggles. So then that like hurt.

534
00:30:41,120 --> 00:30:48,160
Speaker 1: Yeah, this episode, or specifically this number, the Dodgeball number,

535
00:30:49,960 --> 00:30:57,040
Speaker 1: Kelly and Naya and Diana were aging people, like pretty

536
00:30:57,040 --> 00:31:02,600
Speaker 1: little liars. Really, yes, And we had been going back

537
00:31:02,640 --> 00:31:07,000
Speaker 1: and forth, I think maybe from the episode, the previous episode,

538
00:31:07,120 --> 00:31:09,400
Speaker 1: and it was kind of like tagger it. So people

539
00:31:09,440 --> 00:31:13,400
Speaker 1: would say other people who got aided. And I come

540
00:31:13,440 --> 00:31:19,280
Speaker 1: into my trailer on a break from shooting the Dodgeball

541
00:31:20,240 --> 00:31:24,480
Speaker 1: and there is a big a on my trailer mirror. Yeah,

542
00:31:24,560 --> 00:31:33,480
Speaker 1: he did in siracha And I was so thrilled to

543
00:31:33,560 --> 00:31:37,360
Speaker 1: be aid with siracha. It looks like blood too, that's

544
00:31:37,400 --> 00:31:39,800
Speaker 1: the funny part. I have a photo of it somewhere.

545
00:31:39,840 --> 00:31:43,280
Speaker 1: I'll post it. Did you taste it? Of course I

546
00:31:43,320 --> 00:31:46,600
Speaker 1: licked it off. No, I'm kidding, but I was thrilled.

547
00:31:46,600 --> 00:31:48,240
Speaker 1: I think I kept it up there and it crusted

548
00:31:48,280 --> 00:31:53,200
Speaker 1: for a while because it's just so so clever, very

549
00:31:53,280 --> 00:31:55,280
Speaker 1: very clever. But yeah, we had a lot of downtime.

550
00:31:56,400 --> 00:31:58,280
Speaker 1: That was a fun number to shoot. I just I

551
00:31:58,400 --> 00:31:59,960
Speaker 1: hid in the back.

552
00:32:00,520 --> 00:32:03,280
Speaker 2: An easy day, Yeah, one of those days like this

553
00:32:03,400 --> 00:32:03,920
Speaker 2: is our job.

554
00:32:06,480 --> 00:32:10,040
Speaker 1: We'd like Heather's got it right, yeah, like she's having

555
00:32:10,040 --> 00:32:13,760
Speaker 1: a blast, let her go for it. She was. It

556
00:32:13,800 --> 00:32:16,080
Speaker 1: was like Mattress when they like fly across the screen

557
00:32:16,200 --> 00:32:18,960
Speaker 1: onto like Matts. I remember watching that and being like,

558
00:32:19,000 --> 00:32:23,920
Speaker 1: who are these these dancers the Troubletoes that are doing

559
00:32:24,000 --> 00:32:25,160
Speaker 1: like aerials?

560
00:32:27,000 --> 00:32:32,040
Speaker 2: I do think my I feel like this number is

561
00:32:32,080 --> 00:32:35,440
Speaker 2: why I have mixed feelings. It's like the perfect example

562
00:32:35,480 --> 00:32:37,280
Speaker 2: of why I have mixed feelings about this episode. I

563
00:32:37,280 --> 00:32:41,920
Speaker 2: think because you I feel like, tonally it is sort

564
00:32:41,960 --> 00:32:47,800
Speaker 2: of all over the place, and you have this number

565
00:32:47,800 --> 00:32:51,000
Speaker 2: that is so fun and campy, right, and then on

566
00:32:51,040 --> 00:32:58,280
Speaker 2: the drop of a hat, like somebody's bleeding. Yeah what well?

567
00:32:58,520 --> 00:32:58,680
Speaker 1: Right?

568
00:32:58,720 --> 00:33:01,800
Speaker 2: That also didn't feel like earned, Like it didn't feel

569
00:33:02,400 --> 00:33:04,360
Speaker 2: like why would this person be that injured?

570
00:33:05,560 --> 00:33:06,040
Speaker 1: Totally?

571
00:33:06,280 --> 00:33:09,520
Speaker 2: And I know that they show Heather's this show like

572
00:33:09,720 --> 00:33:14,760
Speaker 2: begs you to like suspend your disbelief. I understand, but

573
00:33:15,000 --> 00:33:17,080
Speaker 2: it just felt because then you have moments like the

574
00:33:17,120 --> 00:33:20,880
Speaker 2: slop at the end, well that feels real and all

575
00:33:21,000 --> 00:33:25,200
Speaker 2: that feels like so warranted. Yeah, some of the other

576
00:33:25,280 --> 00:33:27,400
Speaker 2: stuff in the beginning of the episode is harder for

577
00:33:27,480 --> 00:33:28,920
Speaker 2: me to like get my head.

578
00:33:28,800 --> 00:33:31,479
Speaker 1: Around and grasp. Yeah, I get that. I get that.

579
00:33:31,520 --> 00:33:34,640
Speaker 1: But on that note too, like even the race for

580
00:33:34,680 --> 00:33:37,160
Speaker 1: senior class has been so it has been kind of

581
00:33:37,160 --> 00:33:39,440
Speaker 1: like heating up for quite a few quite a few

582
00:33:39,440 --> 00:33:44,360
Speaker 1: episodes now, Yeah, and like Brittany and with the stick.

583
00:33:45,720 --> 00:33:50,760
Speaker 1: But then you know, Kurt gives this wonderful speech as always,

584
00:33:50,800 --> 00:33:55,840
Speaker 1: Chris Colfer coming through about bullying and let's and dodgeball

585
00:33:56,040 --> 00:33:58,920
Speaker 1: at the band, dodgeball at the school, and then Rachel

586
00:33:59,000 --> 00:34:04,240
Speaker 1: getting up after being kind of conniving in a way

587
00:34:04,400 --> 00:34:08,960
Speaker 1: by you know, running for president against Kurt and then

588
00:34:09,239 --> 00:34:12,240
Speaker 1: just like turning it all around. It was very sweet.

589
00:34:12,520 --> 00:34:13,520
Speaker 2: Yeah, I loved it.

590
00:34:13,520 --> 00:34:14,960
Speaker 1: It was sweet. I liked it.

591
00:34:15,040 --> 00:34:16,920
Speaker 2: I think it's sweet love story.

592
00:34:20,320 --> 00:34:22,040
Speaker 1: And I thought just I thought it was a really

593
00:34:23,120 --> 00:34:25,839
Speaker 1: nice move, like it was time for Rachel to do

594
00:34:25,880 --> 00:34:29,240
Speaker 1: something a little like giving because like, you know, she's

595
00:34:29,520 --> 00:34:33,440
Speaker 1: she's a taker. Okay, they're taker vision takers. Rachel's a taker,

596
00:34:34,200 --> 00:34:36,960
Speaker 1: but she she gave back and it was really nice.

597
00:34:37,640 --> 00:34:41,640
Speaker 2: I also just watching them together is always really fun. Yeah, totally,

598
00:34:41,760 --> 00:34:43,000
Speaker 2: and I like when they like each other.

599
00:34:51,760 --> 00:34:56,840
Speaker 1: Okay, so the mass shops that New Directions and trouble Tons.

600
00:34:57,480 --> 00:34:59,400
Speaker 1: We've talked about the trouble Tones. We know this is

601
00:34:59,440 --> 00:35:01,160
Speaker 1: this number of series. Let's be real.

602
00:35:03,400 --> 00:35:06,480
Speaker 2: On the flip side here is.

603
00:35:06,440 --> 00:35:08,760
Speaker 1: I can't go for that, and you make my dreams

604
00:35:08,760 --> 00:35:11,560
Speaker 1: by hall notes like I love Hallo notes. I thought

605
00:35:11,560 --> 00:35:16,359
Speaker 1: this mashup was fine. I don't know that I could

606
00:35:16,400 --> 00:35:20,000
Speaker 1: have distinguished the two songs for each other to bed like,

607
00:35:20,400 --> 00:35:21,759
Speaker 1: this could have not been a mash up and it

608
00:35:21,760 --> 00:35:22,520
Speaker 1: could have been one song.

609
00:35:22,560 --> 00:35:25,160
Speaker 2: To me, I feel the same way about this as

610
00:35:25,160 --> 00:35:28,120
Speaker 2: I did about Hit Me with Your Best Shop. They

611
00:35:29,360 --> 00:35:33,120
Speaker 2: so well together that in my memory they wore one

612
00:35:33,160 --> 00:35:35,640
Speaker 2: song both of them. They weren't mash up me too,

613
00:35:36,160 --> 00:35:37,240
Speaker 2: And watching was like, oh.

614
00:35:38,040 --> 00:35:43,160
Speaker 1: Right, it's a mashup episode. Cool. Yeah, agreed, Okay.

615
00:35:43,160 --> 00:35:45,360
Speaker 2: It was so much fun to do this.

616
00:35:46,000 --> 00:35:49,160
Speaker 1: The most fun. Do you remember. I was so hungover

617
00:35:49,719 --> 00:35:55,719
Speaker 1: doing this number that Darren introduced me to pepsid in

618
00:35:55,840 --> 00:35:59,600
Speaker 1: water or like alka seltzer in water for this He's

619
00:35:59,640 --> 00:36:03,040
Speaker 1: like just drinking alc seltzer and water, So I was

620
00:36:03,080 --> 00:36:08,120
Speaker 1: like downing al Seltzer doing this number, which I had

621
00:36:08,120 --> 00:36:10,760
Speaker 1: so much fun doing, but I was wildly hungover.

622
00:36:12,719 --> 00:36:14,480
Speaker 2: Well this is party girl time.

623
00:36:14,800 --> 00:36:18,560
Speaker 1: Yes, it was just getting gray. She wasn't doing much

624
00:36:18,600 --> 00:36:22,680
Speaker 1: on screen, so you know, let's just get out there.

625
00:36:23,320 --> 00:36:25,080
Speaker 2: Yeah. We didn't have much responsibility at.

626
00:36:24,960 --> 00:36:27,080
Speaker 1: Work, so I was like, well, I can go out.

627
00:36:27,080 --> 00:36:29,120
Speaker 1: But then of course we had this number, which was

628
00:36:29,120 --> 00:36:44,719
Speaker 1: really really fun. The looks were really funny, the mustache, Yeah, brigade.

629
00:36:41,360 --> 00:36:42,920
Speaker 2: I love you and Damien singing together.

630
00:36:43,200 --> 00:36:45,960
Speaker 1: It was cute. It was cute. Yeah, love love Damien.

631
00:36:46,920 --> 00:36:51,839
Speaker 1: We'll do anything for Damien. But he was so such

632
00:36:51,840 --> 00:36:54,560
Speaker 1: as maybe it was intentional. It was such a stark

633
00:36:54,600 --> 00:36:57,160
Speaker 1: difference from the rumor has it that I was like,

634
00:36:58,160 --> 00:36:59,680
Speaker 1: I wish we could have done something like that.

635
00:37:00,080 --> 00:37:00,279
Speaker 2: Yeah.

636
00:37:00,280 --> 00:37:07,920
Speaker 1: I was like, again, damn it class with a bad taste.

637
00:37:08,760 --> 00:37:12,759
Speaker 1: These like old old songs. Anyway, they're not that old,

638
00:37:12,840 --> 00:37:13,399
Speaker 1: let's be wrong.

639
00:37:13,560 --> 00:37:14,160
Speaker 2: Yeah.

640
00:37:14,200 --> 00:37:16,560
Speaker 1: I have to note also, though, that Corey doing Hot

641
00:37:16,600 --> 00:37:20,759
Speaker 1: for Teacher, playing the drums looking so happy. David was like,

642
00:37:21,160 --> 00:37:23,319
Speaker 1: he looks like he is in his element. I was like,

643
00:37:23,400 --> 00:37:26,880
Speaker 1: that's because he is like behind the drum set a

644
00:37:26,960 --> 00:37:32,800
Speaker 1: drum kit, drum kit, drum set yep, just literally banging

645
00:37:32,880 --> 00:37:36,280
Speaker 1: away and singing some backup vocals his dream, his dream,

646
00:37:36,560 --> 00:37:37,239
Speaker 1: and also.

647
00:37:37,000 --> 00:37:39,120
Speaker 2: Like that song like getting to do like rock.

648
00:37:39,320 --> 00:37:44,759
Speaker 1: Yes, yeah, exactly. The looks and the performance of You

649
00:37:44,800 --> 00:37:47,640
Speaker 1: Make My Dreams Come True was really fun. So I'll

650
00:37:47,640 --> 00:37:51,960
Speaker 1: give it, you know, a B minus. But you know

651
00:37:52,600 --> 00:37:56,000
Speaker 1: that's generous in comparison to the trouble to Yeah.

652
00:37:56,080 --> 00:37:59,080
Speaker 2: I think it's just hard when you after you see

653
00:37:59,080 --> 00:38:04,560
Speaker 2: that number, like, oh right, that's what we're up against. Yes,

654
00:38:04,719 --> 00:38:05,319
Speaker 2: you got it?

655
00:38:05,760 --> 00:38:08,480
Speaker 1: Oh my gosh. And also this is hello notes was

656
00:38:08,800 --> 00:38:11,600
Speaker 1: this was the first time Quinn sings in the season.

657
00:38:13,280 --> 00:38:15,520
Speaker 2: I mean, I don't know if I've sung yet.

658
00:38:16,239 --> 00:38:22,360
Speaker 1: Oh you have, Kevin, Yes, remember I don't know if

659
00:38:22,400 --> 00:38:24,600
Speaker 1: I did. Yes, Kevin, you've definitely sung.

660
00:38:25,280 --> 00:38:28,040
Speaker 2: I don't think I sing until like halfway through the season. No,

661
00:38:30,160 --> 00:38:34,320
Speaker 2: I think so, M I think you're wrong as hosts

662
00:38:34,360 --> 00:38:36,560
Speaker 2: of the show, is it something we should.

663
00:38:36,280 --> 00:38:42,120
Speaker 1: Probably remember just by having done these episodes last the

664
00:38:42,160 --> 00:38:48,120
Speaker 1: last few weeks. The other thing that's happening is Sue

665
00:38:49,600 --> 00:38:53,320
Speaker 1: is running still running for Congress, and so is Bert.

666
00:38:56,280 --> 00:39:00,160
Speaker 1: But Bert is not going to blow the belt, and

667
00:39:00,360 --> 00:39:06,680
Speaker 1: Sue is spreading lies about Bert having a baboon heart.

668
00:39:06,960 --> 00:39:08,920
Speaker 2: I mean, I like these things. I thought it was

669
00:39:08,960 --> 00:39:16,360
Speaker 2: also like fun and silly and insane. Agreed, and also

670
00:39:16,680 --> 00:39:19,839
Speaker 2: I think fits more at the like with the state

671
00:39:19,840 --> 00:39:22,319
Speaker 2: of politics in twenty twenty three than it did even then.

672
00:39:23,920 --> 00:39:26,320
Speaker 2: You know, like now you can really just say anything,

673
00:39:26,440 --> 00:39:27,760
Speaker 2: anything and it's.

674
00:39:27,560 --> 00:39:33,440
Speaker 1: Fine, unregulated, uncensored, un yeah, not fact jacked. Let's just

675
00:39:33,760 --> 00:39:36,400
Speaker 1: spew whatever work we're thinking or feeling.

676
00:39:36,480 --> 00:39:39,640
Speaker 2: Yeah, and like some people, well buy it, like great,

677
00:39:39,800 --> 00:39:41,000
Speaker 2: good for you.

678
00:39:41,000 --> 00:39:50,200
Speaker 1: You're right. But this leads us to the whole campaign

679
00:39:50,360 --> 00:39:54,200
Speaker 1: thing about you know, this gets to the grit of

680
00:39:55,280 --> 00:40:00,960
Speaker 1: beIN releasing the truth about Santana. I don't remember what

681
00:40:01,280 --> 00:40:05,920
Speaker 1: happens after this, though, to be honest, I don't either.

682
00:40:06,320 --> 00:40:11,560
Speaker 1: I slightly remember Santana. Is this not Bush City City limits?

683
00:40:12,440 --> 00:40:13,920
Speaker 1: Is this coming up where she goes away?

684
00:40:14,760 --> 00:40:17,760
Speaker 2: Look, I know that I was there with you at work,

685
00:40:18,440 --> 00:40:20,120
Speaker 2: but you're asking the wrong person.

686
00:40:21,920 --> 00:40:23,799
Speaker 1: I think that not Bush to do limits is coming up.

687
00:40:23,840 --> 00:40:24,760
Speaker 1: That's why I'm excited.

688
00:40:25,120 --> 00:40:29,200
Speaker 2: So I'm excited because I'm going in blind with no memory.

689
00:40:29,520 --> 00:40:33,200
Speaker 1: Okay, good stuff, but when I see it, I remember, No,

690
00:40:33,320 --> 00:40:36,600
Speaker 1: of course, I think there's something to that. Number one.

691
00:40:36,600 --> 00:40:38,759
Speaker 1: We really bad memories. Let's just call it what it

692
00:40:38,880 --> 00:40:41,880
Speaker 1: is as babest bad. But number two, there were so

693
00:40:42,000 --> 00:40:45,000
Speaker 1: many freakin things that we did and and I think

694
00:40:45,040 --> 00:40:50,040
Speaker 1: because our storylines were few and far between, like there

695
00:40:49,760 --> 00:40:53,399
Speaker 1: are yeah, you have, like I have distinct like mile

696
00:40:53,480 --> 00:40:55,000
Speaker 1: markers in my total.

697
00:40:55,280 --> 00:40:58,960
Speaker 2: If we're not like super involved and you're just the

698
00:40:59,040 --> 00:41:00,759
Speaker 2: days are sort of the same, and like the short

699
00:41:00,840 --> 00:41:03,239
Speaker 2: term memory gets full, and it's like, well, if every

700
00:41:03,280 --> 00:41:05,880
Speaker 2: day is sort of looking the same, then I don't

701
00:41:05,960 --> 00:41:08,640
Speaker 2: retain all of these fifteen hour.

702
00:41:08,520 --> 00:41:12,200
Speaker 1: Days, seven hundred musical numbers, no sixties.

703
00:41:13,400 --> 00:41:16,880
Speaker 2: Not only that you're filming five days a week fifteen

704
00:41:17,040 --> 00:41:21,160
Speaker 2: four I mean twelve to fifteen hours a day, yeah, yeah,

705
00:41:21,200 --> 00:41:24,160
Speaker 2: And then you're learning the numbers, you're recording the songs.

706
00:41:25,600 --> 00:41:27,640
Speaker 2: At the same time, you're getting scripts for the episodes

707
00:41:27,719 --> 00:41:30,399
Speaker 2: that are coming up, and then they're editing those things

708
00:41:30,400 --> 00:41:32,520
Speaker 2: that you shot into an episode. So that's also like

709
00:41:32,560 --> 00:41:36,200
Speaker 2: a different thing to remember. So at some point you're

710
00:41:36,239 --> 00:41:39,440
Speaker 2: just sort of like, I don't know what's what anymore.

711
00:41:39,760 --> 00:41:43,839
Speaker 1: Yeah. Yeah. I also felt like the scripts like short

712
00:41:43,920 --> 00:41:47,160
Speaker 1: term memory, like like a quiz just goes study for it,

713
00:41:47,680 --> 00:41:49,960
Speaker 1: yea memorize it and then forget it.

714
00:41:50,360 --> 00:41:53,120
Speaker 2: Okay, So I did. I sang a little bit. I

715
00:41:53,160 --> 00:41:55,759
Speaker 2: sang a harmony and last Friday night on the Pace.

716
00:41:55,840 --> 00:41:58,680
Speaker 1: Fine, fine, you're right, Kevin, you're right, and not the

717
00:41:58,800 --> 00:42:01,200
Speaker 1: City Limits is season So I was wrong.

718
00:42:01,920 --> 00:42:02,720
Speaker 2: We're both wrong.

719
00:42:03,000 --> 00:42:05,600
Speaker 1: You know what it was? There was a valiant effort

720
00:42:05,640 --> 00:42:06,800
Speaker 1: made on my part?

721
00:42:08,600 --> 00:42:10,160
Speaker 2: Was that valiant? Here a season off?

722
00:42:11,440 --> 00:42:13,520
Speaker 1: You know what I tried. I racked my brain and

723
00:42:13,560 --> 00:42:14,120
Speaker 1: I was wrong.

724
00:42:14,200 --> 00:42:17,960
Speaker 2: But you know we all want more. Yeah that's the truth.

725
00:42:18,840 --> 00:42:22,440
Speaker 1: Okay, Well I think that's I mean, that is the episode.

726
00:42:22,520 --> 00:42:24,440
Speaker 1: What would you rate this episode, Kevin? Since it was

727
00:42:24,480 --> 00:42:27,279
Speaker 1: all like you have like a like a fifty to

728
00:42:27,280 --> 00:42:28,480
Speaker 1: fifty split of this episode.

729
00:42:29,120 --> 00:42:34,760
Speaker 2: It's hard things. I don't know. I think maybe overall

730
00:42:34,800 --> 00:42:39,680
Speaker 2: I rank it like I don't know, maybe like a

731
00:42:39,719 --> 00:42:40,800
Speaker 2: six and a half or seven.

732
00:42:41,640 --> 00:42:44,120
Speaker 1: Okay, I was gonna give it like a B a

733
00:42:44,160 --> 00:42:46,239
Speaker 1: B bummer around.

734
00:42:46,560 --> 00:42:49,920
Speaker 2: Obviously, some of this is so good and some of.

735
00:42:49,840 --> 00:42:53,840
Speaker 1: It am Yeah, but none of us. I hated all that.

736
00:42:53,960 --> 00:42:55,839
Speaker 2: No, I do not hate any of It's good.

737
00:42:56,080 --> 00:42:58,480
Speaker 1: That's a good thing. It's a good thing.

738
00:42:59,080 --> 00:42:59,680
Speaker 2: We'll take it.

739
00:43:07,800 --> 00:43:09,000
Speaker 1: Should we do some tarty takes.

740
00:43:09,120 --> 00:43:10,240
Speaker 2: Let's do some party takes.

741
00:43:10,400 --> 00:43:14,400
Speaker 1: Okay, cringe moments.

742
00:43:14,000 --> 00:43:17,359
Speaker 2: Well, those insults by Santana were pretty rough.

743
00:43:18,120 --> 00:43:22,239
Speaker 1: Yeah, and the puck things all wrong and the thing

744
00:43:22,280 --> 00:43:27,040
Speaker 1: is all wrong. Yeah, okay. Best dance move, I gotta

745
00:43:27,080 --> 00:43:28,839
Speaker 1: say Heather in.

746
00:43:30,080 --> 00:43:33,319
Speaker 2: All the trouble tones and well rumor has it as well.

747
00:43:34,040 --> 00:43:35,160
Speaker 1: Yeah, I mean those shoulders.

748
00:43:35,480 --> 00:43:38,239
Speaker 2: Well, okay, yes, I can say the specific number for talking.

749
00:43:38,360 --> 00:43:41,839
Speaker 2: Best dance move is that shoulder. I'm doing it, but

750
00:43:41,920 --> 00:43:43,359
Speaker 2: it doesn't you know what? You know the one I'm

751
00:43:43,360 --> 00:43:43,920
Speaker 2: talking about?

752
00:43:44,120 --> 00:43:45,920
Speaker 1: Yes, I do. We all know what you're talking about.

753
00:43:46,719 --> 00:43:48,080
Speaker 2: Yeah, yeah, the shoulder move.

754
00:43:49,560 --> 00:43:51,480
Speaker 1: Yeah, okay.

755
00:43:51,560 --> 00:43:58,399
Speaker 2: Best song obviously someone like you. I think I think

756
00:43:58,440 --> 00:44:01,800
Speaker 2: if we put that up as a if there was

757
00:44:01,840 --> 00:44:04,759
Speaker 2: a poll to vote the best mashup, even maybe the

758
00:44:04,800 --> 00:44:08,360
Speaker 2: best song like we ever did, I think be the one.

759
00:44:08,239 --> 00:44:13,600
Speaker 1: Top top three, top three for sure performance by a prop.

760
00:44:14,280 --> 00:44:16,440
Speaker 1: I think your guys's mustaches.

761
00:44:17,440 --> 00:44:18,839
Speaker 2: I wasn gonna say the dodgeballs.

762
00:44:20,200 --> 00:44:20,719
Speaker 1: That's good too.

763
00:44:21,320 --> 00:44:24,320
Speaker 2: Yeah, they both work. I also shout out to the

764
00:44:24,440 --> 00:44:28,799
Speaker 2: VHS tape they put in to show the ad for yeah,

765
00:44:29,440 --> 00:44:30,520
Speaker 2: very political.

766
00:44:30,120 --> 00:44:38,399
Speaker 1: Campaign, the best mind. I mean, I really love this

767
00:44:38,600 --> 00:44:42,360
Speaker 1: Sue montage of the Bert Hummel campaign, where she says

768
00:44:42,719 --> 00:44:44,319
Speaker 1: last year he had a heart attack, and he might

769
00:44:44,320 --> 00:44:46,320
Speaker 1: have had a heart transplant, and he might have gotten

770
00:44:46,320 --> 00:44:49,040
Speaker 1: it from a baboon. Ca Boons are dangerous killers who

771
00:44:49,040 --> 00:44:51,320
Speaker 1: throw their own feces when they're not tearing off people's

772
00:44:51,320 --> 00:44:53,240
Speaker 1: faces or admiring their own weird butts.

773
00:44:54,160 --> 00:44:57,799
Speaker 2: That was pretty good, but there were a lot of

774
00:44:57,840 --> 00:45:04,880
Speaker 2: good ones. My god, I Stannah when she says, I'm

775
00:45:04,920 --> 00:45:06,880
Speaker 2: from my heights. I was raised on insults. It's how

776
00:45:06,920 --> 00:45:08,680
Speaker 2: my abuela put me to sleep at night. And she

777
00:45:08,760 --> 00:45:10,800
Speaker 2: is not a nice lady. You know, she tried to

778
00:45:10,840 --> 00:45:14,200
Speaker 2: sell me once. It wasn't till like on the kindergarten

779
00:45:14,239 --> 00:45:18,200
Speaker 2: that I learned my name wasn't garbage space. Also, Mercedes

780
00:45:18,400 --> 00:45:20,400
Speaker 2: says adele and sure, he goes, I sound just like her,

781
00:45:20,440 --> 00:45:23,040
Speaker 2: and then Brittany goes, dude, I love her. She sounds

782
00:45:23,080 --> 00:45:25,120
Speaker 2: like what banana cream pie sounds like when it sings,

783
00:45:25,760 --> 00:45:28,800
Speaker 2: which I get actually good. Yeah, yeah, I understand that.

784
00:45:28,560 --> 00:45:31,439
Speaker 1: That is your Yeah, that's your line right there, that's

785
00:45:31,440 --> 00:45:31,920
Speaker 1: made for you.

786
00:45:32,640 --> 00:45:36,560
Speaker 2: My favorite one, though, might be Rory's. He says, you're

787
00:45:36,600 --> 00:45:39,279
Speaker 2: skinning like all the crops that failed on your.

788
00:45:39,200 --> 00:45:44,680
Speaker 1: Family's He gets some good one liners. I will say Yeah,

789
00:45:44,840 --> 00:45:48,919
Speaker 1: very good. We have performance MVP. I think I'm going

790
00:45:48,960 --> 00:45:49,440
Speaker 1: with Naya.

791
00:45:49,760 --> 00:45:53,319
Speaker 2: Yeah, there's there's no no, no other choice. Naya is

792
00:45:53,320 --> 00:45:56,960
Speaker 2: the MVP of this episode. Really should have been nominated

793
00:45:57,000 --> 00:45:59,320
Speaker 2: for Everything under the Sun. Should have won for Everything

794
00:45:59,360 --> 00:45:59,879
Speaker 2: under the Sun.

795
00:46:00,160 --> 00:46:03,000
Speaker 1: Mm hmm agree, because.

796
00:46:02,760 --> 00:46:06,680
Speaker 2: She was doing it using every tool in that toolbox.

797
00:46:08,040 --> 00:46:10,799
Speaker 1: I mean it's not even all for tools. It's like

798
00:46:10,880 --> 00:46:12,280
Speaker 1: half no tools exactly.

799
00:46:13,239 --> 00:46:16,359
Speaker 2: Some people just got it, and like, how lucky were

800
00:46:16,400 --> 00:46:17,520
Speaker 2: we to just get to watch it?

801
00:46:17,960 --> 00:46:21,440
Speaker 1: Literally we got to be in the presence of it. Yes,

802
00:46:22,280 --> 00:46:26,399
Speaker 1: not even just view it a gift. Okay, give me

803
00:46:26,560 --> 00:46:28,040
Speaker 1: some TikTok.

804
00:46:27,760 --> 00:46:31,160
Speaker 2: Should we found on TikTok this week? The Try Guys,

805
00:46:34,680 --> 00:46:39,920
Speaker 2: there's a whole segment one of their podcasts talking about

806
00:46:40,120 --> 00:46:45,000
Speaker 2: Run Joey, Run your family Member, and one of them

807
00:46:45,040 --> 00:46:49,279
Speaker 2: describing how Rachel set the guys up, like didn't tell

808
00:46:49,360 --> 00:46:51,600
Speaker 2: them that all three of them were going to be

809
00:46:51,680 --> 00:46:54,759
Speaker 2: in it, sort of you know, like create on their

810
00:46:54,760 --> 00:46:56,960
Speaker 2: better senses to get them in the video, and then

811
00:46:57,160 --> 00:46:59,320
Speaker 2: they only found out when they all watched it together

812
00:46:59,320 --> 00:47:05,040
Speaker 2: in the same room and just how like unhinged that

813
00:47:05,160 --> 00:47:09,239
Speaker 2: number is and how conniving Rachel was to get it

814
00:47:09,280 --> 00:47:12,560
Speaker 2: all done. It's brilliant, And you know they're also mentioning

815
00:47:12,600 --> 00:47:15,759
Speaker 2: how the show was a way to a vehicle to

816
00:47:15,760 --> 00:47:19,120
Speaker 2: introduce people to songs that they'd never heard before.

817
00:47:20,080 --> 00:47:23,480
Speaker 1: We also have to know the comments because TikTok comments.

818
00:47:23,520 --> 00:47:25,520
Speaker 1: I'm not on TikTok. Let's be real, I don't go

819
00:47:25,560 --> 00:47:31,960
Speaker 1: on TikTok, but the comments are always so insane, like

820
00:47:32,600 --> 00:47:36,359
Speaker 1: run Joey Run is the best performance Singly history. You're crazy, Claudia.

821
00:47:37,160 --> 00:47:43,120
Speaker 1: Glee is so un serious. I love it. I think

822
00:47:43,320 --> 00:47:46,400
Speaker 1: you sitting run Joy Run Glee version was literally the

823
00:47:46,400 --> 00:47:49,960
Speaker 1: best song I had ever heard. Like, is this.

824
00:47:51,320 --> 00:47:57,040
Speaker 2: Are people okay? Real? I love? Somebody said, honestly, my

825
00:47:57,120 --> 00:47:59,200
Speaker 2: Roman Empire, this song was elite.

826
00:47:59,600 --> 00:48:03,320
Speaker 1: Somebody said, Okay, I'll rewatch Glee.

827
00:48:03,600 --> 00:48:07,160
Speaker 2: I do think Maya said I love explaining Glee to

828
00:48:07,239 --> 00:48:10,879
Speaker 2: non Gleeks. And I think this clip from the Try

829
00:48:10,920 --> 00:48:15,680
Speaker 2: Guys is that this is exactly what it feels like.

830
00:48:16,040 --> 00:48:18,480
Speaker 2: I'm sure trying to explain the show to people.

831
00:48:18,640 --> 00:48:22,319
Speaker 1: This song low key eight. I am just still so

832
00:48:22,480 --> 00:48:25,799
Speaker 1: forward by this thing. I will never never understand it.

833
00:48:25,920 --> 00:48:27,120
Speaker 1: But here we are.

834
00:48:27,560 --> 00:48:30,920
Speaker 2: But I again, I think this is much more about

835
00:48:30,920 --> 00:48:34,239
Speaker 2: the story than the song, Jenna, it is like a

836
00:48:34,280 --> 00:48:38,960
Speaker 2: peak unhinged Rachel, like her delusion, her manipulation to get

837
00:48:39,000 --> 00:48:42,480
Speaker 2: what she wants. And then she's so serious about this

838
00:48:42,960 --> 00:48:48,280
Speaker 2: bad song, and your music video is like so intricate

839
00:48:48,400 --> 00:48:51,279
Speaker 2: and like well done.

840
00:48:51,600 --> 00:48:54,880
Speaker 1: I just feel like, you know, we were talking about the

841
00:48:54,960 --> 00:49:02,719
Speaker 1: synergy in a number. Yeah, I'm searching, I'm on the

842
00:49:03,040 --> 00:49:04,080
Speaker 1: I'm on the mac bubble.

843
00:49:04,600 --> 00:49:10,960
Speaker 2: That's where I think this synergistically. That's why it works

844
00:49:11,239 --> 00:49:15,400
Speaker 2: because it all fit within the story for several reasons.

845
00:49:16,520 --> 00:49:19,040
Speaker 2: It's less about the song. It's not about that song.

846
00:49:19,680 --> 00:49:22,920
Speaker 1: But people say it eight though, and I'm confused because there's.

847
00:49:22,719 --> 00:49:26,880
Speaker 2: No way to unrelate it to the video or the story.

848
00:49:27,200 --> 00:49:31,080
Speaker 2: All Right, Okay, I think for we can't be objective

849
00:49:31,120 --> 00:49:37,040
Speaker 2: about this, like disagree. Damn it, Jenna, she is shutting

850
00:49:37,040 --> 00:49:37,920
Speaker 2: this debate down.

851
00:49:41,840 --> 00:49:43,439
Speaker 1: We can make this a whole episode if we want.

852
00:49:46,920 --> 00:49:50,280
Speaker 1: Can we get see what you're saying, See what you're saying.

853
00:49:50,600 --> 00:49:58,040
Speaker 1: I am understanding more how this can encompass glease satire.

854
00:49:58,960 --> 00:50:01,760
Speaker 2: I'm not saying I agree with people. I'm just saying

855
00:50:01,800 --> 00:50:07,520
Speaker 2: I understand it. Okay, Okay, I never have. Some of

856
00:50:07,600 --> 00:50:11,160
Speaker 2: us are smarter than others. And you people.

857
00:50:13,400 --> 00:50:14,920
Speaker 1: I was referring to you being smarter.

858
00:50:15,080 --> 00:50:17,040
Speaker 2: But no, no, no, don't do that.

859
00:50:17,480 --> 00:50:24,239
Speaker 1: No better. Okay, that is every time I try to

860
00:50:24,239 --> 00:50:27,000
Speaker 1: say this episode, I'm like mash off mash up mash

861
00:50:27,120 --> 00:50:34,360
Speaker 1: with with mash off and we are episode six of three.

862
00:50:35,160 --> 00:50:37,839
Speaker 2: I feel like we need to slow down. I don't know.

863
00:50:38,280 --> 00:50:39,400
Speaker 2: This is flying by.

864
00:50:39,560 --> 00:50:46,120
Speaker 1: Well, sectionals is coming. We have I kissed the girl

865
00:50:46,200 --> 00:50:46,680
Speaker 1: next week.

866
00:50:47,880 --> 00:50:50,160
Speaker 2: Wow, girls just want to have fun.

867
00:50:50,239 --> 00:50:52,600
Speaker 1: Jenna, I have no memory.

868
00:50:53,200 --> 00:50:56,480
Speaker 2: Oh get ready, see I remember that because I sang

869
00:50:56,560 --> 00:50:56,839
Speaker 2: on it.

870
00:50:58,000 --> 00:50:59,719
Speaker 1: I have no memory of this episode at all.

871
00:51:00,320 --> 00:51:01,560
Speaker 2: I think this is gonna be a good one.

872
00:51:01,680 --> 00:51:06,359
Speaker 1: Okay, cool, Well, tune in to see if general remembers anything.

873
00:51:06,080 --> 00:51:09,680
Speaker 2: And anything, if we can remember anything.

874
00:51:10,760 --> 00:51:11,839
Speaker 1: I think people are sick of that.

875
00:51:11,920 --> 00:51:15,480
Speaker 2: But yeah I don't. Yeah. That's not in a way

876
00:51:15,480 --> 00:51:18,359
Speaker 2: to like drag the show by the way, No, because

877
00:51:18,400 --> 00:51:22,400
Speaker 2: we love it. Just trying to join this. Yes, also,

878
00:51:22,480 --> 00:51:24,480
Speaker 2: this is I love that every week now feels like

879
00:51:24,480 --> 00:51:29,400
Speaker 2: I'm watching a new show, truly, because it's also a

880
00:51:29,440 --> 00:51:33,239
Speaker 2: way for I feel better at being able to analyze

881
00:51:33,280 --> 00:51:35,879
Speaker 2: what's happening, because I feel like I can be way more.

882
00:51:35,760 --> 00:51:39,120
Speaker 1: Affractive about it. Oh, okay, this is like his the

883
00:51:39,200 --> 00:51:43,239
Speaker 1: girl Na Teena's version, the group girl version with all

884
00:51:43,280 --> 00:51:45,440
Speaker 1: of us in the choir room and Sugar Mata. I'll

885
00:51:45,440 --> 00:51:48,439
Speaker 1: always remember ving us Lenji's being there. Okay, this is fun,

886
00:51:48,560 --> 00:51:51,959
Speaker 1: all right, yeah, okay, Well, joined us next week and

887
00:51:54,200 --> 00:51:55,920
Speaker 1: thanks for joining us, and.

888
00:51:55,800 --> 00:51:59,240
Speaker 2: That's what you really missed. Thanks for listening, and follow

889
00:51:59,280 --> 00:52:01,839
Speaker 2: us on Instagram at and that's what you really miss

890
00:52:01,880 --> 00:52:03,719
Speaker 2: pod and make sure to write us a review and

891
00:52:03,880 --> 00:52:05,799
Speaker 2: leave us five stars. See you next time.