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Speaker 1: The most dangerous morning show the breakfast Clubs. I'm rather

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Speaker 1: put y'all together. Y'all are like a mega for us.

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Speaker 1: Y'all just took over ever with this Chris Brown, I've

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Speaker 1: officially joined the Breakfast Club. Say something, mother, I'm with it.

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Speaker 1: Pick up the mother mother phone and don this is

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Speaker 1: your time to get it off your chat mother, your

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Speaker 1: manage with your chest. You want to hear from you

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Speaker 1: on the Breakfast Club, so you better have the same energy. Hello,

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Speaker 1: who's this? This is tasty? Hey mama? Hey tasty? You mad?

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Speaker 1: Or you blast? Which one? This morning? I'm upset why

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Speaker 1: I'm a single mom? Was a little bit of everything

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Speaker 1: going on? Like, what what's everything? Mama? Here's a lot.

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Speaker 1: I'm just leaving my second dob pick my daughter. Um,

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Speaker 1: I haven't been in the sleep for about two days.

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Speaker 1: It trust mean trying to figure out all right? Are

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Speaker 1: you loving? Mama? Is everything a little bit overwhelming for

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Speaker 1: you right now? Yeah? What's wrong? Yeah? No? You be strong?

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Speaker 1: Get through it, mama. Well, we don't know what's going

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Speaker 1: on for us. She can get through anything. Maybe what's

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Speaker 1: going on with wrong? Baby? Everything? You're gonna tell us,

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Speaker 1: You're gonna tell us one thing. She's working hard, she

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Speaker 1: has multiple jobs, she has kids to take care of.

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Speaker 1: Many kids you got, mama only has one, okay, just her.

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Speaker 1: Her father's in prison two ninety six months. How long

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Speaker 1: is that in years? I'm dumb, too many to count

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Speaker 1: after sixty with five years, I counted twenty years? Is

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Speaker 1: he pressuring you to like be be faithful to him

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Speaker 1: and hold him down while he's locked up? No? We

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Speaker 1: I don't deal at all. I just take care of

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Speaker 1: my kids. But it's just so hard. It just seems

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Speaker 1: like if you do, you can't get any help. If

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Speaker 1: you don't, you can get everything. Like I'm literally like,

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Speaker 1: how can we help, baby, Let's get to the I

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Speaker 1: don't like discussing problems. Let's talk about solutions. How can

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Speaker 1: we help at this point? To be honest, I really

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Speaker 1: don't know, because it seems like I prooveth every effort.

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Speaker 1: Like my situation is just horrible for somebody who has

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Speaker 1: a full time job, part time job. So you got

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Speaker 1: a job, to you making some money more than a job,

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Speaker 1: I think you just need some moral support. You just

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Speaker 1: need somebody to give you a little pustion, tell you

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Speaker 1: that things will be okay, baby, that's things will be.

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Speaker 1: You got people out here praying for you and sending

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Speaker 1: your positive energy. Do you have help in your family? UM?

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Speaker 1: Actually know, I really don't. UM. My father um committed

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Speaker 1: suicide back in two thousand and I have my um

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Speaker 1: mom and I it's strange because her husband and I

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Speaker 1: don't really see out an ass for when I all right,

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Speaker 1: we get we get it. Baby, your life is bad,

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Speaker 1: but listen, let me tell you something. Life goes on

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Speaker 1: and you have adult You have a child to live for. Okay,

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Speaker 1: So even if sometimes you can't be strong for you

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Speaker 1: for her, I mean for yourself, be strong for her.

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Speaker 1: And if you really want to feel better about your life.

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Speaker 1: It's a great book out right now called Black Privilege.

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Speaker 1: Opportunity comes to those and create it and you should

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Speaker 1: like go pick it up. It'll really make you feel good.

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Speaker 1: It'll help you transcend your circumstances. For anybody who needs

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Speaker 1: a little extra push transcending their circumstances, that book is

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Speaker 1: for you. Thank you, all right, baby, he just turned

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Speaker 1: this into a book. Definitely did all right, think good well,

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Speaker 1: pray for you all right. That was sad. It was sad,

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Speaker 1: but that's why you got to give some uplifting words,

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Speaker 1: you know, and then to let it go. Get your book.

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Speaker 1: It's no need for both of us to be sad. Okay,

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Speaker 1: somebody right, I love I'm praying for right now. The

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Speaker 1: best I wish now, she's very blessed to have a

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Speaker 1: healthy daughter and to actually have a job so that

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Speaker 1: you can support your family. Yeah. I wish everybody out

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Speaker 1: there going through something the best. But you have to

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Speaker 1: understand that the world is gonna keep turning regardless, right,

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Speaker 1: so your mind as well turn with it. And trouble

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Speaker 1: don't last always. Sometimes life just gets a little bit overwhelming. Yes,

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Speaker 1: and please don't make permanent decisions off temporary feelings, please,

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Speaker 1: because I guarantee you that your life would be better

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Speaker 1: in a couple of weeks in your book, not that far. Okay.

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Speaker 1: Eight hundred and five eighty five, one oh five one.

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Speaker 1: Get it off your chests. If you're blessed or you're upset,

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Speaker 1: call us now. It's the breakfast lou Good morning, the

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Speaker 1: breakfast club. Wake up, wake up. You're trying to get

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Speaker 1: it off your chest, whether your man or blessed, we

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Speaker 1: want to hear from you on a breakfast club. Marsha's

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Speaker 1: on the line. Marsha feels blessed because she's retiring. Marsha,

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Speaker 1: good morning, Hi, Hi guys it Martha. But um, yes,

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Speaker 1: after working for thirty two years I loved as a

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Speaker 1: peach in Harlem, I'm finally retired. Oh man, congratulations. My

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Speaker 1: mom has been an English teacher in South Carolina for

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Speaker 1: thirty plus years. Y'all know, y'all like the fake retire

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Speaker 1: because you're gonna retire now and then you'll still be

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Speaker 1: doing like Sumone's cool classes of being a substitute every

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Speaker 1: now and then. You know I'm planning to do that

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Speaker 1: always a teacher. Well, congratulations, you've been teaching them bad

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Speaker 1: ass kids for years and now we're trying to put

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Speaker 1: your feet up and relax. And thanks for all your

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Speaker 1: service to the students. That's just a big deal. Yeah,

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Speaker 1: thank you. I'm a retiring. My party last night and

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Speaker 1: there was a lot one congratulations Mama. I feel like

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Speaker 1: teacher should be I feel like teachers should make seven

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Speaker 1: figure salaries. I'm gonna be honest with you. My mom

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Speaker 1: and most myma ever made with thirty thousand dollars a year. Wow. Wow,

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Speaker 1: I am with you, one hundred percent. One hundred percent.

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Speaker 1: All right, Well they start paying if they start paying

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Speaker 1: them seven figures next year as soon as you retire.

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Speaker 1: All right, baby, have a good one, Mama, thank you. Guys. Hello,

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Speaker 1: who's this? Yo? What's up? Just one? Jorge and Rikae Gonzalez?

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Speaker 1: All right, one and all that other stuff while you met. Bro. Yo,

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Speaker 1: I'm mad and I'm actually blessed. I'm bad because there

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Speaker 1: was a murder at my hoteil. Oh godness, well hotel?

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Speaker 1: Yeah again, bro, we just gonna keep it under wrapt. Okay, yeah, yeah,

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Speaker 1: So what happened exactly? Sound like a drug deal going

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Speaker 1: back more than that, but who knows? Who knows? You

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Speaker 1: can't say more than that? What happened? What happened? Did?

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Speaker 1: All I know is I had a dead body in

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Speaker 1: my hotel. Did you run the pockets before you called

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Speaker 1: the police? You know what? I didn't see it killed Pete. Y'all,

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Speaker 1: don't see I see the whole crime. He's just bad.

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Speaker 1: Somebody shot other day, o D I think it was

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Speaker 1: it was like had to be a cut. Okay, this

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Speaker 1: is what I'm thinking. This is what I'm thinking. I'm

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Speaker 1: thinking you killed the person, and really you calling us

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Speaker 1: because it's on your conscience, right, he wants to be

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Speaker 1: investigation or he's trying to throw everybody off by calling

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Speaker 1: in to say something happened, but he has no idea

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Speaker 1: that's true. I'm blessed, No, I'm blessed to be a

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Speaker 1: live because I was dad short of here the day

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Speaker 1: the more than that happened, and you know it was

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Speaker 1: all wild. And I've seen a young man just shortly before,

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Speaker 1: you know, he lost his life and it was just

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Speaker 1: wild about this. They't chuckling, but how you know how?

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Speaker 1: You know how? I'm sorry. So you saw him right

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Speaker 1: before this happened. You were the last person to see him.

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Speaker 1: I was, I was one, yes, one of the last.

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Speaker 1: So you telling me a lot. So you tell them

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Speaker 1: you saw him at eleven thirty six pm. I saw him, Matt,

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Speaker 1: just after midnight. You know you're telling me at twelve.

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Speaker 1: You're telling me that you saw him at eleven o

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Speaker 1: five pm. I got to work at eleven oh five.

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Speaker 1: You know you don't have to, you know you don't, right,

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Speaker 1: And y'all have a good one. Oh now, don't want

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Speaker 1: to get now you want to hang up on us,

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Speaker 1: now you want to run. We didn't trade the car

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Speaker 1: We know you had you hung up to get it

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Speaker 1: off your chest. Eight hundred five eight five one oh

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Speaker 1: five one. If you're upset you need the vent, you

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Speaker 1: could call us, or if you feel blessed, hit us up.

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Speaker 1: It's the Breakfast Club the morning, the Breakfast Club Morning.

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Speaker 1: Everybody is DJ Envy Angela, Ye, Charlotte, Megne the guy.

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Speaker 1: We are the Breakfast Club. Now we have Gerald Kelly

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Speaker 1: in the building. Now, I guess he couldn't drop the

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Speaker 1: kids off at school this morning. Right now, we know

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Speaker 1: all the Breakfast Club right all right, I feel like

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Speaker 1: Jarald gets a new son every two years. He does,

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Speaker 1: does Isaiah's as well. I know Isaiah, and I remember you.

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Speaker 1: I don't know where he came out of nowhere your Sunday.

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Speaker 1: That's Hunter's Hunter and Joshua and Joshua hold you josh

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Speaker 1: and Hunter. It was like, that's my seat right here. Yeah.

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Speaker 1: So they all come on towards you. Yeah, we just

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Speaker 1: we we've been on the road for uh six seven

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Speaker 1: weeks now man, so uh uh we got two more

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Speaker 1: stops on the tour, uh New York and then we're

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Speaker 1: going up to Boston. Uh Spring actually Spring from Massachusetts

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Speaker 1: and us father Sonmi tour Man and we're shooting this joint. Now,

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Speaker 1: we're shooting it and pitching it and to and Myrtle Beach,

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Speaker 1: Myrtle Beach. You know it's crazy. We went. We was

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Speaker 1: in New York last night, walking around, hanging out of

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Speaker 1: some different comedy spots, you know, and uh hey lit

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Speaker 1: him in YO. Yeah, I mean, is Saia was getting

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Speaker 1: in there? You know. You know anytime anytime a place

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Speaker 1: has a caparet license, when they sell fruit, you're gonna

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Speaker 1: have kids in there. When can't be about were trying

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Speaker 1: to add us aside? Basically is trying to add hustle

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Speaker 1: aside the holidays coming up with the younger kids believe

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Speaker 1: in Santa. You know what, I've never heard Hunt say

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Speaker 1: anything about Santa like what I'm saying. You know, he

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Speaker 1: just started school. We just started school, So I guess

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Speaker 1: he's singing all the Christmas song don't He don't give

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Speaker 1: us gifts anyway? Yeah, he cheats. When I was a kid,

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Speaker 1: the last time he got me. I mean, I'm grown now,

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Speaker 1: but when I was his age, I ain't. I ain't

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Speaker 1: never get no gift. Damn my gift was. I'm laying

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Speaker 1: it all out my gift was I'm doing comedy making money,

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Speaker 1: so you you out the streets at about eight nine

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Speaker 1: years old. I had you working with Kat Williams and

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Speaker 1: stuff like that. That was your gift, bron you was

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Speaker 1: making most again. But Jarld, Kelly and Jarl basically giving

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Speaker 1: you jeans is Christmas present? So Huda, what are you

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Speaker 1: wanting for Christmas? Hould you want a microphone? Microphone? Short?

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Speaker 1: Is Sandy gonna get that for you? Hudder? Yeah? I

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Speaker 1: then you think hes gonna get it, He's not gonna

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Speaker 1: get it. I'm I'm telling him now. My post is

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Speaker 1: like Terry Crews and uh what happened? No, No, not

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Speaker 1: like that. Everybody hates Chris. Everybody hated nobody, nobody, anybody,

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Speaker 1: anybody touched What if he was like because you gotta

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Speaker 1: do what you gotta do it for three year? Okay,

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Speaker 1: you gotta make sure y'all get all right. Now they'll

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Speaker 1: be homeless. What did you think when you heard Terry

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Speaker 1: Crews's allegations. I don't know, man, I just it's it's

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Speaker 1: it's out there. That happens. There's allegations. My behind those

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Speaker 1: facts been out. What happened. Everything happens. It's business is

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Speaker 1: like that man, dude hugged me one day and had

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Speaker 1: their hand in the lower back. Damn twice some agent

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Speaker 1: like and I and I was with my wife and

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Speaker 1: I caught it the second time and was carressing you.

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Speaker 1: That wasn't a hush whatever he was trying to do.

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Speaker 1: I put him to the side. So, your homie, if

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Speaker 1: you ever ever touched me my lower back, you tech

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Speaker 1: me my upper back trying to hit something like it

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Speaker 1: was something. It was you could tell, you could tell,

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Speaker 1: you could tell. Everybody think it's something. Now all these

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Speaker 1: allegations coming out now somebody touch him. Yeah, I'm trying

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Speaker 1: to get so much stuff coming in in the media, man,

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Speaker 1: Like you know, people coming out with women thirty years ago,

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Speaker 1: twenty six years ago. It's like, I just love a

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Speaker 1: party in La. I was at a party in La

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Speaker 1: at Russell's house, man, and I watched these females. Man,

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Speaker 1: this I'm talking about next Look. You know you guys

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Speaker 1: been rust next level women as next level groupies, you know,

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Speaker 1: And I was. I was. It's so funny. I was.

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Speaker 1: I was at the bar at Russell's house kicking it

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Speaker 1: with this model and I'm sitting there going, yeah, you

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Speaker 1: know what I'm saying. She's amazing, and she's talking to me.

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Speaker 1: She's like your eyes you're funny, yaw yaw. And Russell

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Speaker 1: walks by and she just looks at Russell and looks

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Speaker 1: at me and go, it was nice talking to you.

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Speaker 1: I follow you on ig and was gone. It's like,

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Speaker 1: you know, these these women come out, man, and you

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Speaker 1: know this situation. Just gotta be real careful man. That's

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Speaker 1: why I'm on tour with my sons. Can no female

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Speaker 1: out there and say she was in my room? Not

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Speaker 1: at all. Back in the day, yeah, yeah, back in

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Speaker 1: the day. Day you got them sons somehow. Back in

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Speaker 1: the day, he used to do me dirty. Back in

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Speaker 1: the day he got married to do me. Used to

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Speaker 1: go on the road. Two double beards. But that's not

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Speaker 1: two double beds. That's that's all right for two boats.

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Speaker 1: End of the show. He goes, Yo, you know the

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Speaker 1: rules of the road. Shrikes, I get a chick shrike,

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Speaker 1: you gotta go in the lobby. In the lobby. I

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Speaker 1: was like, I was like fourteen, I was like fourteen

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Speaker 1: whatever age I was ten years old. Wasn't bad. Some big,

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Speaker 1: some big chicken, a big girls. But yeah, she wasn't

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Speaker 1: worthy of kicking your son out the room. But I

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Speaker 1: could have been in the I could have been in

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Speaker 1: the living room. So I sat the door. So anyway,

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Speaker 1: going the lobby and um, I'll come get you after

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Speaker 1: I'm done. I'm like, all right, cool kids, breakfast. I

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Speaker 1: wake up. It's morning time. Are you sleeping a lot

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Speaker 1: left in the lobby? Security like yeah, you're good, you know.

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Speaker 1: I'm like, I'm just laying from my pops. I'm trying

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Speaker 1: to make up an excuse. He come get me, Like, yo,

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Speaker 1: wake up, you're ready to eat. You know, I'm a kid.

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Speaker 1: He brobbing me with food, Like, let's go eat. It's

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Speaker 1: the morning time. But you have no pillow, no covers, pillow,

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Speaker 1: no covers. You know the hotel lobbies acbyond forty. It

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Speaker 1: was a nice hotel, and you remember that sixteen years hurt.

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Speaker 1: I'm battered. I remember everything you were saving seven with

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Speaker 1: a fat girl. Listen, it can happen, man, it happened

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Speaker 1: a couple of times. I see super Band. It happens.

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Speaker 1: It happens, It happens. That's the worst one you remember there.

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Speaker 1: It's more, But I ain't gonna put all the ten

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Speaker 1: years old, and what is the lesson you were trying

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Speaker 1: to teach you there? That more? I was trying to

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Speaker 1: let them know. Man, when you're on the road and

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Speaker 1: it's only one room, whoever comes up, I gotta take

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Speaker 1: the la. I'm saying, I gotta take the l That's

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Speaker 1: just the rules of because she wasn't all that. But

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Speaker 1: you don't remember that, man, I remember. I remember like

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Speaker 1: it was yesterday. I think about it all the time.

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Speaker 1: Fun out. They don't even know, they don't even know

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Speaker 1: when they're about to get themselves. And she remind me

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Speaker 1: of your moms, my mom, talk about my moms the

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Speaker 1: best you ever had? Are you crazy? Let's talk about

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Speaker 1: your mom. None of ya, Your grandma, my grandmother, let's

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Speaker 1: talk about that. None of y'all know your father, Grandma

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Speaker 1: bather rolling Stone. Wow, grandma ain't got she ain't got YouTube,

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Speaker 1: she ain't gonna see this. That true. None of y'all know,

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Speaker 1: none of them, None of them got well, one of them.

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Speaker 1: They all had to ask his father. Yo, can you

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Speaker 1: ask your dad? If I go to six Flags with y'all. No, see,

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Speaker 1: I didn't have a dad growing up. My brother did,

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Speaker 1: and my mother my brothers like I used to be like, Derek,

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Speaker 1: can I go to Coney Allen put you and your

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Speaker 1: dad and you know kids don't care? He like many

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Speaker 1: get your own father? Ain't your father and my mother?

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Speaker 1: Be like, y'all shut the hell up life skilled LeRoy's

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Speaker 1: both your father. So I'm in. I'm in Coney Allen

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Speaker 1: with him. Dude, that don't look nothing like me. I

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Speaker 1: never thought about that. What are you doing your grandmother's home?

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Speaker 1: You know your mama. He just called the MoMA hole.

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Speaker 1: It is what it is. I mean, he's he's on

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Speaker 1: about his grandmother's mother's side. He's my mama, my mom

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Speaker 1: because we got more with Gerald Kelly. When we come back,

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Speaker 1: don't move his snoop dropping like it's hot. The breakfast

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Speaker 1: club morning. Everybody is dj N v Angela Ye, Charlomagne

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Speaker 1: the guy. We are the breakfast club. We have Gerald

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Speaker 1: Kelly and his kids in the building. Charlemagne or mean

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Speaker 1: you get married? Ah Man met things most incredible human

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Speaker 1: being I ever been around in my life. Man business

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Speaker 1: partner's business savvy. He say this about every chick he met.

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Speaker 1: Every every time you need a new check, y'all, zam,

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Speaker 1: I'm telling you, nah, this is the one they always

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Speaker 1: married him. Then he be like, be like, nah, she's

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Speaker 1: a different type of Capricorn. She not like the other capricorns.

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Speaker 1: And then a new months later, yoday is she the

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Speaker 1: same as the other one? But I liked I like

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Speaker 1: the one he's with now me. She can't mess with

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Speaker 1: my mother married, I mean not even married. There's three

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Speaker 1: three't I was crazy, I'm married all three of their moms. No, yeah, yeah,

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Speaker 1: I married Isaiah mom. She's pregnant and I had no job,

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Speaker 1: and I joined the Navy, and her mother was like.

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Speaker 1: Her mother was like, you can't. She can't live here

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Speaker 1: pregnant if you if you know, unless you're married. So

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Speaker 1: we went up right up before them roads and the

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Speaker 1: Justice of Peace for three dollars and got married. I

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Speaker 1: joined the Navy. I got in the Navy, was like,

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Speaker 1: oh man, I don't even how to swim. I don't

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Speaker 1: want to be here. Got out the Navy and can

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Speaker 1: a medical discharge? I lied and I had asthma. I

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Speaker 1: was since I was a kid. I knew how to

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Speaker 1: hold my breath. Like for a long time I didn't

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Speaker 1: get to the to the doctor's off. It was like

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Speaker 1: I just thought the medicine off the ship. But anyway,

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Speaker 1: get back. When I got back home, I realized, I realized,

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Speaker 1: I'm like, yo, I'm not really trying to marry shorty man.

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Speaker 1: Want to be it no more? Man? Your momo left you?

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Speaker 1: What you mean your mom me? She left you? We

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Speaker 1: left moving, We moved you set up. You remember what

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Speaker 1: you remember? I remember? I was you the movie was

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Speaker 1: with me, bro No you was out of town and

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Speaker 1: she like, we're leaving and I was like, yeah, let's

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Speaker 1: leave him. Mom. You deserves We don't need this. It's

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Speaker 1: the best thing that ever happened is mother left me.

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Speaker 1: So so you married and then mom didn't Josh's mom,

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Speaker 1: Josh's mom get along. Yeah, we was all hanging out

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Speaker 1: except mother. She she'll get on nobody. She can't get

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Speaker 1: along with God, the world think about I talked about

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Speaker 1: it all. I talked about when I mean, my wife

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Speaker 1: and my ex wife was together last night at a

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Speaker 1: show and I was talking about both of them. What

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Speaker 1: you think about the best president that your dad ever got?

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00:19:02,680 --> 00:19:07,800
Speaker 1: You being too? Um? What's the place called Disneyland? Think Disneyland?

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Speaker 1: All right, that's a great presents. Did you go to Disneyland?

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Speaker 1: Been to the backyard in the hood, to the laugh

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Speaker 1: factories and all these comedy club That's the only place

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Speaker 1: he took me. That's cool, though, I don't know, I

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Speaker 1: feel a little hurt coming from you because you know

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Speaker 1: what I means. I was a kid for real, for real, man,

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Speaker 1: I'm going through it and now I got a voice. Everybody,

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Speaker 1: ye say, I'm buying itself. I feel like I feel

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Speaker 1: like we're missing something like therapy. Therapy. How do y'all

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Speaker 1: do business? Do you let Gerald hand all your business

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Speaker 1: a fish? I handle it now? Yeah? Hand wow. He

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Speaker 1: wasn't stealing from me, was he? When I was coming out?

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Speaker 1: You can take a little hundred dollars from me. I

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Speaker 1: was on a matter of fact, I'm gonna telling I

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Speaker 1: was on the teams of comedy Tour Me Brandon T. Jackson,

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Speaker 1: Little JJ, Corey Fernandez and at Got Shit and um

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Speaker 1: eight hundred um a show. I'm like, cool, you know,

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00:20:15,240 --> 00:20:16,520
Speaker 1: I mean, I ain't got no I d so I

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Speaker 1: gotta give the check to your parents. So I'm thinking

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Speaker 1: they had the stays to think called Coogan account if

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Speaker 1: I'm saying it right, when you turn when you turned eighteen,

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Speaker 1: account account when you turned eighteen. All the money you

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Speaker 1: you put away when the child goes to you. I

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Speaker 1: go to the Coogan account I turned eighteen. It was

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Speaker 1: one hundred and fifty dollars. No like that, you all

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Speaker 1: my money all. I was wondering when the lights was off,

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Speaker 1: how the lights come back on? Because he wasn't working

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Speaker 1: like that at the time. I was working more than him,

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Speaker 1: and I'm like, damn, how do we get this? How

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Speaker 1: do we get these TVs? And he got food and

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Speaker 1: groceries and lights is all that's me and doing all

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Speaker 1: of that. He was a man in the house. I

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Speaker 1: didn't even know it to pay your weight at at fourteen,

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Speaker 1: bron yo, yo listen, So I had to all my

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Speaker 1: I don't let Joe Jackson do none of my do

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Speaker 1: none of my business. No more y'all battle to y'all

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Speaker 1: battle on. But he can't listen the stuff. He doesn't Joe,

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Speaker 1: you just cute man? Was murder You kidding me? Bro?

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Speaker 1: How do you know when when when enough is enough? To?

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Speaker 1: How do you like when the jokers stopped? He don't stop.

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Speaker 1: You don't know, I'm never gonna stop. The problem is

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Speaker 1: and they're like, what can you say? Back off? Right?

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Speaker 1: Here try to show off and try to try to

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Speaker 1: jone on me back on me in front of people,

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Speaker 1: and you know he can't win the back and forth.

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Speaker 1: The battle yat low blows like, I gotta like my

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Speaker 1: life the best from your mother. See, we gotta fight that.

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Speaker 1: I'm saying, I gotta go the next thing. I gotta

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Speaker 1: do your grandmother, grandma. You know it was all the

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Speaker 1: stone house. See, I gotta hit the back of something

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Speaker 1: now show I'm gonna stay were both gonna stay fighting exactly.

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Speaker 1: I got women minding the business in the middle of

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Speaker 1: the worst part about that is this true brou but

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Speaker 1: it fat this mom, mom, yo, all right, jomne your mom.

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Speaker 1: Man the hands and every I'm like, I used my

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Speaker 1: own hand us the hand you know. Down well, y'all

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Speaker 1: got to getting this weekend. We had the sympathy space

399
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Speaker 1: feeling Friday Night. Where's that low Kitty, uh ninety fifth

400
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Speaker 1: and Broadway. Please get your tickets two one, two eight

401
00:23:12,280 --> 00:23:15,720
Speaker 1: six four fifty four hundred extensions zero or go to

402
00:23:15,960 --> 00:23:20,360
Speaker 1: www dot Symphony space dot org. The Father's Son Comedy Tour.

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Speaker 1: It's gonna the fun It's gonna be the funniest show

404
00:23:23,320 --> 00:23:24,600
Speaker 1: you ever come to it. You come out. I'm telling

405
00:23:24,600 --> 00:23:26,040
Speaker 1: you come out and see what we're talking about. It's

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Speaker 1: gonna be. It ain't no kiddy pop because you see

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Speaker 1: the kids as you know, as we're going father's birthday celebration,

408
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Speaker 1: his birthday. Let me tell your story about Isaiah. Isaiah

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00:23:37,359 --> 00:23:41,040
Speaker 1: was like ten eleven years old, right, and Kat Williams.

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Speaker 1: Every time Cat saw Isaiah. Now, I don't know if

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Speaker 1: you guys know about LA with comics, the no money

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Speaker 1: in Hollywood. With comics, you're starving in LA until you

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00:23:49,960 --> 00:23:51,879
Speaker 1: pop and you make it. You know they're paying you

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Speaker 1: twenty dollars or ten dollars, so ain't no money out there.

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Speaker 1: Every time this kid get on stage in La, Cat

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Speaker 1: would see him and go, I'm come here. Junior. Cat

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Speaker 1: used to show love all the time. So man, he

418
00:24:03,800 --> 00:24:06,480
Speaker 1: got to the point where people the code was to

419
00:24:06,600 --> 00:24:08,720
Speaker 1: call me. The word was to call me and let

420
00:24:08,800 --> 00:24:11,200
Speaker 1: me know when Cap was at the club. I wait,

421
00:24:11,280 --> 00:24:12,959
Speaker 1: this dude up on the school night, Yo, get up,

422
00:24:13,680 --> 00:24:19,359
Speaker 1: I catch at the club. We get to the club, Junior,

423
00:24:19,520 --> 00:24:23,360
Speaker 1: what's up here? You go put in your yeah, and man,

424
00:24:23,720 --> 00:24:27,000
Speaker 1: he gets to me in my pocket and then when

425
00:24:27,240 --> 00:24:29,119
Speaker 1: when now you want to sleep we were going on

426
00:24:29,200 --> 00:24:33,880
Speaker 1: the way home. He'll be like, yeah, yeah, Cat said,

427
00:24:34,040 --> 00:24:36,760
Speaker 1: just give me two hundred of that. Remember, like what

428
00:24:37,840 --> 00:24:40,280
Speaker 1: Kin didn't say that? I ain't giving you nothing. Damn

429
00:24:40,400 --> 00:24:43,680
Speaker 1: he pimped you out there, mercy and let me do

430
00:24:43,760 --> 00:24:45,640
Speaker 1: what most dads do. You make sure your kids are straight.

431
00:24:45,680 --> 00:24:47,000
Speaker 1: You take the money, you put it in the what's

432
00:24:47,040 --> 00:24:50,600
Speaker 1: ther cow call? It's over? Well at least at least

433
00:24:50,640 --> 00:24:52,600
Speaker 1: he's better than Chris Jenner. Okay, you didn't make your

434
00:24:52,600 --> 00:24:59,400
Speaker 1: have sex with the black man for money? Go check

435
00:24:59,480 --> 00:25:03,440
Speaker 1: it out. It's breakfast clogal more more, everybody is DJ

436
00:25:03,760 --> 00:25:07,560
Speaker 1: and Angela yee. Charlomagne, the God Charlomagne. Did you hear

437
00:25:08,080 --> 00:25:10,520
Speaker 1: Trina just trying to pull him a ride? Carry on us? Oh?

438
00:25:10,600 --> 00:25:12,760
Speaker 1: She talked about the lighting. Yeah, she brought her own

439
00:25:12,880 --> 00:25:18,480
Speaker 1: lighting here. Oh I didn't bring it in. Who told

440
00:25:18,520 --> 00:25:22,040
Speaker 1: y'all take it down? That's what I'm saying. We got

441
00:25:22,080 --> 00:25:24,000
Speaker 1: that good light, just overhead lighting? Good for us? Now,

442
00:25:24,080 --> 00:25:27,879
Speaker 1: loving hip hoper man is now what loving hip hop? Trina?

443
00:25:28,080 --> 00:25:30,199
Speaker 1: Y'all could ask Trick Daddy that. Yeah, he came up

444
00:25:30,240 --> 00:25:32,800
Speaker 1: here already. Oh, it's trick Daddy's fault. He called me

445
00:25:32,920 --> 00:25:34,760
Speaker 1: every single day, begging me, begging me he was gonna

446
00:25:34,760 --> 00:25:36,200
Speaker 1: sign up to the show. You already know I said,

447
00:25:36,200 --> 00:25:37,840
Speaker 1: I didn't want to do the show. Yes, I had

448
00:25:37,880 --> 00:25:39,960
Speaker 1: my reserves, not so much for the show because I

449
00:25:40,119 --> 00:25:41,720
Speaker 1: liked the entertainment of the show. I just don't like

450
00:25:41,800 --> 00:25:45,800
Speaker 1: all the crazy bottle throwing, shoot throwing fights, boots popping out,

451
00:25:46,200 --> 00:25:48,040
Speaker 1: nobody's spitting on me. You know, I thought, no drink

452
00:25:48,080 --> 00:25:49,600
Speaker 1: in my face. I just feel like that's way too far.

453
00:25:49,920 --> 00:25:51,760
Speaker 1: So now, of course, I don't think nobody's gonna even

454
00:25:51,800 --> 00:25:53,879
Speaker 1: think about that with Trick. So he calls me up

455
00:25:53,920 --> 00:25:56,160
Speaker 1: and I'm like, okay. I was like, Trick, you sure,

456
00:25:56,680 --> 00:25:58,439
Speaker 1: because you're kind of wild, and you know, you get

457
00:25:58,560 --> 00:26:00,520
Speaker 1: kind of crazy on the wrong things. He was like, no,

458
00:26:00,840 --> 00:26:02,359
Speaker 1: you know, I'm gonna do my new music. I'm gonna

459
00:26:02,359 --> 00:26:03,639
Speaker 1: do this, And then we talked about our album. So

460
00:26:03,720 --> 00:26:05,679
Speaker 1: then therefore he's like, I'm just do it, but if

461
00:26:05,720 --> 00:26:08,439
Speaker 1: you do it with me, And so I was like okay,

462
00:26:09,080 --> 00:26:11,000
Speaker 1: and I said I'm a mona. I said I'm with Trick.

463
00:26:11,080 --> 00:26:12,880
Speaker 1: And we had a big conversation that we had out

464
00:26:13,520 --> 00:26:16,480
Speaker 1: dudes and our don'ts, and it just kind of happened

465
00:26:16,520 --> 00:26:18,080
Speaker 1: after that, and the money must have been right. The

466
00:26:18,160 --> 00:26:20,240
Speaker 1: money was excellent. Okay, they needed Jo because I know

467
00:26:20,359 --> 00:26:21,800
Speaker 1: before they tried to do it love and hip hop

468
00:26:21,920 --> 00:26:24,080
Speaker 1: Miami and it didn't work out. I don't play yourself, Mona.

469
00:26:24,160 --> 00:26:25,720
Speaker 1: You can't do it in Miami without me. Yeah, they

470
00:26:25,760 --> 00:26:27,399
Speaker 1: said it was like it was worrying or something. I

471
00:26:27,560 --> 00:26:29,720
Speaker 1: didn't work and Trick didn't start. Trick didn't do it

472
00:26:29,760 --> 00:26:31,439
Speaker 1: at first, I think, because you know when you hit

473
00:26:31,480 --> 00:26:33,960
Speaker 1: a love and hip hop thing, it's like a pause.

474
00:26:34,000 --> 00:26:35,639
Speaker 1: At first you'd be like, I don't want to and

475
00:26:35,800 --> 00:26:38,399
Speaker 1: then once I got into it, like after realistically I

476
00:26:38,600 --> 00:26:41,240
Speaker 1: finished filming, I feel like if I would go I

477
00:26:41,280 --> 00:26:43,160
Speaker 1: would go back and do my whole part all over again,

478
00:26:43,200 --> 00:26:45,160
Speaker 1: a whole another different way, because now I understand what's

479
00:26:45,160 --> 00:26:46,520
Speaker 1: going on. I got the control of it. I see

480
00:26:46,560 --> 00:26:49,080
Speaker 1: what's happening. It's all about how you said up Reality

481
00:26:49,160 --> 00:26:50,919
Speaker 1: TV is reality is your life, whatever you put out

482
00:26:50,960 --> 00:26:53,080
Speaker 1: there or whatever they're gonna show. He careful with the editing,

483
00:26:53,160 --> 00:26:55,240
Speaker 1: so I was very cautious of what I did, and

484
00:26:55,280 --> 00:26:57,399
Speaker 1: it was more business for me more than anything. Now,

485
00:26:57,440 --> 00:26:59,240
Speaker 1: were you practicing back in April when we saw you

486
00:26:59,320 --> 00:27:01,680
Speaker 1: wilding out some people out. No, I was that was

487
00:27:01,760 --> 00:27:04,200
Speaker 1: a natural reaction when you know somebody, somebody disrespect you.

488
00:27:04,320 --> 00:27:05,760
Speaker 1: It's not like somebody in the shoes. I don't really

489
00:27:05,800 --> 00:27:08,680
Speaker 1: react to beef. You know, I don't care what I don't.

490
00:27:08,760 --> 00:27:10,080
Speaker 1: I don't care what you said about me. I kind

491
00:27:10,080 --> 00:27:11,840
Speaker 1: of ignore. But this when you when I know you

492
00:27:11,920 --> 00:27:13,800
Speaker 1: and you kind of say something is disrespectful, and it's

493
00:27:13,800 --> 00:27:16,159
Speaker 1: like why, Like, I don't feel like you need to

494
00:27:16,200 --> 00:27:17,800
Speaker 1: throw a jig at me to make your own self,

495
00:27:17,920 --> 00:27:19,440
Speaker 1: you know, known to get on or whatever. People just

496
00:27:19,680 --> 00:27:21,080
Speaker 1: all the time. I mean, it's it's white, but you

497
00:27:21,080 --> 00:27:22,639
Speaker 1: know what is what it is? Now. Brittany Taill his

498
00:27:22,760 --> 00:27:25,760
Speaker 1: here also brit to my daughter and she's on Loving

499
00:27:25,840 --> 00:27:28,080
Speaker 1: Hip Hop. But the New York one? Yeah, right now,

500
00:27:28,320 --> 00:27:30,840
Speaker 1: how did you feel watching Brittany on that one? Because

501
00:27:30,920 --> 00:27:33,439
Speaker 1: she had some issues and I know, Brittany, you were

502
00:27:33,520 --> 00:27:35,879
Speaker 1: hesitant to do the show at first. Also, yeah, I

503
00:27:36,119 --> 00:27:38,280
Speaker 1: was for people who don't know because I didn't watch it,

504
00:27:38,640 --> 00:27:40,080
Speaker 1: explain it to you. And this is same because vy

505
00:27:40,160 --> 00:27:42,399
Speaker 1: some queens, Brittany, some queens. I feel like, y'all, you

506
00:27:42,440 --> 00:27:54,119
Speaker 1: know you didn't generations years. Okay, but her name goes

507
00:27:54,160 --> 00:27:57,200
Speaker 1: and her name is Biancaboy. I'm not really beefing. I'm

508
00:27:57,200 --> 00:27:59,400
Speaker 1: really I'm not really beefing with anybody. You know. It's

509
00:27:59,440 --> 00:28:01,760
Speaker 1: called it's a wall. It's something I was washed up.

510
00:28:01,800 --> 00:28:03,760
Speaker 1: It's over. We don't. I don't really care about it.

511
00:28:04,000 --> 00:28:06,280
Speaker 1: I'm just happy to be on this lit platform, honestly.

512
00:28:06,600 --> 00:28:08,320
Speaker 1: But it wasn't. It wasn't. It did play out on

513
00:28:08,400 --> 00:28:11,480
Speaker 1: television and they were drinks thrown, and you know, I

514
00:28:11,560 --> 00:28:14,120
Speaker 1: didn't even understand, like where how they're through drinks? Oh,

515
00:28:14,160 --> 00:28:17,080
Speaker 1: I don't throw things, not you so what? So, Yes,

516
00:28:17,480 --> 00:28:19,280
Speaker 1: that's what I'm talking about. Don't throw nothing at me

517
00:28:19,760 --> 00:28:21,600
Speaker 1: because I'm gonna shut this whole camera thing down on

518
00:28:21,640 --> 00:28:23,479
Speaker 1: Love hip Hop. Don't throw We could talk to get

519
00:28:23,560 --> 00:28:24,720
Speaker 1: mad if to say, I don't care what you say.

520
00:28:24,720 --> 00:28:25,960
Speaker 1: I don't like. You don't have to like what I say.

521
00:28:26,040 --> 00:28:28,320
Speaker 1: Don't throw nothing at me, like as the Angels, you

522
00:28:28,359 --> 00:28:30,480
Speaker 1: give me an eye. It could be a bad situation.

523
00:28:30,600 --> 00:28:32,240
Speaker 1: That's just not I don't feel like that should be

524
00:28:32,240 --> 00:28:33,520
Speaker 1: a part of the show. But you know, they put

525
00:28:33,560 --> 00:28:36,320
Speaker 1: you all the scenario sometime that cause conflict. Though they

526
00:28:36,400 --> 00:28:38,720
Speaker 1: put them in scenarios, you're not gonna put me in

527
00:28:38,720 --> 00:28:39,920
Speaker 1: anything I say, this is what I want to do,

528
00:28:39,960 --> 00:28:40,760
Speaker 1: this is not what I want to do. If I

529
00:28:40,800 --> 00:28:43,120
Speaker 1: don't like, you didn't even get no camera time with me, period.

530
00:28:43,240 --> 00:28:46,960
Speaker 1: But China Brandy is like your protege together for years.

531
00:28:47,080 --> 00:28:49,040
Speaker 1: This is my baby. She's been in Miami, we've we've

532
00:28:49,200 --> 00:28:51,640
Speaker 1: done like a hundred songs together already. When they when

533
00:28:51,880 --> 00:28:53,600
Speaker 1: when they first act into love hip hop, I turned

534
00:28:53,600 --> 00:28:54,880
Speaker 1: to it. I don't know. She was just trying to

535
00:28:54,880 --> 00:28:56,600
Speaker 1: get the music off, do her thing that she wanted

536
00:28:56,680 --> 00:28:58,360
Speaker 1: they wanted her to do. I told her no as

537
00:28:58,400 --> 00:29:01,160
Speaker 1: well years ago. So now we come back. It's for surface.

538
00:29:01,240 --> 00:29:02,600
Speaker 1: She's back in New York. She was doing her thing.

539
00:29:02,680 --> 00:29:04,360
Speaker 1: It's a good platform for her to get her musical off.

540
00:29:04,440 --> 00:29:07,920
Speaker 1: She's super dope, super talented, super great writers, super artists,

541
00:29:07,920 --> 00:29:09,960
Speaker 1: super lit, turned all up. You know, if you guys

542
00:29:10,000 --> 00:29:12,320
Speaker 1: see how Tiana Taylor act and she's so flyes sexty,

543
00:29:12,360 --> 00:29:14,000
Speaker 1: this is her all. This is what she does. So

544
00:29:14,080 --> 00:29:18,200
Speaker 1: you work with Tianna Taylor, Yeah, in Tory Lane, Yes,

545
00:29:18,400 --> 00:29:20,280
Speaker 1: Tory Lay is another close friend of mine. Like we

546
00:29:20,360 --> 00:29:23,120
Speaker 1: worked hand in hand um at Records with Jim Jones

547
00:29:23,200 --> 00:29:25,560
Speaker 1: back in the days. You know, I'm always working with

548
00:29:25,680 --> 00:29:28,880
Speaker 1: DJ WebStar. You know, Rich Dollars, he's around. That's how

549
00:29:28,920 --> 00:29:31,000
Speaker 1: I want to make sure she things that she's done.

550
00:29:31,120 --> 00:29:38,760
Speaker 1: So some news Dollars. Who is Rich Dollars helped in

551
00:29:38,800 --> 00:29:43,560
Speaker 1: the past seven years since Olivia? Nobody it's over bank,

552
00:29:43,600 --> 00:29:46,240
Speaker 1: it's rap. He's a reality show. Maybe maybe he wasn't

553
00:29:46,280 --> 00:29:50,000
Speaker 1: around Nobody like with the talent, you know what I'm saying.

554
00:29:50,320 --> 00:29:53,000
Speaker 1: He burned all these bridges and with with guys like

555
00:29:53,400 --> 00:29:57,000
Speaker 1: the DJs and stuff like that. Love, I love the

556
00:29:57,080 --> 00:30:01,800
Speaker 1: DJ Okay, how do you? How do you? How do

557
00:30:01,840 --> 00:30:04,680
Speaker 1: you use the love and hip hop platform to benefit you?

558
00:30:04,880 --> 00:30:06,840
Speaker 1: I mean, for me now, it's just about the music.

559
00:30:06,880 --> 00:30:08,280
Speaker 1: It's about the brain. It's about you know. I have

560
00:30:08,360 --> 00:30:10,120
Speaker 1: this label, wrote some music group. I signed a couple

561
00:30:10,120 --> 00:30:11,800
Speaker 1: of artists to the label. I did some joint ventures

562
00:30:11,840 --> 00:30:14,160
Speaker 1: with a couple of artists and um, it's just stuff

563
00:30:14,160 --> 00:30:15,560
Speaker 1: that I have going on to like put it out

564
00:30:15,560 --> 00:30:17,680
Speaker 1: there now. Have the album Women Trick the TNT project

565
00:30:17,760 --> 00:30:20,200
Speaker 1: next year and we record a lot of stuff from

566
00:30:20,320 --> 00:30:22,600
Speaker 1: the show for that for the album. Um, and it's

567
00:30:22,640 --> 00:30:24,480
Speaker 1: just basically it's work. It's all I do. I show

568
00:30:24,560 --> 00:30:27,440
Speaker 1: what I really do in real life. It's no exaggerated story.

569
00:30:27,480 --> 00:30:30,480
Speaker 1: It's no fake relationships, it's no fake storylines. Is this

570
00:30:30,680 --> 00:30:32,760
Speaker 1: is what I do. Everybody knows I'm artists. Everybody see

571
00:30:32,840 --> 00:30:34,120
Speaker 1: me do what I do. So it's kind of like

572
00:30:34,160 --> 00:30:36,440
Speaker 1: showing them a different platform. So the fact when when

573
00:30:36,440 --> 00:30:38,600
Speaker 1: we heard that you didn't quote unquote write your own music,

574
00:30:38,680 --> 00:30:41,360
Speaker 1: But that part of the story, I've never heard that. Okay,

575
00:30:41,600 --> 00:30:50,840
Speaker 1: I never heard that. I'm always right how he's talking

576
00:30:50,880 --> 00:30:55,080
Speaker 1: with you, d up dress cockroaches on the breakfast. Okay.

577
00:30:55,080 --> 00:30:56,840
Speaker 1: What I'm trying to tell you is when you look

578
00:30:56,840 --> 00:30:58,600
Speaker 1: at the training music, you see the training name, you

579
00:30:58,640 --> 00:31:00,240
Speaker 1: want to have to train the last or seventeen, you know,

580
00:31:00,280 --> 00:31:04,000
Speaker 1: I truly get so many bags that royalty is very

581
00:31:04,080 --> 00:31:07,040
Speaker 1: good to try to like comment you a little bit

582
00:31:07,080 --> 00:31:09,600
Speaker 1: to get you try to get on the show. You

583
00:31:09,680 --> 00:31:12,120
Speaker 1: can't get on the show in Miami without me. You

584
00:31:12,200 --> 00:31:14,160
Speaker 1: cannot get on the show without me. So just stop,

585
00:31:14,200 --> 00:31:16,560
Speaker 1: whoever you is, whoever you are trying, you cannot get

586
00:31:16,640 --> 00:31:17,960
Speaker 1: on the show. I sent the listing for the show.

587
00:31:17,960 --> 00:31:19,280
Speaker 1: If you want to get on the show, come home

588
00:31:19,360 --> 00:31:21,720
Speaker 1: at me. Otherwise you're not getting on the show like

589
00:31:22,080 --> 00:31:24,400
Speaker 1: the Miami show. If you look real, Miami. They got you,

590
00:31:24,480 --> 00:31:26,400
Speaker 1: they got a tricked, they got gun play, they got

591
00:31:26,400 --> 00:31:28,680
Speaker 1: the pretty Ricky Dard. I guess that's looking real, Miami.

592
00:31:31,560 --> 00:31:34,560
Speaker 1: I think on that. I think he's on the first second. Um,

593
00:31:34,800 --> 00:31:40,760
Speaker 1: Bryan McKinney's on there, um tip drill and I'm on it. Yeah,

594
00:31:41,920 --> 00:31:46,120
Speaker 1: phone on a segment or so okay, I can't wait

595
00:31:46,120 --> 00:31:48,640
Speaker 1: to see what's gonna happen on Miam. I thought you

596
00:31:48,720 --> 00:31:50,959
Speaker 1: performing the eg one hip hop on and performing Man,

597
00:31:51,440 --> 00:31:54,000
Speaker 1: does that ever make you feel old? Nah? No, I'll

598
00:31:54,040 --> 00:31:56,000
Speaker 1: be because I don't really perform there on in my show,

599
00:31:56,120 --> 00:31:57,280
Speaker 1: Like it's like the last thing at the end of

600
00:31:57,280 --> 00:31:59,320
Speaker 1: the night of the show, and I'll be like, um, oh, hey,

601
00:31:59,320 --> 00:32:00,760
Speaker 1: are we gonna do something fall the day ones? And

602
00:32:00,800 --> 00:32:02,440
Speaker 1: then I won't even say nothing. I'll just saying they'll

603
00:32:02,440 --> 00:32:04,040
Speaker 1: just go crazy. I don't even perform an them all.

604
00:32:04,040 --> 00:32:05,600
Speaker 1: That's like my only time to performance, like when I'm

605
00:32:05,640 --> 00:32:07,320
Speaker 1: with Trick and that was a big moment. This is

606
00:32:07,360 --> 00:32:10,360
Speaker 1: like like a bit of minute since Trick performed like

607
00:32:10,440 --> 00:32:12,440
Speaker 1: something that was big. So of course I did that

608
00:32:12,520 --> 00:32:21,160
Speaker 1: record for that oh like eighteen year or seven. You

609
00:32:21,240 --> 00:32:23,080
Speaker 1: know what it is, because when I look at like now,

610
00:32:23,360 --> 00:32:25,720
Speaker 1: like music and stuff like it's going. It seemed like

611
00:32:25,800 --> 00:32:27,640
Speaker 1: to me when Nan came out back then, it's starting

612
00:32:27,680 --> 00:32:29,480
Speaker 1: all over again. It's like the real ratchet. It's the raw,

613
00:32:29,560 --> 00:32:32,160
Speaker 1: it's the run. It's like a hundred artists girls, it's

614
00:32:32,200 --> 00:32:34,760
Speaker 1: all over the place, not even signed or not even

615
00:32:34,800 --> 00:32:36,640
Speaker 1: to have like a big deal or anything like that,

616
00:32:36,760 --> 00:32:39,040
Speaker 1: but just your name is bubbling from the internet because

617
00:32:39,080 --> 00:32:41,000
Speaker 1: their president is so enforced and they just out here

618
00:32:41,360 --> 00:32:42,880
Speaker 1: like talking, they talk. And so when I think of

619
00:32:42,960 --> 00:32:44,400
Speaker 1: and I'm like, damn, this is like, man, I'm back

620
00:32:44,440 --> 00:32:46,600
Speaker 1: in eighteen eighty eight, you know what I mean. So, yeah,

621
00:32:47,280 --> 00:32:50,080
Speaker 1: how did you in Brittany end up working together in

622
00:32:50,200 --> 00:32:52,080
Speaker 1: the studio? She's in my name and she was always around.

623
00:32:52,120 --> 00:32:53,720
Speaker 1: She's always been working with a lot of people, like

624
00:32:53,840 --> 00:32:57,160
Speaker 1: in the studio um Tory, like like she said, different producers,

625
00:32:57,320 --> 00:32:59,480
Speaker 1: um and we just she came in my session one night.

626
00:32:59,480 --> 00:33:01,400
Speaker 1: I was in the recording. I had took a break

627
00:33:01,440 --> 00:33:02,880
Speaker 1: to eat, and when I looked up, she's like in

628
00:33:02,960 --> 00:33:04,840
Speaker 1: the booth recording, like in the middle of my session,

629
00:33:05,200 --> 00:33:07,680
Speaker 1: just like in the booth, like making records, like doing songs,

630
00:33:07,760 --> 00:33:09,320
Speaker 1: doing references, all kind of stuff and I'm like, Yo,

631
00:33:09,360 --> 00:33:11,520
Speaker 1: who is this? And then she just started dancing. I

632
00:33:11,600 --> 00:33:13,360
Speaker 1: was like, you couldn't deny like how Jeane when she

633
00:33:13,520 --> 00:33:15,520
Speaker 1: was and she was so lit. I'm just like, you

634
00:33:15,840 --> 00:33:18,440
Speaker 1: crash nobody's session and just start reporting your own vocals.

635
00:33:18,600 --> 00:33:20,240
Speaker 1: And then ever since then we've been a separate gul

636
00:33:20,320 --> 00:33:21,680
Speaker 1: And that's what's great about you and is that she

637
00:33:21,760 --> 00:33:24,720
Speaker 1: embraces other women all the time. I love women. I'm

638
00:33:24,920 --> 00:33:27,440
Speaker 1: very confident, very secure in myself. We have more would

639
00:33:27,440 --> 00:33:29,480
Speaker 1: treating in Brittany coming up next on the Breakfast Clubs

640
00:33:29,480 --> 00:33:36,440
Speaker 1: and don't Move a breakfast Club. It's DJ Envy, Angela Yee,

641
00:33:36,560 --> 00:33:38,800
Speaker 1: Charlomagne the guy we all the breakfast club We have

642
00:33:38,960 --> 00:33:41,400
Speaker 1: treating in Brittany, Taylor in the building. And what made

643
00:33:41,440 --> 00:33:44,040
Speaker 1: you leave Miami come back to New York? Honestly, I

644
00:33:44,160 --> 00:33:47,600
Speaker 1: love Miami and came back to New York because I

645
00:33:47,640 --> 00:33:50,040
Speaker 1: have a sick grandmother, so I just really needed to

646
00:33:50,120 --> 00:33:52,520
Speaker 1: be closer to her, and I was I was tired

647
00:33:52,560 --> 00:33:54,760
Speaker 1: of just being in Miami and not getting all the

648
00:33:54,800 --> 00:33:57,240
Speaker 1: respect in my city that I feel is much needed.

649
00:33:57,320 --> 00:33:58,880
Speaker 1: So I'm like, I'm gonna go back to my city

650
00:33:59,240 --> 00:34:01,479
Speaker 1: and take this. Do you feel like lev and hip

651
00:34:01,520 --> 00:34:04,800
Speaker 1: Hop represented you well yeah, I mean realistically, yes, it

652
00:34:04,960 --> 00:34:07,680
Speaker 1: started off a little rocky, but I feel like they

653
00:34:07,800 --> 00:34:10,160
Speaker 1: represent me in a good lighting, like, um, it's definitely

654
00:34:10,200 --> 00:34:13,799
Speaker 1: platform in my talents. And you know, everybody at vag

655
00:34:13,840 --> 00:34:16,160
Speaker 1: you want to sweep to me, why you think you

656
00:34:16,160 --> 00:34:19,600
Speaker 1: don't get respect from New York real leistically, I don't

657
00:34:19,600 --> 00:34:22,520
Speaker 1: get respect from New York because I wasn't I wasn't

658
00:34:22,560 --> 00:34:26,319
Speaker 1: really that consistent. I'm a kid, like I'll just be real.

659
00:34:26,480 --> 00:34:29,000
Speaker 1: When I had the record with DJ WebStar, which was

660
00:34:29,040 --> 00:34:31,360
Speaker 1: the oh please you can't do the five gs, I

661
00:34:31,440 --> 00:34:36,440
Speaker 1: did that, yeah, and then I did the record Were

662
00:34:36,440 --> 00:34:38,960
Speaker 1: Getting Money like Nana. Then I did that with Jim Jones,

663
00:34:39,120 --> 00:34:41,000
Speaker 1: and then after that I kind of got cozy. I

664
00:34:41,120 --> 00:34:43,279
Speaker 1: was young, I had a bunch of money. I moved

665
00:34:43,320 --> 00:34:45,400
Speaker 1: to Miami, and I was I was living the party

666
00:34:45,440 --> 00:34:47,279
Speaker 1: life for a while. Yeah, two party. I had to

667
00:34:47,360 --> 00:34:50,560
Speaker 1: get at the party life a lot of money. Now.

668
00:34:50,640 --> 00:34:52,719
Speaker 1: She was She's just very she likes the party. She

669
00:34:52,840 --> 00:34:54,160
Speaker 1: likes to hang out and have a good time. She's

670
00:34:54,200 --> 00:34:55,920
Speaker 1: a life for the party. I had to sit her

671
00:34:55,960 --> 00:34:57,600
Speaker 1: down and say, you know, I love you. You're a

672
00:34:57,680 --> 00:35:00,719
Speaker 1: great artist. You are super talented. Stop the party and

673
00:35:00,840 --> 00:35:02,919
Speaker 1: focus on your music because the time is gonna pass.

674
00:35:03,160 --> 00:35:05,239
Speaker 1: You've been in because you're not consistent like I am.

675
00:35:05,440 --> 00:35:07,640
Speaker 1: You're inconsistence of it makes it harder for your brand

676
00:35:07,680 --> 00:35:09,759
Speaker 1: to be able, for people to recognize you remember the

677
00:35:09,800 --> 00:35:11,319
Speaker 1: records back in the day, or to bring it up

678
00:35:11,320 --> 00:35:12,919
Speaker 1: for it. And she just got it right. She started

679
00:35:12,920 --> 00:35:14,520
Speaker 1: focusing like, I gotta get it right. Why were you

680
00:35:14,600 --> 00:35:16,960
Speaker 1: making money? How do you make money? Initially? I made

681
00:35:17,000 --> 00:35:19,960
Speaker 1: money from doing shows? Okay, I did, like, like just

682
00:35:20,120 --> 00:35:22,239
Speaker 1: off of the five G's, I did like a lot.

683
00:35:22,360 --> 00:35:24,160
Speaker 1: That record was big. How much you was getting the show?

684
00:35:24,840 --> 00:35:28,840
Speaker 1: I was getting five k Okay, that was that was

685
00:35:29,600 --> 00:35:31,319
Speaker 1: That was a little bit. But that was only because

686
00:35:31,360 --> 00:35:33,160
Speaker 1: I was in a group, So that had that had

687
00:35:33,200 --> 00:35:38,600
Speaker 1: to be broke broken down. How spending the Miami? Yeah,

688
00:35:39,000 --> 00:35:41,239
Speaker 1: moving to Miami. First off, I went to Miami and

689
00:35:41,280 --> 00:35:44,160
Speaker 1: I bought a condo as a little girl, like I bought.

690
00:35:44,200 --> 00:35:46,879
Speaker 1: I bought a condo. I was living on South Beach. Damn,

691
00:35:48,120 --> 00:35:52,040
Speaker 1: let me hold something. You still on the condo? No,

692
00:35:52,320 --> 00:35:54,960
Speaker 1: I don't you sold it? Or no? I actually I

693
00:35:55,040 --> 00:35:56,840
Speaker 1: didn't buy it. I was running it, which was a

694
00:35:56,880 --> 00:35:59,719
Speaker 1: stupid way to go about it just running it, Renny.

695
00:36:00,000 --> 00:36:01,759
Speaker 1: So a Trina came in and helped you manage your

696
00:36:01,800 --> 00:36:06,120
Speaker 1: money again in the free studio time. The studio time

697
00:36:06,280 --> 00:36:08,759
Speaker 1: was taking a lot of money. Did you teach your

698
00:36:08,800 --> 00:36:11,440
Speaker 1: proper poom pool management as well? I'm sure what guys

699
00:36:11,520 --> 00:36:13,160
Speaker 1: that she may need to be dealing with food not

700
00:36:13,280 --> 00:36:16,040
Speaker 1: to deal she kind of gets that. She's a she's

701
00:36:16,080 --> 00:36:17,719
Speaker 1: a good she's a good girl. When it comes to that,

702
00:36:17,840 --> 00:36:19,600
Speaker 1: she has her little um you know, she had her

703
00:36:19,719 --> 00:36:22,200
Speaker 1: little weak point. It was this one guy's annoying. She's

704
00:36:22,200 --> 00:36:24,319
Speaker 1: always talking about it. And I was like, stop, let

705
00:36:24,400 --> 00:36:25,759
Speaker 1: it go already. And it was like a thing for

706
00:36:25,840 --> 00:36:28,200
Speaker 1: back in the days whatever, and she got it, like listen,

707
00:36:28,320 --> 00:36:30,120
Speaker 1: this could wait. Focus on the music and you when

708
00:36:30,120 --> 00:36:31,600
Speaker 1: I come to the studio, you better have three, four

709
00:36:31,640 --> 00:36:33,319
Speaker 1: or five songs. Yeah, I'll give you my studio time.

710
00:36:33,360 --> 00:36:35,560
Speaker 1: Studio time is expensive. They're trying me five six hundred

711
00:36:35,600 --> 00:36:38,200
Speaker 1: dollars a night only for twelve hours. So I'm gonna

712
00:36:38,239 --> 00:36:39,960
Speaker 1: give you the first six hours before I get there.

713
00:36:39,960 --> 00:36:41,600
Speaker 1: When I get there, you better have a records done

714
00:36:41,680 --> 00:36:43,040
Speaker 1: because you don't have the money to pay for this.

715
00:36:43,160 --> 00:36:45,040
Speaker 1: You know. The engineer gotta get paid. The studio gotta

716
00:36:45,040 --> 00:36:47,040
Speaker 1: get paid. You don't get no roll over time. This

717
00:36:47,160 --> 00:36:48,680
Speaker 1: is half of my session. I gotta do one or

718
00:36:48,680 --> 00:36:50,439
Speaker 1: two songs, come back the next day because I'm looking

719
00:36:50,440 --> 00:36:52,440
Speaker 1: out for her, and you look out for her so much,

720
00:36:52,480 --> 00:36:55,080
Speaker 1: because she's so she was so hungry. I see to her.

721
00:36:56,040 --> 00:36:57,800
Speaker 1: I just saw she was lost. I saw like she

722
00:36:57,920 --> 00:36:59,359
Speaker 1: was talking, that she was around a bunch of people

723
00:36:59,560 --> 00:37:01,520
Speaker 1: that's out of it. Like Tianna Taylor's your best friend.

724
00:37:01,560 --> 00:37:03,640
Speaker 1: You're around tour, you're on the road, you went on Toratory,

725
00:37:03,680 --> 00:37:05,839
Speaker 1: you're performing, You're doing so much stuff, but you can't

726
00:37:05,880 --> 00:37:08,640
Speaker 1: connect to make it like bit like, you can't make

727
00:37:08,680 --> 00:37:10,400
Speaker 1: it connect and make the brand build for your name

728
00:37:10,440 --> 00:37:12,080
Speaker 1: because you're all over the place. You like the party,

729
00:37:12,080 --> 00:37:13,320
Speaker 1: You're like to day, she's like to have fun, But

730
00:37:13,440 --> 00:37:16,120
Speaker 1: you gotta sit still and focus on where's the career going?

731
00:37:16,320 --> 00:37:17,839
Speaker 1: How can I line this up? How can I make

732
00:37:17,880 --> 00:37:19,520
Speaker 1: this all work out? And I'm like, you know, you

733
00:37:19,560 --> 00:37:21,120
Speaker 1: don't have the money right now to pay the studio.

734
00:37:21,200 --> 00:37:23,080
Speaker 1: We're gonna knocked it out the way here studio. Now

735
00:37:23,120 --> 00:37:24,640
Speaker 1: you're Miami, you got somewhere to say all. You gotta

736
00:37:24,640 --> 00:37:25,560
Speaker 1: just get up in the one and get up in

737
00:37:25,560 --> 00:37:27,399
Speaker 1: the day time, go to studio are they make music?

738
00:37:27,480 --> 00:37:30,440
Speaker 1: Get focused, focus focused, because this this opportunity gonna go.

739
00:37:30,440 --> 00:37:32,000
Speaker 1: You're gonna get older, you're gonna grow, and then it

740
00:37:32,080 --> 00:37:34,280
Speaker 1: doesn't matter no one. You know. Now, is that gonna

741
00:37:34,360 --> 00:37:36,440
Speaker 1: clash with like your relationships in Miami, Like somebody like

742
00:37:36,520 --> 00:37:39,480
Speaker 1: Brianna who you've always held that Pry? Yeah, no, No,

743
00:37:39,600 --> 00:37:41,680
Speaker 1: I love Brianna Perry on Brianna Perry's sunn to do

744
00:37:41,719 --> 00:37:43,359
Speaker 1: her thing. You know what I got. I got a lot,

745
00:37:43,480 --> 00:37:46,120
Speaker 1: a lot of um, a lot of respect and a

746
00:37:46,200 --> 00:37:48,480
Speaker 1: lot of hope for Brihanna Perry for twenty and eighteen.

747
00:37:48,560 --> 00:37:51,600
Speaker 1: She's one of the dopest underrated artists that's been out

748
00:37:51,680 --> 00:37:53,319
Speaker 1: in the game for a minute. And I met her

749
00:37:53,400 --> 00:37:55,160
Speaker 1: like an eight years old and you know now when

750
00:37:55,200 --> 00:37:56,960
Speaker 1: I look at her, it's like like I just hugged her.

751
00:37:57,040 --> 00:37:58,960
Speaker 1: I love her so much. I know in two thousand

752
00:37:58,960 --> 00:38:00,560
Speaker 1: and eighteen, she's gonna win. She's gonn have records. Like

753
00:38:00,760 --> 00:38:02,680
Speaker 1: we went in the studio. We did a couple of records.

754
00:38:02,719 --> 00:38:04,600
Speaker 1: She's working right now. She's just she need that record,

755
00:38:04,719 --> 00:38:06,040
Speaker 1: you know, and that's what she needs to come and

756
00:38:06,120 --> 00:38:08,400
Speaker 1: she's a dope person, so I know she's gonna win

757
00:38:08,520 --> 00:38:10,720
Speaker 1: this year. And they're harder and easier for female rappers

758
00:38:10,800 --> 00:38:14,080
Speaker 1: right now. Honestly, I feel this easier. You know what

759
00:38:14,480 --> 00:38:17,360
Speaker 1: harder is when you signed to a major or you

760
00:38:17,440 --> 00:38:19,840
Speaker 1: got this one, you stuck in this one box. You know,

761
00:38:20,160 --> 00:38:21,839
Speaker 1: it's not like that no more. I feel like now

762
00:38:21,880 --> 00:38:23,799
Speaker 1: it's a little bit more open because you don't need

763
00:38:23,840 --> 00:38:26,120
Speaker 1: the major I mean majors and all that. That's the machine,

764
00:38:26,120 --> 00:38:27,960
Speaker 1: that's the money. Everybody needs that because you don't have

765
00:38:28,040 --> 00:38:30,239
Speaker 1: it out your pocket to pay. But now in the game,

766
00:38:30,480 --> 00:38:32,680
Speaker 1: the Internet, the social media, all this stuff is so live.

767
00:38:32,760 --> 00:38:34,759
Speaker 1: These girls are out here. You got artists they put

768
00:38:34,840 --> 00:38:37,560
Speaker 1: in our music, got SoundCloud, they streaming, They on Spotify,

769
00:38:37,600 --> 00:38:39,799
Speaker 1: they on everything, and they're making money doing shows, they're

770
00:38:39,800 --> 00:38:42,239
Speaker 1: doing posts. They don't performances, so it's adding money for them.

771
00:38:42,239 --> 00:38:43,560
Speaker 1: And they don't even have a major. They don't even

772
00:38:43,640 --> 00:38:45,640
Speaker 1: they don't even have a deal. Before it wasn't like that.

773
00:38:45,680 --> 00:38:47,320
Speaker 1: Nobody was giving you the time of the day because

774
00:38:47,320 --> 00:38:49,400
Speaker 1: you needed radio, because you needed somebody to vacue. Now

775
00:38:49,440 --> 00:38:51,160
Speaker 1: you don't really need that because people are like what's

776
00:38:51,200 --> 00:38:52,880
Speaker 1: on the internet. I like her, and then people stopped

777
00:38:52,880 --> 00:38:55,680
Speaker 1: talking about them and then't start blowing up. Now I

778
00:38:55,840 --> 00:38:58,640
Speaker 1: was reading about you and Nicki mcniags doing a song together.

779
00:39:00,120 --> 00:39:02,680
Speaker 1: That's the rumor. I hate rumors. God, can we get

780
00:39:02,680 --> 00:39:04,839
Speaker 1: to the facts, all right? So tell us is that true?

781
00:39:05,719 --> 00:39:11,120
Speaker 1: I want to ask you something. Though you like sex,

782
00:39:11,520 --> 00:39:14,080
Speaker 1: I like sex, but not them kind though. I just

783
00:39:14,200 --> 00:39:16,520
Speaker 1: like like the butterfly thing, like the little eggs thing

784
00:39:16,640 --> 00:39:19,600
Speaker 1: like it's the thing you put on them friends. I

785
00:39:19,800 --> 00:39:22,880
Speaker 1: love you, I love like. I'm just want to rumors

786
00:39:22,920 --> 00:39:26,000
Speaker 1: and fast your friend tips on what sex you don't

787
00:39:26,000 --> 00:39:29,400
Speaker 1: know what sex? And only lex deal goes? Oh, I

788
00:39:29,520 --> 00:39:32,440
Speaker 1: must keep you, don't you don't mess do I never

789
00:39:32,480 --> 00:39:33,840
Speaker 1: mess with dealers. I don't like it because I just

790
00:39:33,880 --> 00:39:35,800
Speaker 1: don't like the fake. I don't want to be grinding

791
00:39:35,840 --> 00:39:38,960
Speaker 1: a fake you know, a fake rubber. I don't like that.

792
00:39:39,120 --> 00:39:41,239
Speaker 1: I like just a little butterfly, the egg, a little

793
00:39:41,239 --> 00:39:43,759
Speaker 1: thing that's go right on, Yeah, that's it. I don't

794
00:39:43,760 --> 00:39:45,680
Speaker 1: like all that extra we're not inserting in style. You

795
00:39:45,719 --> 00:39:47,719
Speaker 1: need a man for that today. I like that. I

796
00:39:47,840 --> 00:39:49,360
Speaker 1: like the jails. I like funny little so I like

797
00:39:49,400 --> 00:39:50,960
Speaker 1: the little crawley stuff. You don't they put these things

798
00:39:51,000 --> 00:39:52,760
Speaker 1: on your back and it's like moving around the sensational

799
00:39:53,040 --> 00:39:58,440
Speaker 1: and you just you have no, no, no, it's it's

800
00:39:58,440 --> 00:40:00,279
Speaker 1: like it's called like love bites or something. You just

801
00:40:00,280 --> 00:40:01,719
Speaker 1: put them all over in it like they it's like

802
00:40:01,760 --> 00:40:03,279
Speaker 1: a little jail thing and they like open up on

803
00:40:03,320 --> 00:40:05,279
Speaker 1: your skin, with your skin get hot and yeah, and

804
00:40:05,320 --> 00:40:07,200
Speaker 1: it makes you very sensual when they make it, give

805
00:40:07,280 --> 00:40:09,480
Speaker 1: very out. You know. We should go to like a

806
00:40:09,600 --> 00:40:13,319
Speaker 1: sex store and look at some stuff, you know, look

807
00:40:13,320 --> 00:40:26,480
Speaker 1: a look at God, look at this beautiful Wait, hold

808
00:40:26,520 --> 00:40:33,000
Speaker 1: on what shut up the time. I don't want to

809
00:40:33,120 --> 00:40:37,160
Speaker 1: be I don't want to be intimate with a rubber thing.

810
00:40:37,320 --> 00:40:38,880
Speaker 1: I don't want to do that. I don't feel like

811
00:40:39,000 --> 00:40:40,719
Speaker 1: I'm that's not the I don't know what that. I

812
00:40:40,760 --> 00:40:42,560
Speaker 1: don't know if they move and vibrate, I don't want

813
00:40:42,600 --> 00:40:44,800
Speaker 1: to do that. I'll just like the little toys you

814
00:40:44,920 --> 00:40:47,200
Speaker 1: play with, you put around, you know, and make it

815
00:40:47,520 --> 00:40:51,200
Speaker 1: fun at you but not the no always had an

816
00:40:51,280 --> 00:40:56,120
Speaker 1: unreal approach to you. Was here one time for you

817
00:40:56,280 --> 00:40:58,680
Speaker 1: because you're so extra, you know, you just think I

818
00:40:58,800 --> 00:41:00,760
Speaker 1: want to think I'm not. I don't got the department

819
00:41:01,239 --> 00:41:04,160
Speaker 1: that I don't want to take, you know, I'm just saying,

820
00:41:04,280 --> 00:41:06,239
Speaker 1: I just want somebody that's satisfying. If girls say if

821
00:41:06,239 --> 00:41:08,040
Speaker 1: it's the size of the matter that made them, sometimes

822
00:41:08,120 --> 00:41:10,440
Speaker 1: a lot and sometimes size, it's not about it's about

823
00:41:10,480 --> 00:41:12,760
Speaker 1: what you're doing, because you can have a big size

824
00:41:12,800 --> 00:41:15,960
Speaker 1: and doing nothing, absolutely nothing. Some men don't even know

825
00:41:16,000 --> 00:41:19,040
Speaker 1: if the actual fulfillment to pleasing a woman, you know,

826
00:41:19,120 --> 00:41:21,959
Speaker 1: what is the actual fulfillment? Do tail, Trina, I'm just saying,

827
00:41:22,040 --> 00:41:26,719
Speaker 1: making sure they're fully completely satisfied, like they're squirting, having orgasms,

828
00:41:26,719 --> 00:41:30,000
Speaker 1: all of it. That's completely satisfication, you know. And if

829
00:41:30,000 --> 00:41:31,600
Speaker 1: you're not doing that, then guess where you got up

830
00:41:31,600 --> 00:41:39,360
Speaker 1: and you did nothing? I know. I feel like I

831
00:41:39,480 --> 00:41:41,279
Speaker 1: feel like if you're not making your women all gathering

832
00:41:41,320 --> 00:41:43,279
Speaker 1: and you're not doing nothing like I truly feel that

833
00:41:43,400 --> 00:41:45,600
Speaker 1: that's for sure. If you're not doing that, you're not

834
00:41:45,800 --> 00:41:48,040
Speaker 1: doing anything. So God should make sure they pay attention

835
00:41:48,120 --> 00:41:49,759
Speaker 1: to that. Don't think you did something if you got

836
00:41:49,840 --> 00:41:53,480
Speaker 1: up and there's not an orgasm. That's the way y'all

837
00:41:53,520 --> 00:41:58,080
Speaker 1: have the sex conversations. I don't stuff. I don't talk

838
00:41:58,120 --> 00:42:03,520
Speaker 1: to her. A lady never tells her a conversation. She's

839
00:42:03,560 --> 00:42:07,640
Speaker 1: old enough, honey, I'm over twenty one because he has

840
00:42:07,680 --> 00:42:10,359
Speaker 1: a school. But we don't have this conversation. You don't

841
00:42:10,600 --> 00:42:13,520
Speaker 1: come up with nothing advice. Yes, she did. She my

842
00:42:13,680 --> 00:42:16,040
Speaker 1: mentor some stuff she told me I had. I didn't

843
00:42:16,080 --> 00:42:17,839
Speaker 1: know about it. I had learned a few things from her.

844
00:42:17,880 --> 00:42:19,759
Speaker 1: I had to go back and for them, like it's

845
00:42:20,000 --> 00:42:23,440
Speaker 1: my staff and like step my game up. Just a

846
00:42:23,480 --> 00:42:28,680
Speaker 1: little stuff, some tips Britney a little. I mean realistically,

847
00:42:28,960 --> 00:42:32,600
Speaker 1: I like, I like females or you're like woman. I like, yeah,

848
00:42:32,600 --> 00:42:37,399
Speaker 1: I'm why don't you always got to pull my name

849
00:42:37,480 --> 00:42:44,480
Speaker 1: and everything. I think women are beautiful like woman. I've

850
00:42:44,560 --> 00:42:48,000
Speaker 1: done whatever I've done, it's not a bad things. Good girls.

851
00:42:48,040 --> 00:42:49,759
Speaker 1: Just want to have fun. Girls. I always wanna have

852
00:42:49,880 --> 00:42:52,680
Speaker 1: fun and funds. We have one with Trina and Britney

853
00:42:52,680 --> 00:42:54,560
Speaker 1: Taylor coming up. Keep a lock this to Breakfast cloub

854
00:42:54,560 --> 00:42:58,520
Speaker 1: Good Morning, the morning. Everybody is DJ Envy, Angela Yee,

855
00:42:58,640 --> 00:43:00,880
Speaker 1: Charlomne the guy we all the breakfast club. We have

856
00:43:01,040 --> 00:43:04,160
Speaker 1: treating in Brittany Taylor in the building, Charlemagne. You think

857
00:43:04,200 --> 00:43:05,680
Speaker 1: you'll ever get to a point where you don't want

858
00:43:05,680 --> 00:43:07,600
Speaker 1: to perform your sexual stuff in the more dream me? Yeah,

859
00:43:07,640 --> 00:43:10,400
Speaker 1: what's sexual stuff? Most of my music is not that sexually.

860
00:43:10,400 --> 00:43:13,800
Speaker 1: Look back at it, nam, go back at it sexual,

861
00:43:13,920 --> 00:43:18,160
Speaker 1: look back at the sexual naw whatever, pullover is not sexual. Fact,

862
00:43:18,160 --> 00:43:19,800
Speaker 1: that's all I'm saying. It's not saying too much sexual

863
00:43:19,920 --> 00:43:22,000
Speaker 1: here regard it's not sexual. Single again it's not sexual.

864
00:43:22,440 --> 00:43:25,719
Speaker 1: Damn is not sexual. Um, the Kymanchell record, if it

865
00:43:25,760 --> 00:43:27,359
Speaker 1: ain't Me is not sexual. All these records not sexual.

866
00:43:27,360 --> 00:43:28,799
Speaker 1: All my stuff that's or it's not that sexual. It's

867
00:43:28,800 --> 00:43:31,319
Speaker 1: a few records that stood out that's really sexual. People

868
00:43:31,360 --> 00:43:33,120
Speaker 1: take that and go so overboard with it. That's what

869
00:43:33,280 --> 00:43:36,360
Speaker 1: I'm very sexual, very confident in my stand, very provocative,

870
00:43:36,440 --> 00:43:37,920
Speaker 1: very well And guess what the things that I say,

871
00:43:38,160 --> 00:43:40,239
Speaker 1: everybody has something to say about it. They want to say,

872
00:43:40,280 --> 00:43:41,520
Speaker 1: they just don't know how to say because they're not

873
00:43:41,560 --> 00:43:43,720
Speaker 1: sure of themselves. Yeah, just listen to you live service.

874
00:43:43,760 --> 00:43:46,279
Speaker 1: If you don't believe. Oh yeah, did ye hear yea? No,

875
00:43:47,800 --> 00:43:49,879
Speaker 1: you did not get to watching your lip service. That's

876
00:43:49,960 --> 00:43:53,839
Speaker 1: so bad. There's a lot of tips on. We gave

877
00:43:53,880 --> 00:44:04,680
Speaker 1: a lot of tips, yes, baby baby, and then it

878
00:44:04,800 --> 00:44:12,200
Speaker 1: was twigged. Everybody don't know how And then you have

879
00:44:12,280 --> 00:44:14,239
Speaker 1: a new album you and tick Daddy, Tick Daddy, and

880
00:44:14,280 --> 00:44:17,040
Speaker 1: Trina is what. Let me say to Trick, Daddy and Trina.

881
00:44:17,239 --> 00:44:19,399
Speaker 1: That's what's Trick and Trina. Yeah, trick and I ain't

882
00:44:19,400 --> 00:44:20,879
Speaker 1: gonna say training and Trick. I always a little trick

883
00:44:20,880 --> 00:44:22,200
Speaker 1: and training. I get him this little prop because you know,

884
00:44:22,239 --> 00:44:24,120
Speaker 1: I'm the boss of Sunds. I took a treat kind

885
00:44:24,160 --> 00:44:26,080
Speaker 1: of so kind of flow Trick and Train. The TNT

886
00:44:26,239 --> 00:44:27,839
Speaker 1: comes out next year. My album comes out next year,

887
00:44:27,880 --> 00:44:30,000
Speaker 1: the one. Finally, I'm so excited. I'm so tired of

888
00:44:30,080 --> 00:44:31,960
Speaker 1: the delay. We had like an issue with the Clarence,

889
00:44:32,000 --> 00:44:34,200
Speaker 1: which is kind of frustrating at the last minute, but

890
00:44:34,239 --> 00:44:35,200
Speaker 1: it was one of those things that, you know what,

891
00:44:35,320 --> 00:44:37,400
Speaker 1: sometime timing is for the best day my album supposed

892
00:44:37,400 --> 00:44:38,800
Speaker 1: to come out. That's awesome. We had the Hurricane. I

893
00:44:38,880 --> 00:44:40,680
Speaker 1: was thinking, like peez, if the album came out the

894
00:44:40,760 --> 00:44:42,359
Speaker 1: Hurricane and said I was posting album, it was gonna

895
00:44:42,360 --> 00:44:44,040
Speaker 1: be like, oh you selfish, Oh you did. So it

896
00:44:44,160 --> 00:44:46,200
Speaker 1: just kind of went Howard did. And now February twenty

897
00:44:46,200 --> 00:44:48,160
Speaker 1: third is my new release date. I'm super excited. I

898
00:44:48,239 --> 00:44:50,080
Speaker 1: got a chance to ask some extra records to the album.

899
00:44:50,920 --> 00:44:53,920
Speaker 1: Nice a couple more Valentine's Day and let me say,

900
00:44:54,000 --> 00:44:56,239
Speaker 1: you have a Valentine this year? Are you singing again?

901
00:44:56,400 --> 00:44:59,919
Speaker 1: I have a Valentine every year. Okay, okay, talk about

902
00:45:00,360 --> 00:45:03,439
Speaker 1: not a problem that I'm just you know, yeah, I'm happy,

903
00:45:03,480 --> 00:45:06,720
Speaker 1: you know, to stop, you know that, just stop, Okay.

904
00:45:08,560 --> 00:45:13,120
Speaker 1: I just wanted to know I'm very happy, happy, you know, happiest, happy,

905
00:45:13,200 --> 00:45:15,239
Speaker 1: and very much how I was when I left you

906
00:45:15,280 --> 00:45:20,040
Speaker 1: guys last you are brides maid. You look beautiful. Thank you.

907
00:45:20,440 --> 00:45:23,800
Speaker 1: You're crying. I was crying because I was crying. I

908
00:45:24,000 --> 00:45:26,120
Speaker 1: was happy for her. I was like, oh in awe,

909
00:45:26,200 --> 00:45:28,400
Speaker 1: like she is so amazed, like when to see her,

910
00:45:28,680 --> 00:45:30,520
Speaker 1: like just this day, this is her day, you know,

911
00:45:30,640 --> 00:45:32,799
Speaker 1: and I've been there with her, like the whole thing,

912
00:45:32,840 --> 00:45:34,480
Speaker 1: the waiting dress of this to that, the crying that

913
00:45:34,600 --> 00:45:36,640
Speaker 1: before the wedding was playing years and years from the

914
00:45:36,680 --> 00:45:38,520
Speaker 1: listic like this is my friend, I know her, like

915
00:45:38,600 --> 00:45:40,520
Speaker 1: this day was everything to her. You know, when those

916
00:45:40,520 --> 00:45:41,960
Speaker 1: things happened to you think to yourself, when is my

917
00:45:42,040 --> 00:45:43,879
Speaker 1: wa I was thinking to myself like shee, I want

918
00:45:44,120 --> 00:45:46,560
Speaker 1: me walking down an except I was walking next to Toss,

919
00:45:46,560 --> 00:45:47,880
Speaker 1: I was like, this is not my husband, you know,

920
00:45:48,440 --> 00:45:50,359
Speaker 1: so I was thinking like, wow, this is this could

921
00:45:50,400 --> 00:45:52,640
Speaker 1: be my wedding, you know, don't see emotional. It was

922
00:45:52,800 --> 00:45:55,440
Speaker 1: very good and Gucci was so strong and the man

923
00:45:55,600 --> 00:45:57,400
Speaker 1: stand up for her. It was just like a beautiful

924
00:45:57,440 --> 00:45:59,000
Speaker 1: moment to be a part of. Would you put your

925
00:45:59,040 --> 00:46:01,480
Speaker 1: wedding on television? Do a special? Now you're doing loving

926
00:46:01,520 --> 00:46:13,200
Speaker 1: hip hop? I'm sure man, you know what and what

927
00:46:13,360 --> 00:46:15,319
Speaker 1: we're saying. I don't know about that though. The whole

928
00:46:15,360 --> 00:46:17,080
Speaker 1: waiting on the TV thing, you know what, because just

929
00:46:17,480 --> 00:46:21,439
Speaker 1: for the sake um, just being in Kesha's waiting, it's

930
00:46:21,440 --> 00:46:24,160
Speaker 1: a lot like she was extremely frustrated and it's you know,

931
00:46:24,239 --> 00:46:27,040
Speaker 1: it's waiting. The cameras are there, certain stuff isn't going around.

932
00:46:27,040 --> 00:46:28,680
Speaker 1: It's gonna be on television. So now we're here, so

933
00:46:28,800 --> 00:46:30,960
Speaker 1: she gotta watch everybody. Why isn't the spotlight on me

934
00:46:31,080 --> 00:46:32,919
Speaker 1: right now? Why is this? Why is there? You're still

935
00:46:33,239 --> 00:46:35,400
Speaker 1: planning your wedding, it's your big day, but also you're

936
00:46:35,480 --> 00:46:38,200
Speaker 1: filming for the cameras, and it's cameras all around, hiding

937
00:46:38,239 --> 00:46:41,000
Speaker 1: behind the sheer sheets and all on the floor. It

938
00:46:41,120 --> 00:46:43,359
Speaker 1: was a lot like all day. It was like one

939
00:46:43,360 --> 00:46:45,319
Speaker 1: of those things. I know, I can imagine what it's

940
00:46:45,360 --> 00:46:47,320
Speaker 1: like just doing a waiting without the cameras, you know,

941
00:46:47,640 --> 00:46:49,640
Speaker 1: the Bryzilla and just all that, but now that you

942
00:46:49,760 --> 00:46:53,040
Speaker 1: have the cameras. Who she was stressing? I was stressing.

943
00:46:53,120 --> 00:46:55,160
Speaker 1: I was crying. He was meeting. We wasn't making deadlines.

944
00:46:55,200 --> 00:46:57,680
Speaker 1: I missed the appointment for my dress like four times.

945
00:46:57,719 --> 00:47:00,600
Speaker 1: Like it was just a lot to the wedding. Still

946
00:47:00,600 --> 00:47:02,719
Speaker 1: a getting you're dressed. No, I wasn't late, but I

947
00:47:02,840 --> 00:47:04,400
Speaker 1: was supposed to get it like a week prior. So

948
00:47:04,480 --> 00:47:06,880
Speaker 1: I actually got my mate like the last one. She

949
00:47:07,040 --> 00:47:08,880
Speaker 1: was giving me like leeway, but it was almost like, hey,

950
00:47:08,880 --> 00:47:10,400
Speaker 1: if it's not done today, it's not waiting, Like what

951
00:47:10,440 --> 00:47:12,120
Speaker 1: are you gonna walk in? You know? And I'm stressing,

952
00:47:12,160 --> 00:47:14,120
Speaker 1: I'm traveling, I'm this, I'm that. We're all over the place.

953
00:47:14,160 --> 00:47:16,440
Speaker 1: So it was just a lot to make it happen.

954
00:47:16,560 --> 00:47:22,160
Speaker 1: You I'm younger, Okay, I feel like I met him.

955
00:47:23,239 --> 00:47:26,160
Speaker 1: I think I remember the story. Now he's an entrepreneur

956
00:47:26,280 --> 00:47:29,839
Speaker 1: or something. We're just gonna he cher that much younger.

957
00:47:29,920 --> 00:47:33,359
Speaker 1: But I don't know if you're talking about rooms, we're

958
00:47:33,360 --> 00:47:38,400
Speaker 1: talking about factors together. We've been together, we've been together,

959
00:47:38,880 --> 00:47:41,279
Speaker 1: we're together, we're happy. I'm not talking about all that

960
00:47:41,320 --> 00:47:43,560
Speaker 1: because it started leaking out drama, and the drama goes

961
00:47:45,440 --> 00:47:48,120
Speaker 1: what BOSSU says or a boss up or breakfast club

962
00:47:48,239 --> 00:47:50,799
Speaker 1: or age room or nobody else. What is that? Why

963
00:47:50,880 --> 00:47:55,279
Speaker 1: you starting in front of you? Now? Now it was

964
00:47:55,400 --> 00:47:59,800
Speaker 1: you and Davis. It's not me and Day What is you? No? No, no, no?

965
00:48:00,239 --> 00:48:03,040
Speaker 1: The room? That was the video, Charlotte, Man, you cannot

966
00:48:03,080 --> 00:48:05,800
Speaker 1: believe the blogs. They're gonna say everything. Shout out to

967
00:48:05,880 --> 00:48:10,920
Speaker 1: them too. They always talking about I got you. I've

968
00:48:10,960 --> 00:48:12,840
Speaker 1: never heard one false thing about you. Oh my gosh

969
00:48:12,960 --> 00:48:16,840
Speaker 1: all the time, never ever been saying it's not Davy's

970
00:48:17,480 --> 00:48:19,280
Speaker 1: but those of the room was because of this video.

971
00:48:19,920 --> 00:48:22,279
Speaker 1: You thought the video was what closer or not? I

972
00:48:22,360 --> 00:48:23,719
Speaker 1: just thought it was a video. When you do a video,

973
00:48:23,760 --> 00:48:25,600
Speaker 1: you acting the videos, it could be a real video.

974
00:48:25,960 --> 00:48:32,880
Speaker 1: Raymond Taylor, that's who it is. Yeah, your money? What

975
00:48:33,000 --> 00:48:36,640
Speaker 1: are you talking about? I just need to know if

976
00:48:36,680 --> 00:48:39,399
Speaker 1: you're gonna be set you I'm already set. Okay, she's

977
00:48:39,440 --> 00:48:44,000
Speaker 1: got out her why she she got it? She got it?

978
00:48:44,480 --> 00:48:47,000
Speaker 1: You got to spend it, you know what? Realistic? I

979
00:48:47,080 --> 00:48:48,600
Speaker 1: don't even spend a lot of money, you know that?

980
00:48:48,800 --> 00:48:51,280
Speaker 1: Not really? Now, I I so much stuff. It happens

981
00:48:51,320 --> 00:48:53,120
Speaker 1: you have. You know how you do the bartering and

982
00:48:53,239 --> 00:48:55,760
Speaker 1: people do you make them? You use your brandom? Absolutely

983
00:48:56,160 --> 00:48:57,840
Speaker 1: you that's me. I keep my money to It's like

984
00:48:57,920 --> 00:49:02,000
Speaker 1: necessarily have to trainer got her own. Damn Miami treated better. Yeah,

985
00:49:02,160 --> 00:49:05,840
Speaker 1: every day treating the day in Miami. Yes, it's made fifteen.

986
00:49:06,080 --> 00:49:08,719
Speaker 1: He's got some Mother's Day from Yeah, Mother's Day. I

987
00:49:08,760 --> 00:49:10,399
Speaker 1: don't know what I'm gonna do yet. It's something that's

988
00:49:10,400 --> 00:49:12,320
Speaker 1: gonna be very charitable, of course, giving back to the

989
00:49:12,360 --> 00:49:14,759
Speaker 1: whole Miami, the whole community. Because I'm excited about it.

990
00:49:14,800 --> 00:49:16,960
Speaker 1: I don't have no idea what the plans are. I

991
00:49:17,000 --> 00:49:18,680
Speaker 1: don't know, like next year, I'll come back to you

992
00:49:18,719 --> 00:49:20,520
Speaker 1: guys and tell you, yeah, I remember that because they

993
00:49:20,560 --> 00:49:23,800
Speaker 1: had pictures of your boo out there. Why do you

994
00:49:23,880 --> 00:49:25,600
Speaker 1: keep talking? Because I'm about the DM him and tell

995
00:49:25,680 --> 00:49:28,560
Speaker 1: him he'd better marry you and marry you soon. Okay,

996
00:49:28,640 --> 00:49:31,279
Speaker 1: the reading finger is still a little pressure on. He's

997
00:49:31,280 --> 00:49:32,719
Speaker 1: definitely not gonna say that. He gonna say, why you

998
00:49:32,760 --> 00:49:36,200
Speaker 1: ain't bust that? Yeah, that's what talk like that. No,

999
00:49:36,640 --> 00:49:39,200
Speaker 1: I'm not talking about you. No, I don't look at

1000
00:49:39,239 --> 00:49:41,160
Speaker 1: you so different. You know that the way people like

1001
00:49:41,360 --> 00:49:43,360
Speaker 1: the stuff I hear about child I look because this

1002
00:49:43,480 --> 00:49:45,440
Speaker 1: I look at him different. You had that person who

1003
00:49:45,480 --> 00:49:49,680
Speaker 1: like Miami Rooftop Vibe, ship Club Vibe Fact. And we

1004
00:49:49,800 --> 00:49:51,960
Speaker 1: had different conversations that when I come here with you guys.

1005
00:49:52,280 --> 00:49:53,800
Speaker 1: So that's why when I come here, don't front on

1006
00:49:53,880 --> 00:49:59,239
Speaker 1: me because he know, I know a quotes. No, it

1007
00:49:59,360 --> 00:50:01,000
Speaker 1: wasn't quote. It was just real stuff like you know,

1008
00:50:01,160 --> 00:50:02,960
Speaker 1: God girl, we had all like I asked some stuff

1009
00:50:03,000 --> 00:50:05,120
Speaker 1: he told me. I was like, be honest, it's like okay,

1010
00:50:05,120 --> 00:50:06,600
Speaker 1: And he asked me stuff like we had our like

1011
00:50:06,719 --> 00:50:08,719
Speaker 1: heart to heart absolutely, and that's why I got to

1012
00:50:08,760 --> 00:50:12,440
Speaker 1: make sure this dude do right by you. That's you

1013
00:50:12,520 --> 00:50:14,480
Speaker 1: do right? All right, Well you're looking for its at

1014
00:50:14,600 --> 00:50:17,360
Speaker 1: January first? Right? Is that when this right first? It's Miami.

1015
00:50:17,440 --> 00:50:19,840
Speaker 1: Miami is lit, Trick Daddy is lit, gun play is

1016
00:50:24,040 --> 00:50:29,360
Speaker 1: don't play. He's just a wild one from Miami. Miami

1017
00:50:29,440 --> 00:50:31,480
Speaker 1: just took a loss. Two man, Rest in peace, black both.

1018
00:50:31,800 --> 00:50:34,160
Speaker 1: I know. Yeah, that's that's so like a hard one

1019
00:50:34,239 --> 00:50:36,240
Speaker 1: to digest. You know. He's like a mentor to everybody.

1020
00:50:36,320 --> 00:50:37,680
Speaker 1: I knew him, so I was a little going up,

1021
00:50:37,680 --> 00:50:38,640
Speaker 1: you know, And it's one of those things like we

1022
00:50:38,719 --> 00:50:41,239
Speaker 1: have to just make sure we be healthy and exercise

1023
00:50:41,320 --> 00:50:42,960
Speaker 1: and do all kind of stuff. You just never know,

1024
00:50:43,160 --> 00:50:45,360
Speaker 1: like today, like last my year at our bassil the

1025
00:50:45,400 --> 00:50:48,080
Speaker 1: next day, like you're just not year, Brittany. I can't

1026
00:50:48,080 --> 00:50:51,520
Speaker 1: anticipate you hopping over to the Miami one now. Yeah,

1027
00:50:51,719 --> 00:50:54,520
Speaker 1: hopefully let's everybody just say a little prayer. Yeah, I'm

1028
00:50:54,560 --> 00:50:58,320
Speaker 1: dragging her to Miami so the beaches, Brittany, Welcome to Miami.

1029
00:50:58,400 --> 00:51:00,839
Speaker 1: It was that was going to be I'm Miami too,

1030
00:51:01,440 --> 00:51:04,000
Speaker 1: Josly from I'm Atlanta. I don't know. I didn't hear

1031
00:51:04,040 --> 00:51:05,759
Speaker 1: that because I knowess he was trying because I guess

1032
00:51:05,760 --> 00:51:08,160
Speaker 1: she had moved to Miami. Here. She's from Miami though, right,

1033
00:51:08,280 --> 00:51:11,239
Speaker 1: I mean back to my Atlanta give up pass. I

1034
00:51:11,280 --> 00:51:13,120
Speaker 1: mean I know her, I love her. She's on it like,

1035
00:51:13,160 --> 00:51:15,279
Speaker 1: I don't have no problem for her. I don't even

1036
00:51:15,320 --> 00:51:16,640
Speaker 1: know how for people lives on the cast, so I

1037
00:51:16,680 --> 00:51:19,320
Speaker 1: haven't seen him from them anything really. Yeah, you know

1038
00:51:19,360 --> 00:51:22,320
Speaker 1: Stephan lacordough, Yeah, I'm like school. Yeah, she's cool. I

1039
00:51:22,400 --> 00:51:25,880
Speaker 1: film one scene with Steph Lacorne studio. Yeah. Right, well,

1040
00:51:25,920 --> 00:51:29,520
Speaker 1: we appreciate you guys for Jodan. You guys and I

1041
00:51:29,600 --> 00:51:31,839
Speaker 1: look forward to hearing that T and T album. Yes,

1042
00:51:32,080 --> 00:51:34,759
Speaker 1: and it's the Breakfast Club. That's Miss Brittney Taylor and

1043
00:51:36,120 --> 00:51:45,440
Speaker 1: think you curiods The Breakfast Club. I was born to donkey.

1044
00:51:45,640 --> 00:51:56,000
Speaker 1: This is a Donkey of the Death. That's pretty funny.

1045
00:51:56,480 --> 00:52:03,360
Speaker 1: Charloman Devil Breakfast Club. All right, listen, man, Charlomagne the

1046
00:52:03,400 --> 00:52:06,040
Speaker 1: God here. I'm on vacation until twenty eighteen. I don't

1047
00:52:06,040 --> 00:52:07,800
Speaker 1: give a damn what y'all think about that, because I

1048
00:52:07,880 --> 00:52:10,319
Speaker 1: deserve it. Now. The Breakfast Club is in eighty plus

1049
00:52:10,400 --> 00:52:12,000
Speaker 1: markets in a one hundred and fifty country, so we

1050
00:52:12,040 --> 00:52:13,719
Speaker 1: have a lot of new listeners who probably don't even

1051
00:52:13,719 --> 00:52:16,359
Speaker 1: know who Charlomagne the God is. So use my time

1052
00:52:16,440 --> 00:52:19,880
Speaker 1: off to catch up on some of my past work. Okay, okay,

1053
00:52:20,080 --> 00:52:22,080
Speaker 1: if you knew here, I do a segment every day

1054
00:52:22,120 --> 00:52:24,640
Speaker 1: called Donkey the Day Donkey as in jackass, and that's

1055
00:52:24,680 --> 00:52:26,920
Speaker 1: when I give someone the credit they deserve for being stupid.

1056
00:52:27,040 --> 00:52:29,040
Speaker 1: So if you've never heard of it, this is new

1057
00:52:29,120 --> 00:52:30,560
Speaker 1: to you. But if you are a regular listener, and

1058
00:52:30,680 --> 00:52:33,000
Speaker 1: this is an oldiep but goody because it's the best

1059
00:52:33,080 --> 00:52:35,319
Speaker 1: of the Donkey of the day. Donkey to Day goes

1060
00:52:35,360 --> 00:52:38,319
Speaker 1: to the Little Lass Negro formerly known as Bi Wow

1061
00:52:38,360 --> 00:52:43,040
Speaker 1: Wow Yippy Yo Yippya Shad Moss. Okay, every day of

1062
00:52:43,080 --> 00:52:45,279
Speaker 1: Shad Mosson's life it seems like he's starring in a

1063
00:52:45,400 --> 00:52:49,160
Speaker 1: terrible bio pick airing on Lifetime about himself. And of course,

1064
00:52:49,200 --> 00:52:51,879
Speaker 1: in this bio pick, he is playing himself, because, let's

1065
00:52:51,920 --> 00:52:55,680
Speaker 1: be honest, nobody can play themselves better than Shad Moss

1066
00:52:55,840 --> 00:52:58,080
Speaker 1: can play himself. If it's one thing on this plane at,

1067
00:52:58,120 --> 00:53:01,880
Speaker 1: Shad Moss is good at, it's himself. Well. The playing

1068
00:53:01,920 --> 00:53:04,840
Speaker 1: of thyself continued when Shad Moss posted a pic of

1069
00:53:04,920 --> 00:53:07,439
Speaker 1: a private jet with a sprinter and Mercedes Benz pulled

1070
00:53:07,520 --> 00:53:11,160
Speaker 1: up to it with the caption travel day NYC press

1071
00:53:11,280 --> 00:53:14,240
Speaker 1: run for Growing Up hip Hop, Let's Go. I promised

1072
00:53:14,280 --> 00:53:16,839
Speaker 1: to bring y'all the hottest show ever. Now Shad Moss

1073
00:53:16,920 --> 00:53:19,320
Speaker 1: is the executive producer of Growing Up hip Hop. Salute

1074
00:53:19,360 --> 00:53:21,160
Speaker 1: to him on that drop on a Clue's Bumps and

1075
00:53:21,200 --> 00:53:23,799
Speaker 1: Shad Moss being the EP on Growing Up hip Hop.

1076
00:53:25,000 --> 00:53:26,640
Speaker 1: But I don't understand how you can be EP of

1077
00:53:26,719 --> 00:53:28,880
Speaker 1: a show called Growing Up hip Hop when you clearly

1078
00:53:29,000 --> 00:53:31,440
Speaker 1: still have a lot of growing up to do. Okay,

1079
00:53:31,440 --> 00:53:33,400
Speaker 1: you know how they talk about doing the Baby Boys sequel,

1080
00:53:33,640 --> 00:53:36,040
Speaker 1: they should do it. Based on Shad Moss's life, he

1081
00:53:36,200 --> 00:53:38,200
Speaker 1: is a thirty year old grown ass man who mentally

1082
00:53:38,320 --> 00:53:40,320
Speaker 1: is still balled up in the fetal position of his

1083
00:53:40,440 --> 00:53:43,520
Speaker 1: mother's womb. Okay, Shad Moss may physically be a grown

1084
00:53:43,560 --> 00:53:46,200
Speaker 1: ass man, but psychologically he is still that little boy

1085
00:53:46,440 --> 00:53:50,440
Speaker 1: who is headlining the screen tour. He's delusional. Okay. I

1086
00:53:50,560 --> 00:53:52,719
Speaker 1: knew he was delusional when I saw that video him

1087
00:53:52,760 --> 00:53:55,080
Speaker 1: online when he had the hoodie on and he was

1088
00:53:55,160 --> 00:53:56,600
Speaker 1: walking in front of a group of kids and he

1089
00:53:56,640 --> 00:53:58,279
Speaker 1: was acting like he didn't want to be noticed, and

1090
00:53:58,360 --> 00:54:01,000
Speaker 1: they didn't notice it was him. Remember this, yo, it's

1091
00:54:01,000 --> 00:54:02,640
Speaker 1: a field trip behind me. They don't know it's me.

1092
00:54:06,800 --> 00:54:10,440
Speaker 1: They don't care. Okay, this guy still think there's two

1093
00:54:10,520 --> 00:54:13,040
Speaker 1: thousand and five. Not only to those kids not notice you,

1094
00:54:13,360 --> 00:54:16,160
Speaker 1: they probably didn't know who you are and actually didn't care.

1095
00:54:16,360 --> 00:54:18,840
Speaker 1: But back to the matter at hand, Shad Moss posted

1096
00:54:18,880 --> 00:54:21,560
Speaker 1: this pick of a private jet and immediately got called out.

1097
00:54:21,760 --> 00:54:23,719
Speaker 1: A young man took a pick of Shad Moss on

1098
00:54:23,760 --> 00:54:26,560
Speaker 1: a commercial airline with the caption, so this guy, little

1099
00:54:26,560 --> 00:54:29,480
Speaker 1: bow Wah is on my flight to NY but on Instagram,

1100
00:54:29,719 --> 00:54:32,760
Speaker 1: he posted a picture of a private jet caption traveling

1101
00:54:32,840 --> 00:54:35,960
Speaker 1: the NY today shaking my head. Shaking my head as

1102
00:54:35,960 --> 00:54:38,720
Speaker 1: the correct answer, because Shad Moss is a devil damn liar.

1103
00:54:39,000 --> 00:54:41,319
Speaker 1: When will you fools realize there's no future in front?

1104
00:54:41,360 --> 00:54:43,000
Speaker 1: And I know a lot of people like to say

1105
00:54:43,040 --> 00:54:44,440
Speaker 1: you turn out to be what you pretend to be.

1106
00:54:44,719 --> 00:54:46,279
Speaker 1: It could be some truth in that, but in the

1107
00:54:46,360 --> 00:54:48,760
Speaker 1: processes that, you have to be careful who you pretend

1108
00:54:48,840 --> 00:54:51,480
Speaker 1: to be because you might forget who you are. And

1109
00:54:51,600 --> 00:54:53,960
Speaker 1: Shad Moss and his pursuits pretend to still be that

1110
00:54:54,040 --> 00:54:56,520
Speaker 1: guy who's headline in the screen tour forgot that he

1111
00:54:56,719 --> 00:54:59,640
Speaker 1: is not that guy bow Wall anymore. And that's fine.

1112
00:55:00,120 --> 00:55:02,440
Speaker 1: You have moved on, You're still moving and shaking. You

1113
00:55:02,520 --> 00:55:05,120
Speaker 1: still got a career. But for whatever reason, that's not

1114
00:55:05,360 --> 00:55:08,200
Speaker 1: good enough for you. For whatever reason, Shad Moss is

1115
00:55:08,239 --> 00:55:11,279
Speaker 1: choosing the cat fish himself. Who are you trying to be,

1116
00:55:11,400 --> 00:55:14,240
Speaker 1: Shat Moss? Are you trying to be deep Pimping? Remember

1117
00:55:14,320 --> 00:55:16,800
Speaker 1: Deep Pippen. Deep Pimping is the guy who pretended to

1118
00:55:16,880 --> 00:55:19,319
Speaker 1: still be a ba Wow. Okay, that's that's what Shad

1119
00:55:19,480 --> 00:55:22,359
Speaker 1: Moss is doing. Shat mosses deep pimping, pretending to still

1120
00:55:22,440 --> 00:55:24,919
Speaker 1: be ba wow. Now. A wise man who got caught

1121
00:55:25,000 --> 00:55:27,160
Speaker 1: red hands in the way Shad Moss did would have

1122
00:55:27,239 --> 00:55:30,479
Speaker 1: just fell back, relaxed his mind, let his conscious free.

1123
00:55:30,560 --> 00:55:33,359
Speaker 1: But not Shat Moss. Old Shad Moss got on ig

1124
00:55:33,560 --> 00:55:36,720
Speaker 1: and doubled down on the dunkiness. He posted and words

1125
00:55:36,800 --> 00:55:39,879
Speaker 1: so dumb and words taking old picture to say why

1126
00:55:39,920 --> 00:55:42,839
Speaker 1: it was and wasn't? Who do that? Y'all better stop

1127
00:55:42,920 --> 00:55:46,279
Speaker 1: playing with me? Ha ha ha And words is retarded now,

1128
00:55:46,400 --> 00:55:48,960
Speaker 1: Shad Moss. The only dumb retarded a word in this

1129
00:55:49,040 --> 00:55:51,440
Speaker 1: whole scenario is you, because you were the one who

1130
00:55:51,480 --> 00:55:53,560
Speaker 1: took a stock picture from the fourth lawd of thel

1131
00:55:53,680 --> 00:55:57,040
Speaker 1: Vip Transportation Company and posted it on your IG like

1132
00:55:57,120 --> 00:55:59,719
Speaker 1: it was real. Okay. Shad Moss also posted catch me

1133
00:55:59,760 --> 00:56:02,640
Speaker 1: at the brow tomorrow going back home. Half y'all broke

1134
00:56:02,719 --> 00:56:05,440
Speaker 1: mofols still can't afford the buddy pass on Spirit Airlines

1135
00:56:05,520 --> 00:56:07,520
Speaker 1: stay out the big boy lane. Now. I wish every

1136
00:56:07,600 --> 00:56:10,640
Speaker 1: single Spirit passenger who was fighting yesterday at Fort Lauderdale

1137
00:56:10,640 --> 00:56:14,000
Speaker 1: Airport could collectively jump Shad Moss. You the one friend,

1138
00:56:14,280 --> 00:56:16,000
Speaker 1: you the one line to yourself, and you got the

1139
00:56:16,120 --> 00:56:19,399
Speaker 1: nerve the unmitigated guard to insult the financially challenge people

1140
00:56:19,440 --> 00:56:21,920
Speaker 1: of our society. I would rather be the broke mofol

1141
00:56:22,040 --> 00:56:24,440
Speaker 1: who can't afford the buddy pass on Spirit Airlines than

1142
00:56:24,520 --> 00:56:26,839
Speaker 1: be the mentally poor mofol who still got a lot

1143
00:56:26,920 --> 00:56:29,680
Speaker 1: of kick it Like you are, Shad Moss. Financially broke,

1144
00:56:29,760 --> 00:56:32,520
Speaker 1: you can change that. Mentally broke. That takes a little work,

1145
00:56:32,680 --> 00:56:35,480
Speaker 1: and you, my friend, Shad Moss, are mentally broke. Clearly

1146
00:56:35,560 --> 00:56:37,759
Speaker 1: you are not happy with the life you are currently leading,

1147
00:56:37,800 --> 00:56:39,680
Speaker 1: because if you was, then you wouldn't have to post

1148
00:56:39,680 --> 00:56:43,120
Speaker 1: stock photos from Fort Laud of theale vip Limo. Shad

1149
00:56:43,239 --> 00:56:45,560
Speaker 1: Moss and all the kids listening out there, please listen

1150
00:56:45,640 --> 00:56:48,400
Speaker 1: to your uncle Charla. Remember this. If you want to

1151
00:56:48,440 --> 00:56:52,640
Speaker 1: be successful, you must respect one rule. Never lie to yourself. Okay.

1152
00:56:53,320 --> 00:56:55,920
Speaker 1: You can learn a lot from your mistakes if you

1153
00:56:56,080 --> 00:56:59,240
Speaker 1: don't deny them. Okay, Shad Moss is not bow Wow anymore,

1154
00:56:59,239 --> 00:57:02,399
Speaker 1: and that's fine. Well, I got the private jets, Shad Moss, don't,

1155
00:57:02,520 --> 00:57:04,920
Speaker 1: at least not yet. Anyway. Tomorrow of the story is

1156
00:57:04,960 --> 00:57:06,680
Speaker 1: Shad Mars, You're not lying to me. You're lying to

1157
00:57:06,760 --> 00:57:08,920
Speaker 1: yourself and the man who lies himself and listening to

1158
00:57:09,040 --> 00:57:10,799
Speaker 1: his own lie comes to a point where he does

1159
00:57:10,840 --> 00:57:13,359
Speaker 1: not discern any truth in himself or anyone around him.

1160
00:57:13,480 --> 00:57:16,320
Speaker 1: I bet Shad Moss don't trust nobody simply because he

1161
00:57:16,360 --> 00:57:19,360
Speaker 1: don't trust himself, and why should he? Okay, did, Shad Master?

1162
00:57:19,440 --> 00:57:21,000
Speaker 1: Truth will set you free, but you first have to

1163
00:57:21,080 --> 00:57:24,240
Speaker 1: realize which a lie is holding you hostage and the Truthfish,

1164
00:57:24,240 --> 00:57:26,960
Speaker 1: Shad Moss, you are not a little biou anymore. Forget

1165
00:57:27,040 --> 00:57:29,160
Speaker 1: growing up hip hop, you just need to grow up period.

1166
00:57:29,560 --> 00:57:35,440
Speaker 1: Please give Shad Moster the biggest heath Hall. Please the

1167
00:57:35,680 --> 00:57:42,120
Speaker 1: Breakfast Club morning. Everybody is DJ and de Angela. Ye,

1168
00:57:42,320 --> 00:57:44,680
Speaker 1: Charlemagne the guy. We are to breakfast Club. It's time

1169
00:57:44,800 --> 00:57:48,640
Speaker 1: for ass see and eat. Hello. Who's this? This is Chris? Hey, Chris,

1170
00:57:48,720 --> 00:57:50,440
Speaker 1: what's your question for C and E? All right, So

1171
00:57:50,600 --> 00:57:53,720
Speaker 1: I'm gonna stay at home dad and I. You know,

1172
00:57:53,840 --> 00:57:56,160
Speaker 1: I stay at home and I I queen, I do

1173
00:57:56,280 --> 00:57:58,960
Speaker 1: everything while my wife goes home and makes some money.

1174
00:57:59,280 --> 00:58:01,520
Speaker 1: I think I'm sorry one my wife goes out and

1175
00:58:01,560 --> 00:58:03,480
Speaker 1: make some money. Now, I want to know how to

1176
00:58:03,560 --> 00:58:07,080
Speaker 1: ask for that smushy. I want to basically because she

1177
00:58:07,200 --> 00:58:09,960
Speaker 1: makes me feel weird. About it and inferior almost when I,

1178
00:58:10,200 --> 00:58:12,600
Speaker 1: you know, try to have some intimate time along with her,

1179
00:58:12,640 --> 00:58:14,840
Speaker 1: and I don't know how to kind of go. I

1180
00:58:14,920 --> 00:58:16,800
Speaker 1: want you to know number one, she's cheating on you.

1181
00:58:16,880 --> 00:58:20,240
Speaker 1: That's number one. And number two. I wasn't stay at

1182
00:58:20,280 --> 00:58:22,800
Speaker 1: home dad before my daughter was born June of two

1183
00:58:22,880 --> 00:58:25,480
Speaker 1: thousand and eight, and I got fired in November two

1184
00:58:25,520 --> 00:58:27,640
Speaker 1: thousand and eight, So from November to like May, I

1185
00:58:27,720 --> 00:58:29,520
Speaker 1: was unemployed. So I was a stay at home dad.

1186
00:58:29,840 --> 00:58:32,920
Speaker 1: But I used to ask for the vagina the same

1187
00:58:33,000 --> 00:58:35,240
Speaker 1: way I always did, Like that shit in your relationship

1188
00:58:35,240 --> 00:58:38,200
Speaker 1: shouldn't changes because you, Oh, you should just be a

1189
00:58:38,240 --> 00:58:40,680
Speaker 1: little sexy. I mean, we're some lungerae. They got men's

1190
00:58:40,760 --> 00:58:42,960
Speaker 1: lingerie or something like that. We're some boxing sholds with

1191
00:58:43,000 --> 00:58:45,600
Speaker 1: your ass out or you know, we're something sexy for

1192
00:58:45,680 --> 00:58:47,920
Speaker 1: your woman. So when she gets home she's in the mood,

1193
00:58:48,000 --> 00:58:50,600
Speaker 1: immediately start texting her right now, baby. I can't wait

1194
00:58:50,640 --> 00:58:52,400
Speaker 1: for you to get home. My penis is so hard

1195
00:58:52,480 --> 00:58:53,960
Speaker 1: waiting on you that those are things you gotta do.

1196
00:58:54,080 --> 00:58:55,560
Speaker 1: Or maybe we're not asking the right question. Why you

1197
00:58:55,680 --> 00:58:57,560
Speaker 1: stay at home dad? I'm a stay at home dad

1198
00:58:57,640 --> 00:59:00,360
Speaker 1: because we decided that was better for our relationship because

1199
00:59:00,360 --> 00:59:02,120
Speaker 1: I worked, but I didn't have a job as good

1200
00:59:02,160 --> 00:59:05,440
Speaker 1: as as she does. So, um, you know, just just

1201
00:59:05,560 --> 00:59:07,520
Speaker 1: to make things work. At the moment. While I'm getting

1202
00:59:07,520 --> 00:59:09,440
Speaker 1: my degree, I'm staying at home and doing all the

1203
00:59:09,480 --> 00:59:11,760
Speaker 1: stuff that I need to do to maintain the house.

1204
00:59:11,880 --> 00:59:13,920
Speaker 1: So like a role it's just a role reversal thing. Yeah,

1205
00:59:13,960 --> 00:59:15,080
Speaker 1: that's what it is. So you just need to tell

1206
00:59:15,160 --> 00:59:17,200
Speaker 1: us straight up, like, look, man, you know I get

1207
00:59:17,320 --> 00:59:18,880
Speaker 1: horny baby, and I don't want to have sex with you,

1208
00:59:19,120 --> 00:59:20,640
Speaker 1: and you know you don't be making me feel like

1209
00:59:20,720 --> 00:59:22,520
Speaker 1: a man because you'd be acting like I'm a bitch

1210
00:59:22,560 --> 00:59:24,000
Speaker 1: and don't be wanting to give me nothing, just playing

1211
00:59:24,040 --> 00:59:25,560
Speaker 1: me to the left. Yeah, just start texting it now.

1212
00:59:25,560 --> 00:59:26,800
Speaker 1: I get her in the mood to what she gets

1213
00:59:26,800 --> 00:59:28,040
Speaker 1: to him, you got it. And when she tell you

1214
00:59:28,080 --> 00:59:31,919
Speaker 1: to sit your whole ass down, sit your whole hello,

1215
00:59:33,040 --> 00:59:35,160
Speaker 1: well I gotta be all that hollow. I had him

1216
00:59:35,200 --> 00:59:37,680
Speaker 1: first though, talking to you baby, I'm talking to you man,

1217
00:59:37,920 --> 00:59:42,440
Speaker 1: this is asking me, what's your question? Okay, my baby daddy,

1218
00:59:42,560 --> 00:59:45,200
Speaker 1: I'm pregnant with his baby. Now, okay, he now has

1219
00:59:45,240 --> 00:59:48,600
Speaker 1: a girlfriend. Oh boy, when he now with his girlfriend,

1220
00:59:48,680 --> 00:59:50,320
Speaker 1: he calling and texting me and telling me that he

1221
00:59:50,400 --> 00:59:52,280
Speaker 1: loved me. He want to come back home, He's coming

1222
00:59:52,360 --> 00:59:54,720
Speaker 1: over there. You know. Just this past Friday he just

1223
00:59:54,960 --> 00:59:56,720
Speaker 1: ate me out and then hurt around and when it

1224
00:59:56,800 --> 01:00:00,400
Speaker 1: kissed on hurt he found out about it. And Sunday

1225
01:00:00,640 --> 01:00:02,800
Speaker 1: she called me talk about something. He want to talk

1226
01:00:02,840 --> 01:00:04,520
Speaker 1: to you, and he tells me that he don't want

1227
01:00:04,520 --> 01:00:06,560
Speaker 1: to be with me. Death gonna be his wife. So

1228
01:00:06,680 --> 01:00:08,600
Speaker 1: I should have handled this situation. Well, I want to

1229
01:00:08,640 --> 01:00:10,040
Speaker 1: know how did she find out about it? Did your

1230
01:00:10,120 --> 01:00:12,200
Speaker 1: vagina have such a pungent smell that it was so

1231
01:00:12,360 --> 01:00:15,640
Speaker 1: obvious when he went to kiss spelt it on his lips? No? No, no,

1232
01:00:15,720 --> 01:00:17,520
Speaker 1: I told her. I told her, I hope she wasn't

1233
01:00:17,560 --> 01:00:21,080
Speaker 1: kissing him because he was eating my box being patty. Okay, okay,

1234
01:00:21,560 --> 01:00:23,480
Speaker 1: all right, what do you think, Charlotte. We'll let you

1235
01:00:23,480 --> 01:00:25,720
Speaker 1: head lest first. Um. I think that they should just

1236
01:00:25,920 --> 01:00:30,520
Speaker 1: like be one happy family. And uh she ugly? She's ugly.

1237
01:00:30,720 --> 01:00:32,400
Speaker 1: Oh so you couldn't be with her. You would be

1238
01:00:32,440 --> 01:00:34,880
Speaker 1: with her, you'd be open to her. She was pretty? Yeah?

1239
01:00:35,000 --> 01:00:37,760
Speaker 1: If yeah, most definitely. I mean, listen, man, if you

1240
01:00:37,800 --> 01:00:38,960
Speaker 1: want to be what to dode be? What to do it,

1241
01:00:39,000 --> 01:00:41,200
Speaker 1: but you know what the dude's about. Clearly, the dude's

1242
01:00:41,200 --> 01:00:43,880
Speaker 1: gonna mess with other women, especially ugly women. And you think,

1243
01:00:43,920 --> 01:00:45,480
Speaker 1: you know, you laughing because he ate you out and

1244
01:00:45,480 --> 01:00:47,560
Speaker 1: went to kiss another girl. That can happen to you

1245
01:00:47,680 --> 01:00:49,600
Speaker 1: just as easy. Na, it wouldn't happen to me because

1246
01:00:49,600 --> 01:00:51,480
Speaker 1: we spent more time together. He don't be spent about her.

1247
01:00:51,640 --> 01:00:54,360
Speaker 1: She's born, Yeah, but he definitely is about to leave

1248
01:00:54,400 --> 01:00:56,280
Speaker 1: you for her. And you say she's ugly, But the

1249
01:00:56,360 --> 01:00:58,280
Speaker 1: problem is you got the baby on the way. So

1250
01:00:58,400 --> 01:01:00,680
Speaker 1: this is the guy that you were expect to raise

1251
01:01:00,720 --> 01:01:03,400
Speaker 1: your your child, to give your child money, to spend

1252
01:01:03,440 --> 01:01:05,840
Speaker 1: time with your child. Seems like he's gonna be a loser.

1253
01:01:05,880 --> 01:01:07,720
Speaker 1: Seems like you need to find the next victim, I

1254
01:01:07,760 --> 01:01:10,080
Speaker 1: mean victim. That's your baby daddy. So you would him

1255
01:01:10,080 --> 01:01:13,240
Speaker 1: for for better off for worse. At this point, I'm say,

1256
01:01:13,600 --> 01:01:15,280
Speaker 1: I guess that's okay. I guess I can do that.

1257
01:01:15,560 --> 01:01:17,080
Speaker 1: You got a baby. What you're gonna do? You at

1258
01:01:17,160 --> 01:01:19,560
Speaker 1: least with him for eighteen years. Yeah, but she's not

1259
01:01:19,600 --> 01:01:21,680
Speaker 1: gonna be around my child. That's what he failed to realize.

1260
01:01:21,960 --> 01:01:24,360
Speaker 1: Does he have kids with her? No? Oh, you gotta

1261
01:01:24,360 --> 01:01:25,920
Speaker 1: cut the ugly girl off. Then tell him cut the

1262
01:01:25,960 --> 01:01:29,000
Speaker 1: ugly bit off. If he don't, you just got explaining him.

1263
01:01:29,600 --> 01:01:35,080
Speaker 1: Do you call him? Yeah? Please, don dang it. What's

1264
01:01:35,200 --> 01:01:39,320
Speaker 1: what's the number? What's the number? Seven? Five seven? Call

1265
01:01:39,440 --> 01:01:41,120
Speaker 1: him on three way? Hold on one second. I'm gonna

1266
01:01:41,120 --> 01:01:43,400
Speaker 1: call this man. Man man out here having a second

1267
01:01:44,000 --> 01:01:46,680
Speaker 1: cosmetically challenged women for no damn reason. What's the point,

1268
01:01:47,280 --> 01:01:49,200
Speaker 1: eagle answer for me? Because I blocked. He blocked me

1269
01:01:49,200 --> 01:01:52,800
Speaker 1: because I just told his girlfriend this weekend trying to

1270
01:01:52,880 --> 01:01:56,240
Speaker 1: see you to see just see. Okay, let's three a tone.

1271
01:01:58,720 --> 01:02:01,160
Speaker 1: When you are finished recording you, man, hang up or

1272
01:02:01,280 --> 01:02:04,960
Speaker 1: press pound for more options. What's his name? Hey, what's happening?

1273
01:02:05,000 --> 01:02:07,440
Speaker 1: This is Uncle Charlomagne, the God's DJ Envy, and we

1274
01:02:07,520 --> 01:02:09,919
Speaker 1: just want to tell you that the cosmetically challenged woman

1275
01:02:10,000 --> 01:02:12,400
Speaker 1: that you're dating, um, you need to break up with

1276
01:02:12,480 --> 01:02:14,320
Speaker 1: her and just be with the woman that you ate

1277
01:02:14,360 --> 01:02:15,960
Speaker 1: out this weekend. Yeah, you did eat her out and

1278
01:02:16,040 --> 01:02:18,440
Speaker 1: then you went and kiss her girlfriend. Kiss your girlfriend.

1279
01:02:18,560 --> 01:02:20,400
Speaker 1: You have a child with this young lady already, you

1280
01:02:20,440 --> 01:02:21,760
Speaker 1: got a child on the way, so you just need

1281
01:02:21,800 --> 01:02:23,640
Speaker 1: to be with your your shoot your baby. Mom okay,

1282
01:02:23,800 --> 01:02:26,320
Speaker 1: go ye, cut up cosmetically challenge check off that you

1283
01:02:26,480 --> 01:02:28,480
Speaker 1: currently in love it. It's not worth it. Have a

1284
01:02:28,520 --> 01:02:31,880
Speaker 1: blessed day. I have a great day. All right, good luck, mama.

1285
01:02:31,960 --> 01:02:34,160
Speaker 1: We tried all right, eight hundred and five eight five

1286
01:02:34,240 --> 01:02:36,360
Speaker 1: one on five one. Call us up right now, ask

1287
01:02:36,440 --> 01:02:38,160
Speaker 1: C and E will help you with your problems. We'll

1288
01:02:38,160 --> 01:02:39,440
Speaker 1: even make a phone call if you need us to.

1289
01:02:39,520 --> 01:02:41,760
Speaker 1: It's the breakfast Lugal Morning. I want to get everybody

1290
01:02:41,920 --> 01:02:45,080
Speaker 1: is DJ Envy Angela Ye, Charlomagne, the guy we are

1291
01:02:45,120 --> 01:02:46,960
Speaker 1: the breakfast club with in the middle of asky, Hello,

1292
01:02:48,400 --> 01:02:51,080
Speaker 1: what's up? Bro? What's what's your name? Man? How about

1293
01:02:51,120 --> 01:02:53,880
Speaker 1: to say I was a female? How you doing? How

1294
01:02:54,040 --> 01:02:56,840
Speaker 1: is that like a female? I don't know. He talks

1295
01:02:56,880 --> 01:03:00,280
Speaker 1: to men like that? All right, what's up? It's not

1296
01:03:00,440 --> 01:03:02,720
Speaker 1: a good question. See this the predicament. I mean my

1297
01:03:02,920 --> 01:03:06,600
Speaker 1: daughter just turned the left yesterday. And before this, you know,

1298
01:03:06,920 --> 01:03:08,520
Speaker 1: last week, two weeks I've been going through this or

1299
01:03:08,560 --> 01:03:11,320
Speaker 1: about them homes now trying to you know, you're not

1300
01:03:11,440 --> 01:03:13,360
Speaker 1: allowed to have a boyfriend. You're not supposed to have

1301
01:03:13,440 --> 01:03:15,800
Speaker 1: a boyfriend. I don't condole it. I'm does your mother

1302
01:03:15,920 --> 01:03:19,040
Speaker 1: condole it? And she's still her mother condoles it by

1303
01:03:19,120 --> 01:03:22,360
Speaker 1: my mother know, so it's kind of like at fort whatever,

1304
01:03:22,480 --> 01:03:25,800
Speaker 1: daddy saying, like, I'm a conserva father. I don't condole

1305
01:03:25,880 --> 01:03:28,320
Speaker 1: my daughter having a boyfriend or anything to that extent,

1306
01:03:28,520 --> 01:03:31,120
Speaker 1: but it seems like being at her mom says yes

1307
01:03:31,640 --> 01:03:33,920
Speaker 1: or whatever. A mom says she's cool with it. I

1308
01:03:34,000 --> 01:03:36,320
Speaker 1: mean at ten or eleven. Now, does your daughter even

1309
01:03:36,360 --> 01:03:38,640
Speaker 1: really know what it means to have a little boyfriend?

1310
01:03:38,800 --> 01:03:42,000
Speaker 1: Because it could be completely innocent. Seeing you sound like

1311
01:03:42,160 --> 01:03:44,640
Speaker 1: my wife Now I've wrest her text message. Isn't her

1312
01:03:44,720 --> 01:03:46,640
Speaker 1: text message to say I don't want to break up

1313
01:03:46,680 --> 01:03:49,240
Speaker 1: with you? I love you? You know. That's why I

1314
01:03:49,560 --> 01:03:52,360
Speaker 1: asked the two gentlemen in there that got daughters themselves, like,

1315
01:03:52,480 --> 01:03:54,520
Speaker 1: how would you take it? If you know your daughter

1316
01:03:54,960 --> 01:03:56,720
Speaker 1: ten years old? You look at home my daughters not

1317
01:03:56,800 --> 01:03:58,640
Speaker 1: having no damn boyfriend at ten years old? I don't

1318
01:03:58,640 --> 01:04:01,360
Speaker 1: even know why you even having this conversation. Sound crazy

1319
01:04:01,480 --> 01:04:06,240
Speaker 1: my daughters? Women? Y'all are with y'all women, I'm not

1320
01:04:06,400 --> 01:04:08,680
Speaker 1: with my with my mom's daughter's mother. I haven't been

1321
01:04:08,720 --> 01:04:11,320
Speaker 1: with her since my daughter was nine months. With your

1322
01:04:11,400 --> 01:04:13,200
Speaker 1: daughter's mother, if she letting her have a boyfriend at

1323
01:04:13,200 --> 01:04:14,680
Speaker 1: ten years old. But what is your what is your

1324
01:04:14,800 --> 01:04:16,800
Speaker 1: daughter saying when you talk to her about it, because

1325
01:04:16,880 --> 01:04:19,000
Speaker 1: clearly you have to communicate with your child to let

1326
01:04:19,080 --> 01:04:21,960
Speaker 1: her know and see what's going on. Oh hey, baby, God,

1327
01:04:22,080 --> 01:04:24,760
Speaker 1: you know what's going on while you consider him a

1328
01:04:24,920 --> 01:04:27,760
Speaker 1: boyfriend or what is the difference between the old boy

1329
01:04:27,880 --> 01:04:30,240
Speaker 1: that's just behind you was he's just now a friend?

1330
01:04:30,720 --> 01:04:33,920
Speaker 1: Oh I like him, mommy said, just now the problem.

1331
01:04:34,280 --> 01:04:36,240
Speaker 1: I don't see why it's a problem. Now. I've even

1332
01:04:36,360 --> 01:04:38,320
Speaker 1: going to the extent of even cold in the school

1333
01:04:38,360 --> 01:04:40,160
Speaker 1: and speaking to the God's Council, and I'm trying to

1334
01:04:40,200 --> 01:04:41,960
Speaker 1: be in the process now where I get em meeting

1335
01:04:42,040 --> 01:04:46,120
Speaker 1: with his parents, the little boy, my daughter's mother, my daughter,

1336
01:04:46,280 --> 01:04:48,160
Speaker 1: we all sit down and we get this and other

1337
01:04:48,280 --> 01:04:50,560
Speaker 1: because what happens is your daughter's probably seeing that in

1338
01:04:50,640 --> 01:04:53,480
Speaker 1: other places, like you know, seeing people say things like

1339
01:04:53,720 --> 01:04:56,880
Speaker 1: I love you, you're my boyfriend, and thinking that's appropriate

1340
01:04:57,000 --> 01:05:00,480
Speaker 1: behavior because that's what she sees male female relation ships

1341
01:05:00,640 --> 01:05:03,160
Speaker 1: to be like. Because she's emulating that behavior from somewhere.

1342
01:05:03,640 --> 01:05:06,320
Speaker 1: It's how do I fix this? Is she is? She

1343
01:05:06,920 --> 01:05:09,360
Speaker 1: She's not doing anything right. Like a lot of times

1344
01:05:09,440 --> 01:05:12,000
Speaker 1: kids say things and they don't really understand what it means.

1345
01:05:12,120 --> 01:05:13,680
Speaker 1: She's not doing it now, but she might look on

1346
01:05:13,800 --> 01:05:15,920
Speaker 1: TV and think, okay, we need to kiss. Did you

1347
01:05:16,000 --> 01:05:19,200
Speaker 1: see anything? But did you see her doing anything around

1348
01:05:19,360 --> 01:05:21,320
Speaker 1: I'm not around to twenty four seven? Like I said,

1349
01:05:21,360 --> 01:05:23,160
Speaker 1: I'm not with her mother, but from her from the

1350
01:05:23,240 --> 01:05:25,360
Speaker 1: text messages, because I'm going to assume that you monitor

1351
01:05:25,440 --> 01:05:29,280
Speaker 1: her phone right because she is now I do. I mean,

1352
01:05:29,360 --> 01:05:31,200
Speaker 1: I just like said, I just grabbed the phone. And

1353
01:05:31,280 --> 01:05:33,480
Speaker 1: we also have a communication problem too, so that was

1354
01:05:33,520 --> 01:05:35,960
Speaker 1: kind of using want grabbed her phone, like yo, you

1355
01:05:36,080 --> 01:05:38,120
Speaker 1: can't coll me. You know, make no sense. You're having

1356
01:05:38,160 --> 01:05:41,360
Speaker 1: the phone because you know Instagram and Snapchat. Isn't there

1357
01:05:41,360 --> 01:05:43,200
Speaker 1: a way you can't monitor your child's phone so you

1358
01:05:43,240 --> 01:05:44,960
Speaker 1: can see their text messages? I know Vy does it

1359
01:05:45,040 --> 01:05:47,880
Speaker 1: with his kids. Used to kid, I can see, but

1360
01:05:48,080 --> 01:05:50,000
Speaker 1: I'm not with her mother, so I don't have access

1361
01:05:50,080 --> 01:05:52,360
Speaker 1: to her phone like that her mother. All her phone

1362
01:05:52,480 --> 01:05:55,440
Speaker 1: is to her mother, right, what would I be able

1363
01:05:55,480 --> 01:05:57,400
Speaker 1: to do that? I think the main thing is to

1364
01:05:57,480 --> 01:05:59,800
Speaker 1: let your daughter know that it's far your own concern

1365
01:06:00,080 --> 01:06:01,680
Speaker 1: is a parent, that you love her very much. You

1366
01:06:01,760 --> 01:06:03,040
Speaker 1: want her to know that she can come and talk

1367
01:06:03,080 --> 01:06:05,800
Speaker 1: to you about anything, whatever happens. But you know, you

1368
01:06:05,920 --> 01:06:08,160
Speaker 1: have to explain to her what it means when you're

1369
01:06:08,200 --> 01:06:10,040
Speaker 1: telling somebody you love them. You have to let her

1370
01:06:10,120 --> 01:06:12,280
Speaker 1: know that she's your child. And you might see other

1371
01:06:12,280 --> 01:06:15,080
Speaker 1: people doing these things, but these are adults making these decisions.

1372
01:06:15,440 --> 01:06:18,040
Speaker 1: And if anything, you know, make sure she knows those

1373
01:06:18,040 --> 01:06:19,840
Speaker 1: lines of communication are open so that she can come

1374
01:06:19,880 --> 01:06:22,280
Speaker 1: and talk to you. I try to do that as well.

1375
01:06:23,040 --> 01:06:24,840
Speaker 1: I'm trying to do a meeting that but you got

1376
01:06:24,960 --> 01:06:27,200
Speaker 1: to really watch her, you know, if that means going

1377
01:06:27,240 --> 01:06:28,720
Speaker 1: to the school, if that means meeting a little boy

1378
01:06:28,760 --> 01:06:34,120
Speaker 1: and talking to him and letting him if you're concerned

1379
01:06:34,120 --> 01:06:37,040
Speaker 1: about your daughter, can't go talk to a little My

1380
01:06:37,160 --> 01:06:42,240
Speaker 1: daughter nine can't go talk to another kid you No,

1381
01:06:42,480 --> 01:06:44,800
Speaker 1: I don't mean, I don't mean aggressively, but you can

1382
01:06:44,840 --> 01:06:46,560
Speaker 1: talk to him about the messages too, the two of

1383
01:06:46,640 --> 01:06:50,840
Speaker 1: them to get there. I think that the cell phone

1384
01:06:50,920 --> 01:06:52,480
Speaker 1: and I saying hello, how are you doing? It? Is

1385
01:06:52,640 --> 01:06:59,280
Speaker 1: such and such a fifth grade because you call my

1386
01:06:59,360 --> 01:07:01,360
Speaker 1: son that we have problem. Now you now, if I'm

1387
01:07:01,400 --> 01:07:02,880
Speaker 1: the son's father, you got a problem with me? Now

1388
01:07:03,600 --> 01:07:05,960
Speaker 1: I speak to you. I have to speak to the parent.

1389
01:07:06,240 --> 01:07:10,960
Speaker 1: It doesn't have to be a question the kids kids

1390
01:07:11,080 --> 01:07:13,040
Speaker 1: speak to his parents. You should pray, bro, won't you

1391
01:07:13,080 --> 01:07:16,480
Speaker 1: just be a father and say you say I was

1392
01:07:16,520 --> 01:07:19,040
Speaker 1: going to pray, but it's like pray is going ahead

1393
01:07:19,040 --> 01:07:22,080
Speaker 1: in the hand and make you out. Well, what are

1394
01:07:22,200 --> 01:07:25,280
Speaker 1: his parents saying? I haven't got in contact with him.

1395
01:07:25,320 --> 01:07:27,600
Speaker 1: That's I was trying to give in contact with Bill.

1396
01:07:27,680 --> 01:07:30,160
Speaker 1: I called the boy. I said, Hello, this is such

1397
01:07:30,200 --> 01:07:32,320
Speaker 1: and such parents. Can I please speak to your parents

1398
01:07:32,520 --> 01:07:37,240
Speaker 1: the little boy? Well, you know what you should use definitely.

1399
01:07:37,320 --> 01:07:38,800
Speaker 1: I know you said you're talking to the school and

1400
01:07:38,840 --> 01:07:41,480
Speaker 1: the counselors at school, So you need to request to

1401
01:07:41,560 --> 01:07:44,480
Speaker 1: sit down with the other parents of the young boy,

1402
01:07:44,800 --> 01:07:46,680
Speaker 1: so you guys can talk to each other and communicate

1403
01:07:46,720 --> 01:07:48,040
Speaker 1: and make sure that you'll both are on top of

1404
01:07:48,120 --> 01:07:51,080
Speaker 1: the situation. Because it's not like your daughter's going places

1405
01:07:51,120 --> 01:07:54,280
Speaker 1: without beside school where I'm sure they're watching her. It's

1406
01:07:54,320 --> 01:07:57,400
Speaker 1: not like she's out in the backroom the staircases. There's basements,

1407
01:07:57,480 --> 01:08:01,120
Speaker 1: this bathroom. So he needs to be concerned. And yeah,

1408
01:08:01,320 --> 01:08:03,000
Speaker 1: thank you. You know what I mean. I'm trying to

1409
01:08:03,080 --> 01:08:04,840
Speaker 1: bring some trying to light to this. I'm trying to

1410
01:08:04,920 --> 01:08:07,240
Speaker 1: draw some light to the test and everybody condoning it.

1411
01:08:07,360 --> 01:08:09,400
Speaker 1: So that's why the most you can do is talk

1412
01:08:09,480 --> 01:08:10,960
Speaker 1: to the people at the school and talk to his

1413
01:08:11,080 --> 01:08:13,280
Speaker 1: parents and make sure that you keep a very close

1414
01:08:13,320 --> 01:08:14,920
Speaker 1: I and make sure your daughter knows to come to

1415
01:08:14,960 --> 01:08:17,200
Speaker 1: you about anything, and that hide things from you. Good luck,

1416
01:08:17,280 --> 01:08:22,120
Speaker 1: brod me post up at the school all day. Don't

1417
01:08:22,720 --> 01:08:24,519
Speaker 1: you're gonna lay and wait for a ten year old?

1418
01:08:25,120 --> 01:08:28,639
Speaker 1: Thank you? Everything should the man. You're funny though. I've

1419
01:08:28,640 --> 01:08:30,599
Speaker 1: seen you out there to ask the party for their

1420
01:08:30,720 --> 01:08:32,560
Speaker 1: dome awards and you I'm trying to give you a

1421
01:08:32,640 --> 01:08:35,519
Speaker 1: parent because you're just tiffany. You just did me. But

1422
01:08:35,600 --> 01:08:42,560
Speaker 1: that's all I damn true pound you serious? See Charlemagne

1423
01:08:42,600 --> 01:08:44,160
Speaker 1: did it him? The ten year old slammed the photo.

1424
01:08:44,240 --> 01:08:48,519
Speaker 1: That true? No, that is not true. All right, ask

1425
01:08:48,640 --> 01:08:50,920
Speaker 1: ye eight hundred five eight five, one oh five one.

1426
01:08:50,960 --> 01:08:52,479
Speaker 1: If you got a question for you, you could call

1427
01:08:52,520 --> 01:08:54,840
Speaker 1: her right now. All right, we are doing asking and

1428
01:08:54,920 --> 01:08:57,360
Speaker 1: we have Ohdario on the line. What's up, O Dario?

1429
01:08:57,640 --> 01:09:00,360
Speaker 1: Good morning? How you doing? Good morning? How are you great?

1430
01:09:00,360 --> 01:09:02,840
Speaker 1: Thanks for asking and answered, yes, I just had a

1431
01:09:03,000 --> 01:09:06,320
Speaker 1: question for you. Okay. So I've been doating this NFL

1432
01:09:06,439 --> 01:09:09,439
Speaker 1: player since high school before I even got to the NFL,

1433
01:09:09,600 --> 01:09:11,599
Speaker 1: and we went to college together and everything. But then

1434
01:09:11,720 --> 01:09:13,960
Speaker 1: I had to leave to go to Harvard because I

1435
01:09:13,960 --> 01:09:16,639
Speaker 1: got accepted at Harvard. So I graduated from Harvard High School,

1436
01:09:16,760 --> 01:09:19,640
Speaker 1: law school, and then I called I came back. So

1437
01:09:19,800 --> 01:09:21,600
Speaker 1: we was together all this time, because we will go

1438
01:09:21,640 --> 01:09:24,400
Speaker 1: back and forth or whatever. Right, it's been so for

1439
01:09:24,520 --> 01:09:27,040
Speaker 1: like twelve thirteen years. You've been dating this NFL player

1440
01:09:27,080 --> 01:09:30,040
Speaker 1: for twelve or thirteen years? Okay, yep. So I had

1441
01:09:30,080 --> 01:09:34,880
Speaker 1: got our job offer in Watchington last year to work

1442
01:09:34,920 --> 01:09:38,240
Speaker 1: at the prostor office out there, and he made me

1443
01:09:38,320 --> 01:09:40,840
Speaker 1: turn the offer down because he was like, okay, So

1444
01:09:41,000 --> 01:09:43,320
Speaker 1: we got engaged. So basically we got engauge. I'll say

1445
01:09:43,400 --> 01:09:45,559
Speaker 1: that he took a new few weeks ago. I'm sorry

1446
01:09:45,720 --> 01:09:48,880
Speaker 1: he took a knee. Never mind, bad jokes, go ahead.

1447
01:09:49,880 --> 01:09:52,760
Speaker 1: So a couple of weeks ago, I would everybody's house

1448
01:09:52,800 --> 01:09:55,439
Speaker 1: to get his um clothes, takes to quis I always do,

1449
01:09:55,960 --> 01:09:58,280
Speaker 1: and this, but this girl was in the house. I

1450
01:09:58,400 --> 01:10:00,800
Speaker 1: paid it now because we always that, you know, we're

1451
01:10:00,840 --> 01:10:03,479
Speaker 1: best friends. We never put up. He wasn't he wasn't

1452
01:10:03,560 --> 01:10:05,960
Speaker 1: openly gay, he wasn't out. Basically, no I'm still not

1453
01:10:06,040 --> 01:10:07,880
Speaker 1: out to that. I would never you know, put him

1454
01:10:07,880 --> 01:10:09,840
Speaker 1: my own blast like that, right, he takes two knees,

1455
01:10:09,880 --> 01:10:12,920
Speaker 1: but he doesn't want anyone to know exactly. So I said,

1456
01:10:12,960 --> 01:10:14,840
Speaker 1: that's cool. So I got here and this he tells

1457
01:10:14,880 --> 01:10:19,080
Speaker 1: me that, you know, they just got engaged, and this

1458
01:10:19,240 --> 01:10:21,439
Speaker 1: pregned it and she pregged it. Well, he's playing both.

1459
01:10:23,120 --> 01:10:26,400
Speaker 1: So he's engaged to you and he's engaged to her. Yeah,

1460
01:10:26,439 --> 01:10:28,720
Speaker 1: So I said, I said, you know, I'm nosy. So

1461
01:10:28,800 --> 01:10:31,559
Speaker 1: I'm like, so, how long, um you know you've been

1462
01:10:31,600 --> 01:10:34,320
Speaker 1: engaged and she said it's been like five months. I

1463
01:10:34,439 --> 01:10:37,639
Speaker 1: said five months on so um? So I called him

1464
01:10:37,680 --> 01:10:39,400
Speaker 1: up because he had he had the row for this

1465
01:10:39,520 --> 01:10:41,640
Speaker 1: game out of Churnel, so I said, I called him.

1466
01:10:41,640 --> 01:10:43,800
Speaker 1: I was like, come over to my house when you

1467
01:10:43,840 --> 01:10:46,080
Speaker 1: get homes. He came over like two o'clock in the morning.

1468
01:10:46,320 --> 01:10:48,880
Speaker 1: So I said, it's something that you um need to

1469
01:10:48,960 --> 01:10:51,439
Speaker 1: tell me or whatever men have you and he was

1470
01:10:51,520 --> 01:10:54,400
Speaker 1: like no, So of course I lost my tip room likes.

1471
01:10:54,439 --> 01:10:57,040
Speaker 1: Well I met. I'm not gonna say her name, I'll

1472
01:10:57,080 --> 01:10:59,840
Speaker 1: just call it Kelly. I look Kelly, oh yo. How

1473
01:11:00,360 --> 01:11:02,920
Speaker 1: a couple of weeks ago, and she told me that

1474
01:11:03,200 --> 01:11:06,360
Speaker 1: you got engaged and she pregnant. So then he just

1475
01:11:06,479 --> 01:11:09,240
Speaker 1: do you want to tell? Now? He he say he

1476
01:11:09,439 --> 01:11:12,479
Speaker 1: loves me, but so she's pregnant, he has to marry.

1477
01:11:12,680 --> 01:11:14,400
Speaker 1: So this whole time he's been cheating on you and

1478
01:11:14,479 --> 01:11:18,200
Speaker 1: having sex with this woman exactly. So I got another

1479
01:11:18,320 --> 01:11:21,000
Speaker 1: job offer out of state in New York actually at

1480
01:11:21,040 --> 01:11:25,519
Speaker 1: a profitmunity office, and I accept the job. So I'm

1481
01:11:25,600 --> 01:11:28,760
Speaker 1: talking about So this is where it just sounding tricky, right,

1482
01:11:29,200 --> 01:11:31,560
Speaker 1: So a few days ago he came over with this

1483
01:11:31,720 --> 01:11:34,240
Speaker 1: like bad attitude, and I will say, yeah, he greed

1484
01:11:34,280 --> 01:11:35,720
Speaker 1: by my thought and picked me up again to walk.

1485
01:11:35,840 --> 01:11:38,599
Speaker 1: So I'm not really does he play for the giants

1486
01:11:38,640 --> 01:11:42,040
Speaker 1: and jets? I can't say. I won't say. What I

1487
01:11:42,160 --> 01:11:45,719
Speaker 1: will say is that you know he bought this house granted,

1488
01:11:45,920 --> 01:11:47,800
Speaker 1: which I really needed to because I work. Can I

1489
01:11:47,880 --> 01:11:50,840
Speaker 1: make my own money? So um, I call like the

1490
01:11:50,960 --> 01:11:53,160
Speaker 1: movers or whatever it may have you, and I got

1491
01:11:53,200 --> 01:11:55,479
Speaker 1: all my stuff up out of there, as you should,

1492
01:11:55,560 --> 01:11:58,880
Speaker 1: because he put his hands on you exactly. So he

1493
01:11:59,080 --> 01:12:01,840
Speaker 1: filed to attract me down at my mother's house, right,

1494
01:12:02,520 --> 01:12:04,960
Speaker 1: and then he's sitting here begging and pleading, telling me

1495
01:12:05,120 --> 01:12:07,760
Speaker 1: not to leave and not to go because we're gonna

1496
01:12:07,760 --> 01:12:09,880
Speaker 1: get married. And I don't believe nothing he said he's

1497
01:12:09,920 --> 01:12:12,959
Speaker 1: getting married to somebody else, has he gonna marry you exactly?

1498
01:12:13,120 --> 01:12:15,479
Speaker 1: So what should I do? Should I just leave here?

1499
01:12:15,520 --> 01:12:18,559
Speaker 1: Because I'm Dario as smart as you are. You went

1500
01:12:18,640 --> 01:12:21,200
Speaker 1: to Harvard. This man lied to you all this time,

1501
01:12:21,320 --> 01:12:23,679
Speaker 1: lie to this woman. He's having a baby with someone,

1502
01:12:23,800 --> 01:12:25,599
Speaker 1: and he put his hands on you. People from Harvard

1503
01:12:25,640 --> 01:12:27,280
Speaker 1: get turned out by the D two and you don't

1504
01:12:27,320 --> 01:12:30,519
Speaker 1: know what to do. It's just, oh, Dario, come on,

1505
01:12:30,840 --> 01:12:33,240
Speaker 1: I know this man. Don't know what position you want

1506
01:12:33,280 --> 01:12:34,920
Speaker 1: to play on this. I know you know what to do.

1507
01:12:35,360 --> 01:12:38,080
Speaker 1: You cannot relate that you are way too First of all,

1508
01:12:38,120 --> 01:12:40,840
Speaker 1: he's not even openly gay. Yeah, he's not even letting

1509
01:12:40,840 --> 01:12:43,720
Speaker 1: people know about your relationship. It's been thirteen years. Will

1510
01:12:43,760 --> 01:12:45,439
Speaker 1: you tell me who he is off the air? No,

1511
01:12:45,560 --> 01:12:47,680
Speaker 1: I can't tell you because I wouldn't never put him

1512
01:12:47,680 --> 01:12:49,880
Speaker 1: off like that because it's not right. It's not my place. Well,

1513
01:12:50,240 --> 01:12:53,519
Speaker 1: it looks like he has no intention of and you're

1514
01:12:53,560 --> 01:12:58,479
Speaker 1: openly gay, right, No, I'm not neither one of you are. No, Well,

1515
01:12:58,520 --> 01:13:00,360
Speaker 1: how do you guys intend to get married at all?

1516
01:13:01,280 --> 01:13:04,120
Speaker 1: That's what I said, and he told me. He was like, well,

1517
01:13:04,520 --> 01:13:07,360
Speaker 1: you know it's legal. Now we've been together since high school.

1518
01:13:07,439 --> 01:13:09,320
Speaker 1: We should go ahead. And do you know, Daria, I

1519
01:13:09,360 --> 01:13:11,880
Speaker 1: don't want you to marry somebody that choked you, threw

1520
01:13:11,920 --> 01:13:14,120
Speaker 1: you up against the wall by your throat, and lie

1521
01:13:14,120 --> 01:13:15,679
Speaker 1: to you when it's having a baby with somebody else.

1522
01:13:15,880 --> 01:13:17,560
Speaker 1: That's what I said too. I mean, it was the

1523
01:13:17,600 --> 01:13:19,479
Speaker 1: first time it happened. But I but you need to

1524
01:13:19,520 --> 01:13:21,439
Speaker 1: figure out what you need to do because it seems

1525
01:13:21,439 --> 01:13:24,000
Speaker 1: like maybe you haven't come out the closet because he hasn't. Ye,

1526
01:13:24,280 --> 01:13:26,960
Speaker 1: don't live your life according to what this man is doing.

1527
01:13:27,400 --> 01:13:30,240
Speaker 1: Live your life for you. I guess New York. Then

1528
01:13:30,520 --> 01:13:33,640
Speaker 1: we'll see you in New York. Are you moving in

1529
01:13:34,000 --> 01:13:35,519
Speaker 1: New York to be closer to him? Because that's what

1530
01:13:35,600 --> 01:13:38,519
Speaker 1: he plays. Now he's leaving. Are you leaving me? Come

1531
01:13:38,560 --> 01:13:41,400
Speaker 1: to New York? Leaving? I will say this, he plays

1532
01:13:41,439 --> 01:13:44,200
Speaker 1: for the Lions. I will say that. But that's all

1533
01:13:44,320 --> 01:13:47,760
Speaker 1: shout out to the d the Lions and lying about

1534
01:13:47,760 --> 01:13:50,960
Speaker 1: the whole too. All right, Well, Daria, hit us up

1535
01:13:50,960 --> 01:13:53,160
Speaker 1: when you come out here, we're gonna party. We're gonna party,

1536
01:13:53,600 --> 01:13:56,400
Speaker 1: I mean a party. Okay, I appreciate you so much

1537
01:13:56,400 --> 01:13:58,479
Speaker 1: as ye you guys, y'all have a great day. Thank

1538
01:13:59,600 --> 01:14:01,680
Speaker 1: clear my mind? All right, I'm glad to hear that.

1539
01:14:03,880 --> 01:14:05,640
Speaker 1: Sometimes it's hard, even as smart as you are, to

1540
01:14:05,680 --> 01:14:07,799
Speaker 1: make the right decision. When you're in love, you get clouded.

1541
01:14:08,800 --> 01:14:11,519
Speaker 1: Yeah you're doing fortunately. Oh and I appreciate you. Thank you,

1542
01:14:11,600 --> 01:14:16,720
Speaker 1: miss you have a blethday. You guys too. That was interesting. No,

1543
01:14:16,800 --> 01:14:18,240
Speaker 1: I'm not an ass, Yes you are. Okay,