1 00:00:05,240 --> 00:00:07,440 Speaker 1: Hey, this is Andy and Samantha, and welcome to stuff 2 00:00:07,440 --> 00:00:08,920 Speaker 1: I've never told your prediction, I heard you. 3 00:00:18,680 --> 00:00:21,160 Speaker 2: And welcome to another Monday mini where I'm gonna start 4 00:00:21,160 --> 00:00:24,799 Speaker 2: with a content warning because I like to be sad anyway. 5 00:00:24,840 --> 00:00:27,240 Speaker 2: Content warning, we are talking about domestic of violence and 6 00:00:27,280 --> 00:00:30,160 Speaker 2: abuse and its patrol in media. We're also going to 7 00:00:30,200 --> 00:00:36,000 Speaker 2: talk about some celebrity beef. That's not content warning, but 8 00:00:36,080 --> 00:00:40,680 Speaker 2: just you know, to let you know because recently, the 9 00:00:40,720 --> 00:00:43,600 Speaker 2: movie adaptation of the book It Ends with Us has 10 00:00:43,640 --> 00:00:48,920 Speaker 2: been all over my social media pages, but not because 11 00:00:48,960 --> 00:00:51,640 Speaker 2: they're trying to advertise the movie to me or even 12 00:00:51,720 --> 00:00:53,880 Speaker 2: like give me a review of it, and I will 13 00:00:53,920 --> 00:00:59,920 Speaker 2: tell you I have never heard of this until now, 14 00:01:00,160 --> 00:01:01,840 Speaker 2: like I've not heard of the book. I have not 15 00:01:01,920 --> 00:01:04,959 Speaker 2: heard of any of this until recently. And it's mainly 16 00:01:05,080 --> 00:01:08,160 Speaker 2: because they have criticisms of the stars. So if you 17 00:01:08,200 --> 00:01:12,240 Speaker 2: don't know, Blake Lively and Justin Baldoni are the two 18 00:01:12,319 --> 00:01:14,240 Speaker 2: that are starring in this movie that I know the 19 00:01:14,280 --> 00:01:16,840 Speaker 2: most of. I know Jenny Slat is somewhere up in here. 20 00:01:17,959 --> 00:01:21,399 Speaker 2: I don't quite know who is what. Like I'm again, 21 00:01:21,440 --> 00:01:24,640 Speaker 2: so I'm gonna go ahead with this right here. I 22 00:01:24,680 --> 00:01:28,160 Speaker 2: know nothing about this book nor about this movie. I 23 00:01:28,200 --> 00:01:30,080 Speaker 2: know some of the context, and I know a lot 24 00:01:30,080 --> 00:01:33,480 Speaker 2: of the drama that's happening around movie. But with that, 25 00:01:34,280 --> 00:01:38,040 Speaker 2: it did bring out a topic that we're constantly talking about. 26 00:01:38,080 --> 00:01:41,000 Speaker 2: I feel like all the time we've talked about it 27 00:01:41,000 --> 00:01:43,479 Speaker 2: with Twilight, and we'll end up talking about it when 28 00:01:43,520 --> 00:01:47,039 Speaker 2: we finish up Twilight that we still love, but how 29 00:01:47,280 --> 00:01:53,400 Speaker 2: media often profits and portrays domestic violence and how it's romanticized. 30 00:01:54,240 --> 00:01:56,600 Speaker 2: So I think we also need to remember that they 31 00:01:56,640 --> 00:02:00,240 Speaker 2: oftentimes talk about these really serious subjects with that out 32 00:02:00,600 --> 00:02:04,120 Speaker 2: understanding or giving an understanding of the full context or 33 00:02:04,160 --> 00:02:07,600 Speaker 2: even the consequences of using the subject as a plot 34 00:02:07,600 --> 00:02:10,440 Speaker 2: device or a plot line. And I think that's something 35 00:02:10,440 --> 00:02:12,280 Speaker 2: that we want to talk about. Again, this is not 36 00:02:12,560 --> 00:02:16,160 Speaker 2: a specific criticism about the book or the movie. I 37 00:02:16,200 --> 00:02:18,520 Speaker 2: have yet to see it. I probably will never see it. 38 00:02:18,639 --> 00:02:20,600 Speaker 2: I'll just I'm sure i'll get clips here and there 39 00:02:20,600 --> 00:02:23,600 Speaker 2: from people whatever, whatnot. If you've read the book, let 40 00:02:23,639 --> 00:02:26,519 Speaker 2: me know there's a lot of controversy behind that. There's 41 00:02:26,520 --> 00:02:29,440 Speaker 2: a lot of controversy behind Colleen Hoover, the author of 42 00:02:29,480 --> 00:02:32,079 Speaker 2: the book, and just Ady just for the gossip bit, 43 00:02:32,200 --> 00:02:35,920 Speaker 2: I'll tell you you ready for it. So apparently Blake Lively, 44 00:02:35,960 --> 00:02:40,720 Speaker 2: who is the producer, and then Justin Baldoni is in 45 00:02:40,760 --> 00:02:42,959 Speaker 2: it as well. She's a producer and she's a star. 46 00:02:43,560 --> 00:02:46,160 Speaker 2: He's also a star in it, but I think he 47 00:02:46,240 --> 00:02:51,080 Speaker 2: directed the movie version. And something has happened where everybody's 48 00:02:51,080 --> 00:02:55,160 Speaker 2: gossiping that they're either team Blake Lively or team Justin Baldoni, 49 00:02:56,160 --> 00:02:58,640 Speaker 2: and they're saying that Justin Baldoni is looking at this 50 00:02:58,800 --> 00:03:04,600 Speaker 2: movie as a domestic violence subject rather, and he's taking 51 00:03:04,639 --> 00:03:07,200 Speaker 2: it very seriously and making sure the way he approaches 52 00:03:07,240 --> 00:03:09,680 Speaker 2: it versus Blake Lively, who's coming in and seeing this 53 00:03:09,760 --> 00:03:13,640 Speaker 2: as a ya romantic movie rom com, if you will, 54 00:03:14,400 --> 00:03:17,840 Speaker 2: and so approaching it very differently, even to the fact 55 00:03:18,960 --> 00:03:23,720 Speaker 2: that in one interview that has been circulating pretty loudly, 56 00:03:24,440 --> 00:03:30,040 Speaker 2: the dude who's interviewing her says something along the lines of, 57 00:03:30,120 --> 00:03:32,959 Speaker 2: you know, I'm sure you know that you're going to 58 00:03:33,000 --> 00:03:34,880 Speaker 2: get a lot of fans coming up to you after 59 00:03:34,920 --> 00:03:38,400 Speaker 2: this movie and asking you questions or advice. What would 60 00:03:38,400 --> 00:03:41,360 Speaker 2: you say to those who have been in similar DV situations? 61 00:03:41,840 --> 00:03:44,600 Speaker 2: And her response was very odd and went to, like, oh, 62 00:03:44,640 --> 00:03:47,200 Speaker 2: you mean, like give him my address, given my phone number, 63 00:03:47,280 --> 00:03:50,600 Speaker 2: given my direct contact. Like she was really on the 64 00:03:50,640 --> 00:03:53,680 Speaker 2: defensive to the point that everybody was uncomfortable except for 65 00:03:53,760 --> 00:03:58,040 Speaker 2: her because they were like, ha, no, that was that 66 00:03:58,080 --> 00:04:02,240 Speaker 2: was a real question, what is happening. So there's been 67 00:04:02,280 --> 00:04:06,120 Speaker 2: so many criticisms to her, specifically saying you were not 68 00:04:06,200 --> 00:04:09,880 Speaker 2: handling this well. We know that you're not the arbiter 69 00:04:10,040 --> 00:04:13,480 Speaker 2: of the answers for domestic violence victims, but you know, 70 00:04:13,480 --> 00:04:15,640 Speaker 2: it's reasonable to believe that people are going to see 71 00:04:15,680 --> 00:04:19,240 Speaker 2: you and think that you are trying to portray something 72 00:04:19,240 --> 00:04:21,560 Speaker 2: that they may have gone through similar things that they've 73 00:04:21,560 --> 00:04:23,640 Speaker 2: gone through, or are going to ask you advice and 74 00:04:23,839 --> 00:04:26,880 Speaker 2: or you know, questions about this. And she followed up 75 00:04:26,920 --> 00:04:31,159 Speaker 2: afterwards with Instagram stories saying, you know, we want to 76 00:04:31,160 --> 00:04:33,680 Speaker 2: dedicate this to all the victims and whatever whatnot, and 77 00:04:33,680 --> 00:04:35,840 Speaker 2: they are so strong and we know that they are 78 00:04:35,880 --> 00:04:39,400 Speaker 2: and if you are a victim of domestic violence, called 79 00:04:39,400 --> 00:04:43,600 Speaker 2: this link whatever whatnot as where Justin Baldoni immediately has 80 00:04:43,640 --> 00:04:45,560 Speaker 2: been on the We want to make sure we portray 81 00:04:45,600 --> 00:04:48,960 Speaker 2: this correctly. Again, I might be on just one side 82 00:04:48,960 --> 00:04:51,880 Speaker 2: of TikTok, but this is what I've gathered. We want 83 00:04:51,920 --> 00:04:54,200 Speaker 2: you know that the women they know that who have 84 00:04:54,240 --> 00:04:55,719 Speaker 2: gone through this know that we were with them and 85 00:04:55,760 --> 00:04:57,719 Speaker 2: we want to stand for them. And all these things, 86 00:04:57,760 --> 00:05:01,440 Speaker 2: and like has had a link to who likes resources 87 00:05:01,440 --> 00:05:04,599 Speaker 2: for domestic violence victims and survivors. So all these things, 88 00:05:04,680 --> 00:05:08,279 Speaker 2: so all these drama, drama, drama, drama, which made me 89 00:05:08,320 --> 00:05:13,320 Speaker 2: wonder about this situation. And when the book initially published 90 00:05:13,720 --> 00:05:17,160 Speaker 2: there were back and forth. There was a skating review 91 00:05:17,960 --> 00:05:21,640 Speaker 2: for the book as well, and here is one from 92 00:05:21,680 --> 00:05:26,040 Speaker 2: Cosmo or Cosmopolitan. It says, hoovery and plot typically kicks 93 00:05:26,040 --> 00:05:28,880 Speaker 2: off with a relationship problem that drives the protagonist away 94 00:05:29,160 --> 00:05:31,040 Speaker 2: like an ugly love, and these are all books that 95 00:05:31,080 --> 00:05:34,520 Speaker 2: she's written. I believe. The boyfriend character then uses physical 96 00:05:34,560 --> 00:05:37,559 Speaker 2: abuse and manipulation to get his partner to stay see 97 00:05:37,600 --> 00:05:41,599 Speaker 2: November ninth the book. The main character very easily forgives 98 00:05:41,600 --> 00:05:45,360 Speaker 2: her partner for his dangerous transgressions without merit. The book 99 00:05:45,440 --> 00:05:48,520 Speaker 2: is just one example, and the boyfriend rarely, if ever 100 00:05:48,600 --> 00:05:52,680 Speaker 2: apologizes for his harm, like in It Ends with Us. Now. 101 00:05:52,680 --> 00:05:55,120 Speaker 2: You could easily argue that these books are fiction and 102 00:05:55,160 --> 00:05:58,320 Speaker 2: should be treated as such, but Colleen Hoover's books are 103 00:05:58,360 --> 00:06:02,599 Speaker 2: extremely popular and an impression on young women, Whover's primary 104 00:06:02,720 --> 00:06:06,240 Speaker 2: audience by casually portraying abuse as quote just how a 105 00:06:06,320 --> 00:06:09,320 Speaker 2: relationship is supposed to look. This is the main reason 106 00:06:09,320 --> 00:06:11,760 Speaker 2: it's worrying that It Ends with Us is getting a 107 00:06:11,760 --> 00:06:15,680 Speaker 2: film adaptation. Given this book's popularity, it doesn't come as 108 00:06:15,880 --> 00:06:19,320 Speaker 2: much of a surprise that Justin Baldoni he apparently was 109 00:06:19,400 --> 00:06:22,520 Speaker 2: the director of Five Feet Apart, and Blake Lively happily 110 00:06:22,600 --> 00:06:25,200 Speaker 2: joined the project. It Ends with Us follows the story 111 00:06:25,240 --> 00:06:28,799 Speaker 2: of Lily Bloom and her doomed relationship with Ryle Kincaid. 112 00:06:29,200 --> 00:06:31,839 Speaker 2: It traces a Lily's life from her childhood in an 113 00:06:31,880 --> 00:06:35,280 Speaker 2: abusive home, to adulthood in an abusive relationship, and her 114 00:06:35,320 --> 00:06:39,599 Speaker 2: eventual escape from this tragic cycle, with Blake being the 115 00:06:39,640 --> 00:06:42,080 Speaker 2: epitome of an it girl. You know the theaters will 116 00:06:42,120 --> 00:06:45,040 Speaker 2: be filled with teens. So this was before it was 117 00:06:45,160 --> 00:06:50,559 Speaker 2: actually filmed. In these comments, these new comments have kind 118 00:06:50,600 --> 00:06:54,440 Speaker 2: of done exactly what this article was afraid of. That 119 00:06:54,480 --> 00:06:56,960 Speaker 2: this is emphasized in a way. Now I will say 120 00:06:57,080 --> 00:06:59,919 Speaker 2: there were women who watched this movie and said, I 121 00:07:00,160 --> 00:07:03,560 Speaker 2: relate to this, this is my story and was very 122 00:07:03,640 --> 00:07:06,920 Speaker 2: very excited to see it, or I'm not excited but hopeful. 123 00:07:07,080 --> 00:07:09,880 Speaker 2: I guess that the message was being spread. But their 124 00:07:09,920 --> 00:07:13,880 Speaker 2: response was that Colleen Hoover and Blake Lively's response were 125 00:07:14,000 --> 00:07:17,360 Speaker 2: not good and did not give the seriousness that it 126 00:07:17,360 --> 00:07:20,240 Speaker 2: should have been attributed to. They really felt like they 127 00:07:20,360 --> 00:07:23,880 Speaker 2: dropped the ball in with how this could have been handled. Again, 128 00:07:24,040 --> 00:07:26,440 Speaker 2: that one interview that I watched with Blake Lively was 129 00:07:26,520 --> 00:07:29,680 Speaker 2: really odd that she got on the defensive instead of 130 00:07:29,680 --> 00:07:32,520 Speaker 2: talking about, well, these are you know, these are amazing women. 131 00:07:32,720 --> 00:07:35,560 Speaker 2: I don't know. I couldn't even be in their shoes honestly, 132 00:07:35,880 --> 00:07:37,280 Speaker 2: and I know it's a big honor that I can 133 00:07:37,280 --> 00:07:39,840 Speaker 2: portray this for them point blankly, even if you have 134 00:07:40,000 --> 00:07:43,320 Speaker 2: no experience whatsoever, and that that's all you really needed 135 00:07:43,320 --> 00:07:45,880 Speaker 2: to say, or even if you have, like you know, 136 00:07:45,960 --> 00:07:49,800 Speaker 2: soch a complicated subject. Playing this role was difficult, but 137 00:07:49,880 --> 00:07:52,320 Speaker 2: I hope I honored them that could be just like 138 00:07:52,360 --> 00:07:53,960 Speaker 2: they didn't even you know, she didn't even need to 139 00:07:54,000 --> 00:07:57,640 Speaker 2: give resourcesm or stuff, because let's be honest, actors are actors. 140 00:07:57,640 --> 00:08:01,640 Speaker 2: They're not necessarily someone who know exactly what's happening. They 141 00:08:01,640 --> 00:08:04,680 Speaker 2: don't understand the depth of their role. It's a job 142 00:08:04,920 --> 00:08:08,920 Speaker 2: get I get that but she's also an executive producer, 143 00:08:09,320 --> 00:08:12,160 Speaker 2: so it kind of is to like, you know, you 144 00:08:12,280 --> 00:08:14,440 Speaker 2: took on a big charge. This is your movie. You 145 00:08:14,480 --> 00:08:27,440 Speaker 2: need to understand. Just beyond that, it was successful. And 146 00:08:27,520 --> 00:08:30,800 Speaker 2: another part of the backlash to this was apparently Colleen 147 00:08:30,840 --> 00:08:34,280 Speaker 2: Hoover was going to do a coloring book based on 148 00:08:34,320 --> 00:08:37,080 Speaker 2: the story. And here's a quote from SLAT about that. 149 00:08:37,200 --> 00:08:40,360 Speaker 2: It says the negative response was swift and overwhelming for 150 00:08:40,440 --> 00:08:43,080 Speaker 2: obvious reasons. It ends with us is a book about 151 00:08:43,120 --> 00:08:47,200 Speaker 2: domestic violence. Hoover detractors who say she romanticizes abusers how 152 00:08:47,240 --> 00:08:49,520 Speaker 2: do a new weapon in their arsenal? How can Hoover 153 00:08:49,640 --> 00:08:53,280 Speaker 2: pretend she takes the subject matter seriously while creating QC 154 00:08:53,440 --> 00:08:57,040 Speaker 2: juvenile merchandise. Only twenty four hours after the coloring book's 155 00:08:57,080 --> 00:09:01,000 Speaker 2: publication was announced, it was canceled do to pushbacks from 156 00:09:01,040 --> 00:09:04,880 Speaker 2: both fans and critics. So here's another part to this. 157 00:09:05,160 --> 00:09:09,440 Speaker 2: Colleen Hoover does have experience with her mother being in 158 00:09:09,440 --> 00:09:12,600 Speaker 2: an abuse victim her father. I guess her father was 159 00:09:12,679 --> 00:09:15,840 Speaker 2: the abuser. Here's a little from her campus dot com. 160 00:09:16,080 --> 00:09:19,360 Speaker 2: The afterward of Hoover's book is also very important. Colleen 161 00:09:19,400 --> 00:09:22,640 Speaker 2: discloses in her afterward that she herself is a child 162 00:09:22,640 --> 00:09:26,240 Speaker 2: of an abusive relationship. The author's own personal story as 163 00:09:26,280 --> 00:09:29,280 Speaker 2: an extra layer and personal struggle to Ryle and Lily's story. 164 00:09:29,440 --> 00:09:32,240 Speaker 2: Hoover thinks and applauds her mom for leaving her dad 165 00:09:32,280 --> 00:09:34,840 Speaker 2: to ensure she grew up in a healthy, safe, non 166 00:09:34,840 --> 00:09:38,320 Speaker 2: abusive household. Hoover's mom ended her cycle of abuse to 167 00:09:38,440 --> 00:09:41,800 Speaker 2: ensure it didn't carry through into her daughter's life. This 168 00:09:41,840 --> 00:09:45,000 Speaker 2: is mirrored in Lily's story, and Colleen reminds us once 169 00:09:45,040 --> 00:09:49,120 Speaker 2: again of the complexities of domestic abuse. While Colleen Hoover's 170 00:09:49,120 --> 00:09:52,400 Speaker 2: own mother and her character Lily eventually do leave their abusers, 171 00:09:52,760 --> 00:09:55,320 Speaker 2: a lot of women do not. Many remain with their 172 00:09:55,320 --> 00:09:58,080 Speaker 2: abusers because they're not just abusers. They are their husband's 173 00:09:58,120 --> 00:10:01,800 Speaker 2: boyfriend's fathers. They are someone they love and who they 174 00:10:01,800 --> 00:10:04,960 Speaker 2: believe loves them. It is far more complicated than just leaving, 175 00:10:05,200 --> 00:10:08,720 Speaker 2: and to pretend otherwise is disingenuous. So I feel like 176 00:10:08,760 --> 00:10:12,440 Speaker 2: that article was specific to saying that this is this 177 00:10:12,520 --> 00:10:16,080 Speaker 2: is a question like is this book an actual romanticization 178 00:10:16,400 --> 00:10:22,160 Speaker 2: of abuse? So the way that the story, if I 179 00:10:22,200 --> 00:10:27,320 Speaker 2: had not known anything about the drama, the celebrity drama 180 00:10:27,400 --> 00:10:29,920 Speaker 2: if you will, to the point that like Baldoni has 181 00:10:30,000 --> 00:10:33,400 Speaker 2: hired a crisis pr crew apparently, Like I don't know, 182 00:10:33,440 --> 00:10:35,240 Speaker 2: these could be just rumors. I'm just really caught up 183 00:10:35,280 --> 00:10:37,800 Speaker 2: in celebrity gossip. I don't know why. But had I 184 00:10:37,840 --> 00:10:40,360 Speaker 2: not known that the advertisements that, because there are a 185 00:10:40,440 --> 00:10:43,360 Speaker 2: few that I have seen, would make me think this 186 00:10:43,440 --> 00:10:47,360 Speaker 2: is a funny, romantic comedy with maybe a splice of drama, 187 00:10:47,400 --> 00:10:49,640 Speaker 2: and you know, like not knowing what that drama is, 188 00:10:50,800 --> 00:10:54,840 Speaker 2: I will say I think like Ryan Reynolds, her husband 189 00:10:54,960 --> 00:10:57,920 Speaker 2: has come on to rewrite scenes, and the way they 190 00:10:58,120 --> 00:11:02,400 Speaker 2: come together to again ties the movie does make it 191 00:11:02,440 --> 00:11:06,560 Speaker 2: seem very lighthearted. At one point, there's another male actor 192 00:11:06,920 --> 00:11:09,040 Speaker 2: who gets along really well with Blake Lively and have 193 00:11:09,120 --> 00:11:12,079 Speaker 2: been a part of all of her publicity. Junk Is 194 00:11:12,120 --> 00:11:13,439 Speaker 2: like he's been a part of it. Like there was 195 00:11:13,480 --> 00:11:16,080 Speaker 2: a little quit where Ryan Reynolds gets to like interview 196 00:11:16,200 --> 00:11:18,640 Speaker 2: him and being like, oh, I see you're my wife's 197 00:11:18,640 --> 00:11:20,480 Speaker 2: love interests. But I also have you know, like being 198 00:11:20,559 --> 00:11:24,400 Speaker 2: quirky and silly and like almost like a crossover for 199 00:11:24,640 --> 00:11:28,000 Speaker 2: Wolverine Dead, pulling Wolverine with that movie. Like I've seen 200 00:11:28,000 --> 00:11:30,679 Speaker 2: a lot of that, but it turns out the stories 201 00:11:30,720 --> 00:11:34,960 Speaker 2: about fleeing domestic violence and I'm like, wow, I would 202 00:11:35,000 --> 00:11:38,280 Speaker 2: have never I would have never known what that was. 203 00:11:38,360 --> 00:11:41,920 Speaker 2: And that's really complicated because how triggering could that be 204 00:11:42,840 --> 00:11:45,680 Speaker 2: for so many who do not know anything about this? Again, 205 00:11:45,720 --> 00:11:47,160 Speaker 2: like I said, I'm one of the few that it not. 206 00:11:47,480 --> 00:11:51,480 Speaker 2: And then that complicated question, that conversation that we continue 207 00:11:51,520 --> 00:11:57,920 Speaker 2: to have about why it's okay to profit off of 208 00:11:57,960 --> 00:12:04,920 Speaker 2: these traumatic experience is without taking any responsibility in what 209 00:12:05,000 --> 00:12:09,840 Speaker 2: they produce. Again, like I am all about get your money, 210 00:12:10,640 --> 00:12:13,240 Speaker 2: take your story, do what you need to is for 211 00:12:13,360 --> 00:12:15,679 Speaker 2: you. You know you have that right. So I have no 212 00:12:15,720 --> 00:12:18,240 Speaker 2: problem with Colleen Hoover doing what she needs to do 213 00:12:18,800 --> 00:12:22,040 Speaker 2: through her own trauma. But you also need to be 214 00:12:22,080 --> 00:12:24,320 Speaker 2: aware when you make it big and you sell it 215 00:12:24,360 --> 00:12:28,240 Speaker 2: to audiences and ask audiences to accept this and fans 216 00:12:28,280 --> 00:12:30,320 Speaker 2: to accept this and to love this and take this 217 00:12:30,360 --> 00:12:32,160 Speaker 2: as something as a part of their heart, you know 218 00:12:32,200 --> 00:12:33,880 Speaker 2: what I mean, like to love it as much as 219 00:12:33,920 --> 00:12:38,120 Speaker 2: they do. You have to actually be responsible and helping 220 00:12:38,200 --> 00:12:43,040 Speaker 2: to create a safe space for those people. And that 221 00:12:43,080 --> 00:12:45,880 Speaker 2: goes with like executive producers who decided like, oh, I'm 222 00:12:45,880 --> 00:12:48,080 Speaker 2: gonna make a lot of money off this movie. Let's 223 00:12:48,120 --> 00:12:50,240 Speaker 2: do it this way, and you know, like as well 224 00:12:50,280 --> 00:12:55,559 Speaker 2: as the writers in this. Now again, I'm not saying 225 00:12:55,760 --> 00:12:59,760 Speaker 2: actors who have a job go in are necessarily responsible 226 00:13:00,200 --> 00:13:03,800 Speaker 2: for other people's trauma. That's not what I'm saying at all, 227 00:13:04,200 --> 00:13:06,880 Speaker 2: But I think there is that level of understanding that 228 00:13:07,679 --> 00:13:12,240 Speaker 2: if you're willing to take a personal story like this 229 00:13:12,480 --> 00:13:15,760 Speaker 2: that many that you think many will relate to, you 230 00:13:15,840 --> 00:13:21,000 Speaker 2: also have to be willing to see where that level 231 00:13:21,000 --> 00:13:24,480 Speaker 2: of trauma can take a person like this has nothing 232 00:13:24,480 --> 00:13:26,400 Speaker 2: to do with what people choosing to go see a movie. 233 00:13:26,440 --> 00:13:28,480 Speaker 2: That's their choice and just as much as their is 234 00:13:28,520 --> 00:13:32,800 Speaker 2: their choice to leave. Absolutely, but you can't be afraid 235 00:13:32,880 --> 00:13:35,920 Speaker 2: to be like, yeah, this may be taken out of context, 236 00:13:36,000 --> 00:13:39,280 Speaker 2: or this is a flourishment of what I saw, and 237 00:13:39,320 --> 00:13:41,719 Speaker 2: I don't agree that this is healthy necessarily blah blah 238 00:13:41,720 --> 00:13:44,959 Speaker 2: blahlah blah blah. As we've talked about with like Twilight again, 239 00:13:45,040 --> 00:13:46,800 Speaker 2: I come back to that because we're like, that is 240 00:13:46,840 --> 00:13:50,800 Speaker 2: a stalker, that dude. Like if we were comparing Twilight 241 00:13:50,880 --> 00:13:54,319 Speaker 2: to and I was actually to Cult Girls, which we 242 00:13:54,520 --> 00:13:57,200 Speaker 2: just read, it's similar the whole Like, oh, I know 243 00:13:57,240 --> 00:13:59,160 Speaker 2: you're just out of college, out of high school, but 244 00:13:59,200 --> 00:14:00,640 Speaker 2: I want to have you want to have sex with me? 245 00:14:00,800 --> 00:14:03,160 Speaker 2: We got to get married now. Like that that kind 246 00:14:03,200 --> 00:14:05,800 Speaker 2: of context is like it's not as romantic as you 247 00:14:05,880 --> 00:14:14,760 Speaker 2: think that is. Yeah, But again with all of that, 248 00:14:14,840 --> 00:14:17,480 Speaker 2: I feel like we have a responsibility to a certain 249 00:14:17,480 --> 00:14:21,720 Speaker 2: degree of at least having the conversation behind it, Like 250 00:14:21,800 --> 00:14:24,440 Speaker 2: you need to be able to have that conversation with 251 00:14:24,600 --> 00:14:28,720 Speaker 2: it in order to dispel the romanticism that is often 252 00:14:28,720 --> 00:14:30,320 Speaker 2: misleading to younger people. 253 00:14:30,840 --> 00:14:34,520 Speaker 1: Yes, absolutely, it kind of It reminds me of our 254 00:14:35,680 --> 00:14:38,400 Speaker 1: when we talked about rape revenge movies and how important 255 00:14:38,440 --> 00:14:42,040 Speaker 1: it is if you're who's involved in filming that, who's 256 00:14:42,320 --> 00:14:45,720 Speaker 1: behind the camera, who's writing it, and even if you 257 00:14:45,760 --> 00:14:50,320 Speaker 1: know it's just having some person on set who's very 258 00:14:50,400 --> 00:14:53,400 Speaker 1: cognizant of you know, we need to be aware of 259 00:14:53,440 --> 00:14:57,640 Speaker 1: these things like that is really important because something like 260 00:14:57,720 --> 00:15:04,480 Speaker 1: that it can be incredibly devastating or triggering to someone 261 00:15:04,760 --> 00:15:09,160 Speaker 1: who's been through something like that. And I also think 262 00:15:09,200 --> 00:15:15,600 Speaker 1: it's just better it generally feels it's more like, Okay, 263 00:15:15,800 --> 00:15:18,440 Speaker 1: this is coming from a place of at least somebody knows, 264 00:15:19,200 --> 00:15:23,360 Speaker 1: somebody did some research or somebody is aware of the 265 00:15:23,440 --> 00:15:26,720 Speaker 1: impacts of this. It's one of the things I dislike 266 00:15:26,840 --> 00:15:32,040 Speaker 1: the most in media is when things are romanticized that 267 00:15:32,120 --> 00:15:36,960 Speaker 1: I'm like, this is actually we really really shouldn't be 268 00:15:37,080 --> 00:15:40,600 Speaker 1: romanticizing this. And I'll say, of course, I got to 269 00:15:40,640 --> 00:15:44,040 Speaker 1: bring it up from my fan fiction perspective. It used 270 00:15:44,080 --> 00:15:46,200 Speaker 1: to be a lot like that, and that still exists, 271 00:15:46,200 --> 00:15:49,040 Speaker 1: don't get me wrong, but it has shifted much more 272 00:15:49,120 --> 00:15:51,640 Speaker 1: where maybe that exists, but that guy is now the 273 00:15:51,680 --> 00:15:55,320 Speaker 1: bad guy instead of the like, oh, he's just troubled. 274 00:15:55,920 --> 00:16:00,880 Speaker 1: Now it's like he is bad. And I'm personally very 275 00:16:00,920 --> 00:16:03,960 Speaker 1: glad for this because it has always posed me like 276 00:16:04,120 --> 00:16:07,640 Speaker 1: why are we attracted to this? 277 00:16:08,520 --> 00:16:09,440 Speaker 2: He's the worst? 278 00:16:09,480 --> 00:16:11,320 Speaker 1: But it's not even like why are you attracted to this? 279 00:16:11,360 --> 00:16:13,560 Speaker 1: It's like why are we writing it? Like it is 280 00:16:14,160 --> 00:16:15,800 Speaker 1: right attractive? 281 00:16:16,240 --> 00:16:18,680 Speaker 2: Right? Yeah, it's been around. I was thinking my so 282 00:16:18,800 --> 00:16:22,920 Speaker 2: called live Jordan Katalano was the worst dude in the world, 283 00:16:23,480 --> 00:16:25,840 Speaker 2: and yet we all wanted him, and then he grew 284 00:16:25,920 --> 00:16:26,840 Speaker 2: up and we all grew up. 285 00:16:26,840 --> 00:16:30,200 Speaker 1: I was like, oh, never mind, that's the thing. But 286 00:16:30,240 --> 00:16:33,320 Speaker 1: that is the thing. When it's like a young adult, Yeah, 287 00:16:33,520 --> 00:16:35,640 Speaker 1: it's really tricky. You have to keep in mind. 288 00:16:35,480 --> 00:16:38,320 Speaker 2: Right and again, for those who loved this book or 289 00:16:38,680 --> 00:16:40,760 Speaker 2: are excited about this movie, I apologize. I get I 290 00:16:40,880 --> 00:16:44,720 Speaker 2: know nothing specifically about this book. I'm just going from 291 00:16:44,720 --> 00:16:47,320 Speaker 2: what I'm reading and from the drama that has encouraged 292 00:16:47,360 --> 00:16:51,720 Speaker 2: from this because apparently Justin Baldoni, people are like loving 293 00:16:51,840 --> 00:16:54,640 Speaker 2: him the fact that he has emphasized the importance of 294 00:16:55,760 --> 00:16:59,120 Speaker 2: intimacy coordinators, like he apparently brought up that up as 295 00:16:59,160 --> 00:17:00,640 Speaker 2: a part of the way they filmed it, and he 296 00:17:00,680 --> 00:17:03,280 Speaker 2: wanted people to know that, like as well as like 297 00:17:03,360 --> 00:17:06,359 Speaker 2: talking about and I'm not putting him in pencil. I 298 00:17:06,720 --> 00:17:09,399 Speaker 2: know nothing about Lively, y'all. Apparently all this stuff has 299 00:17:09,400 --> 00:17:11,680 Speaker 2: come out. I don't even know if I've ever seen 300 00:17:11,680 --> 00:17:13,760 Speaker 2: her in a movie, now that I think about it, 301 00:17:13,800 --> 00:17:15,440 Speaker 2: I don't think I've watched her in anything. I don't 302 00:17:15,480 --> 00:17:18,200 Speaker 2: think I've ever seen her in anything. That's how little 303 00:17:18,240 --> 00:17:20,080 Speaker 2: I know of her. I know she's apparently a great 304 00:17:20,080 --> 00:17:23,840 Speaker 2: mother and a wife and great friends with Taylor Swift. 305 00:17:24,240 --> 00:17:28,920 Speaker 2: So there you go. So no hate to that. I'm 306 00:17:28,960 --> 00:17:31,639 Speaker 2: just saying, like these articles and just in these subjects alone, 307 00:17:31,680 --> 00:17:34,320 Speaker 2: and this just happened to be the hot topic of today. 308 00:17:35,400 --> 00:17:39,480 Speaker 2: August fifteenth, twenty twenty four, which could change. But like, 309 00:17:39,880 --> 00:17:42,520 Speaker 2: it is interesting when we have these conversations about who 310 00:17:42,760 --> 00:17:45,080 Speaker 2: is the it couple and why, and then who were 311 00:17:45,119 --> 00:17:47,760 Speaker 2: celebrating who we're not, and then how it's being handled 312 00:17:47,800 --> 00:17:49,439 Speaker 2: after it's brought into public. 313 00:17:50,359 --> 00:17:55,879 Speaker 1: Yeah. Yeah, there's definitely a lot to think about an 314 00:17:55,960 --> 00:17:58,840 Speaker 1: unpack with this. You know, I've got a lot of 315 00:17:58,880 --> 00:18:03,320 Speaker 1: thoughts about this. Well, listeners, if you have any thoughts 316 00:18:03,320 --> 00:18:05,720 Speaker 1: about this, if you have thoughts about the book or 317 00:18:05,760 --> 00:18:09,040 Speaker 1: the movie or both, please let us know. You can 318 00:18:09,080 --> 00:18:11,879 Speaker 1: email us as Stuff Media mom Stuff at iHeartMedia dot com. 319 00:18:11,960 --> 00:18:13,600 Speaker 1: You can find us on Twitter at mom Stuff Podcast, 320 00:18:13,680 --> 00:18:15,760 Speaker 1: or on Instagram and TikTok at Stuff I've Never Told You. 321 00:18:16,000 --> 00:18:18,240 Speaker 1: We're also on YouTube. We have a tea public store, 322 00:18:18,520 --> 00:18:21,240 Speaker 1: and we have a book you can get wherever you 323 00:18:21,280 --> 00:18:23,760 Speaker 1: get your books. Thanks as always to our super produced 324 00:18:23,800 --> 00:18:26,200 Speaker 1: Christina or executive dus to Maya and our contributor Joey. 325 00:18:26,280 --> 00:18:29,000 Speaker 1: Thank you and thanks to you for listening Stuff Never 326 00:18:29,000 --> 00:18:30,959 Speaker 1: Told You the protection of iHeartRadio. 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