1 00:00:00,520 --> 00:00:02,760 Speaker 1: Taking a Walk one guitarist. I talked to a guy 2 00:00:02,840 --> 00:00:05,680 Speaker 1: named Fred Taka who's in Little Feet. He played with 3 00:00:05,760 --> 00:00:08,920 Speaker 1: Dylan for a few years, and he said they rehearsed 4 00:00:08,960 --> 00:00:13,040 Speaker 1: extensively the band, but they would rehearse covers of songs 5 00:00:13,080 --> 00:00:14,840 Speaker 1: they were not going to play live, so the whole 6 00:00:14,880 --> 00:00:17,599 Speaker 1: band would be doing Sweet Caro line with Dylan or't 7 00:00:17,600 --> 00:00:19,400 Speaker 1: be doing night Moves. By Bob Seeker. 8 00:00:19,560 --> 00:00:23,040 Speaker 2: This is the Taking a Walk podcast hosted by Buzz Night. 9 00:00:23,600 --> 00:00:27,600 Speaker 2: Music history on foot and Today Buzz speaks with author 10 00:00:27,680 --> 00:00:32,840 Speaker 2: Ray Paget. Ray's writing has appeared in The New Yorker, Spin, Vice, 11 00:00:33,120 --> 00:00:36,040 Speaker 2: and Mojo. You may have heard him on NPR and 12 00:00:36,120 --> 00:00:38,840 Speaker 2: seen his interview in the Wall Street Journal. His book 13 00:00:39,120 --> 00:00:42,840 Speaker 2: is called Pledging My Time Conversations with Bob Dylan. Band 14 00:00:42,880 --> 00:00:46,479 Speaker 2: members joined Buzz as he delves into the world of 15 00:00:46,479 --> 00:00:51,160 Speaker 2: one of our generation's greatest musicians, Bob Dylan. Ray Paget 16 00:00:51,320 --> 00:00:54,080 Speaker 2: joins Buzz Night next on Taking a Walk. 17 00:00:56,000 --> 00:00:59,080 Speaker 3: Well, thanks Ray Paget for being on taking a Walk 18 00:00:59,880 --> 00:01:02,800 Speaker 3: in my backyard. So we're doing sort of the virtual 19 00:01:03,440 --> 00:01:07,759 Speaker 3: taking a Walk episode. My dogs are quiet right now. 20 00:01:07,800 --> 00:01:11,640 Speaker 3: Hopefully there won't be the fourth Amazon delivery of the 21 00:01:11,720 --> 00:01:15,080 Speaker 3: day and incite them. Where are you right now? 22 00:01:16,280 --> 00:01:19,880 Speaker 1: I am in a coworking space in Burlington, Vermont. I 23 00:01:19,920 --> 00:01:23,039 Speaker 1: also have a couple of dogs, and they tend to 24 00:01:23,080 --> 00:01:25,600 Speaker 1: interrupt anything I want to do when I'm home, which 25 00:01:25,720 --> 00:01:29,120 Speaker 1: sounds like for this wouldn't be a problem, but some 26 00:01:29,240 --> 00:01:32,600 Speaker 1: other people they get real barkie when someone walks by 27 00:01:32,640 --> 00:01:33,240 Speaker 1: the front door. 28 00:01:34,040 --> 00:01:37,560 Speaker 3: Well, we'll hope for the best here. But congratulations on 29 00:01:37,600 --> 00:01:43,440 Speaker 3: the book. Pledging my time conversations with Bob Dylan band members, 30 00:01:44,040 --> 00:01:47,760 Speaker 3: and who are some of your favorites that you interviewed 31 00:01:48,520 --> 00:01:50,680 Speaker 3: for the book. I've got some that I want to mention, 32 00:01:50,800 --> 00:01:52,440 Speaker 3: but I'd like to hear from you first. 33 00:01:53,320 --> 00:01:55,320 Speaker 1: Oh, I mean it's hard to pick. I loved talking 34 00:01:55,360 --> 00:01:57,760 Speaker 1: to like you know, I love Tom Petting the Heartbreakers, 35 00:01:57,800 --> 00:02:00,360 Speaker 1: and I love when they backed up Dylan. Talking to 36 00:02:00,400 --> 00:02:02,800 Speaker 1: benmont Hensch and Stan Lynch, both of whom were in 37 00:02:02,840 --> 00:02:05,960 Speaker 1: The Heartbreakers, was great. I love talking to Larry Campbell, 38 00:02:06,120 --> 00:02:09,240 Speaker 1: who is Dylan's guitarist for seven years and just had 39 00:02:09,360 --> 00:02:11,320 Speaker 1: all sorts of great stories. And some of the early 40 00:02:11,360 --> 00:02:14,760 Speaker 1: guys too, Ramblin, Jack Elliott, and Paul from Peter, Paul 41 00:02:14,800 --> 00:02:17,000 Speaker 1: and Mary. I mean getting windows into the like Greenwich 42 00:02:17,080 --> 00:02:18,640 Speaker 1: Village era was wonderful. 43 00:02:19,520 --> 00:02:22,880 Speaker 3: Did you find that there was in some cases a 44 00:02:22,960 --> 00:02:26,600 Speaker 3: code of conduct where if you found some band members 45 00:02:27,639 --> 00:02:30,800 Speaker 3: that you were intrigued for this project to talk to, 46 00:02:31,000 --> 00:02:32,000 Speaker 3: they wouldn't speak to you. 47 00:02:33,000 --> 00:02:36,519 Speaker 1: Yeah, oh absolutely, I mean it's not it's nothing official. 48 00:02:36,560 --> 00:02:38,880 Speaker 1: But you know, Bob Dylan is a famously private person, 49 00:02:39,360 --> 00:02:41,720 Speaker 1: and the people who have worked with him sort of 50 00:02:41,720 --> 00:02:44,480 Speaker 1: take their cues from that. You know, in many cases 51 00:02:44,520 --> 00:02:47,080 Speaker 1: it took me months, maybe even over a year to 52 00:02:47,160 --> 00:02:49,600 Speaker 1: convince people to talk with me, And in many cases 53 00:02:49,600 --> 00:02:52,880 Speaker 1: they've never really spoken about their time with Dylan before, 54 00:02:53,280 --> 00:02:55,120 Speaker 1: so this is really the first time that they're telling 55 00:02:55,200 --> 00:02:55,800 Speaker 1: these stories. 56 00:02:56,720 --> 00:03:00,680 Speaker 3: So there's a lot in Bob's playbook that comes in 57 00:03:00,720 --> 00:03:05,080 Speaker 3: and out here in terms of the storyline. One of 58 00:03:05,080 --> 00:03:09,640 Speaker 3: my favorites is certainly how he would, you know, launch 59 00:03:09,680 --> 00:03:13,239 Speaker 3: into a song in a concert that the band had 60 00:03:13,280 --> 00:03:17,200 Speaker 3: never rehearsed. Can you talk about that experience. 61 00:03:18,080 --> 00:03:21,040 Speaker 1: Yeah, that's something that happens in a lot of these interviews. 62 00:03:21,040 --> 00:03:24,680 Speaker 1: People mentioned that then he will just yell out some song, 63 00:03:24,800 --> 00:03:27,400 Speaker 1: maybe an obscure song, maybe even a famous song. You know, 64 00:03:27,440 --> 00:03:30,280 Speaker 1: that happened with Tom Petty speaking of which he just 65 00:03:30,440 --> 00:03:33,520 Speaker 1: they never rehearsed Lay Lady Lay. I mean, a famous song, 66 00:03:33,560 --> 00:03:35,600 Speaker 1: but they had never rehearsed it or played it live. 67 00:03:35,640 --> 00:03:38,280 Speaker 1: And one day they're on front of twenty thousand people 68 00:03:38,360 --> 00:03:41,160 Speaker 1: just playing Lay Lady Lay or another story. You know. 69 00:03:41,280 --> 00:03:43,640 Speaker 1: Right when they're like standing about to go on stage, 70 00:03:43,800 --> 00:03:45,720 Speaker 1: Bob turns to one of the band memories, like, Hey, 71 00:03:45,720 --> 00:03:47,360 Speaker 1: what song do you want to play tonight? And he 72 00:03:47,400 --> 00:03:50,840 Speaker 1: picks tomorrow is a long time they fairly obscure, you know, 73 00:03:50,920 --> 00:03:53,400 Speaker 1: early song that again they never played, but they just 74 00:03:53,440 --> 00:03:55,680 Speaker 1: sort of went up and winged it. And that's a 75 00:03:55,680 --> 00:03:57,160 Speaker 1: lot of what playing with Dylan is like. 76 00:03:58,120 --> 00:04:04,400 Speaker 3: But he has this expectation where he's out to make 77 00:04:04,440 --> 00:04:09,720 Speaker 3: sure that the band keeps the songs fresh and always 78 00:04:09,760 --> 00:04:10,960 Speaker 3: with some new little twist. 79 00:04:11,120 --> 00:04:14,320 Speaker 1: Right, that's exactly right. He doesn't want to just sort 80 00:04:14,360 --> 00:04:17,480 Speaker 1: of be a Greatest Hits machine, cranking out the same 81 00:04:17,560 --> 00:04:19,840 Speaker 1: songs the same way every night. You know. One guitarist 82 00:04:19,920 --> 00:04:21,800 Speaker 1: I talked to a guy named Fred Takett who's in 83 00:04:21,839 --> 00:04:24,760 Speaker 1: Little Feet. He played with Dylan for a few years, 84 00:04:25,320 --> 00:04:29,080 Speaker 1: and he said they rehearsed extensively the band, but they 85 00:04:29,120 --> 00:04:31,360 Speaker 1: would rehearse covers of songs they were not going to 86 00:04:31,440 --> 00:04:33,760 Speaker 1: play live, so the whole band would be doing Sweet 87 00:04:33,800 --> 00:04:36,480 Speaker 1: Caro Line with Dylan, orud be doing night Moves by 88 00:04:36,480 --> 00:04:40,120 Speaker 1: Bob Seeker. And he says, basically the reason was Bob 89 00:04:40,200 --> 00:04:43,800 Speaker 1: Dylan wanted his band really good, really rehearsed, really able 90 00:04:43,839 --> 00:04:46,160 Speaker 1: to play together, but he did not want people just 91 00:04:46,480 --> 00:04:50,000 Speaker 1: getting wrote versions of his songs that were going to 92 00:04:50,040 --> 00:04:53,000 Speaker 1: sound the same every night. So yeah, they'd rehearse a 93 00:04:53,040 --> 00:04:55,320 Speaker 1: totally different set of material and then they'd go out 94 00:04:55,360 --> 00:04:57,599 Speaker 1: and tour playing Dylan songs they had not rehearsed. 95 00:04:58,560 --> 00:05:00,800 Speaker 3: Do you feel that a lot of these musicians ever 96 00:05:00,839 --> 00:05:02,880 Speaker 3: felt like they really knew Bob? 97 00:05:04,000 --> 00:05:07,840 Speaker 1: It varies fit pretty widely. I mean some people definitely 98 00:05:07,839 --> 00:05:10,960 Speaker 1: would say even though we worked together for five years, 99 00:05:11,000 --> 00:05:14,120 Speaker 1: I never really knew him. And other people would say 100 00:05:14,279 --> 00:05:17,080 Speaker 1: he's just a guy, Like you know, I was intimidated 101 00:05:17,080 --> 00:05:19,520 Speaker 1: at first, but then we just hung out backstage and 102 00:05:19,520 --> 00:05:21,200 Speaker 1: we went out swimming, and we had all these high 103 00:05:21,279 --> 00:05:23,640 Speaker 1: jinks and stuff, and he's just like, once you get 104 00:05:23,640 --> 00:05:26,359 Speaker 1: into that inner circle, he's just like another person. And 105 00:05:26,400 --> 00:05:28,400 Speaker 1: I related to him, you know, as a friend. So 106 00:05:28,440 --> 00:05:31,520 Speaker 1: it really seems like a very full spectrum. 107 00:05:32,520 --> 00:05:38,440 Speaker 3: I'm sure you saw the the making of the We 108 00:05:38,560 --> 00:05:43,080 Speaker 3: Are the World documentary, didn't you. Yeah. Sure, I mean 109 00:05:43,480 --> 00:05:46,240 Speaker 3: doesn't that give you like a really cool window inside 110 00:05:46,240 --> 00:05:47,080 Speaker 3: of Bob as well? 111 00:05:48,240 --> 00:05:51,200 Speaker 1: Yeah, And there's a funny clip that you see, I 112 00:05:51,240 --> 00:05:54,240 Speaker 1: think from that documentary that you can find on YouTube 113 00:05:54,360 --> 00:05:58,480 Speaker 1: where it's basically Stevie Wonder is teaching Bob Dylan how 114 00:05:58,520 --> 00:06:01,040 Speaker 1: to sing his part like Dylan and they're sort of 115 00:06:01,080 --> 00:06:03,080 Speaker 1: at the piano working it out. I mean, it's such 116 00:06:03,120 --> 00:06:05,560 Speaker 1: a it's sort of Bob outside of his environment. Like 117 00:06:05,839 --> 00:06:08,200 Speaker 1: you know, normally he likes hanging out with his band, 118 00:06:08,760 --> 00:06:11,800 Speaker 1: who are mostly not extremely not famous people. So in 119 00:06:11,920 --> 00:06:14,440 Speaker 1: him this sort of celebrity all star setting, you know, 120 00:06:14,480 --> 00:06:15,880 Speaker 1: half the time he kind of looks like deer in 121 00:06:15,880 --> 00:06:16,520 Speaker 1: the headlights. 122 00:06:17,560 --> 00:06:19,360 Speaker 3: Yeah, he didn't look like he was having fun on 123 00:06:19,400 --> 00:06:21,480 Speaker 3: a lot of occasions. But on the other hand, there 124 00:06:21,560 --> 00:06:24,880 Speaker 3: was certainly smiles and you know, joyful looks. 125 00:06:25,839 --> 00:06:28,080 Speaker 1: Yeah. I mean, it's like I say, it's a funny mix. 126 00:06:28,120 --> 00:06:30,320 Speaker 1: It's these sort of you know, eighty stars that he 127 00:06:30,640 --> 00:06:32,760 Speaker 1: as far as far as I know, didn't you know, know, 128 00:06:32,880 --> 00:06:35,520 Speaker 1: I don't think he's buddies with Holland Oates Er, Cindy Lauper. 129 00:06:36,000 --> 00:06:38,200 Speaker 1: But then you know, you have these other people from 130 00:06:38,200 --> 00:06:40,600 Speaker 1: the sixties who you know he does go back with, 131 00:06:40,640 --> 00:06:44,159 Speaker 1: you know, Smokey Robinson or something like that, or Stevie Wonder. 132 00:06:45,400 --> 00:06:48,800 Speaker 3: Yeah, going back to your interviews with the Well in 133 00:06:48,800 --> 00:06:54,200 Speaker 3: particular Stan Lynch, I love that quote from Bob about 134 00:06:54,200 --> 00:06:57,640 Speaker 3: Tom Petty. Tom was at the top of his game 135 00:06:57,720 --> 00:07:02,240 Speaker 3: and I was at the bottom. And did you find 136 00:07:02,320 --> 00:07:07,240 Speaker 3: that the self deprecating side of Bob shows up a lot? 137 00:07:08,120 --> 00:07:11,920 Speaker 1: Yeah? Sometimes. I mean he he's very hard on him 138 00:07:12,000 --> 00:07:13,840 Speaker 1: He can be very hard on himself, and he can 139 00:07:13,880 --> 00:07:16,320 Speaker 1: be very hard on the musicians. You know, a number 140 00:07:16,320 --> 00:07:18,000 Speaker 1: of them sort of said that playing with him was 141 00:07:18,000 --> 00:07:21,360 Speaker 1: both the most invigorating part of their entire careers but 142 00:07:21,400 --> 00:07:23,920 Speaker 1: also the most exhausting. I mean, he's not going to 143 00:07:23,920 --> 00:07:27,000 Speaker 1: give them clear instructions on what he wants from them, 144 00:07:27,320 --> 00:07:29,280 Speaker 1: and if they do something he doesn't seem to like, 145 00:07:29,320 --> 00:07:31,280 Speaker 1: you know, they're going to get glared at. So it 146 00:07:31,320 --> 00:07:34,440 Speaker 1: could be, you know, they spoke of him with reverence, 147 00:07:34,440 --> 00:07:36,960 Speaker 1: but it could be a pretty difficult, difficult gig because 148 00:07:37,000 --> 00:07:38,960 Speaker 1: he's hard on everyone. 149 00:07:39,120 --> 00:07:44,960 Speaker 3: And I love the story on how Bob got dragged 150 00:07:45,000 --> 00:07:48,840 Speaker 3: to see Frank Sinatra and Sammy Davis Junior and then 151 00:07:48,920 --> 00:07:50,720 Speaker 3: passed on meeting Frank. 152 00:07:51,960 --> 00:07:54,960 Speaker 1: Yeah, that was another stand Lynch one. This is literally 153 00:07:54,960 --> 00:07:57,560 Speaker 1: the first day of rehearsals, like they could now we're 154 00:07:57,560 --> 00:08:00,360 Speaker 1: in and stand says, hey, I gotta go, Like what 155 00:08:00,400 --> 00:08:02,240 Speaker 1: the hell? But anyway, he's going to see Frank Sinatra 156 00:08:02,280 --> 00:08:04,440 Speaker 1: Sammy Davis. Bob loves them, so he says, can I 157 00:08:04,480 --> 00:08:07,360 Speaker 1: tag along? They get there, someone you know, they're just 158 00:08:07,360 --> 00:08:09,880 Speaker 1: remembers of the audience, but someone on Frank's staff or 159 00:08:09,880 --> 00:08:13,000 Speaker 1: whoever sees them says, hey, come backstage, So they go backstage. 160 00:08:13,000 --> 00:08:15,120 Speaker 1: Stan Lynch is over the moon. He's going to meet 161 00:08:15,160 --> 00:08:18,600 Speaker 1: Frank Sinatra. They get to Frank stage door and Bob's like, 162 00:08:19,080 --> 00:08:22,080 Speaker 1: and never mind, let's get out of here. He just leaves. 163 00:08:23,080 --> 00:08:25,680 Speaker 3: There's a part of Bob that likes messing with people, 164 00:08:25,720 --> 00:08:28,640 Speaker 3: don't you think absolutely that. 165 00:08:29,240 --> 00:08:31,520 Speaker 1: There are various stories like that come up all the time, 166 00:08:31,600 --> 00:08:33,520 Speaker 1: and I think that might be one of them. 167 00:08:34,080 --> 00:08:36,640 Speaker 3: I had an encounter with him and I was thinking 168 00:08:36,679 --> 00:08:40,760 Speaker 3: about this preparing for the interview where it was around 169 00:08:40,760 --> 00:08:44,920 Speaker 3: the time he was working with Daniel Lennoi, and Bob 170 00:08:45,559 --> 00:08:48,520 Speaker 3: acted like he couldn't pronounce Daniel's last name, and I 171 00:08:48,600 --> 00:08:51,319 Speaker 3: started thinking about it, going he was messing with us. 172 00:08:51,480 --> 00:08:56,120 Speaker 1: You know, that's funny, And yes, probably probably true. Because 173 00:08:56,120 --> 00:08:58,920 Speaker 1: he worked with Glenn Waff for several albums, he certainly 174 00:08:58,960 --> 00:09:00,200 Speaker 1: knew how to pronounce his name. 175 00:09:01,400 --> 00:09:06,240 Speaker 3: What has been your personal experience, either the concerts you've 176 00:09:06,240 --> 00:09:09,520 Speaker 3: seen of Bob's or your opportunities that you've had to 177 00:09:09,559 --> 00:09:09,959 Speaker 3: meet him? 178 00:09:10,880 --> 00:09:13,120 Speaker 1: Yeah, I mean I've I've never met him. He's someone 179 00:09:13,120 --> 00:09:15,640 Speaker 1: who these days especially, I mean pretty much know and 180 00:09:15,720 --> 00:09:18,400 Speaker 1: meets him. He's and he's funny. It's a funny combination. 181 00:09:18,480 --> 00:09:20,679 Speaker 1: On the one end, he's extremely reclusive. He doesn't really 182 00:09:20,720 --> 00:09:23,520 Speaker 1: give interviews anymore, he doesn't, you know, meet people. On 183 00:09:23,559 --> 00:09:26,640 Speaker 1: the other hand, he tours constantly, so he's both reclusive 184 00:09:26,840 --> 00:09:30,080 Speaker 1: but also in front of audiences across the world, you know, 185 00:09:30,120 --> 00:09:33,480 Speaker 1: every night, you know, all year, every year. Yeah, and 186 00:09:33,520 --> 00:09:35,560 Speaker 1: I've seen a lot of those, not that many, but 187 00:09:35,600 --> 00:09:37,559 Speaker 1: you know, I've seen a few dozen of those concerts. 188 00:09:37,559 --> 00:09:39,680 Speaker 1: And that's sort of how I became moved from a 189 00:09:39,720 --> 00:09:43,280 Speaker 1: casual fan to a super fan. Was just seeing how 190 00:09:43,320 --> 00:09:45,880 Speaker 1: he reinvents the songs in concert, and it's never the 191 00:09:45,920 --> 00:09:47,000 Speaker 1: same from Night to Night. 192 00:09:48,240 --> 00:09:52,040 Speaker 3: Did he make a public comment after Robbie Robertson's passing. 193 00:09:52,040 --> 00:09:55,760 Speaker 1: I was just wondering he did, Yeah, I don't have 194 00:09:55,800 --> 00:09:57,920 Speaker 1: it in front of me, but he said something nice 195 00:09:58,080 --> 00:09:58,560 Speaker 1: about it. 196 00:09:59,640 --> 00:10:02,960 Speaker 3: So if you had the opportunity to ask Bob a question, 197 00:10:03,040 --> 00:10:05,480 Speaker 3: what would you ask him? Oh? 198 00:10:05,520 --> 00:10:09,280 Speaker 1: Man, that would be one question. That's a tough one. 199 00:10:09,360 --> 00:10:13,800 Speaker 1: I mean, to some degree, i'd ask maybe why, how 200 00:10:13,800 --> 00:10:16,920 Speaker 1: he would explain him touring so much? The fact is, 201 00:10:17,160 --> 00:10:19,200 Speaker 1: the guy's got, you know, more money, even God, he 202 00:10:19,240 --> 00:10:22,520 Speaker 1: does not need to be hitting the road all year. 203 00:10:22,840 --> 00:10:25,240 Speaker 1: Every single year. He's literally it's been called the Never 204 00:10:25,320 --> 00:10:27,600 Speaker 1: Ending Tour. Since nineteen eighty eight, he basically has not 205 00:10:27,640 --> 00:10:31,360 Speaker 1: stopped touring. And it's just fascinating why he goes, not 206 00:10:31,520 --> 00:10:33,520 Speaker 1: just to New York and LA, but you know, to 207 00:10:33,559 --> 00:10:36,600 Speaker 1: some city you've never heard of, in Indiana or Iowa 208 00:10:37,040 --> 00:10:41,000 Speaker 1: or Arizona. You know, I'd ask him why, why he 209 00:10:41,559 --> 00:10:43,680 Speaker 1: wants to be on the road, Why he wants to 210 00:10:43,679 --> 00:10:47,880 Speaker 1: be playing concerts? Sort of that's his life. 211 00:10:48,040 --> 00:10:54,240 Speaker 3: Yeah, I feel like he was profoundly impacted by his 212 00:10:54,400 --> 00:10:58,600 Speaker 3: work with Tom Petty and the Heartbreakers and The Grateful Dead, 213 00:11:00,160 --> 00:11:03,920 Speaker 3: not only in his creative process, but also just the 214 00:11:04,000 --> 00:11:06,960 Speaker 3: road warrior aspect of things. What do you think of 215 00:11:06,960 --> 00:11:07,520 Speaker 3: that theory? 216 00:11:09,080 --> 00:11:11,600 Speaker 1: I think that's right. He actually writes about that in 217 00:11:11,720 --> 00:11:16,160 Speaker 1: Chronicles his book, and basically, especially with the Dead, he's 218 00:11:16,200 --> 00:11:18,240 Speaker 1: saying that, like, he went out with the Dead and 219 00:11:18,280 --> 00:11:21,360 Speaker 1: he was feeling really down, and Jerry Garcia especially is 220 00:11:21,400 --> 00:11:24,240 Speaker 1: really pushing him to play these songs he barely remembers 221 00:11:24,280 --> 00:11:27,120 Speaker 1: from the sixties and stuff, and it kind of got 222 00:11:27,200 --> 00:11:29,240 Speaker 1: him out of his funk. And I think it's notable 223 00:11:29,320 --> 00:11:31,360 Speaker 1: that even though those shows with the Dead are not 224 00:11:31,920 --> 00:11:35,600 Speaker 1: very highly regarded, that's the year before this so called 225 00:11:35,640 --> 00:11:37,800 Speaker 1: never ending tour starts, he does these shows the Dead. 226 00:11:37,880 --> 00:11:40,160 Speaker 1: Jerry Garcia really tries to drag him out of this 227 00:11:41,280 --> 00:11:44,640 Speaker 1: downward spiral he's in, and sort of he recommits himself 228 00:11:44,679 --> 00:11:47,520 Speaker 1: to the road to playing his catalog to you know, 229 00:11:47,559 --> 00:11:50,480 Speaker 1: digging up obscure songs, and basically he has been doing it, 230 00:11:50,960 --> 00:11:53,360 Speaker 1: other than a couple of years of the pandemic, every 231 00:11:53,400 --> 00:11:54,520 Speaker 1: single year ever since. 232 00:11:55,640 --> 00:11:58,320 Speaker 3: And wasn't that period around the time where he came 233 00:11:58,360 --> 00:11:59,719 Speaker 3: out of that real health. 234 00:11:59,440 --> 00:12:02,560 Speaker 1: Scare, Yeah, well that was yeah, that was in the 235 00:12:03,040 --> 00:12:06,480 Speaker 1: ninety seven, you know, Larry campbell Is was his horus then, 236 00:12:06,600 --> 00:12:08,760 Speaker 1: and I talked with Larry about it, and you know, 237 00:12:08,800 --> 00:12:10,880 Speaker 1: he was talking about you know, he had like just 238 00:12:11,000 --> 00:12:13,000 Speaker 1: joined the band. They played. I think, well, maybe one 239 00:12:13,120 --> 00:12:16,160 Speaker 1: tour together, and all of a sudden it happened while 240 00:12:16,200 --> 00:12:18,040 Speaker 1: on tour. Larry's I don't remember. I think in the 241 00:12:18,040 --> 00:12:22,040 Speaker 1: Midwest somewhere, there were some It was like spores from 242 00:12:22,320 --> 00:12:24,640 Speaker 1: goose droppings. I think of all things that if you 243 00:12:24,679 --> 00:12:27,840 Speaker 1: inhale them the wrong way, they can cause real health complications. 244 00:12:27,880 --> 00:12:30,120 Speaker 1: And it basically his heart, you know, he don't remember 245 00:12:30,160 --> 00:12:32,880 Speaker 1: the medical term, but his heart shut down, and Larry 246 00:12:32,960 --> 00:12:34,640 Speaker 1: was like, I just joined the band, and I thought, 247 00:12:34,720 --> 00:12:36,760 Speaker 1: and everyone thought maybe this was going to be it. 248 00:12:37,000 --> 00:12:38,839 Speaker 1: But you know, a couple months later, Bob was out 249 00:12:38,840 --> 00:12:41,439 Speaker 1: of the hospital feeling better and they hit the road again. 250 00:12:42,679 --> 00:12:45,160 Speaker 3: Well, you did a great job with pledging my time. 251 00:12:45,400 --> 00:12:49,840 Speaker 3: The interviews in there are tremendous. Are there any interviews 252 00:12:49,880 --> 00:12:53,280 Speaker 3: that you did? And then someone after the fact said, well, 253 00:12:53,520 --> 00:12:55,440 Speaker 3: I don't think I want that in there. 254 00:12:57,040 --> 00:12:59,680 Speaker 1: No, that never happened. It was you know, it took 255 00:12:59,720 --> 00:13:01,400 Speaker 1: a lot of work to get people to talk in 256 00:13:01,440 --> 00:13:03,240 Speaker 1: the first place. You know, no one wants to do 257 00:13:03,280 --> 00:13:05,120 Speaker 1: anything that they feel like is going to be violating 258 00:13:05,120 --> 00:13:05,880 Speaker 1: Bob's privacy. 259 00:13:05,960 --> 00:13:06,959 Speaker 3: Here is going to be you. 260 00:13:06,880 --> 00:13:10,640 Speaker 1: Know, gossipy or feel gotchey. But once people understood that, 261 00:13:10,640 --> 00:13:12,079 Speaker 1: you know, we were going to go deep. These are 262 00:13:12,080 --> 00:13:14,680 Speaker 1: going to be long conversations. I really knew the music, 263 00:13:14,720 --> 00:13:17,600 Speaker 1: I really knew my stuff. They were they were very open, 264 00:13:17,640 --> 00:13:19,640 Speaker 1: and we really really went into it. 265 00:13:20,600 --> 00:13:23,800 Speaker 3: Well, if you're a Dylan fan or even a casual fan, 266 00:13:23,840 --> 00:13:27,000 Speaker 3: you're gonna love it. Pledging my time conversations with Bob 267 00:13:27,080 --> 00:13:30,640 Speaker 3: Dylan band members Ray Paget. Thanks for being on the 268 00:13:30,720 --> 00:13:31,920 Speaker 3: Taking a Walk Podcast. 269 00:13:33,040 --> 00:13:34,880 Speaker 1: Thanks so much for having me Eral, I appreciate it. 270 00:13:35,440 --> 00:13:37,920 Speaker 2: Thanks for listening to this episode of the Taking a 271 00:13:37,960 --> 00:13:41,840 Speaker 2: Walk Podcast. Share this and other episodes with your friends 272 00:13:41,920 --> 00:13:45,439 Speaker 2: and follow us so you never miss an episode. Taking 273 00:13:45,440 --> 00:13:49,319 Speaker 2: a Walk is available on the iHeartRadio app, Apple Podcasts, 274 00:13:49,559 --> 00:13:51,839 Speaker 2: and wherever you get your podcasts