WEBVTT - The YouTube Story Part Three

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<v Speaker 1>Technology with tech Stuff from half stuff works dot com.

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<v Speaker 1>Hey there, and welcome to tech Stuff. I am your host,

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<v Speaker 1>Jonathan Strickland. I'm an executive producer here at how Stuff

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<v Speaker 1>Works and I love technology, and today we're going to

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<v Speaker 1>cover the final part of our three part episode on YouTube,

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<v Speaker 1>the YouTube Story. There's a ton of stuff has happened

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<v Speaker 1>over the relatively short number a short time that YouTube

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<v Speaker 1>has been around, but it's important to talk about because

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<v Speaker 1>YouTube has had such a huge impact on multiple aspects

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<v Speaker 1>of culture in general and online culture in particular. Now,

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<v Speaker 1>when we left off in the last episode, it was

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<v Speaker 1>the beginning of twelve and YouTube had announced the launch

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<v Speaker 1>of premium channels. In this episode, we're gonna follow up

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<v Speaker 1>on that and catch up onto what YouTube has been

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<v Speaker 1>up in recent years. So let's first jump right back

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<v Speaker 1>into the CEO. Salacamonga had announced a push toward the

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<v Speaker 1>lean back viewing experience. Now, this is a concept that

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<v Speaker 1>was carried over from television. The idea is to create

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<v Speaker 1>a slate of programming that encourages a viewer to stick

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<v Speaker 1>with the experience and continue watching once your selected video ends.

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<v Speaker 1>The television example of this would be something like the

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<v Speaker 1>must See TV strategy for YouTube and meant tweaking algorithms

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<v Speaker 1>so that viewers would be prompted to watch a related

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<v Speaker 1>video to the one they just finished, one that would

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<v Speaker 1>presumably meet their preferences and encourage them to stay with

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<v Speaker 1>the platform. One thing YouTube tried to do to encourage

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<v Speaker 1>more binging activity was to change up how it determined

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<v Speaker 1>which videos it should recommend to users in the first place. Now,

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<v Speaker 1>in the past, the videos that got lots of clicks,

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<v Speaker 1>those viral hits of yesteryear, were given extra love. They

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<v Speaker 1>were put in a prominent place on YouTube landing page

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<v Speaker 1>so that you were more likely to click on them. So,

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<v Speaker 1>in other words, if you shot a video and it

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<v Speaker 1>got a lot of attention early on, you were rewarded.

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<v Speaker 1>You've got more prominent placement on YouTube's landing pages. Thus

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<v Speaker 1>you got even more opportunities together views, and it could

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<v Speaker 1>just skyrocket from there. On the surface, that seems like

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<v Speaker 1>a pretty solid idea, because people are clearly already drawn

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<v Speaker 1>to watching that popular video, so giving it a better

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<v Speaker 1>position would drive even more traffic, right, But the folks

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<v Speaker 1>at YouTube saw how this could be a problem, and

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<v Speaker 1>it's a problem that stretches well beyond YouTube itself, because

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<v Speaker 1>focusing on that metric made it really hard to convert

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<v Speaker 1>people from watching one video to watching more than one video.

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<v Speaker 1>And what's worse, you couldn't guarantee that all those views

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<v Speaker 1>meant someone watched a video all the way through. So

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<v Speaker 1>if I click on a video and decide within the

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<v Speaker 1>first ten seconds it's not really a video for me,

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<v Speaker 1>and I click away, my view still counts, but it

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<v Speaker 1>may not mean that that video is particularly good. It

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<v Speaker 1>may mean that the title or the thumbnail was really

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<v Speaker 1>interesting or really enticing, and that's why I got me

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<v Speaker 1>to click. And once I saw that what I thought

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<v Speaker 1>I was getting was not what I actually got, I

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<v Speaker 1>clicked out. Well, you don't want to reward that because

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<v Speaker 1>it's not a great user experience. So YouTube decided that

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<v Speaker 1>the best way to convert people into watching multiple videos

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<v Speaker 1>was to look at watch time on videos, as in,

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<v Speaker 1>how much overall time did people spend watching that video.

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<v Speaker 1>So if you uploaded a twenty minute video and people

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<v Speaker 1>were only watching the first thirty seconds, chances are that

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<v Speaker 1>video would just sink to the bottom of YouTube's vast

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<v Speaker 1>library under this new regime. But if you uploaded a

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<v Speaker 1>twenty minute video and people were on average watching at

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<v Speaker 1>least nineteen minutes of it. That suggested the video you

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<v Speaker 1>uploaded had real value to it. So YouTube began to

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<v Speaker 1>shift and promote videos that had longer engagement times rather

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<v Speaker 1>than just a lot of hits. And as I said,

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<v Speaker 1>websites across the Internet we're struggling with this same problem.

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<v Speaker 1>If you run a site, let's even use how Stuff

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<v Speaker 1>works as an example. Your ideal situation is that someone

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<v Speaker 1>comes to your site to learn something cool. They read

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<v Speaker 1>a specific article, then they noticed that there's all this

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<v Speaker 1>other cool stuff on the website, and they spend a

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<v Speaker 1>good amount of time exploring. People who have gone to

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<v Speaker 1>Wikipedia and said, oh yeah, I went down a rabbit hole.

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<v Speaker 1>I started clicking on links and learning about thing after

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<v Speaker 1>thing after thing. That's what we're talking about. That level

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<v Speaker 1>of engagement. While you don't want to see is someone

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<v Speaker 1>coming to your site and then they bounce after they

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<v Speaker 1>read one article, or worse, they read part of an

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<v Speaker 1>article and then they bounce. They don't even click all

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<v Speaker 1>the way through. So YouTube's change in policy opened up

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<v Speaker 1>the door to a new type of YouTube celebrity, being

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<v Speaker 1>the gamer. Now, don't get me wrong, people had been

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<v Speaker 1>uploading video game footage with or without commentary for years,

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<v Speaker 1>and only a few YouTubers had really gathered a large

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<v Speaker 1>following through the process. But with this change in policy

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<v Speaker 1>came an unexpected consequence. Video game related videos began to

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<v Speaker 1>rise in the ranks, and that's because of a few

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<v Speaker 1>different reasons that relate to video games and video game audiences.

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<v Speaker 1>For one thing, the audiences were wanting to watch a

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<v Speaker 1>complete video of their favorite personalities or their favorite games.

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<v Speaker 1>Then audiences of other videos were so if you have

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<v Speaker 1>a video where there's a particularly charismatic gamer or there's

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<v Speaker 1>a really cool game on their people were more likely

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<v Speaker 1>to watch it all the way through. It became a

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<v Speaker 1>real career path for some people to create video game

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<v Speaker 1>related content and uploaded to YouTube, because if you could

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<v Speaker 1>find an audience of a decent size and the stuff

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<v Speaker 1>you uploaded was entertaining enough, you can see your videos

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<v Speaker 1>receive a lot more love because again, your videos tended

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<v Speaker 1>to be longer. Let's play, video in a video game

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<v Speaker 1>might be fifteen minutes or forty five minutes or an

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<v Speaker 1>hour or even longer than that, and if people are

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<v Speaker 1>watching all the way through. Because of YouTube's new ranking system,

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<v Speaker 1>you would be given preferential treatment because you had a

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<v Speaker 1>greater amount of watch time for your video. So we

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<v Speaker 1>started seeing these let's play videos, which would follow a

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<v Speaker 1>gamer's experiences as he or she played through a game

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<v Speaker 1>on a regular basis, and those videos had a built

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<v Speaker 1>in story progression. In fact, I had a double layer

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<v Speaker 1>story progression because you had the story within the game

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<v Speaker 1>itself what is actually happening as the game unfolds, and

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<v Speaker 1>you had the story of the gamer's journey. What is

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<v Speaker 1>happening to the gamer? Is he or she controls a

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<v Speaker 1>character or other element within this game. Now, we humans

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<v Speaker 1>love a good story, and we hate it when a

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<v Speaker 1>story gets left off right as you're getting to an

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<v Speaker 1>interesting moment. And if we were a little further into

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<v Speaker 1>this episode, I'd be a smart alec and I would

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<v Speaker 1>put an ad break right here. But we're not there yet,

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<v Speaker 1>so I'll just keep going. So let's play videos encouraged

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<v Speaker 1>viewers to watch the whole video, and they inspired binge watching,

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<v Speaker 1>as viewers wanted to see an entire story from beginning

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<v Speaker 1>to end. So let's say you start an episodic game

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<v Speaker 1>or a game that has a very long play through

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<v Speaker 1>one episode might be an hour, and it might represent

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<v Speaker 1>only a fraction of the entire game, and your next

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<v Speaker 1>episode is the next hour of that game play. Well,

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<v Speaker 1>if someone discovers your videos and they like you, they

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<v Speaker 1>might start binging from beginning to end. They want to

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<v Speaker 1>see the whole thing, and they're eagerly awaiting the next chapter.

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<v Speaker 1>So those pretty long videos would end up getting massive

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<v Speaker 1>rankings in YouTube results. You would land on the landing

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<v Speaker 1>page and see them at the very top. The combination

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<v Speaker 1>of features meant that the metrics of the YouTube algorithm

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<v Speaker 1>were all being pinned by let's play videos, and they

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<v Speaker 1>began to take over all of YouTube, including the homepage.

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<v Speaker 1>In fact, at some points, fIF or more of the

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<v Speaker 1>videos featured on the homepage where game being related videos.

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<v Speaker 1>And out of all of those games there was one

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<v Speaker 1>that was really dominating, and that one was Minecraft. Now,

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<v Speaker 1>at this point, I have to give a shout out

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<v Speaker 1>to a YouTube channel called The Game Theorists. It's a

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<v Speaker 1>really good YouTube channel. The guy does an excellent job

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<v Speaker 1>breaking down elements of games and game culture, and he

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<v Speaker 1>did a great episode about this very topic. He really

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<v Speaker 1>dives into the change of the YouTube algorithm and the

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<v Speaker 1>effects it had on the platform in general, as well

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<v Speaker 1>as the launch of a brand new industry in video

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<v Speaker 1>game videos that really didn't have a lot of traction

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<v Speaker 1>up to that point. He has an episode titled game Theory,

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<v Speaker 1>How Minecraft Broke YouTube, and it was extremely helpful and

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<v Speaker 1>it's also entertaining, so you should check it out. As

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<v Speaker 1>the game theorist points out, YouTube's change in its algorithm

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<v Speaker 1>would lead to game dominating that homepage for a few years,

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<v Speaker 1>until YouTube executives made a conscious decision to course correct

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<v Speaker 1>in mid two thousand fifteen and filter all those gaming

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<v Speaker 1>videos out of those home pages. We'll talk more about

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<v Speaker 1>that a little bit later. Now. There were some other

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<v Speaker 1>unintended consequences of this change in policy. For one thing,

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<v Speaker 1>shorter videos had a harder time getting discovered because you

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<v Speaker 1>had a system that was rewarding videos for the amount

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<v Speaker 1>of time that was spent watching those videos. A one

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<v Speaker 1>minute animated short couldn't compete with a fifteen minute Minecraft video,

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<v Speaker 1>And the same was true for artists who uploaded cover

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<v Speaker 1>songs or short performances. Anything that was less than ten

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<v Speaker 1>minutes was going to have a harder time showing up

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<v Speaker 1>as a recommended video. Simply because it was not as

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<v Speaker 1>long as those longer pieces that had really good engagement.

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<v Speaker 1>So that was another argument against this. It wasn't just

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<v Speaker 1>that video game footage and video game content was taking

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<v Speaker 1>over YouTube. It was that suddenly things that were legitimately

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<v Speaker 1>well made and entertaining we're not surfacing because the length

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<v Speaker 1>was a detriment. The algorithm was punishing these videos in

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<v Speaker 1>effect because they were too too short, and that was

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<v Speaker 1>a problem. YouTube also updated its YouTube TV feature to

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<v Speaker 1>create a more user friendly experience for people watching YouTube

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<v Speaker 1>on their television screens, which was good because more devices

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<v Speaker 1>and even televisions were starting to support YouTube content. But

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<v Speaker 1>navigating a user interface on a television is a different

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<v Speaker 1>experience than on a mobile device or a PC. You

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<v Speaker 1>typically don't have a mouse and keyboard, so finding the

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<v Speaker 1>right way to navigate the app so that you encourage

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<v Speaker 1>people to use it rather than frustrate them is pretty challenging,

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<v Speaker 1>and figuring out how to do it so that each

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<v Speaker 1>instance of the app is optimized for the specific viewing

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<v Speaker 1>experience of the user adds even more difficulty. Two thousand

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<v Speaker 1>twelve was also an Olympics year, and YouTube partnered with

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<v Speaker 1>NBC for the London Olympics to provide live streaming of events.

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<v Speaker 1>This was a departure from the way Olympics coverage had

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<v Speaker 1>worked in the past. It used to be back in

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<v Speaker 1>the day that the way you'd watched the Olympics is

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<v Speaker 1>you'd have to wait for a localized broadcast of Olympics

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<v Speaker 1>coverage well after the actual events had happened. But in

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<v Speaker 1>the era of Twitter and Facebook and the Internet in general,

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<v Speaker 1>it became impossible to avoid spoilers. With this time delay approach.

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<v Speaker 1>You would find out that people had one or lost

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<v Speaker 1>in their respective Olympic events, and you'd still have to

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<v Speaker 1>wait hours before you could actually watch it, which didn't

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<v Speaker 1>really give you an incentive to tune in. TV networks

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<v Speaker 1>had experimented with some streaming services in the past, but

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<v Speaker 1>two thousand twelve marked the first time that YouTube was

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<v Speaker 1>being used as a primary outlet for Olympics coverage. This

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<v Speaker 1>was a tall order because at times there were up

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<v Speaker 1>to a hundred different feeds populating YouTube, providing live footage

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<v Speaker 1>of different events, and that wasn't the only live event

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<v Speaker 1>YouTube covered in two thousand twelve. It also served as

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<v Speaker 1>a platform for more presidential debates and eight million people

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<v Speaker 1>watched YouTube live to witness Felix baum Gartner's space jump

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<v Speaker 1>that happened on October two thou twelve. That event set

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<v Speaker 1>the record for the largest number of concurrent viewers for

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<v Speaker 1>a single YouTube live event. Now the top videos of

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<v Speaker 1>two thousand twelve, apart from gandam Style, which I've already mentioned,

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<v Speaker 1>including Walked Off the Earth's cover of Somebody that I

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<v Speaker 1>Used to Know by Got You walk Off the Earth.

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<v Speaker 1>There's a group that makes creative music videos and finds

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<v Speaker 1>complicated ways to play songs, so in that example, it

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<v Speaker 1>involved five people playing the song on a single guitar.

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<v Speaker 1>It's a fun video and it's also a fun band

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<v Speaker 1>that writes original music, so you should check them out

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<v Speaker 1>if you haven't heard of them. There are other big

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<v Speaker 1>videos that came out that year. Call Me Maybe by

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<v Speaker 1>Carl ray Jepson was another popular video that complimented the

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<v Speaker 1>earworm of a song. Epic Rap Battles posted a win

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<v Speaker 1>with their Battle of Barack Obama versus Mitt Romney episode,

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<v Speaker 1>and not all popular videos were for pure entertainment. One

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<v Speaker 1>that ended up getting a lot of views was a

0:13:00.440 --> 0:13:05.040
<v Speaker 1>documentary titled Coney two thousand twelve. This was a documentary

0:13:05.080 --> 0:13:08.679
<v Speaker 1>that detailed the effort to capture Joseph Coney, a Ugandan

0:13:08.679 --> 0:13:12.679
<v Speaker 1>military leader who had been indicted for war crimes. Now,

0:13:12.720 --> 0:13:15.520
<v Speaker 1>the documentary sparked a heated debate not just about the

0:13:15.559 --> 0:13:20.320
<v Speaker 1>particulars of the case, but about online activism. Some critics

0:13:20.360 --> 0:13:23.920
<v Speaker 1>said that the documentary bordered on slacktivism, which is when

0:13:23.960 --> 0:13:27.280
<v Speaker 1>you take an action that ultimately has no real impact

0:13:27.360 --> 0:13:30.280
<v Speaker 1>on the outcome of a situation, but it gives you

0:13:30.320 --> 0:13:34.520
<v Speaker 1>the satisfaction of feeling as if you've accomplished something. So

0:13:34.679 --> 0:13:38.440
<v Speaker 1>selactivism is a real problem. Many movements online don't really

0:13:38.480 --> 0:13:40.960
<v Speaker 1>amount to anything more than just that simple feeling that

0:13:41.000 --> 0:13:44.080
<v Speaker 1>you've supported a cause you believe in, but you haven't

0:13:44.080 --> 0:13:47.360
<v Speaker 1>actually done anything. But there are others who argued that

0:13:47.440 --> 0:13:50.200
<v Speaker 1>the video helped bring attention to a real crisis in

0:13:50.320 --> 0:13:54.000
<v Speaker 1>Uganda and wasn't sla activism at all. As for Coney himself,

0:13:54.320 --> 0:13:57.240
<v Speaker 1>he is still at large in Uganda, although his support

0:13:57.320 --> 0:14:00.920
<v Speaker 1>has reportedly diminished significantly. At the hight of his influence,

0:14:01.160 --> 0:14:06.240
<v Speaker 1>he commanded thousands of guerilla soldiers. Today it's supposedly closer

0:14:06.280 --> 0:14:10.960
<v Speaker 1>to a hundred. Now let's segue into but you know

0:14:10.960 --> 0:14:13.640
<v Speaker 1>what before I jump into that, how would I take

0:14:13.640 --> 0:14:23.120
<v Speaker 1>a quick break to thank our sponsor? All right, now

0:14:23.120 --> 0:14:27.600
<v Speaker 1>we're in and YouTube I mentioned earlier had sort of

0:14:28.000 --> 0:14:31.400
<v Speaker 1>launched an award show, but they had quietly shuffled it off.

0:14:31.440 --> 0:14:34.400
<v Speaker 1>It was called the YouTube Awards, and after two thousand

0:14:34.440 --> 0:14:36.720
<v Speaker 1>and eight they really didn't talk about it anymore. They

0:14:36.720 --> 0:14:40.600
<v Speaker 1>didn't really bother to do them again, but in the

0:14:40.640 --> 0:14:43.600
<v Speaker 1>company launched a new awards show called the YouTube Music

0:14:43.680 --> 0:14:46.880
<v Speaker 1>Awards or y t m A. Nominees were announced on

0:14:46.920 --> 0:14:50.560
<v Speaker 1>October two thirteen. They included a lot of different people,

0:14:50.560 --> 0:14:54.479
<v Speaker 1>but some of the nominees were Demi Lavado, Lady Gaga,

0:14:54.560 --> 0:14:58.120
<v Speaker 1>Justin Bieber, and Epic Rap Battles of History, among others.

0:14:58.400 --> 0:15:00.560
<v Speaker 1>The winner for Video of the Year was I Got

0:15:00.600 --> 0:15:04.200
<v Speaker 1>a Boy by a group called Girls Generation, which I

0:15:04.200 --> 0:15:07.200
<v Speaker 1>had never heard of. Do you hear about them? Ramsey?

0:15:07.280 --> 0:15:09.480
<v Speaker 1>Ramsey shaking his head, no, he also has not heard

0:15:09.480 --> 0:15:11.760
<v Speaker 1>of them. Well, it just shows that our K pop

0:15:11.880 --> 0:15:16.520
<v Speaker 1>knowledge is severely lacking. It's a Korean band, so I've

0:15:16.520 --> 0:15:18.200
<v Speaker 1>heard some K pop, but I did not know about

0:15:18.200 --> 0:15:21.920
<v Speaker 1>this group. So I apologize for my ignorance. But apparently,

0:15:22.680 --> 0:15:25.040
<v Speaker 1>UH pretty good group at least, it got a lot

0:15:25.040 --> 0:15:28.400
<v Speaker 1>of traction and won the award that year. YouTube tried

0:15:28.440 --> 0:15:32.120
<v Speaker 1>to get into paid subscription services in two thousand thirteen

0:15:32.200 --> 0:15:35.760
<v Speaker 1>with the launch of about thirty paid premium channels. These

0:15:35.840 --> 0:15:40.480
<v Speaker 1>channels included everything from Sesame Street to UFC events, hopefully

0:15:40.480 --> 0:15:44.440
<v Speaker 1>without any crossover, although that would be amazing. It covers

0:15:44.480 --> 0:15:47.680
<v Speaker 1>a pretty broad spectrum. Obviously, on the low end of

0:15:47.720 --> 0:15:50.600
<v Speaker 1>the scale, some of these channels were asking for ninety

0:15:50.720 --> 0:15:54.560
<v Speaker 1>nine cents for a monthly subscription. According to Variety, the

0:15:54.640 --> 0:15:58.400
<v Speaker 1>average was closer to two dollars cents a month now.

0:15:58.480 --> 0:16:01.080
<v Speaker 1>A lot of those channels focused on family friendly content,

0:16:01.560 --> 0:16:05.560
<v Speaker 1>much of it specifically aimed at younger kids. The initiative

0:16:05.920 --> 0:16:09.560
<v Speaker 1>didn't really catch on with customers, however. Variety followed up

0:16:09.600 --> 0:16:12.440
<v Speaker 1>the launch with a story in July two thous thirteen

0:16:12.480 --> 0:16:16.200
<v Speaker 1>that stated many of those premium channels hadn't seen very

0:16:16.280 --> 0:16:20.280
<v Speaker 1>much subscriber activity at all. National Geographic VP of Global

0:16:20.320 --> 0:16:24.320
<v Speaker 1>Strategy Adam Sutherland summed up as company's perspective with the quote,

0:16:24.760 --> 0:16:28.080
<v Speaker 1>we had hoped to set the world on fire. We

0:16:28.160 --> 0:16:31.840
<v Speaker 1>are not setting the world on fire right now. End quote.

0:16:32.320 --> 0:16:35.240
<v Speaker 1>Mark Cuban gave a similar response with regards to a

0:16:35.280 --> 0:16:40.760
<v Speaker 1>YouTube premium channel called hd net, saying it was quote working, okay,

0:16:40.920 --> 0:16:45.440
<v Speaker 1>not amazing end quote. YouTube had hoped that these subscription

0:16:45.560 --> 0:16:48.880
<v Speaker 1>model channels would provide another source of revenue on top

0:16:48.920 --> 0:16:52.560
<v Speaker 1>of ad money and rentals, but viewers were not flocking

0:16:52.640 --> 0:16:56.640
<v Speaker 1>to this new alaca cart service, and eventually all the

0:16:56.680 --> 0:16:59.560
<v Speaker 1>way up in the seventeen so just last year, YouTube

0:16:59.560 --> 0:17:02.800
<v Speaker 1>would find a phase out this experiment entirely. By then,

0:17:02.840 --> 0:17:06.200
<v Speaker 1>the company had introduced a different subscription service called YouTube Bread.

0:17:06.240 --> 0:17:08.240
<v Speaker 1>But while chat about that more when we get there,

0:17:08.520 --> 0:17:12.399
<v Speaker 1>another failed experiment in two thousand thirteen really backfired on

0:17:12.480 --> 0:17:15.439
<v Speaker 1>YouTube and Google. It was in that Google made the

0:17:15.480 --> 0:17:20.080
<v Speaker 1>decision to unite YouTube with Google Plus. Now in part,

0:17:20.320 --> 0:17:22.879
<v Speaker 1>this was an effort to cut down on trolling and

0:17:22.960 --> 0:17:26.720
<v Speaker 1>abuse by requiring YouTube users to register with the service

0:17:26.840 --> 0:17:29.600
<v Speaker 1>using their real names. To have a Google Plus account,

0:17:29.640 --> 0:17:32.040
<v Speaker 1>you had to use your actual name, at least initially,

0:17:32.400 --> 0:17:36.760
<v Speaker 1>and so thought YouTube executives. YouTube commenters would have all

0:17:36.800 --> 0:17:41.439
<v Speaker 1>their comments tied to their actual identities. This, they thought

0:17:41.720 --> 0:17:45.040
<v Speaker 1>would cut down on extreme cases of abuse and trolling,

0:17:45.080 --> 0:17:47.800
<v Speaker 1>because anything you said would be linked to you as

0:17:47.840 --> 0:17:50.560
<v Speaker 1>a person and not just a handle that may or

0:17:50.600 --> 0:17:53.679
<v Speaker 1>may not belong to you. Now, I haven't really touched

0:17:53.680 --> 0:17:57.440
<v Speaker 1>on it in these episodes, but YouTube comments have long

0:17:57.480 --> 0:18:01.919
<v Speaker 1>been seen as one of the pits of user engagement online.

0:18:02.560 --> 0:18:05.000
<v Speaker 1>YouTube comments are often the ones held up as saying

0:18:05.880 --> 0:18:08.760
<v Speaker 1>this is an example of a bad experience for a

0:18:08.800 --> 0:18:12.600
<v Speaker 1>content creator. That's not to say that all content creators

0:18:12.920 --> 0:18:16.720
<v Speaker 1>get terrible comments from YouTube users, but it does happen

0:18:16.760 --> 0:18:20.000
<v Speaker 1>frequently enough that the phrase never read the comments has

0:18:20.080 --> 0:18:25.240
<v Speaker 1>become pretty common common parlance in the online world now.

0:18:25.280 --> 0:18:28.480
<v Speaker 1>The response to this particular move of YouTube and Google

0:18:28.520 --> 0:18:32.919
<v Speaker 1>Plus logins being merged was extremely negative among a large

0:18:32.960 --> 0:18:38.320
<v Speaker 1>population for different reasons. Some people were angry that their handles,

0:18:38.359 --> 0:18:40.760
<v Speaker 1>which they had possessed for ages, were going to be

0:18:40.800 --> 0:18:43.399
<v Speaker 1>stripped away. They had built a lot of time and

0:18:43.440 --> 0:18:47.479
<v Speaker 1>effort into developing a persona that was represented by a handle.

0:18:47.960 --> 0:18:52.000
<v Speaker 1>Some were arguing that the anonymity offered by YouTube's previous

0:18:52.040 --> 0:18:55.719
<v Speaker 1>policy allowed people to more honestly communicate with the outside world,

0:18:56.080 --> 0:19:00.000
<v Speaker 1>and even offered up protection up from potentially oppressive regimes

0:19:00.080 --> 0:19:03.719
<v Speaker 1>that could punish someone for speaking out against them online. So,

0:19:03.720 --> 0:19:06.560
<v Speaker 1>in other words, if you force someone to tie their

0:19:06.600 --> 0:19:11.720
<v Speaker 1>actual identity to their YouTube profile and they upload a

0:19:11.840 --> 0:19:16.199
<v Speaker 1>video that is somewhat critical of an oppressive regime, they

0:19:16.240 --> 0:19:19.680
<v Speaker 1>could end up getting targeted by that regime. That was

0:19:19.720 --> 0:19:24.119
<v Speaker 1>a real concern. Others were worried about an online brand

0:19:24.240 --> 0:19:27.359
<v Speaker 1>they had established through years of work and content creation.

0:19:27.520 --> 0:19:29.800
<v Speaker 1>So let's say that it's a person who is known

0:19:30.119 --> 0:19:33.720
<v Speaker 1>by a particular nickname. Put pie is a good example.

0:19:33.800 --> 0:19:36.480
<v Speaker 1>They said, well, that's where all my value is. Don't

0:19:36.520 --> 0:19:39.600
<v Speaker 1>make me give that up. And many accused Google of

0:19:39.640 --> 0:19:43.240
<v Speaker 1>trying to artificially boost the popularity of Google Plus by

0:19:43.320 --> 0:19:46.760
<v Speaker 1>requiring YouTube users to create a profile on this languishing

0:19:46.840 --> 0:19:50.359
<v Speaker 1>social networking site. I mean, and to be that last

0:19:50.359 --> 0:19:53.640
<v Speaker 1>accusation holds the ring of truth because I remember when

0:19:53.640 --> 0:19:56.520
<v Speaker 1>Google Plus was in beta, the only people who were

0:19:56.520 --> 0:20:00.720
<v Speaker 1>on it were entrepreneurs and tech journalists. So I was

0:20:00.760 --> 0:20:04.280
<v Speaker 1>one of those people, and initially it was great. I

0:20:04.320 --> 0:20:07.120
<v Speaker 1>loved using it because it felt like I knew everyone,

0:20:07.240 --> 0:20:10.760
<v Speaker 1>or at least knew of everyone who was on the platform.

0:20:10.840 --> 0:20:13.360
<v Speaker 1>When Google Plus opened up to everyone, there was an

0:20:13.359 --> 0:20:16.639
<v Speaker 1>initial flood of new users. Everyone was eager to be

0:20:16.680 --> 0:20:18.680
<v Speaker 1>part of this new thing, and that was a big

0:20:18.720 --> 0:20:21.760
<v Speaker 1>problem for a lot of those early adopters. Now, it

0:20:21.800 --> 0:20:25.320
<v Speaker 1>wasn't just that there was an element of exclusivity with

0:20:25.359 --> 0:20:28.159
<v Speaker 1>Google Plus in those early days, although that was definitely

0:20:28.200 --> 0:20:31.680
<v Speaker 1>part of the appeal. It was that this small population

0:20:31.760 --> 0:20:34.000
<v Speaker 1>made it much easier to connect with people in a

0:20:34.040 --> 0:20:37.439
<v Speaker 1>relatively narrow niche. So I could network with lots of

0:20:37.440 --> 0:20:40.000
<v Speaker 1>people in tech journalism pretty effectively because we were the

0:20:40.040 --> 0:20:44.280
<v Speaker 1>only ones on Google Plus. But as the new people

0:20:44.320 --> 0:20:47.160
<v Speaker 1>found out, and as most of us already had figured out,

0:20:47.440 --> 0:20:50.720
<v Speaker 1>Google Plus did not have enough to differentiate it from

0:20:50.880 --> 0:20:54.960
<v Speaker 1>other social platforms like Facebook. So the question became, why

0:20:55.000 --> 0:20:58.800
<v Speaker 1>would you move from Facebook, where nearly everyone you knew

0:20:58.960 --> 0:21:02.639
<v Speaker 1>already had a profile to go to Google Plus. It

0:21:02.720 --> 0:21:06.200
<v Speaker 1>didn't set itself apart enough to really have its own

0:21:06.320 --> 0:21:10.159
<v Speaker 1>strong appeal, and so once those floodgates open, the limited

0:21:10.280 --> 0:21:13.240
<v Speaker 1>use case of a social networking platform for tech journalist

0:21:13.359 --> 0:21:16.800
<v Speaker 1>nerds like myself was eradicated. So Google found itself with

0:21:16.840 --> 0:21:19.760
<v Speaker 1>a big social network platform with a lack of users

0:21:19.960 --> 0:21:24.399
<v Speaker 1>and a lack of engagement. Thus, requiring YouTubers to join

0:21:24.480 --> 0:21:27.639
<v Speaker 1>Google Plus might have been seen as a hail Mary

0:21:27.720 --> 0:21:30.520
<v Speaker 1>pass to try and get something going on the social

0:21:30.560 --> 0:21:35.840
<v Speaker 1>network site. The man that move was met with major resistance.

0:21:35.920 --> 0:21:39.600
<v Speaker 1>People hated it, and it wasn't just the commenters, but

0:21:39.680 --> 0:21:45.679
<v Speaker 1>also the creators. Eventually, in Google would officially back down

0:21:45.760 --> 0:21:48.800
<v Speaker 1>from this policy and no longer require YouTubers to have

0:21:48.840 --> 0:21:52.240
<v Speaker 1>a Google Plus account. Bradley Horowitz, who was the vice

0:21:52.280 --> 0:21:56.480
<v Speaker 1>president of Streams, Photos and Sharing, would create an official

0:21:56.520 --> 0:21:59.520
<v Speaker 1>Google blog post stating that users wouldn't need a Google

0:21:59.560 --> 0:22:03.240
<v Speaker 1>Plus pro file to access Google services anymore, and that

0:22:03.320 --> 0:22:06.320
<v Speaker 1>YouTube would be the first platform that would see rollouts

0:22:06.400 --> 0:22:10.680
<v Speaker 1>of those changes now. The videos that were really popular

0:22:10.720 --> 0:22:16.560
<v Speaker 1>in two thousand thirteen included the infamous music video what

0:22:16.720 --> 0:22:21.320
<v Speaker 1>does the Fox Say? By TV nor Man. We really

0:22:21.359 --> 0:22:25.879
<v Speaker 1>love our novelty songs on YouTube. Also, do you remember

0:22:25.880 --> 0:22:29.199
<v Speaker 1>the Harlem Shake I Do? That was a meme that

0:22:29.320 --> 0:22:32.520
<v Speaker 1>lasted for about a month and then kept on going

0:22:32.560 --> 0:22:36.320
<v Speaker 1>for a month too long. Harlem Shake videos first really

0:22:36.359 --> 0:22:41.440
<v Speaker 1>got their their go in Uh. There was a comedic

0:22:41.600 --> 0:22:46.440
<v Speaker 1>video about how animals eat their food, which is absolutely ludicrous,

0:22:46.480 --> 0:22:49.880
<v Speaker 1>and I have to admit I think it's pretty funny.

0:22:50.200 --> 0:22:56.359
<v Speaker 1>There was a video featuring Steve Cardinal who was doing

0:22:56.400 --> 0:23:00.600
<v Speaker 1>a parody of Miley Cyrus's Wrecking Ball on the The

0:23:01.160 --> 0:23:06.399
<v Speaker 1>anonymous and Random chat service chat Roulette, so people would

0:23:07.000 --> 0:23:10.480
<v Speaker 1>connect with him and then suddenly a naked Steve Cardinal

0:23:10.560 --> 0:23:13.080
<v Speaker 1>would swing in on a Wrecking Ball to Miley Cyrus's

0:23:13.200 --> 0:23:16.760
<v Speaker 1>songs that got a lot of a lot of views.

0:23:18.119 --> 0:23:19.960
<v Speaker 1>There was a prank and a coffee shop in which

0:23:19.960 --> 0:23:23.200
<v Speaker 1>patrons thought they were witnessing a demonstration of telekinesis, and

0:23:23.280 --> 0:23:27.240
<v Speaker 1>a terrifying kind of horror movie way just a little entertaining.

0:23:27.840 --> 0:23:33.240
<v Speaker 1>One of bad lip reading videos went big. There was

0:23:33.240 --> 0:23:36.400
<v Speaker 1>a bad lip reading video of the NFL, so another

0:23:36.840 --> 0:23:39.520
<v Speaker 1>channel that ended up getting very popular around that time.

0:23:40.440 --> 0:23:44.000
<v Speaker 1>There was the Mozart versus Scrilics video from Epic Rap

0:23:44.000 --> 0:23:47.000
<v Speaker 1>Battles of History. So Epic Rap Battles that Can continued

0:23:47.080 --> 0:23:49.600
<v Speaker 1>to do quite well in that year, and there were

0:23:49.600 --> 0:23:52.000
<v Speaker 1>a lot of other music videos that were really popular,

0:23:52.040 --> 0:23:57.200
<v Speaker 1>including Wrecking Ball. Blurred Lines was a big one, I think,

0:23:57.800 --> 0:24:00.760
<v Speaker 1>but through the lens of twenty eighteen, we can all

0:24:00.800 --> 0:24:04.639
<v Speaker 1>agree that Blurred Lines is a problematic song at best,

0:24:04.920 --> 0:24:09.520
<v Speaker 1>and Katie Perry's Roar was another big one in now

0:24:10.000 --> 0:24:14.320
<v Speaker 1>moving into other big big changes were starting to hit YouTube,

0:24:14.720 --> 0:24:20.320
<v Speaker 1>and in February the company got a new CEO, Susan

0:24:20.320 --> 0:24:24.119
<v Speaker 1>Wajiski took the helm of the company. Now, previously, Wajiski

0:24:24.680 --> 0:24:28.119
<v Speaker 1>was the woman who owned the garage in which Larry

0:24:28.160 --> 0:24:30.800
<v Speaker 1>Page and Sarah gey Brenn had set up the earliest

0:24:30.840 --> 0:24:35.080
<v Speaker 1>Google Servers servers in Menlo Park. So Google, like a

0:24:35.080 --> 0:24:37.800
<v Speaker 1>lot of big companies in the tech world, got its

0:24:37.800 --> 0:24:41.280
<v Speaker 1>start in a garage. In this case, it was Susan

0:24:41.280 --> 0:24:46.320
<v Speaker 1>Wajiski's garage. Now, she wasn't a executive just because she

0:24:46.440 --> 0:24:49.119
<v Speaker 1>happened to own a garage. That would be ridiculous. She

0:24:49.240 --> 0:24:52.600
<v Speaker 1>actually came to Google from the world of marketing. She

0:24:52.760 --> 0:24:55.879
<v Speaker 1>had been a uh She had worked in marketing for

0:24:55.960 --> 0:25:00.440
<v Speaker 1>Intel and then in came over as the marketing manager

0:25:00.480 --> 0:25:04.159
<v Speaker 1>for Google. At Google, she oversaw a project called Google

0:25:04.280 --> 0:25:07.320
<v Speaker 1>Video Service, which was a competitor to YouTube in the

0:25:07.359 --> 0:25:10.000
<v Speaker 1>early days. In fact, it was this service that had

0:25:10.080 --> 0:25:13.680
<v Speaker 1>engineers scratching their heads back in the early two thousands saying, well,

0:25:13.720 --> 0:25:16.720
<v Speaker 1>why is anyone bothering with YouTube? I mean, why would

0:25:16.720 --> 0:25:18.879
<v Speaker 1>they go there because they're gonna watch videos that are

0:25:18.880 --> 0:25:22.280
<v Speaker 1>at really low resolution when they could go to Google

0:25:22.400 --> 0:25:25.879
<v Speaker 1>Video Service and see them in much better clarity. But

0:25:26.600 --> 0:25:31.440
<v Speaker 1>rather than dwell on that seemingly paradoxical situation, which honestly

0:25:31.520 --> 0:25:34.520
<v Speaker 1>really wasn't that surprising. YouTube's service was taking on the

0:25:34.560 --> 0:25:38.560
<v Speaker 1>burden of transcoding all the videos off the user. What

0:25:38.760 --> 0:25:42.080
<v Speaker 1>Jski decided that the right thing to do was to

0:25:42.160 --> 0:25:45.480
<v Speaker 1>make Google acquire YouTube to make that move, So she

0:25:45.640 --> 0:25:47.760
<v Speaker 1>was an advocate in the early days, and in fact,

0:25:47.800 --> 0:25:50.200
<v Speaker 1>that is exactly what Google did, So she was incredibly

0:25:50.240 --> 0:25:53.240
<v Speaker 1>influential from the early days of YouTube, even when she

0:25:53.320 --> 0:25:56.960
<v Speaker 1>wasn't working there. Specifically, what Jsky's experience and advertise it

0:25:57.000 --> 0:26:00.320
<v Speaker 1>was seen as a potentially transformative asset for the future

0:26:00.400 --> 0:26:03.600
<v Speaker 1>of YouTube. She had also presided over the company during

0:26:03.600 --> 0:26:06.480
<v Speaker 1>a period in which more women were joining the ranks

0:26:06.520 --> 0:26:08.879
<v Speaker 1>of the company. She even wrote a piece for The Hive,

0:26:09.000 --> 0:26:12.440
<v Speaker 1>which is a publication under Vanity Fair, and in that

0:26:12.600 --> 0:26:15.119
<v Speaker 1>she detailed how YouTube had gone from a company that

0:26:15.240 --> 0:26:18.760
<v Speaker 1>had women making up of its workforce to one that

0:26:19.040 --> 0:26:22.480
<v Speaker 1>then boasted of its workforce with an intent to do

0:26:22.640 --> 0:26:25.960
<v Speaker 1>even better in the future. Now, her tenure has not

0:26:26.080 --> 0:26:28.760
<v Speaker 1>been free from scandal, as we'll see, but she has

0:26:28.800 --> 0:26:32.240
<v Speaker 1>also been an outspoken voice for women in technology, in

0:26:32.280 --> 0:26:34.920
<v Speaker 1>a movement that has been gaining momentum over the last

0:26:34.960 --> 0:26:38.439
<v Speaker 1>couple of years. We've seen that in numerous realms, but

0:26:38.640 --> 0:26:42.520
<v Speaker 1>YouTube is one of those that we've seen it prominently displayed.

0:26:43.240 --> 0:26:47.880
<v Speaker 1>Some of the top videos from included the Mutant Giant

0:26:48.000 --> 0:26:51.760
<v Speaker 1>Spider Dog, which was a friendly dog wearing a spider

0:26:51.800 --> 0:26:54.479
<v Speaker 1>costume used to prank people in various public locations. They

0:26:54.480 --> 0:26:58.679
<v Speaker 1>would encounter what appeared to be enormous webs with weird

0:26:58.880 --> 0:27:03.080
<v Speaker 1>fossilized stuff hanging in in lots of webbing, and then

0:27:03.440 --> 0:27:07.840
<v Speaker 1>this friendly little dog wearing a terrifying tarantula costume would

0:27:07.840 --> 0:27:11.639
<v Speaker 1>come running down whatever the street the sidewalk and scare

0:27:11.720 --> 0:27:15.640
<v Speaker 1>the pants off of people. Uh. I mostly felt sad

0:27:15.680 --> 0:27:18.760
<v Speaker 1>for the dog who just wanted to make friends. There

0:27:18.920 --> 0:27:22.720
<v Speaker 1>was a short film from a filmmaker named Tatia Paliva

0:27:22.800 --> 0:27:25.879
<v Speaker 1>who created a movie called First Kiss. It was a

0:27:25.920 --> 0:27:28.120
<v Speaker 1>short film of like three and a half minutes long

0:27:28.640 --> 0:27:32.960
<v Speaker 1>which showed twenty strangers meeting and then kissing for the

0:27:33.000 --> 0:27:37.399
<v Speaker 1>first time, and it was both awkward and sweet and surprising.

0:27:37.560 --> 0:27:39.919
<v Speaker 1>I guess both is the wrong word to use because

0:27:39.920 --> 0:27:43.399
<v Speaker 1>that was more than two things. But an interesting video.

0:27:44.440 --> 0:27:47.880
<v Speaker 1>Epic Rap Battles again got a video within that top ten,

0:27:48.520 --> 0:27:52.480
<v Speaker 1>and this one was a rap battle between Goku and Superman,

0:27:53.080 --> 0:27:56.920
<v Speaker 1>which again shows me that I'm very much disconnected from

0:27:57.000 --> 0:27:59.440
<v Speaker 1>the pop culture of today, as I had to look

0:27:59.520 --> 0:28:03.080
<v Speaker 1>up who Go Coup was. Please don't judge me, to

0:28:03.119 --> 0:28:05.080
<v Speaker 1>be fair. I love epic rap battles of history, and

0:28:05.080 --> 0:28:06.840
<v Speaker 1>I know what a lot of them are, just not

0:28:06.960 --> 0:28:10.439
<v Speaker 1>didn't know that one. Music videos that were big that

0:28:10.520 --> 0:28:14.400
<v Speaker 1>year included Shaken Off by Taylor Swift, All About That

0:28:14.440 --> 0:28:17.640
<v Speaker 1>Base by Megan Trainer, dark Horse by Katy Perry, and

0:28:17.720 --> 0:28:22.800
<v Speaker 1>Bailondo by Andricue Iglesias. So music videos tend to get

0:28:22.920 --> 0:28:26.359
<v Speaker 1>broken out in a different category from most watched videos.

0:28:26.359 --> 0:28:29.520
<v Speaker 1>YouTube does a retrospect every year where they talk about

0:28:29.560 --> 0:28:32.440
<v Speaker 1>the videos that got the most traffic throughout the year,

0:28:32.480 --> 0:28:37.879
<v Speaker 1>but they differentiate music videos from everything else in We

0:28:37.960 --> 0:28:41.400
<v Speaker 1>saw in February that year, YouTube launch a new mobile

0:28:41.440 --> 0:28:46.280
<v Speaker 1>app called YouTube Kids, and boy, howdy has that gone

0:28:46.320 --> 0:28:49.960
<v Speaker 1>crazy now? It was meant to be a simplified YouTube

0:28:49.960 --> 0:28:53.440
<v Speaker 1>app that would serve up age appropriate material for children,

0:28:53.960 --> 0:28:57.480
<v Speaker 1>and kids tend to be crazy binge watchers of content.

0:28:57.600 --> 0:29:02.200
<v Speaker 1>They will watch video after video after video, so it

0:29:02.280 --> 0:29:06.240
<v Speaker 1>was a great thing for YouTube. It was an arguably

0:29:06.280 --> 0:29:08.920
<v Speaker 1>great thing for parents. Who needed to give their kids

0:29:08.960 --> 0:29:13.320
<v Speaker 1>something to entertain themselves with. UM. It also featured special

0:29:13.360 --> 0:29:17.800
<v Speaker 1>parental controls that were supposed to keep any inappropriate material

0:29:17.800 --> 0:29:21.120
<v Speaker 1>away from kids. That being said, it has not been

0:29:21.160 --> 0:29:25.200
<v Speaker 1>immune from controversy, particularly in I'll touch on that when

0:29:25.200 --> 0:29:29.560
<v Speaker 1>we get there, but it's bonkers, y'all. In August of

0:29:30.440 --> 0:29:34.600
<v Speaker 1>YouTube launched YouTube Gaming. This was Google's attempt to transition

0:29:34.680 --> 0:29:38.600
<v Speaker 1>gaming from that homepage where it was dominating month after month,

0:29:39.200 --> 0:29:43.000
<v Speaker 1>onto its own home so that way, the homepage would

0:29:43.040 --> 0:29:46.760
<v Speaker 1>feature videos that were mostly unrelated to gaming, and as

0:29:46.800 --> 0:29:50.640
<v Speaker 1>the game theorist postulated, this could have been a way

0:29:50.680 --> 0:29:53.400
<v Speaker 1>to present to the average viewer videos that had a

0:29:53.440 --> 0:29:56.760
<v Speaker 1>more mainstream appeal to them. May have been an effort

0:29:56.840 --> 0:29:59.960
<v Speaker 1>to avoid having YouTube thought of as a gaming video platform,

0:30:00.160 --> 0:30:02.600
<v Speaker 1>which could turn off anyone who wasn't into gaming. So

0:30:03.040 --> 0:30:05.360
<v Speaker 1>let's say you tell your buddy, hey, you know you

0:30:05.400 --> 0:30:07.840
<v Speaker 1>should check out videos on YouTube. They go to the

0:30:07.840 --> 0:30:11.560
<v Speaker 1>YouTube landing page, they see that half the videos on

0:30:11.600 --> 0:30:14.520
<v Speaker 1>that landing page are are gaming related, and they think, well,

0:30:14.520 --> 0:30:16.840
<v Speaker 1>that I don't really have an interest in this. That

0:30:17.000 --> 0:30:20.160
<v Speaker 1>was what YouTube's fear was. They wanted to make sure

0:30:20.200 --> 0:30:24.400
<v Speaker 1>that they had as much opportunity to hook people as

0:30:24.440 --> 0:30:26.720
<v Speaker 1>soon as possible, to get them watching and get those

0:30:26.800 --> 0:30:31.560
<v Speaker 1>AD dollars generated. Man YouTube gaming was also seen as

0:30:31.560 --> 0:30:35.640
<v Speaker 1>a way to compete with Amazon's Twitch TV service. Users

0:30:35.640 --> 0:30:38.400
<v Speaker 1>would be able to subscribe to YouTubers for a fee

0:30:38.480 --> 0:30:41.840
<v Speaker 1>and get special privileges and features in return, like various

0:30:41.840 --> 0:30:44.800
<v Speaker 1>things in chat and it's very similar to the way

0:30:44.800 --> 0:30:48.480
<v Speaker 1>that Twitch does things. So that was an effort to

0:30:48.680 --> 0:30:51.680
<v Speaker 1>create a new subscription model as well, and in October,

0:30:52.440 --> 0:30:56.120
<v Speaker 1>YouTube introduced a new service called YouTube Bread, yet another

0:30:56.160 --> 0:30:59.680
<v Speaker 1>subscription service, but this one was platform wide as opposed

0:30:59.720 --> 0:31:04.000
<v Speaker 1>to channel specific, so for ten dollars a month, users

0:31:04.040 --> 0:31:07.200
<v Speaker 1>get an ad free experience, and it also includes the

0:31:07.200 --> 0:31:10.760
<v Speaker 1>option to download videos for offline viewing, which comes in

0:31:10.840 --> 0:31:12.680
<v Speaker 1>kind of handy if you want to watch something on

0:31:12.720 --> 0:31:16.000
<v Speaker 1>a flight, for example. The company also started to produce

0:31:16.040 --> 0:31:21.320
<v Speaker 1>original content gathered under the apt lead titled category YouTube Originals.

0:31:21.720 --> 0:31:25.360
<v Speaker 1>Those originals included material from celebrities and YouTubers, including the

0:31:25.400 --> 0:31:28.800
<v Speaker 1>series Scare Beauty Pie would eventually be canceled in the

0:31:28.800 --> 0:31:32.000
<v Speaker 1>wake of some of pdpies more offensive behaviors. YouTube also

0:31:32.040 --> 0:31:35.840
<v Speaker 1>acted as a movie studio and helped sponsor Rooster Teeth's

0:31:35.960 --> 0:31:40.360
<v Speaker 1>film laser team. The company also announced a new music

0:31:40.400 --> 0:31:43.480
<v Speaker 1>app called YouTube Music that was intended to help users

0:31:43.520 --> 0:31:46.880
<v Speaker 1>discover new music they might like. So you could create

0:31:47.080 --> 0:31:50.880
<v Speaker 1>a station for yourself. It would have a customized playlist

0:31:50.960 --> 0:31:53.480
<v Speaker 1>of music just for you. You You can also recommend music

0:31:53.520 --> 0:31:57.400
<v Speaker 1>to friends using this app. Unlike Google Play Music, which

0:31:57.400 --> 0:32:00.120
<v Speaker 1>the company also has that would allow you to at

0:32:00.120 --> 0:32:02.520
<v Speaker 1>your own playlist, you could not create your own playlist

0:32:02.680 --> 0:32:06.000
<v Speaker 1>under YouTube Music. YouTube Music would generate the playlist for

0:32:06.240 --> 0:32:10.240
<v Speaker 1>you based on your preferences. Later on, in sen YouTube's

0:32:10.240 --> 0:32:12.840
<v Speaker 1>head of music stated that Google Play Music and YouTube

0:32:12.840 --> 0:32:15.560
<v Speaker 1>Bread would merge to create a new music streaming service.

0:32:16.080 --> 0:32:18.240
<v Speaker 1>No telling if YouTube Music will be part of that.

0:32:18.600 --> 0:32:21.880
<v Speaker 1>This really demonstrates one of the big problems I have

0:32:21.960 --> 0:32:24.560
<v Speaker 1>with Google in general, which is that there's so many

0:32:24.600 --> 0:32:27.600
<v Speaker 1>different products that all seem to be offering the same

0:32:27.680 --> 0:32:31.000
<v Speaker 1>sort of thing that it's very confusing. Even as someone

0:32:31.000 --> 0:32:34.600
<v Speaker 1>who follows this as part of my job, it's confusing.

0:32:35.120 --> 0:32:37.160
<v Speaker 1>So someone came up to me the other you know,

0:32:37.240 --> 0:32:39.360
<v Speaker 1>let's say, two days ago, and said, can you tell

0:32:39.400 --> 0:32:42.880
<v Speaker 1>me what the difference between YouTube Bread, YouTube Music, and

0:32:42.920 --> 0:32:48.280
<v Speaker 1>Google play Music is. It would be complicated because, as

0:32:48.320 --> 0:32:51.400
<v Speaker 1>it turned out, if you subscribe to YouTube Bread, then

0:32:51.480 --> 0:32:56.480
<v Speaker 1>you would have additional features in YouTube Music as well

0:32:56.480 --> 0:32:59.840
<v Speaker 1>as Google Play Music. So it's not something that's easy

0:33:00.000 --> 0:33:03.720
<v Speaker 1>to explain because it's all muddled, and hopefully Google will

0:33:03.760 --> 0:33:08.240
<v Speaker 1>be able to streamline. That was also when Google restructured

0:33:08.280 --> 0:33:12.560
<v Speaker 1>itself and created an umbrella company. That umbrella company called Alphabet.

0:33:12.640 --> 0:33:15.520
<v Speaker 1>That's the one that presides over all of Google's properties,

0:33:15.840 --> 0:33:18.520
<v Speaker 1>and some divisions within Google would spin off and become

0:33:18.600 --> 0:33:22.400
<v Speaker 1>separate companies under Alphabet, but YouTube would not. It would

0:33:22.400 --> 0:33:26.480
<v Speaker 1>remain a subsidiary to Google itself. Some of the big

0:33:26.560 --> 0:33:31.680
<v Speaker 1>videos of Salento watched Me by ten King was incredibly popular,

0:33:31.760 --> 0:33:33.960
<v Speaker 1>and we saw a whip in Nena appear pretty much

0:33:33.960 --> 0:33:37.480
<v Speaker 1>everywhere after that. One Roman at Wood posted a video

0:33:37.560 --> 0:33:40.960
<v Speaker 1>called Crazy Plastic Ball Prank, in which he filled his

0:33:41.040 --> 0:33:44.880
<v Speaker 1>home with hundreds of thousands of plastic balls as a surprise,

0:33:45.320 --> 0:33:48.960
<v Speaker 1>which was greeted with disbelief and then delight. That actually

0:33:48.960 --> 0:33:51.120
<v Speaker 1>makes it the type of prank I love because no

0:33:51.160 --> 0:33:55.440
<v Speaker 1>one's unnecessarily horrified or traumatized or injured by it. And

0:33:55.480 --> 0:33:59.320
<v Speaker 1>I know I'm a softie, and thus prank videos are

0:33:59.320 --> 0:34:01.560
<v Speaker 1>probably not me, but this one I thought was good.

0:34:01.600 --> 0:34:05.400
<v Speaker 1>It was cheerful and positive overall, as opposed to making

0:34:05.400 --> 0:34:09.520
<v Speaker 1>people feel badly about themselves. Mainstream media really began making

0:34:09.560 --> 0:34:14.120
<v Speaker 1>an impact in on YouTube, lots of videos from sources

0:34:14.160 --> 0:34:16.239
<v Speaker 1>like The Tonight Show and The Late Late Show We're

0:34:16.239 --> 0:34:18.879
<v Speaker 1>appearing on the list of most watched videos for that year.

0:34:19.280 --> 0:34:21.960
<v Speaker 1>James Gordon's car pool Karaoke was beginning to take off,

0:34:21.960 --> 0:34:24.759
<v Speaker 1>and the one with Justin Bieber, who you'll remember got

0:34:24.760 --> 0:34:27.280
<v Speaker 1>his start on YouTube, was one of the most viewed

0:34:27.320 --> 0:34:31.360
<v Speaker 1>clips of that year. And one of the original works

0:34:31.360 --> 0:34:33.680
<v Speaker 1>out there that was not part of mainstream media that

0:34:33.760 --> 0:34:37.080
<v Speaker 1>got on the list of most watched videos of was

0:34:37.120 --> 0:34:40.160
<v Speaker 1>the SloMo Guys. They got forty million views with their

0:34:40.400 --> 0:34:43.640
<v Speaker 1>six foot Man and a Giant six foot water balloon video.

0:34:44.320 --> 0:34:46.759
<v Speaker 1>The SloMo Guys in general, I love their videos. They're

0:34:46.800 --> 0:34:50.600
<v Speaker 1>really entertaining, the technology they use is great, the shots

0:34:50.640 --> 0:34:53.759
<v Speaker 1>they get are great, and I highly recommend them. If

0:34:53.760 --> 0:34:56.319
<v Speaker 1>you have not seen any of their videos, go check

0:34:56.360 --> 0:35:00.560
<v Speaker 1>them out, because, uh, seeing stuff in ultra SloMo is

0:35:00.719 --> 0:35:05.000
<v Speaker 1>really fascinating. Sometimes, like seeing something that happens way too

0:35:05.080 --> 0:35:07.919
<v Speaker 1>fast for the human eye to detect being broken down

0:35:07.920 --> 0:35:10.640
<v Speaker 1>frame by frame when you're shooting tens of thousands of

0:35:10.640 --> 0:35:15.640
<v Speaker 1>frames per second is really neat. So that brings us

0:35:15.719 --> 0:35:20.080
<v Speaker 1>up to sixteen. So we're getting into the home stretch now.

0:35:20.120 --> 0:35:22.719
<v Speaker 1>Before I jump into that, I want to take one

0:35:22.760 --> 0:35:33.600
<v Speaker 1>more break to thank our sponsor in YouTube joined the

0:35:33.640 --> 0:35:38.600
<v Speaker 1>ranks of Google, Twitter, and Facebook in uh not great category.

0:35:38.800 --> 0:35:43.840
<v Speaker 1>They were targeted for misinformation during the US presidential election cycle.

0:35:44.360 --> 0:35:48.680
<v Speaker 1>The Verge reported in October that back during the campaign

0:35:48.800 --> 0:35:53.040
<v Speaker 1>system our cycle rather a Kremlin linked group spent about

0:35:53.120 --> 0:35:56.080
<v Speaker 1>four thousand, seven hundred dollars on advertising to affect the

0:35:56.120 --> 0:35:59.320
<v Speaker 1>outcome of the election and to spread misinformation, which is

0:35:59.360 --> 0:36:01.720
<v Speaker 1>kind of terrified to think that's such a relatively small

0:36:01.800 --> 0:36:05.160
<v Speaker 1>investment could have a potentially huge impact. Although I have

0:36:05.280 --> 0:36:08.319
<v Speaker 1>to rush into say it's impossible for us to know

0:36:08.480 --> 0:36:12.560
<v Speaker 1>how much sway that advertising actually had on people. We

0:36:12.680 --> 0:36:16.279
<v Speaker 1>can't just assume that the ads move the needle, to

0:36:16.320 --> 0:36:19.960
<v Speaker 1>be honest, we don't have that that evidence. But it

0:36:20.040 --> 0:36:23.320
<v Speaker 1>has become part of a larger conversation revolving around finding

0:36:23.360 --> 0:36:26.960
<v Speaker 1>ways to prevent foreign parties from influencing the political processes

0:36:27.000 --> 0:36:31.960
<v Speaker 1>of other nations, particularly using online sources like Twitter, Facebook, YouTube,

0:36:32.040 --> 0:36:35.520
<v Speaker 1>that kind of thing. Starting enabled to sixteen, YouTube changed

0:36:35.560 --> 0:36:38.719
<v Speaker 1>this policy so that videos that were in dispute could

0:36:38.719 --> 0:36:43.720
<v Speaker 1>still monetize during the dispute process, So whichever party would

0:36:43.719 --> 0:36:46.799
<v Speaker 1>win the dispute would ultimately be awarded the money that

0:36:46.880 --> 0:36:50.560
<v Speaker 1>was generated during that monetization period. So that way, if

0:36:50.600 --> 0:36:53.160
<v Speaker 1>a creator was judged to have made lawful use of

0:36:53.200 --> 0:36:57.120
<v Speaker 1>copyrighted material or not have infringed on copyright at all,

0:36:57.280 --> 0:36:59.600
<v Speaker 1>he or she wouldn't be denied the revenue they would

0:36:59.640 --> 0:37:03.920
<v Speaker 1>have made during the arbitration process. Up to that point,

0:37:04.560 --> 0:37:07.400
<v Speaker 1>everything was put on hold. So if you think about it,

0:37:07.520 --> 0:37:10.279
<v Speaker 1>videos tend to have a sweet spot when they are

0:37:10.320 --> 0:37:14.320
<v Speaker 1>going to be discovered and viewed and shared the most frequently.

0:37:14.960 --> 0:37:18.160
<v Speaker 1>And if during that sweet spot your video was tagged

0:37:18.160 --> 0:37:21.440
<v Speaker 1>as being in violation of some copyright, and then you

0:37:21.480 --> 0:37:25.239
<v Speaker 1>successfully were to defend your video, you would miss out

0:37:25.400 --> 0:37:28.120
<v Speaker 1>on all of that traffic and thus all of that revenue.

0:37:28.360 --> 0:37:32.520
<v Speaker 1>This was YouTube's attempt to counteract that. To change that policy,

0:37:32.640 --> 0:37:35.800
<v Speaker 1>the company rolled out a new advertising policy in two sixteen,

0:37:36.000 --> 0:37:38.920
<v Speaker 1>or rather, according to YouTube, they began to enforce an

0:37:38.920 --> 0:37:45.800
<v Speaker 1>existing policy, which became known as the Advertiser Friendly Content Policy. Now, basically,

0:37:46.600 --> 0:37:49.920
<v Speaker 1>here's the problem. Some advertisers were seeing their ads pop

0:37:50.000 --> 0:37:53.239
<v Speaker 1>up against videos that were a controversial or not in

0:37:53.280 --> 0:37:57.000
<v Speaker 1>alignment with that company's values. This in itself is pretty

0:37:57.080 --> 0:37:59.440
<v Speaker 1>easy to understand. So let's say you own a company

0:37:59.480 --> 0:38:02.799
<v Speaker 1>that makes let's say, microwave ovens, and you see that

0:38:03.120 --> 0:38:07.200
<v Speaker 1>an ad for your company pops up on an offensive video.

0:38:07.440 --> 0:38:10.279
<v Speaker 1>You probably wouldn't be very happy about that. You don't

0:38:10.320 --> 0:38:14.160
<v Speaker 1>want your product associated with someone who is espousing offensive

0:38:14.160 --> 0:38:19.040
<v Speaker 1>beliefs or remarks, or otherwise depicting something objectionable, whether it

0:38:19.080 --> 0:38:22.480
<v Speaker 1>was a video that included hate speech or a violent

0:38:22.600 --> 0:38:27.240
<v Speaker 1>video or sexually suggestive video. Advertisers were beginning to express

0:38:27.239 --> 0:38:30.040
<v Speaker 1>concerns to YouTube, and some of them were starting to

0:38:30.040 --> 0:38:33.480
<v Speaker 1>pull their money from the service, and this would continue

0:38:33.480 --> 0:38:36.960
<v Speaker 1>on into TV and so in response, YouTube said it

0:38:36.960 --> 0:38:40.799
<v Speaker 1>would crack down on videos that contained offensive material. Now,

0:38:40.840 --> 0:38:44.520
<v Speaker 1>at a casual glance, that's not necessarily a bad thing.

0:38:44.840 --> 0:38:47.520
<v Speaker 1>You can understand the point of view of the advertisers,

0:38:47.800 --> 0:38:50.560
<v Speaker 1>and you don't necessarily want to reward people who are

0:38:50.560 --> 0:38:54.960
<v Speaker 1>being hateful online. If someone is making videos that is that,

0:38:55.080 --> 0:38:58.319
<v Speaker 1>you know they're they're attacking a vulnerable group like a

0:38:58.400 --> 0:39:02.360
<v Speaker 1>marginalized group and there heaping hate upon that group. You

0:39:02.400 --> 0:39:05.359
<v Speaker 1>don't want to see that kind of behavior rewarded monetarily.

0:39:05.760 --> 0:39:08.399
<v Speaker 1>But on the other hand, someone has to define what

0:39:08.600 --> 0:39:13.160
<v Speaker 1>offensive actually means, and that's very tricky. Sometimes that means

0:39:13.200 --> 0:39:17.040
<v Speaker 1>grouping in content that might be controversial but isn't in

0:39:17.120 --> 0:39:21.120
<v Speaker 1>any way hateful or harmful. So that could include videos

0:39:21.160 --> 0:39:25.080
<v Speaker 1>in which people have frank discussions about sensitive topics. The

0:39:25.200 --> 0:39:28.640
<v Speaker 1>videos may have real value and they might add conversation

0:39:28.840 --> 0:39:32.560
<v Speaker 1>around those subjects. But some creators were seeing their videos

0:39:32.640 --> 0:39:37.439
<v Speaker 1>demonetized because an algorithm had seemingly arbitrarily decided that their

0:39:37.520 --> 0:39:41.400
<v Speaker 1>videos were inappropriate, sometimes maybe just based upon the description

0:39:41.520 --> 0:39:44.920
<v Speaker 1>or title of the video alone, not the content. Now,

0:39:44.920 --> 0:39:49.280
<v Speaker 1>in general, creators began seeing advertisers pulled back from YouTube.

0:39:49.520 --> 0:39:51.839
<v Speaker 1>Some creators who had banged on YouTube as their source

0:39:51.840 --> 0:39:54.520
<v Speaker 1>of revenue began to suffer as a result. A few

0:39:54.560 --> 0:39:58.640
<v Speaker 1>even called on what Ski to resign in response to this.

0:39:58.800 --> 0:40:02.480
<v Speaker 1>They called it a controversy really, and the ad shakedown

0:40:02.480 --> 0:40:07.480
<v Speaker 1>would continue throughout and into seen as more problematic videos

0:40:07.719 --> 0:40:12.439
<v Speaker 1>convinced advertisers to pull up stakes in to jump ahead

0:40:12.520 --> 0:40:14.879
<v Speaker 1>just a bit, YouTube announced that it would change its

0:40:14.880 --> 0:40:18.520
<v Speaker 1>practices and require all channels applying to the Partner program

0:40:18.560 --> 0:40:23.200
<v Speaker 1>to undergo a policy compliance review. In addition, channels would

0:40:23.200 --> 0:40:26.840
<v Speaker 1>have to accumulate at least ten thousand lifetime views to

0:40:26.960 --> 0:40:31.080
<v Speaker 1>qualify for the Partner Program. And this particular story continues

0:40:31.120 --> 0:40:33.640
<v Speaker 1>to unfold at the time of this recording, so there's

0:40:33.640 --> 0:40:35.759
<v Speaker 1>a lot more to say about it. Some of the

0:40:35.840 --> 0:40:38.840
<v Speaker 1>videos in sixteen that were really popular included in another

0:40:38.840 --> 0:40:43.200
<v Speaker 1>prank video called Brothers Convinced Little Sister of Zombie Apocalypse,

0:40:44.719 --> 0:40:49.360
<v Speaker 1>which I feel badly about thinking is funny. In the video,

0:40:49.480 --> 0:40:52.400
<v Speaker 1>some brothers have their sister has just been to the

0:40:52.520 --> 0:40:55.040
<v Speaker 1>dentist to have her wisdom teeth removed, and so she

0:40:55.280 --> 0:40:58.000
<v Speaker 1>is still under the influence of some anesthetic and it's

0:40:58.040 --> 0:41:02.080
<v Speaker 1>thus a little foggy mentally, which I can completely sympathize with,

0:41:02.280 --> 0:41:07.960
<v Speaker 1>as I have infamously gone on long, meaningless rants, even

0:41:08.000 --> 0:41:11.080
<v Speaker 1>more so than the podcasts you have listened to while

0:41:11.160 --> 0:41:14.600
<v Speaker 1>under the influence of various an aesthetics when getting oral surgery.

0:41:14.960 --> 0:41:17.560
<v Speaker 1>So this was a pretty mean, but a meddally kind

0:41:17.560 --> 0:41:20.160
<v Speaker 1>of funny prank where they tried to convince her that

0:41:20.200 --> 0:41:22.279
<v Speaker 1>there was some sort of zombie outbreak and they were

0:41:22.280 --> 0:41:25.200
<v Speaker 1>trying to respond to it in real time. I feel

0:41:25.200 --> 0:41:26.880
<v Speaker 1>like a bad person for liking it, So I'm going

0:41:26.960 --> 0:41:30.439
<v Speaker 1>to reflect on that for a while after this episodes over.

0:41:31.280 --> 0:41:35.120
<v Speaker 1>Other big videos that had more mainstream media representation that

0:41:35.200 --> 0:41:39.080
<v Speaker 1>year would include clips from car Pool Karaoke. Adele's appearance

0:41:39.120 --> 0:41:41.960
<v Speaker 1>topped the list as being the most watched video of

0:41:41.960 --> 0:41:45.200
<v Speaker 1>that year. A clip from John Oliver about Donald Trump

0:41:45.200 --> 0:41:47.759
<v Speaker 1>made the top ten list. A clip from lip Sync

0:41:47.800 --> 0:41:50.960
<v Speaker 1>Battle featuring Channing Tatum dressed up as Beyonce and lip

0:41:50.960 --> 0:41:53.880
<v Speaker 1>singing to Run the World, Run the World was another

0:41:53.960 --> 0:41:58.279
<v Speaker 1>big one. A video from America's Got Talent featuring Grace Vanderwald,

0:41:58.320 --> 0:42:01.080
<v Speaker 1>who plays the world's greatest instrument and by that I

0:42:01.080 --> 0:42:05.239
<v Speaker 1>mean the ukulele, also made the list. Um. We also

0:42:05.360 --> 0:42:09.040
<v Speaker 1>got another non ctistical video in pen Pineapple Apple Pen.

0:42:09.440 --> 0:42:11.640
<v Speaker 1>I found out about that long after the video had

0:42:11.680 --> 0:42:14.359
<v Speaker 1>spiked in popularity. I still don't get it. If you

0:42:14.440 --> 0:42:20.080
<v Speaker 1>get pen Pineapple Apple Pen, please let me know. I

0:42:20.239 --> 0:42:24.480
<v Speaker 1>just I'm old and don't get it. All right, Well,

0:42:24.520 --> 0:42:29.200
<v Speaker 1>what about last year? So you remember that YouTube kids

0:42:30.120 --> 0:42:33.759
<v Speaker 1>mobile app I talked about. This was the year when

0:42:33.840 --> 0:42:39.160
<v Speaker 1>that app kind of captured mainstream media attention for going

0:42:39.320 --> 0:42:43.960
<v Speaker 1>totally crazy. So the problem was lots of weird videos

0:42:43.960 --> 0:42:47.839
<v Speaker 1>were showing up on the YouTube Kids app. Some of

0:42:47.880 --> 0:42:51.480
<v Speaker 1>them seemed just surreal and absurd and kind of disturbing

0:42:51.560 --> 0:42:56.080
<v Speaker 1>because they were so unreal. Some of them were just

0:42:56.120 --> 0:42:59.800
<v Speaker 1>so random that they were really unsettling. In that case,

0:43:00.080 --> 0:43:02.600
<v Speaker 1>some of them were clearly made by trolls who were

0:43:02.640 --> 0:43:07.840
<v Speaker 1>apparently trying to create upsetting content on purpose. But as

0:43:08.320 --> 0:43:10.680
<v Speaker 1>various people began to look into it, one thing that

0:43:10.800 --> 0:43:13.319
<v Speaker 1>seemed to be happening was that a lot of those

0:43:13.400 --> 0:43:18.240
<v Speaker 1>videos were being created by using algorithms to filter through

0:43:18.360 --> 0:43:22.600
<v Speaker 1>the data on YouTube Kids. You see, there were ways

0:43:22.640 --> 0:43:25.799
<v Speaker 1>of finding out which words were being searched for the

0:43:25.840 --> 0:43:29.200
<v Speaker 1>most on the app, and if you found a collection

0:43:29.239 --> 0:43:33.000
<v Speaker 1>of words that we're getting a lot of traffic, then

0:43:33.120 --> 0:43:36.720
<v Speaker 1>you wanted to create a video to capitalize on that traffic.

0:43:36.760 --> 0:43:39.279
<v Speaker 1>And this stuff changes pretty quickly, so you also want

0:43:39.280 --> 0:43:43.440
<v Speaker 1>to streamline your video creation process. You want to automate

0:43:43.480 --> 0:43:46.320
<v Speaker 1>as much of that as possible, so that way, if

0:43:46.360 --> 0:43:49.840
<v Speaker 1>there's a trend to search for certain terms like spider

0:43:49.840 --> 0:43:54.719
<v Speaker 1>Man and frozen and uh sesame street, that you're able

0:43:54.760 --> 0:43:59.240
<v Speaker 1>to create a video that is in some way capitalizing

0:43:59.320 --> 0:44:02.120
<v Speaker 1>on all of that. Now, not only does this go

0:44:02.280 --> 0:44:06.680
<v Speaker 1>into weird areas of intellectual property issues from trademark to

0:44:06.760 --> 0:44:11.319
<v Speaker 1>copyright problems, it also would create these weird videos that

0:44:11.360 --> 0:44:14.120
<v Speaker 1>seem nightmarish. You would watch them and think this is

0:44:15.080 --> 0:44:18.359
<v Speaker 1>a fever dream made into a video. And there were

0:44:18.360 --> 0:44:20.520
<v Speaker 1>a lot of very disturbing ones, and it caused a

0:44:20.560 --> 0:44:25.000
<v Speaker 1>lot of parents to complain to YouTube. Again, a lot

0:44:25.040 --> 0:44:29.480
<v Speaker 1>of articles in about this issue about these odd and

0:44:29.600 --> 0:44:34.640
<v Speaker 1>sometimes very upsetting videos for an app specifically meant for kids.

0:44:34.800 --> 0:44:39.080
<v Speaker 1>YouTube's response was, this really does concern us. YouTube Kids

0:44:39.200 --> 0:44:42.160
<v Speaker 1>is an app that's made by parents who very much

0:44:42.239 --> 0:44:45.920
<v Speaker 1>want to create an app that will appeal to children

0:44:46.000 --> 0:44:48.799
<v Speaker 1>and not harm them in any way. So it's an

0:44:48.840 --> 0:44:53.520
<v Speaker 1>ongoing situation as of the recording of this podcast. To me,

0:44:53.600 --> 0:45:00.600
<v Speaker 1>it's really fascinating to see this very cynical and automated

0:45:00.600 --> 0:45:06.279
<v Speaker 1>approach to creating ideal content in in terms of a search, right,

0:45:06.280 --> 0:45:09.240
<v Speaker 1>it's not ideal content for the experience of the user,

0:45:09.800 --> 0:45:13.879
<v Speaker 1>but rather you're banking on certain things kids like repetition.

0:45:14.800 --> 0:45:16.840
<v Speaker 1>Kids will watch the same videos over and over and

0:45:16.880 --> 0:45:19.880
<v Speaker 1>over again, and it doesn't have to make sense. Kids

0:45:19.920 --> 0:45:22.320
<v Speaker 1>don't mind it if you've got a song that's super

0:45:22.360 --> 0:45:25.880
<v Speaker 1>simple that kind of appeals to them. Actually, so if

0:45:25.880 --> 0:45:27.719
<v Speaker 1>you have a very simple song that's just got a

0:45:27.719 --> 0:45:29.520
<v Speaker 1>lot of repetition to it, and you've got a lot

0:45:29.520 --> 0:45:33.719
<v Speaker 1>of colorful characters that the kids identify easily, then it

0:45:33.760 --> 0:45:36.520
<v Speaker 1>doesn't matter that the video is not saying anything important

0:45:36.640 --> 0:45:40.360
<v Speaker 1>or doing anything interesting. Uh And and kids are actually

0:45:40.400 --> 0:45:44.640
<v Speaker 1>pretty hardy as well. They can handle some weird, screwed

0:45:44.719 --> 0:45:49.880
<v Speaker 1>up stuff better than adults can at some points. But

0:45:50.000 --> 0:45:53.600
<v Speaker 1>still you don't necessarily want your children having unrestricted use

0:45:53.600 --> 0:45:58.720
<v Speaker 1>of that. And the parental controls on YouTube kids weren't

0:45:58.719 --> 0:46:02.520
<v Speaker 1>always able to filter are out the more bizarre elements

0:46:02.840 --> 0:46:05.600
<v Speaker 1>that were showing up in the app. So that's continuing

0:46:05.640 --> 0:46:08.920
<v Speaker 1>to go on as we're talking now. Something else that

0:46:08.920 --> 0:46:12.560
<v Speaker 1>happened in Seen was that Google decided to put an

0:46:12.680 --> 0:46:15.920
<v Speaker 1>end to those paid channels I mentioned earlier and switched

0:46:16.120 --> 0:46:19.959
<v Speaker 1>specifically to the subscription service, which really, to me, is

0:46:19.960 --> 0:46:23.719
<v Speaker 1>is not that different. It's kind of just semantics at

0:46:23.719 --> 0:46:27.040
<v Speaker 1>that point. But it was a shift in YouTube's approach

0:46:27.080 --> 0:46:31.680
<v Speaker 1>to trying to generate revenue in a way that wasn't

0:46:32.239 --> 0:46:36.520
<v Speaker 1>related to rentals or to add revenues. Some of the

0:46:36.600 --> 0:46:40.279
<v Speaker 1>videos that were big in ten included The Shape of

0:46:40.360 --> 0:46:44.880
<v Speaker 1>You with the Kyle Hanna Hanna Gami choreography. Uh, the

0:46:44.960 --> 0:46:48.479
<v Speaker 1>Ping Pong Trick Shots three video by Dude Perfect, which

0:46:48.520 --> 0:46:51.000
<v Speaker 1>is pretty much what it sounds like, this guy doing

0:46:51.040 --> 0:46:54.640
<v Speaker 1>some amazing trick shots using ping pong balls. It makes

0:46:54.680 --> 0:46:57.440
<v Speaker 1>me wonder how many takes were required to get some

0:46:57.520 --> 0:47:01.080
<v Speaker 1>of them, because they are pretty phenomenal. Ed Sharon's appearance

0:47:01.239 --> 0:47:04.520
<v Speaker 1>on Carpool Karaoke was one of the top videos of

0:47:04.560 --> 0:47:10.200
<v Speaker 1>twenty seventeen. Lady Gaga's Super Bowl halftime show was another one. Uh.

0:47:10.360 --> 0:47:12.880
<v Speaker 1>I thought that was an amazing halftime show. I remember

0:47:12.880 --> 0:47:17.680
<v Speaker 1>watching that when it happened. Children interrupt BBC News Interview

0:47:17.800 --> 0:47:20.160
<v Speaker 1>was a top video of twenty seventeen and is possibly

0:47:20.200 --> 0:47:23.040
<v Speaker 1>one of the best videos to have ever been uploaded

0:47:23.080 --> 0:47:26.399
<v Speaker 1>to the Internet ever. Uh. There's a particular moment where

0:47:26.440 --> 0:47:31.160
<v Speaker 1>you see a child walking in a super exaggerated strut,

0:47:31.200 --> 0:47:33.400
<v Speaker 1>and I just want to walk that way all the

0:47:33.480 --> 0:47:37.040
<v Speaker 1>time always at this point, the video that got the

0:47:37.080 --> 0:47:39.920
<v Speaker 1>most views of all of ten not only got the

0:47:39.920 --> 0:47:43.040
<v Speaker 1>most views, but became the most watched video of all

0:47:43.120 --> 0:47:48.040
<v Speaker 1>times so far on YouTube, that would be desposito, which

0:47:48.320 --> 0:47:51.440
<v Speaker 1>it felt like it was impossible to avoid in seventeen

0:47:51.560 --> 0:47:55.080
<v Speaker 1>especially if you work out in my gym and has

0:47:56.040 --> 0:47:59.800
<v Speaker 1>received more than four billion views so far. So it

0:48:00.080 --> 0:48:05.880
<v Speaker 1>is a phenomenon. We're probably gonna see a lot more changes.

0:48:06.080 --> 0:48:08.799
<v Speaker 1>I got an email just recently from YouTube saying that

0:48:08.840 --> 0:48:12.000
<v Speaker 1>my discussion tab on my personal channel will soon be

0:48:12.080 --> 0:48:15.439
<v Speaker 1>replaced by a community tab where all the comments left

0:48:15.440 --> 0:48:18.920
<v Speaker 1>in the discussion tab will be deleted within thirty days now.

0:48:18.920 --> 0:48:21.560
<v Speaker 1>As of right now, when I last checked, my channel

0:48:21.560 --> 0:48:23.960
<v Speaker 1>still has a discussion tab, but I'm told that the

0:48:24.000 --> 0:48:26.839
<v Speaker 1>community tab will take place will take its place soon.

0:48:27.640 --> 0:48:30.680
<v Speaker 1>I think that's kind of interesting, and there's so much

0:48:30.719 --> 0:48:33.560
<v Speaker 1>more we could talk about. I mean, there's four hundred

0:48:33.680 --> 0:48:37.960
<v Speaker 1>hours of content being added to YouTube every single minute.

0:48:38.760 --> 0:48:42.239
<v Speaker 1>That number is just getting bigger and bigger. I'm very

0:48:42.320 --> 0:48:48.320
<v Speaker 1>curious to hear how many computers are dedicated specifically to

0:48:48.480 --> 0:48:52.400
<v Speaker 1>holding all that content. It's got to be an astronomical number.

0:48:52.840 --> 0:48:56.760
<v Speaker 1>Keep in mind that for the purposes of delivering these views,

0:48:57.440 --> 0:49:01.000
<v Speaker 1>Google has to build in redundant just the meaning every

0:49:01.120 --> 0:49:05.120
<v Speaker 1>video is probably on at least two or three different computers.

0:49:05.160 --> 0:49:07.920
<v Speaker 1>That way, if one computer housing the video goes down,

0:49:08.520 --> 0:49:11.080
<v Speaker 1>another one can still serve it up every time someone

0:49:11.200 --> 0:49:16.120
<v Speaker 1>wants to watch Lady Gaga super Bowl halftime show. It's

0:49:16.160 --> 0:49:22.120
<v Speaker 1>a truly phenomenal amount of data and bandwidth and and

0:49:22.160 --> 0:49:24.960
<v Speaker 1>just content that's going up. It's so hard to get

0:49:24.960 --> 0:49:29.960
<v Speaker 1>discovered today. It's not impossible, but it is really challenging.

0:49:31.040 --> 0:49:34.680
<v Speaker 1>But there's still the possibility that just the average person

0:49:34.719 --> 0:49:37.920
<v Speaker 1>can go out there with a camera, shoot a video,

0:49:38.560 --> 0:49:42.000
<v Speaker 1>upload the YouTube, and become the next YouTube superstar. It's

0:49:42.040 --> 0:49:43.920
<v Speaker 1>a it's a long shot. It's not gonna be easy.

0:49:44.280 --> 0:49:47.720
<v Speaker 1>It's it's becoming more and more like the competitive world

0:49:47.840 --> 0:49:51.600
<v Speaker 1>of of established films and television. But it's still a possibility,

0:49:51.680 --> 0:49:55.520
<v Speaker 1>and it's still a platform where the average person can

0:49:55.520 --> 0:49:58.560
<v Speaker 1>create a video and share it with the outside world.

0:49:58.600 --> 0:50:00.719
<v Speaker 1>Whether or not the outside world which is it is

0:50:00.719 --> 0:50:05.880
<v Speaker 1>another matter. It's a pretty phenomenal website. Uh, phenomenal doesn't

0:50:05.880 --> 0:50:10.320
<v Speaker 1>necessarily mean great, because they the people behind YouTube have

0:50:10.400 --> 0:50:14.120
<v Speaker 1>made some really questionable decisions in my mind, over the

0:50:14.160 --> 0:50:17.160
<v Speaker 1>course of its history. Some of them they've corrected over time.

0:50:17.480 --> 0:50:19.480
<v Speaker 1>Some of them they've tweaked to the point where I

0:50:19.520 --> 0:50:22.759
<v Speaker 1>can see why the decision was made and still might

0:50:22.800 --> 0:50:26.160
<v Speaker 1>not be my ideal implementation. But then I'm not put

0:50:26.239 --> 0:50:29.600
<v Speaker 1>in charge of a multibillion dollar company, and for that

0:50:29.680 --> 0:50:33.000
<v Speaker 1>we can all breathe a sigh of relief. That wraps

0:50:33.120 --> 0:50:36.960
<v Speaker 1>up this discussion of YouTube three full episodes to talk

0:50:37.000 --> 0:50:41.279
<v Speaker 1>about the impact of this phenomenal website. Again, if you

0:50:41.320 --> 0:50:44.839
<v Speaker 1>guys have suggestions for future episodes of tech Stuff. Maybe

0:50:44.880 --> 0:50:47.040
<v Speaker 1>there's a website you want me to talk about, or

0:50:47.080 --> 0:50:49.840
<v Speaker 1>a specific technology. Maybe there's a person in tech I

0:50:49.840 --> 0:50:55.080
<v Speaker 1>should do a full uh episode about, or multiple episodes about.

0:50:55.080 --> 0:50:57.360
<v Speaker 1>Maybe there's a company you want me to talk about.

0:50:57.680 --> 0:51:00.319
<v Speaker 1>Let me know. Send me an email the address tech

0:51:00.360 --> 0:51:02.560
<v Speaker 1>stuff at how stuff works dot com, or you can

0:51:02.640 --> 0:51:05.000
<v Speaker 1>drop me a line on Facebook or Twitter. The handle

0:51:05.080 --> 0:51:07.920
<v Speaker 1>for both of those is tech stuff hs W. Remember

0:51:07.960 --> 0:51:10.600
<v Speaker 1>you can go to twitch dot tv slash tech stuff

0:51:10.640 --> 0:51:14.439
<v Speaker 1>and watch me record these episodes live. You can join

0:51:14.480 --> 0:51:17.040
<v Speaker 1>the chat room and you can harass me throughout the

0:51:17.160 --> 0:51:21.560
<v Speaker 1>entirety of the episode. And uh, don't act up because

0:51:21.640 --> 0:51:27.399
<v Speaker 1>Cat is watching me and she's great and moderating, So

0:51:28.360 --> 0:51:33.240
<v Speaker 1>behave yourselves and I will talk to you again. Released

0:51:33.280 --> 0:51:41.560
<v Speaker 1>it for more on this and thousands of other topics.

0:51:41.880 --> 0:51:52.960
<v Speaker 1>Is it how stuff works? Dot com