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Speaker 1: Are you leaving? I you wanna way back home?

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Speaker 2: Either way, we want to be there. Doesn't matter how

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Speaker 2: much baggage you claim and give us time and a

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Speaker 2: termino and gage aid.

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Speaker 3: We want to send you off insta. We wanna welcome

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Speaker 3: you back home.

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Speaker 2: Tell us all about it. We scared her? Was it fine?

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Speaker 4: Now?

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Speaker 2: Porn? Do you need to ride? Do you need to ride?

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Speaker 2: Do you need to ride? Do you need to ride?

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Speaker 2: Do you need to ride? Do your need to ride?

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Speaker 3: Ride with Karen and Chris? Welcome to Do you need

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Speaker 3: a ride?

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Speaker 1: This is Chris Fairbanks and this is Karen Garralujah.

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Speaker 5: That is a loud prayer.

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Speaker 3: We are.

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Speaker 1: This is a podcast where Karen and I are very

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Speaker 1: good friends drive and pick our friends up who are

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Speaker 1: funny and have fun conversation. Have you noticed I'm I'm

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Speaker 1: opening it up to maybe new people that haven't this

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Speaker 1: is their first time listening.

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Speaker 2: Oh good idea.

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Speaker 3: I kind of did that last time too.

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Speaker 5: Are you doing some sort of a marketing class right now?

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Speaker 1: Yeah? Yeah. The last thing you want to do is

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Speaker 1: push out new people, and that goes with podcasting as

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Speaker 1: well as real estate.

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Speaker 2: Yeah, it's all that. It's more of the grab him

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Speaker 2: and pull him in.

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Speaker 1: Yeah. Yes. And one thing you and I both when

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Speaker 1: planning this strategically, was we applied pyramid scheme sales mentality. Yeah.

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Speaker 1: You much like with Cutco knives, you get a friend,

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Speaker 1: you ask that friend for ten friends. Next thing you know,

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Speaker 1: you have a whole season of guests and you're.

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Speaker 2: All set, and then cut to after nine seasons and

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Speaker 2: you're like, does anyone have any friends left?

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Speaker 4: Right?

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Speaker 1: Or, in the case of Cutco, cut through several pieces

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Speaker 1: of leather if you want to get rid of a

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Speaker 1: petite trimmer.

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Speaker 3: I'm gonna stop talking about the knives.

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Speaker 1: I am. I'm be forcing that.

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Speaker 5: But here's the thing. You're so proud.

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Speaker 1: I am proud because you know a lot about mine.

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Speaker 1: I was sixteen and I tried hard. Was I a

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Speaker 1: top salesman?

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Speaker 2: No?

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Speaker 3: Was I the bottom?

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Speaker 1: Yes? And I finally got my minimum payment through the

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Speaker 1: company because my dad wrote a strongly worded leather leather,

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Speaker 1: leather on a piece of leather, which really it was.

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Speaker 2: Small because you had to cut it up prove your point.

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Speaker 1: Yeah, I sent it in pieces, much like a ransom note.

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Speaker 1: Pieces of leather. Leather was a big part of the

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Speaker 1: knife sales. You always had to have leather on you

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Speaker 1: so you could demonstrate the cutting power of the knives.

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Speaker 2: Oh, to cut through I thought maybe it was, you know,

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Speaker 2: from like old fashioned things that were people like sharpen

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Speaker 2: knives on light.

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Speaker 1: I think for show I would occasionally rub the blade

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Speaker 1: against the leather as well, but for the most part

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Speaker 1: it was to cut through it. And the big thing

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Speaker 1: was with my presentation, why don't you right now and

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Speaker 1: this seems like a bold move, go get your best

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Speaker 1: knife out of the kitchen and we'll see how it stats.

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Speaker 2: Knife fight. Yeah, I'm sixteen.

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Speaker 1: Yeah, we're tying our wrists together and we're gonna slap

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Speaker 1: each other with this rubber chicken that's from a weird

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Speaker 1: al video. Anyway, I always was cutting leather. How do

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Speaker 1: you feel about the Chicago Bowls? And I cut a

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Speaker 1: penny into a bowl. It was so it was like

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Speaker 1: magic tricks. And they took me too long, and I

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Speaker 1: think they could tell my hands. We're shaking because I'm

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Speaker 1: so nervous fitting in a stranger's house. Nives, right, but

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Speaker 1: it's it's what I needed to get into, you know,

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Speaker 1: get comfortable on stage and everything. It was early interaction.

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Speaker 1: But anyway, if you're new to the podcast.

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Speaker 2: Welcome, Yeah, And if you're new to the podcast, Chris

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Speaker 2: often kind of does a career in life retrospective at

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Speaker 2: the top, and it's just more of like, what weapons

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Speaker 2: have I tried to sell as a teenager? When? When

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Speaker 2: was my entire identity, including my address, featured on the

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Speaker 2: front page.

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Speaker 3: Of the newspaper. I told that many times.

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Speaker 1: It's the rets were retrospective of stories I've already told, retold,

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Speaker 1: and a lot of weaponry got I took a bath,

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Speaker 1: went about the bulk case of pepper spray. But we're

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Speaker 1: back in the car, and I'm very excited.

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Speaker 2: It's very exciting. It also feels very summary in the car.

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Speaker 2: It feels like we're out and about.

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Speaker 1: Yeah. In your car, it's more of a pleasant situation,

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Speaker 1: whereas in mine, it's my air conditioner just saying no,

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Speaker 1: not today, not unless you replace all these filters that

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Speaker 1: you get warned about each oil change.

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Speaker 2: I mean, that's the worst in la summer with no

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Speaker 2: AC Actually, Aniles and I were just talking about that,

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Speaker 2: that's kind of the worst experience. Yeah, And you can

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Speaker 2: have in this town because it's a desert, it's arid.

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Speaker 1: Yeah, and I'm twenty years in and I've learned nothing

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Speaker 1: because it's just blowing hot air. I gotta do something

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Speaker 1: other and I usually get the filter out, go to

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Speaker 1: a cliffside and shake it off like that someone's ashes.

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Speaker 3: And it's not working.

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Speaker 2: But it doesn't sound like a great plan.

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Speaker 1: My sister and my nieces are visiting and they say hello,

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Speaker 1: and they have yet to complain about anything. And it's

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Speaker 1: been a motivation for me to try and be Are

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Speaker 1: like my nieces, who are seventeen and positive and happy?

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Speaker 2: Love it?

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Speaker 1: Yeah?

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Speaker 2: Are they like pretty hip young girls that are like

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Speaker 2: just on every trend?

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Speaker 1: Are not? Really? No, they are into their own thing.

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Speaker 1: They're into sustainable living and vegan cooking and composting and

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Speaker 1: having their own worms for the compost and loving them

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Speaker 1: like pets. And we've gone all these vegan restaurants, which

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Speaker 1: they don't have where they live in Washington, and they're

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Speaker 1: very excited to have a meatless reuben. Yeah, and so

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Speaker 1: far I've had some really good food. Oh yeah, I

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Speaker 1: don't know how it's going to be received by my stomach.

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Speaker 2: None of your business, none of it.

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Speaker 3: Don't worry about nobody's business.

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Speaker 2: Just stay out of it.

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Speaker 1: Is not a podcast where I talk about my bella movements.

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Speaker 2: But I do have but there's always a medical but.

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Speaker 1: Yeah, vegan eating gives me what I like to call

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Speaker 1: medical button. Doctor must be called you well, but it does.

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Speaker 5: I mean, it takes an adjustment.

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Speaker 2: But then if you do it long enough, right, yes,

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Speaker 2: your system adjusts well.

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Speaker 3: I regularly visit doctor Bidet.

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Speaker 2: And christ you said you wouldn't.

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Speaker 5: I know, it's exactly what you're doing.

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Speaker 1: These are subtle and fun. Though they're subtle. Fun you promise,

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Speaker 1: I know, I know every promise ends with a lie.

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Speaker 2: If you learn this now, welcome and learn this.

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Speaker 5: Now you're being lied.

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Speaker 1: To, yes, by the media, and we are the media.

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Speaker 2: And this is clearly exactly right.

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Speaker 1: I was saying Karen was exactly right and saying, you're

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Speaker 1: listening to CNN. This is for CNN, and I'm Burfler tonight.

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Speaker 1: Do you know what's in your drinking water? It could

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Speaker 1: be something sinister. That's some of our signature improv.

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Speaker 2: Some of the best.

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Speaker 1: We've been podcasting more than we're doing what it's known

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Speaker 1: in the business as banking. A few episodes, yep. Before

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Speaker 1: we have little breaks, and we've been having a lot

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Speaker 1: of fun every other day podcasting. We're really in the

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Speaker 1: swing of things. And back when we in the Zoom days,

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Speaker 1: I did not think. I'm pretty sure I would not

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Speaker 1: have looked forward to doing this three times a week.

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Speaker 1: But in the car, I am, I'm just another it's

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Speaker 1: me again, saying again, I like being.

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Speaker 3: In the car.

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Speaker 2: It's so fun. Yeah, but also it's not really like

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Speaker 2: working at all. Zoom really was worst case scenario for

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Speaker 2: podcasting and conversations. Yeah. So now it's like we did

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Speaker 2: our training, maybe maybe seal style, and now we can swim.

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Speaker 2: We can lift that log over our heads. Yeah, we're fine.

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Speaker 3: We can scale the wall.

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Speaker 1: We can crawl on our elbows under a gnarled barbed

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Speaker 1: wire as rubber bullets fly above our heads. Trantile as crawl.

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Speaker 1: These are stories my dad told me he went through

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Speaker 1: basic training.

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Speaker 2: I just did my least favorite audience laugh, which is

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Speaker 2: the snake kiss. I hate it so much when people

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Speaker 2: do that at a comedy show.

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Speaker 5: I just did it to you.

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Speaker 1: Yeah, and for a while that was my go to laugh,

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Speaker 1: and I'd untrained myself. Really, that is honestly how I laughed,

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Speaker 1: even if I truly was enjoying something, right, and a

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Speaker 1: lot of people took it as a facetious laugh. So

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Speaker 1: I made myself do my signature laugh, which, as you know,

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Speaker 1: is oh goodness. People seem to like that one.

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Speaker 2: That's good.

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Speaker 1: Yeah, it's called my holiday laugh. Yeah yeah, yeah.

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Speaker 5: So what have you guys been doing besides eating vegan?

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Speaker 1: It's only a full day. I picked my sister up yesterday,

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Speaker 1: so we have swam, we have talked and laughed.

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Speaker 3: We have yet to do any museums.

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Speaker 1: It's really hard when someone visits to show them an

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Speaker 1: LA experience. It's a lot of pressure. Yes, so far,

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Speaker 1: I haven't succumbed to it, but I'm going to and

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Speaker 1: I'm going to show them a good time starting after

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Speaker 1: this podcast.

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Speaker 2: Are they the kind of people that would go to

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Speaker 2: like Harry Potter World.

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Speaker 1: No, I think a little too old for that. My

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Speaker 1: nieces are about to be in college, so it would

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Speaker 1: have to be. But I appreciated Harry Potter World.

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Speaker 2: I went with a I think Lauren was like twenty

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Speaker 2: when I went with her, and she was like, will

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Speaker 2: you please go to Harry Potter World with me? I

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Speaker 2: mean there's some people who are if you're into it, yeah,

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Speaker 2: it's an ageless experience.

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Speaker 3: Yes, and it is.

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Speaker 1: They do have this thing where it seems like you're

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Speaker 1: walking through a village, but it's Willie Walker likesspective, and

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Speaker 1: it's actually just a half block long, but if you

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Speaker 1: look at it, it looks like it's many blocks, and

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Speaker 1: it's actual buildings that get progressively smaller, and you can

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Speaker 1: go in them in their stores. But I know nothing

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Speaker 1: about the world of Potter or the books, so a

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Speaker 1: lot of the references were lost on me.

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Speaker 2: Yeah, you kind of have to make like a.

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Speaker 1: Scarf that says humble drummer or whatever. I don't know

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Speaker 1: what that means.

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Speaker 2: What do you think it means?

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Speaker 1: I believe it's a school of magic. The kids belong

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Speaker 1: to different schools of magic, much like fraternities, and they

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Speaker 1: have little letterman sweaters.

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Speaker 5: And there's a real hazing problem.

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Speaker 1: Yeah, and they have to get hit with hickory switches

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Speaker 1: and broomsticks and bead knocks. They get lopped on that

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Speaker 1: with bed knocks and broomsticks and Angela Lansbury's there.

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Speaker 2: Yeah, you kind of got it in a nutshell. Yeah,

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Speaker 2: they had really good I think it was like frozen

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Speaker 2: Arnold Palmer.

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Speaker 5: Isn't that a good idea.

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Speaker 1: Yeah, and I love on Arnold Palmer. It's hard for

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Speaker 1: me to say it's like real, real drive for a

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Speaker 1: lot of people.

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Speaker 3: Arnold Palmer.

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Speaker 2: Yeah, I think it's hard for everybody.

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Speaker 5: It's hard to say it's a weird one.

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Speaker 1: That's why everyonna start calling them Arnie right.

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Speaker 2: It was just convenience, Ernie Palmy.

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Speaker 1: I have. I have them now after a golf just

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Speaker 1: to have the full experience. It is the he being

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Speaker 1: a golfer, and it's the drinker's supposed to have And

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Speaker 1: I like it heavy on the.

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Speaker 2: Tea with lemonade more is just a kind of a

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Speaker 2: sweetener flavor.

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Speaker 1: And she used to mute the color.

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Speaker 2: Sure, yeah, just to get that nice matte brown color going.

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Speaker 1: Do they have any Yeah, I like a good matte

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Speaker 1: finish on my beverages. Do they have anything like that

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Speaker 1: at the mom and pop coffee place we drive through,

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Speaker 1: Saint our.

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Speaker 3: Bucks, Saint of the Wickedness.

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Speaker 2: They do, Actually, let me answer that question. They have

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Speaker 2: lots of delicious tea variations and lots of delicious like

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Speaker 2: lemonade aid variations.

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Speaker 1: Do you think and I don't want to do something

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Speaker 1: we've done several times before. We could go through a

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Speaker 1: drive through and get some, or should we wait until

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Speaker 1: we pick up our guest today.

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Speaker 2: No, let's fucking go.

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Speaker 5: This is our life.

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Speaker 2: It's our summer, we said at the beginning of summer,

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Speaker 2: and we're holding fast throughout.

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Speaker 1: Yeah, that we're gonna be shirtless, We're gonna be horny.

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Speaker 1: We made a lot of promises.

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Speaker 5: We're going to saint our books every single day.

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Speaker 1: We're drinking tea at the beach with sand in it.

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Speaker 2: Saint our books. You have to write that down. It's

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Speaker 2: a good one.

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Speaker 1: Yeah, I think every once in a while. I still

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Speaker 1: got it. You do, Yeah, but I'm very excited. Now

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Speaker 1: I do want an Arnold Palmer that is coffee based.

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Speaker 3: Does that sound good?

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Speaker 5: Lemonade and coffee?

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Speaker 3: It does not, It doesn't.

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Speaker 2: That seems like a huge mistake, although they do put

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Speaker 2: a twist.

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Speaker 5: Of lemon on espresso shots.

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Speaker 2: You're certain if you're trying to be super legit, so

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Speaker 2: a full lemonade like splash.

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Speaker 5: Maybe I'm wrong, maybe to be amazing.

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Speaker 3: The more you.

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Speaker 1: Think about it, aren't you thinking it would be delicious? No,

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Speaker 1: I've really considered it, but iised coffee with lemonade. Now,

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Speaker 1: how do you feel.

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Speaker 2: That's what I was thinking.

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Speaker 1: Okay, you already had it in Okay, so I haven't

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Speaker 1: added anything.

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Speaker 4: Too, Okay.

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Speaker 2: I was trying to justify it by saying, if it

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Speaker 2: was espresso shots, okay, might work, but even then I

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Speaker 2: would not want it. It sounds like you're drinking a

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Speaker 2: nervous stomach, right, coffee with lemonade. It's like give yourself

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Speaker 2: an ulcer from the outside, right.

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Speaker 3: Okay, Yeah, it's double acidity.

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Speaker 2: It seems like it would be highly acidic.

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Speaker 1: Yeah, it would be yeah, bad for the bowling. But

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Speaker 1: I don't want to go down that road again.

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Speaker 2: Please.

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Speaker 1: I'm really I'm very excited for my tea and lemonade

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Speaker 1: that I'm about to get on it.

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Speaker 2: Are you going to try the coffee lemonade?

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Speaker 1: I want to. I want to mention it and be like,

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Speaker 1: oh my god, how do you know about our sacred

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Speaker 1: beverage that only the employees drink.

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Speaker 5: I feel like you think that's what's gonna.

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Speaker 1: Happen, or they'll be like, oh my god, are you

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Speaker 1: an inventor? Because we're about to put it on the menu.

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Speaker 2: Would you allow me to order for you and say,

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Speaker 2: has anyone ever this is how we're going to order

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00:15:21,280 --> 00:15:24,360
Speaker 2: your drink. Has anyone ever asked for a tea a

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Speaker 2: nice coffee with lemonade in it?

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00:15:26,640 --> 00:15:29,440
Speaker 1: We just hear forty employees first into laughter.

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Speaker 5: One starts barfing in the back, just.

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Speaker 1: Out of embarrassment for me drink. I know what a

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00:15:38,080 --> 00:15:44,000
Speaker 1: sympathetic voment laugh sounds like, and it's that I can't wait. Yes,

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00:15:44,120 --> 00:15:46,320
Speaker 1: you you, I would. I would like you to order

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Speaker 1: it for me, mainly because you're at the window.

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Speaker 2: I also think you might need if you do get

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Speaker 2: the coffee lemonade, you're gonna need a backup drink, right.

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Speaker 2: I'll just say that as a person who knows the

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Speaker 2: bittersweet feeling of ordering something new to be interesting quote

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00:16:03,480 --> 00:16:06,360
Speaker 2: unquote and being wildly disappointed and bummed out.

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Speaker 1: Okay, you know what, I'm starting to think. I'm just

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Speaker 1: gonna get a traditional teab of lemon aid. Lemon dude,

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Speaker 1: does it not? Everyone puts an ellipsies between the work.

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Speaker 1: I'll have a lemon.

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Speaker 2: Aid and Phoebe Herman voice at the front at the

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Speaker 2: front desk of the hotel.

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Speaker 1: Aid, there's a beverage at.

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Speaker 4: The front window.

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Speaker 3: Oh I'm good at impressions.

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Speaker 2: M hm. That was quick.

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Speaker 1: Thank you one. Yeah, yeah, I really put myself on

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Speaker 1: the line there. It was nervous about it. It's so

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Speaker 1: scary to found out how rich little did it?

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Speaker 2: Wait, so can I ask is your family staying in

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Speaker 2: your apartment with you or there at a hotel?

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Speaker 1: Yes, a little bit. I don't mind sleeping on my

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Speaker 1: little futon bed. So the first night we did do that,

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Speaker 1: and it was it was nice. But I don't know

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Speaker 1: that my nieces are at the age where they want

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Speaker 1: to share a bed, you know.

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Speaker 2: Yeah, yeah, so and how long are they saying?

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Speaker 1: A full week? Eight days? Yes, And we're going to

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Speaker 1: go to museums. We're going to go to a pig

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Speaker 1: sanctuary farm that my mother used to contribute money to

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Speaker 1: that is still around.

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Speaker 3: Because they love.

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Speaker 1: Pigs, as did my uncle Miff, who used to work

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Speaker 1: at Hormel and slaughter them, so his love was different.

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00:17:36,960 --> 00:17:39,840
Speaker 1: I always thought that was an interesting he didn't do

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00:17:39,920 --> 00:17:42,159
Speaker 1: the actual slaughtering. But there are people that work in

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00:17:42,200 --> 00:17:46,800
Speaker 1: the meat industry that are able to separate the you know,

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Speaker 1: like love the artist and not the art type of

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00:17:50,960 --> 00:17:53,439
Speaker 1: a thing, because they both separate the tour he was.

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00:17:53,840 --> 00:17:57,359
Speaker 1: I never understood that. But they loved pigs, yet he

346
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Speaker 1: knew a world where pigs were made to be killed

347
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Speaker 1: my nieces, however.

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00:18:03,359 --> 00:18:07,160
Speaker 2: Talking about farming, Yes, yes, so it's happened before.

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Speaker 1: We all just don't think about every morning when we

350
00:18:10,119 --> 00:18:13,240
Speaker 1: have breakfast, but my nieces do think about it around

351
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Speaker 1: the clock.

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Speaker 3: So it's something I wouldn't do on my own. But

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Speaker 3: I'm going with them and it will be very fun.

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Speaker 1: Well.

355
00:18:18,680 --> 00:18:20,920
Speaker 2: And also, pigs are as smart as like twelve year

356
00:18:20,920 --> 00:18:21,679
Speaker 2: olds or something.

357
00:18:21,880 --> 00:18:25,440
Speaker 3: Yeah, I mean Clooney knows it. We should learn it, right.

358
00:18:25,520 --> 00:18:26,720
Speaker 3: They make great pets.

359
00:18:26,920 --> 00:18:31,160
Speaker 2: They're smart, they're childlike. They have they're filled with childlike wonder.

360
00:18:31,359 --> 00:18:37,520
Speaker 1: Yes, and they have you know, spiky hair that you

361
00:18:37,560 --> 00:18:39,000
Speaker 1: don't want to pet the wrong way.

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Speaker 5: You know what I think is ironic is pigs aren't vegan.

363
00:18:41,960 --> 00:18:45,760
Speaker 2: Everyone's extending them the courtesy, but nun's coming back from them.

364
00:18:46,040 --> 00:18:50,360
Speaker 1: Yeah, if you give them a mafia killed body, they'll

365
00:18:50,400 --> 00:18:50,679
Speaker 1: eat that.

366
00:18:50,880 --> 00:18:53,920
Speaker 2: They'll eat it. Yeah, eggshells, they'll go like this at

367
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Speaker 2: the end with the two.

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00:18:54,800 --> 00:18:57,840
Speaker 1: Hooves, Yeah, with a you know, horseshoe hanging out of

369
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Speaker 1: their mouth, picking their teeth with a horseshoe, lead anything.

370
00:19:00,760 --> 00:19:04,400
Speaker 2: Little napkins at each corner of the mouth. Dude, you're

371
00:19:04,440 --> 00:19:05,800
Speaker 2: welcome gratzi.

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00:19:06,480 --> 00:19:13,399
Speaker 1: No, I don't. Yeah, I've never seen pigs eat. Maybe

373
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Speaker 1: I'll have the chance.

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Speaker 2: I bet you will at a sanctuary.

375
00:19:17,040 --> 00:19:19,240
Speaker 5: Yeah, that's probably one of the four things they do.

376
00:19:19,840 --> 00:19:22,040
Speaker 3: What else are you gonna watch them do? Use the bathroom?

377
00:19:22,119 --> 00:19:23,720
Speaker 2: I mean, I please look away?

378
00:19:23,960 --> 00:19:27,400
Speaker 1: Yeah, I will, for no other reason than to give

379
00:19:27,440 --> 00:19:28,399
Speaker 1: them their privacy.

380
00:19:28,560 --> 00:19:31,879
Speaker 2: Hopefully the sanctuary puts up some rules and regulations like

381
00:19:31,960 --> 00:19:36,040
Speaker 2: no staring right, no staring bathroom style.

382
00:19:36,080 --> 00:19:40,639
Speaker 3: Yes, no direct eye contact, no loud.

383
00:19:40,400 --> 00:19:44,360
Speaker 1: Clapping, no flash photographer, don't make snort noises.

384
00:19:44,280 --> 00:19:47,720
Speaker 2: No cutoffs, no running, no bottles.

385
00:19:47,359 --> 00:19:53,760
Speaker 1: No cutoffs. No. They want us to just consider the

386
00:19:53,840 --> 00:19:57,359
Speaker 1: line when we line up with the pigs for whatever

387
00:19:57,400 --> 00:19:59,480
Speaker 1: events you do. I assume you do things with the

388
00:19:59,480 --> 00:20:01,520
Speaker 1: pigs and stand in mind to do them.

389
00:20:01,840 --> 00:20:03,800
Speaker 2: Uh oh, I thought you meant be in line with

390
00:20:03,840 --> 00:20:06,200
Speaker 2: the pigs, like line dancing the electric slide.

391
00:20:06,240 --> 00:20:08,960
Speaker 1: Oh my god. If that's one of the things they offer,

392
00:20:09,640 --> 00:20:14,160
Speaker 1: I will grab those hoofs and I will have perfect timing. Finally,

393
00:20:14,240 --> 00:20:16,880
Speaker 1: these swine swing classes. I took.

394
00:20:17,119 --> 00:20:20,080
Speaker 2: It's a true sanctuary for pigs. They can true, finally

395
00:20:20,119 --> 00:20:21,399
Speaker 2: be themselves.

396
00:20:21,119 --> 00:20:22,920
Speaker 1: I have a feeling it's something I'm going to go

397
00:20:22,960 --> 00:20:24,760
Speaker 1: to and then feel sad and confront it.

398
00:20:24,800 --> 00:20:26,320
Speaker 3: But maybe I deserve that.

399
00:20:27,760 --> 00:20:29,280
Speaker 5: Well, that's always a consideration.

400
00:20:29,320 --> 00:20:29,720
Speaker 1: It is.

401
00:20:29,960 --> 00:20:33,200
Speaker 3: There's certain sadnesses that you have to line up for that.

402
00:20:33,200 --> 00:20:34,440
Speaker 5: You're asking for.

403
00:20:34,680 --> 00:20:37,880
Speaker 2: Yeah, okay, now keep an eye peeled because we have

404
00:20:38,520 --> 00:20:41,359
Speaker 2: James Fritz's address information here, So now we have to

405
00:20:41,440 --> 00:20:43,200
Speaker 2: find a Starbucks.

406
00:20:43,359 --> 00:20:45,720
Speaker 1: Oh, natural, take a left, and I'll try not to

407
00:20:45,800 --> 00:20:47,240
Speaker 1: imagine my eye being peeled.

408
00:20:49,040 --> 00:20:51,760
Speaker 2: You're the one peeling it. Does that help or hurt

409
00:20:51,840 --> 00:20:52,680
Speaker 2: the visualization?

410
00:20:53,119 --> 00:20:53,479
Speaker 3: Oh?

411
00:20:53,880 --> 00:20:57,080
Speaker 1: I have to do it to myself if your eye peeled?

412
00:20:57,119 --> 00:20:59,200
Speaker 1: I said, so, is this like to get rid of

413
00:20:59,240 --> 00:20:59,959
Speaker 1: a cataract?

414
00:21:00,080 --> 00:21:01,400
Speaker 3: What kind of surgery am I doing?

415
00:21:01,560 --> 00:21:05,119
Speaker 2: Get in there with your little laser and you're little

416
00:21:05,320 --> 00:21:09,000
Speaker 2: Have you ever fucking watched that? Like remember when people

417
00:21:09,160 --> 00:21:11,959
Speaker 2: would get it's not cataract surgery, but it's the lens

418
00:21:12,520 --> 00:21:15,080
Speaker 2: replacement where suddenly people have twenty twenty vision.

419
00:21:15,240 --> 00:21:15,879
Speaker 5: What's that called?

420
00:21:16,640 --> 00:21:17,399
Speaker 3: Oh, lasik?

421
00:21:17,520 --> 00:21:21,239
Speaker 2: Yeah, my sister got it, my dad got it. I

422
00:21:21,280 --> 00:21:24,040
Speaker 2: watched Jessica Simpson get it on the Jessica Simpson and

423
00:21:24,119 --> 00:21:26,199
Speaker 2: Nick Lahy or how right.

424
00:21:26,200 --> 00:21:28,840
Speaker 1: It's a show where she thought chicken and the sea

425
00:21:28,960 --> 00:21:32,560
Speaker 1: was chicken. Yeah, and everyone torri apart for it, But

426
00:21:32,640 --> 00:21:35,879
Speaker 1: I actually thought it wasn't that bad of a question.

427
00:21:36,160 --> 00:21:37,119
Speaker 3: How are we to know it?

428
00:21:37,440 --> 00:21:40,159
Speaker 1: We've been told it's dolphin before, maybe there is some

429
00:21:40,280 --> 00:21:41,000
Speaker 1: chicken in there.

430
00:21:41,800 --> 00:21:44,000
Speaker 2: And also there's some who say she knew that that

431
00:21:44,040 --> 00:21:46,879
Speaker 2: would cause it fuffle, so she did it on purpose,

432
00:21:46,880 --> 00:21:49,760
Speaker 2: which I love even more. Yeah, yes, play those people.

433
00:21:49,840 --> 00:21:51,320
Speaker 3: They showed her surgery on that.

434
00:21:51,240 --> 00:21:54,280
Speaker 2: Show, well they showed it might not have been hers,

435
00:21:54,359 --> 00:21:56,879
Speaker 2: but she went she got lasick on the show, and

436
00:21:56,920 --> 00:21:59,960
Speaker 2: she was super nervous and they gave her like apparently

437
00:22:00,160 --> 00:22:02,080
Speaker 2: they gave her a bunch of value and it it

438
00:22:02,160 --> 00:22:04,199
Speaker 2: still didn't work, and she was like all shaky and

439
00:22:04,240 --> 00:22:07,639
Speaker 2: freaking out, which it's her eye. I would too, But

440
00:22:08,200 --> 00:22:10,600
Speaker 2: they did show like she had to watch a video

441
00:22:10,640 --> 00:22:12,920
Speaker 2: of what was going to be happening to her, which

442
00:22:12,960 --> 00:22:15,679
Speaker 2: is a video of somebody getting lasick. So she was

443
00:22:15,800 --> 00:22:16,520
Speaker 2: on the show.

444
00:22:16,359 --> 00:22:19,679
Speaker 3: They see I actually I've talked about this before.

445
00:22:19,440 --> 00:22:21,919
Speaker 1: That I watched her my surgery and my hip replacement

446
00:22:22,000 --> 00:22:25,000
Speaker 1: on a video, but it was suggested that I watch it,

447
00:22:25,040 --> 00:22:27,560
Speaker 1: just like I think it's just as crazy to make

448
00:22:27,600 --> 00:22:29,639
Speaker 1: someone watch an eye surgery before they get it.

449
00:22:29,720 --> 00:22:32,040
Speaker 2: Yes, it's why would you do it? I don't know

450
00:22:32,200 --> 00:22:33,080
Speaker 2: what's the benefit?

451
00:22:33,280 --> 00:22:35,280
Speaker 3: There was no, It just made me more scared.

452
00:22:35,359 --> 00:22:39,320
Speaker 1: But I do have a pretty good understanding of what

453
00:22:39,359 --> 00:22:40,000
Speaker 1: they did to me.

454
00:22:40,240 --> 00:22:42,760
Speaker 2: But I but so what Yeah, I know, none of

455
00:22:42,800 --> 00:22:43,320
Speaker 2: your business.

456
00:22:43,359 --> 00:22:45,040
Speaker 3: Again, I'm on your show.

457
00:22:45,280 --> 00:22:50,840
Speaker 1: Oh, okay, when your dad, because my dad got some

458
00:22:50,920 --> 00:22:53,720
Speaker 1: kind of lasick, but I think it was also cataract

459
00:22:54,600 --> 00:22:56,040
Speaker 1: removal type surgery.

460
00:22:56,280 --> 00:22:57,080
Speaker 3: But he's there.

461
00:22:57,359 --> 00:23:01,320
Speaker 1: He was a little boy with Buddy holly Horn and

462
00:23:01,480 --> 00:23:05,280
Speaker 1: for the first time ever, at like age seventy, he

463
00:23:05,359 --> 00:23:08,120
Speaker 1: all of a sudden did not need glasses. Oh wow,

464
00:23:08,280 --> 00:23:09,960
Speaker 1: which is crazy what.

465
00:23:09,840 --> 00:23:10,400
Speaker 3: They can do.

466
00:23:10,640 --> 00:23:12,520
Speaker 5: Yes, it's very cool.

467
00:23:12,760 --> 00:23:15,679
Speaker 3: Yeah, he just wears reading glasses like a normal person.

468
00:23:15,760 --> 00:23:19,800
Speaker 3: He had glasses his whole life. Get your eyes peeled, everyone,

469
00:23:19,880 --> 00:23:20,840
Speaker 3: that's our point.

470
00:23:21,359 --> 00:23:24,840
Speaker 2: You do it, someone else do it, do it and

471
00:23:24,880 --> 00:23:25,680
Speaker 2: then make.

472
00:23:25,560 --> 00:23:26,280
Speaker 3: Them watch it.

473
00:23:26,400 --> 00:23:30,240
Speaker 1: Make no no, oh, I can't wait for you to

474
00:23:30,320 --> 00:23:38,199
Speaker 1: order me this drink. But yes, very excited for the

475
00:23:38,280 --> 00:23:41,400
Speaker 1: day I get my eye surgery because I'm already tired

476
00:23:41,440 --> 00:23:42,159
Speaker 1: of these things.

477
00:23:42,960 --> 00:23:44,720
Speaker 5: Are those reading glasses for distance?

478
00:23:45,080 --> 00:23:47,160
Speaker 3: They are three different lenses in one.

479
00:23:47,960 --> 00:23:51,880
Speaker 1: Yes, they're progressives, sir, yes, ma'am.

480
00:23:52,280 --> 00:23:54,440
Speaker 5: When did you start teaching high school algebra?

481
00:23:55,680 --> 00:23:58,600
Speaker 1: You can't see the line, but they are readers down

482
00:23:58,680 --> 00:24:01,280
Speaker 1: here about six feet way up here. So we go

483
00:24:01,359 --> 00:24:04,360
Speaker 1: from a two to a point five to nothing above.

484
00:24:04,800 --> 00:24:06,720
Speaker 5: And so that's when you're rolling your eyes because you're

485
00:24:06,760 --> 00:24:07,440
Speaker 5: so frustrated.

486
00:24:07,800 --> 00:24:11,359
Speaker 1: No, I more wrench my neck in different positions to

487
00:24:11,600 --> 00:24:13,400
Speaker 1: end my eyeballs at the right lens.

488
00:24:13,720 --> 00:24:18,320
Speaker 2: Yeah, there's It does elicit a very strange chicken like

489
00:24:20,119 --> 00:24:23,880
Speaker 2: action in the head area when you're using the first time.

490
00:24:23,720 --> 00:24:26,760
Speaker 1: I am all neck with these glasses. Yeah, I am prodding.

491
00:24:27,000 --> 00:24:29,320
Speaker 1: I'm doing a lot of this. I'm acting it out

492
00:24:29,400 --> 00:24:30,280
Speaker 1: so you can't see it.

493
00:24:30,280 --> 00:24:33,679
Speaker 2: But he's eating dried corn right now, guys, new listeners,

494
00:24:33,760 --> 00:24:35,960
Speaker 2: Chris is eating dried corn like a chicken.

495
00:24:36,040 --> 00:24:37,640
Speaker 3: But it is something I had to get used to.

496
00:24:37,680 --> 00:24:40,480
Speaker 1: When I go downstairs, I really press my chin against

497
00:24:40,560 --> 00:24:42,679
Speaker 1: my chest because I need to see out of the

498
00:24:42,760 --> 00:24:47,240
Speaker 1: mid zone. If I look down at stairs with the readers,

499
00:24:47,320 --> 00:24:49,919
Speaker 1: the stairs are blurry and there's a chance that I

500
00:24:49,960 --> 00:24:51,680
Speaker 1: will fall down stairs.

501
00:24:51,720 --> 00:24:57,040
Speaker 2: Readers are not four stairs. No, no situation is that appropriate?

502
00:24:57,240 --> 00:25:00,960
Speaker 1: No, So yeah, it's I'm I'm starting to think I

503
00:25:00,960 --> 00:25:04,439
Speaker 1: should get those teacher croquies.

504
00:25:04,040 --> 00:25:06,480
Speaker 2: Or whatever they're called, that hold among your head. Yeah,

505
00:25:06,520 --> 00:25:09,440
Speaker 2: holdies in case you whip your head around real quick

506
00:25:10,920 --> 00:25:13,240
Speaker 2: because you're looking through your readers thinking that someone's in

507
00:25:13,280 --> 00:25:14,800
Speaker 2: front of you, but it's far away.

508
00:25:14,960 --> 00:25:17,800
Speaker 1: And now I'm starting to understand why a lot of

509
00:25:17,800 --> 00:25:20,960
Speaker 1: retired people have to flip up sunglasses. I wish these

510
00:25:21,000 --> 00:25:23,919
Speaker 1: would turn to sunglasses occasionally. And I know I'm not

511
00:25:23,960 --> 00:25:25,080
Speaker 1: going to get transitions.

512
00:25:25,960 --> 00:25:28,720
Speaker 2: Please stop suggesting that you're going to get transition lenses.

513
00:25:28,800 --> 00:25:29,399
Speaker 1: I will not.

514
00:25:29,920 --> 00:25:30,520
Speaker 2: Please don't.

515
00:25:30,760 --> 00:25:33,359
Speaker 1: The minute you walk into a room and they're halfway there,

516
00:25:33,800 --> 00:25:35,399
Speaker 1: you are the scariest person.

517
00:25:35,720 --> 00:25:38,080
Speaker 2: I'm telling you. They're my least favorite thing I think

518
00:25:38,160 --> 00:25:40,359
Speaker 2: on the planet, including oppression.

519
00:25:40,600 --> 00:25:44,560
Speaker 3: Yes, especially when they're a tint of blue. Didn't get

520
00:25:44,800 --> 00:25:45,320
Speaker 3: out of here?

521
00:25:45,560 --> 00:25:45,960
Speaker 1: Oops?

522
00:25:46,160 --> 00:25:47,880
Speaker 2: Am I in the wrong lane?

523
00:25:48,200 --> 00:25:50,439
Speaker 1: No? If we are, it's my fault.

524
00:25:51,000 --> 00:25:54,080
Speaker 2: Well, we have been podcasting, right, Look at her, the

525
00:25:54,119 --> 00:25:54,760
Speaker 2: pretty lady.

526
00:25:55,200 --> 00:25:57,240
Speaker 1: It's okay, we can catch up. We didn't want to

527
00:25:57,280 --> 00:26:01,840
Speaker 1: go buy the wetlands? Oh good, We're gonna take a

528
00:26:01,920 --> 00:26:03,560
Speaker 1: slight left here at.

529
00:26:03,400 --> 00:26:05,960
Speaker 2: That works well?

530
00:26:06,160 --> 00:26:11,880
Speaker 1: It says Verdugo woodlands, woodlands, wetlands. What's the difference?

531
00:26:12,000 --> 00:26:15,480
Speaker 2: So I guess moisture, Yeah, trees.

532
00:26:16,760 --> 00:26:19,960
Speaker 1: Yeah, okay, this is good. I'm glad we made this mistake.

533
00:26:20,119 --> 00:26:21,800
Speaker 1: This is good.

534
00:26:22,119 --> 00:26:25,080
Speaker 2: But it looks like is it rerouting us? Now?

535
00:26:25,240 --> 00:26:28,120
Speaker 1: I think they we were going to go around there,

536
00:26:28,160 --> 00:26:30,000
Speaker 1: but now we're just going on this side of what

537
00:26:30,080 --> 00:26:31,359
Speaker 1: appears to be a bike path.

538
00:26:32,480 --> 00:26:33,679
Speaker 2: Oh are we in the bike lane?

539
00:26:33,840 --> 00:26:34,400
Speaker 1: Yeah? We are?

540
00:26:34,760 --> 00:26:35,280
Speaker 2: Is that bad?

541
00:26:35,560 --> 00:26:35,840
Speaker 4: No?

542
00:26:35,920 --> 00:26:38,960
Speaker 1: Not in England. There's bikes everywhere. We're not in England,

543
00:26:39,480 --> 00:26:41,680
Speaker 1: I know, but pretend we are. We'll just honk and

544
00:26:41,760 --> 00:26:43,040
Speaker 1: all the old people on bikes.

545
00:26:43,040 --> 00:26:47,960
Speaker 2: That's say, come up on the Sorry Paddington Bear. I'm

546
00:26:48,160 --> 00:26:51,280
Speaker 2: swear to god, I've never driven in a car lane

547
00:26:51,280 --> 00:26:53,320
Speaker 2: that has the bike thing in the middle like this.

548
00:26:53,840 --> 00:26:55,840
Speaker 2: It should I be out of this lane.

549
00:26:56,160 --> 00:26:59,600
Speaker 1: It really makes no sense. This is a lane for

550
00:26:59,680 --> 00:27:03,600
Speaker 1: vehicle and in the middle of it there's a bike lane.

551
00:27:04,600 --> 00:27:05,280
Speaker 3: Someone made a.

552
00:27:05,240 --> 00:27:08,879
Speaker 1: Mistake this whole way. There's no way that this is

553
00:27:08,920 --> 00:27:10,399
Speaker 1: for cars and also bikes.

554
00:27:10,440 --> 00:27:12,720
Speaker 2: The bikes have been repeating for at least a mile

555
00:27:12,760 --> 00:27:15,920
Speaker 2: and a half, so that would be someone fell asleep

556
00:27:16,000 --> 00:27:17,880
Speaker 2: on the bike painting machine.

557
00:27:18,119 --> 00:27:21,280
Speaker 3: Yeah, they made a mistake. Every twenty feet.

558
00:27:22,400 --> 00:27:25,159
Speaker 2: I mean, maybe it's just get out when there's a

559
00:27:25,240 --> 00:27:25,840
Speaker 2: bike here.

560
00:27:26,320 --> 00:27:29,960
Speaker 1: I don't trust strangers too in.

561
00:27:30,000 --> 00:27:32,720
Speaker 2: Cars, we can only be responsible for ourselves.

562
00:27:32,760 --> 00:27:36,480
Speaker 1: It's the scariest city to ride a bike. Yeah, Los Angeles.

563
00:27:36,480 --> 00:27:39,480
Speaker 1: I can't believe I came here a bike rider and

564
00:27:39,840 --> 00:27:45,280
Speaker 1: I am leaving here. Not when I move eventually. I

565
00:27:45,320 --> 00:27:47,880
Speaker 1: haven't been planning it, okay, but one day I will

566
00:27:47,920 --> 00:27:52,400
Speaker 1: probably leave this city. Thank you, Karen. Extender to right

567
00:27:52,560 --> 00:27:55,920
Speaker 1: arm to keep me from smashing my face on the dash,

568
00:27:56,160 --> 00:27:58,800
Speaker 1: and I really appreciate it every time I saw it

569
00:27:58,800 --> 00:28:03,919
Speaker 1: coming too. Because you write reader length your fingers. I

570
00:28:03,920 --> 00:28:05,399
Speaker 1: could I could tell because I could.

571
00:28:05,280 --> 00:28:07,359
Speaker 3: Read your You know the word you have.

572
00:28:08,760 --> 00:28:09,960
Speaker 1: On your knuckles, the.

573
00:28:09,840 --> 00:28:16,640
Speaker 5: Tiniest little word faith, kind of faith.

574
00:28:16,720 --> 00:28:20,040
Speaker 2: The tiniest thought could fit.

575
00:28:20,960 --> 00:28:25,639
Speaker 1: And then on the other hand, no more, Oh Patton,

576
00:28:25,960 --> 00:28:30,680
Speaker 1: you got an extra finger added for that. E Hi,

577
00:28:30,800 --> 00:28:34,840
Speaker 1: I'm looking to have a second pinky installed. I really like.

578
00:28:34,840 --> 00:28:37,560
Speaker 2: Faith no more for my pat he looks like a model.

579
00:28:37,720 --> 00:28:39,920
Speaker 1: Say no more, Say no more. You're the third today.

580
00:28:40,120 --> 00:28:42,520
Speaker 2: I saw him when I was fourteen, and it changed

581
00:28:42,560 --> 00:28:44,360
Speaker 2: my life.

582
00:28:45,600 --> 00:28:47,400
Speaker 1: It's a great idea, right.

583
00:28:47,600 --> 00:28:53,120
Speaker 2: Tiny faith moment. For some reason, I was also picturing it,

584
00:28:53,160 --> 00:28:56,080
Speaker 2: maybe because it's in a small font. I was picturing

585
00:28:56,120 --> 00:28:58,480
Speaker 2: it in a also in a typewriter font.

586
00:28:58,600 --> 00:29:01,719
Speaker 3: But on my hand, I think that that's a great idea.

587
00:29:01,880 --> 00:29:04,840
Speaker 1: Right, Yeah, if I ever do get words.

588
00:29:04,480 --> 00:29:08,520
Speaker 3: On my body, it's going to be tiny hel Helvetica.

589
00:29:09,520 --> 00:29:10,960
Speaker 2: Is how they pronounce it in Sweden.

590
00:29:15,520 --> 00:29:18,600
Speaker 1: Yeah, it is very Swedish. I do want whatever words

591
00:29:18,600 --> 00:29:22,680
Speaker 1: I get on me, most likely in excess lyrics. It

592
00:29:22,800 --> 00:29:25,160
Speaker 1: will be in typewriter or helvetica.

593
00:29:25,240 --> 00:29:29,040
Speaker 5: Fon, just give me some examples. Don't change for you.

594
00:29:29,880 --> 00:29:34,880
Speaker 2: Side blonde, just over and over, just like on repeat,

595
00:29:37,040 --> 00:29:39,280
Speaker 2: stack at twelve suicide blondes up your arm.

596
00:29:39,520 --> 00:29:41,680
Speaker 1: It's kind of funny that I can't think of any

597
00:29:42,040 --> 00:29:44,840
Speaker 1: devil inside every single one of us, the devil inside

598
00:29:45,040 --> 00:29:54,240
Speaker 1: arrow pointing to my bh. I did have one time

599
00:29:54,280 --> 00:29:56,760
Speaker 1: at the Sprint store. I looked over at this guy's

600
00:29:56,880 --> 00:30:00,720
Speaker 1: arm and he had little lyrics to beaut girl, a

601
00:30:00,840 --> 00:30:05,400
Speaker 1: lesser known right before Michael Hutchin's passed uh song oh.

602
00:30:05,400 --> 00:30:09,320
Speaker 1: And then I noticed another tattoo was in excess lyrics,

603
00:30:09,320 --> 00:30:13,040
Speaker 1: And then I said, are your tattoos in excess lyrics?

604
00:30:13,080 --> 00:30:15,720
Speaker 1: He said, yeah, I live in excess, and he had

605
00:30:15,760 --> 00:30:22,160
Speaker 1: the full most recent in excess helvetica logo on his torso,

606
00:30:22,280 --> 00:30:25,000
Speaker 1: and he showed me his torso. Wow, he really liked

607
00:30:25,040 --> 00:30:25,440
Speaker 1: the band.

608
00:30:26,880 --> 00:30:28,280
Speaker 5: Let's can I ask about the torso?

609
00:30:28,560 --> 00:30:28,640
Speaker 2: Uh?

610
00:30:28,720 --> 00:30:29,200
Speaker 1: Huh?

611
00:30:29,400 --> 00:30:32,040
Speaker 2: Was it the kind like it's like, oh, you would

612
00:30:32,040 --> 00:30:34,000
Speaker 2: have just had anything written on your torso. You're trying

613
00:30:34,000 --> 00:30:35,800
Speaker 2: to show people your torso? Was it one of those?

614
00:30:35,920 --> 00:30:36,520
Speaker 1: Uh?

615
00:30:36,800 --> 00:30:38,680
Speaker 3: I think at some point he was an older guy.

616
00:30:38,720 --> 00:30:40,840
Speaker 1: But I you know, it looked like you've been uh

617
00:30:41,400 --> 00:30:43,120
Speaker 1: road hard and hung up wet.

618
00:30:44,800 --> 00:30:46,760
Speaker 3: As they say, Did I.

619
00:30:46,760 --> 00:30:47,360
Speaker 1: Mess us up?

620
00:30:47,560 --> 00:30:47,680
Speaker 2: No?

621
00:30:47,920 --> 00:30:50,840
Speaker 1: I did, But oh we're good. We're good, You're good.

622
00:30:51,520 --> 00:30:52,320
Speaker 5: Look what it's doing.

623
00:30:52,520 --> 00:30:55,200
Speaker 2: It's telling that we're going this way, but then it

624
00:30:55,240 --> 00:30:57,280
Speaker 2: says to be in that lane. So that's here.

625
00:30:57,880 --> 00:30:58,800
Speaker 3: It is confusing.

626
00:30:59,000 --> 00:31:01,400
Speaker 1: It's telling us to go right for the next ten

627
00:31:01,480 --> 00:31:04,440
Speaker 1: feet in which and then at that point.

628
00:31:04,240 --> 00:31:05,000
Speaker 4: It will veer.

629
00:31:05,320 --> 00:31:06,680
Speaker 5: At that point, we're going to go straight into the

630
00:31:06,720 --> 00:31:07,680
Speaker 5: chiropractic building.

631
00:31:07,720 --> 00:31:10,200
Speaker 1: All of a sudden, these are going to turn to Kirby. Nope,

632
00:31:10,840 --> 00:31:13,360
Speaker 1: it's just telling you to go forward. Now what's it doing?

633
00:31:13,960 --> 00:31:15,720
Speaker 2: Because it was the wrong thing? God damn it.

634
00:31:15,920 --> 00:31:19,240
Speaker 1: Okay, we're going to go straight a little here is it? Yeah,

635
00:31:19,280 --> 00:31:22,560
Speaker 1: we're going to go to that one. Oh too, I

636
00:31:22,600 --> 00:31:25,800
Speaker 1: think this guy, maybe I'm guessing what was a roadie

637
00:31:25,800 --> 00:31:27,120
Speaker 1: for an excess or something.

638
00:31:27,160 --> 00:31:28,800
Speaker 3: He was so into the band that he had to

639
00:31:28,800 --> 00:31:30,120
Speaker 3: be affiliated.

640
00:31:29,600 --> 00:31:32,400
Speaker 2: I would hope. So like he earned it. Yeah, but

641
00:31:32,520 --> 00:31:33,719
Speaker 2: we didn't get a Starbucks.

642
00:31:33,960 --> 00:31:36,480
Speaker 1: That's okay. Maybe we can do it with I think

643
00:31:36,520 --> 00:31:39,920
Speaker 1: that James is a drinker of coffee, I would hope.

644
00:31:39,960 --> 00:31:46,680
Speaker 2: So, yeah, this, God, this is confusing. All right, he'll get.

645
00:31:46,560 --> 00:31:47,200
Speaker 1: Us back round.

646
00:31:47,280 --> 00:31:48,200
Speaker 2: Yeah, I did it wrong.

647
00:31:48,440 --> 00:31:49,120
Speaker 3: No, it's okay.

648
00:31:49,160 --> 00:31:51,840
Speaker 1: Well, it's hard to do this. This is not easy

649
00:31:51,920 --> 00:31:53,560
Speaker 1: to drive and talk.

650
00:31:53,360 --> 00:31:56,400
Speaker 2: And look at this and think of in excess lyrics.

651
00:31:56,440 --> 00:31:58,880
Speaker 2: I'm so mad at myself because I listened. I've listened

652
00:31:58,920 --> 00:32:01,920
Speaker 2: to every in Excess and I couldn't think of one

653
00:32:01,960 --> 00:32:02,680
Speaker 2: fucking song.

654
00:32:03,160 --> 00:32:05,400
Speaker 1: Shabou sha bah. That's an album.

655
00:32:05,560 --> 00:32:08,600
Speaker 2: That's what he say when I'm upset about something. Oh,

656
00:32:08,640 --> 00:32:10,320
Speaker 2: shabousha bah. You're fine.

657
00:32:10,720 --> 00:32:12,400
Speaker 1: Oh yeah, I think this is a good.

658
00:32:13,280 --> 00:32:17,560
Speaker 2: No, it's not, God, damn everybody, it's you.

659
00:32:17,600 --> 00:32:19,440
Speaker 1: No, it's me, I understand.

660
00:32:20,600 --> 00:32:24,040
Speaker 2: Oh right, it's right fucking here. God damn it. Don't

661
00:32:24,040 --> 00:32:31,280
Speaker 2: go for Pete's sake, For the love of Pete, I mean, seriously,

662
00:32:31,320 --> 00:32:34,560
Speaker 2: where are we right now? Did James Fritz buy a home.

663
00:32:34,920 --> 00:32:35,560
Speaker 1: I don't know.

664
00:32:35,800 --> 00:32:38,480
Speaker 3: That's a good question. He lives in a very nice area.

665
00:32:38,920 --> 00:32:41,760
Speaker 2: This is great. Did he have kids?

666
00:32:42,800 --> 00:32:43,120
Speaker 4: Do you know?

667
00:32:43,240 --> 00:32:45,120
Speaker 3: Our guest today is on the portrait.

668
00:32:45,200 --> 00:32:48,800
Speaker 1: Now he's made eye contact with the headlights of the

669
00:32:48,840 --> 00:32:52,480
Speaker 1: car and with our faces.

670
00:32:52,840 --> 00:32:54,640
Speaker 3: I think that's oh, there he is James right there?

671
00:32:54,720 --> 00:32:58,880
Speaker 1: Yeah, I mean, what a beautiful house. Let's not assume it's.

672
00:32:58,720 --> 00:33:00,840
Speaker 5: His, okay, because what do we act like?

673
00:33:01,120 --> 00:33:04,120
Speaker 2: How do we okay? Just be cool, don't.

674
00:33:03,880 --> 00:33:04,640
Speaker 3: Talk about the house.

675
00:33:04,760 --> 00:33:07,240
Speaker 1: Don't ask who lives there or why he was there.

676
00:33:07,800 --> 00:33:10,440
Speaker 2: Don't ask this guy a bunch of questions seriously, right,

677
00:33:11,160 --> 00:33:12,480
Speaker 2: Just pretend he's not in the car.

678
00:33:12,600 --> 00:33:17,680
Speaker 1: We kind of have to. As our guest today. He

679
00:33:17,800 --> 00:33:21,040
Speaker 1: seems very excited. Yes, this side, he's right. A lot

680
00:33:21,080 --> 00:33:24,880
Speaker 1: of people don't ask which side. Clubs and colleges across

681
00:33:24,920 --> 00:33:28,440
Speaker 1: the country. Everyone put your ears together, keep your ears

682
00:33:28,480 --> 00:33:34,400
Speaker 1: peeled for James Fritz. Welcome to the space car body.

683
00:33:35,600 --> 00:33:38,280
Speaker 1: It's good to see you. I feel like it's been dating.

684
00:33:39,560 --> 00:33:39,680
Speaker 4: Hi.

685
00:33:39,760 --> 00:33:42,840
Speaker 5: It needs to see you. It's been so long.

686
00:33:43,680 --> 00:33:47,720
Speaker 1: Hi, how are you saying? Look at that house. Yeah,

687
00:33:47,760 --> 00:33:48,640
Speaker 1: that's my second home.

688
00:33:49,280 --> 00:33:50,000
Speaker 2: It's beautiful.

689
00:33:50,120 --> 00:33:52,719
Speaker 1: We didn't want to ask if we've gotten first or second.

690
00:33:52,880 --> 00:33:56,120
Speaker 1: I've gotten so many writing jobs lately. Oh and then

691
00:33:56,960 --> 00:33:58,920
Speaker 1: that house that was just.

692
00:33:58,920 --> 00:34:01,360
Speaker 4: All of a sudden, everybody.

693
00:34:00,960 --> 00:34:02,640
Speaker 5: Wants me to wait a second?

694
00:34:02,720 --> 00:34:03,560
Speaker 1: Wait? Is that bad?

695
00:34:03,760 --> 00:34:04,600
Speaker 2: That is bad?

696
00:34:05,240 --> 00:34:09,120
Speaker 3: Yeah, scab whatever.

697
00:34:09,160 --> 00:34:14,440
Speaker 2: I don't like labels, don't get Frand Dresher mad at you?

698
00:34:14,680 --> 00:34:16,400
Speaker 3: Oh god, what happened?

699
00:34:16,440 --> 00:34:19,680
Speaker 1: Tell me about this fran dresheriness if I could pronounce

700
00:34:19,719 --> 00:34:20,560
Speaker 1: her name correctly.

701
00:34:20,680 --> 00:34:22,680
Speaker 5: She's the president of SAG, is she?

702
00:34:23,280 --> 00:34:23,520
Speaker 2: Yeah?

703
00:34:23,680 --> 00:34:25,840
Speaker 4: Awesome? Wow, it seemed pretty cool.

704
00:34:26,480 --> 00:34:27,319
Speaker 2: She's the name.

705
00:34:27,400 --> 00:34:29,040
Speaker 4: She was like a radical lefty.

706
00:34:28,920 --> 00:34:31,720
Speaker 1: In the day. I pretty I didn't know how cool

707
00:34:31,800 --> 00:34:34,320
Speaker 1: she was until I rewatched.

708
00:34:35,920 --> 00:34:37,960
Speaker 3: The Nanny Not the Nanny.

709
00:34:38,200 --> 00:34:39,400
Speaker 5: I finghed the series.

710
00:34:39,480 --> 00:34:43,080
Speaker 3: I wasn't that into The Nanny and last around.

711
00:34:43,280 --> 00:34:47,160
Speaker 1: Yeah, the the laugh and everything that the header do.

712
00:34:47,239 --> 00:34:49,200
Speaker 1: But I didn't know how funny she was till Uh,

713
00:34:49,320 --> 00:34:52,000
Speaker 1: why am I forgetting the Christopher guest Rock and Roll

714
00:34:53,120 --> 00:34:53,680
Speaker 1: final tap?

715
00:34:53,760 --> 00:34:54,120
Speaker 3: Thank you?

716
00:34:54,719 --> 00:34:59,080
Speaker 1: She was really funny in that. Yeah, and I that

717
00:34:59,239 --> 00:35:02,560
Speaker 1: made me research more about what she's done. And she's great.

718
00:35:02,719 --> 00:35:05,000
Speaker 1: But I did not know when she was on Conan

719
00:35:05,080 --> 00:35:05,759
Speaker 1: back in the day.

720
00:35:06,000 --> 00:35:08,960
Speaker 4: The clip and like they waited until she did her

721
00:35:08,960 --> 00:35:11,200
Speaker 4: big laugh, and then I had a bunch of sheep

722
00:35:11,320 --> 00:35:13,040
Speaker 4: come out on stage.

723
00:35:14,920 --> 00:35:15,560
Speaker 1: Did she like it?

724
00:35:15,800 --> 00:35:19,000
Speaker 5: Yeah, it's telling me to go back around again.

725
00:35:19,239 --> 00:35:22,240
Speaker 2: We can do that because I didn't hit in trips.

726
00:35:22,320 --> 00:35:27,319
Speaker 1: Yeah, thinks that we're still picking up James's do it.

727
00:35:27,440 --> 00:35:28,920
Speaker 1: I didn't really like my entrance.

728
00:35:28,960 --> 00:35:32,520
Speaker 2: If you want me to get it again, okay, James,

729
00:35:32,600 --> 00:35:34,800
Speaker 2: Let's have a new news, fresh energy. This is okay?

730
00:35:35,080 --> 00:35:38,239
Speaker 1: Yeah, cut and okay.

731
00:35:39,320 --> 00:35:41,040
Speaker 2: Is there a place where we can go to a

732
00:35:41,239 --> 00:35:43,319
Speaker 2: drive through like a Starbucks drive through?

733
00:35:43,920 --> 00:35:44,200
Speaker 4: Well?

734
00:35:45,080 --> 00:35:46,760
Speaker 1: Yeah, are you a coffee person?

735
00:35:46,840 --> 00:35:50,120
Speaker 4: I was, Actually I haven't had coffee today. Let's hear

736
00:35:50,160 --> 00:35:53,080
Speaker 4: the thing about a lot of wealthy people. I've noticed

737
00:35:53,120 --> 00:35:55,759
Speaker 4: I'm dog sitting by the way for the listeners. It

738
00:35:55,880 --> 00:35:58,000
Speaker 4: okay picking up from a dog sit. That is not

739
00:35:58,120 --> 00:35:58,600
Speaker 4: my house.

740
00:35:59,280 --> 00:36:01,319
Speaker 2: It's beautiful, so beautiful. We loved it.

741
00:36:01,440 --> 00:36:07,319
Speaker 4: Yeah. They don't have like regular coffeemakers ever, or even

742
00:36:07,360 --> 00:36:09,600
Speaker 4: the curate like they always hide it. Is that how

743
00:36:09,640 --> 00:36:11,720
Speaker 4: they're successful. They're not poisoning in their body.

744
00:36:11,760 --> 00:36:14,920
Speaker 2: First thing, Oh, because they don't like have a mister

745
00:36:14,920 --> 00:36:15,960
Speaker 2: coffee out on the counter.

746
00:36:16,200 --> 00:36:19,799
Speaker 1: Yeah, oh is it they do? Maybe they're in the

747
00:36:19,840 --> 00:36:22,600
Speaker 1: world of this new world of poor overs that I

748
00:36:22,719 --> 00:36:23,600
Speaker 1: keep talking about.

749
00:36:24,040 --> 00:36:25,160
Speaker 4: Ill I can do a poor over.

750
00:36:25,719 --> 00:36:28,640
Speaker 2: Yeah, maybe they have an Italian man come in and

751
00:36:28,719 --> 00:36:30,520
Speaker 2: pour over for them every morning.

752
00:36:30,560 --> 00:36:31,320
Speaker 4: Who that was?

753
00:36:32,719 --> 00:36:34,800
Speaker 1: Giuseppe was there?

754
00:36:35,200 --> 00:36:37,560
Speaker 4: You know that's a common Italian names, right.

755
00:36:37,880 --> 00:36:41,080
Speaker 1: I've been to multiple parties and you're not gonna believe

756
00:36:41,120 --> 00:36:44,600
Speaker 1: me where a man showed up and he was hand

757
00:36:44,680 --> 00:36:51,719
Speaker 1: rolling cigars and passing them out. Okay, I don't. It's

758
00:36:51,760 --> 00:36:52,640
Speaker 1: happened twice.

759
00:36:53,400 --> 00:36:55,200
Speaker 2: Is that when you're doing your scumbag parties?

760
00:36:55,440 --> 00:36:55,640
Speaker 1: Yes?

761
00:36:55,840 --> 00:37:00,359
Speaker 4: Yes, yeah, yeah, that's either like really scumbag or really rich.

762
00:37:00,840 --> 00:37:06,759
Speaker 1: Like I mean, there's a fine line at times. But yeah,

763
00:37:06,800 --> 00:37:09,920
Speaker 1: I have a whole group of friends that are cigar fisionados.

764
00:37:10,400 --> 00:37:11,120
Speaker 1: Huh yeah.

765
00:37:11,239 --> 00:37:13,480
Speaker 4: Schwartzenegger, he's always there.

766
00:37:14,440 --> 00:37:19,360
Speaker 2: Demi Moore, she loved a cigar the guys guy she is.

767
00:37:21,640 --> 00:37:25,759
Speaker 2: That's right. Sorry, if I keep going, well, I hit

768
00:37:25,840 --> 00:37:28,200
Speaker 2: a drivers.

769
00:37:27,360 --> 00:37:33,880
Speaker 4: In this area a little any one, James.

770
00:37:33,600 --> 00:37:34,640
Speaker 5: I knew you were going to do that.

771
00:37:35,560 --> 00:37:35,840
Speaker 4: Times.

772
00:37:36,560 --> 00:37:41,319
Speaker 2: Isn't a political statement. This is Starbucks or is Chris

773
00:37:41,360 --> 00:37:44,840
Speaker 2: called it? Sus Sorry, it.

774
00:37:44,880 --> 00:37:47,799
Speaker 4: Does suck because they're like half as cheap as as

775
00:37:47,880 --> 00:37:49,080
Speaker 4: like anyone you would want to.

776
00:37:49,440 --> 00:37:50,680
Speaker 1: Yeah.

777
00:37:50,800 --> 00:37:55,520
Speaker 2: Also there's many of those like fancy, nice, expensive places.

778
00:37:55,680 --> 00:37:58,000
Speaker 2: I just genuinely don't like the taste of that coffee.

779
00:37:58,080 --> 00:38:01,040
Speaker 4: Yeah, yeah, I just wanted to taste like coffee. Yeah,

780
00:38:01,440 --> 00:38:03,400
Speaker 4: I like seven to eleven coffee.

781
00:38:03,080 --> 00:38:07,000
Speaker 6: Yes, or McDonald's coffee, Donald's key.

782
00:38:07,280 --> 00:38:10,520
Speaker 3: I keep hearing about this dunkin Donuts co boy.

783
00:38:11,160 --> 00:38:13,760
Speaker 1: Here we go again. Take a left here. I'm directing

784
00:38:13,800 --> 00:38:17,759
Speaker 1: us to its mom and Pops. Ain't our bucks.

785
00:38:18,360 --> 00:38:19,600
Speaker 5: These coast guys.

786
00:38:19,320 --> 00:38:23,800
Speaker 2: Here of alertness, James, We're being such a rude host.

787
00:38:24,280 --> 00:38:27,160
Speaker 2: How are you? What is going on in your summer?

788
00:38:27,400 --> 00:38:29,239
Speaker 2: What's your summer theme this year?

789
00:38:29,360 --> 00:38:30,719
Speaker 3: Yeah, we've adopted a theme.

790
00:38:30,760 --> 00:38:34,600
Speaker 1: What's your poverty?

791
00:38:35,120 --> 00:38:36,239
Speaker 2: Dogs will pull you out?

792
00:38:36,600 --> 00:38:36,959
Speaker 4: I hope.

793
00:38:37,000 --> 00:38:37,120
Speaker 1: So.

794
00:38:37,400 --> 00:38:39,560
Speaker 4: Yeah, I'm looking for a job.

795
00:38:40,040 --> 00:38:40,879
Speaker 1: Take a left here.

796
00:38:41,160 --> 00:38:44,840
Speaker 4: Was working on a podcast and the network did not

797
00:38:45,000 --> 00:38:45,480
Speaker 4: renew it.

798
00:38:45,640 --> 00:38:46,600
Speaker 1: What about? Is it?

799
00:38:47,960 --> 00:38:50,080
Speaker 4: The podcast industry kind of dried up.

800
00:38:50,239 --> 00:38:51,360
Speaker 5: It's a little dry.

801
00:38:52,160 --> 00:38:53,279
Speaker 1: Frankie Z.

802
00:38:53,760 --> 00:38:56,880
Speaker 4: Yeah. It was super fun. Yeah, it's like writing sketches.

803
00:38:56,920 --> 00:39:00,279
Speaker 4: It was just me and Frankie and Kevin Kamia was

804
00:39:00,800 --> 00:39:02,080
Speaker 4: the funniest.

805
00:39:02,680 --> 00:39:03,120
Speaker 2: Love him.

806
00:39:03,280 --> 00:39:04,000
Speaker 1: That's fun.

807
00:39:04,120 --> 00:39:07,239
Speaker 4: And we recorded it at this was so trippy, like

808
00:39:07,360 --> 00:39:10,759
Speaker 4: my country ass. I never thought we recorded it at

809
00:39:10,800 --> 00:39:16,239
Speaker 4: the studios that the DJ from Cypress Hill his studios. Oh,

810
00:39:16,680 --> 00:39:21,000
Speaker 4: DJ mugs Okay, it's like hip hop guys coming out

811
00:39:21,000 --> 00:39:22,560
Speaker 4: in the front studio the whole time.

812
00:39:22,880 --> 00:39:24,919
Speaker 1: Wow, it was pretty cool.

813
00:39:25,120 --> 00:39:27,279
Speaker 2: Like he's a very sweet guy, famous people that you

814
00:39:27,360 --> 00:39:28,840
Speaker 2: recognized of hip hop.

815
00:39:28,920 --> 00:39:32,120
Speaker 4: I'm not really me, I'm not really You're not that

816
00:39:32,200 --> 00:39:35,080
Speaker 4: guy on point with contemporary hip hop.

817
00:39:36,400 --> 00:39:39,560
Speaker 1: I'm kind of a rocker, are you? Are you familiar

818
00:39:40,080 --> 00:39:43,480
Speaker 1: like hip hop? But like yeah, I couldn't speak. Bob

819
00:39:43,560 --> 00:39:47,120
Speaker 1: Dylan had a recording studio and he led a lot

820
00:39:47,120 --> 00:39:49,080
Speaker 1: of hip hop artists. He was a fan and he

821
00:39:49,200 --> 00:39:51,800
Speaker 1: let them record in his studio. There was my friend

822
00:39:51,920 --> 00:39:54,759
Speaker 1: was working on a documentary about it. So I drew

823
00:39:54,920 --> 00:39:59,080
Speaker 1: a bunch of hip hop artists and then Bob Dylan

824
00:39:59,320 --> 00:40:01,600
Speaker 1: just in with the and he's really specific.

825
00:40:01,800 --> 00:40:04,759
Speaker 4: I just heard when he made Time out of Mind,

826
00:40:04,760 --> 00:40:07,560
Speaker 4: which is one of my favorite records. Like originally he

827
00:40:07,800 --> 00:40:11,359
Speaker 4: at that time he was like obsessed with Beck and

828
00:40:11,400 --> 00:40:15,440
Speaker 4: he wanted to do like kind of like about doing

829
00:40:15,560 --> 00:40:19,520
Speaker 4: hip hop album over like blue Old blueses loops.

830
00:40:19,920 --> 00:40:21,120
Speaker 2: Wow, they said no.

831
00:40:21,719 --> 00:40:24,120
Speaker 4: I think Daniel n. Waugh was like, let's just have

832
00:40:24,280 --> 00:40:25,000
Speaker 4: you be sad.

833
00:40:25,360 --> 00:40:29,439
Speaker 1: Let's take over here. You know where you're going.

834
00:40:29,880 --> 00:40:30,719
Speaker 2: I just looked at your phone.

835
00:40:30,760 --> 00:40:32,480
Speaker 1: Okay with a little side.

836
00:40:32,920 --> 00:40:36,080
Speaker 2: Yeah, how's y'all?

837
00:40:36,239 --> 00:40:44,960
Speaker 4: I saw Neil Young this week. Yeah, in a vision father?

838
00:40:45,800 --> 00:40:46,600
Speaker 1: What did he say?

839
00:40:47,560 --> 00:40:50,520
Speaker 2: More bomb? No?

840
00:40:50,600 --> 00:40:53,839
Speaker 4: It was incredible. My buddy Rick would stumbled onto two

841
00:40:54,000 --> 00:40:57,160
Speaker 4: free tickets again poverty, But I got to see, you know,

842
00:40:57,200 --> 00:41:00,440
Speaker 4: we're making it work, and you've had practice at poverty,

843
00:41:00,560 --> 00:41:01,239
Speaker 4: you may get work.

844
00:41:01,400 --> 00:41:03,479
Speaker 3: What what songs where?

845
00:41:03,600 --> 00:41:06,160
Speaker 1: I'm only familiar with Harvest Moon because I got it

846
00:41:06,280 --> 00:41:06,880
Speaker 1: for my father.

847
00:41:07,040 --> 00:41:10,800
Speaker 4: I played that fifteen times. Did he really he's old?

848
00:41:11,560 --> 00:41:14,560
Speaker 4: He forgot He played it after every It was great.

849
00:41:14,600 --> 00:41:18,359
Speaker 4: It was just him he had. He did play hard

850
00:41:18,400 --> 00:41:21,799
Speaker 4: of Gold, but it was totally like, okay, here's.

851
00:41:21,520 --> 00:41:23,919
Speaker 1: This Yeah, come on.

852
00:41:24,600 --> 00:41:26,759
Speaker 4: No, he brought it, but it was just like, you know,

853
00:41:27,560 --> 00:41:31,200
Speaker 4: it was a very obscure. It was an interesting set list.

854
00:41:31,239 --> 00:41:33,440
Speaker 4: It was for like true heads. He loved it.

855
00:41:34,200 --> 00:41:38,040
Speaker 1: Is he allowed to or wanting to do Crasby Stills,

856
00:41:38,080 --> 00:41:41,040
Speaker 1: Snash and Young song? Oh cool?

857
00:41:41,280 --> 00:41:44,279
Speaker 4: But he played a guitar that Stephens Stills gave him

858
00:41:44,320 --> 00:41:46,800
Speaker 4: in like nineteen sixty six, And did.

859
00:41:46,600 --> 00:41:48,360
Speaker 5: He tell any Stephens Still stories?

860
00:41:51,000 --> 00:41:52,240
Speaker 2: Didn't that guy die recently?

861
00:41:52,520 --> 00:41:53,360
Speaker 3: Yeah?

862
00:41:53,400 --> 00:41:55,239
Speaker 4: He dedicated a little song to him and said like

863
00:41:55,640 --> 00:41:58,200
Speaker 4: he gave me this guitar, and I.

864
00:41:58,160 --> 00:42:02,840
Speaker 3: Was like, this one's for seniors state or whatever.

865
00:42:03,000 --> 00:42:05,879
Speaker 1: He said that would be the funny though.

866
00:42:06,160 --> 00:42:08,839
Speaker 3: Yeah, I bet the storytelling would be the best part.

867
00:42:09,080 --> 00:42:11,480
Speaker 4: It was a cool set up. He had like a

868
00:42:12,560 --> 00:42:16,319
Speaker 4: little he had a little stomp, and he had like

869
00:42:16,440 --> 00:42:19,960
Speaker 4: four guitars on stage. He had like a little tack

870
00:42:20,040 --> 00:42:23,720
Speaker 4: piano and like a grand piano maybe or a big piano,

871
00:42:24,000 --> 00:42:26,759
Speaker 4: and then like a pump organ and he would kind

872
00:42:26,760 --> 00:42:29,400
Speaker 4: of just mill around the stage. It almost felt like

873
00:42:29,440 --> 00:42:32,160
Speaker 4: you were watching him just like walk around his living

874
00:42:32,239 --> 00:42:34,040
Speaker 4: room and pick up ship and play it.

875
00:42:34,040 --> 00:42:38,960
Speaker 1: It was really incredible And like, yeah, hi.

876
00:42:39,680 --> 00:42:42,160
Speaker 2: I just want to ask, has anyone ever ordered iced

877
00:42:42,160 --> 00:42:44,640
Speaker 2: coffee with lemonade in it? Is that a drink you

878
00:42:44,680 --> 00:42:45,160
Speaker 2: guys make?

879
00:42:45,239 --> 00:42:48,799
Speaker 1: Or no, no, no.

880
00:42:50,080 --> 00:42:56,680
Speaker 2: Point is taken. Okay can we get it Arnold Palmer?

881
00:42:56,880 --> 00:42:58,879
Speaker 2: Or yeah?

882
00:42:59,719 --> 00:42:59,959
Speaker 1: Yeah?

883
00:43:00,400 --> 00:43:02,520
Speaker 5: And uh, I wasn't tried to shame you, no, no,

884
00:43:02,560 --> 00:43:02,759
Speaker 5: I know.

885
00:43:02,960 --> 00:43:07,440
Speaker 2: And can I get a an iced mocha with just

886
00:43:07,440 --> 00:43:11,960
Speaker 2: one pump of chocolate? Grande? What do you want?

887
00:43:12,120 --> 00:43:14,560
Speaker 1: Just like coffee without warm? Yeah?

888
00:43:14,640 --> 00:43:15,600
Speaker 2: Can we get a grande?

889
00:43:16,000 --> 00:43:18,200
Speaker 4: Which now I'll take an ice ice coffee with.

890
00:43:18,200 --> 00:43:22,759
Speaker 2: Oat milk, and that's gonna be all thank you.

891
00:43:23,160 --> 00:43:25,919
Speaker 3: It's so funny. I forgot that you were gonna ask.

892
00:43:26,000 --> 00:43:28,000
Speaker 1: I thought I invented a new drink, and I got

893
00:43:28,000 --> 00:43:30,800
Speaker 1: too scared to order, and I should have. I regretted already.

894
00:43:30,960 --> 00:43:32,120
Speaker 4: Yeah, but this is.

895
00:43:32,040 --> 00:43:34,760
Speaker 3: Gonna be good. I wanna I wanta Arnold Palmer.

896
00:43:35,360 --> 00:43:38,440
Speaker 4: The second I was like, oh my god, what what

897
00:43:38,480 --> 00:43:39,600
Speaker 4: am I doing?

898
00:43:40,719 --> 00:43:43,320
Speaker 2: But I was gonna say, would James, would you drink

899
00:43:43,400 --> 00:43:46,200
Speaker 2: an iced coffee that had a lemonade in it? Like

900
00:43:46,360 --> 00:43:49,280
Speaker 2: Arnold Palmer, but with coffee instead of tea?

901
00:43:49,560 --> 00:43:52,319
Speaker 1: I mean of Chris really wanted me to. Yeah, it

902
00:43:52,360 --> 00:43:55,279
Speaker 1: doesn't sound good to anyone. I'm gonna I'm gonna. I'm

903
00:43:55,280 --> 00:43:58,120
Speaker 1: gonna have one and report back. It's gonna be an

904
00:43:58,160 --> 00:44:00,160
Speaker 1: exciting episode.

905
00:44:00,680 --> 00:44:04,160
Speaker 4: Well what does coffee even mix with? Like, right, ice cream?

906
00:44:04,239 --> 00:44:06,040
Speaker 4: That's all I can think of the Yeah, well.

907
00:44:05,920 --> 00:44:08,719
Speaker 1: I mean now there no one would predict coffee and

908
00:44:08,880 --> 00:44:09,560
Speaker 1: olive oil.

909
00:44:09,880 --> 00:44:11,560
Speaker 3: I mean they're doing weird things.

910
00:44:11,880 --> 00:44:13,880
Speaker 5: Yeah, yeah, that's that's truly.

911
00:44:14,560 --> 00:44:15,479
Speaker 1: I've heard it's good.

912
00:44:15,600 --> 00:44:16,560
Speaker 3: I don't know what it would do.

913
00:44:16,760 --> 00:44:19,480
Speaker 1: I bowels left after that, exactly.

914
00:44:19,560 --> 00:44:22,000
Speaker 3: That's the first lot anyone would have, right.

915
00:44:22,040 --> 00:44:22,319
Speaker 2: They have.

916
00:44:22,480 --> 00:44:24,080
Speaker 5: That's their new line, James, did you know that?

917
00:44:24,800 --> 00:44:26,400
Speaker 1: No joke, no joking.

918
00:44:26,960 --> 00:44:29,279
Speaker 5: They Joe with olive oil in it.

919
00:44:29,840 --> 00:44:33,239
Speaker 4: You said, their new line, like their slogan, do you

920
00:44:33,239 --> 00:44:34,160
Speaker 4: have any bowels?

921
00:44:36,440 --> 00:44:39,280
Speaker 2: No? But they really they have been serving that drink

922
00:44:39,320 --> 00:44:41,680
Speaker 2: with olive oil and people have been complaining that they

923
00:44:41,960 --> 00:44:44,080
Speaker 2: didn't realize they were going to ship their pants out.

924
00:44:44,320 --> 00:44:49,239
Speaker 1: Yeah, adults. Adults have been completing entire families. Generations of

925
00:44:49,560 --> 00:44:53,080
Speaker 1: people have the same name. You remember the olean in

926
00:44:53,160 --> 00:44:57,680
Speaker 1: the We've talked about the potato chips. Yeah, and that

927
00:44:58,160 --> 00:45:00,440
Speaker 1: I think it's there's no way it's not different from that.

928
00:45:00,560 --> 00:45:01,200
Speaker 1: On your body.

929
00:45:01,520 --> 00:45:05,160
Speaker 4: Yeah, there's a new poison thing. Every a new poison.

930
00:45:05,320 --> 00:45:10,000
Speaker 4: Like my dad has diabetes and and he's like all

931
00:45:10,040 --> 00:45:13,640
Speaker 4: I do is eat like ten bags of low fat

932
00:45:14,040 --> 00:45:16,640
Speaker 4: snacks all day. And I'm like, that's still a lot.

933
00:45:16,880 --> 00:45:20,120
Speaker 2: Yeah anyway, Yeah, Also they have chemicals in him.

934
00:45:20,200 --> 00:45:21,239
Speaker 1: Yeah, he sees a lot.

935
00:45:26,760 --> 00:45:28,759
Speaker 5: It's the perfect answer to what have you been doing

936
00:45:28,760 --> 00:45:29,280
Speaker 5: this summer?

937
00:45:29,480 --> 00:45:34,000
Speaker 4: Yeah? I did visit home, but where all over, all

938
00:45:34,040 --> 00:45:39,360
Speaker 4: over everywhere? When he shits around the house, here's.

939
00:45:39,160 --> 00:45:41,480
Speaker 1: I'll get the coffee that starts okay, thank you.

940
00:45:41,800 --> 00:45:42,399
Speaker 4: I'll get it.

941
00:45:43,239 --> 00:45:44,120
Speaker 1: Jaggs will get it.

942
00:45:44,120 --> 00:45:46,720
Speaker 4: It's one of the things the home owner for the wallet.

943
00:45:48,840 --> 00:45:49,560
Speaker 1: Are you Are you.

944
00:45:49,520 --> 00:45:50,880
Speaker 3: Seeing any other concerts?

945
00:45:51,080 --> 00:45:53,080
Speaker 1: I'll go to a show with you if you look,

946
00:45:53,160 --> 00:45:54,800
Speaker 1: if you're looking for a friend, if you want to

947
00:45:54,840 --> 00:45:58,000
Speaker 1: go to some kind of a rock show, already friends,

948
00:45:58,719 --> 00:46:00,200
Speaker 1: I mean, if you're looking for a friend to go

949
00:46:00,239 --> 00:46:03,600
Speaker 1: to a show with, I will be that friend. I

950
00:46:03,640 --> 00:46:08,440
Speaker 1: saw one of my favorite bands. Yes, yes, yes, Okay.

951
00:46:08,920 --> 00:46:13,600
Speaker 5: It sounded like you were changing the subject, so I had.

952
00:46:14,239 --> 00:46:16,280
Speaker 4: The first half of the question.

953
00:46:16,480 --> 00:46:18,480
Speaker 5: Well keep up, please keep up.

954
00:46:18,680 --> 00:46:22,120
Speaker 4: I'll take the second part first, I'll be friends with

955
00:46:22,160 --> 00:46:27,400
Speaker 4: you the first part. Now, I saw Daniel Romano and

956
00:46:27,600 --> 00:46:30,320
Speaker 4: the Outfit, which is like one of my favorite bands

957
00:46:31,040 --> 00:46:34,600
Speaker 4: in the world right now. They're so good at the troubadour.

958
00:46:35,560 --> 00:46:37,880
Speaker 1: Canadian. I love Canadian music. Dude.

959
00:46:38,000 --> 00:46:41,279
Speaker 4: He's a genius and his band's incredible. He was a

960
00:46:41,320 --> 00:46:44,040
Speaker 4: solo guy for a while. He did like some country

961
00:46:44,040 --> 00:46:47,160
Speaker 4: stuff and now he's doing kind of like almost like

962
00:46:48,000 --> 00:46:52,200
Speaker 4: Row and Thunder Review era Dylan Live Ship and kind

963
00:46:52,200 --> 00:46:54,759
Speaker 4: of punk too, but like the band is now his

964
00:46:54,920 --> 00:46:59,120
Speaker 4: brother on drums, his wife who is a great singer,

965
00:46:59,160 --> 00:47:05,120
Speaker 4: songwriter herself sings harmonies and tambourines. The bass player who

966
00:47:05,120 --> 00:47:08,600
Speaker 4: I'm kind of became friends with, and his wife sings

967
00:47:08,600 --> 00:47:10,480
Speaker 4: back up too, So it's two gala singing back up.

968
00:47:10,680 --> 00:47:13,440
Speaker 4: Cool Daniel. Yeah, it's like if I.

969
00:47:15,560 --> 00:47:17,800
Speaker 1: If I did a Wikipedia search of him, would he

970
00:47:17,880 --> 00:47:21,880
Speaker 1: be affiliated with any other Canadian acts? Oh boy? Yeah?

971
00:47:22,120 --> 00:47:27,960
Speaker 1: Has he ever collabed with a c Newman or another

972
00:47:28,000 --> 00:47:34,719
Speaker 1: Canadian trantically hip? But yeah, yeah, yeah, the whole thing. Well, yeah,

973
00:47:34,760 --> 00:47:41,520
Speaker 1: the whole new pornographers they're mostly Canadian. Yeah, yeah, I

974
00:47:41,680 --> 00:47:46,200
Speaker 1: just love all of that Canadian indie rocket. I was

975
00:47:46,320 --> 00:47:47,520
Speaker 1: not very nice people.

976
00:47:47,719 --> 00:47:50,240
Speaker 3: Yeah, and you can hear. You can tell in the lyrics.

977
00:47:51,239 --> 00:47:51,960
Speaker 1: There's a nice notes.

978
00:47:52,080 --> 00:47:56,240
Speaker 5: Every song starts hello, how are you? It's so cool.

979
00:47:57,360 --> 00:47:59,040
Speaker 1: Let's put the polite back in rock.

980
00:47:59,120 --> 00:48:02,560
Speaker 4: I've been saying that not enough songs listen, right.

981
00:48:02,960 --> 00:48:05,080
Speaker 5: Where's My Chance? Where's My Verse?

982
00:48:06,600 --> 00:48:07,280
Speaker 3: And you?

983
00:48:07,280 --> 00:48:11,160
Speaker 1: You grew up in Kentucky, right, And I always thought

984
00:48:11,160 --> 00:48:13,920
Speaker 1: because I'm from Montana, and I kind of pushed it away,

985
00:48:13,960 --> 00:48:16,600
Speaker 1: I was surrounded by country music. But you spent the

986
00:48:16,640 --> 00:48:19,840
Speaker 1: fourth together and you love old country music?

987
00:48:20,200 --> 00:48:20,799
Speaker 4: Yeah?

988
00:48:21,040 --> 00:48:23,080
Speaker 3: Did you? When you were like a teenager?

989
00:48:24,680 --> 00:48:27,680
Speaker 4: I was kind of yeah, I always kind of I was.

990
00:48:28,239 --> 00:48:30,520
Speaker 4: I was into Dylan and No Young early too, and like,

991
00:48:30,600 --> 00:48:32,560
Speaker 4: you know, there's a country element to that, and that

992
00:48:34,040 --> 00:48:40,920
Speaker 4: like nineties alternative country, seeing whatever, alternative Americana. All the

993
00:48:41,239 --> 00:48:43,680
Speaker 4: right names they got gave it. But I loved like

994
00:48:44,360 --> 00:48:47,760
Speaker 4: Uncle Touplow and the son Vault and the Jayhawks.

995
00:48:47,440 --> 00:48:48,840
Speaker 1: Right, I love Jayhawks.

996
00:48:50,840 --> 00:48:53,480
Speaker 3: I'm very excited for it not to be coffee.

997
00:48:54,480 --> 00:48:55,040
Speaker 4: It's willing.

998
00:48:55,239 --> 00:49:00,719
Speaker 1: I'm willing to give it a shot later. Yeah, when

999
00:49:00,760 --> 00:49:03,440
Speaker 1: I was young, I was like, I don't like country music.

1000
00:49:03,480 --> 00:49:05,279
Speaker 1: It puts me in a bad mood. And now I

1001
00:49:05,280 --> 00:49:07,560
Speaker 1: don't feel that way, so I just wondered yet.

1002
00:49:07,760 --> 00:49:11,920
Speaker 4: I mean, I grew up like there was no radio

1003
00:49:12,760 --> 00:49:16,400
Speaker 4: like rock and roll radio and much less like indie

1004
00:49:16,480 --> 00:49:20,680
Speaker 4: radio or college town radio. Really, right, it was all

1005
00:49:20,920 --> 00:49:23,520
Speaker 4: like radio country and then like one classic rock station.

1006
00:49:24,640 --> 00:49:27,840
Speaker 4: And at that time I hated most radio country. You know,

1007
00:49:27,840 --> 00:49:29,879
Speaker 4: when you're a little kid, you listen to anything, but like.

1008
00:49:31,440 --> 00:49:35,680
Speaker 2: You know, well, country radio or radio country, whatever we're

1009
00:49:35,680 --> 00:49:39,360
Speaker 2: calling it, it is very distinct and it's almost like you.

1010
00:49:39,920 --> 00:49:41,080
Speaker 5: It's very singular.

1011
00:49:41,120 --> 00:49:42,400
Speaker 1: It feels like it's almost like.

1012
00:49:42,400 --> 00:49:46,279
Speaker 4: A different thing completely. It's pop, it's like and now

1013
00:49:46,360 --> 00:49:49,319
Speaker 4: Radio Country is almost like it's more racist, but it's

1014
00:49:49,360 --> 00:49:50,800
Speaker 4: more hip hoppy. It's weird.

1015
00:49:50,960 --> 00:49:57,800
Speaker 1: It's very weird. Yeah, yeah, it's I want to be interested.

1016
00:49:57,840 --> 00:49:58,480
Speaker 3: I want to give it.

1017
00:49:58,440 --> 00:50:00,880
Speaker 1: A chance, but I just don't like the whole scene.

1018
00:50:01,640 --> 00:50:06,760
Speaker 4: Yeah, but you know, I was into Whaley and.

1019
00:50:07,000 --> 00:50:09,080
Speaker 5: Whalen and the boys, the boy.

1020
00:50:08,920 --> 00:50:09,960
Speaker 4: I loved the boys.

1021
00:50:11,480 --> 00:50:15,799
Speaker 2: Yeah. Can you let me merge mother fuck the highwaymen.

1022
00:50:17,200 --> 00:50:20,319
Speaker 1: Yeah, all that stuff I discovered later in life, even

1023
00:50:20,360 --> 00:50:20,879
Speaker 1: though it was old.

1024
00:50:20,960 --> 00:50:26,719
Speaker 4: Christofferson so good. Yeah, just like for Christofferson records are

1025
00:50:26,760 --> 00:50:27,239
Speaker 4: so good.

1026
00:50:27,480 --> 00:50:31,200
Speaker 2: It's so crazy that Chris Christofferson is like as good.

1027
00:50:31,400 --> 00:50:34,680
Speaker 2: He's the Bo Jackson of acting and scene as good

1028
00:50:34,680 --> 00:50:37,160
Speaker 2: in one as the other. Yeah, what the fuck?

1029
00:50:37,320 --> 00:50:39,160
Speaker 4: And he can fly a helicopter.

1030
00:50:39,520 --> 00:50:41,319
Speaker 3: Wait, but he's a pilot too.

1031
00:50:41,520 --> 00:50:43,480
Speaker 4: Yeah, he was like in the military and I think

1032
00:50:43,480 --> 00:50:46,160
Speaker 4: he was a pilot. There's a story I'm not sure

1033
00:50:46,200 --> 00:50:48,719
Speaker 4: if it's true or not, but it's the story that

1034
00:50:48,800 --> 00:50:52,640
Speaker 4: he landed as helicopter on Johnny Cash's lawn or something.

1035
00:50:53,480 --> 00:50:55,920
Speaker 5: Why did just to be like in his face about it?

1036
00:50:56,080 --> 00:51:00,319
Speaker 4: This would be like here's some songs or sometimes three

1037
00:51:00,360 --> 00:51:02,040
Speaker 4: of the songs out the window last.

1038
00:51:02,320 --> 00:51:04,719
Speaker 2: He came in like a traffic reporter pitching a song.

1039
00:51:05,320 --> 00:51:05,920
Speaker 2: Take him.

1040
00:51:06,480 --> 00:51:08,440
Speaker 4: Yeah, and Johnny was on a lot of drugs at

1041
00:51:08,440 --> 00:51:10,600
Speaker 4: that time, so he didn't know what was going on.

1042
00:51:10,960 --> 00:51:14,440
Speaker 1: So Chris Christofferson was a musician and then an actor, right,

1043
00:51:14,600 --> 00:51:15,640
Speaker 1: that makes sense to me.

1044
00:51:16,520 --> 00:51:18,400
Speaker 2: Yeah, is that the order? I don't know.

1045
00:51:18,640 --> 00:51:20,960
Speaker 4: Well, I think they were both around the same time, right,

1046
00:51:21,000 --> 00:51:24,920
Speaker 4: because he wasn't Star is born right in like seventy

1047
00:51:24,960 --> 00:51:26,280
Speaker 4: two or something, I don't.

1048
00:51:26,080 --> 00:51:28,959
Speaker 5: Know, early seventies. That's the That is the era.

1049
00:51:29,160 --> 00:51:31,640
Speaker 2: When I was listening to AM, it was AM radio

1050
00:51:32,239 --> 00:51:36,719
Speaker 2: mid seventies, full on Gordon Lightfoot era, and it was

1051
00:51:36,800 --> 00:51:39,400
Speaker 2: like you're always in a hot station wagon with that

1052
00:51:39,480 --> 00:51:42,120
Speaker 2: AM radio on, and like you had to be a

1053
00:51:42,200 --> 00:51:45,439
Speaker 2: lyrics person, oh yeah, because you basically heard the same

1054
00:51:45,480 --> 00:51:46,640
Speaker 2: twenty five songs.

1055
00:51:46,520 --> 00:51:48,719
Speaker 4: And the sound systems weren't that great, so all you

1056
00:51:48,760 --> 00:51:50,719
Speaker 4: were hearing was the trouble and the lyrics. So the

1057
00:51:50,800 --> 00:51:51,880
Speaker 4: lyrics had been good.

1058
00:51:51,880 --> 00:51:55,600
Speaker 2: Yes, exactly. It was just a radio with one with

1059
00:51:55,680 --> 00:51:58,040
Speaker 2: the one speaker coming out of the center console.

1060
00:51:58,880 --> 00:52:02,680
Speaker 1: I just now realized that is why I never grew

1061
00:52:02,760 --> 00:52:04,759
Speaker 1: up with country as both my parents in the car.

1062
00:52:04,840 --> 00:52:07,880
Speaker 1: It was it was very frowned upon. Country was not

1063
00:52:08,480 --> 00:52:11,040
Speaker 1: the music that was allowed in the country wasn't cool.

1064
00:52:11,200 --> 00:52:17,320
Speaker 1: I could listen to anything else, No Man, No Mandrell's Sisters.

1065
00:52:18,280 --> 00:52:23,080
Speaker 3: It was our favorite show, No strided or watched every week.

1066
00:52:22,960 --> 00:52:23,680
Speaker 1: My good friends.

1067
00:52:23,880 --> 00:52:26,799
Speaker 4: Yes, And whenever I think of he Haw, I get

1068
00:52:26,800 --> 00:52:30,600
Speaker 4: the sense memory of my mother, my mother doing a self.

1069
00:52:30,360 --> 00:52:35,040
Speaker 2: Permanent yeah, because that's syndicated weekend TV.

1070
00:52:35,680 --> 00:52:38,279
Speaker 4: That's what he has Saturday at like seven.

1071
00:52:38,080 --> 00:52:40,359
Speaker 2: Yes, a weird time where you're like, is someone going

1072
00:52:40,400 --> 00:52:43,400
Speaker 2: to make dinner? Or has everything collapsed in this household?

1073
00:52:44,719 --> 00:52:47,080
Speaker 4: Yeah?

1074
00:52:46,360 --> 00:52:49,840
Speaker 1: Yeah, we're all just waiting around to die. Right, I'm hungry?

1075
00:52:50,000 --> 00:52:50,520
Speaker 2: What's up?

1076
00:52:50,520 --> 00:52:53,600
Speaker 1: Does anyone else hit them in the butt? All right,

1077
00:52:53,640 --> 00:52:54,960
Speaker 1: I'll live another work week.

1078
00:52:55,160 --> 00:52:58,840
Speaker 2: I guess I'll eat cheetos. That's fine, whatever, whatever works.

1079
00:53:00,040 --> 00:53:04,080
Speaker 2: Have to be real flexible on those he Haw days.

1080
00:53:05,480 --> 00:53:09,120
Speaker 2: I think though, you Chris maybe had just like I

1081
00:53:09,200 --> 00:53:11,600
Speaker 2: lived out in the country, and we the area we

1082
00:53:11,680 --> 00:53:14,799
Speaker 2: lived in was considered kind of country ish, right, And

1083
00:53:15,200 --> 00:53:19,160
Speaker 2: obviously if you're from Kentucky, then anywhere your war is

1084
00:53:19,239 --> 00:53:22,680
Speaker 2: kind of countryish, right, So you're being kind of catered

1085
00:53:22,719 --> 00:53:27,040
Speaker 2: to in that way that probably wasn't happening oh in Montana.

1086
00:53:27,360 --> 00:53:29,760
Speaker 5: Yeah, I mean, there goes my theory.

1087
00:53:29,960 --> 00:53:32,799
Speaker 1: Yeah, every school dance, all it was was country, and

1088
00:53:32,880 --> 00:53:35,480
Speaker 1: all all the kids in my class had trucks with

1089
00:53:35,640 --> 00:53:38,959
Speaker 1: rifles in the window, so it was it was definitely there.

1090
00:53:39,160 --> 00:53:41,879
Speaker 3: I just was pushing it away because I.

1091
00:53:41,600 --> 00:53:44,040
Speaker 4: Guess it was an interesting time because it was all country.

1092
00:53:44,080 --> 00:53:46,080
Speaker 4: But then it was like there was tons of classic

1093
00:53:46,200 --> 00:53:50,560
Speaker 4: rock too, like yeah, scannered and more skinnered.

1094
00:53:50,760 --> 00:53:59,280
Speaker 1: Oh boy, a ton of Skinner, Triple Dose, Skinnered, Triple Wednesday.

1095
00:53:59,080 --> 00:54:01,160
Speaker 2: Oh rock Block, Are you kidding me?

1096
00:54:01,560 --> 00:54:03,640
Speaker 4: But yeah, I guess, like I mean, grunge did hit

1097
00:54:03,760 --> 00:54:06,319
Speaker 4: so big then, like you know that shit kind of

1098
00:54:06,320 --> 00:54:09,120
Speaker 4: got played on the radio too. Yeah, but yeah, MTV

1099
00:54:09,680 --> 00:54:12,840
Speaker 4: and v H one were like more formative than radio

1100
00:54:13,080 --> 00:54:13,759
Speaker 4: was for me.

1101
00:54:14,840 --> 00:54:16,359
Speaker 2: And they didn't you had to go all the way

1102
00:54:16,360 --> 00:54:19,640
Speaker 2: over to CMT to get a country right, right.

1103
00:54:19,800 --> 00:54:23,279
Speaker 1: I had to like be flipping through the channels late

1104
00:54:23,320 --> 00:54:25,960
Speaker 1: at night, against the wishes of my parents. I think

1105
00:54:25,960 --> 00:54:28,759
Speaker 1: I'm also lucky that I had an older sister that

1106
00:54:28,960 --> 00:54:29,960
Speaker 1: would come home with.

1107
00:54:30,000 --> 00:54:32,440
Speaker 3: Music for me that she thought I should be listening to.

1108
00:54:33,719 --> 00:54:37,640
Speaker 1: Being a little boy that liked skateboarders, Oh yeah, skateboard.

1109
00:54:37,360 --> 00:54:39,239
Speaker 4: My sister was two years older, and she had a

1110
00:54:39,239 --> 00:54:42,160
Speaker 4: buddy who was a music junkie like me, and we

1111
00:54:42,200 --> 00:54:45,919
Speaker 4: would just trade, you know, every like three months, we'd

1112
00:54:45,960 --> 00:54:48,520
Speaker 4: trade like five cities to each other. And he's the

1113
00:54:48,560 --> 00:54:50,400
Speaker 4: one who turned me on too, like Pavement.

1114
00:54:51,120 --> 00:54:51,799
Speaker 1: Yeah.

1115
00:54:52,440 --> 00:54:54,640
Speaker 3: Was it an older friend my sister?

1116
00:54:54,719 --> 00:54:57,759
Speaker 1: Yeah, yeah, yeah, I think that helps you need like

1117
00:54:57,800 --> 00:55:00,040
Speaker 1: an older friend that's given you like, oh, you you

1118
00:55:00,080 --> 00:55:02,319
Speaker 1: haven't heard about this because I'm in eighth grade and

1119
00:55:02,320 --> 00:55:03,840
Speaker 1: you're in sixth. Yeah.

1120
00:55:03,960 --> 00:55:05,760
Speaker 4: Yeah. Well, and we had to drive like to paduca

1121
00:55:05,920 --> 00:55:09,400
Speaker 4: even like buy a CD. So like Paducah that was

1122
00:55:09,400 --> 00:55:11,480
Speaker 4: our big city. I was like forty five minutes away.

1123
00:55:11,960 --> 00:55:14,759
Speaker 4: Nice and so like you know, even buying a new seat,

1124
00:55:14,840 --> 00:55:18,800
Speaker 4: buying news, going record shopping was like a big special

1125
00:55:18,880 --> 00:55:20,160
Speaker 4: day for me.

1126
00:55:20,800 --> 00:55:21,160
Speaker 1: Wow.

1127
00:55:21,239 --> 00:55:24,000
Speaker 4: I would buy like magazines and just read about bands.

1128
00:55:24,800 --> 00:55:27,040
Speaker 4: You know, you had to really search for it. I

1129
00:55:27,840 --> 00:55:30,040
Speaker 4: like this band, and they like these five bands. I'll

1130
00:55:30,040 --> 00:55:31,240
Speaker 4: get into those five bands.

1131
00:55:31,320 --> 00:55:34,360
Speaker 1: You're right. I did do that too, Yeah, like find

1132
00:55:34,400 --> 00:55:37,920
Speaker 1: the specific sections of a rolling stone in the library

1133
00:55:38,200 --> 00:55:41,560
Speaker 1: in high school. That's how I found out about you know,

1134
00:55:42,440 --> 00:55:45,440
Speaker 1: the pick seats and things like that. That is it's

1135
00:55:45,480 --> 00:55:47,360
Speaker 1: funny that we had to used to we had to

1136
00:55:47,719 --> 00:55:49,680
Speaker 1: we had to use to get into magazine.

1137
00:55:50,480 --> 00:55:54,560
Speaker 4: We didn't have no algorism. But the H one actually

1138
00:55:54,640 --> 00:55:56,759
Speaker 4: was really cool. For like two or three years there.

1139
00:55:57,360 --> 00:55:59,719
Speaker 4: They had a show called Crossroads and they that's where

1140
00:55:59,719 --> 00:56:02,799
Speaker 4: I saw the Jayhawks for the first time, and like

1141
00:56:03,160 --> 00:56:06,560
Speaker 4: Sun Vault and Wilco and I also had that storytelling

1142
00:56:06,600 --> 00:56:10,080
Speaker 4: show that like Tom Waits and that was Consolidate Episodes.

1143
00:56:10,120 --> 00:56:13,200
Speaker 4: It was like, oh yeah, and then Flavor Flav came.

1144
00:56:13,120 --> 00:56:17,680
Speaker 2: To town and said I need to find love. Yeah,

1145
00:56:17,719 --> 00:56:20,160
Speaker 2: and he he has a right, he has a right.

1146
00:56:20,280 --> 00:56:21,399
Speaker 4: Oh yeah, yeah.

1147
00:56:21,440 --> 00:56:23,640
Speaker 1: I remember VH one seemed like it was for the

1148
00:56:23,680 --> 00:56:27,480
Speaker 1: older folks. MTV was the hip, young one. And then

1149
00:56:27,520 --> 00:56:30,800
Speaker 1: one day I realized, oh, VH one still plays music.

1150
00:56:31,480 --> 00:56:33,239
Speaker 3: I'm gonna watch that.

1151
00:56:33,680 --> 00:56:36,800
Speaker 4: You don't like twenty four hours of ridiculousness?

1152
00:56:37,280 --> 00:56:39,520
Speaker 1: Oh yeah, I mean that it's ridiculous.

1153
00:56:40,560 --> 00:56:42,440
Speaker 2: James, where are we driving?

1154
00:56:42,480 --> 00:56:44,479
Speaker 5: You are we going back to that dog sitting house?

1155
00:56:45,000 --> 00:56:48,880
Speaker 4: Yeah? I just got there today. Okay, follow your bliss,

1156
00:56:51,160 --> 00:56:53,200
Speaker 4: will do? I do not know this area at all.

1157
00:56:53,320 --> 00:56:55,040
Speaker 4: I'm sorry I should have No.

1158
00:56:55,040 --> 00:56:55,640
Speaker 2: No, it's fine.

1159
00:56:55,719 --> 00:56:59,399
Speaker 1: Looked up some activity. That's on us. That's on us.

1160
00:56:59,480 --> 00:57:01,560
Speaker 2: We're just gonna do some visual exploring.

1161
00:57:01,840 --> 00:57:05,040
Speaker 1: Yeah, yeah, we're gonna look at things, comment on them,

1162
00:57:05,200 --> 00:57:07,719
Speaker 1: and have conversation face on those comments.

1163
00:57:08,200 --> 00:57:14,080
Speaker 2: Very that's the structure. We emailed it to you five days.

1164
00:57:14,840 --> 00:57:17,040
Speaker 1: Do you staying at this house and say are you

1165
00:57:17,240 --> 00:57:20,280
Speaker 1: actually sleeping there or just visiting the dogs?

1166
00:57:20,960 --> 00:57:23,640
Speaker 4: You are sound sleeping there till like sunday.

1167
00:57:24,800 --> 00:57:25,320
Speaker 1: It's great.

1168
00:57:25,680 --> 00:57:29,560
Speaker 4: Yeah. The dog's so sweet, Cami go, she's so darling.

1169
00:57:29,640 --> 00:57:31,280
Speaker 3: What kind of dog are we talking here?

1170
00:57:31,520 --> 00:57:32,520
Speaker 4: I'm not good at that.

1171
00:57:34,080 --> 00:57:37,000
Speaker 1: Skinny long dom Oh so.

1172
00:57:39,000 --> 00:57:40,520
Speaker 4: That's what I got when I got out of the shower.

1173
00:57:42,760 --> 00:57:44,000
Speaker 4: On the get out of here.

1174
00:57:44,040 --> 00:57:45,720
Speaker 3: That's the most perfect dog I've ever seen.

1175
00:57:45,760 --> 00:57:49,200
Speaker 2: That's a really perfectly cute dog. That's like a lab,

1176
00:57:49,320 --> 00:57:50,840
Speaker 2: pitbull something other mint.

1177
00:57:51,040 --> 00:57:52,880
Speaker 4: Yeah, yeah, that is.

1178
00:57:53,120 --> 00:57:55,960
Speaker 1: I would put my face right in that dog's face.

1179
00:57:57,560 --> 00:58:00,200
Speaker 1: She's a sweet and it's the cutest dog I can till.

1180
00:58:00,200 --> 00:58:03,080
Speaker 1: I'd be allergic, but I would. I would fight through

1181
00:58:03,080 --> 00:58:05,040
Speaker 1: the itching. That's what love is.

1182
00:58:05,280 --> 00:58:05,640
Speaker 3: I know.

1183
00:58:05,800 --> 00:58:12,200
Speaker 1: I don't know why it's always pitbulls, Pugs, rock, anyone

1184
00:58:12,320 --> 00:58:12,880
Speaker 1: with wrinkles.

1185
00:58:14,360 --> 00:58:18,240
Speaker 3: No, I think Pomeranian. I'd be okay, Why, well, it's

1186
00:58:18,240 --> 00:58:19,480
Speaker 3: not the pee I'm allergic to.

1187
00:58:22,800 --> 00:58:23,680
Speaker 4: I'm a word guy.

1188
00:58:24,120 --> 00:58:26,560
Speaker 1: Yeah, yeah, I do get a little weazy when I'm

1189
00:58:26,600 --> 00:58:30,760
Speaker 1: near the tail. Oh, but I any dog that has

1190
00:58:30,800 --> 00:58:34,960
Speaker 1: like super short, pug like hair. I'm for some reason, we're.

1191
00:58:34,760 --> 00:58:36,760
Speaker 4: Buying a giant.

1192
00:58:36,320 --> 00:58:39,480
Speaker 2: This high school looks like it is a movie that

1193
00:58:39,480 --> 00:58:42,880
Speaker 2: we're driving by. Yeah, hey, kids.

1194
00:58:42,680 --> 00:58:45,600
Speaker 1: Yeah, I am jealous of I wish I went to

1195
00:58:45,680 --> 00:58:47,400
Speaker 1: high school like that, not a not.

1196
00:58:47,480 --> 00:58:51,200
Speaker 3: A log cabin like I went to. We had a

1197
00:58:51,360 --> 00:58:52,280
Speaker 3: gorgeous art.

1198
00:58:52,640 --> 00:58:53,640
Speaker 4: Yeah, this is our.

1199
00:58:53,560 --> 00:58:56,200
Speaker 2: Basketball gymnasium at our high school is also called the

1200
00:58:56,280 --> 00:58:59,720
Speaker 2: multi Use Room, and like so every other thing took

1201
00:58:59,760 --> 00:59:03,560
Speaker 2: place in there, and they after a while they wouldn't

1202
00:59:03,680 --> 00:59:06,520
Speaker 2: let us play volleyball in there or like do actual

1203
00:59:06,520 --> 00:59:08,640
Speaker 2: sports in there because it was starting to hurt at

1204
00:59:08,760 --> 00:59:11,320
Speaker 2: children's knees because the floor.

1205
00:59:11,160 --> 00:59:14,320
Speaker 5: Was built so old and badly. So it's just like.

1206
00:59:14,600 --> 00:59:16,160
Speaker 2: Just so rank as.

1207
00:59:16,480 --> 00:59:17,800
Speaker 5: Meanwhile, that place.

1208
00:59:17,920 --> 00:59:22,240
Speaker 2: Had its own like led board out in front.

1209
00:59:22,840 --> 00:59:26,600
Speaker 1: Yeah that's insane. It looked familiar enough that I'm going

1210
00:59:26,680 --> 00:59:29,000
Speaker 1: to insist that high school was used in movies.

1211
00:59:30,160 --> 00:59:32,520
Speaker 4: Run Up. They used to make us when I thought

1212
00:59:32,560 --> 00:59:35,320
Speaker 4: I could do football, to try to please my father,

1213
00:59:36,800 --> 00:59:40,880
Speaker 4: they paid us crawl on all fours upwards and backwards

1214
00:59:40,920 --> 00:59:44,760
Speaker 4: up this dirt steep dirt hill at the end of practice,

1215
00:59:45,400 --> 00:59:47,880
Speaker 4: and would refuse to give us water during the summer.

1216
00:59:47,960 --> 00:59:51,160
Speaker 1: Crawl on your hands and knees backwards up dirt hill

1217
00:59:51,360 --> 00:59:54,640
Speaker 1: with full gear arms. Shit, that seems like a weird

1218
00:59:54,720 --> 00:59:56,840
Speaker 1: made up I don't think anyone else had to do that.

1219
00:59:56,880 --> 00:59:59,680
Speaker 4: And then like some high school kid died in Texas

1220
00:59:59,680 --> 01:00:01,160
Speaker 4: and they were I guess we've got to start giving

1221
01:00:01,200 --> 01:00:01,960
Speaker 4: them water now.

1222
01:00:04,600 --> 01:00:06,640
Speaker 5: But that got you all the way to state, didn't.

1223
01:00:06,360 --> 01:00:12,600
Speaker 1: It kind of from dehydration while crawling.

1224
01:00:12,280 --> 01:00:15,680
Speaker 2: To success The James Fritz story.

1225
01:00:16,480 --> 01:00:20,320
Speaker 5: Look at where the I mean, this is gorgeous.

1226
01:00:20,800 --> 01:00:24,560
Speaker 1: Sometimes we wander into a state park. I think that's

1227
01:00:24,600 --> 01:00:27,880
Speaker 1: what's happening. It's happened a few times where this is gorgeous.

1228
01:00:27,960 --> 01:00:31,680
Speaker 1: Look that's all of a sudden, the shrubbery is from Atlanta.

1229
01:00:31,840 --> 01:00:35,120
Speaker 4: How is the air bad here? That never makes sense

1230
01:00:35,160 --> 01:00:37,800
Speaker 4: to me just on an eye eye test level, there's

1231
01:00:37,840 --> 01:00:38,680
Speaker 4: so much green.

1232
01:00:39,400 --> 01:00:43,240
Speaker 1: Yeah, well suddenly, since we turned that corner it's green.

1233
01:00:43,600 --> 01:00:46,640
Speaker 3: Yeah, we're in like coastal Oregon.

1234
01:00:46,680 --> 01:00:48,440
Speaker 1: All of a sudden, Look at this wall.

1235
01:00:48,560 --> 01:00:49,960
Speaker 2: I keep thinking of to stop saying.

1236
01:00:50,080 --> 01:00:51,640
Speaker 5: This wall of cypress tree.

1237
01:00:52,480 --> 01:00:58,360
Speaker 1: Is that a member of the Getty family? Prevacly shrubbery?

1238
01:00:57,160 --> 01:00:59,280
Speaker 2: That really cool?

1239
01:00:59,320 --> 01:01:03,800
Speaker 1: Look like that castle and here's a more modern Okay,

1240
01:01:03,880 --> 01:01:06,520
Speaker 1: we're in like somehow we went down rich Boulevard.

1241
01:01:06,880 --> 01:01:07,400
Speaker 2: Yeah we did.

1242
01:01:07,760 --> 01:01:09,880
Speaker 1: That place isn't even finished yet. And I can tell

1243
01:01:09,920 --> 01:01:15,120
Speaker 1: because dogs houses bullshit. Yeah, sorry, we didn't mean to

1244
01:01:15,120 --> 01:01:18,680
Speaker 1: shove these better houses. Their dogs must be beautiful in

1245
01:01:18,760 --> 01:01:19,320
Speaker 1: this place.

1246
01:01:19,560 --> 01:01:21,160
Speaker 4: Is what happens when you go up the hill.

1247
01:01:23,320 --> 01:01:24,919
Speaker 5: Don't look at what they have up there.

1248
01:01:26,120 --> 01:01:26,440
Speaker 4: I do.

1249
01:01:26,600 --> 01:01:28,840
Speaker 1: I have to know where we are right now. I

1250
01:01:28,960 --> 01:01:29,480
Speaker 1: have to know.

1251
01:01:29,560 --> 01:01:32,040
Speaker 2: We're gonna find out when we have to leave it.

1252
01:01:33,040 --> 01:01:36,640
Speaker 1: We just went. We're coming up on whatever Madison manner is.

1253
01:01:36,640 --> 01:01:41,920
Speaker 1: I'm excited to see it. It's got a it's icon at.

1254
01:01:42,360 --> 01:01:47,320
Speaker 5: Yeah, there's a manner ahead, guys.

1255
01:01:47,440 --> 01:01:52,240
Speaker 1: I mean that's okay. That's left is the manor. Yeah,

1256
01:01:53,240 --> 01:01:57,160
Speaker 1: Karen literally just had her breath taken. That's the kind

1257
01:01:57,200 --> 01:02:00,600
Speaker 1: of use we passed. The car is driving outside, drive itself.

1258
01:02:00,600 --> 01:02:01,520
Speaker 2: Don't anybody worry.

1259
01:02:02,320 --> 01:02:05,200
Speaker 1: I mean that is gorgeous. Oh we can't look at

1260
01:02:05,200 --> 01:02:07,000
Speaker 1: that yard. This isn't done.

1261
01:02:08,320 --> 01:02:10,240
Speaker 4: What if you grew up here? Yes, as you can

1262
01:02:10,280 --> 01:02:12,480
Speaker 4: turn left, but the fences say otherwise.

1263
01:02:12,640 --> 01:02:16,560
Speaker 1: Yeah, that's before this giant house got built. Look at

1264
01:02:16,600 --> 01:02:20,880
Speaker 1: this guy with the fake Oh yeah, he's just a

1265
01:02:20,960 --> 01:02:23,480
Speaker 1: low he's a local beekeeper.

1266
01:02:26,560 --> 01:02:28,920
Speaker 5: No wonder if those children's high school was so nice.

1267
01:02:30,880 --> 01:02:31,920
Speaker 1: I don't know how we missed it.

1268
01:02:32,000 --> 01:02:33,840
Speaker 3: We went by Madison Manor already.

1269
01:02:34,240 --> 01:02:34,960
Speaker 2: Well we'll go back.

1270
01:02:35,040 --> 01:02:36,320
Speaker 3: One of those beautiful.

1271
01:02:36,000 --> 01:02:40,680
Speaker 1: Places was of Royalty. I love driving our neighborhoods like this.

1272
01:02:41,320 --> 01:02:43,440
Speaker 1: I think this is something I should take my sister

1273
01:02:43,440 --> 01:02:46,440
Speaker 1: and niece. It's through a drive of this neighborhood. Sure,

1274
01:02:46,680 --> 01:02:49,160
Speaker 1: I'm glad this worked out. Yeah, this is.

1275
01:02:49,160 --> 01:02:53,000
Speaker 2: Really great, guys, better than dunkin Donuts.

1276
01:02:53,280 --> 01:02:57,560
Speaker 4: Los Angeles Times twenty seventeen. La Kenyatta flint Ridge Manor

1277
01:02:57,600 --> 01:02:59,240
Speaker 4: ought to be in pictures and.

1278
01:02:59,160 --> 01:02:59,800
Speaker 1: It is.

1279
01:03:01,280 --> 01:03:07,840
Speaker 2: Headline. So this is this is Yeah, the rich yards

1280
01:03:07,880 --> 01:03:09,080
Speaker 2: of Lochanana.

1281
01:03:09,680 --> 01:03:13,560
Speaker 4: Oh, Madison Valley Manor is a thirty two bed nursing home.

1282
01:03:14,040 --> 01:03:16,720
Speaker 4: It's not a nursing home, guys, I don't want to

1283
01:03:16,720 --> 01:03:21,720
Speaker 4: go to Madison Valley Manor. That's how they trick you.

1284
01:03:22,520 --> 01:03:26,560
Speaker 1: We're taking in a Madison manner. Oh wonderful. So many

1285
01:03:26,600 --> 01:03:28,800
Speaker 1: of these yards have a statue of a man in

1286
01:03:28,880 --> 01:03:33,880
Speaker 1: deep thought. I I've seen many, but there how many

1287
01:03:33,920 --> 01:03:37,800
Speaker 1: slaves do I have? Let me rest my chin on

1288
01:03:37,840 --> 01:03:41,360
Speaker 1: my fist and think about it guilt free.

1289
01:03:41,920 --> 01:03:43,880
Speaker 3: Yeah, these are these are beautiful home.

1290
01:03:43,960 --> 01:03:45,680
Speaker 4: Nobody wants to work anymore.

1291
01:03:46,880 --> 01:03:49,520
Speaker 1: We are all think about it. We're all similar in

1292
01:03:49,600 --> 01:03:52,520
Speaker 1: that we're sort of confronted by this level of wealth.

1293
01:03:52,760 --> 01:03:55,160
Speaker 1: Even when I do live here, I will be confronted

1294
01:03:55,200 --> 01:03:56,160
Speaker 1: by who I become.

1295
01:03:56,400 --> 01:03:58,200
Speaker 4: I just hope these people come to a show and

1296
01:03:58,240 --> 01:04:01,400
Speaker 4: I can make them laugh. They need a laugh.

1297
01:04:01,840 --> 01:04:05,280
Speaker 2: Yeah, James's material and these new listeners. You should know this.

1298
01:04:05,480 --> 01:04:07,760
Speaker 2: People of locking Down of flint Ridge, you should know it.

1299
01:04:08,040 --> 01:04:10,080
Speaker 2: If you go to a James Fritz show, you're going

1300
01:04:10,160 --> 01:04:10,640
Speaker 2: to relate.

1301
01:04:10,840 --> 01:04:12,160
Speaker 4: First of all, they're never called that.

1302
01:04:14,280 --> 01:04:15,360
Speaker 2: A James Fritz show.

1303
01:04:16,840 --> 01:04:18,480
Speaker 4: You just are. I'm one of eight.

1304
01:04:20,080 --> 01:04:21,000
Speaker 5: That's your style.

1305
01:04:22,080 --> 01:04:24,720
Speaker 3: Yeah, Otherwise it would be the James Fritz Show.

1306
01:04:25,640 --> 01:04:29,080
Speaker 2: Dun James. If you could have any kind of a

1307
01:04:29,120 --> 01:04:34,000
Speaker 2: TV show, talk show, scripted DOCU series, what would you

1308
01:04:34,400 --> 01:04:35,640
Speaker 2: like the James Fritz Show to be?

1309
01:04:35,760 --> 01:04:42,600
Speaker 1: Yes, pitch it, manifest it. I'm listening. It's a lot

1310
01:04:42,640 --> 01:04:43,120
Speaker 1: of pressure.

1311
01:04:43,280 --> 01:04:46,280
Speaker 4: WHOA, This is a lot I've never pitched and manifested

1312
01:04:46,360 --> 01:04:48,960
Speaker 4: at the same time a lot. WHOA Which do I

1313
01:04:49,120 --> 01:04:51,000
Speaker 4: do first?

1314
01:04:51,760 --> 01:04:55,600
Speaker 2: I would like to replace Bill Maher.

1315
01:04:56,240 --> 01:05:00,960
Speaker 1: Yeah, you're a great actor.

1316
01:05:01,080 --> 01:05:02,040
Speaker 4: Did Boulder?

1317
01:05:02,160 --> 01:05:03,080
Speaker 3: Has anyone ever.

1318
01:05:04,800 --> 01:05:11,680
Speaker 1: Right on top of them? Actually his place has been

1319
01:05:11,720 --> 01:05:13,680
Speaker 1: solidified with this giant Boulder.

1320
01:05:14,520 --> 01:05:16,360
Speaker 4: What do you think in Wiley Coyotes?

1321
01:05:17,520 --> 01:05:18,959
Speaker 3: What did you die under a rock?

1322
01:05:19,600 --> 01:05:20,280
Speaker 4: Did you do?

1323
01:05:20,360 --> 01:05:23,320
Speaker 1: You remember acting in the film with me where you

1324
01:05:23,560 --> 01:05:27,439
Speaker 1: had to be a flush looking through a will bequeathment. Yeah,

1325
01:05:27,720 --> 01:05:30,760
Speaker 1: you nailed that. That was fun. Thanks. And then I

1326
01:05:30,840 --> 01:05:35,000
Speaker 1: remember thinking James Fritz should be acting. I remember you

1327
01:05:35,080 --> 01:05:39,640
Speaker 1: saying that natural ability just reacting.

1328
01:05:39,960 --> 01:05:43,280
Speaker 4: You know, I've watched a lot of documentaries about it.

1329
01:05:44,720 --> 01:05:50,320
Speaker 4: You know, I act like I'm funny on stage right.

1330
01:05:50,560 --> 01:05:55,280
Speaker 4: That's the biggest conival when I say it's good to

1331
01:05:55,320 --> 01:05:57,080
Speaker 4: be here tonight. Is that not acting?

1332
01:05:57,360 --> 01:05:57,600
Speaker 1: Yeah?

1333
01:05:59,240 --> 01:06:05,800
Speaker 4: People say I've been a great crowd, Am I not? Apian? No,

1334
01:06:05,960 --> 01:06:09,040
Speaker 4: that was fun. I was nervous because you're a very funny,

1335
01:06:09,680 --> 01:06:10,360
Speaker 4: good actor.

1336
01:06:10,720 --> 01:06:11,840
Speaker 1: Well, thanks, I mean.

1337
01:06:11,760 --> 01:06:14,880
Speaker 4: I before I even knew you, well, I shared some

1338
01:06:16,840 --> 01:06:20,720
Speaker 4: I lapped just thinking about it again, the uh what

1339
01:06:20,840 --> 01:06:22,200
Speaker 4: was it? Cocktail parody?

1340
01:06:22,480 --> 01:06:22,800
Speaker 1: Oh?

1341
01:06:22,920 --> 01:06:25,720
Speaker 4: Well, it's the funniest things I've ever seen in my life.

1342
01:06:25,720 --> 01:06:26,040
Speaker 1: Thanks.

1343
01:06:26,040 --> 01:06:28,680
Speaker 3: Betty, that's a situation.

1344
01:06:28,880 --> 01:06:30,640
Speaker 1: That's the kind of show that I'm going to say

1345
01:06:30,640 --> 01:06:34,000
Speaker 1: you're pitching is because I want there to be a

1346
01:06:34,040 --> 01:06:36,800
Speaker 1: show where it's just people by themselves in front of

1347
01:06:36,800 --> 01:06:40,040
Speaker 1: a green screen. It's so disarming. And then all the

1348
01:06:40,720 --> 01:06:43,680
Speaker 1: elements that make acting hard, like a room full of people,

1349
01:06:44,560 --> 01:06:47,160
Speaker 1: or the process of getting a job, which is people

1350
01:06:47,280 --> 01:06:50,880
Speaker 1: silently judging you from a table, making you think that

1351
01:06:50,960 --> 01:06:53,160
Speaker 1: maybe you're doing a bad job. All that is gone

1352
01:06:53,800 --> 01:06:55,720
Speaker 1: and you're just in front of a green piece of

1353
01:06:55,760 --> 01:06:58,960
Speaker 1: construction paper. And then we put you into a world

1354
01:06:59,440 --> 01:07:01,920
Speaker 1: so you can just send us the footage.

1355
01:07:02,000 --> 01:07:03,480
Speaker 3: That would be the funnest show to make.

1356
01:07:04,240 --> 01:07:06,520
Speaker 4: Oh and you could literally be in any movie, right

1357
01:07:07,920 --> 01:07:09,680
Speaker 4: except the lawsuits.

1358
01:07:10,640 --> 01:07:13,680
Speaker 5: You're right, and you have to do some IP clearance

1359
01:07:13,760 --> 01:07:14,200
Speaker 5: for sure.

1360
01:07:14,440 --> 01:07:19,720
Speaker 1: Well, there is a world of uh, public domain movies.

1361
01:07:19,760 --> 01:07:22,160
Speaker 1: They're bad movies, and those are the funnest ones to

1362
01:07:22,200 --> 01:07:24,520
Speaker 1: put people in. Just you and the right brothers, over

1363
01:07:24,600 --> 01:07:28,160
Speaker 1: and over right, exactly, archival footage.

1364
01:07:27,840 --> 01:07:30,360
Speaker 4: Train coming at you again again.

1365
01:07:30,160 --> 01:07:32,280
Speaker 2: Again, do something new with it.

1366
01:07:32,880 --> 01:07:34,240
Speaker 3: I think it would be the best show.

1367
01:07:34,320 --> 01:07:38,080
Speaker 4: Really. Oh No, I got electrified elephant. That's a bomber.

1368
01:07:38,200 --> 01:07:40,720
Speaker 2: No, I got a decaying Fox.

1369
01:07:42,440 --> 01:07:47,200
Speaker 4: It's just oh the wilderness almost got a spit taking

1370
01:07:47,280 --> 01:07:48,320
Speaker 4: your nice.

1371
01:07:48,000 --> 01:07:50,320
Speaker 1: Yes, yes, you're back in the car.

1372
01:07:50,480 --> 01:07:52,760
Speaker 2: James Frits. Wait, James Fritz have we ever had the

1373
01:07:52,880 --> 01:07:55,880
Speaker 2: discussion with you about how you are one of our

1374
01:07:56,120 --> 01:07:58,360
Speaker 2: most popular guests on do you need to write?

1375
01:07:58,520 --> 01:08:00,080
Speaker 4: No, No one talks to me about it.

1376
01:08:01,320 --> 01:08:03,880
Speaker 1: We should have relayed that to you. That should have been.

1377
01:08:04,840 --> 01:08:07,440
Speaker 4: Oh, when we said COVID wasn't gonna be a big deal.

1378
01:08:08,240 --> 01:08:12,360
Speaker 2: Way back when. Look, we had our opinions.

1379
01:08:12,040 --> 01:08:13,080
Speaker 1: And then the world ended.

1380
01:08:13,160 --> 01:08:14,040
Speaker 2: We're only human.

1381
01:08:14,240 --> 01:08:15,160
Speaker 1: I don't remember that.

1382
01:08:15,360 --> 01:08:18,240
Speaker 4: We're gonna get I think we're gonna I think global

1383
01:08:18,240 --> 01:08:19,479
Speaker 4: warming is just about over.

1384
01:08:20,760 --> 01:08:21,720
Speaker 2: We're wrapping it up.

1385
01:08:21,840 --> 01:08:23,799
Speaker 5: The billionaires have our backs.

1386
01:08:23,880 --> 01:08:27,280
Speaker 1: Boy, I need to listen to old episodes and discover

1387
01:08:27,360 --> 01:08:29,040
Speaker 1: all these empty promises we made.

1388
01:08:29,960 --> 01:08:33,960
Speaker 2: We we actually did research, though, because they went into

1389
01:08:34,040 --> 01:08:37,680
Speaker 2: like look through for rebookings and stuff, and they just

1390
01:08:37,720 --> 01:08:41,520
Speaker 2: looked at the numbers of each podcast episode for this podcast.

1391
01:08:41,960 --> 01:08:44,400
Speaker 5: And you're I think you're right up there top.

1392
01:08:44,240 --> 01:08:49,479
Speaker 4: Three that Hollywood. Yeah, yeah, I hope You're hate listens

1393
01:08:49,720 --> 01:08:50,760
Speaker 4: count as numbers too.

1394
01:08:51,880 --> 01:08:52,439
Speaker 1: Yeah, that's right.

1395
01:08:52,479 --> 01:08:54,200
Speaker 4: It's all traffic. That's all they care about.

1396
01:08:54,240 --> 01:08:57,519
Speaker 2: Traffic's money, baby, So your hate is paying our bills.

1397
01:08:57,720 --> 01:09:01,120
Speaker 1: Your your podcast episode is like a podcast version of

1398
01:09:01,160 --> 01:09:07,200
Speaker 1: the movie The Room, which I that's hate watched right

1399
01:09:07,720 --> 01:09:08,080
Speaker 1: The Room.

1400
01:09:08,640 --> 01:09:11,240
Speaker 2: Yeah, it may have come all the way around to.

1401
01:09:11,240 --> 01:09:12,559
Speaker 4: Being love wise, Yeah, I think so.

1402
01:09:12,880 --> 01:09:15,719
Speaker 3: Wow, I've never I've seen clips of it online.

1403
01:09:15,840 --> 01:09:18,560
Speaker 4: It's actually fun, is it? Yeah?

1404
01:09:18,640 --> 01:09:22,280
Speaker 1: So people, it's like Rocky horror picture show. People throw

1405
01:09:22,400 --> 01:09:25,519
Speaker 1: things at it and yell things out like that. It's

1406
01:09:25,560 --> 01:09:26,519
Speaker 1: an interactive thing.

1407
01:09:26,760 --> 01:09:29,280
Speaker 4: Yeah, right, because I think the guy just ran it

1408
01:09:29,360 --> 01:09:32,920
Speaker 4: here and it just became like a midnight movie here. Yeah,

1409
01:09:32,960 --> 01:09:35,400
Speaker 4: back in the day, and he like just put billboards up.

1410
01:09:35,880 --> 01:09:39,960
Speaker 2: I was living in Los Angeles when those billboards went up, sincerely,

1411
01:09:40,040 --> 01:09:42,880
Speaker 2: like the first time around. They were on Highland, and

1412
01:09:42,960 --> 01:09:45,200
Speaker 2: I'll never forget being like why would that guy have

1413
01:09:45,240 --> 01:09:49,439
Speaker 2: a billboard? And then slowly but surely this story came

1414
01:09:49,479 --> 01:09:51,840
Speaker 2: out of like what exactly this was all about?

1415
01:09:52,560 --> 01:09:55,280
Speaker 3: He had multiple Yeah, they were all over when I

1416
01:09:55,400 --> 01:09:55,960
Speaker 3: visited this.

1417
01:09:56,080 --> 01:09:58,000
Speaker 1: We talk about this week all the time where I

1418
01:09:58,400 --> 01:10:00,200
Speaker 1: was yet to move here and I just showed up

1419
01:10:00,240 --> 01:10:02,720
Speaker 1: at Howard Kramer's with a skateboard on my backpack and

1420
01:10:03,240 --> 01:10:06,519
Speaker 1: drive me to the haha. Cafe in all these places,

1421
01:10:06,520 --> 01:10:11,880
Speaker 1: but there was the room billboard gone for oh yeah,

1422
01:10:11,920 --> 01:10:16,679
Speaker 1: you can have your caffeine and some laughs to exactly.

1423
01:10:22,920 --> 01:10:26,200
Speaker 1: But I didn't know much about it, but it was everywhere.

1424
01:10:26,200 --> 01:10:28,439
Speaker 1: And someone said, yeah, it's like a wealthy guy that

1425
01:10:28,560 --> 01:10:31,439
Speaker 1: promotes his own film, which I think is true, right,

1426
01:10:31,600 --> 01:10:33,080
Speaker 1: and they have money for some reason.

1427
01:10:33,200 --> 01:10:35,880
Speaker 5: Yeah, I mean if he had billboard money, that's for sure.

1428
01:10:36,080 --> 01:10:41,240
Speaker 1: And then the room billboard was just his face, real

1429
01:10:41,320 --> 01:10:43,519
Speaker 1: close up and he looks very scary in it, and

1430
01:10:43,520 --> 01:10:45,559
Speaker 1: I thought it was a horror movie. Then I was

1431
01:10:45,600 --> 01:10:48,559
Speaker 1: at the twenty four hour fitness in Venice and this

1432
01:10:48,800 --> 01:10:55,800
Speaker 1: very stringy, veiny man asked me to a slim good body.

1433
01:10:55,439 --> 01:10:58,720
Speaker 1: He's he's just a slim good fellow. He asked me

1434
01:11:00,200 --> 01:11:03,640
Speaker 1: to spot him. So he was bench pressing, and I'm like,

1435
01:11:03,720 --> 01:11:07,599
Speaker 1: where have I seen this scary faced man? But and

1436
01:11:07,640 --> 01:11:10,559
Speaker 1: then he wanted me to bench press, which I don't

1437
01:11:10,680 --> 01:11:11,280
Speaker 1: usually do.

1438
01:11:11,720 --> 01:11:14,080
Speaker 3: But he was wearing this seems like I'm making up.

1439
01:11:14,200 --> 01:11:17,240
Speaker 1: He's wearing wearing very very short shorts and they and

1440
01:11:17,280 --> 01:11:19,760
Speaker 1: my you know where my head was in relation and

1441
01:11:19,880 --> 01:11:25,960
Speaker 1: yes I saw them his balls, but but he it

1442
01:11:26,000 --> 01:11:29,320
Speaker 1: took me put his balls over you. He just was

1443
01:11:29,360 --> 01:11:32,639
Speaker 1: wearing a running short and they were short and anyway,

1444
01:11:32,680 --> 01:11:34,760
Speaker 1: I've seen that guy. He's a confident man. I don't

1445
01:11:34,760 --> 01:11:36,120
Speaker 1: know his name. What's his name.

1446
01:11:36,240 --> 01:11:39,639
Speaker 3: I've seen his balls. That's the point. That's not even

1447
01:11:39,680 --> 01:11:40,840
Speaker 3: where the story was going.

1448
01:11:40,880 --> 01:11:42,439
Speaker 1: And what's more about the balls?

1449
01:11:42,439 --> 01:11:42,759
Speaker 4: Please?

1450
01:11:44,040 --> 01:11:45,760
Speaker 3: They were perfect?

1451
01:11:46,760 --> 01:11:49,240
Speaker 4: But but that was it took me and his balls.

1452
01:11:49,800 --> 01:11:50,840
Speaker 3: I think it was days.

1453
01:11:50,640 --> 01:11:55,000
Speaker 1: Later when I saw like a YouTube video making fun

1454
01:11:55,040 --> 01:11:57,200
Speaker 1: of his acting and that, and then I realized that's

1455
01:11:57,240 --> 01:11:57,840
Speaker 1: who it was.

1456
01:11:57,800 --> 01:11:59,439
Speaker 5: That said those balls look familiar.

1457
01:11:59,640 --> 01:12:01,560
Speaker 1: I thought he was like a rocker or something. He

1458
01:12:01,680 --> 01:12:04,439
Speaker 1: looked like an ex rock and roll guy. Yeah, he

1459
01:12:05,000 --> 01:12:07,160
Speaker 1: and he was very muscular. He was like a tiny

1460
01:12:07,200 --> 01:12:10,000
Speaker 1: little muscleman. I think he worked harder on that than

1461
01:12:10,439 --> 01:12:11,120
Speaker 1: right thee.

1462
01:12:11,520 --> 01:12:13,960
Speaker 2: Yeah, I think he should have taken a cold reading class,

1463
01:12:14,040 --> 01:12:16,559
Speaker 2: but you know he wouldn't. Who am I to say?

1464
01:12:16,640 --> 01:12:18,600
Speaker 2: When how it was a very successful?

1465
01:12:18,880 --> 01:12:20,480
Speaker 1: Uh project?

1466
01:12:20,560 --> 01:12:20,800
Speaker 5: Really?

1467
01:12:20,960 --> 01:12:21,520
Speaker 2: Overall?

1468
01:12:21,800 --> 01:12:23,519
Speaker 1: Yeah? I guess it was.

1469
01:12:24,040 --> 01:12:26,800
Speaker 4: And everyone knows about it, and they made a movie

1470
01:12:26,920 --> 01:12:29,080
Speaker 4: about it, which I never watched. Yeah, how much he

1471
01:12:29,120 --> 01:12:29,760
Speaker 4: got paid for that?

1472
01:12:31,920 --> 01:12:32,479
Speaker 1: Oh? Right?

1473
01:12:33,000 --> 01:12:34,080
Speaker 3: Was he in that movie?

1474
01:12:34,160 --> 01:12:34,439
Speaker 1: Also?

1475
01:12:35,200 --> 01:12:40,040
Speaker 2: Yeah? I believe so right, it's because I think Paul

1476
01:12:40,080 --> 01:12:43,679
Speaker 2: sheer got into it and was like the champion of

1477
01:12:44,479 --> 01:12:48,479
Speaker 2: that whole movement. And then I think he's.

1478
01:12:48,280 --> 01:12:51,439
Speaker 1: In the movie, the movie about the Room, but none

1479
01:12:51,439 --> 01:12:53,000
Speaker 1: of us will remember what it's called.

1480
01:12:53,560 --> 01:12:54,560
Speaker 2: I bet it's.

1481
01:12:54,280 --> 01:12:55,920
Speaker 1: Called the Room.

1482
01:12:56,040 --> 01:12:57,400
Speaker 2: It's like him and James Franco.

1483
01:12:57,520 --> 01:12:58,599
Speaker 1: Right, yeah it is.

1484
01:12:58,680 --> 01:12:59,720
Speaker 3: It does have another name.

1485
01:13:00,120 --> 01:13:01,719
Speaker 1: Can't think of the disaster artist.

1486
01:13:01,880 --> 01:13:03,040
Speaker 3: That's what it's called.

1487
01:13:03,640 --> 01:13:06,120
Speaker 6: Did you just remember that? Off the top top of

1488
01:13:06,200 --> 01:13:15,120
Speaker 6: my head? Really, that's where you got it? Now, what

1489
01:13:15,320 --> 01:13:16,640
Speaker 6: city would you guess.

1490
01:13:16,400 --> 01:13:18,559
Speaker 2: This to be? James?

1491
01:13:20,600 --> 01:13:23,200
Speaker 1: I'm gonna guess James is the guest?

1492
01:13:23,360 --> 01:13:28,480
Speaker 3: Oh right, right, go ahead, James, whoa James guess?

1493
01:13:28,479 --> 01:13:34,639
Speaker 1: Thanks demon, before you shovel this callnity.

1494
01:13:34,560 --> 01:13:36,839
Speaker 5: Guys, I'm sorry before your guest, James.

1495
01:13:36,880 --> 01:13:39,080
Speaker 1: Everybody, look ahead, we got we.

1496
01:13:39,160 --> 01:13:40,679
Speaker 5: Got a straight up police.

1497
01:13:41,000 --> 01:13:45,800
Speaker 1: There are thirty is anybody holding sets of sirens and

1498
01:13:45,800 --> 01:13:48,240
Speaker 1: those are fire vehicles, and we are going to.

1499
01:13:48,280 --> 01:13:50,559
Speaker 5: The action to be a part of history.

1500
01:13:50,680 --> 01:13:55,400
Speaker 3: Yeah we are, and I believe we're in lock Resenna.

1501
01:13:56,080 --> 01:14:00,160
Speaker 1: Well, okay, I guess it wasn't my guess. Oh, I'm so.

1502
01:14:02,080 --> 01:14:02,640
Speaker 2: Sorry.

1503
01:14:02,680 --> 01:14:03,360
Speaker 4: I took too long.

1504
01:14:03,400 --> 01:14:07,720
Speaker 1: It's l a baby. I only know because it's too long.

1505
01:14:07,880 --> 01:14:11,439
Speaker 1: Someone else there's a skate park, and I've been to

1506
01:14:11,479 --> 01:14:13,639
Speaker 1: the skate park and Henry Phillips' parents.

1507
01:14:13,800 --> 01:14:17,800
Speaker 2: Okay, this is the amount of fire trucks and ambulances

1508
01:14:17,960 --> 01:14:20,800
Speaker 2: that would say the first thing brings to mind for.

1509
01:14:20,880 --> 01:14:21,679
Speaker 1: Me a mom.

1510
01:14:22,160 --> 01:14:26,479
Speaker 3: Yeah, but I can see from here though.

1511
01:14:26,520 --> 01:14:29,560
Speaker 1: There's a large ladder drawn and it has been extended

1512
01:14:29,600 --> 01:14:32,439
Speaker 1: to its double length off to the left.

1513
01:14:33,000 --> 01:14:34,479
Speaker 3: So I think we're a jumper.

1514
01:14:34,760 --> 01:14:38,440
Speaker 1: I believe we either got a jumper and there's someone negotiating.

1515
01:14:38,520 --> 01:14:43,040
Speaker 1: I hope it's Morgan Freeman.

1516
01:14:43,560 --> 01:14:44,880
Speaker 4: P W.

1517
01:14:45,000 --> 01:14:46,040
Speaker 1: Herman's girlfriend.

1518
01:14:46,160 --> 01:14:49,799
Speaker 2: I hope it's JP Morgan. They want to drive directly

1519
01:14:49,880 --> 01:14:50,120
Speaker 2: up there.

1520
01:14:50,120 --> 01:14:53,280
Speaker 1: That guys, we're doing a podcast. Let us through. We

1521
01:14:53,360 --> 01:14:55,080
Speaker 1: have questions, we're pressed.

1522
01:14:55,200 --> 01:14:56,360
Speaker 2: We love true crime.

1523
01:14:57,920 --> 01:14:59,519
Speaker 1: There are so many fire trucks.

1524
01:14:59,520 --> 01:15:04,360
Speaker 2: There's like already, okay, we're gonna follow this white to

1525
01:15:04,400 --> 01:15:06,439
Speaker 2: get a peek. Let's try to go down this way

1526
01:15:07,439 --> 01:15:11,360
Speaker 2: be where that sign says dips. That's right, this car

1527
01:15:11,400 --> 01:15:12,559
Speaker 2: is filled with dips.

1528
01:15:13,240 --> 01:15:16,479
Speaker 1: I just know that this road is riddled with dips.

1529
01:15:16,479 --> 01:15:17,839
Speaker 1: You got any flavored dips?

1530
01:15:17,920 --> 01:15:18,160
Speaker 2: Guys?

1531
01:15:18,200 --> 01:15:19,800
Speaker 5: We got a we got a skybird.

1532
01:15:19,920 --> 01:15:27,000
Speaker 1: Oh skybird, that's what you said already confirming.

1533
01:15:26,760 --> 01:15:28,800
Speaker 4: I want to say, Skybird, Skybird.

1534
01:15:28,920 --> 01:15:31,599
Speaker 3: It feels good that Skybird's going a different direction.

1535
01:15:32,120 --> 01:15:35,439
Speaker 4: Okay, finally, we used to listen to Skybird all the time.

1536
01:15:35,680 --> 01:15:36,600
Speaker 5: Scarbird.

1537
01:15:37,439 --> 01:15:40,200
Speaker 1: There is there are even cops a block away from

1538
01:15:40,200 --> 01:15:41,519
Speaker 1: something big is going on.

1539
01:15:41,800 --> 01:15:43,839
Speaker 4: Yeah, people getting overtime.

1540
01:15:44,240 --> 01:15:46,520
Speaker 2: Yeah guys.

1541
01:15:46,920 --> 01:15:49,120
Speaker 5: Okay, it's all fire trucks.

1542
01:15:49,400 --> 01:15:53,360
Speaker 2: But there's no smoke, right and we know, as Bad

1543
01:15:53,400 --> 01:15:55,760
Speaker 2: Company said, there's no smoke without we.

1544
01:15:55,760 --> 01:16:00,320
Speaker 1: Got a sniper or a jumper, sniper jumper to the

1545
01:16:00,400 --> 01:16:04,719
Speaker 1: ladder that Oh that's it's like a crane. What's it doing.

1546
01:16:04,760 --> 01:16:06,639
Speaker 1: It is a ladder and at the end of it

1547
01:16:06,960 --> 01:16:08,880
Speaker 1: and it looks like a gun, but I think that's

1548
01:16:08,920 --> 01:16:10,280
Speaker 1: where the water shoots out.

1549
01:16:10,280 --> 01:16:11,560
Speaker 4: It's a giant panana.

1550
01:16:11,800 --> 01:16:14,160
Speaker 3: I'm very excited. I hope there's candy.

1551
01:16:13,880 --> 01:16:17,240
Speaker 5: Inside because you know a thousand this is for like

1552
01:16:17,840 --> 01:16:18,400
Speaker 5: a movie.

1553
01:16:18,960 --> 01:16:22,160
Speaker 1: Yeah, oh maybe, Well, then let's not shut it down.

1554
01:16:22,479 --> 01:16:24,240
Speaker 1: It's for a new movie. I don't think we need

1555
01:16:24,280 --> 01:16:27,240
Speaker 1: to be nervous anymore. To Tom Cruise jumps onto the

1556
01:16:27,240 --> 01:16:31,439
Speaker 1: hood of your car at all. It's just face pressed

1557
01:16:31,479 --> 01:16:37,240
Speaker 1: against such glass, screaming. I do my own stunts all over.

1558
01:16:37,360 --> 01:16:41,400
Speaker 1: I'm not really upset. It's just an Alien's emotions haunting

1559
01:16:41,479 --> 01:16:42,040
Speaker 1: my body.

1560
01:16:42,360 --> 01:16:44,840
Speaker 4: I watched all of those movies in a week.

1561
01:16:45,439 --> 01:16:46,240
Speaker 2: It's impossible.

1562
01:16:47,120 --> 01:16:49,839
Speaker 5: Oh they're good, though, great, they're good movies.

1563
01:16:50,000 --> 01:16:54,240
Speaker 4: They're shockingly I don't know if any franchise has gotten

1564
01:16:54,400 --> 01:16:56,439
Speaker 4: better as they go along. Really like that.

1565
01:16:56,720 --> 01:16:58,400
Speaker 3: I need to I need to get into them.

1566
01:16:58,840 --> 01:17:02,360
Speaker 2: We could perhaps are you maybe Terminator? Although I can't

1567
01:17:02,360 --> 01:17:04,280
Speaker 2: remember what happens in Terminator three?

1568
01:17:04,840 --> 01:17:08,040
Speaker 4: Oh yeah, that's I mean, I really only like the

1569
01:17:08,080 --> 01:17:10,400
Speaker 4: first two. I don't even know if I know that if.

1570
01:17:10,880 --> 01:17:13,920
Speaker 2: T is real good, real good.

1571
01:17:14,439 --> 01:17:17,439
Speaker 3: I recently watched rain Man.

1572
01:17:18,800 --> 01:17:19,519
Speaker 2: Does it hold up?

1573
01:17:19,880 --> 01:17:20,280
Speaker 1: Gosh?

1574
01:17:20,360 --> 01:17:20,800
Speaker 3: It does?

1575
01:17:21,080 --> 01:17:21,960
Speaker 1: And really?

1576
01:17:22,360 --> 01:17:25,639
Speaker 4: Yeah?

1577
01:17:25,680 --> 01:17:30,120
Speaker 1: Well, right right, I'm reading between the two lines. You're

1578
01:17:30,200 --> 01:17:31,719
Speaker 1: laying down, Well.

1579
01:17:31,760 --> 01:17:35,320
Speaker 4: You know a problematic Everyone was doing that, I know,

1580
01:17:35,400 --> 01:17:38,560
Speaker 4: because he's so good. Everybody wanted that Oscar seanpan that

1581
01:17:38,680 --> 01:17:42,360
Speaker 4: I am Sam. Yeah, he's not doing a Gilbert Grape.

1582
01:17:42,520 --> 01:17:44,920
Speaker 4: He's so good at it that it is.

1583
01:17:45,320 --> 01:17:48,439
Speaker 1: Uh. You watch it and you forget he's Dustin Hoffman,

1584
01:17:48,760 --> 01:17:51,880
Speaker 1: but you don't watch Tom Cruise and forget it's Cruise.

1585
01:17:52,400 --> 01:17:56,880
Speaker 1: He's really good, and he's good and made to do this. Man.

1586
01:17:58,240 --> 01:18:00,599
Speaker 1: I even pumped my fist when there were and matching

1587
01:18:00,640 --> 01:18:03,000
Speaker 1: suits on the escalator and I might be confusing it

1588
01:18:03,040 --> 01:18:09,120
Speaker 1: from the movie Twins, but it's very joint. It was

1589
01:18:09,160 --> 01:18:13,400
Speaker 1: a spike lea spliff. Yeah. I think you're right. I

1590
01:18:13,400 --> 01:18:15,760
Speaker 1: think it is eleven. Yeah.

1591
01:18:15,920 --> 01:18:19,120
Speaker 2: I wish there was some way, like if somebody was

1592
01:18:19,160 --> 01:18:23,000
Speaker 2: on crime next Door or whatever, we could figure out

1593
01:18:23,080 --> 01:18:23,960
Speaker 2: what was happening.

1594
01:18:24,040 --> 01:18:25,320
Speaker 1: We kind of left our listeners.

1595
01:18:25,400 --> 01:18:28,160
Speaker 4: Thanks. We used to be able to just go to Twitter,

1596
01:18:28,320 --> 01:18:32,439
Speaker 4: I know, right, and search flat Ladder.

1597
01:18:33,000 --> 01:18:35,040
Speaker 5: Lad in the Sky.

1598
01:18:35,120 --> 01:18:37,200
Speaker 1: Yeah, I think it was a fire. Don't you have

1599
01:18:37,240 --> 01:18:40,040
Speaker 1: to pay for like that app now, Citizen or whatever?

1600
01:18:40,280 --> 01:18:42,280
Speaker 4: I bet you do, because Nazis were using it to

1601
01:18:42,400 --> 01:18:45,720
Speaker 4: just drive gay people out of Malibu and ship is

1602
01:18:45,760 --> 01:18:46,200
Speaker 4: that true?

1603
01:18:46,880 --> 01:18:47,439
Speaker 2: What do you mean?

1604
01:18:48,600 --> 01:18:50,360
Speaker 4: Right wingers like took it over and they're like, we're

1605
01:18:50,360 --> 01:18:54,320
Speaker 4: gonna make people pay for this. Really something weird was

1606
01:18:54,320 --> 01:18:57,120
Speaker 4: happening or like vigilante justice they were trying to do

1607
01:18:57,240 --> 01:18:58,000
Speaker 4: on people.

1608
01:18:57,920 --> 01:19:01,120
Speaker 2: Well, right, because if it was anything like the next

1609
01:19:01,120 --> 01:19:04,200
Speaker 2: Door app, That's how I figured out the part the

1610
01:19:04,200 --> 01:19:06,320
Speaker 2: part of Bourbank I lived in. It was just like, oh,

1611
01:19:06,400 --> 01:19:09,479
Speaker 2: everyone here is like a racist republic. Yeah, oh ship

1612
01:19:09,560 --> 01:19:11,600
Speaker 2: that they were saying on there where it was like sorry,

1613
01:19:12,040 --> 01:19:15,000
Speaker 2: the public can see this, like in my yard.

1614
01:19:15,280 --> 01:19:19,360
Speaker 4: Yeah never like was he he was wearing a Comcast uniform,

1615
01:19:20,240 --> 01:19:20,920
Speaker 4: Like that was.

1616
01:19:20,840 --> 01:19:23,880
Speaker 2: The guy Grandma take a walk.

1617
01:19:25,280 --> 01:19:29,160
Speaker 4: Grandpa take a walk? Because I mean that's a solid

1618
01:19:29,200 --> 01:19:30,840
Speaker 4: stand up catchphrase.

1619
01:19:30,760 --> 01:19:32,879
Speaker 1: Right, And I was like, Grandma take.

1620
01:19:32,720 --> 01:19:36,720
Speaker 2: Away, Grandma take a walk. I know, guys, I know

1621
01:19:37,040 --> 01:19:38,759
Speaker 2: T shirts available in the lobby.

1622
01:19:39,240 --> 01:19:41,599
Speaker 4: I'm working on a new one for my southern character.

1623
01:19:41,680 --> 01:19:44,559
Speaker 4: When I say, like a truth bomb, I just go

1624
01:19:44,800 --> 01:19:48,960
Speaker 4: like I'm flipping a spatch line. I'll go Burger's Ready.

1625
01:19:50,120 --> 01:19:51,679
Speaker 1: You buy. I would buy that T shirt.

1626
01:19:52,040 --> 01:19:55,040
Speaker 3: Hell, yes, even if I didn't know who you were.

1627
01:19:55,200 --> 01:19:57,400
Speaker 4: Yeah, and I'm I can I could sell the little

1628
01:19:57,479 --> 01:19:58,440
Speaker 4: chef aprons.

1629
01:19:59,080 --> 01:20:00,320
Speaker 2: There's another one going on there.

1630
01:20:01,240 --> 01:20:03,960
Speaker 1: When you're ever on the road and you're in a

1631
01:20:03,960 --> 01:20:07,000
Speaker 1: comedy club, do you ever, as a defense mechanism go

1632
01:20:07,320 --> 01:20:12,280
Speaker 1: lean towards go I'm a Southern character. I've done that before.

1633
01:20:14,280 --> 01:20:17,320
Speaker 1: I did it in Indianapolis and it went very well.

1634
01:20:19,040 --> 01:20:20,599
Speaker 5: You leaned on your southern Yeah.

1635
01:20:20,640 --> 01:20:24,280
Speaker 1: I just cable guided up and told my same jokes.

1636
01:20:24,320 --> 01:20:25,639
Speaker 1: But they liked that guy.

1637
01:20:25,800 --> 01:20:28,080
Speaker 4: Well, if I have more than two drinks, my accent

1638
01:20:28,200 --> 01:20:29,200
Speaker 4: comes out more anywhere.

1639
01:20:29,479 --> 01:20:35,880
Speaker 1: Yeah, yeah, yeah, right. Yeah, I only said that assuming

1640
01:20:36,000 --> 01:20:38,559
Speaker 1: you don't have an accent. But I guess I have heard.

1641
01:20:38,640 --> 01:20:41,040
Speaker 4: I'm nervous and I have more than two drinks. Then

1642
01:20:41,120 --> 01:20:42,040
Speaker 4: it's a country show.

1643
01:20:42,200 --> 01:20:45,120
Speaker 2: Yeah, you are the southern guy.

1644
01:20:45,880 --> 01:20:48,000
Speaker 4: I'm southern, Mama.

1645
01:20:48,640 --> 01:20:50,439
Speaker 2: Listen to these observations.

1646
01:20:51,800 --> 01:20:54,439
Speaker 1: Yeah, I'll never forget. And then I ruined it at

1647
01:20:54,439 --> 01:20:56,519
Speaker 1: the very end. I let them know that's not how

1648
01:20:56,560 --> 01:20:59,639
Speaker 1: I really talk. And then they felt like they were.

1649
01:21:01,360 --> 01:21:03,920
Speaker 4: So you did a voice, You did a voice fake

1650
01:21:04,000 --> 01:21:06,160
Speaker 4: some voice the whole show, and then at the end

1651
01:21:06,200 --> 01:21:09,680
Speaker 4: you were listening I've been lying to you. Goddamn.

1652
01:21:10,120 --> 01:21:12,400
Speaker 1: Yeah, I know this is how I really sound. But

1653
01:21:12,560 --> 01:21:14,600
Speaker 1: the shows weren't going very well. I knew you'd like

1654
01:21:14,640 --> 01:21:16,920
Speaker 1: that guy better. Good night. You did a full face

1655
01:21:16,960 --> 01:21:17,559
Speaker 1: in the crowd.

1656
01:21:17,840 --> 01:21:19,720
Speaker 3: Yeah, I regret it now.

1657
01:21:19,760 --> 01:21:22,640
Speaker 1: It's not something I would do. Now. I feel like

1658
01:21:22,680 --> 01:21:25,599
Speaker 1: I drink them and they I was being heckled by

1659
01:21:25,640 --> 01:21:28,719
Speaker 1: two men that were high school principles. Oh my god,

1660
01:21:28,880 --> 01:21:31,880
Speaker 1: and they wouldn't They were so disruptive, and I'm like,

1661
01:21:32,000 --> 01:21:32,840
Speaker 1: I can't believe.

1662
01:21:33,800 --> 01:21:35,080
Speaker 3: Think of how mad you'd.

1663
01:21:34,840 --> 01:21:36,800
Speaker 1: Be at students right now if this, if you were

1664
01:21:36,960 --> 01:21:40,680
Speaker 1: speaking in the auditorium and they just were laughing, and

1665
01:21:40,720 --> 01:21:43,720
Speaker 1: then of course at the end they bought like ten CDs.

1666
01:21:44,160 --> 01:21:47,040
Speaker 1: It was a while back. I'm not that's not that

1667
01:21:47,479 --> 01:21:50,200
Speaker 1: they each bought several CDs. It's true.

1668
01:21:51,040 --> 01:21:53,040
Speaker 2: So they basically were like trying to go out and

1669
01:21:53,080 --> 01:21:56,880
Speaker 2: finally unwind, and they're like, we're just gonna yeah back

1670
01:21:56,960 --> 01:21:57,960
Speaker 2: like high school students.

1671
01:21:58,120 --> 01:21:59,600
Speaker 1: Yes, somebody else.

1672
01:21:59,240 --> 01:22:01,160
Speaker 4: And we've been getting it all wait, kind of give

1673
01:22:01,160 --> 01:22:02,400
Speaker 4: it to this game exactly.

1674
01:22:02,720 --> 01:22:05,439
Speaker 1: I really I think that any interacting I did with

1675
01:22:05,479 --> 01:22:07,960
Speaker 1: them was that that's what I was accusing them of.

1676
01:22:08,560 --> 01:22:11,040
Speaker 1: I'm like, oh, you're just mad at students for doing

1677
01:22:11,080 --> 01:22:14,200
Speaker 1: what you're doing right now. And they did not apologize,

1678
01:22:14,200 --> 01:22:15,840
Speaker 1: but they did buy those CDs.

1679
01:22:16,240 --> 01:22:17,040
Speaker 2: That's an apology.

1680
01:22:17,160 --> 01:22:19,559
Speaker 4: Yeah, that's my kind of apology, to be honest.

1681
01:22:19,560 --> 01:22:21,120
Speaker 3: They were also by any.

1682
01:22:20,960 --> 01:22:24,479
Speaker 4: Listeners, I have a box of CDs from my long

1683
01:22:24,520 --> 01:22:26,639
Speaker 4: ago album. Cannot move them.

1684
01:22:26,720 --> 01:22:28,719
Speaker 1: Please buy them if you'd like to say.

1685
01:22:28,520 --> 01:22:30,519
Speaker 2: Sorry, I cannot move them.

1686
01:22:31,880 --> 01:22:33,479
Speaker 3: I have I just in my garage.

1687
01:22:33,520 --> 01:22:37,320
Speaker 1: I have two giant boxes of my old CDs.

1688
01:22:37,479 --> 01:22:39,280
Speaker 3: They're fifteen hundred each.

1689
01:22:39,760 --> 01:22:43,200
Speaker 4: Three just my little failure disc. I'm staring me in

1690
01:22:43,280 --> 01:22:46,760
Speaker 4: the face area of the kitchen you're.

1691
01:22:46,600 --> 01:22:49,559
Speaker 2: In when the grid goes down, you guys will have

1692
01:22:49,640 --> 01:22:53,080
Speaker 2: some of the only entertainment available hard copy. Wish what

1693
01:22:53,200 --> 01:22:56,200
Speaker 2: anyone's gonna need. You'll be way ahead of the game.

1694
01:22:56,880 --> 01:22:59,160
Speaker 1: Or just end my string coasters?

1695
01:22:59,560 --> 01:23:00,400
Speaker 2: I mean, what ever?

1696
01:23:02,920 --> 01:23:07,040
Speaker 4: That on? My have been taking bathtub gin classes to

1697
01:23:07,120 --> 01:23:08,679
Speaker 4: prepare what kind of classes?

1698
01:23:08,720 --> 01:23:09,519
Speaker 1: Bathtub gin?

1699
01:23:11,040 --> 01:23:12,800
Speaker 2: Just kind of a make your own at home to

1700
01:23:13,280 --> 01:23:14,080
Speaker 2: prison stuff.

1701
01:23:15,520 --> 01:23:17,760
Speaker 1: Have you ever made a liquor in a tub? No,

1702
01:23:18,439 --> 01:23:21,960
Speaker 1: my mom used to do that. There's two a shower downstairs.

1703
01:23:22,280 --> 01:23:23,799
Speaker 1: I think it was like a plumb wine.

1704
01:23:24,040 --> 01:23:26,880
Speaker 4: Are you being serious now or is this your southern character?

1705
01:23:27,040 --> 01:23:31,719
Speaker 1: No? No, yeah, I don't. I don't change my voice

1706
01:23:31,720 --> 01:23:32,040
Speaker 1: at all.

1707
01:23:34,640 --> 01:23:35,080
Speaker 4: Thank you.

1708
01:23:35,080 --> 01:23:38,679
Speaker 1: You've been a great, really big voice.

1709
01:23:38,800 --> 01:23:39,639
Speaker 2: You were wrong to.

1710
01:23:39,720 --> 01:23:42,400
Speaker 3: Like me, consider yourself, right man?

1711
01:23:43,360 --> 01:23:50,320
Speaker 1: A character? Yeah? Yeah, it was uh And I had

1712
01:23:50,360 --> 01:23:52,400
Speaker 1: a lot of friends that that did that, like in

1713
01:23:52,439 --> 01:23:56,599
Speaker 1: their closets, take some sugar and something else and fermented,

1714
01:23:56,680 --> 01:23:58,320
Speaker 1: and then when it blew up and you know, it

1715
01:23:58,360 --> 01:24:00,439
Speaker 1: was ready to drink, and we'd go to a field

1716
01:24:00,479 --> 01:24:07,519
Speaker 1: and poison ourselves. I'm from a sophisticated time, very simpler,

1717
01:24:07,680 --> 01:24:13,080
Speaker 1: sophisticated time. My yeah, my friend Josh made red wine

1718
01:24:13,080 --> 01:24:15,840
Speaker 1: in his closet and it blew up, and the cork

1719
01:24:15,960 --> 01:24:17,799
Speaker 1: or whatever that was in the top of this giant

1720
01:24:17,800 --> 01:24:21,120
Speaker 1: water bottle shot into a ceiling into the attic like

1721
01:24:21,160 --> 01:24:24,080
Speaker 1: it blew up with such force, but half of it

1722
01:24:24,160 --> 01:24:25,720
Speaker 1: was still in there. And we drank it.

1723
01:24:27,000 --> 01:24:28,040
Speaker 5: Did you get nice and drunk?

1724
01:24:28,320 --> 01:24:29,040
Speaker 1: We did?

1725
01:24:29,200 --> 01:24:30,920
Speaker 3: I think nice and kind of poisoned.

1726
01:24:30,920 --> 01:24:32,040
Speaker 1: It was more than a drunk.

1727
01:24:32,080 --> 01:24:33,439
Speaker 3: We were seeing things.

1728
01:24:34,720 --> 01:24:41,519
Speaker 1: Limbs wentnam Yeah, tingly, I believe by all definition it

1729
01:24:41,560 --> 01:24:45,480
Speaker 1: was moonshine. There's not a lot to do in Montana,

1730
01:24:46,040 --> 01:24:50,040
Speaker 1: and I thought that maybe, you know, in Kentucky it

1731
01:24:50,120 --> 01:24:50,599
Speaker 1: was the same.

1732
01:24:50,840 --> 01:24:52,320
Speaker 4: Oh, I grew up in a dry county.

1733
01:24:52,400 --> 01:24:58,760
Speaker 1: It was really yeah really so did you not have

1734
01:24:58,840 --> 01:25:01,720
Speaker 1: access to alcohol them when you're a young person.

1735
01:25:01,960 --> 01:25:03,839
Speaker 4: I mean, if you wanted to go to a field

1736
01:25:03,880 --> 01:25:06,320
Speaker 4: and hang out with a bunch of racist who are

1737
01:25:06,320 --> 01:25:08,160
Speaker 4: trying to fuck your older sisters.

1738
01:25:07,920 --> 01:25:09,759
Speaker 1: Right right, right? All right?

1739
01:25:09,840 --> 01:25:12,040
Speaker 2: Much so AKA Friday Night?

1740
01:25:12,240 --> 01:25:13,960
Speaker 1: Yeah? Yeah, wow.

1741
01:25:14,280 --> 01:25:16,080
Speaker 4: I watched a lot of TV and listened to a

1742
01:25:16,120 --> 01:25:19,880
Speaker 4: lot of music and got the fuck out. Yeah.

1743
01:25:19,960 --> 01:25:23,439
Speaker 1: I became a drunken college and the system, you know worked.

1744
01:25:23,560 --> 01:25:25,479
Speaker 5: Yeah, You're like, I see what they were doing this

1745
01:25:25,560 --> 01:25:26,040
Speaker 5: whole time?

1746
01:25:26,680 --> 01:25:31,800
Speaker 1: They were right, Yeah, I didn't need to know moderation ever, Yeah,

1747
01:25:31,920 --> 01:25:32,240
Speaker 1: I went.

1748
01:25:32,640 --> 01:25:36,240
Speaker 4: Yeah, it went though recently, like uh like five years

1749
01:25:36,280 --> 01:25:38,400
Speaker 4: ago because they needed the money.

1750
01:25:39,200 --> 01:25:41,360
Speaker 2: Yeah, that's such an old leftover law.

1751
01:25:41,840 --> 01:25:45,519
Speaker 4: Yeah, well it was crazy man. The I remember we

1752
01:25:45,560 --> 01:25:48,680
Speaker 4: had a one of our video stores had a just

1753
01:25:48,720 --> 01:25:51,200
Speaker 4: like a softcore room. I didn't go in there, but

1754
01:25:51,280 --> 01:25:52,200
Speaker 4: we all knew about it.

1755
01:25:52,640 --> 01:25:54,000
Speaker 1: Sophocore chornography.

1756
01:25:55,080 --> 01:26:00,920
Speaker 4: Yeah, no, soft court documentary sure, sure, okay, just kind

1757
01:26:00,960 --> 01:26:03,719
Speaker 4: of lightly erotic documentaries.

1758
01:26:03,880 --> 01:26:04,599
Speaker 1: Of the Bible.

1759
01:26:05,479 --> 01:26:12,080
Speaker 4: Yes, Emmanuel teaches you engine they really how too, but

1760
01:26:12,439 --> 01:26:15,120
Speaker 4: the church like got them run out of town for

1761
01:26:15,360 --> 01:26:19,559
Speaker 4: soft Oh shit. Wow it was crazy for like red

1762
01:26:19,560 --> 01:26:21,320
Speaker 4: shoe diaries basically.

1763
01:26:22,439 --> 01:26:22,839
Speaker 1: Wow.

1764
01:26:22,920 --> 01:26:25,760
Speaker 4: So like all this like reaction and crazy right wing

1765
01:26:25,840 --> 01:26:28,000
Speaker 4: culture ship going on now, Like I kind of feel

1766
01:26:28,040 --> 01:26:31,000
Speaker 4: like I've already lived through a lot of that. It's

1767
01:26:31,080 --> 01:26:34,840
Speaker 4: just online and louder now. But like I remember one

1768
01:26:34,840 --> 01:26:38,840
Speaker 4: time they took all the kids out of uh out

1769
01:26:38,840 --> 01:26:42,160
Speaker 4: of like what was that. It's like elementary school aren't

1770
01:26:42,200 --> 01:26:45,160
Speaker 4: like fourth or fifth grade. My mother was a teacher,

1771
01:26:45,200 --> 01:26:47,160
Speaker 4: so she didn't take me out of school. She's like,

1772
01:26:47,200 --> 01:26:49,240
Speaker 4: you're staying in school. But like a lot of parents

1773
01:26:49,280 --> 01:26:51,000
Speaker 4: took their kids out of school one day because they

1774
01:26:51,000 --> 01:26:54,479
Speaker 4: found like what they thought were satanic paintings on a

1775
01:26:54,520 --> 01:26:56,400
Speaker 4: cave wall near the school.

1776
01:26:56,520 --> 01:26:58,599
Speaker 2: No what what?

1777
01:26:58,880 --> 01:27:01,360
Speaker 1: Yeah dude, and what was it? Like?

1778
01:27:02,040 --> 01:27:08,240
Speaker 4: Wrote like, yeah, someone probably justel so symbols on the wall.

1779
01:27:08,439 --> 01:27:12,400
Speaker 2: Well get him out of school, get him out of

1780
01:27:12,400 --> 01:27:12,960
Speaker 2: that school.

1781
01:27:13,200 --> 01:27:15,120
Speaker 4: Well, I mean, you know a C d C stands

1782
01:27:15,120 --> 01:27:17,160
Speaker 4: for after Christ Devil comes?

1783
01:27:17,240 --> 01:27:21,000
Speaker 1: Right what things like that just kind of stumbled out

1784
01:27:21,000 --> 01:27:23,599
Speaker 1: of your mouth. Are you sure that's what it is? Wow?

1785
01:27:23,800 --> 01:27:25,799
Speaker 3: After Christ's devil comes?

1786
01:27:25,960 --> 01:27:31,680
Speaker 4: Yeah? No, man, so like, yeah, this fucking crazy.

1787
01:27:32,160 --> 01:27:35,280
Speaker 1: I guess that is how Kentucky and Montana are different.

1788
01:27:35,360 --> 01:27:40,200
Speaker 1: I didn't I was church wasn't as strong. Yeah, uh,

1789
01:27:40,320 --> 01:27:45,080
Speaker 1: you know force in Montana. I don't think it's not

1790
01:27:45,200 --> 01:27:47,640
Speaker 1: until I go to Southern States, where I see it's like,

1791
01:27:47,720 --> 01:27:51,080
Speaker 1: oh they run ship around here. Churches are fancy and

1792
01:27:51,120 --> 01:27:52,160
Speaker 1: their every other block.

1793
01:27:52,520 --> 01:27:55,360
Speaker 4: Oh yeah, I mean there was prayer in school all

1794
01:27:55,439 --> 01:27:59,839
Speaker 4: the time. Our science teacher like believed in like creation

1795
01:28:00,160 --> 01:28:01,000
Speaker 4: something ship you know.

1796
01:28:01,280 --> 01:28:05,439
Speaker 1: Yeah I wish. Yeah it was crazy and I was like,

1797
01:28:05,520 --> 01:28:08,240
Speaker 1: get me out of here. I'm glad I grew up

1798
01:28:08,240 --> 01:28:10,599
Speaker 1: where it was just it's like, oh, they have after

1799
01:28:10,680 --> 01:28:12,920
Speaker 1: school programs and people are nice to you and they

1800
01:28:12,920 --> 01:28:17,880
Speaker 1: feed you like I never there wasn't any hate ute.

1801
01:28:18,439 --> 01:28:19,839
Speaker 2: Yeah, it was all.

1802
01:28:20,720 --> 01:28:23,479
Speaker 1: Yeah, that's I'm glad that I didn't.

1803
01:28:23,760 --> 01:28:25,840
Speaker 4: Well, there's definitely a change because we had like an

1804
01:28:25,840 --> 01:28:28,880
Speaker 4: old preacher, like an old timey one, and the church

1805
01:28:29,000 --> 01:28:31,240
Speaker 4: was smaller the church I grew up in. And then

1806
01:28:31,280 --> 01:28:34,080
Speaker 4: he retired, and then we got like a real like

1807
01:28:34,160 --> 01:28:40,320
Speaker 4: a televangelist style, right, and the church fucking exploded and

1808
01:28:39,240 --> 01:28:42,400
Speaker 4: and and he was, you know, just yelling about gay

1809
01:28:42,439 --> 01:28:46,080
Speaker 4: people and ship oh wow, real face screaming all the time.

1810
01:28:46,200 --> 01:28:48,880
Speaker 1: Maybe that was I just wasn't allowed to be near

1811
01:28:48,920 --> 01:28:49,760
Speaker 1: those places.

1812
01:28:50,320 --> 01:28:51,960
Speaker 4: And I learned at a young age like, oh that

1813
01:28:52,000 --> 01:28:54,200
Speaker 4: shit makes a lot more money than just the love

1814
01:28:54,280 --> 01:28:55,000
Speaker 4: your neighborship.

1815
01:28:55,160 --> 01:28:59,760
Speaker 2: To this day to day, yeah.

1816
01:28:58,840 --> 01:29:00,360
Speaker 5: That's the problem we have on hand.

1817
01:29:00,640 --> 01:29:05,120
Speaker 4: Yeah, it's never gone away, and it ain't no, no, Yeah,

1818
01:29:05,160 --> 01:29:09,960
Speaker 4: all these people say shit satanic. It's like you believe

1819
01:29:09,960 --> 01:29:14,559
Speaker 4: in Satan, Maybe you should not be in the debate

1820
01:29:14,600 --> 01:29:15,559
Speaker 4: of public policy.

1821
01:29:15,880 --> 01:29:19,639
Speaker 2: Yeah, for real, did you see there's some I mean,

1822
01:29:19,800 --> 01:29:22,760
Speaker 2: now I'm on TikTok so it's like the amount of

1823
01:29:22,840 --> 01:29:24,360
Speaker 2: like House.

1824
01:29:24,479 --> 01:29:26,960
Speaker 5: Of Representatives meetings I find myself.

1825
01:29:26,640 --> 01:29:28,719
Speaker 2: Watching where I'm like, why am I I'm just upsetting

1826
01:29:28,760 --> 01:29:31,360
Speaker 2: myself like whatever. But there was a woman who is

1827
01:29:31,400 --> 01:29:33,599
Speaker 2: they were trying to talk about the trans thing, and

1828
01:29:33,640 --> 01:29:37,840
Speaker 2: they started the guy that was the you know, one

1829
01:29:37,840 --> 01:29:39,760
Speaker 2: of the main guys, is talking to this woman and

1830
01:29:39,800 --> 01:29:43,320
Speaker 2: he starts saying stuff about demons and she's like, I'm sorry,

1831
01:29:43,400 --> 01:29:45,240
Speaker 2: I'm gonna have to clarify.

1832
01:29:45,840 --> 01:29:47,559
Speaker 1: Like are you using a metaphor?

1833
01:29:47,760 --> 01:29:50,400
Speaker 2: Ye? Are you actually saying you believe there are demons

1834
01:29:50,400 --> 01:29:53,240
Speaker 2: in your fellow members of the House of Representative. He's

1835
01:29:53,280 --> 01:29:56,200
Speaker 2: like well, and he was doing this weird bullshit politician

1836
01:29:56,280 --> 01:29:59,439
Speaker 2: thing like I'm not saying you're possessed. I just saying

1837
01:29:59,439 --> 01:30:01,439
Speaker 2: you are OD if that is what you believe, like

1838
01:30:01,560 --> 01:30:03,320
Speaker 2: this right out loud.

1839
01:30:03,400 --> 01:30:05,200
Speaker 5: She's just like, I'm sorry for the record.

1840
01:30:05,240 --> 01:30:06,960
Speaker 2: Can I just have you to that one more time?

1841
01:30:07,320 --> 01:30:09,760
Speaker 4: Can you say that into this microphone that you know

1842
01:30:09,840 --> 01:30:10,679
Speaker 4: this is on tape?

1843
01:30:10,880 --> 01:30:11,200
Speaker 2: Yeah?

1844
01:30:11,240 --> 01:30:12,519
Speaker 1: Wow, say it.

1845
01:30:13,560 --> 01:30:14,680
Speaker 3: I'm going to watch that.

1846
01:30:15,320 --> 01:30:22,320
Speaker 1: I need to see that or do I Yeah? Wow, yeah,

1847
01:30:22,439 --> 01:30:22,840
Speaker 1: I guess.

1848
01:30:22,960 --> 01:30:25,679
Speaker 3: So it is important to know that that's happening.

1849
01:30:25,800 --> 01:30:26,799
Speaker 2: Did not take it personally.

1850
01:30:26,960 --> 01:30:31,479
Speaker 1: Yeah, we went past that nice little house, but I'm

1851
01:30:31,520 --> 01:30:33,599
Speaker 1: just letting you know in case you didn't.

1852
01:30:33,760 --> 01:30:35,800
Speaker 4: Oh, someone's trying to cancel us. Now that we're talking

1853
01:30:35,800 --> 01:30:36,400
Speaker 4: the truth.

1854
01:30:36,800 --> 01:30:38,320
Speaker 1: Chris finally shut it down.

1855
01:30:38,600 --> 01:30:40,479
Speaker 2: Guess who's the televangelist in this car?

1856
01:30:41,920 --> 01:30:46,000
Speaker 1: I went the Johnny Carson. People who believe in Demon's

1857
01:30:46,040 --> 01:30:48,519
Speaker 1: listen to the show too. Oh yeah, we half our

1858
01:30:48,560 --> 01:30:51,960
Speaker 1: listeners are demons. We went to, Oh, I'm pro demon

1859
01:30:52,960 --> 01:30:56,200
Speaker 1: this town. Johnny Carson grew up in a town called Norfolk.

1860
01:30:56,680 --> 01:30:59,840
Speaker 1: I think they all call it Norfolk, but it's folk.

1861
01:31:00,800 --> 01:31:03,280
Speaker 1: I didn't want to correct anyone. Uh.

1862
01:31:03,320 --> 01:31:07,599
Speaker 3: And there were I of Late Night. Well he it's funny.

1863
01:31:07,640 --> 01:31:10,080
Speaker 1: The more we went on tours of his childhood home

1864
01:31:10,240 --> 01:31:14,120
Speaker 1: and we signed the wall and there I'm like, why

1865
01:31:14,200 --> 01:31:17,600
Speaker 1: am I signing Johnny Carson's childhood sware whatever? All the

1866
01:31:17,600 --> 01:31:20,960
Speaker 1: comedians there's a couch you invite yourself over to. Yeah, yeah,

1867
01:31:21,000 --> 01:31:23,719
Speaker 1: I stayed there for a few days. But they they

1868
01:31:24,080 --> 01:31:26,559
Speaker 1: no one had anything really nice to say about him.

1869
01:31:26,600 --> 01:31:28,280
Speaker 1: They're like, well he yelled at me once.

1870
01:31:28,800 --> 01:31:31,599
Speaker 4: Dark They had a real darkness man.

1871
01:31:31,920 --> 01:31:35,559
Speaker 1: Yeah, but our shows were in a church at one point.

1872
01:31:35,680 --> 01:31:40,719
Speaker 1: We had to be squeaky clean, uh, And every comic

1873
01:31:40,880 --> 01:31:45,800
Speaker 1: was assigned a chaperone family and what what I'm not kidding.

1874
01:31:45,960 --> 01:31:47,000
Speaker 4: Is this a punishment?

1875
01:31:47,080 --> 01:31:50,559
Speaker 5: Festivals started this one in the middle a little bit.

1876
01:31:50,840 --> 01:31:51,160
Speaker 1: Yeah.

1877
01:31:51,280 --> 01:31:55,439
Speaker 4: Well I flew there first, the start one of the

1878
01:31:55,479 --> 01:31:58,479
Speaker 4: contract behind in Blood more.

1879
01:31:58,439 --> 01:32:02,599
Speaker 1: Folk, Virginia, but not it was a festival, yes, and

1880
01:32:02,640 --> 01:32:03,360
Speaker 1: a competition.

1881
01:32:03,439 --> 01:32:05,880
Speaker 3: I didn't know I was being tricked into doing a competition.

1882
01:32:06,760 --> 01:32:06,880
Speaker 2: Uh.

1883
01:32:07,520 --> 01:32:12,280
Speaker 1: And I accidentally said ship and got disqualified. I said,

1884
01:32:12,320 --> 01:32:14,880
Speaker 1: oh my gosh, I just said ship and now said

1885
01:32:14,880 --> 01:32:18,559
Speaker 1: it twice, so surely I've been disqualified. And they I

1886
01:32:18,640 --> 01:32:22,240
Speaker 1: it was fun. I did, I did well and I

1887
01:32:22,280 --> 01:32:24,439
Speaker 1: got disqualified and uh.

1888
01:32:24,520 --> 01:32:25,040
Speaker 3: And then the.

1889
01:32:25,040 --> 01:32:28,840
Speaker 1: Old the old couple that was my chaperone family who

1890
01:32:28,880 --> 01:32:29,400
Speaker 1: picked me up.

1891
01:32:29,439 --> 01:32:33,280
Speaker 3: Everything was just two old people. Everyone there was an

1892
01:32:33,280 --> 01:32:33,800
Speaker 3: old person.

1893
01:32:33,840 --> 01:32:36,639
Speaker 1: There was a church on every corner, they all and

1894
01:32:36,680 --> 01:32:39,879
Speaker 1: it was it was an experience that I was nervous

1895
01:32:40,040 --> 01:32:42,040
Speaker 1: to get into, but I actually had a great time.

1896
01:32:42,080 --> 01:32:43,040
Speaker 3: They were everyone was.

1897
01:32:43,000 --> 01:32:49,720
Speaker 1: So nice to me, and the crowd sh yes and

1898
01:32:50,840 --> 01:32:56,360
Speaker 1: yeah and Shirley Jackson's lottery. Yeah. I I I very

1899
01:32:56,439 --> 01:32:58,960
Speaker 1: much enjoyed myself in a way that I thought I wouldn't.

1900
01:32:59,000 --> 01:33:01,080
Speaker 1: That's that was my whole point. And they were all

1901
01:33:01,240 --> 01:33:07,400
Speaker 1: very religious there. But it was religious, right, you have to.

1902
01:33:07,840 --> 01:33:09,960
Speaker 1: You know, he's making a l that.

1903
01:33:09,840 --> 01:33:14,599
Speaker 4: Is they're the most oppressed group in America, Christian right right.

1904
01:33:15,120 --> 01:33:17,240
Speaker 1: First, I know, I know, I don't want to be

1905
01:33:17,280 --> 01:33:18,719
Speaker 1: the one to say this, but they were.

1906
01:33:18,760 --> 01:33:19,040
Speaker 2: It was.

1907
01:33:19,320 --> 01:33:23,519
Speaker 1: It was a very enjoyable time, and I'm obligated to

1908
01:33:23,560 --> 01:33:23,920
Speaker 1: go back.

1909
01:33:24,200 --> 01:33:26,720
Speaker 2: You're afraid that those two old people that let you

1910
01:33:26,720 --> 01:33:28,920
Speaker 2: stay at their house listen to this podcast.

1911
01:33:28,960 --> 01:33:30,040
Speaker 3: They were so nice.

1912
01:33:30,120 --> 01:33:31,879
Speaker 2: There's nice way. If they don't.

1913
01:33:32,200 --> 01:33:34,120
Speaker 3: Listen to you need to riot. And they said, oh,

1914
01:33:34,160 --> 01:33:34,920
Speaker 3: we're going to listen.

1915
01:33:35,280 --> 01:33:36,920
Speaker 5: They said, we promise.

1916
01:33:36,600 --> 01:33:39,599
Speaker 4: You, Chris God is mild witness. I don't think they're

1917
01:33:39,600 --> 01:33:43,240
Speaker 4: with us anymore listening to they will listen to your

1918
01:33:43,640 --> 01:33:44,959
Speaker 4: robot voice show.

1919
01:33:46,479 --> 01:33:49,120
Speaker 2: There they don't. They're not with us anymore because they've

1920
01:33:49,200 --> 01:33:52,160
Speaker 2: listened to us say the efforts so many times that

1921
01:33:52,200 --> 01:33:53,320
Speaker 2: they passed away.

1922
01:33:53,240 --> 01:33:56,160
Speaker 1: Right right, We we do, we do we people out

1923
01:33:56,160 --> 01:33:58,639
Speaker 1: with our foul language, just filth.

1924
01:34:01,600 --> 01:34:02,639
Speaker 2: How are we doing on time?

1925
01:34:02,960 --> 01:34:06,040
Speaker 1: I'm guess we're good. Flew by for me, Yeah, it

1926
01:34:06,080 --> 01:34:09,120
Speaker 1: did kind of fly very fast. I really wish we

1927
01:34:09,160 --> 01:34:12,439
Speaker 1: hadn't answer as why there was at least thirty Well,

1928
01:34:12,520 --> 01:34:14,520
Speaker 1: they'll just have to listen to the next episode.

1929
01:34:15,360 --> 01:34:17,320
Speaker 2: I think when we get in front of the place.

1930
01:34:17,360 --> 01:34:20,400
Speaker 2: You're saying we should and I mean you guys should

1931
01:34:20,400 --> 01:34:22,000
Speaker 2: pull out your phones. We should see if we should

1932
01:34:22,240 --> 01:34:25,240
Speaker 2: can find the breaking story right now, just for the sounds,

1933
01:34:25,600 --> 01:34:26,040
Speaker 2: right right?

1934
01:34:26,040 --> 01:34:29,479
Speaker 1: Oh yeah, okay, I think we are in.

1935
01:34:29,680 --> 01:34:32,840
Speaker 2: It's not a fire, so don't search fire. There was

1936
01:34:32,880 --> 01:34:33,839
Speaker 2: no smoke anywhere.

1937
01:34:34,280 --> 01:34:36,040
Speaker 1: Glendell not fire.

1938
01:34:38,320 --> 01:34:40,520
Speaker 2: Fire free.

1939
01:34:42,080 --> 01:34:45,320
Speaker 1: What are you searching on? We need to be on

1940
01:34:45,360 --> 01:34:49,800
Speaker 1: different platforms. I'm going to get out of maps.

1941
01:34:50,280 --> 01:34:53,760
Speaker 4: Oh. Firefighters are still on scene after knocking down a

1942
01:34:53,760 --> 01:34:57,599
Speaker 4: two alarm fire at a Lack Crescenta restaurant Wednesday afternoon.

1943
01:34:58,160 --> 01:34:59,599
Speaker 1: Yeah, Foothill Boulevard.

1944
01:34:59,600 --> 01:35:01,160
Speaker 5: For my I was wrong.

1945
01:35:01,240 --> 01:35:02,000
Speaker 2: It was a fire.

1946
01:35:02,200 --> 01:35:05,519
Speaker 1: Two alarm fire two alarm that means power went out.

1947
01:35:05,840 --> 01:35:08,000
Speaker 1: Oh shit, I don't think this.

1948
01:35:08,040 --> 01:35:11,760
Speaker 2: Is Oh no, inside a Oh check the date on

1949
01:35:11,800 --> 01:35:14,800
Speaker 2: your diners evacuated as two alarm fire rips through.

1950
01:35:14,920 --> 01:35:17,639
Speaker 1: I got it on the latest I have here. Major

1951
01:35:17,680 --> 01:35:21,639
Speaker 1: fires swept the La Crescinna area in nineteen thirty three,

1952
01:35:21,760 --> 01:35:24,599
Speaker 1: sixty four, in nineteen seventy five. Is that not? That's

1953
01:35:25,160 --> 01:35:27,519
Speaker 1: that's on? Do you need a buggy?

1954
01:35:27,000 --> 01:35:30,400
Speaker 5: It's it's a good background.

1955
01:35:30,640 --> 01:35:33,720
Speaker 4: Sure, I mean yeah, it gives us historical context for

1956
01:35:33,760 --> 01:35:34,240
Speaker 4: this fire.

1957
01:35:34,320 --> 01:35:36,559
Speaker 2: I guess we get this sense of there's been fire

1958
01:35:36,600 --> 01:35:41,240
Speaker 2: here before. Those guys know what they're doing, so there's

1959
01:35:41,280 --> 01:35:43,840
Speaker 2: nobody got a bomb freat Yeah, a bomb.

1960
01:35:44,040 --> 01:35:47,320
Speaker 1: Due to the size of the building, firefighters immediately declared

1961
01:35:47,360 --> 01:35:52,759
Speaker 1: the blaze a second alarm fire. Sixty five firefighters battled

1962
01:35:52,760 --> 01:35:56,439
Speaker 1: the fire. A portion of the building collapse. Sorry sorry.

1963
01:35:57,800 --> 01:36:01,519
Speaker 1: One firefighter was injured to the department, but there's no

1964
01:36:01,560 --> 01:36:04,720
Speaker 1: information provided on how he was heard or the status.

1965
01:36:05,280 --> 01:36:06,360
Speaker 1: The cause of the fire.

1966
01:36:06,200 --> 01:36:07,519
Speaker 3: Is not immediately known.

1967
01:36:08,520 --> 01:36:09,120
Speaker 2: Grease fire.

1968
01:36:10,120 --> 01:36:11,320
Speaker 3: Yes, that was the twelfth.

1969
01:36:11,360 --> 01:36:14,120
Speaker 1: That was today. Yeah, yeah, it was like thirty minutes ago.

1970
01:36:14,360 --> 01:36:15,400
Speaker 2: Guys, we did it.

1971
01:36:15,600 --> 01:36:18,160
Speaker 1: We did it. It was just a fire. We were right.

1972
01:36:18,240 --> 01:36:23,640
Speaker 2: That was for you listener, Yeah, news many newsperson, newsperson,

1973
01:36:23,760 --> 01:36:26,559
Speaker 2: please thank you, James. Do you have any plugs?

1974
01:36:26,800 --> 01:36:27,040
Speaker 1: Yeah?

1975
01:36:28,160 --> 01:36:31,960
Speaker 2: Anything you want to talk about before this very fast

1976
01:36:31,960 --> 01:36:33,080
Speaker 2: trip ends.

1977
01:36:33,280 --> 01:36:36,919
Speaker 4: Oh, I wanted to get into COVID more.

1978
01:36:37,640 --> 01:36:40,680
Speaker 2: Sure, just discussing all the problems.

1979
01:36:41,840 --> 01:36:45,679
Speaker 1: I was wrong, I admit that. Last time. I remember

1980
01:36:45,720 --> 01:36:47,600
Speaker 1: you saying it was gonna just we were going to

1981
01:36:47,640 --> 01:36:48,320
Speaker 1: breeze through it.

1982
01:36:48,360 --> 01:36:50,720
Speaker 4: Well, it was just like it was. It was like

1983
01:36:50,760 --> 01:36:52,519
Speaker 4: the time you know, it was just like, oh no,

1984
01:36:52,760 --> 01:36:57,400
Speaker 4: there's doing a story about another bug. Oh wow, and

1985
01:36:57,479 --> 01:36:59,840
Speaker 4: we're just like, oh, we've seen this before.

1986
01:36:59,760 --> 01:37:01,360
Speaker 1: That was really yeah.

1987
01:37:01,640 --> 01:37:05,080
Speaker 4: Well I wasn't like a cod I'm not a COVID denier, right,

1988
01:37:05,560 --> 01:37:06,439
Speaker 4: trying to paint me.

1989
01:37:06,680 --> 01:37:10,800
Speaker 1: Well, if this is a consolation, malaria is back in

1990
01:37:10,840 --> 01:37:15,000
Speaker 1: the US in several cases, there's that to look forward to.

1991
01:37:15,560 --> 01:37:17,280
Speaker 5: I mean, I don't think it's gonna end up being

1992
01:37:17,280 --> 01:37:18,040
Speaker 5: a very big deal.

1993
01:37:18,360 --> 01:37:21,360
Speaker 1: Just right right, let's follow the format.

1994
01:37:21,479 --> 01:37:22,759
Speaker 4: Throw away your mosquito.

1995
01:37:22,880 --> 01:37:24,960
Speaker 1: That's folks, I don't It's fine.

1996
01:37:25,240 --> 01:37:28,320
Speaker 4: What do they even James?

1997
01:37:28,320 --> 01:37:32,320
Speaker 5: If people want to find you? Are you on threads?

1998
01:37:31,560 --> 01:37:34,519
Speaker 4: A situation because I'm not famous, so I have to

1999
01:37:34,520 --> 01:37:37,800
Speaker 4: be on everything still, Okay, great, I'm on threads and

2000
01:37:38,240 --> 01:37:43,599
Speaker 4: he's my billionaire. I'm sorry, I like him. You gotta

2001
01:37:43,640 --> 01:37:45,240
Speaker 4: be on you gotta pick a billionaire.

2002
01:37:45,439 --> 01:37:45,719
Speaker 2: True.

2003
01:37:46,200 --> 01:37:47,800
Speaker 4: No. I hope they both fight to the death and

2004
01:37:47,920 --> 01:37:48,439
Speaker 4: they both win.

2005
01:37:48,720 --> 01:37:50,559
Speaker 3: I hope they all go to the moon and fight

2006
01:37:51,600 --> 01:37:52,679
Speaker 3: in their own rockets.

2007
01:37:55,760 --> 01:37:58,320
Speaker 4: I'm gonna try to I don't want to think So'm

2008
01:37:58,600 --> 01:38:02,960
Speaker 4: I'm going to record an album in Chicago November or

2009
01:38:02,960 --> 01:38:03,719
Speaker 4: early December.

2010
01:38:04,479 --> 01:38:07,800
Speaker 1: I knew about this forgot where you keep an eye

2011
01:38:07,800 --> 01:38:08,799
Speaker 1: out where we're.

2012
01:38:08,680 --> 01:38:12,639
Speaker 4: Still ye looking for I got a place I really

2013
01:38:12,640 --> 01:38:14,040
Speaker 4: want in mind, So we're waiting to hear.

2014
01:38:13,960 --> 01:38:16,800
Speaker 1: Back on that. Yeah, there's always shoebas.

2015
01:38:16,880 --> 01:38:17,880
Speaker 3: I enjoyed that place.

2016
01:38:17,920 --> 01:38:22,320
Speaker 1: It's just a suggestion, thank you, of course. Well so

2017
01:38:22,520 --> 01:38:23,320
Speaker 1: look for that.

2018
01:38:23,840 --> 01:38:28,080
Speaker 4: Yeah, and uh yeah, I'm Fritz is dead On Instagram?

2019
01:38:29,000 --> 01:38:30,400
Speaker 4: What do I post my ship there?

2020
01:38:30,960 --> 01:38:32,519
Speaker 5: Are you going to post a picture of this dog?

2021
01:38:32,600 --> 01:38:34,479
Speaker 2: Or is that not love? Because it's not your dog?

2022
01:38:34,920 --> 01:38:37,800
Speaker 4: I can do whatever I want. Yeah, yeah, post a

2023
01:38:37,800 --> 01:38:38,439
Speaker 4: picture of that dog.

2024
01:38:38,479 --> 01:38:39,400
Speaker 5: People should see.

2025
01:38:39,280 --> 01:38:42,560
Speaker 3: The look on that dog face is agreeing.

2026
01:38:42,160 --> 01:38:43,679
Speaker 1: To be there's already one in the stories.

2027
01:38:43,720 --> 01:38:45,960
Speaker 4: Yea, come on, it's a beautiful dog.

2028
01:38:46,080 --> 01:38:46,640
Speaker 2: Yeah.

2029
01:38:46,680 --> 01:38:48,800
Speaker 3: Well you're a beautiful man and I can't wait. You're

2030
01:38:48,960 --> 01:38:52,320
Speaker 3: very good, beautiful dog. Yeah, that's that's my specialty.

2031
01:38:52,560 --> 01:38:54,639
Speaker 1: And if you ever get the chance to see James

2032
01:38:54,720 --> 01:38:59,240
Speaker 1: Fritz do stand up, it is he is effortlessly funny.

2033
01:38:59,160 --> 01:39:01,120
Speaker 5: Absolutely effort you got.

2034
01:39:01,840 --> 01:39:04,639
Speaker 2: The effort doesn't really show, not as.

2035
01:39:04,640 --> 01:39:07,960
Speaker 4: Much waking up, going through the day getting that stuff.

2036
01:39:07,960 --> 01:39:08,679
Speaker 1: That's the effort.

2037
01:39:08,680 --> 01:39:09,560
Speaker 3: But stand up is not.

2038
01:39:09,800 --> 01:39:12,880
Speaker 1: Once I'm on stage, it's feeling mis masal up there.

2039
01:39:13,040 --> 01:39:16,439
Speaker 2: Yeah, You're always throwing your arms up above your head.

2040
01:39:17,840 --> 01:39:22,080
Speaker 4: Like I'm outside of a car dealership, just.

2041
01:39:22,160 --> 01:39:25,400
Speaker 2: Expressing yourself with a bunch of hot air.

2042
01:39:26,560 --> 01:39:30,840
Speaker 1: You've been listening, Yeah, got the outro? Do you need

2043
01:39:30,880 --> 01:39:31,320
Speaker 1: a ride?

2044
01:39:32,040 --> 01:39:36,400
Speaker 3: D y n Are no war, no wart.

2045
01:39:36,520 --> 01:39:38,920
Speaker 2: Yes, we did it, We did it.

2046
01:39:45,680 --> 01:39:48,120
Speaker 3: This has been an exactly Right production.

2047
01:39:48,600 --> 01:39:52,800
Speaker 2: Produced by Annalise Nelson, mixed by Edson Choy. Our talent

2048
01:39:52,840 --> 01:39:54,200
Speaker 2: booker is Patrick Cootner.

2049
01:39:54,479 --> 01:39:56,400
Speaker 3: Theme song by Karen Kilgareth.

2050
01:39:56,840 --> 01:40:00,400
Speaker 2: Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter,

2051
01:40:00,439 --> 01:40:04,800
Speaker 2: and Facebook at dinar podcast That's d y n Ar Podcast.

2052
01:40:05,240 --> 01:40:08,800
Speaker 1: For more information, go to exactly Rightmedia dot com.

2053
01:40:08,800 --> 01:40:11,080
Speaker 2: Thank you, ooh you're welcome.