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Speaker 1: Yeah, what's something y'all? What's going on?

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Speaker 2: But the Dream Ray.

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Speaker 3: He's a legendary Queen's rapper, Hang Haanks Agreed is your

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Speaker 3: boy in OI?

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Speaker 2: He's a Miami hip hop pioneer. What up is DJ

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Speaker 2: E f N?

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Speaker 4: Together they drink it up with some of the biggest

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Speaker 4: players in music and sports?

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Speaker 5: You know what I mean?

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Speaker 2: This is drinks Champa with every day is New Year's Eve?

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Speaker 2: Hanghank Segree is your boy in O?

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Speaker 1: What up?

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Speaker 2: Is DJ e f N? And this is drinks Ray?

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Speaker 2: Every day is New Year? What the hell you're not

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Speaker 2: saying that?

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Speaker 5: I mean, every day is New Year's or your birthday

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Speaker 5: or your birthday or your birthday. And I got we

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Speaker 5: got our first hip hop legendary guests, our.

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Speaker 2: First first guest because we had a basketball player.

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Speaker 5: But now we got the two legends in a row,

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Speaker 5: two legends, and we weren't doing legends. No, come on here, no, no, no,

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Speaker 5: you gotta pay you before you get to drink cham podcast. Okay,

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Speaker 5: who do we having?

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Speaker 1: The building? Fact? Joe? Yeah, yeah, yeah, what's up, y'all?

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Speaker 1: What's going on?

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Speaker 2: Brothers?

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Speaker 1: What's going on?

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Speaker 2: What's going on?

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Speaker 5: Brother Last night, I got a chance to be in

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Speaker 5: your studio session and you and Remy Ma actually done

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Speaker 5: an album.

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Speaker 2: Oh dad, yeah, crazy though.

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Speaker 1: No, I'm good.

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Speaker 2: Nah, you're humble. I don't have to be humble for you.

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Speaker 2: I'm hold up people like us. We weren't there. So

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Speaker 2: when you say together, what do you mean by that?

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Speaker 1: It's a complete album.

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Speaker 2: Together or is it young executive produce?

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Speaker 1: Her, me and her back and forth?

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Speaker 6: Wow?

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Speaker 2: Shit crazy.

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Speaker 5: I was amazed, you know what I'm saying, because I

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Speaker 5: heard Remy's mixtape.

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Speaker 2: I didn't.

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Speaker 5: I didn't think that was Remy Ma. Like what I

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Speaker 5: mean by that is I didn't. I didn't think she

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Speaker 5: felt comfortable with the mixtape. Like you know what I'm saying.

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Speaker 1: But she came over from jail six years, right, and

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Speaker 1: everybody in they money, everybody and their mother ran at her.

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Speaker 1: And you know, she has certain loyalties to, like certain

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Speaker 1: producers that she been fucking with for years, so everybody

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Speaker 1: was running at her, and she was just like all right, ay,

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Speaker 1: so this is I don't think she really even knew

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Speaker 1: what was hot. So what was crazy was? You know,

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Speaker 1: we all know it's wrapping is like riding a bike,

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Speaker 1: like you know, we know she nice and ship. She

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Speaker 1: just got to get in pocket and make and be produced. Right,

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Speaker 1: so you know that mixtape?

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Speaker 2: Let me talk right there.

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Speaker 5: Do you feel like you kind of even though you

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Speaker 5: probably didn't touch no buttons, but you felt you felt.

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Speaker 2: Like you produced this though, because.

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Speaker 5: It's like it's like it's like if lean Back had babies.

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Speaker 5: That's what I felt like. It was a it was

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Speaker 5: but you know how perfect that record is, like how.

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Speaker 2: It hit the moment.

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Speaker 5: I'm not just New York City, but that's what the

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Speaker 5: whole album felt like. It felt like, Yeah, like so

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Speaker 5: I kind of felt like you produced it, although.

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Speaker 1: I produced it. It's a whole ship.

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Speaker 2: It's hard and she sounds.

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Speaker 1: So what happened was I was on the couch when

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Speaker 1: she gave me the go ahead. You know, usually how

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Speaker 1: did this happen?

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Speaker 2: How did the talk happen?

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Speaker 1: Y'all doing well? Me and her? We was just you know,

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Speaker 1: before she even came out, we talked on the phone.

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Speaker 1: We squashed whatever beef we had or whatever the case

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Speaker 1: may be. I never really had beef for Remy. And

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Speaker 1: then so when she came home, we started going to dinner, lunch,

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Speaker 1: like she would just call me up, yo, where you

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Speaker 1: at I'm like, I'm in the Bronx, should come over

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Speaker 1: eat and we just brother and sister shit. And then

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Speaker 1: she told me. She was like yo, she was like,

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Speaker 1: you ready to get it in And I was like, yo,

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Speaker 1: I've been waiting. I'm like, you know, I'm like, I'm

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Speaker 1: not trying to push you. I saw what I don't know.

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Speaker 1: Remy's bugged out. So I don't want this podcast how

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Speaker 1: to hear this and get mad at me. But you know,

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Speaker 1: like I saw how niggas was pulling her when she

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Speaker 1: first came home, Like niggas. You know, two days after

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Speaker 1: she come on for six years, Swiss Beats got a

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Speaker 1: record with her. This when now everybody was tugging on her.

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Speaker 5: She came home like the female Tupac. Let's just keep

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Speaker 5: it ready, yeah, like the female Tupaca.

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Speaker 1: So I'm sitting back like I know what's best, but

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Speaker 1: you know, it's nothing I could do.

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Speaker 2: Let her do what she gotta do, do what.

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Speaker 1: She gotta do. So as soon as she told me,

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Speaker 1: I was like, yo, like I mean, it's a no brainer.

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Speaker 1: Like I knew that was supposed to happen a long time.

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Speaker 5: Ago, but it was presented to you as a whole

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Speaker 5: project at first, or just happened.

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Speaker 1: What she said. We did the BX Fight Club, so

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Speaker 1: that's the that's the only time I performed it Remy

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Speaker 1: in all those years. So they had me I did.

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Speaker 1: I did a favorite for holding them and I.

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Speaker 2: Brought which that's crazy. But b X hole over for

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Speaker 2: the strip, so I came out. We had so.

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Speaker 1: I had to.

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Speaker 2: So I went over there and I did it.

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Speaker 1: The brons was in there deep, and I brought out

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Speaker 1: Remy as a surprise, and and you know, just the

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Speaker 1: smiles and people's eyes and what I always say is

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Speaker 1: people like Fat Joe a lot and people like Remy

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Speaker 1: Ma a lot. They love to get Fat Joe and Remy.

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Speaker 1: So it was just different. Like I'm looking at the crowd,

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Speaker 1: she's rocking, I'm looking at her. So afterwards, when I

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Speaker 1: walk into the car, She's like, yo, man, it is different. Man,

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Speaker 1: Like these these people go they love to see me

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Speaker 1: with you was differ, friends, y'all telling you I've been

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Speaker 1: performing everywhere. It's different when I'm staying with you. I said,

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Speaker 1: so what are you saying? You know you want me

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Speaker 1: to get to it. She's like all right. So then

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Speaker 1: I sat on the couch, and you know it had

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Speaker 1: to be perfect, like I view us and I don't

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Speaker 1: want niggas to kill me, but like a jay Z

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Speaker 1: Kanye West, like a Snoop Dog Doctor Dre, like a

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Speaker 1: you know, you got to realize the last record we

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Speaker 1: put out wear forty seven weeks number one.

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Speaker 2: Which was lean Back, so the only way everybody makes

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Speaker 2: a noise from goddamn forgot.

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Speaker 1: So you know that ship was like that ship was

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Speaker 1: like number one record for ninety years and nine months. Remember,

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Speaker 1: and the nigga who beat us was floor Rider Low

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Speaker 1: like he beats everybody.

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Speaker 2: Yeah, he beat me.

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Speaker 1: Like we almost had to song of the decade Roland

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Speaker 1: so that so you know, when when I came to

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Speaker 1: fuck with this, I was like, all this ship gott

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Speaker 1: to be incredible. She knew that too. So I sat

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Speaker 1: on the couch and usually take me a month. It

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Speaker 1: took me like nine months. And I ain't gonna lie,

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Speaker 1: you know, you know me and you my brother, and

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Speaker 1: he called me the Puerto Rican puff Daddy. This nigga's

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Speaker 1: crazy for years. So I actually was confused. So this

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Speaker 1: was the first time in my life that I made

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Speaker 1: a project that I was actually challenged, like I was

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Speaker 1: like questioning myself because I wanted it to be so

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Speaker 1: perfect that I was like, oh, ship, So the problem

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Speaker 1: is we come from a different era, right, and we

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Speaker 1: got fed Joe remy fans. But yeah, instead, we want

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Speaker 1: to make music that's relevant with these young niggas too,

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Speaker 1: but not sound crazy, like like not do to the

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Speaker 1: picking my bookers, picking my bookers. We don't want to

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Speaker 1: do that, ship, right, but we want to do music

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Speaker 1: that the DJ.

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Speaker 2: Right now.

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Speaker 1: It feels like Joe Crack ribby Ma, but we could

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Speaker 1: turn that bitch up and fucking Rolex ko D right now.

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Speaker 1: That's hard, like really hard. Like I'm telling you I

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Speaker 1: know everything about music, Like I mean like I don't

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Speaker 1: even know. I don't know how to explain it to

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Speaker 1: you in any other way.

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Speaker 2: It's like.

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Speaker 1: Call you give me some wine. So listen, the niggas

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Speaker 1: turn around, nigau. So the niggas turned around. It was

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Speaker 1: hard to do, so it's almost I had to become

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Speaker 1: a chemist. So not only was I on the couch,

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Speaker 1: I was in all the clubs like day and night,

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Speaker 1: day and night while I was doing it. So I

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Speaker 1: went to Toronto for a weekend and went to twenty

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Speaker 1: clubs and sat there and most of the ship they

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Speaker 1: was playing. I didn't even know it. I went to

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Speaker 1: Washington Heights, set in every club every night to see

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Speaker 1: what they doing, sushi mambo. I went to the Brooklyn,

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Speaker 1: to Queens, to the strip clubs, to the everywhere to

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Speaker 1: hear what the fuck was going on?

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Speaker 5: Now in New York City is only in Queens. Throw

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Speaker 5: it out there, continue the story, sir.

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Speaker 1: Well, I was in Georgia's diner last week and I

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Speaker 1: was looking for you on So I'm chilling right. So

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Speaker 1: the long story short, I wanted it to be perfect.

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Speaker 1: I still wanted to be perfect, and it was a

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Speaker 1: hard thing to do. So you know the fact with Remy,

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Speaker 1: you know, even Pat Poos he turned around and he

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Speaker 1: was like, yo, Joe, he was like, you know, he said,

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Speaker 1: So I'm telling Remy, yo, come to Miami, come to

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Speaker 1: the studio, come on, let's rock out. So she got

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Speaker 1: a husband. Now she ain't my little sister, you know

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Speaker 1: back of the tall bus. She could just leave. She

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Speaker 1: got a fucking family, a husband. So I don't know

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Speaker 1: what's going on. So I got to go to New

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Speaker 1: York and turn up with her and be like, all right,

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Speaker 1: I rented the studio. Let's go, let's lock in, come

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Speaker 1: down right. So by the second day, the nigga Pat

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Speaker 1: Woo said, Yo, Joe, you know what I said? What

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Speaker 1: he said, man, my bag? I said what you mean

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Speaker 1: he said, cause you know it's my wife and she's

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Speaker 1: telling me she got to go to Miami and stay

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Speaker 1: for two weeks or three weeks with Joe. I'm like, fuck,

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Speaker 1: that sound like right? So no, no so, but he

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Speaker 1: was like, Yo, I've been in here with you two days.

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Speaker 1: He's like the shit you bring out of her the ship.

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Speaker 1: Y'all niggas get from each other. I get it. Y'all

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Speaker 1: gotta be with each other. The chemistry is crazy. Y'all

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Speaker 1: gotta be with each other. Y'all gotta turn up with

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Speaker 1: each other. So you know, it was crazy, and you

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Speaker 1: know we did. We did her half in New York

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Speaker 1: and you know, we had Fred the Garson in the

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Speaker 1: studio every day. You know, Pat Poost was chilling. She

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Speaker 1: was there, so we I just felt like we was

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Speaker 1: just real well grounded with the musically.

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Speaker 2: The whole project of Dominantly in New York City.

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Speaker 1: Nah. I produced it in Miami and then I went

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Speaker 1: up to New York to do Remy's half in New York.

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Speaker 6: Wait, wait, but from that research that you did when

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Speaker 6: you was going to the different clubs and what what

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Speaker 6: did you get out of that?

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Speaker 1: Did you get? I got what I got, Yes, I did.

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Speaker 1: I got a lot of literate shit of the universe

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Speaker 1: of what's going on? What did that bring to the

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Speaker 1: project that brought the single Okay singles call all the

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Speaker 1: way up? So what happened was I.

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Speaker 5: Was, can I say who is featuring or yeah, keep

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Speaker 5: featuring in French Montana. My single off of Drunk Uncle

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Speaker 5: is also featuring in French Montana. So New York is

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Speaker 5: just keep it in New York right now, New York

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Speaker 5: being ourselves that shout the audience Come On.

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Speaker 1: Is produced by exclusive young up and coming producer out

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Speaker 1: here in Miami. The Niggas Incredible, He's the future and

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Speaker 1: also Infrared wrote the hook. So Infrared, you know that's

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Speaker 1: my brother, the.

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Speaker 5: Drunkest man and the drunk the drunkest guy in America.

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Speaker 1: He's any drunk nigga in the world.

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Speaker 2: This is chance, you know.

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Speaker 1: I love him. So I was in Washington Heights and

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Speaker 1: I was just studying the crowd. See when I go

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Speaker 1: to clubs. It's like being in college. I watched to

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Speaker 1: see what the bitches like. I see what the niggas like.

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Speaker 1: I see what how niggas feel, the drug dealing nigga,

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Speaker 1: that broke nigga. I'm just watching everything. So I'm sitting there.

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Speaker 1: You might be thinking, Yo, this nigga, Joe Krack is

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Speaker 1: either full of himself or you know he's arrogant or

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Speaker 1: what the fuck is wrong with him?

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Speaker 2: But I'm sitting then.

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Speaker 1: I'm studying everything, every movement popping, so that when I

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Speaker 1: go in the studio, That's how I created Making Ring,

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Speaker 1: That's how I created Lean Back and all my hates

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Speaker 1: is like, I study it and then when I get

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Speaker 1: in the lab, I could just see the whole is

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Speaker 1: like I'm in the club, so I know what it is.

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Speaker 1: And I realized that these niggas want to say I'm

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Speaker 1: all the way up. Nothing cal stopped me. I'm all

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Speaker 1: the way up. That's what they want to say standing

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Speaker 1: on a couch at a club. So shit, incredible, man.

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Speaker 2: Now what you call project is Joe remy mom.

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Speaker 1: Well, we're gonna debut the title right now, and I

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Speaker 1: hope niggas don't jack us should I debut it now?

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Speaker 2: I think I heard that. I mean your friend for

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Speaker 2: twenty years.

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Speaker 1: The name of the album is called plot I So Plombo.

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Speaker 2: That's the ship, right, Okay, okay, okay.

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Speaker 1: So the name of the album is called plot So Plumber.

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Speaker 2: It's hard. Should be the.

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Speaker 1: Money your bullets. You know what I'm saying. However you

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Speaker 1: want it, you know what I'm saying. We ain't got

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Speaker 1: a problem paying. But if you front, you know what's coming.

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Speaker 2: But it's not a group name though. No, don't don't do.

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Speaker 1: Don't do the Fat Joe featuring Remy or Remy feature

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Speaker 1: and it's a brotherly love niggas both of us.

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Speaker 5: Now you're thinking about album independent, We are independent.

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Speaker 1: Everything I put out the last nine years been independent.

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Speaker 1: Mega Rain went number three in the country.

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Speaker 2: And Talk About Michael.

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Speaker 1: Went number three, depended another round number three. Independent. Everything

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Speaker 1: I do. I've been in the independent.

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Speaker 5: All right, you off snapchat duties now because I need

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Speaker 5: you with the with the with the whistle. Good guyside

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Speaker 5: got that's my guy.

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Speaker 2: It's coming right now, that's.

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Speaker 3: Right now, watching nor he's a bully. He's on the

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Speaker 3: littlest guy here. Hey, this is my guy, right here.

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Speaker 5: Listen, you have duty when you're down with our cow,

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Speaker 5: whether you're small, big, everybody has.

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Speaker 2: You know what I'm saying.

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Speaker 1: The vibe of your crew. I love how everybody's team spirited.

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Speaker 1: But you've always maintained that whether you was fucking with

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Speaker 1: niggas from the Bronze Queens wherever. You know, you such

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Speaker 1: a real guy, such down to earth that you know

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Speaker 1: niggas clean to you and they love you. So everybody

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Speaker 1: play their position, you know what I'm saying, And that's

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Speaker 1: what it is. You know, with me, people don't realize.

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Speaker 1: You know, I was always number two and then was

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Speaker 1: forced to go number one. So now how I could

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Speaker 1: explain that to you? When when I came up in

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Speaker 1: the streets, my god, Tony Montana, he was number one

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Speaker 1: Terry Squad.

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Speaker 2: I always sees just the piece.

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Speaker 1: So Joe Krack was vice president type ship. You know,

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Speaker 1: he was the live wire. And I come up in

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Speaker 1: there after he do some crazy ship clean it up right,

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Speaker 1: So then you know, and then when he passed, my

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Speaker 1: brother was number one, and I always maintained number two.

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Speaker 1: So I always was cool being number two. So then

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Speaker 1: when I started rapping and this fat Joe and then

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Speaker 1: I bring Pun in the game, and I realized that

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Speaker 1: Pun is a hundred times better than me.

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Speaker 2: I fell right into number two. I was like, Yo,

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Speaker 2: let's hope, I'll hold the door for this thick. I

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Speaker 2: ain't ask you something that I always wondered.

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Speaker 1: So you met me through Pun, yes, sir, so so

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Speaker 1: Pun had remy she is big puns artist.

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Speaker 2: Because I don't remember Pun, I don't number Pun.

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Speaker 1: I was so jealous. God, I was so jealous because

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Speaker 1: it wasn't too many crews where you had a nigga

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Speaker 1: as nice at Pun and then you had a bitch

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Speaker 1: that was like the nicest bitch in the game. So

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Speaker 1: he was like, yo, twin, I want you to hear

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Speaker 1: this girl I signed, and I'm like, all right, so

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Speaker 1: I see if she had the level vest I can

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Speaker 1: never forget that ship. And then she just went off

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Speaker 1: for like ten minutes streets and that's what she was saying,

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Speaker 1: I shoot the air bubba, welch, you're sneakers. I'm funks.

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Speaker 1: She was just going. I was like, so jealous, man.

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Speaker 1: I was sitting there like, oh my god, why my

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Speaker 1: head was saying why I didn't find her? Why I

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Speaker 1: didn't find it? So then after she rocks Punt history

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Speaker 1: zual Twin. You know she you artist Twin, Like you

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Speaker 1: know she signed to me, but we signed to you label.

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Speaker 1: It was Terror Squad the whole time he discovered her

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Speaker 1: from he say, Yo.

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Speaker 2: He's signed it.

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Speaker 1: He just covering up. But he's like you like Yo,

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Speaker 1: Joe was coming to you anyway, nigga. But I'm just

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Speaker 1: saying I want to say to my artist. I'm like,

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Speaker 1: my nigga, thank God, and uh, you know what.

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Speaker 2: You did to deal with her after Pun passed or nah.

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Speaker 1: Na Poem was alive. Wow, we did the deal with her.

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Speaker 1: But while Poem was alive, you know Pun, you know Pun.

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Speaker 1: You know what I'm saying, most loyal, realist nigga in

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Speaker 1: the world. We don't just say that because he's dead

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Speaker 1: because some niggas dad piece of ship. You know. Puem

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Speaker 1: was one of the most loyalist niggas in the world.

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Speaker 1: But most fun I mean the way I say it

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Speaker 1: is like, you know, I was the youngest kid in

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Speaker 1: my house. You know what I'm saying. I never had

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Speaker 1: a younger brother, So Poem was like the young brother

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Speaker 1: I never had, and I was like the big brother

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Speaker 1: he never had. And immediately. You know what I'm saying,

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Speaker 1: It's almost like a relationship, you know, in order to

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Speaker 1: make a marriage last, It's like you really got to

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Speaker 1: sign it mentally and heartwise. You gotta really say, no

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Speaker 1: matter what happens, I want to stay with this woman

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Speaker 1: for the rest of my life.

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Speaker 2: Goddamn, cut your hands to that, exam. I'm just saying,

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Speaker 2: let's not give.

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Speaker 1: It's just like y'all, nobody's stopping this ship, right, And

359
00:19:15,800 --> 00:19:18,879
Speaker 1: it's the same thing with like you know, with me

360
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Speaker 1: and pun. You know, after I heard him round for

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Speaker 1: the first time, he sat in my car and he

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Speaker 1: immediately I don't know how and why, but he was

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Speaker 1: telling me ship. I wouldn't tell Nori now about myself,

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Speaker 1: and that's my brother, Like I could go to war

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Speaker 1: with norriy Like, I don't really kill for Norri, He'll

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Speaker 1: kill for me. I would not tell him some personal

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Speaker 1: shit in my family growing up and all that. So

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Speaker 1: five minutes later, I'm riding with the nigga. This niggas

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Speaker 1: telling me the deepest ship I ever heard of the

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Speaker 1: and I'm sitting there with him. I'm thinking to myself,

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Speaker 1: you know, I'm a street nigga, I'm like, why is

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Speaker 1: this nigga telling me all this ship? Right?

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Speaker 2: So I'm sitting there like this.

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Speaker 1: So I knew his life story the first twenty minutes

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Speaker 1: after I left him. I met him already. They knew it.

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Speaker 1: But let everybody.

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Speaker 2: Let me ask you something. Because we were in and

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Speaker 2: there like like like Tata right.

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Speaker 5: Jay Z's boy had brung me beyond that right, and

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Speaker 5: I had to join. And he said, Yo, she wants to.

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Speaker 1: Do this record.

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Speaker 5: She wants to do it like barbatosh and listen.

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Speaker 2: Check check what I said. Listen.

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Speaker 5: But she wonted fifteen bands. I had a million dollar

385
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Speaker 5: budget at the time. I said no, right, I said no,

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Speaker 5: I passed on that.

387
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Speaker 2: Did you know the minute you met pun that this

388
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Speaker 2: was the next dude?

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Speaker 1: Or was it instant or like I'm gonna be honest.

390
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Speaker 1: I'm gonna be honest with you. I know music probably

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Speaker 1: more than anybody. It's just the truth. If this industry

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Speaker 1: wasn't scared of me for being such a gangster nigga.

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Speaker 2: I would be the president of everything.

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Speaker 1: Nobody really know more than me. Every time they turn

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Speaker 1: around and give a nigga a new job, they I

396
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Speaker 1: put it on blast the minute they gave Joey Ai

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Speaker 1: president of in this go. He picked the phone up,

398
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Speaker 1: call me and say, I learned everything from you, my brother. Please,

399
00:21:07,520 --> 00:21:09,960
Speaker 1: you don't even understand everything. I know. It's because of

400
00:21:10,040 --> 00:21:14,080
Speaker 1: you everything I like. Niggas get presidents and they studied

401
00:21:14,080 --> 00:21:16,720
Speaker 1: you my whole life. You are the smartest nigger in

402
00:21:17,000 --> 00:21:19,040
Speaker 1: but they scared of me, so they won't give me

403
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Speaker 1: that position. Don't know why, because I'm the nicest nigger

404
00:21:22,080 --> 00:21:24,600
Speaker 1: in the world. That's a fact, that's right. So when

405
00:21:24,640 --> 00:21:28,399
Speaker 1: I met pun and the niggas started rapping, so all right,

406
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Speaker 1: the scene is I told her a million times. I

407
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Speaker 1: don't want to tell shit on your shit that I

408
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Speaker 1: told everybody by but I'm gonna just say it because

409
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Speaker 1: we family, So I go. You know, I was one

410
00:21:38,359 --> 00:21:40,600
Speaker 1: of the only rap him being another one too, so

411
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Speaker 1: I can't stunt on him. But I'm one of the

412
00:21:43,320 --> 00:21:48,800
Speaker 1: only rappers that actually was rich, actually was gold already

413
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Speaker 1: and was still in my hood.

414
00:21:51,040 --> 00:21:52,680
Speaker 2: Like I live in Apartment five E.

415
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Speaker 5: Like literally, hold on, everybody better make noise for this.

416
00:21:56,840 --> 00:22:03,680
Speaker 5: I am also from Apartment five E, so you know

417
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Speaker 5: what's crazy.

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Speaker 1: I studied hip hop. Jay Z was also from Apartment

419
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Speaker 1: five what what does that mean?

420
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Speaker 5: In a project we gotta bring He's from Miami, now

421
00:22:14,840 --> 00:22:16,359
Speaker 5: I know what literally what that means.

422
00:22:16,440 --> 00:22:18,280
Speaker 2: I'm saying, is there a hidden meaning behind him? No,

423
00:22:18,480 --> 00:22:22,120
Speaker 2: we're gonna We're gonna ask him. You know you're gonna ask.

424
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Speaker 5: Let me also make some noise from my brother Kate.

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00:22:28,160 --> 00:22:30,399
Speaker 5: You know ray Kun's whether he'd be once who will.

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Speaker 1: Take heavy birthday?

427
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Speaker 2: Happy birthday?

428
00:22:33,160 --> 00:22:35,919
Speaker 1: He said, I don't see the God. Okay, okay, God.

429
00:22:35,800 --> 00:22:36,240
Speaker 2: Excuse me.

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00:22:36,320 --> 00:22:38,359
Speaker 5: Somebody gave that man a drink. Somebody get that man

431
00:22:38,400 --> 00:22:41,719
Speaker 5: to drink. We ain't got no brown, We ain't got

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Speaker 5: no brown.

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Speaker 1: Okay, okay, I know you called me and I tell

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Speaker 1: you I had it, but nobody never gave me my sneakers,

435
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Speaker 1: my purple me. Third, wait, hold on, we got to

436
00:22:52,200 --> 00:22:56,560
Speaker 1: hear call me. I'm gonna pick it up. I could

437
00:22:56,640 --> 00:22:58,159
Speaker 1: I still get him on a gone.

438
00:22:58,280 --> 00:23:02,480
Speaker 2: They should listen. He's Joe. Let's go straight. I'm glad

439
00:23:02,520 --> 00:23:07,040
Speaker 2: you brung it to him. Are you the sneaker king?

440
00:23:09,520 --> 00:23:14,960
Speaker 2: And if you are, you bve college because I felt.

441
00:23:14,720 --> 00:23:18,280
Speaker 1: Like you and Golly can fuck with me.

442
00:23:18,480 --> 00:23:20,040
Speaker 2: Okay, I needn't understand that.

443
00:23:20,800 --> 00:23:23,119
Speaker 1: Let's be clear, but you put him on because I

444
00:23:23,160 --> 00:23:25,880
Speaker 1: put him onto the sneaky game. You know, he's my brother.

445
00:23:26,040 --> 00:23:30,639
Speaker 1: He's coming up under the the culture. He's just Callen

446
00:23:30,800 --> 00:23:34,040
Speaker 1: is like a Fat Joe on steroids, you know what

447
00:23:34,119 --> 00:23:34,520
Speaker 1: I'm saying.

448
00:23:35,160 --> 00:23:36,800
Speaker 2: So he's been with teroids.

449
00:23:37,000 --> 00:23:42,360
Speaker 1: Yeah, he's on extra drawn that when I when I went,

450
00:23:42,520 --> 00:23:45,720
Speaker 1: when I went and got him his record deal at Cotch.

451
00:23:45,800 --> 00:23:48,920
Speaker 1: I started at Relativity with Alan Grumblack, so we didn't

452
00:23:48,960 --> 00:23:51,240
Speaker 1: really even have no music or nothing like that. So

453
00:23:51,359 --> 00:23:53,840
Speaker 1: when Callen kept bothering me like, yo, I want to

454
00:23:53,880 --> 00:23:56,000
Speaker 1: do this album. I want to do this album, I said,

455
00:23:56,040 --> 00:23:58,920
Speaker 1: fucking nigga, Let's go to New York, right. So we

456
00:23:59,040 --> 00:24:01,400
Speaker 1: went up in there and the first thing I told

457
00:24:01,440 --> 00:24:05,600
Speaker 1: Alan Grumbler, I said, you don't understand this nigga is incredible.

458
00:24:06,760 --> 00:24:10,359
Speaker 1: He's a hip maker and he's Fat Joe on ship.

459
00:24:12,080 --> 00:24:15,760
Speaker 1: So Alan, of course, but Alan grum Black don't know that.

460
00:24:16,000 --> 00:24:19,200
Speaker 1: That Alan grum Black. He just went on for what

461
00:24:19,359 --> 00:24:23,800
Speaker 1: I told, Okay like it was. He just went on

462
00:24:23,960 --> 00:24:26,680
Speaker 1: for me, hyping him up, telling him like he wanted

463
00:24:26,720 --> 00:24:29,240
Speaker 1: to be in business with Fat Joe so much that

464
00:24:29,480 --> 00:24:31,239
Speaker 1: he turned around and was like, Yo, this nigga Joe

465
00:24:31,359 --> 00:24:33,960
Speaker 1: never lied to me and it was the best thing

466
00:24:34,040 --> 00:24:37,840
Speaker 1: he ever did in his life. Because Alan gru black pink,

467
00:24:40,400 --> 00:24:41,240
Speaker 1: I never got royal.

468
00:24:42,400 --> 00:24:42,840
Speaker 4: I know that.

469
00:24:43,119 --> 00:24:44,159
Speaker 2: I don't know the answer.

470
00:24:44,400 --> 00:24:47,400
Speaker 5: Nobody gets on He is a good guy, a little

471
00:24:47,400 --> 00:24:49,840
Speaker 5: bit one of the best I never met.

472
00:24:50,080 --> 00:24:53,320
Speaker 2: Yeah, you know, nobody gets worried he's we didn't deserve it.

473
00:24:53,600 --> 00:24:55,520
Speaker 1: We got to start a royalty committee.

474
00:24:56,200 --> 00:24:57,760
Speaker 5: We got to start something. So now let's get back

475
00:24:57,760 --> 00:25:00,639
Speaker 5: to the sneak of that. Because I feel like, I

476
00:25:00,720 --> 00:25:04,000
Speaker 5: feel like you're my brother, right you've always been. If

477
00:25:04,040 --> 00:25:06,840
Speaker 5: I have to say, one of the best people I

478
00:25:06,920 --> 00:25:07,560
Speaker 5: ever met in my.

479
00:25:07,640 --> 00:25:11,200
Speaker 1: Life that Joe is there, smart guy? Now what's that?

480
00:25:15,240 --> 00:25:19,240
Speaker 2: I feel like, whatever connect you ever had, I'm always

481
00:25:19,680 --> 00:25:26,320
Speaker 2: liberty at liberty to that except your sneaker connects never

482
00:25:28,320 --> 00:25:33,160
Speaker 2: expand for a missile. He'll give you his oozy man yo.

483
00:25:33,359 --> 00:25:35,480
Speaker 2: But Yo, every time you get a pair of I

484
00:25:35,640 --> 00:25:38,840
Speaker 2: just always watch his feet. I'm like, he's advanced. You

485
00:25:38,960 --> 00:25:42,240
Speaker 2: have Michael Jordan's number one speed out? Is this what happens?

486
00:25:42,560 --> 00:25:44,840
Speaker 1: I don't have Michael Jordan's number on speed down?

487
00:25:44,920 --> 00:25:47,560
Speaker 2: But because I feel like you be cheating, you got

488
00:25:47,720 --> 00:25:50,480
Speaker 2: your connect is cheating connect. It's a Cheico. It is

489
00:25:50,520 --> 00:25:52,000
Speaker 2: a cheat, Chico is.

490
00:25:52,240 --> 00:25:54,440
Speaker 1: But I deserve it because I've been committed to this

491
00:25:54,520 --> 00:25:57,960
Speaker 1: ship forever. Before it was cool to be a sneak ahead,

492
00:25:58,480 --> 00:26:00,879
Speaker 1: I was a sneakerhead, you know what I'm saying. So

493
00:26:01,000 --> 00:26:02,119
Speaker 1: they know my dedications.

494
00:26:02,520 --> 00:26:04,959
Speaker 2: I'm not a sneaker had like you. I gotta give

495
00:26:05,000 --> 00:26:05,600
Speaker 2: it to college.

496
00:26:05,880 --> 00:26:10,200
Speaker 1: You call it Clark can't. Clark is a guy named

497
00:26:10,280 --> 00:26:12,000
Speaker 1: mayor mayors.

498
00:26:12,280 --> 00:26:16,720
Speaker 2: Don't know, hasn't made my mathematics yet. He's my guy.

499
00:26:19,440 --> 00:26:20,760
Speaker 1: A god, you know, he's a god.

500
00:26:20,880 --> 00:26:22,679
Speaker 2: He has his own sneaker at Nike. Correct.

501
00:26:23,040 --> 00:26:25,399
Speaker 1: Yeah, I think so, he has a couple. He's uh,

502
00:26:26,359 --> 00:26:27,959
Speaker 1: you know, he put it down legends.

503
00:26:28,080 --> 00:26:30,239
Speaker 2: Now somebody offered you their own sneaker. I know, did

504
00:26:30,280 --> 00:26:32,240
Speaker 2: did you have like a Stephan Marberry sneaky that?

505
00:26:32,359 --> 00:26:34,840
Speaker 1: Yeah, we did one for the community, very cheap. You know,

506
00:26:35,000 --> 00:26:35,720
Speaker 1: give it to the kid.

507
00:26:35,800 --> 00:26:38,159
Speaker 2: But now Kanye is killing him. If you would have

508
00:26:38,400 --> 00:26:42,000
Speaker 2: your own sneaker, line like, what would you do over?

509
00:26:42,480 --> 00:26:44,760
Speaker 1: It would be the hottest ship and what but what

510
00:26:44,800 --> 00:26:45,800
Speaker 1: would you aspire to be?

511
00:26:46,280 --> 00:26:47,000
Speaker 2: Who would you pick?

512
00:26:47,280 --> 00:26:51,600
Speaker 1: I mean, I mean I wouldn't say it because.

513
00:26:52,040 --> 00:27:00,840
Speaker 2: Competitive very smart man. You're always doing his thinker can,

514
00:27:00,960 --> 00:27:01,760
Speaker 2: He'll tell me everything.

515
00:27:09,520 --> 00:27:14,399
Speaker 5: So now let's just let's just rewind on everything. Probably

516
00:27:14,480 --> 00:27:18,000
Speaker 5: the most fun I ever had traveling was when Triz

517
00:27:18,240 --> 00:27:18,600
Speaker 5: was hot.

518
00:27:23,359 --> 00:27:26,440
Speaker 2: Everybody's getting scared. It's pretty great.

519
00:27:26,680 --> 00:27:30,480
Speaker 1: Yeah, everybody's everybody's scared of days.

520
00:27:31,840 --> 00:27:32,600
Speaker 2: What's awesome.

521
00:27:33,200 --> 00:27:34,359
Speaker 1: I can't talk about it.

522
00:27:35,160 --> 00:27:36,800
Speaker 2: I didn't say you talk about it. I didn't even

523
00:27:36,800 --> 00:27:41,040
Speaker 2: ask a question. It was just but Tris is played out?

524
00:27:41,320 --> 00:27:42,000
Speaker 1: Is that bad?

525
00:27:42,400 --> 00:27:44,440
Speaker 2: Or is that good for the community? What do you

526
00:27:44,560 --> 00:27:45,840
Speaker 2: means is played out?

527
00:27:46,040 --> 00:27:48,520
Speaker 1: People don't want to trust good for the community, I believe.

528
00:27:48,600 --> 00:27:51,840
Speaker 5: So everybody makes a noise when Tris being dead. I'm

529
00:27:51,880 --> 00:27:54,240
Speaker 5: gonna tell you when I canna see you, I'll tell

530
00:27:54,240 --> 00:27:58,919
Speaker 5: you what I stopped my personal story.

531
00:27:59,119 --> 00:28:04,280
Speaker 2: Right, I had two. I always had two. Right, that

532
00:28:04,480 --> 00:28:08,119
Speaker 2: was cool. But then one day I had three. Right,

533
00:28:08,960 --> 00:28:12,720
Speaker 2: So I was like yo, I bus like five nuts

534
00:28:13,400 --> 00:28:16,720
Speaker 2: and they still wanted more. I felt defeated.

535
00:28:17,400 --> 00:28:18,520
Speaker 1: Oh you felt defeated.

536
00:28:18,600 --> 00:28:19,440
Speaker 2: I felt defeated.

537
00:28:19,680 --> 00:28:21,040
Speaker 1: All right, Well what's different? Well?

538
00:28:21,760 --> 00:28:23,359
Speaker 2: You confusing both?

539
00:28:23,720 --> 00:28:27,119
Speaker 1: Okay, the tris means like niggas running the train on

540
00:28:27,240 --> 00:28:31,800
Speaker 1: a bit like one. Nags is always your style, okay,

541
00:28:32,359 --> 00:28:35,159
Speaker 1: naj is always your style and you're tested as a

542
00:28:35,240 --> 00:28:37,879
Speaker 1: man because one thing I noticed about women is that

543
00:28:38,040 --> 00:28:42,520
Speaker 1: they can never have enough. You can never have enough,

544
00:28:42,840 --> 00:28:45,320
Speaker 1: you can never like. They can never really tell you

545
00:28:45,840 --> 00:28:49,440
Speaker 1: realistically and from the bottom of their heart. Yo, I'm tired.

546
00:28:49,520 --> 00:28:54,360
Speaker 1: I quit. They canna keep going forever a couple.

547
00:28:56,920 --> 00:29:00,560
Speaker 2: Atfully, but that day I like the man.

548
00:29:02,560 --> 00:29:04,640
Speaker 1: They go from it. They go from like Yo, they

549
00:29:04,720 --> 00:29:07,880
Speaker 1: want to get please. Actually, na, Now this ship has worked.

550
00:29:07,920 --> 00:29:11,280
Speaker 1: This niggas fucking me seven hours. I'm working like I

551
00:29:11,400 --> 00:29:15,720
Speaker 1: need a salary for this ship right here. Trez is

552
00:29:15,800 --> 00:29:18,640
Speaker 1: the trains Minas is different thing.

553
00:29:18,720 --> 00:29:21,320
Speaker 5: It's always a beautiful I'm gonna give you a story

554
00:29:21,360 --> 00:29:24,040
Speaker 5: one time. I never put this out this footage. I

555
00:29:24,080 --> 00:29:25,120
Speaker 5: actually have it on footage.

556
00:29:25,240 --> 00:29:26,120
Speaker 1: One percent.

557
00:29:26,320 --> 00:29:31,320
Speaker 5: Jesus Tony Sunshine, Oh my big Pun, this is how,

558
00:29:31,440 --> 00:29:32,880
Speaker 5: this is how, this is how you know Big Pun

559
00:29:33,600 --> 00:29:36,840
Speaker 5: was one of the greatest individuals in life. Puff Daddy

560
00:29:36,960 --> 00:29:40,440
Speaker 5: pays me for a little Jerome. You remember a little

561
00:29:40,520 --> 00:29:42,640
Speaker 5: Jerome back in the days. Well, little Jerome had did

562
00:29:42,680 --> 00:29:45,720
Speaker 5: a blood money beat. So puff Dad he never pays good,

563
00:29:45,760 --> 00:29:48,160
Speaker 5: but he pays it, never pays good, but he pays.

564
00:29:48,280 --> 00:29:51,080
Speaker 2: It's great. Pup pitsed me says Yo, No, I need

565
00:29:51,120 --> 00:29:52,160
Speaker 2: you to do this. Put the room.

566
00:29:52,200 --> 00:29:54,360
Speaker 5: So I'm like all right, cool, but like it's all

567
00:29:54,400 --> 00:29:55,640
Speaker 5: one fee because you know, I was like, all right,

568
00:29:55,640 --> 00:29:57,760
Speaker 5: I'll do that for the song and then for the video.

569
00:29:58,400 --> 00:30:00,600
Speaker 2: No, it's not how, it's how puff.

570
00:30:00,480 --> 00:30:00,920
Speaker 1: Daddy, bro.

571
00:30:01,880 --> 00:30:05,920
Speaker 2: It's on one feet like a black jew. You gotta

572
00:30:06,000 --> 00:30:09,040
Speaker 2: do it. You gotta do it because it's fuff daddy.

573
00:30:08,880 --> 00:30:12,480
Speaker 1: And front you want to go to his house for

574
00:30:12,600 --> 00:30:12,960
Speaker 1: New York.

575
00:30:13,960 --> 00:30:16,800
Speaker 2: That makes up for every dance, for everything. So Papa

576
00:30:16,840 --> 00:30:18,400
Speaker 2: it's me and goes all right. So now I'm shooting

577
00:30:18,400 --> 00:30:21,160
Speaker 2: a little bit your own video. This is the carbet.

578
00:30:21,760 --> 00:30:23,920
Speaker 2: You remember the car I remember the car So Pun

579
00:30:24,280 --> 00:30:28,840
Speaker 2: got puffed at the carbet. So Pun says Yo, cool Nory,

580
00:30:28,920 --> 00:30:32,480
Speaker 2: Let's tell Nori to come over here. So now Pun

581
00:30:32,640 --> 00:30:36,320
Speaker 2: got fucked up earlier. Today, Papa is like, make sure

582
00:30:36,320 --> 00:30:37,400
Speaker 2: you're on time, please, Norri.

583
00:30:37,640 --> 00:30:40,000
Speaker 5: We don't have this kid, don't got a budget. Pun

584
00:30:40,120 --> 00:30:43,040
Speaker 5: makes Puff call me and goes, Yo, come over to

585
00:30:43,080 --> 00:30:43,440
Speaker 5: the carpet.

586
00:30:43,520 --> 00:30:44,320
Speaker 1: Nigga, what you at you?

587
00:30:44,400 --> 00:30:44,480
Speaker 7: Nor?

588
00:30:44,640 --> 00:30:46,520
Speaker 2: I said, you sure? You want me to leave your video?

589
00:30:46,840 --> 00:30:50,320
Speaker 2: Then Papa's like, Pun with the nigga shooting my video?

590
00:30:50,440 --> 00:30:53,320
Speaker 2: We just we just told him to leave. So I said,

591
00:30:53,360 --> 00:30:55,960
Speaker 2: your pun come over here. Pun comes over here. He

592
00:30:56,120 --> 00:31:01,400
Speaker 2: brings Tony Sunshine and I forget what other two dudes,

593
00:31:01,440 --> 00:31:04,200
Speaker 2: but I have it on camera one hundred percent. You

594
00:31:04,200 --> 00:31:05,560
Speaker 2: remember I used to run around with the camera.

595
00:31:06,440 --> 00:31:08,440
Speaker 1: You was ahead of time. I was ahead of time.

596
00:31:08,520 --> 00:31:10,840
Speaker 2: I was blogging before it was blog blogging.

597
00:31:10,960 --> 00:31:11,640
Speaker 1: You was blogging.

598
00:31:11,840 --> 00:31:15,040
Speaker 2: So fun comes and these two chicks they see him.

599
00:31:15,160 --> 00:31:18,200
Speaker 2: He's like elch Asian girl and a black girl.

600
00:31:18,360 --> 00:31:21,680
Speaker 5: Right, So I got my Bronx people with me. When

601
00:31:21,720 --> 00:31:23,719
Speaker 5: I got my queens people, they all know each other

602
00:31:24,160 --> 00:31:25,960
Speaker 5: all the like the hood niggas, like they all know

603
00:31:26,080 --> 00:31:26,400
Speaker 5: each other.

604
00:31:26,760 --> 00:31:30,040
Speaker 2: So they're like, yo, we go on the vans like

605
00:31:30,200 --> 00:31:33,520
Speaker 2: kiss up? So just never kissed?

606
00:31:34,400 --> 00:31:34,920
Speaker 1: Was gay?

607
00:31:35,360 --> 00:31:38,120
Speaker 2: Nothing? It's on camera. I can one hundred percent prove this.

608
00:31:39,040 --> 00:31:44,040
Speaker 1: They kiss somebody's wife now, moms or somebody. That's why.

609
00:31:45,440 --> 00:31:46,600
Speaker 2: Why you want to foot the job?

610
00:31:47,040 --> 00:31:47,160
Speaker 6: Right?

611
00:31:47,800 --> 00:31:48,280
Speaker 2: So whatever?

612
00:31:48,520 --> 00:31:51,800
Speaker 5: Then they had we had a Queen's versus Bronx fuck off,

613
00:31:51,960 --> 00:31:53,520
Speaker 5: like whoever busts.

614
00:31:53,280 --> 00:31:58,080
Speaker 1: For the loser? But why is you? We're all in

615
00:31:58,200 --> 00:32:05,120
Speaker 1: the van, you remember in the van niggas the fantastic

616
00:32:05,560 --> 00:32:08,720
Speaker 1: yo dude, and like it's like your putting in that word.

617
00:32:08,760 --> 00:32:11,160
Speaker 5: But you're right next to you, so you shouldn't bust

618
00:32:11,320 --> 00:32:16,400
Speaker 5: like it's like you hold it downas like yo, yo,

619
00:32:16,480 --> 00:32:19,640
Speaker 5: I got the whole ship on film, So now it was.

620
00:32:19,680 --> 00:32:20,760
Speaker 2: A wonderful day.

621
00:32:21,200 --> 00:32:23,360
Speaker 1: It's a wonderful time. I don't know what.

622
00:32:23,520 --> 00:32:27,600
Speaker 5: Pun yelled to Tony's right, but they went and they

623
00:32:27,680 --> 00:32:28,960
Speaker 5: got the Super Squirters.

624
00:32:29,080 --> 00:32:29,200
Speaker 1: Right.

625
00:32:29,440 --> 00:32:32,920
Speaker 8: This is zero below decrease in New York City when

626
00:32:32,960 --> 00:32:36,000
Speaker 8: they got the water gun up the Super Squirters with

627
00:32:36,200 --> 00:32:39,280
Speaker 8: this New York City snow, I'm not talking about the

628
00:32:39,400 --> 00:32:39,840
Speaker 8: fresh snow.

629
00:32:39,840 --> 00:32:42,000
Speaker 5: I'm talking about the snow where you see Yellow ship

630
00:32:42,080 --> 00:32:46,000
Speaker 5: in there and you see the blacks, the blacks and

631
00:32:46,120 --> 00:32:49,680
Speaker 5: they put the snow from the Super Squirter, waited till

632
00:32:49,760 --> 00:32:53,360
Speaker 5: it melted. The bitches fucked the whole crew. Why do

633
00:32:53,480 --> 00:32:56,640
Speaker 5: we have to do anything. As soon as they came up,

634
00:32:56,720 --> 00:32:57,640
Speaker 5: they squirted.

635
00:33:02,080 --> 00:33:05,680
Speaker 2: A film and the bitches, this is back in the days,

636
00:33:06,040 --> 00:33:07,000
Speaker 2: they didn't even.

637
00:33:07,000 --> 00:33:08,680
Speaker 1: Care they was lasting.

638
00:33:08,720 --> 00:33:11,760
Speaker 2: They felt like yo, fuck yuh. This is one of

639
00:33:11,840 --> 00:33:12,960
Speaker 2: the wildest nights in my life.

640
00:33:13,000 --> 00:33:16,560
Speaker 1: This is a long time ago. No pun you know,

641
00:33:16,760 --> 00:33:21,160
Speaker 1: pun Uh, you know I was the only nigga could

642
00:33:21,280 --> 00:33:23,840
Speaker 1: control him. So he would be ducking me and ship

643
00:33:24,840 --> 00:33:28,920
Speaker 1: because this nigga, the niggas calling me the cops. Cops

644
00:33:29,080 --> 00:33:30,600
Speaker 1: was like, you know some niggas. I was cool. They

645
00:33:30,720 --> 00:33:32,560
Speaker 1: was like, Yo, they gonna lock that nigga pun Up.

646
00:33:32,640 --> 00:33:35,080
Speaker 1: I'm like what they say. He's shooting the old ladies

647
00:33:35,160 --> 00:33:42,960
Speaker 1: coming out the supermarket with the super soap. So they like, y'all, nigga,

648
00:33:43,120 --> 00:33:45,920
Speaker 1: we in the hole. He's the only nigga with a

649
00:33:46,040 --> 00:33:49,160
Speaker 1: six hundred great vans and we're not coming. He's shooting

650
00:33:49,240 --> 00:33:52,600
Speaker 1: the old ladies with the ship down the Soka and

651
00:33:52,720 --> 00:33:54,520
Speaker 1: niggas is like, yo, my nigga, he gonna go to

652
00:33:54,640 --> 00:33:57,160
Speaker 1: jail for this. He's gonna be on the news. So

653
00:33:57,280 --> 00:33:58,960
Speaker 1: I go over there and got to make a movie.

654
00:33:59,120 --> 00:34:02,000
Speaker 1: Scream at Pun as loud as you can scream. Mother fuck.

655
00:34:02,080 --> 00:34:05,560
Speaker 1: I'm telling you, Figga like the nigga's crazy. Man. He

656
00:34:05,720 --> 00:34:06,160
Speaker 1: was crazy.

657
00:34:06,320 --> 00:34:10,400
Speaker 5: He was crazy recipes he was. He was, uh, well

658
00:34:10,440 --> 00:34:14,600
Speaker 5: you and pun was my first friends and hip hop damn.

659
00:34:14,840 --> 00:34:17,960
Speaker 1: He was the first that was Hotel Louise Scotcha. I

660
00:34:18,120 --> 00:34:21,120
Speaker 1: was so gassed because the first ship he said was

661
00:34:21,200 --> 00:34:23,960
Speaker 1: Hostelois Scotcha holding guns and.

662
00:34:25,040 --> 00:34:29,000
Speaker 2: Felt that way at me, though. He was like, I'm

663
00:34:29,040 --> 00:34:32,560
Speaker 2: not sure if he's Puerto Rican. What you said, you

664
00:34:32,640 --> 00:34:33,479
Speaker 2: gotta tell him the story.

665
00:34:34,480 --> 00:34:36,560
Speaker 1: I caught him. He was at the Puerto Rican parade

666
00:34:37,120 --> 00:34:39,440
Speaker 1: and I've seen him, this is the first time, and

667
00:34:39,560 --> 00:34:41,960
Speaker 1: I helped him up. It was like thousands of niggas

668
00:34:42,000 --> 00:34:46,680
Speaker 1: around me, and I got the i't I remember a tsunami.

669
00:34:47,239 --> 00:34:49,279
Speaker 1: So I helped the nigga up and I was like, Yo,

670
00:34:49,440 --> 00:34:52,000
Speaker 1: what's up, nigga, Yo, we fuck with you, nigga. He

671
00:34:52,160 --> 00:34:55,800
Speaker 1: was hight right and then, But what he wanted me

672
00:34:55,880 --> 00:34:59,360
Speaker 1: to get at is he always said he's Spanish, but

673
00:34:59,760 --> 00:35:02,840
Speaker 1: he with black niggas and he looked black, so we

674
00:35:03,000 --> 00:35:07,040
Speaker 1: never totally believed it, you know what I'm saying. So

675
00:35:07,200 --> 00:35:10,200
Speaker 1: one day I'm in Chicago and the nigga called me up.

676
00:35:10,239 --> 00:35:12,240
Speaker 1: He's like, Yo, you gotta show a House of Blues.

677
00:35:12,640 --> 00:35:15,279
Speaker 1: I said yeah, he said, Yo, my my family want

678
00:35:15,320 --> 00:35:17,600
Speaker 1: to come to this show. So I'm like, I ain't

679
00:35:17,640 --> 00:35:21,279
Speaker 1: no question nor really look at the hotel. I'm in

680
00:35:21,360 --> 00:35:23,280
Speaker 1: the hotel telling the niggas meet me in the lobby.

681
00:35:23,360 --> 00:35:27,120
Speaker 1: I meet him, nigga, come over with the guy better

682
00:35:27,160 --> 00:35:30,320
Speaker 1: than some gray Roman. The niggas like hey, Joe, Like,

683
00:35:32,160 --> 00:35:36,680
Speaker 1: I am no brother, I'm like, what this be? Like Bobby,

684
00:35:36,760 --> 00:35:42,800
Speaker 1: you're through sign, you're saying well through some I was like,

685
00:35:42,920 --> 00:35:46,560
Speaker 1: what the fuck? Nigga? Really, I might have called him

686
00:35:46,560 --> 00:35:47,840
Speaker 1: honey niggas, Yodi nigga.

687
00:35:47,920 --> 00:35:51,760
Speaker 2: He wasn't fring. I'm looking at the Puerto Rican niggas.

688
00:35:53,320 --> 00:36:01,359
Speaker 1: He's really. Oh my, the real Puerto Ricans came in Chicago, right, Nah?

689
00:36:01,520 --> 00:36:04,440
Speaker 2: That was crazy. That was very funny, man, that was

690
00:36:04,600 --> 00:36:05,080
Speaker 2: very funny.

691
00:36:05,120 --> 00:36:05,400
Speaker 1: It was.

692
00:36:06,880 --> 00:36:09,200
Speaker 2: Yeah. So so so let me ask you something right

693
00:36:09,640 --> 00:36:10,080
Speaker 2: at all?

694
00:36:10,360 --> 00:36:14,680
Speaker 5: All the thing about you is what people don't understand

695
00:36:14,840 --> 00:36:17,200
Speaker 5: about you is you're actually a lyricist.

696
00:36:19,080 --> 00:36:22,360
Speaker 2: Like you make party records. But even in your party record,

697
00:36:22,440 --> 00:36:22,640
Speaker 2: like I.

698
00:36:22,719 --> 00:36:24,520
Speaker 5: Told this, I said, Joe is one of my top

699
00:36:24,640 --> 00:36:26,920
Speaker 5: friends of all time, but when it comes time to

700
00:36:27,040 --> 00:36:31,000
Speaker 5: do a feature for me, he's like the worst list.

701
00:36:31,640 --> 00:36:32,640
Speaker 2: But not because he's not.

702
00:36:32,680 --> 00:36:33,160
Speaker 1: Gonna do it.

703
00:36:33,560 --> 00:36:37,040
Speaker 2: It's he takes his time with something like you actually

704
00:36:37,160 --> 00:36:38,480
Speaker 2: do like I know, you never dissed me.

705
00:36:38,600 --> 00:36:39,919
Speaker 5: Like you my brother, Like you know what I'm saying,

706
00:36:39,960 --> 00:36:42,719
Speaker 5: I ate in your crib, my crib all the time

707
00:36:42,760 --> 00:36:43,600
Speaker 5: with our families.

708
00:36:43,880 --> 00:36:46,600
Speaker 2: You're my brother, so it's not but You're like, do

709
00:36:46,719 --> 00:36:47,960
Speaker 2: you think you're a perfectionist?

710
00:36:48,920 --> 00:36:52,440
Speaker 1: Definitely a perfectionist with everything. Yeah, sometimes you know the

711
00:36:52,520 --> 00:36:57,800
Speaker 1: way ship move nowadays, Niggas get mad at how I

712
00:36:57,920 --> 00:37:01,000
Speaker 1: am because I like to roll it out, you know

713
00:37:01,040 --> 00:37:03,719
Speaker 1: what I'm saying, And that's key to a lot of shit.

714
00:37:04,239 --> 00:37:07,080
Speaker 1: Maybe I'm wrong, maybe I'm right. Maybe I ain't the

715
00:37:07,160 --> 00:37:09,479
Speaker 1: smartest nigger, but I want to make sure shit gets

716
00:37:10,560 --> 00:37:13,200
Speaker 1: this buck for his money with everything we do. You

717
00:37:13,280 --> 00:37:16,640
Speaker 1: know what I'm saying. With these young kids I'm fucking

718
00:37:16,719 --> 00:37:18,600
Speaker 1: with right now, to the first niggas I fuck with

719
00:37:18,719 --> 00:37:22,279
Speaker 1: in years, they got fire, and I'm still like, Yo,

720
00:37:22,400 --> 00:37:25,239
Speaker 1: we need more. We need more because you can't make

721
00:37:25,280 --> 00:37:28,879
Speaker 1: a first impression twice and then rap wise, I ain't

722
00:37:28,880 --> 00:37:30,800
Speaker 1: gonna lie to you. No matter who I rap with,

723
00:37:31,600 --> 00:37:34,319
Speaker 1: I try to take their head off. It's just a fact.

724
00:37:35,239 --> 00:37:38,279
Speaker 1: I gotta go in, and you know, you invite me.

725
00:37:38,760 --> 00:37:43,480
Speaker 1: And he's very scared because fat jokers. People probably probably

726
00:37:43,520 --> 00:37:47,200
Speaker 1: don't think he's the best rapper in the world. But

727
00:37:47,400 --> 00:37:49,799
Speaker 1: hold on, I'm just saying, people probably don't think I'm

728
00:37:49,840 --> 00:37:52,960
Speaker 1: the best rapper in the world, but I'm like the

729
00:37:53,120 --> 00:37:55,720
Speaker 1: Mexican nigga. You don't want to fight in the boxing

730
00:37:56,280 --> 00:37:57,520
Speaker 1: because he not going down.

731
00:37:58,120 --> 00:37:59,400
Speaker 2: He's a hell of a fighter.

732
00:38:00,880 --> 00:38:02,880
Speaker 1: He's one of them niggas that you know you scared

733
00:38:02,960 --> 00:38:05,400
Speaker 1: to fight. You scared to fight him because you know

734
00:38:05,560 --> 00:38:07,560
Speaker 1: he gonna go. You're gonna have to kill his nigga

735
00:38:07,600 --> 00:38:09,520
Speaker 1: in the ring, you know what I'm saying. So that's

736
00:38:09,560 --> 00:38:11,680
Speaker 1: how it is with raps because when you invite me

737
00:38:12,440 --> 00:38:16,359
Speaker 1: to it, you know, and the worst nigga was Pun,

738
00:38:17,160 --> 00:38:18,960
Speaker 1: you know what I'm saying. What Pun was going for?

739
00:38:19,080 --> 00:38:22,000
Speaker 2: Niggas had man since Pun died, who was like a

740
00:38:22,120 --> 00:38:24,400
Speaker 2: person that you did a record with and you.

741
00:38:24,520 --> 00:38:26,760
Speaker 1: Was like, man, let me be on my best, best

742
00:38:26,960 --> 00:38:30,200
Speaker 1: best everybody everybody. I tell my son that.

743
00:38:30,480 --> 00:38:36,000
Speaker 5: But it's not like just one person, little everybody, everybody.

744
00:38:36,160 --> 00:38:38,920
Speaker 1: Every time I go into booth, All right, let me

745
00:38:38,960 --> 00:38:40,440
Speaker 1: tell you a secret. I'll tell you in front of

746
00:38:40,480 --> 00:38:41,920
Speaker 1: the whole world that I never told.

747
00:38:41,800 --> 00:38:44,200
Speaker 2: Nobody's because the whole world listen. It makes for the

748
00:38:44,239 --> 00:38:46,359
Speaker 2: whole fucking world listening. God damn it. I like when

749
00:38:46,400 --> 00:38:48,319
Speaker 2: you threw that out there. Thank you very much.

750
00:38:48,760 --> 00:38:53,520
Speaker 1: Who listen every night my whole career, every night I

751
00:38:53,640 --> 00:38:58,279
Speaker 1: got in the studio till this night. You know, I

752
00:38:58,440 --> 00:39:00,920
Speaker 1: never know if I'm gonna die when I leave the studio,

753
00:39:02,280 --> 00:39:06,160
Speaker 1: So when I do my work in the studio, I

754
00:39:06,320 --> 00:39:09,960
Speaker 1: go the hardest I could go in history when I

755
00:39:10,080 --> 00:39:12,080
Speaker 1: work on my music, because if I die, I know

756
00:39:12,200 --> 00:39:14,840
Speaker 1: that's the only thing that's gonna remind people for years

757
00:39:14,880 --> 00:39:18,640
Speaker 1: and years, twenty thirty years later that I put it down. Now,

758
00:39:18,760 --> 00:39:20,759
Speaker 1: if you want to say, fat job, if you want

759
00:39:20,800 --> 00:39:22,879
Speaker 1: me to tell you how I really feel, I feel

760
00:39:22,920 --> 00:39:25,520
Speaker 1: like I'm one of the most underrated rappers of all time.

761
00:39:26,000 --> 00:39:29,719
Speaker 1: And that's why I'm been in the game this long

762
00:39:29,800 --> 00:39:33,480
Speaker 1: and I still make music. And every time, like every time,

763
00:39:33,640 --> 00:39:36,640
Speaker 1: I'm like a little kid waiting for his father on Christmas.

764
00:39:37,200 --> 00:39:39,759
Speaker 1: I'm waiting for niggas to finally give it up. And

765
00:39:39,880 --> 00:39:41,800
Speaker 1: they act like it's luck that you've been in the

766
00:39:41,920 --> 00:39:44,560
Speaker 1: game for twenty years. They act like it's luck. Did

767
00:39:44,600 --> 00:39:49,400
Speaker 1: you put out ten fifteen top number five records in

768
00:39:49,480 --> 00:39:52,400
Speaker 1: the world. So Villians, they act like this shit, like, yo,

769
00:39:52,520 --> 00:39:55,399
Speaker 1: he's just a lucky nigga. You understand what I'm saying,

770
00:39:55,400 --> 00:39:58,719
Speaker 1: But it takes it takes, you know, dedication to that.

771
00:39:58,960 --> 00:40:02,000
Speaker 1: So like with this this album with Remy, I'm spitting

772
00:40:02,120 --> 00:40:05,920
Speaker 1: my ass off, and I'm like, all right, maybe this

773
00:40:06,280 --> 00:40:09,880
Speaker 1: time get you there finally listen to be you know,

774
00:40:09,960 --> 00:40:11,919
Speaker 1: because right now it's a little different from me. I'm

775
00:40:11,920 --> 00:40:14,560
Speaker 1: a little older, you know what I'm saying, I'm a veteran.

776
00:40:15,320 --> 00:40:17,320
Speaker 1: The young niggas don't look at me as a threat

777
00:40:17,400 --> 00:40:20,080
Speaker 1: no more. I'm not saying physically. They just don't look

778
00:40:20,120 --> 00:40:22,239
Speaker 1: at me as like I'm their competition.

779
00:40:22,880 --> 00:40:23,880
Speaker 2: So now they're able to.

780
00:40:23,960 --> 00:40:26,560
Speaker 1: Say, Yo, my nigga, we love your ship. You know

781
00:40:26,719 --> 00:40:28,920
Speaker 1: you're a ved Yo. Fuck with you, nigga, you were

782
00:40:28,920 --> 00:40:31,280
Speaker 1: a legend. Before it was more like they were scared

783
00:40:31,320 --> 00:40:32,960
Speaker 1: to tell me that because they felt like we were

784
00:40:33,000 --> 00:40:33,720
Speaker 1: still competing.

785
00:40:34,160 --> 00:40:36,840
Speaker 2: The thing they don't know is that we really still competing.

786
00:40:42,640 --> 00:40:46,960
Speaker 1: I love that, love that album. We compete. So on

787
00:40:47,120 --> 00:40:50,759
Speaker 1: this album right here, I'm spitting my ass off so

788
00:40:50,920 --> 00:40:55,160
Speaker 1: that maybe just maybe niggas can look and listen to

789
00:40:55,280 --> 00:40:57,720
Speaker 1: this album and be like, ooh this nigga crazy.

790
00:40:59,000 --> 00:41:03,200
Speaker 5: One more, what's the one record that a producer played

791
00:41:03,239 --> 00:41:06,160
Speaker 5: for you or brung you and you didn't funk with.

792
00:41:06,400 --> 00:41:10,200
Speaker 1: Oh, you're crazy? And the record that you just said, Rihanna,

793
00:41:10,280 --> 00:41:15,120
Speaker 1: you fucked up my thing when you know I put

794
00:41:15,160 --> 00:41:16,600
Speaker 1: it out there that I could have signed them and

795
00:41:16,680 --> 00:41:18,920
Speaker 1: them six times heard this story.

796
00:41:19,760 --> 00:41:22,799
Speaker 2: That's sad. No, I've never heard this story out there.

797
00:41:22,960 --> 00:41:23,520
Speaker 2: Give it to us.

798
00:41:23,840 --> 00:41:25,120
Speaker 1: It's out there for real.

799
00:41:26,160 --> 00:41:28,520
Speaker 2: Point at what point when I was young and them.

800
00:41:28,440 --> 00:41:30,600
Speaker 1: We went We was having dinner one day, he was like,

801
00:41:30,680 --> 00:41:32,479
Speaker 1: yo Joe, crack. You know, I gave you my demo

802
00:41:32,760 --> 00:41:36,719
Speaker 1: six times. I said, what this is? After he's the

803
00:41:37,520 --> 00:41:41,600
Speaker 1: high but you don't remember. He didn't remember you way

804
00:41:41,719 --> 00:41:44,000
Speaker 1: before before. So the nigga turned around. He was like,

805
00:41:44,080 --> 00:41:45,759
Speaker 1: I gave it to you. How can I be down?

806
00:41:46,080 --> 00:41:48,279
Speaker 1: I gave it to you, Jack the Rapper, I gave

807
00:41:48,360 --> 00:41:49,960
Speaker 1: it to you in Atlanta. I gave it to you

808
00:41:50,080 --> 00:41:52,640
Speaker 1: in Jersey when I was with the Outsiders, I gave it.

809
00:41:52,719 --> 00:41:55,480
Speaker 1: He knew every time he gave me his demo, and

810
00:41:55,600 --> 00:41:58,040
Speaker 1: I was like, Jesus Christ, I could have had him

811
00:41:58,080 --> 00:42:01,919
Speaker 1: and now, but the ReCl I sat in the house

812
00:42:02,000 --> 00:42:06,879
Speaker 1: with Salom Remen and uh and he made Fuuji live

813
00:42:06,960 --> 00:42:14,520
Speaker 1: for me. Oh and then and I sat trying to

814
00:42:14,560 --> 00:42:18,960
Speaker 1: feature you sat for me in this living room and

815
00:42:19,040 --> 00:42:21,279
Speaker 1: I was there with him for hours and then he

816
00:42:21,480 --> 00:42:24,160
Speaker 1: was like, yo Joe. Like a week later, he was like,

817
00:42:24,239 --> 00:42:29,440
Speaker 1: yo Joe, you you want this record? And I was like, nah,

818
00:42:29,440 --> 00:42:31,800
Speaker 1: I'm good. He was like, you want this record? I

819
00:42:31,920 --> 00:42:35,160
Speaker 1: was like, na, I'm good, and then it was fuuji

820
00:42:35,320 --> 00:42:38,160
Speaker 1: live know my record was and I got another one

821
00:42:38,239 --> 00:42:38,759
Speaker 1: bigger than that.

822
00:42:39,239 --> 00:42:41,880
Speaker 5: I'm gonna let me just tell you because I have

823
00:42:42,000 --> 00:42:45,000
Speaker 5: the same exact story. Track Masters was in.

824
00:42:45,040 --> 00:42:51,440
Speaker 2: The studio with me and they made y'all up with

825
00:42:51,600 --> 00:42:56,799
Speaker 2: y'all and I was like, you know, niggas and a laugh.

826
00:43:01,520 --> 00:43:03,360
Speaker 2: I told him I didn't even want it, but I

827
00:43:03,480 --> 00:43:04,479
Speaker 2: was still mad.

828
00:43:04,680 --> 00:43:07,640
Speaker 1: You probably wanted to vomit. I'm gonna tell you my

829
00:43:07,840 --> 00:43:14,000
Speaker 1: story again. See Scott's tortured me. Our chemistry was like

830
00:43:14,520 --> 00:43:18,320
Speaker 1: if I knew what I knew now, then I probably

831
00:43:18,320 --> 00:43:20,360
Speaker 1: would have been the richest nigga in the world. Because

832
00:43:22,239 --> 00:43:25,800
Speaker 1: I worked with Scott Storch five times. All five songs

833
00:43:25,840 --> 00:43:28,960
Speaker 1: went number one in America. It's just the bottom line.

834
00:43:29,000 --> 00:43:30,759
Speaker 1: Every time I sat down with the nigga, we made

835
00:43:30,760 --> 00:43:33,319
Speaker 1: a number one. If I knew that now, I would

836
00:43:33,360 --> 00:43:36,120
Speaker 1: have had fifty songs with Scott's story at that time,

837
00:43:36,160 --> 00:43:37,600
Speaker 1: I would have Indeed, I would have.

838
00:43:37,719 --> 00:43:38,399
Speaker 2: Never left them.

839
00:43:38,760 --> 00:43:40,440
Speaker 1: I would have been on a nigga breathing on a

840
00:43:40,520 --> 00:43:42,920
Speaker 1: nigga like, Yo, Scott, let's do another one your Scott.

841
00:43:43,040 --> 00:43:47,879
Speaker 1: Let's do nothing right. So I come and I make uh,

842
00:43:49,960 --> 00:43:56,080
Speaker 1: what is it a candy shop? I made that be dude,

843
00:43:56,120 --> 00:43:59,920
Speaker 1: do dude, do do do? And then and he was

844
00:44:00,120 --> 00:44:02,520
Speaker 1: going out with He was going out with with with

845
00:44:03,000 --> 00:44:06,320
Speaker 1: with uh with with little Kim. So the way I

846
00:44:06,440 --> 00:44:09,640
Speaker 1: make beats with with with with with Wisconsin's he could

847
00:44:09,680 --> 00:44:12,960
Speaker 1: play whatever. So I would tell him boom boom being

848
00:44:13,120 --> 00:44:17,480
Speaker 1: and ben boom boom being and ban boom. That's how

849
00:44:17,480 --> 00:44:20,239
Speaker 1: I made lean back boom boom boom. He just did

850
00:44:20,280 --> 00:44:22,840
Speaker 1: whatever I said, like I could damn near beat box it,

851
00:44:23,160 --> 00:44:26,840
Speaker 1: and he played. So we made candy shop. The crazy

852
00:44:26,880 --> 00:44:30,239
Speaker 1: ship is. I don't want my wife to to kill me.

853
00:44:30,400 --> 00:44:33,000
Speaker 1: But we had little Kim up in there moving him

854
00:44:33,080 --> 00:44:39,319
Speaker 1: Ben there. We was doing the beat to this pitch.

855
00:44:40,200 --> 00:44:46,279
Speaker 1: She was doing a little boom. I'm like, yo, he

856
00:44:46,400 --> 00:44:54,399
Speaker 1: gotta be more Arabic d yo. We got little Kim

857
00:44:54,520 --> 00:44:57,719
Speaker 1: up in there doing the Arabic dance and ship. So

858
00:44:57,880 --> 00:45:00,359
Speaker 1: then the nigga, now, I'm gonna keep it a buck

859
00:45:00,400 --> 00:45:02,319
Speaker 1: with y'all nobody. I don't even know if I can

860
00:45:02,520 --> 00:45:04,960
Speaker 1: keep it too much a buck but what I can

861
00:45:05,040 --> 00:45:08,560
Speaker 1: say is we did it, but that was right after

862
00:45:08,680 --> 00:45:12,600
Speaker 1: lean back. It would have been yourmongus hit. And some

863
00:45:12,760 --> 00:45:15,759
Speaker 1: of my niggas and my crew convinced me not to

864
00:45:15,920 --> 00:45:21,000
Speaker 1: do it. They was like, oh, you know Shirt, like

865
00:45:21,120 --> 00:45:25,000
Speaker 1: mean bad, my nigga, you keep going with Scott's starch.

866
00:45:25,040 --> 00:45:26,800
Speaker 1: I should have been like, yeah, nigga, every time I

867
00:45:26,880 --> 00:45:30,719
Speaker 1: fuck with him as number one, Nah my son, do

868
00:45:30,960 --> 00:45:32,920
Speaker 1: this one, and I picked the other shit. I know

869
00:45:33,600 --> 00:45:38,000
Speaker 1: you've been searching for someone instead of that ship. So

870
00:45:38,160 --> 00:45:41,920
Speaker 1: Scott might have called me, I'm gonna tell you, I'm

871
00:45:41,960 --> 00:45:46,480
Speaker 1: gonna keep it a buck. Scott called me maybe fifty

872
00:45:46,880 --> 00:45:49,759
Speaker 1: times in the row. I had no beef for fifty seconds, right,

873
00:45:50,440 --> 00:45:53,399
Speaker 1: So I had no beef with him at the time.

874
00:45:53,520 --> 00:45:58,160
Speaker 2: You know that was my next question. Let's just say

875
00:45:58,400 --> 00:45:59,320
Speaker 2: forty times.

876
00:46:00,000 --> 00:46:02,760
Speaker 1: Are you sure you don't want that beat? Everybody says

877
00:46:02,760 --> 00:46:05,480
Speaker 1: they hit Joe fifty centers in the here right now.

878
00:46:05,560 --> 00:46:08,600
Speaker 1: He wants to pay me whatever on earth for this ship.

879
00:46:09,080 --> 00:46:12,960
Speaker 1: Are you sure Joe? I won't give him the beat? Joe,

880
00:46:13,320 --> 00:46:16,279
Speaker 1: this is your beat? Like he would not stop calling, like,

881
00:46:16,400 --> 00:46:19,920
Speaker 1: are you sure Joe you don't want this ship? I'm like, nah,

882
00:46:20,000 --> 00:46:22,360
Speaker 1: the one Yo Joe like it was just O D

883
00:46:22,560 --> 00:46:24,880
Speaker 1: And I was like, nah, nah, nah, I'm good that

884
00:46:24,960 --> 00:46:26,359
Speaker 1: ship was like number one.

885
00:46:26,360 --> 00:46:32,160
Speaker 2: In the universe. After you know, he told you to

886
00:46:32,239 --> 00:46:34,799
Speaker 2: him selling it. He told you before he ain't give

887
00:46:34,920 --> 00:46:35,120
Speaker 2: up the.

888
00:46:35,200 --> 00:46:40,040
Speaker 1: Song, Okay, I told him, I ain't want it. You

889
00:46:40,120 --> 00:46:40,600
Speaker 1: know what I'm saying.

890
00:46:40,680 --> 00:46:44,000
Speaker 2: My artists I wish I would have signed, would have

891
00:46:44,160 --> 00:46:45,120
Speaker 2: to be hands down for.

892
00:46:45,239 --> 00:46:46,759
Speaker 1: Real, like I don't. I don't.

893
00:46:46,760 --> 00:46:49,040
Speaker 5: I can't tell you that Pharrell told me to sign them,

894
00:46:49,080 --> 00:46:51,120
Speaker 5: but he said, could you shot my beats?

895
00:46:51,280 --> 00:46:53,879
Speaker 2: This one hundred percent of real story. I went to drink.

896
00:46:54,200 --> 00:46:56,279
Speaker 5: I went to bring him to see Nasi. At the time,

897
00:46:56,360 --> 00:47:00,000
Speaker 5: me and Nas was mad cool like Nas. He didn't

898
00:47:00,040 --> 00:47:03,040
Speaker 5: know how to roll like so he did not.

899
00:47:03,239 --> 00:47:03,600
Speaker 1: Roll a blo.

900
00:47:03,719 --> 00:47:06,799
Speaker 2: I don't neither. I wrote the worst blunts in the world.

901
00:47:06,880 --> 00:47:07,800
Speaker 2: But We're gonna smoke.

902
00:47:09,360 --> 00:47:12,279
Speaker 5: Don't judge me, you know what I'm saying. So never

903
00:47:12,480 --> 00:47:16,719
Speaker 5: be curved like you. I rolle pregnant blunt ship. You

904
00:47:16,760 --> 00:47:18,239
Speaker 5: know it's uncircumcised ship, you.

905
00:47:18,239 --> 00:47:22,920
Speaker 2: Know what I mean. But so he asked me to.

906
00:47:24,400 --> 00:47:24,880
Speaker 1: To shot it.

907
00:47:24,960 --> 00:47:28,000
Speaker 5: So I went, I bring it to Nines and he

908
00:47:28,200 --> 00:47:32,759
Speaker 5: made oh baby, you want me oh, baby, you want me.

909
00:47:33,239 --> 00:47:35,520
Speaker 2: I wanted to be so bad, he said. After you

910
00:47:35,719 --> 00:47:37,360
Speaker 2: heard it, he said, y'all I made.

911
00:47:37,160 --> 00:47:37,880
Speaker 6: It for Nas.

912
00:47:39,120 --> 00:47:41,920
Speaker 2: I said, damn, I'm not a hater. He's my brother.

913
00:47:42,760 --> 00:47:45,759
Speaker 2: I brung it to nas Uh. He actually played it.

914
00:47:47,360 --> 00:47:50,360
Speaker 5: Nas loved it in the studio as soon as he left. Now,

915
00:47:50,440 --> 00:47:52,160
Speaker 5: I said, Yo, why your man's shirts.

916
00:47:58,800 --> 00:47:59,839
Speaker 2: I was discouraged.

917
00:48:00,200 --> 00:48:03,759
Speaker 1: I was like, I know that, Like this was it?

918
00:48:04,320 --> 00:48:06,680
Speaker 2: Like we made super dun dupe nigga.

919
00:48:06,800 --> 00:48:09,759
Speaker 1: We got the number way different in the country like

920
00:48:10,160 --> 00:48:11,840
Speaker 1: his nigga's doing way worse.

921
00:48:12,719 --> 00:48:14,880
Speaker 5: But he was the first one though, so yeah, so

922
00:48:15,160 --> 00:48:17,880
Speaker 5: and that that would be my that would be my

923
00:48:19,400 --> 00:48:24,120
Speaker 5: you know uh because again for real Chad rob Walker.

924
00:48:24,560 --> 00:48:28,000
Speaker 5: They never said sign me, but they said shot my beats.

925
00:48:28,640 --> 00:48:31,400
Speaker 1: So to me like you know me and you we

926
00:48:31,560 --> 00:48:34,800
Speaker 1: fall from from the same tree where we helped a

927
00:48:34,840 --> 00:48:37,000
Speaker 1: lot of people get recognition.

928
00:48:36,560 --> 00:48:38,640
Speaker 5: Getting the game and all we wanted the TV set.

929
00:48:38,800 --> 00:48:41,719
Speaker 5: Slept on my couch to meet with. But he also

930
00:48:42,200 --> 00:48:46,600
Speaker 5: we were close a little bit. What in New York

931
00:48:46,680 --> 00:48:47,800
Speaker 5: City watched my draws.

932
00:48:49,400 --> 00:48:54,080
Speaker 2: I mean I was from at the time. That's my brother,

933
00:48:54,160 --> 00:48:58,680
Speaker 2: That's what It's true. He had lunch, not do that

934
00:48:59,400 --> 00:48:59,680
Speaker 2: my son.

935
00:49:00,040 --> 00:49:00,680
Speaker 1: He's a good guy.

936
00:49:00,800 --> 00:49:03,880
Speaker 2: Let's leave on shows you the progression.

937
00:49:05,400 --> 00:49:10,879
Speaker 1: Great you got listen is true, it's true. You're talking

938
00:49:11,000 --> 00:49:11,879
Speaker 1: about true.

939
00:49:11,920 --> 00:49:12,920
Speaker 2: It's not disrespecting.

940
00:49:13,040 --> 00:49:14,840
Speaker 1: It is you, Yo, talking like this.

941
00:49:15,120 --> 00:49:17,320
Speaker 2: He might my floors also.

942
00:49:18,640 --> 00:49:20,600
Speaker 1: General fat Joe's not Coach Stein.

943
00:49:21,200 --> 00:49:25,600
Speaker 2: It's nothing. He brought me a strip. He's my brother.

944
00:49:25,880 --> 00:49:31,279
Speaker 2: He knows that. I just you know, it's true. Stops true.

945
00:49:32,040 --> 00:49:35,160
Speaker 1: You got it all, guys, you got it all. Say

946
00:49:35,920 --> 00:49:36,400
Speaker 1: you said it?

947
00:49:37,239 --> 00:49:38,760
Speaker 2: You think crazy?

948
00:49:39,239 --> 00:49:40,400
Speaker 5: You know you could have Yo.

949
00:49:41,280 --> 00:49:44,440
Speaker 2: Don't like me anyways, Come on, I don't think. But

950
00:49:44,560 --> 00:49:46,759
Speaker 2: I'm just a piece of it. But he's my god brother.

951
00:49:46,920 --> 00:49:50,879
Speaker 1: You know, we got a lot of piece of ship. Brother.

952
00:49:50,960 --> 00:49:52,000
Speaker 2: You got a lot of peo. You got a lot

953
00:49:52,040 --> 00:49:52,440
Speaker 2: of people that.

954
00:49:52,600 --> 00:49:55,359
Speaker 1: Got a lot of peops because you like, you're not kind.

955
00:49:55,560 --> 00:49:56,880
Speaker 2: It's like what but it's still family.

956
00:49:57,120 --> 00:50:02,520
Speaker 1: It's not fine that the You gotta find the good

957
00:50:02,600 --> 00:50:05,200
Speaker 1: and people doing negative. That's what my father used to say.

958
00:50:05,280 --> 00:50:07,239
Speaker 5: My father used to say, when you see people, see

959
00:50:07,280 --> 00:50:09,359
Speaker 5: the good in them first, and then you see the bad.

960
00:50:09,560 --> 00:50:11,759
Speaker 1: Yeah, you know, I got an uncle. He lies a

961
00:50:11,840 --> 00:50:15,239
Speaker 1: lot like he's a pathological lion, like like in this

962
00:50:15,400 --> 00:50:18,840
Speaker 1: summer he'll tell you it's winter, you know, like the

963
00:50:18,960 --> 00:50:21,879
Speaker 1: nigga just lying, Like why didn't we have lots of friends,

964
00:50:22,239 --> 00:50:24,680
Speaker 1: like the nigga just won't stop lying to the point

965
00:50:24,719 --> 00:50:27,360
Speaker 1: of you, like yo, you cannot be serious about this,

966
00:50:27,640 --> 00:50:30,640
Speaker 1: like you're lying like all of them. I got to

967
00:50:30,680 --> 00:50:32,880
Speaker 1: pull him to the side. But the new thing I

968
00:50:33,000 --> 00:50:35,600
Speaker 1: don't I do with him because he's my he's my uncle,

969
00:50:36,160 --> 00:50:38,960
Speaker 1: he's my blood. I love him, one of my favorite

970
00:50:39,680 --> 00:50:41,680
Speaker 1: you know. Now when he lies, I'll be like, you

971
00:50:41,719 --> 00:50:45,440
Speaker 1: know he's lying. You know, I'll tell you in their faith,

972
00:50:45,560 --> 00:50:48,200
Speaker 1: in his face, he knows. My new shit is to

973
00:50:48,400 --> 00:50:51,200
Speaker 1: really try to stop him from lying, is like, oh no,

974
00:50:51,560 --> 00:50:55,359
Speaker 1: he's lying. We didn't go there. We just came from

975
00:50:56,040 --> 00:50:59,879
Speaker 1: this niggas lying. I love him. He's really my uncle.

976
00:51:00,000 --> 00:51:02,920
Speaker 1: Don't look at him crazy, because he really is my uncle.

977
00:51:03,200 --> 00:51:05,960
Speaker 1: He's a fucking liar, but simple, let me ask you

978
00:51:05,960 --> 00:51:09,720
Speaker 1: a question. You and he has so much great quality,

979
00:51:11,480 --> 00:51:13,520
Speaker 1: so he didn't lie all the time. Be the best

980
00:51:13,560 --> 00:51:14,279
Speaker 1: snig in the world.

981
00:51:14,880 --> 00:51:19,400
Speaker 2: So the water, shorty, please, no disrespect, it's actually it's

982
00:51:19,440 --> 00:51:29,000
Speaker 2: not water. You're killing Jesus. So me and you, me

983
00:51:29,040 --> 00:51:30,920
Speaker 2: and you, we have a lot like the same thing

984
00:51:31,000 --> 00:51:32,919
Speaker 2: with good people. We see the good and people.

985
00:51:32,960 --> 00:51:35,560
Speaker 1: We just want everybody to win that we hope that

986
00:51:35,920 --> 00:51:38,399
Speaker 1: when they do win, they don't forget where they came

987
00:51:38,520 --> 00:51:41,279
Speaker 1: from and they will always be there for us. And

988
00:51:42,760 --> 00:51:46,360
Speaker 1: he's so nor he's so full of ship. Bro Nory goes.

989
00:51:46,440 --> 00:51:49,560
Speaker 1: He says, all right, come to my podcast one may

990
00:51:49,640 --> 00:51:52,879
Speaker 1: I no. I mean, he comes in the studio last night,

991
00:51:53,440 --> 00:51:57,800
Speaker 1: stops the studio right and starts playing music and starts

992
00:51:57,800 --> 00:52:01,279
Speaker 1: telling everybody how I'm his best in the world, but

993
00:52:01,400 --> 00:52:03,960
Speaker 1: I'm the worst nigga to ask for him verse in

994
00:52:04,040 --> 00:52:08,920
Speaker 1: his life. But he's subliminately left the track there do

995
00:52:09,160 --> 00:52:12,719
Speaker 1: the battery in my back to where today? Guess what

996
00:52:12,840 --> 00:52:15,360
Speaker 1: I'm gonna being saw.

997
00:52:17,080 --> 00:52:18,760
Speaker 2: Listen listen again.

998
00:52:19,239 --> 00:52:21,680
Speaker 5: I know I said it earlier, but I feel like

999
00:52:21,760 --> 00:52:24,799
Speaker 5: we should praise praise people while they here. Joe has

1000
00:52:24,880 --> 00:52:26,759
Speaker 5: always been there for me, just for people that know

1001
00:52:27,200 --> 00:52:30,080
Speaker 5: I'm I'm the worst of the worst, the best of

1002
00:52:30,120 --> 00:52:31,280
Speaker 5: the best in between.

1003
00:52:31,840 --> 00:52:32,399
Speaker 2: You know what I'm saying.

1004
00:52:32,400 --> 00:52:34,719
Speaker 5: And I say that I say that too, like I

1005
00:52:34,840 --> 00:52:38,759
Speaker 5: remember like like job, Joe is my brother, but it

1006
00:52:38,880 --> 00:52:41,680
Speaker 5: was rough being a job rule one point.

1007
00:52:42,040 --> 00:52:45,360
Speaker 2: I remember walking with joy Roll in the mall and

1008
00:52:45,400 --> 00:52:46,160
Speaker 2: people going.

1009
00:52:48,280 --> 00:52:48,920
Speaker 1: And running.

1010
00:52:49,719 --> 00:52:51,640
Speaker 5: This is before Twitter, you know what I'm saying, Like

1011
00:52:51,760 --> 00:52:53,759
Speaker 5: right now people people would do it like this.

1012
00:52:55,040 --> 00:52:57,480
Speaker 2: I remember one time, like we were hanging out and

1013
00:52:57,640 --> 00:52:58,759
Speaker 2: I was like, I was going to the mall.

1014
00:52:58,840 --> 00:53:02,239
Speaker 5: He was like, well are you doing sh but mind you,

1015
00:53:02,360 --> 00:53:03,640
Speaker 5: he's the biggest.

1016
00:53:04,160 --> 00:53:05,760
Speaker 2: Like I'm okay, I can walk.

1017
00:53:05,680 --> 00:53:11,440
Speaker 1: Around though, right, I'm okay, yo, why didn't give you

1018
00:53:11,520 --> 00:53:15,360
Speaker 1: a podcast? And then it was like, I'll go with you.

1019
00:53:17,680 --> 00:53:19,200
Speaker 1: He's whatever.

1020
00:53:19,360 --> 00:53:22,640
Speaker 5: He's fifty number one a hit or off, but fifty

1021
00:53:22,800 --> 00:53:26,120
Speaker 5: is killing him on the streets in the radio. He's

1022
00:53:26,160 --> 00:53:29,640
Speaker 5: the biggest thing and alive. So we walking through the

1023
00:53:29,760 --> 00:53:30,840
Speaker 5: mall and I'm chilling.

1024
00:53:30,920 --> 00:53:31,800
Speaker 2: You know, it's nothing.

1025
00:53:31,880 --> 00:53:32,560
Speaker 1: This is my brother.

1026
00:53:32,800 --> 00:53:35,920
Speaker 2: I ain't thinking nothing of it. I just heard you

1027
00:53:36,120 --> 00:53:39,879
Speaker 2: bit and I'm like the first time. I'm like, I'm

1028
00:53:39,880 --> 00:53:41,600
Speaker 2: gonna act like I ain't hear that one?

1029
00:53:42,120 --> 00:53:43,880
Speaker 1: You feel me? Because I'm like, just do that.

1030
00:53:43,960 --> 00:53:47,760
Speaker 2: Ain't for me, So just keep walking. This is my homie.

1031
00:53:48,800 --> 00:53:49,560
Speaker 2: Let's keep up.

1032
00:53:49,760 --> 00:53:51,520
Speaker 1: I heard it again. Now this time.

1033
00:53:51,960 --> 00:53:54,480
Speaker 2: This is when the sweats come down. You know, you

1034
00:53:54,560 --> 00:53:57,239
Speaker 2: know when that one piece said why don't John Ruins doing?

1035
00:53:57,320 --> 00:53:58,319
Speaker 1: He just kept walking out.

1036
00:53:58,360 --> 00:54:01,400
Speaker 2: He the first one too, we both ignored the.

1037
00:54:01,440 --> 00:54:02,600
Speaker 1: Person's kept it moving.

1038
00:54:02,680 --> 00:54:05,879
Speaker 2: But the second one was like, and you can tell

1039
00:54:06,040 --> 00:54:07,080
Speaker 2: it was like a white boy.

1040
00:54:07,960 --> 00:54:09,759
Speaker 1: He was just a fan and just wanted to say,

1041
00:54:10,120 --> 00:54:13,239
Speaker 1: let's just say, let's just say, let's just say, what

1042
00:54:13,360 --> 00:54:18,040
Speaker 1: point is I stuck with? You supposed to? Now, let's

1043
00:54:18,080 --> 00:54:20,400
Speaker 1: just say that's what real friends do, and this business

1044
00:54:20,560 --> 00:54:23,480
Speaker 1: is built on fake friends. So let's just keep it

1045
00:54:23,560 --> 00:54:26,279
Speaker 1: a thousand. So they say the real recognize the real.

1046
00:54:26,440 --> 00:54:30,040
Speaker 1: The truth is, we gotta flip that around and say

1047
00:54:30,080 --> 00:54:33,920
Speaker 1: the fake recognize the fake, because if you really in

1048
00:54:34,000 --> 00:54:37,520
Speaker 1: this industry, then it's almost like you got AIDS. There

1049
00:54:37,560 --> 00:54:40,839
Speaker 1: ain't no realness in this shit. Just know that, right,

1050
00:54:41,360 --> 00:54:45,920
Speaker 1: So we celebrate the real. But it's hard because if

1051
00:54:45,960 --> 00:54:48,279
Speaker 1: you analyze the ship to be going on, you can't

1052
00:54:48,320 --> 00:54:51,319
Speaker 1: make no sense of it. Right, So let's just say

1053
00:54:51,960 --> 00:54:57,120
Speaker 1: DMX probably had it the worst. Well, hold on EMX.

1054
00:54:57,200 --> 00:55:01,200
Speaker 1: Probably DMX has demons. M X has been using and

1055
00:55:01,320 --> 00:55:02,200
Speaker 1: abusing drugs.

1056
00:55:02,239 --> 00:55:04,160
Speaker 2: He almost supposed to call it in tonight.

1057
00:55:04,600 --> 00:55:08,479
Speaker 1: He almost died. Do you know you almost died? Last week?

1058
00:55:09,719 --> 00:55:13,759
Speaker 2: I sent the pastor to his hospital. I was, you said,

1059
00:55:13,800 --> 00:55:17,880
Speaker 2: the pastor to his hospital? You said, the past his hospital.

1060
00:55:19,080 --> 00:55:21,560
Speaker 2: That's like a whole other podcast by itself, because you

1061
00:55:21,600 --> 00:55:22,759
Speaker 2: know what, I'm gonna be honest with you.

1062
00:55:22,800 --> 00:55:23,960
Speaker 1: You know what can say.

1063
00:55:24,880 --> 00:55:29,600
Speaker 2: You know what you say is a fact. Let me

1064
00:55:29,680 --> 00:55:30,320
Speaker 2: tell you I was.

1065
00:55:30,480 --> 00:55:32,640
Speaker 5: I was smoking we with d m X one night

1066
00:55:32,680 --> 00:55:34,680
Speaker 5: at four o'clock in the morning. First of all, I

1067
00:55:34,760 --> 00:55:35,560
Speaker 5: got a record from.

1068
00:55:37,239 --> 00:55:39,200
Speaker 2: When he was ten million. When he was ten million,

1069
00:55:39,239 --> 00:55:43,160
Speaker 2: I got a wreckord with m I can't say I'm coming.

1070
00:55:43,960 --> 00:55:46,680
Speaker 1: I know I'm gonna get in trouble in all the blogs.

1071
00:55:47,080 --> 00:55:51,359
Speaker 1: I'm fucking with y'all. You're not y'all get it all out.

1072
00:55:53,600 --> 00:55:58,560
Speaker 2: Listen one time you gotta go, you gotta get. You

1073
00:55:58,600 --> 00:55:59,719
Speaker 2: gotta hear my DMX story.

1074
00:55:59,800 --> 00:56:00,560
Speaker 1: Now I gotta I got a.

1075
00:56:00,560 --> 00:56:05,000
Speaker 2: Whole long yo, Joe. This nigga sold ten million at

1076
00:56:05,040 --> 00:56:09,239
Speaker 2: the time. The greatest managers Ali Ali is my We

1077
00:56:09,480 --> 00:56:13,360
Speaker 2: know A went on tour with me. He did everything.

1078
00:56:13,440 --> 00:56:16,640
Speaker 5: This is my But Ali used to sell rims and queens.

1079
00:56:16,719 --> 00:56:18,359
Speaker 5: That's how we know him from back in the day.

1080
00:56:19,040 --> 00:56:27,040
Speaker 2: He used to work up queens and militia. So check it.

1081
00:56:27,120 --> 00:56:29,960
Speaker 2: I'm one death jam. So I called death Jam.

1082
00:56:29,880 --> 00:56:31,880
Speaker 5: And I said, Yo, I need you to book my

1083
00:56:32,000 --> 00:56:35,320
Speaker 5: flight to go see DMX. I'm ana fly on Monday

1084
00:56:35,360 --> 00:56:38,279
Speaker 5: and I'm gonna return on Wednesday. So Tina Davis, who

1085
00:56:38,360 --> 00:56:41,800
Speaker 5: is Chris Brown's manager, Tina Davis calls me and says.

1086
00:56:42,080 --> 00:56:46,360
Speaker 2: Nobody does the record with the dog Daddy easy for

1087
00:56:46,560 --> 00:56:46,960
Speaker 2: mind you.

1088
00:56:47,120 --> 00:56:51,239
Speaker 5: I seen DMX and River Park towers four o'clock in

1089
00:56:51,320 --> 00:56:54,759
Speaker 5: the morning. Niggas are throwing refrigerators out of you know

1090
00:56:54,880 --> 00:56:56,800
Speaker 5: what towers in the Bronx.

1091
00:56:56,880 --> 00:56:59,280
Speaker 2: By the way, this is not Queens. I got family

1092
00:56:59,360 --> 00:57:03,040
Speaker 2: and Damon and LEVI living. Do you understand how.

1093
00:57:03,000 --> 00:57:06,959
Speaker 5: It sounds when a fuckingfrigerator drops.

1094
00:57:09,680 --> 00:57:11,960
Speaker 2: And these niggas is just standing around. This is what

1095
00:57:12,120 --> 00:57:16,160
Speaker 2: they do for fun. And River off right the m

1096
00:57:16,320 --> 00:57:17,959
Speaker 2: X coming through there at four o'clock in the morning.

1097
00:57:18,120 --> 00:57:22,160
Speaker 5: I see niggas gonna try bottom line, Nah, it's not happening,

1098
00:57:22,160 --> 00:57:22,800
Speaker 5: and I'm gonna.

1099
00:57:22,640 --> 00:57:24,560
Speaker 2: Die just to make sure he's good. Me and Ex

1100
00:57:24,720 --> 00:57:27,960
Speaker 2: is good. He got the sold till man at this time.

1101
00:57:28,320 --> 00:57:30,800
Speaker 2: This is the hottest thing in the world DMX, So

1102
00:57:30,920 --> 00:57:32,000
Speaker 2: I say I'm going to l a.

1103
00:57:36,480 --> 00:57:39,240
Speaker 1: It's the first nigga to drop two albums. This is

1104
00:57:39,320 --> 00:57:43,560
Speaker 1: this is this first week like disgusting ship. He was

1105
00:57:43,640 --> 00:57:46,520
Speaker 1: doing so that I told you about that method. Man too,

1106
00:57:46,640 --> 00:57:48,439
Speaker 1: I told you I've been trying to school my son

1107
00:57:48,520 --> 00:57:50,600
Speaker 1: about that. So look ship boy.

1108
00:57:50,840 --> 00:57:53,720
Speaker 2: So I so Tim David said to me, who is

1109
00:57:53,800 --> 00:57:54,640
Speaker 2: Chris Brown manager?

1110
00:57:55,080 --> 00:57:55,200
Speaker 1: Now?

1111
00:57:55,280 --> 00:57:56,360
Speaker 2: I think or you to.

1112
00:57:57,920 --> 00:58:02,040
Speaker 5: But she says to me, nobody flies into LA on Monday,

1113
00:58:02,240 --> 00:58:04,320
Speaker 5: records with DMX on Tuesday, and it.

1114
00:58:04,440 --> 00:58:07,600
Speaker 2: Flies out on Wednesday, Norri. And I'm like, I'm Nori.

1115
00:58:08,080 --> 00:58:12,080
Speaker 2: I'm like, I'm like, you crazy man. She was right,

1116
00:58:12,240 --> 00:58:14,480
Speaker 2: hold on, hold on, wait till I go with this.

1117
00:58:16,760 --> 00:58:21,480
Speaker 9: I didn't even see this nigger till Thursday. My nigga, oh,

1118
00:58:21,640 --> 00:58:24,120
Speaker 9: were in the same hotel. We both got the presidential

1119
00:58:24,200 --> 00:58:27,040
Speaker 9: switch in the w and Westwood. He got the he

1120
00:58:27,160 --> 00:58:28,880
Speaker 9: got the two door one. I got the other one

1121
00:58:28,920 --> 00:58:32,760
Speaker 9: with the one doll. Right, I don't even see this nigga.

1122
00:58:33,040 --> 00:58:34,640
Speaker 9: You next door to this, next.

1123
00:58:34,520 --> 00:58:37,240
Speaker 2: Door to this nigger. Right, this nigga knocks on my

1124
00:58:37,320 --> 00:58:37,920
Speaker 2: door four.

1125
00:58:37,760 --> 00:58:41,520
Speaker 5: O'clock in the morning, Thursday morning, four o'clock, which means

1126
00:58:41,560 --> 00:58:44,440
Speaker 5: that seven am, New York time, knocks.

1127
00:58:44,200 --> 00:58:46,520
Speaker 1: On my door. Your dogs you ready, dog?

1128
00:58:46,920 --> 00:58:52,560
Speaker 2: So I'm like, holy shit, hell yeah, ready, I know

1129
00:58:52,720 --> 00:58:54,840
Speaker 2: what this is what CNN record too. It's not like

1130
00:58:54,920 --> 00:58:57,840
Speaker 2: a Norri record CNN. This is this is the hood,

1131
00:58:57,920 --> 00:59:00,680
Speaker 2: the hood. I gotta get this ship. He didn't not

1132
00:59:00,760 --> 00:59:03,800
Speaker 2: gonna compone door. He knocked on my dogs. So, yo,

1133
00:59:03,920 --> 00:59:04,360
Speaker 2: let me tell you.

1134
00:59:04,480 --> 00:59:08,919
Speaker 1: Why did you nor was already platinum? Yes, but yeah,

1135
00:59:09,000 --> 00:59:12,360
Speaker 1: but I had to get the job. This is wrong.

1136
00:59:12,520 --> 00:59:13,920
Speaker 2: This is what your man had to do. This is

1137
00:59:13,960 --> 00:59:14,440
Speaker 2: what I had to do.

1138
00:59:14,680 --> 00:59:19,120
Speaker 5: The nigga walks works me up, We go downstairs, got

1139
00:59:19,200 --> 00:59:20,480
Speaker 5: six cars downstairs.

1140
00:59:20,640 --> 00:59:22,920
Speaker 2: Four days later, so I got this is this is

1141
00:59:23,360 --> 00:59:24,360
Speaker 2: four days it's Thursday.

1142
00:59:24,400 --> 00:59:27,480
Speaker 5: I flew out mondayn't see the nigga to Thursday, four

1143
00:59:27,520 --> 00:59:28,680
Speaker 5: o'clock in the morning, which.

1144
00:59:28,480 --> 00:59:33,840
Speaker 2: Is technically Friday. The nigga is six cars is downstairs.

1145
00:59:34,160 --> 00:59:35,560
Speaker 2: I tell my niggas, wake up, wake up.

1146
00:59:35,600 --> 00:59:36,360
Speaker 1: Bring the car out.

1147
00:59:37,080 --> 00:59:38,840
Speaker 2: My car comes out. He's like, no, no, no, no,

1148
00:59:39,680 --> 00:59:42,920
Speaker 2: you're driving with me. So I heard about this nigga

1149
00:59:42,920 --> 00:59:45,240
Speaker 2: with this driving shit. Fuck is line. This is what

1150
00:59:45,320 --> 00:59:47,880
Speaker 2: you gotta do. This is what you gotta do, right,

1151
00:59:48,000 --> 00:59:49,680
Speaker 2: this is what you Shut the fuck up.

1152
00:59:50,320 --> 00:59:53,800
Speaker 5: Yo. If anybody ever went stayed at the W Hotel

1153
00:59:53,840 --> 00:59:59,480
Speaker 5: in Westwood, we drove six cars, right plus my two.

1154
01:00:01,080 --> 01:00:01,880
Speaker 1: From the W.

1155
01:00:02,080 --> 01:00:05,920
Speaker 5: Westwood all the way around right to Ralph's parking lot,

1156
01:00:07,000 --> 01:00:09,840
Speaker 5: which like we could have walked in, so you went

1157
01:00:09,920 --> 01:00:11,320
Speaker 5: around the old ship.

1158
01:00:11,480 --> 01:00:13,480
Speaker 2: Just to go right across the street the park. But

1159
01:00:13,720 --> 01:00:16,120
Speaker 2: he he's a driver. He wants to drive there. He

1160
01:00:16,160 --> 01:00:19,480
Speaker 2: doesn't want to walk there. So we pull out God

1161
01:00:19,520 --> 01:00:20,480
Speaker 2: goes you like cars.

1162
01:00:20,960 --> 01:00:25,720
Speaker 5: I'm like, he pulls out like seven thousand dollars worth,

1163
01:00:26,200 --> 01:00:28,720
Speaker 5: like the real expensive mo control cars.

1164
01:00:29,000 --> 01:00:32,360
Speaker 2: So I'm like, oh, but what I'm gonna say. I

1165
01:00:32,400 --> 01:00:33,320
Speaker 2: don't want to do this.

1166
01:00:33,920 --> 01:00:34,840
Speaker 1: I need this verse.

1167
01:00:35,200 --> 01:00:37,360
Speaker 2: So I'm sitting there with the Mogan troll cars.

1168
01:00:37,720 --> 01:00:38,760
Speaker 1: I'm acting like I like.

1169
01:00:46,040 --> 01:00:46,240
Speaker 6: Time.

1170
01:00:47,040 --> 01:00:49,000
Speaker 2: So I'm like, cool, I did it.

1171
01:00:49,320 --> 01:00:49,640
Speaker 1: Boom.

1172
01:00:49,760 --> 01:00:52,280
Speaker 2: He just drives off. It's over. Never see him again,

1173
01:00:52,960 --> 01:00:55,640
Speaker 2: right boom. The next day he hits me, let's go, noy.

1174
01:00:56,440 --> 01:00:59,000
Speaker 2: I'm like, all right, it's gonna happen. Mind you. Deth

1175
01:00:59,080 --> 01:01:01,720
Speaker 2: Jam's calling me every day. We got the session locked out,

1176
01:01:01,800 --> 01:01:03,280
Speaker 2: three thousand dollars a day.

1177
01:01:03,200 --> 01:01:07,240
Speaker 5: For Monday's like yo, I'm like, now I can't, but

1178
01:01:07,320 --> 01:01:07,880
Speaker 5: I don't want.

1179
01:01:07,720 --> 01:01:10,360
Speaker 2: To tell them they were right. So I'm like, cheer, cheer,

1180
01:01:10,520 --> 01:01:11,600
Speaker 2: just cheer, just cheer.

1181
01:01:11,840 --> 01:01:12,080
Speaker 1: Chip.

1182
01:01:12,760 --> 01:01:15,520
Speaker 5: This motherfucker's like, yo, let's go, let's go. He took

1183
01:01:15,560 --> 01:01:18,200
Speaker 5: me to Dublins. Now, I didn't know at the time

1184
01:01:18,320 --> 01:01:22,560
Speaker 5: Dublins was a fucking pool hall. Right, I'm thinking Dublins

1185
01:01:22,640 --> 01:01:24,520
Speaker 5: might be the studio he was going to buying. I

1186
01:01:24,600 --> 01:01:29,240
Speaker 5: never seen the studio paying three racks every day we went.

1187
01:01:29,760 --> 01:01:32,520
Speaker 2: He goes to the pool. The second favorite thing I

1188
01:01:32,720 --> 01:01:38,600
Speaker 2: hain't in life. Don't fucking play fucking pool. Playing pool.

1189
01:01:39,920 --> 01:01:44,080
Speaker 5: I'm sitting there acting like I like pool again. Fucking

1190
01:01:44,800 --> 01:01:48,680
Speaker 5: Sunday morning. We're just hanging out. I still don't get diverse.

1191
01:01:48,480 --> 01:01:50,080
Speaker 2: But he's hanging with me. I know he's not this

1192
01:01:50,240 --> 01:01:53,120
Speaker 2: with me. Some random dude just walks on the street.

1193
01:01:53,120 --> 01:01:56,440
Speaker 2: He's like, yo, door, Max, Like, what up?

1194
01:01:56,520 --> 01:01:56,720
Speaker 1: Dog?

1195
01:01:57,240 --> 01:01:59,800
Speaker 5: He's like, I got a studio right here, he said, Yo, Norri,

1196
01:02:00,240 --> 01:02:00,680
Speaker 5: look at that.

1197
01:02:01,400 --> 01:02:10,240
Speaker 1: We got the studio. I said, I'm done, Josh, take

1198
01:02:10,360 --> 01:02:15,320
Speaker 1: me down, y'all gotta do it. So but he just

1199
01:02:15,440 --> 01:02:21,240
Speaker 1: love your man. He's just like, yes, Joe, excuse you not.

1200
01:02:21,680 --> 01:02:26,280
Speaker 5: Bect somebody off the fucking rick random and we're like,

1201
01:02:27,200 --> 01:02:28,480
Speaker 5: are we gonna use this studio?

1202
01:02:28,760 --> 01:02:29,480
Speaker 1: I'm like the dog.

1203
01:02:29,600 --> 01:02:31,880
Speaker 5: He's like, you, that's what you've been looking for, right,

1204
01:02:32,080 --> 01:02:34,760
Speaker 5: I said, Dog? I had the studio book since Monday,

1205
01:02:35,080 --> 01:02:35,920
Speaker 5: were going there.

1206
01:02:36,320 --> 01:02:40,240
Speaker 2: You know, here's the crazy ship. The niggas start laying

1207
01:02:40,320 --> 01:02:43,960
Speaker 2: his verse home. He's guiding it. Me and Paul looking

1208
01:02:44,000 --> 01:02:45,760
Speaker 2: at each other like we got it.

1209
01:02:46,840 --> 01:02:50,160
Speaker 5: All of a sudden, the music is just dad right,

1210
01:02:50,680 --> 01:02:53,040
Speaker 5: and nobody's in the studio saying nothing.

1211
01:02:53,600 --> 01:02:54,240
Speaker 2: So we're sitting there.

1212
01:02:54,240 --> 01:02:56,320
Speaker 5: I'm sitting around you know me, I'm like, I'm aa

1213
01:02:56,320 --> 01:02:59,040
Speaker 5: control freak. I'm sorry, I can't help it. So I'm like, yo, yo,

1214
01:02:59,160 --> 01:03:03,439
Speaker 5: what's up. Everybody's didding. I'm saying that I'll open this ship.

1215
01:03:03,600 --> 01:03:11,680
Speaker 5: This nigga is laid out, not out, yo. Everybody's like, yo,

1216
01:03:12,600 --> 01:03:15,280
Speaker 5: nobody wake, nobody fucks with the dog while he's sleeping.

1217
01:03:20,280 --> 01:03:23,200
Speaker 5: I just paid this hunt nigga too. I paid listen,

1218
01:03:23,640 --> 01:03:26,640
Speaker 5: I paid the whole week, and I just paid the.

1219
01:03:26,840 --> 01:03:28,920
Speaker 2: Hood nigga because I'm like, he's like, y'all do it

1220
01:03:28,920 --> 01:03:29,440
Speaker 2: for you for free.

1221
01:03:29,480 --> 01:03:31,440
Speaker 1: I'm like, now he fell out and need all my

1222
01:03:31,600 --> 01:03:33,640
Speaker 1: five how many how many balls?

1223
01:03:33,720 --> 01:03:36,360
Speaker 2: He was like he was like six and a half.

1224
01:03:36,560 --> 01:03:41,680
Speaker 2: Damn you know.

1225
01:03:41,920 --> 01:03:44,080
Speaker 1: I mean that was but let me tell you. Let

1226
01:03:44,120 --> 01:03:47,640
Speaker 1: me tell you real quick. The nigga we and Jimmy's Cafe.

1227
01:03:47,800 --> 01:03:50,840
Speaker 1: The nigga d MX come up in there and he

1228
01:03:51,000 --> 01:03:56,040
Speaker 1: sees Tony Sunshine and the nigga had like a love fest.

1229
01:03:56,240 --> 01:03:59,960
Speaker 1: Oh my god, Sunshine, I.

1230
01:04:01,600 --> 01:04:02,320
Speaker 2: Fucking love you.

1231
01:04:02,840 --> 01:04:03,160
Speaker 4: I'm like.

1232
01:04:04,760 --> 01:04:07,680
Speaker 1: Nigga doing he's doing all that ship right. So we're

1233
01:04:07,680 --> 01:04:11,080
Speaker 1: in the bathroom. Were in the bathroom, in the bathroom,

1234
01:04:11,200 --> 01:04:17,640
Speaker 1: Jimmy's Cafe, Jimmy Bosks Cafe. Tony, I gotta work with you, y'all.

1235
01:04:17,680 --> 01:04:21,600
Speaker 1: The ship yo, yo, norm I gotta work with you,

1236
01:04:22,160 --> 01:04:26,840
Speaker 1: same ship right said, This is DMX exactly what you're

1237
01:04:26,840 --> 01:04:30,240
Speaker 1: talking about. Nigga was selling a million records a week.

1238
01:04:30,440 --> 01:04:34,200
Speaker 1: Nigga like out of this world me. You know, Tony

1239
01:04:34,280 --> 01:04:34,680
Speaker 1: signed to me.

1240
01:04:34,720 --> 01:04:38,760
Speaker 2: I'm like, yo, great, like, let's work like you know.

1241
01:04:38,800 --> 01:04:44,800
Speaker 1: What you want to do. I'm flying Tony to l A.

1242
01:04:45,160 --> 01:04:46,480
Speaker 2: Okay, I gotta hear this Doory.

1243
01:04:46,760 --> 01:04:51,520
Speaker 1: Same exempt up ship, Tony hanging out with the nigga.

1244
01:04:51,720 --> 01:04:54,080
Speaker 1: In fact, I think I took. I said Tony and

1245
01:04:54,360 --> 01:04:57,720
Speaker 1: mat show Tony and Macho to get it done. And

1246
01:04:57,800 --> 01:04:59,680
Speaker 1: you know Matcho really trying to get it done here.

1247
01:04:59,720 --> 01:05:03,000
Speaker 1: He's that niggas like y'all. He ain't happy, he don't

1248
01:05:03,080 --> 01:05:06,440
Speaker 1: like nothing. So the nigga calling me back every day

1249
01:05:06,480 --> 01:05:08,800
Speaker 1: He's like, Yo, being this nigga got us on the

1250
01:05:08,920 --> 01:05:14,320
Speaker 1: front of that this this, this, this the nigga Tony Sunshine.

1251
01:05:14,360 --> 01:05:18,240
Speaker 1: They finally same ship. I think that was his gimmick.

1252
01:05:19,960 --> 01:05:23,440
Speaker 1: A week later, nigga I forgot the niggas was in

1253
01:05:23,520 --> 01:05:27,200
Speaker 1: that late like a week later, the nigga Macho called me.

1254
01:05:27,240 --> 01:05:29,880
Speaker 1: He was like, Yo, you crack. You ain't gonna believe

1255
01:05:29,920 --> 01:05:32,800
Speaker 1: this ship. God, I said, what happened? He said, the

1256
01:05:32,880 --> 01:05:39,200
Speaker 1: niggas started rapping and went to sleep, no swear to God.

1257
01:05:40,120 --> 01:05:42,320
Speaker 1: And I was like, I was. I was like what

1258
01:05:42,560 --> 01:05:44,600
Speaker 1: he said, Yo, That nigga out like if a nigga

1259
01:05:44,640 --> 01:05:47,280
Speaker 1: hit him with a hammer. And niggas was telling the

1260
01:05:47,400 --> 01:05:51,320
Speaker 1: same ship. You can't wake the dog up. Nobody waked

1261
01:05:51,360 --> 01:05:52,480
Speaker 1: the dog up right now.

1262
01:05:56,160 --> 01:05:57,800
Speaker 2: Listen, I'm a nigga.

1263
01:05:57,840 --> 01:05:58,360
Speaker 5: I tried.

1264
01:05:58,640 --> 01:06:02,840
Speaker 1: What is all right? The scary thing about this story

1265
01:06:03,960 --> 01:06:08,600
Speaker 1: is that these stories is in music until you're not

1266
01:06:08,720 --> 01:06:12,640
Speaker 1: a bread maker. When you were brad making somebody like

1267
01:06:12,760 --> 01:06:15,560
Speaker 1: Rest in Peace, Whitney Houston. They was letting her get

1268
01:06:15,680 --> 01:06:18,280
Speaker 1: away with the wildest shit because niggas work for them

1269
01:06:18,560 --> 01:06:21,560
Speaker 1: and they scared to tell them, like yo, chill you

1270
01:06:21,720 --> 01:06:25,880
Speaker 1: bugging out? Yeah, But I mean, but it's how good

1271
01:06:26,000 --> 01:06:29,160
Speaker 1: is your check if you letting if you work for

1272
01:06:29,240 --> 01:06:33,640
Speaker 1: Fat Joe and you're letting them kill himself, deteriorate himself,

1273
01:06:34,040 --> 01:06:36,160
Speaker 1: and you're thinking about your check right now. But at

1274
01:06:36,200 --> 01:06:38,320
Speaker 1: the end of the day, all checks is gone when

1275
01:06:38,360 --> 01:06:40,800
Speaker 1: I'm going and it's an enabler.

1276
01:06:41,000 --> 01:06:43,800
Speaker 5: This ship is crazy, my nigga, and let me get back.

1277
01:06:43,920 --> 01:06:47,120
Speaker 5: Let me just tell you the reason why. Because my

1278
01:06:47,200 --> 01:06:50,920
Speaker 5: grandmother had passed away. And my grandmother passed away. A

1279
01:06:51,040 --> 01:06:52,480
Speaker 5: pastor he was out there.

1280
01:06:52,400 --> 01:06:53,919
Speaker 2: He was he was listen.

1281
01:06:57,320 --> 01:06:57,840
Speaker 1: He was like that.

1282
01:06:58,120 --> 01:06:59,320
Speaker 2: He was like the hip hop.

1283
01:06:59,280 --> 01:07:04,360
Speaker 5: Pastor, Like he was quoting versus that my grandmother's fucking funeral.

1284
01:07:05,640 --> 01:07:08,200
Speaker 2: And like, you know, you don't have fun at the funeral,

1285
01:07:08,400 --> 01:07:09,360
Speaker 2: Like I'm looking up.

1286
01:07:09,440 --> 01:07:11,840
Speaker 5: He was quoting lines, hip hop lines, and I was

1287
01:07:11,920 --> 01:07:13,959
Speaker 5: like yo, I said, Yo, give me your number.

1288
01:07:14,080 --> 01:07:16,840
Speaker 2: I said, yo, I need I need you. You're his manager. No,

1289
01:07:16,920 --> 01:07:18,160
Speaker 2: I told him I'm gonna need him for I was

1290
01:07:18,200 --> 01:07:20,240
Speaker 2: gonna put him on a drunk Uncle Roger.

1291
01:07:20,320 --> 01:07:21,480
Speaker 5: But then I thought about it. I was like, I'm

1292
01:07:21,560 --> 01:07:24,040
Speaker 5: way too negative, you know, the squeeze in something.

1293
01:07:24,160 --> 01:07:24,800
Speaker 1: I need this.

1294
01:07:25,240 --> 01:07:26,920
Speaker 2: But I helped because if.

1295
01:07:27,320 --> 01:07:29,080
Speaker 1: Some blow Moore, I can get the nigga to talk

1296
01:07:29,200 --> 01:07:33,280
Speaker 1: some ship real where where he's just talking that ship

1297
01:07:33,480 --> 01:07:35,000
Speaker 1: and so look, so now let me tell you now,

1298
01:07:35,000 --> 01:07:36,000
Speaker 1: I'm gonna get shot.

1299
01:07:35,840 --> 01:07:39,360
Speaker 2: At the one time. So look, one time, we're all

1300
01:07:39,440 --> 01:07:42,920
Speaker 2: in l A. We're smoking, we drinking whatever.

1301
01:07:43,320 --> 01:07:46,040
Speaker 5: And in the middle of all that, DMX said, Yo,

1302
01:07:46,200 --> 01:07:47,880
Speaker 5: can you brothers do me a favor? Can you put

1303
01:07:47,880 --> 01:07:48,720
Speaker 5: all that down.

1304
01:07:48,640 --> 01:07:51,280
Speaker 1: And pray and pray? He want to do that and

1305
01:07:52,000 --> 01:07:54,080
Speaker 1: do that to me every time I say he, I

1306
01:07:54,160 --> 01:07:57,400
Speaker 1: know you want to pray, Yeah, he'll pray. Yeah.

1307
01:07:57,560 --> 01:08:01,400
Speaker 2: So I figured maybe he hear it from somebody else.

1308
01:08:01,920 --> 01:08:05,520
Speaker 2: So I put them on this one and we ain't

1309
01:08:05,560 --> 01:08:08,280
Speaker 2: never speaking about this. We ain't never speak about this.

1310
01:08:08,360 --> 01:08:08,680
Speaker 2: Is real.

1311
01:08:09,000 --> 01:08:09,520
Speaker 1: I love them.

1312
01:08:10,240 --> 01:08:11,160
Speaker 2: He knows I love him.

1313
01:08:11,200 --> 01:08:13,640
Speaker 1: So every time I see him, we gotta pray, man, right,

1314
01:08:13,720 --> 01:08:16,440
Speaker 1: Yah know, he prays for me, man. But I don't understand,

1315
01:08:16,760 --> 01:08:22,000
Speaker 1: like I don't you know, I don't get it. Man.

1316
01:08:22,040 --> 01:08:25,320
Speaker 1: He's a complicated dude, And it's like it's sad man

1317
01:08:25,400 --> 01:08:28,640
Speaker 1: because people really love him. Sometimes people love you and

1318
01:08:28,760 --> 01:08:31,519
Speaker 1: you deal with so many demons and depression, but they

1319
01:08:31,600 --> 01:08:33,920
Speaker 1: can't even affect you with like sometimes I'm having a

1320
01:08:33,960 --> 01:08:36,479
Speaker 1: shitty day and even if I'm fat, Joe niggas saying y'all,

1321
01:08:36,479 --> 01:08:38,960
Speaker 1: I love you, your music is great, I still feel

1322
01:08:39,040 --> 01:08:41,600
Speaker 1: like shit, you know what I'm saying. So people got

1323
01:08:41,720 --> 01:08:43,479
Speaker 1: to deal with their own things their own way.

1324
01:08:45,320 --> 01:08:48,960
Speaker 2: But when you got drugs involved, it's a whole. So

1325
01:08:49,080 --> 01:08:50,559
Speaker 2: we gotta just pray. We gotta pray.

1326
01:08:51,080 --> 01:08:53,400
Speaker 1: I had a pastor when I lived in the projects

1327
01:08:53,479 --> 01:08:55,960
Speaker 1: and ship and the nigga would always talk to me

1328
01:08:56,240 --> 01:08:59,000
Speaker 1: and then we just wild niggas and ship before rap

1329
01:08:59,120 --> 01:09:01,360
Speaker 1: music and all that. And the nigga would talk to

1330
01:09:01,439 --> 01:09:03,240
Speaker 1: me and pray all the time. He was also the

1331
01:09:04,439 --> 01:09:07,320
Speaker 1: work for housing that he was the sweep and you

1332
01:09:07,439 --> 01:09:11,519
Speaker 1: know custodian nigga, right, so he would always talk to

1333
01:09:11,640 --> 01:09:13,640
Speaker 1: me and Joey, you know, you need to change your

1334
01:09:13,680 --> 01:09:16,280
Speaker 1: life and this and this and that. And what was

1335
01:09:16,400 --> 01:09:20,280
Speaker 1: crazy is the time when I had got shot, and

1336
01:09:20,439 --> 01:09:25,880
Speaker 1: I got shot maybe fifteen blocks from my block, like

1337
01:09:26,000 --> 01:09:29,479
Speaker 1: I wasn't around my hood. But while I'm laying, you

1338
01:09:29,600 --> 01:09:34,040
Speaker 1: know what I'm saying, getting shot, laying the fucking pastor

1339
01:09:34,120 --> 01:09:37,479
Speaker 1: who used to work in my projects. As I'm running

1340
01:09:37,560 --> 01:09:40,320
Speaker 1: and shit like that, he's out there praying for me.

1341
01:09:41,680 --> 01:09:44,000
Speaker 1: Like the nigga literally is like I see him, Like,

1342
01:09:44,080 --> 01:09:46,519
Speaker 1: I'm like, what the fuck the pastor doing over here?

1343
01:09:48,160 --> 01:09:51,360
Speaker 1: Joey is trying to come to God. You know I

1344
01:09:51,520 --> 01:09:55,120
Speaker 1: was out there praying. You know, I was out there praying, right,

1345
01:09:55,479 --> 01:09:57,599
Speaker 1: So I'm like, yeah, Pastor. You know, I'm always been

1346
01:09:57,640 --> 01:10:00,400
Speaker 1: a respectful nigga and shit, so I'm like, yeah, past

1347
01:10:00,439 --> 01:10:04,640
Speaker 1: the boom. So I remember one time the police was

1348
01:10:04,720 --> 01:10:06,920
Speaker 1: so mad at me to this day, they're still mad,

1349
01:10:07,160 --> 01:10:11,240
Speaker 1: right because they couldn't catch me. So they would hear

1350
01:10:11,320 --> 01:10:14,560
Speaker 1: shots fired, fat nigga with red hoodie, you know, like

1351
01:10:14,680 --> 01:10:17,080
Speaker 1: they knew what was going on. They just couldn't pln

1352
01:10:17,160 --> 01:10:19,559
Speaker 1: it on a nigga and they was just so fucking

1353
01:10:19,880 --> 01:10:23,280
Speaker 1: eat it right. So I remember one time we had

1354
01:10:23,360 --> 01:10:25,840
Speaker 1: some beef and were standing in front of the building

1355
01:10:25,880 --> 01:10:29,840
Speaker 1: and we strapped, I mean like super strapped right, were

1356
01:10:30,240 --> 01:10:33,920
Speaker 1: ready to go down right, and we got no clue.

1357
01:10:33,960 --> 01:10:35,920
Speaker 1: We just you talking about how we're gonna go over

1358
01:10:35,960 --> 01:10:40,080
Speaker 1: here and handle our business whatever. So the pastor come over.

1359
01:10:40,479 --> 01:10:43,120
Speaker 1: You gotta see you, said Yo, Joey. He said, don't look,

1360
01:10:43,240 --> 01:10:47,000
Speaker 1: don't act like you're talking to me. I said, yo's pastor,

1361
01:10:47,080 --> 01:10:50,519
Speaker 1: And we act like we talked. He was like, there's

1362
01:10:50,640 --> 01:10:54,800
Speaker 1: so many cops on both sides of this building there

1363
01:10:54,800 --> 01:10:58,000
Speaker 1: about the rush yard. This is the pastor. I don't

1364
01:10:58,000 --> 01:11:00,400
Speaker 1: even think. He ain't supposed to do that. Right when

1365
01:11:00,400 --> 01:11:01,960
Speaker 1: you in church, you're supposed to do that.

1366
01:11:02,280 --> 01:11:04,880
Speaker 2: He's supposed to listen. If you want to relate to

1367
01:11:04,960 --> 01:11:07,240
Speaker 2: the community, you got to be a part of the community.

1368
01:11:07,280 --> 01:11:09,080
Speaker 2: You got to be a party. Yo.

1369
01:11:09,400 --> 01:11:12,519
Speaker 1: So this nigga tells me right, So I'm like, word,

1370
01:11:12,640 --> 01:11:15,320
Speaker 1: He's like, Yo, they on that side and that side.

1371
01:11:15,400 --> 01:11:18,839
Speaker 1: So this nigga I was cool with. It's a real passer.

1372
01:11:19,720 --> 01:11:22,479
Speaker 1: This nigga I was cool with. Live on the first floor.

1373
01:11:23,080 --> 01:11:25,439
Speaker 1: I ain't gonna give him no props, give him say

1374
01:11:25,520 --> 01:11:28,960
Speaker 1: his name, but I'll tell niggas. It was like three

1375
01:11:29,040 --> 01:11:31,439
Speaker 1: of us had hammers. I was like, yo, and like

1376
01:11:31,560 --> 01:11:34,280
Speaker 1: the counter. Three nigga we boogy and we diving in

1377
01:11:34,400 --> 01:11:38,559
Speaker 1: Homeboy's window. Nigga some one nigga. We just said, wow,

1378
01:11:38,720 --> 01:11:43,320
Speaker 1: we went, We took off. We all jumped in the window, right,

1379
01:11:44,080 --> 01:11:46,559
Speaker 1: so we shut the window down. You hear the cops

1380
01:11:46,680 --> 01:11:49,760
Speaker 1: like one minute where they go because everybody else ran,

1381
01:11:50,240 --> 01:11:52,080
Speaker 1: but we got away. We got the hammers, but we

1382
01:11:52,439 --> 01:11:55,360
Speaker 1: under the window like a movie, like the windows over us.

1383
01:11:55,680 --> 01:11:58,479
Speaker 1: And we're like, and you hear these niggas. There was

1384
01:11:58,520 --> 01:12:02,000
Speaker 1: like twenty thirty cops both like how did these niggas

1385
01:12:02,080 --> 01:12:04,960
Speaker 1: get away? Right? They bugging out? They on both sides.

1386
01:12:05,040 --> 01:12:06,840
Speaker 1: So if I ran around this building, they catch me

1387
01:12:06,920 --> 01:12:09,840
Speaker 1: on this side or they bugging out, Like how does

1388
01:12:09,960 --> 01:12:13,400
Speaker 1: niggas get away? Right? So we're sitting up there. My

1389
01:12:13,600 --> 01:12:17,479
Speaker 1: man's mom's her name was Cheeky Dina. I'll never forget.

1390
01:12:17,560 --> 01:12:18,560
Speaker 1: She came over to me.

1391
01:12:18,680 --> 01:12:22,040
Speaker 2: She was like, she sounds gangster, she said in Spanish.

1392
01:12:22,600 --> 01:12:25,120
Speaker 1: She told me in Spanish, but I'll tell you in English.

1393
01:12:25,160 --> 01:12:29,000
Speaker 1: She was like, you guys are bringing me eat to

1394
01:12:29,120 --> 01:12:32,960
Speaker 1: my house. Yo, snack my dog?

1395
01:12:34,360 --> 01:12:39,519
Speaker 2: Yo, like you making my ship hot?

1396
01:12:40,520 --> 01:12:45,840
Speaker 1: And she called the coup, was like, please don't call it.

1397
01:12:45,920 --> 01:12:51,000
Speaker 1: Catch you Motherfucker's this Dudey's like, Chi, please don't say nothing.

1398
01:12:51,240 --> 01:12:53,000
Speaker 1: But we got away with it. We can never jump

1399
01:12:53,160 --> 01:12:55,280
Speaker 1: jump in the window again with the past that helped

1400
01:12:55,320 --> 01:12:55,960
Speaker 1: me get away.

1401
01:12:56,080 --> 01:13:01,000
Speaker 2: That's right, clipping Howard Daniels, is is our that? I sid?

1402
01:13:01,160 --> 01:13:03,680
Speaker 5: That's the one you said, absolutely, man, because you know

1403
01:13:03,800 --> 01:13:06,519
Speaker 5: what I believe in, what religion you believe?

1404
01:13:06,680 --> 01:13:10,519
Speaker 6: For your religion, if you felt you were sending what

1405
01:13:10,720 --> 01:13:12,479
Speaker 6: he what he prefers into.

1406
01:13:14,040 --> 01:13:16,040
Speaker 2: Listen, he prayed for me.

1407
01:13:17,560 --> 01:13:20,880
Speaker 5: Like this is source of wards weekend in La when

1408
01:13:20,920 --> 01:13:23,720
Speaker 5: we was on that ship, like your nigga wold like

1409
01:13:23,800 --> 01:13:25,519
Speaker 5: you know what I mean, Like I'm from New York.

1410
01:13:25,560 --> 01:13:28,240
Speaker 5: I'm gonna I'm gonna leave with my jury, Like that's

1411
01:13:28,360 --> 01:13:31,080
Speaker 5: my word, that's that's that's that's how I felt at

1412
01:13:31,120 --> 01:13:31,519
Speaker 5: that time.

1413
01:13:31,640 --> 01:13:34,320
Speaker 2: So my mind framed. He's also he also saved me,

1414
01:13:34,760 --> 01:13:38,439
Speaker 2: like when we landed. When we landed, Yeah, when we landed,

1415
01:13:38,920 --> 01:13:40,799
Speaker 2: we see Eve and all this ship.

1416
01:13:40,640 --> 01:13:42,599
Speaker 5: Like so we out there and we're seeing like bitches,

1417
01:13:42,760 --> 01:13:44,960
Speaker 5: like you know, like rap bitches, and they fuck with me.

1418
01:13:45,000 --> 01:13:46,320
Speaker 2: I got to you know, I got to wreck it

1419
01:13:46,360 --> 01:13:48,840
Speaker 2: out that super Doug was killing them. So I'm thinking

1420
01:13:48,920 --> 01:13:49,320
Speaker 2: it's love.

1421
01:13:49,479 --> 01:13:50,240
Speaker 1: It's not love.

1422
01:13:50,600 --> 01:13:52,840
Speaker 5: A nigga Dmxican came to my man, this is one

1423
01:13:52,880 --> 01:13:57,120
Speaker 5: hundredercent real story. He said, the dogs got.

1424
01:13:56,960 --> 01:13:58,040
Speaker 1: To watch the dog.

1425
01:13:59,600 --> 01:14:02,240
Speaker 2: So if the dogs is with the dogs, then the

1426
01:14:02,400 --> 01:14:07,519
Speaker 2: dogs ain't gonna month try the dog. So if the

1427
01:14:07,600 --> 01:14:10,719
Speaker 2: dogs always around the dogs, the dogs stay with the dogs,

1428
01:14:10,760 --> 01:14:11,400
Speaker 2: and a dog.

1429
01:14:11,280 --> 01:14:15,160
Speaker 5: Can never come around by itself. The nigga gave them

1430
01:14:15,160 --> 01:14:17,080
Speaker 5: my people's five. As soon as he walk away.

1431
01:14:17,120 --> 01:14:18,960
Speaker 2: I'm like, this nigga certified crazy.

1432
01:14:20,880 --> 01:14:25,160
Speaker 5: My man from the Bronx twenty two Ronald Joining is

1433
01:14:25,200 --> 01:14:26,679
Speaker 5: his real name. Twenty two is my brother.

1434
01:14:27,240 --> 01:14:29,320
Speaker 2: He said, understood everything I said.

1435
01:14:29,360 --> 01:14:34,200
Speaker 5: What he said he said, he said, look like the

1436
01:14:34,360 --> 01:14:37,479
Speaker 5: rappers the target make and then me and Poem Poem

1437
01:14:37,520 --> 01:14:40,280
Speaker 5: reached the jag. I rented a Porsch and then we

1438
01:14:40,360 --> 01:14:43,599
Speaker 5: rented like a fifteen passenger van and stay behind us

1439
01:14:44,120 --> 01:14:46,639
Speaker 5: real me. So the dog said, make sure the dogs

1440
01:14:46,880 --> 01:14:49,360
Speaker 5: is always around the dog. Don't never let the dog

1441
01:14:49,840 --> 01:14:53,040
Speaker 5: come out by himself, which meanings, don't let the nigga

1442
01:14:53,160 --> 01:14:55,880
Speaker 5: walk by herself. Like it doesn't matter, like nor Reay

1443
01:14:55,920 --> 01:14:57,600
Speaker 5: is a real nigga. Poem is a real nigga. But

1444
01:14:57,640 --> 01:15:00,680
Speaker 5: they got jury on. That's what it's gonna tracked to them,

1445
01:15:01,040 --> 01:15:02,760
Speaker 5: you know what I mean. Like I was like wow

1446
01:15:02,880 --> 01:15:05,920
Speaker 5: when I deciphered it, I was like, this niggas mad smart,

1447
01:15:06,320 --> 01:15:10,080
Speaker 5: Like he's super smarter than they give him credit for.

1448
01:15:10,240 --> 01:15:12,280
Speaker 5: Then people give him credit for like you know what

1449
01:15:12,320 --> 01:15:13,559
Speaker 5: I'm saying, and super hood.

1450
01:15:18,000 --> 01:15:19,320
Speaker 2: First of all, I want to thank you man.

1451
01:15:19,439 --> 01:15:21,320
Speaker 1: You know what I'm saying, hey, yo, man, this was

1452
01:15:21,400 --> 01:15:22,400
Speaker 1: a long podcast.

1453
01:15:22,479 --> 01:15:26,240
Speaker 2: Yeah no, no, no, it could have been longer longer.

1454
01:15:29,000 --> 01:15:30,280
Speaker 2: You already say you're not coming back.

1455
01:15:30,760 --> 01:15:33,120
Speaker 1: You gotta call this ship like the Bible or some ship.

1456
01:15:33,240 --> 01:15:36,639
Speaker 5: You got to like that, chapters of the Fact Bible,

1457
01:15:36,760 --> 01:15:37,479
Speaker 5: the Found Bible.

1458
01:15:37,560 --> 01:15:41,720
Speaker 2: Let's go in here for back before you bounce. I

1459
01:15:41,800 --> 01:15:44,720
Speaker 2: got something personal, please, this is personal ship.

1460
01:15:45,479 --> 01:15:48,479
Speaker 6: So you know, as Latinos, we grow up and we grasping,

1461
01:15:48,560 --> 01:15:51,439
Speaker 6: like we said, Hotel Luis, gotcha, were grasping onto that

1462
01:15:52,120 --> 01:15:55,759
Speaker 6: as Latinos so and then as Latinos, then we sub

1463
01:15:56,280 --> 01:15:59,920
Speaker 6: grasp I'm Cuban, I'm Puerto Rican, I'm Dominican.

1464
01:16:00,080 --> 01:16:02,439
Speaker 2: Then we're trying to find those cats in the game.

1465
01:16:03,360 --> 01:16:06,200
Speaker 2: So you but then I find out, let me find out,

1466
01:16:06,320 --> 01:16:06,920
Speaker 2: I'm Cuban.

1467
01:16:08,600 --> 01:16:10,840
Speaker 1: Cuban. You should have known that from day one.

1468
01:16:11,160 --> 01:16:13,960
Speaker 2: No, I knew that early on, but it wasn't representing

1469
01:16:14,000 --> 01:16:14,320
Speaker 2: the music.

1470
01:16:14,439 --> 01:16:17,960
Speaker 1: I was like, it's really I don't know how to

1471
01:16:18,040 --> 01:16:19,519
Speaker 1: represent Cuban in the music.

1472
01:16:20,120 --> 01:16:22,080
Speaker 2: So so what's the story behind that?

1473
01:16:22,200 --> 01:16:23,960
Speaker 1: Is my question? Because the only way I like, I

1474
01:16:24,080 --> 01:16:27,439
Speaker 1: break it all down to you, right, the only way

1475
01:16:27,479 --> 01:16:29,400
Speaker 1: to break it down to you is if we did Cuban.

1476
01:16:29,439 --> 01:16:31,320
Speaker 1: We would have to do come on, everybody want you

1477
01:16:31,360 --> 01:16:35,200
Speaker 1: to do that? Comet the come on, I'm nigga, Like

1478
01:16:35,280 --> 01:16:38,320
Speaker 1: that's what it would be, my nigga. So it's like.

1479
01:16:39,960 --> 01:16:43,120
Speaker 2: It is it likely where you grew.

1480
01:16:43,040 --> 01:16:47,479
Speaker 1: Up what happened is my father's Cuban, my mother's Puerto Rican.

1481
01:16:48,000 --> 01:16:52,160
Speaker 1: My Cuban side of my family was from Miami. Was

1482
01:16:52,240 --> 01:16:54,639
Speaker 1: from like Jersey. They was from Jersey then they moved

1483
01:16:54,680 --> 01:16:57,839
Speaker 1: to Miami. So I grew up with the Puerto Ricans mostly,

1484
01:16:58,160 --> 01:17:00,360
Speaker 1: like really with the Puerto Ricans, with my mother, my

1485
01:17:00,439 --> 01:17:02,680
Speaker 1: father and everything. But I never denied that I was

1486
01:17:02,840 --> 01:17:06,080
Speaker 1: Cuban in any way, shape or form. But I screamed

1487
01:17:06,120 --> 01:17:10,960
Speaker 1: Puerto Rico so loud that Cubans didn't see it. But

1488
01:17:11,120 --> 01:17:13,640
Speaker 1: if you go back to nineteen ninety three when I

1489
01:17:13,760 --> 01:17:16,360
Speaker 1: came out and you read, hey there's a new rapper

1490
01:17:16,479 --> 01:17:23,400
Speaker 1: on this set, he's Puerto Rican and Cuban from day one. No,

1491
01:17:23,560 --> 01:17:26,760
Speaker 1: no go catch it the internet.

1492
01:17:26,439 --> 01:17:28,040
Speaker 2: Somebody like for example Kell.

1493
01:17:28,320 --> 01:17:31,160
Speaker 6: Like Curious George when he said I'm half Castro, half whatever,

1494
01:17:31,320 --> 01:17:32,120
Speaker 6: like he said.

1495
01:17:31,960 --> 01:17:33,679
Speaker 1: It in the line and I didn't know what he meant.

1496
01:17:33,880 --> 01:17:35,320
Speaker 2: No, I knew it because I'm Cuban.

1497
01:17:35,400 --> 01:17:39,519
Speaker 6: And when Tim was saying Cuban Spanish like they was

1498
01:17:39,840 --> 01:17:41,000
Speaker 6: Cyper Cuban.

1499
01:17:40,960 --> 01:17:44,880
Speaker 1: Yes, and I thought there was Mexican George. I thought

1500
01:17:44,920 --> 01:17:45,080
Speaker 1: he was.

1501
01:17:45,280 --> 01:17:47,400
Speaker 6: I'm originally from the same hood as Cyper So, I'm

1502
01:17:47,400 --> 01:17:50,839
Speaker 6: originally from La So. But when they were speaking Spanish

1503
01:17:51,240 --> 01:17:53,639
Speaker 6: and they had that song, I forget the Latin Lingua.

1504
01:17:53,680 --> 01:17:55,600
Speaker 6: There wasn't Latin linguals the other record on the on

1505
01:17:55,680 --> 01:17:58,800
Speaker 6: their album to that Sekies they were saying sing guy

1506
01:17:58,960 --> 01:17:59,720
Speaker 6: and this and that, and.

1507
01:17:59,760 --> 01:18:03,200
Speaker 1: It was like, you're Cuban, like we knew it as Cubans.

1508
01:18:03,280 --> 01:18:06,519
Speaker 2: I'm like, well, the Mexican they killed making news, I

1509
01:18:06,680 --> 01:18:10,679
Speaker 2: just found out that the Cuban h yeah, it was Mexican.

1510
01:18:12,400 --> 01:18:16,200
Speaker 1: Mel Man was was Cuban? You Cuba?

1511
01:18:20,640 --> 01:18:23,600
Speaker 6: His brother is s dog and then be real, I

1512
01:18:23,640 --> 01:18:25,200
Speaker 6: think he's half Cuban half Mexican.

1513
01:18:25,439 --> 01:18:31,519
Speaker 1: I think, Well, me personally, I get a little I'm

1514
01:18:31,600 --> 01:18:35,360
Speaker 1: glad we had this conversation, but I get slightly offended

1515
01:18:35,840 --> 01:18:40,040
Speaker 1: because I know I've been representing the Cubans since even

1516
01:18:40,160 --> 01:18:42,680
Speaker 1: even I saw me and you had I've been representing

1517
01:18:42,760 --> 01:18:46,439
Speaker 1: Cuban since day one. So my thing is, well, document

1518
01:18:46,800 --> 01:18:49,240
Speaker 1: meant it like if you go back to my interviews

1519
01:18:49,280 --> 01:18:53,400
Speaker 1: from day one to be like father Cuban, mother Puerto Rican, right,

1520
01:18:53,600 --> 01:18:56,160
Speaker 1: But I did grow up with my Puerto Rican side more.

1521
01:18:58,439 --> 01:19:02,120
Speaker 1: Uh so I always rapped Cuban. I have brothers and

1522
01:19:02,200 --> 01:19:05,320
Speaker 1: sisters from Cuba. I brought back nine brothers and sisters

1523
01:19:05,360 --> 01:19:10,080
Speaker 1: from Cuba over here. You know, I don't even know

1524
01:19:10,120 --> 01:19:12,479
Speaker 1: how they think. While they were there, I was supporting them,

1525
01:19:12,520 --> 01:19:15,320
Speaker 1: building homes for them niggas so they can live, like

1526
01:19:15,479 --> 01:19:16,160
Speaker 1: you can't keep.

1527
01:19:16,080 --> 01:19:16,720
Speaker 2: It really than me.

1528
01:19:16,840 --> 01:19:20,960
Speaker 1: My father's Cuban, the worst kind of Cuban you can have.

1529
01:19:21,360 --> 01:19:24,920
Speaker 1: Like he'll argue with you politically for ten hours, like

1530
01:19:26,000 --> 01:19:29,120
Speaker 1: you know my family. So you know, I always bucked

1531
01:19:29,160 --> 01:19:31,040
Speaker 1: out when I bumped into a Cuban and they was

1532
01:19:31,120 --> 01:19:32,719
Speaker 1: telling me like, yo, I ain't know you was Cuban.

1533
01:19:32,760 --> 01:19:34,560
Speaker 2: I was like, so you I see that early on

1534
01:19:34,840 --> 01:19:38,160
Speaker 2: Like there, I was like, you ain't paying attention. You

1535
01:19:38,240 --> 01:19:41,080
Speaker 2: ain't paying attention, maybe not when you said it originally

1536
01:19:41,240 --> 01:19:42,479
Speaker 2: ninety let's just say.

1537
01:19:44,320 --> 01:19:46,360
Speaker 1: So you know you met, like why we didn't say

1538
01:19:46,439 --> 01:19:53,080
Speaker 1: Cuban called Cuban link, right, but Cuban link. He wanted

1539
01:19:53,160 --> 01:19:55,640
Speaker 1: to rap Cubans and you ain't really want to hear that.

1540
01:19:56,800 --> 01:19:58,680
Speaker 1: You really ain't want to hear. Come on, everybody want

1541
01:19:58,720 --> 01:20:01,320
Speaker 1: you to do that. If we would have let that

1542
01:20:01,439 --> 01:20:04,479
Speaker 1: nigga got and we would have let that nigga go,

1543
01:20:04,680 --> 01:20:09,599
Speaker 1: either threw on the guire nigga, we tell a squad

1544
01:20:10,360 --> 01:20:15,320
Speaker 1: soft bron killing niggas, like stop. He really wanted to

1545
01:20:15,400 --> 01:20:17,519
Speaker 1: be the first pit bull, to be honest with you,

1546
01:20:18,960 --> 01:20:23,280
Speaker 1: he wanted the shirt. He wanted to do that bad

1547
01:20:24,040 --> 01:20:25,840
Speaker 1: and we was like, yo, my nigga, we killed nig

1548
01:20:25,960 --> 01:20:28,760
Speaker 1: I remember me, And pun used to argue with this thing, Yo,

1549
01:20:28,880 --> 01:20:29,920
Speaker 1: what the fuck you doing?

1550
01:20:30,040 --> 01:20:30,479
Speaker 2: What is this?

1551
01:20:30,680 --> 01:20:34,000
Speaker 1: But you know we can't. We made music for everybody,

1552
01:20:35,000 --> 01:20:38,240
Speaker 1: so you gotta you gotta know that we make music

1553
01:20:38,320 --> 01:20:43,800
Speaker 1: for everybody. So hip hop itself is a subculture of

1554
01:20:43,960 --> 01:20:48,160
Speaker 1: sub religion, right. I don't really get offended when white

1555
01:20:48,160 --> 01:20:51,160
Speaker 1: people say, nigga, that's a hip hop fan. I really

1556
01:20:51,200 --> 01:20:55,639
Speaker 1: don't because they white niggas, but because hip hop is one,

1557
01:20:56,439 --> 01:21:00,840
Speaker 1: you know what, it's like a religion. I don't feel like,

1558
01:21:01,760 --> 01:21:05,400
Speaker 1: you know, a motherfucker, you gotta be Spanish, you gotta

1559
01:21:05,479 --> 01:21:09,600
Speaker 1: be black, you gotta be white, you gotta be Chinese,

1560
01:21:10,080 --> 01:21:12,880
Speaker 1: you gotta be I just feel like be proud of

1561
01:21:12,960 --> 01:21:16,400
Speaker 1: who you are, rap who you are, but make music

1562
01:21:16,479 --> 01:21:19,760
Speaker 1: for everybody. And that's some of the problems we've had

1563
01:21:19,840 --> 01:21:23,960
Speaker 1: with Latino rappers. You know what I'm saying. Like me personally,

1564
01:21:24,080 --> 01:21:26,799
Speaker 1: I don't know how they ain't more successful Latino rappers

1565
01:21:26,880 --> 01:21:28,960
Speaker 1: because we put the blueprint out there.

1566
01:21:29,520 --> 01:21:32,840
Speaker 2: We've been from the beginning. No, no, no, hip hop is.

1567
01:21:32,880 --> 01:21:35,840
Speaker 1: Not black music. It's black and Latino music originally from

1568
01:21:38,240 --> 01:21:42,240
Speaker 1: not that's not the discussion. I'm saying Fat Joe Big

1569
01:21:42,439 --> 01:21:48,559
Speaker 1: pun Nor. We put the blueprints Cypress, like, of course Cypress,

1570
01:21:48,640 --> 01:21:51,080
Speaker 1: but I'm saying Cypress. So what I'm saying that we

1571
01:21:51,200 --> 01:21:54,320
Speaker 1: took dead blueprint right like just keep it real. But

1572
01:21:54,640 --> 01:21:57,719
Speaker 1: it's out there. So what's the excuse is Cipus Hills.

1573
01:21:57,760 --> 01:22:00,599
Speaker 1: They performing for white people, black people trying to how

1574
01:22:00,640 --> 01:22:03,280
Speaker 1: can I kill a man? A nigga want to come.

1575
01:22:03,880 --> 01:22:06,320
Speaker 1: I ain't want to make straight Latino music. I sit down,

1576
01:22:06,560 --> 01:22:10,280
Speaker 1: especially West Coast Latino rappers, whenever I sat down with

1577
01:22:10,360 --> 01:22:12,080
Speaker 1: them and I have one on one with them, because

1578
01:22:12,080 --> 01:22:14,280
Speaker 1: I always want to give niggas knowledge. I sit down

1579
01:22:14,280 --> 01:22:17,680
Speaker 1: and be like, Yo, Poppy, I know you Mexican. We

1580
01:22:17,840 --> 01:22:23,639
Speaker 1: want you to rap Mexican, but make music for everybody. Nah,

1581
01:22:23,920 --> 01:22:26,479
Speaker 1: but you gotta be the biggest nigga. I mean, I

1582
01:22:26,560 --> 01:22:30,679
Speaker 1: think if there was a fly, handsome Mexican nigga spitting

1583
01:22:30,800 --> 01:22:35,799
Speaker 1: that shit, just spitting that shit. Black girls, white girls,

1584
01:22:36,000 --> 01:22:40,040
Speaker 1: everything would fucking love this nigga. You understand what I'm saying.

1585
01:22:40,080 --> 01:22:42,960
Speaker 1: So it couldn't. It shouldn't be a barrier. You shouldn't.

1586
01:22:43,880 --> 01:22:47,720
Speaker 1: You shouldn't enclose yourself to a certain category. And that's

1587
01:22:47,800 --> 01:22:51,160
Speaker 1: how you know. I always approached the game. And me also,

1588
01:22:51,320 --> 01:22:54,519
Speaker 1: I came from a neighborhood that was ninety nine point

1589
01:22:54,680 --> 01:22:59,400
Speaker 1: nine percent black. So it's so imagined. If you see

1590
01:23:00,080 --> 01:23:04,400
Speaker 1: a pack of black lions or black panthers in the

1591
01:23:04,520 --> 01:23:09,240
Speaker 1: in the jungle, and this nigga non stopped calling. Bro,

1592
01:23:09,760 --> 01:23:12,960
Speaker 1: you see a pack of black panthers and you see

1593
01:23:13,040 --> 01:23:16,280
Speaker 1: one white panther with them. That was always fat Jump.

1594
01:23:16,800 --> 01:23:21,320
Speaker 1: Her story was only one only Spanish white nigga with

1595
01:23:21,479 --> 01:23:24,680
Speaker 1: blond hair, with five hundred black niggas just walking through.

1596
01:23:25,000 --> 01:23:26,880
Speaker 2: And he was the only Puerto Rican and I was

1597
01:23:26,920 --> 01:23:28,639
Speaker 2: the only queen's dude in the Bronx.

1598
01:23:29,040 --> 01:23:31,760
Speaker 10: Like people not people used to be like, why are

1599
01:23:31,880 --> 01:23:36,200
Speaker 10: you here? I used to be like, why are you sure,

1600
01:23:36,240 --> 01:23:39,240
Speaker 10: you old king minutes away?

1601
01:23:39,960 --> 01:23:42,559
Speaker 1: I'm just ten minut Like what the fuck was he doing?

1602
01:23:43,520 --> 01:23:43,680
Speaker 2: Now?

1603
01:23:44,479 --> 01:23:47,000
Speaker 1: But now that's just the way. That's the way I

1604
01:23:47,160 --> 01:23:49,920
Speaker 1: was raised. So I was raised raised in the community

1605
01:23:50,520 --> 01:23:53,679
Speaker 1: where it was all black, you know what I'm saying.

1606
01:23:53,840 --> 01:23:58,200
Speaker 1: So it was like, you know, like I consider myself

1607
01:23:58,280 --> 01:24:01,679
Speaker 1: black too. Like as weird as it sounds, I'm proud

1608
01:24:01,720 --> 01:24:04,839
Speaker 1: to be Latino. I'm waved the in the black delegation

1609
01:24:04,960 --> 01:24:06,960
Speaker 1: to worry about it, you know what I'm saying. I'm

1610
01:24:07,080 --> 01:24:11,559
Speaker 1: serious fact, like I'm black. It's weird because I tell

1611
01:24:11,680 --> 01:24:13,599
Speaker 1: black people that all the time and they'll be like, yo,

1612
01:24:13,640 --> 01:24:15,640
Speaker 1: what do you mean, Like, nigga, I'm black nigga. Like

1613
01:24:15,680 --> 01:24:17,920
Speaker 1: with you, I'm blacker than you because you want to

1614
01:24:18,000 --> 01:24:22,200
Speaker 1: be a black white guy. I'm stand this black nigga.

1615
01:24:23,760 --> 01:24:29,599
Speaker 1: You understand what I'm saying. Hell yeah, it's Harvard black nigga. Nigga.

1616
01:24:29,600 --> 01:24:32,200
Speaker 2: I'm black nigga. To me, I had it worse because

1617
01:24:32,600 --> 01:24:34,560
Speaker 2: like I would hang out with the with the with

1618
01:24:34,640 --> 01:24:36,800
Speaker 2: the black people. Then I would go with the war

1619
01:24:36,960 --> 01:24:40,000
Speaker 2: Ricans and they like cocola and on. Then I had

1620
01:24:40,000 --> 01:24:40,960
Speaker 2: to go to God.

1621
01:24:41,160 --> 01:24:42,720
Speaker 5: Then I gotta go with the black people, and they

1622
01:24:42,840 --> 01:24:45,760
Speaker 5: got their respects and all, and it's like.

1623
01:24:45,840 --> 01:24:49,200
Speaker 1: And you in the middle, in the middle, like I'm

1624
01:24:49,280 --> 01:24:51,479
Speaker 1: going to no, no, no, I want to tell your

1625
01:24:51,560 --> 01:24:53,200
Speaker 1: story the lat Kings, right.

1626
01:24:53,800 --> 01:25:00,320
Speaker 5: I mean yes, a fa, I mean jai super, I

1627
01:25:00,400 --> 01:25:02,719
Speaker 5: mean I'm in jail, right, the Latin case.

1628
01:25:03,280 --> 01:25:07,840
Speaker 2: They they doing some ship for the dentists. Right, I'm

1629
01:25:07,920 --> 01:25:11,200
Speaker 2: in jail right. What they're doing for the dentists, know

1630
01:25:12,000 --> 01:25:12,559
Speaker 2: what they're doing.

1631
01:25:13,560 --> 01:25:18,400
Speaker 5: No, they're fucking they're recruiting every Spanish person in the unit.

1632
01:25:19,200 --> 01:25:21,680
Speaker 2: But what they're doing is saying that you got to

1633
01:25:21,760 --> 01:25:24,240
Speaker 2: go to the dentists in jail.

1634
01:25:24,520 --> 01:25:24,680
Speaker 1: Right.

1635
01:25:25,640 --> 01:25:28,920
Speaker 2: So these dudes come and they're like Victor Santiago.

1636
01:25:29,840 --> 01:25:32,040
Speaker 5: So I stand up for the people who don't know

1637
01:25:32,200 --> 01:25:35,640
Speaker 5: that's that's my name, super Porto Rican, right.

1638
01:25:36,760 --> 01:25:39,200
Speaker 2: So I stood up and the dude's like not you

1639
01:25:39,360 --> 01:25:41,240
Speaker 2: got you? So I sat back down.

1640
01:25:42,680 --> 01:25:45,519
Speaker 5: Then they go Victor Santiago and I'm like, yo, I'm

1641
01:25:45,520 --> 01:25:46,640
Speaker 5: not gonna keep standing up.

1642
01:25:48,080 --> 01:25:53,439
Speaker 2: And then they're like but not you, not you right time.

1643
01:25:53,920 --> 01:25:57,200
Speaker 2: Like I'm like, yo, I'm not standing up again. They're like,

1644
01:25:57,439 --> 01:26:02,120
Speaker 2: you're Victor Ctiago. That's my name. So like the guard

1645
01:26:02,520 --> 01:26:04,320
Speaker 2: the sea. Old nigga was down with he was a

1646
01:26:04,400 --> 01:26:08,960
Speaker 2: Latin kings king. So they pulled me in the dentist.

1647
01:26:09,080 --> 01:26:12,960
Speaker 2: Niggas put all raises to me, like, yo, you Cuban.

1648
01:26:13,240 --> 01:26:19,320
Speaker 2: I'm like no, they're like Dominican. I'm like no, They're like,

1649
01:26:19,800 --> 01:26:21,600
Speaker 2: what the fuck are you? Why the fuck is.

1650
01:26:21,640 --> 01:26:25,760
Speaker 5: Your name Victor Santiago. So I'm like, yo, I'm for

1651
01:26:25,920 --> 01:26:29,760
Speaker 5: the Weekend in Black. They're like, dang, I can't really

1652
01:26:29,840 --> 01:26:35,559
Speaker 5: be down with us, they said, but they.

1653
01:26:35,560 --> 01:26:37,600
Speaker 2: Got the raisins to me. I can't do nothing. They

1654
01:26:37,720 --> 01:26:39,719
Speaker 2: actually set me up where like you know, you're sitting

1655
01:26:41,200 --> 01:26:41,719
Speaker 2: k mos.

1656
01:26:41,760 --> 01:26:44,920
Speaker 5: I'm like, they said, so this is what we're gonna do.

1657
01:26:45,680 --> 01:26:48,320
Speaker 5: We're gonna make you a gnat. I had never heard.

1658
01:26:51,479 --> 01:26:53,880
Speaker 2: They said we're gonna make you ant because they they

1659
01:26:53,960 --> 01:26:58,400
Speaker 2: see my sheet. My sheet was clean fish. But I'm trapped.

1660
01:26:58,400 --> 01:27:01,560
Speaker 2: There's nothing I can do, doesn't matter with guy to

1661
01:27:01,600 --> 01:27:02,200
Speaker 2: get out of there.

1662
01:27:02,400 --> 01:27:04,560
Speaker 5: So they're like, we're gonna make you a nut and

1663
01:27:04,640 --> 01:27:07,280
Speaker 5: I say, yo, my dude, I'm that new truth. People

1664
01:27:07,960 --> 01:27:10,400
Speaker 5: like I'm both. I can't listen.

1665
01:27:10,560 --> 01:27:17,439
Speaker 2: I go to the yard. I love handball. I'm sorry,

1666
01:27:18,360 --> 01:27:20,880
Speaker 2: I'm nice. Pun Pun beat me a handball one.

1667
01:27:21,040 --> 01:27:23,479
Speaker 1: No, I never hated you.

1668
01:27:23,640 --> 01:27:26,479
Speaker 2: Never never listen, beat you a handball.

1669
01:27:26,920 --> 01:27:29,479
Speaker 5: In his death like yo, I had to get my rematch,

1670
01:27:30,040 --> 01:27:31,720
Speaker 5: like like when he died, I was like, Yo, I

1671
01:27:31,800 --> 01:27:32,880
Speaker 5: needed my rematch.

1672
01:27:33,080 --> 01:27:36,240
Speaker 2: Like you know, fat niggas is the best niggas in handball.

1673
01:27:37,320 --> 01:27:38,320
Speaker 1: I don't know if you know that.

1674
01:27:39,920 --> 01:27:40,360
Speaker 2: Kills the game.

1675
01:27:40,439 --> 01:27:43,360
Speaker 5: No Edi gigs the fact that he's greater than me

1676
01:27:43,439 --> 01:27:47,160
Speaker 5: and you. We played handballer. We got serious at one point, just.

1677
01:27:47,320 --> 01:27:48,040
Speaker 2: Came out of jail.

1678
01:27:48,120 --> 01:27:51,600
Speaker 1: The nigga don't said, Yo, we gotta play hamble and

1679
01:27:51,720 --> 01:27:53,160
Speaker 1: we went somewhere out here.

1680
01:27:53,760 --> 01:27:55,120
Speaker 2: See, people don't know this about me.

1681
01:27:55,240 --> 01:27:58,559
Speaker 5: I'm actually I thought I was a handball expert until

1682
01:27:58,680 --> 01:28:02,719
Speaker 5: like anybody that like like pun beat me an amble,

1683
01:28:02,800 --> 01:28:04,640
Speaker 5: I never like, oh, I.

1684
01:28:04,720 --> 01:28:06,400
Speaker 2: Never actually forgave him.

1685
01:28:08,000 --> 01:28:10,000
Speaker 1: Superhuman even in death.

1686
01:28:10,080 --> 01:28:13,000
Speaker 5: I'm like, I still need like like a god bless

1687
01:28:13,040 --> 01:28:16,000
Speaker 5: because you know, hopefully you know whatever. But when we

1688
01:28:16,120 --> 01:28:18,080
Speaker 5: see each other and happen, that's probably the first thing

1689
01:28:18,080 --> 01:28:27,000
Speaker 5: I'm gonna say to him. Rematch this how I was

1690
01:28:27,000 --> 01:28:32,880
Speaker 5: gonna go a love you house heaven rematched? All right,

1691
01:28:32,920 --> 01:28:35,680
Speaker 5: So listen that being said, we're all we all latinos.

1692
01:28:36,880 --> 01:28:39,000
Speaker 5: I want to end it on who's your favorite Latino

1693
01:28:39,160 --> 01:28:43,160
Speaker 5: besides Pun, besides Norri, besides Joe, because it will be unfair.

1694
01:28:43,880 --> 01:28:47,400
Speaker 2: So my favorite Latino who hit me?

1695
01:28:50,200 --> 01:28:51,360
Speaker 1: Kid Frost.

1696
01:28:53,600 --> 01:28:54,680
Speaker 2: And I heard this is what.

1697
01:28:56,479 --> 01:28:59,799
Speaker 1: You thought? He was dope different.

1698
01:29:01,880 --> 01:29:04,160
Speaker 2: I'm sorry, pick up the school Devil.

1699
01:29:05,040 --> 01:29:08,840
Speaker 1: His Scoop Deville is a legendary, but I say Scoop Devil,

1700
01:29:09,560 --> 01:29:12,320
Speaker 1: but my favorite. I knew Kid Fraud since I started.

1701
01:29:12,360 --> 01:29:14,719
Speaker 1: He was on Relativity to get out of there.

1702
01:29:15,000 --> 01:29:16,040
Speaker 2: And uneasy label.

1703
01:29:16,560 --> 01:29:22,840
Speaker 1: Yeah, I couldn't ruthless, and then I couldn't really you

1704
01:29:22,920 --> 01:29:25,280
Speaker 1: can't get what you're from now because he was like

1705
01:29:25,479 --> 01:29:27,360
Speaker 1: I met the real kid Frauds.

1706
01:29:27,080 --> 01:29:31,880
Speaker 2: And I was just like, different person. We don't know

1707
01:29:32,000 --> 01:29:34,320
Speaker 2: this story. He was trying to let you go, but

1708
01:29:34,439 --> 01:29:42,720
Speaker 2: now you got it. You already, it's already you gotta go.

1709
01:29:42,960 --> 01:29:45,479
Speaker 1: I couldn't do that. But all I can say is

1710
01:29:45,560 --> 01:29:49,519
Speaker 1: that back to the West Coast, they looking ship different

1711
01:29:49,560 --> 01:29:52,240
Speaker 1: than we look at it. So you know what I'm saying,

1712
01:29:52,320 --> 01:29:54,720
Speaker 1: I'm hanging out with I'm gonna just see you the

1713
01:29:54,920 --> 01:29:58,240
Speaker 1: miniature version of it, because I wouldn't do that. But

1714
01:29:58,760 --> 01:30:01,600
Speaker 1: he comes to New York, so I'm like, yo, I

1715
01:30:01,680 --> 01:30:05,439
Speaker 1: gotta salute the Mexican homies this. So I take them

1716
01:30:05,479 --> 01:30:10,240
Speaker 1: Jimmy's Cafe and we walked down the block. All you know,

1717
01:30:10,400 --> 01:30:12,640
Speaker 1: as we're walking out, everybody like, yo, crack, what's up

1718
01:30:12,720 --> 01:30:15,080
Speaker 1: my nigga? Your crack? What's up? What's up? Soup? So

1719
01:30:15,160 --> 01:30:17,720
Speaker 1: I'm walking, I'm dapping everybody. And we walked like half

1720
01:30:17,760 --> 01:30:20,400
Speaker 1: a block and he says, Yo, Joe, can they talk

1721
01:30:20,439 --> 01:30:23,920
Speaker 1: to you owns not kid frauds. I'm with them. I

1722
01:30:23,960 --> 01:30:27,080
Speaker 1: got them in New York, feeding them. Will we chilling brothers?

1723
01:30:29,200 --> 01:30:30,800
Speaker 1: Do they funk with the black guys?

1724
01:30:31,880 --> 01:30:33,080
Speaker 2: That's that's the problem.

1725
01:30:33,280 --> 01:30:37,880
Speaker 1: I'm like, I'm like what He's like, No, man, I

1726
01:30:37,960 --> 01:30:39,799
Speaker 1: see you're talking to all these guys.

1727
01:30:39,880 --> 01:30:40,639
Speaker 2: I'm bugging out.

1728
01:30:40,760 --> 01:30:45,360
Speaker 1: I'm like, Yo, no nigga's And that was a once

1729
01:30:45,439 --> 01:30:47,360
Speaker 1: in a light. You know, we hung out one time.

1730
01:30:47,400 --> 01:30:49,960
Speaker 1: He probably over there saying, fuck fat Joe Yang out

1731
01:30:49,960 --> 01:30:52,960
Speaker 1: with the black guys. I couldn't, you know, but you

1732
01:30:53,080 --> 01:30:59,040
Speaker 1: know I couldn't. Ah, Spanish dudes that influenced.

1733
01:30:58,560 --> 01:31:02,880
Speaker 2: Me will not influence you or even just you think

1734
01:31:02,920 --> 01:31:04,200
Speaker 2: that it's hard or.

1735
01:31:04,280 --> 01:31:10,160
Speaker 1: Hot, the hardest niggas ever, the hardest niggas ever, Somebody

1736
01:31:10,200 --> 01:31:12,800
Speaker 1: who impressed me? Can I say to yeah, you can't,

1737
01:31:13,040 --> 01:31:15,880
Speaker 1: and I always say him. But somebody who impressed me

1738
01:31:15,920 --> 01:31:17,960
Speaker 1: at a young age who was a fly nigga was

1739
01:31:18,840 --> 01:31:22,080
Speaker 1: Teeto from the Pheelis four And the rumors I used

1740
01:31:22,120 --> 01:31:23,760
Speaker 1: to hear about him when I was a young kid

1741
01:31:23,960 --> 01:31:26,519
Speaker 1: was like he was getting money. He was a flying nigga,

1742
01:31:26,560 --> 01:31:29,439
Speaker 1: fucking all the bad bitches and the Phelis four was,

1743
01:31:29,640 --> 01:31:32,599
Speaker 1: you know, an amazing rap crew. He's somebody I looked

1744
01:31:32,680 --> 01:31:34,840
Speaker 1: up to even to this day when I see him.

1745
01:31:34,760 --> 01:31:36,880
Speaker 5: And be like, Yo, ain't gonna we gotta make noise

1746
01:31:36,960 --> 01:31:39,040
Speaker 5: for Joe being super hip hop on his first pick.

1747
01:31:41,760 --> 01:31:47,240
Speaker 1: Somebody like what the the fearless for niggas? Tito from

1748
01:31:47,280 --> 01:31:50,240
Speaker 1: the Philis four boys, Like he was a fly nigga.

1749
01:31:50,320 --> 01:31:51,600
Speaker 2: You're a real hip hop bro.

1750
01:31:52,560 --> 01:31:57,000
Speaker 5: Just you just really showed the world saw acause niggas

1751
01:31:57,000 --> 01:31:59,759
Speaker 5: is googles and then google that nigga.

1752
01:32:00,439 --> 01:32:02,280
Speaker 1: And I'm gonna tell you a secret. Right when we

1753
01:32:02,479 --> 01:32:08,200
Speaker 1: was shooting the video, John Blaze and Queen's we were

1754
01:32:08,240 --> 01:32:08,720
Speaker 1: shooting it.

1755
01:32:09,080 --> 01:32:09,960
Speaker 2: John Blaize, I was there.

1756
01:32:09,960 --> 01:32:13,439
Speaker 5: It was in Brooklyn, in Brooklyn, green Point, Greenpoint, So

1757
01:32:13,680 --> 01:32:14,800
Speaker 5: it was Pun's birth.

1758
01:32:14,880 --> 01:32:16,880
Speaker 2: You listen me and NAS's beefing.

1759
01:32:17,680 --> 01:32:18,400
Speaker 1: Do you remember this?

1760
01:32:19,400 --> 01:32:24,720
Speaker 2: Me and beefing and you called me to scotch the

1761
01:32:24,760 --> 01:32:25,519
Speaker 2: beef for nons?

1762
01:32:25,560 --> 01:32:26,240
Speaker 1: Do you remember that?

1763
01:32:27,160 --> 01:32:30,519
Speaker 5: And that's why when Nina's verse plays, I'm the only

1764
01:32:30,600 --> 01:32:33,760
Speaker 5: person that's in the verse with Nins because I think

1765
01:32:33,760 --> 01:32:34,880
Speaker 5: I hung out with car Maga.

1766
01:32:35,080 --> 01:32:37,800
Speaker 2: Some bullshit happens when you love.

1767
01:32:38,120 --> 01:32:40,439
Speaker 1: So he goes like to yeah, Nas love, he's a

1768
01:32:40,479 --> 01:32:43,800
Speaker 1: special guy too. So no, he's a special guy.

1769
01:32:44,479 --> 01:32:47,679
Speaker 2: So and me and I stopped talking and you called.

1770
01:32:47,479 --> 01:32:51,120
Speaker 1: Me and was squashed its brother, so we so we

1771
01:32:51,280 --> 01:32:56,600
Speaker 1: turned around and this is real ship. Yeah, now we

1772
01:32:56,680 --> 01:32:58,479
Speaker 1: gave him too much rep show.

1773
01:32:59,080 --> 01:32:59,920
Speaker 2: This is two seconds.

1774
01:33:00,280 --> 01:33:03,680
Speaker 1: Tito from the Phillis four came out of nowhere to

1775
01:33:03,840 --> 01:33:06,040
Speaker 1: the video and he had a cake. He knew it

1776
01:33:06,160 --> 01:33:11,439
Speaker 1: was Pun's birthday. He never met Pun John Blaine. So

1777
01:33:11,560 --> 01:33:14,080
Speaker 1: he comes in the trailer and he gets it. He

1778
01:33:14,200 --> 01:33:17,360
Speaker 1: brings out a cake and the nigga pulls out a

1779
01:33:17,400 --> 01:33:22,000
Speaker 1: bunch of hundred dollars bills and put him like candles

1780
01:33:22,080 --> 01:33:26,240
Speaker 1: on the cake. This Tito philis, he wasn't even a

1781
01:33:26,400 --> 01:33:28,920
Speaker 1: rapper no more, like you know, he was beyond the

1782
01:33:29,000 --> 01:33:31,120
Speaker 1: old ge crazy.

1783
01:33:31,240 --> 01:33:33,360
Speaker 5: They'll get money threw up the Hunters name of the

1784
01:33:33,400 --> 01:33:35,080
Speaker 5: record that we're doing. By the way, still of course

1785
01:33:35,120 --> 01:33:36,000
Speaker 5: still getting money.

1786
01:33:35,880 --> 01:33:43,240
Speaker 1: Right, your man, listen, your man turned around and I'm

1787
01:33:43,320 --> 01:33:45,479
Speaker 1: explaining the putn of what it is, and it's Tito.

1788
01:33:45,600 --> 01:33:48,479
Speaker 1: He's the rich. Didn't didn't really knowing, So I go

1789
01:33:48,600 --> 01:33:50,960
Speaker 1: like this, your ponies like the nigga, the first nigga.

1790
01:33:51,040 --> 01:33:54,880
Speaker 1: This this dad fly Spanish nigga. Tito lit up all

1791
01:33:54,920 --> 01:33:57,200
Speaker 1: the fucking hundred dollars bills and Punk blew it out.

1792
01:33:57,280 --> 01:33:59,960
Speaker 1: We ate the cake. Tito's a stand up guy. Man,

1793
01:34:00,040 --> 01:34:03,360
Speaker 1: he's a beautiful person. You said too, And I gotta

1794
01:34:03,439 --> 01:34:07,320
Speaker 1: give it to Cypress Hills because we both.

1795
01:34:07,160 --> 01:34:08,719
Speaker 2: Gave in to the West Coast. I'm sorry. I didn't

1796
01:34:08,720 --> 01:34:10,760
Speaker 2: know Kid Frost to think about it, but I'm still

1797
01:34:11,560 --> 01:34:12,599
Speaker 2: Cypress Cuban too.

1798
01:34:12,640 --> 01:34:18,360
Speaker 1: And anyway, except Kid Frost, and he is representing the Ross.

1799
01:34:18,880 --> 01:34:20,840
Speaker 5: I love it because because you know why, you know,

1800
01:34:21,840 --> 01:34:23,040
Speaker 5: I actually understand it.

1801
01:34:23,080 --> 01:34:23,320
Speaker 1: I did.

1802
01:34:23,520 --> 01:34:26,200
Speaker 5: I did a movie. It's a horror flick called Seven Mummies.

1803
01:34:26,320 --> 01:34:27,479
Speaker 5: I don't recommend you see it.

1804
01:34:29,760 --> 01:34:30,040
Speaker 2: I did it.

1805
01:34:30,479 --> 01:34:34,800
Speaker 5: Question rember Nick questioned the first two videos I ever

1806
01:34:34,840 --> 01:34:35,479
Speaker 5: shot in my life.

1807
01:34:35,520 --> 01:34:37,479
Speaker 1: He shot it so you felt Lowyer was l a

1808
01:34:37,600 --> 01:34:38,560
Speaker 1: l ay.

1809
01:34:38,760 --> 01:34:42,800
Speaker 2: So he he told me to come to Arizona. I did, uh,

1810
01:34:42,960 --> 01:34:45,400
Speaker 2: noel G from training Jade training day.

1811
01:34:45,680 --> 01:34:48,439
Speaker 1: No, no, don't say no more niggas, the mummy niggas

1812
01:34:48,520 --> 01:34:50,240
Speaker 1: get fucked up.

1813
01:34:51,000 --> 01:34:51,880
Speaker 2: Ain't fun.

1814
01:34:52,040 --> 01:34:54,639
Speaker 5: And then and then they killed me like I played

1815
01:34:54,680 --> 01:34:57,760
Speaker 5: the black guy in the horror, Like my favorite role

1816
01:34:57,920 --> 01:35:01,320
Speaker 5: is paid in for when it comes over to the car, you.

1817
01:35:01,360 --> 01:35:05,559
Speaker 2: Know, I freest out that whole not oh man legend,

1818
01:35:06,320 --> 01:35:07,880
Speaker 2: garry wrong.

1819
01:35:10,040 --> 01:35:11,960
Speaker 1: I was like your Samuel Jackson moment.

1820
01:35:12,040 --> 01:35:15,120
Speaker 2: But actually I mean, we'll go there. We'll go there.

1821
01:35:15,160 --> 01:35:18,720
Speaker 5: So look, so noel G noel G me and him

1822
01:35:18,800 --> 01:35:21,720
Speaker 5: got mad cool like I'm talking about like he hung

1823
01:35:21,800 --> 01:35:24,600
Speaker 5: out my trailer. I hung out in his trailer. And

1824
01:35:25,560 --> 01:35:27,920
Speaker 5: he's from East I'm gonna say East New York, East

1825
01:35:28,080 --> 01:35:30,800
Speaker 5: l A. So I flew to l A one time.

1826
01:35:30,880 --> 01:35:32,320
Speaker 2: I was like, Yo, I want to go to your hood.

1827
01:35:32,840 --> 01:35:34,600
Speaker 2: He was like he had to keep it real with me.

1828
01:35:34,760 --> 01:35:41,280
Speaker 5: He was like, nah, you know, I go any hood, Joe,

1829
01:35:41,400 --> 01:35:42,799
Speaker 5: East New York, pink houses.

1830
01:35:42,960 --> 01:35:45,280
Speaker 2: I don't give a fuck. But when the person that's

1831
01:35:45,280 --> 01:35:47,000
Speaker 2: supposed to bring you there says.

1832
01:35:47,200 --> 01:35:51,720
Speaker 5: They gotta have you, na, like they can hold you

1833
01:35:52,040 --> 01:35:55,680
Speaker 5: said your skin color, He said, I've seen them kill Mexicans.

1834
01:35:56,120 --> 01:35:59,920
Speaker 2: That skin is darker than yards. That's what he said.

1835
01:36:00,080 --> 01:36:01,720
Speaker 2: You know that's prison politics.

1836
01:36:01,880 --> 01:36:07,000
Speaker 5: No, but l a prison politics run. It's sill streets.

1837
01:36:07,560 --> 01:36:09,720
Speaker 5: Not in the black community, no, no, no, all over

1838
01:36:09,800 --> 01:36:12,560
Speaker 5: the community. So that that fucked me up when I

1839
01:36:12,680 --> 01:36:15,880
Speaker 5: realized that for me, but paid it for. To get

1840
01:36:15,960 --> 01:36:22,000
Speaker 5: back to that, I actually auditioned for alcohol and I

1841
01:36:22,520 --> 01:36:26,560
Speaker 5: didn't get it. Wood Harris, who was the person I

1842
01:36:26,640 --> 01:36:29,679
Speaker 5: spoke to and paid for who played a z with Harris.

1843
01:36:30,720 --> 01:36:33,120
Speaker 5: He came to me and he and he tried to

1844
01:36:33,160 --> 01:36:36,479
Speaker 5: prep me for the audition role. And when he prepped

1845
01:36:36,479 --> 01:36:41,680
Speaker 5: me for the audition, I took it too serious. You know,

1846
01:36:41,720 --> 01:36:44,400
Speaker 5: I got I got a fucking real actor sitting there

1847
01:36:44,479 --> 01:36:46,160
Speaker 5: telling me what to do and what to do. And

1848
01:36:46,240 --> 01:36:48,479
Speaker 5: I tried to do it too. I actually I did

1849
01:36:48,560 --> 01:36:52,000
Speaker 5: eight movies. I never got any movie from an audition.

1850
01:36:53,080 --> 01:37:01,280
Speaker 1: If you got in front of the camera, I'm I'm good.

1851
01:37:01,560 --> 01:37:04,080
Speaker 1: I'm whack on that. If you just say y'all want

1852
01:37:04,160 --> 01:37:06,640
Speaker 1: Fato in this movie, I'm great, great, I'm gonna do.

1853
01:37:06,680 --> 01:37:07,080
Speaker 2: I'm gonna do.

1854
01:37:07,320 --> 01:37:07,960
Speaker 1: I'm gonna do it.

1855
01:37:08,240 --> 01:37:10,200
Speaker 5: But I never read my lines like I read them,

1856
01:37:10,520 --> 01:37:12,479
Speaker 5: I memorize them because I'm God Body, like you know

1857
01:37:12,520 --> 01:37:12,960
Speaker 5: what I'm saying.

1858
01:37:13,320 --> 01:37:16,920
Speaker 2: So I memorize them and then I change them.

1859
01:37:17,000 --> 01:37:19,519
Speaker 5: Because the thing about God Body, if you if you

1860
01:37:19,640 --> 01:37:22,640
Speaker 5: really realize that after you master your one twenty, you

1861
01:37:22,720 --> 01:37:24,280
Speaker 5: got to master your plus degrees.

1862
01:37:24,800 --> 01:37:27,200
Speaker 2: So to me, that's what always with hip hop was.

1863
01:37:27,320 --> 01:37:30,400
Speaker 2: To me, it was a plus degree. It was is

1864
01:37:30,479 --> 01:37:32,320
Speaker 2: this five percent we went from.

1865
01:37:34,560 --> 01:37:38,880
Speaker 5: You just at first listen everything he wants to believe

1866
01:37:38,960 --> 01:37:39,599
Speaker 5: in every coach.

1867
01:37:40,479 --> 01:37:42,600
Speaker 1: You know, it's too it's too late for me to

1868
01:37:42,680 --> 01:37:44,600
Speaker 1: go emphatically non sight for.

1869
01:37:44,680 --> 01:37:47,519
Speaker 2: You can't do it. You can in today's Master.

1870
01:37:48,600 --> 01:37:49,760
Speaker 1: I'm from Godsville.

1871
01:37:51,120 --> 01:37:54,320
Speaker 5: They called your hood Guardsville, they call my hood City,

1872
01:37:54,520 --> 01:37:55,200
Speaker 5: they call my hood.

1873
01:37:55,640 --> 01:38:01,840
Speaker 7: Was God's veil left the gold right? Why not New

1874
01:38:01,920 --> 01:38:09,320
Speaker 7: York from Kendall, Guys, you wasn't in Kendo.

1875
01:38:10,479 --> 01:38:12,280
Speaker 2: One of the two niggas snuck down there?

1876
01:38:12,360 --> 01:38:17,080
Speaker 1: Man, they did, but Cypress Hills because they did it big.

1877
01:38:17,920 --> 01:38:21,360
Speaker 1: And I remember when I first saw them, I thought

1878
01:38:21,400 --> 01:38:25,360
Speaker 1: they was from New York. My nigga. They shot their

1879
01:38:25,439 --> 01:38:25,800
Speaker 1: video in.

1880
01:38:25,800 --> 01:38:29,280
Speaker 2: The New York Tube. In the video from the video was.

1881
01:38:29,320 --> 01:38:33,000
Speaker 1: That killing shot in front of the.

1882
01:38:33,120 --> 01:38:36,720
Speaker 6: Pollo and everything, and everybody was discussing that are they

1883
01:38:36,800 --> 01:38:37,320
Speaker 6: from New York?

1884
01:38:37,360 --> 01:38:39,120
Speaker 2: Are they from l A? Where then are they from?

1885
01:38:39,360 --> 01:38:41,680
Speaker 1: Them niggas is like like that, and they was in

1886
01:38:41,720 --> 01:38:45,760
Speaker 1: the wood Cypress Hill Kill in l A.

1887
01:38:46,120 --> 01:38:53,960
Speaker 2: God Queens no no no q tips in that video too.

1888
01:38:54,040 --> 01:38:55,000
Speaker 2: I think my.

1889
01:38:55,120 --> 01:38:57,479
Speaker 1: Nigga, I thought them niggas was from New York. But

1890
01:38:57,640 --> 01:38:59,680
Speaker 1: I'm not going to tell you I looked up to

1891
01:38:59,760 --> 01:39:02,479
Speaker 1: them because they was from New York. I'm just telling

1892
01:39:02,520 --> 01:39:06,559
Speaker 1: you I want to get high, so.

1893
01:39:08,360 --> 01:39:11,160
Speaker 2: Them niggas was right, and I don't even get hot.

1894
01:39:12,200 --> 01:39:15,920
Speaker 1: Niggas was rocking my nigga like like like, I ain't

1895
01:39:15,920 --> 01:39:18,120
Speaker 1: even gonna lie. To this day, I probably look up

1896
01:39:18,200 --> 01:39:21,800
Speaker 1: to Cypress Hill still because I just feel like they

1897
01:39:21,920 --> 01:39:23,800
Speaker 1: really put it down the way I like it to

1898
01:39:23,960 --> 01:39:24,679
Speaker 1: be put down.

1899
01:39:24,800 --> 01:39:32,400
Speaker 2: And still to this day, you gotta say you gonna.

1900
01:39:32,200 --> 01:39:34,960
Speaker 6: Rapper though, in terms of Latino rapper, yeah, I mean yeah,

1901
01:39:35,800 --> 01:39:41,559
Speaker 6: well Cypress Hills definitely for sure and punk, hands down punk.

1902
01:39:43,720 --> 01:39:47,400
Speaker 1: You know we're gonna end this on this well put

1903
01:39:47,479 --> 01:39:49,760
Speaker 1: the best Latino rapper ever lived. I'll tell you right

1904
01:39:49,840 --> 01:39:53,040
Speaker 1: the bottom line, I'll tell you nobody close real quick.

1905
01:39:53,080 --> 01:39:55,840
Speaker 2: When I when I heard when I heard him on Firewater.

1906
01:39:57,200 --> 01:40:05,120
Speaker 11: Firewater, it was Men of God Alma Gedding and Okay,

1907
01:40:05,200 --> 01:40:07,400
Speaker 11: that's the first came.

1908
01:40:07,760 --> 01:40:11,960
Speaker 2: I put that on a mixtape on my mixtape DJ

1909
01:40:12,080 --> 01:40:16,280
Speaker 2: in Miami. Nobody Miami, let me tell you, nobody had.

1910
01:40:16,240 --> 01:40:18,840
Speaker 6: Ever heard anything I put on a mixtape here Miami,

1911
01:40:19,479 --> 01:40:23,320
Speaker 6: and I was like, this dude is fucking killing it.

1912
01:40:24,960 --> 01:40:27,920
Speaker 2: I didn't know who he was. I just but then

1913
01:40:27,960 --> 01:40:29,879
Speaker 2: I knew. I knew he was Latino.

1914
01:40:29,920 --> 01:40:32,200
Speaker 1: I was like, we got one.

1915
01:40:32,479 --> 01:40:36,560
Speaker 2: That's it, Yeah, that's it because we be just so

1916
01:40:36,720 --> 01:40:39,960
Speaker 2: you know. At that same time, Big L is my favorite.

1917
01:40:39,720 --> 01:40:44,000
Speaker 1: Rapper Digging in the Crazy Crew. That's my brother too,

1918
01:40:44,320 --> 01:40:46,640
Speaker 1: that's my other favorite rapp Joe was a member of

1919
01:40:46,720 --> 01:40:49,600
Speaker 1: two crews with the greatest rappers of old that's my

1920
01:40:49,760 --> 01:40:50,479
Speaker 1: other favorite.

1921
01:40:54,439 --> 01:40:59,040
Speaker 6: That's where I'm like, this is it, yo, Yeah, we

1922
01:40:59,200 --> 01:40:59,599
Speaker 6: got him.

1923
01:41:00,120 --> 01:41:03,240
Speaker 2: I've really It's just almost like Chins.

1924
01:41:03,080 --> 01:41:11,240
Speaker 1: Chinks Angeles Evangelist, Like God, I know pun was great.

1925
01:41:12,400 --> 01:41:16,000
Speaker 5: I didn't know he was the greatest until like after

1926
01:41:17,800 --> 01:41:21,200
Speaker 5: after his funeral. I remember me standing there and crying

1927
01:41:21,280 --> 01:41:25,200
Speaker 5: at the and God bless the dead. Flex Flexts was

1928
01:41:25,240 --> 01:41:28,080
Speaker 5: the one who came and grabbed me because I didn't

1929
01:41:28,080 --> 01:41:29,800
Speaker 5: know what to do. Like I still start crying. My

1930
01:41:29,960 --> 01:41:32,720
Speaker 5: mother came to the funeral, keep it real without me,

1931
01:41:32,920 --> 01:41:35,280
Speaker 5: my mom said, my moms didn't wait for me to come.

1932
01:41:35,320 --> 01:41:36,000
Speaker 1: My mother win.

1933
01:41:38,080 --> 01:41:40,920
Speaker 2: Man from the boat dagger like crazy.

1934
01:41:41,360 --> 01:41:44,560
Speaker 1: It was so crazy because the people who came to

1935
01:41:44,680 --> 01:41:48,519
Speaker 1: that funeral, you know, it was like crazy man. Like

1936
01:41:48,640 --> 01:41:52,080
Speaker 1: it was like people that from our community that never

1937
01:41:53,040 --> 01:41:55,240
Speaker 1: even talked to us. Was like, you know, they were

1938
01:41:55,320 --> 01:41:58,400
Speaker 1: so proud they were showing up and you was like, yo,

1939
01:41:58,880 --> 01:42:01,240
Speaker 1: that's my school teacher.

1940
01:42:01,479 --> 01:42:01,640
Speaker 5: You know.

1941
01:42:02,160 --> 01:42:04,320
Speaker 1: So I'm sitting there crying and I walked by my

1942
01:42:04,479 --> 01:42:08,320
Speaker 1: school teacher, come and grab me and like, yo, be strong.

1943
01:42:08,680 --> 01:42:11,080
Speaker 2: This this that like we touched so many niggas in

1944
01:42:11,120 --> 01:42:12,639
Speaker 2: that it was crazy.

1945
01:42:13,160 --> 01:42:15,040
Speaker 1: But it was like that too. I never forget too.

1946
01:42:15,080 --> 01:42:16,519
Speaker 1: I was at one point I was at points for

1947
01:42:16,520 --> 01:42:20,960
Speaker 1: funeral and I was crying and it was Joe Rue

1948
01:42:21,680 --> 01:42:23,479
Speaker 1: and I looked up and it was Joe ruh. He

1949
01:42:23,600 --> 01:42:27,040
Speaker 1: was there one dep too. He was like be strong, crack,

1950
01:42:27,120 --> 01:42:30,280
Speaker 1: don't worry, be strong, and that shit, that pun shit

1951
01:42:30,439 --> 01:42:31,920
Speaker 1: was serious, man.

1952
01:42:32,560 --> 01:42:35,120
Speaker 5: This is what I remember Flex grabbing me and just

1953
01:42:35,320 --> 01:42:38,559
Speaker 5: was like he's not suffering no more. And the crazy shit.

1954
01:42:38,600 --> 01:42:41,880
Speaker 5: I never seen Pun suffer. Like when Pun I never said,

1955
01:42:42,040 --> 01:42:44,280
Speaker 5: I know, were going too much, but we're gonna stop

1956
01:42:44,360 --> 01:42:46,840
Speaker 5: as soon. But when Pun used to have sleep appen,

1957
01:42:46,880 --> 01:42:49,160
Speaker 5: he like when he used to go like this, I

1958
01:42:49,280 --> 01:42:51,880
Speaker 5: used to think Pun was playing with me, Like God

1959
01:42:51,920 --> 01:42:52,920
Speaker 5: bless me because you know.

1960
01:42:53,040 --> 01:42:55,479
Speaker 2: Now I know, But back then, I used to be like, damn,

1961
01:42:55,560 --> 01:43:02,320
Speaker 2: my fucking stories is boring. People like Yo, we would

1962
01:43:02,360 --> 01:43:03,280
Speaker 2: be talking like it was good.

1963
01:43:04,320 --> 01:43:09,799
Speaker 1: I'm like, oh, let's just get it on, love glory.

1964
01:43:10,720 --> 01:43:13,880
Speaker 1: Pun loved Nori and Uh in a different way, in

1965
01:43:13,960 --> 01:43:17,479
Speaker 1: a special way, and them niggas used to hang out.

1966
01:43:17,600 --> 01:43:18,439
Speaker 1: They used to chill.

1967
01:43:18,560 --> 01:43:19,840
Speaker 2: And we still avoid Joe.

1968
01:43:19,920 --> 01:43:23,160
Speaker 5: That's what Joe said, because Joe was always militant, like

1969
01:43:23,280 --> 01:43:28,360
Speaker 5: he's always he's to get money, dude, Like that's all

1970
01:43:28,439 --> 01:43:29,800
Speaker 5: he thinks about me and Pun.

1971
01:43:29,960 --> 01:43:31,799
Speaker 2: We wanted to have fun. We was younger.

1972
01:43:32,200 --> 01:43:34,599
Speaker 5: You know what I'm saying. Joe's o G is a fact.

1973
01:43:34,880 --> 01:43:38,040
Speaker 5: So we used to be on the road everything like

1974
01:43:38,439 --> 01:43:41,560
Speaker 5: and Pun smoked the weed. He drank cars light, you

1975
01:43:41,640 --> 01:43:43,200
Speaker 5: know what I mean, Like.

1976
01:43:43,640 --> 01:43:46,840
Speaker 2: Like you just started drinking, like really, like you just

1977
01:43:46,880 --> 01:43:50,960
Speaker 2: started leisurely drinking. Like he didn't kept that time so serious.

1978
01:43:51,080 --> 01:43:53,760
Speaker 2: He was like like every day, like.

1979
01:43:57,240 --> 01:43:59,479
Speaker 1: I told my son this to us, said, listen, bro,

1980
01:44:00,360 --> 01:44:03,040
Speaker 1: we was born with nothing, my nigga, and if we

1981
01:44:03,160 --> 01:44:06,280
Speaker 1: get the opportunity to go get it, let's not stop, nigga,

1982
01:44:06,360 --> 01:44:08,519
Speaker 1: Let's just go get it. And we can't make it.

1983
01:44:08,640 --> 01:44:11,760
Speaker 1: We gotta go get this fucking money, man, because all

1984
01:44:11,800 --> 01:44:15,160
Speaker 1: the times we dreamed about getting money, all the times

1985
01:44:15,240 --> 01:44:17,400
Speaker 1: all we wanted was money. Niggas wouldn't give us a

1986
01:44:17,479 --> 01:44:21,599
Speaker 1: fucking ice cream. You know, we're starving. We get niggas

1987
01:44:21,640 --> 01:44:24,120
Speaker 1: got a chip in for four chicken wings and French fries.

1988
01:44:24,439 --> 01:44:26,600
Speaker 1: Now niggas is throwing this money at us, Like what

1989
01:44:26,720 --> 01:44:29,200
Speaker 1: the fuck is we supposed to do? Let's go get

1990
01:44:29,280 --> 01:44:33,479
Speaker 1: this fucking money, and and and and that's that's that's

1991
01:44:33,720 --> 01:44:35,479
Speaker 1: That's what I'm about. Right now, I'm in the car

1992
01:44:35,640 --> 01:44:37,680
Speaker 1: my son wrap. I'm in the car with him. I

1993
01:44:37,800 --> 01:44:40,760
Speaker 1: bucked on them two minutes before I came here because

1994
01:44:40,760 --> 01:44:43,360
Speaker 1: he was like, yo, and Jinny ain't really doing it

1995
01:44:43,479 --> 01:44:46,160
Speaker 1: right there. So I'm like, nigga, you fucking crazy, Like

1996
01:44:46,280 --> 01:44:47,880
Speaker 1: I'll be wrapping in closets.

1997
01:44:49,680 --> 01:44:53,400
Speaker 2: We're gonna end on this. Back in the days, you

1998
01:44:53,520 --> 01:44:55,919
Speaker 2: couldn't send a nigga email.

1999
01:44:56,320 --> 01:44:59,200
Speaker 1: We had to run around with two inch tapes like this.

2000
01:44:59,640 --> 01:45:01,439
Speaker 2: That's it was like carrying a midget.

2001
01:45:04,479 --> 01:45:05,519
Speaker 1: Real, yo.

2002
01:45:05,720 --> 01:45:08,519
Speaker 2: Still, let me tell you something. I've never been to

2003
01:45:08,600 --> 01:45:10,000
Speaker 2: the and this is my engineer right here.

2004
01:45:10,080 --> 01:45:13,760
Speaker 5: Hazard it sounds a producer friend, but has I have

2005
01:45:14,040 --> 01:45:16,839
Speaker 5: never had a session with you unless I did four records.

2006
01:45:17,040 --> 01:45:19,320
Speaker 5: Keep it real, I'm gonna look away, so like I'm

2007
01:45:19,360 --> 01:45:22,240
Speaker 5: not giving you no sign and my line at least four.

2008
01:45:23,160 --> 01:45:24,040
Speaker 1: At least at.

2009
01:45:24,000 --> 01:45:26,920
Speaker 5: Least four because you know why, it's not because but

2010
01:45:27,479 --> 01:45:31,160
Speaker 5: back then, spending fifteen hundred dollars on a lockout or

2011
01:45:31,320 --> 01:45:34,360
Speaker 5: three thousand dollars on a lockout, I had to do, yo,

2012
01:45:34,880 --> 01:45:37,080
Speaker 5: one hundred honest shit, I'm.

2013
01:45:37,000 --> 01:45:38,640
Speaker 2: Keeping it real. CNN.

2014
01:45:39,040 --> 01:45:42,360
Speaker 5: War Report album was done over two years, but it

2015
01:45:42,479 --> 01:45:47,280
Speaker 5: was only like five to seven sessions because we recorded

2016
01:45:47,880 --> 01:45:49,320
Speaker 5: eight nine records.

2017
01:45:49,360 --> 01:45:51,800
Speaker 2: When we went in there and you know, tragedy put

2018
01:45:51,880 --> 01:45:52,080
Speaker 2: us on.

2019
01:45:52,720 --> 01:45:56,160
Speaker 1: You had this wave. Man, Your wave is like you know,

2020
01:45:56,360 --> 01:45:59,960
Speaker 1: special waves, but what it was niggas man. You could

2021
01:46:00,080 --> 01:46:04,639
Speaker 1: do whatever you wanted, No nor you You're funny nigga.

2022
01:46:05,160 --> 01:46:08,400
Speaker 1: And then it's like it's like it was like maybe

2023
01:46:08,520 --> 01:46:10,439
Speaker 1: he was bugging out, but to us. It was like

2024
01:46:10,680 --> 01:46:16,479
Speaker 1: flows we never heard right thigga about the thig I'm

2025
01:46:16,520 --> 01:46:19,439
Speaker 1: not what is this nigga saying this ship?

2026
01:46:21,360 --> 01:46:22,160
Speaker 2: You know what that came from?

2027
01:46:22,200 --> 01:46:28,200
Speaker 1: What was the joint you did? And we gotta gost you.

2028
01:46:28,520 --> 01:46:30,840
Speaker 1: What was the joint you did? I think it was

2029
01:46:30,920 --> 01:46:34,439
Speaker 1: in the Firm, know this, It.

2030
01:46:34,560 --> 01:46:38,600
Speaker 2: Was leaving, I'm leaving, lave you. I can get the

2031
01:46:38,640 --> 01:46:39,920
Speaker 2: story of that and then we break out.

2032
01:46:40,439 --> 01:46:45,000
Speaker 1: But listen, it goes that is that one, mat know this?

2033
01:46:46,040 --> 01:46:50,120
Speaker 2: That's the first, Yeah, because that's the first.

2034
01:46:51,560 --> 01:46:53,760
Speaker 1: And it was another one you did for Nods, right,

2035
01:46:53,960 --> 01:46:55,400
Speaker 1: was it Nods or Morb Deep?

2036
01:46:55,840 --> 01:47:01,040
Speaker 2: It was blood money, blood money, money money, the one

2037
01:47:01,120 --> 01:47:04,720
Speaker 2: when we did that during the Firm album, the Funny Ship.

2038
01:47:04,880 --> 01:47:07,320
Speaker 1: I'm not gonna lie to you from the outside, and

2039
01:47:07,439 --> 01:47:09,160
Speaker 1: I don't know if you don't go ahead tell me

2040
01:47:09,600 --> 01:47:11,960
Speaker 1: you was like the illis nigga right there, like like

2041
01:47:12,200 --> 01:47:15,240
Speaker 1: right there when they snatched you up because it was

2042
01:47:15,320 --> 01:47:16,360
Speaker 1: a big move for you.

2043
01:47:16,920 --> 01:47:20,760
Speaker 5: And now I had just shot niggas in the projects too,

2044
01:47:21,160 --> 01:47:23,320
Speaker 5: and they was like and I kept hanging out there.

2045
01:47:23,400 --> 01:47:25,720
Speaker 2: They was like, what this niggas from Left Brack and

2046
01:47:25,840 --> 01:47:26,960
Speaker 2: Left Brack left.

2047
01:47:28,960 --> 01:47:33,160
Speaker 5: Minutes so fall and I kept hanging out and I

2048
01:47:33,240 --> 01:47:35,439
Speaker 5: gotta I gotta give the love the jungle. Jungle was

2049
01:47:35,439 --> 01:47:38,080
Speaker 5: the dude like. Jungle was like, we're fucking want him,

2050
01:47:38,120 --> 01:47:39,720
Speaker 5: we want to shoot you know what I mean.

2051
01:47:40,120 --> 01:47:43,240
Speaker 2: But what I'm saying is said the end.

2052
01:47:44,520 --> 01:47:49,960
Speaker 1: When I heard they recruited you and you was just like,

2053
01:47:50,439 --> 01:47:51,679
Speaker 1: it was so ill.

2054
01:47:51,960 --> 01:47:54,000
Speaker 2: I was just like, and you know, and you know

2055
01:47:54,120 --> 01:47:54,479
Speaker 2: from them.

2056
01:47:54,560 --> 01:47:58,040
Speaker 5: My very first feature, My very first feature after that

2057
01:47:58,439 --> 01:48:01,680
Speaker 5: was the Pun Record, My very first feature after that,

2058
01:48:02,080 --> 01:48:03,320
Speaker 5: I meant you Pun.

2059
01:48:04,920 --> 01:48:06,840
Speaker 2: You know Pun's first words he had said to me?

2060
01:48:07,000 --> 01:48:07,479
Speaker 1: What he said?

2061
01:48:07,560 --> 01:48:07,880
Speaker 2: He said?

2062
01:48:08,560 --> 01:48:10,200
Speaker 5: Because I was it was in the session. The first

2063
01:48:10,360 --> 01:48:13,120
Speaker 5: is the first words you ever said to me? You said,

2064
01:48:13,360 --> 01:48:14,840
Speaker 5: you said, this is the first words you.

2065
01:48:14,840 --> 01:48:17,040
Speaker 2: Ever said to me. You said, y'all cnn huh.

2066
01:48:17,439 --> 01:48:21,800
Speaker 5: He walked this unique studio, Unique studios, nigga walks in whoa,

2067
01:48:22,160 --> 01:48:23,120
Speaker 5: and then Pun was it.

2068
01:48:23,400 --> 01:48:27,479
Speaker 2: He goes, y'all seeing that, I'm like, he said, which

2069
01:48:27,520 --> 01:48:28,800
Speaker 2: one of your niggas got shot?

2070
01:48:29,400 --> 01:48:32,040
Speaker 5: And then Paul raised his hand and then y'all start

2071
01:48:32,120 --> 01:48:34,080
Speaker 5: keep hearing gunshot rooms and ship.

2072
01:48:34,120 --> 01:48:36,000
Speaker 2: I was like, this is very awkward.

2073
01:48:39,000 --> 01:48:41,639
Speaker 5: Pom shows his ship then and then he goes, which

2074
01:48:41,640 --> 01:48:44,240
Speaker 5: one of y'alls Puerto Rican and I raised my hand

2075
01:48:44,360 --> 01:48:46,439
Speaker 5: and this is this is one hundred percent facts.

2076
01:48:46,800 --> 01:48:48,799
Speaker 2: I was just like, because I never met these niggas.

2077
01:48:49,439 --> 01:48:51,080
Speaker 2: I love this nigga, but I don't want him to

2078
01:48:51,120 --> 01:48:51,920
Speaker 2: think I'm a sucker.

2079
01:48:52,000 --> 01:48:54,519
Speaker 5: He just walked in my studio sessionly Plu told you

2080
01:48:54,640 --> 01:48:56,960
Speaker 5: to walk over right, Buck Wilder is doing the beat

2081
01:48:57,040 --> 01:48:59,120
Speaker 5: maybe be buck Wow, and.

2082
01:48:59,200 --> 01:49:00,600
Speaker 2: Then and goes to me.

2083
01:49:00,800 --> 01:49:04,559
Speaker 5: He goes, yo, you Puerto Rican and yeah, he goes,

2084
01:49:05,000 --> 01:49:07,400
Speaker 5: so wipe the ice grilled off, Bapa.

2085
01:49:09,280 --> 01:49:13,640
Speaker 2: Because we're gonna be friends. And from that moment, Yo,

2086
01:49:13,720 --> 01:49:19,160
Speaker 2: the nigga made me laugh. I was racist from that

2087
01:49:19,360 --> 01:49:23,920
Speaker 2: moment and it was some of the best people I

2088
01:49:23,960 --> 01:49:26,560
Speaker 2: ever met. Man, Joe, I really appreciate you. You have

2089
01:49:26,680 --> 01:49:29,320
Speaker 2: never left me. You know You've always been there for me.

2090
01:49:29,640 --> 01:49:35,200
Speaker 1: I want to guard ray Kwan, but just his birthday

2091
01:49:35,400 --> 01:49:39,479
Speaker 1: is his birthday, Happy birthday, my brother. But Ray Kwan

2092
01:49:39,640 --> 01:49:44,000
Speaker 1: the shelf before you leave, telling me friends top three

2093
01:49:44,280 --> 01:49:49,360
Speaker 1: friends and him. You don't know. They jerked me, so

2094
01:49:49,520 --> 01:49:53,479
Speaker 1: I have he called me first, I was out of town.

2095
01:49:53,520 --> 01:49:55,519
Speaker 1: I said, nah, go get him, and I never got him.

2096
01:49:55,560 --> 01:49:57,760
Speaker 2: But I really need to have one up on you.

2097
01:49:58,080 --> 01:50:00,720
Speaker 1: You got, I said, you he gonna give me one?

2098
01:50:00,960 --> 01:50:03,519
Speaker 2: Yeah, I know, but for now, can I say something?

2099
01:50:03,640 --> 01:50:07,280
Speaker 1: Yeah? So I'm an underground wrapper. I'm digging in the crates.

2100
01:50:08,120 --> 01:50:10,360
Speaker 1: I'm like on my first second album. I'm on my

2101
01:50:10,479 --> 01:50:12,679
Speaker 1: first album. I came out the same time as Wu

2102
01:50:12,760 --> 01:50:15,519
Speaker 1: Tang and I remember I was getting like three hundred

2103
01:50:15,560 --> 01:50:17,519
Speaker 1: the show. I ain't knowing how they made money because

2104
01:50:17,520 --> 01:50:22,080
Speaker 1: it was fifteen niggas for three hundred dollars. I'm sure

2105
01:50:22,960 --> 01:50:26,320
Speaker 1: Ray got some stars, right, I'm like, damn, I start

2106
01:50:26,439 --> 01:50:29,880
Speaker 1: counting thirteen niggas and shit, you niggas must have got

2107
01:50:29,960 --> 01:50:35,800
Speaker 1: fifteen dollars, right, Shit fucked up? Right? And then I

2108
01:50:35,880 --> 01:50:39,559
Speaker 1: remember Woo just super blue and I wasn't big yet,

2109
01:50:39,600 --> 01:50:41,920
Speaker 1: And I remember I would any time I would call

2110
01:50:42,040 --> 01:50:45,720
Speaker 1: Ray corner and this nigga's like four platinum, I'd be like, yo, Reay,

2111
01:50:45,800 --> 01:50:47,160
Speaker 1: I need you on the so on the night like

2112
01:50:47,280 --> 01:50:50,320
Speaker 1: five water. Ten minutes later that nigga was in there.

2113
01:50:50,439 --> 01:50:54,040
Speaker 1: No funny Style kept the ten thousand with me. I

2114
01:50:54,120 --> 01:50:56,839
Speaker 1: remember one time I was in Ray. Don't even remember

2115
01:50:56,880 --> 01:50:59,000
Speaker 1: this yet, y'all don't remember this, but I was in

2116
01:50:59,080 --> 01:51:00,519
Speaker 1: Staatenla and I the show.

2117
01:51:01,320 --> 01:51:03,320
Speaker 2: I remember you had a studios that now we had

2118
01:51:03,360 --> 01:51:04,200
Speaker 2: the studio.

2119
01:51:04,680 --> 01:51:06,200
Speaker 1: But no one time I had a show in the

2120
01:51:06,320 --> 01:51:09,200
Speaker 1: hood early on and I got into some ship with

2121
01:51:09,320 --> 01:51:12,040
Speaker 1: the with with the Staten Island niggas like it was

2122
01:51:12,080 --> 01:51:14,800
Speaker 1: about to pop off crazy like yo, fuck y'all talking

2123
01:51:14,800 --> 01:51:18,000
Speaker 1: about nigga nigga niggas ready to pop off, and the

2124
01:51:18,160 --> 01:51:21,840
Speaker 1: guard Ray Kwan, was like, Yo, this is my motherfucking

2125
01:51:21,920 --> 01:51:25,639
Speaker 1: brother man. That ship ain't going down here. Shut that shit.

2126
01:51:25,720 --> 01:51:33,559
Speaker 1: He talking that woo change ship niggas calmed down, Fuck

2127
01:51:33,640 --> 01:51:36,960
Speaker 1: that doll. That ship ain't going down here, nigga, Like

2128
01:51:37,080 --> 01:51:38,760
Speaker 1: you know what I'm saying. But it was like, you know,

2129
01:51:40,080 --> 01:51:43,800
Speaker 1: so like Nori, I'm gonna say top five because I

2130
01:51:43,880 --> 01:51:47,280
Speaker 1: got friends. You know what I'm saying. But I got

2131
01:51:47,439 --> 01:51:51,719
Speaker 1: you top five brothers, my brothers that I love. There's

2132
01:51:51,880 --> 01:51:55,160
Speaker 1: always kept it real with me. Top five friends. You

2133
01:51:55,479 --> 01:51:59,320
Speaker 1: and Ray Corners in my top five friends in my

2134
01:51:59,560 --> 01:52:02,280
Speaker 1: brother you know what I mean, Like not love you,

2135
01:52:02,600 --> 01:52:05,639
Speaker 1: not rappers, nothing to do with that, just like you're

2136
01:52:05,680 --> 01:52:07,680
Speaker 1: my brothers. You could call me at any time, Ray

2137
01:52:07,760 --> 01:52:09,320
Speaker 1: call me at any time. It is what it is.

2138
01:52:09,760 --> 01:52:11,840
Speaker 1: If we never wrapped and we knew each other from

2139
01:52:12,240 --> 01:52:14,960
Speaker 1: the block, we would still be brothers. So you know

2140
01:52:15,120 --> 01:52:18,639
Speaker 1: Ray corners in that category. And trust me, it ain't

2141
01:52:18,680 --> 01:52:20,360
Speaker 1: too many niggas in that category.

2142
01:52:20,520 --> 01:52:23,920
Speaker 2: Not for me neither, not for me neither. Thank you, man.

2143
01:52:23,960 --> 01:52:27,519
Speaker 2: I always count on you. Man. I want to say

2144
01:52:27,560 --> 01:52:28,080
Speaker 2: one more story.

2145
01:52:28,080 --> 01:52:31,120
Speaker 1: I like your T shirt. Oh yeah, I like it

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01:52:31,240 --> 01:52:32,240
Speaker 1: a lot. I like it.

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01:52:32,680 --> 01:52:33,960
Speaker 2: This is hip hop less check.

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01:52:35,640 --> 01:52:35,920
Speaker 1: Try to.

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01:52:38,600 --> 01:52:40,679
Speaker 2: Hold on there.

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01:52:41,320 --> 01:52:47,880
Speaker 5: You've never seen those those nay listen.

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01:52:48,000 --> 01:52:50,960
Speaker 2: It doesn't matter because he'll never give me his nigger connect.

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01:52:51,600 --> 01:52:53,960
Speaker 2: You don't give me everything else in the world, but

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01:52:54,080 --> 01:52:57,439
Speaker 2: the sneaker connect doesn't happen. Fat yo. Thank you for dreaming. Man.

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01:52:58,160 --> 01:53:00,519
Speaker 2: You interview hold on yeah, yeah, don't want an.

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01:53:00,439 --> 01:53:02,640
Speaker 1: Interview, Let me do that.

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01:53:16,160 --> 01:53:19,560
Speaker 4: Drink Champs is a Drink Champs LLC production hosts and

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01:53:19,680 --> 01:53:22,880
Speaker 4: executive producers n O r E and dj E f

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01:53:22,920 --> 01:53:23,120
Speaker 4: f N.

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01:53:24,280 --> 01:53:25,080
Speaker 2: Listen to Drink.

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01:53:24,960 --> 01:53:29,240
Speaker 4: Champs on Apple podcast, Amazon Music, Spotify, or wherever you

2161
01:53:29,400 --> 01:53:33,160
Speaker 4: get your podcasts. Thanks for joining us for another episode

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01:53:33,200 --> 01:53:35,840
Speaker 4: of Drink Champs hosted by Yours truly, dj E f

2163
01:53:36,000 --> 01:53:38,120
Speaker 4: N and n O r E. Please make sure to

2164
01:53:38,160 --> 01:53:40,639
Speaker 4: follow us on all our socials that's at drink Champs

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01:53:40,680 --> 01:53:44,760
Speaker 4: across all platforms at the real Noriagon I g at

2166
01:53:44,840 --> 01:53:47,920
Speaker 4: Noriega on Twitter, Mine is at Who's Crazy on I

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01:53:48,120 --> 01:53:51,759
Speaker 4: g at dj e f N on Twitter, and most importantly,

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01:53:51,800 --> 01:53:54,600
Speaker 4: stay up to date with the latest releases, news and

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01:53:54,760 --> 01:53:57,080
Speaker 4: merch by going to drink Champs dot com

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01:54:00,040 --> 01:54:00,439
Speaker 1: Had a be