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Speaker 1: So it's boys night. It's a big slumber party, and

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Speaker 1: it is of course the usual crew, myself, uh Gerard Way,

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Speaker 1: the lead singer of My Chemical Romance and Umbrella Academy. Yes,

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Speaker 1: and uh Chucky the devilish Dolph from the Child's Play films,

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Speaker 1: and we are.

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Speaker 2: Sliding into the least favorite doll and then Annabel even.

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Speaker 1: And he's a friend. And he's a friend.

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Speaker 2: So oh, I'm I'm never I'm never allowed to say

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Speaker 2: anyone who's friends with you. I'm not allowed to say

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Speaker 2: friends of yours that are killing.

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Speaker 1: Well, God forbid you would keep it to yourself when

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Speaker 1: I bring up my friend, I'm telling a nice story

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Speaker 1: about a cyber par and you would just agree and

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Speaker 1: that you would let it slide. But I wouldn't need

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Speaker 1: to know how you feel about I.

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Speaker 2: Would Dolph from Child feel that I didn't wasn't allowed

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Speaker 2: to be honest with you, and that I would be punished.

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Speaker 1: I agree, God forbid, I agree, this is said. I

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Speaker 1: agree with that. Oh yeah, but you're sarcastically agreeing because

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Speaker 1: I am. You're sincerely agree with sarcastic statement, then, which

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Speaker 1: therefore is sarcastic by extension, And just next time, slimy

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Speaker 1: in nose, slicing people, some friend he's possessed. And by

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Speaker 1: the way, he had a bad childhood himself. So Child's

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Speaker 1: plays ironic. Now we're sliding to the dms of Instagram

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Speaker 1: models and we are what do you mean? Why is

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Speaker 1: it child's play? Right? Is the name of the movies? Yes,

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Speaker 1: and that is ironic because he had a bad childhood,

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Speaker 1: because of because I have child because it's literal meaning

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Speaker 1: is the opposite of its actual meaning. And that's what

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Speaker 1: irony is. So think about it. It's not actually children play.

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Speaker 1: What do you mean? What what that's irony? So there's

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Speaker 1: not children playing. They're actually very scared in the film.

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Speaker 1: And even Chucky's scared. You think he hurt people hurt

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Speaker 1: doesn't look scared. Well, that's yeah, because he's putting out

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Speaker 1: a tough facade. Something I have to do with you lot.

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Speaker 1: You're sliding. We were sliding into the dms of Instagram bottles,

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Speaker 1: just high, honey, stunning, nice picks. I mean your tongue

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Speaker 1: cup to Brazil's addie. Yeah, and uh, you know what,

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Speaker 1: never mind because it's hey, welcome back. You said never mind,

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Speaker 1: so good?

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Speaker 2: Hey, well never mind what Handbook and inside his guide

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Speaker 2: to kicking butt and dropping names or whatever. My line

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Speaker 2: back hallways does an industry we call show bed?

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Speaker 1: Never mind, it is time for March. What do we

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Speaker 1: do in March? And this March we are being exciting

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Speaker 1: now like a lion. Today is the beginning of what

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Speaker 1: we are having to call try month. This is the month.

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Speaker 1: Does that mean three months? No? No way, No, it

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Speaker 1: means try like March, just try month. Three months. That's

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Speaker 1: one month. It's about trying, hard hard to try to

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Speaker 1: do something. No.

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Speaker 2: Normally this show is total jerk off for me and

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Speaker 2: I sometimes I'm here and I forget I'm even doing

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Speaker 2: the show.

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Speaker 1: It's a complete joke to me. And uh, not only

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Speaker 1: do I forget I'm doing it. When I remember I'm

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Speaker 1: doing it, I wish that I wasn't. Not this month. Nope,

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Speaker 1: now we are.

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Speaker 2: We know we are doing it, we remember, and we

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Speaker 2: are trying, and we like it and we get really

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Speaker 2: good guests. Yeah, and we do have a really good

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Speaker 2: guest for this episode. Do we have really good guests

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Speaker 2: lined up for the rest of the month.

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Speaker 1: I don't believe that, Yeah, but imagine.

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Speaker 2: But we have to. And today it's and his name

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Speaker 2: is ol and it's weird how.

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Speaker 1: Hey Sean, Hey hayes Hi weirdo? Do I have to

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Speaker 1: try as well? Or is it just you? Guys? Boy,

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Speaker 1: Kevin can get a ruling on this already.

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Speaker 2: The whole concept is falling apart now, Kevin's whole idea.

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Speaker 2: This is all Kevin.

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Speaker 1: Can tell you. Hey, guys, chef Kevin here? Hi Kevin? Uh,

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Speaker 1: do you want to try? I don't want to ask

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Speaker 1: me that sound like no?

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Speaker 3: Yeah.

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Speaker 4: I just don't want to be out of step with

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Speaker 4: everybody else. So I just want to be insane.

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Speaker 3: I know.

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Speaker 1: So you brought the accordion. You said you are not

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Speaker 1: going to touch it? No, No, it's just there for show. Okay.

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Speaker 1: It seems like it's there to intimidate us. He said,

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Speaker 1: I want to be in sync. It seems like you

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Speaker 1: want to be a lot of bands. Yeah, yeah, no

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Speaker 1: strings attached? Yeah, what were we saying? We're talking about

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Speaker 1: my accordion?

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Speaker 4: Ah, Kevin, just just you know, just look at it,

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Speaker 4: don't touch it.

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Speaker 1: It's just there. It's just there. Smart.

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Speaker 2: We are so excited to have you. We are already

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Speaker 2: friends with you from you being on the cardboard A

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Speaker 2: cutout standy of a Comedy Bang Bank season. The only

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Speaker 2: decor in this office is cardboard Standi's from Comedy Bank Bank.

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Speaker 2: The TV show you are on one that says Comedy

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Speaker 2: Bang Bank just got weird, and it's Scott Ackerman surfing

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Speaker 2: and holding you up while he's surfing.

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Speaker 4: I am a presence in your office lobby. Yes, on

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Speaker 4: that very same show, I did a scene with Sean.

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Speaker 1: Yes, Alan, I did some acting work together. Yes, okay,

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Speaker 1: very deep. I don't know about you.

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Speaker 5: Buy.

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Speaker 4: I really pulled back the layers and went really really.

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Speaker 1: Deep on that role. And you don't know about me.

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Speaker 1: I don't because I wasn't me when I showed up

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Speaker 1: for that No, no, no, no, I was. You were

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Speaker 1: in character, Karen, you were so in character I was.

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Speaker 1: I didn't know we were, Oh yes. And I made

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Speaker 1: sure to keep it that way because it would have

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Speaker 1: destroyed the illusion. And for anyone who wants to go

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Speaker 1: back and rewatch the episode, And why wouldn't you think

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Speaker 1: about the fact that Alan I had to that point

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Speaker 1: not met No And yet the friendship on screen crackles,

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Speaker 1: doesn't it. That's what That's why they call it acting.

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Speaker 2: That's one of the reasons you can weigh in on

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Speaker 2: something and sort of back and forth we've had on

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Speaker 2: this show with Scott in the past, which is whether

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Speaker 2: Shawn's role in that episode was what's known as an under.

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Speaker 1: Five, which is did he have five? I under five line?

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Speaker 4: Oh, I thought you meant five out of one hundred.

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Speaker 1: I would say I would probably I would have rated

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Speaker 1: him a little higher than that. Yeah, I think I

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Speaker 1: would have been on a six or seven. Yeah. Yeah.

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Speaker 1: Scott also positive to me what he imagined the amount

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Speaker 1: of money he imagined that I made on the show,

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Speaker 1: and it was very high. It's extremely generous. What he

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Speaker 1: thought people were being paid to go and do six

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Speaker 1: or seven. You're getting all those sweet, sweet comedy bang

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Speaker 1: bang residuals. I assume that seemed to be his impression.

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Speaker 1: I didn't want to go too far into it. Kind

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Speaker 1: of a gross conversation to have even to be bringing

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Speaker 1: it up now, but.

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Speaker 2: Especially on on Mike for public, for everyone.

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Speaker 1: Yes, but he did mention it. I think I made

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Speaker 1: a joke slightly at the expense of comedy Bang Bang,

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Speaker 1: and he said that I could either pay back the money,

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Speaker 1: which he estimated to be ten thousand dollars. What I

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Speaker 1: didn't make that much, of course not. It's the independent

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Speaker 1: film channel. He filmed things independently, from union.

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Speaker 4: Wage, independent from any kind of payment.

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Speaker 1: Oh yes, independent really from being a channel in a

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Speaker 1: lot of us. So you know, it was what it was.

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Speaker 1: Was it scary being surfing like that? It was.

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Speaker 4: Yeah, it was a little scary because you know, I

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Speaker 4: watched the movies as a child and I thought.

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Speaker 1: This would be easy. Yeah, and it's really not. There's

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Speaker 1: a lot of photoshop involved.

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Speaker 2: And it really takes professional with Scott is not. He

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Speaker 2: likes to think he's like a surfing professional.

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Speaker 1: But oh yeah, yeah, no he is not, believe me. Yeah.

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Speaker 1: Shark attack, shark alarm? Did the shark alarm go off?

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Speaker 1: Shark alarm? Yeah? Oh no, the love shark was there?

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Speaker 1: Oh jeez. And now they'll be loving on you, hug

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Speaker 1: and kissing. Yeah, it's adorable, but also it can be

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Speaker 1: kind of stable and baby shirt. Yeah you like do

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Speaker 1: you say here? Listen to that song? Maybe can doing it?

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Speaker 1: So you did comedy Bang Bang a bunch of times

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Speaker 1: the podcast I did you did cry babies once? Uh?

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Speaker 1: I killed it, killed the show and ended the show. Yes,

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Speaker 1: he refuse to cry. I did you're not gonna make

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Speaker 1: me cry? I remember, Yeah, we just played that was

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Speaker 1: just a clip from the episode. Yeah, did you like it?

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Speaker 4: Oh gosh, my best work.

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Speaker 1: No one had really taken it to the that way before,

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Speaker 1: and so they were basically defeated. You were the first

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Speaker 1: one they were taken aback. Everyone played ball.

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Speaker 2: That they couldn't Basically, my understanding of the premise of

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Speaker 2: the show is that they would basically bully people into crying, and.

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Speaker 4: If if you didn't start crying, they'd like start like

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Speaker 4: poking and then getting.

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Speaker 1: You and yes, and they would fully beat you up. Yeah. Yeah,

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Speaker 1: but I toughed it out. You screamed so loud that

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Speaker 1: they had to end the show.

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Speaker 4: I was so not on brand. I basically ruined their

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Speaker 4: entire podcast. Yeah, but not gonna happen in this one.

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Speaker 1: Couldn't know. There's really nothing to ruin by being formless.

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Speaker 1: The podcast is like water, and so everyti they were

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Speaker 1: able to move with it. You cannot ruin water, yes, yeah, okay, well, yeah,

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Speaker 1: I guess you can. Room water and flint does a

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Speaker 1: couple luck. I'm trying yet, I'm not sure. I don't know, Okay,

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Speaker 1: am I do? I seem like I'm trying. I don't.

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Speaker 1: I don't want to. I don't want to be out

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Speaker 1: of out of sync with try week. Yeah, no, I don't.

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Speaker 1: How does Engineer Jordan fit into it too?

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Speaker 2: Because I'm getting basically the exact same thing I've gotten.

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Speaker 1: She hasn't been here that long, but she seems like

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Speaker 1: she's coasting. I don't know. Yes, I'm getting that vibe

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Speaker 1: as well. I'm trying, are you. I'm trying very hard.

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Speaker 1: I'm nervous with Engineer Jordan a little bit. She last

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Speaker 1: time that we used her on Mike, she got a

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Speaker 1: little bit fresh. She's kind of trying. My She was like,

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Speaker 1: kind of pissed at us. I thought, why, I'm getting

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Speaker 1: a lot of attitude right now, just like I think

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Speaker 1: we asked you to do something and you were just

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Speaker 1: like Jesus Christ. Maybe maybe again.

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Speaker 6: I try every time with you, guys, I try.

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Speaker 2: What's the iPad for? It's all It's all in these

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Speaker 2: iPads now, huh.

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Speaker 1: Yeah, Tetris, No, it's your levels.

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Speaker 6: Oh instead of me being behind the board, I.

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Speaker 1: Can right here. Wow. I like it made the level

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Speaker 1: spell out base nice? Can you spell out boobs with that? Sure?

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Speaker 1: Whenever you want.

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Speaker 2: Okay, And already the beginning of tri Month, we've made

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Speaker 2: the one female engineer spell out boobs.

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Speaker 1: Oh great, perfect, what a nice show. But maybe that's better.

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Speaker 2: Maybe that's better instead of if it's just men in

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Speaker 2: here and we're spelling out boobs.

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Speaker 1: That then does become more problematic. Probably look at these

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Speaker 1: podcasts at the top of the charts. What are they doing.

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Speaker 1: They're spelling out booing. That's the way to the top. Yes,

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Speaker 1: and that is a big part of tri Month. One

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Speaker 1: thing that we're gonna have to is we're just looking

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Speaker 1: to get listeners and if we got to steal them

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Speaker 1: from your Joe Rogan's or you're Adam Carolla as well,

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Speaker 1: and that's where we're gonna have to guess you do

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Speaker 1: that without spell boobs?

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Speaker 2: No, no, no, oh, okay what And I can't even

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Speaker 2: do this anymore.

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Speaker 1: And I have to get to the real part of

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Speaker 1: the show. And I'm sorry.

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Speaker 2: It is time to be pissed, all right, Sean and

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Speaker 2: I have done movies and TV and a book.

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Speaker 1: And a show and art five then posters. I didn't

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Speaker 1: say how many art, Yeah, and posters and T shirt

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Speaker 1: We're almost in double digits.

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Speaker 2: We are part of Hollywood. Oh yeah, and the industry.

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Speaker 2: And we have a few friends COOLi Oh, presidents of

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Speaker 2: the United States of America. Yeah, the whoever sang the

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Speaker 2: song that Yoda was going off of.

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Speaker 1: The freaking Kings baby come on? And who else? Oh,

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Speaker 1: please don McLean the off all.

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Speaker 2: These are some of our best friends, lives, real people, ol.

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Speaker 2: Can I remind you lives hi lives that you have

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Speaker 2: destroyed and made fun of so much that they can't

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Speaker 2: even sing their own songs at their concerts anymore because

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Speaker 2: people start drowning them out by singing weird owl's version.

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Speaker 2: These were real people reduced to common jokes, and we

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Speaker 2: cannot we and now it's time we have to get revenge.

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Speaker 1: Imagine your life's work stolen out from under you in

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Speaker 1: funny mustache drawn on all the pictures of you, and

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Speaker 1: then everyone thinks you had a mustache? Would it help

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Speaker 1: to say, I'm sorry. I don't think that's gonna do

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Speaker 1: it this time? Al Okay, so what do you recommend?

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Speaker 1: How about a taste of your own medicine? That seems

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Speaker 1: only fair.

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Speaker 2: And this is like the Kevin thing, by the way,

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Speaker 2: I would love for you to just be able to

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Speaker 2: say I'm sorry, and we just end the whole of

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Speaker 2: the show.

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Speaker 1: Oh, we all go hurry out.

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Speaker 2: But I mean Kevin says that we do the entire

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Speaker 2: show and we play out whatever kind of the premises,

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Speaker 2: that even if.

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Speaker 1: The idea that we have is paper thing, I mean,

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Speaker 1: even if we have almost nothing else beyond stating the premise,

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Speaker 1: we're supposed to do, like, what is it? Forty five minutes,

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Speaker 1: let's rock this premise. I'm excited, thank you. So here's what.

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Speaker 2: Here's what you have to do. You have to eat

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Speaker 2: your own medicine, all right, and it's pills, all right,

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Speaker 2: and the juicy kind, juicy.

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Speaker 1: Pills, big ones and no water. Gotta eat them dry.

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Speaker 1: Is this a metaphor?

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Speaker 4: Am I actually eating a bunch of horse pills?

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Speaker 1: We have time, we'll see what we Okay.

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Speaker 2: So you have to you have these powers of mockery

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Speaker 2: and destruction, and you will be forced to turn them

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Speaker 2: on yourself.

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Speaker 1: Okay.

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Speaker 2: And you do have to take your own songs, and

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Speaker 2: you do have to effectively reverse the charges, so or the.

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Speaker 1: What is it?

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Speaker 2: And it's a reverse engineer in some movie they have

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Speaker 2: to dreams. They don't say that in front of Jordan

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Speaker 2: because if she gets it, if she gets told to

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Speaker 2: reverse engineer.

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Speaker 1: She'll undo the entire She'll create a black holes. Is

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Speaker 1: going home? But yes, create a black hole in the studio.

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Speaker 2: No, isn't there something where it's like we have to

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Speaker 2: reverse the polarity the polarity?

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Speaker 1: Yes, oh yeah, that felt good? Everyone now, and then

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Speaker 1: Hayes and I really find each other and so basically

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Speaker 1: have to blast yourself with your own musical gun. I've

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Speaker 1: done that before. Spider Man do web on himself. Got it?

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Speaker 4: Okay, Well you know it only seems fair, So let's

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Speaker 4: try that instead of tri month.

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Speaker 1: Well, then let's try it now. Now, yeah, you did it?

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Speaker 1: Song called fat I did? Was that cool? Certainly? I

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Speaker 1: thought it was cool, But we're certainly not gonna reckon

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Speaker 1: with it now.

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Speaker 4: It's a body positivity song because people that the the

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Speaker 4: protagonist in that song is so proud of his or

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Speaker 4: her I'm not gonna I'm gonna say, uh, well, I've.

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Speaker 1: Seen the video. I am gonna say he's owning his son. Yes,

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Speaker 1: in the same way that Michael Jackson's protagonists owned his badness,

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Speaker 1: which previously had been thought of as not good.

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Speaker 7: M M.

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Speaker 2: But what offends that al, you had to do a

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Speaker 2: song right now about yourself and it was about specifically

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Speaker 2: your butt, Okay, a song about my butt, which we

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Speaker 2: have been noticing is very flat, okay, in a way

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Speaker 2: that some people might might like might think is great,

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Speaker 2: that it like looks good.

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Speaker 1: And we'll and we'll just say those people are us, Okay,

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Speaker 1: so we don't. Personally, I think it's necessarily a bad thing.

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Speaker 1: But what if you had to do a song called

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Speaker 1: flat and it's about your flat it's to the tune

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Speaker 1: of bad or fat, Bad's gone. I can't even find

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Speaker 1: bad in the rear view out. Somebody stopped on it

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Speaker 1: and threw it in the trash and replace it with fat. Okay,

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Speaker 1: we're ready. Here we go. My butt is flat, but

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Speaker 1: that's okay, don't need around but anyway, okay, wow scene, Yes,

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Speaker 1: but he managed to do it, but he managed to

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Speaker 1: make it empowering. See about his flat But I'm owning

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Speaker 1: my flat butt. Never accounted for that, So that.

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Speaker 4: Didn't really that didn't really reverse the polarity much too. Yeah, well,

315
00:17:47,359 --> 00:17:49,320
Speaker 4: we're not unnecessary, but it's hard not to.

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Speaker 2: Honestly, what we are. What we're the flatness of your butt.

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Speaker 2: We knew that was gonna be hard to like make

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Speaker 2: fun of, because honestly, I mean, you consider that your

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Speaker 2: best feature, Yeah right, one of my best covering.

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Speaker 1: Okay, yeah, it's great. Well, why don't we go for

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Speaker 1: perhaps an even bigger ahead of yours? Oh Man, I

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Speaker 1: seem to recall you made a song called white and Nerdy,

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Speaker 1: didn't you ask? I did do that? Well, what if

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Speaker 1: instead of that it was about you? And it was

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Speaker 1: called light and flirty and it described your conversational style,

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Speaker 1: Because I gotta be honest, pal, even in just talking

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Speaker 1: outside briefly before we came in the studio, there was

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Speaker 1: a sort of airy, breezy pleasantness to the conversation with just.

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Speaker 2: Like a flirtatious edged Hayes, you said it, and it

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Speaker 2: may be something that we're bringing to it, but you

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Speaker 2: can't like you're not like blameless in this.

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Speaker 1: I kind of feel like I'm doing the heavy lifting.

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Speaker 4: I think maybe Hayes should like jump into the light

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Speaker 4: and flirty song parody genre.

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Speaker 1: Okay, Man, I could see that really being something fun

336
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Speaker 1: and devastating would devastate me.

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Speaker 2: We'd have to play it or I can just kind

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Speaker 2: of sort of vaguely go off of what I remember. Okay,

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00:19:07,480 --> 00:19:11,679
Speaker 2: uh hmm, it goes. I know eventually you get to

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00:19:14,240 --> 00:19:17,080
Speaker 2: but before that, there's other stuff. There's a lot of stuff,

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Speaker 2: many syllables. Jordan looks like she's trying to remember.

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Speaker 6: No, I think I think Kevin's bringing up the karaoke

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Speaker 6: track so we can we can put that up.

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Speaker 1: Oh yeah, okay, watch out for the according. I'm getting

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00:19:35,080 --> 00:19:40,000
Speaker 1: so red, I'm blushing. What's happening where now? Is getting

346
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Speaker 1: lit and flirty? I was getting lighted and flirty. I

347
00:19:42,920 --> 00:19:46,080
Speaker 1: was getting light and blirty. I was getting light and blirty.

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00:19:46,160 --> 00:19:49,160
Speaker 1: I was getting light and flirty. What's happening to my head?

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Speaker 1: Never felt like this before. I'm on cloud night where

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Speaker 1: I was getting lit and flirty, getting light and flirty,

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Speaker 1: getting light and flirty. I was flirty. Yeah. Nice, that's

352
00:20:02,640 --> 00:20:06,679
Speaker 1: pretty good. I feel devastated. See again, it seems to

353
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Speaker 1: me and how it feels just and I and I'm

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Speaker 1: sort of an observer because I wasn't involved in either

355
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Speaker 1: side of the song, either the target of it or

356
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Speaker 1: its creator. It felt empowering. Again, damn it, I don't

357
00:20:20,440 --> 00:20:23,800
Speaker 1: feel like I'm getting my just desserts. Yeah, that's the issue,

358
00:20:24,520 --> 00:20:29,200
Speaker 1: is that this guy hasn't been punished enough. It's all

359
00:20:29,240 --> 00:20:32,840
Speaker 1: about how charming he is. Yeah, that's a good bud,

360
00:20:32,960 --> 00:20:37,359
Speaker 1: This gorgeous flat butt. His ability to kind of make

361
00:20:37,400 --> 00:20:41,520
Speaker 1: you feel special when you're talking to him in a room.

362
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Speaker 1: Not ideal.

363
00:20:44,240 --> 00:20:48,480
Speaker 2: Maybe something that related to any stories from uh when

364
00:20:48,480 --> 00:20:51,560
Speaker 2: you guys did the episode together, the comedy Bang Bang episode?

365
00:20:51,640 --> 00:20:57,440
Speaker 1: Did he like ever like screw up really bad? Total professional? Okay,

366
00:20:58,800 --> 00:21:02,760
Speaker 1: really knew his lines. I mean he came in off book. Yeah,

367
00:21:02,800 --> 00:21:07,440
Speaker 1: he seemed to have studied it ahead of time, found

368
00:21:07,520 --> 00:21:10,000
Speaker 1: his light right away, hit his marks. I wish you

369
00:21:10,000 --> 00:21:12,080
Speaker 1: could help you out here, worked the camera like a

370
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Speaker 1: fucking demon. The guy pro let me think, let me think.

371
00:21:21,520 --> 00:21:23,360
Speaker 1: Its gotta be an angle here or something there has

372
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Speaker 1: to be right.

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Speaker 2: Well, let's let's go through some songs. All right, there's

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Speaker 2: we already talked about Yoda. What's a deep cut? A

375
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Speaker 2: deep cut?

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Speaker 1: Yeah? Oh, something you wouldn't know, No, we we can

377
00:21:36,280 --> 00:21:36,560
Speaker 1: know it.

378
00:21:36,600 --> 00:21:40,200
Speaker 2: But just like one that maybe one that people don't

379
00:21:40,200 --> 00:21:43,159
Speaker 2: bring up enough, but you wish they would, and you

380
00:21:43,200 --> 00:21:45,200
Speaker 2: wish that they did. The one that you've always wish

381
00:21:45,240 --> 00:21:48,800
Speaker 2: people would turn into a song that is insulting to you.

382
00:21:49,560 --> 00:21:50,240
Speaker 1: Oh, let's see that.

383
00:21:50,320 --> 00:21:53,080
Speaker 4: Well, the precursor to White Nerdy was my other nerd Anthem.

384
00:21:53,320 --> 00:21:56,480
Speaker 4: It's all about the pentems. Oh, it's all about the Pentiems. Yeah,

385
00:21:57,400 --> 00:22:02,840
Speaker 4: minor head, very minor, right c. Plus there's also uh,

386
00:22:03,200 --> 00:22:07,440
Speaker 4: pretty fly for a rabbi. Okay, that one is pretty

387
00:22:07,440 --> 00:22:10,280
Speaker 4: fly for a rad guy because he is just like

388
00:22:10,320 --> 00:22:10,960
Speaker 4: a rad guy.

389
00:22:11,040 --> 00:22:16,439
Speaker 1: Well, ow's really rad, yeah, but pretty fly for a

390
00:22:16,560 --> 00:22:22,040
Speaker 1: rad guy. Pretty fly for a rad guy. Could kind

391
00:22:22,040 --> 00:22:24,879
Speaker 1: of stick it to him. Yeah, that's like, yeah for

392
00:22:24,960 --> 00:22:27,200
Speaker 1: a rad guy. I guess he's fly. Do you think

393
00:22:27,280 --> 00:22:29,359
Speaker 1: you would be able to do that one? Like faint

394
00:22:29,440 --> 00:22:32,960
Speaker 1: praise kind of try? Yeah? Okay, Okay, I mean I

395
00:22:33,000 --> 00:22:35,359
Speaker 1: guess I could try. I don't see why not. What

396
00:22:35,440 --> 00:22:38,080
Speaker 1: are the lyrics on this video, Kevin? Yeah, I don't

397
00:22:38,119 --> 00:22:40,520
Speaker 1: even know if I really remember it. This is the

398
00:22:40,560 --> 00:22:48,720
Speaker 1: German version. Okay, I don't think this is a that's

399
00:22:48,920 --> 00:22:55,560
Speaker 1: the German version. That's Kevin. This is carry.

400
00:22:56,640 --> 00:22:57,240
Speaker 8: We want to.

401
00:22:57,160 --> 00:23:01,560
Speaker 2: Promote you guy and have it be louder than ours.

402
00:23:02,400 --> 00:23:04,320
Speaker 4: Look, I'll do the bass part, you did the guitar part.

403
00:23:04,359 --> 00:23:09,840
Speaker 1: Don't do don't, don't don't do, don't don't don't don't

404
00:23:09,920 --> 00:23:19,760
Speaker 1: don't don't don't give it to me, give it to me,

405
00:23:22,080 --> 00:23:27,480
Speaker 1: give it to me, say he's pretty rad for a

406
00:23:27,600 --> 00:23:32,760
Speaker 1: rad guy. Yeah, yeah, it was close. I mean, how

407
00:23:32,840 --> 00:23:36,840
Speaker 1: that feel to get that right in the field, right

408
00:23:36,880 --> 00:23:38,639
Speaker 1: in the face. I feel like he got me with

409
00:23:38,640 --> 00:23:41,120
Speaker 1: that one. Yeah, that one seemed to stick him pretty good.

410
00:23:41,280 --> 00:23:44,080
Speaker 2: Okay, I want to say, what what sort of I

411
00:23:44,440 --> 00:23:47,280
Speaker 2: What happened for me and listening to it, was that

412
00:23:47,480 --> 00:23:50,840
Speaker 2: al did become sort of a sexual object again.

413
00:23:51,800 --> 00:23:54,000
Speaker 1: I yes, because what I'm telling him to give it

414
00:23:54,040 --> 00:23:57,000
Speaker 1: to me and he's doing this sort of cool music

415
00:23:57,040 --> 00:23:59,639
Speaker 1: with his mouth. Yes, I'm thinking give it to me

416
00:23:59,720 --> 00:24:02,320
Speaker 1: could really means something sexy right now? Never thought that

417
00:24:02,400 --> 00:24:05,639
Speaker 1: way well, and I had neither. But as I'm caught

418
00:24:05,720 --> 00:24:09,960
Speaker 1: up in the throes of the song, I'm having trouble

419
00:24:10,000 --> 00:24:14,520
Speaker 1: picturing anything else. And then even when I said, all

420
00:24:14,600 --> 00:24:17,800
Speaker 1: the girlies say, I'm thinking you know all the girlies

421
00:24:17,800 --> 00:24:22,040
Speaker 1: that he's given it to? You said, girlies, well, yeah,

422
00:24:22,160 --> 00:24:25,120
Speaker 1: which is part of the song, the original song, right,

423
00:24:25,240 --> 00:24:28,639
Speaker 1: all the girlies say it? And I said pretty rad.

424
00:24:28,400 --> 00:24:31,800
Speaker 2: You said pretty rare. So even pretty fly for a

425
00:24:31,880 --> 00:24:34,720
Speaker 2: rad guy was not enough of a con.

426
00:24:34,720 --> 00:24:39,240
Speaker 1: Honestly, I got a little bit flustered just from the

427
00:24:39,240 --> 00:24:44,240
Speaker 1: pure sexuality of it with how Yes, just the essentially

428
00:24:44,280 --> 00:24:48,560
Speaker 1: the horniness that was created in me from the song

429
00:24:48,720 --> 00:24:51,760
Speaker 1: content took me out of my game.

430
00:24:51,960 --> 00:24:53,760
Speaker 4: That's a big problem in all my life shows.

431
00:24:53,840 --> 00:24:57,399
Speaker 1: Okay, yes, I thought, so can you like, what's the

432
00:24:57,800 --> 00:24:59,399
Speaker 1: some of the kind of stuff you're dealing with?

433
00:24:59,560 --> 00:25:02,720
Speaker 4: Yeah, because you know it's it's a comedy show, you know, ostensibly,

434
00:25:02,800 --> 00:25:05,719
Speaker 4: and yet there's there's such a sexual component to my

435
00:25:06,160 --> 00:25:09,040
Speaker 4: stage persona that people just can't seem to concentrate on

436
00:25:09,080 --> 00:25:09,640
Speaker 4: the lyrics.

437
00:25:10,119 --> 00:25:13,679
Speaker 1: Yeah, everyone is. It's true. It's a curse.

438
00:25:15,920 --> 00:25:18,760
Speaker 2: I I I heard a story once out of someone

439
00:25:18,920 --> 00:25:21,879
Speaker 2: who went to see you in concert, uh and was

440
00:25:21,960 --> 00:25:22,439
Speaker 2: very horny.

441
00:25:22,440 --> 00:25:24,840
Speaker 1: But this is not that's not part of the story. Uh.

442
00:25:24,880 --> 00:25:25,800
Speaker 1: And saw you.

443
00:25:27,560 --> 00:25:29,600
Speaker 2: Had a view of you backstage and saw you drive

444
00:25:29,680 --> 00:25:32,400
Speaker 2: up on a golf cart and someone was holding up.

445
00:25:32,320 --> 00:25:33,520
Speaker 1: Your accordion for you.

446
00:25:33,960 --> 00:25:37,160
Speaker 2: Uh And without breaking stride, you put your hands into

447
00:25:37,200 --> 00:25:40,720
Speaker 2: the accordion and went straight straight odd stage without even

448
00:25:40,760 --> 00:25:42,080
Speaker 2: stopping walking.

449
00:25:42,240 --> 00:25:44,520
Speaker 1: It's true. Is that something you had to practice?

450
00:25:44,640 --> 00:25:46,680
Speaker 4: Or it's no, you don't have to practice it when

451
00:25:46,680 --> 00:25:48,080
Speaker 4: you've been doing as long as I have. You know,

452
00:25:48,320 --> 00:25:50,760
Speaker 4: the move to get off the golf cart into your accordian,

453
00:25:51,119 --> 00:25:52,879
Speaker 4: you know, and it's a different golf cart, you know,

454
00:25:52,960 --> 00:25:55,240
Speaker 4: for every city, because that's on the writer backstages, like

455
00:25:55,240 --> 00:25:56,720
Speaker 4: you know, we show up in a town like boys

456
00:25:56,760 --> 00:25:58,919
Speaker 4: are like, where's the golf cart? The g Yeah, and

457
00:25:58,920 --> 00:26:00,800
Speaker 4: if there's not enough gas in the golf card, I walk?

458
00:26:01,240 --> 00:26:03,560
Speaker 1: Oh damn okay, Well that because you wouldn't be able

459
00:26:03,600 --> 00:26:05,840
Speaker 1: to drive the golf cart, correct, You would have to

460
00:26:05,880 --> 00:26:06,640
Speaker 1: walk on stage?

461
00:26:06,800 --> 00:26:07,000
Speaker 2: Yeah?

462
00:26:07,160 --> 00:26:10,320
Speaker 1: Yeah, yeah, the golf car won't get there, and your

463
00:26:10,400 --> 00:26:13,440
Speaker 1: legs work just as well. It's not a long trip,

464
00:26:13,560 --> 00:26:15,479
Speaker 1: Like who needs a golf cart? Really? Yeah? So if

465
00:26:15,520 --> 00:26:18,080
Speaker 1: there's no guess you just want to walk. I've been

466
00:26:18,080 --> 00:26:21,880
Speaker 1: thinking about one of your songs quite a bit. It's

467
00:26:21,920 --> 00:26:24,760
Speaker 1: called Party in the CIA. Oh that's a good one,

468
00:26:24,880 --> 00:26:28,080
Speaker 1: and it's like Party in the USA. But I say

469
00:26:28,080 --> 00:26:30,240
Speaker 1: we take this and we stick out with it. Could

470
00:26:30,280 --> 00:26:32,359
Speaker 1: you turn that on me? Well, here's what I'm thinking.

471
00:26:32,880 --> 00:26:34,879
Speaker 1: How seems like kind of a good guy just to

472
00:26:34,960 --> 00:26:38,600
Speaker 1: have a brew with if it's party with an ipa?

473
00:26:39,080 --> 00:26:46,160
Speaker 1: Oh dang, okay, I don't want to hear this, right, Okay,

474
00:26:46,280 --> 00:26:50,320
Speaker 1: I think I can try this all right? Well, and

475
00:26:50,720 --> 00:26:55,120
Speaker 1: I'm here to help. I'm here to support. I think, yes,

476
00:26:55,400 --> 00:26:58,280
Speaker 1: let's let's try it. Can we get the karaoke track

477
00:26:58,359 --> 00:27:10,560
Speaker 1: going me? We walk through the door at the Tilted

478
00:27:10,680 --> 00:27:15,000
Speaker 1: Guilt and I'm wearing your card again. Weird out sitting

479
00:27:15,160 --> 00:27:17,840
Speaker 1: by himself and he looks like he needs a friend.

480
00:27:18,920 --> 00:27:20,960
Speaker 1: I signed over with my son, and I says on

481
00:27:21,119 --> 00:27:24,520
Speaker 1: and I ask him he wants a beer? He says,

482
00:27:24,640 --> 00:27:27,959
Speaker 1: I just need company, but I'll have a beer as well.

483
00:27:28,280 --> 00:27:31,040
Speaker 1: And I put my hands up my order of beer

484
00:27:31,080 --> 00:27:34,560
Speaker 1: from the guy who's at the bar where he says,

485
00:27:34,600 --> 00:27:37,359
Speaker 1: what do you want? And that's not the part of

486
00:27:37,400 --> 00:27:41,680
Speaker 1: this song? And my order of beer from the guy

487
00:27:41,720 --> 00:27:44,920
Speaker 1: who's behind the bar. He says, what kind of beer

488
00:27:44,920 --> 00:27:49,000
Speaker 1: do you want? I said, I want I p He

489
00:27:49,080 --> 00:27:51,440
Speaker 1: said one kind of idea do you want? I said

490
00:27:51,440 --> 00:27:56,120
Speaker 1: one that's not that's nazy. He says, all only nasty ones.

491
00:27:56,200 --> 00:28:00,840
Speaker 1: But we all try to water it down for you,

492
00:28:01,280 --> 00:28:05,360
Speaker 1: all right? Nice? Wow?

493
00:28:05,480 --> 00:28:10,160
Speaker 2: So you could tell how I was so zeroed into

494
00:28:10,200 --> 00:28:12,040
Speaker 2: what part of the song was happening.

495
00:28:11,800 --> 00:28:15,000
Speaker 1: Atie given time. Uh huh, And so is my character

496
00:28:15,080 --> 00:28:17,719
Speaker 1: in the song as well? Your character was put off

497
00:28:17,760 --> 00:28:21,000
Speaker 1: by the drum break I think, yeah, I think your

498
00:28:21,119 --> 00:28:23,879
Speaker 1: character it was very eager to get to the to

499
00:28:23,960 --> 00:28:26,480
Speaker 1: the chorus. Your character may have already had a couple

500
00:28:26,520 --> 00:28:30,520
Speaker 1: IPAs before he showed up at the bar, which is

501
00:28:30,600 --> 00:28:35,720
Speaker 1: just something that can happen, and so then it makes

502
00:28:35,760 --> 00:28:38,000
Speaker 1: a little harder to keep track of exactly where you are,

503
00:28:38,440 --> 00:28:40,320
Speaker 1: how the chorus goes, or any of that stuff, which,

504
00:28:40,360 --> 00:28:41,760
Speaker 1: by the way, we don't even care about. All we

505
00:28:41,800 --> 00:28:45,280
Speaker 1: care about is giving it to Al in a major way,

506
00:28:45,480 --> 00:28:47,840
Speaker 1: which I think we could all thank you finally really

507
00:28:48,120 --> 00:28:49,520
Speaker 1: just nailed me on that one.

508
00:28:49,680 --> 00:28:53,600
Speaker 2: I gotta say, it's just analyzing it myself. I didn't

509
00:28:53,640 --> 00:28:56,480
Speaker 2: really reference as I was singing it, Al was in

510
00:28:56,560 --> 00:29:00,080
Speaker 2: my head dancing to the song, and every time I

511
00:29:00,120 --> 00:29:04,640
Speaker 2: tried to find an avenue to like basically shoot bullets

512
00:29:04,640 --> 00:29:06,160
Speaker 2: at him, and he would sort of dance in a

513
00:29:06,200 --> 00:29:09,440
Speaker 2: way that would dodge the bullets. And I was unable

514
00:29:09,480 --> 00:29:13,000
Speaker 2: to even come up with a lyric even basically referencing Al,

515
00:29:13,120 --> 00:29:16,320
Speaker 2: except that he was like sitting by himself, uh, and

516
00:29:16,360 --> 00:29:19,040
Speaker 2: he was like eager for just to hang out with me.

517
00:29:19,120 --> 00:29:22,760
Speaker 1: But he maintained high status even sitting by himself, because

518
00:29:22,800 --> 00:29:25,320
Speaker 1: you asked him to have a beer with you. Yes,

519
00:29:25,400 --> 00:29:28,640
Speaker 1: And pretty immediately he's like, I don't really need one, yes,

520
00:29:28,680 --> 00:29:31,080
Speaker 1: but I'll do it to be nice. Yes, And then I.

521
00:29:31,400 --> 00:29:33,920
Speaker 2: Basically was at the bar for the rest of the

522
00:29:33,960 --> 00:29:37,760
Speaker 2: song trying to figure out what beer I wanted, and

523
00:29:37,800 --> 00:29:40,320
Speaker 2: then there was it had to be watered down.

524
00:29:40,560 --> 00:29:43,360
Speaker 1: I'm gonna get this out of a bitch. You know

525
00:29:43,400 --> 00:29:46,280
Speaker 1: you don't think they got me. You're dead. I'm getting

526
00:29:46,320 --> 00:29:49,280
Speaker 1: you help me work on this because I'm going to

527
00:29:49,400 --> 00:29:55,040
Speaker 1: do this the yeah but y anthem? Okay, all right,

528
00:29:55,080 --> 00:29:57,160
Speaker 1: all right bed rock anthem? And what do we make

529
00:29:57,240 --> 00:30:00,400
Speaker 1: that to get him? What would really get Do you

530
00:30:00,440 --> 00:30:02,680
Speaker 1: not want to hear? What? Have a study? Yeah? But

531
00:30:02,800 --> 00:30:09,560
Speaker 1: do Now I'm going like, hey, hey, screw you pal. Okay?

532
00:30:09,960 --> 00:30:14,640
Speaker 1: Is that too rough? That's a's sean.

533
00:30:15,120 --> 00:30:18,000
Speaker 2: I think we should have set boundaries before getting into this.

534
00:30:18,200 --> 00:30:19,840
Speaker 2: But like if we had talked about this more and

535
00:30:19,880 --> 00:30:21,160
Speaker 2: that would have been helpful and we.

536
00:30:21,120 --> 00:30:24,680
Speaker 1: Could cut this. Can edit? Can we edit this? I'm

537
00:30:24,720 --> 00:30:27,400
Speaker 1: really sorry about that. I don't know who I was talking.

538
00:30:27,520 --> 00:30:31,160
Speaker 1: I don't know who I became it, this tri month thing,

539
00:30:31,840 --> 00:30:34,040
Speaker 1: it's got me all out of sorts. I would never

540
00:30:34,120 --> 00:30:36,320
Speaker 1: say so I don't use that language on the show,

541
00:30:36,520 --> 00:30:37,720
Speaker 1: and I know we're on a time when we hear

542
00:30:38,160 --> 00:30:41,160
Speaker 1: we can we just start the whole play cout over? Okay? Yeah,

543
00:30:41,320 --> 00:30:45,000
Speaker 1: I think maybe that's best. Yeah, I think yeah, Kevin,

544
00:30:45,120 --> 00:30:46,800
Speaker 1: is that okay? Yes?

545
00:30:47,160 --> 00:30:49,280
Speaker 2: And actually it would be great if you would apologize,

546
00:30:49,280 --> 00:30:52,040
Speaker 2: because Kevin has like set up these conditions where we're

547
00:30:52,080 --> 00:30:55,240
Speaker 2: kind of pitted against each other. Uh to create conflict.

548
00:30:55,280 --> 00:30:58,480
Speaker 2: Conflict is king Kevin likes to say, uh. And it's

549
00:30:58,520 --> 00:31:03,040
Speaker 2: because of that this end is UH is pervading the

550
00:31:03,120 --> 00:31:03,840
Speaker 2: room right now.

551
00:31:04,080 --> 00:31:06,440
Speaker 1: But this is too much conflict. I mean, conflict is

552
00:31:06,520 --> 00:31:10,440
Speaker 1: a point. I agree, I agree, it's gotten it completely

553
00:31:10,600 --> 00:31:15,040
Speaker 1: start talking about I pas. Yeah, that's the word. Yeah, Bruce,

554
00:31:15,200 --> 00:31:19,000
Speaker 1: it is the line. Look, maybe Brett, do you have

555
00:31:19,680 --> 00:31:24,760
Speaker 1: the Bedrock Anthem karaoke track Brett's in there? Yeah, yeah,

556
00:31:24,760 --> 00:31:28,800
Speaker 1: I'm here. Do you have that for me? I think

557
00:31:28,840 --> 00:31:31,280
Speaker 1: I owe Alan a apology, and I think I know

558
00:31:31,440 --> 00:31:35,720
Speaker 1: exactly the way to do it. Oh good, Oh, here

559
00:31:35,720 --> 00:31:46,240
Speaker 1: you go, Here we go. What I got, I got.

560
00:31:46,280 --> 00:31:48,720
Speaker 1: I got to say I'm sorry because what I did

561
00:31:48,960 --> 00:31:51,520
Speaker 1: was way out a lot. Now, don't know why I

562
00:31:51,560 --> 00:31:55,480
Speaker 1: said that? Too weird? Now, Oh man, I'm really embarrassed.

563
00:31:55,800 --> 00:31:58,720
Speaker 1: You know that I didn't mean what I said. Kevin's

564
00:31:58,720 --> 00:32:01,240
Speaker 1: got my own way up in my head? Can you

565
00:32:01,360 --> 00:32:04,200
Speaker 1: mab me feel like a real bull here? I gotta

566
00:32:04,240 --> 00:32:04,920
Speaker 1: say that.

567
00:32:04,840 --> 00:32:07,960
Speaker 3: I don't know you a beer he weird Ow, Come on,

568
00:32:08,240 --> 00:32:11,040
Speaker 3: I'm f freaking all off the song, and I don't

569
00:32:11,120 --> 00:32:14,480
Speaker 3: mind it. You know that I am about you go

570
00:32:14,720 --> 00:32:18,520
Speaker 3: back and just rewind it. Hey, weird Ow, come on down.

571
00:32:18,960 --> 00:32:21,680
Speaker 1: Hey, don no, you have a double dude. Now. Hey,

572
00:32:21,720 --> 00:32:24,040
Speaker 1: I didn't mean to say screw you Power.

573
00:32:24,120 --> 00:32:27,719
Speaker 7: What I should have said is that you're all uh

574
00:32:28,320 --> 00:32:32,800
Speaker 7: hang on, hang on, hey god, wait Brett Brett wait,

575
00:32:33,120 --> 00:32:34,600
Speaker 7: pose pose it.

576
00:32:34,800 --> 00:32:36,960
Speaker 1: You're all that? So I met he said, heng on,

577
00:32:37,160 --> 00:32:39,160
Speaker 1: Hey guy, slow down the song? Hey God. But what

578
00:32:39,200 --> 00:32:42,080
Speaker 1: I said was I shouldn't have said screw you Tower.

579
00:32:42,320 --> 00:32:52,840
Speaker 1: What I should have said that uh uh. What I

580
00:32:52,840 --> 00:33:00,360
Speaker 1: should have said is uh owbow count down now Hell's

581
00:33:00,400 --> 00:33:07,960
Speaker 1: house on cloud brow jowl wow.

582
00:33:05,960 --> 00:33:10,400
Speaker 4: Mouth now mouth, Yeah, that's nothing.

583
00:33:10,880 --> 00:33:15,160
Speaker 1: That's nothing, Towel. I mean, she ran and b C

584
00:33:15,320 --> 00:33:17,760
Speaker 1: for a while. It's a little obscure. He's not easy.

585
00:33:20,040 --> 00:33:21,720
Speaker 1: It's not to use rhyme zone.

586
00:33:22,240 --> 00:33:25,440
Speaker 4: Oh yeah, I got it on a speed dive.

587
00:33:25,560 --> 00:33:28,240
Speaker 1: I live in the rhyme ze to just keep that

588
00:33:28,280 --> 00:33:33,200
Speaker 1: tab open. Hell from two thousand and one, open the

589
00:33:33,280 --> 00:33:39,680
Speaker 1: pond doors. Let's talk about your tour. Freaking what you

590
00:33:39,800 --> 00:33:42,440
Speaker 1: got all the million strings and everything going on? Yeah?

591
00:33:42,680 --> 00:33:45,000
Speaker 4: Where were we were doing every single show on the

592
00:33:45,000 --> 00:33:47,440
Speaker 4: next tour with eight million strings?

593
00:33:48,080 --> 00:33:49,680
Speaker 1: No, that's too much.

594
00:33:50,520 --> 00:33:53,600
Speaker 4: I mean, you know, there's only like seventy or eighty musicians,

595
00:33:53,640 --> 00:33:57,480
Speaker 4: but each have like thousands of strings. Wow, everybody gets

596
00:33:57,480 --> 00:34:00,000
Speaker 4: a string, and I get a superner string.

597
00:34:00,080 --> 00:34:04,080
Speaker 1: The entire audience gets our own. Yeah, i'd buy a

598
00:34:04,120 --> 00:34:07,920
Speaker 1: ticket to that. I need one. Well, I like batting

599
00:34:08,000 --> 00:34:12,440
Speaker 1: them around concert aside. You get a string, that's you know.

600
00:34:12,760 --> 00:34:14,480
Speaker 1: You show up with nothing, you leave with a string.

601
00:34:14,600 --> 00:34:17,160
Speaker 1: Oh yeah, someone dangles in front of me. I gotta

602
00:34:17,200 --> 00:34:21,320
Speaker 1: bat it. Yeah, I have no choice. I see a string,

603
00:34:21,400 --> 00:34:23,800
Speaker 1: forget it. I'm up off my feet and I'm swiping

604
00:34:23,880 --> 00:34:25,000
Speaker 1: at it, you know.

605
00:34:25,200 --> 00:34:26,920
Speaker 4: And for the uncle, I come up with some car

606
00:34:26,960 --> 00:34:28,439
Speaker 4: keys and he just kind of dangle them.

607
00:34:28,560 --> 00:34:31,479
Speaker 1: Okay, that would be a wrap for me. They go nuts,

608
00:34:31,560 --> 00:34:35,000
Speaker 1: got they're already horn. I get hurt. Yeah, no car

609
00:34:35,040 --> 00:34:37,680
Speaker 1: keys in front of me. I tell you, you get

610
00:34:38,520 --> 00:34:41,720
Speaker 1: on that stage. I'll see you later you can actually

611
00:34:41,760 --> 00:34:45,479
Speaker 1: guide me out of the entire I'm skidding out the door.

612
00:34:46,320 --> 00:34:49,360
Speaker 1: If you do that, mm hmm. It's pretty freaky. I

613
00:34:49,440 --> 00:34:52,799
Speaker 1: get madness, laser madness. I'll chase it for the rest

614
00:34:52,840 --> 00:34:56,400
Speaker 1: of my life. Oh, Dana's here. Oh hey, Dana, Dana.

615
00:34:56,719 --> 00:35:00,440
Speaker 1: You know this. He meant you dealt with her. Oh yeah,

616
00:35:00,080 --> 00:35:03,840
Speaker 1: uh oh you I have dealt with Dana. Dana. Do

617
00:35:03,840 --> 00:35:06,560
Speaker 1: you have anything we can used to damage weird aw,

618
00:35:07,480 --> 00:35:12,160
Speaker 1: anything to damage you? Just like his weak points. His

619
00:35:12,280 --> 00:35:16,319
Speaker 1: hair is like too perfectly curly, so true. I mean

620
00:35:16,360 --> 00:35:21,120
Speaker 1: it's like, yeah, it's his flawlessness, his flaw It's like

621
00:35:21,280 --> 00:35:24,759
Speaker 1: too good. It's hard to get ringling, mister curls. What

622
00:35:24,800 --> 00:35:27,239
Speaker 1: was that Japanese thing where beauty is in the disorder?

623
00:35:28,920 --> 00:35:33,319
Speaker 1: You know? Yes, I don't have that or go of

624
00:35:33,320 --> 00:35:38,920
Speaker 1: course yes sushi, no it is yes, when I or

625
00:35:39,000 --> 00:35:41,080
Speaker 1: when I get sushi, I go, oh the beauty is

626
00:35:41,080 --> 00:35:44,440
Speaker 1: in disorder, yes, as soon as it shows the disorder

627
00:35:44,440 --> 00:35:49,480
Speaker 1: of sushi. Go disorder of sushi's beauty fish and everything

628
00:35:49,719 --> 00:35:51,400
Speaker 1: fishy fish. Yes.

629
00:35:52,480 --> 00:35:55,279
Speaker 2: Uh. Kevin, did you do you have any kind of

630
00:35:55,320 --> 00:35:57,640
Speaker 2: so this is like your whole idea, this triumnth do

631
00:35:57,640 --> 00:35:58,759
Speaker 2: you have any action plan.

632
00:35:58,840 --> 00:36:02,440
Speaker 1: Can you help if we get horny and.

633
00:36:03,840 --> 00:36:07,239
Speaker 2: You can't figure out anyway to like make fun of

634
00:36:07,239 --> 00:36:09,880
Speaker 2: weird out. We've done like six songs. That's like the

635
00:36:09,880 --> 00:36:11,000
Speaker 2: most we've ever done.

636
00:36:11,360 --> 00:36:14,280
Speaker 1: That last one I really scared me. I couldn't find

637
00:36:14,360 --> 00:36:17,160
Speaker 1: the chorus. I was trying to apologize in it, and

638
00:36:17,200 --> 00:36:20,200
Speaker 1: then I just got completely lost out.

639
00:36:20,239 --> 00:36:22,600
Speaker 2: Do you I mean, people do like to get very

640
00:36:22,640 --> 00:36:25,319
Speaker 2: brave on this show, and so do you have any

641
00:36:25,600 --> 00:36:29,120
Speaker 2: weaknesses that you want to share and that maybe by

642
00:36:29,440 --> 00:36:35,800
Speaker 2: us digging into them? You know, sometimes you can only

643
00:36:35,840 --> 00:36:39,880
Speaker 2: fix a wound by digging in with your index finger.

644
00:36:40,000 --> 00:36:42,560
Speaker 4: It's true, it's true, but you've got to make sure

645
00:36:42,560 --> 00:36:47,440
Speaker 4: you starilize the first. Yes, I think maybe my biggest

646
00:36:48,040 --> 00:36:50,920
Speaker 4: finger having children, I thought about this whole lot. I

647
00:36:50,920 --> 00:36:53,640
Speaker 4: think my biggest flaw is my fingernails are too short.

648
00:36:55,480 --> 00:36:58,160
Speaker 1: I was kind of noticing that you. I thought that

649
00:36:58,200 --> 00:37:00,000
Speaker 1: guy's not gonna be able to scratch me very much.

650
00:37:00,040 --> 00:37:05,000
Speaker 1: It's made me confident singing songs at you because I go, like, well,

651
00:37:05,000 --> 00:37:07,120
Speaker 1: even if he takes a good swipe, he's not going

652
00:37:07,160 --> 00:37:09,360
Speaker 1: to get that much on my skin under his nails.

653
00:37:09,640 --> 00:37:11,560
Speaker 1: Like and the reason for that, of course, is if

654
00:37:11,600 --> 00:37:12,040
Speaker 1: I have to.

655
00:37:12,200 --> 00:37:14,680
Speaker 4: You know, if I wind up like killing somebody, you

656
00:37:14,680 --> 00:37:17,480
Speaker 4: don't want somebody else's skin underneath your fingernails.

657
00:37:16,960 --> 00:37:23,320
Speaker 1: Or the forensic stuff. Fernails to be a more effective predator,

658
00:37:23,400 --> 00:37:30,120
Speaker 1: but the aesthetic effect is bad. Yeah, well, let's face it.

659
00:37:30,160 --> 00:37:32,080
Speaker 4: Maybe I should have mentioned the killing people at fault,

660
00:37:32,160 --> 00:37:33,839
Speaker 4: but I'm going to go to fingernails.

661
00:37:33,920 --> 00:37:36,520
Speaker 1: Well, the fingernails thing, yeah, that I can see right now.

662
00:37:36,560 --> 00:37:39,600
Speaker 1: The killing people I'll never see because of the short fingernails,

663
00:37:40,080 --> 00:37:44,600
Speaker 1: but you'll be able to escape undetected for years to come. Okay,

664
00:37:44,800 --> 00:37:47,680
Speaker 1: short fingernails. Can I be honest about something? When I

665
00:37:47,760 --> 00:37:50,720
Speaker 1: mentioned that? Yeah, but do now song? What I thought

666
00:37:50,880 --> 00:37:53,520
Speaker 1: was bedrock anthem. I thought it was going to be

667
00:37:53,640 --> 00:37:57,600
Speaker 1: under the bridge, and I was really prepared to sing

668
00:37:57,640 --> 00:37:58,160
Speaker 1: that one.

669
00:37:58,280 --> 00:37:59,719
Speaker 4: Do you think people go up to Anthony Keats and

670
00:37:59,719 --> 00:38:01,560
Speaker 4: say I have that Yeah, but donaw song.

671
00:38:03,800 --> 00:38:09,360
Speaker 1: No, I don't think they talked to him. Maybe they

672
00:38:09,440 --> 00:38:12,759
Speaker 1: tell flee. Can you tell Anthony something for me? Did

673
00:38:12,800 --> 00:38:14,120
Speaker 1: you ever do under the bridge?

674
00:38:14,880 --> 00:38:19,520
Speaker 4: Just the first several seconds, it's it's a chili Pepper's hits.

675
00:38:19,560 --> 00:38:23,160
Speaker 1: Oh right, that's right anthem? Yeah that makes sense. But

676
00:38:23,160 --> 00:38:25,359
Speaker 1: the yeah but du part yeah, because that's what I

677
00:38:25,400 --> 00:38:30,719
Speaker 1: was remembering, was that's right? That Yeah, it was. It

678
00:38:30,760 --> 00:38:33,279
Speaker 1: was the beginning where you are singing the sometimes I

679
00:38:33,320 --> 00:38:39,880
Speaker 1: feel stuff. Yeah, Barnie Rubbull, what a little we know

680
00:38:43,120 --> 00:38:47,160
Speaker 1: we have to do a fingernails, fingernails, let's I think

681
00:38:47,760 --> 00:38:49,640
Speaker 1: to get I think I got it. I think it's

682
00:38:50,239 --> 00:38:56,319
Speaker 1: uh lump, Okay, I think that's the song that we

683
00:38:56,400 --> 00:38:59,440
Speaker 1: go out or gump to the tune of lump gump,

684
00:38:59,640 --> 00:39:03,239
Speaker 1: yeah lump, yes, because basically, what the tip of his

685
00:39:03,320 --> 00:39:09,560
Speaker 1: finger is is they're stump stumps and in many ways bumps, Oh,

686
00:39:09,800 --> 00:39:17,120
Speaker 1: we're oh we're double dipping. Yeah, okay, bumps stand alone

687
00:39:17,400 --> 00:39:20,279
Speaker 1: on his hand, on his arm. He's looking at his

688
00:39:20,280 --> 00:39:23,040
Speaker 1: fingers and they really can't do much harm. He's got

689
00:39:23,040 --> 00:39:25,880
Speaker 1: your fingernails and he can't use them to kill people.

690
00:39:26,160 --> 00:39:30,920
Speaker 1: And I am going to church looking at the steeple. There, bumps, there, bumps.

691
00:39:31,040 --> 00:39:37,640
Speaker 1: They're on his hand. There, bumps, there, bumps there, bumps.

692
00:39:37,880 --> 00:39:45,080
Speaker 1: My hands aren't grands go stump slinger at the end

693
00:39:45,160 --> 00:39:46,080
Speaker 1: of his arms.

694
00:39:46,120 --> 00:39:50,200
Speaker 5: He couldn't use them to do very much harm. He

695
00:39:50,280 --> 00:39:54,440
Speaker 5: came back and he didn't get caught after he killed

696
00:39:54,440 --> 00:39:58,319
Speaker 5: me and dummy in a swamp. He's he stumps, he's

697
00:39:58,320 --> 00:39:58,920
Speaker 5: got him.

698
00:39:58,760 --> 00:40:05,160
Speaker 1: On his hand. He stumps, he stumps, he stumps. He's

699
00:40:05,200 --> 00:40:06,320
Speaker 1: in a bad.

700
00:40:10,239 --> 00:40:13,040
Speaker 2: Okay, I think we I okay, I think we did

701
00:40:13,120 --> 00:40:13,680
Speaker 2: find there.

702
00:40:14,280 --> 00:40:16,840
Speaker 1: You got me. It was the perfect balance. It wasn't

703
00:40:16,960 --> 00:40:19,759
Speaker 1: it wasn't too harsh. We mentioned why you did it,

704
00:40:19,800 --> 00:40:21,520
Speaker 1: which he was a practical reason, which is you are

705
00:40:21,520 --> 00:40:22,520
Speaker 1: going to kill me and dump me in.

706
00:40:22,520 --> 00:40:25,880
Speaker 2: A swamp and it. Yes, we said multiple times that

707
00:40:25,880 --> 00:40:28,720
Speaker 2: they couldn't do much harm. I forget who said that rhyme. First,

708
00:40:29,040 --> 00:40:32,799
Speaker 2: we did do it twice. We I did say that,

709
00:40:32,880 --> 00:40:35,120
Speaker 2: mentioned that my hands were grand to really kind of

710
00:40:35,200 --> 00:40:38,040
Speaker 2: rub it your own hand efficiency not soak.

711
00:40:38,200 --> 00:40:40,160
Speaker 1: But we also said, hey, look the guy's in a band.

712
00:40:40,280 --> 00:40:41,160
Speaker 1: He's not all bad.

713
00:40:41,760 --> 00:40:44,040
Speaker 2: But I also I also took that to me sort

714
00:40:44,080 --> 00:40:46,120
Speaker 2: of like I was not doing this by himself.

715
00:40:46,120 --> 00:40:47,160
Speaker 1: There's a whole band of the.

716
00:40:47,360 --> 00:40:49,759
Speaker 2: People are doing music. Yes, and you like to do

717
00:40:49,840 --> 00:40:53,719
Speaker 2: sort of pretend that you're making all that music by

718
00:40:53,800 --> 00:40:58,360
Speaker 2: yourself just at once, but really there's other guys on

719
00:40:58,400 --> 00:40:58,839
Speaker 2: this tour.

720
00:40:58,960 --> 00:41:01,120
Speaker 1: It's like now I've gone these strings. It's like, well

721
00:41:01,120 --> 00:41:02,160
Speaker 1: there was strings before.

722
00:41:02,239 --> 00:41:04,600
Speaker 4: Well, people are so focused on the raws sexuality that

723
00:41:04,640 --> 00:41:07,480
Speaker 4: they sometimes don't even realize there's a whole orchestra behind me.

724
00:41:08,239 --> 00:41:10,080
Speaker 2: Okay, so it is kind of like a man in

725
00:41:10,160 --> 00:41:12,800
Speaker 2: Black memory confusion machine.

726
00:41:12,840 --> 00:41:13,760
Speaker 1: It's a forget anything.

727
00:41:14,000 --> 00:41:17,960
Speaker 2: Is your pheromones basically that you're that you're giving? Can

728
00:41:18,040 --> 00:41:20,239
Speaker 2: you choose when to release them or no?

729
00:41:20,280 --> 00:41:23,040
Speaker 4: It's like massive nosis. It's like, I really, you know,

730
00:41:23,080 --> 00:41:24,680
Speaker 4: I wish I had a better control over it.

731
00:41:24,800 --> 00:41:28,239
Speaker 2: Yeah, and I know like you uh tend to have

732
00:41:28,320 --> 00:41:32,120
Speaker 2: kind of a family friendly, uh like content in your songs.

733
00:41:32,160 --> 00:41:34,160
Speaker 2: But are people busting at your concerts?

734
00:41:36,080 --> 00:41:39,480
Speaker 1: Great question? Yeah, because even as I was singing about

735
00:41:39,480 --> 00:41:43,480
Speaker 1: his hands, I couldn't help but picture them making someone bust.

736
00:41:47,440 --> 00:41:49,839
Speaker 1: I'm not that I'm aware of. But yeah, I don't

737
00:41:49,840 --> 00:41:52,920
Speaker 1: know why you're not against it.

738
00:41:51,920 --> 00:41:54,600
Speaker 2: Yeah, but you're not aware of them not doing it.

739
00:41:54,680 --> 00:41:55,920
Speaker 2: I'm not aware of them not doing it.

740
00:41:57,400 --> 00:41:59,680
Speaker 1: That news is not getting to you up on stage,

741
00:42:00,040 --> 00:42:01,000
Speaker 1: maybe the headline.

742
00:42:01,040 --> 00:42:02,839
Speaker 4: Now, they don't come to me at the after show

743
00:42:02,880 --> 00:42:06,319
Speaker 4: and say, hey, guess what, Yeah, yeah, I had a

744
00:42:06,400 --> 00:42:09,320
Speaker 4: nice bus during the middle of one of the songs.

745
00:42:09,400 --> 00:42:12,440
Speaker 1: Yeah, it doesn't come up because you won't talk to

746
00:42:12,560 --> 00:42:15,520
Speaker 1: fans after the show before the show, ever, be I'm

747
00:42:15,520 --> 00:42:18,080
Speaker 1: afraid what you might tell me. Yes, yes, I don't

748
00:42:18,080 --> 00:42:20,080
Speaker 1: want to know. I don't know. I don't want to

749
00:42:20,120 --> 00:42:24,759
Speaker 1: know what you do because you can make a pretty spans. Yeah. Yeah,

750
00:42:24,840 --> 00:42:27,000
Speaker 1: they want to share, but you're not. You know, you

751
00:42:27,080 --> 00:42:28,680
Speaker 1: have other stuff to think about.

752
00:42:28,920 --> 00:42:31,120
Speaker 2: You have I mean, you got to like get some

753
00:42:31,200 --> 00:42:32,960
Speaker 2: sleep at some point that people are telling you this

754
00:42:32,960 --> 00:42:33,719
Speaker 2: stuff all the time.

755
00:42:33,880 --> 00:42:35,800
Speaker 1: People yell at me after the show. Guess what I did, Like,

756
00:42:35,880 --> 00:42:41,520
Speaker 1: don't tell me, Yeah, don't save it. Yeah, keep it

757
00:42:41,560 --> 00:42:46,160
Speaker 1: to yourself. Million strings, million strings and you. And basically

758
00:42:46,200 --> 00:42:48,239
Speaker 1: the promise is that they're going to effectively be dry

759
00:42:48,280 --> 00:42:49,160
Speaker 1: humped by your voice.

760
00:42:49,480 --> 00:42:53,399
Speaker 4: That's exactly what's going to happen. What I think we've

761
00:42:53,400 --> 00:42:54,359
Speaker 4: sold the story, don't you think?

762
00:42:54,440 --> 00:42:57,759
Speaker 1: Oh god, can you imagine not paying that. I don't

763
00:42:57,760 --> 00:43:03,560
Speaker 1: know what it costs, but it's work basically any when

764
00:43:03,600 --> 00:43:06,600
Speaker 1: this comes out, Yeah, I would say give them a

765
00:43:06,640 --> 00:43:10,960
Speaker 1: little extra. Yeah, are you going to different cities?

766
00:43:11,400 --> 00:43:13,239
Speaker 4: I thought they'll be more effective than like playing in

767
00:43:13,280 --> 00:43:14,640
Speaker 4: one seat and having everybody to come to me.

768
00:43:14,880 --> 00:43:16,960
Speaker 1: I thought you could just say one city at a

769
00:43:17,040 --> 00:43:21,440
Speaker 1: time gets to go to whatever location of your choosing

770
00:43:22,440 --> 00:43:24,239
Speaker 1: and they can bring some of the buildings.

771
00:43:24,360 --> 00:43:27,759
Speaker 4: Okay, Yeah, today is Tuesday, It's Boise Day, and then

772
00:43:27,800 --> 00:43:29,000
Speaker 4: the entire city of boys.

773
00:43:29,320 --> 00:43:30,520
Speaker 1: A lot of boise for you.

774
00:43:30,680 --> 00:43:33,080
Speaker 2: What's the like, because that's the second time that you've

775
00:43:33,320 --> 00:43:34,120
Speaker 2: you've mentioned it.

776
00:43:36,040 --> 00:43:42,560
Speaker 1: You know it's bois. It's potatoes, famous potatoes.

777
00:43:42,719 --> 00:43:46,280
Speaker 2: Okay, and so you are you are you playing boise

778
00:43:46,480 --> 00:43:47,000
Speaker 2: on this tour?

779
00:43:47,440 --> 00:43:54,359
Speaker 1: I can't tell you, okay, secret see boys, you're gonna

780
00:43:54,360 --> 00:43:55,840
Speaker 1: play on the blue field.

781
00:43:57,320 --> 00:43:59,680
Speaker 2: No, they come to me, remember, Oh, yes, that's right,

782
00:43:59,719 --> 00:44:03,480
Speaker 2: that some of the buildings come to Yes, the whole

783
00:44:03,520 --> 00:44:06,839
Speaker 2: city gets to come and they get to bring two buildings,

784
00:44:06,880 --> 00:44:08,840
Speaker 2: only your favorite buildings.

785
00:44:08,880 --> 00:44:09,080
Speaker 1: Yes.

786
00:44:09,120 --> 00:44:11,000
Speaker 2: And it says on the door, on the door going

787
00:44:12,320 --> 00:44:13,720
Speaker 2: two buildings per person.

788
00:44:13,920 --> 00:44:14,239
Speaker 1: M m.

789
00:44:18,719 --> 00:44:20,120
Speaker 4: This might not be the best idea for a tour.

790
00:44:20,200 --> 00:44:23,640
Speaker 4: Maybe you should rethink this to this tour at all.

791
00:44:23,840 --> 00:44:28,440
Speaker 4: Well that's another option. Maybe I should actually Yeah, well

792
00:44:28,480 --> 00:44:30,040
Speaker 4: I'll play it by your right right right now, I

793
00:44:30,040 --> 00:44:31,600
Speaker 4: think I'm probably just going to go around to like

794
00:44:31,600 --> 00:44:32,160
Speaker 4: a bunch of cities.

795
00:44:32,200 --> 00:44:33,800
Speaker 1: Run. Do you play all the songs by ear.

796
00:44:34,160 --> 00:44:36,759
Speaker 4: The songs by me? Yeah, that's normally what I do.

797
00:44:36,800 --> 00:44:39,680
Speaker 4: Should I kind of cash out and just read meet

798
00:44:40,200 --> 00:44:41,239
Speaker 4: for music the whole time.

799
00:44:41,280 --> 00:44:45,279
Speaker 2: It'd be like turning pages while you play, or have

800
00:44:45,440 --> 00:44:48,680
Speaker 2: like a page I.

801
00:44:48,920 --> 00:44:50,160
Speaker 1: Go around to all the people in New ork Is

802
00:44:50,400 --> 00:44:51,359
Speaker 1: to turn pages for them.

803
00:44:51,840 --> 00:44:55,520
Speaker 4: Okay, yeah, cool, it's a nice gesture, don't I think?

804
00:44:55,560 --> 00:45:01,120
Speaker 1: Oh? Yeah, yeah, I guess. I mean it just feels

805
00:45:01,160 --> 00:45:04,960
Speaker 1: like you're just skating by getting away with whatever you want,

806
00:45:05,800 --> 00:45:09,160
Speaker 1: stealing the song, doing the thing, turning all our wicked

807
00:45:09,239 --> 00:45:11,399
Speaker 1: songs that we tried to use against you into some

808
00:45:11,440 --> 00:45:14,760
Speaker 1: sort of compliment. I just go, what is the magic

809
00:45:14,800 --> 00:45:17,320
Speaker 1: that this man has? And why am I so jealous?

810
00:45:18,400 --> 00:45:20,920
Speaker 1: I guess it's time to look at me, and I

811
00:45:20,920 --> 00:45:22,560
Speaker 1: think this is more about you than it is about me.

812
00:45:22,800 --> 00:45:26,279
Speaker 1: Time to look in the mirror. Maybe the man man

813
00:45:26,360 --> 00:45:28,000
Speaker 1: a weird the man in the mirror? What are you

814
00:45:28,040 --> 00:45:31,080
Speaker 1: going to do that one? What do you get to

815
00:45:31,120 --> 00:45:40,480
Speaker 1: do that? Yeah? I'm telling I'm telling him it's I

816
00:45:40,520 --> 00:45:45,200
Speaker 1: p a. Yeah.

817
00:45:45,280 --> 00:45:47,239
Speaker 2: It seemed like you were building up to something you

818
00:45:47,280 --> 00:45:51,759
Speaker 2: weren't when you were saying like, why am I Hayes?

819
00:45:52,080 --> 00:45:57,120
Speaker 1: How long have you known me? I haven't been building

820
00:45:57,160 --> 00:46:01,839
Speaker 1: up to something and so log well, we do have

821
00:46:01,880 --> 00:46:04,920
Speaker 1: engineer Jordan's rifting. We have to have Engineer Jordans sing

822
00:46:04,920 --> 00:46:08,920
Speaker 1: one song. She's got a BA in vocal performance. Yeah,

823
00:46:08,960 --> 00:46:11,000
Speaker 1: she has a BA in vocal performance. So the two

824
00:46:11,040 --> 00:46:14,200
Speaker 1: of you probably connected almost instantly, is that right?

825
00:46:14,320 --> 00:46:18,800
Speaker 2: And she has a musical school yeah, Engineer Jordan's school

826
00:46:19,000 --> 00:46:20,640
Speaker 2: school for watch.

827
00:46:20,520 --> 00:46:25,280
Speaker 1: School for nice Yeah, yep, and she got a BA

828
00:46:25,280 --> 00:46:30,399
Speaker 1: in vocal performance. Yes, I dot some rhymes okay, oh right, yeah,

829
00:46:30,480 --> 00:46:34,120
Speaker 1: bust some runs. Wait, what song am I doing? Well?

830
00:46:34,160 --> 00:46:36,680
Speaker 2: You should do a song that's kind of a really

831
00:46:36,680 --> 00:46:38,960
Speaker 2: easy that's like a summary of what we did in

832
00:46:39,000 --> 00:46:41,719
Speaker 2: the show, just like a wrap up song, you know

833
00:46:41,760 --> 00:46:43,640
Speaker 2: how they do in some like nineties movies, Like the

834
00:46:43,719 --> 00:46:45,640
Speaker 2: song kind of summarizes.

835
00:46:45,080 --> 00:46:48,680
Speaker 1: As recently is venom. Yes, there's been a song at

836
00:46:48,719 --> 00:46:50,319
Speaker 1: the end that sort of let you know what you

837
00:46:50,480 --> 00:46:52,920
Speaker 1: just watched. And I think that would be nice for

838
00:46:53,000 --> 00:46:54,799
Speaker 1: this show for our listeners are going like what was

839
00:46:54,840 --> 00:46:57,040
Speaker 1: this to go like, here's what it was, just to

840
00:46:57,120 --> 00:46:59,240
Speaker 1: kind of explain what it was. That would be really helpful.

841
00:46:59,320 --> 00:47:01,240
Speaker 4: I'm confused, my sol so this would be very helpful.

842
00:47:01,400 --> 00:47:03,359
Speaker 1: No, yeah, I would love to hear it too. You

843
00:47:03,400 --> 00:47:07,480
Speaker 1: want me to wrap up the whole show in a song? Yes? Please? Yes,

844
00:47:07,840 --> 00:47:11,520
Speaker 1: my heart is raising. Yeah, yeah, it's terrifying.

845
00:47:12,840 --> 00:47:18,480
Speaker 2: There's there's is Love Rocky Road, There's Amish Paradise. I

846
00:47:18,520 --> 00:47:21,680
Speaker 2: mean that's that's obvious. That's a big one. And Joran

847
00:47:21,800 --> 00:47:24,200
Speaker 2: is younger. So what are some like more?

848
00:47:24,960 --> 00:47:29,120
Speaker 1: I know you're I know, weird else work weird Well,

849
00:47:29,160 --> 00:47:31,799
Speaker 1: there's tacky to the tune of happy that seems like

850
00:47:31,840 --> 00:47:37,279
Speaker 1: something that Jordan would maybe like. Yes, sure, okay, sure.

851
00:47:45,640 --> 00:47:52,360
Speaker 6: We're on the show with weird out and they're making

852
00:47:52,440 --> 00:47:59,160
Speaker 6: me singing all this stuff. We talked about how we

853
00:47:59,239 --> 00:48:04,839
Speaker 6: could take them down down because I don't even.

854
00:48:04,640 --> 00:48:07,920
Speaker 1: Know what I'm doing here.

855
00:48:07,040 --> 00:48:12,880
Speaker 6: Any I'm just a reverse session here, and that's what

856
00:48:13,160 --> 00:48:18,080
Speaker 6: I was bull on. I don't really know weird house stuff,

857
00:48:18,080 --> 00:48:19,719
Speaker 6: but I guess I could say.

858
00:48:19,680 --> 00:48:22,680
Speaker 1: This, Wow, I never.

859
00:48:22,440 --> 00:48:25,920
Speaker 6: Expected ever had an inn.

860
00:48:26,200 --> 00:48:32,280
Speaker 8: We had the ultimate weapon, a time eat it. Jordan's

861
00:48:32,360 --> 00:48:40,560
Speaker 8: is openly saying not a man, Oh my god, so

862
00:48:40,800 --> 00:48:44,960
Speaker 8: bull I would never by

863
00:48:47,080 --> 00:48:47,680
Speaker 1: Hollywood