1 00:00:00,520 --> 00:00:04,120 Speaker 1: Happy continuing holidays. Everybody chuck here to tee up our 2 00:00:04,160 --> 00:00:09,080 Speaker 1: next episode on our twelve Days of Christmas Toys playlist. 3 00:00:09,720 --> 00:00:12,600 Speaker 1: And I am super excited because you're about to listen 4 00:00:12,640 --> 00:00:16,120 Speaker 1: to one of our older episodes from this list about 5 00:00:16,160 --> 00:00:19,640 Speaker 1: in molder toy It's all about Yoyo's. It's how Yoyo's work. 6 00:00:20,160 --> 00:00:26,560 Speaker 1: Hope you like it. Welcome to Stuff you should know 7 00:00:27,120 --> 00:00:34,440 Speaker 1: Fromhowstuffworks dot com. 8 00:00:34,600 --> 00:00:37,200 Speaker 2: Hey, and welcome to the podcast. I'm Josh Clarr. There's 9 00:00:37,320 --> 00:00:39,879 Speaker 2: Charles W Chuck Bryant. 10 00:00:40,159 --> 00:00:43,840 Speaker 1: That's me, same as ever, scratching the old back. 11 00:00:44,040 --> 00:00:45,720 Speaker 2: Yeah, I just got a little itch there. 12 00:00:45,840 --> 00:00:47,840 Speaker 1: You ever use one of those little dealies, the little 13 00:00:47,920 --> 00:00:49,920 Speaker 1: creepy hand, the little monkey pap on the end of 14 00:00:49,920 --> 00:00:51,040 Speaker 1: the stick I have. 15 00:00:51,080 --> 00:00:55,560 Speaker 2: Before, Yeah, I don't like to do that. It hurts 16 00:00:55,840 --> 00:00:57,800 Speaker 2: do Yeah, I guess you could call it that some 17 00:00:57,920 --> 00:00:58,920 Speaker 2: painful sensation. 18 00:00:59,560 --> 00:01:02,640 Speaker 1: I get up gives the wall sometimes and do the 19 00:01:02,640 --> 00:01:03,360 Speaker 1: blue the bear. 20 00:01:03,560 --> 00:01:07,000 Speaker 2: That'll do sometimes too. But it's weird, like I only 21 00:01:07,040 --> 00:01:09,759 Speaker 2: have backages in about the same place, and that would 22 00:01:09,760 --> 00:01:14,080 Speaker 2: be on my left shoulder blade on the western side 23 00:01:14,120 --> 00:01:16,080 Speaker 2: of it, depending on which direction I'm facing. 24 00:01:17,040 --> 00:01:19,600 Speaker 1: Curiously, this is going to be the most interesting part of. 25 00:01:19,600 --> 00:01:23,280 Speaker 2: This show that is not a true Chuck Man, so Chuck. Yes, 26 00:01:23,600 --> 00:01:24,920 Speaker 2: this is going to be a great one. 27 00:01:25,040 --> 00:01:25,360 Speaker 1: Okay. 28 00:01:25,400 --> 00:01:26,640 Speaker 2: I have a feeling this is gonna be one of 29 00:01:26,640 --> 00:01:28,480 Speaker 2: those ones where it's like, wow, that turned out to 30 00:01:28,520 --> 00:01:31,040 Speaker 2: be really good. It's physics heavy out the y. 31 00:01:31,319 --> 00:01:32,280 Speaker 1: Yeah, everyone loves that. 32 00:01:32,480 --> 00:01:35,039 Speaker 2: But the fact is, when we finish this, you're gonna 33 00:01:35,080 --> 00:01:38,960 Speaker 2: know how yoyo works. This is probably the most truly titled, 34 00:01:39,680 --> 00:01:44,560 Speaker 2: truest titled episode. Well we've ever done, you think, yep? 35 00:01:46,040 --> 00:01:46,479 Speaker 1: I don't know. 36 00:01:46,560 --> 00:01:47,680 Speaker 2: All right, Well we'll find out. 37 00:01:47,800 --> 00:01:50,480 Speaker 1: I think it should be called Physics through the Eye 38 00:01:50,520 --> 00:01:51,080 Speaker 1: of a Yo yo. 39 00:01:51,520 --> 00:01:55,160 Speaker 2: So listen, have you ever seen the movie Harlem Knights 40 00:01:57,040 --> 00:01:59,840 Speaker 2: Parts dude? That is go back and watch it again, 41 00:02:00,400 --> 00:02:02,400 Speaker 2: the whole thing. Oh, you're crazy. It's one of the 42 00:02:02,440 --> 00:02:06,559 Speaker 2: best movies ever. Eddie Murphy, Red Fox, Richard Pryor, great 43 00:02:06,600 --> 00:02:08,760 Speaker 2: cast and like everybody else in it too. I think 44 00:02:08,800 --> 00:02:09,799 Speaker 2: Bernie Max in there. 45 00:02:09,880 --> 00:02:11,280 Speaker 1: Awesome cast, terrible script. 46 00:02:11,400 --> 00:02:13,000 Speaker 2: I don't think the script is terrible. I thought it 47 00:02:13,000 --> 00:02:16,680 Speaker 2: was great. There's one thing about that movie that bugged 48 00:02:16,720 --> 00:02:19,680 Speaker 2: me to know it it's set in like the twenties, right, Yeah, 49 00:02:20,360 --> 00:02:23,200 Speaker 2: and Throughout the movie, Eddie Murphy uses the word yo. 50 00:02:24,200 --> 00:02:27,320 Speaker 2: Yo is obviously a modern term, and it just sticks 51 00:02:27,320 --> 00:02:29,080 Speaker 2: out like a sore thumb every time he does. It 52 00:02:29,120 --> 00:02:31,400 Speaker 2: drives me crazy, Like it drives me crazy that he 53 00:02:31,440 --> 00:02:33,720 Speaker 2: did it drives me crazy that the director wasn't like, 54 00:02:33,880 --> 00:02:36,880 Speaker 2: you can't say yo. This is like nineteen twenties New York. 55 00:02:36,960 --> 00:02:37,799 Speaker 2: Yo wasn't around. 56 00:02:37,800 --> 00:02:40,359 Speaker 1: I don't know that they were going for historical accuracy 57 00:02:40,400 --> 00:02:40,840 Speaker 1: in that one. 58 00:02:40,960 --> 00:02:45,760 Speaker 2: They were wearing spats. Yeah, so Jerry like that one. 59 00:02:46,000 --> 00:02:48,280 Speaker 2: So I went back to the little digging Chuck and 60 00:02:48,320 --> 00:02:50,800 Speaker 2: it turns out that yo was in fact around in 61 00:02:50,840 --> 00:02:53,840 Speaker 2: the nineteen twenties, but Eddie Murphy was still wrong for 62 00:02:53,960 --> 00:02:57,680 Speaker 2: using it in that capacity. Okay, okay. So yo goes 63 00:02:57,720 --> 00:03:00,840 Speaker 2: back at least to like the fifteenth cent as like 64 00:03:00,880 --> 00:03:05,000 Speaker 2: a hunting cry, right when somebody was like somebody else 65 00:03:05,080 --> 00:03:10,720 Speaker 2: might go yo, and you'd go chase fox. That was 66 00:03:11,160 --> 00:03:14,440 Speaker 2: kind of the first wave of yo. As far back 67 00:03:14,480 --> 00:03:18,399 Speaker 2: as eighteen fifty nine. We know that there were sailors 68 00:03:18,400 --> 00:03:19,320 Speaker 2: that were using. 69 00:03:19,080 --> 00:03:21,400 Speaker 1: It yoho ho, yoho ho. 70 00:03:21,840 --> 00:03:26,920 Speaker 2: Or also it was a response for a roll call 71 00:03:27,440 --> 00:03:30,760 Speaker 2: like yo, like somebody called your name, you would say yo, key. 72 00:03:31,280 --> 00:03:34,079 Speaker 2: It wasn't until after World War Two, though, that the 73 00:03:34,120 --> 00:03:38,520 Speaker 2: modern incarnation comes and it came out of the Italian 74 00:03:38,920 --> 00:03:40,280 Speaker 2: quarters of Philadelphia. 75 00:03:40,400 --> 00:03:41,040 Speaker 1: Of course it did. 76 00:03:41,520 --> 00:03:43,840 Speaker 2: So that's where they think yo came from after World 77 00:03:43,880 --> 00:03:47,960 Speaker 2: War Two. Hence Eddie Murphy was wrong in using yo 78 00:03:48,640 --> 00:03:53,480 Speaker 2: especially frequently in the movie Harlem Nins. So I did 79 00:03:53,520 --> 00:03:56,840 Speaker 2: all that research, or I could have just looked into 80 00:03:57,000 --> 00:04:03,640 Speaker 2: Google Translate from English to Filipino or vice versas, okay, 81 00:04:04,000 --> 00:04:05,640 Speaker 2: and find that it just means come. 82 00:04:06,520 --> 00:04:08,160 Speaker 1: Yeah, but I don't think that's what it means here. 83 00:04:08,200 --> 00:04:09,040 Speaker 1: It does it? 84 00:04:09,040 --> 00:04:09,760 Speaker 2: It does now? 85 00:04:09,920 --> 00:04:10,280 Speaker 1: Okay. 86 00:04:10,480 --> 00:04:14,000 Speaker 2: So the word yo yo, as it stands right means come, 87 00:04:14,000 --> 00:04:15,120 Speaker 2: come or come back. 88 00:04:15,320 --> 00:04:16,159 Speaker 1: Yeah, that makes sense. 89 00:04:16,400 --> 00:04:19,960 Speaker 2: Did you know that I did? You want to talk 90 00:04:20,000 --> 00:04:21,760 Speaker 2: a little bit about the history of yo yos? Did 91 00:04:21,760 --> 00:04:27,480 Speaker 2: you know before reading this fantastic article that yo yo's originated, 92 00:04:27,560 --> 00:04:30,120 Speaker 2: as we understand them now, originated in the Philippines in 93 00:04:30,160 --> 00:04:31,120 Speaker 2: the nineteen twenties. 94 00:04:32,120 --> 00:04:34,039 Speaker 1: I didn't know that. I did know that it was 95 00:04:34,320 --> 00:04:37,000 Speaker 1: around for a long time before that, though, in you know, 96 00:04:37,200 --> 00:04:39,640 Speaker 1: other forms. 97 00:04:39,200 --> 00:04:41,120 Speaker 2: Well pretty much the same form. There were like two 98 00:04:41,160 --> 00:04:44,240 Speaker 2: forms of yo yo's in history. Yeah, and one came 99 00:04:44,279 --> 00:04:46,000 Speaker 2: out of the New one came out of the Philippines. 100 00:04:46,240 --> 00:04:48,479 Speaker 2: The other one, Yeah, it was pretty old. 101 00:04:48,279 --> 00:04:52,160 Speaker 1: Well, ancient Chinese or at least ancient Greeks, right more 102 00:04:52,200 --> 00:04:55,080 Speaker 1: than twenty five hundred years ago. But they think the 103 00:04:55,160 --> 00:04:56,880 Speaker 1: Chinese had something similar to that. 104 00:04:57,080 --> 00:04:59,800 Speaker 2: Yeah, I'm starting to strongly suspect that the Chinese or 105 00:04:59,800 --> 00:05:03,560 Speaker 2: the origin of human civilization. You think, yeah, they came 106 00:05:03,640 --> 00:05:06,360 Speaker 2: up with beer. Yeah, well they came up with beer. 107 00:05:07,360 --> 00:05:09,360 Speaker 2: There you have it. They went right there. 108 00:05:09,560 --> 00:05:11,799 Speaker 1: And it is the oldest toy on the planet except 109 00:05:11,920 --> 00:05:13,200 Speaker 1: the doll. The dolly. 110 00:05:13,320 --> 00:05:16,040 Speaker 2: I thought that was pretty interesting too. Yeah, yeah, of course, 111 00:05:16,560 --> 00:05:18,760 Speaker 2: although I wonder if they're kind of diminishing any kind 112 00:05:18,800 --> 00:05:21,560 Speaker 2: of ancient rituals or rites by saying, like, look at 113 00:05:21,560 --> 00:05:24,039 Speaker 2: this cute doll, when really it's you know, some sort 114 00:05:24,080 --> 00:05:24,640 Speaker 2: of fetish. 115 00:05:26,839 --> 00:05:29,120 Speaker 1: I don't know, you never know. So it's been around 116 00:05:29,160 --> 00:05:32,040 Speaker 1: a long time. They've designed it in different ways over 117 00:05:32,080 --> 00:05:37,440 Speaker 1: the years. The original design was had the string tied 118 00:05:37,680 --> 00:05:40,400 Speaker 1: tight to the little axis there. 119 00:05:40,600 --> 00:05:42,960 Speaker 2: We'll call it the Greek design, the Greek design, No, 120 00:05:43,040 --> 00:05:46,240 Speaker 2: we'll call it the Chinese design or the European design. 121 00:05:46,480 --> 00:05:48,840 Speaker 1: Well, not design, but it was popular in Europe. Yeah, 122 00:05:48,880 --> 00:05:52,040 Speaker 1: and that obviously if you ever used an old yo 123 00:05:52,080 --> 00:05:55,120 Speaker 1: yo like that, or redesign yours to where it's tied 124 00:05:55,120 --> 00:05:57,960 Speaker 1: around the axle. It'll pop up, you know, as soon 125 00:05:57,960 --> 00:06:00,320 Speaker 1: as you throw it down, it'll pop back up. Yeah, 126 00:06:00,320 --> 00:06:01,960 Speaker 1: because it's tied to the axle. 127 00:06:01,920 --> 00:06:05,440 Speaker 2: Exactly right. And you said it was popular in Europe. 128 00:06:05,440 --> 00:06:07,920 Speaker 2: There were other words for other names for the yo 129 00:06:08,000 --> 00:06:10,080 Speaker 2: yo before it was a yo yo. 130 00:06:10,240 --> 00:06:10,760 Speaker 1: That's right. 131 00:06:10,960 --> 00:06:14,720 Speaker 2: There was the limigrette, the bandolore. 132 00:06:14,960 --> 00:06:18,240 Speaker 1: The bandolora was British, I believe the quiz. Yeah, I 133 00:06:18,560 --> 00:06:21,040 Speaker 1: didn't get a country of origin for that, but. 134 00:06:21,320 --> 00:06:23,400 Speaker 2: It was very popular in Europe. There's a painting of 135 00:06:23,560 --> 00:06:26,640 Speaker 2: I think Louis the eighteenth is he the boy king? 136 00:06:27,360 --> 00:06:29,320 Speaker 2: I don't know whichever Louis was the boy king of 137 00:06:29,400 --> 00:06:32,360 Speaker 2: him holding like a yo yo, like a royal painting 138 00:06:32,400 --> 00:06:33,280 Speaker 2: of him with a yo yo? 139 00:06:33,600 --> 00:06:35,839 Speaker 1: Or the what was a little hoop on in a stick? 140 00:06:36,360 --> 00:06:37,320 Speaker 2: I think that's what it was called. 141 00:06:37,320 --> 00:06:38,359 Speaker 1: That was an awesome game. 142 00:06:38,200 --> 00:06:43,880 Speaker 2: The hoop on a stick. And then I don't think 143 00:06:43,960 --> 00:06:45,919 Speaker 2: you can compare the yo yo to the hoop on 144 00:06:45,960 --> 00:06:46,440 Speaker 2: a stick. 145 00:06:46,640 --> 00:06:48,520 Speaker 1: No, I'm not comparing it. I'm just saying I just 146 00:06:48,560 --> 00:06:50,400 Speaker 1: never got that toy. 147 00:06:50,760 --> 00:06:53,120 Speaker 2: Oh oh, okay, well, here's another one for you. Napoleon 148 00:06:53,360 --> 00:06:55,760 Speaker 2: was well known for carrying and using a yo yo, 149 00:06:56,400 --> 00:06:58,039 Speaker 2: apparently for stress relief. 150 00:06:58,520 --> 00:06:59,880 Speaker 1: Oh yeah, yeah, it didn't work too. 151 00:07:00,160 --> 00:07:02,960 Speaker 2: Here's a stressed out dude. Yeah he needed the yo yo. 152 00:07:03,440 --> 00:07:07,520 Speaker 2: But as you said that, that's the European favored or 153 00:07:07,839 --> 00:07:10,480 Speaker 2: Chinese design, where like the strings tied really tight to 154 00:07:10,520 --> 00:07:12,320 Speaker 2: the axle and it just basically goes up and down. 155 00:07:12,440 --> 00:07:12,680 Speaker 1: Yeah. 156 00:07:12,800 --> 00:07:16,640 Speaker 2: Right, So the Filipino design led to the modern yo 157 00:07:16,720 --> 00:07:19,840 Speaker 2: yo as we understand it now, And the huge distinction 158 00:07:20,720 --> 00:07:24,400 Speaker 2: is that the string is just looped around the axle 159 00:07:24,560 --> 00:07:28,000 Speaker 2: kind of loosely, yeah, which has the added benefit of 160 00:07:28,080 --> 00:07:32,360 Speaker 2: allowing the yo yo itself to spin once it reaches 161 00:07:32,400 --> 00:07:33,760 Speaker 2: the end of the string. Yeah. 162 00:07:34,480 --> 00:07:37,800 Speaker 1: Sleep, that's what the that's why people yo yo, I think. Yeah, 163 00:07:37,840 --> 00:07:39,400 Speaker 1: it's all about the tricks. I mean, it's sort of 164 00:07:39,400 --> 00:07:41,160 Speaker 1: fun for a minute just to go up and down, 165 00:07:41,720 --> 00:07:43,360 Speaker 1: but it's really all about the tricks. 166 00:07:43,120 --> 00:07:45,000 Speaker 2: Right, It's just a stress reliever if it just goes 167 00:07:45,080 --> 00:07:45,520 Speaker 2: up and down. 168 00:07:45,560 --> 00:07:46,960 Speaker 1: Did you yo yo when you were a kid? 169 00:07:47,200 --> 00:07:49,560 Speaker 2: Uh? Yeah, here there. But even as a kid, like 170 00:07:49,600 --> 00:07:52,320 Speaker 2: I could sense that like these these new modern ones 171 00:07:52,320 --> 00:07:54,480 Speaker 2: that we'll talk about with like ball bearings and clutches. 172 00:07:54,560 --> 00:07:55,600 Speaker 2: They just seem like cheating. 173 00:07:56,520 --> 00:08:00,200 Speaker 1: I agree, let's not even talk about them. It's not 174 00:08:00,240 --> 00:08:01,080 Speaker 1: even a real yo yo. 175 00:08:01,480 --> 00:08:03,600 Speaker 2: So, Chuck, you want to talk about a little bit 176 00:08:03,640 --> 00:08:04,400 Speaker 2: about physics. 177 00:08:04,560 --> 00:08:07,080 Speaker 1: Well, let's finish the history first, shall we. Oh? 178 00:08:07,080 --> 00:08:08,280 Speaker 2: Okay, well, I have plenty of that. 179 00:08:09,480 --> 00:08:12,120 Speaker 1: It was originally in the Philippines. They think it was 180 00:08:12,120 --> 00:08:14,560 Speaker 1: a hunting weapon for like four hundred years. Uh huh so, 181 00:08:15,440 --> 00:08:17,560 Speaker 1: but not like a little tiny yo yo. They were 182 00:08:17,600 --> 00:08:21,120 Speaker 1: really big and it was basically a big spindle attached 183 00:08:21,160 --> 00:08:23,680 Speaker 1: to a rope with like spikes coming off of it. 184 00:08:23,800 --> 00:08:25,480 Speaker 2: They were like the size of a you go, yeah, 185 00:08:25,480 --> 00:08:26,200 Speaker 2: And I guess. 186 00:08:25,960 --> 00:08:28,880 Speaker 1: The just the benefit there is you could get it 187 00:08:28,960 --> 00:08:30,600 Speaker 1: back after you threw it at somebody. 188 00:08:31,200 --> 00:08:34,000 Speaker 2: Right. The string was almost just useless though, Well could 189 00:08:34,000 --> 00:08:35,439 Speaker 2: you just throw it and run after it? 190 00:08:35,679 --> 00:08:39,240 Speaker 1: Oh? Really? Okay? It was actually heavy rope and they 191 00:08:39,280 --> 00:08:41,319 Speaker 1: use it for hunting too, right. 192 00:08:41,400 --> 00:08:44,880 Speaker 2: Well, at some point down the line, well, yeah, you 193 00:08:44,880 --> 00:08:47,440 Speaker 2: would think anything used in hunting, you know, does double 194 00:08:47,520 --> 00:08:54,199 Speaker 2: duty and more exactly anything you're trying to kill. Yeah. 195 00:08:54,360 --> 00:08:57,199 Speaker 2: At some point though, they became smaller and became toys, 196 00:08:57,880 --> 00:09:01,080 Speaker 2: and in the twenties a Philip you know, immigrant to 197 00:09:01,080 --> 00:09:05,120 Speaker 2: the US named Pedro Flores, started a company, the first 198 00:09:05,440 --> 00:09:08,559 Speaker 2: modern yoyo company in the United States, and did pretty 199 00:09:08,559 --> 00:09:11,400 Speaker 2: well for himself. And then in nineteen twenty nine he 200 00:09:11,440 --> 00:09:14,680 Speaker 2: sold out to a man named Duncan, Right, Donald. 201 00:09:14,360 --> 00:09:20,920 Speaker 1: Duncan, Yes, Donald Duncan, and Duncan Duncan, and you know 202 00:09:20,960 --> 00:09:23,320 Speaker 1: Floris's in Santa Barbara, and like you said, was selling 203 00:09:23,320 --> 00:09:26,439 Speaker 1: these things like hotcakes enough that Duncan said, hey, let 204 00:09:26,480 --> 00:09:28,960 Speaker 1: me buy that. I'm going to keep the name yo 205 00:09:29,000 --> 00:09:32,320 Speaker 1: yo because it's catchy. Yeah, I'm going to trademarkt and 206 00:09:32,360 --> 00:09:35,959 Speaker 1: now I own it. And through the years he had 207 00:09:35,960 --> 00:09:39,719 Speaker 1: competitors that made similar devices with different names, and they 208 00:09:39,720 --> 00:09:42,839 Speaker 1: were like, dude, everyone's calling the sing of yo yo. 209 00:09:43,360 --> 00:09:44,680 Speaker 1: We want to be able to call it a yo 210 00:09:44,760 --> 00:09:46,480 Speaker 1: yo too, And he said, no, no, I own it. 211 00:09:46,960 --> 00:09:49,880 Speaker 1: Then the federal courts in nineteen sixty five says, you 212 00:09:49,960 --> 00:09:52,559 Speaker 1: know what, that's generic enough now where you don't own 213 00:09:52,600 --> 00:09:54,920 Speaker 1: it any longer. Right, they're all yo yo's. 214 00:09:55,040 --> 00:09:58,600 Speaker 2: Well what those legal challenges to their trademark? The name 215 00:09:58,720 --> 00:10:01,760 Speaker 2: yoyo was one of the things that bled the company dry. 216 00:10:02,280 --> 00:10:06,239 Speaker 2: It eventually went bankrupt. Duncan, the Duncan Company went bankrupt. 217 00:10:06,520 --> 00:10:08,880 Speaker 1: Yeah, the same year they ruled, yeah against them. 218 00:10:08,880 --> 00:10:10,560 Speaker 2: They were like, well, that's it for us. But they 219 00:10:10,600 --> 00:10:13,719 Speaker 2: also had other money troubles. They were actually victims of 220 00:10:13,760 --> 00:10:16,640 Speaker 2: their own success. The Duncan Company was. So they moved 221 00:10:17,040 --> 00:10:20,320 Speaker 2: in the forties to luck, Wisconsin, which very quickly became 222 00:10:20,360 --> 00:10:23,080 Speaker 2: known as the yoyo capital of the world. And at 223 00:10:23,240 --> 00:10:26,760 Speaker 2: their peak they were making thirty six hundred yoyos an hour, 224 00:10:27,440 --> 00:10:30,160 Speaker 2: mostly out of wood at first maple. They were using 225 00:10:30,200 --> 00:10:34,400 Speaker 2: a million board feet of maple wood every year. Yeah, 226 00:10:34,440 --> 00:10:37,160 Speaker 2: it's a lot. And they actually, in addition to their 227 00:10:37,240 --> 00:10:41,000 Speaker 2: legal challenges, like the money going to fight their legal battles, 228 00:10:42,080 --> 00:10:46,120 Speaker 2: they were paying tons of money in overtime too, advertising 229 00:10:47,240 --> 00:10:50,120 Speaker 2: And as a matter of fact, I think in nineteen 230 00:10:50,200 --> 00:10:54,440 Speaker 2: sixty two, Chuck, they managed to sell forty five million 231 00:10:54,520 --> 00:10:57,080 Speaker 2: yo yos and in that same year there were only 232 00:10:57,160 --> 00:11:00,960 Speaker 2: forty million kids in the US. Wow, pretty astounding. 233 00:11:01,000 --> 00:11:02,760 Speaker 1: A chicken in every pot and a yo yo in 234 00:11:02,800 --> 00:11:07,760 Speaker 1: every other hand at least. Yeah, sure, well, lets I 235 00:11:07,800 --> 00:11:09,320 Speaker 1: guess some kids were yoyo with both hands. 236 00:11:09,440 --> 00:11:13,080 Speaker 2: They're rich kids. Yeah, But like I said, they the 237 00:11:13,240 --> 00:11:17,000 Speaker 2: company ended up coming bankrupt anyway. But Yoyo enthusiasts still 238 00:11:17,160 --> 00:11:21,240 Speaker 2: look very fondly on the Duncan name. And I think 239 00:11:21,360 --> 00:11:24,840 Speaker 2: June sixth, Yes, June sixth is National Yo Yo Day, 240 00:11:25,120 --> 00:11:29,280 Speaker 2: which happens to be the same day as Donald Duncan's birthday. 241 00:11:29,880 --> 00:11:32,600 Speaker 1: Yeah. Yeah, well, and the Duncan name lives on obviously, 242 00:11:32,640 --> 00:11:35,520 Speaker 1: you still see Duncan Yoyo's. They they sold out. They 243 00:11:35,520 --> 00:11:36,960 Speaker 1: didn't just shut down. 244 00:11:37,280 --> 00:11:40,320 Speaker 2: Well, they went bankrupts and sold out, right, yeah yeah. 245 00:11:39,880 --> 00:11:44,560 Speaker 1: So who was it? The flam Flambeo Plastics company. Yeah, 246 00:11:44,600 --> 00:11:47,200 Speaker 1: they said we'll keep the name Duncan because it's synonymous 247 00:11:47,200 --> 00:11:47,800 Speaker 1: with Yo yo's. 248 00:11:47,880 --> 00:12:10,960 Speaker 2: Yeah, it's not generic yet. No, No, there's a little 249 00:12:11,000 --> 00:12:13,080 Speaker 2: yoyo history for you. Yeah, I got a little more. 250 00:12:13,120 --> 00:12:15,960 Speaker 2: I'm gonna say to the end. I think you'll like. Okay, 251 00:12:16,559 --> 00:12:17,640 Speaker 2: we're gonna tease you with it. 252 00:12:17,880 --> 00:12:19,240 Speaker 1: Now, let's talk about physics. 253 00:12:19,400 --> 00:12:21,600 Speaker 2: Well, I think this is very interesting. 254 00:12:21,960 --> 00:12:22,240 Speaker 1: Good. 255 00:12:24,440 --> 00:12:29,080 Speaker 2: So there's a two Okay you mentioned with the string 256 00:12:29,200 --> 00:12:32,600 Speaker 2: tied to the classic Chinese design Yo yo, you have 257 00:12:32,800 --> 00:12:38,480 Speaker 2: one kind of energy going on, right, Yes, and that 258 00:12:38,679 --> 00:12:42,400 Speaker 2: is linear momentum, the ability of it to go up 259 00:12:42,520 --> 00:12:45,559 Speaker 2: and down I should say down and up right, that's right. 260 00:12:45,880 --> 00:12:49,240 Speaker 2: With the Filipino design the modern design. It has two 261 00:12:49,280 --> 00:12:52,760 Speaker 2: kinds of potential energy. It has that same linear momentum 262 00:12:52,840 --> 00:12:55,360 Speaker 2: to go up and down, but it also has angular momentum. 263 00:12:55,440 --> 00:13:00,400 Speaker 2: And angular momentum is its ability to spin on an axle. Yeah, okay, 264 00:13:00,559 --> 00:13:03,120 Speaker 2: so you've got two things going on. And like you said, 265 00:13:03,280 --> 00:13:05,840 Speaker 2: when the yo yo hits the end of the line 266 00:13:06,000 --> 00:13:08,839 Speaker 2: of its linear momentum, it can still It's built up 267 00:13:08,880 --> 00:13:11,360 Speaker 2: since it's wound around the spool. It's built up a 268 00:13:11,400 --> 00:13:13,560 Speaker 2: lot of angular momentum, so it can just sit there 269 00:13:13,600 --> 00:13:16,080 Speaker 2: and spin or sleep as you called it. 270 00:13:16,200 --> 00:13:19,560 Speaker 1: Yeah. It actually increases as it goes down, which is 271 00:13:19,600 --> 00:13:21,840 Speaker 1: the key to keeping it spinning. 272 00:13:22,000 --> 00:13:22,200 Speaker 2: Right. 273 00:13:22,280 --> 00:13:23,800 Speaker 1: It gets faster as it falls. 274 00:13:24,040 --> 00:13:26,240 Speaker 2: There's another pretty cool trait to a yo yo. Who 275 00:13:26,280 --> 00:13:29,400 Speaker 2: knew they were so complex? I didn't, did you? 276 00:13:29,679 --> 00:13:30,040 Speaker 1: I did not? 277 00:13:30,360 --> 00:13:36,040 Speaker 2: Okay. So they also have gyroscopic stability, chuck, they do. Okay. So, 278 00:13:36,080 --> 00:13:38,400 Speaker 2: if you have a yoyo that's sleeping and you push 279 00:13:38,440 --> 00:13:40,880 Speaker 2: down on top of it, like it goes down and 280 00:13:40,920 --> 00:13:44,840 Speaker 2: then back up right, that's because of its gyroscopic stability. 281 00:13:44,960 --> 00:13:47,199 Speaker 2: That point that you push down on the yo yo 282 00:13:48,040 --> 00:13:51,120 Speaker 2: is transferred from the front and spun around to the back. 283 00:13:51,240 --> 00:13:53,400 Speaker 2: So that's even now, so the yoyo will just keep 284 00:13:53,440 --> 00:13:55,240 Speaker 2: spinning as long as it's spinning fast enough. 285 00:13:55,640 --> 00:14:00,640 Speaker 1: Gyroscopic stability, Yes, that means a spinning object object will 286 00:14:00,640 --> 00:14:04,560 Speaker 1: resist change to its axis of rotation. And if you've 287 00:14:04,559 --> 00:14:07,880 Speaker 1: ever thrown a football, it's the same thing. Yeah, Or 288 00:14:07,880 --> 00:14:09,440 Speaker 1: if you've ever thrown a football poorly? 289 00:14:10,040 --> 00:14:13,320 Speaker 2: What do they call that wobbler? A turkey wounded duck? 290 00:14:13,400 --> 00:14:16,680 Speaker 1: Brick? That's why winded duck doesn't go very far because 291 00:14:16,720 --> 00:14:19,080 Speaker 1: it doesn't have that tight spin. Yeah, so it falls 292 00:14:19,080 --> 00:14:20,720 Speaker 1: off its axis and won't travel as. 293 00:14:20,600 --> 00:14:22,560 Speaker 2: Far, exactly same as a prison And then the whole 294 00:14:22,560 --> 00:14:23,080 Speaker 2: team's mad. 295 00:14:23,440 --> 00:14:27,760 Speaker 1: Basically anything that spins, Yeah, Frisbee's football's there's there's got 296 00:14:27,800 --> 00:14:30,360 Speaker 1: to be a baseball. We could liken it to a 297 00:14:30,360 --> 00:14:31,080 Speaker 1: baseball somehow. 298 00:14:31,160 --> 00:14:34,520 Speaker 2: Let's say a curveball, knuckleball slider. 299 00:14:34,280 --> 00:14:37,440 Speaker 1: Definitely not a knuckleball slighter doesn't spin it all, really, 300 00:14:38,200 --> 00:14:40,640 Speaker 1: is it like a shot put? No, the knuckleball, you, 301 00:14:41,040 --> 00:14:44,080 Speaker 1: the whole key is it doesn't move. It travels like this, 302 00:14:44,400 --> 00:14:47,600 Speaker 1: and that's why it moves all around. Crazy, isn't that nutty? 303 00:14:47,680 --> 00:14:52,520 Speaker 2: Yeah, So you've got your you've got your yo yo sleeping, 304 00:14:53,160 --> 00:14:58,560 Speaker 2: You're you're totally aware of its gyroscopic stability and you 305 00:14:58,680 --> 00:15:03,000 Speaker 2: understand that it's angle momentum is just awesome. It's far 306 00:15:03,040 --> 00:15:05,600 Speaker 2: out right, it's far out but you want to wake 307 00:15:05,680 --> 00:15:07,520 Speaker 2: it up. And that's when you bring it out of 308 00:15:07,520 --> 00:15:10,520 Speaker 2: its sleep and rewind it back up the spool. 309 00:15:10,400 --> 00:15:12,000 Speaker 1: Right, a little tug on the old finger. 310 00:15:12,160 --> 00:15:15,040 Speaker 2: Yeah, And the reason why is because the loop, right, 311 00:15:15,400 --> 00:15:19,120 Speaker 2: there's less friction with the loop around the axle. Yeah, 312 00:15:19,200 --> 00:15:21,760 Speaker 2: when you tug it, you increase that friction and you 313 00:15:21,800 --> 00:15:23,080 Speaker 2: allow it to rewind. 314 00:15:23,200 --> 00:15:25,520 Speaker 1: It just grabs a hold of its buddy and just 315 00:15:25,640 --> 00:15:26,920 Speaker 1: let's go back up to the palm. 316 00:15:27,120 --> 00:15:30,680 Speaker 2: Yep. It's pretty cool. Yeah, I like yoyo physics a lot. 317 00:15:32,840 --> 00:15:35,800 Speaker 2: So we basically just talked about the two hardest parts, right, 318 00:15:36,640 --> 00:15:37,720 Speaker 2: sleeping and waking. 319 00:15:37,960 --> 00:15:41,000 Speaker 1: Yeah, And like I said, sleeping is the key to 320 00:15:41,080 --> 00:15:44,800 Speaker 1: do any kind of trick like walking the dog, which 321 00:15:45,040 --> 00:15:46,320 Speaker 1: I was pretty good. I used to could do a 322 00:15:46,360 --> 00:15:48,840 Speaker 1: few yo yo tricks. Really, Yeah, I could walk the dog, 323 00:15:48,880 --> 00:15:51,640 Speaker 1: and I could do I could do the deal where 324 00:15:51,640 --> 00:15:55,560 Speaker 1: you make a triangle and then TikTok through the triangle, 325 00:15:55,800 --> 00:15:56,400 Speaker 1: something like. 326 00:15:56,360 --> 00:16:00,680 Speaker 2: A cradle or probably the cats in the cradle, let's. 327 00:16:00,440 --> 00:16:02,440 Speaker 1: Call a cat's cradle, and then I could I could 328 00:16:03,200 --> 00:16:05,840 Speaker 1: do the around the world. Wow, around the world. 329 00:16:06,000 --> 00:16:07,160 Speaker 2: Yeah, I couldn't do any of those. 330 00:16:07,240 --> 00:16:09,240 Speaker 1: I'm gonna this inspired me to get a new Yo Yo. 331 00:16:09,360 --> 00:16:11,800 Speaker 2: By the way, I like the vintage dunk and one 332 00:16:11,880 --> 00:16:14,720 Speaker 2: specifically the yellow ones with the butterfly, like the gold 333 00:16:15,080 --> 00:16:16,520 Speaker 2: the gold butterfly. 334 00:16:16,240 --> 00:16:17,200 Speaker 1: The inverted ones. 335 00:16:18,400 --> 00:16:21,200 Speaker 2: No, it was the one butterfly on that okay, because 336 00:16:21,240 --> 00:16:23,640 Speaker 2: they had those that were that looked like a butterfly 337 00:16:23,800 --> 00:16:26,200 Speaker 2: that were I know what you're talking about, inverted, and 338 00:16:26,240 --> 00:16:30,239 Speaker 2: I think that actually plays a part in the uh 339 00:16:31,640 --> 00:16:34,800 Speaker 2: uh increasing the moment of inertia section. Yeah, I think 340 00:16:34,840 --> 00:16:36,840 Speaker 2: that's why they flipped it out to put more weight 341 00:16:36,880 --> 00:16:39,280 Speaker 2: on the outside. Yeah, okay, you want to talk about that? 342 00:16:39,320 --> 00:16:39,560 Speaker 1: Why not? 343 00:16:39,800 --> 00:16:43,720 Speaker 2: So do you remember when we did the Murphy's Law podcast? 344 00:16:44,160 --> 00:16:44,880 Speaker 1: How could I forget? 345 00:16:44,920 --> 00:16:46,800 Speaker 2: Remember one of the books that he wrote was for 346 00:16:46,840 --> 00:16:48,040 Speaker 2: your Moments of Inertia? 347 00:16:48,520 --> 00:16:48,920 Speaker 1: Yeah? 348 00:16:49,000 --> 00:16:51,720 Speaker 2: Yeah, I didn't realize it was a terrible, terrible engineering 349 00:16:51,800 --> 00:16:53,760 Speaker 2: pun until I read this article. 350 00:16:53,920 --> 00:16:54,120 Speaker 1: Yeah. 351 00:16:54,280 --> 00:16:56,560 Speaker 2: Kind of made me hate John Paul Stapp a little bit. 352 00:16:56,720 --> 00:16:57,800 Speaker 1: Nah, we love that guy. 353 00:16:58,160 --> 00:17:01,760 Speaker 2: So chuck A moment of Inertia's basically a way of 354 00:17:01,800 --> 00:17:07,880 Speaker 2: describing a spinning objects resistance to changes in that rotation, 355 00:17:08,080 --> 00:17:14,359 Speaker 2: basically being slowed down. Yeah, right, And what smarter people 356 00:17:14,400 --> 00:17:16,960 Speaker 2: than us have figured out is that if you increase 357 00:17:17,040 --> 00:17:21,960 Speaker 2: the mass and distribute it slightly further away from the axis, 358 00:17:22,640 --> 00:17:26,439 Speaker 2: you're going to increase its moment of inertia, right, and 359 00:17:26,480 --> 00:17:29,360 Speaker 2: that increases the amount of time it's just sleeping, right. 360 00:17:30,040 --> 00:17:32,000 Speaker 1: Yeah. And like I said, I don't know this, but 361 00:17:32,040 --> 00:17:34,040 Speaker 1: I just remember when I was a kid, they had 362 00:17:34,080 --> 00:17:36,640 Speaker 1: those inverted yo yos, and I bet you anything that's 363 00:17:36,640 --> 00:17:38,320 Speaker 1: why they did that. It's got to be because they 364 00:17:38,320 --> 00:17:42,000 Speaker 1: were wider at the outside and then curved in, which 365 00:17:42,200 --> 00:17:44,760 Speaker 1: had to be less mass. Yeah, it was less stuff, 366 00:17:45,160 --> 00:17:48,240 Speaker 1: less wood, right, So I'm going to go on record 367 00:17:48,240 --> 00:17:49,360 Speaker 1: as saying that's why they did that. 368 00:17:49,600 --> 00:17:53,840 Speaker 2: But I think you want more mass further away, yeah, 369 00:17:53,960 --> 00:17:55,399 Speaker 2: to increase its moment of inertia. 370 00:17:55,480 --> 00:17:57,439 Speaker 1: Right. Yeah, So it was there was more mass on 371 00:17:57,480 --> 00:18:00,320 Speaker 1: the outside, I guess, further away from the axis, right. Yeah. 372 00:18:00,480 --> 00:18:03,280 Speaker 2: So that allows things to sleep a lot longer. And 373 00:18:04,040 --> 00:18:06,439 Speaker 2: that was a I guess you could say one of 374 00:18:06,480 --> 00:18:09,919 Speaker 2: the breakthroughs in yoyo design. I think in the sixties, 375 00:18:10,119 --> 00:18:14,199 Speaker 2: they started adding mass to the outside and extending the 376 00:18:14,240 --> 00:18:17,000 Speaker 2: axle a little bit. Bam, the yoyo has been improved. 377 00:18:17,119 --> 00:18:21,520 Speaker 2: Think about this, right, twenty five hundred, maybe even longer 378 00:18:21,560 --> 00:18:25,600 Speaker 2: than that. Years ago. Yeah, somebody invented the yoyo. Does 379 00:18:25,600 --> 00:18:29,680 Speaker 2: not change until the Philippines in the early twentieth century. 380 00:18:29,840 --> 00:18:31,639 Speaker 1: Well, I thought it said it did change, We just 381 00:18:31,680 --> 00:18:36,240 Speaker 1: don't know. Said there were changes in designs over the years. No, 382 00:18:36,320 --> 00:18:38,080 Speaker 1: not that I took. I took it like there was 383 00:18:38,200 --> 00:18:41,440 Speaker 1: one way, and then there was the Filipino way. 384 00:18:42,160 --> 00:18:42,920 Speaker 2: And that was it. 385 00:18:43,240 --> 00:18:44,600 Speaker 1: We got a correction to make then. 386 00:18:44,600 --> 00:18:46,760 Speaker 2: And then the twentieth century hits, and then there's all 387 00:18:46,800 --> 00:18:48,800 Speaker 2: these great improvements on these designs. 388 00:18:49,680 --> 00:18:51,160 Speaker 1: Indeed, one of the. 389 00:18:51,040 --> 00:18:55,920 Speaker 2: Improvements, Chuck was adding ball bearings. Right, yeah, well, you. 390 00:18:55,880 --> 00:18:58,360 Speaker 1: And I don't think these are improvements, ear least I don't. 391 00:18:58,560 --> 00:19:02,000 Speaker 2: Okay, that's absolutely sure. That's a good caveat. I think 392 00:19:02,040 --> 00:19:05,119 Speaker 2: that the Filipinos perfected the yoya. 393 00:19:05,240 --> 00:19:08,320 Speaker 1: Let's just call them modifications, okay for sorry kids who 394 00:19:08,320 --> 00:19:10,920 Speaker 1: don't know how to yoyo rich kids. Yeah, that makes 395 00:19:10,920 --> 00:19:13,760 Speaker 1: it easier, I think, Yeah, and that the whole point 396 00:19:13,800 --> 00:19:16,240 Speaker 1: of both of these things. Yeah, I guess it makes 397 00:19:16,240 --> 00:19:17,920 Speaker 1: it easier sleep and yeah. 398 00:19:17,760 --> 00:19:20,480 Speaker 2: Yeah, And I guess they're like, well, if you're just 399 00:19:20,640 --> 00:19:23,760 Speaker 2: enjoying sleeping and waking your yo yo, then why make 400 00:19:23,800 --> 00:19:24,560 Speaker 2: it tough. 401 00:19:24,400 --> 00:19:26,000 Speaker 1: If you want to have fun with your toy? 402 00:19:26,280 --> 00:19:26,560 Speaker 2: Right? 403 00:19:28,760 --> 00:19:30,399 Speaker 1: I can't believe they made it easier for kids to 404 00:19:30,480 --> 00:19:31,840 Speaker 1: have fun. It's not, dare they? 405 00:19:32,040 --> 00:19:36,240 Speaker 2: So the ball bearing design I think is kind of clever. Basically, 406 00:19:37,520 --> 00:19:42,040 Speaker 2: this modification takes the axle and splits it in two yeah, 407 00:19:42,119 --> 00:19:46,120 Speaker 2: into two races, which are basically little courses for ball 408 00:19:46,160 --> 00:19:47,159 Speaker 2: bearings to spin around. 409 00:19:47,400 --> 00:19:49,720 Speaker 1: Right, now, does it split the axle? These are just 410 00:19:49,760 --> 00:19:50,920 Speaker 1: around the axle. 411 00:19:51,080 --> 00:19:54,480 Speaker 2: So one is connected to the axle, right, that's the 412 00:19:54,560 --> 00:19:58,520 Speaker 2: inner race. One is connected to the string. That's the 413 00:19:58,560 --> 00:20:01,480 Speaker 2: outer race. And then in between the two ball bearings right, Okay, 414 00:20:02,119 --> 00:20:06,720 Speaker 2: they're not connected in any way except maybe via the 415 00:20:06,760 --> 00:20:08,120 Speaker 2: contact with the ball bearings. 416 00:20:08,280 --> 00:20:08,480 Speaker 1: Right. 417 00:20:08,880 --> 00:20:11,800 Speaker 2: So when you when you release your yo yo toward 418 00:20:11,840 --> 00:20:14,639 Speaker 2: the ground and it's linear and angular, momentum really build up. 419 00:20:15,280 --> 00:20:18,560 Speaker 2: When it hits the inner race can tilt a little 420 00:20:18,560 --> 00:20:23,080 Speaker 2: bit and connect with the outer race via the ball bearings. 421 00:20:23,160 --> 00:20:26,720 Speaker 2: So they're they're spinning right, right, and then as they 422 00:20:26,760 --> 00:20:31,800 Speaker 2: straighten out the they they're they're not connected anymore, so 423 00:20:31,840 --> 00:20:35,679 Speaker 2: that the string no longer has any effect on whether 424 00:20:35,760 --> 00:20:38,359 Speaker 2: the yo yo spins or not, because it's just the 425 00:20:38,520 --> 00:20:42,200 Speaker 2: inner race connected to the axle that's spinning. So your 426 00:20:42,320 --> 00:20:44,879 Speaker 2: yo yo can sleep far, far longer. 427 00:20:45,000 --> 00:20:47,200 Speaker 1: Yeah, the outer race spends the inner race which spins 428 00:20:47,200 --> 00:20:47,639 Speaker 1: the axle. 429 00:20:47,760 --> 00:20:50,159 Speaker 2: Right, it's like a transfer of angular momentum exactly, and 430 00:20:50,160 --> 00:20:52,080 Speaker 2: then the strings just like you just let me know 431 00:20:52,119 --> 00:20:54,240 Speaker 2: when you're done, and we'll wind back up. 432 00:20:54,560 --> 00:20:56,440 Speaker 1: Well, it'll get a little tougg'll do the same thing 433 00:20:56,440 --> 00:20:59,200 Speaker 1: with that style, right right, okay. 434 00:20:58,840 --> 00:21:01,520 Speaker 2: Or you can just completely take yourself out of the 435 00:21:01,560 --> 00:21:04,720 Speaker 2: equation altogether except for a snap of the risk. The 436 00:21:04,760 --> 00:21:07,920 Speaker 2: initial release is all you need to do with what's 437 00:21:07,960 --> 00:21:09,720 Speaker 2: called the yo yo with the brain. 438 00:21:10,600 --> 00:21:14,040 Speaker 1: These are really fake yoyo's. Yeah, I want to get 439 00:21:14,080 --> 00:21:14,840 Speaker 1: one though. It's kind of cool. 440 00:21:14,960 --> 00:21:16,919 Speaker 2: You could be in a vegetative state and do this 441 00:21:17,000 --> 00:21:17,320 Speaker 2: yo yo. 442 00:21:17,600 --> 00:21:21,240 Speaker 1: Yeah. This was in the nineties. Company called Yomega release these, 443 00:21:21,920 --> 00:21:24,119 Speaker 1: and they called it the yo Yo with a brain, 444 00:21:24,440 --> 00:21:26,080 Speaker 1: when in fact they should have called it the yo 445 00:21:26,160 --> 00:21:30,120 Speaker 1: Yo with a clutch. And the deal here is you've 446 00:21:30,119 --> 00:21:34,720 Speaker 1: got these two clutch arms weighted ball on one side, 447 00:21:34,720 --> 00:21:36,640 Speaker 1: and it's not attached on the other side, and they're 448 00:21:36,680 --> 00:21:40,800 Speaker 1: spring loaded. The spindle is not attached to the axle, 449 00:21:41,400 --> 00:21:44,159 Speaker 1: but the clutch arms are attached to the spindle. So 450 00:21:44,200 --> 00:21:47,520 Speaker 1: when you throw this thing down, it's gonna spin slower 451 00:21:47,560 --> 00:21:51,280 Speaker 1: at first, and the clutch is engaged. As it gets faster, 452 00:21:51,480 --> 00:21:55,080 Speaker 1: all of a sudden, it's enough inertia to pop the 453 00:21:55,080 --> 00:21:59,720 Speaker 1: clutch essentially against the edges, and it releases the spindle, 454 00:22:01,440 --> 00:22:03,600 Speaker 1: which makes the whole thing spin faster. 455 00:22:04,200 --> 00:22:08,800 Speaker 2: On the axis right, the centrifugal force pushes down the weight, 456 00:22:09,119 --> 00:22:12,520 Speaker 2: which pushes down the arm onto the spring, which releases 457 00:22:12,600 --> 00:22:14,280 Speaker 2: the two which allows it to spin. 458 00:22:14,680 --> 00:22:16,360 Speaker 1: And it only spins for a certain amount of time. 459 00:22:16,400 --> 00:22:18,360 Speaker 1: It's not like the kind that you tug back up. 460 00:22:18,760 --> 00:22:21,399 Speaker 1: It'll spin till it slows down and then the clutch 461 00:22:21,600 --> 00:22:24,080 Speaker 1: locks back down and boom, it shoots. 462 00:22:23,720 --> 00:22:24,600 Speaker 2: Back up right back. 463 00:22:25,280 --> 00:22:26,600 Speaker 1: I want to I wish we had one of those. 464 00:22:26,600 --> 00:22:27,480 Speaker 1: I want to see what it's like. 465 00:22:27,840 --> 00:22:30,760 Speaker 2: So basically, the big to the two modifications are based 466 00:22:30,800 --> 00:22:35,600 Speaker 2: on separating the string from the axle. Yeah, by creating 467 00:22:35,640 --> 00:22:39,159 Speaker 2: two different kinds of I guess axles or spindles or whatever. 468 00:22:39,280 --> 00:22:43,879 Speaker 1: Which are really just sort of taking the Philippine Filipino 469 00:22:43,920 --> 00:22:47,080 Speaker 1: design a step further because although it made contact with 470 00:22:47,119 --> 00:22:49,880 Speaker 1: the axle, it wasn't quote connected to the axle. Yeah, 471 00:22:49,960 --> 00:22:51,800 Speaker 1: I guess it was, but it wasn't tight right. 472 00:22:52,160 --> 00:22:54,160 Speaker 2: And a guy named Michael Caffrey is the one who 473 00:22:54,640 --> 00:22:56,600 Speaker 2: came up with the yo yo with the brain, and 474 00:22:56,760 --> 00:22:59,159 Speaker 2: Yomega started telling him in nineteen ninety, but he came 475 00:22:59,240 --> 00:23:03,000 Speaker 2: up with it nineteen two years after a man named 476 00:23:03,000 --> 00:23:06,520 Speaker 2: Tom Cune created the no Jive three and one yo 477 00:23:06,560 --> 00:23:09,080 Speaker 2: Yo that you could take apart and replace the axle 478 00:23:09,160 --> 00:23:12,480 Speaker 2: and do all sorts of modifications with no really big, 479 00:23:12,600 --> 00:23:15,320 Speaker 2: big time for changes in yo yo design. 480 00:23:15,480 --> 00:23:17,400 Speaker 1: So did he rip this dude off? Is that what you're saying? 481 00:23:17,560 --> 00:23:20,040 Speaker 2: No, okay, No, I'm just saying, like the two these 482 00:23:20,080 --> 00:23:23,359 Speaker 2: two big steps in the Yoyo design. 483 00:23:23,440 --> 00:23:26,440 Speaker 1: Well you said two years after it was sinister. Well 484 00:23:26,480 --> 00:23:28,720 Speaker 1: you're a very suspicious person I am when it comes 485 00:23:28,760 --> 00:23:32,200 Speaker 1: to yo Yo's design. 486 00:23:53,200 --> 00:23:56,680 Speaker 2: Chuck, that's pretty much the physics of yo Yo's Did 487 00:23:56,720 --> 00:23:59,400 Speaker 2: you know that we just explained how Yoyo's work. 488 00:23:59,640 --> 00:24:02,879 Speaker 1: You know, I looked online at videos and stuff to 489 00:24:02,960 --> 00:24:05,200 Speaker 1: make it a little easier because this is a very 490 00:24:05,480 --> 00:24:08,560 Speaker 1: visual thing, and they do have videos. But what I 491 00:24:08,640 --> 00:24:12,040 Speaker 1: found out is that a lot of teachers, physics teachers, 492 00:24:12,400 --> 00:24:16,960 Speaker 1: use yoyo's to describe these whatever four to six properties 493 00:24:17,000 --> 00:24:17,680 Speaker 1: that we described. 494 00:24:17,760 --> 00:24:20,920 Speaker 2: I have to tell you, I understand angular momentum far better. 495 00:24:21,000 --> 00:24:23,760 Speaker 1: Now. I understand, and although it went through the yoyos 496 00:24:23,760 --> 00:24:28,040 Speaker 1: to the football, I understand the moment of inertia. Okay, 497 00:24:28,119 --> 00:24:32,040 Speaker 1: all right, is that moment of inertia? No, that's angular momentum, 498 00:24:32,119 --> 00:24:33,200 Speaker 1: angular momentum. 499 00:24:32,880 --> 00:24:33,879 Speaker 2: Spinning on an axis. 500 00:24:33,960 --> 00:24:34,120 Speaker 1: Yeah. 501 00:24:34,160 --> 00:24:36,360 Speaker 2: Yeah, Oh you were talking about the gyroscopic stability. 502 00:24:36,680 --> 00:24:38,520 Speaker 1: Yeah, there's what it was. See I get confused. 503 00:24:38,760 --> 00:24:41,080 Speaker 2: I did too, Chuck, it's physics, man, don't feel bad. 504 00:24:42,119 --> 00:24:44,440 Speaker 2: You want to know a couple more pieces of yoyo trivia? 505 00:24:44,520 --> 00:24:45,040 Speaker 1: Yeah, it's here. 506 00:24:45,320 --> 00:24:48,879 Speaker 2: In nineteen sixty eight, when Abby Hoffman of the Chicago 507 00:24:49,040 --> 00:24:55,399 Speaker 2: seven Yeah, was indicted or no, charged with contempt of 508 00:24:55,520 --> 00:25:01,160 Speaker 2: Congress when he started doing the Walk the Dog during 509 00:25:01,200 --> 00:25:04,919 Speaker 2: a House on American Activities Committee. Oh really session that 510 00:25:05,040 --> 00:25:06,080 Speaker 2: was investigating him. 511 00:25:06,400 --> 00:25:08,280 Speaker 1: So he was like, I'm just so over this. I'm 512 00:25:08,280 --> 00:25:08,960 Speaker 1: gonna yo yo. 513 00:25:09,240 --> 00:25:11,320 Speaker 2: Well, apparently the way I read it is that he 514 00:25:11,400 --> 00:25:14,280 Speaker 2: was trying to entertain lighting everything up. It's like here, 515 00:25:14,320 --> 00:25:16,520 Speaker 2: watch me yo yo And he was walking the dog. 516 00:25:16,400 --> 00:25:19,560 Speaker 1: And the who ax said no, wrap one. 517 00:25:19,720 --> 00:25:23,920 Speaker 2: So that's how yoyo's are connected to McCarthyism. If you 518 00:25:24,000 --> 00:25:26,200 Speaker 2: want to take a N S Y S K quizn 519 00:25:26,240 --> 00:25:26,679 Speaker 2: that comes up. 520 00:25:26,800 --> 00:25:29,480 Speaker 1: Plus yoyo's were huge back then. Totally thought that was 521 00:25:29,480 --> 00:25:30,960 Speaker 1: like the heyday. I think this is sixties. 522 00:25:31,160 --> 00:25:33,800 Speaker 2: Yeah, Nixon. Have you seen Nixon try to yo yo? 523 00:25:34,520 --> 00:25:34,600 Speaker 1: No? 524 00:25:34,760 --> 00:25:37,200 Speaker 2: Man, if you don't like Nixon, this will just make 525 00:25:37,240 --> 00:25:40,240 Speaker 2: you hate him even more. The night that they opened 526 00:25:40,240 --> 00:25:42,719 Speaker 2: the Grand Ole Opry and I think sometime in nineteen 527 00:25:42,760 --> 00:25:46,640 Speaker 2: seventy four, what's the main guy, like the whole cast 528 00:25:46,640 --> 00:25:50,200 Speaker 2: of hehaws behind Nixon and then the mate Roy Akeff. Yeah, 529 00:25:50,280 --> 00:25:52,760 Speaker 2: he presents Nixon with a yo yo and like has 530 00:25:52,800 --> 00:25:55,199 Speaker 2: to put it on Nixon's finger, and Nixon looks like 531 00:25:55,240 --> 00:25:58,240 Speaker 2: what's going on? You know? And and then he tries 532 00:25:58,280 --> 00:25:59,840 Speaker 2: to do it once and it just kind of like 533 00:26:00,040 --> 00:26:03,680 Speaker 2: flops down and makes like a sad trombone noise. Wow, 534 00:26:03,680 --> 00:26:06,040 Speaker 2: And he just has this sullen like look on his face, 535 00:26:06,080 --> 00:26:09,119 Speaker 2: like I don't like yo yo's. He looks kind of 536 00:26:09,160 --> 00:26:11,560 Speaker 2: like you did at the beginning of this episode. 537 00:26:11,920 --> 00:26:14,240 Speaker 1: Yeah, me and Tricky, Yeah you knew. 538 00:26:14,520 --> 00:26:17,560 Speaker 2: And then they took a yo yo in space Chuck, Yeah, 539 00:26:17,600 --> 00:26:18,280 Speaker 2: I saw that and. 540 00:26:18,240 --> 00:26:20,600 Speaker 1: It still worked. 541 00:26:21,160 --> 00:26:24,320 Speaker 2: It did work. They found that like letting it drop 542 00:26:24,400 --> 00:26:26,720 Speaker 2: did nothing because they were testing it in microgravity. But 543 00:26:26,760 --> 00:26:30,080 Speaker 2: if you throw it, it will it will go slowly. 544 00:26:30,320 --> 00:26:30,840 Speaker 1: You can do it. 545 00:26:31,119 --> 00:26:32,960 Speaker 2: You can do it slowly, but it will still spin 546 00:26:33,880 --> 00:26:37,840 Speaker 2: and it moves kind of just kind of gracefully along 547 00:26:37,960 --> 00:26:42,679 Speaker 2: the string like in just mid air, horizontally, and but 548 00:26:42,760 --> 00:26:43,639 Speaker 2: it'll never sleep. 549 00:26:44,280 --> 00:26:46,320 Speaker 1: Well, thank god NASA did that. 550 00:26:46,800 --> 00:26:48,600 Speaker 2: Yeah, back in nineteen eighty five. 551 00:26:48,640 --> 00:26:50,159 Speaker 1: Those are all the videos you see, though they do 552 00:26:50,359 --> 00:26:51,080 Speaker 1: much more than that. 553 00:26:51,080 --> 00:26:53,840 Speaker 2: That was back when NASA was like, we have so 554 00:26:53,960 --> 00:26:56,679 Speaker 2: much money, we don't know what to do. Let's launch 555 00:26:56,720 --> 00:26:59,960 Speaker 2: something and let's say the Toys in Space Project, right, 556 00:27:00,280 --> 00:27:00,800 Speaker 2: and they did. 557 00:27:00,920 --> 00:27:03,000 Speaker 1: Now this was just for Yoyo's. That was the only 558 00:27:03,040 --> 00:27:03,960 Speaker 1: thing they did on that flight. 559 00:27:04,119 --> 00:27:06,520 Speaker 2: Well, no, the Toys and Space Project in company or 560 00:27:06,680 --> 00:27:10,960 Speaker 2: encompassed sixty Shuttle missions, one for each toy that they 561 00:27:11,000 --> 00:27:14,280 Speaker 2: tested out. Wow, Jackson was one of the best ones. 562 00:27:15,280 --> 00:27:16,040 Speaker 1: The Bolo paddle. 563 00:27:16,240 --> 00:27:19,600 Speaker 2: Yeah, so that's uh, that's yo Yo's. Frankly, I'm pretty 564 00:27:19,600 --> 00:27:20,520 Speaker 2: happy with this one. 565 00:27:20,600 --> 00:27:22,240 Speaker 1: I thought you were going to lead in with something 566 00:27:22,280 --> 00:27:24,240 Speaker 1: on yo yo ma or something. 567 00:27:24,280 --> 00:27:26,800 Speaker 2: No, man, try to look up yoyo's in the news 568 00:27:26,840 --> 00:27:30,520 Speaker 2: and not get yo yo ma cheese. Can't do it, stupid. 569 00:27:31,160 --> 00:27:37,320 Speaker 2: I searched a yo yo minus ma minus knee, minus 570 00:27:37,359 --> 00:27:39,680 Speaker 2: gabba to finally get some stuff on. 571 00:27:39,760 --> 00:27:42,680 Speaker 1: O yo gabba gaba. Sure, ye oh what was the 572 00:27:42,720 --> 00:27:47,800 Speaker 1: other one yo mama neo yo MTV wraps that came 573 00:27:47,880 --> 00:27:48,600 Speaker 1: up too, did it? 574 00:27:48,880 --> 00:27:53,359 Speaker 2: Yeah? I stopped searching before I minused MTV too. You 575 00:27:53,400 --> 00:27:55,560 Speaker 2: know you could minus I was in the jew Yeah, 576 00:27:55,640 --> 00:27:58,119 Speaker 2: and it'll it'll root out all the search, all this, 577 00:27:58,440 --> 00:27:59,879 Speaker 2: all the results that have that. 578 00:28:00,119 --> 00:28:01,960 Speaker 1: Really, so you just put the minus. 579 00:28:01,720 --> 00:28:04,320 Speaker 2: Sign minus and then the next letter. No space, had 580 00:28:04,320 --> 00:28:06,600 Speaker 2: no idea, and you can do a bunch of different ones, 581 00:28:06,760 --> 00:28:10,080 Speaker 2: no comments, no nothing, just like minus gabba minus yo 582 00:28:10,640 --> 00:28:12,119 Speaker 2: minus mom, minus knee. 583 00:28:12,200 --> 00:28:18,080 Speaker 1: You literally just improved my life. Oh good, or my research. 584 00:28:18,000 --> 00:28:19,440 Speaker 2: For like that eight times a day? 585 00:28:19,640 --> 00:28:20,200 Speaker 1: Yeah? 586 00:28:20,280 --> 00:28:23,320 Speaker 2: All right, well that's it, all right, yo yosa. I 587 00:28:23,400 --> 00:28:25,720 Speaker 2: was in a jewelry store once and Neo came in. 588 00:28:26,200 --> 00:28:27,000 Speaker 2: It seemed nice. 589 00:28:27,560 --> 00:28:28,120 Speaker 1: Who's Neo? 590 00:28:28,680 --> 00:28:30,400 Speaker 2: He's this rapper He's from Atlanta. 591 00:28:30,640 --> 00:28:33,280 Speaker 1: I thought you were talking about the matrix. No, that's 592 00:28:33,320 --> 00:28:35,400 Speaker 1: like his real names Cana Neo. 593 00:28:35,640 --> 00:28:37,080 Speaker 2: This is ni Yo. 594 00:28:37,440 --> 00:28:39,160 Speaker 1: Oh yeah, I've heard of him. 595 00:28:39,280 --> 00:28:42,040 Speaker 2: Yeah him. Well, if you want to learn more about 596 00:28:42,120 --> 00:28:47,000 Speaker 2: Yoyo's including some really top notch illustrations, this is one 597 00:28:47,000 --> 00:28:49,360 Speaker 2: of those ones that you will see why we have 598 00:28:49,720 --> 00:28:52,840 Speaker 2: staff illustrators here at in color. 599 00:28:52,920 --> 00:28:52,960 Speaker 1: No. 600 00:28:53,040 --> 00:28:55,800 Speaker 2: Yes, I saw you want to type in yo Yo 601 00:28:56,040 --> 00:28:57,920 Speaker 2: at the in the handy search bar at house stuff 602 00:28:57,920 --> 00:29:00,000 Speaker 2: works dot com. That'll bring up that really cool article. 603 00:29:00,800 --> 00:29:03,840 Speaker 2: And I said handy search bar. So now it's time 604 00:29:03,840 --> 00:29:07,520 Speaker 2: for Chuck to shine with another edition of Listener Mail. 605 00:29:10,120 --> 00:29:14,400 Speaker 1: Josh, this is one of our oldest than not by age, 606 00:29:14,560 --> 00:29:18,160 Speaker 1: but one of our most loyal fans, Anna Spies. She 607 00:29:18,280 --> 00:29:21,000 Speaker 1: has a band and they put together Well, let me 608 00:29:21,040 --> 00:29:23,360 Speaker 1: just read it. This is coming out shortly after Christmas, 609 00:29:23,400 --> 00:29:26,880 Speaker 1: and she said it was still great to read this. Hi, 610 00:29:26,960 --> 00:29:30,560 Speaker 1: guys and Jerry. Since we're firmly in the festive, greedy 611 00:29:30,600 --> 00:29:33,160 Speaker 1: little grip of the holiday season, I was wondering if 612 00:29:33,200 --> 00:29:34,800 Speaker 1: you could give a shout out to a project I'm 613 00:29:34,800 --> 00:29:37,280 Speaker 1: involved in or my band is. At least it's a 614 00:29:37,360 --> 00:29:40,280 Speaker 1: charity album to raise funds for the continued fallout from 615 00:29:40,320 --> 00:29:43,520 Speaker 1: the Japanese earthquake and nuclear disaster, and the light of 616 00:29:43,560 --> 00:29:45,960 Speaker 1: everything that's happened since, I know, it's been put on 617 00:29:45,960 --> 00:29:49,360 Speaker 1: the back burner of most people's charitable contributions, which is 618 00:29:49,360 --> 00:29:52,080 Speaker 1: why we were thrilled and honor to our part to 619 00:29:52,360 --> 00:29:56,560 Speaker 1: re raise awareness when the label releasing this compilation approached 620 00:29:56,640 --> 00:29:59,280 Speaker 1: us to contribute a track. So you know, she's right 621 00:30:00,120 --> 00:30:02,560 Speaker 1: about these tragedies that happen and then six months later 622 00:30:02,560 --> 00:30:03,640 Speaker 1: you kind of forget about it. 623 00:30:03,640 --> 00:30:06,680 Speaker 2: It's the curse of the news cycle exactly. 624 00:30:06,760 --> 00:30:09,800 Speaker 1: But luckily there's a lot of people that my friend 625 00:30:09,880 --> 00:30:11,680 Speaker 1: Dave is one of them that's still working, like on 626 00:30:11,720 --> 00:30:14,840 Speaker 1: the tsunami from five or six years ago. Oh that's great, 627 00:30:14,960 --> 00:30:19,120 Speaker 1: so continued help is always needed. There's a CD that's 628 00:30:19,160 --> 00:30:22,120 Speaker 1: going to be out in mid December, so by this 629 00:30:22,320 --> 00:30:24,320 Speaker 1: by the time this comes out, it'll already be out. 630 00:30:24,840 --> 00:30:27,720 Speaker 1: You can stream the entire album, which is thirty seven 631 00:30:27,800 --> 00:30:32,240 Speaker 1: tracks by thirty seven artists on the website More Hope 632 00:30:32,400 --> 00:30:36,560 Speaker 1: for Japan dot com and her band New Century Classics 633 00:30:37,160 --> 00:30:39,760 Speaker 1: wrote and recorded a brand new song just for this compilation, 634 00:30:39,920 --> 00:30:41,680 Speaker 1: and she's quite proud of it, and I haven't had 635 00:30:41,720 --> 00:30:43,400 Speaker 1: a chance to listen to it yet, but I'm gonna, 636 00:30:43,880 --> 00:30:45,880 Speaker 1: And she says there's a lot of far better known 637 00:30:46,000 --> 00:30:50,280 Speaker 1: artists on there, and anyone who likes instrumental music, post rock, 638 00:30:50,760 --> 00:30:54,880 Speaker 1: ambient and basically pretty melodic guitar bassed tunes should dig it. 639 00:30:56,280 --> 00:30:59,720 Speaker 1: So check it out. That Anna's band, New Century Classics, 640 00:31:00,480 --> 00:31:02,400 Speaker 1: More Hope for Japan dot Com. 641 00:31:02,520 --> 00:31:05,280 Speaker 2: Very cool, Thanks a lot, Anna appreciate that, Thanks for 642 00:31:05,360 --> 00:31:07,160 Speaker 2: letting us know, thanks for doing what you do. 643 00:31:07,160 --> 00:31:09,760 Speaker 1: And thanks for listening for like years, she's been around forever. 644 00:31:09,920 --> 00:31:12,719 Speaker 2: Yeah, yeah, I guess if you're working on something that 645 00:31:12,760 --> 00:31:15,440 Speaker 2: you feel like everybody's forgotten and shouldn't have, let us 646 00:31:15,480 --> 00:31:18,080 Speaker 2: know and we'll try to help you re raise awareness too. 647 00:31:18,280 --> 00:31:23,080 Speaker 2: Yeah yeah, send us a tweet to s ysk podcast, 648 00:31:23,240 --> 00:31:27,160 Speaker 2: or you can shoot us Facebook something, Facebook dot com, 649 00:31:27,200 --> 00:31:30,000 Speaker 2: slash stuff you should know, And as always, you can 650 00:31:30,080 --> 00:31:34,080 Speaker 2: get really personal and send us an email, a real 651 00:31:34,240 --> 00:31:43,000 Speaker 2: live email to stuff Podcast at HowStuffWorks dot com. 652 00:31:43,160 --> 00:31:45,560 Speaker 1: For more on this and thousands of other topics, visit 653 00:31:45,640 --> 00:31:47,000 Speaker 1: HowStuffWorks dot com. 654 00:31:47,040 --> 00:31:49,640 Speaker 2: To learn more about the podcast, click on the podcast 655 00:31:49,840 --> 00:31:52,800 Speaker 2: icon in the upper right corner of our homepage. The 656 00:31:52,840 --> 00:31:55,880 Speaker 2: house Stuffworks iPhone app has a arrived. Download it today 657 00:31:56,080 --> 00:31:56,840 Speaker 2: on iTunes,