WEBVTT - Studio 54 & Disco's Impact on Queerness

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<v Speaker 1>But We Loved is a production of iHeart Podcasts and

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<v Speaker 1>the Outspoken podcast Network.

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<v Speaker 2>Because most people were not out at work or to

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<v Speaker 2>their families, whatever, nightlife was where you sort of became yourself.

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<v Speaker 2>Oddly enough, when it came to nightlife, being gay was

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<v Speaker 2>really cool. Okay, we controlled clothing, we controlled fashion. Most

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<v Speaker 2>of the DJs were gay, so records would break in

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<v Speaker 2>gay clubs. The whole idea of going to these clubs

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<v Speaker 2>was to celebrate. It was to celebrate your liberation, was

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<v Speaker 2>to celebrate your sexuality. Was to celebrate your desire to

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<v Speaker 2>sort of express yourself and dance and to listen to

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<v Speaker 2>music that made you really happy.

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<v Speaker 1>As a gay kid, growing up religious and in the South,

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<v Speaker 1>I thought being gay was the worst thing I could

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<v Speaker 1>ever be. Now, as a journalist, I'm trying to unlearn

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<v Speaker 1>that by seeking out our history, and what I've found

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<v Speaker 1>are people and stories full of courage, perseverance, and love.

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<v Speaker 1>In this episode, we'll meet how Rubinstein, a fashion legend

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<v Speaker 1>and a regular at the iconic disco club Studio fifty four.

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<v Speaker 1>We'll learn how Studio and the disco era broadly was

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<v Speaker 1>deeply influential in shaping queer culture for decades to come

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<v Speaker 1>from My Heart podcast. I'm Jordan and Solve and this

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<v Speaker 1>is what We Loved. I was nine when I first

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<v Speaker 1>heard Donna Summer. I was online Mark trying to download

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<v Speaker 1>the song Naughty Girl by Beyonce, and instead I accidentally

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<v Speaker 1>downloaded the song she sampled, I Love to Love You Baby.

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<v Speaker 1>I clicked play, and what came out of my computer

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<v Speaker 1>speakers was magical. It was funky and groovy with all

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<v Speaker 1>these violins and pianos. I didn't understand the sounds that

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<v Speaker 1>she was making, but I didn't care. I was entranced.

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<v Speaker 1>As a little gay, Catholic kid living in the South,

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<v Speaker 1>listening to that song gave me the feeling that I

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<v Speaker 1>could be whoever I wanted to be. Little did I

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<v Speaker 1>know that the freedom I felt listening to that disco

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<v Speaker 1>song was the same freedom that many gays before me

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<v Speaker 1>felt too. Disco music and the disco era the nineteen

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<v Speaker 1>seventies to find a vital time in queer history. It

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<v Speaker 1>was right after Stonewall, but right before AIDS. It was

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<v Speaker 1>a time when gay people felt liberated to celebrate their sexuality,

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<v Speaker 1>and disco music was their soundtrack. Arguably, the symbol of

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<v Speaker 1>that era was a nightclub called Studio fifty four. As

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<v Speaker 1>soon as it opened it became wildly famous. But it

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<v Speaker 1>was a gay club. It was where gay culture went

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<v Speaker 1>from underground to mainstream. Queer people could meet each other

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<v Speaker 1>there without consequence and form bonds of friendship, love and

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<v Speaker 1>other things too. My next guess, Hal Rubinstein was a

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<v Speaker 1>regular there. He's a style icon now at seventy four

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<v Speaker 1>years old, having been one of the founding editors of

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<v Speaker 1>in Style magazine. But when Studio fifty four was at

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<v Speaker 1>its height, he was my age twenty eight. When did

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<v Speaker 1>you know you were gay?

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<v Speaker 2>When I was ten, I just got the sense there

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<v Speaker 2>was something. I just I had a best friend at school,

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<v Speaker 2>Stephen Chase, and he found a copy of a magazine

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<v Speaker 2>called Junior, and it was a magazine and if you

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<v Speaker 2>hire guys in posing straps. I didn't have full nudity

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<v Speaker 2>back then.

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<v Speaker 1>What is a posing strap.

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<v Speaker 3>It's almost like a jock but smaller.

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<v Speaker 2>Oh you know, basically you know, so basically your junk

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<v Speaker 2>goes in, it goes into the piece of fabric and

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<v Speaker 2>the rest is best held in by a string.

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<v Speaker 3>And that was like the first at a gate porn.

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<v Speaker 2>Anyway, Stephen found it and basically was charging everybody fifty

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<v Speaker 2>cents to look at it. And I remember he showed

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<v Speaker 2>it to me because we're friends, and I was surprisingly

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<v Speaker 2>and inordinately interested, and I just was. I was kind

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<v Speaker 2>of shocked that it was turning me on. Not that

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<v Speaker 2>I didn't do anything then. Like I said, I was ten,

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<v Speaker 2>so but I realized there was something up.

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<v Speaker 1>So when did you act on it for the first time.

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<v Speaker 2>It was nineteen sixty seven. I was seventeen years old.

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<v Speaker 2>I was a freshman at Stony Brook. Uh. I wanted

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<v Speaker 2>to work in the reference library, and there was a

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<v Speaker 2>really good looking a guy named Ralf Fusler who was

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<v Speaker 2>the editor in chief of the school newspaper.

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<v Speaker 3>And we got along very well.

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<v Speaker 2>What I didn't know is that the bathroom down the

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<v Speaker 2>main floor bathroom in this in the school library was notorious.

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<v Speaker 2>So I'm in the I was in the bathroom stall,

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<v Speaker 2>and all of a sudden, I see a hand come under,

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<v Speaker 2>you know, but the part I see the hand come

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<v Speaker 2>under the partition. I didn't know what that was. So

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<v Speaker 2>I handed the guy in another rollertorle pit and he

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<v Speaker 2>threw it and I went wow. And then all of

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<v Speaker 2>a sudden I see a foot, and I'm looking at

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<v Speaker 2>the foot, going, what the hell is that? Like, I

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<v Speaker 2>just didn't understand what the hell was coming on, And

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<v Speaker 2>all of a sudden, this voice goes, what's wrong with you?

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<v Speaker 3>And I said, I don't know what you're doing.

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<v Speaker 2>And with that, I go to I got to walk

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<v Speaker 2>out of the stall because I just got cranky. Uh,

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<v Speaker 2>and the stall with that, and of course the dwell. Basically,

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<v Speaker 2>he realized that I was kind of green about this,

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<v Speaker 2>so he asked me basically to come to his room

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<v Speaker 2>that night. I wanted to come by his room that

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<v Speaker 2>night and talk about the school paper or whatever it was.

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<v Speaker 2>And he was the first person I ever slept with.

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<v Speaker 1>Wow. Yeah, and that was your introduction.

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<v Speaker 3>Yeah, it was terrible sex.

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<v Speaker 2>It was actually I realized that was however, so began

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<v Speaker 2>my career in journalism. I was actually the art set

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<v Speaker 2>of the school paper for my sophomore year.

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<v Speaker 1>How was it coming out to your dad and your mom?

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<v Speaker 2>I don't have the stories that other people have of

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<v Speaker 2>that era, where so many of my friends were either

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<v Speaker 2>ostracized by their family or nobody handled it well. When

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<v Speaker 2>I told my parents I was gay, my father asked

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<v Speaker 2>me if I was happy, that was the first thing

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<v Speaker 2>out of his mouth, and I said, Dad, I'm trying,

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<v Speaker 2>and that was it. My mom was a little bit

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<v Speaker 2>more difficult, I think, only because she had she had plans.

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<v Speaker 2>You know, my mom had plans. You know, she wanted

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<v Speaker 2>to be agree, you know, she wanted me to get married.

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<v Speaker 2>She wanted kids, you know, grandkids and all that kind

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<v Speaker 2>of stuff. So it was also I think she worried.

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<v Speaker 2>My mom was was really smart and basically my best teacher,

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<v Speaker 2>and I think she she she worried for me that

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<v Speaker 2>that it would that life would be harder, which of

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<v Speaker 2>course it is.

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<v Speaker 1>So now after you graduate college, you're proudly out what

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<v Speaker 1>was New York City nightlife in the seventies, Like once

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<v Speaker 1>you turned.

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<v Speaker 3>It was thrilling.

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<v Speaker 2>Remember you had you had the Stonewall, you had you know,

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<v Speaker 2>you had the Stonewall riots. And I think what what

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<v Speaker 2>what happened with Stonewall is that it changed the profile,

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<v Speaker 2>It changed the profile of gay people or so from

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<v Speaker 2>what to what, Well, you gave you number one, gave

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<v Speaker 2>you a voice, gave you a presence. You know, it

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<v Speaker 2>made you realize that you weren't the only one out

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<v Speaker 2>there doing you know, basically who was gay.

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<v Speaker 3>There was an.

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<v Speaker 2>Enormous community and because most people were not out at

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<v Speaker 2>work or to their families, whatever, night life was where

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<v Speaker 2>you sort of became yourself. The city was dirty, it

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<v Speaker 2>was scary, it was dangerous, it was really dirty. New

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<v Speaker 2>York was raunchy back then. But it all kind of fit.

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<v Speaker 2>But if you were young in New York in the

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<v Speaker 2>seventies and you had an outgoing personality and you had

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<v Speaker 2>to dance and you had friends, Basically we went out five, six,

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<v Speaker 2>seven nights a week. We went out almost every night.

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<v Speaker 2>There was a different club. You went to Hippopotamus on Monday,

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<v Speaker 2>you went to Hurrah on Tuesday, you went to La

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<v Speaker 2>Jardan on Wednesday.

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<v Speaker 3>Studio was much later.

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<v Speaker 2>There was the Flamingo, there was the Loft, there was

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<v Speaker 2>the Tenth Floor. The number of clubs that were out

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<v Speaker 2>there prior to Studio it's kind of staggering. But we

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<v Speaker 2>went out every single night.

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<v Speaker 1>And tell me what that era was sort of like,

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<v Speaker 1>who were the top artists, and what was the fashion like?

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<v Speaker 1>And was what did the music sound like?

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<v Speaker 2>Maybe the greatest dance song ever written, ever created, and

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<v Speaker 2>it's an instrumental It's by a group called War and

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<v Speaker 2>it was called City, Country City, and it's an eleven

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<v Speaker 2>minute song and it will make you to this day

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<v Speaker 2>if you play it will make people delirious.

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<v Speaker 4>Wow, you remember dancing to it?

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<v Speaker 2>Yes, absolutely, of course. Like I said, I love dancing.

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<v Speaker 2>We rehearsed during the weeks. Dancing was very serious back then.

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<v Speaker 2>Basically you watched Soul Train on Saturday morning, and you watched,

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<v Speaker 2>and you rehearsed, and you met with your friends and

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<v Speaker 2>you worked out routines. I remember when we went my

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<v Speaker 2>favorite after hours club of all time was called The Loft,

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<v Speaker 2>and it was strict membership. I think I was the

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<v Speaker 2>second white person excepted in the club. I don't think

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<v Speaker 2>the place was more than six seven hundred square feet,

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<v Speaker 2>the original Loft, and yet it just it had the

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<v Speaker 2>most devoted crowd. Went on Saturday night. You walked in

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<v Speaker 2>about two thirty in the morning, and basically when the

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<v Speaker 2>teutest man never walked the earth, the guy named Bryce

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<v Speaker 2>took your coat, took your coat, and he would give

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<v Speaker 2>you your coat, he would give you a number, and

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<v Speaker 2>he would give you whatever drug we were all doing

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<v Speaker 2>for that week, whether it was window pane or blottery,

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<v Speaker 2>acid or whatever.

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<v Speaker 3>It was.

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<v Speaker 2>And so the incredible thing was we all showed up

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<v Speaker 2>at the same time and everybody basically took the exact

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<v Speaker 2>same drug.

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<v Speaker 4>What did you wear out on a typical night. Oh

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<v Speaker 4>my gosh, you had to have outfits back then. You

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<v Speaker 4>dressed up to go out. You wore Gaberdine pants, You

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<v Speaker 4>wore silk shirts and.

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<v Speaker 3>You destroyed them. Wow.

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<v Speaker 2>Well you danced seven eight hours in these clothes. I mean,

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<v Speaker 2>silk only lasts so long.

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<v Speaker 1>Oh, so you would go out at midnight, say out

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<v Speaker 1>till eight in the morning.

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<v Speaker 3>Probably went out later the midnight.

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<v Speaker 1>So yeah, what were you wearing on a on a

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<v Speaker 1>typical night.

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<v Speaker 2>Well, the thing is, you went shopping. They sold shirts

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<v Speaker 2>made not a sort of banl on Niesta and back

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<v Speaker 2>and they were thirty five dollars, which was a fortune

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<v Speaker 2>back then for a shirt, and they were body hugging,

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<v Speaker 2>they were tight. You wore these little these sexy little

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<v Speaker 2>tops you wore. You wore, like I said, you wore

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<v Speaker 2>Gavitine pants. And I remember this is around the same

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<v Speaker 2>time I first got a hold of a credit card,

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<v Speaker 2>you know, because like I said, I was a kid.

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<v Speaker 2>I was, I was, I was. I was working at

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<v Speaker 2>the United nations I was doing. I was editing speeches

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<v Speaker 2>before they went into into print. I wasn't making a

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<v Speaker 2>lot of money. So I had a credit card. But

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<v Speaker 2>you had to have you had to have a look.

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<v Speaker 2>You couldn't wear the same thing out of it all

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<v Speaker 2>the time. So by the end of the first year

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<v Speaker 2>of having a credit card, I was four thousand dollars

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<v Speaker 2>in debt, which back then was a lot of money

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<v Speaker 2>to be in debt, and that had to work three

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<v Speaker 2>waiters job to pay it off.

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<v Speaker 1>But you had the cutest clothes.

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<v Speaker 3>Oh my god, of course you had to. I know.

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<v Speaker 2>The idea was, you went out there address as sexy

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<v Speaker 2>as you possibly could. It was all about a track,

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<v Speaker 2>It was all about flirting, it was all about attraction.

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<v Speaker 2>You went out to dance and you went out to

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<v Speaker 2>get laid.

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<v Speaker 1>Just in the sixties and seventies, America was changing rapidly.

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<v Speaker 1>The Civil Rights Act had been passed in sixty four,

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<v Speaker 1>Stonewall happened in sixty nine, and Roe v. Wade legalized

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<v Speaker 1>abortion nationwide in seventy three. Many Americans felt free to

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<v Speaker 1>explore all facets of their life for the first time,

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<v Speaker 1>and disco music had become widely popular. Because for many

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<v Speaker 1>it represented that sense of freedom that, along with wider

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<v Speaker 1>access to oral contraception or the pill, shaped a new

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<v Speaker 1>attitude towards sex for straight and gay people alike, sex

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<v Speaker 1>without consequences. In fact, the disco song Ymca by the

0:12:52.880 --> 0:12:56.280
<v Speaker 1>Village People is actually said to be about gay people

0:12:56.320 --> 0:12:59.360
<v Speaker 1>hooking up, and one of the best places to find

0:12:59.360 --> 0:13:02.880
<v Speaker 1>hookups was on the dance floor at disco clubs.

0:13:03.240 --> 0:13:05.480
<v Speaker 2>You know we call them, you call them hookups now.

0:13:05.640 --> 0:13:07.959
<v Speaker 2>But basically, you went to a club, you went home

0:13:07.960 --> 0:13:10.120
<v Speaker 2>with somebody. Basically you went back into the club after

0:13:10.160 --> 0:13:12.920
<v Speaker 2>that and kept on dancing. Because of the sexual revolution,

0:13:13.400 --> 0:13:15.520
<v Speaker 2>it wasn't like you had the option to go home

0:13:15.559 --> 0:13:16.240
<v Speaker 2>with all these people.

0:13:16.320 --> 0:13:19.640
<v Speaker 3>You actually had the responsibility. I'm not joking.

0:13:19.920 --> 0:13:22.920
<v Speaker 2>You had the responsibility to go home with as many

0:13:22.960 --> 0:13:26.440
<v Speaker 2>people as you could because you were just spreading the love.

0:13:26.760 --> 0:13:27.200
<v Speaker 3>Literally.

0:13:27.440 --> 0:13:27.880
<v Speaker 1>Wow.

0:13:28.200 --> 0:13:30.800
<v Speaker 2>The whole idea of going to these clubs was to celebrate.

0:13:31.160 --> 0:13:35.280
<v Speaker 2>It was to celebrate your liberation, was to celebrate your sexuality,

0:13:35.559 --> 0:13:38.800
<v Speaker 2>was to celebrate your desire to sort of express yourself

0:13:38.800 --> 0:13:41.480
<v Speaker 2>and dance and to listen to music that made you

0:13:41.559 --> 0:13:42.280
<v Speaker 2>really happy.

0:13:42.440 --> 0:13:44.920
<v Speaker 1>It seems like it was a flirty sign.

0:13:45.160 --> 0:13:45.680
<v Speaker 3>Oh, my god.

0:13:45.760 --> 0:13:48.720
<v Speaker 2>Yes, theme of flirting is it's an unbelievable skill. The

0:13:48.760 --> 0:13:51.559
<v Speaker 2>ability to flirt is such an incredible gift in the

0:13:51.640 --> 0:13:55.120
<v Speaker 2>sense that it can get you virtually anything. It can

0:13:55.160 --> 0:13:56.800
<v Speaker 2>get you, It can get you laid, It can get

0:13:56.800 --> 0:13:58.400
<v Speaker 2>you a cheaper price and a mattress, it can get

0:13:58.440 --> 0:14:01.560
<v Speaker 2>you a job. It just but flirting is such an

0:14:01.600 --> 0:14:04.240
<v Speaker 2>incredible scale. I feel like I should go, like, go

0:14:04.320 --> 0:14:07.360
<v Speaker 2>to the new school and teach it because because young

0:14:07.360 --> 0:14:08.680
<v Speaker 2>people don't know how to flirt.

0:14:09.000 --> 0:14:10.559
<v Speaker 1>And back then it was all about flirting.

0:14:10.600 --> 0:14:13.079
<v Speaker 2>It was absolutely all about flirting, and that's what made

0:14:13.120 --> 0:14:17.319
<v Speaker 2>it so much fun. And remember too, it's I mean

0:14:17.400 --> 0:14:19.960
<v Speaker 2>withou getting ahead of ourselves. It was it was sex

0:14:20.000 --> 0:14:20.920
<v Speaker 2>with that consequence.

0:14:21.720 --> 0:14:22.280
<v Speaker 1>What do you mean.

0:14:23.120 --> 0:14:25.960
<v Speaker 2>We didn't know bad aids. We didn't know that there

0:14:25.960 --> 0:14:28.640
<v Speaker 2>would be a downside to promiscuity.

0:14:29.600 --> 0:14:33.760
<v Speaker 1>As disco and the sexual revolution began to crescendo louder

0:14:33.800 --> 0:14:37.200
<v Speaker 1>and louder, a new club opened in New York that

0:14:37.320 --> 0:14:40.520
<v Speaker 1>became the talk of the town. It was called Studio

0:14:40.600 --> 0:14:44.360
<v Speaker 1>fifty four. It was an old opera house with massive

0:14:44.400 --> 0:14:48.600
<v Speaker 1>sets and bright lights. Every night felt like a theater production,

0:14:49.160 --> 0:14:52.280
<v Speaker 1>and as though you were partying on stage, and if

0:14:52.280 --> 0:14:55.120
<v Speaker 1>you wanted to have sex, there was always the balcony.

0:14:55.960 --> 0:14:59.280
<v Speaker 1>Words spread fast that Studio fifty four was the place

0:14:59.320 --> 0:15:03.360
<v Speaker 1>to be. Celebrities like Michael Jackson and Cher would show

0:15:03.480 --> 0:15:07.120
<v Speaker 1>up frequently. A giant line would form outside the club,

0:15:07.240 --> 0:15:10.000
<v Speaker 1>with thousands of people trying to get in every night.

0:15:10.720 --> 0:15:14.760
<v Speaker 1>Most were rejected, but it didn't matter how much money

0:15:14.800 --> 0:15:17.560
<v Speaker 1>you had, or if you were as famous as regular

0:15:17.600 --> 0:15:21.440
<v Speaker 1>as like Andy Warhol or Diana Ross. The only criteria

0:15:21.560 --> 0:15:24.480
<v Speaker 1>was that you had to be beautiful, and if you

0:15:24.560 --> 0:15:28.840
<v Speaker 1>got in, you were transported to a different world. The music,

0:15:28.960 --> 0:15:33.479
<v Speaker 1>the drinks, the drugs, and the sexual energy was intoxicating

0:15:33.480 --> 0:15:38.560
<v Speaker 1>for the patrons and for the queers it felt like home. Well,

0:15:38.680 --> 0:15:41.600
<v Speaker 1>now tell me about Studio fifty four. How did you

0:15:41.720 --> 0:15:43.560
<v Speaker 1>first hear about Studio fifty four.

0:15:43.760 --> 0:15:45.640
<v Speaker 2>If you went out, you knew, I mean, if you

0:15:45.680 --> 0:15:47.680
<v Speaker 2>went out, you knew people were building this club.

0:15:48.280 --> 0:15:49.200
<v Speaker 3>It used to be a theater.

0:15:49.480 --> 0:15:51.560
<v Speaker 2>You know, you walk through an entrance way, you walk

0:15:51.600 --> 0:15:54.280
<v Speaker 2>through a lobby, so you know, you would see all

0:15:54.280 --> 0:15:56.400
<v Speaker 2>these pictures of people waiting to get in a studio. Wait,

0:15:56.440 --> 0:15:59.360
<v Speaker 2>you know, go hey, wait, screaming please get me. If

0:15:59.360 --> 0:16:01.760
<v Speaker 2>you were if if you were gay, You were well dressed,

0:16:01.800 --> 0:16:05.360
<v Speaker 2>and you were i'll use the word cute. You didn't

0:16:05.360 --> 0:16:07.600
<v Speaker 2>wait more than twenty seconds to get in. I never

0:16:07.640 --> 0:16:08.840
<v Speaker 2>waited to get into the club.

0:16:09.000 --> 0:16:10.800
<v Speaker 1>Way way, way. I have a question. Do you think

0:16:10.880 --> 0:16:11.440
<v Speaker 1>I would get in?

0:16:11.720 --> 0:16:12.120
<v Speaker 3>Yes?

0:16:12.880 --> 0:16:13.720
<v Speaker 1>Yes, no.

0:16:13.840 --> 0:16:17.320
<v Speaker 2>Look, it's just they wanted they wanted the nice looking

0:16:17.320 --> 0:16:19.920
<v Speaker 2>gay boys in the club. It's that simple. You were

0:16:19.920 --> 0:16:23.040
<v Speaker 2>you were the attraction. The front of the club. The

0:16:23.040 --> 0:16:25.200
<v Speaker 2>first thing you hit was the bar. It was a

0:16:25.240 --> 0:16:28.760
<v Speaker 2>circular bar, oval shaped bar that faced one side to

0:16:28.800 --> 0:16:30.800
<v Speaker 2>the dance floor and one side not to the dance floor,

0:16:31.200 --> 0:16:34.560
<v Speaker 2>and then and then to the to the left, to

0:16:34.600 --> 0:16:37.600
<v Speaker 2>the left was this big open was this big open space.

0:16:38.080 --> 0:16:40.720
<v Speaker 2>It's you know, because it used to it was a stage,

0:16:41.040 --> 0:16:42.800
<v Speaker 2>so it was two stories two stories high.

0:16:43.400 --> 0:16:43.640
<v Speaker 3>You know.

0:16:43.680 --> 0:16:45.760
<v Speaker 2>The lights would come down to these great and these bars,

0:16:46.440 --> 0:16:48.800
<v Speaker 2>and there were like four bars, four or six bars

0:16:48.960 --> 0:16:52.520
<v Speaker 2>of lights that would come down. The funny thing was, though,

0:16:52.960 --> 0:16:57.400
<v Speaker 2>unlike now, the clubs weren't dark. You actually could see people.

0:16:58.160 --> 0:17:00.200
<v Speaker 2>That was it. You wanted to see other people. You

0:17:00.240 --> 0:17:01.920
<v Speaker 2>want to see other people dancing. You want to see

0:17:01.920 --> 0:17:03.240
<v Speaker 2>what they were doing, You want to see what other

0:17:03.280 --> 0:17:07.120
<v Speaker 2>people were wearing. The celebrities all sat in a certain place. Honestly,

0:17:07.440 --> 0:17:09.240
<v Speaker 2>most of us could have given a shit about them.

0:17:09.280 --> 0:17:12.359
<v Speaker 2>Nobody cared, you know, because it wasn't about them. It

0:17:12.480 --> 0:17:15.200
<v Speaker 2>was never about them. For all the way you look

0:17:15.200 --> 0:17:18.320
<v Speaker 2>at it and you read, you know, Liza City and

0:17:18.359 --> 0:17:21.080
<v Speaker 2>there in Holston being there, nobody cared about them. For

0:17:21.160 --> 0:17:23.680
<v Speaker 2>all the celebrities and Liza and Peter Allen and Mick

0:17:23.760 --> 0:17:25.720
<v Speaker 2>Jagger and Bianca and all those people who shut up,

0:17:27.560 --> 0:17:30.680
<v Speaker 2>they were all there for one reason. Studio fifty four

0:17:30.760 --> 0:17:33.280
<v Speaker 2>was a gay club when you came out to watch

0:17:33.320 --> 0:17:37.320
<v Speaker 2>the gay boys dance. Oddly enough, when it came to

0:17:37.480 --> 0:17:39.760
<v Speaker 2>night life, being gay was really cool.

0:17:40.400 --> 0:17:40.760
<v Speaker 3>Okay.

0:17:40.800 --> 0:17:44.320
<v Speaker 2>We controlled clothing, we controlled fashion. Most of the DJs

0:17:44.320 --> 0:17:49.040
<v Speaker 2>were gay, so records would break in gay clubs. Remember

0:17:49.520 --> 0:17:52.240
<v Speaker 2>R and B has its has its origins and gospel,

0:17:53.119 --> 0:17:58.200
<v Speaker 2>you know, so everything was elevated. Everything was everything was

0:17:58.200 --> 0:18:01.440
<v Speaker 2>was designed to be celebratory. You wanted to be ecstatic

0:18:01.440 --> 0:18:03.760
<v Speaker 2>that you went out, you know, I mean, and and

0:18:04.320 --> 0:18:06.840
<v Speaker 2>you were devoted. I remember we were there on I

0:18:06.840 --> 0:18:08.920
<v Speaker 2>remember going to on New Year's Eve one year that

0:18:08.960 --> 0:18:11.000
<v Speaker 2>was probably seventy nine or something like that. And they

0:18:11.080 --> 0:18:14.800
<v Speaker 2>must have had no less than six to seven inches

0:18:14.840 --> 0:18:18.280
<v Speaker 2>of silver glitter on the floor. Wow, I couldn't get

0:18:18.480 --> 0:18:21.440
<v Speaker 2>I didn't get those that glitter off my body or

0:18:21.440 --> 0:18:24.480
<v Speaker 2>out of my shoes. For about five months, I would

0:18:24.560 --> 0:18:26.760
<v Speaker 2>find glitter all over the place in my apartment.

0:18:27.359 --> 0:18:29.400
<v Speaker 3>It just went ever, it just went everywhere.

0:18:29.960 --> 0:18:32.600
<v Speaker 2>I mean, it was just it was one glorious song

0:18:32.640 --> 0:18:33.760
<v Speaker 2>after the next.

0:18:34.000 --> 0:18:35.520
<v Speaker 1>And what was it like being gay?

0:18:35.560 --> 0:18:35.800
<v Speaker 3>There?

0:18:36.680 --> 0:18:40.119
<v Speaker 2>The idea when you were there, you were safe within

0:18:40.200 --> 0:18:44.000
<v Speaker 2>that within that hole, within that hall, regarded which one

0:18:44.440 --> 0:18:46.200
<v Speaker 2>you were safe that. When you get out in the

0:18:46.240 --> 0:18:50.040
<v Speaker 2>real world, it's it's it could be other things. You

0:18:50.040 --> 0:18:52.359
<v Speaker 2>don't feel that kind of safety at work. You don't

0:18:52.400 --> 0:18:54.080
<v Speaker 2>necessarily feel that kind of safety at school.

0:18:54.720 --> 0:18:54.879
<v Speaker 4>You know.

0:18:54.960 --> 0:18:59.560
<v Speaker 1>All it sounds like this era was just fabulous, but

0:19:00.520 --> 0:19:05.440
<v Speaker 1>obviously we know that it ended. But I'm wondering for you,

0:19:05.960 --> 0:19:10.600
<v Speaker 1>what was the marker of this amazing era coming to

0:19:11.080 --> 0:19:11.520
<v Speaker 1>an end.

0:19:12.280 --> 0:19:16.080
<v Speaker 2>There was this weird disease that was killing gay men

0:19:17.080 --> 0:19:19.560
<v Speaker 2>beginning of aides, and also a different attitude towards gay people.

0:19:20.080 --> 0:19:22.840
<v Speaker 2>Suddenly we weren't cool anymore. We were at the place

0:19:22.840 --> 0:19:25.600
<v Speaker 2>where music dropped, We were at the place that controlled

0:19:26.000 --> 0:19:29.320
<v Speaker 2>that controlled fashion. Most people in fashion are gay actually

0:19:29.320 --> 0:19:32.120
<v Speaker 2>passed away from AIDS, go right through the list, but.

0:19:34.280 --> 0:19:36.280
<v Speaker 3>You weren't. Because of AIDS.

0:19:36.280 --> 0:19:41.200
<v Speaker 2>You were no longer cool, You were no longer people

0:19:41.240 --> 0:19:43.960
<v Speaker 2>didn't want to hang out with you. People shut the

0:19:43.960 --> 0:19:48.359
<v Speaker 2>doors on you because they were afraid of you. Nineteen

0:19:48.400 --> 0:19:56.280
<v Speaker 2>eighty one was the start of GRID gay related immune deficiency.

0:20:08.840 --> 0:20:13.440
<v Speaker 1>It's nineteen seventy nine. Studio fifty four and Disco were

0:20:13.480 --> 0:20:17.440
<v Speaker 1>at the height of their popularity when suddenly the owners

0:20:17.480 --> 0:20:22.040
<v Speaker 1>were charged with evading hundreds of thousands of dollars in taxes.

0:20:22.800 --> 0:20:26.920
<v Speaker 1>The famous nightclub shut down the very next year. An

0:20:26.920 --> 0:20:30.320
<v Speaker 1>era was ending, but not just for Studio fifty four,

0:20:31.000 --> 0:20:36.080
<v Speaker 1>the era of Disco two and everything it represented the

0:20:36.080 --> 0:20:39.919
<v Speaker 1>freedom of queer people, of black people, and of women.

0:20:40.560 --> 0:20:43.520
<v Speaker 1>The same year that Studio fifty four's owners were caught

0:20:43.560 --> 0:20:47.359
<v Speaker 1>and convicted, an event was held at a Chicago White

0:20:47.400 --> 0:20:51.800
<v Speaker 1>Sox game in nineteen seventy nine. It became known as

0:20:52.440 --> 0:20:57.440
<v Speaker 1>Disco Demolition. Night Fans were encouraged to bring disco records

0:20:57.760 --> 0:21:01.080
<v Speaker 1>that would be collected and blown up in protests of disco.

0:21:01.880 --> 0:21:06.480
<v Speaker 1>Twenty thousand fans were expected, but fifty thousand showed up.

0:21:07.160 --> 0:21:12.280
<v Speaker 1>The massive crowd chanted disco sucks. As the records were

0:21:12.320 --> 0:21:16.520
<v Speaker 1>blown up to smithereens with explosives. There was so much

0:21:16.560 --> 0:21:20.760
<v Speaker 1>anger that once the explosion took place, thousands of patrons

0:21:20.880 --> 0:21:25.879
<v Speaker 1>rushed the field and what became a riot. Disco was dead.

0:21:26.640 --> 0:21:29.439
<v Speaker 1>But there was something else that also marked the end

0:21:29.480 --> 0:21:32.760
<v Speaker 1>of this era for gay people, this period of being

0:21:33.200 --> 0:21:35.800
<v Speaker 1>so carefree. It was AIDS.

0:21:37.000 --> 0:21:41.080
<v Speaker 2>Unfortunately, I knew people at the beginning it was called GRID. Well,

0:21:41.280 --> 0:21:45.000
<v Speaker 2>later it was called AIDS, and I knew people who

0:21:45.040 --> 0:21:47.840
<v Speaker 2>passed away very early on, by eighty two eighty three.

0:21:47.960 --> 0:21:51.120
<v Speaker 2>I mean, because there was so much misinformation or lack

0:21:51.160 --> 0:21:55.080
<v Speaker 2>of information about how it was contracted and how it

0:21:55.160 --> 0:21:58.320
<v Speaker 2>was spread. You know, people thought of you know, if

0:21:58.359 --> 0:22:00.800
<v Speaker 2>you were gay and they touched you and you touched them,

0:22:00.960 --> 0:22:02.600
<v Speaker 2>that they could get AIDS. If you kissed them, that

0:22:02.640 --> 0:22:07.320
<v Speaker 2>you could get AIDS. The lack of intelligence or the

0:22:07.400 --> 0:22:11.000
<v Speaker 2>lack of information about how it was transferred and how

0:22:11.000 --> 0:22:12.280
<v Speaker 2>it was passed on was.

0:22:14.520 --> 0:22:14.960
<v Speaker 3>Frightening.

0:22:15.440 --> 0:22:19.240
<v Speaker 1>What did it feel like for you that this decade

0:22:19.320 --> 0:22:23.400
<v Speaker 1>of liberation had sort of come to an end?

0:22:23.600 --> 0:22:27.200
<v Speaker 2>Oh God, it came crashing down. My friends started getting sick.

0:22:30.640 --> 0:22:35.119
<v Speaker 2>My friends started getting sick, and you you banded together.

0:22:35.720 --> 0:22:38.320
<v Speaker 2>But now you were a banding together, not in celebration,

0:22:38.400 --> 0:22:42.240
<v Speaker 2>you were banding together in fear. And that changed everything.

0:22:42.880 --> 0:22:47.879
<v Speaker 2>You realized that people weren't on your side, that people

0:22:47.880 --> 0:22:48.960
<v Speaker 2>didn't care what happened to you.

0:22:50.000 --> 0:22:54.480
<v Speaker 3>They thought you were toxic. I didn't hide that I.

0:22:54.400 --> 0:22:59.760
<v Speaker 2>Was being gay, but you weren't really broadcasting it either,

0:23:00.280 --> 0:23:04.720
<v Speaker 2>because you saw the response of certain individuals. I mean

0:23:04.840 --> 0:23:08.080
<v Speaker 2>either they were afraid of you, or they hated you,

0:23:08.560 --> 0:23:11.280
<v Speaker 2>or they blamed you. I used to work at a

0:23:11.280 --> 0:23:13.720
<v Speaker 2>gay restaurant in the seventies. I used to work at

0:23:13.720 --> 0:23:17.160
<v Speaker 2>a restaurant called Company on Third Avenue in twenty sixth Street.

0:23:17.160 --> 0:23:20.639
<v Speaker 2>The food was terrible, absolutely horrible. I made a fortune.

0:23:21.040 --> 0:23:26.200
<v Speaker 2>I made so much bene why flirting. Basically my thighs

0:23:26.200 --> 0:23:28.919
<v Speaker 2>were black and blue, you know, from getting pinched. But

0:23:29.359 --> 0:23:32.159
<v Speaker 2>I went home with a with a shitload of money

0:23:32.200 --> 0:23:36.639
<v Speaker 2>every night. But one of the gentlemen who owned the

0:23:36.640 --> 0:23:42.119
<v Speaker 2>restaurant and was on a panel been actually with NYU

0:23:42.200 --> 0:23:45.800
<v Speaker 2>discussing the grid and the start of it. And I

0:23:45.800 --> 0:23:49.159
<v Speaker 2>remember coming to visit him and the hospital in NYU

0:23:50.640 --> 0:23:53.600
<v Speaker 2>and the room was freezing and he was burning up.

0:23:54.680 --> 0:23:55.800
<v Speaker 2>And to tell you how long ago.

0:23:55.840 --> 0:23:56.199
<v Speaker 3>This was.

0:23:56.240 --> 0:24:01.400
<v Speaker 2>He handed me a sheaf of mimiographed paper. Before copy machines,

0:24:01.440 --> 0:24:04.760
<v Speaker 2>before xeroxing. You had a mimiograph machine where you put

0:24:04.800 --> 0:24:07.359
<v Speaker 2>this blue ink that wreaked the high heaven in and

0:24:07.400 --> 0:24:11.600
<v Speaker 2>that's how you rolled off copies of things. And he

0:24:11.680 --> 0:24:15.119
<v Speaker 2>handed me a sheef of mimiographed paper and said, read this.

0:24:15.200 --> 0:24:17.399
<v Speaker 2>You're only going to understand about half of it, but

0:24:17.600 --> 0:24:18.399
<v Speaker 2>you need to know this.

0:24:19.800 --> 0:24:21.240
<v Speaker 1>What did it say on the paper?

0:24:21.400 --> 0:24:24.320
<v Speaker 3>Well, it was all medical information about.

0:24:25.440 --> 0:24:28.600
<v Speaker 2>How people's bodies are going to react to aides and

0:24:28.640 --> 0:24:31.760
<v Speaker 2>how your body shuts down, how whether it was carposi

0:24:31.800 --> 0:24:38.359
<v Speaker 2>socoma or pneumonia or the expansion of your lymph nodes,

0:24:39.160 --> 0:24:44.000
<v Speaker 2>what would happen once you contracted it? And it was frightening.

0:24:44.880 --> 0:24:47.040
<v Speaker 2>And I read this and I just went, oh my god,

0:24:47.080 --> 0:24:51.160
<v Speaker 2>this is me. There's no way I'm not HP positive.

0:24:51.480 --> 0:24:54.480
<v Speaker 2>This is even before they had the testing. I caught

0:24:54.520 --> 0:24:55.880
<v Speaker 2>pneumonia in nineteen eighty two.

0:24:57.119 --> 0:24:59.359
<v Speaker 1>Can you take me to the moment that you were

0:24:59.680 --> 0:25:02.280
<v Speaker 1>diag ghost? What made you want to get tested?

0:25:03.440 --> 0:25:05.320
<v Speaker 2>I think everybody had to get tested at that point.

0:25:05.320 --> 0:25:08.520
<v Speaker 2>I think you were stupid if you didn't. When I

0:25:08.600 --> 0:25:10.880
<v Speaker 2>was diagnosed, the doctor said, get your life in order.

0:25:10.920 --> 0:25:14.320
<v Speaker 2>You got four months, four months for what to live.

0:25:14.600 --> 0:25:17.080
<v Speaker 2>That's it that your numbers are so low, you're going

0:25:17.119 --> 0:25:20.680
<v Speaker 2>to die in four months. You know, if you watched

0:25:20.680 --> 0:25:27.040
<v Speaker 2>your friends started getting you know, purple blemishes, people passing out,

0:25:27.200 --> 0:25:28.679
<v Speaker 2>people having seizes in the street.

0:25:29.960 --> 0:25:30.640
<v Speaker 3>It was frightening.

0:25:32.080 --> 0:25:34.760
<v Speaker 1>What did it feel like living through AIDS and thinking

0:25:34.840 --> 0:25:38.440
<v Speaker 1>back just a few years ago, in the seventies when

0:25:38.480 --> 0:25:39.679
<v Speaker 1>everything was so different.

0:25:39.920 --> 0:25:42.280
<v Speaker 2>Well, the fact is I basically lost almost every friend

0:25:42.320 --> 0:25:45.800
<v Speaker 2>I ever had at that point. I remember sitting in

0:25:45.840 --> 0:25:51.040
<v Speaker 2>a and this is like mid eighties. I remember sitting

0:25:51.040 --> 0:25:54.720
<v Speaker 2>in a restaurant on New Year's Day in Miami with

0:25:54.800 --> 0:25:58.840
<v Speaker 2>eleven friends, all of them rhould be positive. I'm the

0:25:58.880 --> 0:25:59.800
<v Speaker 2>only one still alive.

0:26:00.119 --> 0:26:00.280
<v Speaker 3>Mm.

0:26:01.320 --> 0:26:04.879
<v Speaker 2>My housemates passed away. I lost my best friend, my

0:26:04.960 --> 0:26:11.840
<v Speaker 2>dance partner, and a perfect example. He started suffering seizures

0:26:11.880 --> 0:26:16.600
<v Speaker 2>and weakness, delirium, and he wouldn't tell anybody at work

0:26:16.640 --> 0:26:19.480
<v Speaker 2>what was wrong. And at one point we were on

0:26:19.520 --> 0:26:21.040
<v Speaker 2>the phone, I could hear him having a sea dry.

0:26:21.600 --> 0:26:23.320
<v Speaker 3>It hurt. It hurt.

0:26:24.040 --> 0:26:28.320
<v Speaker 2>It's just which you were losing. You were losing your friends,

0:26:28.320 --> 0:26:31.359
<v Speaker 2>and you had no choice. It was it was not

0:26:31.440 --> 0:26:34.119
<v Speaker 2>a good time. You found strength in your friends. You

0:26:34.160 --> 0:26:36.560
<v Speaker 2>bonded with your friends as best you could to support

0:26:36.640 --> 0:26:39.040
<v Speaker 2>each other because you knew, we knew we were in

0:26:39.080 --> 0:26:41.960
<v Speaker 2>this alone. You know, you had a government that was

0:26:41.960 --> 0:26:43.959
<v Speaker 2>wasn't paying the slightest bit of attention to your problem

0:26:44.040 --> 0:26:46.840
<v Speaker 2>because it wasn't their problem. Other than that I didn't

0:26:46.840 --> 0:26:51.600
<v Speaker 2>have I didn't have symptoms. I didn't. I didn't get thrush.

0:26:51.680 --> 0:26:55.639
<v Speaker 2>I didn't have carposies. I didn't. I didn't have wasting syndrome,

0:26:56.800 --> 0:27:00.240
<v Speaker 2>any of those things. But my friends did. My friend

0:27:01.200 --> 0:27:03.880
<v Speaker 2>it was it wasn't about celebration anymore.

0:27:03.920 --> 0:27:04.920
<v Speaker 3>It was about survival.

0:27:16.640 --> 0:27:20.240
<v Speaker 1>The early eighties was a tragic time for queer people

0:27:20.320 --> 0:27:24.360
<v Speaker 1>in America. Because of AIDS, the government didn't take much

0:27:24.400 --> 0:27:27.240
<v Speaker 1>action to slow the spread, and the virus was deadly.

0:27:28.000 --> 0:27:31.719
<v Speaker 1>Holl had already lost so many friends, and he learned

0:27:31.800 --> 0:27:35.040
<v Speaker 1>that he was HIV positive too. In the span of

0:27:35.160 --> 0:27:39.240
<v Speaker 1>just a few years, his life had dramatically changed from

0:27:39.560 --> 0:27:43.880
<v Speaker 1>the care free disco era of the seventies. Disco had

0:27:43.920 --> 0:27:48.360
<v Speaker 1>helped gay people realize something though they were powerful. Their

0:27:48.440 --> 0:27:52.520
<v Speaker 1>culture had influenced an entire decade of music and fashion.

0:27:53.359 --> 0:27:57.520
<v Speaker 1>This realized power gave them the strength to fight back

0:27:57.600 --> 0:28:02.080
<v Speaker 1>against the neglect and discrimination of the AIDS crisis. Because

0:28:02.080 --> 0:28:06.000
<v Speaker 1>of disco nightlife, they'd also formed strong bonds of friendship

0:28:06.040 --> 0:28:09.359
<v Speaker 1>and community that carried them through the loss and the

0:28:09.400 --> 0:28:12.800
<v Speaker 1>despair of AIDS. What do you think the impact of

0:28:12.880 --> 0:28:16.960
<v Speaker 1>disco was on gay life in America and in the world.

0:28:17.960 --> 0:28:21.720
<v Speaker 2>Disco was basically helping you to build a community, basically

0:28:21.720 --> 0:28:24.760
<v Speaker 2>to go out there and see you learn alone. And

0:28:24.800 --> 0:28:29.199
<v Speaker 2>I think it it was sort of a precursor to

0:28:29.560 --> 0:28:32.680
<v Speaker 2>the strength that was needed during the Age crisis. That

0:28:32.720 --> 0:28:36.679
<v Speaker 2>we had found these people initially, and therefore we realized

0:28:36.720 --> 0:28:39.600
<v Speaker 2>we had a sort of all turn inward to survive,

0:28:41.520 --> 0:28:43.560
<v Speaker 2>to define strength.

0:28:44.520 --> 0:28:47.720
<v Speaker 1>In other words, what you're saying is that the same

0:28:47.800 --> 0:28:51.400
<v Speaker 1>communities that you built in the seventies, going to these clubs,

0:28:51.400 --> 0:28:54.240
<v Speaker 1>going to Studio fifty four, these are the same people

0:28:54.320 --> 0:28:57.200
<v Speaker 1>that were with you hand in hand fighting the ages.

0:28:57.280 --> 0:29:02.320
<v Speaker 2>Yes, absolutely, absolutely, I mean, and that's that's what you created.

0:29:02.400 --> 0:29:06.240
<v Speaker 2>That's where you created these friendships. And you certainly weren't

0:29:06.320 --> 0:29:09.200
<v Speaker 2>I mean, unless you were fool, you know, are cruel.

0:29:09.560 --> 0:29:11.160
<v Speaker 2>I mean, you weren't going to run from your friends

0:29:11.160 --> 0:29:13.480
<v Speaker 2>when they when they were in crisis. You weren't going

0:29:13.560 --> 0:29:16.400
<v Speaker 2>to run from your friends when they got sick, because

0:29:16.440 --> 0:29:19.680
<v Speaker 2>you were possibly the only people they could rely on,

0:29:20.000 --> 0:29:22.600
<v Speaker 2>because especially if their families or their you know that

0:29:22.920 --> 0:29:25.480
<v Speaker 2>their families or their coworkers and stuff wouldn't go anywhere

0:29:25.520 --> 0:29:30.600
<v Speaker 2>near them. You these are the people you drew strength from.

0:29:32.000 --> 0:29:34.760
<v Speaker 1>You know. I think that there are so many parallels

0:29:34.920 --> 0:29:40.360
<v Speaker 1>between our generation, that time period when you felt so

0:29:40.560 --> 0:29:43.560
<v Speaker 1>free and sort of took everything for granted, and then

0:29:43.960 --> 0:29:46.880
<v Speaker 1>it all kind of blowing up a few years later.

0:29:48.160 --> 0:29:51.160
<v Speaker 1>Do you sort of find that young people look to

0:29:51.240 --> 0:29:53.200
<v Speaker 1>you for wisdom?

0:29:54.400 --> 0:29:57.240
<v Speaker 2>Something happened a couple of years ago. All the things

0:29:57.280 --> 0:30:00.400
<v Speaker 2>that I think young people both straight and gay, thought

0:30:00.400 --> 0:30:05.680
<v Speaker 2>we're givens, same sex marriage, abortion, all these things that

0:30:05.760 --> 0:30:09.320
<v Speaker 2>you thought were done deals. You see everything being reversed now,

0:30:09.920 --> 0:30:14.080
<v Speaker 2>and suddenly younger people started asking questions, how do you

0:30:14.120 --> 0:30:18.680
<v Speaker 2>defend yourself? How did you make these things happen in

0:30:18.720 --> 0:30:21.520
<v Speaker 2>your direction? They want to know what happened before they

0:30:21.560 --> 0:30:25.560
<v Speaker 2>showed up. Finally, and we have stories to tell because you,

0:30:26.320 --> 0:30:29.240
<v Speaker 2>especially today, you better dig your heels in and fight

0:30:29.280 --> 0:30:33.160
<v Speaker 2>hard or are they going to mow you over that

0:30:33.200 --> 0:30:37.440
<v Speaker 2>there's a lot of ugly out there, and we all

0:30:37.520 --> 0:30:40.160
<v Speaker 2>need to be strong, we need to be unified. I

0:30:40.360 --> 0:30:42.720
<v Speaker 2>like is the fact that that younger people want to know,

0:30:43.280 --> 0:30:46.280
<v Speaker 2>they want the information, they want to know how we

0:30:46.320 --> 0:30:52.320
<v Speaker 2>go about making this better. And I think in any culture,

0:30:52.560 --> 0:30:55.120
<v Speaker 2>if you don't listen to your quote elders, I don't

0:30:55.120 --> 0:30:56.680
<v Speaker 2>mean follow them, but if you don't listen to the

0:30:56.720 --> 0:31:01.400
<v Speaker 2>stories they have, you're fool. They know you don't. You

0:31:02.320 --> 0:31:05.120
<v Speaker 2>can either pay attention or not pay attention, but they

0:31:05.200 --> 0:31:07.280
<v Speaker 2>know stuff that you. I look, the advantage of being

0:31:07.360 --> 0:31:11.320
<v Speaker 2>older is that you've been through it. I have great

0:31:11.360 --> 0:31:14.280
<v Speaker 2>pride in looking at the energy of young people today.

0:31:14.920 --> 0:31:16.880
<v Speaker 2>I'm actually very positive.

0:31:17.880 --> 0:31:21.680
<v Speaker 1>Well, what's your hope for young young queer people these days?

0:31:21.800 --> 0:31:23.240
<v Speaker 1>The young gays that.

0:31:23.320 --> 0:31:26.800
<v Speaker 2>They that they have to understand their power, They have

0:31:26.880 --> 0:31:31.000
<v Speaker 2>to understand their power and being united and being unified

0:31:31.600 --> 0:31:33.720
<v Speaker 2>and not being and not being afraid.

0:31:34.520 --> 0:31:35.920
<v Speaker 1>What do you want to pass down?

0:31:36.960 --> 0:31:39.480
<v Speaker 2>There was a certain period or a certain ara where

0:31:39.560 --> 0:31:44.080
<v Speaker 2>gays tried really hard to assimilate. You know, we're all

0:31:44.080 --> 0:31:46.160
<v Speaker 2>going to move to the suburbs and live down the block,

0:31:46.280 --> 0:31:49.080
<v Speaker 2>and we're going to adopt three kids and all that stuff.

0:31:50.040 --> 0:31:57.400
<v Speaker 2>I think what I want gay people to embrace is

0:31:57.400 --> 0:32:02.080
<v Speaker 2>the thrill of being different. I don't want you to assimilate.

0:32:03.080 --> 0:32:06.280
<v Speaker 1>It sounds like as you've gotten older, you've become more

0:32:06.320 --> 0:32:08.280
<v Speaker 1>comfortable being different.

0:32:08.920 --> 0:32:12.160
<v Speaker 2>As you get older, you realize how much less or

0:32:12.160 --> 0:32:14.959
<v Speaker 2>how much you don't give a shit. You know, somebody

0:32:15.080 --> 0:32:16.800
<v Speaker 2>wants to yell out faggot in the street. You know

0:32:16.840 --> 0:32:19.640
<v Speaker 2>my answer would be, what's your point? Yeah right, I

0:32:19.680 --> 0:32:21.880
<v Speaker 2>am not perfectly fine with the word. I don't care.

0:32:23.240 --> 0:32:25.640
<v Speaker 2>I want people to celebrate the joy of being different

0:32:26.920 --> 0:32:29.640
<v Speaker 2>once again. I still love the fact that I'm gay.

0:32:30.560 --> 0:32:32.280
<v Speaker 2>I love the way my life turned out.

0:32:32.720 --> 0:32:35.160
<v Speaker 1>It sounds like you're hopeful about the next.

0:32:35.720 --> 0:32:38.240
<v Speaker 2>I'm very hopeful about it, simply because they're comfortable in

0:32:38.240 --> 0:32:42.920
<v Speaker 2>their own skin, and I think that's that's just nothing

0:32:42.960 --> 0:32:46.760
<v Speaker 2>matters more than having pride and who you are and

0:32:47.160 --> 0:33:05.360
<v Speaker 2>in understanding what you need to do to maintain that pride.

0:33:07.040 --> 0:33:10.760
<v Speaker 1>But We Loved is hosted by me Jordan Gonsalves. New

0:33:10.800 --> 0:33:14.680
<v Speaker 1>episodes drop every Wednesday. A small note, we have two

0:33:14.720 --> 0:33:18.479
<v Speaker 1>more episodes before we take a small summer break two weeks,

0:33:18.960 --> 0:33:21.360
<v Speaker 1>and when we're back, we're going to hear stories about

0:33:21.360 --> 0:33:25.240
<v Speaker 1>the gay origins of house music, the history of drag, voguing,

0:33:25.720 --> 0:33:28.960
<v Speaker 1>and much much more. As always, if you want to

0:33:28.960 --> 0:33:32.640
<v Speaker 1>write in to tell your story, email us at Buttweloved

0:33:32.680 --> 0:33:35.560
<v Speaker 1>at gmail dot com or send us a message on

0:33:35.600 --> 0:33:39.640
<v Speaker 1>Instagram or TikTok at but We Loved. We are a

0:33:39.680 --> 0:33:44.200
<v Speaker 1>production of The Outspoken Podcast Network and iHeart Podcasts. But

0:33:44.320 --> 0:33:48.560
<v Speaker 1>We Loved was originally developed with Pushkin Industries. Our producers

0:33:48.680 --> 0:33:53.960
<v Speaker 1>Areshina Ozaki, Michael June, Emily Meronoff, and Joey patt Our.

0:33:54.000 --> 0:33:57.920
<v Speaker 1>Executive producers are Me and Maya Howard. Fact checking by

0:33:58.000 --> 0:34:02.800
<v Speaker 1>Marisa Brown. Original music by Steve Boone. Special thanks to

0:34:02.880 --> 0:34:07.000
<v Speaker 1>Jay Brunson and rockel Willis. If you loved this episode,

0:34:07.320 --> 0:34:12.080
<v Speaker 1>leave us a rating, follow us on Apple Podcasts and Spotify,

0:34:12.520 --> 0:34:15.080
<v Speaker 1>and thank you for listening. I'll see you next week.