1 00:00:00,400 --> 00:00:03,200 Speaker 1: Welcome to my show Money Making Conversation Masterclass and your 2 00:00:03,240 --> 00:00:05,880 Speaker 1: host with Sean McDonald. I recognized that we all have 3 00:00:06,000 --> 00:00:08,400 Speaker 1: different definitions of success for you and may be the 4 00:00:08,440 --> 00:00:11,399 Speaker 1: size of your paycheck. Mine is inspired people to develop 5 00:00:11,440 --> 00:00:14,160 Speaker 1: a plan to reach their dreams. It's time to stop 6 00:00:14,200 --> 00:00:17,040 Speaker 1: reading other people's success stories and start writing your own. 7 00:00:17,440 --> 00:00:20,240 Speaker 1: You can only exceed the expectation by believing in yourself. 8 00:00:20,440 --> 00:00:22,880 Speaker 1: People always talking about their purpose or gifts. If you 9 00:00:22,880 --> 00:00:25,000 Speaker 1: have a gift, leave with your gifts and don't let 10 00:00:25,040 --> 00:00:27,920 Speaker 1: your friends, family, or coworkers stop you from planning or 11 00:00:28,000 --> 00:00:31,720 Speaker 1: living your dreams. My guests is Sky Alvestra Black. He's 12 00:00:31,720 --> 00:00:35,520 Speaker 1: one of Hollywood's most exciting rising stars of today. Scott 13 00:00:35,560 --> 00:00:38,840 Speaker 1: returns his leading man app addiction Anthony on Tyler Perry's 14 00:00:38,880 --> 00:00:42,440 Speaker 1: Smashing and I Say Smash It Male exotic dancer drama 15 00:00:42,479 --> 00:00:45,639 Speaker 1: series All the Queen's Men. This season two is up. 16 00:00:45,680 --> 00:00:48,000 Speaker 1: I was so mad with season two ended. We're talking 17 00:00:48,000 --> 00:00:50,960 Speaker 1: about that. I said, you gotta renew this and they 18 00:00:51,240 --> 00:00:55,000 Speaker 1: hurt my prayer. Season two is currently and on BT Plus. 19 00:00:55,360 --> 00:00:59,560 Speaker 1: The show follows Madame de Ville de Ville or Start 20 00:00:59,600 --> 00:01:04,280 Speaker 1: and then Credible even myself. She's a fierce businesswoman at 21 00:01:04,280 --> 00:01:06,760 Speaker 1: the top of her game in the Atlanta nightclub industry 22 00:01:06,840 --> 00:01:10,120 Speaker 1: who won't let anyone and I repeat anyone standing away 23 00:01:10,360 --> 00:01:13,520 Speaker 1: as she reigns over a crowd of loyal mail dancers. 24 00:01:14,000 --> 00:01:18,320 Speaker 1: Sky is a scene stealer as Madame's nephew, an employee 25 00:01:18,319 --> 00:01:21,240 Speaker 1: who evolves in the exciting and lecture trying seasons two. 26 00:01:21,280 --> 00:01:24,440 Speaker 1: I've seen the first sixth episode. It's really they slowly 27 00:01:24,480 --> 00:01:27,280 Speaker 1: developed its character because it's really getting into some relationships. 28 00:01:27,560 --> 00:01:29,560 Speaker 1: Not gonna reveal too much because like I said, they're 29 00:01:29,560 --> 00:01:32,360 Speaker 1: streaming right now on BT Plus. If you don't have subscription, 30 00:01:32,600 --> 00:01:35,000 Speaker 1: slide on it and sign up, because this series is 31 00:01:35,040 --> 00:01:38,640 Speaker 1: definitely one worth worth seeing on a regulation and putting 32 00:01:38,640 --> 00:01:41,880 Speaker 1: it in your and just tell everybody in real life. 33 00:01:42,240 --> 00:01:45,440 Speaker 1: My man Sky also holds a strong passion for producing. 34 00:01:45,440 --> 00:01:48,480 Speaker 1: We're gonna talk about that as well as advocating, advocating 35 00:01:48,520 --> 00:01:51,160 Speaker 1: for the homeless and impoverished. He's on the show to 36 00:01:51,200 --> 00:01:53,640 Speaker 1: tell his story. Please work with the money making conversation 37 00:01:53,720 --> 00:01:58,040 Speaker 1: Masterclass Sky, Alvesta Black, How you doing, sir, hey man, 38 00:01:58,080 --> 00:01:59,960 Speaker 1: thank you so much for having me with with an 39 00:02:00,000 --> 00:02:03,840 Speaker 1: introduction like, well, you know I had to drop two 40 00:02:03,880 --> 00:02:06,400 Speaker 1: personal things in there, because you know I have a 41 00:02:06,440 --> 00:02:08,720 Speaker 1: relationship with you. When you came on the first time, 42 00:02:08,760 --> 00:02:12,239 Speaker 1: you know, we was by the way, thank you, thank you. 43 00:02:12,400 --> 00:02:15,520 Speaker 1: I'm happy to have you took the time because you know, 44 00:02:15,919 --> 00:02:18,720 Speaker 1: you know, I learned about your dancing career, you were acting. 45 00:02:18,800 --> 00:02:21,520 Speaker 1: And now before we really get into the whole conversation 46 00:02:21,520 --> 00:02:23,520 Speaker 1: about all the Queens of Men, is why I brought 47 00:02:23,600 --> 00:02:26,200 Speaker 1: you on the show. But you're doing more producing, now, 48 00:02:26,440 --> 00:02:28,240 Speaker 1: can we talk about that a little bit before we 49 00:02:28,280 --> 00:02:30,720 Speaker 1: get into the series, because that gives you a different 50 00:02:30,800 --> 00:02:34,280 Speaker 1: eye as an actor when you're doing series, especially with 51 00:02:35,160 --> 00:02:40,519 Speaker 1: a mega producer like Tyler Perry. Completely um so, yes, 52 00:02:40,639 --> 00:02:45,280 Speaker 1: I am making a huge foray into producing. I just 53 00:02:45,400 --> 00:02:51,320 Speaker 1: finished producing an international feature in Haiti and and also Miami, 54 00:02:51,760 --> 00:02:55,320 Speaker 1: so that was my first feature film that I was 55 00:02:55,360 --> 00:02:58,560 Speaker 1: not only sorry and I was also exactly producing. And 56 00:02:58,760 --> 00:03:01,640 Speaker 1: I'll be honest, I got the of man. I love 57 00:03:02,040 --> 00:03:07,600 Speaker 1: the development of being on the ground making this story, 58 00:03:07,880 --> 00:03:12,200 Speaker 1: making stories, not just this particular story, but stories happen 59 00:03:12,800 --> 00:03:16,440 Speaker 1: and understanding and it creates as an actor, creates a 60 00:03:16,440 --> 00:03:19,560 Speaker 1: better world for you because you've been there from the beginning, 61 00:03:19,600 --> 00:03:23,120 Speaker 1: so you're invested you're invested, um, even more so in 62 00:03:23,160 --> 00:03:26,360 Speaker 1: the script because it's kind of like your baby. You've 63 00:03:26,560 --> 00:03:30,120 Speaker 1: you've gone out, you've seen the locations, you've created this world, 64 00:03:30,240 --> 00:03:32,680 Speaker 1: you know what you wanted to feel like. You have 65 00:03:32,840 --> 00:03:36,280 Speaker 1: other creatives with like the director and everything. So I 66 00:03:36,360 --> 00:03:41,680 Speaker 1: just felt that in this time, I'll be honest, God 67 00:03:41,800 --> 00:03:45,120 Speaker 1: is my number one. So that's the direction I've been 68 00:03:45,120 --> 00:03:47,880 Speaker 1: pushed in addition to being privileged enough to be a 69 00:03:47,920 --> 00:03:52,240 Speaker 1: leading man. And I have this like burning fire, and 70 00:03:52,240 --> 00:03:55,040 Speaker 1: and now I have I think four or five projects 71 00:03:55,040 --> 00:03:57,840 Speaker 1: all my slaves like it just is it all failed? 72 00:03:57,960 --> 00:04:00,440 Speaker 1: Is it any of the television doc you see? What 73 00:04:00,480 --> 00:04:04,800 Speaker 1: are the genres? One docuseries and the rest is film? Okay, 74 00:04:04,960 --> 00:04:08,640 Speaker 1: about four films on my slate right now. And what 75 00:04:08,760 --> 00:04:10,640 Speaker 1: is the window of production you usually do with your 76 00:04:10,680 --> 00:04:14,240 Speaker 1: moving six weeks? Two months? What is it? Uh? Ninety days? 77 00:04:14,520 --> 00:04:17,240 Speaker 1: What are the windows of production? So I will say 78 00:04:17,279 --> 00:04:19,520 Speaker 1: the first on the last one, I can only speak 79 00:04:19,520 --> 00:04:22,720 Speaker 1: to the last one. It was about a month. It 80 00:04:22,800 --> 00:04:24,800 Speaker 1: was about a month, and I was in a developing 81 00:04:24,839 --> 00:04:28,400 Speaker 1: country city and when you're in when you're in Haiti, 82 00:04:28,480 --> 00:04:31,480 Speaker 1: there's a lot of opstations that we actually had to face. 83 00:04:31,800 --> 00:04:35,240 Speaker 1: And I love that challenge of that being my first 84 00:04:35,279 --> 00:04:38,400 Speaker 1: because it really pushed me beyond my limits. I mean, 85 00:04:38,520 --> 00:04:42,080 Speaker 1: we're in a developing country where there's no power. Everything 86 00:04:42,200 --> 00:04:45,680 Speaker 1: is running off the generators. Um. We did, how have 87 00:04:46,000 --> 00:04:48,640 Speaker 1: a lot of the We did have American crew and 88 00:04:48,720 --> 00:04:52,599 Speaker 1: Haitian crew, so it forced me to even learn the language. 89 00:04:52,600 --> 00:04:55,920 Speaker 1: I'm an advocate for not going into somebody else's house 90 00:04:56,120 --> 00:04:58,839 Speaker 1: and expecting them to acqui as to you in your ways, 91 00:04:59,120 --> 00:05:01,800 Speaker 1: But when you go in there house, you ask what 92 00:05:01,960 --> 00:05:06,000 Speaker 1: are their rules? What are their regulations? So I was learning, Um, 93 00:05:06,040 --> 00:05:08,279 Speaker 1: I was learning the language. I was out there with 94 00:05:08,320 --> 00:05:14,279 Speaker 1: the natives, and it was an awesome experience. And as 95 00:05:14,279 --> 00:05:16,080 Speaker 1: a producer, it was I would say it was one 96 00:05:16,120 --> 00:05:20,159 Speaker 1: of the more challenging experiences because, like again Echo, it 97 00:05:20,240 --> 00:05:24,960 Speaker 1: was a developing country. So just imagine when you're filming 98 00:05:25,000 --> 00:05:28,360 Speaker 1: and the cold countries aren't at a generator. And so 99 00:05:28,600 --> 00:05:31,440 Speaker 1: it took a look at the way their issues in 100 00:05:31,480 --> 00:05:34,920 Speaker 1: America filming in production. Did you're gonna run the hiccups 101 00:05:34,920 --> 00:05:37,599 Speaker 1: that you're gonna run into. So walking into a foreign 102 00:05:37,640 --> 00:05:41,919 Speaker 1: country where you have electricity is limited, battery packs is limited, 103 00:05:42,320 --> 00:05:46,479 Speaker 1: the type of experienced crew experienced crew will be laterd 104 00:05:46,560 --> 00:05:50,599 Speaker 1: so and and as also, transportation can also be limited 105 00:05:50,600 --> 00:05:52,600 Speaker 1: as well. And so when you like that, I was 106 00:05:52,640 --> 00:05:54,680 Speaker 1: speaking to the sky invest the Black one of the 107 00:05:54,720 --> 00:05:57,640 Speaker 1: stars of All the Queens Men, which is a smash 108 00:05:57,720 --> 00:06:00,800 Speaker 1: hit by Tyler Perry. What what the parent doesn't do that? 109 00:06:00,800 --> 00:06:03,080 Speaker 1: It's not a smash shit But again as the gifts 110 00:06:03,080 --> 00:06:06,320 Speaker 1: to God giving, this series is directed by him, executive 111 00:06:06,320 --> 00:06:08,840 Speaker 1: produced by him, and it's airing right now and b 112 00:06:08,960 --> 00:06:11,960 Speaker 1: T plus. Now I can relate to what you're saying. 113 00:06:12,240 --> 00:06:15,960 Speaker 1: I started my career but the reason mathematics and sociology, 114 00:06:15,960 --> 00:06:18,000 Speaker 1: and I let my IBM to pursue a career as 115 00:06:18,040 --> 00:06:20,919 Speaker 1: a stand up comedian and I was very successful standing 116 00:06:20,960 --> 00:06:24,280 Speaker 1: did the deaf comedy jams all that, very successful and um, 117 00:06:24,720 --> 00:06:27,560 Speaker 1: but when I started writing and I started producing, I 118 00:06:27,600 --> 00:06:31,080 Speaker 1: felt I had more control of the creator and if 119 00:06:31,080 --> 00:06:33,520 Speaker 1: it came more of a team effort, because as an actor, 120 00:06:33,920 --> 00:06:36,920 Speaker 1: a lot of times you just giving lines and you directed, 121 00:06:37,040 --> 00:06:40,040 Speaker 1: and so you don't really participate in the overall project. 122 00:06:40,600 --> 00:06:44,600 Speaker 1: As a producer, you you have never seen, okay, because 123 00:06:44,600 --> 00:06:47,160 Speaker 1: you gotta be whatever ever seen. Because sometimes I can 124 00:06:47,240 --> 00:06:50,080 Speaker 1: as that scene before the scene started right, because sometime 125 00:06:50,080 --> 00:06:52,280 Speaker 1: I could have asked actors and say, oh, well, I 126 00:06:52,520 --> 00:06:55,599 Speaker 1: don't I reached at that movie. I was in no 127 00:06:55,720 --> 00:06:58,200 Speaker 1: famous with that person. I was no scenes with that person, 128 00:06:58,240 --> 00:07:01,240 Speaker 1: you know. And so but there's as a producer, that's 129 00:07:01,279 --> 00:07:05,040 Speaker 1: the engagement part that you have. You are in everything 130 00:07:05,720 --> 00:07:10,040 Speaker 1: from budget. You're talking about the camera. Yeah, exactly, even 131 00:07:10,040 --> 00:07:12,200 Speaker 1: when I'm not on camera, I'm at I'm at the 132 00:07:12,560 --> 00:07:16,960 Speaker 1: I'm in video village. And it also like it's helped 133 00:07:17,000 --> 00:07:20,760 Speaker 1: me be such a better actor because I learned, I 134 00:07:20,800 --> 00:07:24,080 Speaker 1: would say, I honestly, not just the craft of acting, 135 00:07:24,440 --> 00:07:28,280 Speaker 1: the art of storytelling. And that's that when you start 136 00:07:28,360 --> 00:07:31,440 Speaker 1: to tell that story as an actor, and me being 137 00:07:31,440 --> 00:07:33,560 Speaker 1: able to sit behind the London and say, hey, let'sten, 138 00:07:34,600 --> 00:07:37,080 Speaker 1: this came through on camera. Can we get this and 139 00:07:37,160 --> 00:07:39,800 Speaker 1: we have to make our days or and and everything 140 00:07:39,840 --> 00:07:43,040 Speaker 1: like that. All the logistics that happened, and I would 141 00:07:43,040 --> 00:07:47,640 Speaker 1: be remissed if I did not. Um D J. Lewis, 142 00:07:47,760 --> 00:07:51,080 Speaker 1: who's the writer and other executive producer on the film, 143 00:07:51,320 --> 00:07:55,360 Speaker 1: Haitian Way, and let I just finished. He he's Haitian 144 00:07:55,680 --> 00:07:59,680 Speaker 1: and he made all the logistics just extremely possible and 145 00:07:59,760 --> 00:08:02,760 Speaker 1: as seamless as you could think to be over in 146 00:08:02,840 --> 00:08:05,760 Speaker 1: Haiti at this point in time. And um, I just 147 00:08:05,840 --> 00:08:08,120 Speaker 1: want to say, and I'll wrap it up by saying this, 148 00:08:08,800 --> 00:08:12,120 Speaker 1: we have such a misconception as a people in America 149 00:08:12,120 --> 00:08:18,680 Speaker 1: of what Haiti is. It's absolutely beautiful, absolutely absolutely beautiful. 150 00:08:18,720 --> 00:08:22,640 Speaker 1: I learned so much about the culture, the people, and 151 00:08:22,640 --> 00:08:25,720 Speaker 1: I was extremely inspired once I was, once I left, 152 00:08:25,880 --> 00:08:29,320 Speaker 1: and while I was there. So that's another thing I felt. 153 00:08:30,000 --> 00:08:32,000 Speaker 1: Added to being a producer. You have to be open 154 00:08:32,040 --> 00:08:35,199 Speaker 1: to learning right along the way because not everything is 155 00:08:35,200 --> 00:08:37,000 Speaker 1: going to go as your plan. Not every project is 156 00:08:37,040 --> 00:08:39,640 Speaker 1: going to be the same. You have to be valuable, flexible, 157 00:08:40,040 --> 00:08:43,760 Speaker 1: and I love the process. We'll be right back with 158 00:08:43,800 --> 00:08:50,040 Speaker 1: more Money Making Conversations Masterclass with Rushan McDonald. Now let's 159 00:08:50,080 --> 00:08:55,280 Speaker 1: return to Money Making Conversations Masterclass with Rushan McDonald. Talk 160 00:08:55,360 --> 00:08:57,959 Speaker 1: about how you got the how the casting out. I 161 00:08:57,960 --> 00:09:00,840 Speaker 1: know you've done other projects for Tyler Perry like, but 162 00:09:00,920 --> 00:09:02,720 Speaker 1: still it's your talent. You know a lot of people 163 00:09:02,720 --> 00:09:05,240 Speaker 1: people Tyler just don't hand you stuff because he like you. 164 00:09:05,600 --> 00:09:07,880 Speaker 1: That's the skills that you come Talk about how this 165 00:09:08,120 --> 00:09:12,120 Speaker 1: opportunity that came to you and then because it is 166 00:09:12,160 --> 00:09:16,040 Speaker 1: over the top, because Eva's character is bold is it 167 00:09:16,200 --> 00:09:19,160 Speaker 1: is like it is almost cartoonist. But I said that 168 00:09:19,200 --> 00:09:22,440 Speaker 1: in a very entertaining way, because sometimes you need to 169 00:09:22,440 --> 00:09:25,720 Speaker 1: just step into a world, just let all all reality go. 170 00:09:25,960 --> 00:09:28,320 Speaker 1: That's what this show is about. But it is time 171 00:09:28,400 --> 00:09:31,079 Speaker 1: to real people and the emotional things that are relatable. 172 00:09:31,360 --> 00:09:36,439 Speaker 1: Tell us about it. Um, it's interesting. I actually auditioned 173 00:09:36,880 --> 00:09:40,360 Speaker 1: for All Kan's Men Fire to audition persistence. I was 174 00:09:40,400 --> 00:09:44,240 Speaker 1: also um. I played Sisters. I'm sorry I was All Sisters. 175 00:09:44,240 --> 00:09:48,480 Speaker 1: I played Jakoben that was on the bank, and I 176 00:09:48,640 --> 00:09:52,600 Speaker 1: was just thankful to get a job act. You know 177 00:09:52,640 --> 00:09:55,160 Speaker 1: what I mean. Before I was parking cars, man, I 178 00:09:55,200 --> 00:09:57,400 Speaker 1: was really parking cars from saying to him the three 179 00:09:57,440 --> 00:10:01,440 Speaker 1: thirty in the morning, just trying to u um, support 180 00:10:01,480 --> 00:10:06,720 Speaker 1: myself and follow my dreams. So in the daytime about audition. 181 00:10:06,760 --> 00:10:09,560 Speaker 1: At night, I would um. At night I would work. 182 00:10:10,000 --> 00:10:14,280 Speaker 1: Jumped to Sisters came, the audition came. I did the audition, 183 00:10:14,920 --> 00:10:16,960 Speaker 1: by the grace of God, found out I booked it, 184 00:10:17,080 --> 00:10:20,720 Speaker 1: went there and just delve into work. Now we get home, 185 00:10:20,800 --> 00:10:23,160 Speaker 1: Sisters is over and I get a call from my 186 00:10:23,240 --> 00:10:26,559 Speaker 1: agent say, hey, you just got to leading Talente new show. 187 00:10:26,600 --> 00:10:31,800 Speaker 1: All the clues Men. Honestly, I cried, I got on 188 00:10:31,880 --> 00:10:34,320 Speaker 1: my kneed. I thank God in this order, and I 189 00:10:34,360 --> 00:10:36,319 Speaker 1: called my grandmother and said, hey, you don't have to 190 00:10:36,360 --> 00:10:42,640 Speaker 1: work anymore. And but the process, I had no idea, 191 00:10:43,320 --> 00:10:45,320 Speaker 1: Like I said, I auditioned for all the queens men 192 00:10:45,679 --> 00:10:49,320 Speaker 1: months and months before auditions assistance. I forgot about the audition, 193 00:10:49,960 --> 00:10:52,280 Speaker 1: and I had no idea that I was already cast it. 194 00:10:52,600 --> 00:10:57,280 Speaker 1: Our wonderful creator and writer, I have to um give 195 00:10:57,360 --> 00:11:00,240 Speaker 1: Christian Keys his components, because without Christian keys is there 196 00:11:00,200 --> 00:11:02,400 Speaker 1: will be no as Man. That derived from his book 197 00:11:02,480 --> 00:11:05,960 Speaker 1: Ladies to Night, and Christian actually put the time and 198 00:11:06,000 --> 00:11:08,840 Speaker 1: ever talking about a producer and developer for ten years 199 00:11:08,840 --> 00:11:13,160 Speaker 1: ago from the book. So the character that Christian wrote 200 00:11:13,600 --> 00:11:18,000 Speaker 1: was Christian was doing, was was going to play m 201 00:11:18,040 --> 00:11:21,080 Speaker 1: And at this time Christian really really wanted to tell 202 00:11:21,120 --> 00:11:25,200 Speaker 1: the story as authentically to his business possible, and he 203 00:11:25,400 --> 00:11:28,200 Speaker 1: took a more of a step back to be in 204 00:11:28,240 --> 00:11:36,000 Speaker 1: a producing aspect and executive producing, executive producing, executive producer. Yes, 205 00:11:36,440 --> 00:11:41,240 Speaker 1: and Christian casting me, Christian actually casting me. And because 206 00:11:42,120 --> 00:11:44,600 Speaker 1: I don't know, I think I was possibly going to 207 00:11:44,640 --> 00:11:47,320 Speaker 1: be on Sisters more and and it actually was that 208 00:11:47,400 --> 00:11:49,000 Speaker 1: was the case because they had to round out my 209 00:11:49,080 --> 00:11:53,199 Speaker 1: character for season three, So doing the audition for all 210 00:11:53,240 --> 00:11:56,720 Speaker 1: the Queens men, it was one of those things where 211 00:11:56,800 --> 00:12:00,840 Speaker 1: he just sees you see the scene and scene that 212 00:12:00,880 --> 00:12:02,960 Speaker 1: I actually had the audition for. It was from season one. 213 00:12:03,000 --> 00:12:05,320 Speaker 1: If you guys have seen season one, it's when I 214 00:12:05,320 --> 00:12:08,280 Speaker 1: get out of the actually prison and my aunt is 215 00:12:08,320 --> 00:12:12,120 Speaker 1: there for the first time. And the scene where I 216 00:12:12,240 --> 00:12:15,560 Speaker 1: go back to my fiance, sorry my girlfriend at the time, 217 00:12:15,720 --> 00:12:18,200 Speaker 1: my girlfriend that I killed. I go back to her 218 00:12:18,240 --> 00:12:20,600 Speaker 1: mom's house and the gunnis to my head. Those are 219 00:12:20,640 --> 00:12:23,200 Speaker 1: my two auditions scenes. And then with something about it 220 00:12:23,240 --> 00:12:25,640 Speaker 1: that just clicked when I when I auditioned, I said 221 00:12:25,640 --> 00:12:27,440 Speaker 1: in a self tape, didn't hear anything for like three 222 00:12:27,520 --> 00:12:30,160 Speaker 1: or four months, nothing, And I was, Okay, this is 223 00:12:30,160 --> 00:12:33,760 Speaker 1: one of those auditions. Here we go, you understand and 224 00:12:33,840 --> 00:12:38,040 Speaker 1: you you lead of an incredible series. That is the characters. 225 00:12:38,120 --> 00:12:41,240 Speaker 1: Of course, we talked about Eva's characters. She plays my Damn. 226 00:12:41,280 --> 00:12:44,000 Speaker 1: We don't say ma'am, We just say lady, you said 227 00:12:44,040 --> 00:12:48,680 Speaker 1: me damn. Okay, Now my boy blew on there Damn. 228 00:12:48,760 --> 00:12:51,600 Speaker 1: That's he's developing a relationship with a character called Damn. 229 00:12:51,600 --> 00:12:54,319 Speaker 1: I'm saying the Sky's character who plays ample on the show. 230 00:12:54,640 --> 00:12:58,960 Speaker 1: Do you have male dancers? Doc Phase way ago Midnight? 231 00:12:59,480 --> 00:13:01,760 Speaker 1: And then I didn't. You're a fan. I love it. 232 00:13:01,840 --> 00:13:07,640 Speaker 1: I love it, Hey, Scott, I would not have you 233 00:13:07,679 --> 00:13:10,760 Speaker 1: on this show, brother lying to you man. And then 234 00:13:11,640 --> 00:13:15,000 Speaker 1: my favorite character is Tommy my man and the Cookies. 235 00:13:15,360 --> 00:13:19,559 Speaker 1: My man is cookies. Oh my gosh, Yes, yes, Tommy's 236 00:13:19,640 --> 00:13:24,160 Speaker 1: character is absolutely hilarious. Um yeah, he's His character is 237 00:13:24,200 --> 00:13:26,400 Speaker 1: so funny. It's it's the commedic relead to this show. 238 00:13:27,360 --> 00:13:31,000 Speaker 1: Say the thing that I can say about this season 239 00:13:31,040 --> 00:13:33,839 Speaker 1: the most. And I had to discover a lot of 240 00:13:34,320 --> 00:13:38,760 Speaker 1: who Am is this season because without revealing too much, 241 00:13:39,040 --> 00:13:41,400 Speaker 1: I will say this, and I've been saying this, you 242 00:13:41,440 --> 00:13:46,200 Speaker 1: will really find out why Am and Madam are related. 243 00:13:47,040 --> 00:13:54,240 Speaker 1: Amps arc is ridiculous this season, and it was so 244 00:13:54,320 --> 00:13:57,720 Speaker 1: fun to play because it's it's it's night and day, 245 00:13:57,800 --> 00:14:02,240 Speaker 1: so everything you think AMP is just watching them fold. 246 00:14:02,520 --> 00:14:04,199 Speaker 1: Oh I am watching it. Like I said, I'm in 247 00:14:04,240 --> 00:14:08,679 Speaker 1: the middle of episode six of this season two and 248 00:14:08,679 --> 00:14:13,040 Speaker 1: and it's a season. We have twenty episodes this season. 249 00:14:13,440 --> 00:14:17,080 Speaker 1: I got this wider art. I love it. I'm loving 250 00:14:17,120 --> 00:14:18,679 Speaker 1: I'm love it. Because I'm not gonna miss any of it. 251 00:14:18,720 --> 00:14:20,760 Speaker 1: Like I said, the first season I believe was ten. 252 00:14:20,920 --> 00:14:23,560 Speaker 1: I believe it was ten the first season. And and 253 00:14:23,560 --> 00:14:25,520 Speaker 1: like I said, when the end of that dramatic moment, 254 00:14:25,520 --> 00:14:27,840 Speaker 1: I was like, you got to be kidding me. It 255 00:14:28,000 --> 00:14:31,200 Speaker 1: came back. Now Tyler has done me right twenty episodes. 256 00:14:31,440 --> 00:14:34,800 Speaker 1: But let's talk about the whole relationships. Like said, when 257 00:14:34,800 --> 00:14:37,560 Speaker 1: you do these series, you know, you could say, I'm 258 00:14:37,560 --> 00:14:40,600 Speaker 1: doing the show over the over the character. She's a 259 00:14:40,600 --> 00:14:43,400 Speaker 1: tough woman, and we have these male dancers, so you're 260 00:14:43,400 --> 00:14:46,600 Speaker 1: selling sex and good lifting guys in shape. So you're 261 00:14:46,600 --> 00:14:50,160 Speaker 1: trying to seek that male demo and all that female demo. 262 00:14:50,200 --> 00:14:52,640 Speaker 1: Excuse me. And so when all that comes about, it's 263 00:14:52,720 --> 00:14:56,680 Speaker 1: the story and the characters talk about your character and 264 00:14:56,720 --> 00:15:01,400 Speaker 1: your relationship that you're developed with Dime this season. So 265 00:15:01,680 --> 00:15:05,960 Speaker 1: this season with Dime um and also where you see 266 00:15:06,000 --> 00:15:09,760 Speaker 1: Am from the beginning, you see this beautiful budding relationships 267 00:15:10,320 --> 00:15:15,440 Speaker 1: and you see the love and and and I mean 268 00:15:15,480 --> 00:15:18,400 Speaker 1: Diamond is that soft spot for them, just like am 269 00:15:18,440 --> 00:15:26,200 Speaker 1: possess soft spot from Madam. However, it's it's how do 270 00:15:26,280 --> 00:15:31,120 Speaker 1: I say this? Um? Expected? Unexpected? What happen? Done? Yes, 271 00:15:32,280 --> 00:15:35,200 Speaker 1: and and and you and you all the things men's 272 00:15:35,200 --> 00:15:38,840 Speaker 1: are crime drama. And I think once people realize that, 273 00:15:39,080 --> 00:15:41,280 Speaker 1: a lot of times people saw us as all this 274 00:15:41,440 --> 00:15:44,360 Speaker 1: stripper show, this male strip show, this guy's male stripper show. 275 00:15:44,640 --> 00:15:47,400 Speaker 1: But it's not that it's actually a crime drama. And 276 00:15:47,440 --> 00:15:52,480 Speaker 1: it's about the relationships of what society would consider consider 277 00:15:53,240 --> 00:15:57,720 Speaker 1: social misfits and how they're navigating this world but also 278 00:15:57,800 --> 00:16:00,320 Speaker 1: being there for each other, but also going through real 279 00:16:00,400 --> 00:16:05,240 Speaker 1: life circumstances that really actually happened in the world of 280 00:16:05,320 --> 00:16:08,840 Speaker 1: meloxotic Dancing. I mean, if you hear some of the 281 00:16:09,000 --> 00:16:11,360 Speaker 1: stories that the guys that I got to sit down 282 00:16:11,360 --> 00:16:13,040 Speaker 1: with each of the guys, and I really wanted to 283 00:16:13,120 --> 00:16:14,920 Speaker 1: immerse myself in this world and I take it the 284 00:16:15,040 --> 00:16:17,560 Speaker 1: crandit that's just another role, and said, tell me everything, 285 00:16:17,960 --> 00:16:20,480 Speaker 1: tell me what happens, tell me, tell me your past, 286 00:16:20,600 --> 00:16:23,360 Speaker 1: tell me. And I had these moments which each of 287 00:16:23,400 --> 00:16:26,120 Speaker 1: these guys and a lot of these stories aren't too 288 00:16:26,280 --> 00:16:31,800 Speaker 1: sabricated when you when you actually lived that world, in 289 00:16:31,960 --> 00:16:36,360 Speaker 1: that life on TV, it seems larger than life. But 290 00:16:36,400 --> 00:16:38,360 Speaker 1: so many stories that I've heard that these brothers have 291 00:16:38,400 --> 00:16:42,960 Speaker 1: gone through, um, it's it's authentic. We'll be right back 292 00:16:43,000 --> 00:16:49,320 Speaker 1: with more Money Making Conversations Masterclass with Rushan McDonald. Now, 293 00:16:49,400 --> 00:16:54,400 Speaker 1: let's return to Money Making Conversations Masterclass with Rushan McDonald. 294 00:16:54,560 --> 00:16:57,200 Speaker 1: I'm speaking to sky Velsta Black. He's run of the 295 00:16:57,280 --> 00:17:00,520 Speaker 1: stars of the New I said something news of season. 296 00:17:00,800 --> 00:17:04,280 Speaker 1: It's twenty episodes this season. Everybody, all the queensman, it's 297 00:17:04,560 --> 00:17:08,480 Speaker 1: starting incredible, even myself. She starts this. She's she's the 298 00:17:08,480 --> 00:17:12,560 Speaker 1: woman the word boss lady. She is truly the boss lady. 299 00:17:12,640 --> 00:17:15,399 Speaker 1: To kill a lady, the tough lady. I'm gonna tell you, 300 00:17:15,400 --> 00:17:20,920 Speaker 1: get out my face, lady. She don't care if she's so. 301 00:17:22,119 --> 00:17:23,639 Speaker 1: I want to say something. You said it was a 302 00:17:23,680 --> 00:17:25,760 Speaker 1: crime drama. But let me put some on top of that. 303 00:17:26,400 --> 00:17:30,880 Speaker 1: It's a family show. And that's why I'm engaged when 304 00:17:30,920 --> 00:17:34,960 Speaker 1: you still empower the Power series, it was about family. Well, 305 00:17:35,000 --> 00:17:37,240 Speaker 1: if you look at any of the Fast and Furious 306 00:17:37,280 --> 00:17:40,720 Speaker 1: shows movies, it's about family. And so when you look 307 00:17:40,760 --> 00:17:44,679 Speaker 1: at this series, always remember that. You know Doc and 308 00:17:44,760 --> 00:17:47,840 Speaker 1: Blue family. Fuego has been in a lot of time 309 00:17:47,960 --> 00:17:51,159 Speaker 1: trying to get this family, keep this family together, and 310 00:17:51,160 --> 00:17:54,119 Speaker 1: then in the first season he's basically an outside character, 311 00:17:54,160 --> 00:17:57,400 Speaker 1: but this season, he's more engaged and you find out 312 00:17:57,520 --> 00:17:59,560 Speaker 1: more about his character. What the thing I love about 313 00:17:59,600 --> 00:18:03,119 Speaker 1: this and the Skies that because there's twenty episodes, the 314 00:18:03,200 --> 00:18:06,280 Speaker 1: characters don't feel rushed and I'm getting more a backstory. 315 00:18:06,560 --> 00:18:08,960 Speaker 1: I'm getting more a backstory. It makes me more engaged 316 00:18:09,000 --> 00:18:12,560 Speaker 1: and much more aware of the next step and excited. 317 00:18:12,960 --> 00:18:15,320 Speaker 1: And that's why, that's why I wanted to say that 318 00:18:15,400 --> 00:18:19,439 Speaker 1: the family's dynamic plays a major role. It is a crime, 319 00:18:19,520 --> 00:18:23,040 Speaker 1: and it is violent, it is action, it is dramatic. 320 00:18:23,320 --> 00:18:26,480 Speaker 1: It is funny because Tommy is very funny in this series. 321 00:18:26,960 --> 00:18:30,320 Speaker 1: You know, you know, he's he's he's a he's a 322 00:18:30,359 --> 00:18:33,320 Speaker 1: who as they say back in the day. But but 323 00:18:33,320 --> 00:18:35,760 Speaker 1: but these are the characters that make me enjoy the show. 324 00:18:36,200 --> 00:18:37,960 Speaker 1: And this is what I'm saying to you, is that 325 00:18:38,440 --> 00:18:40,480 Speaker 1: the male dancers is part of it. But I'm also 326 00:18:40,600 --> 00:18:46,560 Speaker 1: more engaged about, you know, the relationships about Entangled. I 327 00:18:46,640 --> 00:18:50,520 Speaker 1: love that you said that because I always look for 328 00:18:50,680 --> 00:18:53,800 Speaker 1: the universal message when I'm telling the story. Yes, I'm 329 00:18:53,800 --> 00:18:56,480 Speaker 1: a character that got out of prison for nine years, 330 00:18:56,520 --> 00:18:59,160 Speaker 1: and we dub into my backstory and we actually see 331 00:18:59,160 --> 00:19:01,760 Speaker 1: why he really went to prison. I don't know if 332 00:19:01,760 --> 00:19:04,080 Speaker 1: anyone has seen that episode yet, if you haven't seen, 333 00:19:04,359 --> 00:19:11,000 Speaker 1: episode six really starts to show amps backstory to why 334 00:19:11,040 --> 00:19:13,199 Speaker 1: and because first season really focused on am being the 335 00:19:13,240 --> 00:19:15,639 Speaker 1: audience member as far as bringing you into this world 336 00:19:16,119 --> 00:19:18,760 Speaker 1: and he you were looking at this world through the 337 00:19:18,760 --> 00:19:21,040 Speaker 1: eyes of them because you've never seen this world before 338 00:19:21,040 --> 00:19:24,000 Speaker 1: as he hasn't. Now you're seeing, like you just said, 339 00:19:24,440 --> 00:19:28,919 Speaker 1: each character's back story. And when you're telling stories, people 340 00:19:29,040 --> 00:19:32,200 Speaker 1: like stories because there's a universal element that they can 341 00:19:32,280 --> 00:19:34,159 Speaker 1: also relate to. They may not know what it is, 342 00:19:34,760 --> 00:19:37,240 Speaker 1: but it's like, why do I like this so much? 343 00:19:37,320 --> 00:19:41,160 Speaker 1: But it is family and it's togetherness, and it's how 344 00:19:41,200 --> 00:19:44,800 Speaker 1: do we keep each other together? How do we love 345 00:19:44,960 --> 00:19:49,480 Speaker 1: on each other in this miss of this huge minuta 346 00:19:49,680 --> 00:19:54,000 Speaker 1: of craziness. And I think that's a lot of just 347 00:19:54,200 --> 00:19:59,080 Speaker 1: relationships period, Like families, paramount, friends are paramount. Support systems 348 00:19:59,359 --> 00:20:03,879 Speaker 1: are extremely paramount in it. And on the US universal level, 349 00:20:03,960 --> 00:20:07,840 Speaker 1: we can't do it alone, even on on on all 350 00:20:07,880 --> 00:20:10,840 Speaker 1: the police men, she can't do it alone, and she 351 00:20:11,000 --> 00:20:15,800 Speaker 1: needs asked her, Madam, and I always say, even I 352 00:20:15,880 --> 00:20:19,239 Speaker 1: have the best time, because what we do we just 353 00:20:19,359 --> 00:20:23,600 Speaker 1: get on camera and we go right. We don't rehearse before. 354 00:20:23,720 --> 00:20:27,560 Speaker 1: We have a great connection as Auntie and Nephew when 355 00:20:27,560 --> 00:20:30,760 Speaker 1: we get on and we explore. And I think Tyler 356 00:20:30,960 --> 00:20:36,000 Speaker 1: so much for allowing us to really have taking it 357 00:20:36,080 --> 00:20:40,159 Speaker 1: upon ourselves to develop these characters and actually listening to 358 00:20:40,200 --> 00:20:43,560 Speaker 1: our thoughts. And I also think the entire producing teams 359 00:20:43,600 --> 00:20:46,920 Speaker 1: for saying, hey, this season, we do want to delve 360 00:20:47,000 --> 00:20:50,639 Speaker 1: into why these people are the way they are and 361 00:20:50,720 --> 00:20:54,200 Speaker 1: it makes everybody interested. Well, I'm gonna tell you this guy, 362 00:20:54,280 --> 00:20:57,080 Speaker 1: you know, uh, this is this. This is the opening 363 00:20:57,160 --> 00:21:00,760 Speaker 1: scene for this for this second season, and I'm not 364 00:21:00,760 --> 00:21:04,479 Speaker 1: gonna tell y'all in detail. Well, when Homeboard came out 365 00:21:04,560 --> 00:21:09,560 Speaker 1: of the kitchen with that giant butcher knife, I'm with 366 00:21:10,119 --> 00:21:13,040 Speaker 1: y'all silly, Yeah, y'all are silly. Y'all know y'all got 367 00:21:13,080 --> 00:21:15,840 Speaker 1: smaller knives and that kitchen and that well coming out 368 00:21:15,880 --> 00:21:18,359 Speaker 1: that gives you that jiant butcher knife to do what 369 00:21:18,400 --> 00:21:22,680 Speaker 1: they had to do surgically, But that's the man, Yeah, 370 00:21:22,880 --> 00:21:24,800 Speaker 1: to get up. Yeah, that's the funny part about it. 371 00:21:24,840 --> 00:21:27,320 Speaker 1: But I definitely want to close out the show to 372 00:21:27,359 --> 00:21:31,040 Speaker 1: talk about your advocacy for homelessness and empoverished people. Because 373 00:21:31,440 --> 00:21:35,600 Speaker 1: the production was producing and EPN and eventually directing, because 374 00:21:35,600 --> 00:21:38,200 Speaker 1: that's I see that in your future and the incredible 375 00:21:38,240 --> 00:21:40,720 Speaker 1: series and the relationship you've had with Tyler, and then 376 00:21:40,760 --> 00:21:44,200 Speaker 1: being blessed in the relationship with Christian Keys, which is incredible. 377 00:21:44,200 --> 00:21:46,560 Speaker 1: Book that was Ladies Night, which is now turned into 378 00:21:46,680 --> 00:21:50,199 Speaker 1: All the Queen's Men is airing and streaming on BT Plus. 379 00:21:50,600 --> 00:21:53,840 Speaker 1: Why are the importance of advocating being a voice for 380 00:21:53,880 --> 00:21:58,840 Speaker 1: homelessness and the impoverished? Man? I was homeless. I knew 381 00:21:58,840 --> 00:22:02,360 Speaker 1: a firstead. I'm a kid that that's from the South 382 00:22:02,440 --> 00:22:04,479 Speaker 1: or from Miami, Florida. I'm from the real Miami man. 383 00:22:04,520 --> 00:22:09,639 Speaker 1: I'm from Carol City, which is now my regardens. But 384 00:22:10,960 --> 00:22:13,800 Speaker 1: I came on here to l A with a dream 385 00:22:13,880 --> 00:22:18,240 Speaker 1: and faith and God, and a lot of people say, well, 386 00:22:18,240 --> 00:22:20,159 Speaker 1: what did you do? I worked my butt off, I 387 00:22:20,200 --> 00:22:24,239 Speaker 1: believe in I pray. Sounds pretty shary, but you know 388 00:22:24,280 --> 00:22:28,280 Speaker 1: when you're when you're in such a industry as the 389 00:22:28,400 --> 00:22:33,280 Speaker 1: entertainment industry, they're no guarantees and you have ups, downs, peaks, valleys, 390 00:22:33,280 --> 00:22:37,880 Speaker 1: as you do with any industry or with any in life. However, 391 00:22:38,080 --> 00:22:40,960 Speaker 1: I was that kid. I was that kid that was homeless, 392 00:22:41,000 --> 00:22:45,679 Speaker 1: not once three times. Um, I know what it's like 393 00:22:45,920 --> 00:22:48,639 Speaker 1: to have a dream that no one else believes it 394 00:22:49,400 --> 00:22:53,359 Speaker 1: until it happens. I know it's like to feel depression. 395 00:22:53,400 --> 00:22:59,680 Speaker 1: I'm also a huge, huge mental health advocate. Especially it's 396 00:23:00,000 --> 00:23:06,000 Speaker 1: really it's something that we need because we need to 397 00:23:06,040 --> 00:23:08,240 Speaker 1: clear our minds. Without a clear mind, you can't be 398 00:23:08,280 --> 00:23:13,280 Speaker 1: effective in life. And so in addition to being homeless, 399 00:23:13,359 --> 00:23:16,880 Speaker 1: I was depressed and homeless. And I live in Los Angeles. Man, 400 00:23:17,040 --> 00:23:19,720 Speaker 1: I can look out my my window right now, and 401 00:23:20,240 --> 00:23:24,080 Speaker 1: yes I'm less, but I'm not removed from circumstances and 402 00:23:24,119 --> 00:23:27,359 Speaker 1: the homeless could the homeless population and lost astances ritic 403 00:23:28,240 --> 00:23:31,119 Speaker 1: and and I just feel that there's so much that 404 00:23:31,200 --> 00:23:36,119 Speaker 1: can be done, but we don't look at it. And 405 00:23:36,119 --> 00:23:39,159 Speaker 1: and I with my platform, I want to do as 406 00:23:39,200 --> 00:23:42,200 Speaker 1: much as I can to look at the humanistic qualities 407 00:23:42,200 --> 00:23:44,560 Speaker 1: of just life and how it can be better for 408 00:23:45,200 --> 00:23:48,320 Speaker 1: things that that's dear to me. I mean again, I 409 00:23:48,400 --> 00:23:50,800 Speaker 1: was in I said in my car, I slept in 410 00:23:50,840 --> 00:23:54,800 Speaker 1: Hotel six. As I step on couches, I I this this, 411 00:23:54,800 --> 00:23:59,639 Speaker 1: this just happened. My life just reached. And also with 412 00:23:59,760 --> 00:24:04,239 Speaker 1: it switching, I've learned the importance of mental health and 413 00:24:04,720 --> 00:24:11,000 Speaker 1: mental and therapy awareness of how to just navigate. Everybody 414 00:24:11,040 --> 00:24:13,760 Speaker 1: has gone through PTSD at some point. I mean, we 415 00:24:13,800 --> 00:24:16,160 Speaker 1: just came out of a pandemic and now it seems 416 00:24:16,160 --> 00:24:22,560 Speaker 1: we're on the edge of other epidemics possibly so um. 417 00:24:22,600 --> 00:24:25,760 Speaker 1: I think as an artist it is essential to not 418 00:24:25,840 --> 00:24:29,520 Speaker 1: only live life, but to observe life and to really 419 00:24:29,560 --> 00:24:36,800 Speaker 1: have empathy for a lot of universal issues. Because if 420 00:24:36,840 --> 00:24:42,160 Speaker 1: you cannot be empathetic to without judgment, to another man's plight, 421 00:24:43,520 --> 00:24:47,800 Speaker 1: sorry about that. If you can't be if you can't 422 00:24:47,840 --> 00:24:54,000 Speaker 1: be empathetic to your fellow man and man being woman, human, 423 00:24:54,240 --> 00:24:56,520 Speaker 1: if you can't be empathetic to their plight, you can't 424 00:24:56,560 --> 00:25:00,680 Speaker 1: be a great artist. And it's near and dear to me. 425 00:25:00,720 --> 00:25:02,960 Speaker 1: And there's a lot more I want to do in 426 00:25:03,040 --> 00:25:06,520 Speaker 1: that arena of m I want to go visit shelters. 427 00:25:06,520 --> 00:25:09,359 Speaker 1: I want to set up things, and it's one of 428 00:25:09,359 --> 00:25:13,280 Speaker 1: my company's mission Sitnents to to really give back and 429 00:25:13,359 --> 00:25:16,919 Speaker 1: not just go there and dump on some turkeys. Get 430 00:25:17,600 --> 00:25:20,399 Speaker 1: to really get back and see what can we do 431 00:25:20,640 --> 00:25:22,320 Speaker 1: that That has to be something that if all of 432 00:25:22,400 --> 00:25:24,920 Speaker 1: us are together, we could we could make some of 433 00:25:24,960 --> 00:25:30,159 Speaker 1: the factive change. Absolutely well, he's making effective change as 434 00:25:30,200 --> 00:25:34,320 Speaker 1: a producer, effective change as a homeless advocate for the 435 00:25:34,359 --> 00:25:38,919 Speaker 1: impoverished and disenfranchise, but more importantly as a fan, as 436 00:25:38,960 --> 00:25:42,080 Speaker 1: a person in the entertaining prison. You know, I always say, 437 00:25:42,200 --> 00:25:44,280 Speaker 1: you know, he's younger than me, so hopefully I've knocked 438 00:25:44,280 --> 00:25:46,600 Speaker 1: over some doors and kicked over some boxes that he 439 00:25:46,600 --> 00:25:49,000 Speaker 1: could step in. And I know he's stepping in strong 440 00:25:49,040 --> 00:25:51,320 Speaker 1: because he got a great man behind him and Tyler Perry, 441 00:25:51,400 --> 00:25:54,200 Speaker 1: and he's another advocate in Christian Keys, who I think 442 00:25:54,240 --> 00:25:56,840 Speaker 1: is one of the star producers of our next generation 443 00:25:56,880 --> 00:25:59,800 Speaker 1: that's gonna pop out. That only is he a talented writer, 444 00:26:00,000 --> 00:26:02,200 Speaker 1: but he's also a handsome guy, so they also helped 445 00:26:02,280 --> 00:26:05,080 Speaker 1: CHRISTI okay, it looks good, but again, thank you for 446 00:26:05,080 --> 00:26:06,840 Speaker 1: covering those show this guy, I hope it was a Joe. 447 00:26:06,840 --> 00:26:09,040 Speaker 1: I'll put this journey was better than the previous journey, 448 00:26:09,040 --> 00:26:11,080 Speaker 1: which I thought was very good. I always have a 449 00:26:11,160 --> 00:26:12,919 Speaker 1: great time with you, and thank you for having me 450 00:26:12,960 --> 00:26:15,359 Speaker 1: back in and just picked you back on what you said. 451 00:26:15,400 --> 00:26:18,120 Speaker 1: Thank you for everything that you've done in the entertainment 452 00:26:18,119 --> 00:26:21,440 Speaker 1: industry because you you had to walk so I can run, 453 00:26:21,800 --> 00:26:25,080 Speaker 1: So thank you for all your contributions and just knocking 454 00:26:25,080 --> 00:26:27,639 Speaker 1: down those doors. Man. It's always a great time here 455 00:26:27,760 --> 00:26:31,480 Speaker 1: Money Making Conversations. Thank you, appreciate your brother, but talk soon. Man. 456 00:26:31,760 --> 00:26:34,480 Speaker 1: Be safe now, okay, thank you you too. All right, 457 00:26:34,600 --> 00:26:36,440 Speaker 1: If you want to see you here any of these interviews, 458 00:26:36,480 --> 00:26:38,760 Speaker 1: please go to money Making Conversation dot com. I'm with 459 00:26:38,840 --> 00:26:40,400 Speaker 1: Sean McDonald. I am your host.