1 00:00:00,240 --> 00:00:00,440 Speaker 1: Hmm. 2 00:00:04,480 --> 00:00:09,520 Speaker 2: There's a place beyond this place, a middle ground between 3 00:00:09,520 --> 00:00:13,119 Speaker 2: the light and the darkness, the native and the zenith. 4 00:00:14,360 --> 00:00:16,920 Speaker 2: For some, it's a bridge between the living and the dead. 5 00:00:17,320 --> 00:00:21,319 Speaker 2: Yet for others, it's something else entirely, it's the place 6 00:00:21,360 --> 00:00:25,239 Speaker 2: where our nightmares dwell. Each one of us has touched 7 00:00:25,280 --> 00:00:28,120 Speaker 2: the other side and felt the presence of something beyond 8 00:00:28,120 --> 00:00:35,200 Speaker 2: this world. 9 00:00:33,159 --> 00:00:44,080 Speaker 3: Faces in the. 10 00:00:44,120 --> 00:00:48,040 Speaker 4: House, I don't recognize looking in emeracy. 11 00:00:48,200 --> 00:00:51,320 Speaker 2: The devil's eyes mixing too much. 12 00:00:51,440 --> 00:00:54,920 Speaker 3: I mean, I get crazy. 13 00:00:53,600 --> 00:00:57,760 Speaker 2: Now, I'm bagalone on my Patrick Swayzey ghost gave it 14 00:00:57,920 --> 00:01:01,440 Speaker 2: everything and only took up. Oh, I guess the pair 15 00:01:01,640 --> 00:01:05,880 Speaker 2: side is looking for ho bit so demned mind it 16 00:01:06,000 --> 00:01:08,759 Speaker 2: does you so then and sign it you I never met. 17 00:01:10,120 --> 00:01:14,039 Speaker 2: On today's episode of Hip Hop Horror Stories, DJ Ski 18 00:01:14,120 --> 00:01:16,679 Speaker 2: joins us for a tale of terror in his personal 19 00:01:16,720 --> 00:01:20,120 Speaker 2: studio that may have been haunted by the spirit of 20 00:01:20,200 --> 00:01:23,920 Speaker 2: legendary producer and convicted murderer Phil Spector. 21 00:01:33,600 --> 00:01:36,240 Speaker 5: All right, so around twenty I think it had to 22 00:01:36,240 --> 00:01:39,200 Speaker 5: be like twenty ten. There's a studio that I was 23 00:01:39,319 --> 00:01:43,720 Speaker 5: driving by for years on my way back home in Hollywood. 24 00:01:43,720 --> 00:01:45,760 Speaker 5: It was right in Kwanga. If you live in La 25 00:01:45,800 --> 00:01:47,639 Speaker 5: you've probably seen it because it has a big nipsey 26 00:01:47,680 --> 00:01:50,920 Speaker 5: hustle murra we put in front of it, and for 27 00:01:51,080 --> 00:01:53,200 Speaker 5: years and years wanted to get this face. It's too expensive, 28 00:01:53,280 --> 00:01:54,880 Speaker 5: right like, still coming up in the game, and couldn't 29 00:01:54,880 --> 00:02:00,600 Speaker 5: do it. And finally, you know, made enough doing enough 30 00:02:00,680 --> 00:02:02,600 Speaker 5: that could justify it. We ran out of room in 31 00:02:02,680 --> 00:02:04,920 Speaker 5: the spot that we had in Robertson in West la 32 00:02:05,920 --> 00:02:07,960 Speaker 5: and made the made the jump and was going to 33 00:02:08,000 --> 00:02:09,720 Speaker 5: go in and partner somebody else. He was gonna put 34 00:02:09,760 --> 00:02:11,600 Speaker 5: up half of it. The day before we move in. 35 00:02:11,880 --> 00:02:15,520 Speaker 5: Like everything's not aligning right, Like dealing with realtors ends up. 36 00:02:15,560 --> 00:02:18,639 Speaker 5: The building was in forclosure and some other group took 37 00:02:18,680 --> 00:02:23,720 Speaker 5: it over, like the craziest, most messy drama. But unfortunately, 38 00:02:23,760 --> 00:02:26,040 Speaker 5: sometimes when you want something, you go a little too 39 00:02:26,080 --> 00:02:27,880 Speaker 5: hard for it, right. Yeah, the first time I moved in, 40 00:02:28,120 --> 00:02:30,680 Speaker 5: even walked into that studio, right like, it was gated up. 41 00:02:30,720 --> 00:02:34,280 Speaker 5: There was like literally wood like fence gates right like. 42 00:02:34,320 --> 00:02:36,399 Speaker 5: It looked like a place the place had been abandoned 43 00:02:36,440 --> 00:02:38,480 Speaker 5: and hadn't nobody'd been there for years. There'd been there, 44 00:02:38,480 --> 00:02:39,840 Speaker 5: a couple of people that were there, but they weren't 45 00:02:39,880 --> 00:02:42,760 Speaker 5: using the studio. They were using the upstairs portion of it, 46 00:02:42,840 --> 00:02:45,640 Speaker 5: maybe storing things in there. So I remember walking up. 47 00:02:45,680 --> 00:02:48,160 Speaker 5: I mean it was an old place. It was run down. 48 00:02:48,200 --> 00:02:50,400 Speaker 5: It looked like nobody had been in there, and there 49 00:02:50,480 --> 00:02:52,680 Speaker 5: was something that kept people out of there for years. 50 00:02:52,720 --> 00:02:54,760 Speaker 5: It was vacant for so long, and there was just 51 00:02:54,880 --> 00:02:57,000 Speaker 5: like I told you, getting in the real estate, there 52 00:02:57,040 --> 00:03:00,000 Speaker 5: was weird owners and like you know, it was repossessed 53 00:03:00,440 --> 00:03:02,920 Speaker 5: and like leans on it and like just this weird 54 00:03:02,960 --> 00:03:04,639 Speaker 5: shit that couldn't be done and it needed a lot 55 00:03:04,639 --> 00:03:07,040 Speaker 5: of work. So I think everybody else got too scared. 56 00:03:07,080 --> 00:03:08,480 Speaker 5: I was just the one that was like, no, I 57 00:03:08,520 --> 00:03:11,000 Speaker 5: want this. It's close. I like the building's awesome, Like 58 00:03:11,280 --> 00:03:13,639 Speaker 5: we're gonna take it, and you know, push through all that, 59 00:03:13,800 --> 00:03:17,320 Speaker 5: maybe against my better judgment. That being said, like every 60 00:03:17,400 --> 00:03:20,440 Speaker 5: sign is pointing to me to not take this place right, 61 00:03:20,560 --> 00:03:24,560 Speaker 5: like the universe so far has been like everything feels weird. 62 00:03:24,560 --> 00:03:26,360 Speaker 5: We walk through it. It's old, it needs a lot 63 00:03:26,400 --> 00:03:28,280 Speaker 5: of work. It's not gonna be easy. It's not a 64 00:03:28,280 --> 00:03:31,680 Speaker 5: turnkey move in. And when I get there, I'm finally 65 00:03:31,720 --> 00:03:34,440 Speaker 5: sign the lease for it, move in, and it ends 66 00:03:34,520 --> 00:03:37,200 Speaker 5: up being finding out some of the history. Phil Spector's 67 00:03:37,400 --> 00:03:40,640 Speaker 5: old studio. Phil Spector, one of the greatest music producers 68 00:03:40,880 --> 00:03:45,320 Speaker 5: of all time, owned the sixties, but then afterwards his 69 00:03:45,440 --> 00:03:49,720 Speaker 5: life got a little crazy. Notably, we look it up, 70 00:03:49,760 --> 00:03:51,600 Speaker 5: dude went to jail from her. It went crazy, so 71 00:03:52,200 --> 00:03:54,720 Speaker 5: lots of craziness around him and in the building. When 72 00:03:54,720 --> 00:03:57,640 Speaker 5: we started moving into, we saw like weird things, like 73 00:03:57,760 --> 00:04:02,400 Speaker 5: the walls were reinforced with not just soundproofing, but like 74 00:04:03,320 --> 00:04:06,840 Speaker 5: ten feet of soundproofing. Like it was ridiculous the amount 75 00:04:06,840 --> 00:04:10,000 Speaker 5: of things that were there. But nonetheless we made it 76 00:04:10,280 --> 00:04:13,200 Speaker 5: and moved in and it was a success. Started moving 77 00:04:13,200 --> 00:04:15,320 Speaker 5: in and getting stuff in and making it work right, 78 00:04:15,360 --> 00:04:17,000 Speaker 5: and it was enjoying it getting to the place. But 79 00:04:17,440 --> 00:04:20,400 Speaker 5: there's always like weird things that would happen right Like 80 00:04:20,440 --> 00:04:22,560 Speaker 5: you go in there at night and Friday night, I 81 00:04:22,560 --> 00:04:25,679 Speaker 5: remember coming in and you know, all of a sudden 82 00:04:25,720 --> 00:04:29,159 Speaker 5: the lights cut out and form a second then you 83 00:04:29,160 --> 00:04:31,640 Speaker 5: walk out and I saw a light coming from downstairs 84 00:04:31,680 --> 00:04:33,440 Speaker 5: from one of the rooms. You walk down there and 85 00:04:33,600 --> 00:04:36,120 Speaker 5: all of a sudden it shuts off, And there's like 86 00:04:36,279 --> 00:04:40,560 Speaker 5: weird little moments. You feel this kind of energy and 87 00:04:40,600 --> 00:04:43,560 Speaker 5: sometimes that would just happen in the place and think 88 00:04:43,680 --> 00:04:45,680 Speaker 5: nothing of it, but you knew that it was there, 89 00:04:45,760 --> 00:04:49,120 Speaker 5: especially in retrospect. So once we pull we got in there, 90 00:04:49,400 --> 00:04:51,320 Speaker 5: I mean, we had everybody in the world coming by there. 91 00:04:51,520 --> 00:04:54,600 Speaker 5: I think Belly you were probably there. Nipsey was recording 92 00:04:54,600 --> 00:04:56,720 Speaker 5: all his stuff out of there at the time we 93 00:04:56,720 --> 00:05:00,000 Speaker 5: were managing him. We were having like NBA superstars, Kevin 94 00:05:00,080 --> 00:05:02,840 Speaker 5: d Ram pulling up with James Harden, you know, when 95 00:05:02,839 --> 00:05:05,400 Speaker 5: they were all on the Thunder and you know, recording 96 00:05:05,400 --> 00:05:07,400 Speaker 5: all these records and doing cool things. But there'd always 97 00:05:07,440 --> 00:05:11,039 Speaker 5: be weird things that would happen, especially in Studio A, 98 00:05:11,680 --> 00:05:14,000 Speaker 5: the main vocal booth, which was kind of like weird. 99 00:05:14,080 --> 00:05:15,920 Speaker 5: To get into, you'd have to walk into the main studio, 100 00:05:15,960 --> 00:05:17,359 Speaker 5: you'd have to walk through the sides. It was like 101 00:05:17,400 --> 00:05:20,800 Speaker 5: a small awning. And the one thing that I always 102 00:05:20,880 --> 00:05:24,320 Speaker 5: remembered though, is that the lights would always cut out 103 00:05:24,360 --> 00:05:27,120 Speaker 5: in there, and no matter what we did, we'd bring 104 00:05:27,120 --> 00:05:30,680 Speaker 5: in electricians and things like, there always be something weird 105 00:05:30,720 --> 00:05:33,000 Speaker 5: with that light. Something that goes back to when I 106 00:05:33,040 --> 00:05:34,560 Speaker 5: first moved in there, right like I said, Hey, you'd 107 00:05:34,560 --> 00:05:36,880 Speaker 5: see lights from this room that cut out. It's almost 108 00:05:36,880 --> 00:05:39,760 Speaker 5: like something was happening that was that was weird. 109 00:05:39,800 --> 00:05:40,040 Speaker 3: There. 110 00:05:41,480 --> 00:05:43,440 Speaker 5: Then I remember one morning getting a call like, yo, 111 00:05:43,480 --> 00:05:45,760 Speaker 5: you're not gonna believe you know what happened last night. 112 00:05:45,800 --> 00:05:47,680 Speaker 5: I saw it because I was already asleep and somebody, 113 00:05:47,720 --> 00:05:49,719 Speaker 5: you know, we had our engineers in there all night 114 00:05:49,760 --> 00:05:51,800 Speaker 5: mixing record and doing some stuff and they're like, I'll 115 00:05:51,839 --> 00:05:54,280 Speaker 5: tell you when when they're tomorrow and come in the 116 00:05:54,360 --> 00:05:58,200 Speaker 5: office and they start telling me the story and like, YO, 117 00:05:58,279 --> 00:06:01,760 Speaker 5: last night, weird this shit happened, like the lights cut out. 118 00:06:01,800 --> 00:06:03,880 Speaker 5: We went in the room and everything was moved around 119 00:06:03,920 --> 00:06:06,279 Speaker 5: from where it was so like the microphone was on 120 00:06:06,320 --> 00:06:08,359 Speaker 5: the other side, like we had I think we had 121 00:06:08,400 --> 00:06:09,719 Speaker 5: a keyboarding there on one side, and it was like 122 00:06:09,760 --> 00:06:13,400 Speaker 5: moved around, like stuff was placed in different ways. And 123 00:06:13,440 --> 00:06:15,440 Speaker 5: they were freaked out. Like one of the kids didn't 124 00:06:15,440 --> 00:06:17,960 Speaker 5: come back, like you literally quit and was like you 125 00:06:17,960 --> 00:06:19,560 Speaker 5: know what. He was an intern and he was like 126 00:06:19,560 --> 00:06:22,240 Speaker 5: you know what, like he just got too scared from 127 00:06:22,279 --> 00:06:24,840 Speaker 5: those things. And I'm like, whatever, they're probably you know, 128 00:06:25,440 --> 00:06:27,080 Speaker 5: late at night. You never know, somebody could have come 129 00:06:27,120 --> 00:06:29,920 Speaker 5: in and did those things. And all of a sudden 130 00:06:30,080 --> 00:06:33,320 Speaker 5: like that started happening more and more often, like right 131 00:06:33,360 --> 00:06:36,160 Speaker 5: every time we'd go into the studio, there'd be something 132 00:06:36,240 --> 00:06:38,760 Speaker 5: weird that would happen. Usually in the vocal booth. We 133 00:06:38,760 --> 00:06:41,359 Speaker 5: had this giant vocal booth on the other side, and 134 00:06:41,360 --> 00:06:43,640 Speaker 5: there'd always be issues, but it would always boil down 135 00:06:43,680 --> 00:06:45,599 Speaker 5: to something with the light and then things would be 136 00:06:45,600 --> 00:06:48,120 Speaker 5: in there. And I remember even like Knit being in 137 00:06:48,160 --> 00:06:51,000 Speaker 5: there recording and being like freaked out one night over 138 00:06:51,080 --> 00:06:52,640 Speaker 5: something that was there. He's like, dude, the light cut 139 00:06:52,680 --> 00:06:54,960 Speaker 5: out and I felt like it got really cold all 140 00:06:54,960 --> 00:06:58,240 Speaker 5: of a sudden, and we're like, this is weird. So 141 00:06:58,400 --> 00:07:00,840 Speaker 5: after like a time, you start putting two and two together, 142 00:07:00,960 --> 00:07:03,840 Speaker 5: like this is this is more than just a coincidence. 143 00:07:04,279 --> 00:07:07,520 Speaker 5: This is something that really seems to be happening. And 144 00:07:08,839 --> 00:07:13,520 Speaker 5: man like, as time went on, like things didn't get better, 145 00:07:13,680 --> 00:07:16,720 Speaker 5: Like that room there was some energy in it and 146 00:07:16,960 --> 00:07:20,600 Speaker 5: something would just always go wrong with it. And then 147 00:07:21,640 --> 00:07:23,680 Speaker 5: one of the weirdest things ever happened. I remember after 148 00:07:23,680 --> 00:07:26,480 Speaker 5: our session after night were recording with all that, we 149 00:07:26,520 --> 00:07:29,560 Speaker 5: came back and the files were gone. The pro tool 150 00:07:29,640 --> 00:07:33,840 Speaker 5: session was was fully gone, but there was old files 151 00:07:33,880 --> 00:07:36,480 Speaker 5: that we hadn't recorded in that studio, that I'd recorded 152 00:07:36,480 --> 00:07:38,280 Speaker 5: in my old studio that would have never been on 153 00:07:38,280 --> 00:07:39,920 Speaker 5: that drive, and we didn't even use that computer because 154 00:07:39,920 --> 00:07:42,040 Speaker 5: it was a new computer that were sitting on the 155 00:07:42,040 --> 00:07:45,920 Speaker 5: desktop that we pulled up. So I'm like, what the 156 00:07:45,960 --> 00:07:47,640 Speaker 5: hell is going on? I thought somebody was messing with 157 00:07:47,680 --> 00:07:51,400 Speaker 5: me at this point, and like this room just got 158 00:07:51,480 --> 00:07:54,360 Speaker 5: weirder and weirder and weirder. So one day we pulled 159 00:07:54,360 --> 00:07:58,920 Speaker 5: it apart and we started noticing, you know how there 160 00:07:58,960 --> 00:08:01,720 Speaker 5: were all these like hidden compartments, and we actually found 161 00:08:01,800 --> 00:08:05,480 Speaker 5: this like little hidden kind of room that was adjacent. 162 00:08:05,520 --> 00:08:07,680 Speaker 5: There was always this dead area in the studio that 163 00:08:07,720 --> 00:08:09,360 Speaker 5: we never really know what it was. It was like 164 00:08:09,720 --> 00:08:12,800 Speaker 5: a weird kind of closet space. Then there was like 165 00:08:12,800 --> 00:08:14,720 Speaker 5: the vocal booth, but there was nothing between that, so 166 00:08:14,760 --> 00:08:16,400 Speaker 5: we wondered what that was, and we ended up like 167 00:08:17,200 --> 00:08:19,920 Speaker 5: kind of pulling apart and realizing that through all these 168 00:08:20,000 --> 00:08:23,240 Speaker 5: layerings there were these these doors there. And when we 169 00:08:23,280 --> 00:08:26,000 Speaker 5: got in there they found like I remember, there's like 170 00:08:26,040 --> 00:08:28,800 Speaker 5: a piece of paper with some writing. I didn't say 171 00:08:28,800 --> 00:08:31,760 Speaker 5: anything like notable, but then there was like a candle 172 00:08:31,800 --> 00:08:33,800 Speaker 5: that was blown out, but it spelled it. You know, 173 00:08:33,840 --> 00:08:35,720 Speaker 5: it was weird. When we walked in it fell it 174 00:08:35,880 --> 00:08:40,120 Speaker 5: smelled like it had just been blown out recently. And 175 00:08:40,160 --> 00:08:41,960 Speaker 5: when one thing that other people had said all night 176 00:08:42,040 --> 00:08:44,680 Speaker 5: is that like, hey, there was like this candle light 177 00:08:44,720 --> 00:08:46,640 Speaker 5: and this glare that kept going on in the studio. 178 00:08:46,800 --> 00:08:50,600 Speaker 5: So over time, like this studio just became this mecha 179 00:08:50,640 --> 00:08:53,640 Speaker 5: to the point where some of our engineers and artists's 180 00:08:53,679 --> 00:08:56,120 Speaker 5: studios either would have the best experience ever and they'd 181 00:08:56,120 --> 00:08:59,280 Speaker 5: feel this energy and go in into crazy or they'd 182 00:08:59,280 --> 00:09:02,400 Speaker 5: get shared shit, listen, get out of there. And as 183 00:09:02,440 --> 00:09:04,880 Speaker 5: we moved on, we ended up actually remodeling the entire 184 00:09:04,920 --> 00:09:08,440 Speaker 5: place and tearing the studio down. And when we tore 185 00:09:08,480 --> 00:09:12,679 Speaker 5: it down, they actually found all these candles. They had 186 00:09:12,720 --> 00:09:16,400 Speaker 5: been burned behind one of these other walls that nobody 187 00:09:16,440 --> 00:09:18,560 Speaker 5: had ever opened up. So there was like a little 188 00:09:18,559 --> 00:09:20,199 Speaker 5: dead area and like kind of a crawl space going 189 00:09:20,240 --> 00:09:23,800 Speaker 5: to the window. And we never know what happened, We 190 00:09:23,920 --> 00:09:26,840 Speaker 5: never know what energy took place. We don't even know 191 00:09:26,880 --> 00:09:28,720 Speaker 5: if there's like bodies buried in there, like you look 192 00:09:28,720 --> 00:09:30,400 Speaker 5: at Phil Specter SIXU. We were like, there're con Ben 193 00:09:30,480 --> 00:09:32,760 Speaker 5: some crazy shit in there. But I didn't know it 194 00:09:32,800 --> 00:09:34,920 Speaker 5: was Phills until after we moved in there. And that's 195 00:09:34,960 --> 00:09:36,640 Speaker 5: where I was like, oh shit, is there gonna be 196 00:09:36,760 --> 00:09:39,040 Speaker 5: like some bodies in the wall, like we didn't know 197 00:09:39,160 --> 00:09:42,520 Speaker 5: like these walls, like, dude, the like wall you like, 198 00:09:42,559 --> 00:09:45,400 Speaker 5: these walls are probably maybe a foot thick here, right, 199 00:09:45,480 --> 00:09:48,199 Speaker 5: Like I don't know, I'm just guessing soundproofing normal. These 200 00:09:48,240 --> 00:09:50,880 Speaker 5: other ones were ten x whatever that was, Like it 201 00:09:50,960 --> 00:09:54,000 Speaker 5: was insane when we did the demo of it. When 202 00:09:54,080 --> 00:09:58,439 Speaker 5: we remodeled it, it took the I think they underestimated 203 00:09:58,440 --> 00:10:00,959 Speaker 5: by like tenx the amount of trucks that it took 204 00:10:01,120 --> 00:10:02,640 Speaker 5: just to take all the wood and take all the 205 00:10:02,720 --> 00:10:05,719 Speaker 5: things out there. Like it was gnarly. There was never 206 00:10:05,760 --> 00:10:08,599 Speaker 5: a place that probably had that much like soundproofing and 207 00:10:08,640 --> 00:10:10,720 Speaker 5: crazy shit in the wall, So who knows what happened 208 00:10:10,720 --> 00:10:13,559 Speaker 5: in there. And that's where we found all these candles 209 00:10:13,600 --> 00:10:16,040 Speaker 5: that would lit that felt there that was so like 210 00:10:16,520 --> 00:10:18,800 Speaker 5: that's what kind of freaked everybody out because they were new. 211 00:10:18,840 --> 00:10:21,400 Speaker 5: They weren't like dusty like they had just been there 212 00:10:21,440 --> 00:10:23,240 Speaker 5: and there was nobody that had access. And I mean 213 00:10:23,280 --> 00:10:25,160 Speaker 5: we made so much history on the on the flip 214 00:10:25,200 --> 00:10:27,839 Speaker 5: side with that, that whole building, not just the studio, right, 215 00:10:27,920 --> 00:10:32,199 Speaker 5: it's like where NIP where we recorded you know TMC 216 00:10:33,040 --> 00:10:35,320 Speaker 5: or you know the second except right after that and 217 00:10:35,360 --> 00:10:38,600 Speaker 5: it's where you know, so much content was generated. We 218 00:10:38,679 --> 00:10:40,839 Speaker 5: had the TV show and based it out of there, right, 219 00:10:40,920 --> 00:10:43,160 Speaker 5: We had almost like Motown in LA and Hollywood, So 220 00:10:43,200 --> 00:10:46,400 Speaker 5: there was some magic energy there. There was also dark 221 00:10:46,440 --> 00:10:49,760 Speaker 5: forces just like feeling that energy, which I'm I really 222 00:10:49,800 --> 00:10:52,120 Speaker 5: didn't like. Everybody talks about what you can really feel 223 00:10:52,120 --> 00:10:54,000 Speaker 5: it in certain areas. So yeah, man, there's so many 224 00:10:54,000 --> 00:10:56,800 Speaker 5: crazy moments that happened in that in that space throughout 225 00:10:56,840 --> 00:10:58,760 Speaker 5: the course of it, And I think, you know, the 226 00:10:58,800 --> 00:11:01,400 Speaker 5: magical if you look at what happened with like Phil Spector, 227 00:11:01,880 --> 00:11:05,880 Speaker 5: Wall of Sound, all that stuff, like all that energy 228 00:11:05,920 --> 00:11:09,160 Speaker 5: in one space combined and created whatever the hell was there. 229 00:11:09,440 --> 00:11:12,520 Speaker 5: That's our horror story that lasted probably about like a 230 00:11:12,520 --> 00:11:14,559 Speaker 5: good three or four years in that studio where just 231 00:11:14,600 --> 00:11:16,600 Speaker 5: the weirdest shit would happen all the time with all 232 00:11:16,640 --> 00:11:20,640 Speaker 5: these people, and there were multiple witnesses to it. And 233 00:11:20,720 --> 00:11:24,480 Speaker 5: I'm just lucky that I made it out a live belly. 234 00:11:27,200 --> 00:11:30,200 Speaker 2: Who knows what evil lurks in the dark places between 235 00:11:30,200 --> 00:11:33,920 Speaker 2: life and death? Did the evil spirit of Phil Spector 236 00:11:34,040 --> 00:11:38,560 Speaker 2: haunt the walls of DJ Ski's studio. The energy we 237 00:11:38,640 --> 00:11:41,400 Speaker 2: leave behind can reside in the places we once dwelled, 238 00:11:42,240 --> 00:11:45,360 Speaker 2: and if that energy is dark, it can manifest in 239 00:11:45,400 --> 00:11:52,840 Speaker 2: frightening ways. I think what's interesting. DJ Ski felt an 240 00:11:52,920 --> 00:11:56,840 Speaker 2: energy that could have been good or bad depending on 241 00:11:57,160 --> 00:12:00,680 Speaker 2: who was in the room and what energy they were tapping. 242 00:12:00,720 --> 00:12:04,800 Speaker 2: Into hip hop horror Stories, I'm your host. 243 00:12:05,240 --> 00:12:13,880 Speaker 1: Belly next on hip Hop Horror Stories, A dead Man's 244 00:12:13,960 --> 00:12:17,680 Speaker 1: Laughter and the Sounds of Terror, spring Break takes us 245 00:12:17,679 --> 00:12:21,600 Speaker 1: into his very own haunted house nightmare. 246 00:12:32,920 --> 00:12:36,480 Speaker 6: Yo, what up is your boy? Spring Break? And here's 247 00:12:36,520 --> 00:12:44,240 Speaker 6: my hip hop horror story. So about like four years ago, 248 00:12:45,200 --> 00:12:49,280 Speaker 6: me and my ex we were living together, and I 249 00:12:49,320 --> 00:12:54,280 Speaker 6: had just got a new house in Glendale, nice big 250 00:12:54,320 --> 00:12:58,520 Speaker 6: house in the Coda Sac. It was a nice house, 251 00:12:58,720 --> 00:13:04,920 Speaker 6: like it was a modern house, three stories in Glendale, 252 00:13:04,960 --> 00:13:08,680 Speaker 6: like in the Hill area. And yeah, it was pretty nice. 253 00:13:08,720 --> 00:13:13,160 Speaker 6: It had nice pool jacuzzi. It was really really the 254 00:13:13,280 --> 00:13:18,199 Speaker 6: house looked amazing. Everything was good, like, you know, and 255 00:13:18,440 --> 00:13:20,240 Speaker 6: and me and me and my girl, though, we was 256 00:13:20,280 --> 00:13:24,760 Speaker 6: having problems. So we end up we was arguing a 257 00:13:24,840 --> 00:13:30,880 Speaker 6: lot more there than ever. And she just she was 258 00:13:30,960 --> 00:13:32,920 Speaker 6: just telling me how she didn't like the energy in 259 00:13:32,960 --> 00:13:36,640 Speaker 6: the house. And I was just like, whatever, you just 260 00:13:36,640 --> 00:13:42,160 Speaker 6: just exaggerating, you know, And she ends up, she can't 261 00:13:42,200 --> 00:13:45,160 Speaker 6: take it. So after some months she just moves out, 262 00:13:46,440 --> 00:13:49,920 Speaker 6: and so we we pretty much broke up for that moment. 263 00:13:50,679 --> 00:13:54,880 Speaker 6: And then she's like, she starts trying to scare me, like, 264 00:13:55,800 --> 00:13:59,320 Speaker 6: I think it's like a bad a bad spirit in 265 00:13:59,360 --> 00:14:05,480 Speaker 6: the house. And I'm like, no bad spirit in the house. 266 00:14:06,920 --> 00:14:11,520 Speaker 6: And then so she she's like, no, I went and 267 00:14:11,600 --> 00:14:15,600 Speaker 6: saw a psychic lady and uh, I did a reading 268 00:14:15,720 --> 00:14:20,320 Speaker 6: and they they told me that the house that your 269 00:14:20,360 --> 00:14:24,720 Speaker 6: your your your man is is living in has a 270 00:14:25,520 --> 00:14:30,160 Speaker 6: bad spirit in the house. It's a it's a fifty five. 271 00:14:30,000 --> 00:14:36,320 Speaker 4: Year old man that died in the house. My ex. 272 00:14:37,760 --> 00:14:43,520 Speaker 6: Reading reading psychic lady told her that the man was 273 00:14:43,800 --> 00:14:48,920 Speaker 6: very very a very very angry man. He used to 274 00:14:49,360 --> 00:14:53,920 Speaker 6: he used to like abuse his his his wife, and 275 00:14:54,480 --> 00:14:58,760 Speaker 6: she left him. She left him there and he ended 276 00:14:58,840 --> 00:15:03,320 Speaker 6: up dying there. But he was an angry, angry man, 277 00:15:04,080 --> 00:15:08,600 Speaker 6: like he was mean to everyone. So at that point 278 00:15:09,160 --> 00:15:12,520 Speaker 6: she's telling me this, I'm like, you would be telling 279 00:15:12,520 --> 00:15:15,560 Speaker 6: me this knowing I'm living here by myself. 280 00:15:16,040 --> 00:15:16,280 Speaker 1: You know. 281 00:15:16,880 --> 00:15:24,040 Speaker 6: And shortly after that, now I'm aware and I'm like, 282 00:15:24,720 --> 00:15:27,520 Speaker 6: all right, let me erasing from my head. And so 283 00:15:27,560 --> 00:15:31,160 Speaker 6: I'm chilling. I'm watching TV by myself, just me and 284 00:15:31,240 --> 00:15:35,000 Speaker 6: my dog. I had a French bulldog. I had him 285 00:15:35,000 --> 00:15:41,040 Speaker 6: for like seven years. And I look over to my 286 00:15:41,160 --> 00:15:48,400 Speaker 6: staircase and my lights just cut on, and I'm like, okay, 287 00:15:49,760 --> 00:15:51,000 Speaker 6: all right, maybe I'm tripping. 288 00:15:51,040 --> 00:15:53,840 Speaker 4: Maybe I didn't flip the switch all the way. 289 00:15:55,440 --> 00:15:59,160 Speaker 6: So I turned it off and just tried to excuse it, 290 00:16:00,120 --> 00:16:03,320 Speaker 6: and then I ended up falling asleep. 291 00:16:04,640 --> 00:16:07,600 Speaker 4: I wake up and the light. 292 00:16:07,520 --> 00:16:11,320 Speaker 6: Is back on, so I'm like, okay, no, I'm not 293 00:16:11,360 --> 00:16:18,440 Speaker 6: tripping now now I'm spooked. So my dog, I'm like, 294 00:16:18,800 --> 00:16:21,080 Speaker 6: I don't want even leave the living room, so I'm 295 00:16:21,080 --> 00:16:25,320 Speaker 6: calling my dog. My dog usually always just comes soon 296 00:16:25,360 --> 00:16:31,640 Speaker 6: as I call his name, calling his name nothing, So 297 00:16:31,680 --> 00:16:36,040 Speaker 6: then I go downstairs get I get enough courage to 298 00:16:36,120 --> 00:16:41,920 Speaker 6: go downstairs and and the dog is just staring at 299 00:16:41,960 --> 00:16:46,240 Speaker 6: the wall. My dog was fucking freaked out, like just 300 00:16:46,240 --> 00:16:50,240 Speaker 6: staring at the wall, but like looking scared, and he 301 00:16:50,400 --> 00:16:54,640 Speaker 6: scared me, and like, yo, you know, you call a 302 00:16:54,680 --> 00:16:58,160 Speaker 6: dog name, they always look. He wasn't even looking at me, 303 00:16:58,200 --> 00:17:00,600 Speaker 6: he was just staring at the wall, looking scared. I'm like, 304 00:17:02,240 --> 00:17:05,679 Speaker 6: you're scaring me, And I'm like, dude, what are you 305 00:17:05,720 --> 00:17:09,400 Speaker 6: doing like yo. And he wouldn't even move to look 306 00:17:09,480 --> 00:17:13,480 Speaker 6: at me. He's just staring at the wall. So I'm like, yo, okay, 307 00:17:14,800 --> 00:17:16,040 Speaker 6: I gotta get out of here. 308 00:17:16,600 --> 00:17:20,520 Speaker 4: So I leave. I leave. I end up calling a friend. 309 00:17:20,560 --> 00:17:21,520 Speaker 4: I go to the studio. 310 00:17:22,359 --> 00:17:24,679 Speaker 6: I don't I purposely don't come back until in the 311 00:17:24,720 --> 00:17:29,400 Speaker 6: morning time. I come back in the morning, I check 312 00:17:29,440 --> 00:17:30,200 Speaker 6: around the house. 313 00:17:30,320 --> 00:17:34,719 Speaker 4: I'm like, this is where cool? All right? Maybe I 314 00:17:34,760 --> 00:17:35,240 Speaker 4: was tripping. 315 00:17:37,240 --> 00:17:40,920 Speaker 6: A couple days later, I'm in the living room it's daytime, 316 00:17:42,560 --> 00:17:48,040 Speaker 6: and then downstairs I hear I hear one of my doors. 317 00:17:47,240 --> 00:17:48,520 Speaker 4: Slam so hard. 318 00:17:49,840 --> 00:17:54,560 Speaker 6: So I'm like, what the he I it's me and 319 00:17:54,640 --> 00:17:58,159 Speaker 6: my dog in the living room at this point, who 320 00:17:58,160 --> 00:18:02,399 Speaker 6: could slam a door And there's no when going. So 321 00:18:02,480 --> 00:18:06,600 Speaker 6: I'm like, oh no, uh uh. I call my cousin like, yo, 322 00:18:06,680 --> 00:18:09,720 Speaker 6: what are you doing? Like yo, come over. 323 00:18:10,480 --> 00:18:12,800 Speaker 4: I didn't even tell him why. I was like, yo, 324 00:18:13,000 --> 00:18:13,520 Speaker 4: just come over. 325 00:18:14,200 --> 00:18:16,320 Speaker 6: I'm telling me. It took him like an hour to come. 326 00:18:16,400 --> 00:18:20,040 Speaker 6: I was so spooked, I had to pee so bad. 327 00:18:20,520 --> 00:18:23,840 Speaker 6: So what I did was I ended up peeing in 328 00:18:23,880 --> 00:18:28,600 Speaker 6: a cup until we got there. He gets there. I 329 00:18:28,000 --> 00:18:31,960 Speaker 6: see him walking up to the door, and so I 330 00:18:32,040 --> 00:18:33,520 Speaker 6: hurry up, go answer the door. 331 00:18:33,880 --> 00:18:39,879 Speaker 4: But as I go downstairs, all of my room doors 332 00:18:39,920 --> 00:18:46,160 Speaker 4: are open. So what door shut? And slammed? That hard? 333 00:18:48,359 --> 00:18:50,840 Speaker 6: I was so confused, and I still didn't even tell 334 00:18:50,880 --> 00:18:56,879 Speaker 6: my cousin, but I was looking like, Okay, something's really 335 00:18:56,920 --> 00:18:59,440 Speaker 6: going on every door. 336 00:18:59,520 --> 00:19:02,040 Speaker 4: I had a uh my studio room. 337 00:19:02,320 --> 00:19:05,480 Speaker 6: I had a dance rehearsal room, and then I had 338 00:19:05,520 --> 00:19:11,120 Speaker 6: a a closet, which the closet can't slam like it's 339 00:19:11,200 --> 00:19:15,320 Speaker 6: it's already been shut. So out of these two rooms, 340 00:19:15,400 --> 00:19:18,840 Speaker 6: which doors slammed and why is it open? 341 00:19:19,640 --> 00:19:22,040 Speaker 4: It slams shut? Why is it open? 342 00:19:23,240 --> 00:19:27,680 Speaker 6: So I was like, okay, I gotta get to have 343 00:19:27,840 --> 00:19:30,880 Speaker 6: out this house. I'm not staying in this big house. 344 00:19:30,920 --> 00:19:33,320 Speaker 6: It's a three story house by myself. 345 00:19:34,119 --> 00:19:34,480 Speaker 4: And so. 346 00:19:36,920 --> 00:19:40,320 Speaker 6: I'm just fast forward, fast forward, like a couple of 347 00:19:40,359 --> 00:19:45,240 Speaker 6: weeks later, I'm I'm I'm chilling. I'm chilling in the 348 00:19:45,400 --> 00:19:49,479 Speaker 6: in my room. And then I just I hear I 349 00:19:49,560 --> 00:19:55,760 Speaker 6: hear voices downstairs, like in the kitchen, like conversation. 350 00:19:56,240 --> 00:19:59,240 Speaker 3: And I'm like, damn, I know I need a TV on. 351 00:20:01,480 --> 00:20:04,520 Speaker 6: So I go down. I go down to the second floor. 352 00:20:06,119 --> 00:20:10,159 Speaker 6: Nothing's on. I don't hear the voices, No more and 353 00:20:10,240 --> 00:20:14,840 Speaker 6: it was a guy's voice. Guy's voice. I'm like, now 354 00:20:14,880 --> 00:20:18,120 Speaker 6: I'm thinking about this fifty five year old man. It's 355 00:20:18,160 --> 00:20:22,320 Speaker 6: a It was a deep voice, deep voice. 356 00:20:22,920 --> 00:20:26,280 Speaker 4: So I'm like, hell, I don't. 357 00:20:26,160 --> 00:20:29,520 Speaker 6: Have nobody to call, so I just like, you know what, 358 00:20:30,400 --> 00:20:32,919 Speaker 6: I'm just go go up through my room, lock my door, 359 00:20:33,119 --> 00:20:33,720 Speaker 6: go to sleep. 360 00:20:35,720 --> 00:20:41,359 Speaker 4: I fall asleep, and then I hear another slam. I'm like, 361 00:20:41,359 --> 00:20:44,080 Speaker 4: oh no, uh uh, I'm not even. 362 00:20:43,920 --> 00:20:46,040 Speaker 6: Finna even try to go look and see what it is. 363 00:20:46,080 --> 00:20:50,480 Speaker 6: I'm'a just stay stay in the room. And then I 364 00:20:50,560 --> 00:20:54,879 Speaker 6: hear I hear stomping and and laughing in the kitchen. 365 00:20:56,280 --> 00:21:01,480 Speaker 6: A guy's voice laughing in the kitchen. So oh, I'm like, 366 00:21:03,280 --> 00:21:05,080 Speaker 6: I gotta get out this. And now I'm like I 367 00:21:05,119 --> 00:21:11,600 Speaker 6: have to move. I have to move. And I ended 368 00:21:11,680 --> 00:21:14,920 Speaker 6: up the next day. I called the uh the realtor, 369 00:21:16,160 --> 00:21:19,880 Speaker 6: and I was like, because I remember her saying that 370 00:21:20,000 --> 00:21:24,440 Speaker 6: she had it rented out to somebody. They put down 371 00:21:24,480 --> 00:21:30,840 Speaker 6: the deposit and then they just never showed like they came, 372 00:21:31,080 --> 00:21:36,600 Speaker 6: seen the house, liked it, put the deposit down. They 373 00:21:36,800 --> 00:21:40,440 Speaker 6: moved in for like a couple of days and moved 374 00:21:40,520 --> 00:21:42,520 Speaker 6: right out. And I was like, Yo, why did they. 375 00:21:42,920 --> 00:21:45,200 Speaker 6: It made me call her like why did they move out? 376 00:21:46,480 --> 00:21:48,680 Speaker 6: And she was just like, I gotta call you back. 377 00:21:49,920 --> 00:21:53,600 Speaker 6: She never called me back, and like another week went by, 378 00:21:54,600 --> 00:21:57,080 Speaker 6: so I'm like, dude, she know something like that, you know, 379 00:21:57,760 --> 00:22:01,560 Speaker 6: So I'm like, all right, I I I was immediately 380 00:22:01,600 --> 00:22:06,240 Speaker 6: looking for another place. And then and then then the 381 00:22:06,359 --> 00:22:11,679 Speaker 6: light staircase did the same thing flicked on, and I 382 00:22:11,760 --> 00:22:15,200 Speaker 6: watched it flick on. I said, oh no, I'm out 383 00:22:15,200 --> 00:22:20,160 Speaker 6: of here. I got a hotel until I found a place. 384 00:22:20,359 --> 00:22:23,879 Speaker 6: I got a hotel for a month. I found another place, 385 00:22:25,160 --> 00:22:30,199 Speaker 6: and I literally left THEMN there, everything there cause I 386 00:22:30,200 --> 00:22:33,520 Speaker 6: didn't want I didn't want the whatever it was. I 387 00:22:33,520 --> 00:22:36,080 Speaker 6: didn't want to following me. I didn't want to following 388 00:22:36,119 --> 00:22:39,479 Speaker 6: me at all. So but I did get my studio 389 00:22:39,520 --> 00:22:42,879 Speaker 6: equipment and all that stuff. And then when I was 390 00:22:42,960 --> 00:22:49,080 Speaker 6: there doing that, I heard laughing, like laughing in my 391 00:22:49,280 --> 00:22:53,359 Speaker 6: uh rehearsal room, like you scary, you scary, get out 392 00:22:53,400 --> 00:22:54,760 Speaker 6: of here like type of laugh. 393 00:22:55,240 --> 00:22:57,120 Speaker 4: It was real, like I could. 394 00:22:57,240 --> 00:23:02,879 Speaker 6: Evil evil laugh and and and it's just it was 395 00:23:02,920 --> 00:23:06,720 Speaker 6: a when I say scary, I was that's probably like 396 00:23:06,840 --> 00:23:11,120 Speaker 6: out of in my whole life. The scariest moment I've 397 00:23:11,119 --> 00:23:14,200 Speaker 6: ever had, And then I I now, as I think 398 00:23:14,240 --> 00:23:17,280 Speaker 6: about it, I'm look, I look back at the house, 399 00:23:18,400 --> 00:23:22,400 Speaker 6: and it looks spooky as hell as nice as it looked, 400 00:23:23,040 --> 00:23:27,840 Speaker 6: it just started looking spooky to me. One night, I leave, 401 00:23:28,680 --> 00:23:31,320 Speaker 6: I go to the studio I was in. I had 402 00:23:31,320 --> 00:23:32,800 Speaker 6: a studio session with Usher. 403 00:23:33,640 --> 00:23:34,960 Speaker 4: I leave at. 404 00:23:36,320 --> 00:23:46,120 Speaker 6: Eleven PM. I get home by two am. 405 00:23:44,200 --> 00:23:45,360 Speaker 4: Three latest. 406 00:23:46,760 --> 00:23:53,280 Speaker 6: I locked all my doors. I get back home and 407 00:23:53,320 --> 00:23:57,200 Speaker 6: I'm like, why is it? Red cups in the kitchen 408 00:23:57,280 --> 00:24:00,800 Speaker 6: I'm talking about My floors were sticky. 409 00:24:01,840 --> 00:24:03,480 Speaker 4: I look back on my camera. 410 00:24:05,359 --> 00:24:10,040 Speaker 6: There was a whole bunch of kids in the house, partying, 411 00:24:11,600 --> 00:24:17,120 Speaker 6: set up everything. I got back home, there was nobody 412 00:24:17,160 --> 00:24:17,560 Speaker 6: in sight. 413 00:24:27,680 --> 00:24:29,920 Speaker 2: Did spring Break really hear the sounds of a dead 414 00:24:29,960 --> 00:24:30,600 Speaker 2: man laughing? 415 00:24:31,359 --> 00:24:32,040 Speaker 3: Who could he be? 416 00:24:32,680 --> 00:24:33,440 Speaker 4: What did he want? 417 00:24:34,480 --> 00:24:38,760 Speaker 2: And who were those kids partying inside his house? Where 418 00:24:38,760 --> 00:24:42,760 Speaker 2: did they really come from? Finally, what was that realtor hiding? 419 00:24:43,119 --> 00:24:47,040 Speaker 2: Did something terrible happen inside that house? A vicious murder 420 00:24:47,119 --> 00:24:52,000 Speaker 2: or maybe something far worse? For now, spring Break has 421 00:24:52,040 --> 00:24:56,360 Speaker 2: no answers, and neither do we. Sometimes the best thing 422 00:24:56,400 --> 00:24:59,560 Speaker 2: to do is just mind your fucking business. 423 00:25:01,359 --> 00:25:03,080 Speaker 1: Do it can never pain the well? 424 00:25:04,800 --> 00:25:06,760 Speaker 3: Do we can never pain the well. 425 00:25:08,200 --> 00:25:08,240 Speaker 5: Do. 426 00:25:08,480 --> 00:25:12,520 Speaker 3: We can never pain of well do. It can never 427 00:25:12,680 --> 00:25:30,800 Speaker 3: pain a wlls the bost