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Speaker 1: Listening to Mess. Let's go, let's go. Hello, let's go,

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Speaker 1: let's go, let's go. Can we go? Can we start? Okay,

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Speaker 1: We're good to go.

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Speaker 2: Yeah, there's been a lot of talking.

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Speaker 1: What they talk about.

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Speaker 2: Oh, I was just trying to start our show. How

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Speaker 2: Beyonce started.

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Speaker 1: What they talk about.

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Speaker 2: Yeah, there's been a lot of talking.

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Speaker 1: Well, they talking about it, they talk about Mess. Yes,

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Speaker 1: yes we are.

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Speaker 2: Yeah. So how are you feeling in a post Beyonce

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Speaker 2: Cowboy Carter world?

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Speaker 1: That's what you got, the hat one. It made me

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Speaker 1: want to be better. That's why I was like, hey,

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Speaker 1: I can't come out of here not drinking water, not

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Speaker 1: being active, not not working out because seeing her on

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Speaker 1: stage for three hours, bitch, three hours. I mean we've

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Speaker 1: been waiting for this moment, and I will not use

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Speaker 1: the reference waiting for it tonight. I'm not gonna do

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Speaker 1: that because got one glasses on the guy.

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Speaker 2: Now, when you said waiting for this moment, I started thinking,

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Speaker 2: Kelly Clarkson, some people wait a lifetime for a moment

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Speaker 2: that one. So we did all different places, both lights,

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Speaker 2: both light. Now show to people this heavy ass water

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Speaker 2: bottle that you got.

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Speaker 1: So I'm starting seventy five hard or whatever. It is

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Speaker 1: an intense god yeah, oh my god, oh my god.

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Speaker 1: You and you know what, you would drag me every

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Speaker 1: time because you were like, you don't drink widter, look

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Speaker 1: at how dehydrated you are. And now I have to

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Speaker 1: drink a gallon of water a day. But a gallon

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Speaker 1: is so much, it's too much. I think I'm drowning.

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Speaker 1: But yeah, I drink this. I have. I have to

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Speaker 1: drink a gallon of water. I have to work out

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Speaker 1: twice a day, forty five minutes, one in the gym

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Speaker 1: and then one outside. So it could be you know, biking, walking, whatever,

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Speaker 1: talking shit. Yet run it out that workout, run your mouth, okay.

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Speaker 1: And I had to get up stuff like to have

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Speaker 1: a diet, so you know, I stopped the caffeine, the sugar,

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Speaker 1: the juices, the sodas, no Red Bull, and cutting down

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Speaker 1: on dairy fried food. So it's just like no cheese.

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Speaker 1: I think I'm gonna do a little bit of it,

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Speaker 1: but not. You know, I'm a dairy queen. I'm cutting

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Speaker 1: I'm cutting most of it out. Dag no more shark

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Speaker 1: coucie boards. Sorry, that is wild.

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Speaker 3: You know.

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Speaker 2: I went for a rent today because of you, and

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Speaker 2: my body does hurt, but it looks so good. Yeah,

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Speaker 2: but the muscles is paper mache.

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Speaker 1: But I was on the phone with my anyway.

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Speaker 2: I was talking to my mom about your heart seventy

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Speaker 2: five today and I googled it because she was like,

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Speaker 2: what's that? And I told her what it was. I

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Speaker 2: told her, you have to drink a gallon of water

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Speaker 2: every day.

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Speaker 1: And she was like, she's gonna draw And I was.

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Speaker 2: Like, see, even mom said that he's gonna do.

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Speaker 1: She said, a gallon of wad.

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Speaker 2: I said, instead, it gets up at eight and she

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Speaker 2: finishes by midnight.

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Speaker 1: That she has that many hours to drink water. And

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Speaker 1: my mom said okay.

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Speaker 2: And I told her what you're you know, you have

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Speaker 2: to read ten pages. You gotta blah blah blah. And

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Speaker 2: she said, oh, I have to do that. So my

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Speaker 2: mom is gonna do a hard seventy five or whatever

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Speaker 2: as well.

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Speaker 1: And I'm gonna do a mile seventy five. I got

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Speaker 1: a book in my purse. I read five pages on

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Speaker 1: the train. Oh my god, we're doing it, doing it.

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Speaker 1: You see what Beyonce does. Girl, she's really getting us

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Speaker 1: together because we I mean, we were in the zone

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Speaker 1: the whole show, and you know we have like eighty ah. Yeah,

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Speaker 1: didn't get up to Pete, don't get up to get

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Speaker 1: no snacks. I was like, I'm gonna sit here while

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Speaker 1: she's here. Take it in. I don't want to miss anything.

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Speaker 1: You know, I'm trying to get my money's worth. One.

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Speaker 1: Let's talk about it. Okay, that's that's the mess. How

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Speaker 1: much we pay. But I'm actually unsure how much we

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Speaker 1: pay you, just because it took me so long to

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Speaker 1: like venmo her the money, and I think I included

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Speaker 1: other things that I owed a mean of money for,

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Speaker 1: so it's unclear what we paid.

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Speaker 2: But I don't think it was like we didn't spend

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Speaker 2: like two thousand dollars like we wasn't we weren't in

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Speaker 2: the saloon with her. But I will say the people

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Speaker 2: who are right up front, they every dollar they spent

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Speaker 2: is worth it because you get to see the contour

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Speaker 2: her face, you see her skin up close.

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Speaker 1: You probably could smell her like and I if I

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Speaker 1: can actually do it again, like go to her concert,

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Speaker 1: I would love to be that close because you just

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Speaker 1: you're just getting all of her energy too. Okay, so

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Speaker 1: you're gonna be in blue Ivy's lap, Like what you

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Speaker 1: I want to be roomy, so we running around or

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Speaker 1: whatever the hell I want. So what's the budget then

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Speaker 1: for the next time. This is I think people were

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Speaker 1: paying like two thousand dollars, right, But also we were

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Speaker 1: realizing that people got their tickets late in they were

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Speaker 1: paying less less and still getting really good seats too.

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Speaker 2: Yeah, I mean our seats were real cute. She drove

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Speaker 2: over us in her car.

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Speaker 1: That was fine. You should put that in the dump.

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Speaker 1: That was cute because I literally have a video of

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Speaker 1: your bottom of a car. I was like, he gave me. Now,

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Speaker 1: I've never been bee Hive.

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Speaker 2: I've never been, you know, one of these people that

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Speaker 2: like stands for really any artist. But seeing Beyonce live

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Speaker 2: has made me appreciate how good her visuals are. And

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Speaker 2: now I want to watch every concert. I want to

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Speaker 2: see every video. I'm in the middle of Lemonade right now,

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Speaker 2: I'm watching that. And now did she ever come out

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Speaker 2: and say jay Z cheated on her? Or we just

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Speaker 2: watched that and we all just said, she's talking about him.

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Speaker 1: Yeah he did it, Becky with the good hair, yeah, yeah, yeah, yeah.

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Speaker 2: But I'm just saying, like, right, I mean there is

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Speaker 2: a song where she takes her wedding ring off and

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Speaker 2: she throws it at the camera. So I think that

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Speaker 2: maybe is what makes it feel like it's real real,

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Speaker 2: But I don't know.

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Speaker 1: And Solange whooped his ass in the elevator. What else

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Speaker 1: could that have been? You know what I'm saying, Like,

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Speaker 1: I'm not kicking ass for a good cis unless you

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Speaker 1: hurt her. You know what I'm saying, Like, if somebody

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Speaker 1: hurt you, I can't fight.

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Speaker 3: But I'll learn.

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Speaker 1: I'll learn, Like, oh, your train, all the rage will

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Speaker 1: come out, and I will John Wick if I have to. Oh, yes,

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Speaker 1: I'm putting on the record. Oh write that down. That's

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Speaker 1: the show that we've been, the movie. That's the movie

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Speaker 1: you're trying to shoot.

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Speaker 2: I get hurt enough, you know, Jennifer Lopez style, and

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Speaker 2: you train for how long you think you need to

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Speaker 2: train to be able to beat up the person who

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Speaker 2: hurts me.

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Speaker 1: I have to work on my core first, So I'm

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Speaker 1: gonna say at least three months. Three months, yes, three months,

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Speaker 1: because then I got to learn how to hold a gun.

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Speaker 1: You know.

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Speaker 2: You know how've been Michael P. Jordan's trained for Creed

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Speaker 2: because that's how long. I feel like Sidney's gonna have

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Speaker 2: to train for I think.

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Speaker 1: He already just knew it, like he was, Oh like, hey,

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Speaker 1: I don't really care about him, but I will say visually,

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Speaker 1: that's what a man is supposed to look like, bring

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Speaker 1: back men, bring back our men are men? Well, y'all's

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Speaker 1: man and a mine.

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Speaker 2: But yes, I ut that you don't care about him,

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Speaker 2: but that's the blueprint for what a man should be.

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Speaker 1: Yes, the muscles, the mustache, the skin. You know he

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Speaker 1: smells good. But now this is mess. Oh this is

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Speaker 1: an exclusive. Yes, he's not tall right now? How tall

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Speaker 1: is he?

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Speaker 2: Because I saw him in a David Yeerman ag producer

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Speaker 2: and I can't tell how tall he is.

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Speaker 1: I feel like he's five nine mm. That means five eight.

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Speaker 1: I think he's how tall? Then he's not six. It

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Speaker 1: feels like he should be sick.

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Speaker 3: He's six.

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Speaker 1: If it says he's six, that means he's five to

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Speaker 1: tens he's five five. They're lying, They're like, because I've

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Speaker 1: seen him up against with another woman, and I'm like,

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Speaker 1: it's not given tall.

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Speaker 3: Five is a really amazing height for a man to be.

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Speaker 3: I just want to I just want to right right

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Speaker 3: it's actually one of the top.

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Speaker 1: Heights that it makes it sounds like you're five ten.

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Speaker 3: I'm just saying what I've heard, what I've read in

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Speaker 3: the trades is that they're looking for five ten men.

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Speaker 3: That's what they're saying across Hollywood and various other industries.

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Speaker 3: Five ten men?

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Speaker 1: Is that?

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Speaker 4: So?

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Speaker 3: I keep reading that.

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Speaker 1: The Girls wanted six six five brown blue Eyes finance

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Speaker 1: six five blue eyes. I thought the girls one in

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Speaker 1: six six six.

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Speaker 3: Sorry, I'm not allowed to talk technically.

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Speaker 1: Yeah, well you did, and it is it is this

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Speaker 1: is your time, Well.

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Speaker 3: I mean it is. First you're saying, bring back real men.

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Speaker 1: And then and then.

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Speaker 3: Bring back our men, and men is maries men. Do

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Speaker 3: you think Michael B. Jordan's clothing is too tight?

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Speaker 1: Oh? You call him Dominican, you call him gay?

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Speaker 3: I know, you know, you know, tight is now straight

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Speaker 3: and baggy is now gay. It used to be tight

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Speaker 3: was gay. Baggy was straight and so like to me,

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Speaker 3: straight guy like straight. I don't want to say West Village,

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Speaker 3: but like you know, straight works in midtown. Guy is

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Speaker 3: now skinny khaki, skinny khaki two tight polo.

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Speaker 1: I don't even look at them in Midtown. I know

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Speaker 1: we are working in Midtown, but I don't even know

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Speaker 1: what they look like. Okay, wait should we Yeah, we

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Speaker 1: might as well bring against this man. He is a delight.

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Speaker 1: He's been on unofficial Expert one of the hosts of

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Speaker 1: Stradio Lab.

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Speaker 3: And didn't you just film your specialize? I did?

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Speaker 1: Oh my god. Yes, we're happy to have him. George

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Speaker 1: Savaris is in.

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Speaker 3: The building, and I just want to say, I'm so

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Speaker 3: empowered that I'm not even going to apologize for being

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Speaker 3: fifteen minutes late. Wow, and that and actually, you know,

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Speaker 3: actually that's really revolutionary that I'm not sorry. I want you,

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Speaker 3: I want you both to apologize for being on time.

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Speaker 1: Oh I was late, she was late, but later.

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Speaker 3: Are we're talking?

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Speaker 1: I was I got here like I got here like

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Speaker 1: twenty minutes late.

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Speaker 3: Oh you had a different call time than me, because

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Speaker 3: we'll be late right anyway, whatever was, it is what

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Speaker 3: it is, It is what it is.

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Speaker 1: Got to text us tonight like sorry, I was laid down.

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Speaker 3: I know, I know, I.

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Speaker 1: Don't feel that. If you know us, that is our brand.

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Speaker 3: And so yeah, but can I tell you something. You've

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Speaker 3: always said that's your brand, both of you. Recently, it

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Speaker 3: hasn't been. I've been socially with both of you recently,

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Speaker 3: and you've both been on time. You were on time

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Speaker 3: to dinner, you were on time when you did the pod.

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Speaker 3: You were also on time. I can't remember, but.

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Speaker 1: Got a different call time.

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Speaker 3: That's what I was telling you. You are both. It's

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Speaker 3: like the opposite of someone. It's like you actually you're

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Speaker 3: getting like a better reputation that's ruining your old reputation.

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Speaker 1: Wait a minute, wait, I got to turn my clock

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Speaker 1: back forward. Marie was on time.

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Speaker 3: Where is definitely on time when she did Tradio lab

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Speaker 3: you when we got dinner. I think you were there

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Speaker 3: before Matthew.

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Speaker 1: Yeah, thirty minutes early because I was just.

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Speaker 3: Sidney was sitting there reading the Sunday Times.

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Speaker 1: Have you heard about Trump? Trump is crazy? I said,

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Speaker 1: let me get here early because I will be late.

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Speaker 3: I was, really. I don't want to say it's like

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Speaker 3: because by the way you guys have been, you guys

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Speaker 3: have said you like talk openly about how you're late

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Speaker 3: to thinks. I would have never known, like, oh, Maria

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Speaker 3: is late if it wasn't literally in your Instagram bio.

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Speaker 3: It's not like I'm noticing it, you know what?

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Speaker 1: I mean, okay, you know what it is.

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Speaker 2: Then that just means we don't hang out often enough

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Speaker 2: because I've been late to I'd be late.

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Speaker 1: To all the things.

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Speaker 2: Yeah, it's like kind of built into because I hate

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Speaker 2: being early. No, that's the issue, Like I don't want

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Speaker 2: to sit for thirty minutes and wait for somebody.

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Speaker 3: I know. What do you do though? If you if

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Speaker 3: you get there early? Yeah? Reading? Are you on social media?

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Speaker 1: I'll probably scroll or maybe I'll call somebody who I ignored.

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Speaker 1: You know how that goes. Let me tell you what happened.

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Speaker 1: So we were supposed to go. We were at the

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Speaker 1: bowling alley already, like us in our like group chat

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Speaker 1: or whatever, huh for Matteo Lane and Amina her birthday

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Speaker 1: and he was celebrating his special just came out. They

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Speaker 1: had went to the diner. Marie literally is running late,

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Speaker 1: but they were still at the diner. They said, oh,

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Speaker 1: we're almost there. Marie gets there and they're not there,

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Speaker 1: and she said, oh my god, I can't believe no

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Speaker 1: one's here. And she left. She literally left. She said,

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Speaker 1: but well, I'm hungry, I have to go. I have

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Speaker 1: to get something eat. Let's talk about why I was.

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Speaker 2: She left I left where I was because I was like, oh,

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Speaker 2: I'm running late. Everybody's already there. I was like, I

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Speaker 2: could eat here, but no, no, no, I'm running too late.

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Speaker 2: I have to get there. I get there. I'm the

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Speaker 2: first one there. Everybody else is eating, right, They're at

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Speaker 2: their own respective restaurants and diners and places eating.

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Speaker 1: I was like, oh, oh, and I don't want bowling

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Speaker 1: alley food.

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Speaker 3: No, you can't do bowling alleys exactly. But here's a

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Speaker 3: question for you. Where did you ultimately eat?

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Speaker 1: I went back to where I started. Okay, I went

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Speaker 1: all the way back downtown.

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Speaker 2: You went back to the cellar. I went back to

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Speaker 2: the cellar. You went back to the cellar, Mary, why

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Speaker 2: are you repeating it? I went back to the seacause

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Speaker 2: I just couldn't believe it. I went back to the cellar. George,

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Speaker 2: before we get into your mess today, can we talk

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Speaker 2: about something that maybe you did that was messy this week?

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Speaker 1: Oh recently?

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Speaker 3: Oh okay, this actually is gonna go ahead and take

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Speaker 3: us into my larger mess.

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Speaker 1: The prologue.

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Speaker 3: So, basically, I had a very minor skincare thing, and

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Speaker 3: I was prescribed acutaneka. I was not told.

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Speaker 1: It's just you don't just get acuting like that. That's heavy.

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Speaker 3: Dude. By the way, can you tell I'm glowing?

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Speaker 1: You look great, you look amazing. I even have porse.

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Speaker 3: You don't have horse, So I have a I've now

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Speaker 3: talked about the sun Trader lips. I don't want to

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Speaker 3: bore anyone who listens to both it is. I had

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Speaker 3: a thing like in my beard where basically it felt

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Speaker 3: like my skin was like rejecting my facial hair. It

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Speaker 3: was like painful to have a beard. But then I

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Speaker 3: couldn't shave it because that would be like putting a knife.

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Speaker 1: To Yeah, yeah, yeah, yeah. That don't sound like a

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Speaker 1: minor skin thing, George.

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Speaker 3: But I'm just saying I first I was mistagnosed whatever.

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Speaker 3: Finally they were like, were gonna put on acutan, get

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Speaker 3: on acutane. Everything's going great. At my skin, as you

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Speaker 3: can tell, is glowing. I went to Italy, sorry, and

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Speaker 3: I was having these amazing meals. I went to the

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Speaker 3: birthplace of pesto. I had the most amazing pesto of

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Speaker 3: my life. We're talking two bottles of Nebiola wine every

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Speaker 3: night for dinner. Went in from my monthly checkup. Come

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Speaker 3: to find out I'm not supposed to be drinking on accutane.

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Speaker 3: I said, no, no, no, no, no, I haven't told me that.

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Speaker 3: The first appointment.

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Speaker 1: Two bottles of wine.

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Speaker 3: And so that is my recent mess and I've now

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Speaker 3: reformed myself. So that was month one. Now starting starting

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Speaker 3: month two, I am not even having a sip of alcohol.

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Speaker 3: I think I'm gonna be okay, but I am a

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Speaker 3: little scared.

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Speaker 1: Well you were sorry. What happened?

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Speaker 3: Shocked?

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Speaker 1: What happens if you drink on acutane.

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Speaker 3: Well, I'll tell you one thing. The first month I

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Speaker 3: did have a half dose, so I think it's gonna

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Speaker 3: be okay. And now with a full dist I'm not

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Speaker 3: gonna drink. It is processed through your liver from what

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Speaker 3: I understand, So you don't want to like stress out

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Speaker 3: your liver more, Oh.

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Speaker 1: Liver and acutine rise you out, yes, not just like

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Speaker 1: your mouth, your brain.

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Speaker 3: I bought a lip mask advertised by Sydney Sweeney and

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Speaker 3: it's grapefruit scented. But yes, that's the one.

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Speaker 1: Okay.

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Speaker 2: Now, let's since we're talking about Sydney, she's selling bars

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Speaker 2: of soap with her bathwater in it.

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Speaker 3: I did not purchase.

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Speaker 1: Those, okay, so that's not good for this is actually.

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Speaker 3: An independent brand that she's indoors sitting rather than bathwater.

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Speaker 1: She is making recession indicator. So you understand that is

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Speaker 1: that is on grounds of of energy.

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Speaker 2: I know, yeah, but I don't think that's a recession indicator.

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Speaker 2: Because Sidney Sweeney is booked. She's like the spokesperson and

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Speaker 2: the face of I don't know, at least fifteen brands.

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Speaker 1: She didn't need to sell bathwater, set don't That's what

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Speaker 1: I'm saying, Why are you selling bathwater that? Because we

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Speaker 1: then will buy it.

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Speaker 3: It's also like you sort of just have to keep

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Speaker 3: your name out there, you know what I mean? And

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Speaker 3: I also things, here's what I think about Sydney.

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Speaker 1: It's not feeling good.

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Speaker 3: Here's what I think about Sidney. I think Sydney is

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Speaker 3: actually making way more like indie niche choices and the

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Speaker 3: types of projects she does. So in order to make money,

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Speaker 3: she has to sell the bath water because she's going

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Speaker 3: independent spirit mode rather than marvels in.

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Speaker 1: The face of Chanel. I know, the cutting her a

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Speaker 1: cute chick.

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Speaker 2: She's one of the like land Home or one of

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Speaker 2: these houses, like she don't need to do.

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Speaker 3: It, do you think Cocashanello would be happy to know

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Speaker 3: Sidney Sweeney's carrying on her left.

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Speaker 1: Saying it's a mixed mash of the brands. It's not.

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Speaker 1: You do not sell your bath water unless hey, are

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Speaker 1: the lights getting cut off?

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Speaker 3: Yeah?

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Speaker 1: Well, wasn't she complaining a couple of years ago about.

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Speaker 3: How hard it doesn't have generational wealth? Yes, she doesn't

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Speaker 3: have generational wealth because you know, because she's voted for

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00:16:46,920 --> 00:16:49,800
Speaker 3: drum again, you gotta go high low. I'm I'm to

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Speaker 3: Sydney on this one. Isn't that? Do you know what?

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00:16:53,320 --> 00:16:57,840
Speaker 3: She's not endorsing a meme coin cryptocurrency. She's doing something fun.

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00:16:57,880 --> 00:17:03,200
Speaker 3: She's doing something funky? Is their sense of literally? Also,

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Speaker 3: you know, after her performance in that Glen Powell movies,

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00:17:05,280 --> 00:17:07,200
Speaker 3: you has to proof of comedic chops because that did

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00:17:07,240 --> 00:17:11,720
Speaker 3: not do it, and so anyone but you. Selling the

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Speaker 3: bathwater I think is like a nice way for her

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Speaker 3: to dip her toes back into the comedic waters.

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Speaker 2: Do you think it's actual bathwater in the soap? No,

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Speaker 2: you think it's just bars of soap.

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00:17:23,920 --> 00:17:27,440
Speaker 3: The gimmick. It's like when people it's like these cheetos

378
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Speaker 3: smell like Brad pits, arm pits.

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00:17:29,119 --> 00:17:31,879
Speaker 2: It's like, Okay, somebody was selling a candle that smelled

380
00:17:31,880 --> 00:17:32,520
Speaker 2: like they're vagina?

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Speaker 1: Who was that goop? And I believe that actually she.

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Speaker 3: Inge that.

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Speaker 1: I think that it would be very true. How do

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Speaker 1: we get the po water in the wax?

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00:17:44,040 --> 00:17:46,639
Speaker 3: Well, I mean you would use water to make a candle,

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Speaker 3: I presume at some point, so instead of that water,

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Speaker 3: you use the You could say.

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Speaker 1: For pride, I was going to say, before we move on,

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Speaker 1: said her performance with Glenn Powell.

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Speaker 3: Yeah.

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00:18:00,320 --> 00:18:03,399
Speaker 1: First of all, Glenn Powell is running laps around a

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Speaker 1: lot of people, so that was gonna be a hard Oh.

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Speaker 3: Oh, I think she's an amazing performer, but I don't

394
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Speaker 3: think she was able to do rom com.

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Speaker 1: Oh.

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Speaker 3: I think she could do funny, but not rom com

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Speaker 3: like there was something Yes, Sidney, Yes, yes, that's what

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Speaker 3: I'm saying.

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Speaker 1: But also Glenn on top of that, Yes, he's too good,

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00:18:21,160 --> 00:18:23,719
Speaker 1: But also I think I don't I'm able to rewatch

401
00:18:23,760 --> 00:18:26,359
Speaker 1: the performance. He's that good to wait, hold on, you

402
00:18:26,400 --> 00:18:28,520
Speaker 1: think I'm thinking about Glenn Close? Never mind?

403
00:18:28,640 --> 00:18:32,680
Speaker 3: Oh my day, you thought there was a lesbian romance

404
00:18:32,720 --> 00:18:36,639
Speaker 3: with Glenn Close and Sydney Sweeney. Glenn Glenn Close and

405
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Speaker 3: Sydney Sweet.

406
00:18:37,480 --> 00:18:40,679
Speaker 1: Wait wait a minute, you're like, because Glenn Tipole is amazing,

407
00:18:40,720 --> 00:18:43,239
Speaker 1: I was like, is he a Nazi? Glenn Close and

408
00:18:43,359 --> 00:18:47,000
Speaker 1: Deliverance I didn't watch.

409
00:18:47,280 --> 00:18:49,640
Speaker 3: I did actually watch the one clip of her being possessed,

410
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Speaker 3: and I thought she gave an incredible performance.

411
00:18:51,600 --> 00:18:54,359
Speaker 1: I haven't seen it. She's taking risks, she.

412
00:18:54,359 --> 00:18:56,320
Speaker 3: Is, She's saying things I would never say on camera.

413
00:18:57,000 --> 00:19:00,600
Speaker 1: She said, she said, nappy busy. That's correct. Yeah, you whispered?

414
00:19:00,680 --> 00:19:04,800
Speaker 1: Why we whisper and pussy on the bus? I already said,

415
00:19:05,040 --> 00:19:07,040
Speaker 1: you know it's it doesn't just roll off the time

416
00:19:07,119 --> 00:19:07,359
Speaker 1: for me.

417
00:19:07,520 --> 00:19:09,480
Speaker 3: It literally rolls off later, rolls after.

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Speaker 1: You don't know what is this? And you shut up? Hell?

419
00:19:13,920 --> 00:19:20,320
Speaker 2: Hell okay anyway, Glenn Close, Glenn Powell Tomato tomorrow, Yeah, Glen,

420
00:19:20,320 --> 00:19:21,400
Speaker 2: then they both.

421
00:19:21,680 --> 00:19:24,760
Speaker 3: Now I want to watch like an age gap romance

422
00:19:24,800 --> 00:19:28,760
Speaker 3: between Glenn Close and Sydney Sweemy. You know Glen sort

423
00:19:28,800 --> 00:19:31,680
Speaker 3: of maybe like a professor or like a writer or something.

424
00:19:31,720 --> 00:19:33,480
Speaker 3: Sidney Sweeny looks up to her. Maybe Seyhon he's a

425
00:19:33,520 --> 00:19:36,880
Speaker 3: journalist profiling her and Glenn Close, you know, comes out

426
00:19:36,880 --> 00:19:38,240
Speaker 3: of the shower, rope comes off.

427
00:19:39,080 --> 00:19:41,439
Speaker 1: Mm you feel like, Glenn Close is a woman that

428
00:19:41,600 --> 00:19:44,320
Speaker 1: like when she come out the shower, that robe is tied.

429
00:19:44,400 --> 00:19:47,199
Speaker 3: Oh she's showering with a turtleneck on. Don't get twisted.

430
00:19:47,960 --> 00:19:51,680
Speaker 1: No, Sydney's robe is going to slide off. Don't don't

431
00:19:51,680 --> 00:19:54,840
Speaker 1: you do that to Glenn Close. She she has sex appeal.

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Speaker 1: That's what it sounded like, is that you're that she

433
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Speaker 1: can't give you know, she can give.

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00:19:59,640 --> 00:20:01,960
Speaker 2: The you know, that's not That's not what I'm saying.

435
00:20:02,040 --> 00:20:04,240
Speaker 2: I'm saying there's no way her rope would slip off.

436
00:20:04,320 --> 00:20:08,360
Speaker 2: The women that age, they tie it tight something else.

437
00:20:08,840 --> 00:20:11,719
Speaker 3: It's belted twice, it's melted tie.

438
00:20:12,359 --> 00:20:15,360
Speaker 1: If wanted to give you, she can give it.

439
00:20:15,480 --> 00:20:20,320
Speaker 3: Sydney's listen, Glenn is the original you know faddal attraction

440
00:20:20,560 --> 00:20:24,399
Speaker 3: like crazy crazy, Wait, what's.

441
00:20:24,119 --> 00:20:27,920
Speaker 1: That movie with the with the violinists or the orchestra.

442
00:20:29,200 --> 00:20:30,119
Speaker 3: That's Kate Blanchette.

443
00:20:30,680 --> 00:20:35,000
Speaker 1: Kate Blanchette. I think if they did Tar with Glen

444
00:20:35,160 --> 00:20:37,600
Speaker 1: Glenn Closes in Sydney Sweeney.

445
00:20:37,680 --> 00:20:43,520
Speaker 3: That's good. Remake Tar now four years later with Glenn

446
00:20:43,520 --> 00:20:44,520
Speaker 3: Close and Sydney Swen.

447
00:20:44,640 --> 00:20:56,480
Speaker 1: Yes, you are there, it is listen, we are really

448
00:20:56,800 --> 00:20:57,680
Speaker 1: getting room.

449
00:20:58,960 --> 00:21:01,879
Speaker 3: Get us do Actually, they think like where are the

450
00:21:01,960 --> 00:21:04,560
Speaker 3: new ideas? And by the way, Tartark counts even though

451
00:21:04,600 --> 00:21:07,119
Speaker 3: it's even though it is a you know, franchise, it

452
00:21:07,200 --> 00:21:08,440
Speaker 3: counts as a new idea.

453
00:21:08,200 --> 00:21:10,399
Speaker 2: It is, it's a it's brand new. They're remaking a

454
00:21:10,400 --> 00:21:12,439
Speaker 2: bunch of movies. I heard they're remaking The Bodyguard and

455
00:21:12,480 --> 00:21:14,480
Speaker 2: they wanted to retart with Kim Kardashian.

456
00:21:14,560 --> 00:21:16,520
Speaker 1: How dare they? I heard they wanted.

457
00:21:16,320 --> 00:21:20,160
Speaker 2: To redo it with Kimberly Kardashian.

458
00:21:20,280 --> 00:21:24,520
Speaker 1: Hey, aliens, if you're listening, this is the time shut

459
00:21:24,560 --> 00:21:25,040
Speaker 1: it down.

460
00:21:25,840 --> 00:21:27,680
Speaker 3: I want to What I want to see is Kim Kardashian.

461
00:21:27,720 --> 00:21:31,320
Speaker 3: But she plays the bodyguard and it's Kim, So can

462
00:21:31,359 --> 00:21:34,200
Speaker 3: we get everyone to move? That's her as the bodyguard

463
00:21:34,440 --> 00:21:36,760
Speaker 3: and then the pop star is closed.

464
00:21:38,720 --> 00:21:41,040
Speaker 1: I'm actually for that. I'm crazy.

465
00:21:41,080 --> 00:21:44,760
Speaker 3: I mean because if we're if we're just doing remakes

466
00:21:44,760 --> 00:21:49,119
Speaker 3: and sequels, then mix it up. It's like, okay, so

467
00:21:49,160 --> 00:21:51,800
Speaker 3: they're making a Barney. Wait why like to say that?

468
00:21:52,200 --> 00:21:54,840
Speaker 1: Well, yeah, yeahs doing it.

469
00:21:54,880 --> 00:22:01,359
Speaker 2: Yeah exactly, she's writing the barn right, Yes, this feels

470
00:22:01,400 --> 00:22:02,679
Speaker 2: like an episode of the studio.

471
00:22:02,920 --> 00:22:04,359
Speaker 3: It's what I'm saying is it's like, all right, if

472
00:22:04,400 --> 00:22:07,120
Speaker 3: you're gonna make a Barney movie, then okay, make it's

473
00:22:07,160 --> 00:22:10,359
Speaker 3: like we have to make ip. Then make it funny

474
00:22:10,840 --> 00:22:13,479
Speaker 3: or make it like weird, make it make it different

475
00:22:13,520 --> 00:22:17,920
Speaker 3: like cast when closest Barney like And so I think, okay,

476
00:22:17,920 --> 00:22:20,560
Speaker 3: if you're going to remake The Bodyguard, do a gender flip,

477
00:22:20,640 --> 00:22:22,480
Speaker 3: do a lesbian do like.

478
00:22:24,480 --> 00:22:26,560
Speaker 1: I love a thriller. Let's bring all those movies back.

479
00:22:26,600 --> 00:22:32,639
Speaker 2: A messy like somebody cheated on their husband and everybody's.

480
00:22:32,040 --> 00:22:35,439
Speaker 1: Got to die now thriller totally. Where are those movies? Well, no,

481
00:22:35,600 --> 00:22:38,159
Speaker 1: I think people are not taking enough risks in this

482
00:22:38,400 --> 00:22:40,679
Speaker 1: in the terms of everybody wants to be cool and

483
00:22:40,800 --> 00:22:44,040
Speaker 1: have the biggest names to get the biggest straw. But like,

484
00:22:44,119 --> 00:22:46,840
Speaker 1: there was times where people were doing things like Vampire

485
00:22:46,880 --> 00:22:50,280
Speaker 1: in Brooklyn. Eddie Murphy and his peak was doing Vampire

486
00:22:50,280 --> 00:22:52,639
Speaker 1: and Brooklyn with Angela Bassett and that was one of

487
00:22:52,640 --> 00:22:56,320
Speaker 1: the coo keiest, like random movies. But it was great.

488
00:22:56,760 --> 00:22:57,360
Speaker 1: I loved it.

489
00:22:57,880 --> 00:23:00,720
Speaker 2: People are too afraid to do stuff like that anymore.

490
00:23:00,800 --> 00:23:04,520
Speaker 2: It's not people, it's the studios. It's the executives. You know,

491
00:23:04,520 --> 00:23:06,359
Speaker 2: they get fired a lot, so they're like, well, let

492
00:23:06,400 --> 00:23:07,800
Speaker 2: me just do what works, and it works.

493
00:23:08,400 --> 00:23:09,480
Speaker 1: Do something better.

494
00:23:10,040 --> 00:23:12,760
Speaker 2: I see you got your eight twenty four blouse own? Yeah, George,

495
00:23:13,320 --> 00:23:16,240
Speaker 2: fun movies? What you got going on a mix?

496
00:23:16,840 --> 00:23:17,080
Speaker 1: Well?

497
00:23:17,119 --> 00:23:19,080
Speaker 3: You know, I might have had one line on the

498
00:23:19,119 --> 00:23:21,960
Speaker 3: show Z Way four years ago. And this was in

499
00:23:22,480 --> 00:23:24,520
Speaker 3: the Queen Room when I arrived, and I've been wearing

500
00:23:24,520 --> 00:23:24,920
Speaker 3: it since.

501
00:23:25,359 --> 00:23:26,720
Speaker 1: It looks like a good quality cord.

502
00:23:26,840 --> 00:23:28,640
Speaker 3: It is a very good quality cordon, and that's why

503
00:23:28,880 --> 00:23:31,040
Speaker 3: that's why I wear it out. You know, you don't

504
00:23:31,119 --> 00:23:32,240
Speaker 3: usually see me in a T shirt.

505
00:23:32,640 --> 00:23:35,920
Speaker 1: No, No, I think something ironed.

506
00:23:36,119 --> 00:23:40,200
Speaker 3: Yeah, fold Yeah, this is a high quality heavyweight tea

507
00:23:40,240 --> 00:23:43,920
Speaker 3: they call it. I know, what is a twenty four making?

508
00:23:44,080 --> 00:23:48,240
Speaker 3: I mean, did they do a norma? No? No, that

509
00:23:48,359 --> 00:23:51,480
Speaker 3: was Neon right, you know Neon has won the last

510
00:23:51,560 --> 00:23:54,080
Speaker 3: eight doors. I can look at.

511
00:23:54,000 --> 00:23:57,239
Speaker 1: Yourue this mess. I don't even know what you have.

512
00:23:57,520 --> 00:23:58,040
Speaker 1: I haven't been.

513
00:24:00,040 --> 00:24:01,359
Speaker 3: And then I have to go there to get the

514
00:24:01,400 --> 00:24:04,760
Speaker 3: news you got from the valley. So wait, who on who.

515
00:24:06,359 --> 00:24:31,160
Speaker 5: Hellol george'sha Yeah, okay, So everything inspired by my experience

516
00:24:32,080 --> 00:24:36,040
Speaker 5: drinking on accutane, I now have had to embrace non

517
00:24:36,080 --> 00:24:40,600
Speaker 5: alcoholic beverages, and my mess is, generally speaking, the beverage industry.

518
00:24:41,800 --> 00:24:45,119
Speaker 3: I and here's here's sort of like my angle on it.

519
00:24:45,119 --> 00:24:49,400
Speaker 3: It's like it kind of symbolizes all the excesses of capitalism.

520
00:24:50,080 --> 00:24:52,600
Speaker 3: You go into a bodega or into the supermarket, go

521
00:24:52,640 --> 00:24:55,600
Speaker 3: to the beverage section. What are all those things? I've

522
00:24:55,640 --> 00:25:00,719
Speaker 3: never They keep multiplying exponentially every month, and You're like,

523
00:25:00,960 --> 00:25:04,400
Speaker 3: is this THHC? Is this the kombucha? Is this some

524
00:25:04,440 --> 00:25:08,600
Speaker 3: sort of like mocktail? Is this healthy? Is this You

525
00:25:08,640 --> 00:25:13,879
Speaker 3: see descriptions that are like infused with neuropathogens, and You're like,

526
00:25:14,440 --> 00:25:19,960
Speaker 3: it's not real, but so is there are the Is

527
00:25:20,000 --> 00:25:22,240
Speaker 3: there any kind of you know, even in a pre

528
00:25:22,400 --> 00:25:26,760
Speaker 3: RFK world, is there any kind of like regulation that

529
00:25:27,000 --> 00:25:29,560
Speaker 3: prevents someone from writing anything they want on a canned

530
00:25:29,640 --> 00:25:33,239
Speaker 3: drink that is sort of like pastel purple colored? And

531
00:25:33,320 --> 00:25:37,240
Speaker 3: so I currently am you know, when I drink alcohol,

532
00:25:37,240 --> 00:25:38,679
Speaker 3: I know exactly what I want. I know exactly what

533
00:25:38,680 --> 00:25:42,040
Speaker 3: I'm ordering Now that I can't, I'm exploring these other options,

534
00:25:42,200 --> 00:25:44,040
Speaker 3: and I'm running into a lot of walls where I'm

535
00:25:44,080 --> 00:25:47,440
Speaker 3: like this, none of this advertise, none of this correctly advertised.

536
00:25:47,480 --> 00:25:49,439
Speaker 3: There is way too much choice. I should not have

537
00:25:49,480 --> 00:25:52,359
Speaker 3: to choose between more than three choices at any given

538
00:25:52,359 --> 00:25:57,040
Speaker 3: time in my life. And so that and I think there's.

539
00:25:56,880 --> 00:26:00,359
Speaker 1: All this because you have to be sober, yes, saying

540
00:26:00,440 --> 00:26:02,200
Speaker 1: so are you what are you drinking?

541
00:26:02,200 --> 00:26:03,439
Speaker 3: What mocktails are you drinking?

542
00:26:03,520 --> 00:26:05,600
Speaker 1: Maybe I've been doing this for almost eight years and

543
00:26:05,600 --> 00:26:09,200
Speaker 1: I'm telling you they are dragging me from here to back.

544
00:26:09,480 --> 00:26:12,000
Speaker 1: Because the thing is is that like ginger beer, I'll

545
00:26:12,040 --> 00:26:14,840
Speaker 1: do a ginger beer, will muddle some stuff together, and

546
00:26:14,880 --> 00:26:17,840
Speaker 1: then that's still fifteen dollars. So it's like I'd rather

547
00:26:17,920 --> 00:26:20,359
Speaker 1: just get like a little cran club and call it

548
00:26:20,359 --> 00:26:21,879
Speaker 1: a today because it's not for us, It's for the

549
00:26:21,880 --> 00:26:23,639
Speaker 1: people who have alcohol. Yeah, and then I gotta go

550
00:26:23,680 --> 00:26:25,359
Speaker 1: to dinner with these people who drink it any now

551
00:26:25,400 --> 00:26:27,080
Speaker 1: and thinking about me. So I'm splitting the bill with

552
00:26:27,160 --> 00:26:29,200
Speaker 1: them every single time, I know, and they're not like, hey,

553
00:26:29,200 --> 00:26:32,840
Speaker 1: Sydney didn't have you know, three espresso martinis, but she

554
00:26:32,960 --> 00:26:35,200
Speaker 1: was here. She was here, so she's part of the table.

555
00:26:35,440 --> 00:26:37,760
Speaker 3: Well, I actually think a reason to get an overpriced

556
00:26:37,760 --> 00:26:40,520
Speaker 3: mocktail is exactly because of the bill splitting, because it's like, well,

557
00:26:40,520 --> 00:26:43,200
Speaker 3: if I'm gonna be paying for everyone else's bottle of

558
00:26:43,240 --> 00:26:46,440
Speaker 3: wine anyway, I might as well try the cucumber jalapango

559
00:26:46,760 --> 00:26:47,560
Speaker 3: like sprints her.

560
00:26:47,840 --> 00:26:50,960
Speaker 1: Yes, yes, with the beverage.

561
00:26:51,280 --> 00:26:53,400
Speaker 3: Talking about yeah, I'm more talking. I'm not talking about

562
00:26:53,480 --> 00:26:56,919
Speaker 3: ordering really, I'm talking about like ready made, bottled and

563
00:26:57,040 --> 00:26:59,400
Speaker 3: canned beverages. Do you not agree that there are too many?

564
00:26:59,600 --> 00:27:01,520
Speaker 3: Like when you lent to a supermarket and you look

565
00:27:01,560 --> 00:27:05,280
Speaker 3: at that entire row, you're so not impressed this topic?

566
00:27:05,400 --> 00:27:07,760
Speaker 1: No, no, no, we're trying to wear I was like, oh,

567
00:27:07,840 --> 00:27:09,080
Speaker 1: this this is really niche.

568
00:27:09,160 --> 00:27:10,639
Speaker 3: I know, I know, I love it.

569
00:27:10,840 --> 00:27:13,280
Speaker 2: So you hate that there's too many options, or you

570
00:27:13,280 --> 00:27:14,640
Speaker 2: hate that you don't know which one to pick.

571
00:27:14,760 --> 00:27:17,119
Speaker 3: I feel like the entire industry is lying, Like I

572
00:27:17,160 --> 00:27:20,600
Speaker 3: think this is like I think all of these things

573
00:27:20,600 --> 00:27:24,280
Speaker 3: are some version of like seltzer mixed with like chemicals. Absolutely,

574
00:27:24,359 --> 00:27:27,440
Speaker 3: and I just think there's too much lying. My initial

575
00:27:27,440 --> 00:27:30,080
Speaker 3: topic was going to be New York theater audiences. Have

576
00:27:30,200 --> 00:27:31,880
Speaker 3: you been to like a play?

577
00:27:32,119 --> 00:27:33,440
Speaker 1: I saw Gypsy the other day?

578
00:27:33,600 --> 00:27:38,240
Speaker 3: Yeah, okay, well Gypsy was obviously, but every time it's

579
00:27:38,240 --> 00:27:41,199
Speaker 3: like you go to a play and someone on stage

580
00:27:41,280 --> 00:27:44,800
Speaker 3: is like now with fascism rising, and people are like, oh,

581
00:27:44,840 --> 00:27:49,960
Speaker 3: finally Thomas set it. Finally we're like hello.

582
00:27:50,000 --> 00:27:52,879
Speaker 1: Oh, they really want people to talk about the political.

583
00:27:52,520 --> 00:27:55,119
Speaker 3: It's just like so it is. You know how in

584
00:27:55,160 --> 00:27:57,480
Speaker 3: comedy we have clapped and it's looked down upon. That's

585
00:27:57,640 --> 00:28:00,120
Speaker 3: all theater? Yes, crazy, did you?

586
00:28:00,760 --> 00:28:02,159
Speaker 1: I did not. I did not go to I went

587
00:28:02,200 --> 00:28:08,560
Speaker 1: to othello, Oh yeah, and Jake Jillenhall it was amazing.

588
00:28:09,080 --> 00:28:20,000
Speaker 1: But also we know othello, that language is complicated and boring,

589
00:28:20,359 --> 00:28:24,840
Speaker 1: and so it's three hours and you are listening to

590
00:28:24,920 --> 00:28:29,399
Speaker 1: them kind of speak Shakespeare and patois is that what

591
00:28:29,600 --> 00:28:32,760
Speaker 1: we would call that? And I was like piecing things

592
00:28:33,480 --> 00:28:36,119
Speaker 1: together because I had already known the story, and so

593
00:28:36,640 --> 00:28:38,760
Speaker 1: because of the movements, I said, oh, I know what's

594
00:28:38,760 --> 00:28:42,040
Speaker 1: happening right now. And what was crazy is that there

595
00:28:42,040 --> 00:28:44,880
Speaker 1: were people sleeping. That That is what's fucked up about

596
00:28:44,880 --> 00:28:47,760
Speaker 1: the audience. It's I'm gonna put every time they say

597
00:28:47,760 --> 00:28:50,120
Speaker 1: this in the reviews that we all we do is

598
00:28:50,200 --> 00:28:56,280
Speaker 1: drag white people. And so what there was so many elderly,

599
00:28:56,560 --> 00:29:02,280
Speaker 1: elderly white people nodding off at Denzel Washington and Jake Jillenhall,

600
00:29:02,320 --> 00:29:04,200
Speaker 1: and I said, go go out and.

601
00:29:04,080 --> 00:29:06,560
Speaker 2: Die and they and they hate hundred dollars.

602
00:29:06,680 --> 00:29:08,800
Speaker 3: Do you know what, let's just should my mess just

603
00:29:08,840 --> 00:29:09,840
Speaker 3: be Broadway audiences.

604
00:29:09,960 --> 00:29:12,080
Speaker 1: I'm not mad at that about Broadway.

605
00:29:11,760 --> 00:29:15,920
Speaker 3: So okay, Broadway audiences are. It is old, some of

606
00:29:15,920 --> 00:29:20,240
Speaker 3: them deceased white people, and that then like occasionally wake

607
00:29:20,360 --> 00:29:25,160
Speaker 3: up to cheer for uh fascism, for yes, for fascism rising,

608
00:29:25,480 --> 00:29:27,120
Speaker 3: and then they go back, yes.

609
00:29:27,440 --> 00:29:28,520
Speaker 1: I can I say this.

610
00:29:29,120 --> 00:29:32,120
Speaker 2: I feel like when the first time I ever went

611
00:29:32,120 --> 00:29:34,719
Speaker 2: to see a Broadway show, I thought, oh, people are

612
00:29:34,720 --> 00:29:36,160
Speaker 2: going to be dressed up and.

613
00:29:36,320 --> 00:29:37,360
Speaker 1: Yes, the theater.

614
00:29:37,720 --> 00:29:41,120
Speaker 2: Yeah, And so I always try to dress like, you know, nice,

615
00:29:41,400 --> 00:29:43,240
Speaker 2: I'm not wearing like a gown or anything like that.

616
00:29:43,480 --> 00:29:46,160
Speaker 2: But when I get there, people got on boot cut

617
00:29:46,240 --> 00:29:51,360
Speaker 2: jeans and mud splattered this, that and the third, and I.

618
00:29:51,320 --> 00:29:54,480
Speaker 3: Remember like, yes, I remember thinking, you dress up when

619
00:29:54,520 --> 00:29:56,560
Speaker 3: you go to the theater, and now I know not

620
00:29:56,720 --> 00:29:58,880
Speaker 3: to dress up, but I'm like, I'm not wearing shorts.

621
00:29:59,160 --> 00:30:01,440
Speaker 3: Then you get there and you see a man in cargo.

622
00:30:01,200 --> 00:30:04,080
Speaker 2: Shorts and an old Navy performance fleece.

623
00:30:04,240 --> 00:30:07,920
Speaker 3: Odre is almost like literally belting until she passes out

624
00:30:07,920 --> 00:30:08,400
Speaker 3: every day.

625
00:30:08,320 --> 00:30:10,320
Speaker 2: And you're in airing her solo there and you got

626
00:30:10,360 --> 00:30:13,040
Speaker 2: a you got you a midrofol you got the back

627
00:30:13,040 --> 00:30:14,720
Speaker 2: of your knees touch in the chair.

628
00:30:15,240 --> 00:30:21,080
Speaker 1: My issue with theater altogether is the prices is it's

629
00:30:21,120 --> 00:30:24,320
Speaker 1: extremely classes. How is anybody supposed to go to this

630
00:30:24,800 --> 00:30:27,880
Speaker 1: if it's eight hundred one thousand dollars in the lowest

631
00:30:27,880 --> 00:30:29,400
Speaker 1: ticket is two hundred.

632
00:30:29,600 --> 00:30:32,440
Speaker 3: So it's the only thing I don't feel. I ask

633
00:30:32,520 --> 00:30:34,440
Speaker 3: for theater tickets all the time. It's the only thing

634
00:30:34,440 --> 00:30:38,880
Speaker 3: I email publicists about. I don't yeah, no, no, not mine,

635
00:30:38,880 --> 00:30:40,840
Speaker 3: but like other but like people that work in theater,

636
00:30:41,080 --> 00:30:45,040
Speaker 3: I don't get free. You know, I'm not famous enough

637
00:30:45,080 --> 00:30:47,840
Speaker 3: to get free like products or like sponsored to training

638
00:30:47,840 --> 00:30:50,720
Speaker 3: like that. But you start meeting people that work in

639
00:30:50,760 --> 00:30:53,120
Speaker 3: theater and you know who to email, They'll give you.

640
00:30:53,040 --> 00:30:58,720
Speaker 1: Free let's got the field trip or whatnot.

641
00:30:58,800 --> 00:31:00,320
Speaker 3: And then you know what happens is if you get

642
00:31:00,520 --> 00:31:03,360
Speaker 3: a few for free, then when you do pay for one,

643
00:31:03,440 --> 00:31:05,360
Speaker 3: you're like, okay, so this is three hundred dollars. That's

644
00:31:05,360 --> 00:31:06,960
Speaker 3: like as though I paid one hundred for each of

645
00:31:07,000 --> 00:31:07,720
Speaker 3: the ones I went to.

646
00:31:08,000 --> 00:31:09,680
Speaker 1: Yes, that's that's girl math.

647
00:31:09,680 --> 00:31:11,560
Speaker 3: Yeah that is yeah.

648
00:31:11,600 --> 00:31:14,680
Speaker 1: But all the money that people are paying tickets, is

649
00:31:14,720 --> 00:31:18,800
Speaker 1: it going to the artists or it's going to the theater?

650
00:31:19,160 --> 00:31:21,320
Speaker 3: I do think from what I understand I remember at

651
00:31:21,320 --> 00:31:25,040
Speaker 3: one point Cole explained this to me early on, like

652
00:31:25,800 --> 00:31:29,600
Speaker 3: it is just it just does cost so much to

653
00:31:29,760 --> 00:31:34,480
Speaker 3: make theater, and like it would be lovely if the

654
00:31:34,520 --> 00:31:36,880
Speaker 3: government funded more of it, like in you know, I'm

655
00:31:36,920 --> 00:31:40,000
Speaker 3: sure in Sweden theater tickets are like two dollars and

656
00:31:40,080 --> 00:31:43,640
Speaker 3: it's like an amazing performance and everyone has a great

657
00:31:43,680 --> 00:31:46,520
Speaker 3: time and then goes out and has non alcoholic cocktails.

658
00:31:46,600 --> 00:31:49,360
Speaker 2: Well, I was told that Broadway performers don't really get

659
00:31:49,400 --> 00:31:50,840
Speaker 2: paid that way, That's what I heard.

660
00:31:50,760 --> 00:31:54,640
Speaker 3: I know, but even even without getting paid, well, it

661
00:31:54,800 --> 00:31:55,920
Speaker 3: still costs that much.

662
00:31:56,040 --> 00:31:56,800
Speaker 1: Well, I'll tell you what.

663
00:31:56,960 --> 00:31:58,720
Speaker 2: The theater that I was at the last time to

664
00:31:58,760 --> 00:32:02,360
Speaker 2: see Audra do what she did. The seats were the

665
00:32:02,480 --> 00:32:07,720
Speaker 2: roads were so close together, like obviously like stadium seating.

666
00:32:08,120 --> 00:32:10,160
Speaker 1: But my knees, oh my god.

667
00:32:10,200 --> 00:32:13,160
Speaker 2: And I'm five four, so I don't know how anybody

668
00:32:13,160 --> 00:32:15,440
Speaker 2: else was sitting in them. And I had boots on

669
00:32:15,520 --> 00:32:17,400
Speaker 2: because you know, I was like, yeah, I'm dressed up.

670
00:32:17,720 --> 00:32:19,920
Speaker 2: I had to turn my knees to the side I could,

671
00:32:20,080 --> 00:32:22,680
Speaker 2: like my sister I had. We crossed our legs over

672
00:32:22,720 --> 00:32:24,360
Speaker 2: each other so we could stretch them.

673
00:32:24,440 --> 00:32:26,400
Speaker 1: It was crazy, yeaheah.

674
00:32:26,520 --> 00:32:29,560
Speaker 3: I mean, it's this funny thing. It's almost like a

675
00:32:29,760 --> 00:32:33,080
Speaker 3: like going to Disneyland because it is for tourists and

676
00:32:33,320 --> 00:32:35,200
Speaker 3: it's way more expensive than it should be. I remember

677
00:32:35,200 --> 00:32:37,840
Speaker 3: when I found out how expensive Disneyland was, I was like,

678
00:32:37,880 --> 00:32:39,640
Speaker 3: I'm sorry, So all these gay guys I know have

679
00:32:39,720 --> 00:32:42,160
Speaker 3: been paying like three hundred dollars every time they go.

680
00:32:42,400 --> 00:32:43,080
Speaker 3: That's crazy.

681
00:32:43,200 --> 00:32:44,800
Speaker 1: Now I see why Shonda Rhimes asked for it. I'm

682
00:32:44,840 --> 00:32:49,760
Speaker 1: extra tickets. She said, listen, yeah, I need somem for

683
00:32:49,840 --> 00:32:52,160
Speaker 1: my sister. And they were like, don't you have enough?

684
00:32:52,640 --> 00:32:54,520
Speaker 1: And She's like, I don't and she said, and now

685
00:32:54,560 --> 00:32:58,720
Speaker 1: I'm my net. Yeah, disney Land.

686
00:32:58,600 --> 00:33:01,200
Speaker 3: Mess Meture gets a free ticket and Netflix toot them live.

687
00:33:02,560 --> 00:33:05,960
Speaker 3: So let's say you're a normal person, You're not like

688
00:33:06,040 --> 00:33:08,440
Speaker 3: super wealthy, you shell out three hundred and fifty dollars

689
00:33:08,480 --> 00:33:10,520
Speaker 3: to go to the theater. Suddenly you have to be

690
00:33:10,680 --> 00:33:13,760
Speaker 3: in the presence of all these people who like are

691
00:33:13,800 --> 00:33:16,080
Speaker 3: so out of touch and don't have good taste and

692
00:33:16,120 --> 00:33:18,480
Speaker 3: are reacting to the wrong things. And it's their taste

693
00:33:18,560 --> 00:33:21,360
Speaker 3: level that is dictating what gets put on stage too.

694
00:33:22,320 --> 00:33:25,000
Speaker 1: Yeah, that's when I was. When I went to go

695
00:33:25,040 --> 00:33:28,880
Speaker 1: see Slave Play, there was a lot of times where

696
00:33:29,240 --> 00:33:31,280
Speaker 1: and I at the time, I was dating this like

697
00:33:31,400 --> 00:33:34,719
Speaker 1: militant black woman and I took her there for her

698
00:33:34,760 --> 00:33:38,080
Speaker 1: birthday us a slave place, slave play. I was like,

699
00:33:38,120 --> 00:33:40,719
Speaker 1: because everybody's talking about it, and you know, I know Jeremy,

700
00:33:40,720 --> 00:33:43,080
Speaker 1: and I was like, oh yeah, let me go. Because

701
00:33:43,080 --> 00:33:46,160
Speaker 1: we were surrounded I know, I know older or older

702
00:33:46,200 --> 00:33:48,600
Speaker 1: white people and they the stuff that they were laughing at.

703
00:33:48,640 --> 00:33:53,520
Speaker 1: She's like like, she was so pissed, and she like

704
00:33:53,640 --> 00:33:56,280
Speaker 1: and we were sitting in the middle and she just

705
00:33:56,320 --> 00:33:59,200
Speaker 1: was like, we're getting up, we're going, we're leaving dag

706
00:34:00,120 --> 00:34:02,360
Speaker 1: and I said, hey, we we probably got tam moment.

707
00:34:02,440 --> 00:34:05,040
Speaker 1: It is like that She's like, I've had enough, and

708
00:34:05,080 --> 00:34:06,840
Speaker 1: I was like, you don't get it. But I think

709
00:34:06,920 --> 00:34:10,560
Speaker 1: she was uncomfortable with watching it with the audience the people.

710
00:34:11,160 --> 00:34:15,320
Speaker 3: Yes, exactly, because it's like when you are writing something

711
00:34:15,440 --> 00:34:18,720
Speaker 3: you and you know, God willing it gets on Broadway,

712
00:34:18,800 --> 00:34:21,400
Speaker 3: you have to literally almost write it with the mindset

713
00:34:21,440 --> 00:34:22,879
Speaker 3: that it is going to be viewed by this very

714
00:34:22,920 --> 00:34:24,680
Speaker 3: select group of people, which is not the case for

715
00:34:24,719 --> 00:34:28,520
Speaker 3: writing like a movie or a TV show or an album. Mmmm,

716
00:34:29,200 --> 00:34:32,160
Speaker 3: Like there's a very good chance that literally won't reach

717
00:34:32,280 --> 00:34:35,359
Speaker 3: the people that you are trying to appeal to, because

718
00:34:35,400 --> 00:34:37,800
Speaker 3: tickets are like four hundred dollars.

719
00:34:37,680 --> 00:34:40,360
Speaker 1: Play for free. Yeah, well there was. He did do

720
00:34:40,480 --> 00:34:43,280
Speaker 1: a night where it was like a blackout night and there.

721
00:34:42,880 --> 00:34:43,799
Speaker 3: I think there were multiple nights.

722
00:34:43,840 --> 00:34:45,960
Speaker 1: Yeah, there was so many nights where if you were

723
00:34:46,400 --> 00:34:49,640
Speaker 1: it will be cheaper or whatever. But yeah, we went

724
00:34:49,680 --> 00:34:53,520
Speaker 1: on the night. I spent really good, so much money

725
00:34:53,560 --> 00:34:55,920
Speaker 1: for these tickets. We did not have sex that night.

726
00:34:56,640 --> 00:34:58,400
Speaker 1: We did not have sex. I hate that for you.

727
00:34:58,440 --> 00:35:00,680
Speaker 2: I think if you buy broabaly take, you should be

728
00:35:00,840 --> 00:35:02,040
Speaker 2: entitled to some compensation.

729
00:35:02,200 --> 00:35:02,960
Speaker 1: I did not get.

730
00:35:03,200 --> 00:35:05,120
Speaker 3: But I know you think a lot of people are

731
00:35:05,120 --> 00:35:05,800
Speaker 3: not having sex.

732
00:35:07,880 --> 00:35:08,640
Speaker 1: Well, I don't know.

733
00:35:08,719 --> 00:35:11,040
Speaker 2: It's I think somebody might have went to see it

734
00:35:11,080 --> 00:35:12,600
Speaker 2: and they say it was hot for them.

735
00:35:12,600 --> 00:35:14,520
Speaker 3: I don't know, like an interracial couple.

736
00:35:14,600 --> 00:35:22,239
Speaker 1: Okay, like Shannon Sharp exactly. Unk was getting it in

737
00:35:22,280 --> 00:35:27,160
Speaker 1: after healed them tight jaggers off and he took his

738
00:35:27,200 --> 00:35:30,480
Speaker 1: A six off as well. Wait, what's another play that

739
00:35:30,560 --> 00:35:32,279
Speaker 1: I went to go see that? I was like, oh,

740
00:35:32,440 --> 00:35:38,880
Speaker 1: I saw Tina, I saw the MJ Broadway. Great, it

741
00:35:38,960 --> 00:35:43,040
Speaker 1: was amazing. I mean again, these somebody else paid for

742
00:35:43,080 --> 00:35:45,359
Speaker 1: these tickets, so I was like, oh, I have no, No.

743
00:35:45,280 --> 00:35:47,759
Speaker 2: They're always better when somebody else pays for them. No,

744
00:35:49,080 --> 00:35:51,480
Speaker 2: not always. But now I'm trying to decide if I

745
00:35:51,520 --> 00:35:55,359
Speaker 2: want to see between Sunset Boulevard, which is the Cat

746
00:35:55,400 --> 00:35:56,520
Speaker 2: Dolls Girl or.

747
00:35:56,520 --> 00:35:57,279
Speaker 1: Death Becomes Her.

748
00:35:57,640 --> 00:36:01,960
Speaker 3: Okay, that's a really good question. So is this amazing

749
00:36:02,040 --> 00:36:04,279
Speaker 3: radio for everyone? Me analyzing whether you should see SnSe

750
00:36:04,320 --> 00:36:07,120
Speaker 3: Blevard Get people Quick.

751
00:36:08,480 --> 00:36:08,880
Speaker 1: One is?

752
00:36:09,120 --> 00:36:11,080
Speaker 3: I would say both are great options. First of all,

753
00:36:11,120 --> 00:36:14,640
Speaker 3: you can't go wrong. Death Becomes Her is like so

754
00:36:15,440 --> 00:36:20,839
Speaker 3: high camp, like fun sight gags, like crazy sequences of

755
00:36:20,880 --> 00:36:23,839
Speaker 3: like a body double getting like punched in the face

756
00:36:23,880 --> 00:36:25,560
Speaker 3: and then you see the other woman come in behind

757
00:36:25,760 --> 00:36:31,359
Speaker 3: him and like just like really great funny physical comedy performances.

758
00:36:31,880 --> 00:36:34,799
Speaker 3: Sunset Boulevard is like, first of all, it's a tour

759
00:36:34,880 --> 00:36:37,160
Speaker 3: de force from like it's good that she's getting all

760
00:36:37,160 --> 00:36:38,680
Speaker 3: the praise, like she deserves all the praise. It's like

761
00:36:38,719 --> 00:36:42,000
Speaker 3: an incredible performance from the closuresinger it is you say

762
00:36:42,000 --> 00:36:47,719
Speaker 3: that name singer? It is a very bear do you

763
00:36:47,760 --> 00:36:49,719
Speaker 3: know the vibe of that? It's like a bear set.

764
00:36:49,760 --> 00:36:52,800
Speaker 3: There's like nothing on stage and it's all people wearing

765
00:36:52,880 --> 00:36:55,960
Speaker 3: like all black or whatever. You don't want that she

766
00:36:55,960 --> 00:36:56,719
Speaker 3: hasn't a slip dress.

767
00:36:56,719 --> 00:36:58,680
Speaker 2: All the time I go to see Broadway, I want

768
00:36:58,680 --> 00:37:04,319
Speaker 2: to see Broadway wardrobe, set design, Broadway like I want

769
00:37:04,320 --> 00:37:06,120
Speaker 2: to see like people from all over the world come

770
00:37:06,120 --> 00:37:09,160
Speaker 2: here to do their art, and Broadway is like, you know,

771
00:37:09,600 --> 00:37:12,000
Speaker 2: top tier theater. I don't want to see a black

772
00:37:12,040 --> 00:37:14,359
Speaker 2: box you got on a negligee that you got from

773
00:37:14,640 --> 00:37:15,560
Speaker 2: Ali Express.

774
00:37:15,960 --> 00:37:16,080
Speaker 1: Well.

775
00:37:16,080 --> 00:37:18,400
Speaker 3: I think that's another thing I'm often shocked by on

776
00:37:18,440 --> 00:37:21,680
Speaker 3: Broadway is like you think, Okay, I'm paying four hundred dollars,

777
00:37:21,920 --> 00:37:25,000
Speaker 3: it should be like flying sets and like people. It

778
00:37:25,000 --> 00:37:27,319
Speaker 3: should be everything should be Harry Potter the Musical. If

779
00:37:27,320 --> 00:37:29,080
Speaker 3: I'm paying four hundred dollars, there should be here paying

780
00:37:29,120 --> 00:37:32,400
Speaker 3: quidditch above me at all times. And then sometimes you

781
00:37:32,440 --> 00:37:33,880
Speaker 3: go and it's like, okay, it's a couch and an

782
00:37:33,920 --> 00:37:36,440
Speaker 3: armchair and it's about a family. At Christmas, No.

783
00:37:36,800 --> 00:37:39,120
Speaker 2: I saw a movie a play Jake Jillen Hall was

784
00:37:39,120 --> 00:37:41,680
Speaker 2: in and it was just him monologuing in the dark

785
00:37:42,000 --> 00:37:43,479
Speaker 2: for an hour or two.

786
00:37:43,760 --> 00:37:46,840
Speaker 1: I was like, this is trash. No, no, no, and

787
00:37:46,880 --> 00:37:49,440
Speaker 1: maybe not trash, but just not what you expected that

788
00:37:49,520 --> 00:37:49,920
Speaker 1: should be.

789
00:37:50,120 --> 00:37:52,360
Speaker 3: But what you're describing should be more affordable.

790
00:37:52,640 --> 00:37:55,080
Speaker 1: Yes, well was. I also didn't pay for that ticket,

791
00:37:55,160 --> 00:37:56,880
Speaker 1: so I don't know. It wasn't off Broadway because it

792
00:37:57,000 --> 00:37:58,400
Speaker 1: is on broad Broadway?

793
00:37:58,600 --> 00:37:59,680
Speaker 3: Is is more affordable?

794
00:38:00,080 --> 00:38:03,759
Speaker 1: More affordable? Right? I went to see uh, Wicked? We

795
00:38:03,800 --> 00:38:04,920
Speaker 1: all went to go see Wicked.

796
00:38:05,080 --> 00:38:07,640
Speaker 2: Oh yeah, they spent money on that. Yes we know

797
00:38:07,680 --> 00:38:09,360
Speaker 2: where her money is going for Wicked.

798
00:38:09,680 --> 00:38:10,560
Speaker 3: Yes, exactly.

799
00:38:12,480 --> 00:38:14,200
Speaker 1: I like the movie better than.

800
00:38:15,080 --> 00:38:17,719
Speaker 3: I haven't seen the I haven't seen the show. I

801
00:38:17,719 --> 00:38:19,600
Speaker 3: will say I didn't know anything about it going in.

802
00:38:19,680 --> 00:38:22,160
Speaker 3: I saw the movie, I'd never seen the show. I

803
00:38:22,239 --> 00:38:26,760
Speaker 3: ultimately got on board, but the assault of musical theater

804
00:38:27,520 --> 00:38:29,960
Speaker 3: energy was shocking to me.

805
00:38:30,160 --> 00:38:31,560
Speaker 1: Do you like musical theater or not?

806
00:38:31,880 --> 00:38:34,480
Speaker 3: I'm getting into it, But that sound like you don't

807
00:38:34,520 --> 00:38:34,640
Speaker 3: like it?

808
00:38:34,760 --> 00:38:37,200
Speaker 1: Ye? Like that? Talk to us? Right?

809
00:38:37,600 --> 00:38:40,719
Speaker 3: Just like so much? So many bright colors, so many

810
00:38:40,760 --> 00:38:44,120
Speaker 3: crazy costumes. Everyone is at one hundred and ten. By

811
00:38:44,160 --> 00:38:45,759
Speaker 3: the way, they're doing a great job. I'm not like

812
00:38:45,840 --> 00:38:48,640
Speaker 3: that is what the script calls for, but it's so

813
00:38:49,040 --> 00:38:51,720
Speaker 3: much like my ideal movie is a woman getting divorced.

814
00:38:51,960 --> 00:38:54,799
Speaker 2: Shut up, Okay, what's the lady with the red hair?

815
00:38:54,920 --> 00:38:59,160
Speaker 3: Juliana Julianne Moore, literally Julianne Moore she's getting a divorce

816
00:38:59,239 --> 00:39:01,240
Speaker 3: and she's growing close for her daughter. That's my ideal.

817
00:39:01,360 --> 00:39:02,719
Speaker 1: Okay, So you're also like, it sounds like you're a

818
00:39:02,719 --> 00:39:03,520
Speaker 1: big Nicole.

819
00:39:03,280 --> 00:39:05,200
Speaker 3: Kidman love a Nicole Kidman movie.

820
00:39:05,400 --> 00:39:08,040
Speaker 1: You know, she plays the same role over and over.

821
00:39:08,200 --> 00:39:09,839
Speaker 3: Yeah, the whigs are different every time.

822
00:39:09,920 --> 00:39:13,959
Speaker 1: The wigs are different, but she's the same, She's the same.

823
00:39:14,080 --> 00:39:16,640
Speaker 1: I just saw a baby Girl finally, you know, not,

824
00:39:17,280 --> 00:39:19,399
Speaker 1: I was not. I just saw it because people were

825
00:39:19,400 --> 00:39:21,200
Speaker 1: talking about it so much, and I finally, you know,

826
00:39:21,239 --> 00:39:22,880
Speaker 1: I got I finally got my hands on a HBO

827
00:39:23,400 --> 00:39:25,520
Speaker 1: Max password. You know you don't have one. I'm paid.

828
00:39:25,560 --> 00:39:27,600
Speaker 3: I actually thought she was great and it and so

829
00:39:27,800 --> 00:39:30,920
Speaker 3: is and so is he. But yeah, what is great?

830
00:39:31,080 --> 00:39:37,120
Speaker 1: What someone explained to me close slash. So you're saying,

831
00:39:37,239 --> 00:39:43,240
Speaker 1: Nicole Kidman playing a rich boss bitch risking it all

832
00:39:43,680 --> 00:39:48,239
Speaker 1: for an intern. What what even if she's acting, what

833
00:39:48,480 --> 00:39:54,640
Speaker 1: is so empowering about that movie? But great doesn't equal empower. Yeah,

834
00:39:54,760 --> 00:39:56,879
Speaker 1: you're cheating on Antonio Bandettez.

835
00:39:57,120 --> 00:40:01,680
Speaker 3: I think that hold on, hold on, I mean that

836
00:40:01,800 --> 00:40:04,040
Speaker 3: is crazy. That is the craziest part that was he

837
00:40:04,160 --> 00:40:07,400
Speaker 3: was miscast. Although maybe it's like maybe honestly it's about

838
00:40:07,400 --> 00:40:09,920
Speaker 3: like she has so much trauma that not even Antonio

839
00:40:09,920 --> 00:40:11,920
Speaker 3: Benders can make her come. I think that's what it is.

840
00:40:12,000 --> 00:40:14,920
Speaker 1: They supposed to believe that this thirty year old intern,

841
00:40:15,120 --> 00:40:16,160
Speaker 1: he wasn't even thirty.

842
00:40:16,280 --> 00:40:18,919
Speaker 3: Again, he wasn't even thirty. You're thinking too literally about

843
00:40:18,920 --> 00:40:21,440
Speaker 3: the men. This is about her. It's like the men

844
00:40:21,520 --> 00:40:23,520
Speaker 3: could be anyone. It could be Garfield the cat, like

845
00:40:23,880 --> 00:40:25,680
Speaker 3: she is the one that has to have this journey

846
00:40:25,680 --> 00:40:26,480
Speaker 3: of self discovery.

847
00:40:26,560 --> 00:40:28,399
Speaker 1: Okay, well I need her to do a live laugh

848
00:40:28,480 --> 00:40:32,239
Speaker 1: love or I need her to go on that type

849
00:40:32,239 --> 00:40:36,680
Speaker 1: of trip. I don't want to see her making these decisions, yeah,

850
00:40:36,760 --> 00:40:39,200
Speaker 1: in a cubicle or off like a upskill.

851
00:40:39,360 --> 00:40:41,440
Speaker 3: Did you like when she went to the Raven Business

852
00:40:41,480 --> 00:40:44,160
Speaker 3: casual she was in.

853
00:40:44,120 --> 00:40:46,200
Speaker 1: The express Satin Satin time.

854
00:40:47,320 --> 00:40:49,560
Speaker 3: He said, the pussy bow stays on when I'm on Molly.

855
00:40:49,719 --> 00:40:52,200
Speaker 1: I could not believe it. I was like, come on, Nicole,

856
00:40:52,480 --> 00:40:54,040
Speaker 1: I think she had a briefcase.

857
00:40:53,560 --> 00:40:57,640
Speaker 3: Seet sending an email. It's like she did, but we

858
00:40:57,680 --> 00:40:59,280
Speaker 3: need to get on a Microsoft Teams meeting.

859
00:41:00,080 --> 00:41:00,319
Speaker 4: She did.

860
00:41:01,400 --> 00:41:02,880
Speaker 1: Everything is just an iteration.

861
00:41:04,040 --> 00:41:05,640
Speaker 3: So Sidney, I complete agree with you, but I would

862
00:41:05,719 --> 00:41:07,840
Speaker 3: encourage you. Have you done a deep dive into like

863
00:41:07,920 --> 00:41:12,239
Speaker 3: pre big little eyed Nicole because she is. Yes, but

864
00:41:12,440 --> 00:41:14,120
Speaker 3: have you seen birth? No?

865
00:41:14,120 --> 00:41:14,239
Speaker 1: No?

866
00:41:14,360 --> 00:41:16,960
Speaker 3: All right, so get ready for this. Ready. First of all,

867
00:41:17,000 --> 00:41:18,000
Speaker 3: pixie cut picture it.

868
00:41:18,200 --> 00:41:20,440
Speaker 1: But it's the same color pixie cut picture it.

869
00:41:21,880 --> 00:41:26,200
Speaker 3: She is a woman, a widow, her husband died. Young

870
00:41:26,280 --> 00:41:29,640
Speaker 3: kid shows up, tells her he's the husband reincarnated.

871
00:41:29,840 --> 00:41:30,440
Speaker 1: The kid.

872
00:41:30,640 --> 00:41:33,400
Speaker 3: Yes, he knows all this stuff about her, and she

873
00:41:33,440 --> 00:41:36,200
Speaker 3: starts believing this, my husband reincarnated as a kid. That's

874
00:41:36,239 --> 00:41:38,040
Speaker 3: the premise of the movie. You're telling me, don't want

875
00:41:38,040 --> 00:41:40,040
Speaker 3: to I'm not gonna spoil.

876
00:41:40,320 --> 00:41:44,720
Speaker 1: Okay, what's the most important for me? Is she poor?

877
00:41:45,400 --> 00:41:45,720
Speaker 3: No?

878
00:41:45,920 --> 00:41:49,440
Speaker 1: Okay, I don't. I don't want to see. Are Nicole

879
00:41:49,520 --> 00:41:52,400
Speaker 1: Kidman rich doing well?

880
00:41:52,960 --> 00:41:54,440
Speaker 3: I take all of that you destroyer?

881
00:41:54,800 --> 00:41:55,720
Speaker 1: Is she on the streets?

882
00:41:55,840 --> 00:41:57,560
Speaker 3: Yes, on the streets?

883
00:41:57,600 --> 00:42:00,000
Speaker 1: Okay, yeah, we have.

884
00:42:01,760 --> 00:42:04,680
Speaker 3: Destroyer. And it's funny because Nicole Kidman is so naturally

885
00:42:05,080 --> 00:42:06,840
Speaker 3: first of all beautiful, and second of all, like you know,

886
00:42:06,880 --> 00:42:09,479
Speaker 3: her face is what it is, and so in order

887
00:42:09,520 --> 00:42:12,560
Speaker 3: to make her seem more down to earth, they can't

888
00:42:12,560 --> 00:42:14,120
Speaker 3: do anything to her actual face. So they just like

889
00:42:14,200 --> 00:42:17,240
Speaker 3: cover her with like soot, like that's how you're supposed

890
00:42:17,280 --> 00:42:24,000
Speaker 3: to know.

891
00:42:19,719 --> 00:42:25,719
Speaker 1: We're after the console. Make her do they put it

892
00:42:25,840 --> 00:42:27,080
Speaker 1: like a tan on her as well?

893
00:42:27,200 --> 00:42:31,759
Speaker 3: Yeah, a little bit, but it's most dark getting Nicole up. No, no, no, no,

894
00:42:32,040 --> 00:42:33,759
Speaker 3: it's more like she's tanned because you know she's out

895
00:42:33,760 --> 00:42:36,520
Speaker 3: in the sun and she and and bags under her eyes.

896
00:42:36,600 --> 00:42:37,320
Speaker 1: Okay, destroyed.

897
00:42:37,400 --> 00:42:40,880
Speaker 3: I'm trying so no filler, trying to think though, this

898
00:42:40,920 --> 00:42:43,720
Speaker 3: is such a good prompt, like which movies is Nicole

899
00:42:43,800 --> 00:42:47,359
Speaker 3: Kidman poor? And like this is such a good problem Dogville.

900
00:42:48,000 --> 00:42:49,320
Speaker 1: I've never even heard of you.

901
00:42:49,320 --> 00:42:52,800
Speaker 3: You guys would not like Dogill. You know why, because

902
00:42:53,040 --> 00:42:56,520
Speaker 3: it's the gimmick is that it's there's no sets. It's

903
00:42:56,560 --> 00:42:58,279
Speaker 3: all on a sound stage, So you would hate it

904
00:42:58,280 --> 00:43:00,719
Speaker 3: because you want death becomes her, you know what I mean?

905
00:43:01,360 --> 00:43:04,279
Speaker 3: This is more it's a it's a movie, but it's

906
00:43:04,320 --> 00:43:05,879
Speaker 3: like it might as well be a play.

907
00:43:06,280 --> 00:43:09,000
Speaker 1: No, we don't want me and Marie have to watch

908
00:43:09,080 --> 00:43:12,120
Speaker 1: Destroyer and go live. Make comments about.

909
00:43:12,400 --> 00:43:14,680
Speaker 3: For Jennifer's body, Karen Kuama, Okay.

910
00:43:14,480 --> 00:43:17,080
Speaker 1: Jennifer's body.

911
00:43:17,040 --> 00:43:19,920
Speaker 3: Yeah, that was for the Megan Fox, Yes, Megan Fox.

912
00:43:20,520 --> 00:43:22,360
Speaker 3: What other movies is Nicole poor in?

913
00:43:23,200 --> 00:43:25,239
Speaker 2: She's not poor in anything, because we don't believe that

914
00:43:25,320 --> 00:43:28,120
Speaker 2: she could she just you know, maybe because she can't

915
00:43:28,160 --> 00:43:29,640
Speaker 2: do a poor accent.

916
00:43:29,719 --> 00:43:31,720
Speaker 1: You know she's Australian, she's sound American.

917
00:43:31,880 --> 00:43:34,879
Speaker 3: Yeah she's not. But you see an eyes white shut.

918
00:43:35,400 --> 00:43:38,120
Speaker 3: Yeah that's good. Do you do you not like I did, like, yeah,

919
00:43:38,200 --> 00:43:38,840
Speaker 3: that's agreement.

920
00:43:38,960 --> 00:43:41,319
Speaker 1: Yeah, but that I didn't see. There was felt more

921
00:43:41,840 --> 00:43:46,400
Speaker 1: artistry built into that. And even with the script and this,

922
00:43:46,800 --> 00:43:49,680
Speaker 1: like the setting, the set design, it just it just

923
00:43:49,719 --> 00:43:52,520
Speaker 1: gave me more what she's used with. She was in

924
00:43:52,600 --> 00:43:56,440
Speaker 1: another thing that was an HBO that was just another

925
00:43:56,480 --> 00:43:58,480
Speaker 1: thing of like white Lotus, the.

926
00:43:58,440 --> 00:44:00,760
Speaker 3: One with the giant, giant green coat that she was wearing.

927
00:44:01,239 --> 00:44:03,320
Speaker 1: That one. What about the one on Netflix?

928
00:44:03,320 --> 00:44:06,160
Speaker 3: Wish yet the couple of the perfect couple, Perfect couple? Yeah, yeah,

929
00:44:06,200 --> 00:44:09,000
Speaker 3: you know, I watched every single episode and then there's another.

930
00:44:09,040 --> 00:44:14,280
Speaker 1: I watched it at Cydny's house. Oh yeah, what they'll watching.

931
00:44:15,080 --> 00:44:18,759
Speaker 3: Everything now is about rich people. I'm tired of it.

932
00:44:18,960 --> 00:44:20,239
Speaker 1: But everybody is not rich.

933
00:44:20,840 --> 00:44:25,000
Speaker 3: Yeah, but it's like they're counting on normal people wanting

934
00:44:25,040 --> 00:44:28,319
Speaker 3: to gawk at rich people. And also you sort of

935
00:44:28,320 --> 00:44:30,399
Speaker 3: like don't have to get it right because not enough

936
00:44:30,440 --> 00:44:32,919
Speaker 3: of us are one percenters that we would like understand

937
00:44:33,520 --> 00:44:38,160
Speaker 3: what the flaws are whereas if you make a show about,

938
00:44:38,280 --> 00:44:43,680
Speaker 3: you know, a barista dating a you know, candlestick, candlestick.

939
00:44:45,480 --> 00:44:48,799
Speaker 1: You're just throwing anything out there. Hungry barista dating a candlestick.

940
00:44:48,920 --> 00:44:52,040
Speaker 1: That's for people's stuff. There's a rich person would be

941
00:44:52,080 --> 00:44:58,640
Speaker 1: dating a chandelier. Yescually like this, get in the laby this.

942
00:44:58,680 --> 00:45:02,000
Speaker 3: Down, and a rich person is a poor personating the

943
00:45:02,040 --> 00:45:03,960
Speaker 3: pussy candle or or a normal candle.

944
00:45:04,239 --> 00:45:06,360
Speaker 1: Oh, the pussy candle was like nine hundred dollars. I

945
00:45:06,400 --> 00:45:09,320
Speaker 1: don't know. Goo was not charging. It's not for the

946
00:45:10,719 --> 00:45:11,000
Speaker 1: it's for.

947
00:45:12,280 --> 00:45:15,439
Speaker 3: An m pussy candle. It's just like a random random woman.

948
00:45:15,640 --> 00:45:17,800
Speaker 1: No, I'm going to get chlamydia from that candle. No,

949
00:45:17,880 --> 00:45:21,280
Speaker 1: thank you. I'm also that's the name of the candle.

950
00:45:21,480 --> 00:45:22,960
Speaker 3: But it's spelled with a little umlaut.

951
00:45:26,239 --> 00:45:30,000
Speaker 1: Okay, so fully against I don't I don't want to

952
00:45:30,040 --> 00:45:33,600
Speaker 1: see and I enjoy Nicole Kidman, but I want her.

953
00:45:34,000 --> 00:45:35,080
Speaker 1: I want her to make a shift.

954
00:45:35,200 --> 00:45:36,680
Speaker 3: I understand. I understand.

955
00:45:36,880 --> 00:45:37,719
Speaker 1: So there's that for me.

956
00:45:37,920 --> 00:45:40,160
Speaker 3: I understand that, And I actually, as a really big

957
00:45:40,239 --> 00:45:42,239
Speaker 3: Nicole Kidman fan, I agree with you that it's been

958
00:45:42,280 --> 00:45:45,640
Speaker 3: a bit one note in terms of like rich rich

959
00:45:45,840 --> 00:45:48,480
Speaker 3: woman with trauma over and over again.

960
00:45:48,560 --> 00:45:50,439
Speaker 2: But I think that this is this is what some

961
00:45:50,680 --> 00:45:55,320
Speaker 2: actors do, right. They find their niche or they find

962
00:45:55,360 --> 00:45:59,000
Speaker 2: their lane, and they just do those types of movies

963
00:45:59,120 --> 00:46:02,359
Speaker 2: until now they have to play somebody's mom or somebody's dad.

964
00:46:02,640 --> 00:46:06,360
Speaker 3: Yeah, And I do think it is difficult for you know,

965
00:46:06,480 --> 00:46:10,440
Speaker 3: actresses as the age because I'm like, what are the

966
00:46:10,520 --> 00:46:14,360
Speaker 3: stories about non rich older women? Like, what was the

967
00:46:14,440 --> 00:46:16,479
Speaker 3: last movie that was about a non rich older woman?

968
00:46:18,360 --> 00:46:21,000
Speaker 3: She was rich and tar Orchestra's expensive?

969
00:46:21,120 --> 00:46:24,680
Speaker 1: Yeah, what else? I want to be quite frank with you,

970
00:46:24,719 --> 00:46:27,480
Speaker 1: I'm not a movie buff. I don't really watch movies

971
00:46:27,480 --> 00:46:30,759
Speaker 1: that much, Okay, And if I do watch movies, they're

972
00:46:30,760 --> 00:46:35,520
Speaker 1: from yeah, because that that really gets me going. It

973
00:46:35,600 --> 00:46:38,120
Speaker 1: makes me feel inspired. I feel like I keep watching

974
00:46:39,000 --> 00:46:42,239
Speaker 1: up to date movies that are just another iteration of

975
00:46:42,280 --> 00:46:43,480
Speaker 1: something that's already been done.

976
00:46:43,640 --> 00:46:47,960
Speaker 3: I know. So, are you more film TV or music.

977
00:46:49,160 --> 00:46:52,040
Speaker 1: TV? I'm more TV. I just I watched The Pit

978
00:46:52,160 --> 00:46:56,040
Speaker 1: and I felt like that we need more The Pit.

979
00:46:58,480 --> 00:47:01,000
Speaker 3: You are prestige proceid, yes.

980
00:47:01,160 --> 00:47:04,560
Speaker 1: But for some reason it feels a little low budget,

981
00:47:04,760 --> 00:47:07,920
Speaker 1: like not the not the energy. But I really do

982
00:47:07,960 --> 00:47:11,880
Speaker 1: feel like I'm in Philly somewhere in this you know

983
00:47:12,000 --> 00:47:15,719
Speaker 1: dead end hospital that everybody's working so hard to keep up.

984
00:47:15,880 --> 00:47:19,080
Speaker 3: Well, you're in Pittsburgh, Pittsburgh.

985
00:47:19,120 --> 00:47:25,080
Speaker 1: Okay, there it is. Wow, I really get where is Pittsburgh?

986
00:47:25,120 --> 00:47:26,000
Speaker 1: What state is that?

987
00:47:26,160 --> 00:47:28,400
Speaker 3: So it is going to go ahead and be in Pennsylvania's.

988
00:47:30,280 --> 00:47:34,600
Speaker 3: But here's a thing about Pittsburgh. Because sometimes I've been

989
00:47:34,719 --> 00:47:38,200
Speaker 3: trying to plan a tour and you think, Okay, Philly Pittsburgh.

990
00:47:38,239 --> 00:47:40,560
Speaker 1: Not the same, so far, not the same.

991
00:47:40,840 --> 00:47:44,200
Speaker 3: You can't do Philly, Pittsburgh Boston. No, you can't cancel

992
00:47:44,239 --> 00:47:46,240
Speaker 3: our Pittsburgh day because it didn't make sense.

993
00:47:46,719 --> 00:47:49,799
Speaker 2: It's at least sixty two people, very disappointed.

994
00:47:49,880 --> 00:47:52,040
Speaker 1: That's the fuck up, Marie.

995
00:47:53,160 --> 00:47:57,520
Speaker 3: You're going to be exactly show.

996
00:47:56,400 --> 00:47:58,919
Speaker 1: That's not true, because if you're at Bottle Rocket, they

997
00:47:58,960 --> 00:48:00,200
Speaker 1: have more than sixty.

998
00:48:00,440 --> 00:48:02,480
Speaker 3: And I loved I performed their last year and I

999
00:48:02,560 --> 00:48:04,719
Speaker 3: loved it, and I really wanted to return. But if

1000
00:48:04,760 --> 00:48:07,600
Speaker 3: you're doing if you're trying to do more in less time,

1001
00:48:07,920 --> 00:48:11,400
Speaker 3: it just doesn't make sense. It's too far Pittsburgh, Marie.

1002
00:48:11,480 --> 00:48:14,560
Speaker 1: But I don't think anybody in Pittsburgh is looking for me.

1003
00:48:14,640 --> 00:48:15,319
Speaker 1: That's what you think.

1004
00:48:16,360 --> 00:48:19,040
Speaker 3: They are a good audience.

1005
00:48:21,040 --> 00:48:21,960
Speaker 1: She's not interested.

1006
00:48:22,040 --> 00:48:25,640
Speaker 3: She's not interested at all. What is your best the

1007
00:48:25,680 --> 00:48:27,879
Speaker 3: two of you, like, what is your best city other

1008
00:48:27,920 --> 00:48:29,840
Speaker 3: than New York, Lan and Chicago.

1009
00:48:30,000 --> 00:48:31,440
Speaker 1: In terms of where I like to perform?

1010
00:48:31,600 --> 00:48:34,640
Speaker 2: Yeah, yeah, well I think I'm excited to discover some

1011
00:48:34,680 --> 00:48:36,480
Speaker 2: of those cities this year, right, Like, I'll be in

1012
00:48:36,520 --> 00:48:39,480
Speaker 2: Toronto and I feel like I've only ever heard good

1013
00:48:39,480 --> 00:48:43,880
Speaker 2: things about that. You know, I'm doing Zany's in Chicago

1014
00:48:44,000 --> 00:48:46,080
Speaker 2: this year, and I'm excited to do that.

1015
00:48:46,680 --> 00:48:47,600
Speaker 1: I just want to be in.

1016
00:48:47,560 --> 00:48:52,000
Speaker 2: Like, you know, small Q clubs with people who you

1017
00:48:52,040 --> 00:48:55,040
Speaker 2: know have taste enough taste that they voted ticket to

1018
00:48:55,040 --> 00:48:55,319
Speaker 2: see me.

1019
00:48:57,000 --> 00:48:59,719
Speaker 1: I love d C, d C. It's true. It's a

1020
00:49:00,760 --> 00:49:05,720
Speaker 1: mix of people, and there's cute people, there's fun people,

1021
00:49:05,760 --> 00:49:11,840
Speaker 1: there's educated people, there's down to earth people. People so

1022
00:49:12,600 --> 00:49:13,240
Speaker 1: very closeted.

1023
00:49:13,520 --> 00:49:15,279
Speaker 3: It's kind of retro and fun in a way. You know,

1024
00:49:15,320 --> 00:49:16,160
Speaker 3: everyone's closeted.

1025
00:49:16,200 --> 00:49:17,040
Speaker 1: Oh you know they're closeted.

1026
00:49:17,120 --> 00:49:20,799
Speaker 3: You see you because of because of the government. All

1027
00:49:20,800 --> 00:49:22,680
Speaker 3: of them are like closeted and working in the government

1028
00:49:23,080 --> 00:49:23,959
Speaker 3: some cards.

1029
00:49:23,680 --> 00:49:26,440
Speaker 1: But out there at your show and you're like, how

1030
00:49:26,480 --> 00:49:27,840
Speaker 1: did you find out about.

1031
00:49:27,800 --> 00:49:29,800
Speaker 3: They're at my show? They're skinny Kaki girlfriend.

1032
00:49:29,880 --> 00:49:36,520
Speaker 1: Yeah, it's skinny Khaki girlfriend. Yeah. New Orleans is the

1033
00:49:36,560 --> 00:49:38,160
Speaker 1: fund need city to perform into.

1034
00:49:38,400 --> 00:49:41,000
Speaker 2: New Orleans is just a fun city.

1035
00:49:41,480 --> 00:49:48,040
Speaker 1: I almost got kidnapped there? What miss when? When I went, wait,

1036
00:49:48,080 --> 00:49:50,560
Speaker 1: how did you get kidnapped? I didn't say I got

1037
00:49:50,840 --> 00:49:54,279
Speaker 1: house got kidnapped. Well, I remember the guy he wanted

1038
00:49:54,320 --> 00:49:57,319
Speaker 1: to eat your ass? Yeah I remember that, not that guy.

1039
00:49:57,760 --> 00:50:00,440
Speaker 1: That's different. Okay, what you have to other so you

1040
00:50:00,440 --> 00:50:01,720
Speaker 1: can't just say I almost got kidnapped.

1041
00:50:01,719 --> 00:50:02,839
Speaker 3: Okay.

1042
00:50:03,200 --> 00:50:06,759
Speaker 2: So I was out in New Orleans and there was

1043
00:50:06,840 --> 00:50:10,920
Speaker 2: this couple that was like out and the woman was

1044
00:50:10,960 --> 00:50:13,320
Speaker 2: like flirting with me a lot, and I'm kind of

1045
00:50:13,360 --> 00:50:16,839
Speaker 2: I'm just like like I will flirt back, but like

1046
00:50:17,440 --> 00:50:18,080
Speaker 2: to a point.

1047
00:50:18,840 --> 00:50:20,200
Speaker 1: And I went.

1048
00:50:20,040 --> 00:50:22,400
Speaker 2: Into the bathroom and she followed me into the bathroom

1049
00:50:22,400 --> 00:50:25,719
Speaker 2: because she also needed to pee, and so like now

1050
00:50:25,840 --> 00:50:28,600
Speaker 2: my spidy senses are kind of tingling, but like, nothing

1051
00:50:28,600 --> 00:50:29,400
Speaker 2: happened in the bathroom.

1052
00:50:29,440 --> 00:50:29,799
Speaker 1: I peed.

1053
00:50:30,200 --> 00:50:32,720
Speaker 2: I checked above the stall to make sure she wasn't

1054
00:50:33,040 --> 00:50:34,920
Speaker 2: watching me. I checked below the stall. They might have

1055
00:50:34,960 --> 00:50:36,200
Speaker 2: been a camera looking at my butt.

1056
00:50:36,200 --> 00:50:36,600
Speaker 1: I don't know.

1057
00:50:37,960 --> 00:50:39,439
Speaker 2: I come out and I'm like, damn, I really wish

1058
00:50:39,440 --> 00:50:41,080
Speaker 2: I had some weed I want to smoke, and she

1059
00:50:41,239 --> 00:50:42,240
Speaker 2: was like, oh, we.

1060
00:50:42,120 --> 00:50:47,640
Speaker 3: Have plenty of well people are kidnapping, Holly, people are kidnapping.

1061
00:50:47,760 --> 00:50:52,120
Speaker 1: And I was like, oh, where, Like is it here?

1062
00:50:52,640 --> 00:50:54,440
Speaker 1: And she's like no, it's like it's at the house,

1063
00:50:54,600 --> 00:50:56,520
Speaker 1: right babe, right babe.

1064
00:50:56,960 --> 00:51:01,239
Speaker 2: And he's like, yeah, like you you could tell that

1065
00:51:01,320 --> 00:51:03,359
Speaker 2: she's kind of like the ringleader of all of this,

1066
00:51:04,000 --> 00:51:06,879
Speaker 2: Like she liked me, she wanted to hook up, so

1067
00:51:07,040 --> 00:51:10,640
Speaker 2: he had to just be down for that and uh,

1068
00:51:10,680 --> 00:51:13,280
Speaker 2: but he also was like down for whatever she was saying.

1069
00:51:13,719 --> 00:51:15,880
Speaker 2: And she's like, yeah, no, it's it's at the house.

1070
00:51:16,480 --> 00:51:18,920
Speaker 2: We'll weed at the house. Just come back with us

1071
00:51:19,000 --> 00:51:22,200
Speaker 2: and we'll we'll smoke together. And she was like, I'm

1072
00:51:22,239 --> 00:51:24,040
Speaker 2: not that far. And I said where do you live?

1073
00:51:24,400 --> 00:51:25,960
Speaker 2: And then she said where it was and it was

1074
00:51:26,000 --> 00:51:28,960
Speaker 2: like it was like a forty five minute drive from

1075
00:51:28,960 --> 00:51:31,800
Speaker 2: where I was. I wasn't gonna get in the car anyway,

1076
00:51:31,920 --> 00:51:34,399
Speaker 2: but for you to tell me it's close and then

1077
00:51:34,440 --> 00:51:37,560
Speaker 2: you're trying to take this is trafficking. This is this

1078
00:51:37,600 --> 00:51:38,960
Speaker 2: is what Diddy's on troll for.

1079
00:51:39,120 --> 00:51:41,520
Speaker 3: Yeah, Okay, Marie, I'm gonna be honest with you. This

1080
00:51:41,640 --> 00:51:43,759
Speaker 3: was not you did not escape kidnapping.

1081
00:51:43,880 --> 00:51:44,239
Speaker 1: She was.

1082
00:51:44,920 --> 00:51:48,240
Speaker 2: He went to bring the van around and she fully

1083
00:51:48,320 --> 00:51:50,480
Speaker 2: was trying to get me in the car. Yeah, I

1084
00:51:50,560 --> 00:51:51,880
Speaker 2: did escape a kidnapping.

1085
00:51:53,800 --> 00:51:57,120
Speaker 1: Believe women, Believe Natalie Hollaway.

1086
00:51:57,480 --> 00:52:02,239
Speaker 3: George, what did this couple? Because you know, I'm of

1087
00:52:02,239 --> 00:52:06,680
Speaker 3: course imagining like women with purple or blue PIXI cut

1088
00:52:06,840 --> 00:52:09,279
Speaker 3: man with ponytail? How far or close?

1089
00:52:09,600 --> 00:52:12,160
Speaker 2: It was a light skinned black woman and a white man.

1090
00:52:12,800 --> 00:52:15,080
Speaker 2: And I said, you saw it?

1091
00:52:15,200 --> 00:52:15,839
Speaker 1: You could see it again?

1092
00:52:16,000 --> 00:52:17,279
Speaker 3: Are you attracted to either of them?

1093
00:52:17,480 --> 00:52:20,840
Speaker 1: No? No? Is this when we went for a mina? No?

1094
00:52:20,960 --> 00:52:22,080
Speaker 1: This is when I went for Molly.

1095
00:52:22,560 --> 00:52:25,000
Speaker 3: Oh god, oh Cyrus?

1096
00:52:25,960 --> 00:52:33,320
Speaker 1: Another? Does this give Molly Cyrus? Honestly? Maybe free tickets?

1097
00:52:33,400 --> 00:52:35,520
Speaker 3: I will never forget when I did unofficial expert. You

1098
00:52:35,520 --> 00:52:37,840
Speaker 3: guys dragged me because I said I had seen Rihanna

1099
00:52:37,840 --> 00:52:39,160
Speaker 3: and concert and you were like, why would you go

1100
00:52:39,200 --> 00:52:41,439
Speaker 3: see Rihana? You can't even sing? And I was like, wait,

1101
00:52:42,880 --> 00:52:43,400
Speaker 3: I can't remember.

1102
00:52:43,760 --> 00:52:47,200
Speaker 1: I can not say that. We did not say that.

1103
00:52:47,200 --> 00:52:51,239
Speaker 1: That doesn't even sound I remember. Yeah, I haven't said,

1104
00:52:52,120 --> 00:52:52,840
Speaker 1: I just I don't know.

1105
00:52:52,880 --> 00:52:55,880
Speaker 3: If I didn't listen, that's how I remember it.

1106
00:52:55,960 --> 00:52:58,120
Speaker 1: I don't remember that. How many times did you see

1107
00:52:58,160 --> 00:52:58,680
Speaker 1: Rihanna live?

1108
00:52:58,880 --> 00:53:00,960
Speaker 3: This was a while ago. This was like I'm trying

1109
00:53:01,000 --> 00:53:02,799
Speaker 3: to think if it was pre Anti or if it

1110
00:53:02,840 --> 00:53:03,600
Speaker 3: was the Anti tour.

1111
00:53:03,920 --> 00:53:06,080
Speaker 1: What's your favorite? Rihanna probably puts on a good I.

1112
00:53:06,080 --> 00:53:07,800
Speaker 3: Would say, well, first of all, my favorite album is

1113
00:53:07,880 --> 00:53:11,759
Speaker 3: I'm just a big Anti like fanboy. What is my

1114
00:53:11,760 --> 00:53:12,839
Speaker 3: favorite Rihanna's song?

1115
00:53:12,920 --> 00:53:15,640
Speaker 1: I will say Auntie has like twenty songs on it.

1116
00:53:15,960 --> 00:53:18,600
Speaker 1: I know, I know, so you're gonna have at least

1117
00:53:18,719 --> 00:53:19,840
Speaker 1: five or six that you like.

1118
00:53:19,880 --> 00:53:22,080
Speaker 3: Wait, I'm gonna look up. I'm gonna look up like.

1119
00:53:22,080 --> 00:53:24,160
Speaker 1: I can't believe you dragged us. I couldn't believe that

1120
00:53:24,200 --> 00:53:26,160
Speaker 1: you throw something like that.

1121
00:53:26,160 --> 00:53:29,239
Speaker 2: That feels it does feel like something we could have said, No,

1122
00:53:29,239 --> 00:53:30,200
Speaker 2: you're repeat it.

1123
00:53:30,239 --> 00:53:32,160
Speaker 1: Honestly, they're gonna have to pull it up if they

1124
00:53:32,160 --> 00:53:33,319
Speaker 1: think that we said something like that.

1125
00:53:33,320 --> 00:53:34,880
Speaker 2: George, how were you the expert on when you did

1126
00:53:34,880 --> 00:53:35,800
Speaker 2: the unofficial expert?

1127
00:53:35,840 --> 00:53:37,480
Speaker 1: Do you remember I have no I think Greek?

1128
00:53:37,880 --> 00:53:40,680
Speaker 3: Yeah, it might have been grease grease or Greek? Yes,

1129
00:53:41,200 --> 00:53:43,239
Speaker 3: that yeah, I was. It was the Greek expert like

1130
00:53:43,400 --> 00:53:46,879
Speaker 3: Greek friend. You know, I love I do love love

1131
00:53:46,880 --> 00:53:50,080
Speaker 3: on the brain, I do love Esperado. I do love work.

1132
00:53:50,360 --> 00:53:52,120
Speaker 3: But honestly, I have to say I like Auntie Moore

1133
00:53:52,120 --> 00:53:55,360
Speaker 3: as an album than like, if I'm picking favorite songs,

1134
00:53:55,760 --> 00:53:56,440
Speaker 3: I'm gonna go.

1135
00:53:56,480 --> 00:54:01,880
Speaker 1: Like George, you're giving me like college college fan of Rihanna,

1136
00:54:01,960 --> 00:54:03,000
Speaker 1: like your your dist.

1137
00:54:03,360 --> 00:54:05,239
Speaker 3: Yes, well, you know I have a theory that each

1138
00:54:05,280 --> 00:54:07,600
Speaker 3: of her albums corresponds to each of my years in college.

1139
00:54:07,600 --> 00:54:08,360
Speaker 3: And do you want to hear it?

1140
00:54:08,520 --> 00:54:10,880
Speaker 1: Yes? Okay, and then we'll do it. And then we

1141
00:54:10,920 --> 00:54:11,560
Speaker 1: have messages.

1142
00:54:11,680 --> 00:54:13,400
Speaker 3: Yeah, we'll do you want to, we'll share some miss

1143
00:54:13,680 --> 00:54:16,360
Speaker 3: So the albums that came out while I was in

1144
00:54:16,400 --> 00:54:21,000
Speaker 3: college are Good Girl Gone Bad, loud talk that talk,

1145
00:54:21,120 --> 00:54:24,759
Speaker 3: and unapologetic. All right, freshman year, Good Girl Gone Bad.

1146
00:54:25,120 --> 00:54:28,400
Speaker 3: I'm in college. Good Girl Gone Bad. That speaks for itself. Second,

1147
00:54:28,480 --> 00:54:31,440
Speaker 3: you're loud. Now we're like, now we're cooking.

1148
00:54:31,760 --> 00:54:33,000
Speaker 1: What were you doing to be loud?

1149
00:54:33,040 --> 00:54:35,040
Speaker 3: I know how? Like it's like now you know who

1150
00:54:35,080 --> 00:54:37,560
Speaker 3: your friends are, you're going out, You're like having a

1151
00:54:37,560 --> 00:54:39,240
Speaker 3: good time. You're loud, you're being yourself.

1152
00:54:39,280 --> 00:54:40,040
Speaker 1: What's sophomore year?

1153
00:54:40,040 --> 00:54:43,399
Speaker 3: I mean senior year? Talk that talk? Time to get serious,

1154
00:54:43,400 --> 00:54:45,600
Speaker 3: time to declare your major, and time to maybe start

1155
00:54:45,640 --> 00:54:48,400
Speaker 3: thinking about your future. Time to talk. That talk okay,

1156
00:54:48,719 --> 00:54:54,360
Speaker 3: senior year, unapologetic talk talk didn't work out now and

1157
00:54:54,400 --> 00:54:55,880
Speaker 3: now you have to say this is who I am

1158
00:54:55,880 --> 00:54:57,279
Speaker 3: and I'm not apologizing for it.

1159
00:54:57,640 --> 00:55:01,240
Speaker 2: Hello, well damn would have maybe done better in college

1160
00:55:01,239 --> 00:55:02,200
Speaker 2: if I did it that way?

1161
00:55:02,239 --> 00:55:05,600
Speaker 1: Did you I feel like I was a good girl

1162
00:55:05,680 --> 00:55:11,640
Speaker 1: gone bad? None was. We fell in love and hopeless place.

1163
00:55:11,760 --> 00:55:14,120
Speaker 1: That was my whole college situation.

1164
00:55:14,440 --> 00:55:17,759
Speaker 3: You were said, yes, it is as the title says,

1165
00:55:17,760 --> 00:55:19,240
Speaker 3: we found love in a hopeless place.

1166
00:55:19,400 --> 00:55:23,600
Speaker 1: Oh man, I mean you just love correcting queen.

1167
00:55:24,920 --> 00:55:25,960
Speaker 3: Fell in love and hopelessly.

1168
00:55:26,040 --> 00:55:29,280
Speaker 1: We fell in love and it also kind of works.

1169
00:55:29,320 --> 00:55:30,080
Speaker 1: You know what I meant?

1170
00:55:30,280 --> 00:55:33,160
Speaker 3: Do you know what I love? Actually, I would say

1171
00:55:34,520 --> 00:55:36,439
Speaker 3: as much as I love, we found love in terms

1172
00:55:36,440 --> 00:55:38,960
Speaker 3: of the classics, if only Girl in the World comes on,

1173
00:55:39,040 --> 00:55:40,640
Speaker 3: I'm in a I'm in a better mood than if

1174
00:55:40,680 --> 00:55:42,680
Speaker 3: we found love comes on at this stage in my life,

1175
00:55:43,040 --> 00:55:45,120
Speaker 3: like if I'm out, I prefer only girl.

1176
00:55:45,239 --> 00:55:48,480
Speaker 1: So we found yes, because we found love is toxic.

1177
00:55:48,760 --> 00:55:49,640
Speaker 3: Yeah, I didn't want that.

1178
00:55:49,880 --> 00:55:50,600
Speaker 1: You're in a better place.

1179
00:55:50,640 --> 00:55:52,760
Speaker 3: You're yeah involved, I've evolved.

1180
00:55:52,800 --> 00:55:54,400
Speaker 1: You have emergency contact now.

1181
00:55:54,600 --> 00:55:56,319
Speaker 3: True, A good one picks up.

1182
00:55:57,120 --> 00:55:57,920
Speaker 1: Listen, we.

1183
00:55:59,560 --> 00:56:02,719
Speaker 2: I'm not your emergency contact. I don't have to pick up.

1184
00:56:03,040 --> 00:56:05,000
Speaker 2: We talked about this, we did. You said, I'm not

1185
00:56:05,040 --> 00:56:06,040
Speaker 2: your emergency contact?

1186
00:56:06,400 --> 00:56:06,480
Speaker 1: Is?

1187
00:56:06,520 --> 00:56:07,160
Speaker 3: Are you hers?

1188
00:56:07,440 --> 00:56:13,319
Speaker 1: Why she has a family? See, you only use your

1189
00:56:13,360 --> 00:56:16,160
Speaker 1: friends with emergency contact if you're an orphan, and that.

1190
00:56:16,200 --> 00:56:39,440
Speaker 4: Is it's a hard life, all right.

1191
00:56:39,520 --> 00:56:41,960
Speaker 2: Let's read a message from a listener and then we'll

1192
00:56:41,960 --> 00:56:44,120
Speaker 2: talk about. If it's messy, we'll get your take on

1193
00:56:44,160 --> 00:56:50,440
Speaker 2: its long. So strap in, get your popcorn and get

1194
00:56:50,440 --> 00:56:53,840
Speaker 2: your juice. Put your feet up, Hey, sid and Marie

1195
00:56:54,120 --> 00:56:57,840
Speaker 2: is your girl? Yara from Toronto writing in again? Oh

1196
00:56:58,080 --> 00:57:02,520
Speaker 2: a second letter at okay, Hey girl. I've written into

1197
00:57:02,560 --> 00:57:04,879
Speaker 2: the pod back in twenty twenty about having my very

1198
00:57:04,920 --> 00:57:08,320
Speaker 2: first one night stand okay, and another time about getting

1199
00:57:08,360 --> 00:57:09,560
Speaker 2: ghosted for the first time.

1200
00:57:09,760 --> 00:57:11,960
Speaker 1: Oh hey sis, back to back.

1201
00:57:12,440 --> 00:57:15,320
Speaker 2: I'm happy to share that I am finally no longer

1202
00:57:15,320 --> 00:57:18,240
Speaker 2: for the streets and I've found myself an incredible partner

1203
00:57:18,760 --> 00:57:21,200
Speaker 2: mm hm, and I'm currently moving in with them.

1204
00:57:21,360 --> 00:57:21,800
Speaker 1: Okay.

1205
00:57:22,520 --> 00:57:24,840
Speaker 2: The mess I'm bringing today isn't about my partner, but

1206
00:57:24,960 --> 00:57:26,400
Speaker 2: about my best friend.

1207
00:57:29,360 --> 00:57:31,560
Speaker 1: Some context. This friend and I have been close for

1208
00:57:31,600 --> 00:57:35,240
Speaker 1: about five years ride or die type. She's also a

1209
00:57:35,280 --> 00:57:37,320
Speaker 1: central figure in our friend group which makes this even

1210
00:57:37,320 --> 00:57:41,080
Speaker 1: more complicated. Throughout our friendship, we've had a couple fallen outs,

1211
00:57:41,760 --> 00:57:45,280
Speaker 1: always centered around me not meeting some expectation. She never

1212
00:57:45,360 --> 00:57:47,280
Speaker 1: clearly communicated right.

1213
00:57:47,640 --> 00:57:50,040
Speaker 2: It usually starts with her icing me out, and only

1214
00:57:50,080 --> 00:57:51,920
Speaker 2: when I ask what's wrong does she open up with

1215
00:57:51,960 --> 00:57:55,680
Speaker 2: a long message about how I'm not supportive enough, or

1216
00:57:55,760 --> 00:57:58,840
Speaker 2: I don't check in enough, or I did something three

1217
00:57:58,880 --> 00:58:01,120
Speaker 2: years ago that upset et cetera, et cetera.

1218
00:58:02,040 --> 00:58:04,000
Speaker 1: I take accountability, adjust my behavior.

1219
00:58:04,080 --> 00:58:07,520
Speaker 2: Things would improve briefly, then repeat nothing I did was

1220
00:58:07,560 --> 00:58:10,440
Speaker 2: ever enough. I check in more, Nope, I need to

1221
00:58:10,480 --> 00:58:14,280
Speaker 2: check in more intentionally. I check in more intentionally, Nope,

1222
00:58:14,520 --> 00:58:15,800
Speaker 2: the attention seems fake.

1223
00:58:15,920 --> 00:58:19,240
Speaker 1: Now, okay girl. As you can tell, I had a

1224
00:58:19,280 --> 00:58:20,479
Speaker 1: lot of patience for this friend.

1225
00:58:20,600 --> 00:58:24,400
Speaker 2: I owned up to everything, listened, and tried harder each time.

1226
00:58:24,760 --> 00:58:27,120
Speaker 1: But by last October I broke.

1227
00:58:27,720 --> 00:58:30,120
Speaker 2: I had spread myself too thin trying to be better,

1228
00:58:30,160 --> 00:58:32,800
Speaker 2: but she was coming back to me weekly about how

1229
00:58:32,840 --> 00:58:34,960
Speaker 2: I was failing her and not being a good friend.

1230
00:58:35,520 --> 00:58:38,000
Speaker 2: I eventually took a step back from all my friendships,

1231
00:58:38,280 --> 00:58:41,080
Speaker 2: thinking I was the problem. Like your best friend comes

1232
00:58:41,080 --> 00:58:42,840
Speaker 2: to you every few months or weeks to tell you

1233
00:58:42,840 --> 00:58:45,000
Speaker 2: you're not good enough because of X, Y Z, and

1234
00:58:45,040 --> 00:58:47,840
Speaker 2: no matter what you do, it's never enough. The psychological

1235
00:58:47,920 --> 00:58:52,440
Speaker 2: damage went ze. I ended up isolating myself for months. Okay,

1236
00:58:52,440 --> 00:58:55,400
Speaker 2: this is crazy, but with help from my partner and therapist.

1237
00:58:55,440 --> 00:58:57,960
Speaker 1: Shout out to the partner and there there is. You

1238
00:58:58,040 --> 00:58:59,680
Speaker 1: gotta do the double whammi every time.

1239
00:59:00,040 --> 00:59:01,880
Speaker 2: Yeh, yeah, yeah, I'm glad you're not in the streets.

1240
00:59:02,480 --> 00:59:04,680
Speaker 2: I realized that I was never the problem, and this

1241
00:59:04,720 --> 00:59:07,720
Speaker 2: friend has been projecting her issues onto me and treating

1242
00:59:07,760 --> 00:59:11,360
Speaker 2: me like an emotional punching bag. I finally saw that

1243
00:59:11,520 --> 00:59:13,120
Speaker 2: I wasn't the villain here, and I was able to

1244
00:59:13,160 --> 00:59:15,920
Speaker 2: release myself from the guilt I felt about being this

1245
00:59:16,000 --> 00:59:19,360
Speaker 2: so called terrible friend and began to heal. I was

1246
00:59:19,400 --> 00:59:21,600
Speaker 2: ready to reintegrate myself into the friend group, but I

1247
00:59:21,720 --> 00:59:24,160
Speaker 2: knew I needed to have a conversation with her first.

1248
00:59:24,560 --> 00:59:26,680
Speaker 2: Well I'm sure you can guess how that conversation went.

1249
00:59:26,960 --> 00:59:29,280
Speaker 2: I had hoped we could find common ground and move forward,

1250
00:59:29,280 --> 00:59:33,080
Speaker 2: but she somehow flipped the script again and took zero accountability.

1251
00:59:33,400 --> 00:59:35,400
Speaker 2: I thought that in the time apart, she would be

1252
00:59:35,400 --> 00:59:37,240
Speaker 2: able to reflect and see things from my side, but

1253
00:59:37,280 --> 00:59:39,720
Speaker 2: it's clear now She'll always be the victim in her

1254
00:59:39,760 --> 00:59:42,560
Speaker 2: story and how she treats me is justified.

1255
00:59:43,520 --> 00:59:44,280
Speaker 1: Okay, WHOA.

1256
00:59:44,360 --> 00:59:47,960
Speaker 2: This conversation lasted four hours and ended up with us

1257
00:59:48,000 --> 00:59:51,640
Speaker 2: agreeing to start fresh to put this all behind us. However,

1258
00:59:51,720 --> 00:59:54,400
Speaker 2: this conversation actually solidified things for me and prove that

1259
00:59:54,440 --> 00:59:57,520
Speaker 2: this is not someone I wanted my life anymore. Although

1260
00:59:57,520 --> 01:00:00,200
Speaker 2: I'm scared about leaving this friendship could mean lose the

1261
01:00:00,240 --> 01:00:03,280
Speaker 2: whole group, it's time to let this beach go.

1262
01:00:03,840 --> 01:00:06,720
Speaker 1: So my question is this. Is it messed to quietly

1263
01:00:06,760 --> 01:00:09,800
Speaker 1: fase her out of my life aka go ghost mode

1264
01:00:11,040 --> 01:00:13,720
Speaker 1: and risk the fallout of losing this friend group or

1265
01:00:13,760 --> 01:00:15,880
Speaker 1: is it worth one final conversation to end things officially

1266
01:00:15,880 --> 01:00:19,240
Speaker 1: in set boundaries within the overall group. As always appreciate

1267
01:00:19,280 --> 01:00:21,480
Speaker 1: you both. Watching the way you show up for each

1268
01:00:21,480 --> 01:00:25,720
Speaker 1: other reminds me of what a real healthy friendship looks like. PS.

1269
01:00:25,720 --> 01:00:28,440
Speaker 2: Tickets have been secured for Maurice to Rhino Show in June. Yay,

1270
01:00:29,320 --> 01:00:32,200
Speaker 2: I stay supporting my favorite comedians. So that's the question

1271
01:00:33,240 --> 01:00:36,040
Speaker 2: from a Canadian. Is it messed to quietly faser out

1272
01:00:36,080 --> 01:00:37,520
Speaker 2: or do they need to have another conversation?

1273
01:00:38,040 --> 01:00:40,440
Speaker 3: I know that the type of person who keeps thinking

1274
01:00:40,440 --> 01:00:42,960
Speaker 3: a conversation is going to fix anything. And I just

1275
01:00:42,960 --> 01:00:44,640
Speaker 3: think once you have the four hour one and you

1276
01:00:44,680 --> 01:00:46,360
Speaker 3: still don't have closure, you're not going to get it

1277
01:00:46,400 --> 01:00:47,800
Speaker 3: with another hour and a half one.

1278
01:00:47,800 --> 01:00:49,400
Speaker 1: And it's not going to be another hour and a half.

1279
01:00:49,480 --> 01:00:53,760
Speaker 3: Yeah. And I also think there's a point at which

1280
01:00:54,640 --> 01:00:58,520
Speaker 3: talking about something just becomes like talking about the talking.

1281
01:00:58,800 --> 01:01:00,880
Speaker 3: You're just talking about previous things that have been said

1282
01:01:00,880 --> 01:01:04,080
Speaker 3: in previous things, and like the way things have been framed,

1283
01:01:04,160 --> 01:01:06,280
Speaker 3: rather than any actual actions that have taken place.

1284
01:01:06,560 --> 01:01:08,760
Speaker 2: But also if you see this person, this person sees

1285
01:01:08,760 --> 01:01:10,600
Speaker 2: you trying to be better, they see you reaching out

1286
01:01:10,600 --> 01:01:12,720
Speaker 2: and they're like, it doesn't feel intentional, And then you

1287
01:01:12,760 --> 01:01:13,880
Speaker 2: reach out intentionally You're.

1288
01:01:13,760 --> 01:01:17,040
Speaker 1: Like, it feels fake. I'm not I'm not doing any

1289
01:01:17,040 --> 01:01:20,800
Speaker 1: more work here, Like this is mess that you are

1290
01:01:20,880 --> 01:01:22,200
Speaker 1: guess letting me it also.

1291
01:01:22,200 --> 01:01:26,720
Speaker 3: Sort of I think I think you want you. Basically,

1292
01:01:26,760 --> 01:01:28,560
Speaker 3: each of them probably wants the other one to admit

1293
01:01:28,600 --> 01:01:31,560
Speaker 3: that something is their fault, and that's just never gonna happen.

1294
01:01:31,560 --> 01:01:33,720
Speaker 3: They each clearly think they're in the right for whatever

1295
01:01:34,160 --> 01:01:35,440
Speaker 3: they think they're Experiences like this.

1296
01:01:35,400 --> 01:01:37,920
Speaker 2: One said she took a break from all her friendships,

1297
01:01:37,960 --> 01:01:40,880
Speaker 2: she she found the Lord, she went on the mountain

1298
01:01:40,920 --> 01:01:42,720
Speaker 2: and prayed like, it's not like she did all that,

1299
01:01:42,800 --> 01:01:44,560
Speaker 2: and the other girls just like, no, it's.

1300
01:01:44,520 --> 01:01:47,520
Speaker 1: You, It's still you. Now. I'm not a you know,

1301
01:01:47,600 --> 01:01:51,680
Speaker 1: devil's advocate, but I do want to know what exactly

1302
01:01:51,680 --> 01:01:55,240
Speaker 1: what are the specific things that she was upset about.

1303
01:01:55,360 --> 01:01:59,200
Speaker 1: Because if you are a person that gives a lot

1304
01:01:59,480 --> 01:02:02,400
Speaker 1: and you just give, give, give, and then you're not

1305
01:02:02,440 --> 01:02:06,680
Speaker 1: receiving the same, then you expect people are not they're

1306
01:02:06,720 --> 01:02:08,360
Speaker 1: not going to act like you. So there's a lot

1307
01:02:08,360 --> 01:02:11,320
Speaker 1: of things that are going over people's heads that you're

1308
01:02:11,360 --> 01:02:13,640
Speaker 1: missing because you're like, this is not how they get down,

1309
01:02:13,760 --> 01:02:15,560
Speaker 1: this is not how they love, this is not their

1310
01:02:15,600 --> 01:02:18,720
Speaker 1: love language. But you're kind of thinking that that's how

1311
01:02:18,760 --> 01:02:21,000
Speaker 1: you should be treated and you're not that's what you're

1312
01:02:21,200 --> 01:02:26,280
Speaker 1: these expectations. So I think that you know, Yara, you

1313
01:02:26,320 --> 01:02:28,600
Speaker 1: did come to my show when I was there in Toronto.

1314
01:02:29,920 --> 01:02:33,080
Speaker 1: She does seem like a sweet girl. But if someone's

1315
01:02:33,080 --> 01:02:35,640
Speaker 1: saying you're not showing up for me, I would like

1316
01:02:35,720 --> 01:02:38,800
Speaker 1: to know what was it that you weren't showing up

1317
01:02:38,840 --> 01:02:42,240
Speaker 1: for because maybe these the things that I think are

1318
01:02:43,040 --> 01:02:44,760
Speaker 1: not that important. Other people are like, this is a

1319
01:02:44,800 --> 01:02:47,240
Speaker 1: big deal, and then I'm like, oh, maybe I should

1320
01:02:47,280 --> 01:02:49,480
Speaker 1: have made this a big deal or the things that

1321
01:02:49,800 --> 01:02:51,320
Speaker 1: are a big deal to me, and people are like, oh,

1322
01:02:51,360 --> 01:02:54,080
Speaker 1: what come on now, I move on.

1323
01:02:54,200 --> 01:02:57,840
Speaker 2: You miss my birthday dinner? Yeah, you miss my book launch.

1324
01:02:57,960 --> 01:02:59,320
Speaker 2: You missed my X y Z.

1325
01:03:00,200 --> 01:03:02,600
Speaker 3: You're gonna we're missing my If you're missing my book launch,

1326
01:03:03,120 --> 01:03:04,520
Speaker 3: that's great. I'm going to be mad at you because

1327
01:03:04,520 --> 01:03:05,600
Speaker 3: I'm not writing another one of those.

1328
01:03:08,200 --> 01:03:13,200
Speaker 1: George, have you ever had a like calling, Yes.

1329
01:03:14,520 --> 01:03:19,240
Speaker 3: I have had. I've had one major like from one

1330
01:03:19,320 --> 01:03:23,080
Speaker 3: day to the next, no more talking before. But it

1331
01:03:23,160 --> 01:03:27,160
Speaker 3: was because of like a specific event that really felt

1332
01:03:27,200 --> 01:03:30,040
Speaker 3: like a deep betrayal, and we both agree it was

1333
01:03:30,040 --> 01:03:34,000
Speaker 3: a betrayal, Like he also regrets what he did and

1334
01:03:34,000 --> 01:03:38,040
Speaker 3: has apologized for it. I was young enough that I

1335
01:03:38,200 --> 01:03:41,040
Speaker 3: wasn't willing to hear it, and so I was like,

1336
01:03:41,120 --> 01:03:42,440
Speaker 3: right from now and I'm not talking to you. And

1337
01:03:42,480 --> 01:03:44,600
Speaker 3: at this point it's sort of just like too late

1338
01:03:44,640 --> 01:03:48,400
Speaker 3: to rekindle it, which is fine, and we are both indifferent.

1339
01:03:48,600 --> 01:03:52,800
Speaker 3: I no longer hold any negative feelings about it, Like

1340
01:03:53,240 --> 01:03:55,320
Speaker 3: if somehow we ran into each other, I wouldn't like

1341
01:03:55,360 --> 01:03:57,400
Speaker 3: have a panic attack, but like we're not going to

1342
01:03:57,480 --> 01:03:59,760
Speaker 3: go back to being friends like over a decade later.

1343
01:04:01,040 --> 01:04:03,200
Speaker 3: So there was that, which I actually think is a

1344
01:04:03,200 --> 01:04:07,240
Speaker 3: blessing to have a specific break, you know, like something

1345
01:04:07,240 --> 01:04:08,600
Speaker 3: where you can point to and be like, I am

1346
01:04:08,640 --> 01:04:11,200
Speaker 3: mad at you because you did this, and everyone agrees

1347
01:04:11,240 --> 01:04:13,640
Speaker 3: you shouldn't have done that. What I do struggle with

1348
01:04:14,280 --> 01:04:18,120
Speaker 3: is friends that clearly you've grown apart from, or even

1349
01:04:18,160 --> 01:04:21,520
Speaker 3: if it's like asymmetrical, like you think you think you've

1350
01:04:21,520 --> 01:04:24,320
Speaker 3: grown apart and they have not gotten the memo, or

1351
01:04:24,360 --> 01:04:26,000
Speaker 3: maybe the other way around. I mean I wouldn't I

1352
01:04:26,000 --> 01:04:28,320
Speaker 3: wouldn't know because I they would have to tell me.

1353
01:04:30,280 --> 01:04:33,880
Speaker 3: But that is really stressful and I am not good

1354
01:04:33,880 --> 01:04:36,800
Speaker 3: at like quote unquote drawing boundaries. I will basically just

1355
01:04:36,880 --> 01:04:41,120
Speaker 3: like you know, I will like respond to every third

1356
01:04:41,360 --> 01:04:45,080
Speaker 3: text or something, and then it just like creates this

1357
01:04:45,240 --> 01:04:49,560
Speaker 3: like toxic environment where you're like dragging on something for

1358
01:04:49,600 --> 01:04:50,720
Speaker 3: like fifteen more years.

1359
01:04:50,960 --> 01:04:53,080
Speaker 1: So what's the not messy way to do it? Handle it?

1360
01:04:53,160 --> 01:04:55,400
Speaker 3: Yeah, sid let them go.

1361
01:04:56,760 --> 01:04:59,560
Speaker 1: I mean, if I feel like if we have a

1362
01:04:59,600 --> 01:05:01,880
Speaker 1: back where we keep having a back and forth, obviously

1363
01:05:02,360 --> 01:05:04,760
Speaker 1: vibes is off, right, lives is off. We keep going

1364
01:05:04,960 --> 01:05:07,520
Speaker 1: back and forth right, and then we take a break,

1365
01:05:07,680 --> 01:05:11,320
Speaker 1: we come back, vibe is still weird. I mean I

1366
01:05:11,360 --> 01:05:12,840
Speaker 1: have to spell out heya vibes.

1367
01:05:14,640 --> 01:05:16,160
Speaker 3: Do you have to spell it out for some people?

1368
01:05:16,240 --> 01:05:19,000
Speaker 1: Not for me, because not not for me, but saying

1369
01:05:19,040 --> 01:05:21,880
Speaker 1: like okay, if they're best friends, right like me, me

1370
01:05:21,920 --> 01:05:25,440
Speaker 1: and Marie. I think that it would we would have

1371
01:05:25,480 --> 01:05:28,120
Speaker 1: to have like a real talk where I'll be like, Okay,

1372
01:05:28,160 --> 01:05:30,320
Speaker 1: at the end of the talk, I guess you. I

1373
01:05:30,320 --> 01:05:32,920
Speaker 1: guess we're not like how we used to be anymore.

1374
01:05:33,040 --> 01:05:35,480
Speaker 1: Or it'd be like, hey, are we gonna work on this?

1375
01:05:36,040 --> 01:05:38,960
Speaker 1: Because there's there's also a moment like, let's work on

1376
01:05:39,040 --> 01:05:42,400
Speaker 1: it if you really want this person in your life.

1377
01:05:42,400 --> 01:05:46,040
Speaker 1: That's why I don't like ghosting. If somebody is important

1378
01:05:46,040 --> 01:05:49,320
Speaker 1: to you, you wouldn't ghost them. But somebody who you're like,

1379
01:05:49,680 --> 01:05:51,960
Speaker 1: you know what, Actually, I probably got like two other

1380
01:05:52,480 --> 01:05:55,480
Speaker 1: type of people in the book right now, I'm good,

1381
01:05:55,640 --> 01:05:59,520
Speaker 1: you know, then I'll ghost bring it, bring it back?

1382
01:05:59,720 --> 01:06:04,760
Speaker 1: Why Because sometimes we've we've had enough words, I've explained

1383
01:06:04,760 --> 01:06:05,080
Speaker 1: this to you.

1384
01:06:05,160 --> 01:06:08,480
Speaker 2: We'd now have had a four hour conversation. You still

1385
01:06:08,520 --> 01:06:10,360
Speaker 2: think it's just me cool?

1386
01:06:10,520 --> 01:06:14,440
Speaker 3: Well, I do think that it's like it people, generally myself,

1387
01:06:14,440 --> 01:06:17,400
Speaker 3: including to be more comfortable with just like uncertainty, like

1388
01:06:17,440 --> 01:06:20,160
Speaker 3: not every conversation is going to end with like this

1389
01:06:20,240 --> 01:06:24,840
Speaker 3: is the end, conclusion, end of story. Acknowledgments like sometimes

1390
01:06:24,920 --> 01:06:27,440
Speaker 3: you won't get to a point where all parties agree.

1391
01:06:27,520 --> 01:06:30,240
Speaker 3: But I have another question because to me, to me,

1392
01:06:30,360 --> 01:06:33,400
Speaker 3: the most mess part of this is the friend group

1393
01:06:33,480 --> 01:06:35,480
Speaker 3: of it all. Yeah, Like it's one thing to go

1394
01:06:35,560 --> 01:06:38,680
Speaker 3: through a fallout with a best friend, but then for

1395
01:06:38,760 --> 01:06:40,439
Speaker 3: that to bring into question your placed in the friend

1396
01:06:40,440 --> 01:06:43,280
Speaker 3: group is what stresses me out. Have you ever iced

1397
01:06:43,280 --> 01:06:45,960
Speaker 3: someone out of the friend group or been iced out yourself?

1398
01:06:46,200 --> 01:06:51,200
Speaker 1: Yes, I have, and I do it again. Sure will not,

1399
01:06:51,320 --> 01:06:55,320
Speaker 1: Sure will, because it's like friends know what's up, they

1400
01:06:55,320 --> 01:06:58,480
Speaker 1: know what's that. Like, I'm not telling people to take sides,

1401
01:06:58,560 --> 01:07:01,720
Speaker 1: but obviously people are gonna be like, well, I'm actually

1402
01:07:01,960 --> 01:07:04,080
Speaker 1: at the end of the day, I'm closer with this

1403
01:07:04,120 --> 01:07:06,920
Speaker 1: other person, and you just come in and out when

1404
01:07:06,960 --> 01:07:09,440
Speaker 1: you when you feel like you should. So it's like

1405
01:07:10,080 --> 01:07:13,320
Speaker 1: and and that's gonna happen. If they just let it rock,

1406
01:07:13,560 --> 01:07:16,120
Speaker 1: it'll play out the way it's supposed to. I say that.

1407
01:07:16,200 --> 01:07:18,160
Speaker 1: So if she's like I don't want to talk to

1408
01:07:18,200 --> 01:07:21,120
Speaker 1: this person anymore. Tell the group, Hey, we were not

1409
01:07:21,280 --> 01:07:23,880
Speaker 1: really clicking. I'm not really trying to y'all can hang

1410
01:07:23,920 --> 01:07:26,120
Speaker 1: out if y'all want, but I want to hang out

1411
01:07:26,160 --> 01:07:26,520
Speaker 1: with y'all.

1412
01:07:26,840 --> 01:07:28,640
Speaker 2: Well, because she said a couple of things, right, she

1413
01:07:28,680 --> 01:07:31,960
Speaker 2: said she's the central figure in the friend group, and

1414
01:07:32,000 --> 01:07:34,680
Speaker 2: then she said is it worth one final conversation and

1415
01:07:34,800 --> 01:07:38,440
Speaker 2: things officially and set boundaries within the overall group. So

1416
01:07:38,560 --> 01:07:40,960
Speaker 2: that means she's still trying to be cool with these people.

1417
01:07:42,000 --> 01:07:44,600
Speaker 2: Or I guess she's afraid that this the Beyonce of

1418
01:07:44,600 --> 01:07:46,560
Speaker 2: the friend group is going to be like, well, I'm

1419
01:07:46,560 --> 01:07:47,800
Speaker 2: taking my friends back.

1420
01:07:48,280 --> 01:07:50,360
Speaker 3: Did she say the central or a central?

1421
01:07:50,480 --> 01:07:54,480
Speaker 1: She said the central girls start over, just get a

1422
01:07:54,560 --> 01:07:56,720
Speaker 1: new friends. Like that's why you gotta have a couple.

1423
01:07:56,720 --> 01:07:59,320
Speaker 1: You gotta have more than like three friends. Man, you

1424
01:07:59,400 --> 01:07:59,960
Speaker 1: gotta have a couple.

1425
01:08:00,760 --> 01:08:03,240
Speaker 3: You know. Someone last night was telling me she was

1426
01:08:03,280 --> 01:08:06,240
Speaker 3: like she said something that stuck with me. She was like,

1427
01:08:06,560 --> 01:08:09,680
Speaker 3: adult friend groups are creepy, and I was like, that's interesting,

1428
01:08:09,760 --> 01:08:12,160
Speaker 3: Like obviously we all have we're all part of different

1429
01:08:12,200 --> 01:08:15,120
Speaker 3: friend groups, but I sort of agree that, Like when

1430
01:08:15,160 --> 01:08:17,760
Speaker 3: you see a group and they are it's just the

1431
01:08:17,840 --> 01:08:19,800
Speaker 3: six of them and they are always together and they're

1432
01:08:19,800 --> 01:08:25,040
Speaker 3: all thirty seven. It's like, you know, like at that point,

1433
01:08:25,080 --> 01:08:30,520
Speaker 3: I do actually think like high school dynamics are recreated

1434
01:08:30,600 --> 01:08:33,639
Speaker 3: because you are in this like click, you actually have

1435
01:08:33,720 --> 01:08:36,960
Speaker 3: to be part of different communities and it has to

1436
01:08:37,000 --> 01:08:38,760
Speaker 3: be porous and you have to have these friends and

1437
01:08:38,800 --> 01:08:44,519
Speaker 3: these friends. But I do think, I to quote this person,

1438
01:08:44,560 --> 01:08:46,040
Speaker 3: adult friend groups are creepy.

1439
01:08:46,520 --> 01:08:48,559
Speaker 1: I mean, we saw white lotus. The three girls that

1440
01:08:48,600 --> 01:08:50,479
Speaker 1: were on that trip did not like each other.

1441
01:08:50,600 --> 01:08:52,920
Speaker 2: Yeah, it also seemed to not really know each other

1442
01:08:52,960 --> 01:08:55,920
Speaker 2: all at well because all this time had passed and

1443
01:08:55,960 --> 01:08:58,800
Speaker 2: it's just a you were every if your friendships is

1444
01:08:58,840 --> 01:09:00,439
Speaker 2: just based off we're all meeting up up and we're

1445
01:09:00,439 --> 01:09:03,080
Speaker 2: all like eating, drinking, da da da da. That's not

1446
01:09:03,840 --> 01:09:07,040
Speaker 2: That's not a friend group to me. That's like y'all

1447
01:09:07,040 --> 01:09:09,639
Speaker 2: are acquaintances and y'all meet up from time to surface

1448
01:09:09,720 --> 01:09:12,439
Speaker 2: level stuffy surface of like I feel like a friend

1449
01:09:12,439 --> 01:09:15,280
Speaker 2: group is. I mean, obviously there's gonna be people who

1450
01:09:15,320 --> 01:09:17,960
Speaker 2: are closer to each other and nobody feels any type

1451
01:09:17,960 --> 01:09:20,160
Speaker 2: of way about that. There's an understanding, and then there's

1452
01:09:20,200 --> 01:09:23,439
Speaker 2: things that people the day to day, but like, yeah,

1453
01:09:23,520 --> 01:09:25,720
Speaker 2: let them start over, friend, you got to start, I think.

1454
01:09:25,840 --> 01:09:28,200
Speaker 3: So. Toronto's a great city. Ye, you'll meet so many people.

1455
01:09:28,200 --> 01:09:30,879
Speaker 3: I can introduce you to my friends and yeah, yeah, girl.

1456
01:09:30,760 --> 01:09:39,400
Speaker 1: Go on bumble, don't get kidnapped. But you know, yeah, anyway, George,

1457
01:09:39,439 --> 01:09:41,720
Speaker 1: tell the people you have coming up so that they

1458
01:09:41,720 --> 01:09:42,479
Speaker 1: can find you.

1459
01:09:42,800 --> 01:09:46,320
Speaker 3: Yes, so Instagram all that. I host the podcast straight

1460
01:09:46,400 --> 01:09:48,360
Speaker 3: Lab with Sam Taggart and the two of us are

1461
01:09:48,360 --> 01:09:51,360
Speaker 3: going on a stand up only tour, no podcast, stand

1462
01:09:51,439 --> 01:09:56,000
Speaker 3: up only. We're splitting the bill in August. It's September,

1463
01:09:56,040 --> 01:09:57,840
Speaker 3: so look out for that because we need to sell

1464
01:09:57,880 --> 01:10:02,080
Speaker 3: tickets to many places. Unfortunately, it's for for the reasons

1465
01:10:02,160 --> 01:10:04,880
Speaker 3: Oh my god. And and yes and follow me at

1466
01:10:04,880 --> 01:10:06,040
Speaker 3: George Saveris everywhere.

1467
01:10:07,800 --> 01:10:12,759
Speaker 1: Just stand up. It's a wild podcast, no live podcast.

1468
01:10:13,280 --> 01:10:16,400
Speaker 3: We're just doing stand okay, and and we're we'll come

1469
01:10:16,439 --> 01:10:20,519
Speaker 3: out together and do bits and stuff. We'll do a

1470
01:10:20,560 --> 01:10:22,519
Speaker 3: little bit, we'll do a little proud work, we'll do

1471
01:10:22,560 --> 01:10:24,920
Speaker 3: a little something. Maybe if we like have some time

1472
01:10:24,960 --> 01:10:26,040
Speaker 3: to fill do a pod show.

1473
01:10:26,120 --> 01:10:28,160
Speaker 2: But but it's it's not going to be a live

1474
01:10:28,479 --> 01:10:34,479
Speaker 2: I'll see George and his podcast last Yes, thank you.

1475
01:10:34,880 --> 01:10:36,800
Speaker 3: Be sure to check out the new podcast I'm co

1476
01:10:36,880 --> 01:10:40,599
Speaker 3: hosting with Virus Smith, United States of Kennedy on iHeart

1477
01:10:40,720 --> 01:10:41,640
Speaker 3: Radio Podcasts.

1478
01:10:42,439 --> 01:10:45,360
Speaker 2: Mess with Sydney Washington and Marie Foston is a production

1479
01:10:45,439 --> 01:10:49,160
Speaker 2: by Will Ferrell's Big Money Players and iHeartRadio podcast created

1480
01:10:49,200 --> 01:10:53,000
Speaker 2: and hosted by Sydney Washington and Marie Boston. Executive produced

1481
01:10:53,000 --> 01:10:57,240
Speaker 2: by Olivia Aguilar and Hans Sonny, super produced by Becca Ramos,

1482
01:10:57,479 --> 01:10:59,280
Speaker 2: edited a mixed by Brian Jeffries.

1483
01:10:59,479 --> 01:11:02,160
Speaker 1: If you would like your messages read on air, please

1484
01:11:02,200 --> 01:11:05,320
Speaker 1: email us at messthpodcast at gmail dot com or call

1485
01:11:05,360 --> 01:11:08,200
Speaker 1: for your messages to be played at seven six three

1486
01:11:08,360 --> 01:11:10,960
Speaker 1: two eight zero six five eight eight