1 00:00:00,120 --> 00:00:03,000 Speaker 1: Then Jubile show on demand. Something crazy is going to 2 00:00:03,080 --> 00:00:05,360 Speaker 1: happen on the radio station today. It's one of six 3 00:00:05,400 --> 00:00:07,840 Speaker 1: point one. Michael Moore is on the show right now 4 00:00:07,880 --> 00:00:10,200 Speaker 1: and he has a new single out called No Bad Days, 5 00:00:10,240 --> 00:00:12,319 Speaker 1: and he's on the phone right now. Unfortunately, it's not 6 00:00:12,360 --> 00:00:15,400 Speaker 1: a zoom interview where it's like video, it's just audio. 7 00:00:15,560 --> 00:00:18,000 Speaker 1: But Michaelmore, I do want to let you know that 8 00:00:18,079 --> 00:00:20,040 Speaker 1: I have somebody they're filming you right now. You just 9 00:00:20,040 --> 00:00:24,560 Speaker 1: can't see them, but no, it is just adio. Hey man, 10 00:00:24,800 --> 00:00:27,160 Speaker 1: thank you for coming on the show today. That's awesome. 11 00:00:27,200 --> 00:00:29,760 Speaker 1: I mean, we're premiering your song and we're playing it 12 00:00:29,880 --> 00:00:32,680 Speaker 1: all day long. We normally play like the same four 13 00:00:32,720 --> 00:00:34,559 Speaker 1: songs in a row, so it's awesome to have a 14 00:00:34,560 --> 00:00:37,360 Speaker 1: new song to play. And we're playing her new song 15 00:00:37,440 --> 00:00:39,720 Speaker 1: even more than we're playing those today. So that's dope. Man. 16 00:00:39,760 --> 00:00:42,360 Speaker 1: Tell us a little bit about the song. Oh, that's amazing. 17 00:00:42,440 --> 00:00:44,080 Speaker 1: I made this song. It was one of the first 18 00:00:44,080 --> 00:00:47,159 Speaker 1: songs that we made out the album and it just 19 00:00:47,200 --> 00:00:49,400 Speaker 1: felt good, it felt right. The song is called No 20 00:00:49,520 --> 00:00:54,560 Speaker 1: Bad Days. It's a record that just feels like summertime, 21 00:00:54,760 --> 00:00:57,320 Speaker 1: nothing to worry about, roll the windows down on the 22 00:00:57,360 --> 00:01:00,960 Speaker 1: whip and enjoy life. Yeah, you know, the song speaks 23 00:01:00,960 --> 00:01:03,639 Speaker 1: for itself. Honestly, your music speaks for itself, and your 24 00:01:03,680 --> 00:01:07,200 Speaker 1: career does too. Like you, you know, you obviously have 25 00:01:07,400 --> 00:01:10,240 Speaker 1: done some amazing things. And I don't remember the last 26 00:01:10,280 --> 00:01:12,240 Speaker 1: time were on, but we fixed our little beef that 27 00:01:12,240 --> 00:01:15,280 Speaker 1: we had that you definitely remembered that we had and 28 00:01:15,600 --> 00:01:19,440 Speaker 1: now we're best friends. So what That's cool? But other 29 00:01:19,480 --> 00:01:22,080 Speaker 1: than just being a song, right, like, you have had 30 00:01:22,120 --> 00:01:24,280 Speaker 1: struggles in your life. You've been through stuff, man, Like, 31 00:01:25,040 --> 00:01:26,600 Speaker 1: is that what it is for you? Do you have 32 00:01:26,800 --> 00:01:28,880 Speaker 1: no bad days? I mean, I know everybody has bad days, 33 00:01:28,920 --> 00:01:31,360 Speaker 1: but your outlook on life has got to be pretty 34 00:01:31,400 --> 00:01:34,200 Speaker 1: positive to struggle some stuff you struggle with and then 35 00:01:34,200 --> 00:01:36,039 Speaker 1: to live the life you live. I mean, you are 36 00:01:36,040 --> 00:01:38,720 Speaker 1: a positive dude, And I just kind of like to 37 00:01:38,760 --> 00:01:42,000 Speaker 1: always ask people who are in that place their perspective 38 00:01:42,000 --> 00:01:44,760 Speaker 1: on stuff so that people who maybe are struggling with 39 00:01:44,840 --> 00:01:47,119 Speaker 1: the same type of things can hear how you can 40 00:01:47,160 --> 00:01:49,160 Speaker 1: make a song called no Bad Days? Yeah, I mean, 41 00:01:49,240 --> 00:01:53,040 Speaker 1: I think the media does what the media does, and 42 00:01:53,080 --> 00:01:55,160 Speaker 1: I think that one of the things that's happened in 43 00:01:55,200 --> 00:01:57,520 Speaker 1: the last like you know, run of press that I've 44 00:01:57,560 --> 00:02:00,920 Speaker 1: been doing is like what gets highlighted is is you know, 45 00:02:01,360 --> 00:02:04,800 Speaker 1: the struggle or a COVID relapse, and the reality of 46 00:02:04,840 --> 00:02:08,120 Speaker 1: it is that as serious as that was and as 47 00:02:08,160 --> 00:02:10,480 Speaker 1: painful as that was, that that's not what my life 48 00:02:10,480 --> 00:02:14,200 Speaker 1: looks like today, That that was a two weeks really 49 00:02:14,280 --> 00:02:18,160 Speaker 1: unfortunate event that um, you know, happens two and a 50 00:02:18,200 --> 00:02:20,840 Speaker 1: half years ago, and that's not really like what this 51 00:02:20,880 --> 00:02:23,079 Speaker 1: album is about. So, you know, I just want to 52 00:02:23,080 --> 00:02:25,560 Speaker 1: say that because I've been doing these you knowing interviews 53 00:02:25,600 --> 00:02:27,640 Speaker 1: at the last couple of days and I'm like, yeah, 54 00:02:27,639 --> 00:02:30,520 Speaker 1: but it's not really the glue of this album. The 55 00:02:30,560 --> 00:02:34,359 Speaker 1: glue of this album is is expression is fun, Like 56 00:02:34,760 --> 00:02:37,240 Speaker 1: let's let's take him on a journey. And I think that, 57 00:02:37,800 --> 00:02:39,560 Speaker 1: you know, I can't just like anyone else. I go 58 00:02:39,680 --> 00:02:41,760 Speaker 1: through my own ups and downs. I have three kids, 59 00:02:41,760 --> 00:02:43,799 Speaker 1: I get very little amounts of sleep. I have a 60 00:02:43,880 --> 00:02:47,800 Speaker 1: dog that doesn't always doesn't always pop outside like that sucks. 61 00:02:48,200 --> 00:02:53,160 Speaker 1: But um, I love life and I love putting out 62 00:02:53,440 --> 00:02:55,320 Speaker 1: music into the world, and this is a moment of 63 00:02:55,360 --> 00:02:58,280 Speaker 1: celebration and as intensives it can get, I think it's 64 00:02:58,280 --> 00:03:01,760 Speaker 1: important to have those moments of flection, gratitude and acceptance 65 00:03:01,800 --> 00:03:04,440 Speaker 1: for life the way that it is. And sometimes it 66 00:03:04,480 --> 00:03:06,919 Speaker 1: doesn't make sense why it's panning out the way that 67 00:03:06,960 --> 00:03:10,320 Speaker 1: it does, but it usually makes sense in hindsight. Yeah, 68 00:03:10,440 --> 00:03:13,519 Speaker 1: it happened for sure. And also maclamore, you just helped 69 00:03:13,520 --> 00:03:16,880 Speaker 1: me realize something about myself that my wife often tells me, 70 00:03:17,320 --> 00:03:20,560 Speaker 1: I'm a terrible communicator because I wasn't even talking about. 71 00:03:20,600 --> 00:03:22,359 Speaker 1: I don't even know what you're talking about, like other 72 00:03:22,360 --> 00:03:23,919 Speaker 1: people have been asking you about with the event I'm 73 00:03:23,960 --> 00:03:27,280 Speaker 1: at just as a whole the grind and keeping your 74 00:03:27,280 --> 00:03:29,119 Speaker 1: head up like so, I don't know what you've been 75 00:03:29,280 --> 00:03:31,160 Speaker 1: what the media house focused on. But you're right though, 76 00:03:31,160 --> 00:03:34,760 Speaker 1: they will find like a little nugget that they can 77 00:03:35,120 --> 00:03:38,760 Speaker 1: focus on instead of just talking about the positivity of 78 00:03:38,800 --> 00:03:43,000 Speaker 1: things or whatever. And so I apologize if I sounded 79 00:03:43,040 --> 00:03:45,880 Speaker 1: like them, but I'm being sincere and now I don't know. 80 00:03:46,200 --> 00:03:49,080 Speaker 1: I mean, it's a real conversation and I enjoy having 81 00:03:49,120 --> 00:03:52,560 Speaker 1: the conversation. I get that I jumped the gun, but no, 82 00:03:52,760 --> 00:03:54,760 Speaker 1: I think that I don't think you did it. Applicable 83 00:03:54,840 --> 00:03:57,320 Speaker 1: either way, whether it's about this relapse or just you know, 84 00:03:57,400 --> 00:03:59,320 Speaker 1: struggle in general, I think that there's a light in 85 00:03:59,360 --> 00:04:02,520 Speaker 1: a dark all of it. Yeah, I think that any 86 00:04:02,560 --> 00:04:06,880 Speaker 1: album should have both sides. You show the full human 87 00:04:07,680 --> 00:04:11,000 Speaker 1: spectrum of emotion and feelings that we go through. And yeah, 88 00:04:11,040 --> 00:04:12,760 Speaker 1: I guess part of it is, like I feel like 89 00:04:12,760 --> 00:04:14,839 Speaker 1: I've been talking about the darkness so much the last 90 00:04:14,840 --> 00:04:17,960 Speaker 1: couple days. I'm like, this is I'm at right now? Yeah, 91 00:04:18,040 --> 00:04:20,159 Speaker 1: I want to be authentic. I'm at in my life 92 00:04:20,400 --> 00:04:22,400 Speaker 1: for sure. And what you say about the line darkness, 93 00:04:22,480 --> 00:04:24,000 Speaker 1: you can't appreciate the sun if you don't have some 94 00:04:24,040 --> 00:04:26,120 Speaker 1: rain sometimes, right, So you have to have a little 95 00:04:26,120 --> 00:04:28,119 Speaker 1: bit of dark in order to appreciate the good times. 96 00:04:28,400 --> 00:04:30,159 Speaker 1: And we'll have more with you in just a second, Malcolmore, 97 00:04:30,160 --> 00:04:32,120 Speaker 1: because this is a perfect opportunity for me to play 98 00:04:32,160 --> 00:04:34,000 Speaker 1: the song. Look at that. It's almost like I did 99 00:04:34,000 --> 00:04:35,880 Speaker 1: it on purpose, But I didn't because I don't do 100 00:04:35,960 --> 00:04:38,760 Speaker 1: anything like that planned on purpose. That was a happy accident. 101 00:04:39,040 --> 00:04:41,960 Speaker 1: But here's Malcolmore's new song, No Bad Days. His album 102 00:04:42,040 --> 00:04:44,560 Speaker 1: is out today too. It's called Ben and right after 103 00:04:44,560 --> 00:04:47,760 Speaker 1: this more with Malcolmore, It's a jewel show. That's Malcolmore's 104 00:04:47,800 --> 00:04:50,240 Speaker 1: new song No Bad Days. His album is out today. 105 00:04:50,279 --> 00:04:52,440 Speaker 1: To go get it. It's called Ben and we'll be 106 00:04:52,480 --> 00:04:54,839 Speaker 1: playing that song every other hour all day right here 107 00:04:54,880 --> 00:04:56,760 Speaker 1: on his one h six point one, and Malcolmore is 108 00:04:56,800 --> 00:04:58,480 Speaker 1: on the phone with us. If you didn't hear us 109 00:04:58,520 --> 00:05:01,359 Speaker 1: talking a few minutes ago. Awkward moment because I asked 110 00:05:01,400 --> 00:05:04,320 Speaker 1: Malcolmore about just his thoughts on not having any bad days, 111 00:05:04,360 --> 00:05:07,120 Speaker 1: and then he thought I was talking about something specific 112 00:05:07,279 --> 00:05:10,240 Speaker 1: and I had no idea, and I had no idea 113 00:05:10,279 --> 00:05:12,520 Speaker 1: what he was talking about. It was. It was kind 114 00:05:12,520 --> 00:05:15,840 Speaker 1: of weird. But Malcolmore, your music is pretty deep, right, 115 00:05:15,880 --> 00:05:18,040 Speaker 1: and that's why I think you have such a hardcore 116 00:05:18,120 --> 00:05:20,360 Speaker 1: following of fans that have been around forever. I mean, 117 00:05:20,520 --> 00:05:21,920 Speaker 1: you know, because I've been in Seattle for a long 118 00:05:21,960 --> 00:05:25,560 Speaker 1: time and when I first moved out here, you were 119 00:05:25,600 --> 00:05:28,520 Speaker 1: still doing um, you know, smaller venues and stuff like 120 00:05:28,560 --> 00:05:30,880 Speaker 1: you're all all all by yourself, and it is impressive. 121 00:05:30,920 --> 00:05:32,880 Speaker 1: But to see you blow up, I mean, there's people 122 00:05:32,880 --> 00:05:34,800 Speaker 1: that have been with you since day one and they 123 00:05:34,800 --> 00:05:36,159 Speaker 1: know that about you. And it's cool to see the 124 00:05:36,160 --> 00:05:38,640 Speaker 1: world seeing that too, you know, it's got to feel good. Yeah, 125 00:05:38,680 --> 00:05:40,240 Speaker 1: I love that. I mean, I think that there's always 126 00:05:40,279 --> 00:05:43,680 Speaker 1: that connection with I mean, obviously I live in Seattle 127 00:05:43,720 --> 00:05:46,320 Speaker 1: and from Seattle. Seattle as everything to me, and there 128 00:05:46,440 --> 00:05:50,159 Speaker 1: is that feeling of I don't know, it's special, especial 129 00:05:50,279 --> 00:05:53,120 Speaker 1: when your community is like, bro, we've watched you. You know, 130 00:05:53,200 --> 00:05:55,600 Speaker 1: we've seen you come up. We've watched it from when 131 00:05:55,640 --> 00:05:58,839 Speaker 1: you had twenty people at the Dive Bar in Kirkland 132 00:05:59,480 --> 00:06:02,160 Speaker 1: to you know, have a bull chop Suey to a 133 00:06:02,200 --> 00:06:05,400 Speaker 1: couple of showboxes to um you know, back to back 134 00:06:05,440 --> 00:06:08,279 Speaker 1: to back night to ki Arena. You know, that's a 135 00:06:08,360 --> 00:06:13,279 Speaker 1: really cool story and something that I don't necessarily feel 136 00:06:13,279 --> 00:06:16,080 Speaker 1: all the time. But when people tell me, dude, I've 137 00:06:16,080 --> 00:06:17,880 Speaker 1: been there from the from the jump, or I've been 138 00:06:17,920 --> 00:06:20,159 Speaker 1: here since two thousand and five or whatever it was, 139 00:06:20,240 --> 00:06:23,560 Speaker 1: that's a cool moment. What's the malcolmore? My name is Bennett? 140 00:06:23,760 --> 00:06:27,159 Speaker 1: Why is this the timing to have a self titled album? 141 00:06:27,440 --> 00:06:32,160 Speaker 1: Ben represents a return, a return to why I started 142 00:06:32,200 --> 00:06:34,680 Speaker 1: making music in the first place, getting back to that 143 00:06:34,800 --> 00:06:39,279 Speaker 1: place of wonder, that curiosity that comes from kind of 144 00:06:39,279 --> 00:06:41,640 Speaker 1: first hearing yourself and headphones, or first getting in the 145 00:06:41,680 --> 00:06:46,159 Speaker 1: studio and you know, working with others, that excitement that 146 00:06:46,279 --> 00:06:48,520 Speaker 1: I had, and really trying to tap back into that 147 00:06:48,680 --> 00:06:52,480 Speaker 1: place getting to the core, what connects us, what makes 148 00:06:52,560 --> 00:06:54,880 Speaker 1: us human? What truth do I want to tell? What 149 00:06:55,040 --> 00:06:59,800 Speaker 1: concepts do I want to explore? And that's a process 150 00:06:59,800 --> 00:07:05,359 Speaker 1: of excavation. It's a process of getting getting through the 151 00:07:05,400 --> 00:07:09,480 Speaker 1: cobwebs and finding your way back towards the purpose. It's 152 00:07:09,520 --> 00:07:11,760 Speaker 1: so easy to lose in the music business, you know. 153 00:07:11,920 --> 00:07:15,920 Speaker 1: I just realized something, speaking of being open and stripping 154 00:07:15,960 --> 00:07:19,760 Speaker 1: everything down last time you were on. For years, I 155 00:07:19,800 --> 00:07:22,240 Speaker 1: had been worried that I had like upset you right, 156 00:07:22,520 --> 00:07:24,880 Speaker 1: even though I don't think I did it right. And 157 00:07:24,920 --> 00:07:26,720 Speaker 1: I was like thinking about that. But then I realized, dude, 158 00:07:26,720 --> 00:07:31,080 Speaker 1: you and I have a history that you probably don't 159 00:07:31,080 --> 00:07:33,560 Speaker 1: care about, but you don't know about. And because I 160 00:07:33,600 --> 00:07:36,120 Speaker 1: was thinking about just now, you were talking about stripping 161 00:07:36,120 --> 00:07:37,880 Speaker 1: it down and stuff like that in just life in general. 162 00:07:38,000 --> 00:07:40,440 Speaker 1: And like I said, a few years after I moved 163 00:07:40,440 --> 00:07:42,720 Speaker 1: here at Macklmore Macalmore Mac wherever, he's going to the shows, 164 00:07:42,720 --> 00:07:44,760 Speaker 1: because you were doing a lot of local shows at bars. 165 00:07:45,320 --> 00:07:48,200 Speaker 1: Very like big moment in my life that I still 166 00:07:48,200 --> 00:07:50,960 Speaker 1: think about a lot was one of your shows. I 167 00:07:51,000 --> 00:07:53,960 Speaker 1: didn't go though to the show, but you were performing 168 00:07:54,240 --> 00:07:57,239 Speaker 1: in Olympia and you'll understand why I didn't go because 169 00:07:57,320 --> 00:07:59,520 Speaker 1: I was I was hooking up with this married girl 170 00:08:00,040 --> 00:08:02,160 Speaker 1: and her and her husband went to your show, and 171 00:08:02,200 --> 00:08:04,840 Speaker 1: she was texting me about how amazing the show was. 172 00:08:05,320 --> 00:08:07,960 Speaker 1: And then that's the night that her husband found out 173 00:08:08,000 --> 00:08:10,200 Speaker 1: about us, and it blew up and huge, and I 174 00:08:10,200 --> 00:08:12,120 Speaker 1: always remember every time I think of you, I think 175 00:08:12,120 --> 00:08:14,480 Speaker 1: of that whole situation. It was very dramatic, but I 176 00:08:14,560 --> 00:08:18,200 Speaker 1: was like, man, that show sounded fun. Though, Man, I 177 00:08:18,520 --> 00:08:23,520 Speaker 1: that was a journey of a story. Um, I didn't 178 00:08:23,520 --> 00:08:25,000 Speaker 1: know if you were going to lead to like I 179 00:08:25,000 --> 00:08:28,679 Speaker 1: actually one of my greatest sukups was one of your actors. 180 00:08:30,360 --> 00:08:33,200 Speaker 1: I would have been amazing. I would have been amazing. 181 00:08:33,280 --> 00:08:36,560 Speaker 1: Let's go back and but yeah, I think it's I 182 00:08:36,559 --> 00:08:38,319 Speaker 1: think it's a good thing that you stayed in Seattle 183 00:08:38,360 --> 00:08:42,520 Speaker 1: that night there very good. Yeah, and then there was 184 00:08:42,600 --> 00:08:46,880 Speaker 1: nothing there after that. So, um, but uh, you were 185 00:08:46,960 --> 00:08:49,400 Speaker 1: you were at jingle Ball in Atlanta when we were there. Um, 186 00:08:49,400 --> 00:08:51,480 Speaker 1: it was cool hanging out with you backstage. I didn't 187 00:08:51,520 --> 00:08:55,080 Speaker 1: see you at all, but uh, we were watching you 188 00:08:55,120 --> 00:08:57,440 Speaker 1: from the side stage, man, and like, it was so good. 189 00:08:57,480 --> 00:08:59,640 Speaker 1: It was so good, and you actually had to fill 190 00:08:59,640 --> 00:09:02,400 Speaker 1: in for I forget what was Pitbull was supposed to 191 00:09:02,440 --> 00:09:05,120 Speaker 1: be the fact that closed it out right, and then 192 00:09:05,160 --> 00:09:07,520 Speaker 1: they put you in there and then that slot because 193 00:09:07,880 --> 00:09:12,559 Speaker 1: he ended up not showing up, but um, yeah, someone 194 00:09:12,600 --> 00:09:15,520 Speaker 1: got messed up with his stuff, but like you ended 195 00:09:15,600 --> 00:09:19,760 Speaker 1: up closing out the show. And I gotta say, dude, like, um, 196 00:09:19,960 --> 00:09:22,320 Speaker 1: you know, I I saw you at the key when 197 00:09:22,400 --> 00:09:24,560 Speaker 1: you first do like you had your first shows. Everyone 198 00:09:24,559 --> 00:09:26,440 Speaker 1: he was like the you know, like you would just 199 00:09:26,520 --> 00:09:29,160 Speaker 1: done it and like the energy was amazing. But man, 200 00:09:29,480 --> 00:09:33,280 Speaker 1: you are able to control a huge crowd and bring 201 00:09:33,320 --> 00:09:36,440 Speaker 1: the energy wherever you want it. For anybody who's a 202 00:09:36,440 --> 00:09:38,720 Speaker 1: performer at all, you know that that is a hard 203 00:09:38,760 --> 00:09:41,600 Speaker 1: thing to do. What advice would you give to anybody listening? 204 00:09:41,760 --> 00:09:45,720 Speaker 1: Because people obviously listen to interviews like this to maybe 205 00:09:45,760 --> 00:09:47,199 Speaker 1: hear from somebody that they look up to, and it 206 00:09:47,200 --> 00:09:49,480 Speaker 1: would aspire to be like, what advice could you give 207 00:09:49,520 --> 00:09:53,800 Speaker 1: to them about how to perform live? Not even just music, 208 00:09:53,840 --> 00:09:56,360 Speaker 1: but how to perform because you're a performer, dude, Yeah, 209 00:09:56,440 --> 00:10:01,600 Speaker 1: I appreciate that. I think the best practice is just 210 00:10:01,640 --> 00:10:05,480 Speaker 1: getting on stage and just performing, get in front of 211 00:10:06,080 --> 00:10:09,920 Speaker 1: whoever is willing to listen. And what made me great 212 00:10:10,320 --> 00:10:13,800 Speaker 1: is that I performed in front of no one where 213 00:10:13,880 --> 00:10:16,160 Speaker 1: no one cared and I'm like, okay, well they don't 214 00:10:16,240 --> 00:10:19,000 Speaker 1: know my songs, they're not here for me. How do 215 00:10:19,120 --> 00:10:21,880 Speaker 1: I bring them in? What would I if I was 216 00:10:21,920 --> 00:10:23,839 Speaker 1: at this dive bar and there was some random due 217 00:10:23,840 --> 00:10:27,520 Speaker 1: to the microphone. What would win me over? And that 218 00:10:27,760 --> 00:10:31,400 Speaker 1: is just people want to feel like you're there talking 219 00:10:31,440 --> 00:10:34,079 Speaker 1: to them. They want to make eye contact, they want 220 00:10:34,080 --> 00:10:36,880 Speaker 1: to feel seen. And I think that it's the same thing. 221 00:10:36,880 --> 00:10:41,679 Speaker 1: It's applicable to fifty thousand people or fifty people. People 222 00:10:41,760 --> 00:10:43,440 Speaker 1: want to feel seen, they want to feel a part 223 00:10:43,480 --> 00:10:46,360 Speaker 1: of and the energy that you put out you're gonna 224 00:10:46,400 --> 00:10:49,600 Speaker 1: get back. And sometimes you really have to work for 225 00:10:49,640 --> 00:10:52,000 Speaker 1: that attention. You really have to work for that energy. 226 00:10:52,040 --> 00:10:55,120 Speaker 1: But yeah, it starts with just normal human things. Make 227 00:10:55,160 --> 00:10:58,200 Speaker 1: eye contact practice, Go to other shows, take notes of 228 00:10:58,240 --> 00:11:00,880 Speaker 1: what people did right and what people did wrong or 229 00:11:00,920 --> 00:11:04,079 Speaker 1: what you didn't resonate with, you know, go watch others 230 00:11:04,280 --> 00:11:06,679 Speaker 1: and and build up your own skill set while you're 231 00:11:06,679 --> 00:11:08,720 Speaker 1: doing it. Is there any advice that you would give 232 00:11:08,760 --> 00:11:13,440 Speaker 1: to artists from the PNW. I think my advice for 233 00:11:14,120 --> 00:11:17,480 Speaker 1: for anyone from the Northwest is um for one you 234 00:11:17,520 --> 00:11:19,600 Speaker 1: don't need to move. You don't need to go to 235 00:11:19,720 --> 00:11:22,080 Speaker 1: La Yeah, you don't need to go to Alanna. You 236 00:11:22,080 --> 00:11:24,040 Speaker 1: don't need to go to New York. I didn't. You 237 00:11:24,040 --> 00:11:26,240 Speaker 1: don't need to not saying that you need to stay 238 00:11:26,240 --> 00:11:27,800 Speaker 1: in Seattle the whole time. But I think that that's 239 00:11:27,840 --> 00:11:31,880 Speaker 1: like a man, it's Seattle's faults, Like no, no, we 240 00:11:32,040 --> 00:11:35,040 Speaker 1: have the Internet. We can't use as an excuse anymore. Right, 241 00:11:35,120 --> 00:11:40,640 Speaker 1: that's people here that want to support It's not like 242 00:11:40,679 --> 00:11:42,960 Speaker 1: you can't be seeing worldwide from wherever you're at. So 243 00:11:42,960 --> 00:11:44,720 Speaker 1: that's a great advice. Yeah, I know you're in touch 244 00:11:44,760 --> 00:11:47,000 Speaker 1: with the city and you have your eyes on what's 245 00:11:47,040 --> 00:11:49,560 Speaker 1: going on. So or are there any like waves sounds 246 00:11:49,640 --> 00:11:51,320 Speaker 1: people that you do have your eye on, and do 247 00:11:51,360 --> 00:11:53,439 Speaker 1: you feel intrigued to help them? Yeah? I got a 248 00:11:53,480 --> 00:11:56,880 Speaker 1: couple of them on the album. Actually, Oh, my brother 249 00:11:57,000 --> 00:11:59,240 Speaker 1: Vick is on the album. Charlie on a Friday is 250 00:11:59,240 --> 00:12:03,199 Speaker 1: on the album. Um, I've you know, and of course 251 00:12:03,280 --> 00:12:05,760 Speaker 1: a ton of musicians are on the album from the 252 00:12:05,800 --> 00:12:08,960 Speaker 1: Seattle area. I want to be someone that's you know, 253 00:12:09,000 --> 00:12:11,680 Speaker 1: I'm I'm in a different age bracket now. I was like, 254 00:12:11,720 --> 00:12:14,120 Speaker 1: I'm og status. I need to make sure that I'm 255 00:12:14,120 --> 00:12:17,480 Speaker 1: doing things the ogs did to me and pass on 256 00:12:17,800 --> 00:12:20,240 Speaker 1: to the next generation, so we don't we don't fumble 257 00:12:20,240 --> 00:12:24,960 Speaker 1: the ball. Yeah yeah. And on that note, um, I 258 00:12:25,000 --> 00:12:26,959 Speaker 1: wanted to talk. I was excited to talk to you today, 259 00:12:27,120 --> 00:12:30,640 Speaker 1: not just because your new song, uh and well Ben 260 00:12:30,840 --> 00:12:33,960 Speaker 1: drops today and we're playing No Bad Days from the 261 00:12:34,000 --> 00:12:38,600 Speaker 1: album um every other hour all day on the station. 262 00:12:39,880 --> 00:12:41,640 Speaker 1: I was excited to talk to you because I don't 263 00:12:41,679 --> 00:12:44,720 Speaker 1: know if you know this, Malcaelmore Uh, you know, I'm 264 00:12:44,720 --> 00:12:48,640 Speaker 1: sure you pay attention. But I got Ableton, and I 265 00:12:48,640 --> 00:12:51,679 Speaker 1: have been trying to make beats and stuff in my house, 266 00:12:51,760 --> 00:12:53,840 Speaker 1: you know, And so I'm wondering if I'm ready to 267 00:12:53,880 --> 00:12:56,000 Speaker 1: feature on one of your songs already, because I feel 268 00:12:56,040 --> 00:13:00,280 Speaker 1: like I am. Oh wow, I mean I love the company. 269 00:13:04,400 --> 00:13:07,560 Speaker 1: That was the nicest rejection I've ever heard of, Like, 270 00:13:07,760 --> 00:13:10,760 Speaker 1: how many times you're gonna be playing the record leading 271 00:13:10,760 --> 00:13:16,920 Speaker 1: into I got Enableton? Man, that's gonna be my rap 272 00:13:17,040 --> 00:13:20,480 Speaker 1: name is I got Enableton. But hey, man, thank you 273 00:13:20,480 --> 00:13:22,439 Speaker 1: for your time. I know you're busy. Appreciate you. And 274 00:13:23,040 --> 00:13:25,280 Speaker 1: if you ever are able to hop by the studio 275 00:13:25,679 --> 00:13:27,640 Speaker 1: like or drive down here however you want to get 276 00:13:27,640 --> 00:13:29,480 Speaker 1: here and hang out with us. That would be amazing. 277 00:13:29,520 --> 00:13:32,920 Speaker 1: Wet then happen we do. Man, appreciate you, thank you 278 00:13:32,960 --> 00:13:35,360 Speaker 1: for the record. Of course I have a going man 279 00:13:35,720 --> 00:13:37,440 Speaker 1: you guys that will go on too. It's the Jewel Show, 280 00:13:37,480 --> 00:13:39,120 Speaker 1: The Jewel Show on demand.