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Speaker 1: Get in touch with technology with tex Stuff from Hastro

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Speaker 1: dot com. Welcome to tex Stuff. I'm your host Jonathan Strickland.

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Speaker 1: Today I wanted to explore a special kind of YouTube experience.

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Speaker 1: It's something that's been growing steadily in popularity for a

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Speaker 1: couple of years now. In fact, you could call it

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Speaker 1: a legitimate phenomenon. It's a genre that defies easy description,

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Speaker 1: though all of them have a shared goal to create

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Speaker 1: a tingling sensation in the viewer. It's called a s

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Speaker 1: m R. I spoke with the popular a s MR artist,

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Speaker 1: Heather Feather, who helped me understand what this is all about.

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Speaker 1: As OUR stands for autonomous sensory meridian response, and that

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Speaker 1: doesn't really mean anything. It's just a fancy way of

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Speaker 1: describing a sensation that some people get when they're exposed

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Speaker 1: to auditory or visual stimuli. And this kind of it's

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Speaker 1: called triggers when you hear the or see these things,

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Speaker 1: and people can get triggered by tons of different things,

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Speaker 1: and the triggers are very subjective. So some people are

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Speaker 1: triggered by hair brushing or a soft voice or a whisper,

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Speaker 1: or writing with chalk on a chalkboard, or watching someone

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Speaker 1: do a task in a very meticulous and focused way.

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Speaker 1: So what does that actually feel like? What is it

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Speaker 1: like to experience a s MR Those really good chills

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Speaker 1: you get when you get a haircut or someone traces

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Speaker 1: your back with their finger, and a SMAR feels like

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Speaker 1: that awesome feeling that that gives you. And it just

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Speaker 1: happens when people hear something or see something in a

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Speaker 1: certain way. It's really cool. I've watched a lot of

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Speaker 1: a s MR videos and I'm led to the conclusion

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Speaker 1: that I no longer experienced this particular phenomenon, but I

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Speaker 1: do have distinct memories of feeling something similar when I

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Speaker 1: was a kid, particularly after listening to a certain piece

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Speaker 1: of music. I recall one section from Paul Dukas's The

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Speaker 1: Sorcerer's Apprentice. It never failed to give me chills. But

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Speaker 1: I didn't have a word for this sensation. It turns

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Speaker 1: out I wasn't the only one struggling to put words

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Speaker 1: to the feeling. Heather explains what it was like when

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Speaker 1: she found out the tingles she felt weren't necessarily something

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Speaker 1: other people felt. I had SMR in my whole life,

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Speaker 1: and when I was little, very very little, I used

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Speaker 1: to call it shocks, and I used to tell my

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Speaker 1: mom I had shocks, and she didn't know what that meant.

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Speaker 1: And I didn't know what that meant. When I got older,

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Speaker 1: and I would go out with friends to a restaurant,

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Speaker 1: let's say, and a waitress would have a really nice

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Speaker 1: soft voice and say, hey, guys, what can I get you?

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Speaker 1: I would say, my gosh, I love her voice. And

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Speaker 1: my friends would go, oh, my gosh, you're so weird.

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Speaker 1: And I realized that people didn't have it it was,

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Speaker 1: but I wasn't ashamed of it. I just thought it

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Speaker 1: was a quirk that I had. Like I like to

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Speaker 1: eatch other cheese crewtons and dark chocolate. No one else

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Speaker 1: likes to do that. It is something I like, So

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Speaker 1: I figured it was something weird about me. Finding these

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Speaker 1: sounds or sites these triggers can be exhausting. You might

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Speaker 1: encounter something that sets you off purely by accident. There

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Speaker 1: wasn't really a place to go to initiate the sensation.

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Speaker 1: And then came YouTube and a whole new world opened

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Speaker 1: up for people like Heather, though people who experienced the

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Speaker 1: sensation weren't necessarily being catered to explicitly. In Heather's case,

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Speaker 1: she found very different videos that set off her triggers.

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Speaker 1: I used to search videos for these triggers, and a

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Speaker 1: lot of the times they would be makeup tutorials, but

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Speaker 1: they would also be fetish videos, because there's a fetish

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Speaker 1: for everything, and there is a hair fetish and a

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Speaker 1: nail fetish. So I would go onto these fetish videos

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Speaker 1: and watch people tap their nails or brush their hair.

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Speaker 1: And I was like, yeah, this is great, but I

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Speaker 1: didn't love going to these videos because they had other

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Speaker 1: things in them that I wasn't into. And then Heather

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Speaker 1: made a discovery that literally changed her life. I found

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Speaker 1: a nurse role play by gentle Whispering and I clicked

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Speaker 1: it and I was gobsmacked because everything this woman was

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Speaker 1: doing was triggering me. And I was like, oh, this

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Speaker 1: is great. So I read her infobox on YouTube and

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Speaker 1: she mentioned a SMR and I googled it and I

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Speaker 1: was in it in a room with one of my

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Speaker 1: friends and I yelled, this is me. And my friend

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Speaker 1: was like, I don't understand why you're even saying like

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Speaker 1: they did not. They did not understand at all. But

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Speaker 1: I felt like I was like I found my people.

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Speaker 1: It sounds dramatic, but it really was a euphoric moment.

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Speaker 1: This odd but pleasant sensation might be caused by anything.

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Speaker 1: For some people, it's a particular type of sound. For others,

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Speaker 1: it's the sensation that a person is moving around you

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Speaker 1: in real space while talking to you. It could be

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Speaker 1: the way a person moves their hands as they speak.

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Speaker 1: One trigger that seems particularly effective involves a close connection

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Speaker 1: between the a s MR artist and the audience. Personal

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Speaker 1: attention is a big trigger for a lot of people,

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Speaker 1: myself included, And even though you're the person is not

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Speaker 1: actually touching you or in front of you, it sort

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Speaker 1: of feels like they are and that I don't know

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Speaker 1: if it calls back to when you were a kid

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Speaker 1: and you were getting attention from someone or not, or

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Speaker 1: if it pulls on some nostalgic heartstring, but it really

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Speaker 1: works for thousands and thousands of people, and even for

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Speaker 1: people who don't experience a s MR like me, these

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Speaker 1: videos have their uses. It turns out I'm not the

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Speaker 1: only person who likes to watch a s m R

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Speaker 1: video in order to unwind. I get a lot of

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Speaker 1: messages and I think a lot of other ASIMER content

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Speaker 1: creators do as well. From people who don't have a

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Speaker 1: sm R whatsoever, but they like to play the videos

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Speaker 1: to help them relax. Some of them play it to

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Speaker 1: help them work. They play it as background noise, and

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Speaker 1: a lot of gamers play as MR videos while they game,

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Speaker 1: which I think is really interesting. For some reason, they

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Speaker 1: say that it helps them focus on what they need

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Speaker 1: to do. While I can't imagine wiping out the covenant

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Speaker 1: in Halo or planning strategy in League of Legends while

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Speaker 1: playing an a s m R video in the background,

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Speaker 1: I do see how it helps players reach a zen

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Speaker 1: like state. The videos tend towards the soothing, comforting spectrum.

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Speaker 1: While some videos may get a little more surreal or

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Speaker 1: abstract than others, they don't tend to be fast paced,

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Speaker 1: action pack narratives. There are actually lots of different styles

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Speaker 1: of videos. In some an artists might simply experiment with

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Speaker 1: different sound and visual triggers with no narrative structure linking

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Speaker 1: them together. Other videos will focus on a specific trigger

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Speaker 1: and go for a marathon session. Each type of video

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Speaker 1: requires a different approach when I film. If I'm doing

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Speaker 1: a sound assortment, I'll just gather the props that I

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Speaker 1: want to use and I'll sit in front of the camera. No,

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Speaker 1: I'll just explore them and hang out with the viewer.

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Speaker 1: But if I'm doing a role play, I'll think of

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Speaker 1: the triggers that I want to incorporate, and then I

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Speaker 1: build a story around it, and then I hunt for

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Speaker 1: anything that I could enhance the story with. So I

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Speaker 1: never just do the triggers that I want to incorporate.

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Speaker 1: I'm always throwing in an extra voice someplace, or extra

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Speaker 1: sound effects someplace and complicating my life. But I think

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Speaker 1: that it helps the viewer become more immersed. Immersions really

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Speaker 1: really important to me. UM. It's also why I'm starting

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Speaker 1: to venture into virtual reality I SMAR. This quest for

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Speaker 1: immersion has opened up some interesting opportunities, such as pairing

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Speaker 1: the A S m R approach with devices like the

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Speaker 1: Oculus Rift. It's another journey through tech for us. We're

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Speaker 1: dabbling with a lot of new technology, UM, including spherical

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Speaker 1: video sixty degree spherical video, and that's video that captures

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Speaker 1: sixty degrees horizontally and vertically, and then putting it into

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Speaker 1: a gaming engine like Unreal or Unity and trying to

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Speaker 1: format it for use in a head mounted display like

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Speaker 1: Oculus Rift or any of the other ones that might

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Speaker 1: be coming out. My personal favorite a s MR videos

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Speaker 1: are role plays. A role play is just what it

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Speaker 1: sounds like. The artist takes on a role with you,

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Speaker 1: the audience becoming part of a scene. Role Plays come

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Speaker 1: in all sorts of flavors. I think haircuts are very popular,

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Speaker 1: and I think that's because a lot of people can

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Speaker 1: enjoy them even if they don't have a SMR. Their

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Speaker 1: doctor role plays are very popular, and that might sound

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Speaker 1: weird because no one likes to go to the doctor.

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Speaker 1: But the doctor role plays how a lot of different

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Speaker 1: triggers in them. There's a lot of personal tension. There's

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Speaker 1: pointing to a chart, there's following a light. There's a

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Speaker 1: lot of different things involved with them, and I think

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Speaker 1: it makes them a versatile roleplay for people who have

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Speaker 1: different triggers. It's one thing to imagine what a role

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Speaker 1: play like this would be like and another thing to

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Speaker 1: experience it. Heather is a generous artist and offered us

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Speaker 1: some examples. This one is from her video titled a

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Speaker 1: s MR Binaral Medical role Play A Snake Oil Salesman

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Speaker 1: for Relaxation, and which Heather is playing a charlatan who

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Speaker 1: makes some grandiose claims not to mention a geeky reference

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Speaker 1: before I begin you treatment. I want to open up

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Speaker 1: your energy using a therapeutic course technique from a spiritual

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Speaker 1: mentor in Tagaba. So relax, okay, all you have to

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Speaker 1: do he should stilly And while a simple role play

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Speaker 1: might cover a visit to the barbershop or perhaps an

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Speaker 1: eye exam, a few of them can get pretty complicated.

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Speaker 1: Heather is known for pushing herself by incorporating multiple characters

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Speaker 1: in a role play. She plays all of them, often

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Speaker 1: appearing as two characters on screen simultaneously. It's not necessarily easy,

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Speaker 1: and if you hit the camera it ruins everything and

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Speaker 1: you have to redo it and it's terrible. Here's a

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Speaker 1: quick excerpt from a barbershop roleplay featuring Heather as both

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Speaker 1: herself and her goofy goth alter ego sister, dubbed Dark

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Speaker 1: Feather by her fans. Nice thing about this is there.

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Speaker 1: It's a cold daily because I went shopping for some

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Speaker 1: striped sweaters. I love striped sweaters. The best time to

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Speaker 1: wear striped sweaters all the time. One was the collar turtleneck.

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Speaker 1: That's the kind because when wearing that one special so

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Speaker 1: that's enough small talk. But how much work can an

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Speaker 1: a SMR video really be? Well, it turns out, if

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Speaker 1: you want to do it right, it can take a

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Speaker 1: long time. For a sound slice, which is just usually audio,

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Speaker 1: and it's a much shorter audio clip, that'll take a

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Speaker 1: couple of hours, maybe five or six, maybe a little

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Speaker 1: bit more, depending on what I'm doing. If I'm doing

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Speaker 1: on a sound assortment, that would take probably around ten hours,

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Speaker 1: maybe depending how many takes I have to do, and

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Speaker 1: then a role play at least twenty hours, at least

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Speaker 1: twenty hours, but sometimes they'll take weeks or even months

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Speaker 1: to complete. Putting in that time requires a lot of dedication,

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Speaker 1: and artists like Heather will often publish more than one

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Speaker 1: video per week. Any setback could require several hours of

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Speaker 1: work to set things right. So what sort of technology

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Speaker 1: did Heather have when she decided to make our own videos?

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Speaker 1: I was using a very old point and shoot camera

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Speaker 1: that had a ton of white noise, and I was

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Speaker 1: using seven cans of cat food to balance it on.

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Speaker 1: I didn't have a tripod and that was it, and

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Speaker 1: I used UM I think I was using a super

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Speaker 1: old software from Adobe, but it was like seven point

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Speaker 1: oh for Premiere, it was very old software to edit with,

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Speaker 1: and I got a lot of feedback from people saying

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Speaker 1: that they liked the videos, but the white noise was

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Speaker 1: too much for them. So then I started exploring other

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Speaker 1: audio options. While technique is at least as important as

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Speaker 1: technology when trying to trigger an A S m R response,

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Speaker 1: it certainly helps to have better gear. Here's what Heather

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Speaker 1: uses to make videos today. Today, I'm using a three

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Speaker 1: D O free Space Pro and a Zoom H four

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Speaker 1: and as my recorder for that microphone, and I'm using

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Speaker 1: the JVC a Ario HD camera um. I also sometimes,

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Speaker 1: depending on the audio that I'm going for, we'll use

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Speaker 1: an in ear binoral mic in addition to the three

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Speaker 1: D O and sometimes I'll use the yetti that I'm

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Speaker 1: talking to you on now. It just depends on the

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Speaker 1: field that I'm going for with the audio. Those binaral

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Speaker 1: mics play a big part in current A S MR productions.

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Speaker 1: The binarial microphone is meant to mimic the way sound

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Speaker 1: enters our ears. Ideally, listening to a recording made on

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Speaker 1: a binaral mic makes it seem like you are actually

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Speaker 1: in the same space as the A S mr Artist,

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Speaker 1: and the mic comes with other benefits to the artist

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Speaker 1: as well. It's opened up a lot of possibilities, especially

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Speaker 1: with role playing in storytelling, because I can use this

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Speaker 1: sound to create an atmosphere to immerse my viewer in,

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Speaker 1: and it's it's really interesting. I can incorporate a ton

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Speaker 1: of different sounds. And I can also use the mic

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Speaker 1: itself as a prop to make sounds because the microphone

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Speaker 1: that I use as ears, and I can use the

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Speaker 1: ears and manipulate them to create sounds and it really

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Speaker 1: sounds like I'm touching your ears, or I can breathe

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Speaker 1: into them and it'll sound like I'm breathing right into

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Speaker 1: your ears. And it's really cool, and it's a really

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Speaker 1: neat kind of way to touch someone that I'm never

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Speaker 1: actually touching. The traditional binaral microphones don't look like your

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Speaker 1: average condenser or dynamic mike. They look well, they look

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Speaker 1: like a mannequin head. You can even take the do

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Speaker 1: it yourself approach. But neural mikes they typically used to

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Speaker 1: have a dummy head that they would be placed in

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Speaker 1: or built into, and that was too make it so

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Speaker 1: that the sound sounded like it was traveling across you.

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Speaker 1: Across your heads, called head shadowing. So if it would

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Speaker 1: sound would go into one ear, you would also hear

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Speaker 1: in your other ear a little bit, but it would

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Speaker 1: be diminished and different. And using a dummy head is

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Speaker 1: really hard to do, especially if you are a novice

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Speaker 1: like me and you're making your own out of starro

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Speaker 1: foam and stuffing it with things, and and you can't

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Speaker 1: just use a star foam head. You have to give

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Speaker 1: it weight because the human head has weight and thickness

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Speaker 1: that sound moves past, so it travels through. So the

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Speaker 1: microphone that I use doesn't have a dummy head, which

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Speaker 1: is weird, and I think that people who have experienced

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Speaker 1: with by neural microphones um sometimes question, well, hey, that

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Speaker 1: can't be a real by neural microphone because it doesn't

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Speaker 1: have a head. But the way that the three do

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Speaker 1: is made is there's discs in it that position the

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Speaker 1: mics so that they're like your ears, and then the

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Speaker 1: ears themselves helped create that shape and give it that

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Speaker 1: head shadowing without actually having to have the head there.

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Speaker 1: It's really neat. As for editing, Heather's upgraded that as well.

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Speaker 1: Now I'm using the Creative Cloud, the Adobe Creative Cloud

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Speaker 1: and that has everything that has premiere pro and as

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Speaker 1: after effects, so I incorporate both of those regularly into

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Speaker 1: the videos, and there's humor is one of the qualities

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Speaker 1: I find most appealing with a s MR videos. Since

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Speaker 1: I don't personally experience this tingling sensation, I tend to

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Speaker 1: focus more on the content of a video than the

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Speaker 1: individual sounds. And let's face it, a role play video

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Speaker 1: in which you're playing an important but ultimately passive art

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Speaker 1: can feel a little silly, but some as MR artists

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Speaker 1: embrace that and make it part of their presentation. That

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Speaker 1: became clear when I asked Heather which videos she was

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Speaker 1: most proud of. The ones that I'm most proud of

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Speaker 1: are the ones that I've been most afraid to put out,

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Speaker 1: like Candy Queen, which would probably not be a great

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Speaker 1: introductory video, but um, I was very nervous about putting

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Speaker 1: that out, and um the Sleep Police, the brain pause

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Speaker 1: away after the battle, Uh, it's dangerous to go alone,

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Speaker 1: the Video Game one. And I think the one that

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Speaker 1: I'm most most proud of is the one that wasn't.

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Speaker 1: It's not my most popular video whatsoever. It doesn't have

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Speaker 1: the most views, but it was a story that I

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Speaker 1: wrote specifically for my channel and drew little pictures too

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Speaker 1: and created sound effects for and that one. Um, it's

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Speaker 1: very dear to my heart, and it's actually we're working

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Speaker 1: on making it into a children's book now, which is

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Speaker 1: really cool that parents might one day be reading something

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Speaker 1: that came from an Asmar channel to their children to

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Speaker 1: help them sleep. Here's a quick listen to part of

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Speaker 1: Heather's Sleep Police episode, in which he plays a helpful

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Speaker 1: officer who assists you as you try to drift off

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Speaker 1: into deep sleep. I've been doing this job for a

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Speaker 1: long time, thousands of years, and sitting at a desk

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Speaker 1: and filling at all those papers, huh, ten tho years

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Speaker 1: of that will give you such a drank in the fact,

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Speaker 1: have you been having a rough time too? That short

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Speaker 1: excerpt is another example of how Heather likes to incorporate

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Speaker 1: Easter eggs and her videos by mentioning or quoting the

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Speaker 1: stuff she loves. If you listen to her videos carefully,

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Speaker 1: you'll hear references to Disney films, science fiction, fantasy, song lyrics,

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Speaker 1: and more. I don't think if any people get to

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Speaker 1: interact with people and and just share things that they

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Speaker 1: love all the time, and a summer videos let me

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Speaker 1: do that. So I hide some lyrics that I like

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Speaker 1: or shows that I loved when I was a kid,

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Speaker 1: or like now in my videos, and when people catch

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Speaker 1: those Easter eggs, it's kind of like, ah, I see

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Speaker 1: you moment. You know, I get you, and I get

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Speaker 1: to share that with people, and it's very important to

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Speaker 1: me and it's very special to me. This brings us

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Speaker 1: to another interesting fact about the a s MR movement.

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Speaker 1: It's a real community. Artists collaborate with one another and

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Speaker 1: interact with their fans. Fans spend time watching videos and

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Speaker 1: making recommendations and requests. It's a community that's been growing

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Speaker 1: steadily and yet is really close knit, even though there

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Speaker 1: are thousands and thousands and hundreds of thousands of people

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Speaker 1: in it now who are consumers and content creators. Everyone's

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Speaker 1: very mostly everyone's very friendly and understanding and sympathetic with

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Speaker 1: each other. And I think it's because every single person

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Speaker 1: has felt like they were the only one who had

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Speaker 1: a sm R at one point, and then you find

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Speaker 1: this community who's making this stuff to make you feel

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Speaker 1: that way, and it's kind of it's just an awesome feeling, engaging,

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Speaker 1: in a creative activity can be really rewarding, but it

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Speaker 1: also requires a lot of effort on the part of

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Speaker 1: the artist. So I asked Heather where she finds the

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Speaker 1: inspiration to make her videos. At this point, there is

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Speaker 1: very little that doesn't inspire me. I'm inspired by a box,

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Speaker 1: it can be agreekly bag. I'm inspired by other as

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Speaker 1: artists all the time because they're always producing creative content

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Speaker 1: and trying new things. Um, I'm inspired by television shows

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Speaker 1: and commercial I'm inspired by commercials that make me mad. Um.

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Speaker 1: I was um my snake my snake oil salesman roleplay

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Speaker 1: that I did. I was inspired by eyelashed commercials, my

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Speaker 1: scare commercials because I didn't like that they use policies

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Speaker 1: and to see people in their commercials all the time. So, Um,

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Speaker 1: Candy Queen came from just looking at candy and thinking

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Speaker 1: I wanted to use candy in a video, and then

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Speaker 1: I made a whole story around candy. Ask for which

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Speaker 1: artists she finds inspiring. It might have been easier for

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Speaker 1: her to name the ones who don't. It would certainly

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Speaker 1: be a shorter list. Heather's not just a content creator,

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Speaker 1: She's an avid consumer. If you want to check out

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Speaker 1: the work of other people in a s m R.

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Speaker 1: She's got some suggestions for you. They're all different and

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Speaker 1: they all have something unique to offer. UM. Some people

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Speaker 1: that I regularly go to it would be just a

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Speaker 1: whispering guy a SMR requests Kiwi whispers are Daniela. I'm

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Speaker 1: trying to keep it even with men and women. Uh

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Speaker 1: A massage as Mr Gentle whispering, a mall visual sounds,

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Speaker 1: calming escape I could. I think I'm subscribed to over

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Speaker 1: four hundred a sm artists and that's for I didn't

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Speaker 1: just subscribe to them to subscribe. I subscribe to them

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Speaker 1: each for their own reason. And there's people of all

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Speaker 1: ages from all over the world making these videos. If

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Speaker 1: you like accents, you can find someone with an accent

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Speaker 1: you like. UM, if you're more comfortable with someone older.

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Speaker 1: There are lots of older people making videos and young

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Speaker 1: people making videos, and it's really diverse and versatile, and

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Speaker 1: it's I think that's part of what makes some of

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Speaker 1: the sm R community kind of beautiful, because there's a

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Speaker 1: whole bunch of people who are so different trying to

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Speaker 1: do the same thing. And a s MR artists work

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Speaker 1: relies heavily on creating interesting sounds, which prompted me to

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Speaker 1: ask other if that meant she explored the world of

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Speaker 1: sound and unusual ways. Does she test pretty much everything

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Speaker 1: she comes into contact with to find out what kinds

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Speaker 1: of sounds that might make That is my life now?

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Speaker 1: That not even joking. Everywhere I go, I if i'm

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Speaker 1: especially even a store, I'm picking up everything and holding

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Speaker 1: it next to my ear. And a lot of times

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Speaker 1: people will say, hey, I think I saw you, and

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Speaker 1: they didn't see me. And but if you do see

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Speaker 1: a girl that looks like me holding something next to

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Speaker 1: her ear and tapping it in a store, that's probably me.

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Speaker 1: It mortifies my family when we're out in public, especially

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Speaker 1: my sister. She's seven years younger than me. I like

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Speaker 1: to go shopping with her, um, and we've been in

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Speaker 1: stories before when I picked stuff up and she'll just

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Speaker 1: walk away from me, or yell at me or say

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Speaker 1: something like wait till I'm out of the aisle before

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Speaker 1: you do that, because I don't want to be seen

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Speaker 1: with you. Um. One time, I was looking for teapots

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Speaker 1: for an upcoming role play that I'm doing, and I

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Speaker 1: wanted when musicle looking teapots, so I had her helping

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Speaker 1: me and she was yelling across aisles is this whimsical

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00:23:07,040 --> 00:23:10,399
Speaker 1: enough for you? And it was. It's just so funny

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00:23:10,440 --> 00:23:12,959
Speaker 1: because she doesn't have it and she doesn't really understand it,

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Speaker 1: but she tries to. And then when she tries to,

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00:23:15,520 --> 00:23:18,000
Speaker 1: she gets embarrassed by me and ends up leaving or

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00:23:18,080 --> 00:23:21,040
Speaker 1: yelling at me. And which of Heather's video should you

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00:23:21,040 --> 00:23:23,800
Speaker 1: watch first? If they were coming for the first time,

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Speaker 1: I would suggest the cranial r of examination because that

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00:23:27,160 --> 00:23:30,080
Speaker 1: has a ton of different triggers in it, or any

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00:23:30,119 --> 00:23:33,639
Speaker 1: of the medical role plays, or just some sound assortments

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00:23:33,680 --> 00:23:36,239
Speaker 1: that they can the top ten triggers. I think that

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00:23:36,280 --> 00:23:38,639
Speaker 1: one is a really good one for people to have

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00:23:38,680 --> 00:23:42,280
Speaker 1: an introduction with. Let's say you're an a S M

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00:23:42,440 --> 00:23:45,560
Speaker 1: R addict, You've subscribed to dozens of artists, and you

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00:23:45,640 --> 00:23:48,600
Speaker 1: have a killer idea for the next tingle inducing video.

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Speaker 1: What should you do next? I think it's really important

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00:23:52,359 --> 00:23:56,720
Speaker 1: to not invest a lot of money upfront into equipment.

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00:23:57,080 --> 00:23:59,520
Speaker 1: I would say to use what you have and get

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Speaker 1: a feel for how difficult making videos can be. And

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Speaker 1: if you find that you like it and you like

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00:24:06,119 --> 00:24:10,479
Speaker 1: the process and you enjoy that kind of tedious nature

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00:24:10,560 --> 00:24:14,960
Speaker 1: that comes with adjusting volume levels very meticulously. Then go

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00:24:15,119 --> 00:24:19,880
Speaker 1: into looking at other kinds of equipment. But for your

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00:24:19,880 --> 00:24:23,040
Speaker 1: own enjoyment, I would say to do what makes you happy.

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Speaker 1: Don't worry about catering to requests in the beginning, or

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00:24:28,160 --> 00:24:30,879
Speaker 1: or trying to please everyone, because you can't. So do

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Speaker 1: what makes you happy and enjoy it, because then you'll

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Speaker 1: find people who enjoy what you do, and you'll have

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Speaker 1: the audience that you want instead of kind of bending

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Speaker 1: to everybody and trying to please everyone, and you'll burn

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00:24:42,560 --> 00:24:51,720
Speaker 1: out so fast. A SMR videos continue to grow in

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00:24:51,800 --> 00:24:55,200
Speaker 1: popularity and complexity. If you haven't checked one out, I

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00:24:55,359 --> 00:24:58,680
Speaker 1: recommend giving him a trin. To the uninitiated, they probably

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00:24:58,760 --> 00:25:02,560
Speaker 1: seem weird, perhaps even off putting, and the scientific community

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00:25:02,600 --> 00:25:06,359
Speaker 1: has little to say about the phenomena. It's a subjective experience.

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00:25:06,359 --> 00:25:10,080
Speaker 1: It's difficult and maybe even impossible to quantify, but that

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00:25:10,119 --> 00:25:13,119
Speaker 1: won't stop artists like Heather Feather from chasing the feeling

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00:25:13,200 --> 00:25:16,119
Speaker 1: and producing videos. You would like to learn more about

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00:25:16,119 --> 00:25:19,679
Speaker 1: Heather's work, Her YouTube channel is called Heather Feather. You

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00:25:19,720 --> 00:25:22,639
Speaker 1: can follow her on Twitter at the handle Heath Beev

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Speaker 1: a s m R h E A t h f

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Speaker 1: e A t h A s m R and keep

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Speaker 1: an eye out for her work with pixel Whipped. I

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Speaker 1: can't thank Heather enough for a generosity at a time,

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Speaker 1: and that wraps up this episode of tech Stuff. Remember

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Speaker 1: to send us feedback at tech stuff at how stuff

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Speaker 1: works dot com, follow us on Twitter, Facebook, and Tumbler,

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Speaker 1: where we use the handle tex stuff H s W.

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Speaker 1: Let me know if you like this new format that

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Speaker 1: I'm trying out, and feel free to suggest future topics, guests,

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Speaker 1: and interview subjects. We'll talk to you again really soon

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Speaker 1: for more on this in thousands of other topics. Is

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Speaker 1: it how stuff works dot com m