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Speaker 1: Indie. India is obsessed with the concept of auto tune

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Speaker 1: and he's always asking like can we do that, and

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Speaker 1: I'm like yeah, but you should actually learn how to sing,

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Speaker 1: don't just don't just wait. He's interested in auto tune

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Speaker 1: from the perspective of, well, I'll just sing a song

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Speaker 1: and if it's not good, can't we just auto to it? Yes, yes,

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Speaker 1: because because it's come up when we're watching things, you know,

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Speaker 1: the idea like we've been watching the zombies movies and

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Speaker 1: des Sentence Films, which are great, Um, and he's been

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Speaker 1: he keeps bringing up like, well, is that them really singing?

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Speaker 1: And it's kind of hard to tell sometimes, you know,

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Speaker 1: we've had to google it and even so, and then

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Speaker 1: it actually turns out a lot of them are real singers,

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Speaker 1: which is great, Um, but you know, I can't sing

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Speaker 1: very well. My wife can sing incredibly well. She's like

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Speaker 1: pitch perfect every time. Um. And and he's, you know,

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Speaker 1: he's got a good voice already. He likes singing, but

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Speaker 1: he loves the idea that he doesn't have to learn

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Speaker 1: how to sing, that he can just maybe express himself

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Speaker 1: and we can auto tune it. So he's like, can

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Speaker 1: we get that software and I'm like, actually, I think

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Speaker 1: we can. You can, you can. You just download auto

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Speaker 1: tune software and figure out. But so here's a better

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Speaker 1: question then. Why doesn't he just sing and go, even

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Speaker 1: if it's bad? Who Cares? I just want to express myself.

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Speaker 1: I don't even need auto tune to make it sound good.

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Speaker 1: I just am going to enjoy it because I have

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Speaker 1: fun doing it. I guess I've, I've, I guess I

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Speaker 1: put too much pressure on him. We're like basically like no, no, no,

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Speaker 1: you should learn how to sing. I mean probably because

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Speaker 1: I never learned how to sing. And you know, I

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Speaker 1: was in musicals as a kid, but no one ever

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Speaker 1: explained to me like even though I took piano class

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Speaker 1: or whatever, I didn't understand hitting notes as a concept.

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Speaker 1: Like I really thought that you just like her whatever

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Speaker 1: instrument was going and then you just kind of jumped

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Speaker 1: out there and sang, like I never learned pitch or

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Speaker 1: head notes and it's like really basic. And you read music? No, no, Um,

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Speaker 1: but I just like I wish somebody had sort of

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Speaker 1: sat me down and like taken me through, you know,

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Speaker 1: and I think the problem was I just didn't have

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Speaker 1: a natural enough talent, um, but you're interesting, you know.

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Speaker 1: Bringing this full circle to boy meets world, like people

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Speaker 1: have commented. There's an episode where I sang on boy

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Speaker 1: meets world, Um, and people have said like Oh, your

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Speaker 1: voice is Great. It was auto tuned an early version

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Speaker 1: of what did you sing? I've got you babe. It's

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Speaker 1: remember when we did like a Karaoke episode when Ben

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Speaker 1: Danielle did the war song. was well, I got up

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Speaker 1: there and saying I've got you babe with a girl that,

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Speaker 1: you know, it was a guest star who was an

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Speaker 1: amazing singer. She was like a professional singer and actor, Um,

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Speaker 1: and I worked hard, like I remember practicing with her,

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Speaker 1: but I had to Harmon I and I can't harmonize.

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Speaker 1: I can't do any of that. Um, but anyway, yeah, so,

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Speaker 1: like I've had people come up to me and they're like, Oh,

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Speaker 1: you actually have a good voice. I'm like yeah, because

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Speaker 1: and it was. I remember Ray colcord coming up to

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Speaker 1: me after like the next week. He was like, don't worry,

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Speaker 1: I fixed it, it sounds good, and I was like

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Speaker 1: back in the day before like auto tune was available

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Speaker 1: to everybody, you know. So he was he was using

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Speaker 1: his incredibly high tech nineties equipment. Yeah, they used to

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Speaker 1: do that because I had to sing to serve with

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Speaker 1: love to Phoeny at the graduation episode and they sent

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Speaker 1: me to like a professional singing coach for two weeks

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Speaker 1: before that episode and then when I finally did it,

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Speaker 1: I did it as like a joke and I remember

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Speaker 1: going like why did I need all the professional lessons

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Speaker 1: if I'm flopping around on bill and like it was

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Speaker 1: more confident saying I sang a ton growing up. I

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Speaker 1: was just better at smoking. So it was that's what happened.

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Speaker 1: It's like there comes a point where you pick, you pick,

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Speaker 1: which one do you want to do? And I was like,

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Speaker 1: I'm really good at the smoking thing. We were we

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Speaker 1: were in an acting class together for a while and

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Speaker 1: one of the one of the class us as we

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Speaker 1: had to sing and I was absolutely terrified. It's my nightmare.

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Speaker 1: I mean I hate singing in public and I think

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Speaker 1: I can trace it back to. Sorry, mom, I think

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Speaker 1: I can trace it back to in the car with

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Speaker 1: my mom going back and forth to auditions and just

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Speaker 1: singing like like no one was there. And I remember

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Speaker 1: it one one time my mom said, can we let

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Speaker 1: Celine Dion sing it. Oh Nice, we're finally getting to

86
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Speaker 1: the dark side of Jen. Officials was probably just like

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Speaker 1: so sick of hearing me. And, by the way, it

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Speaker 1: was fully a celine dion song. Like I was, and

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Speaker 1: I'm saying I mean I was belting out notes I

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Speaker 1: had no business trying, and I just remember thinking, well,

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Speaker 1: I'll never do that again. I mean, I've always said

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Speaker 1: the same thing. My brother used to make so much

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Speaker 1: fun of me for singing, Um, you know, and it's

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Speaker 1: a bummer, like, but I do think that when like,

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Speaker 1: I definitely want to encourage Andy to feel free and

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Speaker 1: to sing, because I think it's so beautiful. Like, you know,

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Speaker 1: if I wish I could sing, like, if I would

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Speaker 1: trade anything, I would be really that's the one. That's

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Speaker 1: the one. You would pick his singing, absolutely. Haven't you

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Speaker 1: ever heard the thing that all actors want to be

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Speaker 1: Rock Stars and all ROCK STARS WANT TO BE ACTORS?

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Speaker 1: Like I totally believe that. Like, think I would pick

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Speaker 1: playing an instrument over singing, though, like being an amazing

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Speaker 1: guitarist or an amazing pianist over I want to sing. Yeah,

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Speaker 1: I don't want to sing, but but if short of singing, yeah,

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Speaker 1: musical talent is just like I do play guitar, like

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Speaker 1: you know. I picked it up when I was in

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Speaker 1: my thirties and taught myself like enough of what I

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Speaker 1: like to sing to, but I would never do it

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Speaker 1: in front of anybody else. I just play with my family.

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Speaker 1: I sing by myself and I have so much fun.

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Speaker 1: Like having kids has made me a lot more comfortable,

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Speaker 1: just embracing that, because Adler is so free and loves

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Speaker 1: to dance and sing and I like to dance and

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Speaker 1: sing with him, and so I for children and I

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Speaker 1: have overcome my fear of looking like an idiot. I

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Speaker 1: will do I mean I look like an idiot a

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Speaker 1: hundred percent of the time when I'm out in public

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Speaker 1: with my kid. If it's going to make them happy

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Speaker 1: or comfortable or we're gonna have fun together, I'm doing it. So, thankfully,

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Speaker 1: like inside the house, even in front of Jensen, I

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Speaker 1: never would have sang before, but now that we have kids,

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Speaker 1: I'm just basically a singing I'm a I'm a big

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Speaker 1: old joke in this house, which is totally fine. Yeah,

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Speaker 1: sue knows, Sou knows that I turn everything into a song.

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Speaker 1: So it's like I'm that guy with like she's cutting

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Speaker 1: up the watermelon and it's like, Oh God, and she'll

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Speaker 1: be like will you stop? And I'm like now I'm

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Speaker 1: stopping in so it's like I will sing makeup stuff

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Speaker 1: all day long. It's just I know it's annoying as well.

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Speaker 1: That's you sound like a lot of fun. Honestly, it

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Speaker 1: sounds like a fun house either. Would other would enjoy

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Speaker 1: coming over to her. I got pooped on today. Does

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Speaker 1: that count? That's a whole another story, sue. I know,

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Speaker 1: I know. I was like, give it a break. Now,

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Speaker 1: on a walk, on a walk today, walking our dog

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Speaker 1: this morning, a bird. I know it's good luck, but

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Speaker 1: I didn't know what hit me. So I then read

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Speaker 1: down to go what was that and I come up

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Speaker 1: in my whole hand. I was like Ah, I had

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Speaker 1: to like run home and wash myself down. How about

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Speaker 1: enjoying the pod meets world stuff now, Daniel World, welcome

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Speaker 1: to poop meets world. I'm Danielle fish all, I'm writer,

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Speaker 1: strong and I'm will. Oh my gosh. So today's guest is, uh,

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Speaker 1: quite an interesting one. This is somebody who I was

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Speaker 1: fortunate enough to meet maybe like ten years ago. Um,

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Speaker 1: and I met her because of her talking about boy

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Speaker 1: meets world on the radio. Starley kine is a writer

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Speaker 1: and a essayist and a Um, well, now she's a

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Speaker 1: television writer, but she was really known early on for doing, Um,

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Speaker 1: this American life. Yeah, I know so much of her

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Speaker 1: this American life work. Yes, her this American life work

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Speaker 1: is amazing. And then she created one of the greatest

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Speaker 1: podcasts of all time. It was called the mystery show and, Um,

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Speaker 1: it became a huge breakout hit, probably the biggest podcast

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Speaker 1: after serial Um. That really established the form. Um. Yeah,

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Speaker 1: so for our listeners who don't know you and don't

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Speaker 1: know that the boy meets world connection, all the way

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Speaker 1: back in two thousand and two you appeared on this

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Speaker 1: American Life and you did a segment talking to Irich

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Speaker 1: glass about professing your love for Comfort TV, Um, which

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Speaker 1: was kind of a brand new concept at the time.

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Speaker 1: Now I feel like that's something everybody talks about. Right.

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Speaker 1: It's like we escaped the world by watching Comfort TV,

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Speaker 1: but for you, watching reruns of boy meets world, which we're,

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Speaker 1: you know, all over the place. Back then, Um, you

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Speaker 1: talked about how you found comfort in boy meets world,

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Speaker 1: and it's hysteric, because that kind of predicts what we're

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Speaker 1: doing here with pod meats world, which is, you know, talking,

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Speaker 1: you know, it's it's not just reflecting on our personal experience,

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Speaker 1: but I think for our listeners, boy meats world is that.

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Speaker 1: So talk about that, like where did how did that

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Speaker 1: come up out? Where did you come up with that?

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Speaker 1: or I mean I remember I used to come home

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Speaker 1: from this American life and watch boyemeat's world every night.

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Speaker 1: It was like on somehow. I mean it's before streaming, obviously,

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Speaker 1: but I mean they didn't have cable or something yet.

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Speaker 1: I remember it was on the it was it was

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Speaker 1: a syndicated show, and I smarican life who worked really late.

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Speaker 1: So come on like eleven o'clock and my pretty much

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Speaker 1: my only existence was working at this American life during

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Speaker 1: that at that time, and then coming home to watch

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Speaker 1: boy meat's world, because it was like my last waking

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Speaker 1: our home. We're having to start the cycle again. It

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Speaker 1: was like, I mean I was it's so interesting watching

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Speaker 1: a sitcom now and trying to like get back into

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Speaker 1: the heads space, and I he found it quite easy.

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Speaker 1: Like when I watched the episode for you guys, I

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Speaker 1: was like, Oh yeah, I understand why I sunk into this,

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Speaker 1: but it is so strange too to watch sitcoms now,

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Speaker 1: the whole form, it's just kind of outdated. Right. Yeah,

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Speaker 1: and also there's been so much we've seen so many

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Speaker 1: takes on it. Now it's like satirized. Now when we

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Speaker 1: watch Sitcom, you only like do only Sitcom that anyone

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Speaker 1: we know watches. Now it'll be like wand division or

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Speaker 1: or something, or or too many cooks. But I feel

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Speaker 1: like we were the last tale end of people earnestly

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Speaker 1: watching and I'm and I was watching boymage world in

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Speaker 1: reruns now. Do you think, just curiously, because it's so interesting,

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Speaker 1: because I'm a television a nut, I just love it.

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Speaker 1: I love everything about it. Television was always my comfort

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Speaker 1: growing up. Um, do you think Sitcom itself is dead,

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Speaker 1: or do you think it will come in the traditional

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Speaker 1: for camera kind of format form? I don't know. I

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Speaker 1: mean I felt every time I try to bring it

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Speaker 1: back it doesn't. The only ones that seemed to really

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Speaker 1: take off when they try to bring it back are

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Speaker 1: the ones that were the ones before. Right, like the

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Speaker 1: connors are doing kind of well, right, right, like the

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Speaker 1: reboots are are doing okay. Yeah, I think people still

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Speaker 1: crave the comfort. I think they might create the comfort

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Speaker 1: more than ever right now and I think we would

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Speaker 1: love it to work where it's such a point where

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Speaker 1: everybody is so aware and so afraid of that earnestness,

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Speaker 1: but they crave it so much too. So they were like,

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Speaker 1: I could find a way to have permission back in.

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Speaker 1: I mean, Abbot Elementary is not not that format, but

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Speaker 1: it's a network show that people are working and it's

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Speaker 1: a good joke. So I don't I think we're like

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Speaker 1: told they they were allowed to access. I feel that

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Speaker 1: way they might really go for it and then I'll see. Also,

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Speaker 1: like it's weird because I feel like when I look

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Speaker 1: at what really young people like now, there is there

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Speaker 1: is some like unapologetically earnest stuff that they really love. Starley,

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Speaker 1: do you have like a favorite I don't want to

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Speaker 1: ask you if you have a favorite episode, but if

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Speaker 1: you do have a favorite episode or a least favorite

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Speaker 1: episode or even like a favorite time period? Do you

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Speaker 1: like the early episodes? Do you like the middle or

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Speaker 1: the end of our seventh seasons? Like where do you

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Speaker 1: think our show is really like finds its groove? What's

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Speaker 1: what's our strength? I like. I mean it's a different

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Speaker 1: it was interesting watching a really early one for this,

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Speaker 1: because you're not even to Pangas, like you don't even

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Speaker 1: know what's kind of like the love is like you

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Speaker 1: don't you're like, Oh my God, they don't. He doesn't

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Speaker 1: know what's coming. He doesn't know, like girls calling weird

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Speaker 1: is going to be like the love of his life. Yeah,

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Speaker 1: the love of his life. He's consumed by. So That's interesting.

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Speaker 1: I mean, I think what's good about it's hard to say.

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Speaker 1: I think I like them all for different reasons, because

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Speaker 1: you're kind of show is actually show. You Watch kids

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Speaker 1: grow up, and so it's it's if you pick one period,

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Speaker 1: you're saying I like this time in that person's life,

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Speaker 1: like you're such an innocence to watching these little kids

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Speaker 1: get older and find themselves. So I think I like

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Speaker 1: I like I like the early times and I like

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Speaker 1: the early to paying a like when you guys are

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Speaker 1: first getting together and all that kind of stuff. Yeah,

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Speaker 1: and I love but Sean really was my I'm not

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Speaker 1: just saying that you guys both, but Sean was really

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Speaker 1: the one that I gravitated to the most. Like I

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Speaker 1: feel like that archetype of a character like the kid

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Speaker 1: who's a little bit the troublemaker and also like you

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Speaker 1: can feel the like the pain behind it, um angst,

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Speaker 1: so much angst. Writer that I also like not really

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Speaker 1: on TV anymore. Like I feel like that was that

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Speaker 1: was so um formative for so many people character. I

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Speaker 1: was gonna say it's just funny because we're just we

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Speaker 1: haven't even quite gotten there yet with Sean like in

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Speaker 1: our rewatch. No, I know, it's really there was an

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Speaker 1: episode we talked in the Santa's little helper, which did

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Speaker 1: start hinting at that, but it hasn't become the thing

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Speaker 1: that it became where Sean was just the source of

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Speaker 1: so much pain and mystery and you're just watching him

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Speaker 1: get sort of tortured every episode. Well, that really doesn't happen,

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Speaker 1: I don't think, until like third or fourth season. So

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Speaker 1: it's really it's it's really interesting because I feel like

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Speaker 1: I'm sean is still on the fringes of the show

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Speaker 1: right now and there's all these hints that like his

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Speaker 1: home life like, even in this episode, and make a reference.

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Speaker 1: So like my dad yelled at me and I was like,

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Speaker 1: Oh my God, what is his home life like? We

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Speaker 1: haven't gotten there yet, but yeah, it's it's funny. So

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Speaker 1: let me, let me jump in, let's talk about it.

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Speaker 1: We are jumping into season one, episode twelve, once in

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Speaker 1: love with amy. It originally aired January seventh Um, and

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Speaker 1: the synopsis is that Corey accidentally discovers his mother might

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Speaker 1: be having an affair, all while struggling to solve a

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Speaker 1: math problem at school. It was directed by David trainer.

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Speaker 1: It was written by Ken Kuda, the greatest laugh, the

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Speaker 1: greatest laugh. Yes, he's talked about Ken and his amazing laugh. Um.

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Speaker 1: So it starts in the Matthews Kitchen. Eric is on

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Speaker 1: the phone with a girl named Kristen asking for forgiveness.

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Speaker 1: Then she hangs up on him. He says the big

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Speaker 1: difference between guys and girls is that girls want commitment

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Speaker 1: and guys want girls. Fifteen year old wisdom. Gotta Love It.

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Speaker 1: Gotta Love It. I'm just curious. I want to know

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Speaker 1: why I'm always wearing the number eighty three. It's just

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Speaker 1: it's like I didn't notice. It wasn't the year I

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Speaker 1: was born. I don't play any sports and it's not

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Speaker 1: the first time. No, it's if it is the first time,

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Speaker 1: it's not the last time. Certainly, for some reason they

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Speaker 1: just decided I was a wide receiver and we went

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Speaker 1: from there. Um. So, yeah, I think it was very strange.

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Speaker 1: Or actually eighty three. I think it would be more

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Speaker 1: of a tie end, but it's like okay, Um, but yeah,

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Speaker 1: I was just kind of interesting, but it was. What

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Speaker 1: is it? What? What number would when you're in the

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Speaker 1: just said like you were just speaking lack. I have

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Speaker 1: no idea. Tight what and how do you know? Based

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Speaker 1: on the number, that the number. So the number, the

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Speaker 1: number that you get correlates to the position that you're playing.

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Speaker 1: You it's like the quarterbacks have like lower numbers. Just

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Speaker 1: don't just in football. So it's, you know, like the

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Speaker 1: linemen are usually in their seven, in their sixties or

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Speaker 1: the seventies, and eight to thirteen is that kind of thing.

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Speaker 1: And then you've got the wide receivers and the tight ends,

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Speaker 1: or the tight ends are usually like two, eighty four,

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Speaker 1: something like that. I was eighty four when I played

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Speaker 1: a tight end. Very much. I was, by the way,

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Speaker 1: the worst football player in the history of the sport.

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Speaker 1: But Oh yeah, we were. We went one in eleven

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Speaker 1: and I think we won the one game because the

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Speaker 1: other team just didn't show up, but it was Um, yeah,

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Speaker 1: so that I was just curious as to why they

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Speaker 1: put me that kind of there were all is in jerseys,

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Speaker 1: which which is interesting, but they specifically picked eighty three

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Speaker 1: because I remember wearing that shirt a lot and I

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Speaker 1: just didn't know why. I didn't know. Maybe you guys

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Speaker 1: knew why, but there you see. I was looking at

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Speaker 1: all the clothes on the kids, like it's always like

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Speaker 1: there're sitcoms are so ubiguous that you start to be like,

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Speaker 1: did kids actually dressed like this or did sitcom kids

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Speaker 1: just dressed like this? And then I just look back

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Speaker 1: and we think. We're like, that must have been how

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Speaker 1: kids dressed, but I don't think it is how kids dressed.

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Speaker 1: There's no way any twelve year old or eleven year

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Speaker 1: old got up and said, well, let me first find

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Speaker 1: a long sleeve t shirt and then I need a

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Speaker 1: short sleeve t shirt and now I need to cut

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Speaker 1: off best and where's my hood? I don't have a hood,

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Speaker 1: so I don't have to throw on something with a hood.

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Speaker 1: And there's my first necklace and here's my second necklace,

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Speaker 1: although I will say in the nineties rings, rings and

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Speaker 1: jewelry on guys was very popular. So you did have

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Speaker 1: you did. By the I mean by the end of

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Speaker 1: the show, I look like I'm wearing brass knuckles. I

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Speaker 1: had like a ring on every single finger. Oh Man,

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Speaker 1: it was you back now and it's like what am

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Speaker 1: I wearing? But yeah, there's so jewelry was was big

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Speaker 1: on men back in the nineties. Repos when you're like

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Speaker 1: which informed what peoples has fitcom kids like. That's what

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Speaker 1: they thought. That how kids dressed and then real kids

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Speaker 1: did started to dress like. Where did it start? And

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Speaker 1: who was making the decision? The decision to dress kids

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Speaker 1: like this? That then made kids dress like that. Well then,

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Speaker 1: let's discuss it. Does life imitate art? Exactly? Do you do?

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Speaker 1: You all remember? I'm just curious. We would get so

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Speaker 1: the start of the year we would do like a

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Speaker 1: massive wardrobe fitting, right, we would. I thought we did try.

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Speaker 1: It was always a nightmare and you're taking picture, taking

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Speaker 1: a thousand polaroids. At the time it was all done

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Speaker 1: with polaroids. And then were the producers there or that?

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Speaker 1: They look at everything? And then did we then have

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Speaker 1: to go have a fitting again, or was it just

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Speaker 1: picked from the polaroids that we have. I can't remember that.

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Speaker 1: It would be picked from the polaroids and then they

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Speaker 1: would buy things in the same size, the same basic

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Speaker 1: shape or design of of what had already been approved.

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Speaker 1: So there would be variations, but mostly each season it

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Speaker 1: was like these are the you know, especially for me,

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Speaker 1: like I would only wear like three pants the entire

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Speaker 1: season or two pairs of pants Um. And then, yeah,

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Speaker 1: there would be a stable of shirts and then they

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Speaker 1: would know that that was fit me and had been approved.

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Speaker 1: So then there would be shirts that were like similar

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Speaker 1: to that. But we still did wardrobe fittings almost every week,

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Speaker 1: or at least every other week, because everything was tailored.

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Speaker 1: I mean every will not necessarily in season one, like

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Speaker 1: you guys, shirts are huge, but I know I remember

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Speaker 1: on regularly being like okay, you're not going to school now, skips,

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Speaker 1: you know, don't go to school. Stop at Wardrobe First,

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Speaker 1: and then it would be maybe something I tried on

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Speaker 1: at the beginning of the season, but now I was

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Speaker 1: going to wear it the following week, so it needed

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Speaker 1: to be tailored because we have you know, I don't

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Speaker 1: think I did that. I don't think I don't think

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Speaker 1: I did that. I think they may be paid more

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Speaker 1: attention to your clothing. Ye or you know, for us,

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Speaker 1: or for me, it was always just like baggy big

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Speaker 1: put it on the same, same thing. You guys lived

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Speaker 1: been growing actively, growing tooth. They had to be. Some

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Speaker 1: of us were maybe growing. I stopped growing right around

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Speaker 1: the time I started the show. I came onto the

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Speaker 1: show at five one and I left the show at

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Speaker 1: five that extra in. It's important. It's important. Yeah, are

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Speaker 1: you when you were on the show? When you started,

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Speaker 1: I was twelve, so I was on the show from

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Speaker 1: twelve to nineteen. Writer. You were thirteen. I was thirteen

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Speaker 1: and I was done growing. So I'm do you stopped

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Speaker 1: growing to tween? You stopped. So I was five eight

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Speaker 1: and I did not grow after after from season one.

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Speaker 1: So that's why I seemed tall on these first you know,

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Speaker 1: the first season or two, but then now you know

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Speaker 1: I'm not tall. So they said, you know, yeah, I

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Speaker 1: didn't really grow. I kind of stayed the same. I mean, yeah,

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Speaker 1: I probably got I think I was already sixteen, so

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Speaker 1: I think I had done, been done growing too. It

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Speaker 1: was like five nine and a half and how's it.

401
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Speaker 1: But I mean, I definitely think that that that this

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Speaker 1: first season the goal was Um, and it's just because

403
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Speaker 1: it looks good on camera to have layers, to have

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Speaker 1: like depth, and that was like they just and color,

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Speaker 1: depth in color, and I think that was the overriding concern.

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Speaker 1: I think making me look smaller was an overriding concern.

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Speaker 1: I know second season we had a new wardrobe person

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Speaker 1: come in. That was Sarah Manco Witz, Marco Witz, Remember

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Speaker 1: Marco Witz, Marco Marco Witz, and she came in with

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Speaker 1: an agenda and she came in with a very cool style,

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Speaker 1: and that's where, that's where I came in, with style,

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Speaker 1: bowling shirts and like the sort of like yes, and

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Speaker 1: that's where I think boy meets world, kind of up

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Speaker 1: to its game as like we're gonna we're gonna actually

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Speaker 1: steer the culture a little bit with our look. But

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Speaker 1: this first season it's just kind of a mish. Eric,

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Speaker 1: Eric went PREPPI in the second is like always in

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Speaker 1: button downs and and Chinos and sweaters and she had

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Speaker 1: a look. She came in, she came in with it.

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Speaker 1: You're right, she came in very focused, where it's like, okay,

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Speaker 1: this isn't working. We need to have everybody to like,

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Speaker 1: you know, give her that mission. Yeah, sure, you're probably

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Speaker 1: shaking the characters more too. So then they like this.

424
00:22:14,160 --> 00:22:17,960
Speaker 1: This first season is just like your Sitcom kids. Yeah, exactly.

425
00:22:18,080 --> 00:22:20,320
Speaker 1: He throws the Sitcom Children. Yeah, and it goes with

426
00:22:20,359 --> 00:22:23,040
Speaker 1: what we've heard about second season then wanting to age

427
00:22:23,119 --> 00:22:25,480
Speaker 1: US up. You know that's also going to change our

428
00:22:25,480 --> 00:22:27,639
Speaker 1: look and change our style and everything that we do.

429
00:22:27,680 --> 00:22:30,479
Speaker 1: It's like we're gonna essentially start over with with the

430
00:22:30,560 --> 00:22:32,479
Speaker 1: look and go from there. It's like, okay, I mean

431
00:22:32,640 --> 00:22:34,160
Speaker 1: of the sets too, if you if you think about

432
00:22:34,160 --> 00:22:35,840
Speaker 1: all the new sets in high school and everything, it

433
00:22:35,880 --> 00:22:39,000
Speaker 1: was like we're going with going something new for season two. So,

434
00:22:39,200 --> 00:22:41,639
Speaker 1: continuing back into the scene, Alan walks in looking for

435
00:22:41,680 --> 00:22:44,320
Speaker 1: amy with a red rose he picked up from Phoenie's backyard,

436
00:22:44,400 --> 00:22:47,200
Speaker 1: and then amy walks in panic. She's looking for work papers.

437
00:22:47,240 --> 00:22:50,440
Speaker 1: Were really establishing her as a real estate agent now,

438
00:22:50,800 --> 00:22:57,400
Speaker 1: and we get Brook Split Level on Oak Street. So

439
00:22:57,440 --> 00:22:59,760
Speaker 1: that's the moment you guys have been talking about. You

440
00:23:00,000 --> 00:23:01,840
Speaker 1: didn't know which episode it was in, but she does

441
00:23:01,840 --> 00:23:06,200
Speaker 1: that and it became something will has said for thirty years,

442
00:23:06,240 --> 00:23:08,560
Speaker 1: where you going brick split level on Oak Street, like

443
00:23:08,600 --> 00:23:12,040
Speaker 1: we would just throw it into conversations. That is one

444
00:23:12,040 --> 00:23:14,280
Speaker 1: of those things that just stuck with us for some reason.

445
00:23:14,280 --> 00:23:17,360
Speaker 1: It's it's nothing, but it's so stuck with us. So

446
00:23:17,400 --> 00:23:20,199
Speaker 1: Alan keeps complimenting his wife, but she isn't really paying attention.

447
00:23:20,240 --> 00:23:22,320
Speaker 1: She's got too much on her plate and she yells

448
00:23:22,320 --> 00:23:24,000
Speaker 1: for Morgan to come down. She needs her to eat

449
00:23:24,040 --> 00:23:26,959
Speaker 1: her oatmeal before it gets cold. And then judy calls

450
00:23:27,119 --> 00:23:30,000
Speaker 1: saying she can't babysit while amy is at her Bowling League,

451
00:23:30,000 --> 00:23:33,920
Speaker 1: but Eric offers to take the weasel, so Eric's gonna Babysit.

452
00:23:34,200 --> 00:23:36,800
Speaker 1: Corey Asks for money for pizza and Eric takes the

453
00:23:36,880 --> 00:23:39,200
Speaker 1: Rose Alan picked to give to the girl who hung

454
00:23:39,240 --> 00:23:41,240
Speaker 1: up on him, so he's going to give it to kristen.

455
00:23:41,640 --> 00:23:44,639
Speaker 1: Then Morgan comes down and sees that her oatmeal is cold.

456
00:23:45,040 --> 00:23:49,119
Speaker 1: And this whole opening scene was the very first time

457
00:23:49,480 --> 00:23:52,320
Speaker 1: in the twelve episodes or thirteen episodes we've watched now,

458
00:23:52,440 --> 00:23:56,480
Speaker 1: where I didn't feel like the show was just about Corey. Right,

459
00:23:56,800 --> 00:24:00,119
Speaker 1: it washold. It was a family. It was about a

460
00:24:00,160 --> 00:24:02,560
Speaker 1: family and the dynamics of a family. There actually isn't

461
00:24:02,640 --> 00:24:05,240
Speaker 1: any corey storyline in it other than he's going to

462
00:24:05,400 --> 00:24:08,399
Speaker 1: order pizza. That night. So it was really fun. It

463
00:24:08,520 --> 00:24:12,640
Speaker 1: felt very much like the problem, the math problem. Yeah, well,

464
00:24:12,640 --> 00:24:14,920
Speaker 1: that doesn't start yet. That's in the next scene. He

465
00:24:14,960 --> 00:24:17,159
Speaker 1: go in the class room. So in this opening scene

466
00:24:17,440 --> 00:24:21,440
Speaker 1: we see Alan wanting to hug, is really the objective

467
00:24:21,480 --> 00:24:26,040
Speaker 1: in the scene, and Eric having been dumped by a girl.

468
00:24:26,240 --> 00:24:29,879
Speaker 1: Everyone had a problem, everyone had something really except Corey.

469
00:24:29,960 --> 00:24:32,479
Speaker 1: Corey was just kind of watching his family work around him.

470
00:24:32,720 --> 00:24:36,320
Speaker 1: So I thought it's farce. It's old school farce. It's

471
00:24:36,359 --> 00:24:38,960
Speaker 1: it is. It's faulty towers, its doors opening and closing,

472
00:24:39,040 --> 00:24:42,200
Speaker 1: people passing by without talking. Everybody's got their own agenda

473
00:24:42,600 --> 00:24:44,640
Speaker 1: and these were some of my favorite episodes. We did

474
00:24:44,640 --> 00:24:49,159
Speaker 1: several of these throughout the years, but only several of

475
00:24:49,200 --> 00:24:51,240
Speaker 1: the hundred and fifty eight episodes, and these kind of

476
00:24:51,320 --> 00:24:54,119
Speaker 1: doors opening closing, everybody having their storylines and putting their

477
00:24:54,119 --> 00:24:55,560
Speaker 1: heads down and doing what they have to do, these

478
00:24:55,560 --> 00:24:59,160
Speaker 1: are always my favorite because everybody has yeah, it's also

479
00:24:59,280 --> 00:25:01,320
Speaker 1: just you really have to rehearse to nail down these

480
00:25:01,359 --> 00:25:03,359
Speaker 1: beats and tie me. You have to be listening to

481
00:25:03,359 --> 00:25:08,320
Speaker 1: each other. It's Super Fun. Yeah, because one of the things, yeah,

482
00:25:08,320 --> 00:25:11,720
Speaker 1: exact or the play. Yeah, it's much ado about not.

483
00:25:11,760 --> 00:25:14,080
Speaker 1: I mean it is that that same kind of that

484
00:25:14,080 --> 00:25:15,560
Speaker 1: that vibe. But one of the things I wanted to

485
00:25:15,560 --> 00:25:17,080
Speaker 1: talk about. We don't have to talk about it right here,

486
00:25:17,080 --> 00:25:20,040
Speaker 1: but I already brought it up, so I will uh

487
00:25:20,080 --> 00:25:25,440
Speaker 1: this this episode. These are the longest scenes we've ever done.

488
00:25:25,760 --> 00:25:29,160
Speaker 1: I know, I mean, these scenes are so long. There's

489
00:25:29,240 --> 00:25:33,080
Speaker 1: like six scenes in the entire episode. It's crazy, I

490
00:25:33,119 --> 00:25:36,000
Speaker 1: know it is. It's really it felt the whole episode

491
00:25:36,000 --> 00:25:37,679
Speaker 1: just felt different, and it was. It was so it

492
00:25:37,760 --> 00:25:41,280
Speaker 1: was so fun. Um. So then we I also love

493
00:25:41,400 --> 00:25:42,840
Speaker 1: just to touch on it as well because we just

494
00:25:42,880 --> 00:25:45,359
Speaker 1: recently interviewed Betsy Randall and we talked about her and

495
00:25:45,800 --> 00:25:47,320
Speaker 1: kind of her getting the short end of the stick.

496
00:25:47,400 --> 00:25:51,320
Speaker 1: This is an episode really focused on her and it

497
00:25:51,400 --> 00:25:54,320
Speaker 1: was a really fun opening scene for her to see

498
00:25:54,359 --> 00:25:58,399
Speaker 1: her fully established in something other than just making the

499
00:25:58,440 --> 00:26:00,879
Speaker 1: cinnamon rolls. She still makes the cinnamon roles, but it

500
00:26:00,920 --> 00:26:05,280
Speaker 1: isn't her only focus of the day. So I really

501
00:26:05,320 --> 00:26:08,040
Speaker 1: thought that was like a cool different way we get

502
00:26:08,040 --> 00:26:11,080
Speaker 1: to see her, which made me happy. Um. Okay, so

503
00:26:11,119 --> 00:26:13,199
Speaker 1: then we get into our opening credits and we end

504
00:26:13,280 --> 00:26:16,120
Speaker 1: up in Mr Foinie's classroom. Phoenie is teaching math because

505
00:26:16,119 --> 00:26:20,080
Speaker 1: he teaches every subject. Now he's a math that's what

506
00:26:20,119 --> 00:26:22,440
Speaker 1: I thought. I was just wrote math like he's teaching math.

507
00:26:23,520 --> 00:26:26,640
Speaker 1: He's a social studies teacher who also teaches English lit

508
00:26:26,800 --> 00:26:30,240
Speaker 1: and teaches mystery and math. Is there anything the man

509
00:26:30,320 --> 00:26:34,800
Speaker 1: can't do? Um, Corey has the answer, but Mr Feenie

510
00:26:34,880 --> 00:26:37,040
Speaker 1: wants to know how he got to the answer instead

511
00:26:37,040 --> 00:26:39,320
Speaker 1: of just giving the answer. But Corey is actually wrong

512
00:26:39,400 --> 00:26:41,199
Speaker 1: with the answer that he has, which he believes is

513
00:26:41,320 --> 00:26:45,280
Speaker 1: seven seven. Mincus explains the equation to Corey and says

514
00:26:45,320 --> 00:26:47,040
Speaker 1: that the answer is four point five, four and a

515
00:26:47,080 --> 00:26:49,359
Speaker 1: half minutes, but Phoenie tells him he is wrong too.

516
00:26:49,480 --> 00:26:52,720
Speaker 1: Mincus is absolutely shocked. He walks out and goes to

517
00:26:52,760 --> 00:26:57,480
Speaker 1: the nurse, which cut the extra behind Lee. Most of

518
00:26:57,520 --> 00:27:00,399
Speaker 1: the time is looking at is just looking at camera

519
00:27:00,480 --> 00:27:02,600
Speaker 1: and then looking back and then look at the camera

520
00:27:02,680 --> 00:27:04,800
Speaker 1: and then looking back and then looking at the camera,

521
00:27:04,840 --> 00:27:08,719
Speaker 1: and then you notice everything. I'm so focused on like

522
00:27:08,760 --> 00:27:11,199
Speaker 1: whatever the main storyline is, I never see things in

523
00:27:11,200 --> 00:27:14,000
Speaker 1: the background. That's amazing. It helps that he's not in

524
00:27:14,040 --> 00:27:17,959
Speaker 1: the scene. It does. It does help to Pengga starts

525
00:27:18,040 --> 00:27:22,240
Speaker 1: channeling the ancient Egyptian mathematician who first solved this problem,

526
00:27:22,280 --> 00:27:24,960
Speaker 1: and I start like gurgling. So this is apparently after

527
00:27:25,000 --> 00:27:27,640
Speaker 1: the last episode I did where I did a growl.

528
00:27:28,200 --> 00:27:29,639
Speaker 1: They thought it was funny enough that they wanted to

529
00:27:29,640 --> 00:27:32,360
Speaker 1: see if they could make it a runner. Yeah, yeah, exactly.

530
00:27:34,200 --> 00:27:39,120
Speaker 1: I feel like you would like real like Luna lightyear. Yeah,

531
00:27:40,280 --> 00:27:44,800
Speaker 1: very good point. Yeah, yeah, I don't remember this episode

532
00:27:44,840 --> 00:27:47,240
Speaker 1: at all, but I did remember the first one I

533
00:27:47,240 --> 00:27:49,560
Speaker 1: did where I made that growl sound. I didn't remember

534
00:27:49,600 --> 00:27:52,840
Speaker 1: this one like at all. I remember okay, with everything

535
00:27:52,880 --> 00:27:56,680
Speaker 1: about this episode. Isn't that funny? Yes, I remember the

536
00:27:56,720 --> 00:27:58,680
Speaker 1: individual like the second it started. It was like, Oh yeah,

537
00:27:58,760 --> 00:28:00,960
Speaker 1: becus is gonna get it wrong and he's gonna and

538
00:28:00,960 --> 00:28:03,199
Speaker 1: then I remembered him coming in and all you know,

539
00:28:03,320 --> 00:28:06,520
Speaker 1: Harold messed up. I remembered every scene of this episode.

540
00:28:06,520 --> 00:28:09,840
Speaker 1: It's pretty funny. For whatever reason this one lodged in

541
00:28:09,920 --> 00:28:12,720
Speaker 1: my brain and I remembered lines like, you know, beats. Yeah,

542
00:28:12,720 --> 00:28:15,760
Speaker 1: it's super funny. But yeah, seeing this one was like, oh, yeah,

543
00:28:15,760 --> 00:28:18,479
Speaker 1: I remember doing this. I don't know why that is like.

544
00:28:18,560 --> 00:28:21,719
Speaker 1: And yet I didn't remember Santa's little helper, where had

545
00:28:21,800 --> 00:28:24,520
Speaker 1: such a big part. You didn't remember the split level

546
00:28:25,640 --> 00:28:28,400
Speaker 1: split level, the brick split level on Oak Street. Exactly?

547
00:28:28,840 --> 00:28:30,800
Speaker 1: Does anybody? I guess it's just me. I guess we

548
00:28:30,800 --> 00:28:33,800
Speaker 1: won't talk about how the ancient mathematician in Egypt came

549
00:28:33,840 --> 00:28:38,960
Speaker 1: up with a thing about washing cars. That will be yeah,

550
00:28:39,040 --> 00:28:41,240
Speaker 1: and also we never really find out because the right

551
00:28:41,280 --> 00:28:48,120
Speaker 1: answer turns out to be that there is no right answer. That, yeah, okay,

552
00:28:48,200 --> 00:28:50,560
Speaker 1: there is. I didn't want to jump ahead, but I'm like,

553
00:28:50,800 --> 00:28:53,160
Speaker 1: are you kidding me? What do you so that? I'm like,

554
00:28:53,320 --> 00:28:57,200
Speaker 1: maybe it wasn't math class, maybe it was lossive league class. Right,

555
00:28:58,160 --> 00:28:59,640
Speaker 1: what do you mean? There's no answer, like what did

556
00:28:59,640 --> 00:29:02,120
Speaker 1: you do? Like that's crazy. Of course there's an answer.

557
00:29:02,200 --> 00:29:05,160
Speaker 1: And Was it? Is it? What? What does he does

558
00:29:05,200 --> 00:29:11,280
Speaker 1: not know the answer. I woulted. I was so disappointed.

559
00:29:11,680 --> 00:29:13,560
Speaker 1: I know, and I did look it up last night.

560
00:29:14,640 --> 00:29:16,760
Speaker 1: Is there an answer? There is an answer. Of course,

561
00:29:16,800 --> 00:29:18,560
Speaker 1: it's a math equation. So what I was actually going

562
00:29:18,600 --> 00:29:23,080
Speaker 1: to say is that they the Egyptian Um, the Egyptian mathematician,

563
00:29:23,200 --> 00:29:26,040
Speaker 1: would have created the formula. So this is just one

564
00:29:26,040 --> 00:29:27,720
Speaker 1: of those things like a train is going this fast

565
00:29:27,720 --> 00:29:29,320
Speaker 1: and a train is going this fast and where do

566
00:29:29,400 --> 00:29:31,800
Speaker 1: they meet up? There is a formula it's like something

567
00:29:32,080 --> 00:29:34,920
Speaker 1: x times, Blah, blah, blah, and so it's there is

568
00:29:34,960 --> 00:29:37,840
Speaker 1: an answer. The answer is about three. I think it

569
00:29:37,920 --> 00:29:41,680
Speaker 1: was like three point two minutes. So even minus is correct.

570
00:29:41,800 --> 00:29:46,600
Speaker 1: Answer is actually wrong. So his, his, his answer is wrong.

571
00:29:46,960 --> 00:29:49,880
Speaker 1: But there is an answer and it's it is in

572
00:29:49,960 --> 00:29:52,440
Speaker 1: the I think it's in the three minute margot. I'll

573
00:29:52,440 --> 00:29:54,920
Speaker 1: look up exactly what it was again, because I looked

574
00:29:54,920 --> 00:29:56,680
Speaker 1: at I couldn't go to bed without knowing. I was like,

575
00:29:56,680 --> 00:29:58,960
Speaker 1: by the way, let's Uh look this apothend and write

576
00:29:58,960 --> 00:30:04,640
Speaker 1: it down. So yeah, I mean I definitely grew up

577
00:30:04,680 --> 00:30:08,760
Speaker 1: to be to pangaminkus. Yeah, there's no doubt about it

578
00:30:08,800 --> 00:30:12,760
Speaker 1: that Danielle is really just to pangamincus. Like three and

579
00:30:12,800 --> 00:30:16,120
Speaker 1: a half of them had tim me either. I want

580
00:30:16,520 --> 00:30:21,080
Speaker 1: there to be. If it's not, it's such a it's

581
00:30:21,080 --> 00:30:23,440
Speaker 1: a crazy it's kind of a crazy example to have

582
00:30:23,560 --> 00:30:27,800
Speaker 1: chosen that doesn't have a satisfying answer and also for

583
00:30:27,920 --> 00:30:31,640
Speaker 1: it to be no answer, like it's not it's it

584
00:30:31,680 --> 00:30:33,880
Speaker 1: should it's not like the train. Are you gonna kill

585
00:30:33,920 --> 00:30:36,920
Speaker 1: one person or everyone on the train? Like you're not

586
00:30:36,960 --> 00:30:40,000
Speaker 1: putting that kind of thing. If it's a mathematical exactly.

587
00:30:40,240 --> 00:30:43,360
Speaker 1: It's not really philosophical. It's like the beginning of like

588
00:30:43,800 --> 00:30:49,480
Speaker 1: it's the beginning of like Q and on. Facts aren't

589
00:30:49,480 --> 00:30:55,920
Speaker 1: really like wow, but it's true because it's not really philosophical.

590
00:30:56,000 --> 00:30:58,520
Speaker 1: And if you are throwing out a mathematical equation, then

591
00:30:58,560 --> 00:31:02,040
Speaker 1: of course there's an answer. It's a mathematical equation, right.

592
00:31:02,120 --> 00:31:05,080
Speaker 1: So you're telling you that this math problem isn't real.

593
00:31:05,200 --> 00:31:08,600
Speaker 1: Like that's really this is why he teaches. You just

594
00:31:08,640 --> 00:31:11,520
Speaker 1: want someone to pop in and say, stick with Social Studies,

595
00:31:11,640 --> 00:31:16,520
Speaker 1: Mr Peenie. This is why. You know, yeah, it's true everyone. Well,

596
00:31:16,560 --> 00:31:18,160
Speaker 1: I feel like this was like that was like the

597
00:31:18,240 --> 00:31:22,800
Speaker 1: undercurrent of like the that math class, because he doesn't

598
00:31:22,800 --> 00:31:25,080
Speaker 1: know math, so he can't like he somehow is snuck

599
00:31:25,120 --> 00:31:27,640
Speaker 1: in and is teaching a subject he doesn't know. He's

600
00:31:29,120 --> 00:31:31,480
Speaker 1: he even when he's doing the numbers on the board,

601
00:31:31,520 --> 00:31:34,880
Speaker 1: he's not doing real like his stage business right when

602
00:31:34,920 --> 00:31:39,560
Speaker 1: he's feeling it out. It's just like yeah, I also

603
00:31:39,640 --> 00:31:43,760
Speaker 1: noticed that he wrote four, three to one. But yeah,

604
00:31:43,800 --> 00:31:45,680
Speaker 1: he was like, but he wrote three first he was

605
00:31:45,720 --> 00:31:47,040
Speaker 1: like three and then he wrote four above it and

606
00:31:47,040 --> 00:31:48,920
Speaker 1: then he won't and one. It was like somebody just

607
00:31:48,920 --> 00:31:50,480
Speaker 1: told him just right, whatever you want on the board.

608
00:31:51,000 --> 00:31:52,760
Speaker 1: He didn't in kind of an amazing way where it

609
00:31:52,800 --> 00:31:56,240
Speaker 1: looks like he's like, looks like he's carrying the ones,

610
00:31:57,400 --> 00:32:01,800
Speaker 1: like the one to three, four. Actual emotions are very convincing.

611
00:32:02,040 --> 00:32:03,960
Speaker 1: And then when you see and then he does an Arrow,

612
00:32:04,160 --> 00:32:06,080
Speaker 1: but then you're like that you don't know, you're a fraud.

613
00:32:06,560 --> 00:32:10,760
Speaker 1: You're both. No one knows math in the school, the

614
00:32:10,800 --> 00:32:17,800
Speaker 1: math teacher, the math teacher math like. That's why I

615
00:32:17,840 --> 00:32:20,800
Speaker 1: think he was mink is with having a breakdown because

616
00:32:20,840 --> 00:32:23,200
Speaker 1: he was now being taught math by someone who doesn't

617
00:32:23,200 --> 00:32:26,840
Speaker 1: know math right. Learn his near right. It's not his fault. No,

618
00:32:28,400 --> 00:32:31,440
Speaker 1: Oh man. Okay, so Topanga actually gets the answer right

619
00:32:31,480 --> 00:32:34,440
Speaker 1: after channeling. Corey asks to look at her paper and

620
00:32:34,520 --> 00:32:37,600
Speaker 1: she turns around and angrily growls at him, and then

621
00:32:37,680 --> 00:32:40,120
Speaker 1: Corey says it's not fair that Topanga is cheating off

622
00:32:40,120 --> 00:32:43,200
Speaker 1: of dead guys. Question, Danielle, I don't know why my

623
00:32:43,240 --> 00:32:45,760
Speaker 1: mind went there. Do you do you? Did you actually

624
00:32:45,760 --> 00:32:48,520
Speaker 1: write something down, and do you remember what you wrote?

625
00:32:49,280 --> 00:32:52,040
Speaker 1: I did actually write something down because I also noticed

626
00:32:52,080 --> 00:32:53,760
Speaker 1: at the beginning of a scene, my pen I am

627
00:32:53,840 --> 00:32:56,360
Speaker 1: fear when he gives the question, I am furiously writing

628
00:32:56,400 --> 00:33:00,239
Speaker 1: and I did always pick in scenes something to right

629
00:33:00,360 --> 00:33:02,800
Speaker 1: on my paper, whether it was just like I had

630
00:33:02,840 --> 00:33:04,800
Speaker 1: a really good lunch today. I enjoyed it because I

631
00:33:04,840 --> 00:33:06,640
Speaker 1: had Turkey and green beans, like, even if it was

632
00:33:06,720 --> 00:33:08,920
Speaker 1: just that, I would just write that over and over

633
00:33:08,960 --> 00:33:10,720
Speaker 1: again in my notebook so that it looked like I

634
00:33:10,720 --> 00:33:13,880
Speaker 1: was really doing something, but I have absolutely no memory

635
00:33:13,920 --> 00:33:16,520
Speaker 1: of what it was. It may have been something like,

636
00:33:16,680 --> 00:33:19,040
Speaker 1: you know, I don't know, like I love whoever I

637
00:33:19,080 --> 00:33:20,840
Speaker 1: had a crush on that week over and over again.

638
00:33:20,880 --> 00:33:24,840
Speaker 1: I'd love to find those notebooks. I did really write something.

639
00:33:25,600 --> 00:33:27,480
Speaker 1: So then we end up back in the matthews kitchen.

640
00:33:27,560 --> 00:33:29,880
Speaker 1: Corey and Sean are playing with Morgan's barbies and they

641
00:33:29,920 --> 00:33:32,400
Speaker 1: are still shocked that mincus got the math problem wrong

642
00:33:32,440 --> 00:33:34,320
Speaker 1: and to Panga got it right. They see it as

643
00:33:34,320 --> 00:33:36,840
Speaker 1: a mystery, and then mincus knocks on the door looking

644
00:33:36,840 --> 00:33:39,520
Speaker 1: completely disheveled, still out of his mind because he got

645
00:33:39,520 --> 00:33:43,560
Speaker 1: the wrong answer, and then walks out. Um, I thought

646
00:33:43,600 --> 00:33:44,920
Speaker 1: this was going to be the one where he talks

647
00:33:44,960 --> 00:33:46,920
Speaker 1: about remember how Lee talks about how much he loved

648
00:33:46,920 --> 00:33:49,880
Speaker 1: the episode where he was drunk. I thought this was that,

649
00:33:49,960 --> 00:33:52,520
Speaker 1: but I guess I guess that's a different but Lee

650
00:33:52,760 --> 00:33:57,360
Speaker 1: is so good and he gets applause. You get a

651
00:33:57,360 --> 00:34:00,120
Speaker 1: pause break, he gets applause. Break on the eggs. I

652
00:34:00,160 --> 00:34:03,200
Speaker 1: was like, that's amazing. And this like a twelve year

653
00:34:03,240 --> 00:34:07,120
Speaker 1: old actor just storming in and delivering this. He's so good.

654
00:34:07,160 --> 00:34:10,759
Speaker 1: He's such a good little for I love the way

655
00:34:10,760 --> 00:34:13,359
Speaker 1: they disheveled his clothes to the way like he had

656
00:34:13,640 --> 00:34:17,200
Speaker 1: the perfectly disheveled coat off, something off the side. He

657
00:34:17,600 --> 00:34:21,879
Speaker 1: just did he have where his glasses askew? I think, yeah, yeah,

658
00:34:22,280 --> 00:34:26,040
Speaker 1: great it was. It was really great. It all seems

659
00:34:26,080 --> 00:34:30,279
Speaker 1: so innocent to these kids wandering by themselves, like you're right,

660
00:34:30,680 --> 00:34:34,560
Speaker 1: like he was coming by himself and by himself, and

661
00:34:34,600 --> 00:34:37,759
Speaker 1: you're just like they can, they do? They all live

662
00:34:37,800 --> 00:34:41,000
Speaker 1: two blocks apart from each other, because two blocks has mentioned. Later,

663
00:34:41,120 --> 00:34:45,360
Speaker 1: when now you would be like all though this, I

664
00:34:45,400 --> 00:34:47,839
Speaker 1: guess this was after this must have been that era

665
00:34:48,080 --> 00:34:52,200
Speaker 1: post worrying about kids getting kidnapped. And Yeah, the kid

666
00:34:52,200 --> 00:34:54,760
Speaker 1: that wasn't like. The seventies was the real like watch

667
00:34:54,760 --> 00:34:57,440
Speaker 1: your kids things, seventies and eighties, and then the nineties

668
00:34:57,480 --> 00:34:59,800
Speaker 1: parents were like and they're not going to take him u.

669
00:35:00,360 --> 00:35:02,520
Speaker 1: Now you worry again. But like right, this is like

670
00:35:02,760 --> 00:35:05,840
Speaker 1: a sign in between were. Yeah, Sean can just go

671
00:35:05,880 --> 00:35:08,359
Speaker 1: home at ten o'clock at night. Yeah, well, I think

672
00:35:08,400 --> 00:35:11,560
Speaker 1: the interesting thing is that there's a it plays into

673
00:35:11,560 --> 00:35:13,680
Speaker 1: what we know about Sean later, is that his parents

674
00:35:13,760 --> 00:35:16,200
Speaker 1: wouldn't have been worried about him. They probably may or

675
00:35:16,239 --> 00:35:18,640
Speaker 1: may not have even noticed he was missing at ten fifteen,

676
00:35:18,760 --> 00:35:21,080
Speaker 1: much less whether or not he was walking home alone.

677
00:35:21,560 --> 00:35:23,800
Speaker 1: But it does strike you as a little bit weird

678
00:35:23,960 --> 00:35:26,279
Speaker 1: for mincus to be out and about by himself. But

679
00:35:26,440 --> 00:35:28,840
Speaker 1: it's like right after school, right, it's kind of early

680
00:35:28,880 --> 00:35:33,520
Speaker 1: evening because they're ordering pizza, so it's dinner. It's you know,

681
00:35:33,640 --> 00:35:36,000
Speaker 1: it's it's not. Maybe it's not quite dark yet, but yeah,

682
00:35:36,000 --> 00:35:37,880
Speaker 1: micus is also you could if we want to get

683
00:35:37,920 --> 00:35:40,040
Speaker 1: into the backstory. Mincus is also the kind of kid

684
00:35:40,120 --> 00:35:42,320
Speaker 1: where you can absolutely imagine him going to a parent

685
00:35:42,400 --> 00:35:44,160
Speaker 1: and saying, I need you to drive me to Korey

686
00:35:44,160 --> 00:35:47,719
Speaker 1: and Shawn's, you know, because I this is my kid is,

687
00:35:47,840 --> 00:35:50,440
Speaker 1: and they're literally parked waiting for him as he's all disheveled.

688
00:35:50,440 --> 00:35:52,680
Speaker 1: Like I could see mincus doing that as well. Let's

689
00:35:52,680 --> 00:35:55,160
Speaker 1: just say his parents are there. Okay, I actually like

690
00:35:55,200 --> 00:35:58,880
Speaker 1: the innocence of him just walking home over here. Uh.

691
00:35:59,000 --> 00:36:01,560
Speaker 1: So Eric comes down to order pizza and Corey tells

692
00:36:01,600 --> 00:36:03,640
Speaker 1: sean his mom is at her bowling league tonight, but

693
00:36:03,680 --> 00:36:07,239
Speaker 1: Shawn says that league ended six weeks ago. And now

694
00:36:07,320 --> 00:36:10,600
Speaker 1: I love the idea that Shawn's mom and Corey's mom

695
00:36:11,000 --> 00:36:15,400
Speaker 1: were also on the scene. They're friends, because then it

696
00:36:15,440 --> 00:36:18,239
Speaker 1: reminded me to the in the in the Christmas episode

697
00:36:18,520 --> 00:36:20,920
Speaker 1: Santa's Little Helper, when we find out that that his

698
00:36:21,120 --> 00:36:23,680
Speaker 1: seawn's dad gets laid off, that Alan is the one

699
00:36:23,680 --> 00:36:27,960
Speaker 1: who breaks the news. So it really does community. Yeah,

700
00:36:28,120 --> 00:36:31,160
Speaker 1: that you guys are family friends, which is Great. I

701
00:36:31,280 --> 00:36:33,719
Speaker 1: also remember that. I like to point out how much

702
00:36:33,880 --> 00:36:36,520
Speaker 1: rider knows about sports. He literally almost just said that

703
00:36:36,560 --> 00:36:41,160
Speaker 1: they play bowling together. Yeah, I would play in a

704
00:36:41,200 --> 00:36:47,360
Speaker 1: bowling league. Okay, okay, okay, they do the bowling bowling together,

705
00:36:50,800 --> 00:36:56,279
Speaker 1: seasonal do they have like they run out, because there

706
00:36:56,280 --> 00:36:58,680
Speaker 1: has to be a winner. My husband's on a bowling league.

707
00:36:58,719 --> 00:37:01,799
Speaker 1: Let's find out. Producer. There's just kind of pounding. Yes,

708
00:37:02,200 --> 00:37:04,359
Speaker 1: there's a there's a format, because there is. You know,

709
00:37:04,440 --> 00:37:07,319
Speaker 1: you're competing with other leagues and so there has to

710
00:37:07,320 --> 00:37:09,239
Speaker 1: be a winner at a certain you know your you

711
00:37:09,320 --> 00:37:12,280
Speaker 1: get points every week and then someone wins, a team wins,

712
00:37:12,920 --> 00:37:16,160
Speaker 1: and I think all of these conversations around minkus being

713
00:37:16,200 --> 00:37:18,040
Speaker 1: able to walk home and Sean being able to and

714
00:37:18,320 --> 00:37:22,120
Speaker 1: the parents knowing each other, it all, it all contributes

715
00:37:22,160 --> 00:37:26,719
Speaker 1: to this pervasive sense that the community is tighten it

716
00:37:26,920 --> 00:37:30,719
Speaker 1: and small and safe. Right, like you do feel like

717
00:37:31,040 --> 00:37:34,080
Speaker 1: and that's like a I think that's a very intentional,

718
00:37:34,440 --> 00:37:40,000
Speaker 1: very uh sitcom, but it's part of the Comfort TV factor, right.

719
00:37:40,120 --> 00:37:42,719
Speaker 1: is like the sense that, like, oh, it's it's gonna

720
00:37:42,719 --> 00:37:45,279
Speaker 1: be okay. Even if mom and dad are, you know,

721
00:37:45,800 --> 00:37:48,759
Speaker 1: maybe having an affair, we can like stalk them for

722
00:37:48,800 --> 00:37:51,040
Speaker 1: the night or we know what restaurant they're going to

723
00:37:51,160 --> 00:37:55,040
Speaker 1: like everything is just tightly wound um and even two

724
00:37:55,120 --> 00:37:58,200
Speaker 1: kids on the bus is totally safe, like we're going

725
00:37:58,239 --> 00:38:00,120
Speaker 1: to jump on the bus for hours and nobody he

726
00:38:00,160 --> 00:38:12,279
Speaker 1: thinks twice about nobody's gonna worry. Yeah, you're not actually worried. So,

727
00:38:12,719 --> 00:38:15,040
Speaker 1: despite knowing this dilemma that the Bowling League ended six

728
00:38:15,080 --> 00:38:17,560
Speaker 1: weeks ago, amy walks in with a bowling bag and

729
00:38:17,600 --> 00:38:19,920
Speaker 1: says she's going bowling and then walks upstairs to say

730
00:38:20,000 --> 00:38:24,080
Speaker 1: good night to Morgen. Everyone is suspicious. Corey holds up

731
00:38:24,080 --> 00:38:26,719
Speaker 1: amy's bowling bag and realizes that it is too light

732
00:38:26,800 --> 00:38:29,319
Speaker 1: for a ball and finds red high heels and a

733
00:38:29,400 --> 00:38:33,880
Speaker 1: black dress. Is a great line, writer, Great Line for

734
00:38:34,040 --> 00:38:35,920
Speaker 1: you when when you're like, oh, there should be a

735
00:38:36,000 --> 00:38:39,600
Speaker 1: number right above the spiked heal like that. That was

736
00:38:39,719 --> 00:38:43,000
Speaker 1: very funny. Yeah, yeah, so and then they find a

737
00:38:43,040 --> 00:38:45,319
Speaker 1: card from the restaurant and will this is the name

738
00:38:45,360 --> 00:38:48,239
Speaker 1: of the restaurant. You knew right away. I remember the name.

739
00:38:48,280 --> 00:38:52,359
Speaker 1: I remember this name, the fancy place that guys take,

740
00:38:52,400 --> 00:38:57,360
Speaker 1: the seniors take their probably if mom's dating a senior. Everybody.

741
00:38:58,000 --> 00:39:01,160
Speaker 1: And I remember when we just interviewed see, right after

742
00:39:01,239 --> 00:39:05,840
Speaker 1: that interview aired, somebody tweeted, uh, you guys forgot to

743
00:39:05,880 --> 00:39:09,040
Speaker 1: mention the real acting achievement, which was making that bowling

744
00:39:09,080 --> 00:39:14,520
Speaker 1: bag ball up heavy. That's true. Oh, man Wright, or

745
00:39:14,640 --> 00:39:17,839
Speaker 1: was this the first time you and I actually interacted

746
00:39:17,840 --> 00:39:20,719
Speaker 1: on the show? I was in the C did we?

747
00:39:20,920 --> 00:39:23,560
Speaker 1: I mean no, I think there was an episode where you,

748
00:39:23,680 --> 00:39:25,640
Speaker 1: me and corey are in the bedroom, but it might

749
00:39:25,680 --> 00:39:28,520
Speaker 1: involve other kids too. I think Dewan might have been yeah, yeah,

750
00:39:28,520 --> 00:39:30,439
Speaker 1: you're right. Dean is there and maybe I feel like, yeah,

751
00:39:30,520 --> 00:39:32,919
Speaker 1: we've did some. Yeah, I think I feel like we've

752
00:39:32,960 --> 00:39:35,360
Speaker 1: but yes, and I think that's partly why I remember

753
00:39:35,440 --> 00:39:37,880
Speaker 1: this episode so well, is that this is really fun,

754
00:39:37,920 --> 00:39:40,440
Speaker 1: like the three of US scheming together and like bouncing

755
00:39:40,440 --> 00:39:42,279
Speaker 1: off of each other, and I remember it and I

756
00:39:42,280 --> 00:39:45,800
Speaker 1: remember feeling, you know, like it was it was a

757
00:39:45,840 --> 00:39:48,600
Speaker 1: different show and I think it was really exciting. Well,

758
00:39:48,600 --> 00:39:50,200
Speaker 1: you saw. Do you see all three of US break

759
00:39:50,360 --> 00:39:53,480
Speaker 1: when we're trying to zip up the back? Yes, yes,

760
00:39:53,520 --> 00:39:57,160
Speaker 1: I thought, especially on Ben's face on the table, I

761
00:39:57,239 --> 00:39:59,759
Speaker 1: was like he is losing it right now. All three

762
00:39:59,800 --> 00:40:03,320
Speaker 1: of to laugh at that because it was so funny

763
00:40:03,320 --> 00:40:04,960
Speaker 1: to watch you try to zip her up that bag.

764
00:40:05,000 --> 00:40:09,120
Speaker 1: You're like three people on one zipper. Yeah, it was

765
00:40:09,239 --> 00:40:12,960
Speaker 1: very funny. You're Ben do a laugh too, like he

766
00:40:12,960 --> 00:40:15,160
Speaker 1: he done a little bit of a laugh at the

767
00:40:15,480 --> 00:40:20,319
Speaker 1: little laugh. Yeah, it's so funny. So amy comes back

768
00:40:20,320 --> 00:40:22,480
Speaker 1: downstairs says she's off to go bowling and the boys

769
00:40:22,520 --> 00:40:26,000
Speaker 1: know she's lying. Sean asks if there's trouble in paradise

770
00:40:26,000 --> 00:40:28,319
Speaker 1: and Corey and Sean realized that amy isn't paying as

771
00:40:28,400 --> 00:40:31,239
Speaker 1: much attention to Allan Anymore and she did pick the

772
00:40:31,320 --> 00:40:34,239
Speaker 1: one night that Alan has his manager's meeting to go out.

773
00:40:34,719 --> 00:40:37,160
Speaker 1: They think that this could be her having an affair.

774
00:40:38,040 --> 00:40:41,080
Speaker 1: Sean suggests that they tail amy because he's a big

775
00:40:41,120 --> 00:40:44,480
Speaker 1: fan of nypt blue. This is a funny job. It's

776
00:40:44,520 --> 00:40:50,439
Speaker 1: like it's a great job and another totally reference to yeah,

777
00:40:51,840 --> 00:40:54,040
Speaker 1: the top dirty part was interesting, though, because I was

778
00:40:54,080 --> 00:40:57,759
Speaker 1: like that's like a little bit of edge. Suddenly, like

779
00:40:57,840 --> 00:41:02,480
Speaker 1: that's more. You think dirty was more of an edge

780
00:41:02,480 --> 00:41:05,200
Speaker 1: than apparent when they talked about like their date later,

781
00:41:05,920 --> 00:41:09,080
Speaker 1: and you think that line lived in there. It's a

782
00:41:09,120 --> 00:41:12,120
Speaker 1: reference to the fact that NYPD, I remember correctly, in

783
00:41:12,160 --> 00:41:15,600
Speaker 1: the nineties, NYPD blue was so revolutionary because they said

784
00:41:16,120 --> 00:41:18,840
Speaker 1: a certain words on television. That was the whole and

785
00:41:18,880 --> 00:41:20,560
Speaker 1: they got a lot of attention. I think they said,

786
00:41:20,680 --> 00:41:23,080
Speaker 1: you know, a whole. I think that was what it was.

787
00:41:23,320 --> 00:41:25,640
Speaker 1: I think it was just as I think. I think.

788
00:41:25,640 --> 00:41:27,799
Speaker 1: I think they were the first ones where they were

789
00:41:27,800 --> 00:41:30,480
Speaker 1: allowed to say a yeah, pretty sure. That's why it

790
00:41:30,560 --> 00:41:32,920
Speaker 1: was like a barrier and I remember that was like

791
00:41:32,960 --> 00:41:36,040
Speaker 1: all anybody talked about NYPD. But it's fine because, like

792
00:41:36,040 --> 00:41:39,080
Speaker 1: Sean says, talk dirty instead of like swearing, you know, right,

793
00:41:39,600 --> 00:41:42,960
Speaker 1: more sense. Yeah, right, because I hear talk dirty and

794
00:41:43,000 --> 00:41:45,560
Speaker 1: I don't think swear words. No, no, no, no, that's

795
00:41:45,600 --> 00:41:51,000
Speaker 1: more like sexy. That's why you're like it's interesting to

796
00:41:51,040 --> 00:41:52,839
Speaker 1: have it in there. I think you also made saw

797
00:41:52,880 --> 00:41:55,560
Speaker 1: someone naked for the first time on you saw but

798
00:41:55,880 --> 00:41:58,200
Speaker 1: you saw it, but and it was like and it

799
00:41:58,320 --> 00:42:01,799
Speaker 1: was like Sipowitz, but that's the thing it was. It

800
00:42:01,840 --> 00:42:03,480
Speaker 1: was one of those where it was like, oh, they're

801
00:42:03,520 --> 00:42:05,640
Speaker 1: really they're swinging for the fences. This is you know

802
00:42:05,719 --> 00:42:08,680
Speaker 1: they're going. It's the the fifty five year old, you know,

803
00:42:09,080 --> 00:42:14,560
Speaker 1: bigger detective guys, but like, okay, sweet do it, do it.

804
00:42:14,560 --> 00:42:21,279
Speaker 1: It's like Harvey. You're like yeah, that's okay. I'd also

805
00:42:21,320 --> 00:42:23,880
Speaker 1: again like to point out this scene is still going.

806
00:42:24,760 --> 00:42:27,319
Speaker 1: Talking about is super long. This is it. We're going

807
00:42:27,400 --> 00:42:28,839
Speaker 1: to get to the act break and we've only had

808
00:42:28,840 --> 00:42:32,560
Speaker 1: three scenes. Three scenes. Yeah, it's amazing. So Eric and

809
00:42:32,600 --> 00:42:35,040
Speaker 1: Corey leave to go follow amy and Sean has left

810
00:42:35,080 --> 00:42:39,160
Speaker 1: to Babysit. Uh Morgan, and Corey says if he has

811
00:42:39,280 --> 00:42:41,520
Speaker 1: killed on this mission, mission Shan needs to get the

812
00:42:41,520 --> 00:42:43,400
Speaker 1: answer to the math problem and have to paying a

813
00:42:43,520 --> 00:42:45,319
Speaker 1: channel it to him. So I love that. Like they

814
00:42:45,320 --> 00:42:46,920
Speaker 1: found a way to work back in. Oh yeah, we're

815
00:42:46,960 --> 00:42:49,319
Speaker 1: still dealing with this math problem. We haven't forgotten about it.

816
00:42:50,000 --> 00:42:58,600
Speaker 1: Um Problem, math exactly. We're in the mathesophic problem. Morgan

817
00:42:58,719 --> 00:43:01,800
Speaker 1: and Babysitter Sean are playing cards. There's a full house

818
00:43:01,840 --> 00:43:11,000
Speaker 1: mentioned again this time, and my head blue. Okay, I

819
00:43:11,280 --> 00:43:14,400
Speaker 1: noticed in this scene I am wearing a calculator watch

820
00:43:15,200 --> 00:43:19,239
Speaker 1: that I believe my real loved it. I think it

821
00:43:19,320 --> 00:43:22,759
Speaker 1: was wited about that calculator watch. Do you remember? That's

822
00:43:22,840 --> 00:43:24,880
Speaker 1: so funny because I thought I had outgrown it by

823
00:43:24,880 --> 00:43:27,719
Speaker 1: the time I was but because I remembered it more

824
00:43:27,800 --> 00:43:30,680
Speaker 1: like second and third grade, which was years before boy

825
00:43:30,760 --> 00:43:33,560
Speaker 1: meats world, but I clearly was still kept it. I

826
00:43:33,600 --> 00:43:37,360
Speaker 1: love that calculator watch. Yeah, they've re released it. You

827
00:43:37,400 --> 00:43:40,480
Speaker 1: could hold fifty phone numbers, guys, it could hold fifty

828
00:43:40,600 --> 00:43:42,920
Speaker 1: phone numbers. It would take an hour and have to

829
00:43:43,000 --> 00:43:46,640
Speaker 1: program you have you have to sit there and like, yes,

830
00:43:46,719 --> 00:43:48,920
Speaker 1: you have to sit there, like with just the like

831
00:43:49,040 --> 00:43:52,319
Speaker 1: point of your thumb or your fingernail type in, you know,

832
00:43:52,960 --> 00:43:55,560
Speaker 1: hit one four times to get to it would be

833
00:43:55,680 --> 00:43:57,759
Speaker 1: worth it. When you get arrested and you have one

834
00:43:57,800 --> 00:44:00,120
Speaker 1: phone call and you go, I have one number, are

835
00:44:00,200 --> 00:44:06,080
Speaker 1: in this one. Oh my God, I was so stoked

836
00:44:06,080 --> 00:44:07,880
Speaker 1: on to being able to keep phone numbers in my watch.

837
00:44:07,920 --> 00:44:09,919
Speaker 1: That's yeah, but I think it was my real watch.

838
00:44:10,040 --> 00:44:13,719
Speaker 1: That's so funny, so great. Um, so Alan walks in

839
00:44:13,800 --> 00:44:16,120
Speaker 1: and wonders why Morgan is still awake at ten fifteen.

840
00:44:16,480 --> 00:44:20,320
Speaker 1: I love the idea that they picked ten fifteen. Yeah,

841
00:44:20,400 --> 00:44:24,000
Speaker 1: so there is one thing also, like the babysitting chain

842
00:44:24,040 --> 00:44:30,080
Speaker 1: of command. Like ben needs a babysitter. Right. Then you

843
00:44:30,239 --> 00:44:33,359
Speaker 1: see a baby like sewn, then you get to become

844
00:44:33,360 --> 00:44:36,799
Speaker 1: a babysitter, like I feel like that, like there was

845
00:44:36,960 --> 00:44:41,560
Speaker 1: there was no worry about who was watching this like toddler. Well, actually,

846
00:44:41,840 --> 00:44:44,080
Speaker 1: in the in the at the beginning, when will gets

847
00:44:44,080 --> 00:44:47,480
Speaker 1: off the phone in the babysitter cancels, the only conversation

848
00:44:47,520 --> 00:44:53,080
Speaker 1: is who's gonna Watch weasel? Right, I'll watch the weasel,

849
00:44:53,400 --> 00:44:55,840
Speaker 1: which means I'll stay home and watch the toddler. So Ben.

850
00:44:56,080 --> 00:44:59,080
Speaker 1: Actually doesn't seem like Ben Needs, or that Corey needs,

851
00:44:59,080 --> 00:45:01,319
Speaker 1: a babysitter. It's just that Corey is not capable of

852
00:45:01,360 --> 00:45:07,640
Speaker 1: baby city, right, because Corey's Corey's the one who shoves

853
00:45:07,840 --> 00:45:11,960
Speaker 1: into John, into into doing that, like when the dad

854
00:45:12,000 --> 00:45:15,120
Speaker 1: comes home he's not alarmed. No, that's not at all.

855
00:45:15,920 --> 00:45:20,479
Speaker 1: The library. He's not like why is Sean the same age?

856
00:45:20,640 --> 00:45:26,080
Speaker 1: My younger son, Baby, my young daughter? Right, right, exactly,

857
00:45:26,920 --> 00:45:33,160
Speaker 1: good point. Yes, okay, so, Um, Sean lies and says

858
00:45:33,200 --> 00:45:35,520
Speaker 1: they went to the library, even though Alan knows that

859
00:45:35,560 --> 00:45:38,680
Speaker 1: the public library closes at nine. He goes upstairs to

860
00:45:38,680 --> 00:45:41,600
Speaker 1: put Morg into bed. And, by the way, because knowing

861
00:45:41,640 --> 00:45:43,600
Speaker 1: how library funding works now, at their close at like

862
00:45:43,600 --> 00:45:46,279
Speaker 1: four thirty in the afternoon and they opened at one,

863
00:45:46,800 --> 00:45:49,319
Speaker 1: the most nineties thing that a library could possibly be

864
00:45:49,360 --> 00:45:52,880
Speaker 1: opened until nine pm. Anyway, my jaw did drop when

865
00:45:52,880 --> 00:45:56,920
Speaker 1: he said nine. Last number I expected to come out exactly.

866
00:45:58,080 --> 00:46:01,160
Speaker 1: I also loved Lilies Jack's are better it open. I

867
00:46:01,200 --> 00:46:04,080
Speaker 1: thought that was I thought that was pretty funny. Funny,

868
00:46:04,760 --> 00:46:16,000
Speaker 1: I like the Mommy and Daddy, queen and King's. Yeah,

869
00:46:16,080 --> 00:46:18,040
Speaker 1: that it is cute. That's how we get our full

870
00:46:18,080 --> 00:46:22,960
Speaker 1: house reference. Uh. So, UM, he go. Alan goes upstairs

871
00:46:22,960 --> 00:46:25,200
Speaker 1: to put more into bed and Eric and corey come

872
00:46:25,239 --> 00:46:27,880
Speaker 1: home right at that moment. They find out that they

873
00:46:27,880 --> 00:46:29,839
Speaker 1: had found out that amy was dancing with a guy

874
00:46:29,880 --> 00:46:32,040
Speaker 1: in her black dress and red shoes at the club

875
00:46:32,120 --> 00:46:34,480
Speaker 1: and they were like cuddling up together in a booth.

876
00:46:35,040 --> 00:46:37,800
Speaker 1: It's getting serious. So Sean starts to leave, after asking

877
00:46:37,800 --> 00:46:39,640
Speaker 1: like who do you think it was? They couldn't tell.

878
00:46:39,760 --> 00:46:42,160
Speaker 1: So we we know that she was with a mystery man.

879
00:46:43,080 --> 00:46:46,879
Speaker 1: Um and Alan comes back downstairs to talk about where

880
00:46:47,000 --> 00:46:49,200
Speaker 1: Eric and Seawan were, and Corey can't stop covering his

881
00:46:49,280 --> 00:46:52,400
Speaker 1: mouth and bouncing his legs while Eric lies to Alan

882
00:46:52,520 --> 00:46:55,440
Speaker 1: explaining where they went. This was this was fun, I thought.

883
00:46:55,680 --> 00:46:59,560
Speaker 1: I thought Ben was really good in the scene. Um, yes,

884
00:46:59,600 --> 00:47:05,560
Speaker 1: it's sick comy and but it's fun sitcomy, it's energetic sitcomy. Um,

885
00:47:05,640 --> 00:47:08,320
Speaker 1: he's great. It's like it doesn't matter. I'm playing straight

886
00:47:08,360 --> 00:47:11,960
Speaker 1: man and it is a straight up comedy duo with

887
00:47:12,360 --> 00:47:15,120
Speaker 1: the anchor in the center and you're pinging it back

888
00:47:15,160 --> 00:47:17,560
Speaker 1: and forth. And just from a comedic standpoint it is

889
00:47:17,560 --> 00:47:20,520
Speaker 1: a ton of fun and I thought Ben Nailed these moments.

890
00:47:20,560 --> 00:47:24,000
Speaker 1: I thought it was great, a fantastic use of natural bend,

891
00:47:24,040 --> 00:47:28,040
Speaker 1: savage energy. You know, the bouncing legs is something we've

892
00:47:28,040 --> 00:47:30,759
Speaker 1: caught ben doing under the cafeteria like he had so

893
00:47:30,880 --> 00:47:34,400
Speaker 1: much energy and this is the perfect place for him.

894
00:47:34,600 --> 00:47:36,840
Speaker 1: The way he slapped his hands back up to his face,

895
00:47:37,000 --> 00:47:40,160
Speaker 1: and I mean the timing was so great. It was

896
00:47:40,320 --> 00:47:42,960
Speaker 1: it was so funny. I don't have I don't have

897
00:47:42,960 --> 00:47:44,560
Speaker 1: a too much shirts for this episode, but I did

898
00:47:44,560 --> 00:47:48,480
Speaker 1: watch it with indie and he um he loved this episode.

899
00:47:48,480 --> 00:47:51,879
Speaker 1: He loved this scene. He also the first thing out

900
00:47:51,880 --> 00:47:54,160
Speaker 1: of his mouth in this scene was, well, it was

901
00:47:54,200 --> 00:47:56,600
Speaker 1: the dad, she was with the dad, like he called it,

902
00:47:56,960 --> 00:48:01,120
Speaker 1: and I think that's part of the safety factor of

903
00:48:01,239 --> 00:48:04,440
Speaker 1: like knowing that nobody wanted to charge. Yeah, like he

904
00:48:04,520 --> 00:48:06,960
Speaker 1: was just immediately like, well, of course it's gonna be

905
00:48:07,000 --> 00:48:10,239
Speaker 1: okay and she's not really, you know, dancing with another guy.

906
00:48:10,239 --> 00:48:12,160
Speaker 1: It's gonna turn out to be the DAD, and he

907
00:48:12,320 --> 00:48:14,040
Speaker 1: just immediately called it. I was like yeah, you're you're

908
00:48:14,080 --> 00:48:18,040
Speaker 1: probably right, dude. Yeah, at seven, you know that nobody's

909
00:48:18,040 --> 00:48:19,960
Speaker 1: actually gonna, you know, the family is not really going

910
00:48:20,000 --> 00:48:22,680
Speaker 1: to fall apart, which I just think it's a nice

911
00:48:23,320 --> 00:48:25,879
Speaker 1: if this show had decided to have the mom having

912
00:48:26,000 --> 00:48:30,600
Speaker 1: up there, it would have been it would have been

913
00:48:30,680 --> 00:48:37,439
Speaker 1: darker than heartrending. It's like witnessed it. They come back,

914
00:48:40,160 --> 00:48:44,560
Speaker 1: she act where boy meets world kind of got to

915
00:48:44,680 --> 00:48:47,000
Speaker 1: a place that was similar. Like by season seven we

916
00:48:47,120 --> 00:48:49,560
Speaker 1: did stuff that was just like what, are they really

917
00:48:49,560 --> 00:48:52,560
Speaker 1: gonna Split Corey into Pang up, like you know, I mean,

918
00:48:52,680 --> 00:48:54,759
Speaker 1: I'll ultimately, no, we didn't, but I think we would

919
00:48:54,800 --> 00:48:57,200
Speaker 1: do episodes that would have scenes that were kind of

920
00:48:57,320 --> 00:49:00,920
Speaker 1: like that baby and Nick, you know. I mean the baby,

921
00:49:00,960 --> 00:49:02,880
Speaker 1: the baby's in the nick you and there's there's a

922
00:49:02,920 --> 00:49:07,200
Speaker 1: lot of stuff that happened that was yeah, dying. Yeah, well,

923
00:49:07,239 --> 00:49:11,280
Speaker 1: we thought, yeah, he was fine, he was fine, fine.

924
00:49:11,800 --> 00:49:14,720
Speaker 1: He came back nine years later, and death is also

925
00:49:14,800 --> 00:49:17,520
Speaker 1: something that I do think they like to throw kids into.

926
00:49:17,680 --> 00:49:21,520
Speaker 1: That was like a rite of passage. Not Disney established

927
00:49:21,560 --> 00:49:23,080
Speaker 1: that we were the kids were allowed to see like

928
00:49:23,120 --> 00:49:26,400
Speaker 1: horrifying traumatic deaths all the time. That would have been

929
00:49:26,520 --> 00:49:28,400
Speaker 1: less if they had come back in the mom had

930
00:49:28,440 --> 00:49:31,640
Speaker 1: just been died, like being hit by that would have

931
00:49:31,680 --> 00:49:35,080
Speaker 1: been more acceptable. But she might love somebody else and

932
00:49:35,200 --> 00:49:38,359
Speaker 1: like want to live in another household somewhere. Yeah, then

933
00:49:38,360 --> 00:49:40,279
Speaker 1: you guys took a bus to go fun and cover

934
00:49:40,400 --> 00:49:43,520
Speaker 1: that too, like if you just cotting on his bus

935
00:49:43,520 --> 00:49:46,520
Speaker 1: and come home and like yeah, we watched mom just

936
00:49:46,560 --> 00:49:53,000
Speaker 1: like make out with this other man. Okay, I'm sorry,

937
00:49:53,040 --> 00:49:57,799
Speaker 1: I very quickly, very very quick tangent. Are there episodes

938
00:49:57,840 --> 00:50:00,480
Speaker 1: that any of you remember from any show was growing

939
00:50:00,560 --> 00:50:03,040
Speaker 1: up that kind of scarred you in a way to

940
00:50:03,160 --> 00:50:05,120
Speaker 1: where it was one of those episodes from a show

941
00:50:05,120 --> 00:50:07,399
Speaker 1: where it was like, I remember how I felt when

942
00:50:07,400 --> 00:50:09,120
Speaker 1: I watched that, because I have one and I was

943
00:50:09,160 --> 00:50:12,560
Speaker 1: just curious if anybody else has any of those. No,

944
00:50:12,920 --> 00:50:17,920
Speaker 1: I remember I had a horrific nightmare where alf was

945
00:50:17,960 --> 00:50:23,479
Speaker 1: eating people and I could ever watch alf again. So wow, interesting,

946
00:50:23,640 --> 00:50:26,000
Speaker 1: but that was just me. That was a dream I had.

947
00:50:26,080 --> 00:50:28,160
Speaker 1: That is like scarred me and I guess it was

948
00:50:28,239 --> 00:50:30,520
Speaker 1: just the weirdness of Alf coming alive in my in

949
00:50:30,600 --> 00:50:33,520
Speaker 1: my dreams. Um, no, but no, I can't remember an

950
00:50:33,520 --> 00:50:36,560
Speaker 1: episode that I was like devastated by. I do remember

951
00:50:36,560 --> 00:50:39,440
Speaker 1: the teacher or the teacher who dies in wonder years.

952
00:50:39,440 --> 00:50:42,440
Speaker 1: That I felt sad about. I only think it scarred me,

953
00:50:42,520 --> 00:50:45,759
Speaker 1: but I do it did stick with me. Am I

954
00:50:45,880 --> 00:50:49,320
Speaker 1: even upset by the Tom Hanks drunken uncle? Oh, that

955
00:50:49,719 --> 00:50:52,920
Speaker 1: on family ties. That was a tough one too. At

956
00:50:52,920 --> 00:50:55,800
Speaker 1: the top. That was a great character and he was amazed.

957
00:50:55,920 --> 00:51:00,800
Speaker 1: Tom Hanks plays in their alcoholic uncle and us to gut.

958
00:51:00,920 --> 00:51:04,320
Speaker 1: He's phenomenal. He's Tom Hanks, he's it's phenomenal. But that's

959
00:51:04,480 --> 00:51:06,560
Speaker 1: up there for me too. Danielle, do you have any

960
00:51:06,680 --> 00:51:09,719
Speaker 1: I don't. I Barely Watch TV as a kid. Yeah,

961
00:51:09,760 --> 00:51:13,640
Speaker 1: there was an episode of different strokes where his best

962
00:51:13,680 --> 00:51:16,160
Speaker 1: friend Dudley gets kidnapped and is brought to the back

963
00:51:16,160 --> 00:51:19,640
Speaker 1: of a bicycle shop and is molested and it's all

964
00:51:19,680 --> 00:51:23,120
Speaker 1: about like, it's all about like and they remember about,

965
00:51:23,239 --> 00:51:28,040
Speaker 1: they hypnotize Um Gary Coleman's character to remember the license

966
00:51:28,040 --> 00:51:30,560
Speaker 1: plate and they end up getting Dudley out of there.

967
00:51:30,560 --> 00:51:32,719
Speaker 1: But it was like, as a little kid watching this,

968
00:51:32,840 --> 00:51:36,080
Speaker 1: it was like traumatic. It was it was the beware

969
00:51:36,080 --> 00:51:38,799
Speaker 1: of St Stranger Danger Episode and it was like, man,

970
00:51:38,920 --> 00:51:41,200
Speaker 1: that stuck with me. Yeah, what an intense thing for

971
00:51:41,239 --> 00:51:47,080
Speaker 1: a group of writers to it, to not even have

972
00:51:47,160 --> 00:51:49,680
Speaker 1: it just be the threat of what could happen if

973
00:51:49,719 --> 00:51:53,399
Speaker 1: you were then, but actually, like, yeah, it was. There was, yeah,

974
00:51:53,400 --> 00:51:55,160
Speaker 1: it was. It was brutal. I mean I could I

975
00:51:55,160 --> 00:51:57,399
Speaker 1: could be remembering this wrong, but they bring Dudley out

976
00:51:57,600 --> 00:52:00,000
Speaker 1: and he's like covered in a like an emergency blanket

977
00:52:00,040 --> 00:52:02,479
Speaker 1: and he's like shake. It's like, I could be people

978
00:52:02,560 --> 00:52:04,239
Speaker 1: will check me on that if I'm wrong, but that's

979
00:52:04,320 --> 00:52:07,040
Speaker 1: my memory. It was like a disturbing bit of TV

980
00:52:07,239 --> 00:52:11,120
Speaker 1: so sly. You wrote on one of my favorite shows ever.

981
00:52:11,280 --> 00:52:14,560
Speaker 1: You wrote on search party, which I was I mean

982
00:52:14,719 --> 00:52:20,520
Speaker 1: seasons one through three are like I was addicted to

983
00:52:21,160 --> 00:52:24,760
Speaker 1: especially season three. has boy meets world influenced you're writing

984
00:52:24,760 --> 00:52:28,560
Speaker 1: at all where it has? I feel like it is

985
00:52:28,560 --> 00:52:30,960
Speaker 1: my favorite season, a search party as well. Oh my gosh,

986
00:52:30,960 --> 00:52:33,000
Speaker 1: it's so good. No, I feel like that was the

987
00:52:33,000 --> 00:52:37,280
Speaker 1: one that people because that one came out. We made seasons.

988
00:52:37,360 --> 00:52:40,240
Speaker 1: I watched on all the seasons. We wrote season three

989
00:52:41,200 --> 00:52:45,200
Speaker 1: two years before it came out. Wait for HBO Max

990
00:52:45,280 --> 00:52:52,040
Speaker 1: to get created, uncreated. Um, search party was on tbs,

991
00:52:52,840 --> 00:52:56,520
Speaker 1: then a Prio Max, the merger happened and literally we

992
00:52:56,640 --> 00:52:59,600
Speaker 1: just like we just it didn't come out for so

993
00:52:59,680 --> 00:53:03,080
Speaker 1: long and then we we filmed season three, finished it.

994
00:53:03,520 --> 00:53:06,120
Speaker 1: Then we filmed season four and season three had not

995
00:53:06,160 --> 00:53:08,120
Speaker 1: come out yet. So it started to feel like we

996
00:53:08,120 --> 00:53:12,440
Speaker 1: were just making a show for us to watch, or

997
00:53:12,560 --> 00:53:14,919
Speaker 1: with the film we were like this is our job,

998
00:53:15,080 --> 00:53:18,600
Speaker 1: we just make a TV show for each other. And then,

999
00:53:18,719 --> 00:53:20,719
Speaker 1: but I feel like season three kind of was the

1000
00:53:20,800 --> 00:53:22,520
Speaker 1: one because it came out in the beginning part of

1001
00:53:22,520 --> 00:53:27,200
Speaker 1: the pandemic, when people were like tired of watching TV

1002
00:53:27,560 --> 00:53:31,520
Speaker 1: and then the four came out January, when I think

1003
00:53:31,520 --> 00:53:34,920
Speaker 1: a variant it happened, or we were, but I can

1004
00:53:35,000 --> 00:53:40,200
Speaker 1: literally track it through the pandemic. But I'm sure boy

1005
00:53:40,239 --> 00:53:43,800
Speaker 1: meats world influenced I honestly because I feel like it's

1006
00:53:45,600 --> 00:53:49,640
Speaker 1: Surch party is so aware of tropes, like such a

1007
00:53:50,040 --> 00:53:53,359
Speaker 1: it's such a it's it's such a show that embraces

1008
00:53:54,000 --> 00:53:56,799
Speaker 1: pop culture and tropes, and tropes are regularly referred to

1009
00:53:57,160 --> 00:53:59,840
Speaker 1: in with love in the room, like I feel like

1010
00:53:59,840 --> 00:54:02,560
Speaker 1: the way they're brought up in the room will be,

1011
00:54:02,600 --> 00:54:04,520
Speaker 1: like I love this thing. How are we going to

1012
00:54:04,600 --> 00:54:08,200
Speaker 1: put this on in the search party spin? It's not

1013
00:54:08,239 --> 00:54:10,400
Speaker 1: the kind of it doesn't discard things and it doesn't

1014
00:54:10,400 --> 00:54:12,520
Speaker 1: feel it gets very much part of the DNA. So

1015
00:54:12,680 --> 00:54:17,440
Speaker 1: I feel like, Um, why wouldn't it be infused with it,

1016
00:54:17,480 --> 00:54:19,520
Speaker 1: like and I think, and also just like anything I

1017
00:54:19,520 --> 00:54:22,520
Speaker 1: think that has a group dynamic, like a group of friends.

1018
00:54:22,560 --> 00:54:24,279
Speaker 1: Search party as a group of friends. I feel like

1019
00:54:24,360 --> 00:54:27,359
Speaker 1: you're saying, like, but we just watch sean and will

1020
00:54:27,520 --> 00:54:32,280
Speaker 1: and Corey, like it's all you guys are like starting

1021
00:54:32,320 --> 00:54:35,640
Speaker 1: to form that friendship. I think that's what makes a

1022
00:54:35,680 --> 00:54:38,319
Speaker 1: show work. When you feel like the characters like to

1023
00:54:38,400 --> 00:54:41,399
Speaker 1: have friend with each other. Yea a group of people

1024
00:54:41,480 --> 00:54:44,480
Speaker 1: you want to hang out with, and I love that

1025
00:54:44,560 --> 00:54:47,000
Speaker 1: feeling and the show like search party really needs that

1026
00:54:47,080 --> 00:54:52,600
Speaker 1: because they're doing such things. Always I'm always like, I

1027
00:54:52,600 --> 00:54:55,200
Speaker 1: guess it's awful, but I also like if never you

1028
00:54:55,200 --> 00:54:56,800
Speaker 1: guys probably feel this way. I don't know if you

1029
00:54:56,840 --> 00:54:59,000
Speaker 1: guys feel way when you watch something. You Watch boy

1030
00:54:59,000 --> 00:55:01,400
Speaker 1: means world, because I never, or wasn't, a part of

1031
00:55:01,400 --> 00:55:04,120
Speaker 1: search party, like I was there for I can never

1032
00:55:04,840 --> 00:55:06,960
Speaker 1: see it just as a viewer, like I don't know.

1033
00:55:07,040 --> 00:55:09,640
Speaker 1: People will tell me that it causes them anxiety or

1034
00:55:09,680 --> 00:55:12,000
Speaker 1: some seasons are darker than others, and I'm like, I don't,

1035
00:55:12,080 --> 00:55:15,239
Speaker 1: I can't. If you wait thirty years, I can start

1036
00:55:15,239 --> 00:55:19,880
Speaker 1: your own podcast. And it's because I feel like I'm watching.

1037
00:55:20,000 --> 00:55:22,120
Speaker 1: You know, I am watching boy's world for the first time,

1038
00:55:22,120 --> 00:55:24,880
Speaker 1: and I do feel like I can be pretty objective

1039
00:55:24,880 --> 00:55:27,040
Speaker 1: about it. Um, I think. I don't know, maybe not,

1040
00:55:27,080 --> 00:55:30,600
Speaker 1: but like it's it's it is interesting like time. Time

1041
00:55:30,719 --> 00:55:34,520
Speaker 1: changes everything, and like I feel like now I'm understanding

1042
00:55:34,560 --> 00:55:36,160
Speaker 1: what people have been saying to me for thirty years

1043
00:55:36,160 --> 00:55:38,239
Speaker 1: about boy beats world. Like the things that I've been

1044
00:55:38,280 --> 00:55:40,560
Speaker 1: hearing that, I'm like really, our show made you feel

1045
00:55:40,560 --> 00:55:42,640
Speaker 1: that way or this or like even your segment on

1046
00:55:42,640 --> 00:55:44,560
Speaker 1: on this American life. Like I remember hearing that and

1047
00:55:44,560 --> 00:55:46,919
Speaker 1: being like that is a strange take, like I don't

1048
00:55:46,960 --> 00:55:50,160
Speaker 1: get that. Now I totally get it because I'm older,

1049
00:55:50,200 --> 00:55:51,799
Speaker 1: I'm removed from it and I can watch and be

1050
00:55:51,920 --> 00:55:54,960
Speaker 1: like Oh this, it is comforting, like we're talking about that,

1051
00:55:54,960 --> 00:55:57,520
Speaker 1: that notion of safety and and you just want to

1052
00:55:57,760 --> 00:56:00,160
Speaker 1: it's it's like just the show is a warm like

1053
00:56:00,280 --> 00:56:06,880
Speaker 1: it's like. So eventually corey screams that amy was with

1054
00:56:06,920 --> 00:56:10,080
Speaker 1: another guy. Alan appears concerned and his sons are ready

1055
00:56:10,080 --> 00:56:12,719
Speaker 1: to stand in solidarity with him. Amy's car pulls up

1056
00:56:12,719 --> 00:56:14,560
Speaker 1: and Alan says he's going to go have a talk

1057
00:56:14,600 --> 00:56:17,480
Speaker 1: with her, and then we were in the matthews backyard.

1058
00:56:17,520 --> 00:56:19,960
Speaker 1: Alan walks to the backyard to meet amy and says

1059
00:56:20,080 --> 00:56:23,640
Speaker 1: they're busted. Amy Is bummed they found out they joked

1060
00:56:23,640 --> 00:56:25,880
Speaker 1: they weren't sneaky enough on their date. It seems like

1061
00:56:25,920 --> 00:56:31,080
Speaker 1: they're kind of role playing a little bit, like I'm sorry, yeah,

1062
00:56:31,239 --> 00:56:37,839
Speaker 1: so the headlights from the car. Yes, I am, yes,

1063
00:56:37,920 --> 00:56:42,239
Speaker 1: I am. Also, Alan came in the front door. I understand,

1064
00:56:42,280 --> 00:56:44,920
Speaker 1: but so where did he park? Now the headlights from

1065
00:56:44,920 --> 00:56:47,880
Speaker 1: the car coming the back and swoop through wherever that is,

1066
00:56:48,000 --> 00:56:51,920
Speaker 1: and then she's walking from the back area when during

1067
00:56:52,000 --> 00:56:54,520
Speaker 1: the other times they would come out and they would

1068
00:56:54,520 --> 00:56:57,279
Speaker 1: take a like like a grandmother was rolling stone. came

1069
00:56:57,280 --> 00:56:59,000
Speaker 1: out and took a right to get to her car.

1070
00:57:00,040 --> 00:57:04,759
Speaker 1: I can she didn't take a right, she went she went. Okay,

1071
00:57:04,760 --> 00:57:07,520
Speaker 1: so somebody on twitter just recently made a new map

1072
00:57:08,239 --> 00:57:10,880
Speaker 1: and and they followed what I had suggested in an

1073
00:57:10,880 --> 00:57:13,680
Speaker 1: episode that we're actually on a corner right, but it

1074
00:57:13,719 --> 00:57:18,120
Speaker 1: has to be and you know, I'll get this person's

1075
00:57:18,160 --> 00:57:20,240
Speaker 1: name and and and comment to them directly, but I

1076
00:57:20,280 --> 00:57:22,440
Speaker 1: think they got the street on the wrong side. So

1077
00:57:22,560 --> 00:57:27,040
Speaker 1: I imagine in the corner where the corner is actually

1078
00:57:27,800 --> 00:57:30,880
Speaker 1: the mystery yard, the side you know, that the yard,

1079
00:57:30,960 --> 00:57:33,280
Speaker 1: that where the French doors go out to. That leads

1080
00:57:33,280 --> 00:57:35,560
Speaker 1: to a street, to a street, that street leads to

1081
00:57:35,720 --> 00:57:39,880
Speaker 1: a driveway that is between Phoenie or like the garage

1082
00:57:40,200 --> 00:57:42,360
Speaker 1: that we do see in later Seasan's you guys play

1083
00:57:42,400 --> 00:57:45,960
Speaker 1: basketball in front of the garage, is like basically between

1084
00:57:46,080 --> 00:57:50,680
Speaker 1: Phoene's house like before Phoene's yard, but back there, if

1085
00:57:51,040 --> 00:57:56,439
Speaker 1: I'm gonna need a three d digital map, like ten

1086
00:57:56,480 --> 00:57:59,240
Speaker 1: maps a day via email, by the way. So I

1087
00:57:59,240 --> 00:58:01,400
Speaker 1: would I would really love for writer to draw his

1088
00:58:01,520 --> 00:58:03,520
Speaker 1: so we can add it. Gonna need. I'M gonna need

1089
00:58:03,560 --> 00:58:07,919
Speaker 1: a professional three d over what I got it because

1090
00:58:07,960 --> 00:58:09,480
Speaker 1: I can't wrap my head around it. Don't know where

1091
00:58:09,480 --> 00:58:11,320
Speaker 1: they're coming from, don't know where they're going. That's all

1092
00:58:11,320 --> 00:58:13,800
Speaker 1: I'm saying. And me, I know it's me, but I

1093
00:58:13,840 --> 00:58:17,080
Speaker 1: want to see it. And is it open that like kids?

1094
00:58:17,200 --> 00:58:19,680
Speaker 1: That why, like mncus is able to just come from

1095
00:58:19,680 --> 00:58:22,880
Speaker 1: the back. Do It have like a gate that you

1096
00:58:22,880 --> 00:58:26,000
Speaker 1: can just open? Yeah, we're assuming that everybody walks through

1097
00:58:26,000 --> 00:58:29,320
Speaker 1: everybody else's yard or like, I do think that. Yeah,

1098
00:58:29,320 --> 00:58:33,600
Speaker 1: there has to be just say a driveway and another

1099
00:58:33,680 --> 00:58:37,000
Speaker 1: street above. The French door is basically that you can

1100
00:58:37,080 --> 00:58:40,280
Speaker 1: walk from you can walk from a street onto a

1101
00:58:40,400 --> 00:58:44,000
Speaker 1: driveway into the backyard. That so if you're driving past

1102
00:58:44,120 --> 00:58:46,520
Speaker 1: the House that you see at the beginning and you're

1103
00:58:46,600 --> 00:58:49,240
Speaker 1: driving passing the houses on the right hand side as

1104
00:58:49,280 --> 00:58:52,200
Speaker 1: you're driving, you can then take a right, right another

1105
00:58:52,280 --> 00:58:54,280
Speaker 1: street and see the second part of the house is

1106
00:58:54,280 --> 00:58:57,840
Speaker 1: way exactly exactly there's there's access points on both sides

1107
00:58:57,880 --> 00:59:01,720
Speaker 1: that you can park at or, you know, find the yeah, exactly,

1108
00:59:02,440 --> 00:59:04,880
Speaker 1: I want to see it. I want to see it. Okay,

1109
00:59:04,960 --> 00:59:06,840
Speaker 1: so we're also at the same time that we see

1110
00:59:06,840 --> 00:59:09,000
Speaker 1: stuff in the backyard. We are in Corey and Eric's bedroom.

1111
00:59:09,040 --> 00:59:11,360
Speaker 1: Corey and Eric are watching their parents interact from the

1112
00:59:11,360 --> 00:59:14,160
Speaker 1: window and then they panic when amy walks away. We

1113
00:59:14,200 --> 00:59:18,280
Speaker 1: don't have a mother anymore. Uh. To their surprise, amy

1114
00:59:18,320 --> 00:59:20,800
Speaker 1: walks into their bedroom to explain everything is fine and

1115
00:59:20,800 --> 00:59:24,360
Speaker 1: that she was actually dancing with your father, and I

1116
00:59:24,400 --> 00:59:29,120
Speaker 1: absolutely loved will your best, I mean amazing, Eric, Dad,

1117
00:59:29,160 --> 00:59:33,800
Speaker 1: it's not our father. Yeah, that was a great joys

1118
00:59:34,000 --> 00:59:38,880
Speaker 1: her father. Really Cute joke, great, great delivery. Amy Explains, no,

1119
00:59:39,120 --> 00:59:41,800
Speaker 1: it was their Dad Alan. She says they lied because

1120
00:59:41,800 --> 00:59:45,480
Speaker 1: they work hard to keep their relationship fresh. Eric agrees

1121
00:59:45,520 --> 00:59:49,360
Speaker 1: that's sneaking around sometimes sounds romantic, but corey still doesn't

1122
00:59:49,360 --> 00:59:52,600
Speaker 1: get it and is super grossed out. Um, very quickly,

1123
00:59:53,120 --> 00:59:57,120
Speaker 1: amy is standing in front of a sign behind her

1124
00:59:57,200 --> 01:00:00,880
Speaker 1: and with the way the sign is blocked, it just

1125
01:00:01,040 --> 01:00:06,320
Speaker 1: looks like it says drink, piss. Why are you saying?

1126
01:00:07,520 --> 01:00:12,080
Speaker 1: I don't know, but it's like it says bright behind her,

1127
01:00:12,560 --> 01:00:16,160
Speaker 1: wash you're like, did you notice the extra in the background?

1128
01:00:16,280 --> 01:00:20,000
Speaker 1: It's crazy to be you're now like you have like

1129
01:00:20,160 --> 01:00:22,520
Speaker 1: no filter. You have. How does your brain keep up

1130
01:00:22,560 --> 01:00:28,000
Speaker 1: with all this internet? It's just this does, but it does.

1131
01:00:28,160 --> 01:00:30,280
Speaker 1: She's in front of a sign. It's a red sign

1132
01:00:30,840 --> 01:00:33,959
Speaker 1: and it says, I think it says like Pu F

1133
01:00:34,080 --> 01:00:36,760
Speaker 1: F S, like drink puffs or something like that, but

1134
01:00:36,800 --> 01:00:39,840
Speaker 1: there's something in front of it blocking part of the

1135
01:00:40,000 --> 01:00:42,640
Speaker 1: U and part of the two F's, so it just

1136
01:00:42,720 --> 01:00:45,040
Speaker 1: looks like it says drink piss. Well, are you one

1137
01:00:45,040 --> 01:00:46,440
Speaker 1: of those people that, when you walked by like the

1138
01:00:46,480 --> 01:00:51,080
Speaker 1: magic I posters, you were just like, yeah, it's about. Yes,

1139
01:00:51,320 --> 01:00:53,400
Speaker 1: I'm more it's weird. I'm more of the person where,

1140
01:00:53,440 --> 01:00:55,200
Speaker 1: if I sit in the middle of a room, by

1141
01:00:55,200 --> 01:00:58,280
Speaker 1: the time I leave I know everybody's conversation around me

1142
01:00:58,320 --> 01:01:00,960
Speaker 1: while holding a conversation in my own. Oh my gosh.

1143
01:01:01,280 --> 01:01:05,640
Speaker 1: So it's just that he's that guy. But also, don't

1144
01:01:05,680 --> 01:01:08,760
Speaker 1: send him an email. He won't see it, he won't

1145
01:01:08,760 --> 01:01:11,640
Speaker 1: read it, he won't see it. Maybe you have if

1146
01:01:11,680 --> 01:01:14,160
Speaker 1: you have a schedule of any kind, you're gonna have

1147
01:01:14,200 --> 01:01:16,560
Speaker 1: to get tattooed on his hand. He won't write it down.

1148
01:01:16,640 --> 01:01:19,000
Speaker 1: You know, I remember it. I did, I got it,

1149
01:01:19,040 --> 01:01:21,560
Speaker 1: but sue bought me not a calendar but one of

1150
01:01:21,600 --> 01:01:23,200
Speaker 1: the ones you have to hang on the wall and

1151
01:01:23,240 --> 01:01:25,160
Speaker 1: do you carry it around with you at all times?

1152
01:01:25,200 --> 01:01:27,120
Speaker 1: It is sitting in the same place at our house.

1153
01:01:27,160 --> 01:01:29,280
Speaker 1: I have to check it every morning and everything is

1154
01:01:29,280 --> 01:01:31,800
Speaker 1: written in different colors now, so I know where everything

1155
01:01:31,880 --> 01:01:34,800
Speaker 1: is going with everything. You have a mommy calendar? I do,

1156
01:01:35,040 --> 01:01:38,520
Speaker 1: I absolutely do. I absolutely do. We're doing it in

1157
01:01:38,560 --> 01:01:41,280
Speaker 1: different colors. I'm being reminded to look at it. I

1158
01:01:41,440 --> 01:01:44,120
Speaker 1: tied my own shoe this morning, not both, but one,

1159
01:01:44,520 --> 01:01:47,160
Speaker 1: and I'm very excited about what you're a little like

1160
01:01:47,320 --> 01:01:53,520
Speaker 1: Nemo and I love it. Yeah, I got a calendar.

1161
01:01:53,600 --> 01:01:55,560
Speaker 1: It's working well. That's good. Okay, good, I'm happy to

1162
01:01:55,600 --> 01:01:57,440
Speaker 1: hear that. Okay, so I just want to say about

1163
01:01:57,440 --> 01:01:59,960
Speaker 1: this scene. Um, you know, not only is betsy grey

1164
01:02:00,040 --> 01:02:02,920
Speaker 1: eight and able to deliver a nice like I'm glad,

1165
01:02:03,000 --> 01:02:05,000
Speaker 1: like we've talked about on this show, that she doesn't have,

1166
01:02:05,200 --> 01:02:08,600
Speaker 1: she had hadn't had much until this episode to be

1167
01:02:08,680 --> 01:02:10,880
Speaker 1: able to be the one to sort of talk to

1168
01:02:10,960 --> 01:02:13,480
Speaker 1: the suns and be like, here's what's really going on.

1169
01:02:13,520 --> 01:02:15,680
Speaker 1: I mean this could have easily been Alan, you know,

1170
01:02:15,760 --> 01:02:18,120
Speaker 1: but the are both of them together and I just

1171
01:02:18,200 --> 01:02:21,320
Speaker 1: think that maybe this is, you know, partly in response

1172
01:02:21,360 --> 01:02:23,640
Speaker 1: to the writers listening to Betsy say, like can I

1173
01:02:23,640 --> 01:02:25,280
Speaker 1: have something more to do, because this is a really

1174
01:02:25,360 --> 01:02:29,320
Speaker 1: nice beat and it's great. It also speaks to something

1175
01:02:29,360 --> 01:02:30,960
Speaker 1: we've talked about about boy meets the world, which is

1176
01:02:31,040 --> 01:02:32,360
Speaker 1: kind of cool. Is that like amy and all that

1177
01:02:32,400 --> 01:02:35,840
Speaker 1: are kind of cool parents. You know, they are going

1178
01:02:35,880 --> 01:02:38,200
Speaker 1: on dates and like you just didn't see that. You didn't.

1179
01:02:38,240 --> 01:02:40,200
Speaker 1: You know, there wasn't a space for that in many

1180
01:02:40,280 --> 01:02:43,120
Speaker 1: sitcoms at the time, and I think it's nice. I

1181
01:02:43,160 --> 01:02:46,160
Speaker 1: think it's a really nice touch. It's really interesting. I

1182
01:02:46,240 --> 01:02:50,200
Speaker 1: find it a very interesting glimpse into this whole time.

1183
01:02:51,040 --> 01:02:55,240
Speaker 1: Like it's it actually like breaks through the theme of

1184
01:02:55,240 --> 01:02:59,720
Speaker 1: a Sitcom show parents. They're the whole thing is they're

1185
01:02:59,720 --> 01:03:04,680
Speaker 1: trying to get away from like yeah, we need a break,

1186
01:03:04,720 --> 01:03:08,240
Speaker 1: we need to be different characters tonight. We need to

1187
01:03:08,400 --> 01:03:12,320
Speaker 1: like feel like alive, we need to feel like we're

1188
01:03:12,320 --> 01:03:15,720
Speaker 1: not just we're not just parents in this family, which

1189
01:03:15,760 --> 01:03:19,000
Speaker 1: is what we come to US succumb for. In the

1190
01:03:19,000 --> 01:03:21,440
Speaker 1: way Corey reacts, where he's like you want to degrade

1191
01:03:21,520 --> 01:03:25,240
Speaker 1: from us, and you're like it's you're like, yes, that's healthy,

1192
01:03:25,280 --> 01:03:29,040
Speaker 1: that's good, and maybe it's like a harbinger of what

1193
01:03:29,280 --> 01:03:32,240
Speaker 1: the show will start going towards. Like it's, it's really,

1194
01:03:32,560 --> 01:03:35,800
Speaker 1: it is, it's, it's, it's commenting on the very thing

1195
01:03:35,920 --> 01:03:38,360
Speaker 1: that the show itself, that the nature was, that comm

1196
01:03:38,440 --> 01:03:42,280
Speaker 1: is providing. We're supposed to want to leave the set,

1197
01:03:43,120 --> 01:03:45,479
Speaker 1: the safety, the safety bubble that we've been talking about.

1198
01:03:46,200 --> 01:03:47,880
Speaker 1: You're like, the only way that we can keep this

1199
01:03:48,040 --> 01:03:50,440
Speaker 1: going is for us to leave this. We we have

1200
01:03:50,560 --> 01:03:54,120
Speaker 1: to feel something else, we have to have more experiences,

1201
01:03:54,160 --> 01:03:56,080
Speaker 1: we have to have more dimensions so that we can

1202
01:03:56,120 --> 01:03:58,640
Speaker 1: be good parents, so that you, guys, we can raise

1203
01:03:58,680 --> 01:04:02,720
Speaker 1: you right. Like it's really, it's actually a pretty it's,

1204
01:04:02,840 --> 01:04:05,960
Speaker 1: it's it's a kind of a revolutionary sentiment to watch it,

1205
01:04:06,120 --> 01:04:08,760
Speaker 1: like you said, but like you're just not, it's not

1206
01:04:08,840 --> 01:04:12,200
Speaker 1: expecting it and it's still delivered in a Sitcom way. Yeah,

1207
01:04:12,720 --> 01:04:17,880
Speaker 1: I wasn't, I I was. I was glad to see it. Yeah,

1208
01:04:18,080 --> 01:04:20,640
Speaker 1: so was I. It was a great a great scene,

1209
01:04:20,680 --> 01:04:23,320
Speaker 1: and again betsy's so wonderful in it and her the

1210
01:04:23,320 --> 01:04:27,320
Speaker 1: way she's relaxed and casual and Um, it's it's very sweet.

1211
01:04:27,840 --> 01:04:29,800
Speaker 1: So then she leaves, saying she's gonna go get a

1212
01:04:29,840 --> 01:04:31,680
Speaker 1: good night kiss from a guy in the backyard, and

1213
01:04:31,800 --> 01:04:34,200
Speaker 1: Eric runs to the window and really is relieved to

1214
01:04:34,200 --> 01:04:37,360
Speaker 1: see that it's still their dad. And then we're in

1215
01:04:37,400 --> 01:04:39,960
Speaker 1: the Phoenie and we're in Phenie's classroom. Mincus is alone

1216
01:04:40,000 --> 01:04:43,160
Speaker 1: doing math problems on the chalkboard. Sean walks in and

1217
01:04:43,200 --> 01:04:45,880
Speaker 1: claps the chalk erasers on Mancus, leaving his hair a

1218
01:04:45,920 --> 01:04:53,120
Speaker 1: long white because he's doing math problems on the boards. Uh.

1219
01:04:53,280 --> 01:04:55,400
Speaker 1: Mr Feenie and the students returned to class and Phoenie

1220
01:04:55,480 --> 01:04:58,120
Speaker 1: once again recites the math problem and reminds corey that

1221
01:04:58,160 --> 01:05:01,520
Speaker 1: the answer still isn't say seven. Corey says he realized

1222
01:05:01,520 --> 01:05:03,480
Speaker 1: pheney pose this question to stop thinking, so that they

1223
01:05:03,520 --> 01:05:07,200
Speaker 1: would stop thinking like kids and start thinking like adults.

1224
01:05:07,360 --> 01:05:16,040
Speaker 1: Yet Start and that sometimes there are many answers or

1225
01:05:16,120 --> 01:05:19,919
Speaker 1: not even an answer at all, and that's not at all.

1226
01:05:20,520 --> 01:05:24,000
Speaker 1: Usually aren't many answers to a math problem. Nor are

1227
01:05:24,080 --> 01:05:26,720
Speaker 1: there no answers if it's a math problem. I know.

1228
01:05:26,840 --> 01:05:29,200
Speaker 1: I don't know why it wasn't just a philosophical question

1229
01:05:29,240 --> 01:05:33,000
Speaker 1: he could have posed to them at the beginning. Well, because,

1230
01:05:33,200 --> 01:05:36,280
Speaker 1: because I'll tell you exactly why, because Topanga needed someone,

1231
01:05:36,400 --> 01:05:39,440
Speaker 1: did need to have a right answer. So what did

1232
01:05:39,480 --> 01:05:41,640
Speaker 1: Topanga is what was to Pang? His answer? There is

1233
01:05:41,680 --> 01:05:45,920
Speaker 1: no answer, is a black and white because then the

1234
01:05:45,960 --> 01:05:48,080
Speaker 1: whole thing is well, that's why Topanga was able to

1235
01:05:48,080 --> 01:05:51,320
Speaker 1: figure it out and not mincus, because Topanga is open

1236
01:05:51,360 --> 01:05:55,680
Speaker 1: to thinking differently, and so someone who is open to

1237
01:05:55,720 --> 01:05:57,600
Speaker 1: thinking differently is going to come up with a right

1238
01:05:57,680 --> 01:05:59,640
Speaker 1: answer and those of us who are closed minded and

1239
01:05:59,680 --> 01:06:01,919
Speaker 1: not into thinking differently are not going to get it right,

1240
01:06:02,160 --> 01:06:04,720
Speaker 1: which is why we need to investigate q and on.

1241
01:06:05,440 --> 01:06:09,440
Speaker 1: And Yeah, I mean it's like it completely. You just

1242
01:06:09,520 --> 01:06:13,760
Speaker 1: think differently, don't. Don't trust math yoursearch an answer. Some

1243
01:06:14,040 --> 01:06:18,360
Speaker 1: liked could find an answer with the parents, like they couldn't.

1244
01:06:18,360 --> 01:06:20,800
Speaker 1: It could have been like, if you look at things differently,

1245
01:06:20,800 --> 01:06:25,160
Speaker 1: you'll get the answering, Panga, but they shouldn't have had

1246
01:06:26,200 --> 01:06:28,040
Speaker 1: a right Aswer, I guess, in this because it's just

1247
01:06:28,440 --> 01:06:31,800
Speaker 1: like that is the q and on way. Sorry, but

1248
01:06:31,880 --> 01:06:34,760
Speaker 1: like in this model, and because it could have been

1249
01:06:34,760 --> 01:06:38,200
Speaker 1: that corey came the next day and was like I

1250
01:06:38,240 --> 01:06:40,760
Speaker 1: now understand the answer, because I understand that if I

1251
01:06:40,880 --> 01:06:44,959
Speaker 1: shift my perspective and my approach. Right, I can see

1252
01:06:44,960 --> 01:06:50,000
Speaker 1: how these two people can work together and somehow watch it.

1253
01:06:51,440 --> 01:06:53,440
Speaker 1: You can arrive at the answer from coming at a

1254
01:06:53,480 --> 01:06:56,000
Speaker 1: different angle, as opposed that there is no answer. It's

1255
01:06:56,000 --> 01:06:59,000
Speaker 1: like okay, which is like they got such a solid,

1256
01:06:59,040 --> 01:07:04,640
Speaker 1: substantial answer last night from their parents. Right, exactly so,

1257
01:07:04,720 --> 01:07:06,640
Speaker 1: MINCAS says. Even though his work is for nothing, he

1258
01:07:06,720 --> 01:07:10,000
Speaker 1: may have accidentally solved time travel. To Panga asks if

1259
01:07:10,040 --> 01:07:12,680
Speaker 1: Corey's spirit guide gave him the answer to and he

1260
01:07:12,720 --> 01:07:15,840
Speaker 1: says yeah, my mom that's very sweet. It's a very

1261
01:07:15,840 --> 01:07:18,800
Speaker 1: sweet little moment, cute little moment Um. And then we're

1262
01:07:18,800 --> 01:07:21,439
Speaker 1: in the tag. We're in Phoene's classroom. Mancus is still

1263
01:07:21,480 --> 01:07:24,240
Speaker 1: doing math problems on the chalkboard and then he actually

1264
01:07:24,280 --> 01:07:28,360
Speaker 1: disappears after he says maybe time isn't a continuum and

1265
01:07:28,440 --> 01:07:32,760
Speaker 1: that it is a random occurrence of moments. Uh, there

1266
01:07:32,840 --> 01:07:35,880
Speaker 1: is like this is the first official breaking of reality

1267
01:07:37,000 --> 01:07:41,840
Speaker 1: the wall. Yeah, some sweet graphics for the time to

1268
01:07:42,960 --> 01:07:51,800
Speaker 1: this is like exactly so. Uh Oh, yeah, actually, I

1269
01:07:51,880 --> 01:07:54,360
Speaker 1: just got a note from producer Jensen. This is technically

1270
01:07:54,400 --> 01:07:57,440
Speaker 1: the second time we see Earth from afar in that

1271
01:07:57,480 --> 01:08:03,160
Speaker 1: one scene where Corey. Yeah, the screams and then out

1272
01:08:03,160 --> 01:08:05,400
Speaker 1: of this world P O v. This is the first

1273
01:08:05,400 --> 01:08:12,720
Speaker 1: time we're actually like magic can happen within our show. Um, yeah,

1274
01:08:12,920 --> 01:08:15,560
Speaker 1: so he disappears and when when he first disappeared, I

1275
01:08:15,600 --> 01:08:17,559
Speaker 1: was like, why is there no laugh? Because I thought

1276
01:08:17,560 --> 01:08:18,880
Speaker 1: that's where it was going to end. I thought he

1277
01:08:18,920 --> 01:08:20,600
Speaker 1: was just going to disappear and that was going to

1278
01:08:20,680 --> 01:08:22,040
Speaker 1: be where the show end. And then it was. It

1279
01:08:22,120 --> 01:08:26,360
Speaker 1: was pure silence on television. It was just totally silent.

1280
01:08:26,680 --> 01:08:28,760
Speaker 1: And then he comes back again and he repeats the

1281
01:08:28,800 --> 01:08:31,600
Speaker 1: same thought. Then he disappears again. There's more silence than

1282
01:08:31,640 --> 01:08:34,920
Speaker 1: he returns, repeats himself again. Then he doubts his work

1283
01:08:35,000 --> 01:08:38,000
Speaker 1: and erases the board, completely oblivious to the fact that

1284
01:08:38,040 --> 01:08:41,720
Speaker 1: he just solved the mysteries of the universe. And it

1285
01:08:41,760 --> 01:08:47,800
Speaker 1: does end on more silence. Very interesting. And that's our episode.

1286
01:08:48,040 --> 01:08:50,120
Speaker 1: And there was like six scenes in that entire episode,

1287
01:08:50,120 --> 01:08:52,040
Speaker 1: the scenes from so long. It was great. I know.

1288
01:08:52,200 --> 01:08:54,040
Speaker 1: Let's see, I can't count how many scenes there are.

1289
01:08:54,120 --> 01:08:58,920
Speaker 1: Let's see, we have one, really, three, four or five? Yeah,

1290
01:08:58,920 --> 01:09:03,080
Speaker 1: you're right, six. It's a good episode. It's a great episode. Yeah,

1291
01:09:03,320 --> 01:09:05,320
Speaker 1: I think that. I think the math, the math equation

1292
01:09:05,360 --> 01:09:09,519
Speaker 1: stuff is a little iffy, but you know, indie definitely noticed.

1293
01:09:09,520 --> 01:09:11,800
Speaker 1: He was like, so we always learned the lesson back

1294
01:09:11,800 --> 01:09:14,719
Speaker 1: in the classroom. I was like you're getting you're getting

1295
01:09:14,720 --> 01:09:18,080
Speaker 1: the rhythms of this show. Yes, sir, but you know,

1296
01:09:18,120 --> 01:09:20,320
Speaker 1: indie would have no idea what the actual lesson was.

1297
01:09:20,360 --> 01:09:22,400
Speaker 1: He just knows that there's a satisfying like Oh, it

1298
01:09:22,439 --> 01:09:24,680
Speaker 1: all comes back to the classroom where Mr Feeney is,

1299
01:09:25,040 --> 01:09:28,880
Speaker 1: you know, in charge, and it knows, you know knows

1300
01:09:28,920 --> 01:09:32,120
Speaker 1: what's going on in Corey's life. magically. Starley, what do

1301
01:09:32,160 --> 01:09:36,320
Speaker 1: you watch now for comfort? MM HMM UM, I tend

1302
01:09:36,360 --> 01:09:40,360
Speaker 1: to watch procedurals for comfort. The weird thing working in TV.

1303
01:09:40,439 --> 01:09:42,920
Speaker 1: You start watching less TV, though, too, like it's because

1304
01:09:42,920 --> 01:09:48,080
Speaker 1: you started. Yeah, that that's which is so sad. Yeah, yeah,

1305
01:09:48,560 --> 01:09:50,600
Speaker 1: it's I'm teaching screenwriting right now and like one of

1306
01:09:50,680 --> 01:09:53,840
Speaker 1: the first lectures is like, guys, it's going to kind

1307
01:09:53,880 --> 01:09:55,920
Speaker 1: of ruin the magic trick for you, like that's kind

1308
01:09:55,960 --> 01:09:58,439
Speaker 1: of our job is, like you'll start seeing because you know,

1309
01:09:58,479 --> 01:10:01,280
Speaker 1: like I have a friend who's he incredibly intelligent doctor,

1310
01:10:01,439 --> 01:10:04,439
Speaker 1: multiple degrees, and like I was having a conversation with

1311
01:10:04,520 --> 01:10:06,080
Speaker 1: a couple of years ago and I mentioned that that

1312
01:10:06,520 --> 01:10:08,240
Speaker 1: you know during the Second Act of a movie, and

1313
01:10:08,280 --> 01:10:10,800
Speaker 1: he was like movies have acts, and I was like,

1314
01:10:11,040 --> 01:10:14,120
Speaker 1: Oh God, that's so beautiful, like you live in this

1315
01:10:14,160 --> 01:10:16,160
Speaker 1: world where that you know, you just sit down and

1316
01:10:16,240 --> 01:10:18,519
Speaker 1: for an hour and a half stuff happens and you

1317
01:10:18,520 --> 01:10:20,840
Speaker 1: don't know why it makes sense, but of course you

1318
01:10:20,880 --> 01:10:23,599
Speaker 1: know their structure. There as a final question for you

1319
01:10:23,640 --> 01:10:25,919
Speaker 1: to wrap this all up, do you have any questions

1320
01:10:25,960 --> 01:10:29,559
Speaker 1: for us that we can answer for you? Um, will

1321
01:10:29,600 --> 01:10:32,240
Speaker 1: you guys watch it? Do you feel like you're watching yourselves?

1322
01:10:33,200 --> 01:10:36,880
Speaker 1: Like do you? There's a weird, a little bit of

1323
01:10:36,880 --> 01:10:39,280
Speaker 1: a weird out of body experience where I feel like

1324
01:10:39,400 --> 01:10:41,680
Speaker 1: it's me but also not me, like in episodes that

1325
01:10:41,720 --> 01:10:45,040
Speaker 1: I don't remember at all. I feel like, yeah, it's

1326
01:10:45,040 --> 01:10:47,280
Speaker 1: a little like out of body, and then the scenes

1327
01:10:47,320 --> 01:10:49,200
Speaker 1: that I really and now I'm not sure it feels

1328
01:10:49,240 --> 01:10:51,559
Speaker 1: like me. I'm not really sure it does. I don't

1329
01:10:51,560 --> 01:10:53,320
Speaker 1: think it feels like me either because when I think

1330
01:10:53,360 --> 01:10:56,479
Speaker 1: about the identification I have, like with my own face

1331
01:10:56,640 --> 01:10:59,519
Speaker 1: or my own body, I actually because I spent so

1332
01:10:59,600 --> 01:11:02,479
Speaker 1: much time I'm with you guys as well, I feel

1333
01:11:02,520 --> 01:11:05,479
Speaker 1: similar about you. Does that make sense? Like I look

1334
01:11:05,520 --> 01:11:07,960
Speaker 1: at like Lee's face or Ben's face and I'm like,

1335
01:11:08,120 --> 01:11:10,960
Speaker 1: I spent so many hours working with that face like

1336
01:11:11,000 --> 01:11:13,719
Speaker 1: opposite me and making faces to each other that it's

1337
01:11:14,120 --> 01:11:16,400
Speaker 1: it's the same way that I feel about looking at

1338
01:11:16,400 --> 01:11:19,400
Speaker 1: my own face. So it's a it's a very but

1339
01:11:19,479 --> 01:11:23,840
Speaker 1: I am getting more insecure watching it now. You starting

1340
01:11:23,840 --> 01:11:26,559
Speaker 1: to get more self conscious about the way. I mean.

1341
01:11:26,800 --> 01:11:28,759
Speaker 1: I know I've made jokes about like how I'm nervously

1342
01:11:28,840 --> 01:11:30,400
Speaker 1: running my hands through my hair and stuff in the

1343
01:11:30,400 --> 01:11:33,200
Speaker 1: early episodes, but like around this age, for whatever reason,

1344
01:11:33,200 --> 01:11:34,840
Speaker 1: I think going to the second season I'm going to

1345
01:11:34,880 --> 01:11:36,960
Speaker 1: be way more like, Oh God, what's happening to my

1346
01:11:37,120 --> 01:11:40,720
Speaker 1: face and my body? I for me, I actually, and

1347
01:11:40,720 --> 01:11:43,679
Speaker 1: this sounds very weird, but it's the truth, I see

1348
01:11:43,720 --> 01:11:46,080
Speaker 1: way more of myself in the cartoon characters that I

1349
01:11:46,240 --> 01:11:48,880
Speaker 1: voiced than I do of me on screen. I don't

1350
01:11:48,920 --> 01:11:50,680
Speaker 1: know why, but I always have. I can look at

1351
01:11:50,680 --> 01:11:52,479
Speaker 1: my second look at a role I've done voice over

1352
01:11:52,520 --> 01:11:56,080
Speaker 1: and I can see me, Um, I watching somebody else

1353
01:11:56,120 --> 01:11:58,800
Speaker 1: as I'm watching these episodes. It's bizarre. Well, thank you

1354
01:11:58,880 --> 01:12:01,759
Speaker 1: so much for being here with us. You are truly

1355
01:12:01,800 --> 01:12:04,679
Speaker 1: a boy meets world expert and critic, and so it's

1356
01:12:04,720 --> 01:12:06,679
Speaker 1: been really nice talking to you about this and letting

1357
01:12:06,680 --> 01:12:11,559
Speaker 1: you shine some light on our own show for us. Uh. So,

1358
01:12:11,680 --> 01:12:13,679
Speaker 1: thank you, guys, so much for being here. Come back

1359
01:12:13,680 --> 01:12:17,680
Speaker 1: in some of the later seasons too. Love Time. We

1360
01:12:17,680 --> 01:12:19,760
Speaker 1: should have her on once a season to just tell

1361
01:12:19,840 --> 01:12:26,439
Speaker 1: us like how we've get a different face thing every time.

1362
01:12:27,560 --> 01:12:31,360
Speaker 1: Maybe have micro needling next time. Yeah, yeah, I'll join you.

1363
01:12:31,400 --> 01:12:46,120
Speaker 1: I'll start doing it too. Thank you. Thank you, Star Bye. Well,

1364
01:12:46,200 --> 01:12:48,439
Speaker 1: that was great to have starley on. She Um, you

1365
01:12:48,520 --> 01:12:51,599
Speaker 1: know she she has such a interesting sensibility and like

1366
01:12:51,640 --> 01:12:54,840
Speaker 1: a take on our show that I really appreciate. Um,

1367
01:12:54,880 --> 01:12:59,520
Speaker 1: and I feel, like you know, talking about that safety bubble, fascinating.

1368
01:13:00,280 --> 01:13:02,360
Speaker 1: It's amazing. I've never thought about that before and it's

1369
01:13:02,400 --> 01:13:04,519
Speaker 1: so true. Yeah, and I and it's fine and I

1370
01:13:04,520 --> 01:13:06,920
Speaker 1: think it's going to keep getting interesting watching boy meets work,

1371
01:13:06,920 --> 01:13:09,479
Speaker 1: because I do there's a self consciousness about boy meets

1372
01:13:09,520 --> 01:13:12,240
Speaker 1: world that, you know, obviously became a big thing in

1373
01:13:12,240 --> 01:13:15,240
Speaker 1: the later years, but it is already here that you know.

1374
01:13:15,360 --> 01:13:18,280
Speaker 1: Besides the fourth wall breaking of Minka is magically transported.

1375
01:13:18,520 --> 01:13:22,519
Speaker 1: There is this sort of like Um, super geekery about

1376
01:13:22,520 --> 01:13:26,559
Speaker 1: the format of Sitcom. You know, it's like we were

1377
01:13:26,600 --> 01:13:30,080
Speaker 1: doing sitcom well, but we're also kind of commenting on

1378
01:13:30,120 --> 01:13:32,720
Speaker 1: Sitcom NOWs, and that's going to happen more and more

1379
01:13:32,760 --> 01:13:35,040
Speaker 1: as boy meats world goes on, and I'm excited for

1380
01:13:35,080 --> 01:13:38,160
Speaker 1: that because that, you know, that became like basically what

1381
01:13:38,280 --> 01:13:40,720
Speaker 1: girl meets world was. It was like a Meta Sitcom,

1382
01:13:40,880 --> 01:13:42,439
Speaker 1: do you know what I mean? There was like characters

1383
01:13:42,560 --> 01:13:46,040
Speaker 1: constantly commenting on their own characters and their own like

1384
01:13:46,280 --> 01:13:48,840
Speaker 1: story ARCS, and like that's what ends up happening. Like,

1385
01:13:49,040 --> 01:13:51,559
Speaker 1: I know by season five, Corey and too Pangor like,

1386
01:13:51,680 --> 01:13:54,599
Speaker 1: but we're supposed to be together. That's our story, right.

1387
01:13:54,600 --> 01:13:57,800
Speaker 1: There's like a self consciousness that is super interesting and

1388
01:13:57,840 --> 01:14:00,719
Speaker 1: you can see the seats for that already in season one. Yeah,

1389
01:14:01,840 --> 01:14:04,960
Speaker 1: so here's a reminder to everybody that we are going

1390
01:14:05,200 --> 01:14:08,200
Speaker 1: off of we're doing this rewatch based on original air

1391
01:14:08,280 --> 01:14:11,200
Speaker 1: date order, not the order they have on Disney plus.

1392
01:14:11,320 --> 01:14:14,720
Speaker 1: So if you are using the DVDs Bingo, that's the

1393
01:14:14,840 --> 01:14:16,880
Speaker 1: order that we're using. So those are correct. So our

1394
01:14:16,920 --> 01:14:19,080
Speaker 1: next episode that we are going to recap is going

1395
01:14:19,120 --> 01:14:21,479
Speaker 1: to be she loves me, she loves me, not it's

1396
01:14:21,520 --> 01:14:27,439
Speaker 1: season one episode thirteen at originally aired January nine. Um.

1397
01:14:27,479 --> 01:14:29,559
Speaker 1: Thank you all for sticking around for this episode of

1398
01:14:29,560 --> 01:14:31,960
Speaker 1: pod meets world. You can follow us on pod meats

1399
01:14:31,960 --> 01:14:34,559
Speaker 1: world show on instagram. Be sure to email us at

1400
01:14:34,560 --> 01:14:37,639
Speaker 1: pod meats world show at GMAIL DOT com. Also, we've

1401
01:14:37,640 --> 01:14:41,960
Speaker 1: gotten march. March at pod meets World Show Dot Com.

1402
01:14:42,240 --> 01:14:45,920
Speaker 1: And also, if you have not rated us, please subscribe.

1403
01:14:46,080 --> 01:14:50,080
Speaker 1: Give us five stars. I accept nothing less than five stars. Uh,

1404
01:14:50,400 --> 01:14:52,799
Speaker 1: if you hate us, then write that in a text

1405
01:14:52,840 --> 01:14:56,320
Speaker 1: note on your phone and then deleted immediately. Anything other

1406
01:14:56,360 --> 01:14:59,519
Speaker 1: than that, go ahead and rate us. So thank you

1407
01:14:59,560 --> 01:15:03,200
Speaker 1: all for Jo fining us. We love you all. Pod dismissed.

1408
01:15:04,000 --> 01:15:06,360
Speaker 1: Pod meets world as an I heart podcast produced and

1409
01:15:06,400 --> 01:15:10,360
Speaker 1: hosted by Daniel Fishel, Wilford l and Ryder, strong executive producers,

1410
01:15:10,400 --> 01:15:13,439
Speaker 1: Jensen Carp and Amy Sugarman, executive in charge of production,

1411
01:15:13,520 --> 01:15:17,960
Speaker 1: Daniel Romo, producer and editor, Taara suit box producer, Jackie Rodriguez,

1412
01:15:18,000 --> 01:15:20,800
Speaker 1: engineer and boy meets World Super Fan, Easton Allen. Our

1413
01:15:20,880 --> 01:15:23,120
Speaker 1: theme song is by Kyle Morton of typhoon and you

1414
01:15:23,120 --> 01:15:25,599
Speaker 1: can follow us on Instagram at pod meets world show

1415
01:15:25,840 --> 01:15:28,639
Speaker 1: or email us at pod meets world show at GMAIL

1416
01:15:28,680 --> 01:15:29,440
Speaker 1: DOT COM