1 00:00:00,120 --> 00:00:08,200 Speaker 1: Good morning, and happy Pride. 2 00:00:05,200 --> 00:00:11,160 Speaker 2: Pride, Happy Pride everyone. We are well. We're recording right now, 3 00:00:11,200 --> 00:00:14,480 Speaker 2: which is complex, yes, because we're dealing with so many 4 00:00:14,520 --> 00:00:15,440 Speaker 2: technical issues. 5 00:00:15,680 --> 00:00:19,120 Speaker 1: It's actually I want everyone to know that we set 6 00:00:19,160 --> 00:00:21,480 Speaker 1: a time to record and we were going to do 7 00:00:21,520 --> 00:00:24,320 Speaker 1: a specific kind of episode. We were excited, and there 8 00:00:24,360 --> 00:00:27,319 Speaker 1: have been technical issues that are beyond our control, and 9 00:00:27,400 --> 00:00:31,120 Speaker 1: so we have made the difficult decision to re release 10 00:00:31,160 --> 00:00:32,800 Speaker 1: an old episode. 11 00:00:33,520 --> 00:00:36,520 Speaker 2: But we are doing it with Pride, that's right, because 12 00:00:36,520 --> 00:00:39,680 Speaker 2: it's one of our favorite episodes of all time. It's 13 00:00:39,720 --> 00:00:41,760 Speaker 2: from our series that we do once a year called 14 00:00:41,800 --> 00:00:46,120 Speaker 2: Gadio Lab, where it's not straight topic, it's a gay topic, 15 00:00:46,200 --> 00:00:48,320 Speaker 2: gay topic, folks. 16 00:00:48,400 --> 00:00:50,680 Speaker 1: And so for Pride, we thought, yeah, sure we're going 17 00:00:50,720 --> 00:00:52,559 Speaker 1: to do a Gadeo Lab, you know, for this year, 18 00:00:52,640 --> 00:00:55,760 Speaker 1: twenty twenty five, Gatio Lab. But why not wet your 19 00:00:55,800 --> 00:00:58,240 Speaker 1: appetite with last year's Gatio Lab. 20 00:00:58,920 --> 00:01:01,279 Speaker 2: Yeah, see how the other half lives, See how we've 21 00:01:01,360 --> 00:01:02,280 Speaker 2: changed over a year. 22 00:01:02,560 --> 00:01:05,120 Speaker 1: I actually remember this day really well because it was 23 00:01:05,319 --> 00:01:06,959 Speaker 1: do you remember when I was hired to do Man 24 00:01:06,959 --> 00:01:10,200 Speaker 1: on the Street interviews at Rudy Giuliani's birthday? Yeah, that 25 00:01:10,400 --> 00:01:13,319 Speaker 1: was that day and I went from that recording to 26 00:01:14,440 --> 00:01:18,800 Speaker 1: Rudy Giuliani's eightieth birthday. Damn, and look how much it 27 00:01:18,840 --> 00:01:21,080 Speaker 1: has changed the world has changed since then. 28 00:01:21,440 --> 00:01:23,440 Speaker 2: I mean, you like brought him down. I did. 29 00:01:23,560 --> 00:01:25,880 Speaker 1: It's true, I brought him down. But then, weirdly enough, 30 00:01:25,920 --> 00:01:28,959 Speaker 1: through kind of the butterfly effect, Trump got reelected because 31 00:01:29,000 --> 00:01:30,640 Speaker 1: I brought Julia Rudy Giuliani down. 32 00:01:30,959 --> 00:01:34,200 Speaker 2: Well, that's the tough thing about sort of the EBB 33 00:01:34,280 --> 00:01:34,680 Speaker 2: and flow. 34 00:01:34,800 --> 00:01:37,039 Speaker 1: Yeah, that's that me, espresso, that's not me. 35 00:01:37,120 --> 00:01:42,200 Speaker 2: I've been flow. Yeah, that's right, because you know, it's 36 00:01:42,240 --> 00:01:44,039 Speaker 2: like how Trump was elected the first time as like 37 00:01:44,080 --> 00:01:48,600 Speaker 2: a racist backlash against Obama, whereas this one was a 38 00:01:48,640 --> 00:01:51,760 Speaker 2: backlash against your man man on the Street video. 39 00:01:52,640 --> 00:01:54,360 Speaker 1: And you know, I just want to say, we've come 40 00:01:54,440 --> 00:01:59,480 Speaker 1: so far in the last year, and I don't know, 41 00:01:59,520 --> 00:02:00,880 Speaker 1: it's nice to chicken on the past. 42 00:02:00,920 --> 00:02:03,520 Speaker 2: Why not, Oh you got a check in on the past? 43 00:02:03,680 --> 00:02:05,880 Speaker 1: Or you know, constant nostalgia we know is toxic, but 44 00:02:05,920 --> 00:02:09,720 Speaker 1: occasional nostalgia. Don't mind if I do a little nostalgia 45 00:02:10,080 --> 00:02:15,119 Speaker 1: small plates as a treat, kind of a small plates 46 00:02:15,200 --> 00:02:18,120 Speaker 1: like tapas style nostalgia. Sure, I'm not gonna have a 47 00:02:18,160 --> 00:02:21,119 Speaker 1: whole pizza pie of nostalgia, but don't have a little 48 00:02:21,160 --> 00:02:21,919 Speaker 1: finger sandwich. 49 00:02:22,320 --> 00:02:23,680 Speaker 2: Ooh why not? 50 00:02:23,919 --> 00:02:24,239 Speaker 1: Yummy? 51 00:02:24,280 --> 00:02:26,880 Speaker 2: Yummy, yummy yummy. It's funny that we're doing this intro 52 00:02:26,960 --> 00:02:28,760 Speaker 2: right now and then like the episode's gonna start and 53 00:02:28,760 --> 00:02:29,840 Speaker 2: there's gonna be another intro. 54 00:02:30,200 --> 00:02:33,400 Speaker 1: Yeah, but whatever, No, I like it. 55 00:02:33,440 --> 00:02:37,200 Speaker 2: I'm like, oops, all intro like our other famous classic. 56 00:02:36,960 --> 00:02:39,079 Speaker 1: My god, now that was a famous classic app. 57 00:02:39,919 --> 00:02:41,760 Speaker 2: You know what. I said something insane the other day 58 00:02:41,760 --> 00:02:43,720 Speaker 2: that I have to tell you out loud, Okay, I 59 00:02:43,760 --> 00:02:49,040 Speaker 2: was like I guests like Joanna Newsome like I was like, 60 00:02:49,080 --> 00:02:50,520 Speaker 2: you kind of just sit with it, Like you have 61 00:02:50,600 --> 00:02:52,600 Speaker 2: to be like like it's not like you're not gonna 62 00:02:52,600 --> 00:02:54,240 Speaker 2: put it on the radio when you're with your girls, 63 00:02:54,280 --> 00:02:57,720 Speaker 2: but like when you're like really wanting to sit with something, 64 00:02:57,840 --> 00:02:58,600 Speaker 2: then you pop it on. 65 00:02:59,680 --> 00:03:03,960 Speaker 1: I know I And that's I think why it is 66 00:03:04,240 --> 00:03:07,080 Speaker 1: challenging to like, if you know, to give a little 67 00:03:07,080 --> 00:03:09,680 Speaker 1: elevator pitch. It's like, yeah, it's about straight culture, but 68 00:03:09,880 --> 00:03:15,480 Speaker 1: it's kind of about epistemology, and it's sort of and 69 00:03:15,560 --> 00:03:17,639 Speaker 1: if you don't get it, like there's really not much 70 00:03:17,639 --> 00:03:18,040 Speaker 1: I can do. 71 00:03:19,400 --> 00:03:20,560 Speaker 2: I mean, it's about language. 72 00:03:20,600 --> 00:03:21,600 Speaker 1: It's about language. 73 00:03:21,639 --> 00:03:23,880 Speaker 2: And the relationship communication. Yes, then the. 74 00:03:23,840 --> 00:03:26,560 Speaker 1: Relationship between language and reality. It's like things do get 75 00:03:26,600 --> 00:03:29,760 Speaker 1: lost in translation, both when you translate reality into language 76 00:03:29,760 --> 00:03:33,440 Speaker 1: and when you decode language into an idea of reality. 77 00:03:35,120 --> 00:03:36,520 Speaker 2: Damn, are you watching Couples Therapy? 78 00:03:36,560 --> 00:03:38,280 Speaker 1: This is not an episode, This is not This is 79 00:03:38,320 --> 00:03:41,920 Speaker 1: not an episode. This is an intro. I am not 80 00:03:41,960 --> 00:03:44,920 Speaker 1: watching Couples Therapy. But I did watch the first season 81 00:03:44,920 --> 00:03:46,800 Speaker 1: of In, just the first episode of In. Just like that. 82 00:03:47,440 --> 00:03:48,960 Speaker 2: I haven't seen it. I haven't seen it yet. 83 00:03:49,040 --> 00:03:51,080 Speaker 1: We are like so not on the same cycle recently 84 00:03:51,080 --> 00:03:53,360 Speaker 1: with media consumption. It's crazy. I know, it's fucked. We 85 00:03:53,480 --> 00:03:56,000 Speaker 1: have to like sit down and make it. This is 86 00:03:56,040 --> 00:03:58,760 Speaker 1: actually you know for Patreon listeners, you know that, uh 87 00:03:59,640 --> 00:04:02,200 Speaker 1: that we heap. You know, did you watch this? 88 00:04:02,480 --> 00:04:02,640 Speaker 2: Watch? 89 00:04:02,680 --> 00:04:06,040 Speaker 1: Just did you watch this? And somehow we can't find commonality. 90 00:04:06,480 --> 00:04:07,560 Speaker 2: We're always on a different point. 91 00:04:07,600 --> 00:04:08,680 Speaker 1: We used to be so in sync. 92 00:04:09,720 --> 00:04:12,040 Speaker 2: I mean, the fracturing of our media system is part 93 00:04:12,080 --> 00:04:12,520 Speaker 2: of the reason. 94 00:04:12,680 --> 00:04:14,920 Speaker 1: It's so crazy that it actually the fracturing of the 95 00:04:14,960 --> 00:04:19,760 Speaker 1: media system also is happening on a smaller level between 96 00:04:19,800 --> 00:04:22,760 Speaker 1: podcast co hosts in the same podcast. There is a 97 00:04:22,800 --> 00:04:27,280 Speaker 1: fractured media ecosystem between one person that is watching and 98 00:04:27,400 --> 00:04:29,640 Speaker 1: just like that and one person that is watching Couples Therapy. 99 00:04:30,480 --> 00:04:33,680 Speaker 2: Do you think that like if like people that are 100 00:04:33,720 --> 00:04:36,120 Speaker 2: like are like trying to make it big and podcasting, like, 101 00:04:36,680 --> 00:04:38,560 Speaker 2: do you think they're like, Okay, so this week we 102 00:04:38,640 --> 00:04:40,400 Speaker 2: have to watch these three things. Like even if it's 103 00:04:40,440 --> 00:04:42,800 Speaker 2: not like a culture podcast, this week we're watching these 104 00:04:42,800 --> 00:04:43,480 Speaker 2: three things. 105 00:04:44,120 --> 00:04:48,800 Speaker 1: Well, you know, of course I long for the simplicity 106 00:04:48,880 --> 00:04:52,839 Speaker 1: of having a Bravo podcast. Can you imagine it's just like, 107 00:04:53,360 --> 00:04:56,720 Speaker 1: you know what everyone is watching, They're just eating up 108 00:04:56,760 --> 00:04:59,200 Speaker 1: this slop and then they want a gay guy to 109 00:04:59,240 --> 00:04:59,640 Speaker 1: be like e. 110 00:05:03,240 --> 00:05:07,240 Speaker 2: I mean there's something like, you know how like consertive 111 00:05:07,279 --> 00:05:10,440 Speaker 2: straight guy's crave working on a farm in this way, 112 00:05:10,920 --> 00:05:14,000 Speaker 2: like the gay version of that is hosting a provo podcast. No, 113 00:05:14,320 --> 00:05:17,120 Speaker 2: I know, everyone kind of fantasizes about like, damn, if 114 00:05:17,240 --> 00:05:19,359 Speaker 2: things were simpler, I could just go to that studio 115 00:05:19,400 --> 00:05:20,919 Speaker 2: and record that Bravo podcast. 116 00:05:21,240 --> 00:05:24,000 Speaker 1: It's nice that we make things difficult for ourselves on 117 00:05:24,080 --> 00:05:28,280 Speaker 1: purpose by not commenting on any kind of existing pop 118 00:05:28,320 --> 00:05:31,360 Speaker 1: culture and just having to think of new ideas every week. 119 00:05:31,960 --> 00:05:34,479 Speaker 1: And my new ideas of course, I do mean different 120 00:05:34,520 --> 00:05:37,680 Speaker 1: perspectives on how New York is different than Los Angeles. 121 00:05:40,400 --> 00:05:43,440 Speaker 1: I know no, but we are going to. I think 122 00:05:43,440 --> 00:05:46,200 Speaker 1: we're going to force ourselves to choose something to watch together. 123 00:05:46,279 --> 00:05:48,360 Speaker 1: By the way, I've started the rehearsal from season one. 124 00:05:48,839 --> 00:05:49,560 Speaker 2: Thank god I. 125 00:05:49,560 --> 00:05:52,479 Speaker 1: Never watched it with the first time around. Started season one, 126 00:05:53,160 --> 00:05:55,360 Speaker 1: I had an insane experience. Want to hear it? 127 00:05:55,720 --> 00:05:56,040 Speaker 2: Please? 128 00:05:56,120 --> 00:05:58,080 Speaker 1: Do you remember season one episode one? It was the 129 00:05:58,080 --> 00:06:00,920 Speaker 1: guy that was wanted to friend that he doesn't have 130 00:06:00,960 --> 00:06:05,719 Speaker 1: a master's degree. Yes, all right, watch that episode. Part 131 00:06:05,720 --> 00:06:10,520 Speaker 1: of that episode is that Nathan Fielder is also rehearsing 132 00:06:10,920 --> 00:06:15,520 Speaker 1: himself how to tell that guy that he did something 133 00:06:15,560 --> 00:06:18,560 Speaker 1: or remember that he gave him the answers ahead of time. Yeah, yeah, yeah, 134 00:06:18,560 --> 00:06:21,680 Speaker 1: all right. I go to a play last night. One 135 00:06:21,720 --> 00:06:24,479 Speaker 1: of the actors is the actor that was playing that 136 00:06:24,640 --> 00:06:25,640 Speaker 1: guy in the rehearsal. 137 00:06:26,240 --> 00:06:27,440 Speaker 2: WHOA, that's so crazy. 138 00:06:27,480 --> 00:06:28,960 Speaker 1: And I was like, he looks so familiar. I must 139 00:06:28,960 --> 00:06:31,359 Speaker 1: have seen him on like, you know, maybe had a 140 00:06:31,360 --> 00:06:35,360 Speaker 1: guest spot on uh some like on s view or something, 141 00:06:35,600 --> 00:06:38,880 Speaker 1: as all theater actors do. Nope, he was in the rehearsal. 142 00:06:39,680 --> 00:06:40,120 Speaker 2: Wow. 143 00:06:40,240 --> 00:06:42,839 Speaker 1: One of the other actors on the first episode of 144 00:06:42,839 --> 00:06:46,120 Speaker 1: and just like that oh, we're living in a panoptic 145 00:06:46,200 --> 00:06:46,720 Speaker 1: on folks. 146 00:06:47,040 --> 00:06:51,640 Speaker 2: Folks, it's all a simulation. Well, I met a bear 147 00:06:52,440 --> 00:06:58,080 Speaker 2: at hot Dog Okay, the party in LA and we 148 00:06:58,160 --> 00:07:02,760 Speaker 2: exchanged instagrams and of course he plays a sound guy 149 00:07:02,960 --> 00:07:04,360 Speaker 2: on the rehearsal season two. 150 00:07:04,880 --> 00:07:11,280 Speaker 1: Whoa. You know what I'm realizing, was this bear otherwise 151 00:07:11,320 --> 00:07:12,360 Speaker 1: like a professional actor? 152 00:07:13,040 --> 00:07:14,400 Speaker 2: Yeah? I think he's an actor. 153 00:07:14,440 --> 00:07:17,360 Speaker 1: Okay, I think the actors are hiring. This is an 154 00:07:17,360 --> 00:07:19,680 Speaker 1: obvious thing to say, because obviously the show is very good. 155 00:07:20,040 --> 00:07:22,320 Speaker 1: I think they're hiring based on what I'm seeing, like 156 00:07:22,520 --> 00:07:26,560 Speaker 1: real theater actors, like real uh you know, not. 157 00:07:26,560 --> 00:07:31,040 Speaker 2: People off the street, people that are giving grounded. 158 00:07:30,720 --> 00:07:34,000 Speaker 1: People that are like that, like went to Juilliard or 159 00:07:34,080 --> 00:07:35,400 Speaker 1: Julie Art as you once called you. 160 00:07:37,000 --> 00:07:39,239 Speaker 2: Well, it's confusing because it starts because it's an art school, 161 00:07:39,280 --> 00:07:45,280 Speaker 2: but it's not named Julie Art, so that's really complicated. Yeah. 162 00:07:45,280 --> 00:07:46,640 Speaker 1: Oh, I have another update. 163 00:07:47,080 --> 00:07:47,280 Speaker 2: You know. 164 00:07:47,400 --> 00:07:51,920 Speaker 1: I'm exploring different non alcoholic beverages because I'm Kelly sober 165 00:07:51,960 --> 00:07:54,680 Speaker 1: for medical reasons. For a few months, I bought with 166 00:07:54,720 --> 00:07:56,920 Speaker 1: my own money. They did not send this to us. 167 00:07:56,960 --> 00:08:00,120 Speaker 1: I bought these seltzers called guess what they're called wink. 168 00:08:00,800 --> 00:08:03,520 Speaker 1: They're called wink with a y w y n K. 169 00:08:04,280 --> 00:08:05,120 Speaker 2: Well that's fun. 170 00:08:05,480 --> 00:08:09,200 Speaker 1: And so I bought a three pack. I have lime, tangerine, 171 00:08:09,240 --> 00:08:11,200 Speaker 1: and I have black cherry. I tried the lime when 172 00:08:11,240 --> 00:08:14,440 Speaker 1: I have to say there, it's not my favorite, But 173 00:08:14,480 --> 00:08:16,280 Speaker 1: I think I have to get used to the idea 174 00:08:16,360 --> 00:08:19,600 Speaker 1: of a thhc seltzer, like it's a different kind of flavor. 175 00:08:20,280 --> 00:08:22,640 Speaker 2: Yeah, I mean, the thing, the big issue with weed 176 00:08:22,840 --> 00:08:25,720 Speaker 2: is that there is no mature way to consume it, 177 00:08:25,840 --> 00:08:28,000 Speaker 2: Like there's no way to make you feel like a 178 00:08:28,040 --> 00:08:30,400 Speaker 2: fancy grown up. It always is like and now I'm 179 00:08:30,440 --> 00:08:33,680 Speaker 2: a teen. Now I'm a teen having like sour cush. 180 00:08:33,640 --> 00:08:36,320 Speaker 1: But don't you think that there's another one called can 181 00:08:36,400 --> 00:08:38,360 Speaker 1: spelled c A n N And I have had those 182 00:08:38,400 --> 00:08:41,640 Speaker 1: and they're really good. They just have more sugar and 183 00:08:41,679 --> 00:08:44,120 Speaker 1: I'm trying to be, you know, a little healthier of course, 184 00:08:44,120 --> 00:08:47,600 Speaker 1: but those I actually think those were sold to me 185 00:08:47,640 --> 00:08:49,760 Speaker 1: as like this is what all the park Slope moms 186 00:08:50,040 --> 00:08:53,520 Speaker 1: drink when they're like with the kids. So that's adult. 187 00:08:54,600 --> 00:09:01,679 Speaker 2: Sure, that's true. Damn big yawn on the pod, Yeah, 188 00:09:01,800 --> 00:09:05,560 Speaker 2: on pod to lock me up and throw away the key. 189 00:09:05,559 --> 00:09:06,920 Speaker 2: I'm a little sleepy today. 190 00:09:07,520 --> 00:09:09,839 Speaker 1: I mean, I like wish we could just keep talking, but. 191 00:09:10,200 --> 00:09:12,520 Speaker 2: I know so one of the technical difficulties is that 192 00:09:12,640 --> 00:09:15,280 Speaker 2: George is sort of living in a horror movie where 193 00:09:15,320 --> 00:09:18,960 Speaker 2: his computer charger isn't working, so he's at thirty percent 194 00:09:19,040 --> 00:09:19,640 Speaker 2: and dropping. 195 00:09:19,800 --> 00:09:21,000 Speaker 1: I'm actually at eleven percent. 196 00:09:21,120 --> 00:09:21,559 Speaker 2: Just f one. 197 00:09:21,760 --> 00:09:23,439 Speaker 1: Oh my god, I was at thirty percent of the 198 00:09:23,480 --> 00:09:26,040 Speaker 1: beginning of this conversation. Basically, what is going on is 199 00:09:26,040 --> 00:09:29,200 Speaker 1: that I can either use my MIC or charge my computer. So, 200 00:09:29,360 --> 00:09:32,000 Speaker 1: just so everyone's aware of the issue, you might be thinking, 201 00:09:32,160 --> 00:09:34,520 Speaker 1: could we release an episode where I'm using, you know, 202 00:09:34,600 --> 00:09:37,160 Speaker 1: my headphone mic. Yes, but that would actually make me 203 00:09:37,240 --> 00:09:40,040 Speaker 1: so violently angry to release something so low quality for 204 00:09:40,080 --> 00:09:44,000 Speaker 1: our dear listeners that I would have to commit instant Soku. 205 00:09:44,880 --> 00:09:47,080 Speaker 2: Yeah. So are you going to the Genius Bar sometime 206 00:09:47,160 --> 00:09:49,440 Speaker 2: this week? Or yeah? 207 00:09:49,520 --> 00:09:53,120 Speaker 1: I mean, I guess I have to. I guess I 208 00:09:53,200 --> 00:09:53,520 Speaker 1: have to. 209 00:09:55,679 --> 00:09:59,680 Speaker 2: Well, folks, since Shorg's at eleven percent, I almost feel 210 00:09:59,679 --> 00:10:00,440 Speaker 2: that we should it up. 211 00:10:00,520 --> 00:10:02,360 Speaker 1: I guess we should wrap it up. I do want 212 00:10:02,400 --> 00:10:04,520 Speaker 1: to say, you know, if you're craving more content, we 213 00:10:04,640 --> 00:10:09,400 Speaker 1: are releasing two Patreon episodes a month over at patreon 214 00:10:09,440 --> 00:10:13,640 Speaker 1: dot com. Slash Stradio Lab and like I said, we 215 00:10:13,679 --> 00:10:15,840 Speaker 1: are gonna choose something. We're gonna choose something to watch 216 00:10:15,880 --> 00:10:18,160 Speaker 1: together and do, like a TV club or a movie club. 217 00:10:18,200 --> 00:10:20,719 Speaker 1: Because it's been a while. It's been a while I 218 00:10:20,800 --> 00:10:26,040 Speaker 1: was craving doing in just like that. But see how 219 00:10:26,080 --> 00:10:28,240 Speaker 1: you feel when you watch it, Sam. 220 00:10:28,040 --> 00:10:30,200 Speaker 2: Well, I've seen pretty mixed reviews. Some people are like, 221 00:10:30,320 --> 00:10:33,160 Speaker 2: this is the worst show I've ever seen. I'm never 222 00:10:33,240 --> 00:10:34,160 Speaker 2: watching this show again. 223 00:10:34,240 --> 00:10:36,199 Speaker 1: Okay, but that's like the whole point of the show. 224 00:10:39,800 --> 00:10:41,880 Speaker 2: Did you see that fucking party? Did you go to 225 00:10:41,920 --> 00:10:44,680 Speaker 2: the party, the premiere party for it? No? But I 226 00:10:45,720 --> 00:10:48,760 Speaker 2: the stiletto, the ice sculpture of a stiletto with like 227 00:10:48,880 --> 00:10:52,079 Speaker 2: shellfish in it. I was like, what are we doing? 228 00:10:52,240 --> 00:10:54,719 Speaker 2: Like Rome is burning and we're eating shellfish out of 229 00:10:54,760 --> 00:10:55,240 Speaker 2: a stiletto. 230 00:10:58,040 --> 00:10:59,080 Speaker 1: So crazy. 231 00:10:59,320 --> 00:11:02,280 Speaker 2: But obviously I was obsessed and grateful that some glamorous 232 00:11:02,320 --> 00:11:03,559 Speaker 2: toll exists in the world, even if, of course I 233 00:11:03,559 --> 00:11:04,520 Speaker 2: can only see it from a FI. 234 00:11:04,520 --> 00:11:06,800 Speaker 1: I sometimes I'm more grateful for events I'm not invited to. 235 00:11:08,000 --> 00:11:10,120 Speaker 2: That's true, because when you're there, you're like, actually, the sucks, 236 00:11:10,120 --> 00:11:11,600 Speaker 2: But when you see it in pictures, you're like, damn 237 00:11:11,600 --> 00:11:12,319 Speaker 2: I wish I had been there. 238 00:11:12,400 --> 00:11:14,840 Speaker 1: You're like, God, you know, I want to say, actually, 239 00:11:15,040 --> 00:11:17,800 Speaker 1: broad strokes, I'm so proud of publicists. 240 00:11:17,880 --> 00:11:18,160 Speaker 2: Lately. 241 00:11:18,520 --> 00:11:19,480 Speaker 1: They've been killing it. 242 00:11:20,120 --> 00:11:22,520 Speaker 2: Publicists are eating, they're eating. 243 00:11:23,160 --> 00:11:25,400 Speaker 1: I actually think there was a point when, you know, 244 00:11:26,080 --> 00:11:27,760 Speaker 1: there was a point when they didn't know what to 245 00:11:27,800 --> 00:11:30,600 Speaker 1: do because it was like, oh God, new media is rising, 246 00:11:30,679 --> 00:11:32,320 Speaker 1: like it no longer is enough to pitch a story 247 00:11:32,400 --> 00:11:34,199 Speaker 1: to the New York Times. And I think now they're 248 00:11:34,240 --> 00:11:37,000 Speaker 1: kind of in their reputation era and they're like, let's 249 00:11:37,000 --> 00:11:40,280 Speaker 1: fucking go, bitch, my name is Kendra, and I'm gonna 250 00:11:40,280 --> 00:11:40,960 Speaker 1: send that email. 251 00:11:41,840 --> 00:11:44,800 Speaker 2: They're like, yeah, this person just randomly films themselves in 252 00:11:44,840 --> 00:11:45,959 Speaker 2: parks and you're going on. 253 00:11:46,080 --> 00:11:47,480 Speaker 1: You're going on, Paul Meskall. 254 00:11:51,080 --> 00:11:54,600 Speaker 2: It's become really really crazy. It's also become this interesting 255 00:11:54,640 --> 00:11:57,160 Speaker 2: excuse of mine where whenever anyone's like getting a lot 256 00:11:57,160 --> 00:12:00,360 Speaker 2: of attention and people are like start complaining, like, oh, 257 00:12:00,360 --> 00:12:02,640 Speaker 2: they're not getting famous, they just have a good publicist, 258 00:12:02,920 --> 00:12:03,880 Speaker 2: it's like a fun way to. 259 00:12:03,880 --> 00:12:05,600 Speaker 1: Like carry them down. 260 00:12:05,840 --> 00:12:06,800 Speaker 2: And it's also true. 261 00:12:06,960 --> 00:12:09,199 Speaker 1: It's also true because guess what, all these things don't 262 00:12:09,240 --> 00:12:12,760 Speaker 1: actually exist. We're all hallucinating. Subway takes is not real. 263 00:12:13,640 --> 00:12:18,160 Speaker 2: The only thing that's real is like, Zendia is famous, yes, famous, 264 00:12:20,760 --> 00:12:22,760 Speaker 2: it's all literally the only thing that's real. 265 00:12:23,040 --> 00:12:26,800 Speaker 1: And sports sports is real, and Zendia Israel. 266 00:12:27,520 --> 00:12:32,840 Speaker 2: Yeah, and that's literally and Donald Trump and unfortunately Donald Trump. 267 00:12:32,920 --> 00:12:35,720 Speaker 1: Those are the big three. So you got to hitch 268 00:12:35,760 --> 00:12:37,200 Speaker 1: your wag into one of those horses. 269 00:12:37,800 --> 00:12:38,880 Speaker 2: And I'm choosing Zendia. 270 00:12:38,960 --> 00:12:40,000 Speaker 1: I'm choosing Zendia. 271 00:12:42,400 --> 00:12:44,320 Speaker 2: Damn. You know. When we started, we were both like, 272 00:12:44,840 --> 00:12:46,600 Speaker 2: you know, sort of it's a blessing that we're having 273 00:12:46,600 --> 00:12:49,240 Speaker 2: technical issues because we weren't in the mutual Record and 274 00:12:49,240 --> 00:12:50,600 Speaker 2: I'm like, damn, I wish we could record. 275 00:12:50,640 --> 00:12:53,040 Speaker 1: I know, and I'm in the Mutual Record. It's crazy 276 00:12:53,040 --> 00:12:54,160 Speaker 1: because I met nine percent. 277 00:12:54,920 --> 00:12:58,440 Speaker 2: Oh my god. Okay, let's wrap it up joy Gatia 278 00:12:58,520 --> 00:13:01,960 Speaker 2: Lab with Celeste and you'll have a new Gatia Lab 279 00:13:02,040 --> 00:13:04,200 Speaker 2: for this year in the next week. 280 00:13:04,240 --> 00:13:06,120 Speaker 1: And by the way, it's a good guest. It's a 281 00:13:06,160 --> 00:13:08,880 Speaker 1: really good, really good guest, repeat guest. So we'll let 282 00:13:08,880 --> 00:13:17,720 Speaker 1: you decide who you think it is. Okay, okay, bye. 283 00:13:31,480 --> 00:13:37,040 Speaker 1: Podcast starts now, and let me just say happy Pride. 284 00:13:38,480 --> 00:13:41,400 Speaker 2: It's officially June, which is Pride month. 285 00:13:41,920 --> 00:13:47,320 Speaker 1: Yeah, you know, more than ever, Yes, June, more than ever. 286 00:13:48,400 --> 00:13:51,880 Speaker 1: This time comes but once a year, June usually once 287 00:13:51,880 --> 00:13:52,240 Speaker 1: a year. 288 00:13:53,600 --> 00:13:56,840 Speaker 2: George, how are you celebrating? You know this is tough. 289 00:13:56,679 --> 00:13:59,400 Speaker 1: Because you know, to give everyone a peek behind the curtain. 290 00:14:00,160 --> 00:14:03,040 Speaker 1: It's currently May thirty first. Oh, so I don't feel 291 00:14:03,040 --> 00:14:03,600 Speaker 1: proud yet. 292 00:14:03,800 --> 00:14:05,520 Speaker 2: I hate when you give it and I have to. 293 00:14:05,960 --> 00:14:08,800 Speaker 1: It is so difficult to think twenty four hours from now, 294 00:14:08,840 --> 00:14:11,680 Speaker 1: not even you know, twelve hours from now, even I 295 00:14:11,760 --> 00:14:16,440 Speaker 1: will feel so proud. I'm going to wake up fully erect, 296 00:14:16,840 --> 00:14:20,160 Speaker 1: ready to take on the day, Ready to buy some products, 297 00:14:20,280 --> 00:14:25,160 Speaker 1: Ready to RSVP to some Facebook events, potentially activations, launches, 298 00:14:25,240 --> 00:14:29,480 Speaker 1: what have you? Ready to join apollicule, Ready to welcome 299 00:14:29,680 --> 00:14:34,200 Speaker 1: a third person into my polyamorous relationship. Ready to book 300 00:14:34,400 --> 00:14:40,600 Speaker 1: a trip to Fire Island mikonos Ebitha, You know, yes, 301 00:14:40,640 --> 00:14:42,280 Speaker 1: and I know Abeta is sort of actually kind of 302 00:14:42,320 --> 00:14:44,320 Speaker 1: straight coded. But when I go, it's going to be 303 00:14:44,400 --> 00:14:45,640 Speaker 1: Pride Month themed and you. 304 00:14:45,600 --> 00:14:48,280 Speaker 2: Won't let the straight codedness of Hibetha stop your phone. 305 00:14:48,280 --> 00:14:50,120 Speaker 2: Living on is your true authentic See, it's. 306 00:14:49,960 --> 00:14:52,040 Speaker 1: Going to be me at various parties. Pit Bull is 307 00:14:52,040 --> 00:14:53,600 Speaker 1: going to be DJing, and it's going to be all 308 00:14:53,640 --> 00:14:56,200 Speaker 1: Instagram models, and then I'm going to walk in and say, 309 00:14:56,520 --> 00:14:57,920 Speaker 1: who here has seen. 310 00:15:00,120 --> 00:15:00,560 Speaker 2: Weekend? 311 00:15:00,680 --> 00:15:04,840 Speaker 1: That film, the Andrew Haye Film Weekend, And all of 312 00:15:04,840 --> 00:15:07,400 Speaker 1: them are gonna be like what yeah, And I'm gonna 313 00:15:07,440 --> 00:15:09,280 Speaker 1: be like, that's what I thought, bitch. And then I'm 314 00:15:09,320 --> 00:15:11,160 Speaker 1: gonna introduce them to queer cinema. You're gonna be like, 315 00:15:11,200 --> 00:15:13,000 Speaker 1: DJ put this on, DJ put this on, and it's 316 00:15:13,000 --> 00:15:14,960 Speaker 1: gonna be the film Weekend. It's gonna be a DVD 317 00:15:15,080 --> 00:15:18,400 Speaker 1: of the film Weekend, and they're gonna screen it for 318 00:15:19,160 --> 00:15:21,840 Speaker 1: a variety of Instagram influencers, models. 319 00:15:21,480 --> 00:15:23,840 Speaker 2: Et cetera. Wow, that would be so exciting. 320 00:15:24,440 --> 00:15:26,880 Speaker 1: So that's called grassroots organizing. And I do a drink 321 00:15:26,920 --> 00:15:28,480 Speaker 1: Pride month and no other time. 322 00:15:28,760 --> 00:15:32,080 Speaker 2: Yeah, yeah, yeah, that's really helpful. How are you celebrating Pride? 323 00:15:32,560 --> 00:15:35,560 Speaker 2: I just don't know, if I am really completely honest, 324 00:15:35,960 --> 00:15:39,400 Speaker 2: this is a tough year. I can't celebrate anything this year. 325 00:15:40,280 --> 00:15:43,280 Speaker 2: I can't celebrate I feel because you have a desk job, 326 00:15:43,400 --> 00:15:49,720 Speaker 2: because essentially, essentially I feel like, you know, I'm a 327 00:15:49,760 --> 00:15:54,880 Speaker 2: man at sea. I'm completely lost, you know, celebrating Pride 328 00:15:54,880 --> 00:15:57,640 Speaker 2: it's sort of like, what how about I have a home? First? 329 00:15:58,560 --> 00:15:58,760 Speaker 2: You know. 330 00:15:58,960 --> 00:16:01,760 Speaker 1: I see what you're saying. But do you think do 331 00:16:01,800 --> 00:16:06,080 Speaker 1: you think you can't be prideful unless you have, you know, 332 00:16:06,080 --> 00:16:08,600 Speaker 1: a nuclear family and home ownership, because that actually, to 333 00:16:08,680 --> 00:16:11,920 Speaker 1: me goes against the whole premise of pride. 334 00:16:12,040 --> 00:16:15,120 Speaker 2: No, I don't need a nuclear family. I just don't know, 335 00:16:15,280 --> 00:16:17,800 Speaker 2: like I think what I'm missing Actually, yeah, is that 336 00:16:17,840 --> 00:16:20,840 Speaker 2: pride is something where you're like, Okay, normally on my 337 00:16:21,520 --> 00:16:23,000 Speaker 2: let's say, in the month of May, this is what 338 00:16:23,040 --> 00:16:25,960 Speaker 2: I do. This is normal. So June, I'm not doing 339 00:16:26,000 --> 00:16:29,920 Speaker 2: that because I'm being abnormal this year I'm having you're 340 00:16:30,000 --> 00:16:30,720 Speaker 2: having You're. 341 00:16:30,640 --> 00:16:32,520 Speaker 1: Having a difficult time being like, how can I change 342 00:16:32,560 --> 00:16:32,880 Speaker 1: my habit? 343 00:16:33,000 --> 00:16:34,440 Speaker 2: Yeah, it's like I don't have habits right now? 344 00:16:34,640 --> 00:16:35,680 Speaker 1: Oh, you don't have habits raining? 345 00:16:35,760 --> 00:16:39,760 Speaker 2: Yeah, I'm completely at sea. Well, I mean I have 346 00:16:39,800 --> 00:16:41,880 Speaker 2: a job, sure, I go to every day, but outside 347 00:16:41,880 --> 00:16:43,040 Speaker 2: of the job, what am I habits? Yeah? 348 00:16:43,040 --> 00:16:46,840 Speaker 1: It's so interesting. You actually have the most stable, maybe 349 00:16:46,880 --> 00:16:49,680 Speaker 1: the most stable schedule you've ever had since I've known you. No, 350 00:16:49,800 --> 00:16:51,360 Speaker 1: but for you, that is being at. 351 00:16:52,720 --> 00:16:55,880 Speaker 2: I'm actually more reckless than ever before. I'm completely lost. 352 00:16:56,320 --> 00:16:59,000 Speaker 2: I yes, I have I know where I am Monday 353 00:16:59,000 --> 00:17:02,560 Speaker 2: through Friday, between the hours that one works, yeah, but 354 00:17:02,840 --> 00:17:03,480 Speaker 2: other than. 355 00:17:03,360 --> 00:17:05,720 Speaker 1: That, you're having dinner walking your dog. 356 00:17:06,040 --> 00:17:10,760 Speaker 2: I'm completely at sea, George, I can't believe this, okay, 357 00:17:12,119 --> 00:17:15,639 Speaker 2: And also, like I think also the commitment of like 358 00:17:15,800 --> 00:17:18,320 Speaker 2: when people celebrate Pride, part of me is like, what 359 00:17:18,359 --> 00:17:20,560 Speaker 2: are you talking? What do you mean? Like? Define that 360 00:17:20,600 --> 00:17:23,119 Speaker 2: for me? And a lot of the definition for a 361 00:17:23,119 --> 00:17:25,119 Speaker 2: lot of people is like, well, I buy fourteen tickets 362 00:17:25,119 --> 00:17:27,639 Speaker 2: to events and go to it. Yeah, And to me, 363 00:17:27,680 --> 00:17:30,920 Speaker 2: I'm like, I don't like committing like that. No. I actually. 364 00:17:32,320 --> 00:17:36,040 Speaker 1: I felt like we had reached a very nice balance 365 00:17:36,080 --> 00:17:38,640 Speaker 1: at some point where everyone decided like, Okay, we're too 366 00:17:41,000 --> 00:17:45,119 Speaker 1: you know, fill in the blank, old sophisticated, intellectual. 367 00:17:44,520 --> 00:17:47,080 Speaker 2: Well read for Pride, and. 368 00:17:47,080 --> 00:17:49,760 Speaker 1: So I would say, you know, for the for let's say, 369 00:17:49,840 --> 00:17:56,640 Speaker 1: twenty fifteen through twenty eighteen. I was like, I don't care. 370 00:17:56,760 --> 00:17:58,840 Speaker 1: I would never imagine going to a Pride party. And 371 00:17:58,840 --> 00:18:02,080 Speaker 1: then suddenly people got back into it and fully blown 372 00:18:02,200 --> 00:18:04,080 Speaker 1: thirty eight year old men were like, what are you 373 00:18:04,080 --> 00:18:07,520 Speaker 1: doing for Pride? And I was like, we're not in college. 374 00:18:07,840 --> 00:18:10,160 Speaker 2: I have to say, you grow up too fast. Oh 375 00:18:10,240 --> 00:18:13,760 Speaker 2: my god, you grow up too fast. Using twenty fifteen, 376 00:18:14,040 --> 00:18:16,600 Speaker 2: you think you're over at twenty fifteen, you were what 377 00:18:16,680 --> 00:18:21,280 Speaker 2: twenty six, that's like the normal age to be like going. 378 00:18:21,359 --> 00:18:23,080 Speaker 1: I guess what I mean is like, we are so 379 00:18:23,320 --> 00:18:28,560 Speaker 1: lucky that we live in these urban, cosmopolitan centers with 380 00:18:28,600 --> 00:18:30,760 Speaker 1: a variety of LGBTQ plus people. 381 00:18:31,880 --> 00:18:33,080 Speaker 2: Pride is every day. For me. 382 00:18:33,240 --> 00:18:37,639 Speaker 1: What is different about June? I just it literally is 383 00:18:37,680 --> 00:18:39,520 Speaker 1: just that you're over paid. Now, I understand that this 384 00:18:39,560 --> 00:18:42,399 Speaker 1: is a very sort of basic first order critique that 385 00:18:42,400 --> 00:18:44,280 Speaker 1: I'm making. I don't think I'm reinventing the wheel here, 386 00:18:44,320 --> 00:18:46,480 Speaker 1: but like, what is the point of a party being 387 00:18:46,520 --> 00:18:47,639 Speaker 1: different in the month of June? 388 00:18:47,760 --> 00:18:50,439 Speaker 2: Tell me? Just like, you know, what it is is 389 00:18:50,440 --> 00:18:53,399 Speaker 2: that everyone's committed to having a little more fun. Like 390 00:18:53,600 --> 00:18:56,439 Speaker 2: I think it gives people an excuse to be like, okay, 391 00:18:56,440 --> 00:18:58,679 Speaker 2: you know what, I'm going to be bad because I 392 00:18:58,680 --> 00:19:00,640 Speaker 2: think so often, you know, let's say in the month 393 00:19:00,640 --> 00:19:03,400 Speaker 2: of April, I keep going back a month They're like, oh, 394 00:19:03,440 --> 00:19:06,840 Speaker 2: I'm out, but it's it's one am. I should go home. 395 00:19:07,520 --> 00:19:10,439 Speaker 2: Now you're out. It's one am. People were like, You're like, 396 00:19:10,760 --> 00:19:13,359 Speaker 2: I should go you know what, Actually, no, it's fucking 397 00:19:13,400 --> 00:19:16,520 Speaker 2: pride and I'm staying out till four because you know 398 00:19:16,560 --> 00:19:19,119 Speaker 2: what this means something and I'm here with all my 399 00:19:19,160 --> 00:19:20,320 Speaker 2: sisters and we did it. 400 00:19:20,400 --> 00:19:22,920 Speaker 1: You know what you're describing actually is how it felt 401 00:19:22,960 --> 00:19:25,840 Speaker 1: when booking this episode is I said, this isn't just 402 00:19:25,920 --> 00:19:27,320 Speaker 1: any normal episode. 403 00:19:28,280 --> 00:19:32,679 Speaker 2: What No? I agree. I just wanted to make a face, 404 00:19:33,080 --> 00:19:35,280 Speaker 2: to be honest, and I think our guest want to 405 00:19:35,320 --> 00:19:38,760 Speaker 2: make a face as well, because it was great face. Well, 406 00:19:38,800 --> 00:19:42,240 Speaker 2: it was like a fun transition that added it. I 407 00:19:42,280 --> 00:19:43,960 Speaker 2: think what was funny to me about it was that 408 00:19:44,000 --> 00:19:46,440 Speaker 2: it added a lot of weight to this. I agree. 409 00:19:46,520 --> 00:19:49,080 Speaker 1: Well, I also it is true that like and in fact, 410 00:19:49,240 --> 00:19:52,680 Speaker 1: actually I have to say, our dear producer Olivia at 411 00:19:52,680 --> 00:19:54,199 Speaker 1: some point emailed us and was like, do you have 412 00:19:54,200 --> 00:19:56,760 Speaker 1: anything special plan for Pride? And literally my first reaction 413 00:19:56,880 --> 00:20:02,679 Speaker 1: was like, no, shut up, I'm an adult. And then 414 00:20:02,720 --> 00:20:06,239 Speaker 1: I had to reach inside myself and say, why are 415 00:20:06,280 --> 00:20:08,560 Speaker 1: you rejecting your sense of childlike wonder, why are you 416 00:20:08,640 --> 00:20:12,800 Speaker 1: rejecting pride something our four mothers fought so hard for? 417 00:20:13,600 --> 00:20:15,680 Speaker 2: You have such an urge to grow up? 418 00:20:15,920 --> 00:20:16,199 Speaker 3: I do. 419 00:20:16,320 --> 00:20:16,840 Speaker 2: It's true. 420 00:20:17,240 --> 00:20:19,040 Speaker 1: Well, we've talked about this, you know, for so long, 421 00:20:19,080 --> 00:20:20,600 Speaker 1: for all my twenties, I wanted to grow up. Now 422 00:20:20,600 --> 00:20:22,640 Speaker 1: that I am a grown up. I'm like, I need 423 00:20:22,680 --> 00:20:23,720 Speaker 1: to enter middle school. 424 00:20:23,920 --> 00:20:25,000 Speaker 2: Yeah, you want to go back. 425 00:20:25,080 --> 00:20:25,840 Speaker 1: I want to go back. 426 00:20:26,880 --> 00:20:28,560 Speaker 2: I mean, you're about to be the thirty eight year 427 00:20:28,600 --> 00:20:30,480 Speaker 2: old gig guy being like, what are you doing for Pride? Okay, 428 00:20:30,480 --> 00:20:31,840 Speaker 2: well I have a few more years left. 429 00:20:31,840 --> 00:20:32,200 Speaker 1: Thank you. 430 00:20:32,280 --> 00:20:35,800 Speaker 2: I just I'm not literally you know what I mean. 431 00:20:36,760 --> 00:20:39,240 Speaker 1: So anyway, we said, we decided, we remembered. You know, 432 00:20:39,320 --> 00:20:41,280 Speaker 1: last year we started a new tradition, which is that 433 00:20:41,320 --> 00:20:43,960 Speaker 1: for Pride we do an episode called Gatio Lab. We 434 00:20:44,000 --> 00:20:45,879 Speaker 1: are rather than talking about a straight topic, we talk 435 00:20:45,920 --> 00:20:50,200 Speaker 1: about a gay topic, and we do it with basically 436 00:20:51,160 --> 00:20:52,400 Speaker 1: a Streeter lab all star. 437 00:20:52,480 --> 00:20:54,480 Speaker 2: One could say, Okay. 438 00:20:54,280 --> 00:20:57,119 Speaker 1: Someone who's been there from the beginning, someone who's done 439 00:20:57,160 --> 00:21:01,159 Speaker 1: multiple episodes, live shows, someone who I would say helped 440 00:21:02,400 --> 00:21:08,359 Speaker 1: helped define the spirit of the podcast and associated brand, 441 00:21:08,920 --> 00:21:12,119 Speaker 1: Wow under the iHeartRadio umbro. 442 00:21:15,760 --> 00:21:17,640 Speaker 2: So do you want to do the honors? Please give 443 00:21:17,680 --> 00:21:20,160 Speaker 2: it up for Celestium? Wow? 444 00:21:20,280 --> 00:21:21,320 Speaker 4: Thank you? 445 00:21:21,400 --> 00:21:21,880 Speaker 2: What's up? 446 00:21:22,440 --> 00:21:23,240 Speaker 4: How are you guys? 447 00:21:23,560 --> 00:21:24,080 Speaker 2: Really good? 448 00:21:24,080 --> 00:21:27,640 Speaker 4: We are so good actually doing with you and Pride? Yeah? 449 00:21:27,840 --> 00:21:33,080 Speaker 4: With me and yeah and Sam. 450 00:21:32,200 --> 00:21:34,800 Speaker 1: Well, it does seem like we both have a torture 451 00:21:34,840 --> 00:21:36,160 Speaker 1: relationship with Pride. This year. 452 00:21:37,359 --> 00:21:39,680 Speaker 2: Well, I just here's what I go ahead. Well, I'm 453 00:21:39,720 --> 00:21:41,160 Speaker 2: just I can't live with abandon. 454 00:21:41,680 --> 00:21:44,840 Speaker 1: I see what you're saying. Here's here's my issue with Pride. 455 00:21:44,880 --> 00:21:46,640 Speaker 4: Okay, well that's both your issues kind of. 456 00:21:46,920 --> 00:21:49,040 Speaker 1: We can't live with Oh please, I haven't lived with 457 00:21:49,080 --> 00:21:52,159 Speaker 1: abandon since I was in the womb, since I was 458 00:21:52,200 --> 00:21:54,560 Speaker 1: in the Woman being Slash slash Slash. As soon as 459 00:21:54,560 --> 00:21:55,840 Speaker 1: I got out, I was like, where's. 460 00:21:55,600 --> 00:21:58,880 Speaker 4: My dad's get a button up now? 461 00:21:59,080 --> 00:22:01,120 Speaker 1: So here's the thing with Pride this year, and I'm 462 00:22:01,119 --> 00:22:02,640 Speaker 1: going to try to work through this in real time. 463 00:22:03,200 --> 00:22:07,640 Speaker 1: For so long, the joke with Pride was it's overly corporate. 464 00:22:07,760 --> 00:22:10,199 Speaker 1: I'll meet you at the Chase Bank flow. Everyone is 465 00:22:10,240 --> 00:22:13,360 Speaker 1: marching wearing their corporate teas whatever. Last year this thing 466 00:22:13,400 --> 00:22:18,440 Speaker 1: happened where because there was so much backlash with anti 467 00:22:18,760 --> 00:22:23,840 Speaker 1: trans legislation and with like people protesting you know, Target's 468 00:22:23,880 --> 00:22:28,680 Speaker 1: Pride collection or whatever. Suddenly even the corporate pride felt 469 00:22:29,040 --> 00:22:33,000 Speaker 1: like important. Somehow do you relate to this at all? 470 00:22:33,520 --> 00:22:35,560 Speaker 1: I hear what you're saying, Like there is something where 471 00:22:35,600 --> 00:22:37,000 Speaker 1: I was like, wait a minute, this thing that I've 472 00:22:37,040 --> 00:22:43,520 Speaker 1: been making fun of for so long actually is like 473 00:22:43,600 --> 00:22:46,080 Speaker 1: it literally is dangerous for target to put out a 474 00:22:46,080 --> 00:22:49,119 Speaker 1: Pride collection. People are gonna come with a gun and 475 00:22:49,240 --> 00:22:53,199 Speaker 1: protest suddenly, and so that and on top of that, 476 00:22:53,200 --> 00:22:55,800 Speaker 1: what happened last year and people may not remember, is 477 00:22:56,440 --> 00:22:58,720 Speaker 1: the sort of like held you be to Q plus 478 00:22:58,800 --> 00:23:03,280 Speaker 1: creators and influencer didn't get gigs and work because people 479 00:23:03,280 --> 00:23:06,800 Speaker 1: were doing fewer Pride campaigns. And suddenly I was like, 480 00:23:07,359 --> 00:23:09,399 Speaker 1: wait a minute again, all these people that I've been 481 00:23:09,400 --> 00:23:13,560 Speaker 1: making fun of, are they now being marginalized? And should 482 00:23:13,560 --> 00:23:17,199 Speaker 1: I be on the front lines advocating for Instagram influencers 483 00:23:17,200 --> 00:23:20,880 Speaker 1: and Instagram creators to get that Brooklyn and campaign now 484 00:23:20,920 --> 00:23:25,760 Speaker 1: that Brooklyn is terrified of being seen as pro LGBT totally, 485 00:23:25,800 --> 00:23:27,239 Speaker 1: And so where are we? So where are we now? 486 00:23:27,280 --> 00:23:27,840 Speaker 2: Is what I'm saying. 487 00:23:27,920 --> 00:23:33,280 Speaker 4: Yes, it's really smart, George, good job, good job. I 488 00:23:33,320 --> 00:23:34,080 Speaker 4: didn't think of that. 489 00:23:34,760 --> 00:23:37,879 Speaker 3: And the last year I actually kind of completely forgot 490 00:23:37,880 --> 00:23:38,439 Speaker 3: that that happened. 491 00:23:38,440 --> 00:23:40,320 Speaker 1: But do you remember what I'm saying? It was kind 492 00:23:40,359 --> 00:23:41,639 Speaker 1: of shocking because you're used. 493 00:23:41,520 --> 00:23:44,320 Speaker 3: To every backlash, backlash, backlash, You're used. 494 00:23:44,160 --> 00:23:47,280 Speaker 1: To every year, Suddenly you open Instagram and every random 495 00:23:47,320 --> 00:23:52,160 Speaker 1: person you follow for some reason is partnering with the brand. Yeah, 496 00:23:52,320 --> 00:23:54,040 Speaker 1: and suddenly that didn't happen last year. 497 00:23:54,320 --> 00:23:59,960 Speaker 3: Yes, Yeah, it's hard because it's like we're going to 498 00:24:00,080 --> 00:24:02,040 Speaker 3: have to see, We're gonna have to see. 499 00:24:02,119 --> 00:24:04,400 Speaker 2: I think maybe this is a rebuilding year. Maybe this 500 00:24:04,480 --> 00:24:08,480 Speaker 2: is like maybe last year we were it's a transitional period. 501 00:24:08,760 --> 00:24:09,879 Speaker 1: It's a transitional period. 502 00:24:10,040 --> 00:24:12,600 Speaker 2: Maybe this year we can build some new traditions. 503 00:24:13,400 --> 00:24:17,240 Speaker 4: Yeah, outside of brands, Outside of brands, it will be hard. 504 00:24:17,400 --> 00:24:19,400 Speaker 1: It will be hard. I'm not seeing any a lot 505 00:24:19,400 --> 00:24:21,280 Speaker 1: of you know, communal pot lucks happening. 506 00:24:22,440 --> 00:24:26,480 Speaker 2: Yeah, how well, celest we haven't dug into your feelings. Yeah, 507 00:24:26,520 --> 00:24:27,400 Speaker 2: how do you feel about Pride? 508 00:24:27,440 --> 00:24:29,480 Speaker 1: Where are you at with Pride as a concept this year? 509 00:24:30,280 --> 00:24:33,280 Speaker 3: I missed Pride last year because I was traveling m 510 00:24:33,720 --> 00:24:35,359 Speaker 3: Okay with my girlfriend. 511 00:24:35,480 --> 00:24:43,639 Speaker 4: Oh who I have won? So I kind of feel 512 00:24:43,680 --> 00:24:49,639 Speaker 4: excited to be here this year. But it's not feeling as. 513 00:24:49,480 --> 00:24:52,760 Speaker 3: Like both like intents about like the parties, and it's 514 00:24:52,760 --> 00:24:54,800 Speaker 3: not feeling as like I. 515 00:24:55,040 --> 00:24:56,520 Speaker 4: Do some panels or whatever. 516 00:24:56,920 --> 00:25:00,440 Speaker 3: Yeah, so I don't really know, Like I think we're 517 00:25:00,440 --> 00:25:01,280 Speaker 3: gonna have to see. 518 00:25:02,119 --> 00:25:05,400 Speaker 4: Yeah, I love Pride, you do I do? 519 00:25:05,760 --> 00:25:06,720 Speaker 1: What do you like about it? 520 00:25:07,200 --> 00:25:11,639 Speaker 4: I like that it's like everyone has to play. 521 00:25:12,160 --> 00:25:12,400 Speaker 2: Yeah. 522 00:25:12,920 --> 00:25:14,639 Speaker 1: Yeah, oh that's a good point. 523 00:25:14,840 --> 00:25:19,000 Speaker 3: You know, like it's like can't opt out exactly. It's 524 00:25:19,040 --> 00:25:22,320 Speaker 3: actually a lot like birthday. It's like it's my birthday, 525 00:25:22,320 --> 00:25:25,280 Speaker 3: I'm going to stay out. Yeah, you know, it's like 526 00:25:25,560 --> 00:25:28,160 Speaker 3: we all have to gather because it only happens once 527 00:25:28,200 --> 00:25:31,880 Speaker 3: a year and involves us all because we love. 528 00:25:34,119 --> 00:25:36,479 Speaker 2: I think also what's it also has a thing I 529 00:25:36,520 --> 00:25:40,480 Speaker 2: love a communal day like in general and like like 530 00:25:40,760 --> 00:25:43,760 Speaker 2: for example, like I think the comparison is my parents 531 00:25:43,760 --> 00:25:47,640 Speaker 2: are not like religious, but like Easter comes and they're like, well, 532 00:25:47,640 --> 00:25:51,800 Speaker 2: we're celebrating what we're doing something, and that's sort of 533 00:25:51,880 --> 00:25:54,000 Speaker 2: my like religship. I think. 534 00:25:54,119 --> 00:25:57,080 Speaker 3: I also think, like, okay, how do I put this? 535 00:25:57,560 --> 00:26:04,600 Speaker 3: I think it's like what may pride so like delicious 536 00:26:04,720 --> 00:26:08,760 Speaker 3: in the past few years, like maybe before yeah, I 537 00:26:08,800 --> 00:26:12,080 Speaker 3: think before this year was that it was like it 538 00:26:12,280 --> 00:26:17,760 Speaker 3: harkened to the time of like a monocultural celebration point 539 00:26:17,800 --> 00:26:22,680 Speaker 3: which was so rare, and now monoculture is a little 540 00:26:22,680 --> 00:26:27,639 Speaker 3: bit back, and I think it's making it less like 541 00:26:27,680 --> 00:26:30,560 Speaker 3: there's less of a craving past something we're all doing. 542 00:26:31,680 --> 00:26:32,440 Speaker 4: Do you know what I mean? 543 00:26:32,680 --> 00:26:35,359 Speaker 1: Well, I actually, you know, the study of whether or 544 00:26:35,400 --> 00:26:37,959 Speaker 1: not monoculture is back is approximately ninety percent of what 545 00:26:38,000 --> 00:26:39,879 Speaker 1: both of us think about. So I do need you 546 00:26:40,400 --> 00:26:43,200 Speaker 1: to make your argument about why you think monocultures. 547 00:26:43,359 --> 00:26:44,840 Speaker 4: You guys have different opinions about this. 548 00:26:45,480 --> 00:26:48,760 Speaker 1: I think we have relatively relatively similar opinions about it. 549 00:26:48,800 --> 00:26:51,679 Speaker 4: I think there have been a few moments within the past, 550 00:26:51,760 --> 00:26:54,240 Speaker 4: like Barbinheimer nine to twelve months. 551 00:26:54,320 --> 00:26:59,920 Speaker 3: Yes, starting maybe with Barbenheimer, but Taylor Swift, Taylor Swift, 552 00:27:00,680 --> 00:27:06,440 Speaker 3: even Espresso then the eclipse, yeah, even the Olympics coming. 553 00:27:07,520 --> 00:27:10,680 Speaker 1: This is interesting because we were saying that is actually 554 00:27:10,680 --> 00:27:14,440 Speaker 1: an example of how monoculture is not back, because can 555 00:27:14,480 --> 00:27:15,600 Speaker 1: you believe I. 556 00:27:15,480 --> 00:27:17,520 Speaker 3: Didn't like the feeling of me saying something and you 557 00:27:17,520 --> 00:27:18,480 Speaker 3: guys both saying no. 558 00:27:21,160 --> 00:27:23,919 Speaker 1: Episode, and I really and and by the way, I 559 00:27:23,960 --> 00:27:25,600 Speaker 1: want to be on your side because no one is 560 00:27:25,600 --> 00:27:27,760 Speaker 1: a bigger Olympics stand than me. I mean, it is 561 00:27:27,760 --> 00:27:32,040 Speaker 1: literally my culture, of course. And I we were at 562 00:27:32,320 --> 00:27:34,760 Speaker 1: we did our live show in Los Angeles last week's 563 00:27:34,760 --> 00:27:36,520 Speaker 1: shout out to the tu awesome. 564 00:27:36,800 --> 00:27:37,920 Speaker 2: Yeah, it was really awesome. 565 00:27:38,000 --> 00:27:38,520 Speaker 4: That's cool. 566 00:27:38,640 --> 00:27:40,879 Speaker 1: And one of the things we did for our famous 567 00:27:40,880 --> 00:27:44,840 Speaker 1: segment based on your copy, based on your trademark copyright 568 00:27:45,160 --> 00:27:48,080 Speaker 1: issue there yet was the Olympics, and every single person 569 00:27:48,080 --> 00:27:49,920 Speaker 1: in the room was like wait what. 570 00:27:50,440 --> 00:27:51,679 Speaker 2: They were like, it's in Paris this year. 571 00:27:51,720 --> 00:27:54,919 Speaker 1: It's embarrassed, wait this summer, and we were like I was. 572 00:27:55,119 --> 00:27:57,280 Speaker 1: I in fact, it was like, yeah, it's starting in 573 00:27:57,320 --> 00:27:58,960 Speaker 1: like a couple of weeks and people were like, no, 574 00:27:59,200 --> 00:27:59,680 Speaker 1: I don't. 575 00:27:59,560 --> 00:28:02,320 Speaker 3: And I was know what that's true, like you are 576 00:28:02,440 --> 00:28:04,680 Speaker 3: not hearing about the Olympics, and people keeping like. 577 00:28:06,320 --> 00:28:08,720 Speaker 2: He had no idea, like. 578 00:28:08,640 --> 00:28:12,719 Speaker 1: The Oscars, like you know how the Oscars is fully 579 00:28:13,160 --> 00:28:16,600 Speaker 1: and by the way, the mechalo this year also did 580 00:28:16,600 --> 00:28:17,800 Speaker 1: not feel monocultural, right. 581 00:28:17,960 --> 00:28:18,800 Speaker 2: It literally felt like. 582 00:28:19,000 --> 00:28:22,280 Speaker 4: That's I guess what I'm saying about pride. 583 00:28:22,440 --> 00:28:27,000 Speaker 1: Like you're I'm allowing this, but you're hear. 584 00:28:26,720 --> 00:28:30,639 Speaker 3: Hear no, no, no, hear me, because it's like, because 585 00:28:30,800 --> 00:28:34,240 Speaker 3: there are other things that are satiating us to all 586 00:28:34,240 --> 00:28:36,199 Speaker 3: talk to, like our parents and our friends and our 587 00:28:36,240 --> 00:28:44,000 Speaker 3: teachers and creatures about the regular things aren't feeling oh. 588 00:28:44,120 --> 00:28:45,360 Speaker 4: Like they're making a big splash. 589 00:28:45,440 --> 00:28:48,480 Speaker 1: So you're saying because of the monocultural impact of espresso 590 00:28:48,640 --> 00:28:52,720 Speaker 1: Barbenheimer and the Eclipse, the met Gala and the Olympics 591 00:28:52,800 --> 00:28:56,600 Speaker 1: are less pride, and pride are less monocultural. 592 00:28:56,080 --> 00:28:59,200 Speaker 4: Rented what else. 593 00:28:59,400 --> 00:29:03,280 Speaker 2: So you're I think this is genius. A lot of 594 00:29:04,360 --> 00:29:07,120 Speaker 2: we are being well fed monoculture wise. 595 00:29:06,920 --> 00:29:08,960 Speaker 4: Exactly, so we don't need to eat. 596 00:29:09,240 --> 00:29:11,880 Speaker 1: So there's less pressure on pride to be monoculture that's 597 00:29:11,920 --> 00:29:13,080 Speaker 1: what you're saying. And we can make it our own. 598 00:29:13,200 --> 00:29:15,320 Speaker 3: Is that not that there's less pressure, just that there's 599 00:29:15,400 --> 00:29:17,280 Speaker 3: less like we don't need it as bad. 600 00:29:18,200 --> 00:29:21,720 Speaker 2: It's like when you have a lot of vacation time. Yeah, 601 00:29:22,080 --> 00:29:24,360 Speaker 2: Like if you're like on vacation for a month, you 602 00:29:24,360 --> 00:29:27,160 Speaker 2: don't need to like party every night. Well, I'm I've 603 00:29:27,200 --> 00:29:27,760 Speaker 2: got enough time. 604 00:29:27,920 --> 00:29:31,080 Speaker 4: Exactly. You should talk more about vacation in this shirt. 605 00:29:31,760 --> 00:29:34,440 Speaker 1: Oh my god, you are so and actually. 606 00:29:34,240 --> 00:29:36,520 Speaker 4: Kind of white shirt is kind of vacation, that's true. 607 00:29:37,160 --> 00:29:37,680 Speaker 2: Oh my god. 608 00:29:37,720 --> 00:29:38,840 Speaker 1: Really me, I'm. 609 00:29:38,680 --> 00:29:39,800 Speaker 4: In midtown with my shirt. 610 00:29:40,000 --> 00:29:42,160 Speaker 2: I feel like this is all I feel like. You're brilliant. 611 00:29:42,480 --> 00:29:46,880 Speaker 1: Okay, Well, you know, my dream, of course, is to 612 00:29:46,960 --> 00:29:49,880 Speaker 1: be able to be one of those fashionable gay man 613 00:29:49,960 --> 00:29:52,960 Speaker 1: that is wearing the simplest possible outfit and yet you 614 00:29:53,080 --> 00:29:54,760 Speaker 1: look like you're in head to toe. 615 00:29:55,840 --> 00:29:56,880 Speaker 2: You're pretty close to that, though. 616 00:29:56,920 --> 00:29:59,080 Speaker 1: I do think I think I maybe need different shoes 617 00:29:59,120 --> 00:30:03,040 Speaker 1: but I think like a Crisp Oxford shirt, Gene, I think. 618 00:30:02,920 --> 00:30:04,280 Speaker 4: You're like a basic legend. 619 00:30:04,720 --> 00:30:06,280 Speaker 2: Yeah, I would agree with that. 620 00:30:07,920 --> 00:30:12,920 Speaker 3: That you're a basic legend. You're pretty much like a 621 00:30:13,000 --> 00:30:15,720 Speaker 3: splash of water in the face to mean from me, 622 00:30:17,160 --> 00:30:19,000 Speaker 3: like hello you. 623 00:30:19,400 --> 00:30:21,720 Speaker 1: I mean you do have you to take fashion risks, 624 00:30:22,000 --> 00:30:24,680 Speaker 1: but when you're at your most blazer, you are basic 625 00:30:24,800 --> 00:30:25,880 Speaker 1: legends exactly. 626 00:30:26,240 --> 00:30:29,800 Speaker 4: Yeah, I feel really understood right now, not like before. 627 00:30:30,520 --> 00:30:31,680 Speaker 1: How many blazers do you own? 628 00:30:32,880 --> 00:30:34,080 Speaker 2: You can't just ask someone that. 629 00:30:35,720 --> 00:30:39,160 Speaker 4: Allow it five or six? 630 00:30:39,280 --> 00:30:44,560 Speaker 1: Okay, because I've always wondered is it that you have 631 00:30:44,640 --> 00:30:46,800 Speaker 1: one and it's your signature, or is it that there 632 00:30:46,800 --> 00:30:48,320 Speaker 1: are a few and there there is very subtle. 633 00:30:48,480 --> 00:30:49,760 Speaker 4: I like to vary it up, but I like to 634 00:30:49,800 --> 00:30:51,320 Speaker 4: look the same time. 635 00:30:51,920 --> 00:30:54,680 Speaker 3: I don't want someone to see me and say, oh, 636 00:30:54,920 --> 00:30:57,000 Speaker 3: you know, when you're wearing something that you don't normally 637 00:30:57,040 --> 00:30:59,240 Speaker 3: wear and then people like are complimenting it, and you're like. 638 00:30:59,400 --> 00:31:01,000 Speaker 1: You're you're offending me. 639 00:31:01,400 --> 00:31:04,160 Speaker 3: Well you I know that what you're feeling is I'm 640 00:31:04,200 --> 00:31:07,080 Speaker 3: looking different, and so you're saying I like your sweater exactly. 641 00:31:07,120 --> 00:31:07,720 Speaker 4: I don't like that. 642 00:31:08,760 --> 00:31:08,840 Speaker 2: No. 643 00:31:09,080 --> 00:31:12,320 Speaker 1: I actually have reached a point where I think all 644 00:31:12,320 --> 00:31:15,480 Speaker 1: compliments are insults, They're just notices. 645 00:31:16,200 --> 00:31:18,440 Speaker 4: It should be you should be able to notice something 646 00:31:18,760 --> 00:31:20,040 Speaker 4: more easily in our culture. 647 00:31:20,480 --> 00:31:22,880 Speaker 2: But how much would it hurt for someone to be like, hey, 648 00:31:23,040 --> 00:31:26,680 Speaker 2: are noticing your sweater? No, exactly, that would be miserable, Like. 649 00:31:27,080 --> 00:31:29,120 Speaker 4: You're wearing a shirt that I'm seeing. 650 00:31:31,520 --> 00:31:35,000 Speaker 2: It's crazy, I see. I have a different approach obviously 651 00:31:35,200 --> 00:31:38,160 Speaker 2: to what clothes. If you want to be a basic legend, 652 00:31:38,160 --> 00:31:39,800 Speaker 2: I feel like I want to always be like, oh, 653 00:31:39,840 --> 00:31:41,240 Speaker 2: you think I can't do that. I can do that. 654 00:31:43,640 --> 00:31:45,239 Speaker 2: Oh you think I can't. Oh I can do that. 655 00:31:46,360 --> 00:31:47,920 Speaker 4: I really love to be like, don't say to me 656 00:31:48,000 --> 00:31:49,280 Speaker 4: that I can't do that, because. 657 00:31:49,160 --> 00:31:49,960 Speaker 2: I'm doing it right now. 658 00:31:50,800 --> 00:31:56,040 Speaker 1: Well, but you, I mean your entire fashion. Uh oh, 659 00:31:56,720 --> 00:32:00,600 Speaker 1: you could hurt your entire fashion. Outlook is basically reclaiming 660 00:32:00,720 --> 00:32:05,760 Speaker 1: various elements of Americana. That can be anything from cowboys, 661 00:32:05,800 --> 00:32:08,280 Speaker 1: true the cowboy. It can be school boy, it can 662 00:32:08,320 --> 00:32:13,560 Speaker 1: be midwestern dad. It can be like, you know, construction worker. 663 00:32:14,000 --> 00:32:16,920 Speaker 1: But it is various different forms of American masculinity. And 664 00:32:16,960 --> 00:32:18,480 Speaker 1: you're waking up every day and you're saying, which of 665 00:32:18,520 --> 00:32:20,160 Speaker 1: them am I going to interrogate? 666 00:32:20,280 --> 00:32:22,440 Speaker 4: No, that's you're our American boy. 667 00:32:22,720 --> 00:32:24,640 Speaker 2: I do love to do that. I can't help it. 668 00:32:24,680 --> 00:32:26,880 Speaker 2: I've gotten so addicted to Western stuff since. 669 00:32:26,920 --> 00:32:29,920 Speaker 1: I mean, Sam was wearing these cowboy boots and he 670 00:32:29,960 --> 00:32:31,840 Speaker 1: told me I bought cowboy boots. I said, right, I 671 00:32:31,880 --> 00:32:34,560 Speaker 1: believe it when I see it. These are like some 672 00:32:34,640 --> 00:32:36,240 Speaker 1: of the best cowboy boots I've ever seen. 673 00:32:36,640 --> 00:32:39,760 Speaker 3: I mean, I would love to see that. I would 674 00:32:39,800 --> 00:32:40,760 Speaker 3: love to see you wearing those. 675 00:32:40,960 --> 00:32:43,480 Speaker 2: I almost wore them to New York, but I said, 676 00:32:44,240 --> 00:32:45,520 Speaker 2: that's going to take up so much space. 677 00:32:45,600 --> 00:32:47,760 Speaker 1: Yeah, at that point, you would have to wear them 678 00:32:47,800 --> 00:32:49,760 Speaker 1: on the plane. And suddenly you're the person taking off 679 00:32:49,760 --> 00:32:52,280 Speaker 1: cowboy boots. You're the thing they're like, is he. 680 00:32:52,400 --> 00:32:56,480 Speaker 2: Right wing when you take whenever you take off cowboy boots. Yeah, 681 00:32:56,720 --> 00:32:59,880 Speaker 2: it implies so much because it's really like like I 682 00:33:00,120 --> 00:33:04,080 Speaker 2: was that these like my parents' friend's house, and I 683 00:33:04,160 --> 00:33:07,720 Speaker 2: like took off my cowboy boots and I was immediately like, oh, 684 00:33:07,760 --> 00:33:10,120 Speaker 2: I'm a little boy. Like they think I'm a little boy. 685 00:33:10,120 --> 00:33:11,760 Speaker 2: They think I like got bonked on the head and 686 00:33:11,760 --> 00:33:12,320 Speaker 2: I think I'm. 687 00:33:12,360 --> 00:33:15,000 Speaker 4: In the motion. There's like they're just to take them off. 688 00:33:14,880 --> 00:33:18,560 Speaker 1: Like very like yeah, like a cartoon of like short 689 00:33:18,640 --> 00:33:20,520 Speaker 1: man wearing boots and then takes them off and he's 690 00:33:20,520 --> 00:33:25,200 Speaker 1: cartoonishly shorter. He's like a foot shorters. 691 00:33:23,840 --> 00:33:26,440 Speaker 4: Of course, Like it really changes who you are. 692 00:33:26,600 --> 00:33:30,040 Speaker 1: Can I say something about cowboy boots? I actually think 693 00:33:30,920 --> 00:33:35,400 Speaker 1: I do not feel safe enough to reclaim cowboy boots 694 00:33:35,440 --> 00:33:37,280 Speaker 1: in any way, Like to me, they are still a 695 00:33:37,360 --> 00:33:38,959 Speaker 1: symbol of like the George W. 696 00:33:39,040 --> 00:33:41,920 Speaker 4: Bush E finished, well, that's exactly what Sam's fashion like. 697 00:33:42,120 --> 00:33:42,280 Speaker 2: M O. 698 00:33:42,480 --> 00:33:45,600 Speaker 1: Yes, because you were saying anything, you think I can't 699 00:33:45,600 --> 00:33:45,880 Speaker 1: do that? 700 00:33:45,920 --> 00:33:47,360 Speaker 4: Oh I can do that? 701 00:33:47,560 --> 00:33:50,840 Speaker 2: Yeah, yeah, that's sometimes at backfires, but every once in 702 00:33:50,880 --> 00:33:51,160 Speaker 2: a while. 703 00:33:52,120 --> 00:33:53,000 Speaker 1: Huh, you think I. 704 00:33:52,920 --> 00:33:53,400 Speaker 4: Can do that? 705 00:33:54,320 --> 00:33:55,760 Speaker 2: I can do that. 706 00:33:55,760 --> 00:33:57,360 Speaker 1: That should be the title of your memoir. 707 00:33:57,800 --> 00:33:58,680 Speaker 2: Do you think I can't do that? 708 00:33:58,760 --> 00:33:59,920 Speaker 1: Question? Mark, I could do that. 709 00:34:00,120 --> 00:34:00,479 Speaker 2: Period. 710 00:34:02,040 --> 00:34:05,160 Speaker 3: The feeling that I'm having saying those words is like 711 00:34:05,480 --> 00:34:06,560 Speaker 3: eating a candy. 712 00:34:06,640 --> 00:34:09,080 Speaker 1: Yeah. 713 00:34:07,480 --> 00:34:12,280 Speaker 2: I had another thing recently that I didn't think was weird. 714 00:34:13,040 --> 00:34:17,480 Speaker 2: I was eating with Claire Ocaine recently and I was like, 715 00:34:17,560 --> 00:34:20,960 Speaker 2: I'll have a cold brew and Claire was like, oh, 716 00:34:21,080 --> 00:34:23,160 Speaker 2: I don't see coldbrew on the menu, and I was like, 717 00:34:23,680 --> 00:34:30,200 Speaker 2: I didn't see it anyway. I just said it. It 718 00:34:30,360 --> 00:34:32,600 Speaker 2: was like, that's so crazy, and I was like, that's 719 00:34:32,600 --> 00:34:35,279 Speaker 2: not crazy. It's a restaurant. I'm sure they'll have it. 720 00:34:35,960 --> 00:34:37,760 Speaker 4: Did they They did? Of course. 721 00:34:38,480 --> 00:34:40,880 Speaker 1: Do you ever order off menu at restaurants? 722 00:34:41,600 --> 00:34:42,279 Speaker 4: Of course not. 723 00:34:42,600 --> 00:34:43,280 Speaker 2: No, I would. 724 00:34:43,600 --> 00:34:47,239 Speaker 1: I would rather literally like rip out my shirt and 725 00:34:47,280 --> 00:34:50,480 Speaker 1: perform a Satanic ritual in the middle of La Cirque 726 00:34:50,760 --> 00:34:53,640 Speaker 1: than order than be like, can I just have two 727 00:34:53,680 --> 00:34:56,120 Speaker 1: sliced tomatoes with some ev on top? 728 00:34:56,280 --> 00:34:56,440 Speaker 3: Oh? 729 00:34:56,560 --> 00:34:59,319 Speaker 2: No, for food, I would never ever for drinks something. 730 00:34:59,320 --> 00:35:01,440 Speaker 4: There are people that who don't try to be with us. 731 00:35:03,760 --> 00:35:05,560 Speaker 3: If you're with us, you're with us. But if you're not, 732 00:35:05,640 --> 00:35:06,680 Speaker 3: it's okays. 733 00:35:06,960 --> 00:35:09,880 Speaker 1: Actually, but I do agree that for drinks, I'm like, 734 00:35:09,960 --> 00:35:11,600 Speaker 1: if there's a bar, you should be able to make 735 00:35:11,640 --> 00:35:14,640 Speaker 1: anything I asked for. I am not looking at To me, 736 00:35:14,760 --> 00:35:20,880 Speaker 1: there's no there's no bigger defeat than looking at a 737 00:35:20,920 --> 00:35:25,120 Speaker 1: cocktail menu. Like, have a sense of self and know 738 00:35:25,160 --> 00:35:27,840 Speaker 1: what you want and trust your gut. Yeah, do not 739 00:35:28,120 --> 00:35:32,200 Speaker 1: order the you know red hot fire emoji. 740 00:35:32,239 --> 00:35:33,839 Speaker 2: You know what I wish? Actually, I wish they would 741 00:35:33,840 --> 00:35:35,719 Speaker 2: hand you the be like, and here's our cocktail menu 742 00:35:35,719 --> 00:35:37,480 Speaker 2: and have some amazing options. You open it and just 743 00:35:37,480 --> 00:35:41,719 Speaker 2: sys like lauram if some Laura I like I get 744 00:35:41,719 --> 00:35:43,160 Speaker 2: that they want to hand you something, but it's sort 745 00:35:43,160 --> 00:35:45,400 Speaker 2: of like your best Yeah, no. 746 00:35:45,480 --> 00:35:47,480 Speaker 1: They should the next time they hand me one, I'm 747 00:35:47,480 --> 00:35:50,640 Speaker 1: gonna rip ribb it into tiny pieces of throwing out. 748 00:35:50,880 --> 00:35:52,960 Speaker 4: And that's a polite that's a polite thing to do. 749 00:35:53,000 --> 00:35:53,960 Speaker 2: That's what they do in friends. 750 00:35:54,120 --> 00:35:57,959 Speaker 4: Yes, Oh my god, what is it again? I didn't 751 00:35:57,960 --> 00:36:00,719 Speaker 4: see it. I just didn't see it. I just that's amazing, Sam, 752 00:36:00,880 --> 00:36:01,960 Speaker 4: that's another great title. 753 00:36:02,280 --> 00:36:05,759 Speaker 2: Yeah, that one. Really. I was like, and sometimes you know, 754 00:36:05,800 --> 00:36:08,880 Speaker 2: when you're reflected back, you're like, whoa, I didn't realize. 755 00:36:08,960 --> 00:36:10,879 Speaker 4: It's kind of the origin of you think I can't 756 00:36:10,880 --> 00:36:11,120 Speaker 4: do that. 757 00:36:11,520 --> 00:36:17,200 Speaker 2: I can do that. Wow? 758 00:36:20,160 --> 00:36:22,320 Speaker 1: Should we do our first segment? I almost want to 759 00:36:22,320 --> 00:36:23,319 Speaker 1: just get it out of the way so we can 760 00:36:23,440 --> 00:36:24,040 Speaker 1: get into the meet. 761 00:36:24,800 --> 00:36:25,879 Speaker 4: What are the segments have done? 762 00:36:25,920 --> 00:36:29,000 Speaker 2: I wonder you're about to find out? Well, this one, 763 00:36:29,120 --> 00:36:31,440 Speaker 2: since we're doing this is a very special Pride episode 764 00:36:31,760 --> 00:36:36,640 Speaker 2: Stadio Lab. So we're gonna do our famous gay Lab 765 00:36:36,680 --> 00:36:41,480 Speaker 2: segment Gay Shooters. Oh yes, oh right, yeah, so it's 766 00:36:41,480 --> 00:36:43,240 Speaker 2: a little bit different. It's a twist on the famous 767 00:36:43,280 --> 00:36:46,120 Speaker 2: segment straight Shooters of course. Yeah. 768 00:36:46,160 --> 00:36:49,120 Speaker 1: By the way, I I knew that the entire time 769 00:36:49,160 --> 00:36:49,680 Speaker 1: and wrote those. 770 00:36:49,840 --> 00:36:52,239 Speaker 2: I wrote mine with that in mind. Of course, of 771 00:36:52,280 --> 00:36:53,680 Speaker 2: course I knew that as well. 772 00:36:54,800 --> 00:36:57,560 Speaker 4: I'm so proud of you guys. I've done so many episodes. 773 00:36:57,719 --> 00:37:01,680 Speaker 1: We actually have done Infinity episodes. Just for the first 774 00:37:01,680 --> 00:37:03,880 Speaker 1: podcast to do Infinity episode. 775 00:37:03,520 --> 00:37:06,040 Speaker 2: It actually is kind of crazy because in my mind, 776 00:37:06,040 --> 00:37:09,000 Speaker 2: I'm still like we're just getting started. It's like we've 777 00:37:09,040 --> 00:37:11,440 Speaker 2: done this since it's been like four years. 778 00:37:11,520 --> 00:37:14,879 Speaker 4: Yes, I was on I think in twenty four you. 779 00:37:14,840 --> 00:37:18,360 Speaker 2: Are on pre pandemic. Yes, yeah, you were on pre Pandemic. 780 00:37:18,440 --> 00:37:20,759 Speaker 3: And I was thinking on my commute over here that 781 00:37:20,840 --> 00:37:24,360 Speaker 3: I remember the commute to the first episode being very long. 782 00:37:24,920 --> 00:37:27,000 Speaker 2: It was like and. 783 00:37:26,920 --> 00:37:29,680 Speaker 4: Once again took me kind of a bit to get here. 784 00:37:30,239 --> 00:37:33,920 Speaker 1: Respect, I mean, to go from Bushwick to Midtown is 785 00:37:33,920 --> 00:37:35,720 Speaker 1: the ultimate hero's journey? 786 00:37:35,920 --> 00:37:38,960 Speaker 3: Well well, I mean that was there's money, that was 787 00:37:39,120 --> 00:37:46,000 Speaker 3: there's lights in this room, yeah, argue. Well, yes, well, 788 00:37:47,960 --> 00:37:51,440 Speaker 3: so many episodes, and I just am proud, Like legit. 789 00:37:52,000 --> 00:37:53,560 Speaker 4: I was looking at the episodes and I was like, 790 00:37:53,600 --> 00:37:58,640 Speaker 4: they have truly done so many since I was here. 791 00:37:58,760 --> 00:38:01,880 Speaker 3: Many so and even trying to come up with a topic, 792 00:38:02,320 --> 00:38:04,920 Speaker 3: one could say it was impossible. Yeah, which kind of 793 00:38:04,920 --> 00:38:05,480 Speaker 3: brought me to. 794 00:38:05,480 --> 00:38:08,440 Speaker 1: My well, I will say, you're I respect that it 795 00:38:08,480 --> 00:38:11,279 Speaker 1: was impossible. Course, I respect it was impossible, but you are, 796 00:38:11,280 --> 00:38:13,319 Speaker 1: in fact, only the second guest to ever do a 797 00:38:13,320 --> 00:38:14,480 Speaker 1: gay topical. So there. 798 00:38:15,120 --> 00:38:18,920 Speaker 4: I wasn't really thinking that. I was more going, what 799 00:38:19,200 --> 00:38:22,920 Speaker 4: should I talk about? Even one thing? Yeah, totally, that's 800 00:38:22,960 --> 00:38:24,319 Speaker 4: actually we'll get into it. 801 00:38:24,440 --> 00:38:26,279 Speaker 2: Well. I also do want to say a little bit. 802 00:38:27,000 --> 00:38:29,560 Speaker 2: You know, I appreciate you saying you're proud of us. 803 00:38:29,600 --> 00:38:32,480 Speaker 2: There's something it's about saying for doing so many episodes 804 00:38:32,520 --> 00:38:35,480 Speaker 2: that sounds a little bit like I'm noticing your shirt. Yeah, 805 00:38:35,640 --> 00:38:38,799 Speaker 2: I do think it's not. Sort of, there's there's been 806 00:38:38,840 --> 00:38:39,759 Speaker 2: no value. 807 00:38:39,520 --> 00:38:42,760 Speaker 4: Judgment, so I said a long time. 808 00:38:42,840 --> 00:38:46,279 Speaker 2: But yeah, there's just a lot of episodes and the 809 00:38:46,280 --> 00:38:49,359 Speaker 2: amount of time that has been spent on this. 810 00:38:49,960 --> 00:38:50,680 Speaker 4: Let me try again. 811 00:38:51,080 --> 00:38:53,640 Speaker 1: No, No, I think you said enough, and I think 812 00:38:53,640 --> 00:38:55,319 Speaker 1: it's time to do our first segment. 813 00:38:55,000 --> 00:38:55,399 Speaker 2: Gay show. 814 00:38:55,440 --> 00:38:56,160 Speaker 4: I think you should go. 815 00:39:00,600 --> 00:39:03,200 Speaker 1: So, so that's in this segment, we test your familiarity 816 00:39:03,239 --> 00:39:06,560 Speaker 1: with and complicity in gay culture by asking you a 817 00:39:06,600 --> 00:39:08,560 Speaker 1: series of rapid fire questions where you have to choose 818 00:39:08,600 --> 00:39:10,319 Speaker 1: this thing or this other thing. Sam take it. 819 00:39:10,280 --> 00:39:15,200 Speaker 2: Away, okay, Neil Patrick Harris or Michael Patrick King. 820 00:39:15,480 --> 00:39:20,520 Speaker 1: Neil guilty on thirty four counts or milking an herbivore cow. 821 00:39:22,160 --> 00:39:26,080 Speaker 2: Cow Okay, the mark of the beast, or the mark 822 00:39:26,120 --> 00:39:28,439 Speaker 2: that you met at the feast, the. 823 00:39:28,360 --> 00:39:30,279 Speaker 4: Mark that you met at the feast. 824 00:39:30,760 --> 00:39:33,440 Speaker 1: Mean girls or bean dip. 825 00:39:34,160 --> 00:39:39,680 Speaker 2: Bean dip obviously, having a rich cultural heritage or having 826 00:39:39,719 --> 00:39:42,560 Speaker 2: a rich father doesn't give a shit. Oh damn that. 827 00:39:42,640 --> 00:39:44,680 Speaker 4: This segment has changed since I was here. 828 00:39:45,280 --> 00:39:50,319 Speaker 1: No, no, it's I do remember in the beginning we 829 00:39:50,320 --> 00:39:52,759 Speaker 1: would do like maybe one silly one, but then the 830 00:39:52,800 --> 00:39:55,720 Speaker 1: rest would literally be like blue or black right right, 831 00:39:56,120 --> 00:39:58,200 Speaker 1: whereas now there are. 832 00:39:58,160 --> 00:39:59,880 Speaker 4: Like gorgeous like wordplay. 833 00:40:00,080 --> 00:40:02,600 Speaker 1: Well, we've you know, we've put it on a lot 834 00:40:02,640 --> 00:40:05,799 Speaker 1: of top ten thousand hours. 835 00:40:04,360 --> 00:40:07,640 Speaker 4: Ye, Malcolm, can I get Can I get yours again? 836 00:40:07,719 --> 00:40:11,239 Speaker 2: Sam? Yeah, it was having a rich cultural heritage or 837 00:40:11,280 --> 00:40:13,120 Speaker 2: having a rich father doesn't give a shit. 838 00:40:13,840 --> 00:40:15,760 Speaker 4: Rich father who doesn't give a ship totally. 839 00:40:15,920 --> 00:40:19,680 Speaker 1: The Pope is homophobic or I hope it isn't COVID 840 00:40:20,440 --> 00:40:22,160 Speaker 1: the pope. 841 00:40:22,760 --> 00:40:26,719 Speaker 2: Okay, praying to God or blowing your wat Oh that's good. 842 00:40:27,840 --> 00:40:28,680 Speaker 4: Praying to God. 843 00:40:29,440 --> 00:40:33,279 Speaker 1: Caviatelly with broccoli, rob and sausage, or Donna Tella VERSACEI 844 00:40:33,360 --> 00:40:34,280 Speaker 1: is a boss bitch. 845 00:40:35,520 --> 00:40:36,320 Speaker 4: Is a boss bitch? 846 00:40:36,920 --> 00:40:37,400 Speaker 2: Wow? 847 00:40:37,560 --> 00:40:38,399 Speaker 4: That was really good. 848 00:40:38,719 --> 00:40:43,080 Speaker 2: No, that was amazing. What do you think sleast got? 849 00:40:43,600 --> 00:40:46,399 Speaker 1: Well, I'm trying, I was trying to remember. Do we, 850 00:40:46,760 --> 00:40:50,680 Speaker 1: for Gatio lab change the meter from zero to one 851 00:40:50,719 --> 00:40:54,000 Speaker 1: thousand doves to something else? Maybe we go zero to 852 00:40:54,719 --> 00:41:02,640 Speaker 1: negative one thousand, you know, but holes and and and 853 00:41:02,800 --> 00:41:05,480 Speaker 1: kind of go into a more queer art of failure. 854 00:41:05,600 --> 00:41:09,080 Speaker 1: So the less the less of a oh or you have, 855 00:41:09,560 --> 00:41:12,520 Speaker 1: the lower score you have, the better you did wow 856 00:41:12,640 --> 00:41:13,799 Speaker 1: or something along those lines. 857 00:41:13,880 --> 00:41:16,239 Speaker 2: Sure, well in that case, in that case, I. 858 00:41:16,280 --> 00:41:26,600 Speaker 1: Think you got negative nine hundred twenty seven butt holes 859 00:41:27,000 --> 00:41:27,680 Speaker 1: out of how many? 860 00:41:27,719 --> 00:41:27,959 Speaker 4: Again? 861 00:41:28,280 --> 00:41:32,239 Speaker 1: Negative one thousand? Pretty good, pretty good, pretty deep, pretty good. 862 00:41:34,440 --> 00:41:36,919 Speaker 4: This podcast has really changed since I was last year. 863 00:41:36,960 --> 00:41:38,440 Speaker 2: What are the changes? Yeah, what are the changes? 864 00:41:38,440 --> 00:41:39,680 Speaker 4: You're not remember a score? 865 00:41:39,719 --> 00:41:42,880 Speaker 1: I mean obviously you don't remember the scoresman, No, no, 866 00:41:43,239 --> 00:41:46,000 Speaker 1: first step, we came up with the score like sort 867 00:41:46,000 --> 00:41:51,640 Speaker 1: of as we went. Certainly the score was you know, 868 00:41:52,040 --> 00:41:54,480 Speaker 1: canonized by the time you did your second appearance, but 869 00:41:54,600 --> 00:41:55,279 Speaker 1: not when you. 870 00:41:55,200 --> 00:41:58,040 Speaker 2: Recorded because CHROMATICA hadn't come out yet. Exactly. 871 00:41:58,440 --> 00:42:00,360 Speaker 1: It's it's zero to one thousand, doves normally. 872 00:42:01,040 --> 00:42:02,959 Speaker 4: Do you believe I was on post pre. 873 00:42:03,239 --> 00:42:06,359 Speaker 1: Chromatic one of the rare dramatic agains. 874 00:42:07,520 --> 00:42:10,160 Speaker 2: I mean that is wild actually, and you were. 875 00:42:11,000 --> 00:42:14,399 Speaker 1: Yeah, first live show we ever did issue there yet? 876 00:42:15,040 --> 00:42:20,840 Speaker 2: Right, Wow, how have you changed? Yeah? How have you changed? 877 00:42:20,960 --> 00:42:24,239 Speaker 2: You look really different. Yeah, a lot of work done. 878 00:42:24,400 --> 00:42:27,560 Speaker 4: Huh yeah, just my nose, I think. 879 00:42:27,760 --> 00:42:30,239 Speaker 1: Yeah, you got a nose inserted in the back of 880 00:42:30,280 --> 00:42:33,520 Speaker 1: your before your before your face was flat. 881 00:42:35,480 --> 00:42:39,560 Speaker 4: I have been on the front and the back. We 882 00:42:39,560 --> 00:42:41,600 Speaker 4: should do more characters, I agree. 883 00:42:42,160 --> 00:42:48,880 Speaker 2: Now, what would your debut character be, mister Gringer? I 884 00:42:49,000 --> 00:42:49,520 Speaker 2: love that one. 885 00:42:49,520 --> 00:42:51,160 Speaker 1: That's one of your classic characters. 886 00:42:51,400 --> 00:42:53,920 Speaker 4: Yeah, got me, Yeah exactly. 887 00:42:54,000 --> 00:42:56,719 Speaker 1: They said, great character, we're going to make them a writer. 888 00:42:58,960 --> 00:43:02,520 Speaker 4: You've shown that you can do development and premise work 889 00:43:02,800 --> 00:43:03,319 Speaker 4: really well. 890 00:43:03,600 --> 00:43:07,280 Speaker 2: Yeah, that's what matters in this industry, in this town, 891 00:43:07,400 --> 00:43:09,520 Speaker 2: in this town, this towndging. 892 00:43:08,960 --> 00:43:09,799 Speaker 4: Over the mics. 893 00:43:11,000 --> 00:43:12,440 Speaker 2: So that's. 894 00:43:14,239 --> 00:43:15,840 Speaker 4: That's part of mister finger Beans. 895 00:43:16,840 --> 00:43:17,400 Speaker 2: Get into it. 896 00:43:18,520 --> 00:43:19,719 Speaker 1: Bringer Beans is the. 897 00:43:19,760 --> 00:43:24,680 Speaker 3: Name careful making fun of me because recurring segments for 898 00:43:24,760 --> 00:43:27,680 Speaker 3: the whole for the rest of the time describe. 899 00:43:27,400 --> 00:43:29,840 Speaker 1: What are mister gringer beans qualities? 900 00:43:30,840 --> 00:43:33,239 Speaker 3: I guess the way I came up with it was. 901 00:43:33,239 --> 00:43:34,920 Speaker 3: I couldn't think of one single. 902 00:43:34,680 --> 00:43:38,399 Speaker 4: Word or last thing that's part of his story. I 903 00:43:38,440 --> 00:43:39,040 Speaker 4: didn't know. 904 00:43:39,200 --> 00:43:41,319 Speaker 1: Well for anyone watching it home, you sort of did 905 00:43:41,320 --> 00:43:45,600 Speaker 1: an exaggerated uh scratch, face scratch. So maybe part of 906 00:43:45,640 --> 00:43:49,160 Speaker 1: mister gringer Bean is like little what don't keep going 907 00:43:49,480 --> 00:43:54,959 Speaker 1: the little these little things everyone does, uh little dressers. Okay, yes, 908 00:43:55,080 --> 00:43:59,560 Speaker 1: little dressers, crossing your legs, clapping, snapping your fingers, rubbing 909 00:43:59,560 --> 00:44:04,359 Speaker 1: your eyes, eyes base exactly. It is someone who in 910 00:44:04,400 --> 00:44:06,719 Speaker 1: all other ways is normal, has clipped this. 911 00:44:06,760 --> 00:44:08,960 Speaker 2: By the way, no, this is a clip. This is 912 00:44:09,000 --> 00:44:11,560 Speaker 2: the clip that's going viral. Don't say don't clip this. 913 00:44:11,680 --> 00:44:15,120 Speaker 2: We're in the middle of clipping. This is currently on Instagram. 914 00:44:15,600 --> 00:44:18,040 Speaker 4: That's why I'm saying. I want That's what I'm saying. 915 00:44:19,560 --> 00:44:20,000 Speaker 2: We need. 916 00:44:20,560 --> 00:44:23,040 Speaker 1: I want people to do front facing camera work where 917 00:44:23,080 --> 00:44:25,879 Speaker 1: they do their impression mister gringer Beans, And here it is. 918 00:44:26,000 --> 00:44:28,480 Speaker 1: It is someone living their normal life and then they 919 00:44:28,480 --> 00:44:31,759 Speaker 1: have to make some small gesture and exaggerated cartoonishly to 920 00:44:31,800 --> 00:44:33,560 Speaker 1: the point where it's so funny. 921 00:44:33,640 --> 00:44:39,160 Speaker 2: Okay, so this is mister gringer Beans when he wants 922 00:44:39,200 --> 00:44:41,200 Speaker 2: you to like, uh, you said something, but it was 923 00:44:41,200 --> 00:44:42,000 Speaker 2: a little too quiet. 924 00:44:44,640 --> 00:44:47,920 Speaker 1: Okay, this is mister gringer Beans where he's in a 925 00:44:47,960 --> 00:44:52,840 Speaker 1: panel discussion, uh, post film screening, and he just is 926 00:44:52,880 --> 00:45:01,360 Speaker 1: going to cross his legs and so then I thought, whoa. 927 00:45:00,960 --> 00:45:09,799 Speaker 2: Damn go with? That shows wholes is. Yeah, I had 928 00:45:09,840 --> 00:45:10,280 Speaker 2: no idea. 929 00:45:12,120 --> 00:45:13,760 Speaker 1: No, I didn't know that makes such an impact. 930 00:45:13,920 --> 00:45:14,600 Speaker 4: It was really good. 931 00:45:14,719 --> 00:45:17,800 Speaker 2: Yeah, mister well, this is another element of mister gringer Beans. 932 00:45:17,920 --> 00:45:19,120 Speaker 2: He has a really active sex. 933 00:45:19,000 --> 00:45:21,759 Speaker 1: Like yo, well, yes, can you imagine how yes sex? 934 00:45:21,760 --> 00:45:24,040 Speaker 2: Are you kidding me? Oh? It's wilde? 935 00:45:26,239 --> 00:45:31,319 Speaker 1: His arms and legs are not. Okay, so let's it's 936 00:45:31,320 --> 00:45:33,720 Speaker 1: your turn for clipping this. 937 00:45:33,719 --> 00:45:37,000 Speaker 3: This is mister gringer Beans when a little bit of 938 00:45:37,080 --> 00:45:39,680 Speaker 3: hair is bothering him on his face. 939 00:45:44,960 --> 00:45:54,080 Speaker 1: That's good, this is good, amazing. Yeah, it's so sad that. 940 00:45:51,920 --> 00:45:54,080 Speaker 3: I know you trust that you would be seeing mister 941 00:45:55,200 --> 00:45:56,960 Speaker 3: played by Bowing huge. 942 00:45:59,000 --> 00:46:01,279 Speaker 2: Do you guys remember that show? Was it like the 943 00:46:01,360 --> 00:46:07,399 Speaker 2: Fossy Show with Williams? Yes? When she did mister gringer Beans, Wait, yes, 944 00:46:07,560 --> 00:46:12,600 Speaker 2: where she goes? You know who else is? 945 00:46:12,600 --> 00:46:16,200 Speaker 1: So mister gringer Beans carry Bradshaw sometimes like Carrie Brad 946 00:46:16,400 --> 00:46:18,759 Speaker 1: Bradshaw literally just walking on the Street and she's like 947 00:46:23,880 --> 00:46:25,760 Speaker 1: Carrie knocking on the restaurant. 948 00:46:30,200 --> 00:46:35,040 Speaker 2: You don't get it. It's like she's like. 949 00:46:36,880 --> 00:46:42,200 Speaker 3: Full Marionette's literally the first limb is connected with the string, 950 00:46:42,280 --> 00:46:44,760 Speaker 3: first woman Marionette, who's the star up her own show. 951 00:46:45,200 --> 00:46:47,719 Speaker 2: This is crazy. What's weird about this is that from 952 00:46:47,719 --> 00:46:50,719 Speaker 2: now on, whenever someone's like being a little overly expressive, 953 00:46:50,760 --> 00:46:52,480 Speaker 2: I'll refer to it as being a little mister. 954 00:46:57,120 --> 00:46:59,520 Speaker 1: And like, you know, in theater or in film, like 955 00:46:59,520 --> 00:47:02,440 Speaker 1: when a four minutes is so mister Gringer Beans. Yeah, 956 00:47:02,680 --> 00:47:07,239 Speaker 1: you know who's so, mister ginger Beans, Thurman and you 957 00:47:07,280 --> 00:47:09,720 Speaker 1: know who else? Kerry Washington, Oh, totally. 958 00:47:09,920 --> 00:47:12,560 Speaker 4: I try to think of one. 959 00:47:15,640 --> 00:47:17,439 Speaker 1: I think the most obvious one is Nicholas Cage. 960 00:47:17,440 --> 00:47:20,480 Speaker 4: I think there's so many coming to you. 961 00:47:20,480 --> 00:47:21,359 Speaker 2: You're really good at this. 962 00:47:24,280 --> 00:47:24,600 Speaker 4: Hmm. 963 00:47:27,480 --> 00:47:29,600 Speaker 2: You think is ginger Beans. 964 00:47:31,160 --> 00:47:36,080 Speaker 4: Beans? Because my thing. 965 00:47:37,520 --> 00:47:38,399 Speaker 2: I do not wait. 966 00:47:38,480 --> 00:47:42,279 Speaker 1: I think to me is almost could use a little 967 00:47:42,320 --> 00:47:45,000 Speaker 1: more Grainger Beans. No offense, of course, no. I said 968 00:47:45,040 --> 00:47:45,560 Speaker 1: that as a fan. 969 00:47:45,880 --> 00:47:46,640 Speaker 2: I'm a huge fan. 970 00:47:46,719 --> 00:47:48,560 Speaker 1: I think if mister Gringer Beans gave her a little 971 00:47:48,600 --> 00:47:50,839 Speaker 1: training and said, you know, maybe in moments of real 972 00:47:50,920 --> 00:47:54,440 Speaker 1: dramatic tension, let's go a little more gringer beans. 973 00:47:55,000 --> 00:47:59,760 Speaker 3: Yeah, too scared of a clip to say more about Okay, yeah, okay, 974 00:48:00,719 --> 00:48:01,440 Speaker 3: but DM me. 975 00:48:03,640 --> 00:48:05,680 Speaker 2: Why ginger beans? 976 00:48:08,520 --> 00:48:10,680 Speaker 4: I decide what beans is? 977 00:48:10,719 --> 00:48:14,520 Speaker 1: Their's yes, and that's the one at It's like there's 978 00:48:14,560 --> 00:48:16,480 Speaker 1: a definition of gringer beans, but then it's also and 979 00:48:16,560 --> 00:48:17,120 Speaker 1: also whatever. 980 00:48:17,200 --> 00:48:24,800 Speaker 2: So yeah, yeah, I can't think of a single actor Trump, Trump, 981 00:48:25,640 --> 00:48:26,200 Speaker 2: I can't believe. 982 00:48:26,560 --> 00:48:29,040 Speaker 1: I'm sorry, you guys are having a lot of difficulty. 983 00:48:28,600 --> 00:48:30,720 Speaker 4: Coming up No beans, scholar. 984 00:48:30,960 --> 00:48:33,919 Speaker 2: The thing. The thing is, I'm so this is something 985 00:48:33,960 --> 00:48:36,719 Speaker 2: I need to like work on with a therapist, is 986 00:48:36,800 --> 00:48:40,400 Speaker 2: trying to recall any single actor. Because as soon as 987 00:48:40,400 --> 00:48:44,480 Speaker 2: someone's like, what actor could do this, I'm like, I'm 988 00:48:44,560 --> 00:48:47,000 Speaker 2: very like I didn't do the reading, like I know actors. 989 00:48:47,040 --> 00:48:49,120 Speaker 2: But for some reason, as soon as someone is like, 990 00:48:49,320 --> 00:48:52,880 Speaker 2: well name one, I'm like, mister greener. 991 00:48:52,480 --> 00:48:56,640 Speaker 4: Beans, what are you trying to say about? 992 00:48:57,600 --> 00:48:59,759 Speaker 2: That's like, no, I know that you wrote that like 993 00:49:00,040 --> 00:49:01,359 Speaker 2: for months, like I know that that. 994 00:49:01,360 --> 00:49:04,400 Speaker 1: Was wrote it for everyone when you did the packet 995 00:49:04,480 --> 00:49:05,200 Speaker 1: to do this show. 996 00:49:05,719 --> 00:49:08,960 Speaker 4: That was what was obliged to bring it up. 997 00:49:11,280 --> 00:49:14,000 Speaker 1: Well, okay, I got I would love to get into 998 00:49:14,000 --> 00:49:14,640 Speaker 1: the gay topic. 999 00:49:15,239 --> 00:49:18,480 Speaker 2: Yeah, celebration of pride. Yeah, I think that would be amazing. 1000 00:49:18,560 --> 00:49:20,840 Speaker 1: I mean, I hate to there is a part of 1001 00:49:20,880 --> 00:49:22,919 Speaker 1: me that wants to keep talking about mister greener beans 1002 00:49:22,920 --> 00:49:24,200 Speaker 1: because I kind of want him to have like a 1003 00:49:24,239 --> 00:49:26,160 Speaker 1: specific look so that people can dresses him for. 1004 00:49:26,080 --> 00:49:28,200 Speaker 4: Hell, we of course, but we come back, we can. 1005 00:49:28,080 --> 00:49:29,359 Speaker 2: Come back to it. We can come back to it. 1006 00:49:29,920 --> 00:49:33,520 Speaker 1: And actually, maybe his look can't even incorporated topic. 1007 00:49:34,360 --> 00:49:34,960 Speaker 4: I bet it. 1008 00:49:35,040 --> 00:49:38,880 Speaker 1: Well, what is your gay topic that you brought today? 1009 00:49:38,920 --> 00:49:41,920 Speaker 1: And maybe a little on what makes it gay for you? 1010 00:49:42,000 --> 00:49:44,719 Speaker 4: Of course, so I know it's pride at the time 1011 00:49:44,760 --> 00:49:45,160 Speaker 4: of listening. 1012 00:49:45,239 --> 00:49:47,760 Speaker 1: Needless to say, it's pride. 1013 00:49:49,440 --> 00:49:53,200 Speaker 3: And I know that a lot of podcast guests for 1014 00:49:53,280 --> 00:49:57,560 Speaker 3: the gay episode of Stradio Lab, they would bring in poppers, 1015 00:49:58,520 --> 00:50:01,040 Speaker 3: they would bring in loud music. 1016 00:50:01,239 --> 00:50:04,120 Speaker 2: Yeah, sex, sure. 1017 00:50:05,760 --> 00:50:15,759 Speaker 4: Dinner parties x jealousy. Oh yeah, I thought. I'm not 1018 00:50:15,760 --> 00:50:16,359 Speaker 4: going to do that. 1019 00:50:17,640 --> 00:50:20,719 Speaker 3: I'm going to dig deep and I'm going to definitely 1020 00:50:20,760 --> 00:50:22,720 Speaker 3: not just be trying to think of one single topic 1021 00:50:22,719 --> 00:50:26,520 Speaker 3: to talk about. I am going to bring in something 1022 00:50:26,760 --> 00:50:30,960 Speaker 3: that I think, much like many other topics on the podcast, 1023 00:50:31,000 --> 00:50:32,560 Speaker 3: are unexpected. 1024 00:50:32,560 --> 00:50:33,480 Speaker 4: For the task. 1025 00:50:33,960 --> 00:50:37,600 Speaker 2: Yeah, I just think it's important to let them cook. 1026 00:50:39,120 --> 00:50:40,320 Speaker 2: Just it feels like they're stalling. 1027 00:50:40,360 --> 00:50:42,960 Speaker 4: Remember when I brought in mister Gans. 1028 00:50:42,320 --> 00:50:45,160 Speaker 1: I just the mind that brought you, mister Green. And 1029 00:50:45,200 --> 00:50:47,319 Speaker 1: you're gonna say they're going long. 1030 00:50:48,360 --> 00:50:50,840 Speaker 2: It just feels like you're like waiting for, like maybe 1031 00:50:50,880 --> 00:50:53,120 Speaker 2: to run out the clock, like maybe like. 1032 00:50:53,120 --> 00:50:55,120 Speaker 4: If I keep on your wrong enough, I can just leave. 1033 00:50:55,239 --> 00:50:57,720 Speaker 2: Yeah, because George has a hard out if I remember correctly. 1034 00:50:57,880 --> 00:51:01,040 Speaker 4: So my topic is umbrella. 1035 00:51:01,200 --> 00:51:05,560 Speaker 1: Okay, so tell us why you think that's gay. 1036 00:51:06,239 --> 00:51:11,840 Speaker 4: Umbrellas are made for when it's writing. Well, that is true, 1037 00:51:11,880 --> 00:51:17,200 Speaker 4: so they're already special. They are made for. 1038 00:51:18,760 --> 00:51:25,400 Speaker 3: A a type of day that actually in most cases. 1039 00:51:25,120 --> 00:51:28,239 Speaker 4: Comes with winds, comes with. 1040 00:51:28,680 --> 00:51:36,279 Speaker 3: Lightning, and these are impossible circumstances for an umbrella to 1041 00:51:36,560 --> 00:51:37,439 Speaker 3: work within. 1042 00:51:38,560 --> 00:51:40,359 Speaker 2: Yes, yes, umbrellas are lying to them. 1043 00:51:42,239 --> 00:51:47,440 Speaker 3: Like so yes, it leads me to believe that umbrellas 1044 00:51:47,520 --> 00:51:53,360 Speaker 3: are are not here for what they're stated to be 1045 00:51:53,480 --> 00:51:56,720 Speaker 3: here for, and they're actually here to look gorgeous. 1046 00:51:59,440 --> 00:52:04,640 Speaker 1: So the umbrella metaphor, okay, in the umbrella metaphor, what 1047 00:52:04,640 --> 00:52:09,400 Speaker 1: they're here for is like to have a nuclear family, 1048 00:52:09,560 --> 00:52:14,320 Speaker 1: to get married, to have procreative sex. But instead they're like, actually, 1049 00:52:14,400 --> 00:52:15,160 Speaker 1: watch me twirl. 1050 00:52:16,280 --> 00:52:19,839 Speaker 4: Actually you don't think I can do that I can 1051 00:52:19,920 --> 00:52:20,520 Speaker 4: do that. 1052 00:52:22,080 --> 00:52:22,480 Speaker 2: Interesting? 1053 00:52:22,880 --> 00:52:25,720 Speaker 1: Is so interesting love that, Like it is really about 1054 00:52:25,760 --> 00:52:28,799 Speaker 1: them failing to do the things, failing to do the 1055 00:52:28,800 --> 00:52:30,680 Speaker 1: thing they were put on the starts to do, while 1056 00:52:30,760 --> 00:52:35,640 Speaker 1: also being so also the ornamental element of it, like 1057 00:52:35,920 --> 00:52:39,120 Speaker 1: the fake you're pretending that this is functional, but it's 1058 00:52:39,160 --> 00:52:40,280 Speaker 1: actually just stunning. 1059 00:52:40,440 --> 00:52:41,960 Speaker 4: It's completely gorgeous. 1060 00:52:42,080 --> 00:52:44,799 Speaker 3: Yeah, Like I totally get why when they got to 1061 00:52:44,880 --> 00:52:46,640 Speaker 3: the design they got to they were like. 1062 00:52:47,800 --> 00:52:48,160 Speaker 4: It's done. 1063 00:52:48,200 --> 00:52:50,319 Speaker 2: Yeah, that's pretty much people buy this. You know. 1064 00:52:50,480 --> 00:52:53,359 Speaker 1: It's also so you know by on it it's very 1065 00:52:53,440 --> 00:52:55,760 Speaker 1: like Janelle Manet Electric Lady. 1066 00:52:56,120 --> 00:52:57,680 Speaker 2: Well, it's dramatic. It's dramatic. 1067 00:52:57,920 --> 00:53:00,799 Speaker 1: It is futurist, Yeah it is. 1068 00:53:00,840 --> 00:53:04,120 Speaker 2: You have like it's honestly a little steampunk, very hard. 1069 00:53:04,200 --> 00:53:06,520 Speaker 4: Sure, but also like. 1070 00:53:10,400 --> 00:53:15,520 Speaker 1: Renaissance, like Beyonce he renaissance. Yeah, she would totally be 1071 00:53:15,600 --> 00:53:16,800 Speaker 1: carrying an umbrella. 1072 00:53:17,040 --> 00:53:21,000 Speaker 3: It's it exists across like it can I can picture 1073 00:53:21,040 --> 00:53:21,560 Speaker 3: it anywhere? 1074 00:53:21,640 --> 00:53:21,799 Speaker 2: Yes? 1075 00:53:21,920 --> 00:53:23,920 Speaker 1: Yeah, so you know what else it is speaking about Fosse, 1076 00:53:24,080 --> 00:53:26,680 Speaker 1: it's very having an umbrella and doing a little dance. 1077 00:53:26,800 --> 00:53:28,560 Speaker 2: I mean it's made for Corey, It's. 1078 00:53:28,440 --> 00:53:32,000 Speaker 1: Made for choreo. Actually that's actually what it's made for. 1079 00:53:32,800 --> 00:53:35,080 Speaker 1: What was I made for that's the umbrella when she 1080 00:53:35,160 --> 00:53:37,800 Speaker 1: realized that she was choreo of course. 1081 00:53:38,000 --> 00:53:40,799 Speaker 2: Because it's such a fun extension and it's like a 1082 00:53:40,800 --> 00:53:43,879 Speaker 2: little I think the implication that's practical makes it work 1083 00:53:44,000 --> 00:53:46,799 Speaker 2: so well in choreo exactly because you're like, oh, I 1084 00:53:46,800 --> 00:53:49,279 Speaker 2: didn't well, I thought that was for work, and you're like, nope, 1085 00:53:49,320 --> 00:53:50,200 Speaker 2: it's for And. 1086 00:53:50,120 --> 00:53:52,759 Speaker 1: Also, by the way, it is so impractical, and that 1087 00:53:52,880 --> 00:53:55,600 Speaker 1: is what also makes it queer because talk about where 1088 00:53:55,600 --> 00:53:57,840 Speaker 1: do you even put it? Like, if you don't have 1089 00:53:57,880 --> 00:53:59,200 Speaker 1: a bag, you have to just be carrying it around. 1090 00:53:59,200 --> 00:54:00,759 Speaker 1: If you do have a bag, you're gonna put a 1091 00:54:00,840 --> 00:54:06,719 Speaker 1: wet nylon tarp inside your bag where your copy of 1092 00:54:07,400 --> 00:54:09,359 Speaker 1: you know, Emma Clin's the guest is that you're reading 1093 00:54:09,360 --> 00:54:09,920 Speaker 1: for the summer. 1094 00:54:10,840 --> 00:54:14,400 Speaker 2: I literally just guess I just picked it up. 1095 00:54:14,440 --> 00:54:17,280 Speaker 1: Oh and now I have it's fucking wet. 1096 00:54:19,400 --> 00:54:21,960 Speaker 2: Great. Well this, I'm never supporting any bookstore again. 1097 00:54:21,960 --> 00:54:23,920 Speaker 1: I wording a bookstore again. Let alone women. 1098 00:54:24,000 --> 00:54:28,880 Speaker 3: Right, it's down, it's water that never escapes the bag. 1099 00:54:29,440 --> 00:54:31,720 Speaker 4: The bag just remains wet if you put an umbrella 1100 00:54:31,800 --> 00:54:32,120 Speaker 4: in there. 1101 00:54:32,280 --> 00:54:35,160 Speaker 2: I okay. An umbrella to me is like I think 1102 00:54:35,160 --> 00:54:37,880 Speaker 2: the lining to itself. It's very like the umbrella is 1103 00:54:38,000 --> 00:54:40,360 Speaker 2: like waking up and having like a big to do 1104 00:54:40,440 --> 00:54:42,280 Speaker 2: list and be like, I'm going to get this done today, 1105 00:54:42,520 --> 00:54:44,480 Speaker 2: and then it's like you're gonna get three things done. 1106 00:54:44,560 --> 00:54:44,719 Speaker 5: Oh. 1107 00:54:44,760 --> 00:54:46,879 Speaker 1: If you don't think the umbrella has ADHD, you're lying. 1108 00:54:48,000 --> 00:54:48,400 Speaker 2: Eighty eight. 1109 00:54:51,040 --> 00:54:56,280 Speaker 1: The umbrella is literally neurodivigin queen down. 1110 00:54:58,600 --> 00:55:01,400 Speaker 2: Okay, Okay. The other thing about it, I do think 1111 00:55:01,800 --> 00:55:06,080 Speaker 2: there's something so the way that umbrellas are always lost, 1112 00:55:06,400 --> 00:55:09,160 Speaker 2: Like right, that's the other thing that's like there's something 1113 00:55:09,560 --> 00:55:12,359 Speaker 2: that's it's like every gay movie where it's like has 1114 00:55:12,360 --> 00:55:16,680 Speaker 2: this deep sadness. Inevitably it's built in and it's like 1115 00:55:16,719 --> 00:55:19,439 Speaker 2: an umbrella is meant to be you are it will 1116 00:55:19,440 --> 00:55:20,040 Speaker 2: make you sad. 1117 00:55:20,280 --> 00:55:23,880 Speaker 3: Yes, it's like like a gay friend. 1118 00:55:25,160 --> 00:55:27,480 Speaker 4: You don't know really how it got to you, but 1119 00:55:28,280 --> 00:55:31,520 Speaker 4: when you have it, it's yours. Yeah, then you can 1120 00:55:31,600 --> 00:55:32,240 Speaker 4: leave it somewhere. 1121 00:55:32,280 --> 00:55:33,719 Speaker 1: And it's communal. 1122 00:55:33,800 --> 00:55:36,560 Speaker 2: It's communit it's communal. It's promiscuous, right, miscuous. 1123 00:55:36,760 --> 00:55:39,680 Speaker 1: Yes, Oh, it's passed around like the town bicycle. 1124 00:55:39,760 --> 00:55:41,239 Speaker 4: It's impossible to keep one. 1125 00:55:41,520 --> 00:55:45,680 Speaker 2: Oh, I mean it's pretty anti capitalist. You cannot own 1126 00:55:45,719 --> 00:55:46,240 Speaker 2: an umbrella. 1127 00:55:46,320 --> 00:55:48,440 Speaker 1: You can't own an it owns. 1128 00:55:48,719 --> 00:55:54,440 Speaker 3: You can also range in like value and price. I 1129 00:55:54,480 --> 00:55:55,480 Speaker 3: mean like nothing else. 1130 00:55:56,480 --> 00:56:00,160 Speaker 2: I will say the range the golf umbrellas though that's 1131 00:56:00,360 --> 00:56:02,400 Speaker 2: very republican. I agree. 1132 00:56:02,560 --> 00:56:06,000 Speaker 1: Golf umbrellas is like that they're really big and. 1133 00:56:06,040 --> 00:56:10,680 Speaker 2: Very like well made. Of course, yeah, I mean that. 1134 00:56:10,600 --> 00:56:15,880 Speaker 1: Is the that is the like gay ceo, Like that 1135 00:56:15,960 --> 00:56:18,319 Speaker 1: is the umbrella that wants to it's pee bota. But 1136 00:56:18,360 --> 00:56:22,040 Speaker 1: I almost think there's something interesting about pe because of 1137 00:56:22,080 --> 00:56:25,360 Speaker 1: course he started out as gay CEO, but because he 1138 00:56:25,440 --> 00:56:27,400 Speaker 1: was made Secretary of Transportation, which is kind of the 1139 00:56:27,400 --> 00:56:31,720 Speaker 1: gayest position you can have. I'm almost like it doesn't 1140 00:56:31,760 --> 00:56:34,280 Speaker 1: work anymore to use him as the good to example 1141 00:56:34,480 --> 00:56:37,600 Speaker 1: of like neoliberal gold guy, because I'm sort of like 1142 00:56:38,000 --> 00:56:41,200 Speaker 1: there's something about what he's doing that is actually so 1143 00:56:42,680 --> 00:56:50,680 Speaker 1: like perfume genius is like the perfume genius of being 1144 00:56:50,960 --> 00:56:51,799 Speaker 1: a gay sell out. 1145 00:56:52,520 --> 00:56:54,680 Speaker 2: This is like a brand new I've never heard this 1146 00:56:54,760 --> 00:56:57,520 Speaker 2: take in my life, Like this is the thing. There 1147 00:56:57,600 --> 00:56:59,399 Speaker 2: is really something genius about this. 1148 00:56:59,760 --> 00:57:01,120 Speaker 1: Like if he had succeeded, that would have been a 1149 00:57:01,160 --> 00:57:04,839 Speaker 1: different story. But like he's what Biden's little bitch and 1150 00:57:04,880 --> 00:57:06,520 Speaker 1: he has to like go fix the trains. 1151 00:57:07,160 --> 00:57:08,239 Speaker 2: Wait, I love this. 1152 00:57:08,360 --> 00:57:09,480 Speaker 4: You're being amazing right now. 1153 00:57:09,640 --> 00:57:11,759 Speaker 2: Yeah, this is I needed to hear this. 1154 00:57:13,480 --> 00:57:16,600 Speaker 1: Like, I actually don't think Pete is golf umbrella. I 1155 00:57:16,600 --> 00:57:19,880 Speaker 1: think Pete is. You know what I think Pete is. 1156 00:57:20,200 --> 00:57:24,640 Speaker 1: It's like an umbrella that has the logo of a 1157 00:57:24,640 --> 00:57:28,280 Speaker 1: big company or a hotel. Yeah, but that was given 1158 00:57:28,480 --> 00:57:30,600 Speaker 1: for free and the quality is actually not very good. 1159 00:57:30,800 --> 00:57:33,120 Speaker 4: I think it's like, but you, that's your umbrella that 1160 00:57:33,160 --> 00:57:34,040 Speaker 4: you have, Yes. 1161 00:57:33,920 --> 00:57:34,680 Speaker 2: Yeah, exactly. 1162 00:57:34,840 --> 00:57:40,120 Speaker 1: It's like Hilton Honors, Hilton Rewards program umbrella that you 1163 00:57:40,240 --> 00:57:42,960 Speaker 1: got because you stayed at your fiftieth Hilton and then 1164 00:57:43,040 --> 00:57:45,360 Speaker 1: that was sent to you along with the candle. 1165 00:57:45,720 --> 00:57:45,959 Speaker 2: Wow. 1166 00:57:46,040 --> 00:57:48,120 Speaker 4: Yeah, Can I talk about something else? 1167 00:57:48,160 --> 00:57:48,320 Speaker 2: Yes? 1168 00:57:48,360 --> 00:57:50,640 Speaker 1: Please, great transition by the way. 1169 00:57:55,920 --> 00:57:56,200 Speaker 4: It was. 1170 00:57:57,720 --> 00:58:04,800 Speaker 3: Yeah, can I talk about some the ouse now, little 1171 00:58:04,840 --> 00:58:06,440 Speaker 3: tiny umbrella that comes in a drink? 1172 00:58:08,040 --> 00:58:10,280 Speaker 4: Also don't work. 1173 00:58:10,080 --> 00:58:10,600 Speaker 1: No good? 1174 00:58:11,080 --> 00:58:12,680 Speaker 2: Talk about work no good. 1175 00:58:13,080 --> 00:58:15,080 Speaker 4: Not be working at all? 1176 00:58:15,120 --> 00:58:18,360 Speaker 2: Good, don't not be working, but works better than it 1177 00:58:18,400 --> 00:58:20,800 Speaker 2: should exactly. Also like a decoration. 1178 00:58:20,920 --> 00:58:23,120 Speaker 1: Sorry, when it comes to literally its job, which is 1179 00:58:23,160 --> 00:58:25,960 Speaker 1: being fabulous, it's getting tens across the board. 1180 00:58:26,040 --> 00:58:27,840 Speaker 2: I mean the fact that they make them to open and. 1181 00:58:27,800 --> 00:58:29,560 Speaker 4: Close, it's amazing. 1182 00:58:30,800 --> 00:58:31,680 Speaker 2: Why do they make them? 1183 00:58:31,840 --> 00:58:33,520 Speaker 4: But they're immediately broken. 1184 00:58:34,200 --> 00:58:36,040 Speaker 2: They come broken. 1185 00:58:35,080 --> 00:58:39,320 Speaker 3: They don't stay though, because they have you know, they 1186 00:58:39,320 --> 00:58:42,960 Speaker 3: have that tiny elastic that keeps it up. And then 1187 00:58:43,120 --> 00:58:45,120 Speaker 3: all of a sudden, like you're like four cips in, 1188 00:58:45,160 --> 00:58:46,240 Speaker 3: You're like where the elastic go? 1189 00:58:46,720 --> 00:58:49,240 Speaker 4: Yeah, now doesn't stay up. It's crazy. 1190 00:58:49,560 --> 00:58:54,080 Speaker 3: Even the esthetic like, oh my god, I'm so even 1191 00:58:54,120 --> 00:58:58,680 Speaker 3: the aesthetic replication of the real umbrella. 1192 00:58:59,720 --> 00:59:01,520 Speaker 4: Rat like matches. 1193 00:59:01,360 --> 00:59:05,840 Speaker 3: Yes, the original like function and intent, which is that 1194 00:59:05,960 --> 00:59:06,720 Speaker 3: it doesn't work. 1195 00:59:06,760 --> 00:59:08,640 Speaker 4: It looks gorgeous. Period. 1196 00:59:09,880 --> 00:59:12,680 Speaker 2: When those things stop being able to open and close, 1197 00:59:12,680 --> 00:59:15,280 Speaker 2: the little drink umbrellas, that's when you know society has fallen. 1198 00:59:16,160 --> 00:59:19,280 Speaker 2: Like there will be in our lives like stupid plastic 1199 00:59:19,360 --> 00:59:19,920 Speaker 2: ones that just. 1200 00:59:19,920 --> 00:59:22,720 Speaker 4: Aren't fake and stay open, open, no. 1201 00:59:22,600 --> 00:59:26,040 Speaker 2: And that will That's like when I'll go Republican. That 1202 00:59:26,120 --> 00:59:28,160 Speaker 2: was like this country used to mean something. 1203 00:59:28,280 --> 00:59:29,640 Speaker 4: You're bringing up Republican. 1204 00:59:30,080 --> 00:59:32,360 Speaker 2: I do bring it up a lot. We both bring 1205 00:59:32,360 --> 00:59:33,520 Speaker 2: it up a lot. Yeah, thank you. 1206 00:59:33,680 --> 00:59:35,400 Speaker 4: Yeah, it's a worry of yours. 1207 00:59:36,480 --> 00:59:39,160 Speaker 1: I think that it's sort of like it's just something 1208 00:59:39,200 --> 00:59:41,320 Speaker 1: that it's like it's a respectable way to be, like 1209 00:59:42,160 --> 00:59:44,080 Speaker 1: we don't want to make jokes about like suicide. It's 1210 00:59:44,120 --> 00:59:45,560 Speaker 1: like you would be like, oh, I'm going to kill 1211 00:59:45,640 --> 00:59:47,760 Speaker 1: myself if that happens. But like our version of that day, 1212 00:59:47,800 --> 00:59:49,280 Speaker 1: like I'm going to become a Republican. 1213 00:59:50,520 --> 00:59:53,840 Speaker 2: Do you think that's such? That's really funny. 1214 00:59:54,080 --> 00:59:57,160 Speaker 4: It's kind of kinds turned on I'm going to kill myself. 1215 00:59:58,520 --> 01:00:00,000 Speaker 1: You mean, like now that it's okay to say it. 1216 01:00:00,280 --> 01:00:00,800 Speaker 1: Now it's okay. 1217 01:00:00,880 --> 01:00:02,960 Speaker 4: No I'm saying it's like now it's not okay, it's 1218 01:00:02,960 --> 01:00:03,360 Speaker 4: not okay. 1219 01:00:03,520 --> 01:00:08,000 Speaker 3: Now I'm saying it's like way, way way over used. 1220 01:00:08,280 --> 01:00:09,120 Speaker 2: I see, I see. 1221 01:00:09,360 --> 01:00:12,280 Speaker 4: It used to be kind of like an inflammatory thing 1222 01:00:12,320 --> 01:00:15,360 Speaker 4: to say and edgything to say. It's that would like 1223 01:00:15,360 --> 01:00:18,480 Speaker 4: like be a guaranteed laugh, you know what I mean, 1224 01:00:18,640 --> 01:00:20,440 Speaker 4: And now it's a bit like why are you saying that? 1225 01:00:20,840 --> 01:00:25,439 Speaker 1: Yeah, yeah, I know there is something about specificity. For 1226 01:00:25,480 --> 01:00:27,720 Speaker 1: a while I thought maybe the way around that would 1227 01:00:28,040 --> 01:00:31,480 Speaker 1: was being like walk into the ocean, jump off a window, 1228 01:00:31,840 --> 01:00:35,120 Speaker 1: jump off a cliff, still off a cliff, but it 1229 01:00:35,160 --> 01:00:40,920 Speaker 1: does it's over, it's over. People don't do that so 1230 01:00:41,040 --> 01:00:43,320 Speaker 1: much already. Well they jump off a cliff. 1231 01:00:44,520 --> 01:00:46,960 Speaker 4: It's over for me. But all respect. 1232 01:00:48,120 --> 01:00:50,760 Speaker 3: My new thing that I've been saying that could be 1233 01:00:50,880 --> 01:00:51,919 Speaker 3: maybe a segment if you guys. 1234 01:00:52,000 --> 01:00:56,920 Speaker 4: Yeah, please, is all respect everyone who's ever lived. 1235 01:00:57,360 --> 01:01:00,600 Speaker 3: Oh, it's mostly what I'm about to say something mean 1236 01:01:00,880 --> 01:01:01,120 Speaker 3: I do. 1237 01:01:01,680 --> 01:01:03,160 Speaker 2: I always respect. 1238 01:01:03,240 --> 01:01:06,320 Speaker 1: I always everyone who ever lived, everyone, everyone. 1239 01:01:05,720 --> 01:01:07,240 Speaker 4: Who has ever lived. 1240 01:01:07,280 --> 01:01:09,200 Speaker 2: I will live respectful of. 1241 01:01:11,120 --> 01:01:12,520 Speaker 4: That person's being a bitch. 1242 01:01:12,960 --> 01:01:13,400 Speaker 2: Yeah. 1243 01:01:13,560 --> 01:01:17,560 Speaker 1: Yeah, I always say I say this with love. I 1244 01:01:17,560 --> 01:01:19,400 Speaker 1: would say that's one of my signature phrase. 1245 01:01:19,400 --> 01:01:20,920 Speaker 2: Is love love. 1246 01:01:21,160 --> 01:01:24,720 Speaker 3: But well, I guess like I want my respect to 1247 01:01:24,760 --> 01:01:30,840 Speaker 3: be true. It's like, listen, everyone's on their own yeah. 1248 01:01:30,880 --> 01:01:32,560 Speaker 4: Yeah, life path. 1249 01:01:32,760 --> 01:01:35,120 Speaker 1: But I also think I say it with love. I 1250 01:01:35,160 --> 01:01:38,040 Speaker 1: mean it semi earnestly because it's like sometimes pointing out 1251 01:01:38,040 --> 01:01:40,840 Speaker 1: someone's flaw is the purest expression of love, because it 1252 01:01:40,880 --> 01:01:42,080 Speaker 1: means you see them for who they are. 1253 01:01:42,160 --> 01:01:44,680 Speaker 2: I was thinking today, I was bringing myself to tears 1254 01:01:44,720 --> 01:01:48,520 Speaker 2: thinking about how much I like critique. 1255 01:01:50,200 --> 01:01:56,040 Speaker 3: Myself, getting yourself there, I was getting Yeah, well, I 1256 01:01:56,120 --> 01:01:57,480 Speaker 3: was just like, what is critique? 1257 01:01:57,520 --> 01:02:00,680 Speaker 2: Like? We're all watching and consuming things, yes, and it's 1258 01:02:00,720 --> 01:02:03,240 Speaker 2: like but you experience it in your own head and 1259 01:02:03,280 --> 01:02:05,960 Speaker 2: you're like, Okay, I felt this way about it. I 1260 01:02:06,000 --> 01:02:08,480 Speaker 2: wonder if there's anyone who feels similarly. We can put 1261 01:02:08,480 --> 01:02:11,800 Speaker 2: that into words, right, I love consuming critiques. Yeah, that 1262 01:02:11,920 --> 01:02:16,600 Speaker 2: are like nuanced and like you like but accurate, like 1263 01:02:16,640 --> 01:02:18,840 Speaker 2: when they hit something that is like, oh, that's it. 1264 01:02:18,880 --> 01:02:21,200 Speaker 2: I wish I could have put that into words. I'm like, 1265 01:02:21,320 --> 01:02:22,440 Speaker 2: I love a good critique. 1266 01:02:22,480 --> 01:02:25,680 Speaker 1: I mean, of course, that's why it's so like intellectually 1267 01:02:25,760 --> 01:02:29,280 Speaker 1: dishonest to be like, oh, critics, Like why don't you 1268 01:02:29,360 --> 01:02:31,680 Speaker 1: make something if you're such a critic. It's like, well, 1269 01:02:31,760 --> 01:02:36,120 Speaker 1: maybe criticism is making something. It completely literally making ideas, 1270 01:02:36,160 --> 01:02:37,280 Speaker 1: which is harder than. 1271 01:02:37,160 --> 01:02:42,000 Speaker 3: Making an umbrella, like trying to measure how close or 1272 01:02:42,120 --> 01:02:44,280 Speaker 3: far you are to something else. 1273 01:02:44,360 --> 01:02:47,480 Speaker 2: Yes, yeah, and obviously there are as. There are bad artists, 1274 01:02:47,520 --> 01:02:48,920 Speaker 2: there are bad critics. 1275 01:02:49,400 --> 01:02:51,880 Speaker 1: That's I think the issue is we need to be 1276 01:02:51,920 --> 01:02:53,920 Speaker 1: more honest about the fact that there are good critics 1277 01:02:53,920 --> 01:02:55,920 Speaker 1: and bad critics, because I think what ends up happening 1278 01:02:55,920 --> 01:02:57,240 Speaker 1: is you put all of them in one box. It's 1279 01:02:57,280 --> 01:02:59,400 Speaker 1: like me waking up and being like all filmmakers are 1280 01:02:59,440 --> 01:03:04,240 Speaker 1: bad because I just saw the idea of you, right right, 1281 01:03:04,560 --> 01:03:05,160 Speaker 1: that's not fair. 1282 01:03:06,440 --> 01:03:10,040 Speaker 4: I'm still stuck on bringing myself to tears. That's mister. 1283 01:03:11,320 --> 01:03:15,360 Speaker 1: That is actually what is mister Gregor Beans, is you 1284 01:03:15,600 --> 01:03:19,800 Speaker 1: having like sort of like a normal thought and crying. 1285 01:03:19,880 --> 01:03:20,400 Speaker 2: Because of it. 1286 01:03:20,440 --> 01:03:23,840 Speaker 3: I was really like, forgetting yourself to cry about something. 1287 01:03:24,760 --> 01:03:27,000 Speaker 2: I love that very emotional, but I. 1288 01:03:27,240 --> 01:03:29,160 Speaker 4: Know, yeah, I'm going to do an act out of 1289 01:03:29,160 --> 01:03:30,240 Speaker 4: bringing yourself to tears. 1290 01:03:30,400 --> 01:03:32,040 Speaker 2: I think I was literally like in the Chipotle at 1291 01:03:32,080 --> 01:03:32,960 Speaker 2: eleven fifteen am. 1292 01:03:34,200 --> 01:03:36,600 Speaker 1: Sometimes I yeah, sometimes I bring myself to tears. When 1293 01:03:36,640 --> 01:03:38,880 Speaker 1: I think about my relationship with Sam, I'm like, we've 1294 01:03:38,920 --> 01:03:42,360 Speaker 1: been through so much together it still is only getting deeper, 1295 01:03:42,520 --> 01:03:45,760 Speaker 1: and I'm still excited to talk and critique with him 1296 01:03:45,760 --> 01:03:46,760 Speaker 1: every single time we see. 1297 01:03:46,840 --> 01:03:50,080 Speaker 4: True, it's the sweetest thing I've ever heard. Do you 1298 01:03:50,120 --> 01:03:51,120 Speaker 4: have a specialist? 1299 01:03:51,960 --> 01:03:55,040 Speaker 1: We've learned, though, to occasionally text each other I miss you, 1300 01:03:55,120 --> 01:03:57,840 Speaker 1: which is huge for me, Yeah, because we used to 1301 01:03:57,880 --> 01:04:00,920 Speaker 1: be about it checking in difficult. Well well not just that, 1302 01:04:01,000 --> 01:04:02,920 Speaker 1: but also I think both of us struggle with being 1303 01:04:02,960 --> 01:04:05,720 Speaker 1: earnest and with like straightforwardly being like I miss you. 1304 01:04:06,160 --> 01:04:09,360 Speaker 3: It's really yeah, I feel that you too, like are 1305 01:04:09,400 --> 01:04:13,560 Speaker 3: like my special guys for that, like I'm not relating 1306 01:04:13,600 --> 01:04:15,640 Speaker 3: to you guys not being able to do that because 1307 01:04:15,680 --> 01:04:18,160 Speaker 3: every time I see you booth it's like, okay, sweetee, I. 1308 01:04:18,120 --> 01:04:22,200 Speaker 1: See well yeah, yeah, but don't you think there's a 1309 01:04:22,240 --> 01:04:23,840 Speaker 1: sort of okay, how do I phrase this. 1310 01:04:25,000 --> 01:04:27,680 Speaker 2: I like, you've been doing some expert throat clearing today, 1311 01:04:27,720 --> 01:04:29,640 Speaker 2: and I know it's for like a practical reason, but 1312 01:04:29,800 --> 01:04:31,680 Speaker 2: I find you is it grainger beans? 1313 01:04:34,080 --> 01:04:35,400 Speaker 1: It's my throat clearing green. 1314 01:04:35,640 --> 01:04:37,960 Speaker 2: It might be ginger beans. I'm sorry, it really no. 1315 01:04:38,080 --> 01:04:41,000 Speaker 2: I like gringer beans is a beloved of Carol. 1316 01:04:42,840 --> 01:04:47,480 Speaker 4: It's a compliment. Oh that if someone says it's granger beans, 1317 01:04:47,480 --> 01:04:47,959 Speaker 4: it's good. 1318 01:04:49,280 --> 01:04:52,080 Speaker 1: Okay, Oh, I know what I was about to say. 1319 01:04:52,200 --> 01:04:56,160 Speaker 1: There's a sort of uh, counterintuitive things that happens when 1320 01:04:56,440 --> 01:05:02,160 Speaker 1: you're so close with someone it becomes more difficul to express. Yeah, 1321 01:05:02,280 --> 01:05:05,840 Speaker 1: that intimacy because it's a given, because the given, and 1322 01:05:05,880 --> 01:05:09,400 Speaker 1: because when you express it it feels forced or it 1323 01:05:09,480 --> 01:05:14,920 Speaker 1: feels contrived. It's almost like imagine you know what it is. 1324 01:05:14,960 --> 01:05:19,760 Speaker 1: It's like imagine watching Casablanca and then having to rate 1325 01:05:19,800 --> 01:05:23,960 Speaker 1: it on letterboxed. Do you know what I'm trying to say? Yes, 1326 01:05:24,040 --> 01:05:29,160 Speaker 1: it's so self evidently a masterpiece that it is so 1327 01:05:29,320 --> 01:05:32,520 Speaker 1: beside the point to be like, hmmm, five stars. 1328 01:05:34,520 --> 01:05:36,040 Speaker 2: I found the characters interesting, exactly. 1329 01:05:36,360 --> 01:05:38,240 Speaker 1: And so in the same way, when someone is you know, 1330 01:05:38,320 --> 01:05:41,160 Speaker 1: like a sister to you, and then you and then 1331 01:05:41,160 --> 01:05:43,720 Speaker 1: you're like, hey, by the way, don't forget I love you. 1332 01:05:44,360 --> 01:05:47,479 Speaker 1: It's like, okay, well, celest, you're good. 1333 01:05:47,360 --> 01:05:48,720 Speaker 2: At expressing your emotions. 1334 01:05:49,200 --> 01:05:52,080 Speaker 1: Thank you, And that's all I have to say about that. 1335 01:05:52,200 --> 01:05:59,160 Speaker 3: Okay, I think I agree with what you're saying. 1336 01:05:59,400 --> 01:06:01,960 Speaker 4: Practically, I always think it's nice. 1337 01:06:02,240 --> 01:06:05,160 Speaker 1: I agree, I ultimately agree, and I ultimately always appreciate 1338 01:06:05,200 --> 01:06:08,640 Speaker 1: when someone does express I don't think you're good at it. 1339 01:06:10,440 --> 01:06:15,280 Speaker 3: I love you. You know what else about Gregor beans. 1340 01:06:16,520 --> 01:06:17,800 Speaker 1: And thank you for bringing it back? 1341 01:06:18,000 --> 01:06:21,320 Speaker 3: It is the perfect It's it's actually so Gregor beans 1342 01:06:21,360 --> 01:06:26,760 Speaker 3: being a good thing is the solution to their not 1343 01:06:26,960 --> 01:06:33,360 Speaker 3: being a nice way to say noticing your shirt. Yes, 1344 01:06:34,720 --> 01:06:38,320 Speaker 3: it's like someone's doing something big, like someone's using more 1345 01:06:38,360 --> 01:06:39,280 Speaker 3: steps than they have. 1346 01:06:39,240 --> 01:06:44,760 Speaker 4: To being ginger beans. But that's I say this with I. 1347 01:06:44,800 --> 01:06:46,880 Speaker 2: Say this with love. You're being gringer beans. 1348 01:06:47,040 --> 01:06:51,800 Speaker 3: Gringer beans is all respect to everyone because it's. 1349 01:06:51,680 --> 01:06:54,160 Speaker 2: Not good or bad. It's I would argue, it's good. 1350 01:06:54,440 --> 01:06:54,800 Speaker 2: It is good. 1351 01:06:54,800 --> 01:06:55,439 Speaker 4: That's what I'm saying. 1352 01:06:55,520 --> 01:06:57,520 Speaker 2: Gringer beans is synonymous with good. 1353 01:06:57,600 --> 01:06:58,000 Speaker 1: It's good. 1354 01:06:58,200 --> 01:07:02,480 Speaker 2: Yeah, it's a type of good. It's a big good. Yeah, 1355 01:07:02,640 --> 01:07:04,520 Speaker 2: Like you can still notice someone's shirt if you don't 1356 01:07:04,520 --> 01:07:06,000 Speaker 2: like it, you can still say I'm noticing your shirt. 1357 01:07:06,360 --> 01:07:07,920 Speaker 2: But if you are noticing it and it's big and 1358 01:07:07,960 --> 01:07:10,320 Speaker 2: you like it, you say that suits exactly. 1359 01:07:10,520 --> 01:07:12,960 Speaker 1: Oh I see, I see, I see. Because I'm thinking, 1360 01:07:14,040 --> 01:07:18,360 Speaker 1: I feel though, Okay, I hesitate to complicate this because 1361 01:07:18,440 --> 01:07:20,440 Speaker 1: I think we're having such an amazing it's such an 1362 01:07:20,440 --> 01:07:21,400 Speaker 1: amazing do it. 1363 01:07:21,400 --> 01:07:24,600 Speaker 4: I feel pretty like secure, ye course. 1364 01:07:24,520 --> 01:07:26,680 Speaker 1: But I'm just thinking, like, okay, let's go back to 1365 01:07:26,680 --> 01:07:29,440 Speaker 1: my throat clearing. What if I I understand that at 1366 01:07:29,480 --> 01:07:31,160 Speaker 1: the level that I was doing it, it was adorable, 1367 01:07:31,160 --> 01:07:34,360 Speaker 1: it was incredible. I I I seemed so and I 1368 01:07:34,440 --> 01:07:36,760 Speaker 1: love you, But what if what if it really reached 1369 01:07:36,760 --> 01:07:38,200 Speaker 1: a point where it was so gringer Beans that it 1370 01:07:38,280 --> 01:07:40,880 Speaker 1: was like disrupting the podcast, or what if, for instance, 1371 01:07:41,120 --> 01:07:43,760 Speaker 1: going back to you know, Uma Thurman carry Washington, sometimes 1372 01:07:43,840 --> 01:07:47,000 Speaker 1: there Gringer Beans is actually negatively effected. 1373 01:07:47,120 --> 01:07:49,360 Speaker 3: I knew that that's that's what the calculus was in 1374 01:07:49,440 --> 01:07:51,680 Speaker 3: your head. But I think also those are like girls 1375 01:07:51,760 --> 01:07:54,680 Speaker 3: you love you love them because you know what I mean, 1376 01:07:56,720 --> 01:07:59,200 Speaker 3: because I saw you doing the math. Like, but I 1377 01:07:59,240 --> 01:08:02,640 Speaker 3: had said all those people or yes, that was legit. 1378 01:08:03,200 --> 01:08:05,120 Speaker 1: I also literally said Trump was Gregor be and so 1379 01:08:05,200 --> 01:08:07,120 Speaker 1: you know it is tough stuff. 1380 01:08:07,200 --> 01:08:10,560 Speaker 2: Maybe I do love. I mean he's using ging beans, he's. 1381 01:08:10,480 --> 01:08:12,360 Speaker 1: Using graingermans for evil. Of course, you can use Gringer 1382 01:08:12,400 --> 01:08:14,360 Speaker 1: beans for evil. I mean you can use anything for evil. 1383 01:08:14,520 --> 01:08:15,960 Speaker 2: Yeah, that's like charm. 1384 01:08:16,120 --> 01:08:21,720 Speaker 4: That's so deep. Well, you can use anything you can. 1385 01:08:22,520 --> 01:08:23,479 Speaker 2: What can you not use for you? 1386 01:08:23,640 --> 01:08:26,760 Speaker 1: Well, I guess you can't for instance, a very obvious point. 1387 01:08:26,760 --> 01:08:28,559 Speaker 1: But it's like you can use philanthropy for evil. 1388 01:08:29,320 --> 01:08:32,799 Speaker 4: Yeah, but y'all already know there's one thing you can't 1389 01:08:32,920 --> 01:08:33,679 Speaker 4: use for evil. 1390 01:08:33,840 --> 01:08:34,040 Speaker 3: Love. 1391 01:08:35,160 --> 01:08:38,240 Speaker 4: Yeah, do you think let's think, let's. 1392 01:08:38,120 --> 01:08:41,320 Speaker 1: Think, well, I think definitely manipulate love and use it 1393 01:08:41,360 --> 01:08:42,880 Speaker 1: for evil, like if you are but. 1394 01:08:43,000 --> 01:08:43,959 Speaker 4: That's not love. 1395 01:08:45,720 --> 01:08:52,840 Speaker 1: Girl love that's your book title, but that's not love 1396 01:08:52,960 --> 01:08:54,120 Speaker 1: dot dot dot girl. 1397 01:08:57,040 --> 01:08:57,880 Speaker 2: Ol l. 1398 01:08:59,360 --> 01:09:01,160 Speaker 1: Okay, I mean this is I don't even think we 1399 01:09:01,200 --> 01:09:03,719 Speaker 1: have enough time right now. But like, is it true 1400 01:09:03,800 --> 01:09:06,160 Speaker 1: that when you use love for evil it stops becoming love? 1401 01:09:08,400 --> 01:09:10,360 Speaker 2: Yes? Do you think so? I don't think so. I 1402 01:09:10,400 --> 01:09:11,920 Speaker 2: think Like, let's say you're a mother and you love 1403 01:09:11,960 --> 01:09:12,639 Speaker 2: your daughter. 1404 01:09:13,920 --> 01:09:17,960 Speaker 1: And separately you're committing crimes. 1405 01:09:19,920 --> 01:09:21,000 Speaker 4: And then you blame it on her. 1406 01:09:21,360 --> 01:09:23,200 Speaker 2: No, let's say like Gypsy Rose. 1407 01:09:23,600 --> 01:09:26,680 Speaker 1: Yeah, well, okay, hold on that, But I do think 1408 01:09:26,720 --> 01:09:29,120 Speaker 1: that's not love. Maybe you think did you think mother 1409 01:09:29,360 --> 01:09:31,080 Speaker 1: Gypsy loved daughter Gypsy? 1410 01:09:31,920 --> 01:09:35,160 Speaker 2: They're both named Gypsy? No, I just I just don't 1411 01:09:35,200 --> 01:09:35,840 Speaker 2: know their names. 1412 01:09:35,960 --> 01:09:38,639 Speaker 4: Don't bring up, don't confuse him already lost. 1413 01:09:42,439 --> 01:09:46,360 Speaker 1: I don't know, you know what, I think that's maybe 1414 01:09:46,439 --> 01:09:48,160 Speaker 1: something we have to throw out to the listeners. 1415 01:09:48,160 --> 01:09:49,680 Speaker 4: I feel really confident, you. 1416 01:09:49,800 --> 01:09:51,120 Speaker 2: Really feel I get it. 1417 01:09:51,560 --> 01:09:54,080 Speaker 1: You know what I actually appreciate about you. You have 1418 01:09:54,600 --> 01:09:56,800 Speaker 1: very clearly defined morality. 1419 01:09:57,840 --> 01:10:00,519 Speaker 4: People say that to me a lot. Yeah, Well, I 1420 01:10:00,600 --> 01:10:02,720 Speaker 4: wonder what that's coming from, because I don't know if 1421 01:10:02,760 --> 01:10:03,240 Speaker 4: that's true. 1422 01:10:03,520 --> 01:10:04,439 Speaker 1: You don't think that's true. 1423 01:10:04,479 --> 01:10:07,519 Speaker 4: I think I have like a regular sense of what 1424 01:10:07,680 --> 01:10:08,639 Speaker 4: I think is right and wrong. 1425 01:10:09,280 --> 01:10:11,920 Speaker 3: Well, I wonder if it's because I'm like being like 1426 01:10:12,080 --> 01:10:15,920 Speaker 3: randomly like two opinionated sometimes or something that people think. 1427 01:10:15,800 --> 01:10:17,320 Speaker 2: That your vocal about it. 1428 01:10:17,560 --> 01:10:21,240 Speaker 1: Yeah, but I also think because they're you thinking it's regular, 1429 01:10:21,920 --> 01:10:24,439 Speaker 1: it is like part of it not being regular, Like 1430 01:10:24,560 --> 01:10:26,640 Speaker 1: you have such a strong sense of morality that you 1431 01:10:26,720 --> 01:10:30,640 Speaker 1: can't imagine anyone not having that strong sense of morality. Right, 1432 01:10:30,880 --> 01:10:34,920 Speaker 1: So you're like, well I'm regular, right again, Like I've 1433 01:10:34,960 --> 01:10:35,200 Speaker 1: kind of. 1434 01:10:35,200 --> 01:10:37,400 Speaker 3: Been feeling like that's coming from like may being stubborn 1435 01:10:37,520 --> 01:10:40,439 Speaker 3: or something. But maybe I have to like be practicing 1436 01:10:40,479 --> 01:10:40,840 Speaker 3: more love. 1437 01:10:41,080 --> 01:10:43,320 Speaker 1: But don't you think being stubborn. You can be stubborn 1438 01:10:43,360 --> 01:10:44,320 Speaker 1: and have bad morality. 1439 01:10:45,160 --> 01:10:45,360 Speaker 2: I know. 1440 01:10:45,439 --> 01:10:47,920 Speaker 3: I'm just saying like maybe, like I just always wonder 1441 01:10:48,000 --> 01:10:50,080 Speaker 3: what that's what's being picked up on from me. 1442 01:10:50,400 --> 01:10:53,040 Speaker 4: I see that people think sad, I see but love 1443 01:10:53,120 --> 01:10:54,120 Speaker 4: you respect. 1444 01:10:53,920 --> 01:10:56,320 Speaker 1: And so many people have your exact morality, but they're 1445 01:10:56,400 --> 01:10:57,800 Speaker 1: not as like in your face about it is what 1446 01:10:57,840 --> 01:11:00,679 Speaker 1: you're saying. Yeah, Like I just am like, you're Grainger 1447 01:11:00,760 --> 01:11:01,639 Speaker 1: beans in morality? 1448 01:11:04,240 --> 01:11:05,240 Speaker 4: Hello you think that? 1449 01:11:05,360 --> 01:11:08,240 Speaker 2: I mean going back to going back to morale beans 1450 01:11:09,760 --> 01:11:12,440 Speaker 2: being good. It's like hell, going to a protest. 1451 01:11:12,240 --> 01:11:15,280 Speaker 1: Is Gringer beans in morale. It's like it's like God forbid, 1452 01:11:15,360 --> 01:11:17,000 Speaker 1: you have a private thought. You're going out and you're 1453 01:11:17,000 --> 01:11:20,679 Speaker 1: holding a sign. It's like, oh, I woke up saying 1454 01:11:20,680 --> 01:11:22,400 Speaker 1: I was like, I believe in equality. I have to 1455 01:11:22,520 --> 01:11:24,400 Speaker 1: be as loud about it as possible. Well, this is 1456 01:11:24,520 --> 01:11:28,720 Speaker 1: why would you say Jan six protesters were they were 1457 01:11:28,840 --> 01:11:31,880 Speaker 1: using Grainger beans? Yes, that was classic Ringer beans. 1458 01:11:32,080 --> 01:11:34,559 Speaker 4: Did you guys pass the rat today on the way? 1459 01:11:34,920 --> 01:11:38,439 Speaker 1: Oh no, no, no, no, no, no, I didn't see 1460 01:11:38,479 --> 01:11:39,040 Speaker 1: I didn't see her. 1461 01:11:39,040 --> 01:11:42,960 Speaker 4: That rat should be named that's ginger beans. That's love her, 1462 01:11:43,000 --> 01:11:43,840 Speaker 4: by the way I love her. 1463 01:11:43,880 --> 01:11:46,320 Speaker 1: Of course she's a legend. It's Cabby. It can't be 1464 01:11:46,360 --> 01:11:46,680 Speaker 1: the rat. 1465 01:11:46,760 --> 01:11:47,439 Speaker 4: It's can't be the rap. 1466 01:11:49,479 --> 01:11:52,600 Speaker 2: Hey, that would have been an amazing time to have 1467 01:11:52,680 --> 01:11:55,040 Speaker 2: a thought, but it just didn't have. No, we'll do 1468 01:11:55,040 --> 01:11:55,559 Speaker 2: it all on post. 1469 01:11:55,920 --> 01:11:59,680 Speaker 1: Go on, Yeah, sentence post is gonna sound like, you 1470 01:11:59,720 --> 01:12:02,840 Speaker 1: know in with Chris Hayes, I. 1471 01:12:02,920 --> 01:12:04,840 Speaker 2: Have one an umbrella based question. 1472 01:12:04,920 --> 01:12:06,280 Speaker 1: Oh yes, oh yeah about that? 1473 01:12:06,680 --> 01:12:07,200 Speaker 4: Yeah, me too. 1474 01:12:07,479 --> 01:12:10,760 Speaker 2: How do you to treat your umbrellas? 1475 01:12:13,080 --> 01:12:14,320 Speaker 4: I treat them. 1476 01:12:15,760 --> 01:12:25,560 Speaker 3: Like it's it's like a conversation or something. It's like 1477 01:12:26,479 --> 01:12:30,640 Speaker 3: it's not I don't own one, but I can have 1478 01:12:30,800 --> 01:12:34,960 Speaker 3: one when I'm with someone else. It's like so intangible 1479 01:12:35,040 --> 01:12:35,200 Speaker 3: to me. 1480 01:12:35,479 --> 01:12:36,800 Speaker 1: Yeah, Like it's not like. 1481 01:12:38,760 --> 01:12:42,519 Speaker 3: I like don't ever know where one is, Yeah, don't 1482 01:12:42,640 --> 01:12:46,320 Speaker 3: ever remember like if I brought one, But if I 1483 01:12:46,479 --> 01:12:48,639 Speaker 3: need one, it's like it's there. 1484 01:12:49,040 --> 01:12:49,200 Speaker 2: You know. 1485 01:12:49,280 --> 01:12:55,400 Speaker 1: What I think is essentially identical in form, function, and 1486 01:12:55,479 --> 01:13:00,559 Speaker 1: spirit to an umbrella chapstick. It is something that does 1487 01:13:00,640 --> 01:13:02,640 Speaker 1: not do what it's meant to do very well. It 1488 01:13:02,760 --> 01:13:04,599 Speaker 1: is something that you literally always lose. 1489 01:13:04,640 --> 01:13:05,240 Speaker 2: No one has ever. 1490 01:13:05,200 --> 01:13:07,960 Speaker 1: Finished a tube of chapstick. It is something that you 1491 01:13:08,600 --> 01:13:10,880 Speaker 1: always have with you somehow, except for the one time 1492 01:13:10,960 --> 01:13:11,360 Speaker 1: you need it. 1493 01:13:11,479 --> 01:13:11,920 Speaker 3: Mm hmm. 1494 01:13:14,479 --> 01:13:17,400 Speaker 1: It is something that's like cheap enough, where it's you 1495 01:13:17,560 --> 01:13:20,080 Speaker 1: sort of like don't care. No one's ever like, oh god, 1496 01:13:20,120 --> 01:13:22,040 Speaker 1: I lost my chapstick as I'll have to save up 1497 01:13:22,520 --> 01:13:26,639 Speaker 1: next month, and you're calling in something queer and exactly 1498 01:13:26,760 --> 01:13:29,280 Speaker 1: it's something I mean, the idea of chapstick is literally 1499 01:13:29,320 --> 01:13:31,280 Speaker 1: the definition of campaus you're putting lipstick on, but it's 1500 01:13:31,280 --> 01:13:31,920 Speaker 1: not adding color. 1501 01:13:32,120 --> 01:13:35,439 Speaker 4: Yes, and the chapstick lesbian of course. Of course, what 1502 01:13:35,680 --> 01:13:37,000 Speaker 4: would an umbrella gay be? 1503 01:13:38,000 --> 01:13:41,439 Speaker 1: An umbrella gay? An umbrella like if someone if you're like, 1504 01:13:41,520 --> 01:13:42,600 Speaker 1: oh he's such an umbrella y. 1505 01:13:42,720 --> 01:13:44,479 Speaker 2: Yeah, Okay, this could be a couple of things. 1506 01:13:44,520 --> 01:13:45,040 Speaker 1: Okay, Yeah. 1507 01:13:45,200 --> 01:13:47,599 Speaker 2: I could see it being like almost like a dapper 1508 01:13:47,680 --> 01:13:50,479 Speaker 2: gay exactly. Yeah, Like it's sort of like I wear 1509 01:13:50,560 --> 01:13:57,120 Speaker 2: wool pants and like fetishize London. What's the word? See 1510 01:13:57,120 --> 01:13:59,519 Speaker 2: it kind of being tech gay where it's like I 1511 01:13:59,680 --> 01:14:02,840 Speaker 2: have like my pants are moisture wicking. 1512 01:14:03,000 --> 01:14:04,800 Speaker 4: And I could also see it being like lost my 1513 01:14:04,840 --> 01:14:08,200 Speaker 4: phone and wallet gay. Yeah, like where's my phone, where's 1514 01:14:08,200 --> 01:14:09,320 Speaker 4: my wallet? And my girl? 1515 01:14:09,640 --> 01:14:10,800 Speaker 2: Yeah, totally yeah. 1516 01:14:10,960 --> 01:14:14,439 Speaker 1: And his umbrella is like decrepit. It's like half of 1517 01:14:14,479 --> 01:14:16,479 Speaker 1: it is fully gone. One of the things is like 1518 01:14:16,560 --> 01:14:18,280 Speaker 1: poking a woman in the eye as he's walking. 1519 01:14:18,680 --> 01:14:21,720 Speaker 2: I mean, I never feel more like star of a 1520 01:14:21,800 --> 01:14:23,760 Speaker 2: movie than when I have a cheap umbrella and it's 1521 01:14:23,840 --> 01:14:26,280 Speaker 2: fully busted and flying in the wind and I'm like, oh, 1522 01:14:26,479 --> 01:14:29,080 Speaker 2: I'm this is the beginning of my movie, like down 1523 01:14:29,120 --> 01:14:29,519 Speaker 2: on my luck. 1524 01:14:29,720 --> 01:14:32,959 Speaker 4: What's amazing about an umbrella is like even the cheapest, 1525 01:14:33,120 --> 01:14:39,280 Speaker 4: most broken one and like and the most expensive good 1526 01:14:39,400 --> 01:14:44,320 Speaker 4: one like gives you this. They give you the same experience. 1527 01:14:44,920 --> 01:14:47,760 Speaker 4: Like you're getting wet, You're getting you're holding a big thing. 1528 01:14:47,800 --> 01:14:48,599 Speaker 2: You're getting some wet. 1529 01:14:49,840 --> 01:14:52,720 Speaker 4: An umbrella gay, an umbrella gay? 1530 01:14:53,600 --> 01:14:56,880 Speaker 2: It also okay, this is maybe I can't tell this 1531 01:14:56,960 --> 01:14:59,519 Speaker 2: is gay or straight about it actually, but walking with 1532 01:14:59,600 --> 01:15:02,680 Speaker 2: a friend starts pouring rain, there's one umbrella. Suddenly you're 1533 01:15:02,680 --> 01:15:04,160 Speaker 2: a couple. This doesn't matter. 1534 01:15:05,520 --> 01:15:09,160 Speaker 1: A couple. It's actually something I would love to talk about, 1535 01:15:09,360 --> 01:15:11,960 Speaker 1: which is and I think it relates to what you're saying. 1536 01:15:12,080 --> 01:15:14,760 Speaker 1: The use of umbrella as a metaphor meaning under the 1537 01:15:14,840 --> 01:15:19,680 Speaker 1: blank umbrella. Now here's the issue with that. Definitionally, if 1538 01:15:19,720 --> 01:15:22,639 Speaker 1: two people are under if multiple people are under an umbrella, 1539 01:15:22,880 --> 01:15:25,800 Speaker 1: it does not actually cover them, and it sort of 1540 01:15:25,880 --> 01:15:29,000 Speaker 1: fucks everyone over. So to say such and such as 1541 01:15:29,080 --> 01:15:33,559 Speaker 1: under the LGBTQ plus umbrella is almost being like watch out, 1542 01:15:33,800 --> 01:15:36,760 Speaker 1: your rights are under attack, Like the umbrella is not 1543 01:15:36,880 --> 01:15:37,680 Speaker 1: going to protect. 1544 01:15:37,400 --> 01:15:39,519 Speaker 2: Your bits, all your shoulders getting wet, all your shoulders 1545 01:15:39,560 --> 01:15:40,040 Speaker 2: are you're in. 1546 01:15:40,200 --> 01:15:42,439 Speaker 4: The place that the umbrella puts the water. 1547 01:15:42,920 --> 01:15:46,599 Speaker 2: Yeah, right, exactly. 1548 01:15:46,760 --> 01:15:47,439 Speaker 4: It's crazy. 1549 01:15:47,880 --> 01:15:51,479 Speaker 1: There's a sense of at first glance, saying you are 1550 01:15:51,600 --> 01:15:54,960 Speaker 1: under an umbrella gives you a form of safety under 1551 01:15:55,040 --> 01:15:56,920 Speaker 1: your but it's like who's in the center of the 1552 01:15:57,040 --> 01:15:59,240 Speaker 1: umbrella and who's that the edge is getting more wet 1553 01:15:59,280 --> 01:16:00,800 Speaker 1: than if they didn't have umbrella to begin with. 1554 01:16:01,439 --> 01:16:03,240 Speaker 2: Oh my god, beautiful metaphor. 1555 01:16:04,120 --> 01:16:04,960 Speaker 4: That's crazy. 1556 01:16:05,960 --> 01:16:06,519 Speaker 2: That's crazy. 1557 01:16:06,640 --> 01:16:07,960 Speaker 4: So what kind of gig guy is that. 1558 01:16:10,400 --> 01:16:11,040 Speaker 2: Party promoter? 1559 01:16:12,760 --> 01:16:17,080 Speaker 4: Well, well, that's interesting because they're just like. 1560 01:16:17,320 --> 01:16:20,840 Speaker 2: Only because it's like like, yes, everyone's like it's a 1561 01:16:20,920 --> 01:16:24,640 Speaker 2: queer party. Everyone come, But it's like somebody, yeah, who 1562 01:16:24,680 --> 01:16:28,040 Speaker 2: do you know that umbrella is exclusive? 1563 01:16:28,280 --> 01:16:30,439 Speaker 4: Yeah, it's a little like some of you are gonna 1564 01:16:30,439 --> 01:16:32,600 Speaker 4: be outside that's interesting. 1565 01:16:32,920 --> 01:16:36,400 Speaker 3: Okay, So maybe an umbrella gay is like the guy 1566 01:16:36,720 --> 01:16:41,560 Speaker 3: who like invites like half of a friend group over gatekeeper. 1567 01:16:41,960 --> 01:16:42,799 Speaker 2: Yeah, gatekeeper. 1568 01:16:42,880 --> 01:16:46,040 Speaker 1: Maybe umbrella is gatekeeper. It's like I'm holding the umbrella 1569 01:16:46,080 --> 01:16:47,280 Speaker 1: and I decide who goes under it. 1570 01:16:47,720 --> 01:16:50,240 Speaker 3: Yeah, but there has to be an element of like 1571 01:16:50,600 --> 01:17:01,320 Speaker 3: the umbrellas doesn't work so good, that's the main proud Yeah, 1572 01:17:02,640 --> 01:17:04,960 Speaker 3: should we maybe try to approach it like from the drink, 1573 01:17:05,720 --> 01:17:07,120 Speaker 3: from the umbrella in the drink. 1574 01:17:09,479 --> 01:17:14,000 Speaker 1: Okay, so in terms of in terms of someone who 1575 01:17:14,080 --> 01:17:17,200 Speaker 1: is basically a gatekeeper, like a flop gatekeeper, someone who 1576 01:17:17,320 --> 01:17:18,080 Speaker 1: thinks they're. 1577 01:17:18,040 --> 01:17:18,840 Speaker 2: The head of the group. 1578 01:17:19,320 --> 01:17:21,640 Speaker 1: Yeah, oh no, here's what it is. An umbrella gae 1579 01:17:21,760 --> 01:17:26,639 Speaker 1: someone who is always host always sending party full links, 1580 01:17:26,800 --> 01:17:30,000 Speaker 1: like always hosting parties, always sending party full links, close friends, 1581 01:17:30,120 --> 01:17:31,360 Speaker 1: close friends, everything else. 1582 01:17:31,640 --> 01:17:33,920 Speaker 2: But no one's like that into their events. 1583 01:17:36,040 --> 01:17:37,280 Speaker 4: That's interesting, you know what I mean? 1584 01:17:37,760 --> 01:17:39,720 Speaker 2: Yes, And there are people like that. 1585 01:17:39,880 --> 01:17:43,960 Speaker 1: Like always having some theme party, always wanting to host 1586 01:17:44,000 --> 01:17:47,120 Speaker 1: the pregame. They have this complex where they think they're 1587 01:17:47,160 --> 01:17:49,400 Speaker 1: the center of the group, but no one else really 1588 01:17:49,439 --> 01:17:51,400 Speaker 1: thinks so. But because someone else is stepping up to 1589 01:17:51,439 --> 01:17:53,040 Speaker 1: be the center, people are like, yeah, I guess we'll 1590 01:17:53,080 --> 01:17:54,280 Speaker 1: go to Jared's place. 1591 01:17:54,680 --> 01:17:57,679 Speaker 2: Yeah, that just is like one of the saddest things, 1592 01:17:58,360 --> 01:17:59,960 Speaker 2: Like that picture is like bumming me out. 1593 01:18:00,360 --> 01:18:02,799 Speaker 1: Yeah, well, welcome to umbrella. 1594 01:18:04,080 --> 01:18:07,080 Speaker 2: It's not. It's literally raining outside. Literally it's not supposed 1595 01:18:07,080 --> 01:18:08,639 Speaker 2: to be pleasant. It's not supposed to be pleasant. 1596 01:18:08,960 --> 01:18:09,880 Speaker 4: Welcome to umbrella. 1597 01:18:10,000 --> 01:18:10,799 Speaker 2: Welcome to umbrella. 1598 01:18:11,240 --> 01:18:14,040 Speaker 1: I do think on a more literal level too, you know, 1599 01:18:14,080 --> 01:18:18,639 Speaker 1: it's associated with rain. Rain. This is like very rain 1600 01:18:18,800 --> 01:18:20,759 Speaker 1: is queer in the sense that it's like a different 1601 01:18:20,840 --> 01:18:25,000 Speaker 1: thing that the sky can do, and it's rare, and 1602 01:18:25,080 --> 01:18:26,640 Speaker 1: it's rare. It's literally like if you add up the 1603 01:18:26,720 --> 01:18:28,840 Speaker 1: days and you're like, what percentage of days are raining, 1604 01:18:28,920 --> 01:18:30,920 Speaker 1: it's the same exact percentage of people who are queer 1605 01:18:31,040 --> 01:18:31,240 Speaker 1: it is. 1606 01:18:31,320 --> 01:18:33,360 Speaker 4: It's like it's a lot, but it's not. It's not. 1607 01:18:34,080 --> 01:18:37,519 Speaker 4: It's way less than the most minor of some places 1608 01:18:37,800 --> 01:18:39,920 Speaker 4: in some places. But I wish that we could find 1609 01:18:39,920 --> 01:18:42,840 Speaker 4: it like a way of explaining that's like a blase. 1610 01:18:42,600 --> 01:18:45,080 Speaker 1: Is of m top you know what I mean for 1611 01:18:45,080 --> 01:18:45,519 Speaker 1: an umbrella. 1612 01:18:45,600 --> 01:18:48,320 Speaker 4: Ga, you did all of that and you're like no, 1613 01:18:52,320 --> 01:18:54,880 Speaker 4: because I'm not going to say that, Oh you. 1614 01:18:54,920 --> 01:18:59,880 Speaker 1: Want sexually well, simple simple, yeah, simple, okay. 1615 01:19:00,000 --> 01:19:05,080 Speaker 2: An umbrella is okay, okay, an umbrella is someone who 1616 01:19:06,600 --> 01:19:08,400 Speaker 2: like talks about sex a lot, but like doesn't have 1617 01:19:08,479 --> 01:19:09,080 Speaker 2: sex very much. 1618 01:19:09,680 --> 01:19:12,639 Speaker 1: Yes, that's exactly it. No further questions. 1619 01:19:12,720 --> 01:19:17,240 Speaker 2: Q e D. Good job, thank you that that's in 1620 01:19:17,320 --> 01:19:17,719 Speaker 2: the vision. 1621 01:19:18,040 --> 01:19:22,439 Speaker 1: I love that. It's literally like the entire identity, the 1622 01:19:22,560 --> 01:19:25,320 Speaker 1: entire identity of umbrella is do you want to bring 1623 01:19:25,400 --> 01:19:27,960 Speaker 1: me in my rain and you're like, okay, I'll bring you, 1624 01:19:28,040 --> 01:19:28,960 Speaker 1: and then it's like, I'm shy. 1625 01:19:30,000 --> 01:19:32,160 Speaker 2: The Umbrella's literally like I'm gonna take every fucking job, 1626 01:19:32,320 --> 01:19:37,280 Speaker 2: like you're not gonna like exactly, exactly exactly, nothing will 1627 01:19:37,280 --> 01:19:37,599 Speaker 2: be love. 1628 01:19:37,880 --> 01:19:39,840 Speaker 4: Yeah, don't worry. 1629 01:19:40,200 --> 01:19:43,360 Speaker 1: Yeah, um come rain on me, rain on me. And 1630 01:19:43,400 --> 01:19:45,680 Speaker 1: then this guy does ray and the umbrellas like, oh 1631 01:19:46,960 --> 01:19:48,519 Speaker 1: I'm like sorry, sorry, sorry, oh I didn't know that. 1632 01:19:48,640 --> 01:19:48,920 Speaker 4: We win. 1633 01:19:52,720 --> 01:19:54,320 Speaker 2: Yeah, that's good. 1634 01:19:54,760 --> 01:19:58,559 Speaker 4: Great cools are good. Agree? 1635 01:19:59,439 --> 01:20:02,040 Speaker 1: I agree, yes, I would say I certainly agree. 1636 01:20:04,360 --> 01:20:04,599 Speaker 2: Wow. 1637 01:20:05,000 --> 01:20:08,240 Speaker 4: I was pretty worried about that, you really. I was 1638 01:20:08,360 --> 01:20:09,720 Speaker 4: just like, I'm gonna have to stretch it. 1639 01:20:10,720 --> 01:20:12,160 Speaker 2: And it did. Though. 1640 01:20:13,000 --> 01:20:15,679 Speaker 1: I think I think you pushed us to some truths 1641 01:20:15,720 --> 01:20:19,800 Speaker 1: because you were I think many people when we start theorizing, 1642 01:20:19,920 --> 01:20:22,080 Speaker 1: are sort of like sure, girl, and. 1643 01:20:22,120 --> 01:20:23,000 Speaker 2: Then we like move on. 1644 01:20:24,080 --> 01:20:26,479 Speaker 1: You were but you were being very much like that's 1645 01:20:26,560 --> 01:20:29,360 Speaker 1: not a full thing, like that, You've shown your work 1646 01:20:29,400 --> 01:20:31,639 Speaker 1: and it doesn't quite add up. Let's keep going. Yeah, 1647 01:20:31,720 --> 01:20:34,360 Speaker 1: And in that sense, you are like the teacher. You're 1648 01:20:34,400 --> 01:20:37,160 Speaker 1: like Robin Williams and Goodwill Hunting, like you're the the 1649 01:20:37,920 --> 01:20:39,200 Speaker 1: or dead poets decide or whatever. 1650 01:20:39,040 --> 01:20:40,719 Speaker 4: The fuck both both. 1651 01:20:41,760 --> 01:20:45,000 Speaker 2: I mean I that's always what I struggled with is 1652 01:20:45,040 --> 01:20:47,400 Speaker 2: when they were like, okay, so but like write the conclusion. 1653 01:20:47,439 --> 01:20:49,360 Speaker 2: I was like, you read the whole thing right, that's. 1654 01:20:49,280 --> 01:20:52,800 Speaker 3: It right because it doesn't feel natural, but you have 1655 01:20:52,920 --> 01:20:57,360 Speaker 3: to in conclusion. But I felt like, like my last 1656 01:20:57,640 --> 01:21:01,559 Speaker 3: topics Christianity, di ecotomies, they were too dropped. 1657 01:21:02,800 --> 01:21:05,320 Speaker 1: Oh I see, yeah, well I wanted something. 1658 01:21:05,560 --> 01:21:06,400 Speaker 4: Yeah wow. 1659 01:21:06,640 --> 01:21:08,240 Speaker 1: I actually think a lot of people, and I think 1660 01:21:08,240 --> 01:21:09,519 Speaker 1: I would have this instinct to a lot of people 1661 01:21:09,560 --> 01:21:12,360 Speaker 1: come onto the podcast and think, the most intellectual thing 1662 01:21:12,400 --> 01:21:14,840 Speaker 1: I can do is pick the broadest possible thing is 1663 01:21:14,880 --> 01:21:18,639 Speaker 1: to be like, my topic is, you know, climate change. 1664 01:21:19,840 --> 01:21:21,439 Speaker 2: But in fact, the. 1665 01:21:21,600 --> 01:21:24,680 Speaker 1: Smaller I mean we've talked about this before, Smaller is 1666 01:21:24,720 --> 01:21:28,920 Speaker 1: big and big at small the smaller topic is the 1667 01:21:29,080 --> 01:21:32,559 Speaker 1: more you can dig deep and do more intellectual work. 1668 01:21:33,280 --> 01:21:35,760 Speaker 3: You've got to get specific, you gotta gets gay with 1669 01:21:37,560 --> 01:21:43,120 Speaker 3: because like legit, some things are not gay and not straight. 1670 01:21:43,880 --> 01:21:47,920 Speaker 2: Yeah. Yeah, you know it's really hard when people come 1671 01:21:47,960 --> 01:21:50,439 Speaker 2: on and they say something and I'm like, to be honest, 1672 01:21:50,479 --> 01:21:51,120 Speaker 2: I think that's. 1673 01:21:51,000 --> 01:21:53,040 Speaker 4: Gay, like their topic. 1674 01:21:53,360 --> 01:21:55,640 Speaker 2: Yeah, And I'm like, I'm trying to do but I 1675 01:21:55,760 --> 01:21:58,280 Speaker 2: like do fundamentally, like I think there's something interesting when 1676 01:21:58,320 --> 01:22:02,000 Speaker 2: it's like this podcast is complete fake, and then sometimes I'll. 1677 01:22:01,880 --> 01:22:06,679 Speaker 4: Be like, wait, the rules right, it's not like magic, 1678 01:22:07,600 --> 01:22:09,639 Speaker 4: you know, it's like fake. 1679 01:22:09,760 --> 01:22:15,040 Speaker 1: But it's like, yeah, if we like from the beginning, 1680 01:22:17,320 --> 01:22:21,120 Speaker 1: we were not that strict about the rules in a 1681 01:22:21,200 --> 01:22:25,000 Speaker 1: way that sometimes I'm like, well, don't make a mockery 1682 01:22:25,040 --> 01:22:27,479 Speaker 1: of it, Like let's go back and then let's do 1683 01:22:27,560 --> 01:22:30,000 Speaker 1: it again and be like really strict about it, because 1684 01:22:30,320 --> 01:22:33,360 Speaker 1: in fact, when we get into the zone of critique, 1685 01:22:34,120 --> 01:22:40,439 Speaker 1: we're dead serious. Language is literally the most important thing 1686 01:22:40,479 --> 01:22:40,680 Speaker 1: we have. 1687 01:22:40,960 --> 01:22:44,120 Speaker 3: I mean, what you're describing is like legit theater in plays, 1688 01:22:45,200 --> 01:22:49,000 Speaker 3: it's like I know that's a guy, but we have 1689 01:22:49,560 --> 01:22:53,320 Speaker 3: to be playing along and thinking through what is being said. 1690 01:22:54,920 --> 01:23:02,479 Speaker 4: Because then it's like I'm actually bored of what I'm saying, wow, wow. 1691 01:23:02,720 --> 01:23:06,040 Speaker 1: Talk about like the opposite of Gringer like giving up 1692 01:23:06,080 --> 01:23:06,599 Speaker 1: halfway through. 1693 01:23:06,720 --> 01:23:07,240 Speaker 2: That's Miss. 1694 01:23:09,000 --> 01:23:15,040 Speaker 1: Trinkle Tacks Drinkle Trinkle or wrinkle Trinkle. Miss Trinkle is 1695 01:23:15,160 --> 01:23:19,280 Speaker 1: mister Gringer Beans flop wife, because like he's constantly performing 1696 01:23:19,360 --> 01:23:22,040 Speaker 1: at every dinner party and she's like, oh too much. 1697 01:23:22,320 --> 01:23:24,519 Speaker 2: Like somebody's like, what did you do today, Miss Trinkle 1698 01:23:24,640 --> 01:23:37,160 Speaker 2: Tach And she's like, I what did I do next? 1699 01:23:37,840 --> 01:23:44,360 Speaker 4: Like she's like, it's like, how are you? She's like, 1700 01:23:44,720 --> 01:23:45,120 Speaker 4: I'm good. 1701 01:23:48,960 --> 01:23:50,280 Speaker 2: I love that she kept her last name. 1702 01:23:50,720 --> 01:23:53,200 Speaker 1: Yeah, well, you know you have to draw the line. 1703 01:23:55,120 --> 01:23:59,760 Speaker 4: She's not still not fully Its. 1704 01:23:58,880 --> 01:24:01,360 Speaker 2: Like because of family pressure. Yeah. 1705 01:24:02,000 --> 01:24:05,360 Speaker 1: Well, also, mister ginger Beans is so wealthy of course, 1706 01:24:05,520 --> 01:24:11,400 Speaker 1: of course, hello talk about Gringer beans thing. It's having 1707 01:24:11,439 --> 01:24:14,640 Speaker 1: so much money, more than you need, more than you 1708 01:24:14,720 --> 01:24:17,600 Speaker 1: need beans stuff to talk about using Gringer beans for 1709 01:24:17,680 --> 01:24:19,160 Speaker 1: evil is accumulating. 1710 01:24:19,240 --> 01:24:25,200 Speaker 2: Well, all right, I love that couple that. I really like. 1711 01:24:25,439 --> 01:24:26,880 Speaker 2: I can see mister Beans. 1712 01:24:26,880 --> 01:24:28,439 Speaker 1: You know what I mean, what do you look like 1713 01:24:28,520 --> 01:24:32,120 Speaker 1: to you? Help me? Well, he's got one of those 1714 01:24:32,680 --> 01:24:35,800 Speaker 1: hats that's like rounded at the top of it's a 1715 01:24:36,080 --> 01:24:38,879 Speaker 1: monopoly man monopoly but there's. 1716 01:24:38,720 --> 01:24:41,160 Speaker 2: Like a yellow tie. Yeah, and he's like a little 1717 01:24:41,200 --> 01:24:44,200 Speaker 2: bit like like I see walking to every room sort 1718 01:24:44,200 --> 01:24:45,840 Speaker 2: of jokingly being you. 1719 01:24:45,840 --> 01:24:50,760 Speaker 1: Know what it is, Yeah, Monopoly yellow tie, but stilettos 1720 01:24:51,800 --> 01:24:53,320 Speaker 1: like bigger, like big pants. 1721 01:24:59,640 --> 01:25:04,479 Speaker 4: Why but like when he walks, it jingles jingle, jingle, jingle. 1722 01:25:06,720 --> 01:25:09,800 Speaker 4: He's amazing. Oh my god, I love him. 1723 01:25:10,280 --> 01:25:11,280 Speaker 2: I love him so much. 1724 01:25:11,720 --> 01:25:14,080 Speaker 4: Cute and he walks with the cane but he doesn't 1725 01:25:14,120 --> 01:25:15,240 Speaker 4: need it. It's an umbrella. 1726 01:25:15,400 --> 01:25:21,160 Speaker 2: It's an umbrella. Should we do our final segment? I 1727 01:25:21,280 --> 01:25:21,920 Speaker 2: think we have to. 1728 01:25:28,600 --> 01:25:29,360 Speaker 4: Are you stressed? 1729 01:25:29,680 --> 01:25:33,000 Speaker 1: I'm not stressed independently about other things in my life, 1730 01:25:33,040 --> 01:25:36,439 Speaker 1: as you know I'm doing after this recording, but current No, 1731 01:25:36,680 --> 01:25:37,280 Speaker 1: I'm certainly not. 1732 01:25:38,520 --> 01:25:39,080 Speaker 4: In the future. 1733 01:25:39,439 --> 01:25:40,040 Speaker 2: Yeah, I know. 1734 01:25:41,080 --> 01:25:42,880 Speaker 1: One of the most powerful things is to literally be 1735 01:25:43,040 --> 01:25:47,280 Speaker 1: like the future doesn't exist yet, and therefore I can't 1736 01:25:47,320 --> 01:25:47,800 Speaker 1: think about it. 1737 01:25:48,320 --> 01:25:49,680 Speaker 4: I don't have to deal with that now. 1738 01:25:50,840 --> 01:25:53,479 Speaker 2: So let's normally our final segment of shout outs. But 1739 01:25:53,720 --> 01:25:56,719 Speaker 2: because we're doing our Pride episode, of which is Gadio 1740 01:25:56,880 --> 01:26:03,120 Speaker 2: lab our final segment is brand partner ships and in 1741 01:26:03,200 --> 01:26:07,679 Speaker 2: the style of your favorite LGBTQ plus creators, we want 1742 01:26:07,720 --> 01:26:10,719 Speaker 2: you to partner with anything that you're enjoying around the globe, 1743 01:26:11,120 --> 01:26:14,679 Speaker 2: people place these things ideas just you know, be excited 1744 01:26:14,720 --> 01:26:15,559 Speaker 2: to partner with them. 1745 01:26:15,960 --> 01:26:17,720 Speaker 1: And we're thinking of them on the spot just for 1746 01:26:17,800 --> 01:26:18,439 Speaker 1: everyone at home. 1747 01:26:18,600 --> 01:26:20,920 Speaker 2: Yeah, we don't know what we're gonna sew. 1748 01:26:20,960 --> 01:26:21,840 Speaker 4: You guys have something. 1749 01:26:22,000 --> 01:26:24,360 Speaker 1: I think I can whip something up, but it will 1750 01:26:24,439 --> 01:26:25,599 Speaker 1: be right now. 1751 01:26:25,520 --> 01:26:30,720 Speaker 2: When my mind is completely blank. So George, if you 1752 01:26:31,280 --> 01:26:32,439 Speaker 2: want to go, sure. 1753 01:26:37,000 --> 01:26:41,719 Speaker 1: Hey guys, I'm George. I'm a Canadian podcaster and LGBT 1754 01:26:41,920 --> 01:26:46,400 Speaker 1: creator and this June I'm partnering with Oxford Shirts. Oxford 1755 01:26:46,479 --> 01:26:49,800 Speaker 1: shirts are the most versatile shirt out there, and they're 1756 01:26:50,000 --> 01:26:53,439 Speaker 1: sort of in this really incredible space between casual and formal. 1757 01:26:53,520 --> 01:26:55,200 Speaker 1: You can dress them up, you can dress them down. 1758 01:26:55,760 --> 01:27:00,800 Speaker 1: And nothing says verse like being a proud LGBTQ American, 1759 01:27:01,240 --> 01:27:02,479 Speaker 1: especially in these times. 1760 01:27:03,160 --> 01:27:04,559 Speaker 2: So next time you're out. 1761 01:27:04,720 --> 01:27:09,080 Speaker 1: Whether you're protesting insert issue here or just going to 1762 01:27:09,120 --> 01:27:11,840 Speaker 1: your office job, put on an Oxford shirt. They come 1763 01:27:11,920 --> 01:27:15,760 Speaker 1: in white, blue, sometimes white and blue stripe in a 1764 01:27:15,800 --> 01:27:18,800 Speaker 1: way that can be really really cool, and you can 1765 01:27:18,840 --> 01:27:22,200 Speaker 1: wear them no matter what your gender is. And by 1766 01:27:22,280 --> 01:27:25,120 Speaker 1: the way, all genders are valid, just like all shirts 1767 01:27:25,160 --> 01:27:30,120 Speaker 1: are valid, whether they are Oxford or otherwise and go 1768 01:27:30,320 --> 01:27:35,599 Speaker 1: out there and use promo code George dot com. 1769 01:27:37,880 --> 01:27:39,839 Speaker 4: I didn't know you were giving is a website. 1770 01:27:40,160 --> 01:27:44,559 Speaker 1: Keep going to buy an Oxford shirt for your next event, 1771 01:27:45,439 --> 01:27:48,559 Speaker 1: and remember you guys, please go out and vote. 1772 01:27:50,439 --> 01:27:51,240 Speaker 4: That's amazing. 1773 01:27:51,680 --> 01:27:51,920 Speaker 3: Wow. 1774 01:27:55,640 --> 01:28:01,800 Speaker 2: Okay, hey everybody, I am You may have seen me 1775 01:28:02,000 --> 01:28:08,000 Speaker 2: on my podcast Stradio Lab, available now on everywhere you 1776 01:28:08,040 --> 01:28:12,560 Speaker 2: get your podcasts and including YOUTUBEO and I am so 1777 01:28:12,840 --> 01:28:16,280 Speaker 2: excited to announce my partnership with running into People at 1778 01:28:16,280 --> 01:28:19,960 Speaker 2: the Airport. I think running into people at the airport 1779 01:28:20,160 --> 01:28:24,080 Speaker 2: is one of the most LGBTQ friendly things you can do, because, 1780 01:28:24,200 --> 01:28:27,720 Speaker 2: you know, if you're traveling like me, you feel so 1781 01:28:27,920 --> 01:28:30,400 Speaker 2: lonely and you feel you're carrying your bags and you're 1782 01:28:30,760 --> 01:28:33,080 Speaker 2: you're you're without roots, and you say who am I? 1783 01:28:33,520 --> 01:28:36,120 Speaker 2: And then who is that? Oh? Why that's someone you know? 1784 01:28:37,000 --> 01:28:40,400 Speaker 2: Suddenly you're at home, you're feeling chosen family, You're feeling 1785 01:28:40,439 --> 01:28:44,280 Speaker 2: like the airport is your childhood home. And I just 1786 01:28:44,360 --> 01:28:47,000 Speaker 2: find it so fun and creates this interesting dynamic of 1787 01:28:47,320 --> 01:28:51,360 Speaker 2: sort of a you know what before midnight after sunset 1788 01:28:51,479 --> 01:28:54,439 Speaker 2: type vibe where you're like, do we hang out the 1789 01:28:54,479 --> 01:28:57,040 Speaker 2: whole time? Do we just talk for a little bit, 1790 01:28:58,080 --> 01:28:59,880 Speaker 2: are we Is this the moment we fall in love? 1791 01:29:00,160 --> 01:29:03,679 Speaker 2: And I think I'm so excited to partner with running 1792 01:29:03,680 --> 01:29:06,320 Speaker 2: into people into an airport And I think you guys 1793 01:29:06,360 --> 01:29:11,639 Speaker 2: should check it out into an airpuppert running into people, 1794 01:29:11,680 --> 01:29:15,160 Speaker 2: running out, running into people you know in an airport setting, 1795 01:29:16,240 --> 01:29:22,559 Speaker 2: and use promote code slay alma at checkout, say Sam Sentya. 1796 01:29:23,040 --> 01:29:25,920 Speaker 1: I wow, that was really good and I actually think 1797 01:29:25,960 --> 01:29:27,760 Speaker 1: that's a beautiful description of what it's like to run 1798 01:29:27,800 --> 01:29:28,679 Speaker 1: into people at the airport. 1799 01:29:28,760 --> 01:29:30,800 Speaker 4: You really got it right. Is it something you've experienced lately? 1800 01:29:30,960 --> 01:29:35,720 Speaker 2: I experienced it. Yeah, I mean into Mercy Goldman yesterday. 1801 01:29:36,040 --> 01:29:37,280 Speaker 2: I came here yesterday. 1802 01:29:37,520 --> 01:29:44,320 Speaker 3: Great and now it's flying off the shelves. Yeah, hey guys, 1803 01:29:45,080 --> 01:29:54,479 Speaker 3: it's the last year writer, influencer, model, and engineer. 1804 01:29:54,720 --> 01:29:59,280 Speaker 4: Oh this pride. I want to talk to you about 1805 01:29:59,280 --> 01:30:00,479 Speaker 4: something that's close to my heart. 1806 01:30:02,320 --> 01:30:07,400 Speaker 3: You know, when you're thirsty and hungry, what I like 1807 01:30:07,520 --> 01:30:13,040 Speaker 3: to do when the feeling strikes is he fruit. This 1808 01:30:15,120 --> 01:30:17,320 Speaker 3: fruit is what I'm eating every day. 1809 01:30:18,360 --> 01:30:21,880 Speaker 4: Can you imagine being a caveman and all you've ever 1810 01:30:21,960 --> 01:30:24,040 Speaker 4: eaten is meat and water? 1811 01:30:27,040 --> 01:30:33,439 Speaker 3: Coming across something that looks like completely inedible, almost as 1812 01:30:33,479 --> 01:30:39,360 Speaker 3: a rock. Cracking that open and realizing it's a mango, 1813 01:30:41,080 --> 01:30:43,200 Speaker 3: you would be the happiest person who. 1814 01:30:43,120 --> 01:30:43,840 Speaker 4: Has ever lived. 1815 01:30:44,040 --> 01:30:46,639 Speaker 5: You will probably die from the joy of the feeling. 1816 01:30:48,280 --> 01:30:53,599 Speaker 5: That's why this Pride, I'm encouraging you to go buy 1817 01:30:53,680 --> 01:30:54,160 Speaker 5: some fruit. 1818 01:30:54,360 --> 01:30:59,320 Speaker 3: When you go to the grocery store now and get fruit, 1819 01:31:00,240 --> 01:31:05,080 Speaker 3: you can also buy every other kind of food. Used 1820 01:31:05,200 --> 01:31:11,600 Speaker 3: promo code Caveman thirsty hungry at checkout for. 1821 01:31:14,080 --> 01:31:14,880 Speaker 2: It's such a good deal. 1822 01:31:17,720 --> 01:31:24,839 Speaker 4: It is amazing. It's free, and I cannot believe it exists. 1823 01:31:27,439 --> 01:31:28,920 Speaker 4: Check it out and follow. 1824 01:31:29,680 --> 01:31:33,559 Speaker 2: Wow, I mean that's amazing fun. 1825 01:31:34,960 --> 01:31:39,080 Speaker 1: Every podcast you get free therapy for line. 1826 01:31:43,240 --> 01:31:47,320 Speaker 2: Okay, wow, you know. Let me just say this. Yeah, 1827 01:31:47,720 --> 01:31:50,120 Speaker 2: I started this episode not being in the mood for pride. 1828 01:31:50,320 --> 01:31:51,679 Speaker 2: I've never felt more pride. 1829 01:31:51,760 --> 01:31:54,000 Speaker 1: Oh my god. I was so ready to go out 1830 01:31:54,080 --> 01:31:56,640 Speaker 1: there and be proudly out George. 1831 01:31:58,920 --> 01:31:59,839 Speaker 2: To go to parties. 1832 01:32:00,000 --> 01:32:02,640 Speaker 1: I'm gonna be so gringer beans. I'm going to be 1833 01:32:02,720 --> 01:32:05,160 Speaker 1: mixed Gringer beans this Pride, of. 1834 01:32:05,240 --> 01:32:11,400 Speaker 4: Course, and oh my god, we mixed. How are they doing? 1835 01:32:13,200 --> 01:32:16,719 Speaker 1: I actually think that's a great question because mixed Emma, 1836 01:32:17,280 --> 01:32:20,439 Speaker 1: when we invented them, they were a college student. 1837 01:32:20,680 --> 01:32:22,160 Speaker 4: Yes, and that was four years ago. 1838 01:32:22,920 --> 01:32:26,760 Speaker 1: This is what I mean, like literally like out and 1839 01:32:26,840 --> 01:32:33,120 Speaker 1: about adults. They're an adult, they are you know, probably 1840 01:32:33,160 --> 01:32:34,840 Speaker 1: working out a company of some sort. 1841 01:32:34,960 --> 01:32:35,880 Speaker 2: It's an ethical company. 1842 01:32:36,280 --> 01:32:38,839 Speaker 1: I mean, this is what I've been. That's why I'm delaying. 1843 01:32:38,880 --> 01:32:40,280 Speaker 1: What I'm about to say is I don't. 1844 01:32:40,920 --> 01:32:44,120 Speaker 3: I'm like, is it Well, I think it's the job 1845 01:32:44,160 --> 01:32:48,000 Speaker 3: that they got and maybe that's not exactly what they 1846 01:32:48,320 --> 01:32:49,600 Speaker 3: would like to be doing, but. 1847 01:32:51,720 --> 01:32:52,960 Speaker 4: That's okay for me right now. 1848 01:32:53,680 --> 01:32:56,920 Speaker 2: And do you think they like. 1849 01:32:59,040 --> 01:33:02,200 Speaker 1: I feel like there was still by Emma. Huh oh 1850 01:33:02,320 --> 01:33:03,280 Speaker 1: do they still go by Emma? 1851 01:33:03,439 --> 01:33:03,800 Speaker 4: Not sure? 1852 01:33:04,400 --> 01:33:04,679 Speaker 3: Wow? 1853 01:33:05,080 --> 01:33:06,479 Speaker 2: Wow? What do you think? 1854 01:33:06,600 --> 01:33:09,599 Speaker 4: I think they probably go by chair. 1855 01:33:09,520 --> 01:33:11,479 Speaker 2: Now chair wow? 1856 01:33:13,280 --> 01:33:15,479 Speaker 4: But but they it's not like a dead name, but 1857 01:33:15,600 --> 01:33:16,400 Speaker 4: they prefer chair. 1858 01:33:16,600 --> 01:33:19,840 Speaker 3: Oh so it's not it's like like like yeah, yeah, 1859 01:33:19,880 --> 01:33:21,439 Speaker 3: like that's what their friends call it, and like they're 1860 01:33:21,479 --> 01:33:23,479 Speaker 3: still cool with like m m that kind of. 1861 01:33:23,479 --> 01:33:25,880 Speaker 4: Thing, but they do prefer chair. 1862 01:33:26,400 --> 01:33:30,000 Speaker 1: Yeah, okay, wow, But I just shout out to chair. 1863 01:33:30,120 --> 01:33:34,640 Speaker 1: And honestly, like I do think I would say I 1864 01:33:34,720 --> 01:33:37,439 Speaker 1: have faith that they will land on their feet, like yes, 1865 01:33:37,479 --> 01:33:39,000 Speaker 1: this is not an ideal drop for them, but like 1866 01:33:39,640 --> 01:33:42,600 Speaker 1: they's such a beautiful voice, beautiful voice. They're living with 1867 01:33:42,640 --> 01:33:43,600 Speaker 1: two great roommates. 1868 01:33:44,640 --> 01:33:46,960 Speaker 2: You know, they've gotten really good at cooking, really good 1869 01:33:47,000 --> 01:33:47,400 Speaker 2: at cooking. 1870 01:33:47,520 --> 01:33:49,800 Speaker 1: Yes, I mean they've cooked through because you know, when 1871 01:33:49,840 --> 01:33:52,800 Speaker 1: we first met them, they were cooking Alison Roman stew. 1872 01:33:54,360 --> 01:33:56,760 Speaker 1: But they moved through the rest of Alice in. 1873 01:33:56,840 --> 01:33:59,519 Speaker 4: Roman books and they're doing cold carry cake. 1874 01:34:00,080 --> 01:34:01,160 Speaker 1: You know what is happening now? 1875 01:34:01,240 --> 01:34:05,639 Speaker 2: Actually they are now vegan. They were good. 1876 01:34:05,800 --> 01:34:10,719 Speaker 3: Good for them, Yeah, and it's because of the they're 1877 01:34:10,920 --> 01:34:15,680 Speaker 3: they're an ethical disagreement having to do. 1878 01:34:15,720 --> 01:34:18,479 Speaker 4: With humans, not with animals exactly. 1879 01:34:18,600 --> 01:34:19,920 Speaker 1: They don't give a ship about animals. 1880 01:34:20,040 --> 01:34:22,760 Speaker 4: No, they heard about the kinds of diseases. 1881 01:34:24,960 --> 01:34:27,640 Speaker 1: They're a sort of a what's it called when you 1882 01:34:27,640 --> 01:34:28,400 Speaker 1: always think you're sick. 1883 01:34:28,520 --> 01:34:30,960 Speaker 4: They made them really upset, the hypochondria. 1884 01:34:30,600 --> 01:34:34,960 Speaker 1: Hypochondria which actually falls under the LGBTQ plus on brew. 1885 01:34:36,080 --> 01:34:38,920 Speaker 1: But they're on the very very edge, constantly getting poisoned 1886 01:34:38,960 --> 01:34:39,680 Speaker 1: by acid. Right. 1887 01:34:40,880 --> 01:34:45,680 Speaker 4: Oh, but they're good, they're good, and they're in love. 1888 01:34:46,920 --> 01:34:47,920 Speaker 1: Oh my god, that's right. 1889 01:34:48,800 --> 01:34:51,040 Speaker 2: It's cool with a photographer. 1890 01:34:50,520 --> 01:34:53,960 Speaker 4: With the photographer, are really good for a photographers. 1891 01:34:54,479 --> 01:34:57,040 Speaker 1: Yeah, they just did have spread for paper magazine. 1892 01:34:57,200 --> 01:34:59,120 Speaker 4: Yes, of a Chamberlain. 1893 01:34:59,439 --> 01:35:02,280 Speaker 1: Yes, I'm Chamberlain and it. 1894 01:35:02,640 --> 01:35:03,880 Speaker 2: Was sort of caveman themed. 1895 01:35:04,040 --> 01:35:08,400 Speaker 1: Yeah, and guess what Emma Chamberlain is. Then you mix 1896 01:35:08,800 --> 01:35:11,120 Speaker 1: Emma now that the old mixed Semma is Chair. 1897 01:35:11,320 --> 01:35:12,479 Speaker 4: That's what they related about. 1898 01:35:12,560 --> 01:35:14,400 Speaker 2: That's what they related about, because. 1899 01:35:14,160 --> 01:35:19,680 Speaker 3: Like mixed chair doesn't have shame about changing. So they 1900 01:35:19,720 --> 01:35:23,439 Speaker 3: were like, my name was actually for many years. 1901 01:35:23,600 --> 01:35:26,439 Speaker 1: Yeah, and Emma Chamberlain was like, oh my god, you're 1902 01:35:26,520 --> 01:35:28,240 Speaker 1: so crazy. Do you want to Sealfie? 1903 01:35:31,040 --> 01:35:34,880 Speaker 2: Oh well, what a beautiful note to end on. That 1904 01:35:35,000 --> 01:35:36,160 Speaker 2: was like catching up with the college friend. 1905 01:35:36,439 --> 01:35:39,679 Speaker 1: It was, by the way, straighted a lab deep lore 1906 01:35:39,840 --> 01:35:41,720 Speaker 1: and I think we're not going to exp if you 1907 01:35:41,800 --> 01:35:44,800 Speaker 1: haven't listened to literally episodes or. 1908 01:35:44,840 --> 01:35:47,680 Speaker 4: Something, if you know, you know, do you think you 1909 01:35:47,760 --> 01:35:49,920 Speaker 4: can't do that? I can need that. 1910 01:35:52,880 --> 01:35:57,200 Speaker 2: I didn't need it, I said, I. 1911 01:35:58,800 --> 01:35:59,280 Speaker 4: Just said it. 1912 01:36:00,960 --> 01:36:03,040 Speaker 2: Also, Happy pride. 1913 01:36:02,880 --> 01:36:06,240 Speaker 1: Happy pride to all, Happy pride to all the glamour 1914 01:36:06,280 --> 01:36:08,920 Speaker 1: girls out there, Happy pride to Chair, Happy pride to 1915 01:36:08,960 --> 01:36:17,040 Speaker 1: Emma Chamberlain, and happy mister mister Ringer Ringo Bean, sorry 1916 01:36:17,160 --> 01:36:26,519 Speaker 1: mister and missus Missus Trinkle Cross Drinker Tech Drink Trinkle 1917 01:36:26,800 --> 01:36:32,040 Speaker 1: Tech Shrink Trinkle Tech Trinkle I believe. Yeah, yeah, god, 1918 01:36:32,120 --> 01:36:34,160 Speaker 1: it is so like her to have people forget her name. 1919 01:36:35,040 --> 01:36:36,839 Speaker 4: Well, she could help. 1920 01:36:36,720 --> 01:36:39,600 Speaker 2: Us a bit. Yeah yeah, it's sort of not the 1921 01:36:39,680 --> 01:36:41,559 Speaker 2: victim blame, but she could live out loud a little more. 1922 01:36:41,880 --> 01:36:44,759 Speaker 2: I agree. Okay. 1923 01:36:46,120 --> 01:36:50,360 Speaker 1: I love you podcast and now want more. Subscribe to 1924 01:36:50,439 --> 01:36:54,080 Speaker 1: our Patreon for two extra episodes a month, discord access 1925 01:36:54,200 --> 01:36:58,280 Speaker 1: and more by heading to patreon dot com. Slash Radio Lab. 1926 01:36:58,400 --> 01:37:01,000 Speaker 2: And for all our visual learners create full length video 1927 01:37:01,040 --> 01:37:02,879 Speaker 2: episodes are available on our YouTube. 1928 01:37:03,120 --> 01:37:04,080 Speaker 1: Now get back to work