1 00:00:00,160 --> 00:00:05,640 Speaker 1: I got apartment three sixteen, apartment three sixteen. I have 2 00:00:05,760 --> 00:00:08,879 Speaker 1: to stay in apartment three sixteen, So I got to 3 00:00:08,920 --> 00:00:11,200 Speaker 1: get this person out of there because that's the number 4 00:00:11,280 --> 00:00:14,000 Speaker 1: that I stay at. I stay in three sixteen. Do 5 00:00:14,040 --> 00:00:16,000 Speaker 1: you understand what I'm saying when I'm in the field, 6 00:00:16,800 --> 00:00:20,320 Speaker 1: you yes, yes, And that seems to be a problem 7 00:00:20,360 --> 00:00:22,479 Speaker 1: with this person. So let's see what we can do. 8 00:00:22,560 --> 00:00:24,240 Speaker 1: Let's see we can get them out of three sixteen. 9 00:00:24,520 --> 00:00:26,920 Speaker 1: I need three sixteen. Let's go cant doup. 10 00:00:28,400 --> 00:00:30,880 Speaker 2: Hello, hollo, I'm trying to reach deal. Yeah, this is deal, 11 00:00:31,120 --> 00:00:33,040 Speaker 2: hew you deal? How you doing? Man? My name is Bond. 12 00:00:33,200 --> 00:00:35,880 Speaker 2: Dude you live in to make sure I got the 13 00:00:35,960 --> 00:00:39,040 Speaker 2: right dude, Man, you living board right apartments? Yeah? I 14 00:00:39,080 --> 00:00:42,240 Speaker 2: live going on, okay, you live in an apartment of 15 00:00:42,479 --> 00:00:44,519 Speaker 2: three sixteen, right, Yeah. 16 00:00:44,479 --> 00:00:45,840 Speaker 3: It's something I need to be worried. 17 00:00:45,880 --> 00:00:48,159 Speaker 2: I was going on with my fuck no, no, no, 18 00:00:48,200 --> 00:00:51,800 Speaker 2: everything cool with your apartment? Man, I got your number 19 00:00:51,880 --> 00:00:56,000 Speaker 2: from lady to your at the least in office regarding thirsty, 20 00:00:56,040 --> 00:00:59,480 Speaker 2: wasn't I what's it? What's in regards to well, actually, 21 00:00:59,520 --> 00:01:02,960 Speaker 2: what's from happen is I'm finna moved to court and 22 00:01:03,000 --> 00:01:06,000 Speaker 2: what I wanted to do. You know, uh see me 23 00:01:06,040 --> 00:01:09,399 Speaker 2: in every apartment I've always had. I've always lived in 24 00:01:09,400 --> 00:01:12,640 Speaker 2: apartment three sixteen, and I know you in three sixteen, 25 00:01:12,800 --> 00:01:15,520 Speaker 2: so they you know, the girl at the office gaming, 26 00:01:15,560 --> 00:01:17,680 Speaker 2: you know, because I don't want to move nowhere else where. 27 00:01:17,680 --> 00:01:20,399 Speaker 2: I can't be in room three sixteen. I gotta be 28 00:01:20,480 --> 00:01:22,840 Speaker 2: you know. It's just real superstitious, I know, but I 29 00:01:22,920 --> 00:01:25,200 Speaker 2: kind of got to have a party. Hold on you. 30 00:01:25,240 --> 00:01:26,199 Speaker 3: Say your name Vaughn. 31 00:01:26,600 --> 00:01:28,080 Speaker 2: Yeah, yeah, I'm going right Vaughn. 32 00:01:28,160 --> 00:01:29,720 Speaker 3: And who gave you my number again? 33 00:01:30,360 --> 00:01:32,039 Speaker 2: One of the ladies at the least in office when 34 00:01:32,040 --> 00:01:32,720 Speaker 2: I was over there. 35 00:01:33,040 --> 00:01:33,520 Speaker 1: Who was it? 36 00:01:34,319 --> 00:01:36,000 Speaker 2: I can't really remember her name? 37 00:01:36,160 --> 00:01:41,560 Speaker 3: Man, little man, hey, well listen, cut to i'mna tell 38 00:01:41,560 --> 00:01:44,080 Speaker 3: you like this, man, don't call you for nothing like that. Man, Now, 39 00:01:44,080 --> 00:01:45,880 Speaker 3: I ain't moving out of my apartment. Man, I've been 40 00:01:45,959 --> 00:01:48,160 Speaker 3: staying there for four years. When I moved out of 41 00:01:48,200 --> 00:01:51,280 Speaker 3: the apartment, I moved in the house. You understand all 42 00:01:51,360 --> 00:01:54,680 Speaker 3: this got going with you? Which is whatever it is 43 00:01:54,680 --> 00:01:57,880 Speaker 3: you three sixteen, you won three two. That's on you. 44 00:01:58,040 --> 00:02:01,240 Speaker 2: Man. It ain't want while I got to stay in 45 00:02:01,280 --> 00:02:02,000 Speaker 2: three sixteen. 46 00:02:02,080 --> 00:02:02,280 Speaker 1: Man. 47 00:02:02,520 --> 00:02:04,600 Speaker 2: See, that's what I'm trying to say, I don't find 48 00:02:04,680 --> 00:02:07,600 Speaker 2: the least, so I'm stuck with it. I got to 49 00:02:07,680 --> 00:02:09,560 Speaker 2: get that apartment. So I said, I'm gonna try to 50 00:02:09,600 --> 00:02:12,080 Speaker 2: tell you would you like to which other apartment would 51 00:02:12,080 --> 00:02:14,400 Speaker 2: you like to move to? And I only get them 52 00:02:14,400 --> 00:02:16,880 Speaker 2: to move your stuff all the time over than nothing. 53 00:02:17,320 --> 00:02:18,200 Speaker 2: Ain't nothing moving. 54 00:02:18,520 --> 00:02:21,440 Speaker 3: I'm saying, gonna moves the numbers. You can add them up, 55 00:02:21,720 --> 00:02:23,840 Speaker 3: divide them, do whatever you want to them. But I 56 00:02:23,840 --> 00:02:26,400 Speaker 3: ain't moving. So you're gonna have to get that to 57 00:02:26,480 --> 00:02:29,040 Speaker 3: your head. Man. And really, I'm because I don't know 58 00:02:29,639 --> 00:02:32,600 Speaker 3: gave you my number was like this, I mean, working 59 00:02:33,120 --> 00:02:35,640 Speaker 3: called me because I don't even know no vun. 60 00:02:35,600 --> 00:02:38,160 Speaker 2: No, no, you don't know me. Dog. I asked them 61 00:02:38,160 --> 00:02:39,440 Speaker 2: who was in three sixteen? 62 00:02:39,560 --> 00:02:41,360 Speaker 3: They told me it ain't none of your business going 63 00:02:41,440 --> 00:02:42,160 Speaker 3: three sixteen. 64 00:02:42,280 --> 00:02:44,560 Speaker 2: Man, Hey listen, man, I'm trying to do this as 65 00:02:44,600 --> 00:02:47,440 Speaker 2: respectful as possible. You know, like I said, I really 66 00:02:47,520 --> 00:02:49,639 Speaker 2: can't function unless I'm living in apartment. 67 00:02:50,160 --> 00:02:53,120 Speaker 3: Just restuct me then doing disrespect for them, because I'm 68 00:02:53,120 --> 00:02:55,560 Speaker 3: gonna show you do this. You called me with like this, 69 00:02:55,800 --> 00:02:57,840 Speaker 3: I don't get a favorite now, don't care if there 70 00:02:57,880 --> 00:02:58,919 Speaker 3: was your favorite scripture? 71 00:02:59,080 --> 00:03:02,280 Speaker 2: Okay, with like that man, Team nine, You're gonna make 72 00:03:02,320 --> 00:03:04,560 Speaker 2: this hard, okay, So let me let me tell you 73 00:03:04,600 --> 00:03:06,480 Speaker 2: this to you. And I already told the lady I 74 00:03:06,520 --> 00:03:08,600 Speaker 2: want to be in three sixteen. She told me I 75 00:03:08,639 --> 00:03:11,440 Speaker 2: needed to deal with Dell. Now I'm trying to deal 76 00:03:11,480 --> 00:03:13,720 Speaker 2: with you in a polite way, okay, because like I say, 77 00:03:13,800 --> 00:03:17,160 Speaker 2: I can't function, man, unless I'm in an apartment three sixteen, 78 00:03:17,240 --> 00:03:19,000 Speaker 2: I can't. I can't even get them go to work. 79 00:03:19,040 --> 00:03:22,919 Speaker 2: I cannot function, Okay, I have to have that apartment number, dude. 80 00:03:22,760 --> 00:03:24,760 Speaker 3: Right, So it sounds like you've got a problem on 81 00:03:24,800 --> 00:03:28,080 Speaker 3: your hands. Man, whatever your pride is, that's your problem. 82 00:03:28,360 --> 00:03:31,440 Speaker 2: Ain't got to do with me. Coll know like that. 83 00:03:31,639 --> 00:03:34,520 Speaker 3: Like I say, I've been staying in three sixteen, I'm 84 00:03:34,560 --> 00:03:37,440 Speaker 3: gonna stay in three sixteen till I moved to a house. 85 00:03:37,920 --> 00:03:39,960 Speaker 3: You need to find something else to do. And really 86 00:03:40,080 --> 00:03:42,920 Speaker 3: I'm starting. They gave you my number. 87 00:03:42,920 --> 00:03:43,560 Speaker 2: To call me with. 88 00:03:44,240 --> 00:03:45,120 Speaker 3: I can't believe. 89 00:03:47,040 --> 00:03:49,640 Speaker 2: Like the way you're talking to you. Talking to me first, 90 00:03:49,840 --> 00:03:50,720 Speaker 2: what you come at. 91 00:03:50,560 --> 00:03:53,880 Speaker 3: Me with this, come at me with a number that 92 00:03:54,000 --> 00:03:55,840 Speaker 3: looks like you man three sixteen. 93 00:03:56,560 --> 00:04:00,400 Speaker 2: What excuse me, doog? But you're saying you out of me. 94 00:04:00,440 --> 00:04:02,920 Speaker 3: With this I tell you what, man, come at me 95 00:04:02,960 --> 00:04:05,680 Speaker 3: to come at my problem that you gonna see it? Man, 96 00:04:05,800 --> 00:04:06,800 Speaker 3: you understand what I'm saying. 97 00:04:06,960 --> 00:04:09,920 Speaker 2: Hey man, I'm trying to handle this respectably. Man, Okay, 98 00:04:10,120 --> 00:04:12,920 Speaker 2: all right, I'm trying to do. Listen to me. I'm 99 00:04:12,960 --> 00:04:15,520 Speaker 2: trying to tell you, Hones, the dog I cannot function 100 00:04:15,880 --> 00:04:17,960 Speaker 2: outside of them three numbers. I have to live in 101 00:04:17,960 --> 00:04:19,120 Speaker 2: an apartment three sixteen. 102 00:04:19,279 --> 00:04:20,479 Speaker 3: That ain't my business. Man. 103 00:04:20,720 --> 00:04:22,480 Speaker 2: No, I don't wanna have to come move yo, yo, 104 00:04:22,960 --> 00:04:23,480 Speaker 2: But I do. 105 00:04:23,520 --> 00:04:25,200 Speaker 3: Hold on? What's running back with you? 106 00:04:25,279 --> 00:04:27,320 Speaker 2: Say? I said I don't want to have to move, yo. 107 00:04:28,839 --> 00:04:32,240 Speaker 3: See that. Now let me what You're gonna come move 108 00:04:32,320 --> 00:04:34,520 Speaker 3: my I want hey, matter of fact, come yes, come on, 109 00:04:34,800 --> 00:04:37,720 Speaker 3: come move three sixteen, three sixteen. I had a free 110 00:04:37,839 --> 00:04:40,840 Speaker 3: for you. Come on, man, come on, come move my man. 111 00:04:41,000 --> 00:04:44,159 Speaker 3: Come on two ten sided, come on, move yet all 112 00:04:44,279 --> 00:04:46,800 Speaker 3: kind of going on the world with numbers. They've got 113 00:04:46,839 --> 00:04:49,480 Speaker 3: three hundred sixty five days. Deal with this. I mean 114 00:04:49,480 --> 00:04:50,080 Speaker 3: it works. 115 00:04:50,279 --> 00:04:50,599 Speaker 2: You want. 116 00:04:51,000 --> 00:04:52,720 Speaker 3: I'm on my nine to five and you come at 117 00:04:52,760 --> 00:04:55,960 Speaker 3: me bout three sixteen. I'm gonna move somebody. That's all 118 00:04:56,000 --> 00:04:58,320 Speaker 3: I got to say. Man, It's gonna be you before 119 00:04:58,320 --> 00:04:59,920 Speaker 3: I Before I deal with you that I'm gonna get 120 00:05:00,279 --> 00:05:03,720 Speaker 3: at least now even giving you my number day. 121 00:05:03,880 --> 00:05:06,560 Speaker 2: Hey man, I'm just trying to tell you I have 122 00:05:06,680 --> 00:05:09,680 Speaker 2: to stay under them numbers, man, I have to. I'm 123 00:05:09,720 --> 00:05:12,240 Speaker 2: superstitious like that. I know, I know everybody ain't like that, 124 00:05:12,320 --> 00:05:14,159 Speaker 2: but I just happen to be like that. You don't say. 125 00:05:14,040 --> 00:05:15,919 Speaker 3: Nobody ain't like that, man, I ain't got time to 126 00:05:15,920 --> 00:05:18,880 Speaker 3: be dealing. Really, everybody ain't got time to sit up 127 00:05:18,960 --> 00:05:19,919 Speaker 3: listen like this. 128 00:05:20,120 --> 00:05:20,320 Speaker 2: Man. 129 00:05:20,360 --> 00:05:22,800 Speaker 3: You look up the Christian other than I've been out 130 00:05:22,880 --> 00:05:25,880 Speaker 3: this job looking for what appartment numbers did they give you? 131 00:05:25,960 --> 00:05:28,560 Speaker 2: They gave me like three twenty nine or something like that. 132 00:05:28,640 --> 00:05:30,200 Speaker 2: I don't. I can't stay there, man. 133 00:05:30,440 --> 00:05:32,240 Speaker 3: That's why I'm ana meet you, a man, meet me 134 00:05:32,400 --> 00:05:35,800 Speaker 3: at three twenty nine, six o'clock tonight. How goot them numbers? 135 00:05:35,839 --> 00:05:39,080 Speaker 2: Okay, okay, So how about these numbers right here? A 136 00:05:39,320 --> 00:05:41,520 Speaker 2: seven seven twenty nine, Steve? 137 00:05:41,640 --> 00:05:42,680 Speaker 3: What this means? 138 00:05:42,800 --> 00:05:44,280 Speaker 2: A seven seven twenty. 139 00:05:44,080 --> 00:05:46,320 Speaker 3: Nine Steve eight seven seven twenty nine. 140 00:05:46,360 --> 00:05:48,159 Speaker 2: Ce. You ain't never heard that number before. 141 00:05:50,080 --> 00:05:50,840 Speaker 3: It's fun for me. 142 00:05:51,200 --> 00:05:53,680 Speaker 2: That's the number to the Steve Harvey Morning Show. Because 143 00:05:53,680 --> 00:05:56,520 Speaker 2: this is nephew Tommy, and you just got pranked by 144 00:05:56,560 --> 00:06:00,640 Speaker 2: your coworker, limbo ivy make that. 145 00:06:02,960 --> 00:06:06,560 Speaker 3: It's it's times crazy as hell. I'm believe it for hers. 146 00:06:07,240 --> 00:06:11,200 Speaker 3: Hadn't rolling got me about to take off and go 147 00:06:11,240 --> 00:06:13,240 Speaker 3: to Lisa off and college height. 148 00:06:13,360 --> 00:06:14,640 Speaker 2: Now, who you. 149 00:06:14,600 --> 00:06:15,440 Speaker 3: Say, got enough? 150 00:06:16,200 --> 00:06:16,920 Speaker 2: You got a coworker? 151 00:06:17,000 --> 00:06:22,320 Speaker 3: N ain't Linda, Linda. Ain't this about numbers coming from Linda? 152 00:06:22,440 --> 00:06:26,240 Speaker 3: Right now? I wonder nobody, man, she takes so long 153 00:06:26,440 --> 00:06:30,599 Speaker 3: she puts you out? Man, God, yeah, I hadn't going though. 154 00:06:30,600 --> 00:06:32,960 Speaker 2: Man, Hey, Dale, I got one more thing, ask man, 155 00:06:35,680 --> 00:06:37,720 Speaker 2: d you at work for real? Ain't you? 156 00:06:37,800 --> 00:06:39,680 Speaker 3: Yeah? 157 00:06:39,760 --> 00:06:42,080 Speaker 2: Hey, man, what's the bad radio show in the land? Man? 158 00:06:42,279 --> 00:06:43,760 Speaker 3: The Steve brother Morning Show? 159 00:06:45,040 --> 00:06:46,839 Speaker 2: All right, Man, get back to work. Man, your phone 160 00:06:46,839 --> 00:06:47,760 Speaker 2: off the hook over there? 161 00:06:48,320 --> 00:06:48,719 Speaker 3: All right? 162 00:06:51,920 --> 00:06:57,680 Speaker 1: And there you have it. Three sixteen. It is three sixteen. Yeah, 163 00:06:58,720 --> 00:07:00,839 Speaker 1: apartment is doing all that? 164 00:07:01,279 --> 00:07:03,000 Speaker 2: Hey, hey, hey, hey. 165 00:07:02,839 --> 00:07:04,600 Speaker 1: You know it's the number I got to be at 166 00:07:04,600 --> 00:07:04,880 Speaker 1: all right? 167 00:07:05,480 --> 00:07:07,880 Speaker 2: Nah, that's that's one. Still gonna have to be there, 168 00:07:10,320 --> 00:07:13,320 Speaker 2: ain't nobody over, Thanks nobody, You're still gonna have to 169 00:07:13,320 --> 00:07:13,680 Speaker 2: be there. 170 00:07:14,320 --> 00:07:19,520 Speaker 1: That's just a desire of yours. Well, how about June nineteen. 171 00:07:19,640 --> 00:07:23,400 Speaker 1: That's a good number. June nineteen, June nineteenth, comedy celebration 172 00:07:23,480 --> 00:07:28,360 Speaker 1: Bubba Douve, Melaniko Manjo Donel Rollins. We got JJ Williamson 173 00:07:28,440 --> 00:07:31,160 Speaker 1: Earthquake in the building hosted by Yours truly and the 174 00:07:31,240 --> 00:07:33,880 Speaker 1: legend himself, D. L. Hugley would be in the building 175 00:07:33,920 --> 00:07:37,240 Speaker 1: that is in Fort Worth, Texas Dickey's Arena, and it's 176 00:07:37,240 --> 00:07:40,880 Speaker 1: all going down celebration Thursday, June nineteenth, and tickets are 177 00:07:40,880 --> 00:07:44,040 Speaker 1: on sale right now. It's an all white of fans, 178 00:07:44,040 --> 00:07:45,920 Speaker 1: so make sure you get your tickets and then we're 179 00:07:45,920 --> 00:07:48,679 Speaker 1: gonna slide over to my next date that is Saturday, 180 00:07:48,800 --> 00:07:54,280 Speaker 1: July twenty six, Cadence Bank Arena, Tupelo, Mississippi. Blues in comedy. 181 00:07:54,280 --> 00:07:56,960 Speaker 1: That's Dukes and Boots. Dukes and Boots. It's a farewell 182 00:07:57,040 --> 00:07:59,920 Speaker 1: tour for Sir Charles Jones and Tigers Drowne sale at 183 00:08:00,120 --> 00:08:05,720 Speaker 1: all Ticketmaster outlets. And it is also an all white affair. Okay, 184 00:08:05,840 --> 00:08:08,400 Speaker 1: all right, that's what we're doing now. This is the 185 00:08:08,440 --> 00:08:12,680 Speaker 1: one I'm getting really excited about. Greeks and Grapes. Now, 186 00:08:12,680 --> 00:08:14,720 Speaker 1: you don't have to be Greek to come, but Greeks 187 00:08:14,760 --> 00:08:17,120 Speaker 1: and Grapes a napple of fair. 188 00:08:17,280 --> 00:08:18,000 Speaker 2: It is music. 189 00:08:18,080 --> 00:08:20,880 Speaker 1: It's a music and Comedy Festival and you do not 190 00:08:21,120 --> 00:08:24,800 Speaker 1: want to miss it August seventy through the tenth Meritage 191 00:08:24,960 --> 00:08:28,480 Speaker 1: Resort and spot Greeks and Grapes Baby, So all you 192 00:08:28,640 --> 00:08:31,080 Speaker 1: noops out there, y'all got to come represent because Tom 193 00:08:31,080 --> 00:08:32,640 Speaker 1: we're gonna be in the bell and showing out. So 194 00:08:32,960 --> 00:08:35,240 Speaker 1: tickets are on sale right now. 195 00:08:35,640 --> 00:08:36,200 Speaker 2: I like it. 196 00:08:36,240 --> 00:08:42,600 Speaker 1: I'm coming, ok, yeah, win and joking. We just getting started, 197 00:08:42,600 --> 00:08:45,160 Speaker 1: So go to Greeks and Grapes dot com Greeks and 198 00:08:45,320 --> 00:08:47,520 Speaker 1: Grapes dot com and you're ready. You don't want to 199 00:08:47,520 --> 00:08:49,640 Speaker 1: miss this one. This is the first one and we're 200 00:08:49,679 --> 00:08:50,320 Speaker 1: jumping it off. 201 00:08:52,640 --> 00:08:53,240 Speaker 3: You're listening 202 00:08:54,760 --> 00:08:55,320 Speaker 2: Morning show